Latest / The conspiracy / Cops Save Hostages From Killer's House Of Horrors

Transcript

Cops Save Hostages From Killer's House Of Horrors · The conspiracy

• 0:00
  Speaker 1: Who shut? Who sat? The good?
• 0:13
  Speaker 2: Police are surrounding a house in the middle of Kenosha City. Inside,
• 0:17
  Speaker 2: an unknown gunman is holding wounded hostages and exchanging heavy
• 0:21
  Speaker 2: gunfire with officers.
• 0:29
  Speaker 1: Ma'am, you got moved, Get moving, Get the fuck out
• 0:33
  Speaker 1: of here.
• 0:33
  Speaker 2: Leave In the middle of this chaos, officers have no
• 0:42
  Speaker 2: idea who they're dealing with or why he's even firing
• 0:46
  Speaker 2: at them, But by the time police finally confront the gunman,
• 0:49
  Speaker 2: it will already be too late.
• 0:52
  Speaker 1: I haven't to cut your police.
• 0:56
  Speaker 3: Already.
• 0:59
  Speaker 2: Back around eight fifteen pm on a Monday night, multiple
• 1:11
  Speaker 2: gun shots ring out in a quiet neighborhood in Kenosha, Wisconsin.
• 1:16
  Speaker 2: Minutes later, at eight nineteen pm, nine to one to
• 1:19
  Speaker 2: one dispatch receives an alarming call from a man claiming
• 1:22
  Speaker 2: someone just tried to kill him.
• 1:25
  Speaker 3: Kenosha nine on one.
• 1:26
  Speaker 4: What's the added to the emergency? I need medics and
• 1:30
  Speaker 4: I need ambulance. Some'm all the fucker who has heard
• 1:33
  Speaker 4: what happened? I think thirteen twenty four fifty sixth Street.
• 1:36
  Speaker 4: I've just been shot. Isn't a house or an apartment,
• 1:39
  Speaker 4: It's it's a house, it's it's it's a duplex. I've
• 1:43
  Speaker 4: been shot in the leg and possibly the arm. The
• 1:46
  Speaker 4: shooter is in the apartment next door, and I know
• 1:49
  Speaker 4: he's got so many works out of Ohio or New York.
• 1:54
  Speaker 2: Following this call, officers are quickly dispatched to the scene.
• 1:58
  Speaker 2: The caller also warns them that the gunman may have
• 2:01
  Speaker 2: felt any warrants out of state. At the time, it
• 2:04
  Speaker 2: sounded just like another detail and a frantic call for help,
• 2:07
  Speaker 2: but it was really a glimpse into someone far more
• 2:11
  Speaker 2: dangerous than police expected. Just minutes later, police officers arrive
• 2:17
  Speaker 2: at the scene. Almost immediately they hear a woman screaming
• 2:20
  Speaker 2: outside the duplex.
• 2:24
  Speaker 5: Hey, we have a suiting right here. Let me say
• 2:29
  Speaker 5: that he's in the house.
• 2:36
  Speaker 1: Who shot? Who shot? Sell me that where did Luke
• 2:49
  Speaker 1: come out here? Come out here? Okay? Who got shot?
• 2:57
  Speaker 1: Is this all one? Else? Okay? Where do we get
• 3:00
  Speaker 1: to his unit?
• 3:03
  Speaker 2: No?
• 3:03
  Speaker 1: Where do we get to his unit? I need to
• 3:04
  Speaker 1: know that. Where do we go?
• 3:06
  Speaker 6: You gotta tell us so we can help people split
• 3:09
  Speaker 6: it out?
• 3:12
  Speaker 1: Yes, the second one.
• 3:14
  Speaker 7: The lights out.
• 3:16
  Speaker 2: As soon as officers make contact with the shaken woman outside,
• 3:20
  Speaker 2: someone from inside quickly slams the door shut Before they
• 3:23
  Speaker 2: can get any answers. With the duplex having two separate
• 3:27
  Speaker 2: apartments and multiple firing angles, police can't afford to wait.
• 3:31
  Speaker 2: They need to move the woman out of danger and
• 3:33
  Speaker 2: secure the perimeter, But just as officers begin pressing the
• 3:37
  Speaker 2: shooter to surrender, things take a dangerous turn.
• 3:41
  Speaker 7: Yes, do.
• 3:51
  Speaker 1: Pitty, there's a gun.
• 3:52
  Speaker 5: There's a gun, Diddy, shots fired. He's in the house.
• 4:01
  Speaker 2: The gunman suddenly opens fire from the window, forcing police
• 4:05
  Speaker 2: to scramble for cover, with Officer Luke and his partner
• 4:08
  Speaker 2: retreating to the west side and Officer Bray diving behind
• 4:11
  Speaker 2: a car directly in the shooter's sights. It offers some
• 4:14
  Speaker 2: cover but leaves her dangerously pinned. But in the scramble,
• 4:18
  Speaker 2: police left the woman they'd just spoken to completely exposed
• 4:21
  Speaker 2: in the line of fire. Officer Luke quickly realizes that
• 4:24
  Speaker 2: she's still in danger and they'll need to get her
• 4:27
  Speaker 2: out before the situation escalates further.
