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Transcript

Accidental Courtesy: Daryl Davis, Race & America | Under the Docs Documentary Review · Under the Docs

• 0:00
  Speaker 1: I can't believe these guys hate the boy Scouts, like
• 0:02
  Speaker 1: you know what I mean, Like, but the hell the
• 0:03
  Speaker 1: boy Scouts do to anybody?
• 0:11
  Speaker 2: Under the Dogs, Yeah, under the Dogs very famo, break
• 0:17
  Speaker 2: your locks?
• 0:19
  Speaker 3: Funny you could?
• 0:20
  Speaker 2: They original the shots, They got the dogs, under the Dogs,
• 0:26
  Speaker 2: Under the Dogs, Yeah, under the Docks, Under the Dogs.
• 0:55
  Speaker 1: And Under the Docks is backed with black history money
• 0:58
  Speaker 1: with two white guyes with leeards.
• 1:01
  Speaker 4: And today we're going to be talking about Accidental Courtesy
• 1:04
  Speaker 4: to documentary from twenty sixteen. The full title is Accidental
• 1:08
  Speaker 4: Courtesy Darryl Davis, Race and America. And this is by
• 1:11
  Speaker 4: Matthew Ornstein, and it comes in at hour and forty
• 1:15
  Speaker 4: minutes or so. Not too bad, not too shabby compared
• 1:18
  Speaker 4: to some of the ones that we've watched so far.
• 1:20
  Speaker 1: I could have watched this twice if it was the
• 1:23
  Speaker 1: he Brucey Negroes, So that's fine with me.
• 1:26
  Speaker 4: And I guess I'll wear my heart on my sleeve
• 1:28
  Speaker 4: a little bit like you should watch this twice and
• 1:30
  Speaker 4: you'll get way more out of it than some of
• 1:32
  Speaker 4: the other documentaries that we've seen recently. This particular one
• 1:37
  Speaker 4: is about a guy named Darryl Davis, who. I think
• 1:40
  Speaker 4: that I came across him on like a Jerry Springer
• 1:43
  Speaker 4: show or something, and I swear this is one of
• 1:46
  Speaker 4: those stories that you hear it and you're just thinking, like, oh,
• 1:50
  Speaker 4: someone's scripted all this. There's no way any of this
• 1:52
  Speaker 4: stuff is real. It's the inverse of a Clayton Bigsby,
• 1:57
  Speaker 4: you know, Chappelle skit where this large black guy and
• 2:02
  Speaker 4: I don't I don't think infiltrate maybe the wrong word,
• 2:04
  Speaker 4: but a black guy infiltrates the KKK and ends up
• 2:07
  Speaker 4: converting the Grand Wizard members into being civil rights activists.
• 2:13
  Speaker 4: Now that might be a little oversimplified of what's actually
• 2:15
  Speaker 4: going on, but that's kind of what this guy does.
• 2:18
  Speaker 4: And he's got if we call these, you know, like
• 2:20
  Speaker 4: racist scalps, He's got like thirty racist scalps in his closet. Literally,
• 2:25
  Speaker 4: he's got robes that he collects of all the different
• 2:28
  Speaker 4: KKK members that he sort of converts. This is a
• 2:31
  Speaker 4: wild one man, and I didn't think that this was true.
• 2:34
  Speaker 4: I thought this was just something made up for Jerry
• 2:36
  Speaker 4: Springer when I first saw it. So this is the
• 2:39
  Speaker 4: first time watching this documentary, I was like, oh my god,
• 2:42
  Speaker 4: this wasn't just made up for reality.
• 2:44
  Speaker 1: TV, No, and it's something totally different, and to me
• 2:48
  Speaker 1: it's something refreshing. Like I don't agree with everything Daryl
• 2:53
  Speaker 1: Davis says in the film, or like.
• 2:55
  Speaker 3: There's a lot I do agree with, but I think
• 2:57
  Speaker 3: that's the point, right.
• 2:58
  Speaker 1: It shows you this newive of like trying to change
• 3:02
  Speaker 1: mindsets and adapting people into thinking like, hey, maybe you're wrong,
• 3:08
  Speaker 1: maybe you've been in an echo chamber too long.
• 3:11
  Speaker 4: Also, I got to point out that this documentary is
• 3:15
  Speaker 4: one of the first in a while that wasn't lots
• 3:17
  Speaker 4: of archival footage. This is basically Darryl Davis in a car,
• 3:23
  Speaker 4: Darryl Davis on the street, Daryl Davis in an office,
• 3:26
  Speaker 4: Like we're following him around and recording his interaction with
• 3:30
  Speaker 4: other people and then getting their takes on him. So
• 3:33
  Speaker 4: it's a it's a very like realistic documentary, and it
• 3:36
  Speaker 4: was just shot in a way that you immediately relate
• 3:39
  Speaker 4: to every single person that's talking in it. And I
• 3:42
  Speaker 4: also really like how Darryl kind of wears his heart
• 3:46
  Speaker 4: on his sleeve too, like you know what he's thinking
• 3:48
  Speaker 4: and how he's thinking it. He's very frank, he doesn't
• 3:51
  Speaker 4: play games, and he's he's just like a really relatable
• 3:54
  Speaker 4: person in general. Like I'm watching this, I'm like, I'm
• 3:57
  Speaker 4: glad that this, like a person like this exists out
• 3:59
  Speaker 4: there all right. Plotting the course for this one again,
• 4:11
  Speaker 4: this one doesn't really necessarily make specific claims. We're just
• 4:15
  Speaker 4: following Darryl Davis around and getting his story. So his
• 4:19
  Speaker 4: story starts out with him loaning his van to some
• 4:23
  Speaker 4: KKK members early on in his life, before Darryl Davis
• 4:27
  Speaker 4: had a mission or a name or anything, and two
• 4:30
  Speaker 4: of the KKK members were upset that, like the leaders
• 4:34
  Speaker 4: of their group would even deal with the black Man.
• 4:36
  Speaker 4: So they end up leaving. And I guess that's sort
• 4:39
  Speaker 4: of this seed that gets planted in his mind. And
• 4:42
  Speaker 4: first of all, where are you at in this life
• 4:45
  Speaker 4: where a bunch of KKK guys like we need a
• 4:48
  Speaker 4: van and go to something and you're just like you guys,
• 4:50
  Speaker 4: can you know borrow mine? You can have mine? I
• 4:53
  Speaker 4: don't know, like it was. Was he just trying to
• 4:56
  Speaker 4: be a catalyst early on? Was he experimenting the see
• 5:00
  Speaker 4: if I could you know, what if I touch the
• 5:02
  Speaker 4: stove real quick? What if something happens?
• 5:04
  Speaker 3: Right?
