Latest / What's Your (Least) Favorite Scary Movie? / #271: The Final Girls (2015)

Transcript

#271: The Final Girls (2015) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? Spring break forever.
• 0:11
  Well, watch your least favorite Scary movie, The podcast where
• 0:14
  we talk about the good, the bad, the ugly and the absurd and all
• 0:18
  of our. Favorite and least favorite
• 0:19
  movie Because we believe every horror movie rightfully has its
• 0:22
  fanbase. Even if we don't always get it.
• 0:24
  My name is Travis. My name is Jesse.
• 0:26
  And welcome everybody to this month's Patreon voted episode.
• 0:30
  Today we are talking about the final girls.
• 0:34
  Yeah. We are.
• 0:35
  But before we get into any of the nitty gritty and all that,
• 0:39
  do you have anything you need to announce Jess?
• 0:41
  Yes, as we did last year, we're doing our TB or not to be this
• 0:46
  Easter Sunday. Yeah, maybe Travis will pick
• 0:48
  something equally sacrilegious to discuss.
• 0:50
  Yeah, I don't know. I've looked around.
• 0:52
  I'm thinking I'm mulling it over, you know, we'll, we'll get
• 0:55
  something pretty nice, I'm sure. Or not.
• 0:59
  I don't know. It's to be or not to be.
• 1:00
  It's a mixed bag. It could be a bad, it could be
• 1:02
  great. Who knows?
• 1:03
  I'm excited to be on the lookout.
• 1:05
  To be determined. To be too fuck, To be
• 1:10
  determined. Oh yeah, baby, I'm starting off
• 1:14
  strong, OK. Is that all you got?
• 1:16
  Yes. OK, cool.
• 1:17
  Well, I have poll results. Yay.
• 1:19
  Last week we talked about sorority row.
• 1:23
  Sorority row? Yeah, that's right.
• 1:25
  I had to think about that. We wanted to know of the
• 1:29
  following sisters. Who would you want as your
• 1:32
  sorority big sister? If you don't know what a
• 1:34
  sorority big sister is, Jesse, please explain since you were in
• 1:37
  a sorority. It's it's an older member who
• 1:42
  kind of like they take you into your sorority family.
• 1:44
  They're really good friends. They can be kind of the guide
• 1:46
  for you so. Yeah.
• 1:48
  And they are like assigned to you when you pledge and become a
• 1:52
  member of that. It depends.
• 1:55
  From sorority to sorority, whatever.
• 1:57
  You get the gist of it. That's the point.
• 1:59
  All right, So it was between Ellie, Cassidy, Jessica, and
• 2:02
  Chugs. So 25% would have Ellie, 25
• 2:08
  Cassidy, nobody Jessica and 50% chugs.
• 2:13
  Chugs would be fun. Yep, Chugs is the fun one for
• 2:16
  sure. I think realistically my bag was
• 2:19
  actually like very LA coded like LA smart sensitive, OK.
• 2:28
  If I had to choose who I wanted, I think I would want Chucks
• 2:31
  because I want the fun one. I want the one that would have a
• 2:34
  lot of fun. That's part of the reason people
• 2:37
  do that shit. That was one of the reasons I
• 2:38
  did that shit. I wanted to have fun so.
• 2:40
  I think Elliott was probably very sweet.
• 2:42
  We just saw her at a very stressful time.
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  That gets it, that gets that done.
• 2:46
  All right, so are we ready to talk about the final girls?
• 2:48
  Yes. OK, so the Final Girls premiered
• 2:53
  January 30th, 2015 at Panic Fest.
• 2:56
  It had its at wide limited release on October 9th, 2015.
• 3:04
  We watched it on Pluto and as of April 2025, you can watch it on
• 3:10
  the Roku Channel and Pluto if you want to stream it or if you
• 3:14
  prefer to rinse, you've got Apple TV, Amazon, YouTube and
• 3:17
  Fandango at home. Written by MA Fortin and Joshua
• 3:22
  John Miller. Directed by Todd Strauss
• 3:24
  Schulsten, Music by Gregory James Jenkins and Eddie Zack
• 3:28
  Special effects makeup Elvis Jones, Warren Thomas, Patrick
• 3:32
  Rigg and Bailey Donk. Starring Taisa Fermiga as Max,
• 3:37
  Mallon Ackerman as Amanda and Nancy, Alexander Ludwig as Chris
• 3:43
  Briggs, Nina Dobrev as Vicky, Aaliyah Chaka as Gertie, Thomas
• 3:48
  Middleditch as Duncan, Adam Devine as Kurt, Angela Timber as
• 3:53
  Tina, Chloe Bridges as Paula, Tori and Thompson as Blake, and
• 3:58
  Daniel Norris as Billy. All right.
• 4:02
  All right, time for our favorite game on the show, Budget or Buck
• 4:05
  Ted. I think it's budget but like
• 4:09
  lower budget. OK, this is a buck, Ted.
• 4:12
  OK. This is $4.5 million.
• 4:15
  Wow. That's all.
• 4:16
  Done. Yeah, it's a pretty nice looking
• 4:18
  $4.5 million. Movie yeah, I just.
• 4:20
  It looks really nice and it's a cast full of very recognizable
• 4:23
  names, so. Yeah, and it had some nice fancy
• 4:28
  camera moves and then setups and certain scenes.
• 4:30
  It did give the impression of being a budget movie, but no
• 4:34
  good. They did good.
• 4:36
  I don't have opening box office because it was so limited
• 4:39
  release. And yeah, but I do have a gross
• 4:43
  of home media cells, OK. And that is 1.5 million, OK,
• 4:48
  which that I don't know how up to date that is, but it has made
• 4:52
  at least that amount of money, OK.
• 4:54
  And the IMDb scores 6.5. Good.
• 4:58
  Yeah, that's really good. I'm I'm happy that it's getting
• 5:00
  the love that it deserves. So I have 3 movies from 2015
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  lined up here. OK.
• 5:06
  The theme that I have are movies within movies.
• 5:10
  I like that. That's a smart theme.
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  So the first movie is All Hallows Eve 2 I.
• 5:17
  Was trying to remember if we've watched it.
• 5:19
  I think we tried to start at one time.
• 5:22
  So that is obviously the sequel to All How's Eve, which was
• 5:26
  Damien Leone's kind of way to get Art the Crown taken off or
• 5:31
  off the ground, I guess. And this one doesn't have him
• 5:34
  involved. But they took the premise and
• 5:36
  ran with it. It involves somebody finding
• 5:38
  another VHS and then they're putting it in the TV and they're
• 5:41
  watching all these different anthology type movies here.
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  So that came out October 6th, 2015.
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  Don't have the budget or the gross, but it's a 4.6 on IMDb.
• 5:51
  All right. Movie #2 Be My Cat, a film for
• 5:56
  Anne. Have you heard of this movie?
• 6:00
  Actually, yes. It's a strange.
• 6:01
  I don't know anything about it, but I have heard of it.
• 6:03
  Let me tell you about it. It's really weird.
• 6:06
  It's about a guy that is he's wanting to cast Anne Hathaway in
• 6:11
  his movie, and it is very stalkerish.
• 6:16
  Yeah, he is making he. It's called Be My Cat because he
• 6:21
  was wanting her to be in his movie because he's inspired by
• 6:24
  her performance as Catwoman and he is getting all of these women
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  to do demo shoots for him to. Be his cat.
• 6:35
  To send them to Anne Hathaway to convince them to be in his
• 6:38
  movie. Yeah.
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  And it's, it's very weird and I've never seen it, but I've
• 6:43
  read the premise and it sounds really uncomfortable.
• 6:46
  If I were Anne Hathaway, I wouldn't really be into this
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  movie. And Talia's not into it either,
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  obviously. She's she's grumpy.
• 6:54
  She's really upset right now. Zoe keeps laying on the same
• 6:57
  piece of furniture as her. To be clear, the piece of
• 7:00
  furniture is our very large sectional.
• 7:03
  Yeah. Yeah, it's they're, they're
• 7:05
  very, they're on like different sides of the planet right now,
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  but. Separated by multiple pillows.
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  All the things could be happening that we're not aware
• 7:12
  of right now because we're not out there.
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  But anyways that released March 1st 2015 ten $1000 budget.
• 7:18
  Don't have a gross but a 5.69 DPI.
• 7:20
  Think the movie is gross? Yeah, I mean, it's kind of
• 7:23
  gross, the idea of it. OK.
• 7:26
  And the final movie, Sinister 2. OK.
• 7:30
  Yeah, cuz it's like home movies in there that they have to watch
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  and it just corrupts the little children we've.
• 7:34
  Only watched it like once or twice.
• 7:35
  We've only watched it once and we watched it in theaters.
• 7:37
  I thought we had tried to watch it at home one other time.
• 7:40
  I fell asleep during it. It's possible.
• 7:42
  It's not bad, it's not terrible. It's a little bit more goofy
• 7:47
  than the first one, but it's not a bad movie.
• 7:49
  I think we'd need to revisit that to get a better feel of it.
• 7:54
  I agree. I agree.
• 7:55
  I think it's one of those that the first one sets such a high
• 7:58
  standard for yourself that we went to the second one and we're
• 8:00
  like. Yeah, I mean, Debbie D so and so
• 8:03
  he's the star of it, yeah. I was gonna say office for so
• 8:05
  and so is back. And he keeps that name too.
• 8:08
  I don't think we ever get his name.
• 8:09
  He's still credited as deputy so and so.
• 8:11
  I love that. And he is.
• 8:12
  That was one of the things everybody was fucking hoping,
• 8:14
  the sunrise on the reaping, but Suzanne would not give Katniss's
• 8:18
  mom a name. What's what's she referred to
• 8:21
  as? Just Katniss's mom.
• 8:22
  Yeah, or Miss Everdeen. OK, but she gives her name in
• 8:26
  the book. Why'd you have to cave?
• 8:27
  I was like canonically, now we know her name and I mean, it
• 8:30
  makes sense because she's like a supporting like friend to one of
• 8:34
  the main characters, but it's just like.
• 8:36
  Just not happy about it. Yeah, it would have just been
• 8:39
  really funny and pure camp to never give her a name.
• 8:43
  And I get that those books aren't camp, so it's fine, but I
• 8:46
  wish they had kept the running gag of not having a name for
• 8:48
  her. Too bad So Sinister 2 came out
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  August 21st, 2015. Budget of 10 million worldwide
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  Gross 53,000,000 IMDb 5.3. So it's got a decent little
• 9:00
  rating there. I think most people agree it's
• 9:02
  OK. Hold on.
• 9:03
  I'm going to pull up the first one just to have a comparison
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  rating because. Oh yeah, if I'm not mistaken I
• 9:09
  think it's in the 7th. Your mistake.
• 9:16
  Was it in the six? .80.
• 9:18
  Shit. Oh, it's almost at 7.
• 9:20
  Somebody tanked it. They were they Sabbath touch.
• 9:22
  They heard this recording in real time.
• 9:25
  Somebody hacked into the computer.
• 9:27
  No, they heard it in the future and went back in time.
• 9:30
  Oh boy. Yeah, oh boy.
• 9:31
  They pulled the rug, the rug, the rug out from under me there,
• 9:35
  Rugger. Yeah.
• 9:37
  All right, so I have one tag on. Just one.
• 9:40
  Prepared to be underwhelmed? That's how I feel about that
• 9:44
  tagline. Yeah, no, that's not the
• 9:47
  tagline. That's how you should feel about
• 9:49
  this tagline. The tagline is who will survive.
• 9:55
  That's it. Is that meant to be like a
• 9:57
  reference to Texas Chainsaw? They make a lot of references.
• 10:00
  It kind of. Everybody knows your references
• 10:03
  are on point. I think, wait, thank you.
• 10:06
  I think the point is it's final girls plural.
• 10:09
  So like, which one's the final girl?
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  Cuz there's a lot of people here that could maybe be, I don't
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  know. I mean really, when you watch
• 10:15
  the movie, that doesn't really attract.
• 10:16
  But it's a tagline. It's not supposed to be synopsis
• 10:20
  of the movie or anything. So lame.
• 10:22
  We'll figure out a better one at the end of this episode.
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  OK, OK, so let's do some fun facts.
