Latest / The Bald Brothers Podcast / 145: 70s vs. 90s Music | #thebaldbrotherspodcast

Transcript

145: 70s vs. 90s Music | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: Yo, before you watch this episode of The Ball Brothers,
• 0:03
  Speaker 1: make sure you go to TV and watch The Ball
• 0:05
  Speaker 1: brother Show nine episode.
• 0:06
  Speaker 2: Watch now. We've been to post this every time before
• 0:09
  Speaker 2: the show. What up, y'all? Welcome to The Ball Brothers.
• 0:11
  Speaker 1: I'm Kevin on stage, Tony Baker, just here waxing poetically
• 0:14
  Speaker 1: on movies, music and things like that. Shout out to
• 0:17
  Speaker 1: marqued to Bradley. She's the main reason the show been popping.
• 0:20
  Speaker 3: It's been popping.
• 0:20
  Speaker 2: It's been popping in twenty twenty six.
• 0:22
  Speaker 3: Then we get the cards.
• 0:23
  Speaker 2: All right, If you don't work in twenty twenty six,
• 0:24
  Speaker 2: she's gone and so are we and the show's over.
• 0:27
  Speaker 3: Pressures on. All right, If we're gonna throw her under
• 0:30
  Speaker 3: the bus and it don't work.
• 0:31
  Speaker 1: Out, black women are done and it costs black men
• 0:35
  Speaker 1: a podcasting.
• 0:38
  Speaker 3: All right.
• 0:38
  Speaker 1: Today we're talking best decade of music seventies verse nineties.
• 0:44
  Speaker 1: Song for song battle Tony Baker. We once argue this
• 0:48
  Speaker 1: episode didn't air, that the seventies were better. We were
• 0:51
  Speaker 1: arguing this on tour.
• 0:52
  Speaker 3: Actually, I think the seventies is the.
• 0:54
  Speaker 1: Best seventies, best decade of music all genres, mind you,
• 1:01
  Speaker 1: And I think the nineties are the best air music
• 1:03
  Speaker 1: all genres.
• 1:05
  Speaker 2: Nineties. So now we're going song for song, Okay.
• 1:08
  Speaker 3: Song for sound.
• 1:10
  Speaker 2: So wait, okay, I got my nineties down here all right.
• 1:15
  Speaker 2: Telling you want to kick it out, you want me
• 1:16
  Speaker 2: to kick it.
• 1:17
  Speaker 3: Off, kick it off, man, I'm gonna kick it off.
• 1:19
  Speaker 3: Then kick it off.
• 1:20
  Speaker 2: I'm gonna kick it off, all right. I know I'm
• 1:23
  Speaker 2: gonna go.
• 1:25
  Speaker 3: Now. I'm gonna say this, y'all.
• 1:26
  Speaker 2: Okay, say this. Say this.
• 1:28
  Speaker 3: Given the age range up in here, y'all gonna want
• 1:31
  Speaker 3: to lean on the nineties. I get it. I was
• 1:33
  Speaker 3: there for the nineties as well. But when you really
• 1:36
  Speaker 3: dig in, I want y'all to just take a step back,
• 1:40
  Speaker 3: dig in to the seventies. If you haven't dug into
• 1:43
  Speaker 3: the seventies, and then shut your ass up all together
• 1:46
  Speaker 3: because you can't compare. But if you really took the
• 1:49
  Speaker 3: time to dig into the seventies, pull up a chair.
• 1:53
  Speaker 3: You know what I'm saying, because I get it. The
• 1:55
  Speaker 3: nineties was a great time, and I was there for it.
• 1:59
  Speaker 3: I came in into the seventies, but I dug back
• 2:03
  Speaker 3: and was like, yo, this we've been now and it
• 2:08
  Speaker 3: holds up better than the bliska.
• 2:10
  Speaker 2: You got you all your qualifiers at Yeah, because people.
• 2:13
  Speaker 3: Gonna be like this, nineties, nineties and nineties.
• 2:16
  Speaker 2: They're gonna be right, all right, we're doing R and B.
• 2:20
  Speaker 2: You want to do, let's do R and B.
• 2:22
  Speaker 1: We're gonna dour. We're gonna stick with R and B.
• 2:24
  Speaker 1: We was arguing, were doing, we were doing. Our argument
• 2:27
  Speaker 1: was all but we're gonna make this argument for just
• 2:29
  Speaker 1: arm Okay, all right, because I'm gonna start. I'm gonna
• 2:33
  Speaker 1: start with week V time after time after time. I
• 2:39
  Speaker 1: tried to fight it. Yeah, yeah, you're love it strong.
• 2:44
  Speaker 1: It keeps on hold. No, all right, week nineties R
• 2:51
  Speaker 1: and B?
• 2:52
  Speaker 2: What you got killing me?
• 2:53
  Speaker 3: Softly reverted flag.
• 2:56
  Speaker 1: I think the nineties version is better, that's my thing.
• 2:59
  Speaker 1: But I think the samples.
• 3:01
  Speaker 2: Here he go, version of it without the seven Then
• 3:05
  Speaker 2: here's the thing. Lauryn Hill version better than me. But
• 3:09
  Speaker 2: you can't have with that deck.
• 3:11
  Speaker 3: You get where she gets the song from.
• 3:14
  Speaker 2: From a pile of records from we made it better.
• 3:19
  Speaker 1: I like matter like this is no this was back
• 3:21
  Speaker 1: and recipes she just recently passed away.
• 3:23
  Speaker 2: But I do enjoy Layn Hill's version, but.
• 3:27
  Speaker 3: You know, without the without the original blueprint, you're getting
• 3:30
  Speaker 3: no nineties and the nineties was leaning.
• 3:33
  Speaker 1: On hard remakes. Listen, black musicians was in them crads.
• 3:37
  Speaker 1: Music builds upon each other. Okay, but that don't mean
• 3:40
  Speaker 1: who made who made it first, made it better just
• 3:43
  Speaker 1: because you Your grandma made back and cheese. She ain't
• 3:45
  Speaker 1: know about gouda. She ain't have access to gouda. Okay,
• 3:49
  Speaker 1: maybe grandma only had gump and cheese. She made what
• 3:51
  Speaker 1: she could make. Now we got guda. So grandma, you
• 3:54
  Speaker 1: did with yous.
• 3:55
  Speaker 3: The Lord Hill version better.
• 3:58
  Speaker 2: I grew up with it.
• 4:00
  Speaker 3: See, and that's what I'm talking about. That's not good enough.
• 4:04
  Speaker 3: That's not good enough.
• 4:06
  Speaker 2: Alright, let's go. I'm gonna go with one that ain't
• 4:08
  Speaker 2: no sample.
• 4:09
  Speaker 3: Okay? Can we talk?
• 4:12
  Speaker 2: Campbell?
• 4:12
  Speaker 3: Okay?
• 4:13
  Speaker 2: Written by baby Face?
• 4:14
  Speaker 3: Can we talk for? Can we talk four minutes?
• 4:19
  Speaker 4: Girl?
• 4:19
  Speaker 3: I want to know your name?
• 4:23
  Speaker 2: Can we talk? Tony? So? Can we talk?
• 4:25
  Speaker 3: So you want to go young?
• 4:27
  Speaker 2: I want to go young, teeny boppers.
• 4:28
  Speaker 3: I'm gonna go young as well. All right, I want
• 4:31
  Speaker 3: you back by the Jackson five souse. You want to
• 4:35
  Speaker 3: go young, Let's go young? Can''s the Jackson's Let's go young,
• 4:40
  Speaker 3: Michael Jackson all up and do this, bitch, So you
• 4:45
  Speaker 3: better buckle up and get ready. Sir Michael Jackson and
• 4:49
  Speaker 3: his brothers versus Tevin the Campbell. What we're doing, man,
• 4:55
  Speaker 3: I'm bringing fist the cup all right.
• 4:58
  Speaker 2: I'm gonna go. I will always let you.
• 5:00
  Speaker 3: Whitney Houston, I'm air always love your Dolly.
• 5:03
  Speaker 1: Part Parton herself. And I don't know what I was
• 5:07
  Speaker 1: doing with that song. She's not gonna talking the part
• 5:10
  Speaker 1: that Whitney singer. Now that without Dolly Parton, Whitney Hughes.
• 5:15
  Speaker 1: This is a perfect example.
• 5:16
  Speaker 2: Whitney Houston version is ten times sure.
• 5:19
  Speaker 1: I give you then just because you released it first.
• 5:23
  Speaker 1: Dolly was like, man, listen, I give you that. We
• 5:26
  Speaker 1: weren't really doing that or were you No? I could,
• 5:29
  Speaker 1: but no do it so you can lose because we're
• 5:31
  Speaker 1: keeping his soul in R and B. Man, when I
• 5:34
  Speaker 1: saw that documentary and Dolly was talking that part, I said, girl,
• 5:37
  Speaker 1: now why you did that?
• 5:38
  Speaker 3: But is this song R and B?
• 5:42
  Speaker 2: I would always love you?
• 5:43
  Speaker 3: Yeah?
• 5:45
  Speaker 2: Yeah, ain't it?
• 5:46
  Speaker 3: I'm asking you? Was it was when Dolly Parton.
• 5:50
  Speaker 2: I think our version was country. I think Whitney's was
• 5:52
  Speaker 2: R and B?
• 5:53
  Speaker 3: Is it R and B?
