Latest / Cuff’s Basement / Pretty Woman

Transcript

Pretty Woman · Cuff’s Basement

• 0:00
  Speaker 1: Today's podcast is brought to you by Doctor Dan Salted Clams,
• 0:04
  Speaker 1: Dan salts clams, so slicks, so snappy, so satisfyingly scrunchy,
• 0:08
  Speaker 1: that fast talking tongues stumble, he shucks, salts stacks, seals
• 0:13
  Speaker 1: salty clams, snap, slap and slither straight past sanity. Don't
• 0:19
  Speaker 1: sleep on Dan's seasoned shell snacks, slick shucked salt sprinkled
• 0:23
  Speaker 1: sea snatched clams that crunch, clean, clack, loud, and clam
• 0:27
  Speaker 1: jam your appetite, Say it slower, say it scared. Doctor
• 0:32
  Speaker 1: Dan's salted clams sells so well you won't get sunk.
• 0:46
  Speaker 1: Always like a fast through bee off culture chaos, and
• 0:49
  Speaker 1: you safely crass Christ Stream. Welcome back to Cuff's Basement.
• 0:58
  Speaker 1: It is the year of our Lord, twenty twenty six.
• 1:01
  Speaker 1: I can't believe it's already here, Ryan, what's it like
• 1:04
  Speaker 1: being in twenty twenty six.
• 1:06
  Speaker 2: I don't know. It's like, I don't know, it's like January.
• 1:09
  Speaker 2: It's crazy.
• 1:10
  Speaker 1: I know, it's totally it's totally January right now as
• 1:14
  Speaker 1: we record this. And we have a very special guest today,
• 1:20
  Speaker 1: back with a Vengeance. I was really it's been too long.
• 1:25
  Speaker 1: There's several movies I want to do with him, and
• 1:28
  Speaker 1: this happens to be one of them.
• 1:29
  Speaker 3: We have mister Andrew.
• 1:31
  Speaker 4: Kelly, who bite me, cuff, bite me.
• 1:37
  Speaker 3: I'm doing some cheer sound effects.
• 1:39
  Speaker 2: Yeap, well live from Pandora. It's great.
• 1:43
  Speaker 3: That's what Andy's background looks like.
• 1:45
  Speaker 4: Yeah, open to my planet.
• 1:50
  Speaker 3: Okay, done, I'm done with this effects.
• 1:54
  Speaker 1: We are talking today about the same in Diego wildfires
• 2:01
  Speaker 1: and the palace has fired specifically and how Andy was impacted.
• 2:05
  Speaker 1: We're having a Patreon fundraiser to rebuild his children's school.
• 2:11
  Speaker 1: It was burned down to the ground. You can venmo
• 2:13
  Speaker 1: me directly and I will make sure that the money
• 2:17
  Speaker 1: gets to the right place.
• 2:20
  Speaker 3: But thanks for thanks for coming on. I know it
• 2:21
  Speaker 3: was very traumatic for you. Andy.
• 2:24
  Speaker 4: You know it's the season of giving. But there's a
• 2:26
  Speaker 4: lot of creeps out there trying to go fund steal money.
• 2:29
  Speaker 4: So watch out for the cuffs.
• 2:31
  Speaker 1: Yeah, I watch you meant to say, watch out cup
• 2:35
  Speaker 1: for the those bad people.
• 2:39
  Speaker 3: Yeah.
• 2:39
  Speaker 1: But anyways, no, we're here. In the past, Andy has
• 2:42
  Speaker 1: come on to talk about mostly like eighties movies, right,
• 2:49
  Speaker 1: mostly eighties movies mostly, Yeah, forgot about but that's like
• 2:57
  Speaker 1: based on eighties movies. So yeah, it is, but either
• 3:01
  Speaker 1: really dumb action movies or recently we dabbled into sort
• 3:07
  Speaker 1: of rom com like Dirty Dancing. We talked about Dirty Dancing.
• 3:10
  Speaker 1: It's not really a brom comm it's more drama. Yeah,
• 3:14
  Speaker 1: but we the three of us were discussing. I don't
• 3:17
  Speaker 1: know how we got here from It was like swazy.
• 3:20
  Speaker 1: We were talking about maybe doing Ghost and then I
• 3:23
  Speaker 1: don't know how we got to Pretty Woman.
• 3:25
  Speaker 3: But have all of us not seen it?
• 3:29
  Speaker 2: I had?
• 3:31
  Speaker 4: I had seen it, had twice.
• 3:34
  Speaker 1: Okay, Okay, I don't we agree on Woman.
• 3:40
  Speaker 5: We brought it up on Wayne's World. It was brought
• 3:43
  Speaker 5: up and I was like, I hadn't seen it.
• 3:45
  Speaker 2: Neither had you?
• 3:48
  Speaker 4: Okay AND's pick? This was Ryan's pick.
• 3:52
  Speaker 1: Oh, you're right, you're right because we were discussing what
• 3:55
  Speaker 1: we should do. I wanted to do Stone Calls during
• 3:57
  Speaker 1: Brian Bosworth and right is just a Pretty Woman, which
• 4:01
  Speaker 1: is a slightly better known film.
• 4:06
  Speaker 4: The choices, Yeah, those are two really good choices.
• 4:10
  Speaker 1: And we always say here in the basement that if
• 4:15
  Speaker 1: you triple your budget for a film, then you're considered
• 4:18
  Speaker 1: a success or. It's like a win by the studio.
• 4:23
  Speaker 1: So pretty Woman, we've had We've talked about some staggering
• 4:25
  Speaker 1: movies recently. Pretty Woman had a budget of fourteen million
• 4:29
  Speaker 1: dollars and then Andy, do you know how much?
• 4:32
  Speaker 3: It made.
• 4:35
  Speaker 4: Three hundred, four hundred.
• 4:37
  Speaker 1: And sixty three million dollars, So it made what is that?
• 4:42
  Speaker 1: What's the mat there for your an accountant? For sixty
• 4:45
  Speaker 1: three divided by fourteen It made thirty three times its budget,
• 4:49
  Speaker 1: so we said three times its budgets. As a success,
• 4:52
  Speaker 1: this made thirty three times its budget.
• 4:56
  Speaker 5: I was reading today it was the highest grossing lie
• 5:00
  Speaker 5: action movie made by Disney ever at that time.
• 5:03
  Speaker 1: Wow, isn't the highest grossing romantic comedy.
• 5:08
  Speaker 2: Still, it's gotta be. It has to be.
• 5:12
  Speaker 1: It is the number one romantic comedy by the highest
• 5:14
  Speaker 1: estimated domestic tickets sold, slightly ahead of My big fact
• 5:18
  Speaker 1: Greek wedding.
• 5:18
  Speaker 3: That's kind of funny that it's too.
• 5:21
  Speaker 2: Yeah, I had a huge percentage difference too. Yeah.
• 5:24
  Speaker 1: At the time of its release, it was the fifth
• 5:26
  Speaker 1: highest grossing film ever.
• 5:30
  Speaker 3: But it was released in nineteen ninety.
• 5:32
  Speaker 2: R rated romantic comedy.
• 5:34
  Speaker 1: I think this is a really weak are like this
• 5:37
  Speaker 1: could have easy.
• 5:39
  Speaker 2: I was very surprised it was rated R I like
• 5:40
  Speaker 2: double checked it. I was very surprised by that.
• 5:42
  Speaker 3: Yeah.
• 5:42
  Speaker 4: Yeah, Julia just speaks to international audiences. She's global.
• 5:48
  Speaker 1: Well, this is directed by this is directed by Rob
• 5:52
  Speaker 1: Ryan or another curse of the podcast.
• 5:53
  Speaker 3: Nope, it wasn't. It wasn't directed too soon.
• 5:59
  Speaker 1: Come on, after what Trump tweeted, I can say whatever
• 6:01
  Speaker 1: I want about Rob Bryner.
• 6:02
  Speaker 3: I'm not getting canceled.
• 6:04
  Speaker 4: It's twenty twenty six, Yeah it is.
• 6:06
  Speaker 3: That was last year.
• 6:07
  Speaker 1: It was forever ago. It's directed by Gary Marshall. Gary
• 6:11
  Speaker 1: Marshall is known for creating Happy Days. He also worked
• 6:17
  Speaker 1: on I Love Lucy and Dick Van Dyke. He has
• 6:20
  Speaker 1: directed a lot of famous movies Beaches, Pretty Woman, Exit
• 6:25
  Speaker 1: to Eton, The Runaway Bride, Princess Diaries, Valentine's Day, New
• 6:32
  Speaker 1: Year's Eve, and Mother's Day?
• 6:33
  Speaker 3: Yikes? What other?
• 6:36
  Speaker 2: What the trilogy?
• 6:38
  Speaker 3: The trilogy? Yeah? Oh, he is dead.
• 6:41
  Speaker 1: Okay, I didn't know if he was dead or not.
• 6:42
  Speaker 1: He died in twenty sixteen. Oh wow, okay, he's eighty one.
• 6:48
  Speaker 3: Oh his sister.
• 6:49
  Speaker 1: I knew that he was related to Penny Marshall. Somehow,
• 6:52
  Speaker 1: it is.
• 6:53
  Speaker 3: It's his sister.
• 6:54
  Speaker 2: They all they play husband and wife in Hocus Pocus.
• 6:57
  Speaker 1: But okay, strange. He's just acted in a bunch of
• 7:01
  Speaker 1: stuff too.
• 7:02
  Speaker 2: Yeah, very much so.
• 7:03
  Speaker 4: Yeah, he's in this movie for hot second.
• 7:08
  Speaker 3: Oh yeah, he has a cameo, right, he's.
• 7:11
  Speaker 4: The homeless guy that doesn't give directions at the beginning.
• 7:14
  Speaker 1: Oh, this is Stallan's house, which we have a comment
• 7:17
  Speaker 1: about that later. And it was starring Richie Gia and
• 7:24
  Speaker 1: then relatively unknown Julia Roberts. She was twenty one years old.
• 7:28
  Speaker 1: She'd only been a Mystic Pizza like, she was kind
• 7:31
  Speaker 1: of unknown. She just because of Mistic Pizza in this
• 7:34
  Speaker 1: movie launched her into the absolute stratosphere explosion. It also
• 7:39
  Speaker 1: stars Ralph Bellamy in his last role before he died,
• 7:44
  Speaker 1: Hector Alizondo, who's still around like he's been in a
• 7:47
  Speaker 1: million things.
• 7:48
  Speaker 2: You'll recognize that, Gary Marshall regular yep. Oh yeah, okay,
• 7:54
  Speaker 2: very much so.
• 7:56
  Speaker 1: He was in How High Andy.
• 7:58
  Speaker 4: Yeah, that's the coach.
• 8:01
  Speaker 1: Jason Alexander, and Laura san Giacomo, who I remember very
• 8:05
  Speaker 1: well from Just Shoot Me. She was one of the
• 8:07
  Speaker 1: she was like pretty much the female lead of the
• 8:10
  Speaker 1: show and Just Shoot Me, which I was a big
• 8:11
  Speaker 1: fan of. Yeah, and I I don't know why I've
• 8:18
  Speaker 1: never seen this movie. I mean, everybody has holes in
• 8:20
  Speaker 1: their game. They're like, I still haven't seen Apocalypse now everybody. Yeah,
• 8:26
  Speaker 1: they're really famous movies, like Ryan, what's another hole in
• 8:29
  Speaker 1: your game movie?
• 8:30
  Speaker 3: Other than Pretty Woman?
• 8:32
  Speaker 2: Oh my god?
• 8:33
  Speaker 5: We named like three of them during Wayne's World. Oh
• 8:38
  Speaker 5: Gone with the Wind and it's an older one, never seen.
• 8:41
  Speaker 3: That, never seen them in the Wind?
• 8:44
  Speaker 2: Yeah big. I'm not saying like modern ones, like big ones.
• 8:49
  Speaker 2: It's always weird.
