Latest / Pick Up and Deliver / Rats of Wistar; Bullet♥; The Hunger; Race for the Galaxy (revisited)

Transcript

Rats of Wistar; Bullet♥; The Hunger; Race for the Galaxy (revisited) · Pick Up and Deliver

• 0:04
  Speaker 1: Welcome to pick up and deliver the podcast where I
• 0:06
  Speaker 1: pick up my audio recorder as I step off the
• 0:08
  Speaker 1: train and deliver an episode to you while I walk home.
• 0:11
  Speaker 2: I'm Brendan Riley.
• 0:21
  Speaker 1: Well, good evening listener. It's a lovely night here in
• 0:23
  Speaker 1: suburban Chicago. The temperature is in the mid forties with
• 0:27
  Speaker 1: a light breeze. It is fully dark around six pm
• 0:32
  Speaker 1: or five thirty PM, and a few houses have lights
• 0:35
  Speaker 1: out yet I do not. We aren't gonna put our
• 0:38
  Speaker 1: lights out in probably until after Thanksgiving, but we're making
• 0:42
  Speaker 1: good progress anyhow. Well it's been I had a couple
• 0:47
  Speaker 1: episodes of other things, so it seems like it's time
• 0:50
  Speaker 1: to come back around to talk a little bit about
• 0:53
  Speaker 1: some games I've played recently.
• 0:54
  Speaker 2: That's right, it's time for Board Game Espresso Triple Shot.
• 1:01
  Speaker 1: So Board Game Espresso Triple Shot is an episode theme
• 1:04
  Speaker 1: in which I talk about three games I've played recently
• 1:07
  Speaker 1: for the first time and what I thought of them.
• 1:10
  Speaker 2: This is not I also usually pick one game that I've.
• 1:13
  Speaker 1: Dusted off recently and talk about that as well. The
• 1:15
  Speaker 1: idea is not to do a full review because I've
• 1:18
  Speaker 1: only played them once or twice, but rather just give
• 1:21
  Speaker 1: you a little taste of what I thought of the games.
• 1:23
  Speaker 1: And by the time I'm done talking about three games
• 1:25
  Speaker 1: and one I dusted.
• 1:26
  Speaker 2: Off, i'll be home boom. So today.
• 1:36
  Speaker 1: Today I'm going to talk about three games I tried
• 1:39
  Speaker 1: in October. That's right, we're into the October games, and
• 1:43
  Speaker 1: that means we're making good progress. The first one I
• 1:45
  Speaker 1: want to talk about is Rats of Wistar. Rats of
• 1:48
  Speaker 1: Wistar was designed by Simon Luciani and Dan Danli Nilo Sabilla,
• 1:55
  Speaker 1: with artists by Kendita Corsi, Sarah Valentino and Sarah Valentino.
• 2:00
  Speaker 1: It was produced by Cranio Creations and published by them
• 2:05
  Speaker 1: as well as their American partners.
• 2:07
  Speaker 2: It is a twenty twenty three game. The theme is
• 2:11
  Speaker 2: loosely the Secret of nim.
• 2:13
  Speaker 1: The idea is that you play as a family of
• 2:16
  Speaker 1: rats living near a farmhouse. You are super smart rats,
• 2:20
  Speaker 1: so you're building inventions and digging out a burrow for yourself,
• 2:24
  Speaker 1: and you're trying to get the most rat points. I
• 2:26
  Speaker 1: think I don't recall exactly the nature of the points.
• 2:29
  Speaker 1: The game has a really interesting action selection mechanism where
• 2:33
  Speaker 1: you have these little heads that represent workers and they
• 2:36
  Speaker 1: can go into one of several different spaces on this
• 2:40
  Speaker 1: action wheel, and then those actions allow you to do
• 2:44
  Speaker 1: different things like burrowing out your.
• 2:49
  Speaker 2: Burrow, getting new.