• 4:33
  Speaker 1: Get that lady out of there. There's a lady in
• 4:37
  Speaker 1: the house. We have shots fired.
• 4:38
  Speaker 5: He's firing out the window at us.
• 4:40
  Speaker 1: Getting covered.
• 4:44
  Speaker 5: He's at the front of the house on the south
• 4:46
  Speaker 5: side of the road.
• 4:48
  Speaker 2: With danger escalating by the second, more backup units race
• 4:52
  Speaker 2: to the scene, and within minutes, multiple officers swarm the neighborhood,
• 4:56
  Speaker 2: unaware that this is just the beginning of a deadly shootout,
• 5:00
  Speaker 2: one that will put both officers and civilians at fatal risk.
• 5:06
  Speaker 2: In these types of high stake situations, officers must make
• 5:09
  Speaker 2: split second decisions, and every choice could mean the difference
• 5:13
  Speaker 2: between life and death. Over the next few minutes, we'll
• 5:16
  Speaker 2: follow how they manage chaos and respond under immense pressure,
• 5:20
  Speaker 2: starting with Sergeant Brian Miller and Adam Jurgens, who are
• 5:24
  Speaker 2: just arriving from the west and east side while the
• 5:27
  Speaker 2: gunman continues firing.
• 5:30
  Speaker 4: The house on the south side of the world.
• 5:33
  Speaker 1: Where's where's the house? Where's the stucker? What do you have?
• 5:52
  Speaker 1: What do you have? Okay, come back? Can you come back?
• 6:00
  Speaker 1: What's what? You gotta come to the road? Good christ ma'am.
• 6:12
  Speaker 1: You gotta move, get get moving. Ye second house of s.
• 6:31
  Speaker 7: Where all right?
• 6:40
  Speaker 1: He was in the front window? Yeah.
• 6:43
  Speaker 2: Clearly the situation facing officers is extremely unpredictable. The gunman
• 6:48
  Speaker 2: has already fired from three exposed windows at the front
• 6:50
  Speaker 2: of the house and another on the east side, where
• 6:53
  Speaker 2: Sergeant Jurgen's returned fire on the west side. Two more
• 6:57
  Speaker 2: exposed windows are accessible to the shooter as well. There's
• 7:00
  Speaker 2: a garage and a back exit. Officers don't even know about,
• 7:03
  Speaker 2: giving the gunmen even more ways to slip outside or
• 7:06
  Speaker 2: stage in ambush. But in the midst of all of this,
• 7:09
  Speaker 2: there are two urgent problems at play. First, police think
• 7:13
  Speaker 2: they're only dealing with an active shooter, but there are
• 7:16
  Speaker 2: hostages inside the house and officers have no idea yet. Second,
• 7:21
  Speaker 2: officer Bray and the civilian woman remain trapped and exposed
• 7:25
  Speaker 2: to the shooter's sites. The longer they wait, the more
• 7:28
  Speaker 2: likely they'll be caught in the crossfire.
• 7:32
  Speaker 1: Hey, Breay, can you move? Can you come back to me?
• 7:35
  Speaker 1: I can't, I can't four nine five? Do you have
• 7:39
  Speaker 1: the shield? We have somebody that stuck right in front.
• 7:41
  Speaker 1: Sheldesn't the square. I'm up on the front corner. So
• 7:49
  Speaker 1: my good miss you hey right there to stay beyond
• 7:52
  Speaker 1: the hands of block. I am anything else? You see
• 7:55
  Speaker 1: you there?
• 7:56
  Speaker 3: Or no?
• 7:57
  Speaker 7: We're just susperous lady yet from hey, don't you go inside?
• 8:17
  Speaker 2: This revelation finally puts everything into perspective for officers with
• 8:22
  Speaker 2: hostages involved. It's clear that the situation is becoming much
• 8:25
  Speaker 2: more complicated and a rescue plan is needed urgently. So
• 8:30
  Speaker 2: at the stakes now higher officers have two critical priorities. First,
• 8:35
  Speaker 2: they need to extract the pinned officer before the situation
• 8:38
  Speaker 2: becomes even more dangerous. Second, they must clear the perimeter
• 8:42
  Speaker 2: and breach the house to rescue the hostages trapped inside.
• 8:46
  Speaker 2: To move forward, Sergeant Adam Jurgen's requests a shield as
• 8:50
  Speaker 2: they prepare to move with the extraction plan. But before
• 8:53
  Speaker 2: we get to that, these cases often affects the mental
• 8:56
  Speaker 2: health of both the officers involved and the innocent people involved,
• 9:00
  Speaker 2: and stressful situations in your life can often have the
• 9:03
  Speaker 2: same effect on you. This was the case for me.
• 9:06
  Speaker 2: I had a point where powering through it wasn't working.
• 9:09
  Speaker 2: I wasn't equipped to manage what I was feeling alone.
• 9:12
  Speaker 2: A therapist gave me one assignment, write down how I
• 9:15
  Speaker 2: feel every hour. Within days, the patterns were obvious, what
• 9:19
  Speaker 2: spiked me, what grounded me. Reporting back kept me honest.