• 8:52
  Speaker 5: Yeah, yeah, I can't think of it, but we I
• 8:53
  Speaker 5: know we mentioned a few on Wayne's World.
• 8:56
  Speaker 1: But and I just I don't know. I'm not a
• 8:58
  Speaker 1: big Julia Roberts fan, never have ben, I just had no,
• 9:03
  Speaker 1: not like a huge Richard Gear fan.
• 9:05
  Speaker 3: I don't.
• 9:05
  Speaker 1: I don't hate either of them, but I'm not like, oh,
• 9:07
  Speaker 1: Richard Gear, you know what I mean? There are movies
• 9:11
  Speaker 1: that I like, The Jackal Riacher.
• 9:12
  Speaker 3: Gear is the main character in that. Is that the
• 9:15
  Speaker 3: one where he's Irish Ryan?
• 9:17
  Speaker 1: Yes, yeah, yep, but he was like an established star
• 9:22
  Speaker 1: at this point, so yeah, we can talk about Richard
• 9:28
  Speaker 1: Gear and the movie poster he does not have gray hair.
• 9:31
  Speaker 1: I don't know who they thought they were tricking with
• 9:33
  Speaker 1: that one.
• 9:35
  Speaker 2: But as I thought in the movie was very off
• 9:37
  Speaker 2: and on too.
• 9:38
  Speaker 5: I felt like it was way grayer in some parts
• 9:40
  Speaker 5: than it was in the other parts of the movie.
• 9:42
  Speaker 3: Yeah.
• 9:42
  Speaker 1: Yeah, So a pretty woman came out, So that was
• 9:44
  Speaker 1: nineteen ninety he was.
• 9:49
  Speaker 3: Oh wow, he was forty one and she was twenty one.
• 9:52
  Speaker 2: Jesus, really there was that pick of a gap.
• 9:55
  Speaker 1: Yeah, because I thought he was more of like a sexy,
• 9:58
  Speaker 1: prematurely gray man like Joean, but he is significantly older
• 10:02
  Speaker 1: than her.
• 10:02
  Speaker 3: I didn't really really realize that.
• 10:04
  Speaker 2: Wow.
• 10:05
  Speaker 3: Yeah, they do.
• 10:06
  Speaker 1: One of the things that I kept reading about when
• 10:08
  Speaker 1: I was reading about like how this movie performed is
• 10:10
  Speaker 1: everyone credited that they had fantastic chemistry, and I think
• 10:14
  Speaker 1: that they did.
• 10:15
  Speaker 3: Would you agree with that?
• 10:18
  Speaker 1: Yeah?
• 10:20
  Speaker 4: I think it was slow. I don't know, there's that
• 10:24
  Speaker 4: initial like when she goes to his room, it's awkward,
• 10:26
  Speaker 4: but that's maybe that's just part of the movie, right,
• 10:29
  Speaker 4: they just met, but after that they were rolling good banter.
• 10:34
  Speaker 1: Yeah, good band trap top, they just start a pod.
• 10:38
  Speaker 1: And also, she's just incredibly likable in this Yes, I
• 10:43
  Speaker 1: think that's what sells the movie, is just her likability.
• 10:47
  Speaker 2: Yeah, yeah, she's very magnetic in.
• 10:48
  Speaker 4: This Yeah, she's like the cutest eater of all time
• 10:53
  Speaker 4: on film, That's what I like. She's always eating with
• 10:55
  Speaker 4: her mouth open, and I was like, it's just dorable.
• 10:58
  Speaker 1: You know, there's some truly there's some truly atrocious noise
• 11:04
  Speaker 1: going on upstairs.
• 11:05
  Speaker 4: Oh shit, you gonna go up?
• 11:08
  Speaker 3: Yeah?
• 11:09
  Speaker 1: A hold moment second, No, okay, So I think that
• 11:13
  Speaker 1: we'll we'll get into it. But this movie, the concept
• 11:17
  Speaker 1: of this movie is utterly ridiculous. Really some confusing, baffling
• 11:23
  Speaker 1: choices all around. I think that this is like the
• 11:27
  Speaker 1: you couldn't tell this story this way now, and like
• 11:32
  Speaker 1: they kind of did remake this movie in a way.
• 11:35
  Speaker 1: It was called a Nora, and I think A Noor
• 11:37
  Speaker 1: was much more realistic then This movie portrays what this
• 11:41
  Speaker 1: situation would be like the.
• 11:44
  Speaker 5: Had that thirty four years of cultural experience to dwell
• 11:47
  Speaker 5: on with a nourra.
• 11:48
  Speaker 3: Yeah, yeah, you know, yeah.
• 11:50
  Speaker 2: I think it is.
• 11:51
  Speaker 5: Did you read about the like how this movie was
• 11:53
  Speaker 5: written and about the writer at all?
• 11:55
  Speaker 1: I did read that. I mean it's like based on
• 11:57
  Speaker 1: pig Malion, which pig Mellion for those that don't know,
• 12:00
  Speaker 1: it's like trading places with Eddie Murphy and Jannackroyd. It's
• 12:04
  Speaker 1: like rich guys are like, oh, I can make this
• 12:08
  Speaker 1: street urchin scum. I can have them fit into high society.
• 12:14
  Speaker 1: So there's like a pig million aspect to it. And
• 12:16
  Speaker 1: then also I read that originally in the script it
• 12:18
  Speaker 1: was darker and she was addicted to drugs and that
• 12:21
  Speaker 1: was part of their deal. Was Richard Gear said, you
• 12:23
  Speaker 1: can't do drugs, but anyways, go ahead, Ryan, No.
• 12:27
  Speaker 2: Just the exact thing.
• 12:28
  Speaker 5: Like it was a way darker script, a much darker ending.
• 12:30
  Speaker 5: Apparently the guy wrote it wrote it like in like
• 12:35
  Speaker 5: a screenwriting class. Mmm, and like it got bought by
• 12:39
  Speaker 5: Disney and then changed by this but like it was
• 12:42
  Speaker 5: such a huge hit it got it like an entire career.
• 12:44
  Speaker 5: But like it was such a different script entirely, and
• 12:48
  Speaker 5: that I think the name also was different too, as
• 12:50
  Speaker 5: we talked about it.
• 12:52
  Speaker 1: Yeah, yeah, no, actually it was I'm sorry, it was
• 12:54
  Speaker 1: dirty prostitute, that's right. Yeah, No, it was three thousand
• 13:00
  Speaker 1: for two reasons. Number one, that's the amount of money
• 13:03
  Speaker 1: they agree upon for the situation, and number two. Later
• 13:06
  Speaker 1: the Bernie mac film about the baseball player was called
• 13:08
  Speaker 1: Mister three thousand so that, Yeah, to.
• 13:16
  Speaker 2: Go to a baseball game. Who is that? You don't
• 13:18
  Speaker 2: know him?
• 13:19
  Speaker 3: Oh, it's mister three thousand. She goes you guys, that's
• 13:22
  Speaker 3: what we agree.
• 13:23
  Speaker 2: Guys, see you guys in thirteen years?
• 13:28
  Speaker 3: Was it really two thousand and three?
• 13:31
  Speaker 5: Itur But Bernie Mac looks at the camera.
• 13:34
  Speaker 1: I saw to you in thirteen years and then they
• 13:37
  Speaker 1: actually make it.
• 13:41
  Speaker 3: Oh, that'd be great. I would love that.
• 13:45
  Speaker 1: But this movie starts and I think the first line
• 13:48
  Speaker 1: in the movie, I can't remember if it's Jason Alexander
• 13:50
  Speaker 1: or Richard Gear. It's no matter what they say, It's
• 13:54
  Speaker 1: all about money, is the opening line of the movie.
• 13:59
  Speaker 3: Rich Gear plays Edward Edward Ryan. What would you do? How
• 14:04
  Speaker 3: would you describe Edward and what he does?
• 14:07
  Speaker 2: He is a financial dealer, broker.
• 14:12
  Speaker 3: Guy, mergers and acquisitions.
• 14:16
  Speaker 2: Mergers and acquisitions.
• 14:17
  Speaker 5: He reminded me of Peter Banning from Hook a little
• 14:20
  Speaker 5: bit with what he does for a job.
• 14:24
  Speaker 3: Yeah.
• 14:25
  Speaker 2: It's very uh, just very like somewhat yuppyish guy. Oh.
• 14:31
  Speaker 1: I think he's a very uppish guy.
• 14:34
  Speaker 4: He's emotionally unavailable, guys.
• 14:37
  Speaker 2: His biggest crime.
• 14:38
  Speaker 1: Yeah, and that's the that's the nature of his job.
• 14:42
  Speaker 1: You have to be emotionally unavailable. You have to be
• 14:44
  Speaker 1: called Patrick Bateman and American Psycho was in mergers and
• 14:48
  Speaker 1: acquisitions or is he called it murders and executions, But
• 14:51
  Speaker 1: he basically Richard gear When there's a very large company
• 14:54
  Speaker 1: worth a lot of money that hits a really big
• 14:59
  Speaker 1: roadblock block problem that devalues them, he will buy them
• 15:04
  Speaker 1: for a lot of money opportunistically and then sort of
• 15:08
  Speaker 1: like pick the company apart and sell each of the
• 15:11
  Speaker 1: parts of the company to the highest bider and making
• 15:13
  Speaker 1: it makes a lot of money, and then moves on
• 15:16
  Speaker 1: to the next company. So doesn't really do anything. He
• 15:18
  Speaker 1: just like buys these flailing big companies, destroys them, reaps
• 15:22
  Speaker 1: the profit, and then moves on to the next one.
• 15:26
  Speaker 1: And his right hand man at work is his attorney
• 15:30
  Speaker 1: named Philip. He's sort of the Andy of the film.
• 15:33
  Speaker 1: He's played by Jason Alexander. Jason Alexander or George from
• 15:37
  Speaker 1: Seinfeld This pre date Seinfeld correct.
• 15:41
  Speaker 2: Not by much, right, it's only a year or two?
• 15:43
  Speaker 1: Yeah, yeah, and Andy, how would you describe Philip.
• 15:50
  Speaker 4: Money power, hungry? I think At one point Richard Geart
• 15:54
  Speaker 4: tells him that he just likes the kill sounds like,
• 15:59
  Speaker 4: sounds like right a little bit at work. I think
• 16:01
  Speaker 4: someone Ryan got that on a performance review.
• 16:05
  Speaker 1: Just you need to just stop focusing on the kill
• 16:08
  Speaker 1: that said, God, somebody wrote that in your performance review.
• 16:12
  Speaker 5: If your company, like leadership saw that within a review
• 16:14
  Speaker 5: for someone wrote to somebody, they should be concerned.
• 16:16
  Speaker 2: Yeah.
• 16:17
  Speaker 1: And this opening scene, it's like some fancy yuppie party
• 16:22
  Speaker 1: or something that Richard gear is hosting.
• 16:24
  Speaker 3: Edward and.
• 16:26
  Speaker 1: I like, this is the first scene where I was like,
• 16:29
  Speaker 1: this is so problematic the whole concept of this. So
• 16:31
  Speaker 1: there's a call for him and he gets on the
• 16:33
  Speaker 1: phone is Jessica and basically it's Jessica's current girlfriend, and
• 16:41
  Speaker 1: he's like, where are you? This is a very important
• 16:43
  Speaker 1: week for me at work. My secretary should have made
• 16:46
  Speaker 1: arrangements with you, like you need to be here. And
• 16:49
  Speaker 1: then she says, I'm not at your beck and call
• 16:54
  Speaker 1: I talked to your secretary more than you, Like, I
• 16:57
  Speaker 1: can't just be there when you want and not be
• 17:00
  Speaker 1: there when you don't, And talk to your secretary and like, yeah,
• 17:03
  Speaker 1: like you snap your fingers, I appear I'm out. That's
• 17:06
  Speaker 1: not a relationship, and she hangs up on him, and
• 17:09
  Speaker 1: I just know in this moment, He's like, but if
• 17:11
  Speaker 1: I got a prostitute, then she would have to do
• 17:16
  Speaker 1: whatever I say. Like the gears are starting to turn
• 17:20
  Speaker 1: in his head, and I'm like, oh, I don't. I
• 17:22
  Speaker 1: don't like that at all.
