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Hot Water Music · Deprogrammed Music Podcast

0:33
It's deprogram the podcast where we try to get you into a band
0:37
and that's right, we do all the work for you.
0:40
So all you have to do is push play and listen to us, talk
0:43
about the band and today hot water burn baby.
0:46
That's a old, Adam Sandler joke that was on a not-so-great.
0:51
Adam Sandler record and I'm explaining it which tells you
0:55
that? Nobody knows so thumbs up.
0:59
You can't see it. I'm giving a thumbs-up and
1:01
that's I know I've done my job folks.
1:04
I think so. I'm, you know, the order of this
1:07
was John first. So we're going to go with John
1:09
first. I'm fairly certain you put them
1:11
up on the board book. Maybe it was like a, you put it.
1:14
Put them into the group, maybe. Yeah, so tell me about Hot Water
1:19
Music. Yeah, I mean Hot Water Music is.
1:24
It's one of those probably the Gainesville band like they like
1:29
1996 1997. Seven when I started to getting
1:33
into, you know, DIY, punk, rock, and moving beyond, kind of the
1:37
green days and bad religions of the world into the like the more
1:42
stuff that was like going on and I like local and Regional
1:46
places. They were like they were the
1:50
band for a couple of years back then and they were they kind of
1:54
melded kind of early for Ghazi with kind of a Leatherface
1:59
jawbreaker kind of punk thing. And quote, unquote emo punk.
2:05
Mixed with kind of like that, that more emo sound like the
2:10
prettier sound and like, kind of melded it all into, you know,
2:14
this new thing like mixed in was like what was going on in
2:17
Gainesville at the time like Gainesville is always had a
2:20
really good good scene and the they were always like I think
2:28
better than the sum of their parts.
2:30
Think the Rhythm Section is Really the the Highlight the
2:34
strong point is this a really good base playing really good
2:36
drumming. And then you have, you know,
2:39
Chris wall art and Chuck Ragan on top of that, just screaming
2:41
their lungs out. So, for a while, for a couple of
2:45
years in like the late 90s, they were like the band that
2:48
everybody was talking about is like, you have to go see them.
2:50
They're incredible live. I think the the live record that
2:54
they did live at the hardback is probably the thing that I'd go
2:57
back to the most but they were they were around for a few
3:01
years. They can both 94 to 98 99, and
3:04
they broke up as a big deal. I want music breaking up on my
3:07
God, but then they, they got back together and, you know, we
3:11
were on Epitaph and it was kind of a different thing.
3:13
But, you know, we, it's sometimes easy to forget, you
3:17
know, but back then they were, they were the band for a couple
3:20
of years. So like I said, II can't recall
3:23
if John put them on the board, or if he put them in the group.
3:26
But Peter eventually you do sign up for Hot Water Music.
3:29
So tell me about Hot Water Music.
3:31
Yeah. I mean what can I say that?
3:34
John didn't just say but for me like I live in Florida and I
3:40
don't live in Gainesville but I have lived in a town that was
3:43
just a few hours from Gainesville.
3:45
So hot water music was just kind of always around when I was
3:48
growing up. There were always doing shows
3:51
around me and for me like this is it's a bit of a Nostalgia
3:55
trip. It reminds me of just going to
3:57
shows in my teen years and seeing them with bands, like
4:00
discount and Ron like refused and stuff like that and they're
4:06
just a great, just great punk band.
4:08
Like, like like you said, there's a great Rhythm Section,
4:10
great vocalist, and the great blend of a lot of things that I
4:14
like. So I told you guys like,
4:18
literally, right before I went on, and I also told you that I
4:20
would repeat it on the show because I hate you, you know,
4:26
this is another one of those bands where it's like, you know,
4:27
just around my wheelhouse. It's not, you know, this isn't
4:30
like let me hook up the IV, this is Is this is my bread and
4:33
butter but it's it's one of those ones that has enough
4:38
sounds that are, you know, John are you guys both already
4:43
mentioned, the bass player like immediately kind of stuck out to
4:46
me and say, oh, okay. Like this is this kind of
4:49
Forefront and it's got enough of the pieces that I that
4:52
oftentimes, I found myself going.