• 10:28
  Yay, I love fun facts. So the idea of this movie was
• 10:31
  inspired by Joshua John Miller's personal experience of being a
• 10:36
  child of a horror movie actor. OK, his dad was a Jason Miller
• 10:41
  who played Father Karis in The Exorcist.
• 10:43
  Oh wow. OK, so a biggie.
• 10:46
  So I've got a quote from him that kind of explains where the
• 10:49
  idea of the movie came from, he says.
• 10:52
  I grew up watching my dad in The Exorcist, and there's something
• 10:54
  haunting, strange, confusing and a little bit unnatural to see
• 10:57
  your parent constantly die in a film.
• 10:59
  But it's something that also becomes iconic, and we tried to
• 11:02
  deconstruct what the effects of that would be as well as what it
• 11:04
  would be like if you had a second chance but your second
• 11:07
  chance was inside of a movie, which I think that's cool.
• 11:11
  Yeah. I think that, you know, the fact
• 11:12
  that it comes from, like, an actual personal experience.
• 11:15
  And I've never even really considered that before, like,
• 11:18
  how weird that does have to be seeing something like that.
• 11:21
  Yeah. Especially if it's like, well
• 11:22
  done effects. Yeah.
• 11:24
  Like, if it looks real, like, if it's cheesy effects, that's one
• 11:27
  thing. But yeah, I don't know how like
• 11:29
  that would mentally shape you if especially if you saw that as
• 11:32
  like a child. Well, when I, I was doing some
• 11:36
  extra work on a movie and there was one of the actors was like
• 11:43
  dead and her husband was there and just like saw her like dead
• 11:47
  laying on the ground or whatever.
• 11:48
  And I was like, is this weird? And he's like, we're both actors
• 11:51
  and we're just like we're both used to it by now.
• 11:53
  So like I can't imagine just like if I just saw you being
• 11:56
  dead all the time. Like I feel like that would kind
• 11:58
  of be a mind fuck. It kind of would, yeah.
• 12:00
  I don't know if I'd be a fan. So the movie was originally
• 12:05
  picked up by New Line Cinema. They were interested in the
• 12:08
  horror comedy aspects of the movie, not so much the heart of
• 12:11
  the movie. They didn't like the deep
• 12:13
  character moments between Max and her mom.
• 12:16
  But that's the whole point. Yeah, I mean, that's the whole
• 12:19
  point of like what he was talking about.
• 12:20
  They're like, hey, that happened to me in a movie and they're
• 12:22
  like, no, dude, the horror comedy, that's it.
• 12:25
  So they ended up not working out with them.
• 12:28
  Which I think is really funny because they kind of make fun of
• 12:31
  the cheesy 80s movies that really like all thriller, no
• 12:36
  filler, you know what I mean? Like they don't have like a
• 12:38
  heart to them. I think that's that's the IT
• 12:41
  needed that, yeah. Because like then it's just
• 12:43
  become like it's itself making. Fun of itself, yeah.
• 12:47
  It's weird, but they ended up going with Sony, who were
• 12:52
  actually interested in that part of the film.
• 12:55
  Surprising from Sony. I know that's what I thought she
• 12:58
  was like. You guys are not.
• 12:59
  Usually the good guy. Be fair, Sony fucking loves
• 13:02
  killing Uncle Ben so they're no stranger to sad family moment.
• 13:06
  They've really lucked, only had to stop doing that.
• 13:08
  Yeah, I think. I think that that's why they
• 13:10
  reset the Spider Man thing at the end of the last one.
• 13:13
  Like, can we do it again, please?
• 13:15
  Maybe. We have the perfect man to kill
• 13:17
  off after everybody falls in love with him.
• 13:19
  Yeah, we can make Tom Holland cry.
• 13:22
  They originally targeted an R rating for this, but the studio
• 13:26
  did request PG13. So there's a little bit of bad
• 13:28
  Sony right there. They fought really, really hard
• 13:31
  for the R rating, but they lost that fight.
• 13:34
  There is interest for sequel. Good I they set it up perfectly
• 13:38
  for a sequel. They actually did, yeah.
• 13:40
  And they said in the sequel they would reveal who Max's father
• 13:43
  is. I really don't care.
• 13:46
  That was never really like she never really seemed to care
• 13:49
  about her dad in this. It was mostly like her
• 13:51
  connection with her mom. I hope that's Adam Devine.
• 13:55
  Cuz he does like show up there at the end.
• 13:56
  Yeah it could be. Oh my God, that would be so
• 13:59
  weird. Yeah, like, maybe like as actors
• 14:02
  on set, they like had a little spark.
• 14:04
  Yeah, I mean, I could see that. Yeah, yeah, yeah.
• 14:07
  The original script had them mentally and physically
• 14:10
  transforming throughout the duration of the movie and Gerdie
• 14:15
  would actually prefer the new self that came from that and she
• 14:20
  tries to sabotage them to keep them all in the movie.
• 14:23
  I'm glad that they scrapped that storyline because I like, yeah,
• 14:27
  I like Gerdie as the supportive friend.
• 14:30
  Yeah, I do too. Yeah, I feel like that was a
• 14:32
  better change right there. And honestly, it's Leah Shawkat.
• 14:35
  Can she play anything besides the supportive friend?
• 14:39
  She could, but does she? No.
• 14:41
  No, you're right. She's never had a leading role,
• 14:43
  no. It's rude.
• 14:45
  She may have had leading roles in things that we've just not
• 14:48
  seen it. But she.
• 14:49
  Yeah, that's that's rude to her. She's a good actor.
• 14:51
  Yeah. All right.
• 14:52
  This is the final one. And I like this one a lot.
• 14:54
  So Billy's mask was changed during production.
• 14:59
  The original one had very prominent eyebrows and they
• 15:02
  ended up the cast and crew dubbed it the Eugene Levy Mask.
• 15:06
  OK, I was picturing Groucho Marks.
• 15:08
  Yeah, but Eugene Levy is just this generation's Groucho Marx.
• 15:11
  Yeah, yeah, for sure. I like I tried to find a picture
• 15:14
  of this and I typed in Eugene Levy Mask Final Girls and I just
• 15:18
  got Groucho Marx I'm picturing. The same mask, but like with fur
• 15:25
  added over the eyes. Yeah.
• 15:27
  Oh my God, I would love that. So you can see this mask in one
• 15:31
  scene, and then it's the scene where Gertie screams and gets
• 15:35
  everybody's attention when they're upstairs about to have
• 15:38
  sex. Yeah, that's the only scene you
• 15:40
  can see the Eugene Levy mask. I'm gonna we need to go back and
• 15:44
  look at that. Scene.
• 15:45
  I tried to find it on like YouTube and Google and all that.
• 15:48
  I couldn't find it. So we're gonna have to pause it
• 15:49
  there, yeah. All right, if you haven't
• 15:52
  watched the movie yet, when you go to watch it, make sure you
• 15:54
  pause when checking a shock has. Get your peep of that Eugene
• 15:58
  Levy right there. Yeah.
• 16:00
  OK, so that's it for my fun facts.
• 16:03
  So you ready to do some good? Bad, ugly and absurd?
• 16:05
  Absolutely. All right, kick it off for us
• 16:07
  some. Well, this movie was written by
• 16:09
  our people. You know what I mean?
• 16:11
  There are so many great references in there.
• 16:13
  Obviously, I opened up the Spring Breakers quote because
• 16:16
  how else am I ever going to get to do that?
• 16:18
  Is that happening? Quote here.
• 16:19
  Is that right? Yeah, when did Spring Breakers
• 16:22
  come out? 2013 maybe?
• 16:26
  I don't know man. Was it 2014?
• 16:28
  I think it's 14. Look it up, 2012, OK.
• 16:36
  So yeah, that definitely is enough time for that to be a
• 16:38
  reference. Yeah, yeah.
• 16:40
  We get the Chainsaw Bastard Man movie reference.
• 16:44
  Yeah, Oh my God. I mean, there and then there are
• 16:46
  a ton of like other references sprinkled throughout.
• 16:48
  Obviously those two were our favorites, but it's this is a
• 16:53
  horror movie written by fans of horror movies who also know not
• 16:56
  to take things too seriously except for the things that
• 16:58
  matter, like those, like familial and friendship bonds.
• 17:02
  And I think it's really fun the way they cycle through the
• 17:06
  movie. They can't leave the scene once
• 17:08
  they're set up in it. That was smart, yeah.
• 17:10
  Yeah, I I just think the whole movie is really clever.
• 17:14
  It's really funny. It hits the comedy peaks really
• 17:17
  well, and it hits the emotional peaks really well too.
• 17:20
  Yeah, definitely. And I think the whole cast is
• 17:22
  really great. I think they they mail their
• 17:25
  parts. And I'm also I'm team blurty.
• 17:28
  I I love them. I love them together.
• 17:30
  That's the only reason I could concede that maybe she needs to
• 17:34
  stay in the movie. Yeah, yeah, I could see them.
• 17:37
  Like and especially Blaine is really funny too, so I'm not.
• 17:39
  Really. Blake?
• 17:40
  Apparently, Blake, That's what I said on IMDb.
• 17:43
  I wrote Blaine all over my notes.
• 17:45
  I did too, because you told me Blaine last.
• 17:47
  Night, I could have just said Blaine.
• 17:48
  Cool hair. Could have, I don't know, Maybe
• 17:51
  IMDb is wrong. My God, I don't know.
• 17:53
  It's possible OK. Either way.
• 17:56
  So I'm not real. And they're like, I mean, in the
• 17:58
  movie you are. It's like this new way for you.
• 18:01
  Yeah. Yeah, you kind of nailed all the
• 18:06
  things I had to like the humor hitting.
• 18:08
  I fucking love it. This movie, it's like, I don't
• 18:11
  know, it's one of those that makes me actually laugh out loud
• 18:14
  at several moments. It's not just like one part here
• 18:17
  and there. Like, I consistently, especially
• 18:19
  Duncan's character. Yeah, Duncan is like the US
• 18:23
  channeled in this movie. It's like you put the horror fan
• 18:25
  in there and it's like some people would feel like that was
• 18:29
  maybe ugly. But I like seeing that mirror.
• 18:32
  I like seeing the reflection of myself there because it's cool.
• 18:34
  Like, you get the nerd out and you're like, I get it.
• 18:36
  Like I would be nerding the fuck out too if I was in these.
• 18:38
  And like I said, this is a movie written by our people and I we
• 18:42
  also said that we know how to laugh at ourselves and not take
• 18:45
  things too seriously. So true.
• 18:46
  I can laugh at Duncan as a mirror of us.
• 18:49
  Yeah, he's my favorite character.
• 18:51
  He. Doesn't help that he's played by
• 18:52
  Thomas Middleditch or it doesn't hurt that he's played by Thomas
• 18:54
  Middleditch. Yeah, that he's, he's an
• 18:57
  amazingly funny actor. Him and Adam Devine, too.
• 19:00
  Yeah. Apparently, like a lot of the
• 19:02
  scenes in this, they encourage them to do improv.
• 19:05
  And those two really went improv heavy with their stuff.
• 19:07
  And most of the stuff that's kept in there is the stuff that
• 19:10
  they did themselves. When we watched the blue at the
• 19:12
  end, which is another good point for this movie, yeah, is having
• 19:15
  bloopers during the end credits, and those were a lot of the ones
• 19:19
  you see as them just trying different line reads and things.
• 19:23
  Yeah, apparently that scene where he jumps over the the
• 19:26
  Thing and the. Velvet rope.
• 19:27
  Yeah, that he accidentally did that during his shoot and like,
• 19:31
  they decided to actually keep that in there as part of the
• 19:33
  movie. That's good.
• 19:35
  Yeah, I thought that that was good too.
• 19:36
  It fits the character perfectly. They're great callbacks.
• 19:40
  I think Billy is actually a good stand in for Jason.
• 19:42
  Yeah, like he they somehow managed to make him still feel
• 19:46
  somewhat intimidating despite this being like a very self
• 19:49
  aware and funny movie. Yeah, his back story is very
• 19:52
  much a combination of Jason for he's and what's his face in the
• 19:56
  burning. I can't remember the.
• 19:58
  Cropsy. Cropsy, yeah.
• 20:01
  Yeah, there's just so much good going for this movie.
• 20:04
  They they did a great job putting this together.
• 20:07
  Oh goodness. OK, what's the bad?