• 17:25
  Speaker 4: Yeah, you're saying this is his pickup of Julia Row premeditated.
• 17:29
  Speaker 1: Oh, let's we'll get into that. He's he's just driving around, like, well,
• 17:34
  Speaker 1: we'll talk about that. And he says to like this
• 17:39
  Speaker 1: woman at the party that is a long time ex girlfriend.
• 17:42
  Speaker 1: He says, did you talk to my secretary more than me?
• 17:45
  Speaker 1: And she said, your secretary ended up being my bridesmaid
• 17:48
  Speaker 1: when I got married, and he's like, ah damn.
• 17:52
  Speaker 5: Also before this too, he's like, oh, I'm sorry I
• 17:55
  Speaker 5: couldn't make your wedding whatever, and she's like, well, I
• 17:57
  Speaker 5: couldn't wait for you for too long. And I was like,
• 17:59
  Speaker 5: is your husband here. That's a pretty odd thing to say.
• 18:02
  Speaker 5: You just got married and like you were waiting for
• 18:04
  Speaker 5: this other guy to do it.
• 18:05
  Speaker 1: Yeah, yeah, I mean that's what happens. Edward is a
• 18:08
  Speaker 1: very eligible bachelor. He's worth like gotta be worth like
• 18:11
  Speaker 1: a billion dollars, and he's handsome. This yeah, but I
• 18:18
  Speaker 1: agree with you, Ryan, It's kind of an awkward thing
• 18:20
  Speaker 1: to say. This soundtrack was huge. I remember my mom
• 18:25
  Speaker 1: had this soundtrack on cassette and a sick song right
• 18:30
  Speaker 1: off the bat is King of Wishful Thinking by Go West.
• 18:34
  Speaker 1: Love this song, love this music video, fantastic.
• 18:39
  Speaker 4: Yeah, eighties hit Yeah, and.
• 18:42
  Speaker 1: Then sort of like wedged in I thought they were
• 18:44
  Speaker 1: trying too hard. Is Right after this, it was wild One.
• 18:49
  Speaker 1: You know, Oh, Baby, I'm a wild one like in
• 18:51
  Speaker 1: the very next scene. Who sings that song? I can't remember,
• 18:54
  Speaker 1: but the Pretty Woman's soundtrack was huge at the time.
• 18:59
  Speaker 3: I'm gonna look this up. I'm a real wild one,
• 19:02
  Speaker 3: wild one. Oh. This was also made into a musical.
• 19:07
  Speaker 1: Uh.
• 19:10
  Speaker 3: I don't know.
• 19:11
  Speaker 2: I can't find it.
• 19:14
  Speaker 3: I don't know.
• 19:15
  Speaker 1: I don't think so because it's it's clearly.
• 19:18
  Speaker 4: Not a wild thing.
• 19:24
  Speaker 2: Christopher.
• 19:26
  Speaker 1: Okay, Okay, there you go. Gotta keep it lose, gotta
• 19:31
  Speaker 1: keep it swinging, baby. So the first shot I wrote
• 19:35
  Speaker 1: I wrote this movie. I wrote a note that the
• 19:38
  Speaker 1: first shot of Julia Roberts character in this movie, she's
• 19:40
  Speaker 1: completely nude.
• 19:41
  Speaker 3: But that's not true. That was a joke to myself.
• 19:44
  Speaker 1: The first shot of her is.
• 19:49
  Speaker 3: What is she doing?
• 19:50
  Speaker 1: Is she's just like getting ready to go out? I
• 19:53
  Speaker 1: think so, right, Yes, she's in bed. She's living with
• 20:00
  Speaker 1: Kit female and they're getting dressed ready to.
• 20:07
  Speaker 3: Work. Quote unquote.
• 20:09
  Speaker 1: There's a comment about like Kit is doing drugs and
• 20:12
  Speaker 1: is spending money on drugs. Yeah, and she's like, nah,
• 20:16
  Speaker 1: I mean, I know we're prostitutes, but like we can't
• 20:18
  Speaker 1: be spending our money on drugs.
• 20:21
  Speaker 4: It spends the rent money on drugs. This is the problem. Yeah,
• 20:26
  Speaker 4: it's very light. The sex worker stuff is so light,
• 20:29
  Speaker 4: and as you said, in this movie, it's.
• 20:32
  Speaker 3: Yeah, this sexual stuff.
• 20:33
  Speaker 1: The only scene where it's not is like Kit and
• 20:36
  Speaker 1: Julia Roberts are going out to work and Kit Julia
• 20:39
  Speaker 1: Roberts's name Vivian. They're going out to work and they
• 20:42
  Speaker 1: see in an alley another prostitute has been like brutally
• 20:46
  Speaker 1: murdered and the detective investigating the murder is Hank Kazaria.
• 20:50
  Speaker 1: I thought that, like Hank Kazaria would be in the
• 20:52
  Speaker 1: movie again or this would be like another plot, and
• 20:55
  Speaker 1: it's just never mentioned again. And it's the only part
• 20:58
  Speaker 1: that's like, you know, being a maybe isn't great. Yeah,
• 21:03
  Speaker 1: I when she is they're talking about like how this
• 21:07
  Speaker 1: prostitute is murdered in an alley. I was watching this
• 21:09
  Speaker 1: with Ryan and I said, oh, that's so sad that
• 21:12
  Speaker 1: she was murdered, and Ryan just turned to me like
• 21:15
  Speaker 1: deadpan and said, whores aren't human and then went back
• 21:19
  Speaker 1: to watching the movie.
• 21:20
  Speaker 2: WHOA, you didn't watch this together? Watch today? I watched
• 21:24
  Speaker 2: this today after work for the time ever.
• 21:26
  Speaker 1: Yeah, yep, yeah, they they talked to Carlos. So basically,
• 21:31
  Speaker 1: Kit and Vivian are prostitutes. They live together, they're paying
• 21:35
  Speaker 1: rent money with their prostitution, and but they don't have
• 21:39
  Speaker 1: a pimp. They have a couple of rules.
• 21:41
  Speaker 3: Did you do Andy?
• 21:42
  Speaker 4: Do you remember the rules that they have no kissing
• 21:45
  Speaker 4: on the mouth.
• 21:46
  Speaker 3: That's an important one.
• 21:47
  Speaker 4: Yeah, that's too personal. That's all I got.
• 21:52
  Speaker 3: There's no pimps.
• 21:54
  Speaker 1: They determine how much it is, when it is, where
• 21:57
  Speaker 1: it is, what they do, who it's with.
• 22:00
  Speaker 3: It's all about like, that's.
• 22:01
  Speaker 1: Why they don't need a man running their life. That's
• 22:03
  Speaker 1: why they don't have a pimp.
• 22:05
  Speaker 4: But there is I have a question. Yeah, So I
• 22:08
  Speaker 4: feel like they make it seem like Julia Roberts is
• 22:11
  Speaker 4: just like she's new to the sex worker game, like
• 22:14
  Speaker 4: she's just dipped her toe in. How how long do
• 22:17
  Speaker 4: you think she's been involved with this? Because it's they
• 22:20
  Speaker 4: really act like she just got there like a week ago,
• 22:22
  Speaker 4: but she she says and does things where she seems
• 22:24
  Speaker 4: a little more nuanced in the process. So I was
• 22:27
  Speaker 4: a little like, she's been there for six months now.
• 22:32
  Speaker 1: I want to say, gone to my head, what's the
• 22:37
  Speaker 1: longest I think she could have been there?
• 22:38
  Speaker 3: I'm going to say like three years.
• 22:41
  Speaker 1: What's the shortest she could have been there? I'm going
• 22:44
  Speaker 1: to say like a year. She knew a lot about
• 22:50
  Speaker 1: the game.
• 22:51
  Speaker 4: Okay, I had her at like three to six months, Ryan,
• 22:55
  Speaker 4: what do you say?
• 22:56
  Speaker 2: No sorts thing?
• 22:57
  Speaker 5: When she's explaining like her backstory to Edward later in
• 23:02
  Speaker 5: the movie, she's it didn't seem super long the way
• 23:05
  Speaker 5: she talked about it, because again they kind of keep
• 23:09
  Speaker 5: talking about how she's new to the game and stuff
• 23:11
  Speaker 5: like that. But yeah, I don't know, I would think
• 23:16
  Speaker 5: a year most in my head that just I don't know,
• 23:18
  Speaker 5: just to make.
• 23:19
  Speaker 3: I think that.
• 23:19
  Speaker 1: When she talks about the backstory, and she was like
• 23:21
  Speaker 1: when I first turned my first trick, I cried. She
• 23:24
  Speaker 1: was like, to me, she was talking about that like
• 23:26
  Speaker 1: it was the distant past.
• 23:29
  Speaker 3: But so she's explaining, like she has they don't have
• 23:33
  Speaker 3: any money. Kit spend her money on drugs.
• 23:36
  Speaker 1: So she's arguing with Kit and there's this really good
• 23:38
  Speaker 1: friend that they have new Carlos.
• 23:39
  Speaker 3: Carlos is a.
• 23:40
  Speaker 1: Good dude, and Kit explains, well, I not only did
• 23:44
  Speaker 1: I spend all of her own money, but I still
• 23:46
  Speaker 1: owe Carlos two hundred dollars. So Vivian says, are you serious,
• 23:50
  Speaker 1: and Carlos goes.
• 23:52
  Speaker 3: Don't worry.
• 23:52
  Speaker 1: Vivian, like, if you want to work off Kid's debt
• 23:56
  Speaker 1: with me, I'll allow that. And I was like, oh,
• 23:59
  Speaker 1: that's really nice Carlos. So basically, if you have sex
• 24:01
  Speaker 1: with Carlos, he will call off Kid's debt.
• 24:04
  Speaker 3: That's a really good friend.
• 24:05
  Speaker 4: And roommate, team player, team player.
• 24:09
  Speaker 1: Carlos is a team player. Have you ever been in
• 24:11
  Speaker 1: that situation with Sean Ryan.
• 24:14
  Speaker 2: Where I have had to pay off his debt?
• 24:17
  Speaker 1: No, like where you have to maybe sleep with somebody,
• 24:20
  Speaker 1: possibly like Carlos, in order to pay back his debt.
• 24:25
  Speaker 2: I'd rather move on to the next part of the movie.
• 24:27
  Speaker 2: That's okay, fair enough, fair enough.
• 24:31
  Speaker 1: Uh So, Richard Gear steals Jason Alexander's car because this
• 24:37
  Speaker 1: is his lawyer, and he's sort of busting his balls, like, Hey,
• 24:39
  Speaker 1: I'm gonna take your car. They talk about the car
• 24:41
  Speaker 1: a lot I don't know anything about cars. I don't care.
• 24:44
  Speaker 1: But what kind of car is its Lotus?
• 24:47
  Speaker 3: I don't know anything about a Lotus.
• 24:50
  Speaker 2: Do you either?
• 24:51
  Speaker 4: It's like a British I think it's a British luxury
• 24:56
  Speaker 4: sports car.
• 24:57
  Speaker 3: Yeah, so he's Richard Gear.
• 25:00
  Speaker 1: Edward is quote unquote just driving around, just borrowing a
• 25:03
  Speaker 1: car and driving around. He's definitely not looking for a prostitute.
• 25:07
  Speaker 1: He rolls over and asks a bum who is dumpster
• 25:10
  Speaker 1: diving how to get to Beverly Hills, and the bum,
• 25:15
  Speaker 1: who's Gary Marshall's voice, says, Oh, it's right here, this
• 25:19
  Speaker 1: is Stallone's house.
• 25:20
  Speaker 3: There's a joke.