• 2:50
  Speaker 1: Technology, inviting people to come live with you. You can
• 2:54
  Speaker 1: also explore the house where you get different kinds of
• 2:56
  Speaker 1: treasure and different things. Is a lot about accumulating resources
• 3:02
  Speaker 1: in greater and greater quantities with greater and great efficiency,
• 3:06
  Speaker 1: which you use then to do these other things that
• 3:09
  Speaker 1: I was talking about, which gives you points in a
• 3:11
  Speaker 1: variety of ways. There are endgame scoring points, and a
• 3:14
  Speaker 1: lot of different places for you to get points as
• 3:18
  Speaker 1: you work on these interconnected mechanisms. Theme Wise, the game
• 3:22
  Speaker 1: is very cute. I like the art on the cards,
• 3:25
  Speaker 1: and I like the shapes of the meples, which are
• 3:28
  Speaker 1: little rats. I wouldn't say the game feels a lot
• 3:31
  Speaker 1: like being a rat family, but there are Because the
• 3:34
  Speaker 1: game is very thoughtfully themed, there at least is a
• 3:38
  Speaker 1: narrative of doing these things. I wouldn't say the emergent
• 3:42
  Speaker 1: gameplay makes it feel like you're doing those things. The
• 3:44
  Speaker 1: game doesn't feel particularly ratty. If it had a different theme,
• 3:48
  Speaker 1: I would suspect it would play much the same. But
• 3:50
  Speaker 1: that's that I do like the theme, and I do
• 3:52
  Speaker 1: really like the exploration of the house mechanism, where you're
• 3:56
  Speaker 1: gaining points by getting.
• 3:57
  Speaker 2: Into the house where the humans live and swiping the stuff,
• 4:00
  Speaker 2: so that part I think works pretty well.
• 4:03
  Speaker 1: Like many Simon Luciani games, this is about performing actions
• 4:07
  Speaker 1: in different sequence, developing different levels of efficiency, and then
• 4:13
  Speaker 1: capitalizing on those efficiencies to get even more efficiency and
• 4:17
  Speaker 1: more points. There is a scoring mechanism with these cards
• 4:20
  Speaker 1: that you can get. I honestly don't remember the details exactly,
• 4:24
  Speaker 1: but I thought it was pretty clever.
• 4:26
  Speaker 2: As far as.
• 4:26
  Speaker 1: Luciani games goes, this one was further up the order
• 4:31
  Speaker 1: than some of them would be. I don't generally like
• 4:34
  Speaker 1: his games that are hardcore tracks on tracks on tracks.
• 4:37
  Speaker 2: Games, and this one was not that.
• 4:39
  Speaker 1: There are a couple tracks cleverly hidden among different game mechanisms,
• 4:44
  Speaker 1: and of course, accumulating bonuses and efficiencies is a big
• 4:47
  Speaker 1: part of the kinds of games he designs. And apologies
• 4:51
  Speaker 1: for the other designer whose name I'm not mentioning as
• 4:54
  Speaker 1: I go along, but just for convenience sake, Luciani is
• 4:57
  Speaker 1: the one that I think of in the context of
• 4:59
  Speaker 1: this game. Overall, it's a pretty fun journey down this road.
• 5:04
  Speaker 1: If I felt about Luciani and his partners the way
• 5:07
  Speaker 1: I feel about Vladimir Suci, this game would definitely be
• 5:11
  Speaker 1: on my to acquire list. It's pretty fun, and I
• 5:13
  Speaker 1: can tell if you played it a bunch of times
• 5:15
  Speaker 1: it would certainly benefit. That said, for me, it's not
• 5:21
  Speaker 1: dramatically better than any number of other midweight Euros, and
• 5:26
  Speaker 1: thus it doesn't cross the line into being something that
• 5:29
  Speaker 1: I definitely want to get or that I would want
• 5:31
  Speaker 1: to get and then trade away something else. Now, I
• 5:34
  Speaker 1: certainly would if I found it on deep discounts somewhere,
• 5:37
  Speaker 1: or I found it at goodwill, or I got it
• 5:40
  Speaker 1: in trade, I certainly would take it because I think
• 5:42
  Speaker 1: it's interesting and it would benefit from a bunch of plays.
• 5:46
  Speaker 1: I think, you know, if I had it, I'd probably
• 5:49
  Speaker 1: play it half a dozen times before I got rid
• 5:51
  Speaker 1: of it. But yeah, ultimately it's sort of middleweight. I
• 5:55
  Speaker 1: do love the attempt at the theme, though, so that
• 5:57
  Speaker 1: is rats of Wistar. Next up is Bullet Heart. Bullet
• 6:01
  Speaker 1: Heart was designed by Joshua Van Langenham and with the
• 6:06
  Speaker 1: art from Sebastian Kosner and Collateral Damage Studios. It was
• 6:10
  Speaker 1: published in America, at least by level ninety nine games.
