Latest / Artists on Artists on Artists on Artists / Short Film, Big Crew (w/ Artoun Nazareth)

Transcript

Short Film, Big Crew (w/ Artoun Nazareth) · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to artists on artists on artists on artists.
• 0:02
  Speaker 2: Boy, do we have a panel for you today.
• 0:04
  Speaker 3: The Streams Screenwriting Expert panel of new voices in Hollywood.
• 0:08
  Speaker 4: Castumes are character Buck, Mary Kill wide shot, two shot,
• 0:13
  Speaker 4: close up.
• 0:13
  Speaker 2: This is artist on artists.
• 0:15
  Speaker 4: On artists on artists.
• 0:16
  Speaker 2: Do you know why they call it show business? I
• 0:19
  Speaker 2: always wondered that.
• 0:23
  Speaker 1: Welcome back to artists on artists on artists on artists.
• 0:26
  Speaker 1: Today we're talking Sunlight. That's right, the short film currently
• 0:30
  Speaker 1: making waves at sun Dance. Now we've gathered the cast
• 0:34
  Speaker 1: and crew of Sunlight to what was that they're unavailable?
• 0:39
  Speaker 1: We've gathered just the crew of Sunlight to talk about
• 0:43
  Speaker 1: their film. Let's listen in.
• 0:46
  Speaker 5: My name is Frederick Jensen and I'm I've been an
• 0:50
  Speaker 5: assistant director for at least I mean this production and
• 0:55
  Speaker 5: the director's last short film. It wasn't a short film.
• 0:59
  Speaker 5: It was more of a tick to I was a
• 1:00
  Speaker 5: really dissistant director. I've holmed it.
• 1:02
  Speaker 3: Thank you.
• 1:03
  Speaker 6: Hey, I'm Django, I am the gaffer.
• 1:07
  Speaker 2: Excited to be here.
• 1:09
  Speaker 3: My guys.
• 1:11
  Speaker 2: Hey, I'm I'm Carrie Johnson and I am a career PA.
• 1:15
  Speaker 2: I love to do it. I there is nothing better.
• 1:18
  Speaker 2: There is nothing better, and I'm so excited to be
• 1:21
  Speaker 2: on this project.
• 1:24
  Speaker 4: Hi, my name is Stuart. I am a second second
• 1:28
  Speaker 4: and I I just had a really wonderful time working
• 1:31
  Speaker 4: under Frederick and every everybody in general. This was a
• 1:37
  Speaker 4: really really great experience for me. And it's it's it's
• 1:42
  Speaker 4: so nice to be talking to everyone and we'll go
• 1:44
  Speaker 4: I'm I'm team Sunlight. So it's really nice to see
• 1:46
  Speaker 4: everybody again together together after our production, after after we
• 1:52
  Speaker 4: did everything. It's really nice.
• 1:54
  Speaker 3: Wrap that up, wrap that up.
• 1:55
  Speaker 5: Steward.
• 1:56
  Speaker 4: Yes, yes, sir, Yes, sir, yes sir.
• 1:58
  Speaker 3: Hey, what's up. My name is Dawn and I was
• 2:03
  Speaker 3: the script suit. I you know, took care of the
• 2:07
  Speaker 3: script stuff. Donnie boy Day, what's uh? That's me? Okay,
• 2:14
  Speaker 3: So we had the little thing on set. I don't
• 2:16
  Speaker 3: know if you guys want to hear this? Is this interesting?
• 2:18
  Speaker 3: Is this interesting?
• 2:19
  Speaker 4: I actually think it's really interesting if you want to
• 2:21
  Speaker 4: go ahead and.
• 2:22
  Speaker 3: Say, yeah, So every day I would show up, you know,
• 2:24
  Speaker 3: with my scripts, my little stand to put my scripts
• 2:27
  Speaker 3: on right, get right behind that screen to watch the
• 2:31
  Speaker 3: shoot and out shop with my little frappuccino, just a tiny,
• 2:34
  Speaker 3: little fu. Okay, okay, it was huge. Okay, I'm a
• 2:38
  Speaker 3: little addicted to caffeine. But one day we were having
• 2:41
  Speaker 3: I think it was like the third day from RAP,
• 2:43
  Speaker 3: a third day and we shot for four days, so
• 2:45
  Speaker 3: it was actually the second day. It was the second
• 2:47
  Speaker 3: day of shooting, and I didn't have my frap and
• 2:51
  Speaker 3: I did not have my frap and I just I
• 2:53
  Speaker 3: just lost it for a second there. I just lost
• 2:56
  Speaker 3: it for a second. Could not believe. I was like,
• 2:59
  Speaker 3: excuse me, who is my freppuccino I got?
• 3:02
  Speaker 4: That was actually that was really stressful on my end
• 3:04
  Speaker 4: because I was over at base camp and I got
• 3:06
  Speaker 4: a call on the walkie. I got a hey, what's
• 3:08
  Speaker 4: where's where's the where's the what's the twenty on the
• 3:11
  Speaker 4: on the on the frap the frat for scripty, And
• 3:14
  Speaker 4: I said, oh, twenty on the frat for scripty. Let me,
• 3:16
  Speaker 4: let me, let me go. And so we were actually running,
• 3:19
  Speaker 4: we were running around, and it was really stressful on
• 3:21
  Speaker 4: our end.
• 3:22
  Speaker 5: Yeah, yes, yes, And it's just snowball effect because we
• 3:25
  Speaker 5: start here next thing, you know, we're over budget, we're
• 3:27
  Speaker 5: under we're undertimed, we we are all over the place.
• 3:31
  Speaker 2: For sure.
• 3:32
  Speaker 6: It's like so funny, Like sitting here with all you guys,
• 3:35
  Speaker 6: I feel like reunited with my with my crew.
• 3:38
  Speaker 2: But it's also so funny. It's like four days.
• 3:40
  Speaker 3: How do you build a family in four days?
• 3:41
  Speaker 6: You know what I mean?
• 3:42
  Speaker 4: But like we really we really can't.
• 3:46
  Speaker 6: I mean, when you're at the tip of ant freaking Arctica, okay,
• 3:51
  Speaker 6: and you are shooting those shots and there's a Starbucks
• 3:56
  Speaker 6: about an hour away that freaking Carrie had to go
• 3:59
  Speaker 6: to it morning get those.
• 4:02
  Speaker 4: It's really fun that we're talking about this in a
• 4:04
  Speaker 4: positive light because looking back on that experience, I remember
• 4:06
  Speaker 4: being in it. I remember thinking this is the worst
• 4:07
  Speaker 4: experience of my entire life. So it's really funny that
• 4:11
  Speaker 4: it's really funny that we can look back and laugh
• 4:13
  Speaker 4: because when I remember just being in the moment being
• 4:15
  Speaker 4: like I'm I'm I hope that this snowkill I remember.
• 4:18
  Speaker 5: I remember the director had that note where you know
• 4:21
  Speaker 5: the actors have to be yeah, like undressed for a scene. Yes,
• 4:28
  Speaker 5: not fully nude, but but certainly in their their unmentionables,
• 4:32
  Speaker 5: if you will, And we know we had to talk
• 4:35
  Speaker 5: about it, but then the director was did you guys
• 4:37
  Speaker 5: watch that film where the director and all the crew
• 4:39
  Speaker 5: they you know, they they did what the actors were doing.
• 4:42
  Speaker 5: I think it was called the Schmorgasbord and everyone wore
• 4:46
  Speaker 5: the traditional outfit of the German Shmorgas and they were like,
• 4:50
  Speaker 5: this is what brings this is what brings.
• 4:52
  Speaker 3: A film together.
• 4:53
  Speaker 5: And then we all had to get into our unmentionables
• 4:56
  Speaker 5: and it was freezing and we were completely miserable and
• 4:59
  Speaker 5: we thought.