• 25:21
  Speaker 1: And I thought that was very interesting because there's two
• 25:24
  Speaker 1: rumors about Richard Gear, one of which is not really
• 25:27
  Speaker 1: a rumor, it's fact.
• 25:28
  Speaker 3: But Ryan, do you know what I'm referring to.
• 25:31
  Speaker 2: About Richard Gear?
• 25:32
  Speaker 3: No?
• 25:33
  Speaker 1: Okay, Well, the specifically stillone related rumor is there's a
• 25:37
  Speaker 1: well known rumor that Richard Gear the whole like Lemmy
• 25:42
  Speaker 1: Winks South Park Hamsters putting hamsters inside your body?
• 25:47
  Speaker 2: That Oh oh yes, okay, okay.
• 25:51
  Speaker 1: That was a rumor about Richard Gear. I don't know why,
• 25:53
  Speaker 1: but I've heard that started by Sylvester Stallone because Sylvester
• 25:57
  Speaker 1: Stalone didn't like him or something like that.
• 26:00
  Speaker 2: What what are you? What?
• 26:02
  Speaker 5: What avenues are you guys stepping on? What is stillone
• 26:05
  Speaker 5: worried about? Was Richard Gear gonna be in First Blood?
• 26:08
  Speaker 5: It's just like, I.
• 26:10
  Speaker 1: Don't know for whatever reason where I always heard that
• 26:13
  Speaker 1: he that's still on started that rumor. But that is
• 26:15
  Speaker 1: a real thing. You can google it. When his girlfriend
• 26:20
  Speaker 1: later became his wife, was on like Late Night with
• 26:21
  Speaker 1: Conan O'Brien and she started talking about that rumor like
• 26:25
  Speaker 1: years ago.
• 26:26
  Speaker 3: But what are you gonna say, Andy, No.
• 26:28
  Speaker 4: That's why I came across too. When the Richard Gear thing,
• 26:30
  Speaker 4: it's like a major headline in his life.
• 26:33
  Speaker 2: That's some.
• 26:35
  Speaker 4: Strained sex act with Gerbils or something. It's it's like
• 26:38
  Speaker 4: a case study of how you can like spread a
• 26:40
  Speaker 4: rumor that's completely BS insane.
• 26:43
  Speaker 1: Yeah, and the other one that's not a rumor, it's
• 26:45
  Speaker 1: true because Richard Gear, Richard Gear is doing fine. He's
• 26:50
  Speaker 1: a successful actor, he's a millionaire. He is very handsome.
• 26:54
  Speaker 1: He married Cindy Crawford in her prime, in her peak
• 26:58
  Speaker 1: prime for like three or four years married. But Richard
• 27:01
  Speaker 1: Gear has a very small penis and he's been nude
• 27:06
  Speaker 1: in movies, so people know that this is a fact.
• 27:10
  Speaker 1: And after they got divorced, Cindy Crawford was on Howard
• 27:13
  Speaker 1: Stern and you know how like old Howard Stern.
• 27:15
  Speaker 3: Used to be.
• 27:15
  Speaker 1: He was like, so, like Cindy, so Richard Gear really
• 27:18
  Speaker 1: small dick, and she was like.
• 27:22
  Speaker 3: Yeah, oh yeah, and he's like, oh yeah.
• 27:23
  Speaker 1: I mean I've heard people.
• 27:25
  Speaker 3: Say that he's like that.
• 27:26
  Speaker 1: You have to have noticed that, Like was he good
• 27:29
  Speaker 1: at making love to you?
• 27:30
  Speaker 2: Like?
• 27:30
  Speaker 1: Was that awkward for you because you're the most beautiful
• 27:32
  Speaker 1: woman in the world and you're married to a guy
• 27:34
  Speaker 1: which is like a really small dick. You can watch
• 27:37
  Speaker 1: that interview with Cindy Crawford on YouTube.
• 27:38
  Speaker 3: So kind of sucks for Richard.
• 27:40
  Speaker 1: Gear, but overall he's doing fine in life.
• 27:43
  Speaker 6: Yeah, yeah, yeah, AnyWho, Yeah, the Richard Gear, I mean,
• 27:53
  Speaker 6: I didn't fuire him, I didn't fire him.
• 27:55
  Speaker 5: This is the one he this is when he chooses
• 27:57
  Speaker 5: to stand up. At this moment he calls.
• 27:58
  Speaker 1: In, He's like eighty right now.
• 28:02
  Speaker 2: This is Tim.
• 28:05
  Speaker 1: I really like this move at.
• 28:06
  Speaker 2: Thanks for calling off the jackal, by the way, and
• 28:08
  Speaker 2: he hangs up.
• 28:09
  Speaker 1: If he calls in the Irish accent from the jackal,
• 28:11
  Speaker 1: I'll thumbs up.
• 28:13
  Speaker 3: I like this move. By the way.
• 28:14
  Speaker 1: Kit a Julia Roberts had a bar and Kit because
• 28:17
  Speaker 1: she's poor and like, I didn't eat dinner that night,
• 28:20
  Speaker 1: is just eating the fruit from the bar, like the oranges,
• 28:23
  Speaker 1: the lions and the Marchino cherries. And the bartender says,
• 28:26
  Speaker 1: this isn't a buffet, kid, never thought of that, never
• 28:28
  Speaker 1: seen that before.
• 28:30
  Speaker 5: I love Pops the bartender when she when she first
• 28:32
  Speaker 5: goes in there and she's like.
• 28:33
  Speaker 2: Where's Kit upstairs in the forum? Guy's a thousand. He's
• 28:37
  Speaker 2: working into the bar, hugely busy bar.
• 28:40
  Speaker 1: Yeah, they discussed that they don't take less than one
• 28:43
  Speaker 1: hundred dollars. That's their third deal. I don't believe that
• 28:46
  Speaker 1: Kit follows through on.
• 28:48
  Speaker 3: That, but.
• 28:51
  Speaker 2: A few offers later that are definitely under one hundred dollars. Yeah,
• 28:53
  Speaker 2: and some of her.
• 28:54
  Speaker 4: Lines, yeah, I put in if you do if you
• 28:56
  Speaker 4: get one hundred dollars an hour and today's wages, it
• 28:59
  Speaker 4: would be five hundred thousand dollars a year.
• 29:01
  Speaker 1: Well, but she's not working forty hours a week.
• 29:04
  Speaker 4: She's not working forty a week. I mean, you don't
• 29:05
  Speaker 4: know that.
• 29:06
  Speaker 1: So one hundred what's in today's money? Because this is
• 29:12
  Speaker 1: this is what I didn't understand inflation calculator when I
• 29:17
  Speaker 1: look this up and.
• 29:18
  Speaker 4: I asked a question, maybe it doesn't have to be now,
• 29:20
  Speaker 4: but I heard that or I read that al Pacino
• 29:24
  Speaker 4: did a screen test for this movie. I was hoping Ryan,
• 29:28
  Speaker 4: because I really let enjoy Ryan's impression of al Pacino.
• 29:31
  Speaker 4: Could he say a line in this movie is Helpino
• 29:34
  Speaker 4: does just sometimes?
• 29:36
  Speaker 2: Who are you audition for that? Ch just want to
• 29:40
  Speaker 2: know which one to go with? I would love him.
• 29:43
  Speaker 4: Vivian, I was pretty excited about.
• 29:45
  Speaker 1: I said, Vivian, Uh, he's Jason. Alexander would love that
• 29:50
  Speaker 1: as well. So that's two hundred and fifty dollars an
• 29:55
  Speaker 1: hour in today's money. I just checked, And this is
• 29:58
  Speaker 1: what I didn't understand. Because Vivian is very good looking.
• 30:01
  Speaker 1: And if you watch mad Men, or if you've seen
• 30:03
  Speaker 1: Catch Me, if you can, you'll understand what I'm talking
• 30:05
  Speaker 1: about there's like or they talk about it in a
• 30:08
  Speaker 1: Wolf of Wall Street.
• 30:09
  Speaker 3: There are different levels of prostitutes.
• 30:11
  Speaker 1: There's like Hollywood boulevard street corner drug addict prostitutes, and
• 30:16
  Speaker 1: then there's like you go to I remember the Oak
• 30:19
  Speaker 1: Room in Boston, which is a fancy bar inside of
• 30:22
  Speaker 1: a fancy hotel. There's a rumor that high class prostitutes
• 30:26
  Speaker 1: would go there and hang out alone at the bar,
• 30:28
  Speaker 1: and those are like, you know, oh, if you want
• 30:31
  Speaker 1: to go up to your hotel room, it's a thousand
• 30:33
  Speaker 1: dollars type deal.
• 30:35
  Speaker 3: Just like Julia Roberts.
• 30:37
  Speaker 1: Vivian is priced as like Jennifer Gardner and catch me
• 30:42
  Speaker 1: if you can. And that makes sense, like I would
• 30:46
  Speaker 1: buy that, But then she just acts like a drug
• 30:50
  Speaker 1: addicted street corner prostitute that charges twenty dollars a trick that,
• 30:54
  Speaker 1: So that just didn't make any.
• 30:55
  Speaker 3: Sense to me.
• 30:56
  Speaker 4: She's new. I think this speaks to her being new,
• 30:59
  Speaker 4: new straight.
• 31:00
  Speaker 3: Away, and Kit's not new.
• 31:02
  Speaker 4: K it's not new, no, But I don't know. That's
• 31:04
  Speaker 4: the way I took it. She was just new. She's
• 31:06
  Speaker 4: just kind of following Kit took great whatever.
• 31:10
  Speaker 3: Yeah, I don't know.
• 31:12
  Speaker 5: I think they're also probably just going after like the
• 31:15
  Speaker 5: publicly conceived notion of prostitutes.
• 31:17
  Speaker 4: Yeah, me too, Yeah, yeah, yeah.
• 31:20
  Speaker 1: She's dressed very much like a prostitute, like obnoxiously so.
• 31:24
  Speaker 1: And he so Richard Gear again just driving around, not
• 31:30
  Speaker 1: looking for a prostitute. He pulls over to a street
• 31:33
  Speaker 1: corner on Hollywood Boulevard and asks two young women who
• 31:37
  Speaker 1: are clearly dressed his prostitutes, for directions, and she says,
• 31:44
  Speaker 1: how about I get in the car and give you directions?
• 31:46
  Speaker 3: And he's like.
• 31:47
  Speaker 1: Sure, yeah, But again, he's not looking for He's just
• 31:52
  Speaker 1: a good dude. He's lost, he's driving his friend's car, caring.
• 31:57
  Speaker 4: The only thing I could have even like thought was
• 32:00
  Speaker 4: that he's just like there's no consequences in his mind.
• 32:03
  Speaker 4: He's just like always been rich and there's like no
• 32:06
  Speaker 4: thought of a consequence. I mean, it's a very stupid
• 32:09
  Speaker 4: thing to do when he does it as the only
• 32:12
  Speaker 4: only thing I could give him in that instance, because
• 32:14
  Speaker 4: that's just like you're just kind of like, oh, and
• 32:15
  Speaker 4: you're gonna let her drive the car too? Yeah, cool,
• 32:17
  Speaker 4: Like it's there's no excuse for this.
• 32:20
  Speaker 1: He's terrible at driving the car. He doesn't know how
• 32:22
  Speaker 1: to drive stick, and she said, how are you so
• 32:24
  Speaker 1: bad at this? And he says, because my first car
• 32:26
  Speaker 1: was a Limo? And I think that the the Pygmalion
• 32:29
  Speaker 1: aspect about this movie is very insulting, how obnoxiously like, Oh,
• 32:33
  Speaker 1: I'm like rich and perfect. Let me teach this poor
• 32:38
  Speaker 1: trash woman how to be a lady, Like I kind
• 32:41
  Speaker 1: of hate that, And just why would you tell somebody
• 32:44
  Speaker 1: who's a street corner prostitute, well, my first car is
• 32:46
  Speaker 1: a Limo, so I don't know how to drive cars?
