Latest / HEAVY Music Interviews / Challenging Mortality With JAKE LADERMAN & STEVIE WILLIAMS From CLOWNS
Transcript
- 0:00Yeah, I'm Jake, I play drums and clowns. I'm Stevie. I'm
- 0:30the vocalist of Clowns. And we got a new record. It's called Endless.
- 0:38It's coming out October twentieth, fifth LP Beautiful Yesterday. No worries each
- 0:49other expertly. Then you's have done this before, haven't you start our first
- 0:54radio dar as you mentioned? Boys clown to release your fifth album, Endless
- 1:00on October the twentieth. So how you feeling this short? This far out
- 1:03from it? It feels like I'm about to Like I don't have any kids,
- 1:10but this is what I imagine, like preparing for a child would feel
- 1:12like years and years of creative energy, and you know, the world's completely
- 1:23side down and from it we start writing it. We've been writing it released
- 1:29and now it's all here. It's almost yere, so satisfying, and it's
- 1:34like me a little bit like emotional or something. Can't wait for it to
- 1:40be out into the world and for it to not be our record anymore,
- 1:44you know, like it's going to be whoever listens to its record. It's
- 1:48not going to be our little secret. We mentioned this is your fifth album,
- 1:52guys, like does it get any easier, Like, like I imagine
- 1:55it would be a pretty nerve wracking period wait for this album to come out,
- 1:57Like does it get easier as you go along or is it always definitely
- 2:00gets harder, definitely gets hot. Well, I feel like when we started
- 2:06the band, like we were so inspired to like, you know, get
- 2:09our music career off the ground, and there was so much like I guess
- 2:15you would call like creative low hanging fruit. When we were starting a punk
- 2:17band. You know, we wanted to write a song they had like screaming
- 2:21in it. We wanted a song that sound like there are moones. We
- 2:23want a song that sound like the Offspring. And then once we did an
- 2:27EP, and then like four seven inches and now five albums. Now we're
- 2:30like reaching super high up to the top of the tree to get that sweet
- 2:35fruit. And we're doing like spaghetti Western eight minute jams. At the end
- 2:38of our record, we're fucking around with fresh metal and like jewel guitar solos,
- 2:44all in all in an effort to I guess keep it interesting for ourselves
- 2:47and for the people who listen as well. But yeah, in that essence,
- 2:52it gets harder. It gets way harder. Well, the tenth album
- 2:55would be really turning your hair out then, Yeah, so tell us more
- 3:01about analysts from a musical point of view, guys, and what you're going
- 3:05for with it. It's kind of all over the place, like a lot
- 3:10of our records. I think that what sets this record apart from other records
- 3:15would probably be that we leaned a lot more into like a heavy metal sound.
- 3:21We've got, like, as TeV mentioned, a couple of thrash metal
- 3:23elements, is like a lot of like Judas Priest, you know, old
- 3:30school new wave heavy metal influences, a lot of like lead guitar stuff.
- 3:35Especially in the production sense, it's like there's a bunch of you know,
- 3:39we leaned into a lot of like synthesizer stuff too. We always tried to
- 3:45do a new thing, but yeah, this record probably leans more in the
- 3:47metal a little bit. Speaking Western, I've to listen to it a couple
- 3:54of times, three before the end of your guys, Like it feels a
- 3:58lot more like a live sound album would be accurate accurate assessment. Well,
- 4:06we sound pretty powerful when we play live, so I guess so probably the
- 4:12least live record we've ever done. Yeah, we just wanted this one to
- 4:16be like really fucking, really loud, really just like smacks you in the
- 4:21jaw and knocks you out with a big old punk rock punch to the face.
- 4:27I guess it maybe as well, Like we used a different person mixing
- 4:31the record, which I think maybe for me personally when I listened to it,
- 4:35it sounds really different production wise, mm hmm. And that was a
- 4:41conscious effort to try and like take a step towards a bit more of a
- 4:46high fire sound, but like keeping it sounding like us. And we just
- 4:51found this sweet spot. You know. There was a couple of times in
- 4:54the mixing process where we'd it we felt like it went a little bit too
- 4:58far in the high five sound, and like we just dial it back a
- 5:01little bit and you just find that sweet spot. Yeah, I feel like
- 5:04on all of our previous records, we've wanted it to sound live, and
- 5:10we've pushed it towards live sound, but this time we pushed it way too
- 5:13high fire and then brought it down to the high fight. So the sound,
- 5:16if that makes sense. Does that make sense? Well, yeah,
- 5:19I's have no idea what he's talking about. So today, if you've released
- 5:27a singles, thanks for Nothing for Maldehyde, Death Wish, and Bisexual Awakening.