• 5:00
  Speaker 3: Absolutely cold, and they would give the crazy thing is
• 5:02
  Speaker 3: they would give the actors the parcas after they would shoot.
• 5:06
  Speaker 3: We had to stay closeless. But I will say one second,
• 5:11
  Speaker 3: I think we should pay respects to the late director
• 5:14
  Speaker 3: Duddy Farsone Dotty Day four fell into the Arctic. Absolutely,
• 5:23
  Speaker 3: I will say, I feel like that's why this movie
• 5:25
  Speaker 3: got got a lot of buzz, and it's getting a
• 5:28
  Speaker 3: lot of buzz is because you know, it's kind of
• 5:31
  Speaker 3: about an Arctic story. And what's more dramatic in an
• 5:34
  Speaker 3: Arctic story than the real life director falling into the
• 5:38
  Speaker 3: Arctic the Antarctic, see.
• 5:39
  Speaker 2: You know, yeah, Because I'll be honest. I mean, I
• 5:42
  Speaker 2: when someone told me what this movie was about, and
• 5:44
  Speaker 2: I just sort of gather based on what I see
• 5:47
  Speaker 2: that day, Like nobody pitches me anything, but everyone is
• 5:51
  Speaker 2: naked in the Arctic sort of playing basketball. And I
• 5:55
  Speaker 2: couldn't really tie the pieces together very well. So I
• 5:58
  Speaker 2: wasn't sure why this was getting so much buzz. But Duddy,
• 6:02
  Speaker 2: I mean, it's not about us, it's about Duddy. It's
• 6:05
  Speaker 2: about the whole of the artist and the art. And
• 6:09
  Speaker 2: so when you really consider that man, I mean, he
• 6:11
  Speaker 2: was a legend.
• 6:12
  Speaker 4: Legend, he was a legend. He certainly was a legend.
• 6:16
  Speaker 4: And Carrie, I just wanted to commend you the way
• 6:19
  Speaker 4: that you kind of pulled it together after that crisis.
• 6:22
  Speaker 4: I always, to be quite frank, thought it was weird
• 6:26
  Speaker 4: that you, as a PA were thirty to forty years
• 6:29
  Speaker 4: older than every single other person on the crew. But
• 6:31
  Speaker 4: I really respect it, and I think at that moment
• 6:34
  Speaker 4: it made me realize how important it was to have
• 6:36
  Speaker 4: a PA in her seventies.
• 6:40
  Speaker 2: No, I mean, you know, you don't take that experience
• 6:43
  Speaker 2: for granted, right, you know, I pulled Duddy's body out
• 6:49
  Speaker 2: of that ice. And do you think some eighteen year
• 6:51
  Speaker 2: old who just got the job because of nepotism, do
• 6:53
  Speaker 2: you think she could do that? No, I could pull
• 6:55
  Speaker 2: a dead body out of the ice because I've seen stuff.
• 6:58
  Speaker 5: I mean, it's just one of those things where tragic
• 7:00
  Speaker 5: things happen on set. You know, it happens, and at
• 7:03
  Speaker 5: the end of the day, it's someone's job for for
• 7:06
  Speaker 5: things to keep moving. It's tough being that guy.
• 7:11
  Speaker 4: Well, that's why we really respected you, and Frederick, I
• 7:14
  Speaker 4: want to I want to mention this too, because you know,
• 7:16
  Speaker 4: as your second second, it was it was an honor
• 7:18
  Speaker 4: to watch you and it felt like a magic trick
• 7:19
  Speaker 4: the way that you actually after the director died, the
• 7:23
  Speaker 4: way you made are set more efficient, and I wanted
• 7:27
  Speaker 4: to ask how you did that that we actually ended
• 7:29
  Speaker 4: ahead of schedule with more than we needed, even though
• 7:32
  Speaker 4: the director was to see Stu. Where did you do that?
• 7:34
  Speaker 5: At the end of the day, it's the assistant director,
• 7:38
  Speaker 5: and then when when there's no director, I'm an assistant
• 7:41
  Speaker 5: to who I'm an assistant. I'm an assistant to the movie.
• 7:45
  Speaker 5: And then of course you're my assistant, which you know
• 7:47
  Speaker 5: makes you. This is the second second of the movie
• 7:50
  Speaker 5: and I felt, you know, with you by my side,
• 7:53
  Speaker 5: what I realized, if we didn't finish this movie, this
• 7:57
  Speaker 5: short film, faster and better, then then he died for nothing.
• 8:03
  Speaker 3: He died.
• 8:04
  Speaker 5: He died because it's cold in Antarctica. He died because
• 8:08
  Speaker 5: he thought it would be funny to do some idea
• 8:11
  Speaker 5: about basketball with everyone in their mentionables.
• 8:15
  Speaker 3: Well, I will say, like, maybe we should talk, you know,
• 8:17
  Speaker 3: a little bit about the part of the movie, just
• 8:19
  Speaker 3: you know, to because we're here to sell it.
• 8:21
  Speaker 4: Yeah.
• 8:22
  Speaker 3: So, I mean, the beautifully beautiful thing about Sunlight. It's
• 8:25
  Speaker 3: the first NCAA basketball team in the Antarctic, and about
• 8:29
  Speaker 3: them trying to make their way to the United States
• 8:33
  Speaker 3: to play in the National College League.
• 8:37
  Speaker 4: But they they have to get around one big iceberg,
• 8:40
  Speaker 4: and that's what it's about. It's mostly takes place on
• 8:43
  Speaker 4: the other side of the iceberg.
• 8:44
  Speaker 3: Yeah. Well two, of course, I would say, one is
• 8:47
  Speaker 3: the literal iceberg, and two is the lack of their clothes,
• 8:50
  Speaker 3: the fact that they didn't have clothes. Yes, they just
• 8:53
  Speaker 3: had I oh, I think.
• 8:55
  Speaker 2: I mean, I was shocked at the cast that this
• 8:58
  Speaker 2: movie polled. I mean, yeah, Rick Jacobs, marn Johnson, marn Johnson,
• 9:07
  Speaker 2: caparal Flay like these.
• 9:10
  Speaker 4: Shaka, what about Shaka Shaka.
• 9:14
  Speaker 2: You know, I get why they didn't show up today.
• 9:17
  Speaker 2: I know they were invited. I get why they didn't
• 9:19
  Speaker 2: show up. They're busy, They're busy. It's honestly, I was
• 9:23
  Speaker 2: starstruck the whole time. The whole time.
• 9:26
  Speaker 3: I will say, yeah, for me, it was actually really
• 9:28
  Speaker 3: tough to be a script soup on this movie because
• 9:31
  Speaker 3: these are such talented actors using such a poor script.
• 9:34
  Speaker 3: I would say, in my opinion, they were right.
• 9:36
  Speaker 4: We can all we can all agree that this is
• 9:37
  Speaker 4: probably the worst script we've ever worked on. We've all
• 9:40
  Speaker 4: talked about that.
• 9:40
  Speaker 2: Yeah, yeah, yeah, yeah, yeah, yeah yeah.
• 9:42
  Speaker 4: There was nothing there.
• 9:43
  Speaker 2: Sure, Doundy's a legend as a gaffer.
• 9:45
  Speaker 6: I know this is a bad script.
• 9:48
  Speaker 3: Yeah, I'm sorry.
• 9:49
  Speaker 2: I'm out of pocket. I'm out of pocket.
• 9:50
  Speaker 3: No, it's it's fine. He's dead here here.
• 9:53
  Speaker 6: I got a question from the fish bowl. This one
• 9:55
  Speaker 6: looks real fun. What is a job you did that
• 10:00
  Speaker 6: the rest of your crew wouldn't know these that's a.
• 10:02
  Speaker 4: Really that's a really great question.
• 10:04
  Speaker 3: Interesting.
• 10:05
  Speaker 4: Thank you for pulling that one, Janko. Yeah.