• 20:12
  I2 slight punch ups and these are very minor like dream
• 20:19
  scenario type things because I don't think there's a lot about
• 20:22
  this movie that I would like want to change yeah I would like
• 20:25
  to see maybe them go through a couple more scenarios in the
• 20:28
  movie you know cuz we see it repeat.
• 20:31
  It would have been nice to like, and I get that part of it is
• 20:35
  they had to establish like, do we think our friends are really
• 20:37
  dead or not? Or will they come back when the
• 20:38
  movie starts over? Yeah, So I get that they had to
• 20:41
  do that, but it would have been nice to have like a couple
• 20:43
  cycles through of it and see what they could do with that.
• 20:45
  So like, they go through the movie and it doesn't go so well,
• 20:47
  and then they start over and yeah, yeah.
• 20:49
  OK. Yeah, that could be fun, yeah.
• 20:51
  I also think there was potential really fun casting if it could
• 20:55
  have happened because our ultimate final boy, Justin Long,
• 21:00
  could have had an amazing cameo in this, you know what I mean?
• 21:03
  He'd fit in with that guy. Yeah, I think so.
• 21:05
  Yeah, you're right. OK.
• 21:06
  The the only thing that I had is they throughout the entire
• 21:12
  movie, they constant until closer to the end.
• 21:14
  They act as though everything is pretty determined and they can't
• 21:19
  change anything. Events have to unfold as the
• 21:21
  movie does. However, immediately we see
• 21:24
  things fall apart and start to change.
• 21:27
  So I thought it was strange that they all are like, But no, it's
• 21:30
  still got to follow the beats of the movie.
• 21:32
  No, it's not that movie anymore. You guys have introduced new
• 21:34
  characters. It's like the butterfly effect.
• 21:36
  Like, things are changing completely.
• 21:38
  Like, it was a weird thing for them to be so set on that the
• 21:42
  entire time until the very end, when Max is like, wait, I'm
• 21:45
  gonna save you, Mom. Yeah, but then she didn't.
• 21:49
  I mean, ultimately, everybody did have to die for her to be
• 21:51
  the final girl, but they still were able to change things.
• 21:55
  Yeah. I don't know.
• 21:57
  It was a weird thing, and the only other bad thing I would say
• 22:00
  is I wanted more Thomas Middleditch.
• 22:02
  I wanted more Duncan in this movie, man.
• 22:04
  I wanted to like, I feel like having that horror nerd, that's
• 22:07
  the other thing that would have overstayed its welcome.
• 22:09
  Yeah, that's honestly because we were there the whole time, you
• 22:13
  know? Yeah, exactly.
• 22:14
  Yeah, I wanted to see that. I feel like he would have been
• 22:16
  very key to a lot of planning because he's got the horror
• 22:20
  movie knowledge. He's like, OK, well, he
• 22:22
  obviously thinks this way. So like, let's do this, you know
• 22:26
  it. It would have been.
• 22:28
  It would have made it more fun. I agree.
• 22:31
  Yeah, I absolutely agree. All right, what's the ugly?
• 22:36
  OK, so them coercing Max to go to watch a movie starring her
• 22:43
  mom on the anniversary of her mom's death?
• 22:46
  I had that too. That is fucking brutal.
• 22:51
  I had the 1st anniversary of a parent's death this year and
• 22:56
  that was fucking rough. I don't know where I'll be two
• 22:59
  years from now, but probably not.
• 23:01
  Yeah, in that kind of a scenario.
• 23:04
  And she was still very clearly depressed.
• 23:06
  Yeah. So that was that was not great.
• 23:10
  That was not a great moment. And also Vicki being really bad
• 23:19
  at apologizing because I get what she was saying.
• 23:23
  She was trying to say like why she misses Max and she feels
• 23:27
  that about like everything falling apart.
• 23:29
  But she was like, your mom died and you got really sad, so now
• 23:34
  we're not friends and I feel like that's on you.
• 23:37
  Yeah, yeah. I get what she was trying to say
• 23:40
  and I guess it's probably realistic for like a 17 year old
• 23:42
  to not be able to word that shit correctly, but.
• 23:45
  There's a better way to say that.
• 23:46
  Yeah, like she gives Girty A genuine apology and she goes,
• 23:48
  Max, your mom died and it was a bummer.
• 23:52
  Hers is really long winded. It was front loaded with some
• 23:54
  bad, bad words. This is.
• 23:56
  Yeah. It's like how you like bad news,
• 23:58
  good news. That's how she handled that.
• 24:01
  She needs to learn the compliments hand way.
• 24:03
  Yeah, yeah. First of all, Max will love you.
• 24:09
  You fucking suck. You're you're mad that your mom
• 24:11
  died. Don't do that.
• 24:14
  You're it's like your mom died and it became everybody's
• 24:16
  problem. Yeah, yeah, yeah, yeah.
• 24:18
  She did not handle that well. Yeah, I had the same thing about
• 24:22
  pressuring her to do the show on the anniversary of the deaf.
• 24:26
  And then also how Kurt's character shows the ugly side of
• 24:31
  that era and genre. Yeah.
• 24:34
  That's the nasty part of that. And they leaned into and they
• 24:37
  acknowledged it like, Oh, yeah, he's kind of problematic.
• 24:40
  Kind of. Character is rapey and uses
• 24:42
  slurs. Yep.
• 24:44
  Awesome. Yeah, but that that's how the
• 24:47
  characters were, unfortunately. So it's it's true to.
• 24:50
  It's true, true to the era, but it's like it's acknowledging the
• 24:53
  ugliness of that. Yeah, yeah.
• 24:56
  And then you had somebody like Chris there to be able to put
• 24:58
  him in its place. My.
• 24:59
  Dad's are gay. He's like, you don't have two
• 25:01
  dads. Yeah, they're busy doing disco
• 25:04
  and it's actually a pretty cool lifestyle.
• 25:07
  And I was like foreshadowing. Yeah, Daddy, Daddy.
• 25:15
  OK. And absurd.
• 25:18
  OK, so I think one of the good things that they did about the
• 25:21
  casting is that they made the movie teens obviously older than
• 25:25
  the actual teens. Yeah, yeah.
• 25:27
  But they still are very young looking, you know what I mean?
• 25:31
  I looked up the mom and she was like 3738.
• 25:37
  OK, yeah. I just think it's funny that in
• 25:40
  like modern time, to make her look older than she would have
• 25:44
  been the movie they gave her a bun.
• 25:47
  They did, yeah. That was that was their aging
• 25:51
  effect for her. The one that looks, well, the
• 25:55
  one that looked the closest to their age, I would say is Tina.
• 26:00
  She's seen actually like a teen. That's the energy she has.
• 26:05
  She's also in the Good Place and.
• 26:08
  Is she in the good place? She is Eleanor's roommate, she's
• 26:11
  a dress bitch, and when she finds out that Eleanor and the
• 26:15
  other roommates sold the dress bitch shirt, she goes I
• 26:18
  literally hate you forever. She's a good actor.
• 26:22
  She's really a good actor. Because I would love to see her
• 26:24
  and wear things, but I love her character in this.
• 26:27
  Yeah, yeah. She's great in this.
• 26:30
  She's absurd. I don't fucking know.
• 26:37
  It's bad to say, but man, that they were asking for a car crash
• 26:41
  at the beginning of the movie with the way that mom is
• 26:44
  driving, there were so many scenes of her just like keeping
• 26:48
  eye contact with Max and just driving the entire time.
• 26:51
  So stressful. It really is.
• 26:53
  You know something's bad, like bad's going to happen, but it's
• 26:55
  not really because she was that distracted.
• 26:57
  I mean she was a little bit, but it was because like a spill or
• 27:00
  something or she dropped papers or some shit.
• 27:02
  Max dropped like her coffee or whatever drink she had on her
• 27:05
  head shots. And that's what I did.
• 27:07
  Yeah, she was like, Max, those are really expensive.
• 27:09
  And she's like, still trying to act and.
• 27:12
  Yeah, but she just, the entire time, she's just like, that's
• 27:16
  one of those things that I can't stand with movies is like when
• 27:18
  they have conversations like that and then they have to like
• 27:22
  have eye contact while they're driving.
• 27:24
  Like that's not realistic. And that's not how that goes.
• 27:27
  Yeah. It's really weird.
• 27:29
  There'll be a lot of times that I'll be chuckling at something
• 27:31
  on my phone in the car and you'll be like, all right, show
• 27:33
  me the stop light. Yeah, you try and show me.
• 27:36
  And then when I try and show you I'll be watching the stop light
• 27:38
  to make sure nothing turns green.
• 27:40
  Yeah, OK. Let's rate it now.
• 27:44
  OK. I think this is just, it's a
• 27:46
  really solid movie. It's a really fun time.
• 27:49
  It doesn't feel like it even lasts an hour and a half.
• 27:52
  No. And I just, I want more of it.
• 27:55
  I want more of it. I'm going to give it an 8 1/2.
• 27:58
  I'm going to give it a 9. I feel the same way, man.
• 28:00
  I feel really, really strongly about this movie.
• 28:02
  It's the one that surprised me. I didn't think that I would love
• 28:04
  it as much as I did. But then we watched it last
• 28:06
  October. Not this past one, but the one
• 28:09
  before. And yeah, I had a great time.
• 28:12
  It was really fun. It was really good.
• 28:14
  Yeah. All right.
• 28:15
  So let's get into it then. Yeah, we open up with a trailer
• 28:21
  for Camp Bloodbath and I just wrote down because instead of
• 28:27
  singing Kumbaya, they'll be singing Kumba, No.
• 28:34
  Should have been kumba na. Na, as a Tommy Wiseau, yeah.
• 28:41
  Yeah, it's Max. She's watching the trailer on
• 28:44
  her phone in the car. She's waiting for her mom to get
• 28:47
  back in there. Her mom comes back in.
• 28:48
  She must have had an audition or something.
• 28:50
  Yeah, casting call of some sort. And she says the casting
• 28:53
  director only recognizes her from Camp Bloodbath.
• 28:55
  And she was like, never do a slasher.
• 28:58
  Well, I don't understand that. That doesn't.
• 28:59
  So that's like hurting her career.
• 29:00
  Like, oh, I recognize you in a movie.
• 29:02
  You're just not going to be good for this one.
• 29:04
  It it can definitely lead to a type testing type of situation.
• 29:08
  Yeah. I guess it depends on what your
• 29:10
  career aspirations are. See, The thing is, I guess she
• 29:13
  wanted to be a big star. She didn't want to be doing
• 29:15
  genre films like porn or anything like that.
• 29:17
  Because The thing is, if you like, she seems like a very
• 29:20
  established, loved actor based off, yeah, based off of like,
• 29:24
  Duncan's whole thing. Like she's we're going to get
• 29:27
  the daughter of her. You do that, that means the
• 29:29
  person is like a big deal. She's one that like I could see
• 29:33
  like analysis care for us and everybody go wrong.
• 29:35
  Yeah, exactly. Yeah, Like it's somebody that
• 29:37
  would be cast in a lot of horror movies if they wanted to.
• 29:40
  The opportunities are always there.
• 29:43
  So this is kind of sad because they are driving and Max is
• 29:49
  worried about bills and like, she's trying to figure out how
• 29:51
  they're going to come up with this money.
• 29:53
  And meanwhile, mom is just like, yeah, so he's, but he was going
• 29:56
  to take me to Palm Springs, but then I haven't heard from him
• 29:59
  for three days. And she throws the bill out the
• 30:01
  window. And so like, that's our
• 30:04
  electricity bill. That was in Egypt.
• 30:07
  It's so weird Max is being the adult.
• 30:10
  Yeah, and it's it's makes me sad for Max.
• 30:12
  I know, right? It's not a it's not an awesome
• 30:15
  dynamic to have cuz like their daughter relationship.
• 30:18
  Then the reality sets in like Oh well I thought the bill is at
• 30:21
  the window. Fuck, what do we do?
• 30:24
  Also, realistically, it's 2015, they can pay their bills online.
• 30:28
  Yeah, we pay all our bills online.
• 30:30
  That's true, That's true. But either way, they're
• 30:33
  distracted. They're jamming at the Betty
• 30:34
  Davis size. Which is a straight bop.
• 30:37
  That is the correct song to always be lip syncing too.