- 5:30So overall, would you say they're a good son of representation of what
- 5:32to expect. Yes, I guess in the sense that they're all songs that
- 5:40will be on the record. But there's just so much variety in the sound
- 5:45and all the songs. Like there's one song on it it sounds like Slayer,
- 5:49and then there's like like Thanks for Nothing. I feel like kind of
- 5:53has like almost like a bubblegum pop kind of like melody and tinged to it.
- 5:58There's a huge, like eight minute long spaghetti western punk rock track through
- 6:02Creation the top of it. Introduction to the album is like stuff with po
- 6:11we really were you can tell really onto our record in the boundaries of what
- 6:15we can consider punk rock, and I guess it's like testing ourselves creatively as
- 6:23well. You mentioned the album opening made so like endless, it's called it.
- 6:28It's a live and soothing piano piece, and have just catapults straight into
- 6:31all out aggression with Fromaldehyde. Like what was the thought process behind sort of
- 6:35having those two opposing forces. I guess to start the album, I think
- 6:43that whole intro into Formaldehyde and then into the next song, which nobody has
- 6:48heard yet is U. Was very planned and very taken, you know,
- 6:55influenced by certain bands and other albums that we really admire, and I think
- 7:03that like, you know, everyone in Clowns has like different musical backgrounds,
- 7:08but like we all love a big intro. So it was yeah, it's
- 7:12a big it's a big opener. Yeah, And we really wanted the introduction
- 7:15to the album to be like theatrical and I think nothing really drives that home
- 7:21then, like a piano out of nowhere. And we kind of liked like
- 7:26when when is this gonna go live? When is this? When did you
- 7:30wanted to go? Did you want to go next week? Or we can
- 7:32release well, I mean whatever, I mean, we were just I'm here
- 7:40to help you. We just thought it would be cool for people to like
- 7:46because we're obviously not releasing the opening like track before the album comes out,
- 7:51and we want people to be like, cool, new Clowns album is going
- 7:54to come out. I'm going to listen to it, pop it on and
- 7:56here a piano, like release it on. It's funny if then the same
- 8:00way the album comes out, if you're on yeah, yeah, yeah,
- 8:03that would be awesome. Wait make a little note of that, yeah,
- 8:09just because we thought that would be yeah, just another way. I mean,
- 8:13we've already released that spaghetti western song, We've released a metal song,
- 8:16We've released a song that kind of sounds like pop punk or something, and
- 8:22yeah, we just wanted that to be another huge curve people really not letting
- 8:28people know the songs that releasing the album. What album is gonaund like a
- 8:33whole bunch of different stuff, And yeah, I wanted the first the first
- 8:39notes to be a piano, just another huge curveball, like almost for people
- 8:43that put on the first song and be like, wait, is this the
- 8:45first clown. The album's not not a conceptual album as such, but it
- 8:50has got a central theme of immortality running through it. So tell us a
- 8:54bit more about that. I guess, like the central theme that was kind
- 9:00of born through like what we like to think and like to describe as just
- 9:07something that was surfacing like in our band's creative hive minds. Like in the
- 9:11past we've done a full full concept records where like every song is kind of
- 9:16like interwoven within each other, but this one we honestly, I mean,
- 9:22when we started writing it, the world was collapsing into a pandemic, and
- 9:26all we had was home recorded here and just you know, by free time
- 9:31to write songs and a few homos. We wished to do a couple of
- 9:37most like intwing lockdowns, and I got listening back to a lot of the
- 9:43lyrics that I was writing, and I just sort of noticed that there was
- 9:46this central theme of living forever which was just surfacing in the in the lyrics.
- 9:52It like wasn't wasn't intentional, but then and I was also kind of
- 9:58like searching for a concept at the time, too, searching to be inspired
- 10:01by something. And then when I noticed that these themes were sort of,
- 10:05I guess subconsciously coming out in the lyrics, then I just thought like that
- 10:09would make a pretty badass sort of like concept into immortality. And I think
- 10:13it kind of reflects our motivation at the time, which was that, you
- 10:18know, the world was collapsing and we just didn't want the band to die.
- 10:24We were just determined to make sure that on the other side of it,
- 10:26we were going to be able to go back on tour and release music,
- 10:31and for better or worse, here we are releasing how fifth album.
- 10:37I like as it is now it has become expected for you guys to have
- 10:41the album closed with some little bit off kilter, but the one on this
- 10:45one's an absolutely crack of mate. It it's called a Widow's Son, which
- 10:48essentially tells us a tale of neck Kelly. But where did the idea to
- 10:52do that come from? Like it's it's unexpected, but it's really works well.
- 10:58Like I guess that idea spawned. I feel like I actually started like
- 11:05drawing this link between thrash metal and spaghetti Western back in twenty nineteen, after
- 11:11we had released our like our first, sorry, our last record, Nature
- 11:16Nurture, and we were touring it, and I can't remember where it was,
- 11:18Like I think I was just watching like a Clint Eastwood film and just
- 11:24listening to the to the music and just hearing that like didn't dig and I
- 11:30was like, that's it's like spaghetti Western is like pretty much thrash metal.