• 10:08
  Speaker 6: Like, I'll start and I'll say, as a gaffer, you
• 10:10
  Speaker 6: guys don't know all the shit I do with the
• 10:12
  Speaker 6: duct tape, Like, you guys have no fucking clue, Like, and.
• 10:16
  Speaker 4: I certainly don't know how you get it to stick
• 10:18
  Speaker 4: the ice.
• 10:21
  Speaker 2: Yeah, oh my god.
• 10:22
  Speaker 3: I mean, I will say I feel like I did
• 10:25
  Speaker 3: notice that. One day when we had that problem. Right
• 10:28
  Speaker 3: in the morning, we get news the sheet device that
• 10:30
  Speaker 3: we're on is breaking apart, and all I remember. All
• 10:33
  Speaker 3: I remember is you Django yelling I'm on it. Two
• 10:38
  Speaker 3: hours later, we're back to shooting. It looks like I'm
• 10:40
  Speaker 3: just wondering how you did that.
• 10:42
  Speaker 2: You know, the way you gaff taped that ice stirred
• 10:45
  Speaker 2: back together. I mean, why we have global warming? Just
• 10:48
  Speaker 2: send you in there.
• 10:49
  Speaker 6: Oh my god, shut I mean it, I mean it.
• 10:52
  Speaker 6: It's so funny.
• 10:53
  Speaker 2: I mean, I can tape.
• 10:54
  Speaker 6: I can I can tape anything, and I've been I've
• 10:57
  Speaker 6: been a good taper since I was a kid, So
• 10:59
  Speaker 6: I I I can tape really just anything. But I
• 11:02
  Speaker 6: feel like I'm always handling the lights and the and
• 11:04
  Speaker 6: the wires. But I feel like you guys don't know
• 11:06
  Speaker 6: that I'm a good taper.
• 11:07
  Speaker 3: So that was my answer, Well, how'd you get into that?
• 11:09
  Speaker 3: What was the kind of like the nexus of you
• 11:11
  Speaker 3: getting into taping?
• 11:12
  Speaker 2: I don't know.
• 11:13
  Speaker 6: My mom just says she'd find me in my little
• 11:16
  Speaker 6: nursery and I'd be just tape in the nursery together.
• 11:20
  Speaker 3: Give you duct tape as a baby. Yeah.
• 11:22
  Speaker 6: I mean I think I'd find it and do stuff
• 11:24
  Speaker 6: with it, and you could use your saliva, can use
• 11:27
  Speaker 6: work as tape too. I think I just like, I
• 11:29
  Speaker 6: am fascinated by sticking stuff together, but obviously not as
• 11:33
  Speaker 6: fascinated as I am with lights. I love lights, but
• 11:37
  Speaker 6: I love I love doing stuff with my hands. I
• 11:39
  Speaker 6: think a lot of you guys at this table could agree.
• 11:42
  Speaker 4: Janko, Can I ask something a little personal? Yeah, well,
• 11:46
  Speaker 4: is there anything that you haven't been able to tape?
• 11:53
  Speaker 7: Yeah?
• 11:56
  Speaker 4: Yeah, do you like eate or.
• 12:03
  Speaker 2: Are you crying?
• 12:06
  Speaker 6: Some stuff doesn't tape, Some stuff doesn't tape.
• 12:12
  Speaker 2: Back to yet.
• 12:14
  Speaker 6: Sometimes you can't tape things back together, and you have
• 12:16
  Speaker 6: to know that you aren't God. You know what I mean,
• 12:18
  Speaker 6: The tape isn't God, and that you can't tape things.
• 12:22
  Speaker 6: I mean, with this it was it was a miracle.
• 12:24
  Speaker 6: I got to tape ice cubes and end thing and
• 12:26
  Speaker 6: snow together. But I mean, like I've failed a couple
• 12:30
  Speaker 6: of times, Stuart.
• 12:32
  Speaker 5: I think the the incident you're calling into question is
• 12:36
  Speaker 5: that the director asked to be taped to the side
• 12:41
  Speaker 5: of the icebreak. Yeah, because you wanted, you wanted to, we.
• 12:48
  Speaker 2: Could see the shot because we had.
• 12:50
  Speaker 3: You guys, we swore we wouldn't talk about this. We
• 12:52
  Speaker 3: swore we wouldn't talk about this.
• 12:56
  Speaker 2: Like, have I ever not been able to tape something?
• 12:58
  Speaker 6: And yes, I've not been able to the tape a
• 13:00
  Speaker 6: director into a cube ice and then he fell.
• 13:03
  Speaker 3: I mean it's hard.
• 13:05
  Speaker 6: It's like like they tell you that Doug tape works
• 13:07
  Speaker 6: for a lot of stuff, but it doesn't work for
• 13:09
  Speaker 6: like a human body that's trying to like see the
• 13:11
  Speaker 6: shot from the edge when he could have just used
• 13:13
  Speaker 6: the monitor.
• 13:15
  Speaker 2: Jengo, look at me, Django, look at me. You did
• 13:18
  Speaker 2: the best you could. This is not your fault. This
• 13:23
  Speaker 2: is not your fault. You did a damn good job.
• 13:26
  Speaker 6: I'm taping cubes of water together and I can't tape
• 13:29
  Speaker 6: this human to a piece of piece of land.
• 13:33
  Speaker 2: It just is hard to not go back.
• 13:35
  Speaker 6: But but watching the film, I just saw Daddy and
• 13:40
  Speaker 6: I saw him say I forgive you a little bit.
• 13:42
  Speaker 6: So I thank you, and I think I think my
• 13:44
  Speaker 6: crew I.
• 13:45
  Speaker 3: Will say that that moment the film he does say
• 13:49
  Speaker 3: I forgive you. I don't know if it was directed
• 13:51
  Speaker 3: at you. I think it was just a line to
• 13:53
  Speaker 3: another actor saying, I forgive you don't, but we can
• 13:56
  Speaker 3: move past. We can just be past that.
• 13:57
  Speaker 4: And I also, I also want to be clear. You know,
• 14:00
  Speaker 4: if you look really closely in the film, you know,
• 14:03
  Speaker 4: you see the splash of that he going into the water,
• 14:05
  Speaker 4: and and and and I know that all of us.
• 14:07
  Speaker 4: I don't know about the behind the scenes, but there
• 14:09
  Speaker 4: was a lot of ways we were all trying to
• 14:11
  Speaker 4: figure out how to edit you know, that splash out.
• 14:13
  Speaker 4: Not to speak out of turn because I'm not the editor,
• 14:15
  Speaker 4: but I remember being a lot of emails being like,
• 14:17
  Speaker 4: I don't think we can get the splash out. It's
• 14:19
  Speaker 4: in every single shot, you know we cross shot.
• 14:22
  Speaker 6: Yeah.
• 14:23
  Speaker 2: Well, and even during the during filming that I had
• 14:26
  Speaker 2: to stick ice cubes in everybody's mouths to stop them
• 14:28
  Speaker 2: from screaming. And that was a nightmare. That was an
• 14:32
  Speaker 2: absolute nightmare because everyone wanted to scream because you know,
• 14:34
  Speaker 2: the director fill in the water is presumably dead, and
• 14:37
  Speaker 2: he was dead, but you know, the show must go on,
• 14:40
  Speaker 2: as they say.
• 14:41
  Speaker 3: That's why you guys did a.
• 14:42
  Speaker 2: Really good job editing that out. I mean, splash is
• 14:45
  Speaker 2: sort of like toilet flush sound effects like it made sense,
• 14:49
  Speaker 2: you know, I bought it.
• 14:51
  Speaker 4: And that's we were doing a one take. We were
• 14:53
  Speaker 4: doing it all. You know, we're doing a really long
• 14:55
  Speaker 4: shot and we could only it was Golden Hour. And
• 14:58
  Speaker 4: remember that. I remember, you know, somebody said, hey, Django,
• 15:01
  Speaker 4: maybe you could take the sun back into the sky.