• 5:54
  Speaker 2: Yeah, it's R and B. That ain't no country.
• 5:56
  Speaker 3: What makes it R and B because it's a black woman.
• 5:58
  Speaker 1: Singing basically, Nah, I ain't enough. That's how they classify
• 6:02
  Speaker 1: them stuff. If it was if it was white, it
• 6:04
  Speaker 1: was pop. If it was black, it was R and B.
• 6:06
  Speaker 1: That's how the people classify.
• 6:07
  Speaker 3: I don't know if it's R and B.
• 6:08
  Speaker 1: Ain't no white R and B artist unless they're trying
• 6:10
  Speaker 1: to make black music. For sure, it was it's R
• 6:14
  Speaker 1: and B.
• 6:15
  Speaker 3: What the other child was it on?
• 6:17
  Speaker 1: Probably only just the number on Billboard Top one hundred.
• 6:21
  Speaker 1: I don't know, but I think Whennie Houston was mostly
• 6:24
  Speaker 1: considered pop, that was one of her complaints about.
• 6:26
  Speaker 3: Pop, R and B, soul, power ballad, so they got
• 6:29
  Speaker 3: none of all the just put it all in.
• 6:31
  Speaker 2: It was Sam Goodie. It was in three places.
• 6:36
  Speaker 1: What you said it was in pop, R and B,
• 6:38
  Speaker 1: power ballad, ballad, power ballat was a category.
• 6:43
  Speaker 2: Not a category, but it's kind of like that's what
• 6:44
  Speaker 2: it's considered. Okay, okay, what you got on.
• 6:50
  Speaker 3: Since you came with the goddamn Haymaker.
• 6:53
  Speaker 2: Yeah, because I want to hear it no more.
• 6:55
  Speaker 3: Shut the hell up, because you get scared on that
• 6:57
  Speaker 3: last I did.
• 6:59
  Speaker 2: I was like I was a junctive. I thought they
• 7:05
  Speaker 2: were bubble no.
• 7:06
  Speaker 3: Oh no, now you want to be like.
• 7:09
  Speaker 1: They were technically classified as bubble gum.
• 7:13
  Speaker 2: I tried to make a bubble gum pop. I want
• 7:14
  Speaker 2: my own sound.
• 7:15
  Speaker 3: They black.
• 7:16
  Speaker 2: You remember that American dream? He said, I'm tired of
• 7:19
  Speaker 2: bubble gum pop.
• 7:22
  Speaker 3: Go ahead, man, I'm gonna change directions because it's hard
• 7:26
  Speaker 3: to go against. I will always look at it. So
• 7:29
  Speaker 3: I'm gonna give you a different vibe, but a song
• 7:32
  Speaker 3: that also stands the test of time. Okay, Let's get
• 7:37
  Speaker 3: it on by Marvin Gaye. Oh my god, whenever that
• 7:41
  Speaker 3: song kicks in, everybody's all when you want to get busy,
• 7:47
  Speaker 3: when you want to get sex, everybody.
• 7:53
  Speaker 1: And if you feel come on, oh whoa, let's get
• 8:04
  Speaker 1: it on that song getting R and B let's good.
• 8:12
  Speaker 1: Did you seen that meme that marbre didn't know what
• 8:14
  Speaker 1: was happening? All the songs like what's going on? Where
• 8:16
  Speaker 1: we ato is it? That's like all these questions, what's
• 8:22
  Speaker 1: going on?
• 8:22
  Speaker 3: Man?
• 8:22
  Speaker 2: Ain't know nothing that was going on?
• 8:24
  Speaker 1: Man?
• 8:25
  Speaker 3: What's happening? Brother? What's happening?
• 8:27
  Speaker 1: My man?
• 8:28
  Speaker 3: Are they still getting know? Where we used to go and.
• 8:31
  Speaker 5: Now, okay, Liz Giddy, Okay, come on, man, I'm gonna go.
• 8:41
  Speaker 2: I'm gonna go.
• 8:43
  Speaker 1: I'm gonna beat. I'm gonna be. I'm gonna beat on
• 8:44
  Speaker 1: the mace treble. I'm gonna go waterfalls.
• 8:51
  Speaker 3: Don't chase water falls. We stick to it was in
• 8:59
  Speaker 3: the said, Jeeus. I'm gonna keep it water bassed. I
• 9:07
  Speaker 3: like to match up. I'm gonna go voyage to Atlanta and.
• 9:19
  Speaker 2: Can go on rock.
• 9:22
  Speaker 3: Back to y'all jeeze my lad.
• 9:30
  Speaker 1: Come on, man, he's gonna goley Shack to five moment.
• 9:36
  Speaker 3: There, dude, I go.
• 9:41
  Speaker 2: I feel like I'm in the trenches here, y'all. You
• 9:44
  Speaker 2: gonna wait on nostalgia with the seventies too.
• 9:47
  Speaker 3: Because the music is batter nagger all right.
• 9:55
  Speaker 2: Here we go.
• 10:02
  Speaker 3: That guitar at the beginning the voice to Woodland.
• 10:04
  Speaker 2: And it's so good, so good.
• 10:10
  Speaker 3: Okay, where come back to you.
• 10:18
  Speaker 2: I'm gonna go, Candy Ring, Oh.
• 10:21
  Speaker 4: Love, do you ever Jean Candy Cody Rain, You're.
• 10:33
  Speaker 3: The same, my Candy Ray.
• 10:36
  Speaker 2: That little baby was good. Have you ever loved someone
• 10:39
  Speaker 2: so much? You got you do on all that, all
• 10:43
  Speaker 2: that performance going. None of the seventy guards ever performed
• 10:46
  Speaker 2: on all that.
• 10:47
  Speaker 3: All right, there was never all all, all right, all right,
• 10:52
  Speaker 3: Candy Rain, all right, I'm gonna go Candy Ray, ain't
• 11:01
  Speaker 3: the same my Candy rad I'm gonna go rock with you.
• 11:06
  Speaker 3: Michael Jackson, Oh my god.
• 11:08
  Speaker 2: Be.
• 11:11
  Speaker 3: We wi wi wi.
• 11:14
  Speaker 6: You can't children, there are children, man, you can't do that.
• 11:22
  Speaker 3: You want me to take it to the children, Go
• 11:25
  Speaker 3: right back to Jackson. I'm gonna go right back to
• 11:27
  Speaker 3: Jackson five.
• 11:28
  Speaker 2: So what you really won't.
• 11:31
  Speaker 3: God by ABC one two three, Man, I'll be there.
• 11:38
  Speaker 3: I can come with that, dude.
• 11:40
  Speaker 2: Dad got everybody on his monster squad.
• 11:48
  Speaker 1: Jesus Christ, Jesus Crying into the Road boys, great selling songs.
• 11:58
  Speaker 3: That the biggest song at the time.
• 12:00
  Speaker 2: It was number one. Yeah, boys, to me, what you're
• 12:04
  Speaker 2: gonna go?
• 12:04
  Speaker 1: Jesus Christ is the Disciples a new album, Matthew Mark
• 12:08
  Speaker 1: looking Joae. We got the Gospels, y'all. Come on, man,
• 12:12
  Speaker 1: let me have this one. Sprints Barroom B.
• 12:28
  Speaker 2: B.
• 12:33
  Speaker 3: So you did end of the Road, So I'm gonna
• 12:36
  Speaker 3: pair that up with Hmmm, I'm gonna pair it up
• 12:41
  Speaker 3: with because the End of the Road is a breakup song. Yeah,
• 12:44
  Speaker 3: So I'm gonna go. Ain't no sunshine. When she's gone.
• 12:49
  Speaker 1: I want to take a quick back to tell you
• 12:50
  Speaker 1: about one of our sponsors earned in Think about how
• 12:53
  Speaker 1: wild it is that we work, then we wait, then
• 12:56
  Speaker 1: get paid.
• 12:57
  Speaker 2: That's the deal we just accepted.
• 12:59
  Speaker 1: Meanwhile, you can get literally everything else in the world instantly.
• 13:04
  Speaker 1: Earning has been changing that for over a decade, up
• 13:07
  Speaker 1: to one hundred and fifty dollars a day of money
• 13:09
  Speaker 1: you've already earned in your account, up to one thousand
• 13:14
  Speaker 1: dollars between paychecks. Tips are optional, and standard transfers take
• 13:17
  Speaker 1: one to two business days with no mandatory fees. Expatatic
• 13:21
  Speaker 1: transfer started three ninety nine, and a cap of five
• 13:24
  Speaker 1: ninety nine five million people have already made the switch.
• 13:29
  Speaker 2: At this point, the old way is starting to look
• 13:31
  Speaker 2: like the weird option. Listen.
• 13:34
  Speaker 1: I'm a father of two, and there was times when
• 13:37
  Speaker 1: they had no diaper, they had no merk eating ramen,
• 13:41
  Speaker 1: no packing.
• 13:44
  Speaker 2: Cereal, no merk.
• 13:48
  Speaker 1: Waffle, no syrp jelly, And if I had earning, I
• 13:53
  Speaker 1: want to have to go through that all right. Download
• 13:55
  Speaker 1: earning on the App Store or Google Play, spelled like
• 13:58
  Speaker 1: EA R in I n G money without the G
• 14:03
  Speaker 1: typing the ball Brothers on her podcast. When you sign up,
• 14:06
  Speaker 1: it really helped the show earn. It is a financial
• 14:08
  Speaker 1: technology company, not a bank. Access limits are based on
• 14:11
  Speaker 1: your earning service factors. Standard cash house take one of
• 14:15
  Speaker 1: two business days with mandatory fees.
