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They Got Drake we got Charlamagne · The Breakfast Club

• 0:00
  Speaker 1: It's time. It's time time to wake up teaching in
• 0:04
  Speaker 1: Financial League and Charlo Mean the God of the Practice Club, bitch,
• 0:08
  Speaker 1: the voice of the culture. People watch The Reckface Club
• 0:11
  Speaker 1: for like news to really be tuned in. It's one
• 0:14
  Speaker 1: of my favorite shows to do, just because y'all always
• 0:17
  Speaker 1: keep you one, honey, y'all keep your Really, they might
• 0:19
  Speaker 1: not watch the news, but they're on Twitter, they're on Facebook,
• 0:21
  Speaker 1: they're you know, they're listening to the Breakfast Brother gets
• 0:24
  Speaker 1: your ass. So good morning usc yo yo yo yo
• 0:39
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:44
  Speaker 1: yo yo. Good morning Angela yea, Charlomagne the guy. Peace
• 0:49
  Speaker 1: to the planet is Tuesday. Yes, it's Tuesday. Absolutely is
• 0:55
  Speaker 1: they after the Vina? Did anybody watch well? Before we
• 0:58
  Speaker 1: do that, Before we do that, let's shout out ours
• 1:00
  Speaker 1: family member, who you got uh ninety six five the
• 1:04
  Speaker 1: box number one fifth popping R and B and Little
• 1:06
  Speaker 1: Rock Arkins dropping a clue, Little Rock Arkansas, Good morning
• 1:09
  Speaker 1: you guys talking to the family. I can never I
• 1:12
  Speaker 1: can never hear a little Rock offica and I think
• 1:13
  Speaker 1: about Gang banging in a little Remember that old documentary
• 1:17
  Speaker 1: from that. I remember after it actually went to a
• 1:20
  Speaker 1: Little Rock one time with Sway. He had a conference
• 1:22
  Speaker 1: out there and Little Rock oukusas did anybody get shot? No?
• 1:26
  Speaker 1: I always expect that when I see documentaries that showcase
• 1:29
  Speaker 1: the street life to gangster life of a city. Always
• 1:31
  Speaker 1: expect that when you go there, somebody's gonna get shot too.
• 1:34
  Speaker 1: But there's always two sides. That's a shame that people
• 1:36
  Speaker 1: think that just because there's one documentary. It's like that,
• 1:40
  Speaker 1: what do you think the documentary is gonna what kind
• 1:42
  Speaker 1: of image of the city? You think documentary is gonna
• 1:44
  Speaker 1: putting somebody's head gang banging in Little Rock? Of course?
• 1:49
  Speaker 1: Good morning to our friends in uh Arkansas, good morning, Yes,
• 1:53
  Speaker 1: good morning, Yes, salute a little bit. And they probably
• 1:55
  Speaker 1: hate the fact that documentary painted that picture them all
• 1:58
  Speaker 1: those years. I'm sure they get that all the time.
• 2:00
  Speaker 1: But did anybody watch the VMAs? Yes? I watched part
• 2:02
  Speaker 1: of it. In parts of it, I was gonna go,
• 2:04
  Speaker 1: but I was tired. Man. Plus I don't like to
• 2:05
  Speaker 1: go in the way without my wife, so she's eight
• 2:08
  Speaker 1: months pregnant and big as hell. Then you went and
• 2:10
  Speaker 1: you posted your badge and everything I did. I did
• 2:13
  Speaker 1: post my badge that that move. No, I didn't post
• 2:16
  Speaker 1: it like I was because I posted it earlier in
• 2:17
  Speaker 1: afternoon and I said, so this is gonna be fun tonight.
• 2:19
  Speaker 1: But it's Biscuit actually took a picture of my badge
• 2:22
  Speaker 1: and put his name on it. Go to his page.