• 30:40
  Yeah, and well, not in this time because it is causing a ruckus
• 30:45
  in the car. You can lip sync without taking
• 30:48
  your eyes off the road. I'm not condoning her unsafe
• 30:50
  driving, I'm just saying you can jam out because ask me how I
• 30:54
  know. Did I maybe jam out to Betty
• 30:56
  Davis? I was on my way home from work
• 30:58
  yesterday. Maybe, maybe, maybe, probably.
• 31:01
  I didn't wreck. Because I wasn't there with the
• 31:05
  coffee. That's true, you're spilling it
• 31:07
  on my expensive shit. Yeah, yeah, she's got a coffee
• 31:10
  there and she spills it all over the head shots, causes a whole
• 31:13
  thing. It's a like cuz it's a split
• 31:16
  second thing. She looks down, she goes Max.
• 31:18
  Those are really expensive. She drifts just enough for
• 31:20
  another car to like clip them and they hit some like
• 31:22
  construction and flip like a million times.
• 31:25
  This part's a little jarring because it goes full CG.
• 31:27
  Yeah. It is a little bit strange.
• 31:30
  I also feel like they probably didn't have enough momentum to
• 31:32
  flip that many times. No, this is like a fucking
• 31:35
  NASCAR wreck. Right.
• 31:36
  Yeah. This is like sheets of metal
• 31:37
  just flying through. The air final destination.
• 31:40
  Yeah, it really is. Yeah.
• 31:41
  Digging, digging, digging. OK, Three years later she wakes
• 31:50
  up. Aunt Pearl's telling Max that
• 31:52
  Gertie's there to pick her up, and Gertie has taken her to a
• 31:55
  study session with Chris so they can study for their classics
• 31:58
  class. Yeah, she's really, really
• 32:02
  pushing a relationship between the two of them here hard.
• 32:06
  I mean, and she is correct because Max definitely has the
• 32:09
  hots for Chris and Chris, yeah, he's like, she's like he broke
• 32:13
  up with Vicki. So they're at a diner, they're
• 32:17
  doing, they're studying and homework together.
• 32:20
  Enters Duncan in all kinds of chaos.
• 32:24
  Super super. It's a very Cramer entrance.
• 32:27
  Yeah, it is. Yeah, he is like super excited
• 32:29
  because Max is there and he's got a camp bloodbath showing for
• 32:34
  one and two. Yes, the theater.
• 32:37
  The fans call themselves mathematicians.
• 32:39
  I fucking. Love it.
• 32:40
  Yeah, love it. That's great.
• 32:44
  Gertie thinks it's nerdy. Also, she so that Duncan is
• 32:50
  Gertie's stepbrother. And that's how he finds out that
• 32:54
  Max is Amanda Cartwright's daughter.
• 32:57
  And he was like, please come to the showing tonight.
• 32:59
  And she's like, absolutely not. Are you fucking insane?
• 33:01
  He goes, I will do all of your homework and essays for your
• 33:04
  classics class. Gertie also told me you're
• 33:06
  failing. Yeah, they.
• 33:08
  She's like Gertie, close your fucking mouth around Duncan.
• 33:10
  They caught one of the scenes that I thought living hilarious
• 33:13
  here isn't the, like, the credits where he looks over at
• 33:17
  Chris is like, Chris, I'd barely know you, so stop with the
• 33:21
  familiarity. Yeah.
• 33:24
  I wish that that was left in here because that's so fucking
• 33:26
  funny. But yeah.
• 33:29
  OK. So he's got her on board.
• 33:31
  We cut to the theater. Max is crossing the street with
• 33:35
  Gerdie. Yeah, and they run into Chris.
• 33:38
  And she's like, oh, what are you doing here?
• 33:40
  He goes. Well, I just figured it would be
• 33:42
  a rough time for you and you could use some support.
• 33:46
  Oh yeah, and Gerdie's like, OK, I'm gonna go get some popcorn.
• 33:51
  You guys stand on the sidewalk? Dude, I have done that.
• 33:55
  Depends on the past. Oh yeah, I'm like, yeah, I'm
• 33:57
  like, I want you guys to make out, so I'm gonna get out of the
• 33:59
  way. That's a that's a solid move
• 34:01
  right there. Yeah.
• 34:02
  So they're standing in front of the poster and it's got her mom
• 34:06
  right there front and center. So they started talking about
• 34:08
  her a little bit, and Max is still not really wanting to talk
• 34:10
  about it too much. Yeah.
• 34:12
  So they had inside. Oh, wait, no, no.
• 34:14
  Vicky pulls up with her boyfriend.
• 34:17
  Kind. Of Kya send yeah like literally
• 34:20
  she just has him for a drive by because she like dismisses him
• 34:24
  so that way she can try and flirt with Chris when I get
• 34:26
  inside. Why do you put up with this man?
• 34:29
  Have some self respect. It's funny because they go in
• 34:32
  and she's like, yeah, no, I've just been so busy, like with
• 34:34
  college applications, I had to submit ones for my safety
• 34:37
  schools. Cornell, Like, OK, Vicky, we get
• 34:41
  in. She's like, of course, I take so
• 34:43
  much Adderall, like I can't afford the time to sleep.
• 34:47
  And they're like, where's Tyson? And she's like, oh, he had a
• 34:49
  stomach ache. He had to go.
• 34:51
  Yeah, yeah. So they're inside now.
• 34:54
  There's a little bit of shit going on between Chris and Vicki
• 34:58
  there. She's clearly not over him.
• 35:00
  Yeah, no, she's kind of desperate.
• 35:03
  Yeah. And he was like, did you see on
• 35:05
  my social media that I was going to be here tonight?
• 35:07
  And she goes, no, I don't check your Twitter.
• 35:10
  By the way, you've lost 3 followers.
• 35:13
  So they go inside, everybody's watching the movie looks like a
• 35:16
  real fun time. Way cooler than the audience we
• 35:19
  went to see Evil Dead with who got mad at us enjoying watching
• 35:22
  the Evil Dead. It's a very much like find the
• 35:26
  audience type thing. Yes.
• 35:27
  Yeah. Like this is a very.
• 35:30
  It's a packed theater. Everybody is into this movie.
• 35:33
  Yeah. We get one guy, he is sparking
• 35:36
  up a cigarette, probably a joint really, if I'm going to be real.
• 35:39
  Yeah, I feel like you don't spark up a cigarette.
• 35:42
  There's only one word that can finish that sentence, and it's
• 35:44
  not cigarettes. It's true, that's true.
• 35:47
  He sparks it up. Meanwhile there's a guy in the
• 35:49
  back that is drinking some booze and he drops the bottle and it
• 35:54
  goes rolling down the little slope.
• 35:56
  Meanwhile the guy's ash just happens to go towards the
• 36:00
  forest. I'm.
• 36:00
  Just going to say that guy in the back drinking the liquor
• 36:03
  doesn't seem like he'd be a clear liquor guy.
• 36:06
  No, but you know, it's a little. Bit surprising to me.
• 36:07
  That's what I'm saying clear. Liquor's for everybody, man.
• 36:10
  I agree. Some people think it's not.
• 36:12
  That's some people think they're too good for clear liquor.
• 36:15
  That's kind of a dumb thought, the.
• 36:17
  Clear liquor Clear liquor is for rich women on diets.
• 36:20
  Who says that? Ron Swanson.
• 36:22
  Oh, OK. Well, Ron is wrong about a lot
• 36:25
  of things. That's true.
• 36:26
  Yeah. Anyways, the ash hits the little
• 36:30
  bit of alcohol that has poured out and holy shit the entire
• 36:33
  theaters in flames. It was very cheap vodka.
• 36:36
  Yeah, that's what this plan was. Fucked.
• 36:38
  Yeah. And yeah, So there's like a big
• 36:40
  fire. Max had been, like, trying to go
• 36:42
  outside to get some air because she knew it was close to her
• 36:45
  mom's death scene gets blocked by the fire.
• 36:48
  So she runs back to her friends and all of the exits are
• 36:50
  blocked. They asked Duncan, is there an
• 36:52
  exit behind the screen? Yes.
• 36:53
  Somebody has dropped their toy like their.
• 36:56
  Machete. Real machete, because it slices
• 36:58
  through the screen. Yeah, somebody brought a real
• 37:01
  fucking machete to us. That that.
• 37:02
  Trash not well controlled. Yeah, I mean, we've got joints
• 37:06
  and like handles of booze, so. Yeah.
• 37:10
  Right. Like a real machete.
• 37:11
  That's yeah. This theater does not give a
• 37:14
  book. No, they're like, bring your
• 37:15
  weapons, bring your booze, bring your drugs.
• 37:17
  We yeah, encourage it all. It's a great time for everyone.
• 37:21
  Yeah. Yeah.
• 37:23
  So they go into the screen and then they all show up in these
• 37:26
  like it's almost, almost, not quite because the beginning part
• 37:30
  was in color as well, but this feels very much like Dorothy
• 37:34
  waking up in ounces, and there's so much color everywhere.
• 37:37
  They mentioned that the script called for it to be like a very
• 37:41
  like Technicolor entrance and they.
• 37:44
  They achieved that. They didn't mean for it to
• 37:46
  actually be like that, though. Apparently they were surprised
• 37:48
  whenever they went on and said, like guys, it's not supposed to
• 37:50
  actually be this colorful. Right.
• 37:52
  I love it because it also is very unrealistic for how Woods
• 37:57
  would look. And I'm like this is great.
• 37:58
  This is an over decorated set and it fits the cheesiness.
• 38:02
  I think, well, they keep the IT almost feels like they keep the
• 38:05
  look the entire time because like they color grade it hard.
• 38:08
  Yes, since they're in the movie. I love it.
• 38:10
  Yeah, yeah, it's, it's got a lot more look and.
• 38:12
  Feel to. It So they are just kind of
• 38:15
  wandering around in the woods and meanwhile they hear the song
• 38:19
  and they see the van come by. It's a Mickey.
• 38:22
  The song. Yeah.
• 38:23
  Yeah. Hey, Mickey.
• 38:24
  You're so fine. You're so fine.
• 38:25
  You're a little man. Hey, Mickey and Mickey.
• 38:29
  Yeah, and it is Kurt and Tina in the van, and they pull up right
• 38:34
  beside them like, hey, do you guys know where camp?
• 38:37
  Bluefinch. Yeah, Bluefinch is.
• 38:39
  Yeah, and. Well, at first they're just like
• 38:42
  and they're like, OK. I love Adam Devine's like
• 38:48
  reaction. His character is so fucking
• 38:53
  funny in this movie. So they drive fast, and then 92
• 38:56
  minutes later we hear and they pull up and they're like, hey,
• 39:02
  do you know the way to Camp Bluefench?
• 39:04
  And they're like. And Chris goes, yeah, just keep
• 39:08
  driving the way you're going. Oh, cool.
• 39:11
  Thanks. And Duncan goes tubular.
• 39:14
  Yeah. 92 minutes later, again, Song queued up again, but this
• 39:19
  time Duncan's like, hey, yeah, we're counselors, but you know,
• 39:23
  we'll show you how to get there if you let us get in the van and
• 39:25
  give us a ride, too. Although they're in the van and
• 39:29
  Kurt goes where's your luggage? Yeah, he's like, you guys are
• 39:33
  dressed weird. Are you poor?
• 39:35
  Are you guys pores? Are you?
• 39:36
  Poor, yeah. Underprivileged.
• 39:39
  And then Tina, like, fully, like, debunking everything.
• 39:42
  She goes, wow, you've never had this many counselors before.
• 39:45
  Yeah. And then?
• 39:47
  Which feels very much like you think back to Friday the 13th,
• 39:51
  Part 1 versus Part 2. How many counselors are involved
• 39:55
  in setting up the camp? Yeah, it's like after a fucking
• 39:59
  tragedy it double S like what the fuck?
• 40:01
  That does not track the. Camp tuition probably got a lot
• 40:05
  cheaper. That's true, actually, right?
• 40:07
  Yeah, so we see in the back Nancy, who is Max's mom, Yes.
• 40:14
  Comes up and she wakes up from her dream and it's a very, very
• 40:17
  big moment for Max. So she's having a weird, weird
• 40:19
  time. Her giant sad eyes just, like,
• 40:22
  dripping tears. Yeah, heartbreaking.