• 32:48
  Speaker 3: Well, like kind of obnoxious?
• 32:51
  Speaker 2: Yeah, I think it's also sure so out of touch
• 32:53
  Speaker 2: he is.
• 32:54
  Speaker 1: Yes, and he says how much? She's again, I'm not
• 32:57
  Speaker 1: looking for a prostitute, no interest in that at all.
• 32:59
  Speaker 1: But how much do you charge? And she says one
• 33:02
  Speaker 1: hundred dollars an hour? He says, you're one hundred dollars
• 33:04
  Speaker 1: an hour and you have a safety pin holding up
• 33:06
  Speaker 1: your boot that's stiff, And then she places her hand
• 33:10
  Speaker 1: on his crotch and says, well, no, it's not, but
• 33:13
  Speaker 1: it's got potential, which apparently it doesn't based on what
• 33:18
  Speaker 1: I just said about Richard care.
• 33:22
  Speaker 4: Damn you reloading those shots, cuff.
• 33:24
  Speaker 1: I didn't start this I have nothing against.
• 33:26
  Speaker 5: Richard huge article Tomorrow podcast calls out Richard Gear.
• 33:34
  Speaker 1: Eighty year old Richard Gear sues Massachusetts.
• 33:37
  Speaker 2: And to Milton to confront in person.
• 33:41
  Speaker 3: How old is he right now?
• 33:43
  Speaker 1: So I said he's forty one in nineteen ninety, so
• 33:45
  Speaker 1: he's seventy six.
• 33:47
  Speaker 3: Damn yeah.
• 33:50
  Speaker 1: And so they get to is he's staying in a
• 33:53
  Speaker 1: very luxurious hotel. They get to the hotel and he's like, yeah,
• 33:58
  Speaker 1: why don't you come out of the car with me?
• 34:01
  Speaker 1: And it's like everybody knows who he is at this hotel,
• 34:05
  Speaker 1: and she's very obviously a hooker. So he's either delusional
• 34:11
  Speaker 1: or like self destructive. I mean Edward. One of my
• 34:14
  Speaker 1: big takes of this movie is Edward is quietly nuts
• 34:21
  Speaker 1: a very self destructive man.
• 34:26
  Speaker 4: That's a side.
• 34:28
  Speaker 1: And so he valley parks the car and then he's like,
• 34:32
  Speaker 1: all right, thanks to the directions. I paid you for
• 34:34
  Speaker 1: the directions. And she says, I'm gonna take a cab home,
• 34:36
  Speaker 1: and he says all right later, and I'm like, he's
• 34:39
  Speaker 1: not even gonna get her a cab. Mikey Palmisi, by
• 34:43
  Speaker 1: the way, is the doorman.
• 34:44
  Speaker 3: Did you notice that.
• 34:46
  Speaker 2: His reaction here is the best. I love him. They
• 34:48
  Speaker 2: cut to his face and he's just watching.
• 34:51
  Speaker 3: He's like, oh, this is great.
• 34:53
  Speaker 1: Yes, and she says, oh, I'm absolutely I'm actually gonna
• 34:57
  Speaker 1: take the bus. And he's like okay, cool. And then
• 35:03
  Speaker 1: what ends up changing his mind?
• 35:04
  Speaker 3: I don't even remember.
• 35:08
  Speaker 2: She does.
• 35:10
  Speaker 5: She put the hat on, and then she's sitting on
• 35:13
  Speaker 5: she's sitting on top of the bust, the bust bench,
• 35:17
  Speaker 5: and he just kind of looks back at her, and
• 35:19
  Speaker 5: it's like, okay, let's see what happens.
• 35:21
  Speaker 3: A big thing in.
• 35:22
  Speaker 1: This movie is her sitting inappropriately, not like in a
• 35:25
  Speaker 1: sexually explicit way, but sitting on a place where she
• 35:28
  Speaker 1: shouldn't technically be sitting. Like she doesn't sit on the bench,
• 35:32
  Speaker 1: she sits on the bench back with her feet on
• 35:34
  Speaker 1: the bench. And then this comes up over and over again,
• 35:37
  Speaker 1: like sitting on tables at restaurants, sitting on his desk,
• 35:40
  Speaker 1: sitting on and they're oh, there are perfectly good chairs
• 35:43
  Speaker 1: right here.
• 35:44
  Speaker 3: She just doesn't.
• 35:44
  Speaker 1: She doesn't know how to sit because she's such just
• 35:47
  Speaker 1: a ball of trash. She's a pile of trash. She
• 35:50
  Speaker 1: doesn't know how to sit in a fucking chair.
• 35:53
  Speaker 5: I took it as more as she's trying to get
• 35:54
  Speaker 5: his attention, so it's like stand out in a smaller way.
• 35:57
  Speaker 2: Yeah.
• 35:58
  Speaker 4: Yeah, I think he just like decides to take her upstairs.
• 36:02
  Speaker 4: It's like all him it out. She's she was willing
• 36:04
  Speaker 4: to do it from the jump, and I do like
• 36:07
  Speaker 4: in this part when she says like he's like, what's
• 36:09
  Speaker 4: your day, she says, what's your name? He says Edward,
• 36:10
  Speaker 4: and she's like, Oh, that's my favorite name in the
• 36:12
  Speaker 4: whole world.
• 36:14
  Speaker 1: Before that's what that means. But yeah, so he's like,
• 36:20
  Speaker 1: I was not looking for a prostitute. I just happened
• 36:23
  Speaker 1: to drive through a city part of town and ask
• 36:25
  Speaker 1: a woman that I blatantly knew was a prostitute for directions,
• 36:27
  Speaker 1: told her to get in my car and come back
• 36:30
  Speaker 1: to my hotel. I really was gonna drop her off
• 36:34
  Speaker 1: and just let her go with the at the front
• 36:35
  Speaker 1: of the hotel, but I mean, you're here, so you
• 36:39
  Speaker 1: might as well come up and where.
• 36:42
  Speaker 4: It's just as he's so rich, there's no consequences in
• 36:44
  Speaker 4: his mind. That's the way I took it. But to
• 36:47
  Speaker 4: your point, the way he could be insane, he could
• 36:49
  Speaker 4: be self destructive.
• 36:50
  Speaker 2: Sure, I think he just didn't care. Yeah. He.
• 36:53
  Speaker 1: So there's an elderly, a wealthy elderly couple getting on
• 36:56
  Speaker 1: the elevator and when they see the way Julia Roberts
• 36:59
  Speaker 1: is dressed because she's as like a skanky, the woman
• 37:03
  Speaker 1: doesn't want to get on, but her elderly husband like
• 37:05
  Speaker 1: gladly wants to get on with her, which thought that
• 37:07
  Speaker 1: was great.
• 37:08
  Speaker 5: I love when she first even enters the hotel and
• 37:11
  Speaker 5: everyone's like staring at her and she looks back and.
• 37:13
  Speaker 2: She just says, holy shit.
• 37:16
  Speaker 5: The way she said that was so funny because it
• 37:18
  Speaker 5: was like so impressed, my help a little way it
• 37:19
  Speaker 5: was yeah yeah.
• 37:20
  Speaker 1: And the elevator operator says, like penhouse, and so he's
• 37:24
  Speaker 1: staying in the penhouse. He's just so odd about this,
• 37:29
  Speaker 1: like she.
• 37:30
  Speaker 3: Just wants to get down to business. She's like, I
• 37:32
  Speaker 3: get what this is. I appreciate you.
• 37:34
  Speaker 1: And he's like no, no, no, like I don't want
• 37:37
  Speaker 1: to have sex right now.
• 37:38
  Speaker 3: Let's just let's just chill.
• 37:40
  Speaker 1: And I'm just like what I'm watching this thinking what
• 37:44
  Speaker 1: is going on?
• 37:45
  Speaker 3: What? Uh? And she's like all right.
• 37:50
  Speaker 4: I like when she says like listen, like I appreciate
• 37:53
  Speaker 4: all the romantic like the champagne and the striberries. She's like,
• 37:57
  Speaker 4: but I'm a sure thing, all right? Like that is
• 37:59
  Speaker 4: a great one with this songa dance here.
• 38:01
  Speaker 1: Yeah, why is he being an impressor about getting strawberries
• 38:04
  Speaker 1: and champagne? And I literally wrote this down as a note, Andy,
• 38:08
  Speaker 1: you've had sex with prostitutes before? Is this how it normally.
• 38:11
  Speaker 4: Goes all the time? Like tent House?
• 38:16
  Speaker 2: Yeah?
• 38:17
  Speaker 1: And also because this is a movie about a rich
• 38:19
  Speaker 1: man buying a hooker, they have to make like the
• 38:22
  Speaker 1: two characters have to be very honorable for them to
• 38:25
  Speaker 1: be palatable to Middle America and like people who are
• 38:28
  Speaker 1: going to go see this movie. And that's why they
• 38:30
  Speaker 1: took away the drug aspect of the script. But he
• 38:34
  Speaker 1: mentions he is not in a relationship. He is divorced,
• 38:37
  Speaker 1: he is an ex wife and Long Island. He does
• 38:39
  Speaker 1: not have children, which is another important thing. And he
• 38:42
  Speaker 1: has an ex girlfriend, Jessica, who he just broke up with,
• 38:45
  Speaker 1: so it's not like he's being a complete sleeze.
• 38:50
  Speaker 4: Yeah.
• 38:51
  Speaker 1: And he says, eat some strawberries. It brings out the
• 38:53
  Speaker 1: flavor of the champagne. I didn't fact check that, is
• 38:56
  Speaker 1: that true.
• 38:57
  Speaker 2: I've never heard that before.
• 38:58
  Speaker 4: Yeah, dude, that's true.
• 39:01
  Speaker 1: Strawberries bring out champagna.
• 39:06
  Speaker 3: We'll see.
• 39:06
  Speaker 1: Let's see what AI says. Google assist says, Oh, strawberries
• 39:14
  Speaker 1: can enhance the experience of drinking champagne by adding sweetness
• 39:17
  Speaker 1: and fruity flavor, but they do not always pair well
• 39:20
  Speaker 1: due to the fruit sweetness potentially clashing with the acidity
• 39:23
  Speaker 1: of the champagne. You need to dryer champagne a pair
• 39:28
  Speaker 1: of strawberries. I'm gonna go out on a limon say
• 39:30
  Speaker 1: he knows that, and he's getting a driver champagne.
• 39:33
  Speaker 4: When he's like, he's like surprised that she doesn't know
• 39:35
  Speaker 4: to eat the strawberries too, Like come on, dude, Like,
• 39:39
  Speaker 4: well just pick this girl up off the street. I
• 39:42
  Speaker 4: don't know, Like, oh, yeah, she doesn't know that it's
• 39:44
  Speaker 4: the flavor enhancer.
• 39:45
  Speaker 2: I don't know.
• 39:46
  Speaker 3: Yeah.
• 39:46
  Speaker 1: This is like Nick Mullen is the stand up routine
• 39:49
  Speaker 1: about the blind Side and about how like offensive and
• 39:51
  Speaker 1: racist the blind side is. And it's like, uh, like
• 39:54
  Speaker 1: Sandra Bullock like gives puts him in this big room
• 39:56
  Speaker 1: with this big bed and she's like do you have
• 39:59
  Speaker 1: a bed where you before? And he's like no, I didn't.
• 40:02
  Speaker 1: Oh it's like, why would you why would you point
• 40:04
  Speaker 1: that out?
• 40:05
  Speaker 2: Uh?
• 40:07
  Speaker 1: He is, Uh, She's like, I need to use the bathroom.
• 40:11
  Speaker 1: And he thinks that she's like shooting up or doing
• 40:13
  Speaker 1: a line of cocaine. He comes in the bathroom, is like,
• 40:17
  Speaker 1: what are you doing? And I thought that she was
• 40:19
  Speaker 1: stealing something, she's hiding something behind her back.
• 40:22
  Speaker 3: But Ryan, what was she hiding?