• 5:05
  Speaker 1: Well, he starts asking him like later on in the film,
• 5:07
  Speaker 1: like he asked like you know that he had this question,
• 5:11
  Speaker 1: and he goes in through his life of like I
• 5:14
  Speaker 1: had this question why.
• 5:14
  Speaker 3: People would not like being when they don't know me.
• 5:17
  Speaker 1: That's like the big the premise of like all of
• 5:19
  Speaker 1: this and where like ties everything in together.
• 5:22
  Speaker 3: He's like, well, why how could they not like me?
• 5:24
  Speaker 3: And they don't even know me yet? And and then he.
• 5:26
  Speaker 1: Goes into his like life story as like where you
• 5:29
  Speaker 1: know he kind of his dad was a secret service agent.
• 5:33
  Speaker 1: They flew around everywhere. They kind of lived abroad, you
• 5:36
  Speaker 1: know what I mean. So he was used to being multicultural,
• 5:39
  Speaker 1: like he had all kinds. He even says like I
• 5:41
  Speaker 1: had Japanese, Chinese, Nigerian.
• 5:45
  Speaker 3: And French.
• 5:45
  Speaker 1: Like you know, he just starts naming off all these
• 5:47
  Speaker 1: different races and cultures that he's been around. So he
• 5:52
  Speaker 1: was a lot more adapted to different cultures than probably
• 5:56
  Speaker 1: most Americans at that time. And he taught about this
• 6:00
  Speaker 1: story about him being a boy scout and you know,
• 6:03
  Speaker 1: he was the only black kid in the troop, or
• 6:06
  Speaker 1: I think in all of them, because I think it
• 6:08
  Speaker 1: was like a big parade that they had a bunch
• 6:09
  Speaker 1: of different troops out there, and he got to hold
• 6:11
  Speaker 1: the flag and he was super like, you know, he
• 6:14
  Speaker 1: didn't notice that he was the only black person. He
• 6:16
  Speaker 1: says in retrospect, now I know, but you know, I
• 6:18
  Speaker 1: was just so integrated. I thought the Boy Scouts and
• 6:20
  Speaker 1: he said, people started throwing stuff at him, and he
• 6:22
  Speaker 1: got you know, the den mothers.
• 6:24
  Speaker 3: They got him and they covered him.
• 6:25
  Speaker 1: He's like, well, where he said, my instinct because I
• 6:27
  Speaker 1: was so like, you know, ignorant at the time that
• 6:29
  Speaker 1: I was like, I can't believe these guys hate the
• 6:30
  Speaker 1: Boy Scouts, like you know what I mean, Like, but
• 6:33
  Speaker 1: the hell the Boy Scouts do to anybody? And then
• 6:36
  Speaker 1: he goes home and his parents ask him, like, you know,
• 6:38
  Speaker 1: how'd you fall in? And he explains the story and
• 6:41
  Speaker 1: this is his first dose of what race and racism
• 6:45
  Speaker 1: in America look like. They kind of explained to him,
• 6:48
  Speaker 1: and that's where he kind of gets his philosophy from.
• 6:51
  Speaker 3: Like they tell you a little bit.
• 6:52
  Speaker 1: I liked how they told the story because it was
• 6:54
  Speaker 1: like a real movie where they tell you some stuff
• 6:57
  Speaker 1: and then they give you the like beginning, like more
• 6:59
  Speaker 1: twenty thirty minutes into it.
• 7:01
  Speaker 4: Yeah, it's very like like Tarantino esque, where you're getting
• 7:04
  Speaker 4: this nonlinear holographic view of Darryl Davis growing up, and yeah,
• 7:09
  Speaker 4: that's the best place to start. Where's how he was
• 7:12
  Speaker 4: describing that since he grew up the first you know,
• 7:15
  Speaker 4: formative years of his life until he was like six
• 7:17
  Speaker 4: or seven, he's outside the US and he's living up
• 7:22
  Speaker 4: in all these different cultures where you know it's it's
• 7:25
  Speaker 4: him in like eight or nine other races. He describes
• 7:28
  Speaker 4: all of his early classes like little miniature uns. Right,
• 7:32
  Speaker 4: So there was never a point in which he didn't
• 7:35
  Speaker 4: realize there's twenty different types of people out there. And
• 7:37
  Speaker 4: then they moved back to the US and now he's
• 7:40
  Speaker 4: like the one black kid in the entire class, sometimes
• 7:43
  Speaker 4: the entire school, and he didn't understand why people And
• 7:47
  Speaker 4: the other thing that stood out to me in that
• 7:50
  Speaker 4: story where he goes home and he's and he doesn't understand,
• 7:53
  Speaker 4: he's why do they hate the boy scouts bomb? And
• 7:55
  Speaker 4: they're like, oh my god, we have to have this
• 7:56
  Speaker 4: talk since now we're in America and he's actually brush
• 7:59
  Speaker 4: up again and he said he said, he was like,
• 8:02
  Speaker 4: I don't believe you guys like you guys are messing
• 8:04
  Speaker 4: with me? What's the real reason? Like it could he
• 8:07
  Speaker 4: couldn't even register this because it was the exact opposite
• 8:11
  Speaker 4: of his entire lived experience for one hundred percent of
• 8:14
  Speaker 4: his life. And then he gets this first brush up
• 8:17
  Speaker 4: with good old American racism and one of our greatest exports,
• 8:20
  Speaker 4: by the way, and that he like that good old
• 8:24
  Speaker 4: American racism was so much different that it shattered his worldview,
• 8:29
  Speaker 4: like he like it was hard for him to integrate
• 8:31
  Speaker 4: this new information in a way, and that becomes the
• 8:34
  Speaker 4: fascination for him, and that becomes the reason why he
• 8:38
  Speaker 4: would loan his van to a bunch of KKK members
• 8:40
  Speaker 4: is because he wants to more understand why do they
• 8:45
  Speaker 4: hate him so much? So when those two guys leave
• 8:48
  Speaker 4: the KKK because their leaders were borrowing a van from
• 8:51
  Speaker 4: a black guy, that just feeds into exactly why he
• 8:55
  Speaker 4: would have done that, Like he wants to understand, like, Okay,
• 8:58
  Speaker 4: well why did those guys leave? Why did why? And
• 9:00
  Speaker 4: he makes a really good point later I'll get into
• 9:02
  Speaker 4: the hidden treasures. He makes his point of that he's
• 9:06
  Speaker 4: like on better terms with the Grand Wizard than the
• 9:08
  Speaker 4: Grand Wizard is on terms with some of the other
• 9:11
  Speaker 4: people that are in his own group just because of
• 9:14
  Speaker 4: these bigger fundamental disagreements that they have. The other things
• 9:19
  Speaker 4: that we get into is he likens losing racism as
• 9:25
  Speaker 4: like losing weight, and it's like he's because he's a
• 9:29
  Speaker 4: large guy. So he's like, if you were to look
• 9:31
  Speaker 4: at me, and it's like I could get into the
• 9:33
  Speaker 4: fighting shape if I wanted to, you know what I mean,
• 9:35
  Speaker 4: But it didn't happen overnight. And you know, going from
• 9:39
  Speaker 4: being a huge guy into being like a tiny guy,
• 9:42
  Speaker 4: that's also going to be something that takes a couple
• 9:44
  Speaker 4: of years of just NonStop work and dedication and discipline.