• 40:26
  Which Meanwhile, Duncan says something about Tina getting
• 40:29
  naked later and she goes, Oh my God, how did you know he goes,
• 40:33
  is this spring break? Yeah, Spring break forever,
• 40:37
  Yeah. Duncan is way too excited about
• 40:44
  all of this happening. Yeah.
• 40:46
  He's too geeked out. He's sees no sense of danger.
• 40:49
  He thinks he's invincible. Well, because he knows how
• 40:52
  everything's going to play out. So like, I like his ideal age.
• 40:55
  Like, let's stick with the final girl.
• 40:56
  It's the best seats in the House.
• 41:00
  Yeah, listen, I want everybody to understand Travis is going to
• 41:03
  keep laughing at Duncan being cold like this, and I need a
• 41:06
  good example of why. So he watched Jurassic Park for
• 41:09
  the first time ever last weekend.
• 41:11
  And you know when the little kid is on the fence and meanwhile
• 41:15
  they're getting the electricity going back and so the kid is
• 41:18
  electrocuted and everybody thinks that he's died because
• 41:20
  that's like 10,000 volts of fucking whatever in an 80 LB
• 41:23
  body. Travis just.
• 41:25
  He laughed like this the whole time.
• 41:27
  I laughed hard. Yeah.
• 41:29
  And that shit was funny. Like the kid, just the kid had
• 41:33
  it coming. They told him my kid, get the
• 41:35
  fuck off there. It's electric.
• 41:37
  And he's like. No scared, it was a pirate and
• 41:40
  he was being chased by Tyrannosaurus Rexus.
• 41:43
  Even more reason to just get the fuck off that fence.
• 41:46
  He. Had no reason to think the
• 41:47
  electricity was going to come back on.
• 41:49
  That shit was funny. I don't care.
• 41:51
  All right, so they arrive at the camp, they get the title card,
• 41:55
  which is cool. I like how all this stuff
• 41:56
  actually plays out. Like them stepping over it.
• 41:58
  Yeah. And none of the, like,
• 42:00
  characters see it. They're like, we should just
• 42:03
  take the van and go. The movie's gonna reset for them
• 42:06
  anyway. We need to find a way out of
• 42:08
  here. So they ask Kurt for the keys to
• 42:11
  the van. They're like, can we borrow it?
• 42:13
  And he's like, if we do it. And she was like, you know, no,
• 42:17
  I love it. So he he was like fine, you can
• 42:19
  take the van if you can find the keys and he chucks them into the
• 42:21
  fields. Oh, I thought dung is like Kurt
• 42:24
  is insatiable. And he's like, hey man, burn me
• 42:28
  and he goes go suck a turd. Yeah.
• 42:34
  It's Go. The Bright and suck.
• 42:36
  Yeah, that's like an actual Adam of the line right there.
• 42:41
  You can tell. You can.
• 42:43
  I like how you can see the individual people come through
• 42:45
  in this movie. Yeah, I feel like they probably
• 42:47
  did a bunch of takes of that one and wound up with the ghost
• 42:50
  secretary because that's, I mean, of those dumb.
• 42:54
  Yeah, it's perfect. That you would hear in a movie
• 42:57
  like that. Yeah, so he tosses the keys so
• 43:00
  they go searching for it and. Max goes to help Nancy put some
• 43:03
  signs up on the board and she was like, well, I'm gonna lose
• 43:06
  my virginity this summer. And Max is like, don't do that.
• 43:09
  And she goes, no. Tina said that the best feeling
• 43:12
  in the world is getting high and having sex on her bed.
• 43:15
  Yeah, pieces reference everybody.
• 43:17
  It's so. Fun.
• 43:18
  I love it. That's how you know that these
• 43:19
  people are true. Yes, OK, so the real counselors
• 43:24
  are starting to kind of get suspicious because they're like,
• 43:27
  this is really weird. We don't have these counselors
• 43:31
  on our roster. Kurt says that their hair is so
• 43:35
  flat. Yeah, it makes me sad.
• 43:40
  Meanwhile, the rest, they've Duncan came and got Max, so
• 43:43
  everybody from the real world is out there searching for the
• 43:46
  keys. And then they spot one of the
• 43:49
  characters, one of the opening kills.
• 43:51
  Yeah, has entered. Yeah, she's entered the scene.
• 43:53
  She's a hitchhiker. Like you said last night.
• 43:56
  She seems very much like a reference to the banana girl on
• 43:58
  Friday 13th. And then we get the dude from
• 44:03
  Friday 13th Chapter 4 or Part 4 final chapter that is like the
• 44:08
  hitchhiker dude looking for his sister sibling, I can't
• 44:12
  remember. His character name in the
• 44:15
  credits is Hunky Hiker. Yeah, hunky hiker.
• 44:18
  Yeah, and then they are about to have.
• 44:20
  Sex. Yeah, they have a very soft core
• 44:21
  scene. Yeah, and like, Duncans, like
• 44:24
  here, this is the best part. Let's just stay right here and
• 44:26
  watch. This is gonna happen.
• 44:28
  So they all like hunker down beneath a fallen tree and
• 44:31
  they're watching and then Billy shows up because about to have
• 44:34
  sex. Everybody that has sex in this
• 44:35
  movie dies. That's the rules, and they die.
• 44:39
  Yep. And then Duncan wants to get a
• 44:41
  selfie with Billy, and Billy comes really close to him and
• 44:44
  then walks away. He's like, see, we can't get
• 44:46
  killed because we're not part of the movie.
• 44:47
  Billy doesn't know what to do with us and then all of a sudden
• 44:50
  a machete hits him in the side. Side.
• 44:52
  Yep. So they go running and they make
• 44:56
  it back to the camp, but they keep trying to run.
• 44:59
  But because they keep trying to run, they keeps repeating the
• 45:02
  scene. Yeah, it's like Pac-Man.
• 45:03
  Yeah, yeah, very much. OK, so the movie is not letting
• 45:07
  them leave, is what they realized.
• 45:09
  So they're sitting in a singing circle.
• 45:11
  Gertie's freaking out because Duncan's dead and she wants to
• 45:14
  warn everybody else that there's a killer on the loose.
• 45:16
  Vicki's like we need to go find weapons and Max just wants to go
• 45:19
  home. This is when Paula arrives.
• 45:22
  Yeah, Paula's the final girl in the movie.
• 45:24
  She doesn't give final girl energy.
• 45:26
  It really feels like it's Nancy that would.
• 45:28
  Have been the final girl, so their plan is that they're going
• 45:31
  to try and stick with Paula because I know she's the final
• 45:33
  girl and then that way they survive until the end and then
• 45:36
  they can leave the movie maybe. They assign each other to
• 45:38
  different characters to try and keep them from like having sex
• 45:41
  to keep Billy from coming around.
• 45:43
  Yeah, and Max says something about wanting to try and help
• 45:45
  Nancy and Vicky's like, Oh my God, she's not your mom, you
• 45:48
  need to drop it. Yeah, so fucking.
• 45:50
  Harsh. Yeah, so we have Chris is with
• 45:54
  Kurt, Gertie is with Blaine, Not Blaine, Blake with Blake.
• 45:59
  Now he. Feels like a Blaine though.
• 46:00
  Yeah, he does. Blaine seems like a better name
• 46:02
  for him. I'm going to keep calling him
• 46:03
  Blaine. OK.
• 46:04
  Max is with Nancy and Vicki is with Tina and Paulo.
• 46:07
  Yeah, Tina. Tina is talking to Vicki and
• 46:10
  Vicki is like trying to take her Adderall.
• 46:12
  Yeah, yeah. She's trying to like, just tell
• 46:14
  her they were like sugar pills or something like that.
• 46:16
  I don't know. She, she tries to lie to her
• 46:18
  about it. Chris and Kurt are having like a
• 46:20
  talk and they're talking about like he's talking about having
• 46:23
  sex with all of the ladies. There.
• 46:24
  Yeah. And he's like, wow, is that
• 46:27
  actually fun for you? He goes, what are you?
• 46:30
  And he goes, hey, that kind of language is not cool.
• 46:32
  My dad's are gay and he was like 2 men.
• 46:35
  Can't have a kid. Yeah, what you said at the
• 46:38
  beginning is really gross, but I'm glad that they put in Chris
• 46:41
  being like, hey, no, this type of like statement is not cool.
• 46:45
  Yeah, I mean, I also do like his responses, like they're too busy
• 46:48
  doing disco and having sex and it's actually a really cool
• 46:50
  life, so. I wish Chris had been like,
• 46:52
  maybe we do all that as a family.
• 46:53
  Yeah, not the sex, but the like disco.
• 46:56
  Yeah. Max goes to stop Nancy from
• 46:58
  having sex with Chris. She hears the they do the exact
• 47:02
  Jason. They do that.
• 47:04
  Yeah, and she hears that, so she's like, oh, no, somebody's
• 47:07
  about to have sex. And she thinks she knows it's
• 47:08
  her mom because that scene's coming up.
• 47:10
  Yeah. So she runs up to the room, and
• 47:12
  she finds her. And she's like Kurt said that he
• 47:14
  likes me. And she goes so nice people say
• 47:16
  things that they don't actually mean.
• 47:18
  And then they have like a heart to heart and she.
• 47:20
  Says the same thing that her mom said in real life, like, oh, you
• 47:23
  must think I'm a total 0 based off of that same conversation.
• 47:26
  Yeah yeah. And then inner Kurt with his
• 47:29
  pants already down and he's like having his like creepy come
• 47:36
  online and they both go, oh. Yeah, so then we hear Gertie
• 47:43
  scream. No, Chris comes in and Chris
• 47:47
  also. Hears Chris is like Carter.
• 47:48
  I told you to leave them alone and then they hear this.
• 47:50
  Scream. Yeah, then Gertie screams from
• 47:52
  the Eugene Levy mask. Yes.
• 47:54
  And so everybody runs downstairs and they're like, it's Billy.
• 47:58
  And everyone's like Billy and Nancy's like, oh, the legend of
• 48:01
  Billy Murphy. And when she says that, our real
• 48:06
  world people are pulled into the flashback.
• 48:08
  Yeah, it's like little fucking drips just hitting from the top
• 48:12
  here, and it turns into the 1950s.
• 48:14
  Black and white, they're all transported there.
• 48:20
  So it's the whole story of how Billy came to be here in the
• 48:22
  voice over of Nancy the entire time, and then they're
• 48:26
  transported back to present day. Yeah, and because they had
• 48:29
  witnessed Billy murder 8 counselors, 30s covered in
• 48:34
  blood. So the movie counselors and just
• 48:39
  watch these people disappear and come back covered in blood and
• 48:42
  they're freaking out. And then this is where they have
• 48:44
  to like explain to them like, hey, you're all movie
• 48:47
  characters. So they they can't leave.
• 48:51
  They're like, this is a problem. This is what you know what we
• 48:53
  need to do. Paula and Kurt freak out.
• 48:56
  They get in Paula's car. They start to drive off.
• 48:58
  As they're driving, Duncan comes out.
• 49:01
  He's. Like wait, guys, I'm.
• 49:02
  On and then he gets hit by the car.
• 49:05
  Yeah, he gets hit by the car, it causes Paula to crash, which
• 49:09
  throws Kurt through the windshield, and he has a very
• 49:12
  final. Destination.
• 49:12
  It's a final destination, yes, like the fifth one, the one in
• 49:15
  the gym. Yep, Yep, very similar to that.
• 49:18
  And Paula dies from the car exploding, yes.
• 49:21
  Yep, it's a full Ben Traeger moment when Duncan has.
• 49:24
  Hit. Yeah, yeah, very.
• 49:26
  So they're back inside the camp house.
• 49:29
  They are talking about the final girl rule.
• 49:31
  Somebody's gotta be a final girl cuz the final girl died.
• 49:33
  And Vicky's like, all right, I'll do it.
• 49:36
  Like, you have to be a virgin. They're like, the only real
• 49:39
  version here is Max. And Nancy's like, well, I never
• 49:42
  slept with Kurt. So she's like, I wanna be more
• 49:45
  than just a shy girl with the guitar in the clipboard.
• 49:47
  You know, it's true. Why didn't she?
• 49:49
  She could have been the final girl here.
• 49:51
  Yeah. It's weird that they didn't.
• 49:52
  They wouldn't allow it. They have a plan.