- 11:35It was thrash metal before rush metal was known or brought to life and popularized.
- 11:41And then I guess that just it just sort of happened from there,
- 11:45Like I was, I mean that that song, I was writing those riffs
- 11:48for like many many years and then you know they were all coming into the
- 11:50band practices, and then again we were just like stewing over it and melting
- 11:56over it, and and it just made sense, like we mut we get
- 12:03out the way over years that were mutual. Myras the host of case filecast,
- 12:11and we're been in touch like Instagram stuff like we just smashed file when
- 12:16on the road, and yeah, we we reached out. It just seemed
- 12:20natural that we were going to have somebody narrate over that song, but just
- 12:24from the wave that it's laid out, like we weren't going to do a
- 12:26spaghetti western song where me or Hanni sing, It just felt right to have
- 12:31a narration. And you know, we only know one narrator, well,
- 12:35we know of one narrator. We actually we don't know his name name at
- 12:39least, and he he said yes, which was cool. There's probably I
- 12:46think me and Jake would both agree that's like probably our most prized collaboration A
- 12:52fun Yeah. Right, So your original tour that you had planned to promote
- 12:56the album has had to be postponed, guys, so fill us in on
- 13:00the new dates. New dates are across March April twenty twenty four. We're
- 13:09hitting all the capital cities. We're bringing our mates Void along. It's going
- 13:13to be a party. We're going to play a bunch of new stuff,
- 13:16a bunch of old stuff, and it's going to be a wicked Yeah,
- 13:22it's very likely to be like handful of only shows in the year playing March
- 13:30fifteen Slide in Britain, March twin Line of Factory and Avlade, March thirty
- 13:35Amplifier in Perth, April five at once Every Russell in Melbourne and April thirteen
- 13:41at Krubar, Sydney with Void playing it all the shows except per Before I
- 13:46let you go, guys, I've started doing up three different Spotify playlists based
- 13:50on songs for people we speak to you, so using your own songs.
- 13:54Give me one for a playlist to get the party started, a playlist to
- 13:58save your Marriage, and a playlist to end your marriage Party Start. What
- 14:09was the second one? The album end your Marriage and Save your Marriage?
- 14:15Well, I think end your Marriage would probably be Quicksand because you know that's
- 14:20just a song of heartbreak. Yeah, to get the party started, Like
- 14:30maybe thanks for is the party song and that's got the feel goods mm hmm.
- 14:37And what song do you think really liifies marriage, it solidifies. Yeah,
- 14:48none of them may probably you can think of a few that would end
- 14:54a marriage. On like ear your records. I reckon the biggest song that
- 15:01gets our party, the party started when we play live is blandest than New
- 15:07Black, Undeniably, that song always goes off save marriage, a bit of
- 15:16serenading spaghetti Western never never went astray. You know everyone loves Netflix and Netflix
- 15:22and chill with your partner back end the marriage. Got a few noise songs,
- 15:33I don't know, I can't even remember what they're called. Now focused
- 15:39on this. We've been so focused on this record for years. Yeah,
- 15:45anyway, I've got three between the Saturday. Yeah, thanks very much for
- 15:50your time today. Your new album, Endless is out today when this interview
- 15:54comes out, and she's absolutely cracky. Guys, congratulations and I'll when a
- 15:58coup along to your what's the story from about okay? Sounding about forgo you
- 16:41too something to make something that sounds about drums up back, but then stopped
- 16:48to make something that soundn't coup breaking out wing to stopped to make something the
- 16:53stent song breaking. Yeah, something funds a drum said, sorry, I
- 17:00got job on the crown, I said, take this wild, pretty strong
- 17:03never side. She's up. I'm looking from mouth and he's okay, John
- 17:10lived and now pretty strong never side, she said, I look looking from
- 17:15me sucking into mouth. Oh my ship, I love those about working blogs
- 17:37to suthing. You make something and you're gonna love something about joy someway you
- 17:42just shutting to may stop to have I love some Corey w you tell him
- 17:47to something, to make something. I love you to that side comfort left
- 17:53of the line side night job stay. I said to this wild, I'm
- 17:57pretty strong never she's as okay from now I'm not. Here's something out here
- 18:04and I got one l twenty and now I'm a pretty siwn time she's also
- 18:10took them Mountain precire time she took the mouth he that's useless shops shot time
- 18:51and did you see me the other side, I'm visiting my friends in hell
- 18:55and I'm sitting pretty strong. That time she's also took you get from mouth
- 19:00is the day that I got jam because now I left say and now I
- 19:06make pretty sure I never tie because I'm excat from mouth. Jack. I'm
- 19:11pretty sure I never tie because I'm excercat from mouth or Joy were just I'll
- 19:17be pretty shout out