• 15:03
  Speaker 4: And I remember you getting mad at saying that.
• 15:05
  Speaker 3: We were shooting for four days, but really the first
• 15:07
  Speaker 3: three days were set up for the fourth days.
• 15:10
  Speaker 5: You go for the rehearsal, you.
• 15:12
  Speaker 3: Know, yeah, I will say, as a script Soup having
• 15:14
  Speaker 3: all your actors mouths filled with ice, no bueno, where's
• 15:19
  Speaker 3: my frappie? You know, I'm gonna need some caffeine to
• 15:22
  Speaker 3: get through that one.
• 15:24
  Speaker 4: Don what what to answer the question? Don just to
• 15:26
  Speaker 4: keep us on track? Sorry little at.
• 15:32
  Speaker 3: That?
• 15:33
  Speaker 4: Good? Was that good? Frederick?
• 15:34
  Speaker 5: I got excited.
• 15:35
  Speaker 4: I got excited about Thank you, Thank you so much,
• 15:38
  Speaker 4: Thank you so much, thank you, thank you so much.
• 15:40
  Speaker 4: The question I was, what is something that people don't
• 15:44
  Speaker 4: know that you do in your job? Don Do you know?
• 15:46
  Speaker 4: Do you know that?
• 15:47
  Speaker 3: Oh? Yeah, yeah, you know a big part of script
• 15:52
  Speaker 3: Soup's job is actually continuity. I don't know if you
• 15:54
  Speaker 3: guys know that I did know that. Okay, you did
• 15:57
  Speaker 3: do that.
• 15:57
  Speaker 1: Well.
• 15:58
  Speaker 3: A big part of us is making sure the lines
• 16:00
  Speaker 3: are set correctly. Do you guys know that I do? Yes, okay.
• 16:04
  Speaker 3: A big, big part of what we do is making
• 16:06
  Speaker 3: sure the scripts stay dry. You guys know that, oh.
• 16:12
  Speaker 6: M hm, like physically dry.
• 16:16
  Speaker 3: Physically dry, because if a script gets wet, I can't
• 16:18
  Speaker 3: read it, I can't tell what's going on in the scene.
• 16:20
  Speaker 3: Just your just my own.
• 16:22
  Speaker 2: Script job to keep your script not wet.
• 16:26
  Speaker 3: I do not want to get my script wrap. Otherwise
• 16:28
  Speaker 3: some of the lines I'll go the line isn't you're alone,
• 16:31
  Speaker 3: it's your lue blue, and the actor will look at
• 16:33
  Speaker 3: me and go what, And then I'll have this embarrassing
• 16:36
  Speaker 3: moment of going, I'm sorry, my script is wet. I'm
• 16:39
  Speaker 3: so sorry.
• 16:39
  Speaker 2: And this job I'm always learning.
• 16:43
  Speaker 3: It's crazy.
• 16:43
  Speaker 6: We don't know what each person does.
• 16:45
  Speaker 3: Sometimes no, I want to and I want to hear
• 16:47
  Speaker 3: everybody else's You know, Stuart, what's the little secret about you? Buddy?
• 16:52
  Speaker 4: Well? The second second is generally in charge of uh
• 16:56
  Speaker 4: kind of the talent trailers and the you know, making
• 16:59
  Speaker 4: sure that the talent is has everything that they need
• 17:02
  Speaker 4: in correlation with everyone else and kind of keeping eyes
• 17:04
  Speaker 4: on the talent and stuff.
• 17:06
  Speaker 3: And yeah, I will say, you could tell me anything
• 17:09
  Speaker 3: about your job. I know nothing about it, Okay, nothing
• 17:12
  Speaker 3: that was yeah, second.
• 17:13
  Speaker 4: Well, and then that means I'm doing a good job
• 17:15
  Speaker 4: because if I'm taking focus, then then then you know
• 17:19
  Speaker 4: that's that's an issue. You know, no one should know them. Yeah,
• 17:23
  Speaker 4: no one should know the second second's name. That's what
• 17:25
  Speaker 4: every boss has ever told me. And one thing that
• 17:29
  Speaker 4: I would say is one thing that I would say
• 17:32
  Speaker 4: is something you maybe don't know, is that on this
• 17:34
  Speaker 4: film on Sunlight, one of my jobs since I was
• 17:36
  Speaker 4: taking care of the talent was performing a dialysis for
• 17:40
  Speaker 4: Shaka I Shaka I get. I performed dialysis for her
• 17:48
  Speaker 4: and I did that for it was a four day
• 17:50
  Speaker 4: shoot and I did that. I did that three times
• 17:53
  Speaker 4: and she had three dialysises dialyses in four days.
• 17:58
  Speaker 3: Did she ask you before?
• 18:00
  Speaker 4: She kind of she brought all the stuff on the
• 18:02
  Speaker 4: first day and said, who's gonna do my dialysis?
• 18:06
  Speaker 6: And did you raise your hand?
• 18:10
  Speaker 4: I'll say I didn't have to because I was the
• 18:12
  Speaker 4: only one who asked who she asked and and I
• 18:15
  Speaker 4: didn't have an opportunity to ask anybody else because we
• 18:18
  Speaker 4: had pressing issues. But in my mind, I said, well,
• 18:21
  Speaker 4: dialysis seems pretty pressing.
• 18:24
  Speaker 3: So well, I will say, yeah, I feel like it
• 18:27
  Speaker 3: paid off. She was dialed in on that set, you know,
• 18:31
  Speaker 3: she was.
• 18:34
  Speaker 4: Yeah. I mean, the the way you know a dialysis
• 18:37
  Speaker 4: is working is that she's still alive. And she stayed alive,
• 18:40
  Speaker 4: and that's that's the good thing. And and I certainly
• 18:44
  Speaker 4: learned a lot. I can't I could, certainly, And I
• 18:47
  Speaker 4: made some mistakes.
• 18:48
  Speaker 6: Yeah, oh, but not as bad as mine.
• 18:54
  Speaker 4: I guess not. I don't. I'm sorry, Carrie Away. What
• 19:02
  Speaker 4: is it? What is something that you do that we
• 19:05
  Speaker 4: don't know about?
• 19:07
  Speaker 2: Well, I mean this is something that I was a
• 19:11
  Speaker 2: little shocked by when I got on the job. Decaverall
• 19:14
  Speaker 2: Flay is actually shorter than Shaka, and you'll notice in
• 19:20
  Speaker 2: the film it's the other way around. And that's because
• 19:24
  Speaker 2: you know, Duddy saw them both show up to set
• 19:26
  Speaker 2: and uh Di caver all Flay much shorter than Shaka,
• 19:30
  Speaker 2: and he goes, why the fuck is this happening? And
• 19:33
  Speaker 2: he turned to the first person he saw, which is me,
• 19:36
  Speaker 2: and he says, fix it, fix it, And so I
• 19:40
  Speaker 2: did what a PA is supposed to do. I fixed it.
• 19:43
  Speaker 2: And so in every single scene, Shaka's standing on me
• 19:48
  Speaker 2: to even out that high difference, and you know, people don't.
• 19:51
  Speaker 3: Know, sorry standing straight up on your shoulders or on
• 19:55
  Speaker 3: your back.
• 19:55
  Speaker 2: Oh, I was doing like a human footstool sort of thing,
• 19:58
  Speaker 2: and that's why you probably didn't notice.
• 20:00
  Speaker 6: Yeah, you look like an apple box. I remember because
• 20:03
  Speaker 6: I tried to tape you and I was like, whoa,
• 20:04
  Speaker 6: that's that's skin.
• 20:05
  Speaker 2: Yeah, and then I moved mm hmmm, I will see.
• 20:15
  Speaker 6: I'm sorry.
• 20:16
  Speaker 2: I'm just remembering getting taped. It was so funny. It
• 20:19
  Speaker 2: was the only time I laughed that day.