• 9:23
  Speaker 2: Seeing winds in black and white made me proud. That's
• 9:26
  Speaker 2: what finally showed me what needed to change and how.
• 9:29
  Speaker 2: That's why I'm sponsored by Better Help. They're on a
• 9:31
  Speaker 2: mission to make starting therapy easier. You fill out a
• 9:34
  Speaker 2: quick questionnaire and can be matched with a therapist in
• 9:36
  Speaker 2: as little as a couple of days. If it's not
• 9:38
  Speaker 2: the right fit, you can switch any time at no
• 9:40
  Speaker 2: extra cost. With over nine thousand reviews and a four
• 9:43
  Speaker 2: point three rating on trust Pilot, it's a platform you
• 9:46
  Speaker 2: can trust. Click the link in the description or go
• 9:48
  Speaker 2: to betterhelp dot com slash doctor insanity to get ten
• 9:51
  Speaker 2: percent off your first month. With that said, let's get
• 9:54
  Speaker 2: back to the scene where officers are about to move
• 9:57
  Speaker 2: ahead with the rescue plan.
• 10:01
  Speaker 8: Hey, we need to should up here for the house.
• 10:07
  Speaker 3: Okay, we're coming up to you.
• 10:11
  Speaker 4: Staying here, staying here?
• 10:12
  Speaker 1: Do you see her? Do you see her right here?
• 10:14
  Speaker 1: Was she stuffed by the car? She's right over here.
• 10:17
  Speaker 1: We have to get her out of that way.
• 10:19
  Speaker 8: The house is this one right here? He was shooting
• 10:22
  Speaker 8: right from the front window towards me. Says there's somebody
• 10:25
  Speaker 8: in there. Okay, so let I think their priority is
• 10:29
  Speaker 8: we have to go get Bray out of there because
• 10:31
  Speaker 8: she's really stuck.
• 10:31
  Speaker 1: So you tell me what you want to do from here.
• 10:33
  Speaker 1: That woman is.
• 10:34
  Speaker 8: Saying that there's two people in here and that this
• 10:36
  Speaker 8: dude just has a guy hostage.
• 10:38
  Speaker 6: So all right, hey, here's telling me take your right
• 10:42
  Speaker 6: you just go that way, good, yeah, right.
• 10:47
  Speaker 1: Coming towards you.
• 10:47
  Speaker 9: Okay, Hey, we gotta get out.
• 11:05
  Speaker 10: At it fully, shit.
• 11:16
  Speaker 2: Got Fortunately, the extraction goes smoothly and Officer Brittany is
• 11:23
  Speaker 2: pulled to safety, though the real danger is still far
• 11:27
  Speaker 2: from over. By now, multiple officers have surrounded the house
• 11:31
  Speaker 2: from both the east and the west sides, with additional
• 11:33
  Speaker 2: backup units arriving from the east end. But things are
• 11:36
  Speaker 2: still dangerously unpredictable because in the middle of all of
• 11:40
  Speaker 2: this chaos, CCTV captures a car pulling slowly into the
• 11:44
  Speaker 2: parking lot near the house, seemingly oblivious to the active
• 11:48
  Speaker 2: gunfire unfolding just a few feet away.
• 12:03
  Speaker 8: Who is it, as it states, get the fuck out
• 12:12
  Speaker 8: of here.
• 12:12
  Speaker 1: Leave, I don't give a fuck. Move get out. Shooting
• 12:19
  Speaker 1: across the street at us. You're not paying attention.
• 12:25
  Speaker 2: With the civilians swiftly cleared from the scene, officers refocus
• 12:29
  Speaker 2: on the real danger ahead. They need to extract the
• 12:32
  Speaker 2: civilian woman still stuck at the corner of the house,
• 12:35
  Speaker 2: and then quickly devise a plan to confront the gunman
• 12:38
  Speaker 2: without risking casualties. But as officers begin coordinating their next move,
• 12:42
  Speaker 2: the gunman is already preparing to do something far worse,
• 12:46
  Speaker 2: something that will force police to act whether they're ready
• 12:50
  Speaker 2: or not.
• 12:52
  Speaker 1: Go ahead, go on.
• 13:01
  Speaker 4: T vni Amula's rug.
• 13:07
  Speaker 8: Emer Remember you hurt at all, sarge?
• 13:13
  Speaker 1: I got four? Okay. So there's a woman that's in
• 13:17
  Speaker 1: this corner of this house that's.
• 13:19
  Speaker 8: Going to be at the northeast side, and she's kind
• 13:23
  Speaker 8: of stuck right in here.
• 13:27
  Speaker 1: I think she's right there. Did you see that? Did
• 13:30
  Speaker 1: you see that? We can work a team to get
• 13:33
  Speaker 1: her out. That's what we want to do next.
• 13:36
  Speaker 6: This feeling or no, we have a female on this side,
• 13:39
  Speaker 6: just saying that they're shooting from the apartment out I
• 13:42
  Speaker 6: think on the east side.
• 13:43
  Speaker 1: Is she okay? With the injured?
• 13:46
  Speaker 7: Do you have and andia where the shots are coming from?