• 40:24
  Speaker 2: Boss?
• 40:25
  Speaker 1: She was flossing the strawberry seeds out of her teeth.
• 40:29
  Speaker 5: Yeah, you shouldn't like look, why you shouldn't neglect your
• 40:33
  Speaker 5: dumb This is what she said.
• 40:34
  Speaker 1: And this is this is another moment where I really
• 40:36
  Speaker 1: hated Edward. You're so outraged that this street corner prostitute
• 40:41
  Speaker 1: you just picked up and paid for it for sex.
• 40:44
  Speaker 1: Would dare do a little blow in your bathroom? Of
• 40:47
  Speaker 1: course she would be doing blow in his bathroom? Like
• 40:50
  Speaker 1: why would that not be the case? And he's he
• 40:52
  Speaker 1: is just oh my good, It's like he uh what,
• 40:55
  Speaker 1: Like it's like a woman in the eighteen hundreds that
• 40:59
  Speaker 1: faints hearing a swear word.
• 41:01
  Speaker 3: It's like, hello, what what.
• 41:03
  Speaker 1: Do you think is going on here? And like he
• 41:05
  Speaker 1: doesn't do blow or sea blow all that he's a
• 41:08
  Speaker 1: millionaire that goes to these eighties parties with like lawyers
• 41:11
  Speaker 1: and yeah, okay, anyways.
• 41:14
  Speaker 4: At the work, he's about the work.
• 41:16
  Speaker 1: What is his plan?
• 41:17
  Speaker 3: What is his plan?
• 41:18
  Speaker 1: Here goes?
• 41:21
  Speaker 3: Well, go ahead, Ryan, what is his plan?
• 41:23
  Speaker 2: See where it goes?
• 41:24
  Speaker 3: See where it goes?
• 41:25
  Speaker 4: I don't know, I don't know, he says. He's like
• 41:28
  Speaker 4: a meticulous planner. So this is a little out of character.
• 41:32
  Speaker 4: He just wants to do work while she is at
• 41:35
  Speaker 4: in his hotel room watching TV. That's his that's his dream.
• 41:41
  Speaker 5: Horrible breakup with Jessica. I just set him off. He
• 41:44
  Speaker 5: took his bosses car, went out, I need someone now,
• 41:47
  Speaker 5: and then realize I'm in too deep and now I
• 41:49
  Speaker 5: gotta I'm not gonna find my way out of this
• 41:51
  Speaker 5: as civilly as possible.
• 41:52
  Speaker 1: So my my biggest like zag from this film is
• 41:57
  Speaker 1: not in his behavior at the end of the film,
• 41:59
  Speaker 1: but in general. Jason Alexander's character Philip is right to
• 42:02
  Speaker 1: be deeply, deeply concerned about Edward's mental health. He steals
• 42:08
  Speaker 1: his car at a party, leaves it's his party, picks
• 42:11
  Speaker 1: up a prostitute, and then the fact that he takes
• 42:14
  Speaker 1: her back and doesn't have sex with her is like
• 42:16
  Speaker 1: more concerning I would love. I wonder it's like an
• 42:20
  Speaker 1: aggressive sex scene that was just like makes him look
• 42:24
  Speaker 1: like a pig here.
• 42:26
  Speaker 3: I think that would be hilarious.
• 42:28
  Speaker 5: I'm wondering too, with you pointing out all of these,
• 42:31
  Speaker 5: like concerning character decisions on Edward's part, with this movie
• 42:35
  Speaker 5: originally being being written to make a darker, gritty or
• 42:39
  Speaker 5: R rated movie that probably was not made to be
• 42:40
  Speaker 5: a romantic comedy made by Disney, I'm wondering, like what
• 42:44
  Speaker 5: went through the kind of like filter and wood chipper
• 42:47
  Speaker 5: of this movie to be like what's acceptable adult content
• 42:50
  Speaker 5: in their mind versus this, Because even the most bizarre
• 42:53
  Speaker 5: thing about this, like you said, is this movie is
• 42:55
  Speaker 5: rated R, but it's an incredibly soft rated are.
• 42:58
  Speaker 1: I think it's like, you know what, we were talking
• 42:59
  Speaker 1: about a movie recently that we didn't think she'd be
• 43:01
  Speaker 1: rated R, but it was rated R because of vibes.
• 43:03
  Speaker 3: Do you remember what that was?
• 43:06
  Speaker 2: Oh? Yes, I apparently don't.
• 43:09
  Speaker 1: Yeah, it was just like a really dark movie, but
• 43:11
  Speaker 1: it was no reason. It's like when a movie should
• 43:13
  Speaker 1: be rated PG, but it's it's like nineteen ninety four
• 43:16
  Speaker 1: and it's about gay people. It's automatically rated R because
• 43:19
  Speaker 1: of gay. Yeah, it's like this is about a prostitute,
• 43:22
  Speaker 1: so this is just gonna be rated R. I mean
• 43:24
  Speaker 1: they say like fuck it it maybe once or twice,
• 43:26
  Speaker 1: but they could have easily taken that out. So eventually
• 43:30
  Speaker 1: she seduces him. She gets into her Andy's favorite word, panties,
• 43:35
  Speaker 1: and she says to him, no, sorry, he's She says
• 43:42
  Speaker 1: to him, what do you want? And then he says, well,
• 43:45
  Speaker 1: what do you do? And she says, I do everything,
• 43:48
  Speaker 1: but I don't kiss on the mouth. And then he responds, okay, cool,
• 43:52
  Speaker 1: I want anal No, he says, neither do I is
• 43:56
  Speaker 1: what His response is too.
• 43:58
  Speaker 4: Yeah, that's the strange thing to say to.
• 44:02
  Speaker 1: Yeah, that's uh, that's and then she Andy, what does
• 44:06
  Speaker 1: she do at this point?
• 44:10
  Speaker 2: I don't know.
• 44:11
  Speaker 4: Isn't she just watching I Love Lucy on the floor.
• 44:15
  Speaker 3: She performs she performs flay showing. No, that's the answer, thanks,
• 44:21
  Speaker 3: She performs fla showing.
• 44:23
  Speaker 1: Then he later sees that her blonde hair this entire time,
• 44:27
  Speaker 1: Oh my goodness, it was a wig. And she's just
• 44:31
  Speaker 1: looking there with her beautiful, curly, red, flowing hair and
• 44:34
  Speaker 1: he's like, oh wow, she's even prettier now. He thinks, like,
• 44:38
  Speaker 1: you're just I'm reading his mind here, But.
• 44:41
  Speaker 5: God, you're such a pretty woman.
• 44:54
  Speaker 1: So uh again, what is he doing? Like why does
• 44:57
  Speaker 1: he need to impress her in this way and like
• 45:00
  Speaker 1: make her feel bad for being poor? She wakes up
• 45:03
  Speaker 1: the next day, and what does you order for breakfast? Dandy?
• 45:07
  Speaker 4: Oh?
• 45:09
  Speaker 1: He orders everything. Oh that's what he said, he said.
• 45:14
  Speaker 3: I ordered.
• 45:14
  Speaker 1: I didn't know what you wanted for breakfast, so I
• 45:16
  Speaker 1: ordered the entire menu.
• 45:18
  Speaker 3: Amen, Like man, cool?
• 45:20
  Speaker 1: Yeah, Ryan would be in at this point.
• 45:23
  Speaker 2: I would admire me today.
• 45:25
  Speaker 1: And then she's she's eating pancakes with her hands like
• 45:28
  Speaker 1: a fucking savage. She doesn't know how to eat a pancake.
• 45:32
  Speaker 1: I mean, somebody who's the most white trash person on
• 45:34
  Speaker 1: earth knows how to eat a pancake.
• 45:36
  Speaker 2: She she killed it.
• 45:37
  Speaker 4: I would say. One of the more white trash things
• 45:39
  Speaker 4: she does is when she gets I mean we'll get there,
• 45:43
  Speaker 4: when she talks about she goes to the department stores
• 45:45
  Speaker 4: and she gets rejected initially. Yeah, she's like, no one
• 45:48
  Speaker 4: will take my money. And she's holding up money and
• 45:51
  Speaker 4: she's like, crumpled it into balls.
• 45:53
  Speaker 2: What are you doing?
• 45:54
  Speaker 1: Like that's a red So she would be a broken
• 45:58
  Speaker 1: phone person and to have crumpled up bills is a
• 46:03
  Speaker 1: broken phone person move. So she they're talking, she says,
• 46:10
  Speaker 1: I dropped out of school in eleventh grade. When did
• 46:14
  Speaker 1: you complete school?
• 46:15
  Speaker 3: How many years do you do?
• 46:16
  Speaker 1: Which I think is a normal question because he could
• 46:17
  Speaker 1: be like, I have a PhD, I have a master's,
• 46:20
  Speaker 1: I went to grad school at Stanford.
• 46:22
  Speaker 3: He says, oh, I did all the years. This is
• 46:25
  Speaker 3: a response, and I'm.
• 46:26
  Speaker 1: Like, again, that's an insulting answer, Like okay, I gotta
• 46:29
  Speaker 1: dumb it down. So this trash loser idiot understands me.
• 46:34
  Speaker 4: But she does say like, oh, your parents must be
• 46:37
  Speaker 4: so proud, like kind of mocking him back.
• 46:39
  Speaker 1: So shock her to no one based on his behavior,
• 46:43
  Speaker 1: Edward has issues with his parents. Jason Alexander calls, and
• 46:47
  Speaker 1: this was the most like kind of eye roll set
• 46:49
  Speaker 1: up move. He's like, all right, it was great spending
• 46:52
  Speaker 1: the night with you. Goodbye, I'll never see you again.
• 46:54
  Speaker 1: And then he gets a phone call from Jason Alexander
• 46:55
  Speaker 1: and Jason Alexander's like, we have a dinner tonight and
• 46:58
  Speaker 1: you have to bring a woman as a day and
• 47:01
  Speaker 1: he's like, oh do I uh?
• 47:04
  Speaker 3: And what is she doing during this moment.
• 47:06
  Speaker 1: Do you remember Beth.
• 47:08
  Speaker 2: She's taking a bathe headphones.
• 47:10
  Speaker 1: Yeah, yeah, taking a bubble bath, of course, and he
• 47:13
  Speaker 1: remembers the bubble bath. She's listening to headphones, she's belting
• 47:16
  Speaker 1: out song lyrics.
• 47:19
  Speaker 3: And uh.
• 47:21
  Speaker 1: He says, I need to I need to pay you
• 47:25
  Speaker 1: to be at my beck and call, which is exactly
• 47:28
  Speaker 1: what Jessica said she did not want to do. So
• 47:30
  Speaker 1: this man is thinking, if I just pay someone to
• 47:33
  Speaker 1: be my girlfriend, problem solved, problem solved.
• 47:37
  Speaker 5: What he didn't expect, though, was to fall in love.
• 47:44
  Speaker 5: That's the that's the trailer.
• 47:47
  Speaker 4: Oh I realized Tough has such a problem with Richard
• 47:50
  Speaker 4: Gear and with Edward. He doesn't like either of these guys.
• 47:53
  Speaker 1: No, that's not true.
• 47:53
  Speaker 3: I don't like Edward.
• 47:57
  Speaker 5: You even throwing daggers at me and you and every
• 47:59
  Speaker 5: character in this movie so far.
• 48:01
  Speaker 2: And we're we're about twenty five minutes into this.
• 48:04
  Speaker 1: Yeah, well this is again Ryan's terrible concept of time.
• 48:07
  Speaker 3: In these we are almost an hour.
• 48:10
  Speaker 1: Oh really?
• 48:11
  Speaker 2: Yeah? Good?
• 48:11
  Speaker 3: You know?