4:54
Oh, this is a band, I should have already liked but
5:00
obviously, I didn't like the, I don't know.
5:02
I How they just weren't you. Had you heard of them before?
5:05
Not at all like they were not, right?
5:07
I feel like this is another one of those bands where, like, I
5:09
think I'm sure I've seen the name around and I'm sure like,
5:14
you know, I know, plenty of people who are probably talking
5:17
about them, but I never, I never sought it out and so or maybe if
5:23
I heard about it, it would have been like pre.
5:26
All I have to do, is dig out my phone and go to Spotify to
5:29
listen to a band. So it's weird because they, they
5:32
never Had the like, breakout crossover, like hit, like there,
5:38
were there a few bands around that time, you know, like at the
5:41
drive-in promise ring had like music videos and did the whole
5:45
thing, and, like, Hot Water. Music was always, like to kind
5:49
of continue the story, like, after they got back together,
5:51
they they weren't Epitaph. The got on those, the big label
5:55
and they kind of their sound changed a little bit.
5:58
They got, they went more kind of just heavy Rock oriented they
6:01
lost some of The, the edge in the kind of the punk Edge, the
6:06
fugazi Edge that made them what they were early on and they were
6:10
they were never never able to get that like, Breakthrough kind
6:13
of hit song that would make people remember them.
6:16
But they've, they've always had a reputation for being really,
6:20
really good life and, you know, they've broken up and gotten
6:23
back together so many times, you know, and like I wasn't even
6:26
aware that they had put out, put out an album, you know, last
6:30
year which we're going to talk about in a minute.
6:31
But yeah. Yeah.
6:32
Definitely like they've done tons of side projects.
6:36
You know how water music is probably the band with the best
6:38
side projects of all time. Go down to go down the list like
6:43
solo projects and side projects but they always kind of come
6:46
back together and then they're still going at it.
6:48
Good for them. I mean like I feel like it's
6:51
easy to you know, if a band breaks up to go, well okay
6:54
that's it and move on to something else and not come back
6:59
to it. So when we Feel like it was
7:03
right after we did discount, John goes, you want to just do
7:07
the trilogy and, you know, so we switched switch the last group
7:12
to Hot Water Music and almost immediately you had had a
7:15
playlist ready to go. John, so like we did we did trim
7:18
out some I believe, right? Like we didn't cover like with
7:21
everything everything. So yeah, talk to me about like
7:25
how you chose what you chose and then and how you went about
7:29
putting your 20 together for this one.
7:31
Well, the the first three I think are considered like the
7:34
classic era, like finding the rhythms fuel for the, a game
7:38
forever and Counting. Those are the the first three
7:40
from their original run and those I think people consider
7:44
like the classic era and then, you know, division is a there's
7:48
a little bit of a change in sound and then you get into, you
7:53
know, we cut it off there. I you know I flied in a crash is
7:56
like hit or miss a little bit. I think that really starts to
7:59
get into Get into a different kind of sound.
8:02
And then you go on from there with all their albums for the,
8:04
through the 2000s, but the the singles collection never enter.
8:08
I think is really, really strong though.
8:10
The whole thing isn't on Spotify, but I was able to like
8:14
with some Deluxe reissues and stuff was able to get a lot of
8:17
those songs on there. And then and then Peter popped
8:21
in was like, Hey, you know, let's put their put their latest
8:23
one on there to kind of get a sense of where they are now
8:26
which was, which we worked out great because like I had not
8:29
heard that. So there was a little bit.
8:30
Of like stuff that I was really familiar with and like, like he
8:33
said, the Nostalgia aspect and like talking about some of that
8:37
fat classic stuff, mixed with kind of the, the new stuff.