• 2:24
  Speaker 1: He photoshopped his name on it. But small Man, Yeah,
• 2:27
  Speaker 1: I know. I heard they always like, do not post
• 2:29
  Speaker 1: any of the badges. Are credential post the ball cold
• 2:32
  Speaker 1: okay on the badge? Yes, But I thought the VMA
• 2:35
  Speaker 1: is very white. It amazes me. Very white. Every year,
• 2:39
  Speaker 1: the VMA's finds a way to be whiter and whiter. Yeah,
• 2:41
  Speaker 1: but I feel like they also don't really play music
• 2:44
  Speaker 1: on MTV, So the VMA, yeah, like it's getting less
• 2:49
  Speaker 1: about I don't know if artists really cared that much
• 2:51
  Speaker 1: about it, just because they don't even play music. Yeah,
• 2:54
  Speaker 1: it's not getting less about music, it's just getting They
• 2:56
  Speaker 1: just find a way to make it wider and whiter
• 2:58
  Speaker 1: every year. But even the people, like I was, I
• 3:00
  Speaker 1: was watching the people in the audience, it seemed like
• 3:03
  Speaker 1: less people about music and more people about reality shows
• 3:06
  Speaker 1: and stuff. Like that. I mean, all of that plays
• 3:07
  Speaker 1: a part in the culture. But I understand what you're saying,
• 3:09
  Speaker 1: but it's a viacom thing. So they have VH one,
• 3:11
  Speaker 1: they have MTV, they have BT and it's mostly reality.
• 3:15
  Speaker 1: They got to feel the seats. I mean, you know,
• 3:16
  Speaker 1: if if if child is again be not coming and
• 3:19
  Speaker 1: the Carter's not coming, then they got to feel the seats.
• 3:21
  Speaker 1: No Kendrick, no Cole, no Drake, got to put the
• 3:26
  Speaker 1: fire there, get you. The cast of Love and Hip
• 3:28
  Speaker 1: Hop Atlanta on Miami, New Orleans, Lower Rock, New York. Good,
• 3:33
  Speaker 1: whatever they're doing and post Malon and Arrowsmith was the
• 3:38
  Speaker 1: most mannaise filled mash up I've ever seen in my
• 3:40
  Speaker 1: goddamn like. I love Arrowsmith, Okay, I didn't see when
• 3:44
  Speaker 1: I seen, I think he's walking out where he had
• 3:45
  Speaker 1: like smiley faces all on the suit. That was the
• 3:48
  Speaker 1: last performance of the night, and immediately after that performance,
• 3:50
  Speaker 1: they went into a Rifa Franklin rspect which I did
• 3:53
  Speaker 1: not understand that. I wasn't ready for that transition. You
• 3:56
  Speaker 1: can't give me all that mannaise and didn't say here's
• 3:58
  Speaker 1: some sweet potatoes to go with it. You know. Madonna,
• 4:01
  Speaker 1: she represented right. No, she did not fart all over
• 4:05
  Speaker 1: Madonna's Oh my goodness, I didn't see that, but I
• 4:09
  Speaker 1: read that she was just giving the video Music Video
• 4:13
  Speaker 1: Music Video Award of the Year or whatever. She took
• 4:16
  Speaker 1: some time to talk about her No, no, she did
• 4:18
  Speaker 1: a whole thing about a refa before they had a
• 4:20
  Speaker 1: refa backdrop behind Madonna and Madonna be coming out. They're
• 4:22
  Speaker 1: paying how much to the But it was all about
• 4:24
  Speaker 1: I was confused because she started and she was like, yeah.
• 4:26
  Speaker 1: When I was going into uh, you know, to try
• 4:29
  Speaker 1: out to sing, I had to pick a song. I'm like,
• 4:31
  Speaker 1: where's this going? Lost me? What's it going? They said,
• 4:34
  Speaker 1: little girls, shut up, and I said, no, I'm not
• 4:36
  Speaker 1: gonna shut up because I'm a Donna. I was like,
• 4:38
  Speaker 1: where's this going? I didn't get it. Where's this going
• 4:40
  Speaker 1: get And there's no there's nobody that can make me
• 4:42
  Speaker 1: believe Madonna blew people away with an acapella rendition of
• 4:46
  Speaker 1: you make me feel like a natural woman. There's no
• 4:48
  Speaker 1: whole body that's gonna make me believe that. Okay, yes, exactly.
• 4:51
  Speaker 1: And it seems like Charlemagne's getting Sucker of the Day.
• 4:54
  Speaker 1: What the Sucker of the Day? That's why I think
• 4:59
  Speaker 1: that you ca sucker. Yeah yeah, I don't want to
• 5:01
  Speaker 1: say the word. Oh yeah, I saw Nicki say that.