• 20:21
  Speaker 4: You didn't have any mittens either, to be on that ice.
• 20:24
  Speaker 2: No, they made me. I stilled even though I wasn't seen.
• 20:28
  Speaker 2: They still I still had to be naked, you know,
• 20:31
  Speaker 2: because otherwise they would have gone, well, who has that
• 20:34
  Speaker 2: parka that's not an actor, and then the whole scene
• 20:36
  Speaker 2: would have.
• 20:36
  Speaker 3: Fallen apart and little, I will say a little air
• 20:39
  Speaker 3: on my part. There is that one shot in the
• 20:42
  Speaker 3: movie where it cuts really quick to a wide pan
• 20:45
  Speaker 3: and you can see, you know, you naked on all
• 20:48
  Speaker 3: fours just for a second, and then it.
• 20:51
  Speaker 5: They kept it in that IMDb trivia had it up
• 20:54
  Speaker 5: within a minute, within a minute minute.
• 20:58
  Speaker 2: Duddy Dying was like number three, It.
• 21:00
  Speaker 5: Was number three. It took ten minutes for that to hit.
• 21:03
  Speaker 3: So maybe that's why the movie's taking off. I don't know.
• 21:05
  Speaker 4: But one thing I'll say that was actually really cool
• 21:08
  Speaker 4: is that that wasn't It didn't come up under goops.
• 21:10
  Speaker 4: It came up under trivia, So it did come up
• 21:12
  Speaker 4: to me. That shows me that that was something that
• 21:14
  Speaker 4: was important for the film, and people were getting a
• 21:16
  Speaker 4: lot out of it, and they didn't see it as
• 21:17
  Speaker 4: a mistake. They saw it as right, they saw it
• 21:20
  Speaker 4: as trivia, they saw it as a part of it.
• 21:22
  Speaker 4: And I think that's that's that's really exciting. Carrie, Thank you.
• 21:27
  Speaker 2: And you know, I don't want to be an actor,
• 21:29
  Speaker 2: never wanted that, never wanted that. I just want to
• 21:32
  Speaker 2: move the Apple boxes from point A to point B.
• 21:35
  Speaker 2: I want to know. I want to know what the
• 21:36
  Speaker 2: twenty of every Apple box is. That's all I really want.
• 21:39
  Speaker 4: Nice I know, I know I was on the other
• 21:41
  Speaker 4: end of that walkie.
• 21:42
  Speaker 2: I know I always wanted to know. I always wanted
• 21:47
  Speaker 2: to know. I said, what's the twenty on the Apple box.
• 21:49
  Speaker 2: And you know you you'd ignore me sometimes.
• 21:52
  Speaker 4: Well you you'd say, you'd say Stewart, me me on two,
• 21:55
  Speaker 4: and I would go to two. And then you just
• 21:56
  Speaker 4: ask me about every single Apple box. And I said,
• 21:58
  Speaker 4: there's a lot going on I have. I'm a kidney
• 22:00
  Speaker 4: in my hands. I really need to go.
• 22:03
  Speaker 2: I mean, I just wanted to be prepared for any possibility.
• 22:05
  Speaker 3: You know.
• 22:06
  Speaker 2: Of course, in the end, I was because that dead
• 22:09
  Speaker 2: body died in my arms.
• 22:11
  Speaker 6: Hey, speaking of Walkie's the king of the Walkie giving.
• 22:19
  Speaker 3: Himself.
• 22:20
  Speaker 4: Wait, I've been waiting for this one. I'm waiting for
• 22:23
  Speaker 4: your answer, Frederick.
• 22:24
  Speaker 5: Oh well, let me tell you. If the director is
• 22:27
  Speaker 5: conducting an orchestra on the screen, I'm conducting the orchestra
• 22:31
  Speaker 5: the screen. You know, I'm the timings of everything right,
• 22:37
  Speaker 5: and I need things to keep moving, you know. I
• 22:39
  Speaker 5: know Shaka has to leave after scene one, head over
• 22:44
  Speaker 5: to Stewart, have some dialysis done, and get back the
• 22:49
  Speaker 5: final shot. Someone has to keep keep in contact with
• 22:53
  Speaker 5: these people. I'm I'm on call. I'm on every line
• 22:56
  Speaker 5: at all times. I mean, you guys know this because
• 22:58
  Speaker 5: I was talking to each and every one of you,
• 23:01
  Speaker 5: making sure you know this was all running smoothly.
• 23:04
  Speaker 3: Yeah, And there were so many problems on set. We
• 23:07
  Speaker 3: just had problem after problem after problem, and it was
• 23:10
  Speaker 3: so great to have you on set, just to be
• 23:12
  Speaker 3: the captain of the ship, you know, captain, my captain.
• 23:15
  Speaker 6: You know.
• 23:16
  Speaker 5: I mean, we didn't even cut after Duddy died.
• 23:20
  Speaker 3: We kept well because nobody called cut. Nobody called cut.
• 23:25
  Speaker 3: Who was buffed?
• 23:25
  Speaker 6: It felt disrespectful.
• 23:27
  Speaker 2: Exactly to this day, we haven't cut. We still set
• 23:32
  Speaker 2: up in the anarchic. We had to air drop some
• 23:36
  Speaker 2: I don't know how we got that footage.
• 23:37
  Speaker 4: You know, in the in the industry, we call this
• 23:40
  Speaker 4: a bottomless martini because it's the last shot of the day,
• 23:43
  Speaker 4: but it can never end, so it's the bottomless martini.
• 23:48
  Speaker 3: That's what jengo.
• 23:54
  Speaker 2: Jo jengoo.
• 23:59
  Speaker 6: I just sorry, I just get choked up when we
• 24:02
  Speaker 6: talk about Daddy Sarah.
• 24:03
  Speaker 2: Let's just move on.
• 24:04
  Speaker 3: No, yeah, wait, I wanted to hear Frederick's what's the
• 24:08
  Speaker 3: thing about his job? Then nobody does.
• 24:09
  Speaker 5: Here's what no one knows. I have to hold a clipboard,
• 24:14
  Speaker 5: like I really know what I'm doing at the end
• 24:16
  Speaker 5: of the day. If I'm not holding a clipboard, nodding
• 24:20
  Speaker 5: and telling people. If I'm just standing there with my
• 24:22
  Speaker 5: arms to my side like a freak, no one's gonna
• 24:25
  Speaker 5: believe me. But if I have a clipboard pointing at
• 24:28
  Speaker 5: it with my pencil and then pointing at something else,
• 24:31
  Speaker 5: then then everyone can like like the conductor's baton. Wow,
• 24:36
  Speaker 5: people can follow.
• 24:37
  Speaker 2: And I'll tell you that's true. That's true because Ei,
• 24:39
  Speaker 2: there was a moment where you didn't have a clipboard
• 24:42
  Speaker 2: and I just treated you like another pa. I walked up,
• 24:44
  Speaker 2: I punched you. I said, hey, piece of shit, move
• 24:47
  Speaker 2: that apple box because you know I've seen you ality yeah,
• 24:50
  Speaker 2: And then you pulled up the clipboard and boy was
• 24:52
  Speaker 2: ironbrris boy.
• 24:53
  Speaker 4: Oh.
• 24:54
  Speaker 5: It was a tense situation in that moment. Luckily you
• 24:58
  Speaker 5: said I'll head to Starbucks real quick, and a couple
• 25:00
  Speaker 5: hours later I had a nice little it.
• 25:04
  Speaker 2: Can always smooth something over with an ice cold hot
• 25:07
  Speaker 2: chocolate that when I bought it it was hot, but
• 25:10
  Speaker 2: when I gave it to you, frappuccino. Baby, that's what
• 25:13
  Speaker 2: we call an antarctic hot Drake.
• 25:15
  Speaker 6: Do you have to do what Don does and keep
• 25:17
  Speaker 6: that clip for.
• 25:18
  Speaker 3: For being wet?