8:40
So, yeah, it was, it was pretty easy to put this together.
8:43
It was hard to cut off mean, if we, you could make the argument
8:46
to do like, you know, flight in the crash through, you know,
8:49
whether what they're doing now. But I think this this, the 12
8:53
stuff that we have here is the best stuff.
8:56
So, how did you go about putting your 20 together?
8:58
Peter? It was a little hard because
9:03
there were some songs that are on the Epitaph records that I
9:06
have like a lot and I was like, yeah.
9:08
But if I pick those nobody else is going to pick them because
9:10
around on the list, but it ended up kind of evening out.
9:18
I did a lot of stuff from the first three albums, and ended up
9:23
with some stuff from the newest album, which I really like, I
9:26
think it's really good, especially for a band that's
9:28
like What almost 30 years in their career at this point,
9:31
pretty close here. So as I'm going through again,
9:38
like, you know, I hate to repeat myself and I really hate to
9:41
repeat myself episodes long, but like I push play.
9:45
And I'm like, okay? And then, like you get into like
9:48
the second or third song, you're like, oh, like when, when I'm
9:54
going on my first pass and it took takes me to like six or
9:58
seven song to go. Okay.
10:01
I need to rethink my strategy here.
10:05
I feel like this is a discography where you can kind
10:07
of throw a dart and go, these are the 20, I want to bring
10:10
there's you know, there's a handful that really really stuck
10:12
out and so like I found myself you know flocking towards stuff
10:17
that had really strong bass lines, you know that that I
10:20
could go okay this but really like I filled it out with a lot
10:27
of stuff out because I liked it all.
10:29
Like I found myself kind of just throwing darts and going, I
10:34
didn't want to overthink it and, you know, it may end up for poor
10:38
gameplay, but I really do feel that the discography we chose
10:43
for this band. It's an it's us.
10:45
Easy easy, listen. And if you like this kind of
10:49
music at all guarantee, you'll like this band and the length
10:55
that for for the songs that we chose is less than four hours.
11:00
So once we start getting in here, if there's a song that you
11:04
like at all, do it, just just just take everything that you
11:08
know that we've got listen to all all the.
11:12
Just this guy that we chose just listen to it.
11:14
It's worth it. It into I'll plug the live
11:17
record again live at the hardback.
11:18
I think that's the one that that I go back to the most toilets,
11:22
got their cover of of leather faces Springtime on it, which is
11:25
one of the greatest songs of all time and it really kind of
11:28
captures you know, Them in their element live and like I wish
11:32
they had you know, I wish we could do more than just a life,
11:36
I water music. Do you program because that
11:38
would that really would be, you know, where they shine.
11:40
But yeah I think we're we kind of have the, the best bunch here
11:45
but that that live record is good.
11:46
If you're into this, definitely go check it out.
11:49
So I mean, I hope I'm not throwing that wrench out there
11:54
and John has been very vocal about this, never working out in
11:58
his favor. / but I still got to ask.
12:02
What do you think John based on everything we've said so far?
12:05
How many do you think we get through unanimously?
12:08
Yeah the its kind of the become a thing now that I never win
12:12
this and I still do try to pick a good number and when I think
12:18
we're gonna we're going to hit a bunch here.
12:19
I'm going to say six I like that.
12:24
We think Peter Every time I get optimistic, it blows up in my
12:29
face so I'm going to go with three.
12:34
Well, I'm gonna have to go with my gut instinct here because
12:37
because it's the number still there.
12:41
I'm going to go for, I feel like.
12:45
I feel like I might have been to throw a dart heavy and that
12:49
might not work in our favor. So I think I may have been.
12:53
I may have liked the band too much strangely enough.
12:57
I may not have thought I may have may not have thought enough
13:02
about we always hurt the ones. He loved.