• 14:17
  Speaker 2: Exiety transfer is available for a fee. Tips are voluntary
• 14:20
  Speaker 2: and don't affect the service. Available in select states. Terms
• 14:23
  Speaker 2: and restriction apply.
• 14:24
  Speaker 1: Visit earning dot com for full details, and have a
• 14:27
  Speaker 1: great day.
• 14:28
  Speaker 3: It's not warm when she's away. Ain't no sunshine when
• 14:36
  Speaker 3: she's gone, is all. He's going too long in it
• 14:41
  Speaker 3: times she goes away. And you know who did a
• 14:45
  Speaker 3: remake of that song? So for real on the candy raid.
• 14:49
  Speaker 2: I know, I know, I know, I know, I know,
• 14:52
  Speaker 2: I know, I know, I know.
• 14:54
  Speaker 1: That's always in the in the seventies, like the Bank
• 14:57
  Speaker 1: Robin movie, licking.
• 15:00
  Speaker 2: In their wounds. It's just like packing up the stuff.
• 15:03
  Speaker 2: I know, I know, I know.
• 15:08
  Speaker 1: He was singing, all right, man, here we go, Yeah,
• 15:12
  Speaker 1: here we go, return of the Mac.
• 15:18
  Speaker 2: What you're like?
• 15:25
  Speaker 3: I was about to say, come on, man, I do
• 15:30
  Speaker 3: like this. I don't know a lot.
• 15:31
  Speaker 2: All right, here we go.
• 15:32
  Speaker 3: But I'm just saying, you know, come on, man, let's go.
• 15:38
  Speaker 2: Man.
• 15:38
  Speaker 1: I don't want to say nothing, because then you're gonna
• 15:40
  Speaker 1: be like the Lord Michael and the Archangel.
• 15:44
  Speaker 3: Jesus Christ in the Disciples.
• 15:47
  Speaker 1: Here we go, all right, come on, care you can
• 15:49
  Speaker 1: do this, man, Michael Jackson, I'm going big white. Okay,
• 15:55
  Speaker 1: my heart will go on to lead the y'all.
• 15:58
  Speaker 2: No, that's not army song, just to win. All right,
• 16:01
  Speaker 2: here we go for real?
• 16:05
  Speaker 1: Man, how many we got left?
• 16:15
  Speaker 3: I just want to know?
• 16:16
  Speaker 2: Just let me know.
• 16:20
  Speaker 3: Oh my god, let me sell out. You get I
• 16:25
  Speaker 3: noticed somebody's.
• 16:32
  Speaker 2: Yeah, all right, let's go. Let's go Say my Name,
• 16:37
  Speaker 2: But let's go Destiny's Child. The children are Destiny. Say
• 16:40
  Speaker 2: my Name, Say my Name. That might be the biggest
• 16:43
  Speaker 2: song in it, Desty Child.
• 16:46
  Speaker 3: I don't know what their biggest song is.
• 16:48
  Speaker 2: As a group.
• 16:51
  Speaker 1: It might be that Say my Name, Say my Name,
• 16:54
  Speaker 1: knowing it's gotta be that, or Bill's Bills, Bills, it's
• 17:04
  Speaker 1: her biggest song.
• 17:06
  Speaker 2: Nine is R and B.
• 17:07
  Speaker 1: Say my Name Number one on the Boom, number one
• 17:11
  Speaker 1: on the Billboard Hit Hit Hit.
• 17:16
  Speaker 2: Okay, all right, what you got.
• 17:22
  Speaker 3: I'm gonna go with. Since she wants me to say
• 17:31
  Speaker 3: her name, I'm gonna go with. Isn't she Lovely by Stevie.
• 17:34
  Speaker 1: I'm my freaking god man, because isn't she lovely? Nigga
• 17:39
  Speaker 1: got Michael Jackson Stevie one of Jackson five? Or come on,
• 17:46
  Speaker 1: Nigga won album the year three times that decade.
• 17:49
  Speaker 3: I mean you know he was killing isn't she lovely?
• 17:55
  Speaker 2: Though, I'm gonna go creepl remember the nipple? So I
• 18:00
  Speaker 2: creep dash. She doesn't know what eight?
• 18:06
  Speaker 3: Is this nasty?
• 18:09
  Speaker 2: What am I to do? Steve wonder Ass the greatest
• 18:11
  Speaker 2: song ever written.
• 18:12
  Speaker 3: I was gonna hit you with that.
• 18:14
  Speaker 2: Yeah, I bet you were. I bet you were as long.
• 18:21
  Speaker 3: I'm here creeping the mouth with September by Earth Winning Fire.
• 18:27
  Speaker 3: Do you remember in September? Where you going? Care you too? Smoothie?
• 18:36
  Speaker 3: In September? Do you remember body? Y'all say that you
• 18:45
  Speaker 3: remember body dancing in September? Body?
• 18:51
  Speaker 2: Ya wasn't here? I mis read the notification. God dang man,
• 18:59
  Speaker 2: what the I'm sposa do it? Earth Wind? Earth Wind?
• 19:04
  Speaker 2: What the just said? I dropped it off.
• 19:10
  Speaker 3: Your smoothie outside Melton.
• 19:15
  Speaker 2: At the crib.
• 19:18
  Speaker 3: The Saturday outside next to the dumpster. He could your smoothie? Man? Yep,
• 19:30
  Speaker 3: I'll be loving you always, always, that might have been
• 19:42
  Speaker 3: one of the greatest musical runs of all time. The
• 19:45
  Speaker 3: albums that he was putting out and the songs he
• 19:48
  Speaker 3: was doing that ship was crazy. I'm gonna put some
• 19:57
  Speaker 3: more on there for you. No Jersey, Michaels. You gotta
• 20:04
  Speaker 3: air one Smoothie.
• 20:05
  Speaker 1: Yeah, don't matter what you put on here, Maqua, don't look.
• 20:15
  Speaker 3: No, don't be bailing them out. Now, come come with
• 20:17
  Speaker 3: the list constructed?
• 20:19
  Speaker 2: Where where where? Help me? Hold on?
• 20:21
  Speaker 3: Help me?
• 20:26
  Speaker 1: Remember the time, Michael Jackson, Remember the time, y'all.
• 20:32
  Speaker 2: You give me some Michael, give me some, mic Remember
• 20:38
  Speaker 2: the time you matter time? Yeah? Now what you're gonna go? Yeah,
• 20:43
  Speaker 2: we're back, y'all back.
• 20:47
  Speaker 3: I'm gonna keep it, Michael. Don't keep it, Michael, and
• 20:55
  Speaker 3: I'm gonna go. Don't stop till you get enough.
• 21:01
  Speaker 2: Not last album was.
• 21:06
  Speaker 3: Down Philly, Philly, Nay, don't stop to you getting keep
• 21:17
  Speaker 3: on all right?
• 21:19
  Speaker 1: What about always be my baby Mariah carry Let's go Mariah,
• 21:24
  Speaker 1: m Bernie Mariah since she could get up there in
• 21:28
  Speaker 1: them notes and do that thing there?
• 21:30
  Speaker 2: What you got for that?
• 21:31
  Speaker 3: Huh? Okay Shaka Khan, I'm gonna hit you in the
• 21:35
  Speaker 3: mouth with before I let go by Frankie Be before
• 21:42
  Speaker 3: I Let Go.
• 21:44
  Speaker 2: You can't have a Nigga cookout song.
• 21:48
  Speaker 3: Because always be no baby. I feel like they're swinging
• 21:51
  Speaker 3: on tires outside and jumping in the lake and the
• 21:53
  Speaker 3: whither cookout is going. So I figured before I let go,
• 22:01
  Speaker 3: you make me happy.
• 22:05
  Speaker 2: Anniversary Tony Tony two.
• 22:08
  Speaker 3: See now now you get personally.
• 22:10
  Speaker 2: I know you love that, you love the full version.
• 22:14
  Speaker 3: I love that song.
• 22:15
  Speaker 2: Yeah, yeah, what you're gonna do to that?
• 22:19
  Speaker 3: Hm, let's tell I love anniversary?
• 22:27
  Speaker 2: Okay, Okay, give me out of here throwing the towel.
• 22:34
  Speaker 4: Mm hmmm.
• 22:39
  Speaker 3: Mm hmmm. I like that song. I'm gonna go. I'm
• 22:47
  Speaker 3: gonna go for the love of You by the Isley
• 22:49
  Speaker 3: Brothers Drifting on the Memory.
• 22:53
  Speaker 2: All right, that's it.
• 22:54
  Speaker 1: Next thing, Tony James Live, Tony Braxton versus Mary J.
• 23:02
  Speaker 2: Blige.
• 23:04
  Speaker 1: I got Tony Broxton, right, I got Tony Braxton. Tony,
• 23:09
  Speaker 1: Tony got Mary. You get to go first and time?
• 23:12
  Speaker 3: Okay, song for song, line for line, line for line.
• 23:16
  Speaker 2: This is how we get die?
• 23:17
  Speaker 3: Oh wait, let me find it.
• 23:22
  Speaker 2: Versus versus versus Tony Braxton versus Mary J. Blige.
• 23:26
  Speaker 1: Ten songs Tony Got Married Jay I got Tony the Braxton.