• 48:13
  Speaker 1: So she says, why would you ever great question? Great
• 48:18
  Speaker 1: question here? Why would you ever need this? You're a rich,
• 48:21
  Speaker 1: good looking guy. You could get a million women for free,
• 48:24
  Speaker 1: and he explains, I don't need the hassle of a
• 48:27
  Speaker 1: real woman like that that has opinions and will like
• 48:32
  Speaker 1: argue with me and say no, or like you know,
• 48:35
  Speaker 1: want me to go hang out with their family, Like
• 48:36
  Speaker 1: I don't have time for that.
• 48:38
  Speaker 3: That's what we are prostitutes for it.
• 48:40
  Speaker 4: I feel like he says, like, I don't want to
• 48:41
  Speaker 4: get emotionally involved, which is you know, obviously what happens here.
• 48:45
  Speaker 3: So it's you know, he didn't expect a full poetic He.
• 48:48
  Speaker 4: Didn't expect a fall in love like Ryan said, I know.
• 48:51
  Speaker 1: So they negotiate. It's basically like it's a one week
• 48:54
  Speaker 1: and they negotiate how much she costs for the week,
• 48:57
  Speaker 1: and they finally agree on three thousand dollars, which is
• 48:59
  Speaker 1: why the working title for this movie was three thousand.
• 49:02
  Speaker 1: So I did inflation calculator that is seventy six hundred dollars, okay.
• 49:07
  Speaker 3: So what would that be for?
• 49:10
  Speaker 1: That would be like three over three hundred and fifty
• 49:12
  Speaker 1: grand And she made that every week, but obviously obviously
• 49:14
  Speaker 1: doesn't make that every week. And she says, I'm going
• 49:19
  Speaker 1: to treat you so nice, you're never gonna let me
• 49:21
  Speaker 1: go interesting foreshadowing there.
• 49:26
  Speaker 2: I liked you.
• 49:26
  Speaker 5: When they're when he's leaving going out the door and
• 49:29
  Speaker 5: she's like, you know, I would have done it for
• 49:30
  Speaker 5: fifteen hundred and he's like, I would have paid four thousand.
• 49:33
  Speaker 2: That was a good moment.
• 49:35
  Speaker 3: Oh, I didn't like that. They didn't have it. They
• 49:37
  Speaker 3: had a great chemistry.
• 49:38
  Speaker 1: And yeah, and he says again, like you're basically a
• 49:42
  Speaker 1: flaming pile of trash.
• 49:44
  Speaker 3: So when you when you.
• 49:45
  Speaker 1: Go out to dinner with me tonight, you need to
• 49:47
  Speaker 1: wear something elegant, conservative and not too sexy.
• 49:51
  Speaker 4: She said, how did you take it like that? How
• 49:52
  Speaker 4: did you take it that? He was sack?
• 49:55
  Speaker 1: How would you not take it like that? How would
• 49:57
  Speaker 1: you not take it like that?
• 50:00
  Speaker 4: I think it was that, like laced with insult.
• 50:02
  Speaker 1: Yes, And she says, you mean I need to wear
• 50:04
  Speaker 1: something boring and he's like, yes, and I'm pretty boring.
• 50:10
  Speaker 2: Yeah, I will say this having not seen this movie before.
• 50:14
  Speaker 5: After after he leaves, she calls Kit, and just from
• 50:19
  Speaker 5: what they've shown Kit before, I was like.
• 50:21
  Speaker 2: Oh no, don't tell Kit about this.
• 50:23
  Speaker 5: I just felt like, because she's making so much money
• 50:25
  Speaker 5: on my Kit is gonna come fuck this up somehow.
• 50:28
  Speaker 1: Well, and Kit Kit is the smartest line in the
• 50:30
  Speaker 1: whole movie. So she's like, Hey, that random guy in
• 50:33
  Speaker 1: the Lotus that picked me up, he took me to
• 50:36
  Speaker 1: the penthouse of his hotel room. He's like a billionaire
• 50:39
  Speaker 1: and he's gonna pay me seventy six hundred dollars to
• 50:41
  Speaker 1: spend the week with him. Kid's response is what is
• 50:44
  Speaker 1: wrong with him? Because something has to be something has.
• 50:49
  Speaker 3: To be wrong.
• 50:50
  Speaker 2: We'll find out.
• 50:52
  Speaker 1: We'll find out.
• 50:53
  Speaker 4: And I'm not for everyone cuff, you know.
• 50:56
  Speaker 1: And she says if I go, I need to go
• 50:59
  Speaker 1: shopping for a dress. I'm in Beverly Hills.
• 51:01
  Speaker 3: Where do I go?
• 51:01
  Speaker 1: And Kit says, Rodeo Drive? And then so they start blasting.
• 51:07
  Speaker 3: I'm rolling down Rodeo with a shotgun.
• 51:09
  Speaker 1: People ain't never seen a brownskinned man since their grandparents
• 51:12
  Speaker 1: bought one. No, they're not playing that song. But uh Andy,
• 51:18
  Speaker 1: can you explain what happens when she tries to go
• 51:20
  Speaker 1: buy a dress on Rodeo Drive dressed like and I
• 51:25
  Speaker 1: would say a Halloween costume prostitute is how she is dressed?
• 51:30
  Speaker 1: How does it go?
• 51:32
  Speaker 5: Walking across that street though, on Rodeo Drive getting all
• 51:35
  Speaker 5: the turned heads.
• 51:37
  Speaker 4: Yeah, I was gonna say they do. This movie does
• 51:39
  Speaker 4: a good job of like all the looks because when
• 51:42
  Speaker 4: she's when she's when she's you know, in prostitute mode,
• 51:45
  Speaker 4: she gets all these good, you know, these like gasps.
• 51:48
  Speaker 4: But then when she's in you know, pretty woman mode,
• 51:51
  Speaker 4: she also gets all these looks and gas So they
• 51:53
  Speaker 4: do a good job of splitting the two. So she
• 52:02
  Speaker 4: goes in the store and these women are very rude
• 52:05
  Speaker 4: to her. She asks like how much is this or
• 52:07
  Speaker 4: like do you have this in size whatever? And they're like, oh,
• 52:10
  Speaker 4: it doesn't fit you and you can't afford it, and
• 52:12
  Speaker 4: get out of here. We don't want you. So they
• 52:15
  Speaker 4: were very rude, very rude to this charming young woman.
• 52:21
  Speaker 3: Yeah, I mean.
• 52:24
  Speaker 1: That was a mistake in retrospect for them to do that,
• 52:26
  Speaker 1: but I can understand them. Here's my philosophy. Somebody comes
• 52:29
  Speaker 1: in dress like that, I'd be surprised they're shopping in
• 52:32
  Speaker 1: my store. But if they're like you know, maybe I
• 52:36
  Speaker 1: would even watch them to see if they're shoplifting. If
• 52:38
  Speaker 1: they come up to me as a customer service rep,
• 52:40
  Speaker 1: it's like, hey, I need help picking out of dress,
• 52:42
  Speaker 1: Like I have this thing, you know, I have a
• 52:45
  Speaker 1: lot of money to spend.
• 52:46
  Speaker 3: What do you got for me?
• 52:47
  Speaker 1: You hear them out, you don't kick them out because
• 52:51
  Speaker 1: you're making these conclusions. I mean, if you're working on commission,
• 52:54
  Speaker 1: because that's the thing. If you're working on commission, you
• 52:56
  Speaker 1: don't turn down to sale.
• 52:58
  Speaker 3: That's just stupid.
• 53:00
  Speaker 1: So these movie fired.
• 53:01
  Speaker 3: If they work for me, I would hire Vivian.
• 53:07
  Speaker 1: Actually, I'm not kidding. That'd be a terrible idea for
• 53:10
  Speaker 1: a Vivian to work for me.
• 53:12
  Speaker 5: Because how by the end of this podcast, Tim will
• 53:14
  Speaker 5: turn into Edward's.
• 53:16
  Speaker 4: See how it happened there, He's already there.
• 53:18
  Speaker 2: That's about I'm making right now, turn.
• 53:20
  Speaker 4: Into Jason Alexander.
• 53:25
  Speaker 1: Oh no, I gotta I have a funny story about
• 53:28
  Speaker 1: that later. But well, we'll get there.
• 53:32
  Speaker 3: So she then is very distraught. She comes back to
• 53:37
  Speaker 3: the hotel.
• 53:38
  Speaker 1: And she runs into Barney, m VP of the movie,
• 53:42
  Speaker 1: Barney Great dude, And Barney is like, hello, miss, you
• 53:50
  Speaker 1: know obviously you are Edward's family member, and she's like, yep,
• 54:00
  Speaker 1: you're his, and then she's just sort of like, oh,
• 54:04
  Speaker 1: I'm his niece, okay, and he says I normally niece
• 54:09
  Speaker 1: is like you, we would not want them in the hotel.
• 54:12
  Speaker 3: But Edward is a very special guest.
• 54:15
  Speaker 1: So do you have any other uncles here? Which I
• 54:19
  Speaker 1: thought was a great way to put that. Yeah, And
• 54:22
  Speaker 1: she's like annoyed and says no, And then Barney's like, well,
• 54:25
  Speaker 1: we will let you visit finish visiting Edward, how you do.
• 54:29
  Speaker 1: But after that, please do not come back to this
• 54:32
  Speaker 1: hotel because we don't allow that here. And also like
• 54:36
  Speaker 1: you need to start dressing appropriately to be in this hotel.
• 54:41
  Speaker 1: And so he's kind of a dick at first, but
• 54:44
  Speaker 1: I think everything he's saying is fair. I mean, if
• 54:46
  Speaker 1: you're a hotel manager of a Smikey hotel, you don't
• 54:49
  Speaker 1: want someone who's obviously a prostitute trying to work guests
• 54:53
  Speaker 1: in the lobby.
• 54:55
  Speaker 4: He's so good at being discreet, I wrote, he's the
• 54:58
  Speaker 4: discreet king. Thing he's saying to her, he's able to
• 55:01
  Speaker 4: kind of like neutralize it and and make it conversational.
• 55:06
  Speaker 4: But like DISCREETE.
• 55:07
  Speaker 1: Barney is the ultimate like rich person manager. If if he,
• 55:13
  Speaker 1: you know, worked in a hotel like this and dealt
• 55:15
  Speaker 1: with rich people doing god knows what, he's the ultimate
• 55:20
  Speaker 1: person that would sort of be discreete, be responsible and
• 55:23
  Speaker 1: not tolerate complete nonsense, but would be good at like
• 55:26
  Speaker 1: looking the other way when it's appropriate.
• 55:29
  Speaker 4: Like you're like your admin's cuff.
• 55:32
  Speaker 3: Yes, yes, yes.
• 55:34
  Speaker 1: In the movie they say secretary, but we're not allowed
• 55:36
  Speaker 1: to say secretary anymore. They're not called admins or executive admins,
• 55:41
  Speaker 1: but their secret secretaries and admins.
• 55:43
  Speaker 3: Are the same.
• 55:45
  Speaker 1: So, but it's like a do you find that to
• 55:48
  Speaker 1: be the case that it's not inappropriate word to use anymore?
• 55:51
  Speaker 2: I don't hear it anymore.
• 55:52
  Speaker 4: Yeah, yeah, yeah, like boards sports sabbath secretary if don't
• 55:56
  Speaker 4: they like secretary of the board, secretary government is.
• 56:00
  Speaker 1: The secretary of is different because like secretary of the
• 56:04
  Speaker 1: treasury is not. Nobody thinks that that's an admin, but
• 56:10
  Speaker 1: an admin is Like if you're a bit a business
• 56:13
  Speaker 1: man or woman and you have you have an assistance
• 56:19
  Speaker 1: who cares about this.
• 56:22
  Speaker 3: They're called an ad man.
• 56:28
  Speaker 4: Man basement.
• 56:32
  Speaker 1: I'm just saying a rose of any other word would
• 56:35
  Speaker 1: smell as sweet of any other name. Sorry, I butchered
• 56:38
  Speaker 1: that any other name would smell What if they were
• 56:42
  Speaker 1: called stinch blossoms? That's the line from the Simpsons. So
• 56:45
  Speaker 1: she explains to Barney, I was trying to dress nice,
• 56:50
  Speaker 1: but these like I was trying to class myself up
• 56:52
  Speaker 1: to be in this hotel, but these these bitches wouldn't
• 56:55
  Speaker 1: let me do that.