• 13:48
  Speaker 8: So and so when I was shooting, I shot towards
• 13:50
  Speaker 8: the house, and he was it looks like he was
• 13:52
  Speaker 8: shooting at this front window this way towards Braike. Now
• 13:56
  Speaker 8: I've seen him break windows and I can see gunshots
• 13:58
  Speaker 8: that are actually on all sides.
• 14:01
  Speaker 1: Of the house. So I don't know where he's.
• 14:02
  Speaker 9: At We're gonna move up a little bit.
• 14:06
  Speaker 3: A couple of brides.
• 14:07
  Speaker 8: We can say, cover up, all right, march On hired.
• 14:12
  Speaker 1: To go inside.
• 14:14
  Speaker 2: Those painful screams that followed the gunshot confirmed the worst.
• 14:20
  Speaker 2: The gunman has just shot one of the hostages inside
• 14:24
  Speaker 2: the house. Now more than ever, officers know they need
• 14:29
  Speaker 2: to act. If they wait any longer, more lives could
• 14:32
  Speaker 2: be put at risk. With that terrifying realization, officers immediately
• 14:41
  Speaker 2: scrambled to collect as much critical information as possible before
• 14:44
  Speaker 2: moving inside to confront the shooter. They still don't know
• 14:47
  Speaker 2: exactly how many people are inside, where the shooter is positioned,
• 14:51
  Speaker 2: or who exactly they're dealing with, but that is about
• 14:55
  Speaker 2: to change.
• 14:56
  Speaker 3: We need to figure out if we have a hostage
• 14:59
  Speaker 3: in there.
• 15:00
  Speaker 1: So she says, there is.
• 15:02
  Speaker 8: She told me that there's there's her husband is with
• 15:05
  Speaker 8: the shooter, and there's the only two that are in there.
• 15:10
  Speaker 1: Your name, let me, let me let me work on that, ma'am.
• 15:13
  Speaker 1: Who's inside the house again? And what's her name? Matthew Lopez?
• 15:22
  Speaker 7: Got it?
• 15:23
  Speaker 3: Okay?
• 15:23
  Speaker 1: See what you got associated for? Matthew Lopez in the house.
• 15:26
  Speaker 8: This woman out here is saying that that's the gunman,
• 15:28
  Speaker 8: and I believe that Gary Tubbs is the husband she's saying.
• 15:32
  Speaker 1: He's stuck inside with him with.
• 15:34
  Speaker 2: A suspect name. Identified officers can finally begin to piece
• 15:38
  Speaker 2: together who they're dealing with and what Dispatch relays back
• 15:42
  Speaker 2: raises serious concerns. According to their checks, Matthew Lopez is
• 15:48
  Speaker 2: a registered defender. Even worse, the initial nine to one
• 15:52
  Speaker 2: one caller also told dispatch that Lopez has felony warrens
• 15:56
  Speaker 2: in Ohio or New York and is possibly using a
• 15:58
  Speaker 2: fake name. His true motives would prove to be far
• 16:02
  Speaker 2: more complicated. With all this in mind, police realize they're
• 16:06
  Speaker 2: dealing with an armed defender with a violent, disturbing past.
• 16:09
  Speaker 2: But just as that information is syncing in, something completely
• 16:13
  Speaker 2: unexpected happens. The supposed perpetrator inside the home picks up
• 16:18
  Speaker 2: the phone and calls nine one one himself.
• 16:21
  Speaker 4: Hello connection, I almost adds to the emergency. I have
• 16:25
  Speaker 4: a hostage right here, and your fucking police officers are
• 16:28
  Speaker 4: trying to assume me. I'bout it's got two people already.
• 16:30
  Speaker 4: I'm not afraid of that. I'mbout to kill. I gotta
• 16:33
  Speaker 4: actually one plus.
• 16:35
  Speaker 3: You can a single bay this is the bottom of
• 16:36
  Speaker 3: the police I'm.
• 16:38
  Speaker 4: Out like a fly. Okay, I'll give the funk and
• 16:41
  Speaker 4: I don't have my better So if you got got
• 16:43
  Speaker 4: to get the fuck to be, got a fucking really
• 16:45
  Speaker 4: safey turing figure, lady that still got three bulks left?
• 16:49
  Speaker 1: How many people are in there with you too?
• 16:51
  Speaker 4: The people that are with you, are they injured? Yes? Okay?
• 16:55
  Speaker 4: Where do they have injuries?
• 16:56
  Speaker 2: To any semer?
• 16:58
  Speaker 4: And you'll keep coming in her eyes? The first simple
• 17:02
  Speaker 4: demand most of them shot in the femur see other
• 17:07
  Speaker 4: man with the incruiters scared to set on him.
• 17:17
  Speaker 3: I'm gonna hang out so that somebody can call and
• 17:19
  Speaker 3: talk with you, Okay, Okay, man, just make sure to
• 17:22
  Speaker 3: answer your phone.
• 17:23
  Speaker 4: Okay, I don't have to figure your Okay, what do.
• 17:25
  Speaker 7: You need me to do?
• 17:25
  Speaker 3: Okay?