• 23:29
  Speaker 3: I'm going first.
• 23:30
  Speaker 2: You're going first because I went first on last ning.
• 23:32
  Speaker 3: Okay, I'm going real love out this bitch.
• 23:35
  Speaker 7: Okay, Boom doom doom doom, boom boom doom. Dude, dude,
• 23:41
  Speaker 7: all right, yeah, I'm gonna go I hate real love
• 23:44
  Speaker 7: and I'm breaking my heart, unbreaking my heart.
• 23:55
  Speaker 3: Heard you call you walk up the door.
• 23:58
  Speaker 1: You don't walk out my line and drive these ty.
• 24:07
  Speaker 3: You know what's gonna happen.
• 24:08
  Speaker 2: What's gonna happen.
• 24:09
  Speaker 3: Tony Braxon gonna be coming in hot with the Haymakers.
• 24:12
  Speaker 3: But Mary J. Blige is gonna standing there. Once she
• 24:16
  Speaker 3: six out.
• 24:17
  Speaker 1: When I was looking at once he six out. Once
• 24:20
  Speaker 1: you six out, she's gonna have right now.
• 24:24
  Speaker 3: She's gonna be like Chris Chicken load.
• 24:29
  Speaker 2: Chris be Chicken.
• 24:30
  Speaker 3: That's my second pig, Chris Bey chickens.
• 24:36
  Speaker 2: Chicken wasn't hit Christian viral right now again.
• 24:41
  Speaker 1: On TikTok Chris, what does she do that?
• 24:47
  Speaker 3: Chris?
• 24:49
  Speaker 2: And that was a joke. My last.
• 24:53
  Speaker 6: The sugar Rock, Sugar Rock wrapped up found tortilla Chicken.
• 25:04
  Speaker 3: I'm like man fresh lit that weird fade out and
• 25:09
  Speaker 3: then I'm like what the helln says?
• 25:11
  Speaker 2: I had that on my phone right now, right.
• 25:15
  Speaker 3: This, right now, this is my second pick.
• 25:20
  Speaker 2: Let's go.
• 25:22
  Speaker 1: Oh shoot, hold on, I deleted it. Come on, I'm
• 25:25
  Speaker 1: gonna find it. I just posted that yesterday because that's
• 25:29
  Speaker 1: the star. I started trending and I said, man, Mary,
• 25:31
  Speaker 1: why you do that? And she said, I don't give
• 25:34
  Speaker 1: me back.
• 25:35
  Speaker 2: Oh found talk to you.
• 25:40
  Speaker 3: You know, they pitied. So a little fun fact that
• 25:43
  Speaker 3: I read about a long time ago, the label heads
• 25:47
  Speaker 3: at all right, hold on, Christy.
• 25:51
  Speaker 1: Chicken Jesus backup.
• 25:58
  Speaker 4: Tasty the new chicken snap wraps.
• 26:08
  Speaker 5: Man get it?
• 26:12
  Speaker 2: Why So.
• 26:20
  Speaker 3: The label heads was pressuring Mary j because they wanted
• 26:25
  Speaker 3: her to move Tony Braxon numbers. Yeah, because even though
• 26:30
  Speaker 3: even though you know, Mary went double platinum, triple platinum, yes,
• 26:34
  Speaker 3: four one one, and like my life was like double,
• 26:37
  Speaker 3: Tony Braxon was doing like six seven you know what, man, Yeah,
• 26:43
  Speaker 3: her first two. So it was just like, yo, man,
• 26:46
  Speaker 3: look at what Tony Brax is doing over there. So
• 26:49
  Speaker 3: Mary was left, Man, come on, I'm doing I'm doing
• 26:52
  Speaker 3: me I want for me. But what I really feel
• 26:55
  Speaker 3: like Mary had better longevity, yeah, and terms of like
• 27:00
  Speaker 3: you know what, I'm saying because Tony was here, and
• 27:02
  Speaker 3: then it was like if you go from secrets to
• 27:05
  Speaker 3: the heat, it was a big drop off. Mary maintained
• 27:09
  Speaker 3: the same consistency for longer, and I feel like I
• 27:14
  Speaker 3: feel like at the time, women felt Mary more in
• 27:18
  Speaker 3: terms of like, man, that's.
• 27:21
  Speaker 2: You know what I'm saying. Best quality is you feel her.
• 27:25
  Speaker 3: Because even though Tony was talking about heartbreak, it felt
• 27:27
  Speaker 3: like somebody else wrote it for you know.
• 27:30
  Speaker 1: Mary was, yeah, she really first song on waiting to exhale,
• 27:39
  Speaker 1: not gonna cry whatever.
• 27:41
  Speaker 2: You might not have been a secretary Marquita, but you
• 27:43
  Speaker 2: did something. You did something, and you was your.
• 27:46
  Speaker 3: Lover and your gas station at whatever your job was.
• 27:51
  Speaker 2: I was your love and your physical Mary j would remember.
• 27:57
  Speaker 2: Stephen Mackey always says this.
• 27:58
  Speaker 1: He was, like, people think singing and singing and it
• 28:00
  Speaker 1: is singing is really storytelling, and like people will feel
• 28:04
  Speaker 1: your music if they feel you and you tell the story.
• 28:06
  Speaker 2: I think Mary Jay's greatest quality is she like you
• 28:08
  Speaker 2: canna feel this.
• 28:09
  Speaker 1: You felt that as a person, you're gonna feel that.
• 28:11
  Speaker 1: And I think she was going through some stuff too,
• 28:13
  Speaker 1: so it was coming out. It was coming out in
• 28:14
  Speaker 1: the music.
• 28:15
  Speaker 3: Casey was putting not through the ring.
• 28:17
  Speaker 2: He was.
• 28:17
  Speaker 1: Casey was doing her big there yeah, and she was like,
• 28:20
  Speaker 1: I'm gonna get these hit albums and.
• 28:22
  Speaker 3: Man, that My Life album is beautiful, My Life, My Life.
• 28:26
  Speaker 3: Matter of fact, that's the song I'm bringing next My
• 28:29
  Speaker 3: Life Mary j all right, you can never fake it.
• 28:36
  Speaker 3: Say what song your mind and you'll find in time
• 28:42
  Speaker 3: they're all the negative energy. I love that song.
• 28:47
  Speaker 2: Man, all right, I'm gonna go.
• 28:53
  Speaker 5: Is that her?
• 28:54
  Speaker 2: You mean no world too?
• 28:56
  Speaker 3: I'm okay, yeah, man, this big tone, that's upper case tone.
• 29:04
  Speaker 2: He did.
• 29:04
  Speaker 3: That matters matters to me. Oh by.
• 29:12
  Speaker 2: Remember so much. Beyonce dressed up as Tony Braxy and
• 29:17
  Speaker 2: Chris Jennifer.
• 29:18
  Speaker 1: She was like, girl, what are you talking about? Tony Braxton.
• 29:22
  Speaker 1: She's like, oh my bad.
• 29:24
  Speaker 3: Jump back in to lead your account the jacket and
• 29:29
  Speaker 3: ever that's mad funny. Okay, you're up. So I'm gonna
• 29:34
  Speaker 3: go with I'm gonna come with some uh. I'm gonna
• 29:41
  Speaker 3: save some stuff later on. I don't say I'm saving
• 29:45
  Speaker 3: all out. I'm gonna let you stole out.
• 29:50
  Speaker 2: Soldier boy.
• 29:52
  Speaker 3: I'm gonna go. I can love you feature Little Kim,
• 29:55
  Speaker 3: I can love you bad. Sh agree Why you don't
• 30:05
  Speaker 3: love me.
• 30:06
  Speaker 2: Okay, if you gonna go, I can love you. I'm
• 30:08
  Speaker 2: gonna keep it low key. I'm gonna go. Spanish guitar.
• 30:11
  Speaker 3: I don't even know what that is.
• 30:12
  Speaker 2: That's because you don't know Tony.
• 30:13
  Speaker 1: It goes, It goes Spanish, Spanish, Chrispy.
• 30:17
  Speaker 3: Jacket, Chris Bey, Chicken guitar.
• 30:25
  Speaker 2: I know Spanish guitar.
• 30:27
  Speaker 3: I don't know Spanish guitar.
• 30:28
  Speaker 2: Let me playing album. It's called Tony Braxton as part.
• 30:34
  Speaker 3: Y'all, I'm on the heat.
• 30:39
  Speaker 2: See not gonna span guitar.
• 30:40
  Speaker 3: I figured it would be a Spanish guitar.
• 30:42
  Speaker 1: Man, there go listen to it. I remember this part
• 30:49
  Speaker 1: Antonio man Darius was playing small cafe.
• 31:00
  Speaker 3: I think I remember fans forward to the course. Alright,
• 31:03
  Speaker 3: cue it up? Place?
• 31:17
  Speaker 2: Is this the course? You still gotta keep going?
• 31:20
  Speaker 3: I don't know this song.
• 31:22
  Speaker 2: I know it. Watch would have come in, watch, Watch
• 31:26
  Speaker 2: it's gonna come in. Listen. They're gonna Spanish guy Ki
• 31:32
  Speaker 2: kissing her neck.
• 31:34
  Speaker 3: Oh dude, Spanish is the video? Yeah?
• 31:36
  Speaker 2: Here you go right.
• 31:36
  Speaker 3: Here, Yes, I will your arm.
• 31:45
  Speaker 2: Spanish guitar.