• 49:56
  Basically, they need to figure out how they're gonna lure Billy
• 49:58
  there and get the machete, because Paula uses his machete
• 50:01
  to behead him. I love, I love that as a rule,
• 50:03
  like you have to use his weapon. Yes.
• 50:06
  So they develop Operation Booby Trap as they're getting things
• 50:11
  prepared, sharpening sticks and what not.
• 50:13
  Vicki's crying, She says I'm the mean girl in past the midpoint
• 50:18
  in an 80s horror movie. I'm not long for this world.
• 50:22
  And she apologizes to Gertie for being a bully.
• 50:25
  And then she tells Max that she really owes her an apology for
• 50:30
  being depressed when her mom dies.
• 50:31
  Like I'm I'm apologizing as a formality, but really you should
• 50:35
  be sorry to me. Do you have anything to say Max?
• 50:38
  Max. Max, anything you want to add?
• 50:41
  Yeah, maybe you weren't a good friend.
• 50:45
  Maybe you shouldn't have gotten some clothes and Gurney.
• 50:48
  Maybe you shouldn't have spilled the coffee.
• 50:50
  That would have been bad. I always told you not to drink
• 50:53
  coffee in the CarMax. That would have been harsh.
• 50:57
  I could see Vicki saying some shit like that.
• 50:58
  I could too. So yeah, during all this, Tina
• 51:02
  has found the Adderall bottle and she gets into them.
• 51:06
  She she really does. They get back to the cabin.
• 51:09
  She has been taped up. She's got like an extra sweater,
• 51:13
  a life jacket, Yeah, oven mitts taped to her, and she's got rain
• 51:17
  boots on over her. Socks.
• 51:18
  They're like, she's like why are you doing this?
• 51:20
  Like because you are like the person that takes her clothes
• 51:23
  off all the time. She's like, why does he hate my
• 51:25
  boobs? Probably because they're small.
• 51:30
  And then so they get back and they're like, how are we going
• 51:33
  to do this? She goes, no, I got this, and
• 51:36
  then she does the most frantic striptease I've ever seen.
• 51:39
  Before that, though, Nancy gave Max a friendship bracelet.
• 51:43
  They had a little heart to heart again.
• 51:44
  Yeah, and. She tells her all about her mom.
• 51:47
  Yeah, yeah, All right. So it's game time Max.
• 51:51
  Is like come on with me. Yeah, yeah.
• 51:53
  They're like, OK, we're going to change the rules.
• 51:55
  Now, the way that this would work out, she wants her to be
• 52:03
  her mom. Yeah, but they are like the same
• 52:08
  age now. I have a feeling that once they
• 52:10
  got back, they would be friends, not mom, and she would maybe
• 52:13
  want to still pursue like all of her other dreams and stuff like
• 52:16
  that and be a completely. She's a completely different
• 52:18
  person. She's a character in the movie.
• 52:19
  She's not her mom. It's like in Scream Queens when
• 52:23
  Chanel number six calls Chanel Oberlin a mommy friend.
• 52:30
  Yeah, yeah, yeah. But anyways, it wouldn't shake
• 52:32
  out the way I think she's hoping it would.
• 52:36
  No. Long term it wouldn't go.
• 52:37
  It would go sideways eventually I think.
• 52:39
  Yeah, 'cause like, oh cool, now I suddenly have an 18 year old
• 52:44
  daughter and I live in a completely different world and
• 52:46
  I've got bills. This is.
• 52:48
  And it's also a completely different timeline.
• 52:50
  Like what the fuck is the Internet?
• 52:52
  Yeah, yeah. That's this is a lot to adjust
• 52:54
  to. Yeah, so OK, it's game time.
• 52:57
  Tina's tweaking hard right now. Yeah, but like Jesse said, she
• 53:01
  gives the most frantic striptease ever.
• 53:04
  Billy approaches as soon as the boobies come out and Tina gets
• 53:09
  freaked out and tries to run and she trips over a thing and falls
• 53:12
  right into the bear trap and dies.
• 53:15
  Poor sweet little dummy. Yeah, but that's OK, They still
• 53:18
  have the plan in place for Billy.
• 53:20
  He walks through the front door. Because luckily these people
• 53:23
  like our characters, our real world characters, know enough
• 53:26
  about horror movies to be like, we gotta like we've seen
• 53:29
  scooby-doo. We gotta have multiple plans.
• 53:31
  Yeah, I mean, she showed her boobs.
• 53:32
  She's gonna die. That's just the rules of the
• 53:34
  movie here. But yeah, they have like this
• 53:37
  little blog or whatever, like tied up to the top and they cut
• 53:42
  the tie and it goes and it swings down and hits him up
• 53:44
  against a bunch of spikes in the wall.
• 53:46
  Yeah, so he's hung up, and then this.
• 53:48
  Is all Shaw really cool too as the camera moves during this
• 53:50
  whole sequence really nice? And then Blaine's like, screw
• 53:53
  it. And he goes and he kisses Gertie
• 53:56
  and it's a really nice moment. And then Billy's still alive and
• 53:59
  he kills. Blaine kills him, just stabs him
• 54:01
  in the tummy. So then they shoot flaming
• 54:04
  arrows at him and they all run upstairs.
• 54:07
  As they get up there, he comes through the door, knocks over a
• 54:10
  bookcase on top of Gertie and Vicki and.
• 54:14
  They have flaps them both. They have, yeah.
• 54:16
  They have a bucket up top filled with gasoline that's supposed to
• 54:19
  just completely ignite him, but they get trapped.
• 54:22
  So they're they realize they're going to have to be a sacrifice.
• 54:25
  So they tell Max, Chris, and Nancy to run while they can.
• 54:29
  Yeah, they climb up the window. They had a ladder set up out
• 54:32
  there, so they're out there now. Gas pores, cabins on fiber,
• 54:36
  fiber, fiber. Fire, Fire, Fire, fire, fire,
• 54:40
  fire, fire. Yep.
• 54:42
  Jesus. And so they start running, but
• 54:46
  Billy jumps out. Dude, that shot.
• 54:48
  Isn't too slow. Yeah, like what's happening?
• 54:52
  This is so fucking cool. The way that they shot that, the
• 54:55
  way he jumps out. I love it.
• 54:58
  And I've heard actors talk about this, how hard it is to do slow
• 55:02
  MO because, you know, it's slow MO, but the camera work does the
• 55:05
  slow MO. You as a person, you gotta do
• 55:08
  normal. Yeah, you need to do normal.
• 55:10
  But I can't. In my head I'm trying to imagine
• 55:13
  running and knowing it's gonna be slow MO and I feel myself
• 55:16
  yeah, like having the urge to do it slower than normal.
• 55:19
  Yeah, I feel it too. Yeah, it's gotta be weird.
• 55:21
  Yeah, I also they realize that they're still in swimmer this
• 55:24
  whole time, and I feel like that would also fuck with your
• 55:28
  reaction time. Yeah, I've gotta make this jump
• 55:30
  cut. They're at a point when they're
• 55:31
  running so. It kind of to me it almost feels
• 55:34
  like Mario rules. So you know, if you're going
• 55:36
  slow, it feels like it's a low gravity situation.
• 55:38
  So you could jump over this Creek, except the slow most
• 55:40
  stops as they're over tops with the Creek and then they splash
• 55:44
  in and they're like, no. And then she goes Nancy tell the
• 55:47
  story about Billy again, so we get another flashback.
• 55:51
  Yep, this shit just strips down and they have brought Billy back
• 55:54
  into the flashback too. He gets hit by the.
• 55:56
  Car and Nancy this time. And Nancy, yeah, everybody's
• 55:59
  back. Yeah, yeah, they get hit by
• 56:01
  Billy, gets hit by the car of like, the kids pulling up in the
• 56:04
  scene. Yeah, yeah.
• 56:05
  The whole thing plays out and. They see young Billy running to
• 56:08
  an unknown cab and Nancy's like, I've never seen this part of
• 56:11
  camp before. So now they know that there's
• 56:14
  another place to be looking for for things.
• 56:17
  Yeah, Billy's there too. They he's also made the same
• 56:20
  decision as. Them yeah, he's following them
• 56:22
  so they end the flashback real quickly and.
• 56:25
  They come back into their present day, Billy's gone so
• 56:29
  they think they're safe, but then he just reappears
• 56:31
  immediately. Then he stabs Chris and grabs
• 56:34
  Nancy and walks away. So Max takes Chris to this old
• 56:37
  church. And Chris, you know, is saying,
• 56:40
  please don't leave me alone. I don't want to die alone.
• 56:41
  Nancy is not real. She's a character in a movie.
• 56:44
  And Max is like, no, I know where he's going.
• 56:47
  I got this. Yeah, I get it.
• 56:49
  Because, I mean, yeah, it's the truth that she doesn't want to
• 56:53
  hear, but it's the truth. Yeah, so she goes to the cabin
• 56:57
  and she finds Nancy tied up and she starts to untire, and of
• 57:00
  course Billy comes in. So they all start fighting this.
• 57:02
  Kind of felt madman to me because he, she comes in there
• 57:06
  and he's got like all of the bodies, like hung up on like the
• 57:09
  rack or whatever. Yeah, that's how it is at the
• 57:11
  end of Madman. It also feels very like Michael
• 57:14
  Myers. Yeah, that's that's true too.
• 57:16
  Yeah, that flamboyant little himbo loves to set up like a
• 57:21
  horror. Process.
• 57:22
  It's a little tricky. Yeah, that's true.
• 57:24
  Yeah. So they have their little
• 57:26
  showdown and Nancy actually saves Max.
• 57:29
  Yeah, she stabs Billy with the machete.
• 57:31
  And so they go running. They get to the church and Max
• 57:36
  is hurt. She was hurt during the fight
• 57:38
  and she got stabbed. And they're like, why are we
• 57:40
  still here? And she was like, because I'm
• 57:41
  still alive, there can't be two final girls.
• 57:43
  And she was like, no, she goes, no, listen, I want to do this
• 57:45
  for you. She was like, it's OK.
• 57:47
  And she goes out and she is dancing and singing to Betty
• 57:51
  Davis, eyes and stripping as she does it.
• 57:53
  Yep, and this gets the ability to show up.
• 57:56
  I like the setting. Before she goes out there, Max
• 57:58
  tells her the truth, though. She's like Mom.
• 58:01
  Yeah, that's so sad. Yeah, yeah, but it doesn't
• 58:06
  matter. She gets killed by Billy.
• 58:09
  Yeah, she gets to kind of say goodbye.
• 58:10
  She never got to say to her mom, though.
• 58:12
  That's true, she gets some form of closure.
• 58:14
  Yeah, yeah. So when Nancy is killed, Max
• 58:18
  wakes up and she's got enough, like, movie magic energy to grab
• 58:22
  the machete, fight Billy, and then she beheads him.
• 58:25
  Yep. And Chris limps out and they see
• 58:29
  the credits are rolling on the horizon.
• 58:31
  That's really cool. That was really cool.
• 58:33
  I like that a lot, yeah. Like I would love to watch a
• 58:36
  sunrise with you with credit. Rolling.
• 58:39
  Yeah, that would be amazing. That would be so cool.
• 58:41
  Babe, why don't we ever do anything romantic?
• 58:45
  I would love. We'll get a projector.
• 58:48
  I just put it up in the sky. We'll make it happen.
• 58:50
  OK. OK, yeah, so the real now starts
• 58:54
  to end. They're at the very end.
• 58:56
  It's like the R rating the anti piracy shit and then like the
• 58:59
  real is actually burning out and now like they're going through
• 59:02
  this weird transition. It's like the universe has
• 59:04
  collapsed. Yeah, everything goes white.
• 59:07
  And then Max wakes up in a hospital bed and Chris is in a
• 59:10
  hospital bed next to her, and they hear their friends behind a
• 59:12
  curtain arguing about tapioca pudding.
• 59:15
  Duncan just keeps eating it even though he hates tapioca pudding.
• 59:18
  Yeah, and they're all alive. Everybody's cool.
• 59:21
  Yeah, They still have the damage from the movie though.
• 59:23
  Yeah. Duncan has that big scar from
• 59:26
  his machete. Yeah, that was that was a
• 59:28
  massive scar. And I feel like you probably
• 59:31
  would have also had surgery and wouldn't be moving around quite
• 59:34
  as much cuz. It's also a movie now.