• 17:26
  Speaker 6: Hang up, and then they're gonna call you.
• 17:28
  Speaker 4: I didn't mean Jarry, did she looking down?
• 17:31
  Speaker 3: Okay.
• 17:35
  Speaker 2: Although Lopez never explains his motives or makes demands, he
• 17:38
  Speaker 2: does confirm he's already shot two people inside the home,
• 17:41
  Speaker 2: and in the background of the call, a wounded hostage
• 17:44
  Speaker 2: can be heard groaning He's gonna do it. He's gonna
• 17:47
  Speaker 2: kill me. So with hostages already bleeding and the gunman
• 17:50
  Speaker 2: threatening to kill. The margin for error is razor thin,
• 17:54
  Speaker 2: and the choices police make within the next ten minutes
• 17:57
  Speaker 2: will determine who makes it out alive.
• 17:59
  Speaker 1: And who does what window window contact.
• 18:09
  Speaker 2: For now, the situation is becoming more hectic than before,
• 18:12
  Speaker 2: and the longer police wait to make a move, the
• 18:14
  Speaker 2: worse things will get. They have to get inside.
• 18:18
  Speaker 4: We have a mail on the phone. Thing is two.
• 18:20
  Speaker 1: Hostage is shot to already and then he has three
• 18:23
  Speaker 1: bullet him with the phone numbers.
• 18:24
  Speaker 4: In the narrative, he's living on the line.
• 18:35
  Speaker 1: Five five through who looks to that truck? Okay, I
• 18:40
  Speaker 1: am stay by talks towards the mail in the house
• 18:51
  Speaker 1: that he's seeing, that he's talking with an officer, and
• 18:52
  Speaker 1: that he's shot people. We have the contact team.
• 18:57
  Speaker 3: You got PEP, shanned O'Neil, and I got injury.
• 19:02
  Speaker 1: Okay.
• 19:02
  Speaker 8: Do you want me to try to call him first
• 19:04
  Speaker 8: and see if we can work this, If you can
• 19:10
  Speaker 8: make the team.
• 19:10
  Speaker 1: I think you're right. I think we're probably gonna have.
• 19:12
  Speaker 3: To go a team. Jill th we're there, Yeah.
• 19:18
  Speaker 1: All right, man go on cover.
• 19:26
  Speaker 2: At this stage of the standoff, multiple developments are happening
• 19:30
  Speaker 2: behind the scenes. Negotiators are patched in, calling Lopez his
• 19:33
  Speaker 2: phone and trying to draw him back into conversation as
• 19:36
  Speaker 2: the perimeter titans around him. Medics are staged just blocks away,
• 19:40
  Speaker 2: waiting at a nearby elementary school, and around the neighborhood.
• 19:43
  Speaker 2: Roadblocks are set up to keep any more civilians from
• 19:46
  Speaker 2: wandering straight into the middle of a gunfight. With all
• 19:49
  Speaker 2: these precautions in place, officers on the ground prepare to
• 19:52
  Speaker 2: make one final attempt to reach Lopez and push for
• 19:55
  Speaker 2: a surrender.
• 19:57
  Speaker 8: Keep doing your thing, but I'm gonna try to call
• 19:59
  Speaker 8: him to You guys are two or three.
• 20:01
  Speaker 3: I think go over here on the northeast corner of
• 20:03
  Speaker 3: the house. If we can move these guys up around
• 20:05
  Speaker 3: here on the trees and try to get them out,
• 20:06
  Speaker 3: I think that would be a benefit.
• 20:08
  Speaker 11: This is a multi fucking so where's just three doors?
• 20:10
  Speaker 11: Fuck so that that window on the southwest has reunds.
• 20:18
  Speaker 3: To it shattered.
• 20:20
  Speaker 1: We can get a rifle there. You just go in
• 20:22
  Speaker 1: the front. Probably the best option two is not working,
• 20:26
  Speaker 1: so I need the phone on for this guy. Please
• 20:35
  Speaker 1: two we come home. Well, it's just what the voicemail.
• 20:39
  Speaker 2: With Lopez's phone now going straight to voicemail. Any chance
• 20:43
  Speaker 2: of negotiating a peaceful surrender is gone. Officers realize they
• 20:47
  Speaker 2: can't wait any longer. It's time to go in. Sergeant
• 20:55
  Speaker 2: Brian Miller coordinates a contact team. Their plan is simple
• 20:58
  Speaker 2: but high risk. Enter through the front door with a
• 21:01
  Speaker 2: ballistic shield, neutralize the threat and extracts the hostages. At
• 21:05
  Speaker 2: the same time, other officers are instructed to reposition and
• 21:09
  Speaker 2: cover additional angles around the perimeter. Officers know this is
• 21:13
  Speaker 2: extremely risky and once they breached the door, they could
• 21:17
  Speaker 2: be walking straight into a gunfight.
• 21:19
  Speaker 1: All right, well, did you get moving? Is a shield team?
• 21:22
  Speaker 1: O'Neil wants you to.
• 21:23
  Speaker 11: I'll walk up with this put off and take that
• 21:25
  Speaker 11: that window on the southwest side.