13:05
So we will see how that goes, and we're going to take a quick
13:08
pause and when we come back, we won't play some D program.
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Seed enjoying the hustle today. And with that, the name of the
13:54
game is do programmed. The three of us have come
13:57
through a selection of hot water music's discography, and plucked
14:00
out 20 songs that were now going to mesh together in an attempt
14:02
to create a top 10 circuit. In case, you have never heard or
14:06
given the time of day to Hot Water Music. you know, I
14:09
hesitate to lead here first but it was at this moment that I
14:16
knew I was in trouble so I might as well start with it, it's
14:19
track one, it's album one its scraping I've got it.
14:26
Yep, here we go. I knew I was in trouble.
14:48
There it is right there. A lot of elements already that I
14:57
love. All right, John.
15:02
All right, I'm going to kind of throw this one out as a as a
15:05
barometer to see how this thing is going to go.
15:08
Maybe how about a La Chua know Really.
15:21
Wow, I'm trying to see where that is cuz I feel I feel.
15:29
Oh yeah. That that was 21. 22. 23,
15:36
somewhere around. There, it abstracts like that's
15:38
number one or number two. I mean it wasn't an easy cut.
15:43
Like I said, none of them were just kind of well, that is a
15:49
barometer. We are we are in trouble. all
15:54
right, Peter I'm gonna throw a dart out there.
16:01
How about a Freightliner? No.
16:14
Oh boy. Okay, let's see if we can work
16:23
around this. Here I'll go with the other one.
16:27
John never enter. Yes.
16:33
Yeah. Okay.
16:35
Cool. I don't know why I think in my
16:40
head I had a can only be a one or the other situation who know
16:44
both of the songs are great. All right, John.
17:01
All right. Let's go to Forever and
17:04
Counting. That's probably my favorite of
17:05
those early. What's translocation?
17:10
Yeah. All right, let's see.
17:24
I'm gonna I'm going to go back one record.
17:30
You can take the boy out of Bradenton Florida.
17:35
I got it. Yep.
17:37
Oh This is that it's funny because as I was listening to
17:48
it, I don't know why I forgot he escaped me but like there was
17:53
always like something like because there's moments of blank
17:57
Green Day. But then there's moments of
18:00
fugazi and I can't believe that wasn't that wasn't tip of the
18:06
tongue. It was just right outside and
18:08
this is one of those. All right.
18:16
Okay, okay. I just like lyrically.
18:20
Like it works for any Florida town, like you take the boy out
18:23
of whatever, Florida town, but you're still a Floridian.
18:28
All right, um-hmm. Come somewhere into the middle
18:35
here. How about Better sense.
18:42
Yeah. Oh no, that was torn.
18:45
Again, 21 or 22 for me. John.
18:59
All right, we've got we've got Virginia, Georgia and Florida
19:02
here. So I have to go with Southeast
19:04
First. No, I got it.
19:09
Okay. I'm going to go back to the
19:23
first one. How about Floor.
19:31
No, no. Really.
19:36
I think that was just a numbers game.
19:38
Yeah, I'm being honest, is it absolutely was on my first past
19:52
they used to play this live all the time, we need to do the band
19:58
for at some point enough of a disc.
20:03
Never heard of it. Heather Gainesville thing.
20:07
All right. So the floor was Peter
20:09
background of me. How to keep passing by it might
20:15
as well, find out the passing. I have it.
20:20
Nope. John turnstile.
20:32
Yes, or no. You know, you're not can't find
20:39
each other man. We're off.
20:43
I've been here. We've got three so far.
20:45
Yeah but Still. All right.
20:49
Peter How about collect your things and run on?
20:57
You'll avoid No, that was one of the ones from there that made
21:04
the first pass, but didn't survive the cut.
21:24
What's on their newest album and they still got it.
21:29
A game you Rogue. I'll go to that.