• 5:04
  Speaker 1: Just gotta pray for Nicki Minaj Man, Nicki Minads got
• 5:07
  Speaker 1: a lot to be smiling for us. I don't know
• 5:08
  Speaker 1: what the f she'd be wilding for. Okay, she got
• 5:10
  Speaker 1: the number two albums in the country. I write one
• 5:12
  Speaker 1: hundred and eighty five dollar record. So she won an
• 5:14
  Speaker 1: award last night. I was surprised. I was like, you
• 5:16
  Speaker 1: would an award, You go up there, a great performance,
• 5:18
  Speaker 1: great performance, like you got a lot to be smiling
• 5:21
  Speaker 1: for what you'd be wilding for? And the words a
• 5:23
  Speaker 1: snoop Dogg. I don't get it, Like what what are
• 5:25
  Speaker 1: you so mad at? And nobody. Went on a Twitter
• 5:29
  Speaker 1: rant yesterday saying talking about politics and said that the
• 5:31
  Speaker 1: only reason Nicki Minad won this award is because she
• 5:34
  Speaker 1: performed there, because there's no way that she should have
• 5:35
  Speaker 1: been Best Hip Hop Artists for Drake Jay Coole, the Carters,
• 5:38
  Speaker 1: Themigos and Cardi B. Come on for Chunley stop It,
• 5:41
  Speaker 1: and I like chunle Butt stop it, come on. But no,
• 5:43
  Speaker 1: I don't think should have got she You don't think
• 5:45
  Speaker 1: she should have got that. Don't think she should have
• 5:46
  Speaker 1: got it. I asked you, how do you think that
• 5:47
  Speaker 1: she got it because she performed at the VMAs I
• 5:51
  Speaker 1: stuff like that. How do they decide who wins the
• 5:53
  Speaker 1: VMAs by who's sitting in the audience. That's what I think.
• 5:56
  Speaker 1: I'm sorry that you know, Chunley just came out of Chile.
• 6:02
  Speaker 1: Wasn't beginning in my feelings, Drake jen Cole, Cardi B
• 6:06
  Speaker 1: Cardy B the Carters Andy. That was a little stretch shop,
• 6:11
  Speaker 1: that was a little stretch. But I get it. She
• 6:12
  Speaker 1: was there, Yes, she performed. Yes, all right, well we
• 6:15
  Speaker 1: got a lot to talk, gradulator, drop the clues. But
• 6:17
  Speaker 1: now you're gonna gradulated after you said she doesn't deserve it.
• 6:20
  Speaker 1: I didn't say she didn't deserve it. I just said
• 6:21
  Speaker 1: I could have played that politic card, but I didn't. Well,
• 6:24
  Speaker 1: you're getting suck her the day, so well, I wonder
• 6:28
  Speaker 1: what say on effect? That's gonna be just curious. All right, way,
• 6:35
  Speaker 1: Natasha Alfred will be joining us from the GRIEO this morning. Yes,
• 6:38
  Speaker 1: I love Natasha Alfred. She does great work and she
• 6:40
  Speaker 1: was the first um DEGREEO was the first black outlet.
• 6:43
  Speaker 1: She did the interview to interview Amarosa. Okay, all right,
• 6:46
  Speaker 1: and we got front page news. Next. Yes, let's talk
• 6:48
  Speaker 1: about this tender date that actually turned out to be
• 6:51
  Speaker 1: a marketing stunt. Okay, we'll get into all that when
• 6:54
  Speaker 1: we come back. Keep a lock this to Breakfast Club.
• 6:56
  Speaker 1: Good morning morning. Everybody is DJ mvy, Angela Charlomagne, the guy,
• 7:00
  Speaker 1: we are the Breakfast. I want to clue bond for
• 7:02
  Speaker 1: Tianna Taylor. Man. I was about the repost Tianna Taylor's
• 7:06
  Speaker 1: piture until I realized she was a married woman. And
• 7:07
  Speaker 1: I don't want it to be taken the wrong way. Yeah.
• 7:09
  Speaker 1: I just talked about this yesterday. I know, but Tianna
• 7:11
  Speaker 1: Taylor's body is really goals. And I'm talking about for anybody.