• 21:27
  Speaker 1: I got it and make conta keep trying me. I
• 21:32
  Speaker 1: don't know me, I don't have well the clocks on,
• 21:34
  Speaker 1: so yep, who's at the shield? I got the shield?
• 21:37
  Speaker 1: All right, what's the plan? Where are we headed? Front door?
• 21:40
  Speaker 11: Run right there with the mailboxes, O'Neil to take the
• 21:44
  Speaker 11: window that's craft in the southwest side, right next to
• 21:46
  Speaker 11: the door. So peel off, shine sept move up your
• 21:52
  Speaker 11: right side the west side on the shield.
• 21:55
  Speaker 1: Alright, nights.
• 21:57
  Speaker 3: Were moving up?
• 21:58
  Speaker 4: All right?
• 21:58
  Speaker 3: Ready, got ready, all it moving?
• 22:01
  Speaker 5: This is slow.
• 22:03
  Speaker 11: I got the window tipped the left, left door, bring
• 22:08
  Speaker 11: that window, got it all the way around the corn. Okay,
• 22:13
  Speaker 11: hold it up.
• 22:13
  Speaker 4: They got.
• 22:23
  Speaker 7: Fact wrong side.
• 22:24
  Speaker 1: You need one?
• 22:25
  Speaker 4: What do you want?
• 22:25
  Speaker 1: What do you want? Hon't you killed the others of
• 22:27
  Speaker 1: the house, love Bud. We'll try to kick her. Kick
• 22:34
  Speaker 1: it yep, got do cottact what you want? Left? We
• 22:42
  Speaker 1: got what we got? WoT that window? What that fucking window? Window?
• 22:45
  Speaker 1: What's that window?
• 22:56
  Speaker 5: Where's the shoot up?
• 22:58
  Speaker 12: What do you got?
• 22:58
  Speaker 1: I don't get to dinner.
• 23:00
  Speaker 2: As police barge inside the house, they find two severely
• 23:04
  Speaker 2: wounded men, both lying on the floor, bleeding and barely responsive.
• 23:09
  Speaker 2: It's not yet clear who they are, but both appear
• 23:12
  Speaker 2: to be hostages suffering from gunshot wounds. However, the situation
• 23:16
  Speaker 2: is still far from under control. Beyond this room, there
• 23:19
  Speaker 2: is still a kitchen area, multiple bedrooms as well as
• 23:22
  Speaker 2: a basement, and with the shooter still unaccounted for, Lopez
• 23:26
  Speaker 2: could be anywhere.
• 23:29
  Speaker 1: Here right here, suck, I mean what I got the head?
• 23:37
  Speaker 3: Give? We need to drag him out.
• 23:42
  Speaker 7: Talk, We're METID, we got med and rock.
• 23:50
  Speaker 3: Hey, drag him out. He's probably got a gunshot to
• 23:54
  Speaker 3: the leg. MA, Nope, he's got a headshot to the wound. Hey,
• 23:58
  Speaker 3: we need to find they said there was you injured?
• 24:02
  Speaker 3: Were to the house five second we got two, apparently
• 24:08
  Speaker 3: floodshots to the Hi. Keep the stage for me.
• 24:14
  Speaker 8: Were gonna plays alight?
• 24:17
  Speaker 4: Okay, all right, let's go.
• 24:19
  Speaker 3: You're gonna take this right, I'm gonna take a while.
• 24:25
  Speaker 1: I'm hold on the kitchen. Give me what I forgot?
• 24:28
  Speaker 2: You right?
• 24:33
  Speaker 3: Check my neck on.
• 24:36
  Speaker 1: There?
• 24:37
  Speaker 3: Okay, room clear, room clear, Okay, I.
• 24:41
  Speaker 1: Close over to my left, kitchen opens up to the right.
• 24:43
  Speaker 7: Okay, switch out. She'll go first.
• 24:46
  Speaker 4: I got laid on in that ring.
• 24:47
  Speaker 3: Winnis all right?
• 24:50
  Speaker 1: I got open door right list So it looks like
• 24:53
  Speaker 1: a bad heads the door here?
• 24:56
  Speaker 3: Alright, there we can go.
• 24:57
  Speaker 1: Do you want to scroll a little bit here?
• 24:59
  Speaker 10: You want?
• 25:00
  Speaker 7: God?
• 25:03
  Speaker 3: Where does this lead to?
• 25:04
  Speaker 1: It might go to a basement.
• 25:05
  Speaker 3: I don't know.
• 25:05
  Speaker 1: I'm Lena say it, so just move this.
• 25:09
  Speaker 5: What let's see you?
• 25:14
  Speaker 1: Or hold on that?
• 25:15
  Speaker 5: I got it?
• 25:16
  Speaker 1: I got it? How many? How many people are still missing?
• 25:19
  Speaker 1: Right now?
• 25:21
  Speaker 3: So what pas? They had?
• 25:23
  Speaker 5: True hostages?
• 25:24
  Speaker 3: So far?
• 25:25
  Speaker 9: Got true?
• 25:26
  Speaker 1: Both shop and we don't know about anybody else. Okay,
• 25:28
  Speaker 1: so all three people accounted for No. Two two?