• 31:46
  Speaker 3: This is a little smooth track.
• 31:48
  Speaker 2: There you go.
• 31:48
  Speaker 3: It's smooth, but it ain't no, I can love you,
• 31:51
  Speaker 3: yeah right there right there. Ain't no little kid coming
• 31:54
  Speaker 3: in there.
• 31:55
  Speaker 2: Love you want to be here, you know, Ain't no
• 31:57
  Speaker 2: little Kim coming in there.
• 31:58
  Speaker 1: But that Spanish guitar, man, real Tony Brox and fans
• 32:01
  Speaker 1: no Spanish guitars, the one, only the real Spanish guitar.
• 32:06
  Speaker 1: People know it was Ontario Bandar. He heard this song,
• 32:09
  Speaker 1: he was like, man, I want to make Desperado, y'all.
• 32:11
  Speaker 1: They were like, okay, put the gun, all right, even
• 32:21
  Speaker 1: though des Berdo came up. I'm gonna let you live
• 32:25
  Speaker 1: came out before, all right, not gonna cry.
• 32:31
  Speaker 3: I want your lover, your secretag. You brought it up,
• 32:34
  Speaker 3: but I'm bringing it up now. I'm at your front door,
• 32:38
  Speaker 3: coming to you as a woman. I'm coming to you
• 32:42
  Speaker 3: as a woman. All r.
• 32:43
  Speaker 1: If you're gonna go another, if you're gonna do that,
• 32:45
  Speaker 1: I'm gonna go another sad love song.
• 32:47
  Speaker 3: Another said Louve show.
• 32:50
  Speaker 2: That that's.
• 32:53
  Speaker 1: Tony's voice was so was getting down there.
• 33:06
  Speaker 3: Man, I love Tony early, Tony too.
• 33:13
  Speaker 2: I'm dying Tony Baxton.
• 33:15
  Speaker 3: Man, who but a last all right?
• 33:22
  Speaker 2: Coming next time? Stacked of that from me? I want
• 33:25
  Speaker 2: Michael Jackson versus ball b de vote and Tony gotta
• 33:28
  Speaker 2: be be her whole career too.
• 33:32
  Speaker 1: I want the Jackson five to his story and he
• 33:35
  Speaker 1: only got Bell Biff de vote, not even East Coast family.
• 33:39
  Speaker 3: I'm coming with uh, I got choices with this one.
• 33:42
  Speaker 2: All right, let's do it.
• 33:43
  Speaker 3: I don't know if I want to do the remix
• 33:44
  Speaker 3: of the regular I'm gonna do. You remind me?
• 33:53
  Speaker 1: What's that you that you remind me of Hello Dad
• 34:00
  Speaker 1: that I once knew?
• 34:01
  Speaker 3: Yes, it's true?
• 34:03
  Speaker 1: Oh yeah, you know that youmind me?
• 34:09
  Speaker 3: Or the regular version? I saw you been full baby?
• 34:14
  Speaker 3: Yes the days? I don't you know that you remind
• 34:19
  Speaker 3: me you? You remind me of a love that I
• 34:26
  Speaker 3: once knew. This is a dream or is it days? Y'all? Boo,
• 34:34
  Speaker 3: I just had to let you know, so I had
• 34:37
  Speaker 3: to see you. I don't know the way you walk, as.
• 34:44
  Speaker 5: The way you talk, the way you knew man.
• 34:50
  Speaker 3: You remind me? Yes you do? Let me ask you
• 34:53
  Speaker 3: all this. You y'all want to remix, Let's go. Doy'all
• 34:57
  Speaker 3: want the remix or the regular?
• 34:58
  Speaker 2: This one of y'all.
• 34:59
  Speaker 3: I'm I'm letting them decide on which one of them.
• 35:02
  Speaker 3: Y'all want the remix on the.
• 35:03
  Speaker 2: Baking either or it sounds good to me.
• 35:07
  Speaker 3: I want to remix the regular, the original regular remix. Okay,
• 35:13
  Speaker 3: it's going down there we go. Man, remember man unleashed
• 35:17
  Speaker 3: and breathe again. Let me think. Don't don't don't come
• 35:21
  Speaker 3: up here and break my heart. Man, you hold my heart.
• 35:24
  Speaker 3: You're holding on to the big joke.
• 35:26
  Speaker 2: Break my heart.
• 35:27
  Speaker 3: Oh you got a big joker.
• 35:29
  Speaker 2: Yeah, I know what of them because I'm trying to
• 35:31
  Speaker 2: see what you got going. Don't be over here with
• 35:34
  Speaker 2: the big joke. I need to go in eleven spade
• 35:39
  Speaker 2: cut breathe again.
• 35:46
  Speaker 3: The man, Huh, I'm gonna I ain't even gonna try
• 35:51
  Speaker 3: to compete.
• 35:51
  Speaker 2: Don't try to compete with breathy gear.
• 35:53
  Speaker 3: I'm gonna just come with Uh. I'm gonna come with something.
• 35:58
  Speaker 3: M breathe again. H I'm gonna just come with all
• 36:15
  Speaker 3: that I can say, all that I can say. Do
• 36:21
  Speaker 3: do do do Do do do Onhill.
• 36:23
  Speaker 2: Wrote that she did.
• 36:28
  Speaker 3: It wasn't one of the two thousand that was.
• 36:31
  Speaker 2: He wasn't. Man.
• 36:36
  Speaker 1: Somebody said, when you when you when you listen to
• 36:38
  Speaker 1: that song, do you singing regular.
• 36:39
  Speaker 3: Like singing like? Do you thing?
• 36:42
  Speaker 1: Come one min man, she was talking big trash on
• 36:48
  Speaker 1: that song. She told me she should have got socked
• 36:49
  Speaker 1: out for that. You let her put that on wax.
• 36:53
  Speaker 3: She was talking that ship.
• 36:54
  Speaker 1: She really was like, you gotta He wasn't even mad
• 36:56
  Speaker 1: enough for me, you man, you married him, yack.
• 37:01
  Speaker 2: I made him.
• 37:03
  Speaker 3: Believing you married him.
• 37:04
  Speaker 2: He wouldn't have been mad him for me.
• 37:05
  Speaker 3: That was on the heat.
• 37:07
  Speaker 2: That was on the heat, and Tony Box was fine.
• 37:09
  Speaker 2: So you know, whoever she said that to us uglier
• 37:11
  Speaker 2: than her.
• 37:13
  Speaker 3: Everybody is.
• 37:14
  Speaker 2: That's what I'm saying. So by default, you uglier than me,
• 37:18
  Speaker 2: and you married him. He wasn't mad enough for me.
• 37:24
  Speaker 3: I'm gonna go with.
• 37:28
  Speaker 1: I'm going down. Oh my god, you ain't around. That's
• 37:31
  Speaker 1: that's the first song I met from Mary J.
• 37:33
  Speaker 3: Blig.
• 37:34
  Speaker 2: She walking down the stairs.
• 37:35
  Speaker 3: There's a bunch of Mary J's walking down.
• 37:37
  Speaker 2: She she her swag was on a hundred.
• 37:42
  Speaker 3: Baby my whole.
• 37:46
  Speaker 2: Up side damp.
• 37:49
  Speaker 3: That's a remake of a song from the Simons.
• 37:53
  Speaker 1: Who made that original. I don't know that was a remake.
• 37:56
  Speaker 1: What was that song that she did with metha man
• 37:58
  Speaker 1: that I'm thinking of? Oh that's a uh, that's that's
• 38:03
  Speaker 1: another remake.
• 38:05
  Speaker 2: Blue wanting dude, I'll take one look at you.
• 38:07
  Speaker 3: I was playing to see you with my destiny another something.
• 38:11
  Speaker 2: You're making me high.
• 38:12
  Speaker 3: Oh shut, I'm gonna go with so you got. You're
• 38:37
  Speaker 3: making me high. I'm gonna come with love no limit, that.
• 38:42
  Speaker 2: Says answer to you. Oh okay, I'm coming with you.
• 38:46
  Speaker 3: Love no limit, love without a limit, loving you vain,
• 38:52
  Speaker 3: Oh that loving you, vain, love without a limb, love
• 38:59
  Speaker 3: good ones every day.
• 39:01
  Speaker 2: You know.
• 39:06
  Speaker 4: I love it.
• 39:08
  Speaker 3: Believe me, I'm being need of your love. You got
• 39:14
  Speaker 3: that test that I am about two weeks f oh
• 39:19
  Speaker 3: really completely everything you want. I be good luck down
• 39:26
  Speaker 3: to the last drop. And I'm not going the style.
• 39:31
  Speaker 3: You don't know that before his time, he was guys
• 39:34
  Speaker 3: with McGee.
• 39:35
  Speaker 1: Just be a man about it, Oh, just be a
• 39:39
  Speaker 1: man about talking that ship.
• 39:41
  Speaker 2: Tony.
• 39:42
  Speaker 3: She was talking, Tony was talking ship. Just be a
• 39:45
  Speaker 3: mad about it.
• 39:46
  Speaker 2: She was talking trush a lot.
• 39:48
  Speaker 3: Just be mad about it.
• 39:49
  Speaker 2: Two men and the women.
• 39:51
  Speaker 3: She didn't care if anybody could get anybody got the
• 39:54
  Speaker 3: tv B initials, you would let y'all know.
• 39:57
  Speaker 2: She a taurust.