• 6:14
  Speaker 1: I believe Bullet Heart is a sort of board game
• 6:18
  Speaker 1: version of distracting triple match games like Bejeweled was the
• 6:24
  Speaker 1: og of that realm or Candy Crush would be the
• 6:28
  Speaker 1: more recent version, like many similar games, something like Paradox
• 6:34
  Speaker 1: or Postion Explosion. What it does that gives you a
• 6:37
  Speaker 1: grid of icons, and then you're manipulating that grid to
• 6:42
  Speaker 1: try to score points by removing actually not score points.
• 6:45
  Speaker 1: There is some of that, but mostly you're trying to
• 6:47
  Speaker 1: remove tokens, and removing those tokens then puts them into
• 6:51
  Speaker 1: the queue of the next player. And so the idea
• 6:53
  Speaker 1: is you want to be the one who survives the
• 6:55
  Speaker 1: longest handling these. Thematically, you are a character in a
• 7:00
  Speaker 1: bullet hell game, so you're dodging hundreds of bullets and
• 7:03
  Speaker 1: you know, shooting them and whatever. The art is sort
• 7:07
  Speaker 1: of not inappropriate anime figures or manga figures. Sometimes these
• 7:14
  Speaker 1: games go a little extreme in objectification of women. I
• 7:18
  Speaker 1: think most of the characters are all the characters are women,
• 7:20
  Speaker 1: but they aren't outrageously drawn. It wouldn't be embarrassing for
• 7:24
  Speaker 1: me to play this game with friends who are women
• 7:30
  Speaker 1: or even with friends who are men that have a
• 7:32
  Speaker 1: sensitivity or a thoughtfulness about the art in the games
• 7:35
  Speaker 1: they consume. I would be happy to play this game,
• 7:38
  Speaker 1: and I was in fact happy to play it. It
• 7:41
  Speaker 1: also we played Bullet Hearts, but there are four different
• 7:43
  Speaker 1: versions or something. There's Bullet Square or Bullet Diamond, and
• 7:47
  Speaker 1: there's a bunch of different versions which give you different characters,
• 7:50
  Speaker 1: and then of course you can mix and match, so
• 7:53
  Speaker 1: the game has a lot of variety. The characters themselves
• 7:55
  Speaker 1: get special powers that change how they deal with the
• 7:59
  Speaker 1: tokens are coming into their play area, and so part
• 8:03
  Speaker 1: of the interaction is trying to figure out how the
• 8:07
  Speaker 1: character that you're using particularly works and how to get
• 8:11
  Speaker 1: the most out of that character, both in defending yourself
• 8:14
  Speaker 1: and in sending tokens to other players. Although I thought
• 8:17
  Speaker 1: this was an amusing game, I certainly did enjoy playing
• 8:21
  Speaker 1: it again, as with Rats of Wistar, it does not
• 8:27
  Speaker 1: succeed into the category of I think I need to
• 8:29
  Speaker 1: buy this, in part because the theme doesn't do much
• 8:32
  Speaker 1: for me, and the game certainly wouldn't work for a
• 8:34
  Speaker 1: lot of the other people I play games with that
• 8:36
  Speaker 1: aren't at my game club. That said, it certainly was
• 8:39
  Speaker 1: something I'd be happy to try again if somebody brings it.
• 8:42
  Speaker 1: I probably would pick it up if I found it
• 8:44
  Speaker 1: on deep discount or at Goodwill, just because it's different
• 8:48
  Speaker 1: enough and it's weird enough that it's the kind of
• 8:50
  Speaker 1: game that would be fun.
• 8:51
  Speaker 2: To play occasionally.
• 8:52
  Speaker 1: Despite the theme, which doesn't really do much for me.
• 8:55
  Speaker 1: One of the elements of the gameplay that I think
• 8:57
  Speaker 1: is particularly interesting are the ways that you remove tokens.
• 9:03
  Speaker 1: Each player has a series of cards that have patterns
• 9:06
  Speaker 1: on them, and so part of your goal is to
• 9:09
  Speaker 1: use the limited amount of energy that you have to
• 9:11
  Speaker 1: manipulate the bullet tokens into patterns, which then your cards
• 9:15
  Speaker 1: fulfill and you can remove the tokens. You also can
• 9:19
  Speaker 1: use energy to draw more tokens, which is useful because
• 9:24
  Speaker 1: you have to remove you have to handle all the
• 9:26
  Speaker 1: tokens that come in, and so controlling the rate and
• 9:29
  Speaker 1: the pacing of where they come in is really important.