• 25:32
  Speaker 3: Hold that.
• 25:36
  Speaker 1: Yeah, alright, Oh, they'll just come all right, just hit
• 25:40
  Speaker 1: that door out right, ye. Locked.
• 25:45
  Speaker 2: With the basement door being locked, a major complication faces officers.
• 25:49
  Speaker 2: Basement entries are some of the most dangerous spaces for
• 25:52
  Speaker 2: law enforcement. The narrow layout, blind corners, and poor lighting
• 25:56
  Speaker 2: make it almost impossible to clear safely. Spec Actually, when
• 26:00
  Speaker 2: a suspect is barricaded inside, if Lopez is down there,
• 26:04
  Speaker 2: officers could be walking straight into an ambush. So instead
• 26:09
  Speaker 2: of forcing the door, a sergeant makes the call to
• 26:12
  Speaker 2: hold the basement for now and shifts the priority to
• 26:15
  Speaker 2: secure the outside perimeter. Confirm whether the gunman slipped out
• 26:18
  Speaker 2: or is still hiding elsewhere on the property. Officer Eric
• 26:22
  Speaker 2: Glaum heads out to check the exterior, and that's when
• 26:24
  Speaker 2: they hear someone in the garage.
• 26:29
  Speaker 6: You guys, yeah, just come with me. I'll just hold
• 26:38
  Speaker 6: someone hold there, Yeah, are you guys in the garage?
• 26:47
  Speaker 1: How many? How many people are in there? Just you
• 26:51
  Speaker 1: and the two dogs?
• 26:52
  Speaker 7: Can you leave the.
• 26:53
  Speaker 1: Dogs in there? Come out?
• 26:55
  Speaker 6: Okay, We're gonna open the door. Okay, just make sure
• 26:58
  Speaker 6: I can see your hands all right, all right, okay, Rick,
• 27:07
  Speaker 6: who was all inside the apartment?
• 27:09
  Speaker 5: My husband?
• 27:11
  Speaker 1: And who else?
• 27:13
  Speaker 3: Is there anybody else?
• 27:14
  Speaker 1: We don't know?
• 27:14
  Speaker 3: Is there anybody else that was in there? No? Okay,
• 27:17
  Speaker 3: ma'm why don't you?
• 27:19
  Speaker 1: Jui lives in the side apartment.
• 27:24
  Speaker 2: Turns out the civilian woman from earlier managed to run
• 27:26
  Speaker 2: and hide inside the garage. According to her, there's someone
• 27:30
  Speaker 2: else still inside the house, in a different section of
• 27:33
  Speaker 2: the duplex that officers haven't cleared yet. Until now, all
• 27:37
  Speaker 2: attention has been focused on the front unit and the basement,
• 27:41
  Speaker 2: but the layout of the home is a two unit structure,
• 27:44
  Speaker 2: with the second unit still unaccounted for. But before Officer
• 27:48
  Speaker 2: Eric Glum can relay that information, Sergeant Brian Miller is
• 27:51
  Speaker 2: already patrolling near that side of the house, unaware it
• 27:55
  Speaker 2: hasn't been cleared.
• 27:57
  Speaker 10: You know, you don't know or anything's at Okay, where
• 28:03
  Speaker 10: this is the I should be the liver the kitchen, that's.
• 28:09
  Speaker 1: Living room, living room, living room, kitchen. All right, we
• 28:21
  Speaker 1: got here, we go. Okay, boo boo, Police one Personal
• 28:42
  Speaker 1: Police Department, Sergeant Miller.
• 28:48
  Speaker 3: By, come on here, guys, I'm trying, I'm trying. I'm shock.
• 28:51
  Speaker 1: You're shot in my leg. Okay, maybe else.
• 28:53
  Speaker 3: Here, No, just me and my dog.
• 28:55
  Speaker 7: Let's go off.
• 28:57
  Speaker 2: Okay, I've got officers right here by me. Okay, thanks
• 29:03
  Speaker 2: to the door.
• 29:04
  Speaker 12: Coming up, coming off, all right, for there to the steps.
• 29:16
  Speaker 1: Who else is here with you?
• 29:17
  Speaker 3: Nobody?
• 29:17
  Speaker 12: It was just me and my dog.
• 29:21
  Speaker 1: Is this crapper apartment?
• 29:22
  Speaker 3: No?
• 29:23
  Speaker 1: No, yes, we can't call it. Basically, this is a
• 29:31
  Speaker 1: different guy, different apartment. Okay, watch that one rise.
• 29:37
  Speaker 3: That's where I do believe he's at.
• 29:39
  Speaker 2: Inside the second unit, Sergeant Miller finds the same man
• 29:43
  Speaker 2: who first called nine one one. He's also suffering from
• 29:46
  Speaker 2: a gunshot wound, making him the third confirmed victim extracted
• 29:50
  Speaker 2: from the scene so far. But Sergeant Miller quickly realizes
• 29:54
  Speaker 2: something is not adding up. Earlier, Lopez claimed there were
• 29:58
  Speaker 2: only two hostages, but now police have found a third victim.