21:32
Record to Newtown scraper. Now, but that's a good song, You
21:38
Know. As I mentioned, right off the
21:46
jumping pillow. All right, John.
21:55
All right, let's try no division again.
21:56
How about rooftops? Yeah, yes, sir.
22:01
All right. Alkaline Trio.
22:07
Does a really good cover that on this, put that they did.
22:27
Peter. Speaking of baselines.
22:32
How about rest assured? I got it.
22:38
No, that would that definitely was 21, but I'm glad it's in the
22:40
conversation. We are officially out of ntp to
22:51
so yeah. Sorry, Alachua.
22:56
All right. Hmm.
23:03
I keep skipping by this one. I might as well try it out
23:06
there. Let's find out free radio
23:07
Gainesville. Yeah.
23:10
Yep. We got both the Florida songs on
23:16
there, the city songs again, it's not like that was it?
23:29
That was just what got my attention because then it
23:31
explodes like this. It's like, oh, okay, it does
23:35
everything up. I mean, the name of the song,
23:40
You Know, got me as well, but like, That's what got it on its
23:45
first pass and then the second pass was okay.
23:48
It's got that Baseline. And then third pass is like, no,
23:51
I'm right because listen to How it explodes jump.
24:01
All right, let's see if we can get this one and how about
24:03
drunken third? No it must have been really late
24:08
because I want to see. Yes.
24:10
And I'm looking here and it's not there.
24:12
That one's going in the trash hauling man.
24:38
It's a highlight of the live record, too.
24:47
They've got a few live records on Spotify.
24:50
Yeah, yeah. If live in Chicago and a couple
24:54
other different ones. All right, Peter Did you do?
25:02
About, it's hard to know on no division.
25:09
No. Oh my God.
25:15
Everything is falling. It's hard.
25:22
Apostrophe. Good.
25:40
See why I was mad. Okay?
25:47
Um, Stay in the middle here for me.
25:51
How about trademark Yes, all right.
26:16
All right, back to Forever and Counting.
26:18
How about manual? Nothing.
26:44
all right, Peter I'll stay on that record.
26:49
Three Summers long. Yeah, nope.
26:58
Two summers long. One here.
27:13
Okay, all right. What we got left.
27:19
One, two, three, four, five, six, seven.
27:24
Just do a couple more rounds here.
27:26
Let's see if we can't land a couple more.
27:28
How about 220 years? Oh yeah, yes.
27:37
Right now we can't do anymore. I feel like that's happened to a
27:52
couple times for you. Nailed it passed right by it.
28:04
All right Peter wait no 220 years is me.
28:08
So John John. All right.
28:11
Driving home from no division. Cool.
28:32
Peter. About arms.
28:40
Can't stretch. I got it.
28:44
Yes. God damn it cuz I was totally
28:51
going to take a look at you out of the trash.
28:59
But the Integrity of the list must be protected.
29:10
I always love when I go when I underst you because that means
29:17
the band is agreeable and it is like, I knew that I just, I
29:22
thought maybe I didn't think hard enough.
29:24
So Alright, I'm thinking, what do you do?
29:28
Like will shoot one too? Three, I got five left me too.
29:34
So let's do one more. One more round and then just
29:39
dump out. Yeah.
29:41
How about North End about no, no, it's a good one, but
30:05
Just don't say you lost it. I can't say that.
30:13
I don't have it. Peter.
30:37
Present. No.
30:57
That I gotta be honest again, like it at some point.
31:01
As I'm listening to this one, some just didn't make it just
31:04
because I had, I seriously had like the first gate on my first
31:10
pass because like, okay, Something's Gotta Go.
31:18
All right, so let's I'll dump out right from the top here,
31:23
liquid America? No, no.
31:33
Rock singer. Nope.
31:37
Nope, at the end of a gun. I have that one.
31:46
Nope. Next.
32:23
Killing time. No, no.
32:28
All right. All by myself.
32:34
Who is 1? John.