• 9:32
  Speaker 1: You can't control where they land for the most part,
• 9:35
  Speaker 1: but the other parts of it are a key element,
• 9:37
  Speaker 1: and so balancing your energy as you're matching your patterns
• 9:40
  Speaker 1: and spending your cards to get rid of tokens but
• 9:43
  Speaker 1: also maintain your board as much as you can so
• 9:46
  Speaker 1: that you can't be surprised by bad tokens coming in
• 9:49
  Speaker 1: is the crucial part of the game. At the end
• 9:51
  Speaker 1: of each round, once you're out of actions and energy,
• 9:54
  Speaker 1: then you just have to draw the rest of the
• 9:55
  Speaker 1: tokens in your queue and put them.
• 9:57
  Speaker 2: On your board. That is how I lost.
• 10:00
  Speaker 1: I just had a couple bad tokens in a row
• 10:01
  Speaker 1: come up and I was out of energy, so I
• 10:03
  Speaker 1: had no way to deal with them, and bishbash bosh
• 10:06
  Speaker 1: I was out of the game. You don't have much
• 10:08
  Speaker 1: damage that you can take, and as a result, the
• 10:10
  Speaker 1: game goes relatively quickly. I think when we played it
• 10:12
  Speaker 1: was a half an hour with a maybe ten or
• 10:14
  Speaker 1: fifteen minute teach. So bullet heart, go ahead and give
• 10:17
  Speaker 1: it a try if you a chance. That's from twenty
• 10:21
  Speaker 1: twenty one, so I got a chance to play Race
• 10:23
  Speaker 1: for the Galaxy again. This is a game I have
• 10:25
  Speaker 1: not played all that often recently. In fact, it was
• 10:28
  Speaker 1: two years and changed since I played it, two years,
• 10:32
  Speaker 1: six months and seven days to be precise, and that
• 10:36
  Speaker 1: includes the digital plays. So this is the one that
• 10:38
  Speaker 1: I played a fair amount and then just drifted out
• 10:41
  Speaker 1: of my orbit. It is the pre eminent, the most
• 10:45
  Speaker 1: interesting of the multi use card games that isn't designed
• 10:48
  Speaker 1: by Carl Chutdick. Now you know me, I'm a chuttickhead,
• 10:51
  Speaker 1: and I generally like Carl Chuttick games in excess of
• 10:55
  Speaker 1: what other people think of them. Race for the Galaxy
• 10:58
  Speaker 1: is of course from Tom Layman, master of engine Building
• 11:02
  Speaker 1: card Games. Multi use cards is at the core of
• 11:05
  Speaker 1: Race for the Galaxy, along with a really interesting action
• 11:08
  Speaker 1: selection mechanism. If you haven't played it, you have a
• 11:11
  Speaker 1: bunch of different things you can do. They're five or
• 11:14
  Speaker 1: six of them, and on your turn you're going to
• 11:15
  Speaker 1: pick one of them to activate or before the round,
• 11:18
  Speaker 1: and then you all reveal and everybody gets to activate
• 11:21
  Speaker 1: every power that was chosen. So if several people choose
• 11:24
  Speaker 1: the same power, not many different powers are going to activate.
• 11:27
  Speaker 1: If everybody chooses something different, then you could have all
• 11:30
  Speaker 1: the different things activate.
• 11:31
  Speaker 2: And of course they have it in a specific.
• 11:33
  Speaker 1: Order, so timing when you're going to do it, when
• 11:36
  Speaker 1: you hope someone else does something for you is really crucial.
• 11:38
  Speaker 1: The other thing that makes Race for the Galaxy interesting
• 11:41
  Speaker 1: is that it doesn't use many different things in the
• 11:43
  Speaker 1: way of currency. There are point tokens, but other than that,
• 11:46
  Speaker 1: there's just cards. Your cards are worth points when you
• 11:49
  Speaker 1: build them. They can be either planets or technologies, but
• 11:52
  Speaker 1: you also pay for the cards by spending cards, so
• 11:55
  Speaker 1: you're constantly fiddling with your card draw trying to get
• 11:58
  Speaker 1: more cards. You have a limited number of cars as
• 12:00
  Speaker 1: you can have in your hand, and then you are
• 12:02
  Speaker 1: spending those to build things.
• 12:04
  Speaker 2: It works really well.