• 9:49
  Speaker 4: And he equates that to losing and we say racism here.
• 9:53
  Speaker 4: I guess this is gonna apply to any sort of
• 9:55
  Speaker 4: bias that you've been bred into, but that you can
• 9:58
  Speaker 4: lose racism the same way that you could like lose
• 10:01
  Speaker 4: one hundred pounds.
• 10:03
  Speaker 1: Which I do agree with. I mean, like one hundred
• 10:05
  Speaker 1: pounds you can if you hard work and dedication. And
• 10:09
  Speaker 1: then he kind of gets into a little bit more
• 10:11
  Speaker 1: that were like this weight too, Like it's not just like.
• 10:14
  Speaker 3: It has to be multiple people.
• 10:16
  Speaker 1: It can't just see this racism prejudice way is a
• 10:19
  Speaker 1: little different than just like one person solving all the issues.
• 10:23
  Speaker 3: Another part I really liked about.
• 10:24
  Speaker 1: The movie is he kind of like is he he
• 10:27
  Speaker 1: has a music background, that's pretty much. He's a working musician,
• 10:32
  Speaker 1: piano player, guitarist, like, and he goes into this like
• 10:36
  Speaker 1: we're talking about which is interesting, Like I'll get into
• 10:39
  Speaker 1: the I'll leave that for the hidden fact. But he's
• 10:42
  Speaker 1: at a country bar and he's doing his piano stuff
• 10:47
  Speaker 1: and he walks in and then like this guy's like,
• 10:49
  Speaker 1: oh man, I never heard a black guy play like
• 10:51
  Speaker 1: Jerry Lee Lewis, you know what I'm saying, Like, and
• 10:53
  Speaker 1: he's like, well, Jerry Lee Lewis, learn from.
• 10:55
  Speaker 3: A black guy.
• 10:56
  Speaker 1: Like That's where I like is that he's a straight shooter,
• 10:58
  Speaker 1: like you know how he could have been like avoidant
• 11:00
  Speaker 1: and then he like went in it. And then I
• 11:02
  Speaker 1: think like his character that you see how he talks.
• 11:05
  Speaker 1: He's like stern but funny, like you could take them serious,
• 11:09
  Speaker 1: but he's lighthearted enough where you don't take them serious
• 11:12
  Speaker 1: enough as a threat. So then he's talking, he gets
• 11:15
  Speaker 1: invited to the table, he doesn't even drink, and then
• 11:17
  Speaker 1: the guy's like this is the first time I ever
• 11:19
  Speaker 1: had a drink with a black man. And he's like,
• 11:21
  Speaker 1: how why is that? And he's like silence, and then
• 11:23
  Speaker 1: he says his buddy's.
• 11:24
  Speaker 3: Just elbow and don't come on, man, tell him, tell
• 11:27
  Speaker 3: him where you from. And then he's like, I'm in
• 11:29
  Speaker 3: the KKK.
• 11:30
  Speaker 1: And it turns out he's like a leader of the KKK,
• 11:32
  Speaker 1: and he's just like and he's laughing it off because
• 11:35
  Speaker 1: he's like, oh way, man, Like it's so surreal that
• 11:39
  Speaker 1: moment for me, because I'm just like, that is just
• 11:42
  Speaker 1: how life is, right, like some randomness that's like the
• 11:44
  Speaker 1: randomness of life. You're like, okay, bro, you're a grand
• 11:48
  Speaker 1: Wizard for the KKK. Yeah, sure thing, man, how many
• 11:52
  Speaker 1: drinks have you had? And then it turns out to
• 11:54
  Speaker 1: be super true.
• 11:56
  Speaker 4: And not just that, but he ends up becoming like
• 11:59
  Speaker 4: good life lifelong friends with multiple grand Wizards and Imperial
• 12:04
  Speaker 4: Dragons and all the different names, and even to the
• 12:07
  Speaker 4: point where again he is more in common with some
• 12:10
  Speaker 4: of these KKK leaders than like his like, you know,
• 12:13
  Speaker 4: his own sort of people from his neighborhood. And one
• 12:18
  Speaker 4: of these things that they're talking about is that even
• 12:22
  Speaker 4: the ones that he doesn't convert into giving up the KKK.
• 12:27
  Speaker 4: They end up looking to Darryl as the authority because
• 12:31
  Speaker 4: Darryl knows so much about the KKK. There was one
• 12:34
  Speaker 4: guy that we're talking about. It gets promoted from to
• 12:38
  Speaker 4: like like I would just say like Imperial Grand Dragon
• 12:41
  Speaker 4: or something, and the guy is too embarrassed to tell
• 12:45
  Speaker 4: the rest of his KKK groups like I don't know
• 12:47
  Speaker 4: what that means, Like I don't know what I'm supposed
• 12:50
  Speaker 4: to do now that you've given me this fancy title.
• 12:52
  Speaker 4: And it turns out like they like he was expected
• 12:54
  Speaker 4: I don't like, run the books or something. He was
• 12:56
  Speaker 4: supposed to do something and Daryl told him that because
• 12:59
  Speaker 4: Daryl knew. So now you've got people in the KKK
• 13:02
  Speaker 4: calling up this big black guy that converts KKK members like, hey, man,
• 13:07
  Speaker 4: can you can you give me a job description of
• 13:08
  Speaker 4: what I'm supposed to be doing right now? Here's my rank,
• 13:11
  Speaker 4: here's my file. And he's like, oh, yeah, well you're
• 13:13
  Speaker 4: in Kentucky. Okay, Well that means you have to do
• 13:14
  Speaker 4: X y Z like he's he actually is one of
• 13:18
  Speaker 4: the world's you know, leading most experts on the infrastructure
• 13:23
  Speaker 4: of the KKK, even though he's the antithesis of it,
• 13:27
  Speaker 4: right that he's he's sort of dissolving it with I
• 13:32
  Speaker 4: guess like the whole premise of you catch more with
• 13:34
  Speaker 4: honey than you do with vinegar. Like he's an embodiment
• 13:37
  Speaker 4: of that, and he puts it to the test at
• 13:40
  Speaker 4: the highest levels you can imagine, right, black guy goes
• 13:42
  Speaker 4: into the KKK and walks out converting. And the one
• 13:46
  Speaker 4: there was one example where he's on the Heraldo Show,
• 13:50
  Speaker 4: which I think might have been the one that I
• 13:51
  Speaker 4: that I originally saw him on, and they do a
• 13:55
  Speaker 4: check back in with the family and like the wife
• 13:58
  Speaker 4: left the wizard and the daughter left and married a
• 14:01
  Speaker 4: black eye, like everything that was the opposite of what
• 14:05
  Speaker 4: they originally were proclaiming on this show. And they all
• 14:08
  Speaker 4: credit everyone credits Darryl Davis as the catalyst that like
• 14:12
  Speaker 4: change the trajectory in their lives.