• 25:20
  Speaker 5: I do, in a sense, I'm doing two jobs in
• 25:22
  Speaker 5: one here because if the clipboard's wet, then I mean
• 25:27
  Speaker 5: I just look unprofessional. I look sweaty. Now Icy totally
• 25:33
  Speaker 5: see it. Yes, exactly, the clipboard is an extension of
• 25:36
  Speaker 5: the human body, the same way as Samurai with a
• 25:38
  Speaker 5: sword or a a cowboy with his pistol.
• 25:44
  Speaker 2: Do you feel paid when your clipboard falls on the ground.
• 25:47
  Speaker 5: I of course it feels, you know, when you stub
• 25:51
  Speaker 5: your toe, exactly like that.
• 25:53
  Speaker 4: But in my heart, Hey, guys, this is actually crazy
• 25:55
  Speaker 4: because I just pulled a question out of the fish
• 25:57
  Speaker 4: bowl and this is actually kind of appropriate. So I
• 26:00
  Speaker 4: have a question right here, and the question reads, if
• 26:03
  Speaker 4: your department was a part or system of the human body,
• 26:09
  Speaker 4: what would it be and what do you consider other
• 26:13
  Speaker 4: departments to be in regards of the human body?
• 26:18
  Speaker 2: Wow?
• 26:19
  Speaker 3: Wow wow mm hmm yeah, I'll go first. I feel
• 26:25
  Speaker 3: like Django would be the hands, Carrie would be the feet. Second,
• 26:30
  Speaker 3: second would definitely definitely be the heart. You know, Fred
• 26:35
  Speaker 3: is the brain and the almost the mind the movie
• 26:39
  Speaker 3: the moving part, and I would say the script suit
• 26:42
  Speaker 3: job is that part inside of you that is the
• 26:44
  Speaker 3: most judge, you know, that dark part that says no, no, no,
• 26:47
  Speaker 3: don't do it, that way. Don't do it that way,
• 26:50
  Speaker 3: you know, because we're looking for perfection in my department.
• 26:53
  Speaker 4: I guess that sounds kind of like a negative point
• 26:56
  Speaker 4: of view of scripture provisors. Do you like being a
• 26:58
  Speaker 4: script supervisor?
• 26:59
  Speaker 2: Me?
• 27:00
  Speaker 3: Yeah, I mean was my first choice. I wanted to
• 27:02
  Speaker 3: be a surfer who filmed the person that films surfing.
• 27:07
  Speaker 3: I wanted to be the guy in the waves, just
• 27:09
  Speaker 3: watching those waves go by. But yeah, I lost a
• 27:12
  Speaker 3: leg to a shark, so that kind of ended that career.
• 27:16
  Speaker 2: Is there anywhere where we can see your stuff or.
• 27:19
  Speaker 3: Well, here's my prosthetic leg. Oh my surfing videos.
• 27:23
  Speaker 4: Yeah, that's what we mean by your stuff.
• 27:25
  Speaker 2: Yeah.
• 27:25
  Speaker 6: Yeah, speaking of your stuff, I could tape your old
• 27:28
  Speaker 6: leg back.
• 27:31
  Speaker 3: Well, my old leg is with the shark. It ate
• 27:34
  Speaker 3: the shark ate my leg. I lost it. But I guess.
• 27:36
  Speaker 6: Too bad, Too bad. I would have been able to You.
• 27:44
  Speaker 3: Guys can actually go to my old YouTube account if
• 27:48
  Speaker 3: you're really interested. I mean it's like whatever, but Donny
• 27:51
  Speaker 3: does surf. Donny does surf. I had like seven eight
• 27:55
  Speaker 3: thousand subscribers, and a lot of it was just waves.
• 27:59
  Speaker 3: I didn't really know how to edit, so it kind
• 28:00
  Speaker 3: of just upload hours and hours of footage. But if
• 28:04
  Speaker 3: you can, you can fast forward to minute seventeen minute
• 28:08
  Speaker 3: or hour four minute twenty two and our eight minute
• 28:13
  Speaker 3: seventeen again and you'll see three people surf.
• 28:17
  Speaker 2: So were you on a surfboard too? Or were you
• 28:19
  Speaker 2: just kind of standing in the water?
• 28:21
  Speaker 3: Wow? I So how it works is I have a
• 28:24
  Speaker 3: floaty camera and I am in a wet suit dangling
• 28:27
  Speaker 3: from that floating camera halfway, so I'm literally perfect shark bait.
• 28:32
  Speaker 3: I look like something dead in the water basically. So
• 28:37
  Speaker 3: the surfers come by and I go whoa with the camera.
• 28:42
  Speaker 2: You know.
• 28:42
  Speaker 3: I love making my own sound effects, like whoo.
• 28:46
  Speaker 6: Nice, that's what I think the gaffer would be, the balls.
• 28:51
  Speaker 4: Wow, wow, jingo.
• 28:54
  Speaker 2: I'm sorry.
• 28:55
  Speaker 6: I just I'm not dick energy and I'm not anything
• 28:59
  Speaker 6: that's like respiratory. But I'm like there, you know what
• 29:02
  Speaker 6: I mean, And I'm like under it all and I'm
• 29:05
  Speaker 6: like right there.
• 29:06
  Speaker 2: I think the actors are like the skin nice. Nice,
• 29:10
  Speaker 2: they're what you see, but we're everything underneath. You know,
• 29:13
  Speaker 2: PA's are the blood because we're running. We're running everywhere.
• 29:19
  Speaker 5: I'd say the A D and I mean our entire
• 29:22
  Speaker 5: department of.
• 29:24
  Speaker 4: Course down the line, down the line, down the line.
• 29:27
  Speaker 6: Line.
• 29:28
  Speaker 3: We were the.
• 29:29
  Speaker 5: Muscles parts move, We're the muscle, We're the fibrous muscle tissue.
• 29:33
  Speaker 3: Yeah, so nobody liked my labeling of them. Nobody agreed
• 29:37
  Speaker 3: with how I labeled. Thinks that's fine. I just want
• 29:42
  Speaker 3: to where my frap is? Does anyone know where my
• 29:43
  Speaker 3: fatty is?
• 29:45
  Speaker 4: Do you need a fray?
• 29:46
  Speaker 3: I got? I have one? Thank you, strawberries, Thank god,
• 29:52
  Speaker 3: my fappy with strawberry, specifically strawberries and cream.
• 29:55
  Speaker 2: Yes, there's no caffeine, but you claimed it. It wakes
• 29:59
  Speaker 2: you up.
• 30:00
  Speaker 3: A decaf frappuccino with real strawberries and cream, and that
• 30:05
  Speaker 3: one to swirl at the bottom.
• 30:07
  Speaker 2: Yeah, you don't even have to say decaf.
• 30:08
  Speaker 4: I bet.
• 30:09
  Speaker 5: Yeah, it's just milk strawberries.
• 30:14
  Speaker 3: Yeah, I get a frappuccino, but I just want milk
• 30:17
  Speaker 3: strawberries cream mostly.
• 30:20
  Speaker 6: Well, that sounds like it doesn't sound like it's missing anything.
• 30:23
  Speaker 3: Are you guys telling me af frappuccino has no coffee
• 30:26
  Speaker 3: in it?
• 30:27
  Speaker 4: There's certain flavors that are our coffee less.
• 30:31
  Speaker 2: Yeah, well, the coffee flavored prappuccino has it? Has it?
• 30:38
  Speaker 3: Hate those flavors, absolutely hate those flavors.
• 30:40
  Speaker 2: Really, there's most of them. Do have it? I think
• 30:42
  Speaker 2: you just chose the one or two honestly that don't.
• 30:46
  Speaker 3: This is news to me, and this explains a lot.
• 30:48
  Speaker 3: I would never wake up, if anything, I would get
• 30:50
  Speaker 3: really excited then crash immediately.