• 12:05
  Speaker 1: It's an interesting game, but kind of a tough learn
• 12:08
  Speaker 1: because there are icons on everything, and the icons are
• 12:11
  Speaker 1: sort of confusing. So I have played a Role for
• 12:14
  Speaker 1: the Galaxy a number of times as well, and to
• 12:16
  Speaker 1: be frank, i'd like that game better, but they are
• 12:18
  Speaker 1: very similar. Race for the Galaxy is great and I
• 12:21
  Speaker 1: was happy to play it again. I got second place,
• 12:24
  Speaker 1: which is nice because the person who got first place
• 12:25
  Speaker 1: was an absolute shark, so nobody kind of got near him.
• 12:30
  Speaker 1: So the fact that I got second place felt pretty good.
• 12:32
  Speaker 1: Meant I knew what I was doing, and several of
• 12:34
  Speaker 1: the other players at the table were pretty experienced folks,
• 12:37
  Speaker 1: so I was glad to get the opportunity.
• 12:40
  Speaker 2: To succeed in that way. That is a classic and
• 12:46
  Speaker 2: a stone cold must play at some point. That's a
• 12:50
  Speaker 2: Race for the Galaxy.
• 12:52
  Speaker 1: I don't own it because I own all of the
• 12:54
  Speaker 1: Role for the Galaxy stuff, and if given the opportunity,
• 12:57
  Speaker 1: I would rather play that. But I'm happy to play
• 12:59
  Speaker 1: Race for the Galaxy see when other people suggest it.
• 13:01
  Speaker 1: There's also jump Drive, which is a hyper fast, shortened
• 13:06
  Speaker 1: version of Race for the Galaxy, which I've played a
• 13:08
  Speaker 1: little bit, but mostly i've played it in its original incarnation,
• 13:11
  Speaker 1: which is called The City. The City is essentially the
• 13:13
  Speaker 1: same game as Jump Drive. It's just city themed rather
• 13:16
  Speaker 1: than space themed, and my wife likes city themed games
• 13:19
  Speaker 1: and not space games, so that's a good fit for
• 13:21
  Speaker 1: our family. That is Race for the Galaxy from Tom
• 13:25
  Speaker 1: Lahyman Rio Grand Games.
• 13:27
  Speaker 2: I don't have the year on that one, Handy.
• 13:30
  Speaker 1: Finally, for the last bit of the Drive here, I
• 13:32
  Speaker 1: want to talk about The Hunger. This is released in
• 13:34
  Speaker 1: twenty twenty one, designed by Richard Garfield, with Alexei Bogdanov
• 13:39
  Speaker 1: and Mark marta Ivanova and Joscelyn Millette artists, and Semyon Pokuriyev.
• 13:47
  Speaker 2: It's from Ori Games, distributed by Renegade Games. The Hunger
• 13:52
  Speaker 2: is a race game built.
• 13:54
  Speaker 1: On a deck builder, so you have a market of
• 13:57
  Speaker 1: cards that you're accumulating, and it's a race game. The
• 14:01
  Speaker 1: race part is interesting because you are racing out and back.
• 14:05
  Speaker 1: The game is about vampires.
• 14:06
  Speaker 2: You are a.
• 14:09
  Speaker 1: Group heard, I don't know what, a pack of vampires
• 14:12
  Speaker 1: that live together in a castle, and the game starts
• 14:16
  Speaker 1: at the beginning of the.
• 14:16
  Speaker 2: Night and you are running out in the night to
• 14:19
  Speaker 2: go hunt people.
• 14:21
  Speaker 1: You have a certain amount of energy that comes from
• 14:23
  Speaker 1: the cards in your deck, and you can use that
• 14:26
  Speaker 1: to move along a path, and the path goes far
• 14:30
  Speaker 1: into the countryside, up into the woods, or you can
• 14:34
  Speaker 1: use the.
• 14:35
  Speaker 2: Energy to hunt. When you hunt, you take cards from a.
• 14:40
  Speaker 1: Market board, where as with many games like this, the
• 14:44
  Speaker 1: cards get cheaper and cheaper as the game goes along,
• 14:47
  Speaker 1: so you can get more cards with less energy later
• 14:49
  Speaker 1: in the game, but of course if you wait too long,
• 14:51
  Speaker 1: other people will take them. There's also a push your
• 14:54
  Speaker 1: luck element and a significant burden for buying points because
• 14:59
  Speaker 1: you get points by buying blood, and the cards that
• 15:02
  Speaker 1: go into your deck that gave you blood slow you down,
• 15:05
  Speaker 1: so you literally get weighed down by what you eat.