• 14:14
  Speaker 1: And I think also important thing to lay out in
• 14:17
  Speaker 1: this film, especially being Black History Month, I think Darryl
• 14:20
  Speaker 1: gets a bad rap from his own community, from the
• 14:22
  Speaker 1: black community as far as where they're thinking, like this guy,
• 14:27
  Speaker 1: how could he He's betrayed us, you know what I mean,
• 14:30
  Speaker 1: Like he's converting, he's going to enemy lines, and he
• 14:33
  Speaker 1: does do a decent job. Like I don't agree with
• 14:36
  Speaker 1: everything that he says because some of the things I
• 14:37
  Speaker 1: think are propaganda.
• 14:38
  Speaker 3: But that's a whole other topic.
• 14:40
  Speaker 1: But he goes through the plight of African Americans or Ados.
• 14:44
  Speaker 1: A lot of people call ados the American descendants of slaves.
• 14:49
  Speaker 1: Like he goes through like, hey, man, nobody wanted slavery
• 14:53
  Speaker 1: was terrible, Jim Crow laws like these are realistic things,
• 14:56
  Speaker 1: and he takes these and he tells them to these
• 14:59
  Speaker 1: people that are running these organizations, like the heads of
• 15:02
  Speaker 1: Klan clan members. I forgot the guy the Nazi party
• 15:05
  Speaker 1: guy from Detroit. He has a good core with him,
• 15:10
  Speaker 1: and he's like even presses him like where he goes
• 15:13
  Speaker 1: what kind of music do you like? And he's like, well,
• 15:14
  Speaker 1: I like grunge, you know, metal, like all these rock genres.
• 15:18
  Speaker 1: And he's like, well, that was invented by a black man.
• 15:19
  Speaker 1: He's like, come on, man, like.
• 15:21
  Speaker 3: You know what I mean. He's like you thought. He's like, yeah,
• 15:23
  Speaker 3: everybody says that stuff.
• 15:24
  Speaker 1: And he's like seriously, like you know, Chuck Berry, He's
• 15:26
  Speaker 1: like Elvis invented and he's like, well, even Elvis the
• 15:29
  Speaker 1: way so I like how he he's putting it.
• 15:32
  Speaker 3: It's not like he's bowing down. That's why I just
• 15:34
  Speaker 3: want to be known.
• 15:35
  Speaker 1: That's not like he's going into there and like, yeah,
• 15:38
  Speaker 1: whatever you want. But he's pushing his philosophy and sticking
• 15:42
  Speaker 1: to his guns. He's just being understanding enough to be like,
• 15:45
  Speaker 1: I'll hear you out, but then you're going to hear
• 15:47
  Speaker 1: me out.
• 15:48
  Speaker 4: He has such a such a clever way of going
• 15:51
  Speaker 4: about it too, where music is usually his foot in
• 15:54
  Speaker 4: the door, but in this case, music is just a
• 15:57
  Speaker 4: stand in for culture, where he's basically going to these
• 16:00
  Speaker 4: KKK guys or any racist guy and he's like, tell
• 16:03
  Speaker 4: me your favorite part about American culture and they list
• 16:06
  Speaker 4: off some stuff and he's like, that's black culture and
• 16:08
  Speaker 4: they're like, what you know? And the and he I
• 16:11
  Speaker 4: mean the way that he presents that it typically goes
• 16:14
  Speaker 4: through music. But you can extrapolate that to see that
• 16:18
  Speaker 4: you can't really differentiate, Like the things that you enjoy
• 16:21
  Speaker 4: about culture in America also are a shared culture with
• 16:25
  Speaker 4: black culture, and that you can't separate the two because
• 16:28
  Speaker 4: we don't really live in a vacuum. Even if you
• 16:31
  Speaker 4: think you are so isolated that you're a grand Wizard
• 16:34
  Speaker 4: or the name of that one guy I was talking
• 16:35
  Speaker 4: about is a great Titan that then went to an
• 16:40
  Speaker 4: Exalted Cyclops or maybe vice versa. They have fun they're
• 16:43
  Speaker 4: fun names, right, they're fun names. But like even then
• 16:47
  Speaker 4: Exalted Cyclops in the middle of Kentucky and the KKK, like,
• 16:52
  Speaker 4: you are still influenced by black culture. If you if
• 16:55
  Speaker 4: you like Elvis, then you also like Chuck Berry, whether
• 16:58
  Speaker 4: you like it or not. All right, let's just do treasure,
• 17:09
  Speaker 4: hidden treasure in overboard moments. So I'll let you. I
• 17:12
  Speaker 4: want to know what you didn't like about the movie,
• 17:15
  Speaker 4: if there's anything at all. Were there any overboard moments?
• 17:18
  Speaker 1: I could say some of the overboard moments? And this
• 17:20
  Speaker 1: is just me because of like my propaganda. I think,
• 17:22
  Speaker 1: like some of the like lights of like the African Americans,
• 17:27
  Speaker 1: like which is true, like as things that did happen,
• 17:29
  Speaker 1: but like my conspiratorial mind, I believe a lot of
• 17:32
  Speaker 1: the civil rights stuff was propaganda and like pushing to
• 17:35
  Speaker 1: like divide people in general, like not that that had
• 17:40
  Speaker 1: anything to do with Black Americans at all, but I'm
• 17:43
  Speaker 1: saying like they were just a pawn, just like as
• 17:45
  Speaker 1: these racist white pawns Americans were and just a little bit.
• 17:49
  Speaker 3: That's just me being nitpicky though, right, Like I'm not.
• 17:52
  Speaker 4: Like typical.
• 17:55
  Speaker 1: Typical white guy. Oh does that guy have blue eyes?
• 17:58
  Speaker 1: We know what he's talking about. But if I go
• 18:01
  Speaker 1: to the Hidden Treasures, I do have a lot on
• 18:03
  Speaker 1: the Hidden Treasures.
• 18:04
  Speaker 3: I thought one of the really good moments.