• 30:53
  Speaker 2: Man, I wish we had a fifth day of shooting
• 30:55
  Speaker 2: this movie. I'd get you a real coffee.
• 30:58
  Speaker 3: Thank you, thank you so much. I guess what we
• 31:00
  Speaker 3: haven't talked about yet is the journey home. I guess
• 31:03
  Speaker 3: the fifth through the twelfth day, not shooting, but getting home.
• 31:08
  Speaker 2: But on the boat.
• 31:09
  Speaker 3: Yeah, on the boat.
• 31:11
  Speaker 4: The boat. I think I forcibly forgot about the boat.
• 31:17
  Speaker 5: Tell us a little more.
• 31:22
  Speaker 4: What I forgot?
• 31:25
  Speaker 3: Well, I feel like we all.
• 31:27
  Speaker 2: Forget struggling to remember the.
• 31:30
  Speaker 4: Boat, Frederick, if you asked, if you asked, I'll of
• 31:32
  Speaker 4: course answer. You know. I just remember getting on the
• 31:36
  Speaker 4: boat and realizing that there was no food and there
• 31:45
  Speaker 4: was no room, and it was a yeah.
• 31:50
  Speaker 2: Yeah. They airlifted Chakra de caval and Marv Johnson Rick Jacobs.
• 31:55
  Speaker 2: They airlifted him out of Antarctica to safety. I think
• 31:58
  Speaker 2: they landed within at China, like within hours.
• 32:02
  Speaker 3: They landed at China within hours, and they went from
• 32:04
  Speaker 3: the Antarctica to China and there was.
• 32:07
  Speaker 5: There was plenty of room left. But we all said no, no, no, no, please.
• 32:12
  Speaker 2: No please, because we know our place, we know our place.
• 32:15
  Speaker 4: We can speak.
• 32:16
  Speaker 3: Can we speak?
• 32:16
  Speaker 4: Crew to crew? Isn't that so funny that we always
• 32:21
  Speaker 4: let the actors go first all the time. Oh it's lunch,
• 32:24
  Speaker 4: you can cut in line. It's like, what what have you? What?
• 32:27
  Speaker 4: What were you doing?
• 32:27
  Speaker 7: Sir?
• 32:28
  Speaker 4: I performed three dialyses in the past four days. I
• 32:32
  Speaker 4: think I deserve some some some sauteed carrots and squash,
• 32:36
  Speaker 4: do you know what I mean? I deserve it first.
• 32:39
  Speaker 5: And we keep a pleasant face the whole time.
• 32:42
  Speaker 4: Mother want them to right away, right away, go ahead,
• 32:45
  Speaker 4: my god, oh my gosh.
• 32:46
  Speaker 2: Have you got my pleasant face? You've seen it?
• 32:48
  Speaker 3: You guys been with do it one time?
• 32:50
  Speaker 4: Do you duct tape? You duct tape your cheeks, your ears?
• 32:53
  Speaker 6: I ducked it my cheeks in my ears, folks, the
• 32:55
  Speaker 6: same duct tape I killed bat Man.
• 32:58
  Speaker 2: We gets a lot of laugh out of me every day.
• 33:02
  Speaker 4: It's for us, that's what we call something for us.
• 33:05
  Speaker 7: Yes, I actually love this.
• 33:06
  Speaker 6: Let's just it's just crew. Let's I'll meet you at
• 33:13
  Speaker 6: your crew to crew truth, and here's my crew to
• 33:16
  Speaker 6: crew truth.
• 33:18
  Speaker 2: What is your crew to crew truth is?
• 33:21
  Speaker 6: I don't think it's that hard to act. Yes, if
• 33:28
  Speaker 6: you know what it's like to tape a slippery object
• 33:30
  Speaker 6: to something that's hard, do you know how to memorize
• 33:34
  Speaker 6: some motherfucking lines and just say on camera not hard?
• 33:38
  Speaker 4: Yes, truth out, yes, yes signor I love that.
• 33:44
  Speaker 5: It feels good to say. You know, normally we're in
• 33:46
  Speaker 5: these shells where we're you know, we're bottled up. But
• 33:49
  Speaker 5: it feels good to finally just oh, okay, so you're
• 33:57
  Speaker 5: not doing anything for ten hours of the day, why
• 34:00
  Speaker 5: don't you rest in a large house car?
• 34:04
  Speaker 4: You know what.
• 34:04
  Speaker 5: I'm sitting outside butt naked but freezing my ass off,
• 34:11
  Speaker 5: and I'm just I'm I'm losing it. Why do I
• 34:14
  Speaker 5: only get a niglu?
• 34:16
  Speaker 3: Huh? How come?
• 34:17
  Speaker 5: And that's not a personal one. All of us shared.
• 34:20
  Speaker 3: We all shared one. I mean we did. We those
• 34:24
  Speaker 3: scary stories at night work and it was nice to.
• 34:27
  Speaker 6: Be naked together in a space.
• 34:29
  Speaker 4: It was nice. Well, let's be honest what it was.
• 34:31
  Speaker 3: It was?
• 34:32
  Speaker 4: It was somebody built a bunch of put up, piled
• 34:35
  Speaker 4: a bunch of snow on top of a porter party
• 34:37
  Speaker 4: and said it.
• 34:37
  Speaker 2: Was I believed him. I believed them. They fooled me.
• 34:43
  Speaker 3: They didn't come.
• 34:44
  Speaker 6: You're not battled.
• 34:46
  Speaker 2: They fooled me. I mean, I you know, I accept
• 34:49
  Speaker 2: when I'm given. I'm a happy freaking you know what
• 34:52
  Speaker 2: we're c crew. I'm gonna say, fucking I'm a happy
• 34:55
  Speaker 2: fucking camper.
• 34:56
  Speaker 7: Wow.
• 34:58
  Speaker 2: Wow, man, I'm crazy today. I'm crazy today.
• 35:02
  Speaker 3: You know I'm gonna say this, and it's kind of
• 35:04
  Speaker 3: already been touched on. It's kind of already been touched on.
• 35:06
  Speaker 3: But listen, just say your lines right the first time.
• 35:10
  Speaker 3: Am I right? You don't need all this work. Memorizing
• 35:14
  Speaker 3: is just freaking words on a page. I'm here, I
• 35:17
  Speaker 3: have to look everywhere and say this is right, this
• 35:20
  Speaker 3: is wrong. We have to do this again. We have
• 35:22
  Speaker 3: to do that again. I'm breaking everything. All I want
• 35:25
  Speaker 3: you to do is just say your lines. It's true.
• 35:27
  Speaker 2: I have a secret. Dick Caverall didn't say any of
• 35:33
  Speaker 2: her lines. I said them when I was the footstool,
• 35:36
  Speaker 2: when naked. She was like, I'm tired of speaking. I
• 35:42
  Speaker 2: need you to fix this, and I said, I'll freaking
• 35:46
  Speaker 2: fucking fix it. I'll fucking fix it. And this was
• 35:53
  Speaker 2: I mean, you can't tell anyone, You cannot tell anyone,
• 35:55
  Speaker 2: you cannot tell.
• 35:56
  Speaker 4: But Carrie, she won Best Actor at Tiff.
• 35:59
  Speaker 2: She wont actor, and somebody who wasn't a team player
• 36:04
  Speaker 2: maybe would have taken issue with that. But I'm a PA.
• 36:07
  Speaker 2: This is what I've done my whole life. It is
• 36:09
  Speaker 2: a noble pursuit and I will throw my body on
• 36:12
  Speaker 2: the line in defense of this movie. I don't feel
• 36:15
  Speaker 2: bad at all.
• 36:16
  Speaker 3: She deserves I gotta say, as a script soup, I'm
• 36:19
  Speaker 3: actually ashamed. I didn't realize that. Once I realized that
• 36:24
  Speaker 3: she was mouthing the words and you were saying them
• 36:27
  Speaker 3: underneath her, That's okay.