• 15:07
  Speaker 1: The hunger is also difficult or challenging because you only
• 15:09
  Speaker 1: get three cards. Now, a lot of deck builders you
• 15:12
  Speaker 1: get five cards. That's a huge range of things you
• 15:14
  Speaker 1: might draw. In The Hunger, you're only drawing three, so
• 15:17
  Speaker 1: it is a much tighter experience. Basically, in the game,
• 15:20
  Speaker 1: you are racing out into the countryside to get food,
• 15:23
  Speaker 1: you're getting burdened down, and then you're trying to make
• 15:25
  Speaker 1: it back before sundown. If you make it into the cemetery,
• 15:28
  Speaker 1: you lose five points, but you survive. If you make
• 15:30
  Speaker 1: it all the way to the castle, you get a
• 15:31
  Speaker 1: bonus for getting to the castle. If you don't make
• 15:34
  Speaker 1: it back to the castle, you die, unless you're playing
• 15:36
  Speaker 1: like the beginner mode, in which case there are point
• 15:39
  Speaker 1: loss tiles away further out. I played this game when
• 15:43
  Speaker 1: I visited Rhode Island. Actually it was in Connecticut with Derek.
• 15:46
  Speaker 1: Hi Derek, which is where I also played Rats of Wistar.
• 15:49
  Speaker 1: The Hunger was really fun.
• 15:51
  Speaker 2: I heard it was good and I.
• 15:54
  Speaker 1: Enjoyed listening to it, but I had it in the
• 15:56
  Speaker 1: category of ay, I'll play that sometime, and then I
• 15:58
  Speaker 1: played it with Derek and I really liked it. On
• 16:01
  Speaker 1: A couple of weeks later, I picked up my own copy.
• 16:03
  Speaker 1: I couldn't get it on my head, so I do
• 16:05
  Speaker 1: really like The Hunger. It's a neat game that involves
• 16:09
  Speaker 1: sort of pushing luck. There's different kinds of humans, so
• 16:12
  Speaker 1: when you collect a human, you're going to get points
• 16:14
  Speaker 1: for different categories of humans. How many of them you have,
• 16:18
  Speaker 1: how many points they're worth. There are all these mission
• 16:20
  Speaker 1: tiles all over the place, and you pick them up
• 16:22
  Speaker 1: as you're going along, and the more mission tiles you have,
• 16:25
  Speaker 1: the more points they'll score, obviously, because at the end
• 16:27
  Speaker 1: of the game you're going to score all your mission tiles,
• 16:29
  Speaker 1: assuming you make it back.
• 16:31
  Speaker 2: The pushy luck elements really neat.
• 16:33
  Speaker 1: There's a stretch area that if you rush to get there,
• 16:35
  Speaker 1: you get this rose and that's worth a lot of points,
• 16:38
  Speaker 1: but you have to really book it to get there,
• 16:40
  Speaker 1: and that's tough to make it back, so that's a challenge.
• 16:43
  Speaker 1: All in all, it's a really interesting game and I
• 16:45
  Speaker 1: enjoyed it quite a bit. I'm happy to play it
• 16:48
  Speaker 1: again soon. I've played it three times already and I'm
• 16:51
  Speaker 1: looking forward to playing it more. That's The Hunger from
• 16:54
  Speaker 1: twenty twenty one. Designer Richard Garfield, who is best known
• 16:57
  Speaker 1: for Magic Gathering but also designed Robolly and Bunny Kingdom
• 17:01
  Speaker 1: and King of Tokyo.
• 17:02
  Speaker 2: So he's a guy who knows how to make a game.
• 17:04
  Speaker 1: Well, I am now home and I'm done talking about
• 17:07
  Speaker 1: the three games and my revisitor game in the Board
• 17:10
  Speaker 1: Game of Espresso episode, which means it's time to call
• 17:12
  Speaker 1: it a day.
• 17:13
  Speaker 2: Thanks for joining me on my walk today. I hope
• 17:15
  Speaker 2: that your next walk is a pleasant is finals. Bye bye.
• 17:39
  Speaker 1: Time for shooting from the hip triple shot. Nope, shooting
• 17:42
  Speaker 1: from the hip, Board game Espresso, Nope, it's time for
• 17:46
  Speaker 1: Board game Espresso Triple Shot.
• 17:48
  Speaker 2: Brought to you by Rattle Box Game