• 18:06
  Speaker 1: I think it's the same where you're talking about the
• 18:09
  Speaker 1: I don't know all the things the Cyclops Titan guy,
• 18:11
  Speaker 1: I don't know the exact titles, but he goes like,
• 18:15
  Speaker 1: how did you get in it? I grew up in
• 18:16
  Speaker 1: a black neighborhood and I was getting beat up all
• 18:19
  Speaker 1: the time, and like I was, I needed reinforcements.
• 18:23
  Speaker 3: I needed to align with a group.
• 18:25
  Speaker 1: And I think the one thing that people don't talk
• 18:28
  Speaker 1: about when you're talking about KKK because they make it
• 18:31
  Speaker 1: seem like the KKK runs, you know, the United States,
• 18:34
  Speaker 1: because there has been powerful people in the KKK, but
• 18:37
  Speaker 1: over time it's changed, and like even like a lot
• 18:39
  Speaker 1: of these white supremacist and white national groups have changed.
• 18:42
  Speaker 1: It's the same as the Bloods and the crips and
• 18:44
  Speaker 1: the Mexican gangs and the Cuban gangs and the Italian Mafia.
• 18:48
  Speaker 3: It's like the same story, Like.
• 18:50
  Speaker 4: It's like the Peckerwoods. That's basically just the KKK outside
• 18:54
  Speaker 4: of the jail system.
• 18:55
  Speaker 1: It's the same thing, and it's like, what does every gang? Well,
• 19:01
  Speaker 1: we banded together because there was more of this other
• 19:04
  Speaker 1: gang or this other race and we were getting beat up.
• 19:07
  Speaker 1: So it's like the ironicness of like how it's all
• 19:11
  Speaker 1: put together and the other really hitting gym.
• 19:13
  Speaker 3: I thought was cool.
• 19:15
  Speaker 1: He was talking about that John Travolta Cowboy movie that
• 19:18
  Speaker 1: comes out and how it influenced everybody to change their
• 19:23
  Speaker 1: clubs and bars into like cowboys stuff and that's how
• 19:26
  Speaker 1: we like met the KKK guy.
• 19:27
  Speaker 3: But I just thought it was interesting.
• 19:29
  Speaker 1: I know it's like a side and it doesn't really
• 19:31
  Speaker 1: have to do with the movie, but I'm like just
• 19:33
  Speaker 1: the influence that movies have that people always talk about,
• 19:36
  Speaker 1: like have, how movies change people's perspective in mind, and
• 19:40
  Speaker 1: in this case, it changed bars and clubs to where
• 19:43
  Speaker 1: everybody's like, well, bring the Country bands in because even
• 19:46
  Speaker 1: says like, well, you know, being a working musician, I
• 19:49
  Speaker 1: have to adapt with the times, and right now at
• 19:52
  Speaker 1: that moment, country was super hot, So I'm in a
• 19:54
  Speaker 1: country band, which in turn like put him into position
• 19:59
  Speaker 1: to meet a lot of these KKK people and kind
• 20:01
  Speaker 1: of like start this journey that I don't think he
• 20:03
  Speaker 1: planned on doing, but it just like kind of unfolded.
• 20:07
  Speaker 4: I like that, and just going into like every walking
• 20:10
  Speaker 4: up to every guy in a country bar, like you know,
• 20:12
  Speaker 4: this music's black right, like what I'm thinking, all pissed
• 20:15
  Speaker 4: off constantly. That guy's name, by the way, was Gary,
• 20:19
  Speaker 4: the one that and his story was that he went
• 20:23
  Speaker 4: from exalted cyclops to a great titan, and that a
• 20:27
  Speaker 4: great titan essentially means county leader. And he was the
• 20:29
  Speaker 4: one that was like, Darryl helped me out. I don't
• 20:31
  Speaker 4: know what I actually need to do, Like what are
• 20:34
  Speaker 4: my my job responsibilities? Now? I thought that was like
• 20:37
  Speaker 4: one of the biggest ones. I really loved how they
• 20:41
  Speaker 4: were talking about his history, so like yeah, his dad
• 20:44
  Speaker 4: was in a secret Service and then he goes into
• 20:47
  Speaker 4: the International Secret Service. It's like, all right, Darryl, guy
• 20:50
  Speaker 4: that's in the music industry with intelligence connections, Like I
• 20:55
  Speaker 4: guess it does breed for some pretty interesting personalities, I guess.
• 21:00
  Speaker 4: So now he's included in the CIA potentially music industry
• 21:06
  Speaker 4: for at least Darryl Davis's. He also has this one
• 21:09
  Speaker 4: part where they're talking about Ferguson and they're talking about
• 21:14
  Speaker 4: Michael Brown getting shot and like the whole Trayvon Martin,
• 21:17
  Speaker 4: you know, at the Black Lives Matter movement. He kind
• 21:20
  Speaker 4: of touches on it briefly, but when he touches on it,
• 21:24
  Speaker 4: he talks about how he feels safer surrounded by KKK
• 21:29
  Speaker 4: members than he does going down in the Ferguson, you know,
• 21:33
  Speaker 4: like protesting or just being among people that he thinks
• 21:37
  Speaker 4: that he's aligned with, and that he feels less safe
• 21:39
  Speaker 4: in that environment. And this is kind of emphasized towards
• 21:43
  Speaker 4: the end of the movie. He sits down with these
• 21:45
  Speaker 4: two black guys that are sort of advocates of the
• 21:48
  Speaker 4: the BLM movement, and he starts saying some very real
• 21:53
  Speaker 4: stuff to them, and they do not take it at
• 21:56
  Speaker 4: all man like. In fact, they're kind of painted in
• 21:59
  Speaker 4: this documentary, the only two black guys that he even
• 22:02
  Speaker 4: talks to end up hating him and refuse to go
• 22:05
  Speaker 4: on camera anymore. They get up and leave, and then
• 22:08
  Speaker 4: some guy that's with them that helped coordinate that interview,
• 22:11
  Speaker 4: he sits down and he starts brating Daryl Davis for
• 22:14
  Speaker 4: having some of the opinions that he has, which I
• 22:16
  Speaker 4: thought was a very clever inclusion in this documentary to
• 22:20
  Speaker 4: just show like, and here's proof of people that you
• 22:24
  Speaker 4: would think like, oh, of course these guys are going
• 22:26
  Speaker 4: to be aligned with darro Day. Here's this guy that's
• 22:28
  Speaker 4: going out here and converting KKK members into maybe not
• 22:32
  Speaker 4: being civil rights leaders, but at least like, hey, I
• 22:35
  Speaker 4: don't do that hood stuff anymore, man. And the argument
• 22:39
  Speaker 4: was like, okay, how long have you been doing this
• 22:42
  Speaker 4: since what the nineties? So in three decades, all you
• 22:47
  Speaker 4: got are what thirty robes? You've converted thirty people, and
• 22:50
  Speaker 4: you're spending all this time with KKK members, Like why
• 22:54
  Speaker 4: haven't you spent those thirty years more dedicated to some
• 22:59
  Speaker 4: other you know, platforms and some other initiatives. And they
• 23:02
  Speaker 4: get I mean, they get really, really heated over this,
• 23:04
  Speaker 4: and I'm still trying to understand it, Like I get
• 23:07
  Speaker 4: where they were coming from, but it was like, how
• 23:10
  Speaker 4: who are you to look at someone and be like, hey,
• 23:12
  Speaker 4: this thirty years of work that you've dedicated your life to,
• 23:16
  Speaker 4: I don't find any value in that. And now I'm
• 23:17
  Speaker 4: mad at.