• 59:36
  There are organs. Yeah, that's true.
• 59:38
  It is a movie now. As they're part of the
• 59:40
  characters in. This Yeah, cuz they look around
• 59:42
  and they're seeing all kinds of 80s stuff.
• 59:44
  There's gremlins and Rubik's cubes.
• 59:47
  And cuz they hear that and then they peek out the door and
• 59:52
  Duncan, his eyes immediately open up.
• 59:55
  He's like my God. And then they see the title for
• 59:58
  Camp Blood. Yeah, you see Billy coming in.
• 1:00:01
  It's in the hospital. The hospital sequel.
• 1:00:03
  So fucking good. I love it.
• 1:00:06
  And he's like, yeah, the Part 2 is so much cooler than the first
• 1:00:09
  one. Billy's already on fire and he's
• 1:00:11
  like charging through the hospital.
• 1:00:13
  It's so fucking cool. There is a there is an outtake
• 1:00:16
  during the credits where we see Adam Taveen in like a full body
• 1:00:20
  cast and he's telling a nurse he's like, I got one bone that's
• 1:00:24
  not broken is actually the upper part of this arm that doesn't.
• 1:00:29
  Yeah, my penis is a wreck. Yeah, it's actually split into
• 1:00:32
  three different parts right now. Yeah, you know what I what I
• 1:00:35
  would have liked here, what a very 22 jump St. ending where
• 1:00:39
  they keep doing the sequels afterwards too.
• 1:00:41
  So like part three-part four. Yeah, it would have been fun to
• 1:00:44
  see like what the variations of the sequels would have been.
• 1:00:47
  Yes. But yeah, so that I love the
• 1:00:52
  ending to this, like right immediately into the second
• 1:00:55
  movie. I I wonder though if it stops at
• 1:00:58
  2:00 because they were only doing a double feature that
• 1:01:01
  night. It could.
• 1:01:05
  Yeah, I feel like yeah, that's what would make sense for him to
• 1:01:09
  stop it too. Yeah, or they're just like fully
• 1:01:12
  in the universe of the movie. It doesn't.
• 1:01:14
  Matter. But do do they just live their
• 1:01:16
  life in the 80s now? It seems that way, yeah.
• 1:01:18
  Yeah. But there's a good chance,
• 1:01:20
  considering everybody else survived, that Nancy's back too.
• 1:01:24
  That's true. Yeah, so she probably would see
• 1:01:26
  her mom again, I would say. Yeah, OK, All right.
• 1:01:29
  But anyways, that's how the movie ends.
• 1:01:31
  I'm going to bump mine up to 9 because that's that feels like
• 1:01:33
  the correct score. Actually, now that we've met it,
• 1:01:36
  I've meditated on it. I'm keeping mine at nine.
• 1:01:38
  Yeah, this movie is fantastic. I love this movie.
• 1:01:42
  What did Talia think of it? Oh, Talia was hooked.
• 1:01:47
  Like right from the beginning. She's like oh shit.
• 1:01:49
  Is that car wreck man? It grabbed her attention.
• 1:01:52
  She loves car rides, so the fact that a car ride could go so
• 1:01:55
  badly, I mean, she's watched all the Fast and Furious movies with
• 1:01:57
  us, but. They usually go like OK fast and
• 1:02:00
  furious. Like you can go, you can launch
• 1:02:02
  yourself over a bridge from one car and land on the car hood and
• 1:02:05
  you'll be. Fine, Even Han, who we watch die
• 1:02:08
  72 times, Yeah, if you actually survive that wreck.
• 1:02:12
  You can survive a car explosion in this.
• 1:02:14
  You can survive anything in. That series, yeah.
• 1:02:17
  So she she was very, very alert into it.
• 1:02:21
  But then she got sleepy partway through and she was like, oh,
• 1:02:24
  this is a movie without a movie. Yeah.
• 1:02:27
  She's like, I don't, I don't care for that meta stuff.
• 1:02:30
  Oh Italia would be a little meta snog.
• 1:02:33
  Yeah, I could say really meta is so 2013 and yeah.
• 1:02:38
  We get it, You know the rules. Yeah, OK.
• 1:02:42
  So I think Talia will give it a six.
• 1:02:46
  OK. She's like a ruined car.
• 1:02:47
  Ads for me and it's like up its own butt.
• 1:02:51
  Yeah, what you guys tell me not to do.
• 1:02:52
  Yeah, she's like you guys say, it's really bad to be in your
• 1:02:54
  butt all the time, so. OK, Zoe's ultimate warrior.
• 1:03:02
  I think it's Tina because Tina kept trying to take.
• 1:03:06
  Them, Oh my God. Medicines and was told no, but
• 1:03:08
  she found a way to do it anyway, even with her hands in the oven
• 1:03:12
  mitts. She's always missing her collar
• 1:03:14
  too, so she's always running around Nick and.
• 1:03:16
  Yeah, yeah, yeah, her thing right now, because we've got
• 1:03:19
  reuse of old Ziploc bags, you know, protect the earth and
• 1:03:22
  whatnot. And I take a little baggie of
• 1:03:24
  popcorn with me to work every day for an afternoon snack.
• 1:03:28
  And I think popcorn popped with Coke.
• 1:03:32
  Coconut oil is cat crack if anybody's curious.
• 1:03:35
  The one day that you came back home and you had a couple of
• 1:03:39
  little tiny pieces of popcorn in there and ruined.
• 1:03:42
  It this is the bag. It ruined it.
• 1:03:45
  She is now fully into those. She's like that has popcorn all
• 1:03:48
  the time. It tastes like popcorn, so.
• 1:03:50
  Yeah, even when you put like Doritos in yours or something.
• 1:03:53
  She's like, where's the fucking popcorn, Janice?
• 1:03:56
  She she's just. Oh my God, yeah.
• 1:03:59
  Yeah, so Tina. Tina the Tina.
• 1:04:02
  No. Who did you relate to?
• 1:04:07
  I said last night that unfortunately I feel like I'm
• 1:04:09
  going to have to relate to Duncan.
• 1:04:11
  I do too. I would be mouthing along with
• 1:04:13
  the words, yeah, speaking along with the words.
• 1:04:15
  And obviously we get the Spring Breakers reference.
• 1:04:17
  So it's just, it's just, I have no hope.
• 1:04:19
  Yeah, I mean, that's the easiest one.
• 1:04:21
  Like he is the guy that I relate to too.
• 1:04:23
  Like he's the horror movie fan. In a horror movie, I would be
• 1:04:26
  nerding out the entire. Time, yeah.
• 1:04:29
  OK, OK, Dream sequel. Dream sequel.
• 1:04:33
  Yeah, I want them to do Camp Bloodbath too.
• 1:04:36
  I want Kurt to be her dad. Kurt to be her dad.
• 1:04:40
  Yeah, I think that that would be fun.
• 1:04:44
  Bring everybody back. And I want, like, Duncan to
• 1:04:47
  maybe become kind of upset, not in a romantic way, but, like,
• 1:04:50
  becomes obsessed with Max now that he knows that she's the
• 1:04:53
  product of 2 camp bloodbath stars.
• 1:04:56
  Yeah. And like, Chris is like, dude,
• 1:04:57
  you're being really weird. Yeah.
• 1:05:00
  OK, so this is how that one was very much a play on Friday the
• 1:05:04
  13th like a lot of them mostly like the early ones for sure
• 1:05:09
  this one is going to be Halloween one because this is
• 1:05:11
  very. Halloween too.
• 1:05:12
  Yes, it is. Yeah, and that kind of like with
• 1:05:15
  him being on fire. I mean, that's what happens to
• 1:05:17
  Michael on Halloween, too, in the hospital.
• 1:05:19
  But all right, let's throw this out.
• 1:05:21
  Who would you want to add to the cast?
• 1:05:24
  Justin Long for sure. Justin Long OK, let's add some
• 1:05:26
  more people. Let's see who's another like.
• 1:05:30
  Some funny horror people or just funny people?
• 1:05:32
  Cuz this is like. I think this would be a great
• 1:05:34
  moment to have Jamie Lee Curtis as like, maybe she's the charge
• 1:05:37
  nurse. She's like really fucking no
• 1:05:39
  nonsense. And that's a great wink and nod
• 1:05:41
  to Halloween. She would.
• 1:05:43
  As well. She'd be a good role for that.
• 1:05:45
  Yeah, I like that. OK, add one more person.
• 1:05:49
  OK. OK.
• 1:05:53
  I can't think of anybody else. OK, cool.
• 1:05:57
  OK, but I mean, that'd be a fun movie.
• 1:05:59
  I really, really hope they do it.
• 1:06:01
  Yeah, I want that. If we do, we want to put anybody
• 1:06:04
  modern in there as well. Like a modern day person, like
• 1:06:09
  in the 20 twenties, yeah. To be young with the young ones.
• 1:06:13
  Let's put Danny McBride in. Yes, yeah, absolutely.
• 1:06:18
  He's not one of the young ones, but I.
• 1:06:19
  Would like to see. I would love to see him and Adam
• 1:06:22
  Devine and a horror movie together.
• 1:06:24
  He's a security guard with a very, very much like his Tropic
• 1:06:29
  Thunder persona. Dude, him and Duncan nerd out
• 1:06:33
  about horror together. Yes, yes, yes.
• 1:06:36
  I fucking love that. Yeah, he.
• 1:06:38
  Does watch a lot of Hallmark. He.
• 1:06:40
  Does, yeah. OK, cool.
• 1:06:43
  There we go. OK, cool.
• 1:06:45
  And that movie writes itself. It does.
• 1:06:47
  I don't want them to go back to the real world though.
• 1:06:49
  I want it to stay in the movies. And then at the end of this,
• 1:06:52
  then we do the 22 jump St. thing, which makes more sense
• 1:06:55
  since it's the sequel, and then we plug all of the pretend
• 1:06:58
  sequels. Unless you want to just keep
• 1:07:00
  this thing going, I don't think that the people involved would
• 1:07:04
  want to keep going. Probably not, but you know, also
• 1:07:07
  if they made a 23 jump St. with like one of the ideas that they
• 1:07:10
  pitched during the credits, I wouldn't be that about it.
• 1:07:13
  Fuck yeah, I wouldn't want that to happen.
• 1:07:15
  And the good news is, is that if they can't get Channing Tatum,
• 1:07:19
  we can just get from Breakers. Seriously guys, look at Channing
• 1:07:25
  Tatum and blink twice and look at Brown Breaker and tell me
• 1:07:29
  that they're not like if not brothers then cousins.
• 1:07:33
  Yeah, Brown Breaker's just more jacked and.
• 1:07:35
  A little bit more tan. Bit tan or two?
• 1:07:37
  Yeah, yeah. Yeah, it barks a little bit
• 1:07:40
  more. It barks a lot more.
• 1:07:43
  Channing Tatum barks a little. OK, tagline.
• 1:07:47
  The mother of all horror films. Not them.
• 1:07:53
  So I know how this they referenced like lines and scenes
• 1:07:58
  from other horror movies. So we can maybe do variations of
• 1:08:02
  famous tag lines. OK, OK, so I've got the one from
• 1:08:06
  the pieces. It's exactly what you want it to
• 1:08:08
  be. Know.
• 1:08:10
  Exactly what you think it is. Well, I was going to say because
• 1:08:12
  the first one felt very like Texas Chainsaw, like rulers
• 1:08:16
  survive. They're just missing the and
• 1:08:17
  what will be left of them. Yeah.
• 1:08:19
  I feel like we need to almost do like the night he came home
• 1:08:22
  again, but like, yeah, the night they left home again because
• 1:08:27
  their account counselor is. Also the Kumbana thing could
• 1:08:33
  have been good from kumbaya to Kumbana.
• 1:08:39
  Kumba. Not again.
• 1:08:43
  Yeah, there we go. I feel like that'd be good for
• 1:08:46
  the sequel though. I know, I just realized that I'm
• 1:08:48
  trying to write tag lines through the sequel.
• 1:08:52
  My bad. Yeah.
• 1:08:56
  That's so good. Kumba.
• 1:08:58
  Yeah, Kumba. Not again.
• 1:09:01
  Oh man. Just keep telling each other
• 1:09:05
  it's only a movie. Oh, that's good.