32:40
Counting numbers. No min.
32:46
Oh no. And The Bitter End.
32:52
Yeah, I got that one. Cool.
32:58
And my last one is feel the void title.
33:00
Track na. I had left was facing and
33:23
backing. That's a good one, too.
33:30
All right, so we got seven which means we got to work it out. 7,
33:40
it is circle. And let me.
33:45
So nothing from fill, the void made it into the conversation.
33:50
It does not appear. So yeah we all had something
33:55
just you know, had different songs.
33:57
Yeah. Alright so the seven that are in
34:01
Scraping arms can't stretch 220 years free, radio Gainesville,
34:05
rooftops you can't you can take the boy out of Bradenton Florida
34:09
and never enter in. All right?
34:13
And then we've got 10 that we need to trim down to two pieces.
34:20
Three rather. So we got the passing turnstile
34:23
trademark. Translocation better sense, rest
34:27
assured, three Summers, strong Southeast First, at the end of a
34:30
gun. And The Bitter End is there one?
34:33
That's kind of jumping out at you as a glaring weakness there,
34:36
John turnstile of think definitely needs to be on there.
34:40
That's that's one of my favorites.
34:42
We think Peter I'm going to prom that.
34:47
Do you have one that's jumping out at you?
34:50
That needs to go or need to stay?
34:52
It needs to stay that needs to go in.
34:57
I would say, three Summers long, any hesitation there.
35:01
Yeah, no, no, I don't think so. So now let's talk about this
35:06
last one. I guess let's take it.
35:10
The other way. Is there one?
35:10
That's like cool. Got to awesome that you're here
35:14
but you can go home now. Um, or maybe better put one,
35:21
that doesn't really kind of stand a chance to get in.
35:24
Hmm. I don't know the two that I
35:30
think. Maybe maybe on the three almost,
35:34
translocation Southeast First and The Bitter End I think or
35:38
would be my my choices I'd be okay with either of those but,
35:44
you know, if you put if we start playing, I'm going to get.
35:46
I can be convinced of anything. Probably.
35:49
Do you have like a two or three that are kind of jumping at you?
35:53
That should kind of complete the list, Peter, It's hard to say I
36:02
mean, because I like all of them.
36:06
I mean there's a couple right where I think like, okay, good
36:09
job but, you know, I don't see them making the 10, all right?
36:14
Which one's yeah. Maybe the passing and maybe
36:20
trademark. Okay, well, I mean we've got,
36:25
we've got scraping and we've got arms, can't stretch not to say,
36:30
we can't have more from that record but more to say the
36:33
passing is track to and of the to scraping is the one I would
36:38
choose anyway. So if we need any kind of reason
36:42
to drop a song, I feel like that's Lose the passing here.
36:48
And what was the other one? Peter?
36:52
Shit trademark. He said trademark, yeah, that's
36:56
right. Um, so that's what me and John
37:00
do you think, can we we can do this without them?
37:03
Yeah, yeah. Okay everyone how to spell that
37:08
would probably help. All right, so was that put us
37:11
down to one, two, three, four, five, six, and you've already
37:16
put out their translocation It was a translocation of these
37:21
first and The Bitter End, right? if you had to rank those three
37:28
pier, I would put. Better sense that one.
37:42
Okay. translocation, at two, But I still really like rest assured
37:53
even know like that wasn't. Okay, I'll for so the
37:57
conversation I'll say this based on what you have both said.
38:01
At the end of the gun is out. Yeah.
38:05
Yeah. But you both had Southeast first
38:12
play. Play some a translocation, if
38:14
you would see how that one hits. Sometimes.
38:27
Do we have anything where they're trading off, like that,
38:29
right? From the jump.
38:36
I think so. There's a bunch of them.
38:40
Yeah. And can we hear some of the
38:51
better sense? Since I was Peters.
38:54
Number one, How about The Bitter End?