• 23:18
  Speaker 1: You also too, I think that they could not come
• 23:22
  Speaker 1: to an understanding it. To me, it's because a lot
• 23:24
  Speaker 1: of people have watched documentaries like Hebrewce Negroes, and they
• 23:28
  Speaker 1: feel a certain way and they can't see a different approach,
• 23:31
  Speaker 1: Like they're not even attempting to understand his approach and
• 23:35
  Speaker 1: where he's coming from. And then your argument could be back,
• 23:37
  Speaker 1: which I wish I know Darrel Davison didn't want to
• 23:39
  Speaker 1: say like this. My argument back would have been, Hey,
• 23:42
  Speaker 1: you guys been doing this for what sixty seventy years,
• 23:44
  Speaker 1: and you keep saying that white supremacy and all this
• 23:49
  Speaker 1: is more prevalent today than ever, So what have you done?
• 23:52
  Speaker 4: Then I got a whole bunch of notes of this conversation,
• 23:56
  Speaker 4: so just here's some of the highlights. I think this
• 23:59
  Speaker 4: is maybe and I guess this goes to show how
• 24:02
  Speaker 4: good this documentary is. But even if I were to
• 24:05
  Speaker 4: spoil this whole segment, like, you still have to watch
• 24:07
  Speaker 4: the rest of the documentary and even get why any
• 24:09
  Speaker 4: of this stuff matters and that the whole thing is
• 24:11
  Speaker 4: worth watching. But so he taught. He sits down with
• 24:15
  Speaker 4: these two activists and they have a debate essentially for
• 24:19
  Speaker 4: about fifteen minutes. And the reason that these two activists
• 24:23
  Speaker 4: even get popular, which funny enough, is a Heraldo Rivera.
• 24:27
  Speaker 4: So the same show that makes Darryl Davis, you know,
• 24:31
  Speaker 4: known to the rest of the world, he also makes
• 24:34
  Speaker 4: these two activists at the Ferguson riots, and basically they
• 24:38
  Speaker 4: get popularized because Heraldo Rivera is asking them something and
• 24:42
  Speaker 4: they basically dress Heraldo down for trying to sensationalize all
• 24:47
  Speaker 4: this stuff, and they kind of become like, oh man,
• 24:49
  Speaker 4: that guy was badass for talking back to Heraldo on
• 24:51
  Speaker 4: live TV and all this, so they become these, I
• 24:55
  Speaker 4: guess unexpected leaders in this BLM movement sit down with
• 25:00
  Speaker 4: Daryl Davis and immediately this is where he was like
• 25:03
  Speaker 4: how many robes you got? When they hear like what
• 25:05
  Speaker 4: you collect? KK gairoes, Like how many you've got, He's like, oh,
• 25:08
  Speaker 4: twenty six since nineteen ninety and these are the quotes
• 25:12
  Speaker 4: that's longer than I've been alive.
• 25:13
  Speaker 1: Is that?
• 25:13
  Speaker 4: It like like immediately it was like, oh, I'm not
• 25:16
  Speaker 4: very impressed with that. And then one of them his
• 25:19
  Speaker 4: friend's like that sound like a fetish Like now they're
• 25:22
  Speaker 4: starting to not only like make fun of him, but
• 25:25
  Speaker 4: they're they're actually demeaning him, and it blew my mind.
• 25:28
  Speaker 4: I was like, damn, these guys came in hot. I
• 25:30
  Speaker 4: don't I didn't understand why they were so angry. One
• 25:33
  Speaker 4: of them, the activist guys, and he's like talking about
• 25:37
  Speaker 4: how he's a college dropout. So like when he they
• 25:41
  Speaker 4: introduced him, like, so, who are you and he's like,
• 25:43
  Speaker 4: my name is so and so, and I'm a college dropout.
• 25:45
  Speaker 4: He kind of says it tongue in cheek, right, like
• 25:47
  Speaker 4: he's a little proud of it. Then when Darryl Davis
• 25:49
  Speaker 4: brings it up a little bit later in that conversation,
• 25:52
  Speaker 4: the guy gets pretty angry and he like stands up
• 25:55
  Speaker 4: and he leaves because he was like, well didn't you're
• 25:58
  Speaker 4: the one that said that you dropped out of college.
• 26:00
  Speaker 4: And he's like, man, Bill Gates dropped out of college,
• 26:02
  Speaker 4: Steve Jobs dropped out of college, Like I always why
• 26:05
  Speaker 4: are those always the examples. It's like they dropped out
• 26:07
  Speaker 4: of college because they had already found like something that
• 26:11
  Speaker 4: was going to make them more money than a college
• 26:13
  Speaker 4: degree was going to make them. It wasn't just that
• 26:15
  Speaker 4: they dropped out because they're too smart for this anyways,
• 26:18
  Speaker 4: he and Daryl Davis is like, you're nothing but ignorant.
• 26:21
  Speaker 4: He just drops that one on them, and it's funny because,
• 26:25
  Speaker 4: like you were saying, he still says it in this
• 26:27
  Speaker 4: very approachable way. He's not militant about it. He makes
• 26:31
  Speaker 4: everything that he says makes it sound like it's an
• 26:34
  Speaker 4: open invitation to like sit down and talk to him.
• 26:36
  Speaker 4: And these guys have completely had it. And as they're leaving,
• 26:40
  Speaker 4: they say, don't come to Baltimore, and then his friend's like, man,
• 26:44
  Speaker 4: this man hate himself. Right. They're like they're just NonStop
• 26:47
  Speaker 4: chastising them, And then the producer comes to the guy
• 26:51
  Speaker 4: that like had the two activists sit down and he
• 26:54
  Speaker 4: literally tells them, if you follow this dude, then you
• 26:57
  Speaker 4: got a problem. So there they're talking to like the
• 27:00
  Speaker 4: cameraman like, hey, if you keep making this documentary about
• 27:04
  Speaker 4: this guy, now me and you have problems, cameraman. So
• 27:07
  Speaker 4: it was sort of like a very surreal moment in
• 27:10
  Speaker 4: this whole documentary of like physical violence was on the
• 27:15
  Speaker 4: table just because of Darryl Davis's views. This guy that
• 27:18
  Speaker 4: converts KKK members into not being KKKA, and he.