• 1:09:08
  Yeah. Oh, very, very good.
• 1:09:11
  Yeah, yeah, yeah. OK, we're weird now.
• 1:09:17
  Everybody dressed in his room. Dressed as people up until 2.
• 1:09:22
  Putting together a giant heavyweight champion belt for
• 1:09:27
  our 12 foot skeleton. Yeah, we we've been like
• 1:09:31
  brainwashed. Yeah, we're not.
• 1:09:34
  We're not OK. We're not OK.
• 1:09:37
  OK, well, you know, I guess that just means it's time for us to
• 1:09:42
  go on over to reviews, huh? Go on.
• 1:09:44
  Over to reviews. All right, well, here's The
• 1:09:46
  funny thing. I forgot the poor review because
• 1:09:47
  I was in such a rush. Damn.
• 1:09:48
  It whatever you're editing. OK, let's go with this one. 3
• 1:09:53
  out of 10. All right, Travis just picked
• 1:09:55
  this one kind of at random, so. Yeah, whatever.
• 1:09:58
  We'll see how it goes. Everybody OK, The story is dumb,
• 1:10:01
  just like the high ratings for this movie are dumb.
• 1:10:04
  That's the title of this review. Are people going crazy giving
• 1:10:08
  this movie such a high rating? I cannot imagine how they will
• 1:10:12
  score really high. What the fuck am I saying?
• 1:10:15
  I don't know. Are you OK?
• 1:10:17
  Are people really going crazy giving this movie such a high
• 1:10:20
  rating? I cannot imagine how they will
• 1:10:23
  score really good horror movies then.
• 1:10:25
  This is supposed to be a horror comedy or a parody of horror
• 1:10:28
  movie. But besides Adam Devine, I
• 1:10:31
  really didn't see anybody funny in the Final Girls.
• 1:10:34
  It all starts with images of really bad Slasher B movie and
• 1:10:37
  you start wondering if that's going to be the rest of the
• 1:10:40
  movie. But then you see a change into a
• 1:10:42
  normal movie and you are kind of relieved.
• 1:10:45
  But then they have the greatest dumb idea ever to project the
• 1:10:48
  whole cast into the absurd Slasher B movie.
• 1:10:52
  It's too absurd for words. What follows then is just
• 1:10:55
  pointless efforts to make this movie into a parody of an old
• 1:10:58
  school slasher. It's just embarrassing really.
• 1:11:00
  I really don't get why this movie gets much rating.
• 1:11:05
  So you mean to tell me we're supposed to believe people were
• 1:11:11
  transported into the movie? You telling me I'm supposed to
• 1:11:15
  believe that? I'm supposed to believe that?
• 1:11:17
  Nah, you. Telling me, Nah, you telling me
• 1:11:21
  that we're getting metaphysical here?
• 1:11:24
  You only do 1. Ha ha man, Adam Devine.
• 1:11:28
  You can't have Adam Devine and Thomas Middleditch just two ha
• 1:11:33
  ha Mens. Yeah.
• 1:11:37
  We talked about Danny McBride and I started talking like him.
• 1:11:41
  Yeah, I don't know, I disagree. I thought the whole cast was
• 1:11:47
  really good at being funny. Mens.
• 1:11:50
  Like being able to do metaphysical things in movies
• 1:11:53
  once in a while. I don't need everything to be
• 1:11:55
  grounded. Have you lived life lately?
• 1:11:57
  It's it sucks. Yeah.
• 1:11:59
  Let's have some fantasy every once in a while.
• 1:12:01
  Yeah, I mean, it's just just fucking turn your brain off, go
• 1:12:05
  for a ride. Everything doesn't have to be
• 1:12:07
  grounded, you know what I mean? But.
• 1:12:08
  I will say, yeah, this audience, this movie is not going to be
• 1:12:11
  for audiences that want a grounded and realistic movie
• 1:12:15
  because that's not what this is. Yeah.
• 1:12:17
  But it's very upfront about that.
• 1:12:18
  Yeah, it doesn't try to pretend that it is.
• 1:12:20
  No, it this movie knows exactly what it is and it's fine if
• 1:12:25
  you're not the right audience for this.
• 1:12:27
  I'm gonna disagree heavily. This is a movie that I think is
• 1:12:31
  really good for genre fans because everybody can like, they
• 1:12:33
  know the ends of it, but I think it's also good for people that
• 1:12:36
  are just familiar with the genre because everybody knows the
• 1:12:39
  truth. Yeah.
• 1:12:40
  So like, it's good for everybody, really.
• 1:12:42
  It's a super accessible movie. And I know some people really
• 1:12:45
  don't like those types of movies.
• 1:12:48
  I mean, we saw that when we're doing our screen coverage.
• 1:12:51
  Like some people just really don't like when movies poke fun
• 1:12:54
  at their own genre. Yeah.
• 1:12:57
  And, you know, maybe that's a whole other thing too.
• 1:12:59
  You know, we're sitting here telling this person that they
• 1:13:01
  need to just turn off their brain and enjoy it, which I
• 1:13:03
  guess can be kind of hard to do if you're having to deal with
• 1:13:05
  all the meta stuff. That's why Talia doesn't like
• 1:13:07
  it. That's true as we discussed.
• 1:13:09
  Talia, did you write this review?
• 1:13:11
  She's like, are you? Do you feel her, Sir?
• 1:13:17
  Do you feel him, Sir? OK, do we have listener reviews?
• 1:13:21
  We do Yay. Let's see if we got any more cuz
• 1:13:25
  The thing is still open so let's see what's up.
• 1:13:29
  Nah, Nah, Nah. I think of everything.
• 1:13:35
  OK. We have one.
• 1:13:37
  OK. And it is from Chris.
• 1:13:41
  OK. Chris says held back by APG 13
• 1:13:45
  rating but still finds a way to be an entertaining, funny,
• 1:13:48
  quirky movie. OK, I, you know, I agree with
• 1:13:51
  that. Like I feel like if they were
• 1:13:52
  able to do full R like they wanted to, they could have maybe
• 1:13:55
  done a little bit more. I honestly I kind of am not
• 1:14:00
  bothered. I'm not bothered.
• 1:14:01
  Because I feel like it lets us focus on the story more than
• 1:14:05
  like, all right, we're we're already pushing so many tropes
• 1:14:08
  of this. If we were having like a lot of
• 1:14:11
  boobies and blood, yes, obviously that's awesome and I'm
• 1:14:15
  going to love it. But it would be a lot to take
• 1:14:19
  in. I just, I don't think it really
• 1:14:22
  would have enhanced anything. Yeah.
• 1:14:24
  I think like what we get is all we needed.
• 1:14:27
  Yes. And I think it works perfectly
• 1:14:29
  for what it is. Yeah, they, they skirted the
• 1:14:32
  PG13R aligned perfectly in US. Yeah.
• 1:14:35
  Yeah. But you know, I mean, obviously
• 1:14:37
  that was their intent. So I'm curious to know what that
• 1:14:40
  would have been. But I did hear like, after they
• 1:14:44
  had fought for it so hard, they were all really happy with the
• 1:14:47
  final product, with it being PG13, yeah.
• 1:14:50
  So that's good. It ended up still fitting their
• 1:14:52
  vision. Yeah, I I it feels like it was
• 1:14:57
  edited exactly how it needed to be.
• 1:14:59
  Yeah, honestly, yeah, it worked out perfectly.
• 1:15:02
  All right, Well then that's it for the reviews, which means we
• 1:15:06
  are moving on to next week's movie.
• 1:15:07
  Yes, as I said, this weekend we will have our TV or not to be,
• 1:15:10
  so be on the lookout on our social media for what movie
• 1:15:12
  that's gonna be next week. Main episode is Leatherface, The
• 1:15:19
  Texas Chainsaw Massacre. Three.
• 1:15:21
  Yeah, don't watch the 2017 Leatherface until we absolutely
• 1:15:25
  have to. Yeah, just look up Texas
• 1:15:26
  Chainsaw Massacre 3. And honestly, this one, I feel
• 1:15:29
  like it doesn't get talked about enough.
• 1:15:31
  We were shocked when we finally watched it, how much time it is.
• 1:15:34
  It's a lot of fun. This is only gonna be our second
• 1:15:35
  watch, so I'm really, really looking forward to this.
• 1:15:38
  This is not available streaming that you can rent it on YouTube,
• 1:15:43
  Google Play Prime or Fandango. Let me tell you worth the three
• 1:15:47
  to four dollars? Yeah, I mean, it's a really fun
• 1:15:50
  movie. Yeah.
• 1:15:51
  Trust me, it's a good time. No, I don't know.
• 1:15:53
  I could not be here. Did you?
• 1:15:55
  Like, like the hitcher or joyride and you like Texas
• 1:15:59
  Chainsaw? Yeah, this is a good blend.
• 1:16:02
  It's a it's a Texas Chainsaw movie that kind of goes on the
• 1:16:04
  road for a bit. Yeah, it's kind of fun.
• 1:16:06
  All right, so we got that going and we would like to thank our
• 1:16:11
  bubbies over on the Patreon much.
• 1:16:13
  We would like to thank Jill. For your good, run.
• 1:16:16
  As is his name, Amber, Michael, Chad, Tyler or Zombie Johnny and
• 1:16:21
  Jason. Thank you guys for being
• 1:16:23
  bubbies. Thanks for being supportive of
• 1:16:25
  the Patreon. It means a whole lot to us.
• 1:16:27
  You guys are helping us keep this thing rolling, keeping us
• 1:16:31
  updated on our equipment and just the supports.
• 1:16:34
  Nice. So thank you guys for being
• 1:16:36
  there for us. Really cool.
• 1:16:38
  It's it's a really good time if you are not part of the Patreon
• 1:16:41
  and you want to be, that link is at the very bottom of our show
• 1:16:43
  notes. Just scroll all the way down.
• 1:16:45
  You can also find other ways to support us by rating and
• 1:16:48
  reviewing whatever you're listening to us on, following
• 1:16:51
  us. Yeah, that also helps you
• 1:16:53
  because then like your little whatever device, whatever
• 1:16:57
  platform you're listening on. It'll be like there's no
• 1:16:59
  episode. You do a little whatever device.
• 1:17:01
  You can do it on that. I was saying whatever cuz I
• 1:17:03
  couldn't remember the word I was looking for, which was platform,
• 1:17:05
  yeah. I know.
• 1:17:07
  But yeah, it, it really does help a lot.
• 1:17:09
  It's it's a nice little thing for us.
• 1:17:10
  So if you haven't already done that, you know, please do that.
• 1:17:14
  Yeah, make sure that you like also like other cool podcasts.
• 1:17:17
  That way it'll be like this show's popular with fans of this
• 1:17:21
  show. Yeah.
• 1:17:21
  That's cool. Yeah, yeah.
• 1:17:23
  So you can find us online. You can find us on our Instagram
• 1:17:27
  and threads at least favorite scary movie podcast.
• 1:17:29
  We have our Blue Sky least fav pod.
• 1:17:31
  You can e-mail us at least favorite scarymovie@gmail.com
• 1:17:36
  and we have a website. What's your least favorite scary
• 1:17:38
  movie.com that has everything there?
• 1:17:40
  Yep. All right, that's it.
• 1:17:41
  So I think we're gonna move on now.
• 1:17:43
  Yeah, we're gonna go. We're gonna do yard work, which
• 1:17:47
  is great because I've been rubbing my eyes from pollen the
• 1:17:50
  entire time we've been recording.
• 1:17:51
  So as you can imagine, we'll be feeling really great in a couple
• 1:17:55
  of hours. It's a fucking jungle out there
• 1:17:56
  right now. Yeah.
• 1:17:58
  All right. Finally stopped raining long
• 1:17:59
  enough for us to do. This.
• 1:18:00
  Yeah. Yeah.
• 1:18:01
  All right. We'll see y'all later.
• 1:18:03
  Bye. Dream sequel.
• 1:18:16
  I feel like we already no. Tag yeah.
• 1:18:19
  Dream sequel. No the Tag 1 Dream sequel.
• 1:18:21
  It doesn't matter, let's just do the dream sequel because I
• 1:18:23
  already mentioned it. OK, let's do dream sequel
• 1:18:25
  delete. All of this.
• 1:18:27
  Tweet all pictures of Ron.