• 39:58
  Speaker 3: No, I don't think so.
• 40:00
  Speaker 2: Do you know the people that are us?
• 40:01
  Speaker 3: Janet Jackson is a tourist under there for sure. Chris Brown, h.
• 40:06
  Speaker 1: Hold on, man, you're a number two man. Come on, man,
• 40:11
  Speaker 1: we got to get some other people going in there.
• 40:13
  Speaker 1: She's a Libra, I think is a Libra.
• 40:15
  Speaker 3: The rock is a tourist.
• 40:17
  Speaker 2: Virgo's groove.
• 40:19
  Speaker 3: She got an album called Libra.
• 40:20
  Speaker 2: Who Tony, she sure does ste Stevie wonder we got
• 40:25
  Speaker 2: Steve Steve.
• 40:27
  Speaker 3: We're good, We're good, We're good Janet Stevie.
• 40:32
  Speaker 2: Yeah.
• 40:33
  Speaker 3: Chris Brown is a little James Brown. James Brown is
• 40:36
  Speaker 3: a tours.
• 40:37
  Speaker 2: I did not know that we were killing ballat McGee
• 40:44
  Speaker 2: is the tours?
• 40:45
  Speaker 3: When is his birthday? I did not wait, hold on, yes,
• 40:53
  Speaker 3: what day?
• 40:53
  Speaker 2: Istar?
• 40:54
  Speaker 3: I did not know Luther was.
• 40:56
  Speaker 2: He's with us, man, you let him get with us?
• 40:58
  Speaker 3: Man. We need is it are yo shoe?
• 41:00
  Speaker 1: Yeah?
• 41:00
  Speaker 2: We need to do the best of the Zodio tours starts.
• 41:04
  Speaker 3: Okay, we'll take it. We'll take we want them.
• 41:06
  Speaker 2: That's ella. Okay.
• 41:09
  Speaker 3: We got some hitten white we got we got some
• 41:14
  Speaker 3: we got some good whites and then we got it.
• 41:17
  Speaker 2: Yeah, that was good singers. Yeah, is the singer.
• 41:22
  Speaker 3: Give us give him some whites.
• 41:26
  Speaker 2: Kelly Clerks share that's big ship he always does a
• 41:33
  Speaker 2: good Kelly Clarks.
• 41:34
  Speaker 3: The song for this is a to a April. Right
• 41:40
  Speaker 3: there on the cusp, I was about to say, Kim.
• 41:47
  Speaker 2: Kim, who.
• 41:50
  Speaker 3: Kim girl? I thought even Kim broll Malcolm's birthday. We
• 41:57
  Speaker 3: got Malcolm X's well.
• 41:59
  Speaker 2: Barbara Stress, she's a big deal. Gays love her.
• 42:02
  Speaker 3: You got Tina Fey, we got team big fantasy birthday.
• 42:07
  Speaker 2: She's put up eighteenth of May, this day after my birthday.
• 42:09
  Speaker 2: It's Tony Baker Man.
• 42:10
  Speaker 1: We need to do your birthday big for fifty and
• 42:12
  Speaker 1: I don't want to hear no crap for the fifty.
• 42:14
  Speaker 1: For fifty to forty nine, forty nine, we missed forty
• 42:18
  Speaker 1: eight lolls of Tony already.
• 42:19
  Speaker 2: It was right there. Forty Tony would have been great.
• 42:22
  Speaker 2: We missed it. Fifty. We need to do a big
• 42:24
  Speaker 2: because you ain't done since I know you ain't never
• 42:26
  Speaker 2: done nothing.
• 42:26
  Speaker 3: I had a birthday party since nineteen ninety eight.
• 42:29
  Speaker 2: Oh my godness, for real. We we got a planet.
• 42:35
  Speaker 3: I had a Wu Tang Forever birthday cake. It was fantastic.
• 42:37
  Speaker 1: Listen Tony. Tony said he wants you to plan his
• 42:40
  Speaker 1: birthday next year. Melissa planning this dude, birthday.
• 42:43
  Speaker 2: He ain't had a nineteen ninety eight.
• 42:45
  Speaker 1: You ain't got to pay for it. It's your birthday
• 42:47
  Speaker 1: gift to you. He had a birthday party sance nineteen
• 42:49
  Speaker 1: ninety eight. Mothers, so they ain't even been this century.
• 42:52
  Speaker 3: Once you give Melissa activated, this is gonna.
• 42:54
  Speaker 2: Be fifty years lest Tony's birthday.
• 42:57
  Speaker 3: She's gonna rebuild Dubai in the house with love. It's
• 43:00
  Speaker 3: gonna be.
• 43:01
  Speaker 2: We got to start planning now we're eighteen months out more.
• 43:04
  Speaker 3: Bar I had the parties you gotta have.
• 43:08
  Speaker 2: You ain't even have dinner, No, like you ain't.
• 43:10
  Speaker 3: I mean I've done like little things.
• 43:11
  Speaker 2: Maybe you had a birthday party this century. It's gonna
• 43:15
  Speaker 2: be twenty seven years more than that.
• 43:18
  Speaker 3: Yeah, you gotta do something.
• 43:20
  Speaker 2: Twenty seven, twenty twenty seven, you turn fifty, that's twenty
• 43:26
  Speaker 2: eight year. It'll be twenty eight years. That's a long time.
• 43:29
  Speaker 3: Dang, I'm grateful. I'm happy to be here. You are.
• 43:34
  Speaker 3: I have this whole time. You've been sitting over there.
• 43:38
  Speaker 2: Good producers.
• 43:39
  Speaker 3: She went out May ten.
• 43:41
  Speaker 2: You were in between me and twenty about halfway in
• 43:43
  Speaker 2: between us.
• 43:44
  Speaker 3: My mom is May fourteen.
• 43:45
  Speaker 2: Mama is great. She loves Snoopy, Marcus and I have
• 43:49
  Speaker 2: the fa birthday. What Mary Mom is a tourist. That's
• 43:51
  Speaker 2: why I always like her. You know what I'm saying,
• 43:54
  Speaker 2: Mama is a good time. She yes excellently. See that's
• 43:59
  Speaker 2: four seasons.
• 43:59
  Speaker 3: I told you, tours is where it's at, y'all. Y'all
• 44:01
  Speaker 3: spread the word, spread the goddamn it. Oh, I'm back.
• 44:11
  Speaker 3: All right, here we go be without you.
• 44:14
  Speaker 2: That's good.
• 44:14
  Speaker 3: Yeah. Just what she was doing with that she came back,
• 44:27
  Speaker 3: I told you. She was like, never run back. I'm
• 44:33
  Speaker 3: double enough be without you.
• 44:35
  Speaker 4: Mary J.
• 44:35
  Speaker 1: Black this person so Mary J. She's on like a
• 44:38
  Speaker 1: press room right now. She was talking about Umbrella was
• 44:41
  Speaker 1: supposed to be her song, really and she said she
• 44:45
  Speaker 1: just couldn't be.
• 44:45
  Speaker 2: She was like, I couldn't say so. Somebody made a
• 44:48
  Speaker 2: remix of Umbrella with Mary J on that mel yellow.
• 45:12
  Speaker 2: It's a double back.
• 45:15
  Speaker 3: It's a double double bats.
• 45:18
  Speaker 2: It's so good.
• 45:20
  Speaker 3: That's not bad.
• 45:21
  Speaker 2: I love black people. We just be funny. Yeah, we
• 45:25
  Speaker 2: just be fun us quashes and we be like.
• 45:30
  Speaker 3: We're gonna have a good time.
• 45:31
  Speaker 2: We're gonna have a good time, and you might kill
• 45:33
  Speaker 2: us sometimes they do.
• 45:35
  Speaker 3: We did. We're gonna pull out their good time, all right,
• 45:39
  Speaker 3: my whole time, my turn. Yeah, we got another one
• 45:45
  Speaker 3: after this, Okay, it's my last one. No, you got
• 45:48
  Speaker 3: two more?
• 45:49
  Speaker 1: All right, I'm gonna go. I said, you're making me
• 45:54
  Speaker 1: high sate the last pick lost ship brought you home?
• 45:59
  Speaker 3: No, you done that yet.
• 46:00
  Speaker 2: Love should have brought you home. Love should have brought you.
• 46:04
  Speaker 1: Home, knuckle home, left night with me, should have been
• 46:11
  Speaker 1: right by my shy. I want to go to her
• 46:15
  Speaker 1: concert in Vegas. She had a concert with her and
• 46:18
  Speaker 1: SEXI the entertainer, and I think that'd be fun. A
• 46:20
  Speaker 1: comedian and a musician. Usually it's hard for the comedian
• 46:23
  Speaker 1: to get their stuff going, but if you advertise it,
• 46:25
  Speaker 1: you probably.
• 46:25
  Speaker 2: Have a better shot.
• 46:28
  Speaker 3: Now is she?
• 46:31
  Speaker 2: Yeah?
• 46:32
  Speaker 3: Here on the road, I see that. Oh.
• 46:33
  Speaker 2: Sean Stockman said, don't ask for no comms? All right,
• 46:36
  Speaker 2: go ahead, tone your last one, man, watch out.
• 46:38
  Speaker 3: Sean Stockman said that.
• 46:39
  Speaker 2: He said, don't ask for no comps.
• 46:40
  Speaker 3: I like that. That's my that's momnta to my parents.
• 46:43
  Speaker 2: Buy tickets. Who the hell are you?