• 27:22
  Speaker 1: Even goes as far as to say like, hey, it's
• 27:25
  Speaker 1: he's used to it because he says, just as KKK
• 27:30
  Speaker 1: members hate like the guys that have converted out, like
• 27:33
  Speaker 1: have changed their ways, they hate them more than they
• 27:37
  Speaker 1: hate the Jews or black people or whatever else. Is
• 27:40
  Speaker 1: that their enemy because they're traders and that's how they're
• 27:43
  Speaker 1: treating him. And that's how you get you know, like
• 27:46
  Speaker 1: this Uncle Ruckus characters in Boondogs, right, I think that's
• 27:50
  Speaker 1: what they're associating Darryl Davis with and because they're like, oh,
• 27:53
  Speaker 1: you're breaking bread with the enemy, but they they're not
• 27:56
  Speaker 1: even taking the time to actually see what he's doing.
• 28:00
  Speaker 3: He's using a different approach.
• 28:02
  Speaker 1: But because they don't like that approach, they're like, no,
• 28:05
  Speaker 1: you're a trader to us, and now you're worse than them.
• 28:09
  Speaker 4: Dam is Uncle Ruckus based on Darryl Davis.
• 28:13
  Speaker 3: I started to think that watching like.
• 28:15
  Speaker 4: Visually and the voice and all that, man, that's if not,
• 28:20
  Speaker 4: it's an unfortunate coincidence, right, And then I guess I
• 28:24
  Speaker 4: was left with one like parting thought, and this was
• 28:28
  Speaker 4: at the end of that huge debate he gets into
• 28:30
  Speaker 4: with these two guys, and essentially it boils down to
• 28:34
  Speaker 4: that they didn't believe that people can change. That if
• 28:38
  Speaker 4: you are, you know, a scumbag at one point in
• 28:41
  Speaker 4: your life, then you always will be and the only
• 28:43
  Speaker 4: difference is how well you can lie and cover it up,
• 28:45
  Speaker 4: and that if you take that approach, which is the
• 28:48
  Speaker 4: opposite of what Darryl Davis believes, right, Daryl Davis wouldn't
• 28:51
  Speaker 4: do what he does if he didn't think that he
• 28:53
  Speaker 4: could actually convert a grand Wizard into being just like
• 28:56
  Speaker 4: a normal person again. So that was what they were
• 28:58
  Speaker 4: angry about, is like, you've wasted all this time trying
• 29:02
  Speaker 4: to change people that can't actually change, and he's trying
• 29:04
  Speaker 4: to be like, no, no, no, they really can change
• 29:06
  Speaker 4: if you give it a chance. And they were just
• 29:08
  Speaker 4: at an impasse like that neither one of them was
• 29:11
  Speaker 4: going to change their minds towards the other direction. But
• 29:14
  Speaker 4: it felt like that's what they were getting so heated over.
• 29:18
  Speaker 1: And he made a good point too, when they were
• 29:19
  Speaker 1: like saying, oh, wo's you know, you haven't done anything
• 29:22
  Speaker 1: only twenty six since the nineties, and he's like, yeah,
• 29:24
  Speaker 1: I took out a grand Wizard. Now there's not even that,
• 29:27
  Speaker 1: Like in Baltimore, there's not that KKK presence anymore. I
• 29:31
  Speaker 1: did that right by taking the head of the snake
• 29:33
  Speaker 1: kind of deal. But also I think it's ironic that
• 29:35
  Speaker 1: they don't realize where they're saying people can't change, and
• 29:38
  Speaker 1: that is the same message that the racist people are
• 29:41
  Speaker 1: saying about, like, hey, these these black criminals, are these
• 29:45
  Speaker 1: black whatever like you know, put ever in a box,
• 29:47
  Speaker 1: whatever box they put him in. They said they can't change,
• 29:50
  Speaker 1: and you have the same message and they can't even
• 29:52
  Speaker 1: see that.
• 29:53
  Speaker 4: It's funny that one example too though, he got fact
• 29:57
  Speaker 4: checked live because he was like, there's no, there's not
• 30:00
  Speaker 4: a KKK in Maryland anymore, and within thirty seconds, the
• 30:04
  Speaker 4: guy from off screens like, I just looked it up
• 30:07
  Speaker 4: on Google. And then I was like, hold on, so
• 30:09
  Speaker 4: I pause, and I looked it up on Google. Sure enough,
• 30:12
  Speaker 4: there's definitely a presence of the KKK in Maryland. So
• 30:15
  Speaker 4: maybe Darryl was explaining a vacuum that existed for all
• 30:20
  Speaker 4: of thirty seconds. But I don't think that Darryl Davis
• 30:24
  Speaker 4: took out the entire KKK of Maryland. I think that
• 30:26
  Speaker 4: that's not crazy. So again, he's not infallible. He says
• 30:31
  Speaker 4: some things that maybe requires him like I believe that
• 30:35
  Speaker 4: he took out one of the you know, the biggest
• 30:37
  Speaker 4: chess pieces, but he didn't stop people from playing chess
• 30:41
  Speaker 4: in Maryland. All right, sink or swim, Where are you
• 30:52
  Speaker 4: out on? This one?
• 30:53
  Speaker 3: Is a swim?
• 30:54
  Speaker 4: For me?
• 30:54
  Speaker 1: I recommend this film. It's in my top ten of documentaries.
• 30:58
  Speaker 1: I think it's well produced as a good message and
• 31:00
  Speaker 1: it's something different.
• 31:02
  Speaker 3: It's not the same old, same O.
• 31:03
  Speaker 1: It's a different whether you respect the approach or not,
• 31:06
  Speaker 1: it's a different way of trying to convey the message.
• 31:10
  Speaker 3: So for me, it's to swim all the way.
• 31:12
  Speaker 4: One hundred percent. This is talks about music history. It's
• 31:15
  Speaker 4: got like a personal connection all the things that I'm
• 31:19
  Speaker 4: realizing as we do this series that I don't like.