• 56:56
  Speaker 3: And what does Barney do.
• 56:57
  Speaker 2: Ryan He calls up his friend Bridge at the store.
• 57:01
  Speaker 5: Bridget and says, I'm sending a friend over there right now,
• 57:06
  Speaker 5: and her uncle is a very special person at our
• 57:08
  Speaker 5: hotel and we need her to look great.
• 57:13
  Speaker 2: So she sends her to the store.
• 57:14
  Speaker 1: Bridget is extremely nice, and Vivian confesses Edward is not
• 57:19
  Speaker 1: really my uncle, and Bridge says, they never are, dear.
• 57:23
  Speaker 5: We also just like sheresize six, how do you know
• 57:25
  Speaker 5: this is my job?
• 57:28
  Speaker 3: Yeah, so she goes.
• 57:29
  Speaker 1: Barney is like speaking to a Japanese businessman in Japanese,
• 57:33
  Speaker 1: and she just walks right in the middle of the conversation.
• 57:35
  Speaker 1: It's like, Barney, thank you so much. Bridget was great. Yeah,
• 57:41
  Speaker 1: and Barney is a good guy and he Richard Gear
• 57:47
  Speaker 1: calls Vivian and is like, Okay, our dinner is at
• 57:51
  Speaker 1: seven thirty. You need to be in the lobby at
• 57:53
  Speaker 1: seven thirty, and she kind of she's kind of joking.
• 57:56
  Speaker 1: She's like, this is a date. Aren't you going to
• 57:57
  Speaker 1: come up to the room and like walk me down,
• 57:59
  Speaker 1: and he's say, this is not a day, this is
• 58:01
  Speaker 1: business because you're a prostitute. He reminds her multiple times
• 58:05
  Speaker 1: in this movie, like did we forget this? And she
• 58:09
  Speaker 1: was like, oh no, no, you're right, you're right. But
• 58:13
  Speaker 1: she doesn't know. She's really nervous about the dinner. So
• 58:16
  Speaker 1: what does what does she do?
• 58:17
  Speaker 3: Andy? Being nervous about the dinner?
• 58:20
  Speaker 4: What does she do?
• 58:21
  Speaker 1: All she needs she needs to learn how to behave
• 58:25
  Speaker 1: at the dinner. So what does she go?
• 58:28
  Speaker 4: She gets like she asks Barney for etiquette, you know,
• 58:31
  Speaker 4: table etiquette lessons, just you know how to go throughout
• 58:35
  Speaker 4: the meal, which utensil to use, and you know, Barney's
• 58:38
  Speaker 4: the very godmother, great, great, always helpful.
• 58:44
  Speaker 1: Yeah, Barney's clearly like she doesn't belong here, but she's
• 58:48
  Speaker 1: a very nice person. So I like her and I'm
• 58:50
  Speaker 1: going to help her, Whereas a lot of other people
• 58:54
  Speaker 1: in this rich person world don't care. They're like she's
• 58:59
  Speaker 1: she's below me and that's it. But Barney's like, she's
• 59:04
  Speaker 1: not below me. I know she's a fish out of
• 59:06
  Speaker 1: water and she needs help. But she's a nice person,
• 59:09
  Speaker 1: so gonna help her.
• 59:11
  Speaker 5: We're both in the service industry in some way, we're
• 59:13
  Speaker 5: both taking advantage of we're.
• 59:15
  Speaker 1: Both being taken advantage of by these rich fucks that
• 59:18
  Speaker 1: treat us like garbage. So Barney recognizes that, and I
• 59:21
  Speaker 1: appreciate that. So she gets all dulled up. She looks fantastic.
• 59:28
  Speaker 1: There's several like she's all that walking down the stairs
• 59:31
  Speaker 1: scene scenes in this movie where she.
• 59:35
  Speaker 2: Just why not why many as you want?
• 59:38
  Speaker 3: Yeah.
• 59:39
  Speaker 1: So he Richard gear walks into the bar to pick
• 59:41
  Speaker 1: her up, and he doesn't recognize her at first.
• 59:43
  Speaker 3: She's like, He's like, where is she?
• 59:45
  Speaker 2: Is?
• 59:45
  Speaker 3: She late?
• 59:46
  Speaker 1: And she turns around and he goes, oh my god,
• 59:48
  Speaker 1: from behind, I did not think it was you. I
• 59:51
  Speaker 1: thought it was somebody else. He looked wonderful. And they
• 59:56
  Speaker 1: go to a dinner that and Ryan, why don't you
• 1:00:01
  Speaker 1: explain like the nature of this dinner and how it goes.
• 1:00:04
  Speaker 5: So he's meeting mister Morse and it's one of the
• 1:00:07
  Speaker 5: businesses he's looking to buy and separate. And it's meeting
• 1:00:12
  Speaker 5: mister Morse and his son who is going to be
• 1:00:14
  Speaker 5: apparently inheriting this business or it's like co owner of
• 1:00:16
  Speaker 5: the business. And it's very formal as discussed, and they're
• 1:00:23
  Speaker 5: trying to talk business and he's trying to be much
• 1:00:25
  Speaker 5: more like straightforward, and she is just trying to figure out,
• 1:00:28
  Speaker 5: like how to eat the food. The food's flying everywhere,
• 1:00:31
  Speaker 5: and she's really charming mister Morse Ralph Ellamy, And it's
• 1:00:37
  Speaker 5: kind of just funny how she almost just from her
• 1:00:40
  Speaker 5: behavior helps Richard Gear with this deal and even though
• 1:00:43
  Speaker 5: it has nothing conversationally.
• 1:00:45
  Speaker 2: To do with what he's doing.
• 1:00:47
  Speaker 5: Also amazing props that waiter who catches that snail unreal
• 1:00:51
  Speaker 5: grab happens all.
• 1:00:52
  Speaker 1: The time, So that guy, I read this trivia fact.
• 1:00:55
  Speaker 1: So she the scenes, she's trying to open a snail
• 1:00:58
  Speaker 1: and I've eaten snail snails delicious, but they're like full
• 1:01:02
  Speaker 1: in the shell. They look disgusting, and slips out of
• 1:01:05
  Speaker 1: her hand into the air and a waiter catches it
• 1:01:07
  Speaker 1: and says, happens all the time.
• 1:01:08
  Speaker 3: So I read that.
• 1:01:10
  Speaker 1: Gary Marshall was throwing the snails to the waiter and
• 1:01:14
  Speaker 1: they did like tons of takes until he liked the
• 1:01:16
  Speaker 1: way the guy caught it, and then he put that
• 1:01:18
  Speaker 1: guy in like three other movies.
• 1:01:20
  Speaker 2: Good no, why not? That's great?
• 1:01:23
  Speaker 4: Yeah, good Lune. I liked when they're like first sitting
• 1:01:29
  Speaker 4: down to dinner, like she's trying to be like very
• 1:01:33
  Speaker 4: proper and like it's like she wants to go to
• 1:01:36
  Speaker 4: the bathroom and she's like, oh um, and she kind
• 1:01:38
  Speaker 4: of liked panics. She's like, I'm going to the ladies
• 1:01:40
  Speaker 4: room and she's like, do you want to order for you?
• 1:01:41
  Speaker 4: And she's like, yes, please do so, Like she really like, yeah,
• 1:01:45
  Speaker 4: she really turns it on, you know.
• 1:01:47
  Speaker 1: I like that because yeah, he says when she's walking away,
• 1:01:49
  Speaker 1: he says, the woman to order for you, and at
• 1:01:50
  Speaker 1: first she turns and goes yeah, and then she says,
• 1:01:53
  Speaker 1: I mean please do so yes, And I like how
• 1:01:57
  Speaker 1: the two guys, the two guys hated Richard that he's
• 1:02:00
  Speaker 1: trying to do business with because Richard Gear is trying
• 1:02:02
  Speaker 1: to cut their throats. So they hated Richard Gear, but
• 1:02:04
  Speaker 1: they really like Vivian, And even how much they hated
• 1:02:08
  Speaker 1: Richard Gear, they didn't let that like ruin their perspective
• 1:02:12
  Speaker 1: of Vivian. And I like how the old guy because
• 1:02:14
  Speaker 1: the old guy kind of seems like a self made
• 1:02:16
  Speaker 1: man that maybe like started off poor and became rich
• 1:02:19
  Speaker 1: later in life.
• 1:02:20
  Speaker 3: Richard Gear did not.
• 1:02:22
  Speaker 1: So she's like, wait a minute, we're not having a
• 1:02:25
  Speaker 1: salad course. I don't know which fork to use then,
• 1:02:28
  Speaker 1: and then he leans over, and the old guy leans
• 1:02:31
  Speaker 1: over and says to her, I never knew what fork
• 1:02:33
  Speaker 1: to use either. So after that he's sort of discussing,
• 1:02:42
  Speaker 1: like what is his job and what does he really do?
• 1:02:45
  Speaker 1: And he says, I don't build anything. You and I
• 1:02:48
  Speaker 1: have a lot of in common. We both screw people
• 1:02:50
  Speaker 1: for money. And I wrote a note Honestly, what she
• 1:02:54
  Speaker 1: does is way.
• 1:02:55
  Speaker 3: More decent than what he does.
• 1:02:59
  Speaker 4: Yeah, yeah, impact of how many people he might be.
• 1:03:02
  Speaker 7: Yet he buys, he buys a huge floundering company, rips
• 1:03:10
  Speaker 7: it to pieces, sells it, takes all the profits, probably
• 1:03:14
  Speaker 7: lays off thousands of people.
• 1:03:16
  Speaker 1: It's like his what his job is is objectively evil.
• 1:03:19
  Speaker 1: I don't view being a protested as objectively evil because
• 1:03:22
  Speaker 1: she she's talking about. First of all, nobody chooses this.
• 1:03:25
  Speaker 1: This is not your childhood dream. He has all the
• 1:03:30
  Speaker 1: money in the world, he could do many different things.
• 1:03:32
  Speaker 1: And at least she's like, in a in a gross way,
• 1:03:36
  Speaker 1: she's at least trying to make people happy.
• 1:03:40
  Speaker 4: He's not making anyone happy ever, except for himself.
• 1:03:45
  Speaker 1: Yeah, except for himself and the Jason now yonder.
• 1:03:49
  Speaker 3: Yep, so.
• 1:03:51
  Speaker 1: I wrote a note why is he paying for the
• 1:03:53
  Speaker 1: whole week? They barely spend time together.
• 1:03:59
  Speaker 4: But I think that it's got the dell.
• 1:04:02
  Speaker 1: Yeah, I think this will now be me, This will
• 1:04:05
  Speaker 1: now be yeah, try me. That's what he does say that.
• 1:04:08
  Speaker 1: I think this is a good part to bring it
• 1:04:10
  Speaker 1: to part two because we are over an hour. So
• 1:04:13
  Speaker 1: this is when she discovers that he can play piano
• 1:04:17
  Speaker 1: and he actually is playing piano in real life or
• 1:04:19
  Speaker 1: Tregear apparently knew how to play.
• 1:04:20
  Speaker 3: Piano real Yeah.
• 1:04:22
  Speaker 1: Yeah, like Dana Crave, you're playing drums and waves world.
• 1:04:24
  Speaker 1: It all comes full circle. So we will leave you, Yes,
• 1:04:30
  Speaker 1: we will leave you here and finish Pretty Woman in
• 1:04:34
  Speaker 1: part two. The flip nice but seriously, like, don't do
• 1:04:40
  Speaker 1: that again. Only I say that I could.
• 1:04:43
  Speaker 5: I'm like, I know this is gonna come. We're gonna
• 1:04:45
  Speaker 5: snap on Andy about this.
• 1:04:47
  Speaker 4: Ryan knows better.