• 46:45
  Speaker 1: My son?
• 46:46
  Speaker 2: Don't want to see me performed?
• 46:47
  Speaker 3: So I'm gonna go with It's ended up, man, She
• 46:55
  Speaker 3: got I already did that. I'm gonna go with mm
• 47:04
  Speaker 3: hmm some of these songs.
• 47:09
  Speaker 2: Everybody knows everything.
• 47:13
  Speaker 3: I'm gonna go with, uh oh ship family affair, mm hmm.
• 47:20
  Speaker 3: Let's get a crook out here in the stand. We
• 47:25
  Speaker 3: you don't need no hate ration up in there.
• 47:31
  Speaker 2: I'm gonna go.
• 47:33
  Speaker 3: Come on, everybody, get on that.
• 47:35
  Speaker 2: I'm gonna go the heat.
• 47:39
  Speaker 3: You know you wasn't even passionate staying your pick my heart.
• 47:45
  Speaker 2: No, all right, I'm gonna go. I love me some him,
• 47:48
  Speaker 2: I love me some here. That's what I'm gonna go.
• 47:51
  Speaker 3: No, No, you're not gonna You're going who love with
• 47:57
  Speaker 3: the first thing?
• 47:58
  Speaker 2: I love day seven whole day seven five seven whole days,
• 48:07
  Speaker 2: not through your four y'all.
• 48:10
  Speaker 3: Seven whole nights, not just about taking had about it?
• 48:18
  Speaker 1: You be on my.
• 48:22
  Speaker 3: I should have did Tony and man I should have
• 48:26
  Speaker 3: did both. That should just swapped. We should have did
• 48:30
  Speaker 3: they just did both. Garl was Garl was fishing around.
• 48:35
  Speaker 2: Let's drink Crouch.
• 48:37
  Speaker 1: I drank couch Crouch verse James Cleveland and see how
• 48:41
  Speaker 1: much you know.
• 48:43
  Speaker 2: Let's do. Let's do John p KEI versus Skott Walker.
• 48:46
  Speaker 2: See how you let's do? We can't do nothing gospel.
• 48:52
  Speaker 2: I don't know everything, but I got more overall knowledge
• 48:55
  Speaker 2: than he does.
• 48:56
  Speaker 3: Johnny do bbn C C God was, let's do that.
• 49:04
  Speaker 2: I don't know.
• 49:04
  Speaker 1: Thirty eight Join Bras song we can't right here. I
• 49:09
  Speaker 1: know you Wu Tang seven hundred and eighty third song,
• 49:11
  Speaker 1: But I don't know one gospel album.
• 49:13
  Speaker 3: I know Downy mcclerk and live in London. I know
• 49:17
  Speaker 3: more stuff.
• 49:17
  Speaker 2: I don't know deep on any particular things.
• 49:21
  Speaker 3: That's because the church kicked me out.
• 49:24
  Speaker 2: And listen, the church kept me in.
• 49:26
  Speaker 1: And that's why I don't know seeing Tony Braxton song man,
• 49:30
  Speaker 1: Mighty Clouds and joint versus the little clouds of sad,
• 49:33
  Speaker 1: and I know some stuff.
• 49:34
  Speaker 3: James James Cleveland was trifling.
• 49:36
  Speaker 2: He was I did not know that growing up. He
• 49:40
  Speaker 2: was a terrible person. Oh my god.
• 49:43
  Speaker 1: He was abusive, molesting. Yes, he was gay, but that's
• 49:47
  Speaker 1: not the terrible part. It was just like he was
• 49:49
  Speaker 1: taking a mantage of people. Yes, boys, here's my here's
• 49:54
  Speaker 1: my hypothesis. A lot of times gospel people be devious
• 49:59
  Speaker 1: because they they just ain't allowed to be openly gay.
• 50:02
  Speaker 1: Oh yeah, if y'all could just be gay and be
• 50:04
  Speaker 1: gay they wouldn't have to go to the devious route molests.
• 50:07
  Speaker 2: They shouldn't have the secretive tip if.
• 50:09
  Speaker 1: You just let them be gay and they ain't feel
• 50:11
  Speaker 1: like I had to hide it. I can't make my living,
• 50:13
  Speaker 1: I can't show up. You're gonna kick me out. Now
• 50:15
  Speaker 1: they gotta be dog on, devious even and the back
• 50:18
  Speaker 1: shadow now on the on the heterosexual tip.
• 50:22
  Speaker 2: You can be devious side babies woman blind.
• 50:26
  Speaker 3: Eye on the heterosex, like you know, he messing with
• 50:29
  Speaker 3: that girl.
• 50:29
  Speaker 2: That's all they do.
• 50:30
  Speaker 1: But tip, you can't even just be regular game with
• 50:34
  Speaker 1: one person writing your little music.
• 50:35
  Speaker 3: They gonna condemn you to hell and that man watch
• 50:38
  Speaker 3: out how you supposed to live your day? When you
• 50:41
  Speaker 3: think all the people that love you and you love them,
• 50:43
  Speaker 3: they'd be like you going to hell.
• 50:45
  Speaker 1: And then you can't do nothing. You also can't in
• 50:48
  Speaker 1: gospel industry, you can't make your living. See in other
• 50:50
  Speaker 1: industries you gay. Sam Smith going from heterosexual to today
• 50:55
  Speaker 1: them Sam Smith gonna sell as many six as he
• 50:57
  Speaker 1: was gonna sell, and he should be able to you
• 50:59
  Speaker 1: be gay. You can't preach, you can't be on the radio,
• 51:03
  Speaker 1: can't do no concerts. So now they're like I ain't
• 51:05
  Speaker 1: even gay, but I am also right. But now I'm
• 51:08
  Speaker 1: just secret of gay and I'm devious because I.
• 51:10
  Speaker 3: Think that he might be gad you know what I'm saying.
• 51:13
  Speaker 3: But but the treachery is the treachery, and James Cleveland
• 51:18
  Speaker 3: was treachery.
• 51:18
  Speaker 2: Jam Cleveland was not a good person.
• 51:22
  Speaker 3: He was just like.
• 51:25
  Speaker 2: You got And then you go protecting patriarchy, and now
• 51:27
  Speaker 2: you you super devious.
• 51:29
  Speaker 1: Now that you can't talk about the Man of God,
• 51:31
  Speaker 1: man of God out here committing crimes, maybe we should
• 51:33
  Speaker 1: talk about the man of God.
• 51:35
  Speaker 2: Maybe God be like talk about the Man of God.
• 51:37
  Speaker 2: Ain't no matter me you over here doing crimes in
• 51:40
  Speaker 2: my name?
• 51:40
  Speaker 3: You appreciate the choir right now?
• 51:42
  Speaker 2: Shoot, all right, man, let's move on this or that
• 51:48
  Speaker 2: favorite soda?
• 51:49
  Speaker 3: So who am I giving it to? Am I giving
• 51:51
  Speaker 3: it to?
• 51:52
  Speaker 1: You?
• 51:52
  Speaker 2: Don't appreciate no damn soda. Man.
• 51:53
  Speaker 3: I came up and soda people forget.
• 51:57
  Speaker 2: I'll live the fool anything. I've seen soda.
• 52:00
  Speaker 3: Eating, eating soda, eating the bag.
• 52:03
  Speaker 2: And so I literally I don't drink more than I sold.
• 52:09
  Speaker 1: I'm gonna be drinking soup every norenades in New Orleans,
• 52:12
  Speaker 1: and you're gonna die young man asked, walked down.
• 52:18
  Speaker 2: I think tastes like pure water.
• 52:21
  Speaker 3: I'm a lightweight man, I was so, I was more
• 52:23
  Speaker 3: sober after the had grenade. We was like, all right,
• 52:26
  Speaker 3: y'all were.
• 52:27
  Speaker 2: Ready for an LSD tree. We walked around Bourbon Street sober.
• 52:31
  Speaker 3: They were like, man, that's it. Was like, we got
• 52:34
  Speaker 3: a big one too, finished it off.
• 52:37
  Speaker 1: We drank it fast, Mark We did drinking in two minutes. Mean,
• 52:40
  Speaker 1: Melissa Antony were just regular. I was never even got
• 52:48
  Speaker 1: a buzz. They was like grenades. We was like, oh man,
• 52:53
  Speaker 1: we're gonna be goitter ready, nothing big sober. Allright, here
• 52:57
  Speaker 1: we go this or.
• 52:59
  Speaker 3: That sodas, pick your favorite bracket style. All right, so
• 53:02
  Speaker 3: now we're gonna narrow with that.
• 53:04
  Speaker 2: You're gonna do it. We're gonna do it like chicken biscuits.
• 53:08
  Speaker 3: Just like the biscuit joint.
• 53:10
  Speaker 2: Here we go.
• 53:12
  Speaker 3: Pepsi versus coke.
• 53:14
  Speaker 2: Coke, Coca is, Coca is quintessential dark soda.
• 53:20
  Speaker 3: I'm gonna go PEPs are you Pepsi challenge Pepsy hit harder.
• 53:25
  Speaker 3: Coca is too.
• 53:26
  Speaker 2: They do got a little smooth taste.
• 53:28
  Speaker 3: Pepsy get that hit.
• 53:30
  Speaker 2: I like coke. If I'm gonna drink a black soda.
• 53:34
  Speaker 3: That's because they trained your mind.
• 53:36
  Speaker 2: It's because my mom.