• 31:21
  Speaker 4: It doesn't have that. It's not big on archival footage,
• 31:25
  Speaker 4: and I absolutely learned new stuff I didn't even know
• 31:28
  Speaker 4: about exalted Cyclops and all these different names. And like
• 31:32
  Speaker 4: one of the examples too, is that they're showing the
• 31:35
  Speaker 4: actual cross on one of the KKK robes and it
• 31:39
  Speaker 4: has these little like black corners in each of the
• 31:42
  Speaker 4: divots inside of the cross, and he's like, well, if
• 31:45
  Speaker 4: you look at it, those are actually all k's and
• 31:47
  Speaker 4: really it's Nights of the klu Klux Klan. There's four
• 31:50
  Speaker 4: it's not KKK, it's KKAKK. And there's just like a
• 31:54
  Speaker 4: whole bunch of cool stuff that Darryl Davis just happens
• 31:57
  Speaker 4: to be an authority on all of this stuff. So
• 32:00
  Speaker 4: I just thought that was really interesting. And they even
• 32:03
  Speaker 4: have a quick little clip of Andrew Pendergraf from whitepride
• 32:09
  Speaker 4: dot com, which you've probably seen in memes here and there.
• 32:12
  Speaker 4: But it's like this little white kid that does movie
• 32:14
  Speaker 4: reviews and stuff, but he's you know, family, like a
• 32:17
  Speaker 4: KKK family. So they do a movie review of Princess
• 32:21
  Speaker 4: and the Frog and he's like, yeah, it's a nice movie.
• 32:23
  Speaker 4: It's about a black princess, but the prince is white.
• 32:26
  Speaker 4: So it's really about race mixing and if we race mixes,
• 32:29
  Speaker 4: there won't be any more white people. Okay, see you
• 32:31
  Speaker 4: next week. Like that's the whole So the documentary, it
• 32:37
  Speaker 4: doesn't take itself too seriously. It's also really good, Like
• 32:41
  Speaker 4: I'm sure that Darryl Davis has been in heated arguments
• 32:44
  Speaker 4: with way more than just these two guys that were
• 32:47
  Speaker 4: activists at Ferguson but the way that they included it
• 32:50
  Speaker 4: at the very end of the documentary as like, and
• 32:54
  Speaker 4: here's the proof of what we've been saying this entire time,
• 32:56
  Speaker 4: that Darryl is truly is good friends with KKK. Even
• 33:00
  Speaker 4: the ones that haven't left it yet, they still see
• 33:03
  Speaker 4: him as a peer. Maybe not an equal, that might
• 33:06
  Speaker 4: be a little too far, but they see him as
• 33:07
  Speaker 4: a friend. And here's someone that you would expect to
• 33:10
  Speaker 4: be on the same page as him clearly not being
• 33:13
  Speaker 4: on that same page. So it's so many good different
• 33:17
  Speaker 4: conversation starters on this, and it blew my mind because again,
• 33:20
  Speaker 4: the first time I saw Daryl Davis, I thought it
• 33:23
  Speaker 4: was just made up for reality TV. I had no
• 33:25
  Speaker 4: idea that this was an actual guy that really did
• 33:28
  Speaker 4: all this stuff on the Horizon. I am not your negro.
• 33:42
  Speaker 4: You are just fun to say. It is a fun
• 33:46
  Speaker 4: thing to say. It's an interesting title, for sure. It's
• 33:51
  Speaker 4: a documentary about James Baldwin. It won some documentary awards
• 33:56
  Speaker 4: and made some waves. This is Black History months, so
• 33:59
  Speaker 4: it seemed like a good one. And this this is
• 34:01
  Speaker 4: represents I guess what the Internet says, Like what if
• 34:04
  Speaker 4: you ask the internet, what's a really good Black History
• 34:07
  Speaker 4: Month documentary. It's gonna suggest I am not your negro?
• 34:12
  Speaker 4: Or was that the Internet talking back to me?
• 34:15
  Speaker 3: It was either or man.
• 34:17
  Speaker 4: All right, well we'll see you for that one.
• 34:19
  Speaker 2: Please under the dukes, yeah, under the docks, very looks
• 34:39
  Speaker 2: undon the ducks. Undon the dukes.
• 34:42
  Speaker 4: Yeah, under the docks. On the do.
• 35:08
  Speaker 3: Just buy something, Just buy something.
• 35:16
  Speaker 5: From parent, nor Americans something just by something from parent
• 35:28
  Speaker 5: or your American, some merch, buy some artdealingk to cars.
• 35:34
  Speaker 2: Say you're back, need that print?
• 35:37
  Speaker 4: Now your hair?
• 35:38
  Speaker 3: You consent by.
• 35:40
  Speaker 5: Your comic three, your four, think to start, I want more,
• 35:45
  Speaker 5: Buy a stick from the store, think the start.
• 35:49
  Speaker 3: I want more?
• 35:52
  Speaker 2: Something just bything.
• 35:58
  Speaker 5: From hearing, shot from paring, noid amering.
• 36:15
  Speaker 6: No, no, I screw led my life away drifting the
• 36:25
  Speaker 6: right to page.
• 36:26
  Speaker 4: Will any light to bring?
• 36:27
  Speaker 7: If you're the flight of the plane papers.
• 36:29
  Speaker 3: The highs are blaze somewhat.
• 36:31
  Speaker 4: Of an amazing field.
• 36:32
  Speaker 7: When it's real, the real, you will engage in your
• 36:35
  Speaker 7: favorite a pause, the lord of an arrangement. I gave
• 36:38
  Speaker 7: you the proper results to hit the pavement. If they
• 36:40
  Speaker 7: your emotional hate.
• 36:42
  Speaker 4: Maybe your language, the game?
• 36:43
  Speaker 7: How they playing it well without lay because evading whatever
• 36:46
  Speaker 7: the costs.
• 36:47
  Speaker 3: They are the shape.
• 36:48
  Speaker 7: Shifting thanks to get to cappectated. That is the apex
• 36:51
  Speaker 7: executional flame. You walt lookular bombs distributed in war rather cruising.
• 36:56
  Speaker 3: For eyes to see.
• 36:57
  Speaker 7: Max him out that I like my trees went off
• 37:00
  Speaker 7: in the face. You're despising me for what, though calculated,
• 37:03
  Speaker 7: the rather cut throat pery, Lord American.
• 37:06
  Speaker 3: Must be all the blunt smoke for real.
• 37:08
  Speaker 4: Lord, give me your day, your way.
• 37:09
  Speaker 7: They cake, they wait around, they hate whatever they say. Man,
• 37:13
  Speaker 7: it's not in the least bit we get heavy rotate
• 37:16
  Speaker 7: when the beat hits. Some things because you well, for
• 37:19
  Speaker 7: Uncle Niggas for Rell, you welcome.
• 37:21
  Speaker 3: They ain't ever had a deal.
• 37:23
  Speaker 7: You welcome, man, They lacking a pill.
• 37:25
  Speaker 3: You welcome, Yet they going. It's still You're welcome.