39:15
Yeah, that one. Take my in here.
39:28
I'm okay with any of those. Okay, let's let's hear a little
39:37
bit of rest assured. My inclination is still better
40:07
sense but I think all these are kind of on equal ground.
40:15
I think I was I was the one out on better sense.
40:18
I mean I I'm fine with that. If that's what you guys want.
40:56
I think still think better since you don't doubt the most it to
41:08
be clear. I think they all fit that 10
41:12
spot, okay, with us. Take better sense.
41:25
That gets up to 10, sort that out.
41:30
All right, scraping arms. Can't stretch 220 years, free
41:34
radio Gainesville rooftops. You can take the boy out of
41:38
Bradenton. Florida, never under turnstile
41:40
three. Summer, strong.
41:41
In better sense of those ten Jean.
41:45
Which one do you think is the 10?
41:50
A lot of good choices there. I'm leaning towards either.
41:53
Never enter or turnstile, we think Peter I'm leaning towards
42:02
scraping or you can take the boy out of Bradenton Florida.
42:07
Okay, so well this doesn't do anything because I was leaning
42:13
towards scraping, or never enter virtual fucking tie here.
42:19
Yeah. We didn't get to hear a
42:28
turnstile since it was conversation.
42:30
I think I moved on. Keep play some of that.
42:42
Any skip like halfway through maybe get to the breakdown part?
42:53
A little more me, get there. There we go.
43:01
Definitely got all the elements. I
43:33
quit. All right, so we're choosing
44:06
between scraping never Ender. You can take the boy and
44:09
turnstile. Those are the ones that have
44:11
been picked. Yeah, okay.
44:17
Out of those four. I would say never under one
44:23
turnstile. To you can take the boy 3
44:25
scraping for all right. See but, but I'd be okay with
44:29
any of them. I think rang computer.
44:36
Bradenton one scraping to never under three turns out for After
44:48
listening to Bradenton, that fucking fugazi thing right off
44:54
the Jump is really like, really, really, really, really, really,
44:58
really jumping out at me. You guys always do this to me,
45:08
you will want to put it on me. My inclination here is Bradenton
45:14
or never enter. Listen to them back-to-back
45:25
because I'm sure that'll help. To John's point though, I think
46:05
yet again we've done it with. I think all four of those are
46:10
adequate. I'm gonna go with Bradenton
46:12
because I think that's the one that kind of makes me.
46:14
Oh oh, the most. So her will go with you can take
46:19
the boy out of break out of Bradenton Florida as I were
46:23
number one. And so what's Get that going and
46:29
then you can take the boy out of Bradenton, Florida, scraping
46:33
arms, can't stretch 220 years, free radio, Gainesville
46:37
rooftops. Never under turnstile three
46:39
summer strong in a better sense rounds out our top 10 and that's
46:44
a let them take the boy out of bridging Bradenton.
46:47
I can speak in a moment of the song.
47:21
Done it we have turned you on to Hot Water Music and you're
47:23
welcome you know there's really not much else for me to say
47:26
about that but you're very welcome again if you like this
47:30
kind of music at all I guarantee you the discographies worth your
47:33
time it's less than 4 hours or at least the discography we
47:37
chose start with that and then if you like it listen to the
47:41
rest of stuff you'll like it that's that's and then you know
47:43
this they'll live records come very highly acclaimed.
47:47
And from this panel so that should tell you something to
47:50
give those, listen, if you Avant.
47:52
All right, also if you want to come play, Hey man, maybe
47:57
disagree with our list understandable, some people do
48:00
that. You can go to Legion of
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48:26
you know what do you what do you consider essential?
48:28
You can answer it right there on Spotify.
48:30
Tell me what you think we did, right?
48:32
What we do you think we did wrong you know happy to hear
48:35
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48:55
So patreon.com/scishow. Hi, Justin's a great place to do
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49:30
One of the loving people will see you next week.