• 30:03
  Speaker 2: If this man is a hostage just like the other
• 30:05
  Speaker 2: two they extracted earlier, that means Lopez might have been
• 30:10
  Speaker 2: lying and there could be even more people inside the
• 30:12
  Speaker 2: house unaccounted for. Police proceed to check the unit, but
• 30:16
  Speaker 2: find no sign of the gunman. That leaves only one
• 30:19
  Speaker 2: place they haven't cleared, the basement. Officers quickly regroup and
• 30:24
  Speaker 2: head back towards the locked basement door, prepared to face
• 30:27
  Speaker 2: whoever might be hiding there.
• 30:35
  Speaker 1: Right open, I feel opens up.
• 30:47
  Speaker 3: He gets a shield up?
• 30:48
  Speaker 1: All right, Miller yet right y? Okay?
• 31:00
  Speaker 3: Hm, I about this sure, I'm gonna move open to
• 31:09
  Speaker 3: the door. Can wanta take you the left here?
• 31:12
  Speaker 7: Okay?
• 31:12
  Speaker 1: So flod out, Eric, let me clear this.
• 31:15
  Speaker 3: All right, I'm one yep, break blue book.
• 31:22
  Speaker 1: Okay, there's a dead corner here. I can't clear yet.
• 31:25
  Speaker 4: I got.
• 31:27
  Speaker 3: Talk Corn'm talking about peel off.
• 31:30
  Speaker 1: Okay, I'll peel off his left side here, you clear, Claire?
• 31:40
  Speaker 1: What do you kids?
• 31:41
  Speaker 10: So we got a big room to clear.
• 31:43
  Speaker 3: One more?
• 31:44
  Speaker 1: You got four? Yeah, fo Eric, I'm gonna go one.
• 31:48
  Speaker 8: I'm gonna go right, okay, all right, movie, I got
• 31:56
  Speaker 8: this story here, so.
• 31:57
  Speaker 10: I'm gonna check that corner.
• 31:59
  Speaker 1: He's got the corner on you of course, good good? Yeah, okay,
• 32:03
  Speaker 1: I'm all open this door.
• 32:06
  Speaker 4: The cellar door.
• 32:10
  Speaker 5: Dead space.
• 32:11
  Speaker 2: Officers go on to clear the rest of the basement
• 32:14
  Speaker 2: with no sign of Lopez or any additional hostages. For
• 32:18
  Speaker 2: a brief moment, they believe Lopez escaped during the chaos
• 32:22
  Speaker 2: and could still be at large. That changes when one
• 32:26
  Speaker 2: of the surviving hostages gives a description of the suspect,
• 32:30
  Speaker 2: a Hispanic male, early thirties, heavily tattooed, wearing a green shirt.
• 32:35
  Speaker 2: With that description, officers quickly realized Matthew Lopez isn't missing.
• 32:40
  Speaker 2: He was one of the wounded men they already carried
• 32:43
  Speaker 2: out earlier. He shot himself and was critically injured the
• 32:47
  Speaker 2: moment officers forced their way inside. With the scene fully secured,
• 32:53
  Speaker 2: Lopez and the injured hostages were transported to hospital for treatment.
• 32:58
  Speaker 2: In the meantime, detectives go to work piecing together the
• 33:01
  Speaker 2: knight's events, why Lopez opened fire, and what his true
• 33:04
  Speaker 2: motives may have been. What they discovered was a spiral
• 33:08
  Speaker 2: of paranoia and violence. In the days before the shooting,
• 33:14
  Speaker 2: Matthew Lopez had been living in the duplex with housemates
• 33:17
  Speaker 2: after moving from New York to start fresh, but over
• 33:20
  Speaker 2: the weekend, he disappeared with a friend to use drugs,
• 33:24
  Speaker 2: came back agitated and paranoid, claiming he was targeted and drugged,
• 33:29
  Speaker 2: that his phone was wiped, and ranting about a stolen
• 33:32
  Speaker 2: kilo of cocaine. On the evening of December nineteenth, while
• 33:36
  Speaker 2: others cooked and watched a movie, Lopez finally snapped. He
• 33:41
  Speaker 2: suddenly grabbed a woman, pulled out a pistol, shouted about
• 33:45
  Speaker 2: people outside trying to kill him, and fired two rounds
• 33:48
  Speaker 2: into the ceiling. The investigators later confirmed the bullet holes
• 33:52
  Speaker 2: above the living room area. As panics spread, Lopez turned
• 33:56
  Speaker 2: the gun and shot one resident in the femur. When
• 33:59
  Speaker 2: a neighbor stepped outside to investigate the commotion, Lopez shot
• 34:03
  Speaker 2: him as well. Detectives later concluded that it was the
• 34:06
  Speaker 2: peak of a drug fueled paranoia spiral that made Lopez
• 34:10
  Speaker 2: lash out at those around him before confronting police and
• 34:14
  Speaker 2: turning the gun on himself. The injured victims were treated
• 34:17
  Speaker 2: and discharged from hospital, but Matthew Lopez was later pronounced dead,
• 34:22
  Speaker 2: and with him, the true motive for the Kenoshas standoff
• 34:26
  Speaker 2: died as well.