• 36:29
  Speaker 2: I mean, to be fair, I'm a really good actor.
• 36:32
  Speaker 3: Yeah.
• 36:32
  Speaker 6: Hey, Carrie, when you said you wanted to be a
• 36:35
  Speaker 6: PA all your life, So when you go to college,
• 36:37
  Speaker 6: if you want to be a PA, what's your major?
• 36:41
  Speaker 2: Well, you know you sort of you gotta figure out
• 36:45
  Speaker 2: what is a PA? Ultimately, they're the person who moves
• 36:49
  Speaker 2: the things from point A to point B.
• 36:52
  Speaker 6: Like administration cinema, like where is that? Where's the line?
• 36:56
  Speaker 7: You know?
• 36:56
  Speaker 3: What job is that?
• 36:57
  Speaker 2: What job is is point A to point b that's
• 37:00
  Speaker 2: a train conductor.
• 37:01
  Speaker 4: And so.
• 37:04
  Speaker 6: Don't tell me you steady trained.
• 37:06
  Speaker 3: You majored in trained conductive conductivity. Train.
• 37:10
  Speaker 2: Well, I had to learn what the purest I mean.
• 37:12
  Speaker 2: I never wanted to be a freaking train conductor. That's
• 37:15
  Speaker 2: not what I wanted to do. I wanted to be
• 37:16
  Speaker 2: a piani. But in order to in order to learn
• 37:20
  Speaker 2: the transfer of objects, the transfer of objects in motion
• 37:24
  Speaker 2: from this goes here, goes here, goes here, you got
• 37:26
  Speaker 2: to learn how to move that train. And so you know,
• 37:30
  Speaker 2: when you're an abstract artist, you first have to learn
• 37:32
  Speaker 2: how to make Renaissance style portraits. You know, you have
• 37:35
  Speaker 2: to know the rules before you can break them. And
• 37:38
  Speaker 2: I think it's kind of the same. So, yes, I
• 37:40
  Speaker 2: spent two hundred and ten thousand dollars going to a
• 37:43
  Speaker 2: train conducting school, and then I walked onto the Warner
• 37:47
  Speaker 2: Brothers lot and I said I need a job, and
• 37:50
  Speaker 2: they said, you know what, okay, And I've been here
• 37:54
  Speaker 2: ever since, been happy camper for fifty seven years.
• 37:59
  Speaker 4: Yeah.
• 37:59
  Speaker 3: Well, this short as a Warner Brothers movie, we should
• 38:01
  Speaker 3: we should say that was funded by Warner Brothers, got
• 38:04
  Speaker 3: a huge budget because as we all know, uh Duddy
• 38:09
  Speaker 3: his dad is a Warner. His other his father, his
• 38:13
  Speaker 3: stepfather is a Warner, Chip.
• 38:14
  Speaker 4: Warner, Chip Warner. Can I just say one more thing,
• 38:18
  Speaker 4: cr Crew, because I was having so much fun with that.
• 38:20
  Speaker 4: Just something that's been kind of key.
• 38:22
  Speaker 8: Yeah, if you need dialysis, bring a nurse, Bring a nurse,
• 38:34
  Speaker 8: Bring a nurse who can do it.
• 38:36
  Speaker 5: Nothing against dialysisis we don't have We don't have anything
• 38:39
  Speaker 5: against them.
• 38:40
  Speaker 4: I love so many people with dialysis. I have such
• 38:44
  Speaker 4: a close relationship and I think dialysis is an incredible
• 38:47
  Speaker 4: medical marvel. But we need to leave it to the professionals.
• 38:50
  Speaker 4: And if I get asked to do it again, I
• 38:52
  Speaker 4: will because I have to. But it's really really hard
• 38:56
  Speaker 4: for me. It's not set.
• 38:58
  Speaker 2: Yeah, they should have no offense. But there was a
• 39:00
  Speaker 2: day when Shaka was looking a little like, uh yellow pallide.
• 39:07
  Speaker 4: I bet we call that joundice, And that was something
• 39:10
  Speaker 4: that I did have to deal with. I looked it
• 39:12
  Speaker 4: up on my phone because I'm googling dialysis on my
• 39:15
  Speaker 4: phone as I'm doing it, so it's it's really really hot.
• 39:20
  Speaker 4: She said, I need dialysis. I'm like, okay, good Siri.
• 39:22
  Speaker 4: What's the alice is?
• 39:23
  Speaker 2: Like?
• 39:23
  Speaker 4: I didn't know when I started and now I know no, yeah,
• 39:27
  Speaker 4: I put it on my resume. But it's it's it's
• 39:30
  Speaker 4: a lot, and you should have someone who knows how
• 39:32
  Speaker 4: to do that, just like we need the perfect a
• 39:35
  Speaker 4: perfect a D get Frederick Jensen, you know what I mean.
• 39:39
  Speaker 4: That's what you need a professionally, you get a professional.
• 39:42
  Speaker 4: So that's that was just a I think that's a
• 39:45
  Speaker 4: little petty of me, but that No, it isn't.
• 39:47
  Speaker 6: It isn't, it isn't. I'm glad you said something. I
• 39:50
  Speaker 6: really am.
• 39:51
  Speaker 4: Yeah, it's about your boundaries.
• 39:54
  Speaker 2: It's okay.
• 39:55
  Speaker 6: I'll say, don't trust a gaffer with your life to
• 39:59
  Speaker 6: pay you to tape you to an Iceberg.
• 40:03
  Speaker 2: No, no, no, no, no.
• 40:09
  Speaker 7: We've talked about that.
• 40:18
  Speaker 4: The bad keep going.
• 40:22
  Speaker 5: That's really good.
• 40:22
  Speaker 3: Let it out, buddy, you got more in there. Keep
• 40:32
  Speaker 3: saying names, keep saying names. It seems to be helping
• 40:34
  Speaker 3: ricked Jack.
• 40:36
  Speaker 2: That's the call. She just go down the call.
• 40:37
  Speaker 3: She basically it.
• 40:40
  Speaker 4: Say crafty, say crafty, say crafty, Jangle, say crafty, dotty.
• 40:45
  Speaker 2: Who serve the fries?
• 40:48
  Speaker 3: Oh dotty, dotty dotty?
• 40:52
  Speaker 2: Oh my god, did we leave her make it on
• 40:55
  Speaker 2: the bat body?
• 40:56
  Speaker 4: Oh my stars, Where's Dottie?
• 41:00
  Speaker 1: This has been the crew of Sunlight answering the question. Now,
• 41:03
  Speaker 1: that's why they call it show business. We'll see you
• 41:07
  Speaker 1: next time.
• 41:11
  Speaker 7: Hi.
• 41:11
  Speaker 6: I'm Angela Jerretana, I'm Jeremy Colhayne, I'm Patrick McDonald, and
• 41:15
  Speaker 6: I'm Kylie Brakman.
• 41:16
  Speaker 2: Artists on Artists On Artists on Artists is an improvised
• 41:19
  Speaker 2: Hollywood roundtable podcast available on iTunes and Spotify.
• 41:22
  Speaker 3: You can follow us at aoaoaoa pod on Twitter and Instagram.
• 41:26
  Speaker 4: That's right, four a's with three o's in between. Then.
• 41:30
  Speaker 3: Pod music for this week's episode was provided by Gabriel Ponton.
• 41:34
  Speaker 1: Our guest this week was comedian artoon Nazareth. You can
• 41:37
  Speaker 1: follow him on Instagram and Twitter at urtoon Cartoon. You
• 41:41
  Speaker 1: can also catch him in the new Ghostbusters movie coming
• 41:44
  Speaker 1: out this November, Spooky. If you liked this episode, please
• 41:49
  Speaker 1: rate and review us on Apple Podcasts. And that's all
• 41:52
  Speaker 1: for now.
• 41:53
  Speaker 2: Good Night, Hollywood