• 53:37
  Speaker 3: Mind is the choice of a generation.
• 53:39
  Speaker 2: You see PEPs My mom was coke McGee like.
• 53:43
  Speaker 1: She didn't want to go to restaurants if they serve pepsi,
• 53:46
  Speaker 1: she would, yes, she would bring her own. She just
• 53:49
  Speaker 1: really like coke. She would we go. We used to
• 53:51
  Speaker 1: go to this Hunan Chinese restaurant called Hunan Palace. She
• 53:54
  Speaker 1: would bring her own coke and order a couple of
• 53:58
  Speaker 1: ice clear with the manager.
• 54:01
  Speaker 2: Bring my own coke in here.
• 54:02
  Speaker 1: He was like, as long as you get extra rice,
• 54:03
  Speaker 1: you gotta pay for something. And she bring her own
• 54:06
  Speaker 1: soda in there. That's how much she how strongly she
• 54:08
  Speaker 1: felt about she was.
• 54:09
  Speaker 3: She bought in. She was like, don't you bring that
• 54:12
  Speaker 3: peppery in my house. That's the devil, all right, doctor.
• 54:17
  Speaker 2: Pelper, doctor Pepper, bab man, you're good and nice?
• 54:23
  Speaker 3: What said that, doctor pell that's doctor that's that doctor Bell.
• 54:26
  Speaker 3: I love doctor Pepper, Doctor Pelper or orange Phanta.
• 54:33
  Speaker 1: Dr Pepper, dude, Doctor Bell. Doctor Pepper might be my
• 54:37
  Speaker 1: favorite soda. I think it is okay.
• 54:39
  Speaker 2: Orange Panta is good though it's a good time, is good.
• 54:43
  Speaker 3: Crushed crush. Is it true? I'm gonna go Doctor Pepper.
• 54:48
  Speaker 2: To Doctor Pepper twenty three flavors all right?
• 54:53
  Speaker 3: Mountain Dew versus Sprite Sprite spry for I don't love
• 54:58
  Speaker 3: mountain due mountain dude gets you cracked out out though, Yeah, Doug.
• 55:01
  Speaker 3: I used to drink my dew on road trips and
• 55:03
  Speaker 3: I would be like shaken, yes man, and then I
• 55:09
  Speaker 3: would get the co red war. I was coked out
• 55:13
  Speaker 3: the frame dog.
• 55:15
  Speaker 2: Yellow.
• 55:18
  Speaker 3: I was wired when I showed up to the destination.
• 55:21
  Speaker 3: What's up y'all? That drivers easy work came in like Cramer?
• 55:25
  Speaker 3: All right? Root beer versus seven Up Oh, I'm no mindswer.
• 55:35
  Speaker 3: I think I'm gonna go root beer. I like root
• 55:38
  Speaker 3: beer and I love.
• 55:39
  Speaker 1: Seven up straight soda, but beer floats. Yes, seven up
• 55:43
  Speaker 1: cake got a good thing going seven up kick is good.
• 55:46
  Speaker 3: Root Beer is my second favorite soda.
• 55:48
  Speaker 2: I like root beer. Root Beer is my favorite soda
• 55:50
  Speaker 2: drink at the movies.
• 55:51
  Speaker 3: It's attractive.
• 55:52
  Speaker 2: Root Beer and popcorn go together like peanuts and vagina.
• 55:56
  Speaker 3: You give me that root beer penus in vagina is
• 55:58
  Speaker 3: the ultimate combos if you if you show me a
• 56:02
  Speaker 3: visual root bed with the pham at.
• 56:04
  Speaker 2: The come on.
• 56:06
  Speaker 3: Man, that's but ass naked right there.
• 56:09
  Speaker 2: What you mean nasty?
• 56:10
  Speaker 3: Root beer is delicious? Wow Ya.
• 56:13
  Speaker 1: Trip pizza is amazing too. Oh my god, that personal
• 56:17
  Speaker 1: paying pizza in the nineties. What happened to pizza hut Man, No,
• 56:22
  Speaker 1: it doesn't taste the same.
• 56:24
  Speaker 3: That was always good to me.
• 56:26
  Speaker 2: My god, it was the best. That had a good crust,
• 56:27
  Speaker 2: perfectmount of green that.
• 56:28
  Speaker 3: Crust them anyway, A ginger ale Canada dry. This is
• 56:35
  Speaker 3: this is the ginger real face off. So we got
• 56:38
  Speaker 3: Canada dry versus seagrums versus sweps. You forgot you forgot one.
• 56:49
  Speaker 1: If you ain't from like Detroit and Chicago, that's the
• 56:51
  Speaker 1: best one. It's so original, it is so Yeah, only
• 56:58
  Speaker 1: from Chicago.
• 57:00
  Speaker 3: Know about Vernons, know about Vernon.
• 57:02
  Speaker 2: Yeah, Verner's like, we didn't need to be the whole
• 57:04
  Speaker 2: nice thing. We couldn't detroittion. Good o.
• 57:09
  Speaker 3: Right, Canada drive, Canada drive from.
• 57:12
  Speaker 1: Detroitgo over the swips, over the schweps, Canada drive.
• 57:16
  Speaker 2: Got that little crisps.
• 57:17
  Speaker 3: I'm gonna go Canada drive out of these three. Yeah,
• 57:21
  Speaker 3: actually I'm gonna go swipsps. Okay, So so we got
• 57:26
  Speaker 3: we got coke left for care chails pigs Coke to
• 57:32
  Speaker 3: be Coke versus.
• 57:33
  Speaker 2: Doctor Pepper, bab bass good and coke.
• 57:39
  Speaker 3: Okay, all right, so we got oh I should have
• 57:46
  Speaker 3: put I should have gave Dr Pepper the bye week,
• 57:51
  Speaker 3: give the give it, give it the bye. Okay.
• 57:54
  Speaker 1: So we're gonna do Coke versus Sprite. Right, great Hill
• 58:01
  Speaker 1: drinks good Choy. Friday is a great soda.
• 58:04
  Speaker 2: Bride is good. Friday is a great cod. Sprite at
• 58:10
  Speaker 2: McDonald's was the key spright and high seat was the best.
• 58:13
  Speaker 3: All them, all of them. Joint sprite seven up, seven
• 58:16
  Speaker 3: up is strong. And then see her miss good time.
• 58:19
  Speaker 2: Miss get out of here.
• 58:20
  Speaker 3: Man, it's a good time. Sorry all right? Uh, root
• 58:25
  Speaker 3: beer versus Canada dry.
• 58:30
  Speaker 2: Man Geniarella is my drink of choice on a plane.
• 58:35
  Speaker 2: But come on, man, I'm thinking I only get to
• 58:39
  Speaker 2: have one.
• 58:40
  Speaker 1: I'm taking beer, all right, you god damn, because I
• 58:43
  Speaker 1: can't drink ginger ale at the movies.
• 58:45
  Speaker 3: You can't. We can't have a ginger real flow.
• 58:47
  Speaker 2: Oh my god, detraw the ice cream.
• 58:53
  Speaker 3: Okay. So now Doctor Pepper's back in the fold. We're doing.
• 59:01
  Speaker 1: Doctor Pepper versus Sprite, Doctor Pepper Bay and there's three left, right,
• 59:08
  Speaker 1: you messed up again, so Doctor Pepper is still on
• 59:11
  Speaker 1: the by.
• 59:12
  Speaker 2: Doctor ever got a pass in the championship.
• 59:14
  Speaker 3: So we got root beer versus Sprite.
• 59:18
  Speaker 2: All around Sprite.
• 59:21
  Speaker 3: Okay, that's fair.
• 59:22
  Speaker 2: Sprite is the way.
• 59:23
  Speaker 3: It's more versatile.
• 59:24
  Speaker 2: You got going commercials going. I respect you, no Float,
• 59:27
  Speaker 2: but I like Sprite.
• 59:31
  Speaker 3: The championship round for all the marble.
• 59:34
  Speaker 2: Doctor Pepper, bay Man, good.
• 59:37
  Speaker 3: And give it Doctor Pepper versus Sprite.
• 59:40
  Speaker 2: Doctor Doctor. My favorite soda Okay, Sprite, it's close.
• 59:45
  Speaker 3: My favorite soda is not listed here. What is it?
• 59:48
  Speaker 3: Cream soda? All?
• 59:49
  Speaker 2: I like cream soda.
• 59:50
  Speaker 3: That's my favorite.
• 59:50
  Speaker 2: Soldat version all about root beer?
• 59:53
  Speaker 3: Yeah, my top so rut beer would win it all
• 59:55
  Speaker 3: for me if I was doing this, followed by Sprite.
• 59:59
  Speaker 2: There we go.
• 1:00:00
  Speaker 3: Yeah, sodas man solders, man, but stop drinking soda, y'all.
• 1:00:04
  Speaker 3: That ship is trash. For y'all. It is man.
• 1:00:06
  Speaker 1: When I saw that video that man poured the soda
• 1:00:07
  Speaker 1: on the car battery, I was like, oh my god.
• 1:00:10
  Speaker 1: But then I was also like, man, our stomachs are
• 1:00:12
  Speaker 1: great because they can withstand that, and we still keep rocking.
• 1:00:15
  Speaker 3: We think they can stand.
• 1:00:16
  Speaker 2: Oh they can. They've been doing good doing good y'all.
• 1:00:21
  Speaker 2: All right, all right y'all.