• 7:13
  Speaker 1: There's no way you can look at Tianna Taylor's ass
• 7:15
  Speaker 1: and I say to yourself, God, damn man, let me
• 7:17
  Speaker 1: just go get some egwhites this morning. Nothing else. An
• 7:21
  Speaker 1: shopper might want five minutes, but you I ain't talking
• 7:23
  Speaker 1: about her the way she looked. I'm talking about her
• 7:25
  Speaker 1: fitness is a one all you said, fitness, her fitness
• 7:29
  Speaker 1: her You could tell she her fitness game is the
• 7:31
  Speaker 1: one that's what I'm in press by. All right, well,
• 7:32
  Speaker 1: let's get in some front page news' starting you. Well,
• 7:36
  Speaker 1: let's talk about this student who was sent home because
• 7:38
  Speaker 1: she had quote unnatural hair for schools. This this was
• 7:41
  Speaker 1: christ the King and Queen and Louis and Louisianaia. Sorry. Now,
• 7:47
  Speaker 1: the school policy is students can only have natural hair,
• 7:50
  Speaker 1: and she actually had some extensions in so school administrators
• 7:53
  Speaker 1: said it's rule, and she was then sent home. The
• 7:56
  Speaker 1: mother was told the hairstyle was not in compliance, and
• 7:59
  Speaker 1: she did a me to change her child's hair. But
• 8:01
  Speaker 1: in the meantime, it was really sad. She was crying,
• 8:03
  Speaker 1: she was embarrassed when she was pulled out in front
• 8:05
  Speaker 1: of everybody. Man, I'm telling you, I got, you know,
• 8:09
  Speaker 1: a beautiful black daughter in a school with a bunch
• 8:12
  Speaker 1: of white people. And I tell you all the time,
• 8:13
  Speaker 1: sometimes like she'll pull up to like track me to something,
• 8:16
  Speaker 1: and all the white girls want to run and touch
• 8:17
  Speaker 1: her hair. I am the father that screams at all
• 8:19
  Speaker 1: the white kids and tells the parents, tell your kids,
• 8:22
  Speaker 1: keep your your other hands on my child's hair. Please. Yeah,
• 8:24
  Speaker 1: we're gonna have that problem with logan in a couple
• 8:26
  Speaker 1: of weeks because Logan has corn rolls, and I think
• 8:28
  Speaker 1: the school that he's going to doesn't allow um those
• 8:31
  Speaker 1: type of head allow corn rolls, yeah, because they want,
• 8:34
  Speaker 1: like you said, like natural type of hairs. But is
• 8:36
  Speaker 1: your natural hair? Corn rose? Is your natural? We're gonna
• 8:38
  Speaker 1: see natural also, we're gonna see in two weeks with
• 8:41
  Speaker 1: that son's crazy con roll. What you know it's crazy
• 8:44
  Speaker 1: is that her hair looks really cute and beautiful. She
• 8:46
  Speaker 1: just has some added here and sometimes to have braids,
• 8:49
  Speaker 1: people add here onto their braids to braid your hair.
• 8:51
  Speaker 1: The protect anxiety even just thinking about that kind of stuff.
• 8:55
  Speaker 1: But we see was gaping it. Don't play with my
• 8:57
  Speaker 1: little queen like that. Okay, all right now this is
• 9:00
  Speaker 1: but all right, never mind. But anyway, this mass tender
• 9:02
  Speaker 1: date actually turned out to be a marketing stent. Imagine
• 9:04
  Speaker 1: that a tender user told you to meet her at
• 9:06
  Speaker 1: Union Square. Then when you get there, hundreds of men
• 9:09
  Speaker 1: are there as well. Well. It was a marketing stunt
• 9:12
  Speaker 1: for this marketing agency. It's the same agency that did
• 9:14
  Speaker 1: hitting camera footage of a woman being cat called as
• 9:17
  Speaker 1: she walked around New York City. She walked around for
• 9:20
  Speaker 1: ten hours for an anti harassment clip that happened back
• 9:24
  Speaker 1: in twenty fourteen now, and this one. A woman who's
• 9:26
  Speaker 1: a model and an actress invited man that she met
• 9:28
  Speaker 1: on tender to that public area to meet, and when
• 9:31
  Speaker 1: the guys got there, she got on stage and said
• 9:33
  Speaker 1: they were all there to date her. And people started
• 9:36
  Speaker 1: getting dismissed based on not meeting a certain criteria, like
• 9:39
  Speaker 1: half of you are in relationships, so those people should
• 9:41
  Speaker 1: leave now, is the first thing that happened. Then they said,
• 9:45
  Speaker 1: because they said, statistically people who are on dating app
• 9:47
  Speaker 1: half of them are in relationships already. The first elimination
• 9:50
  Speaker 1: was if you think you support Trump, then leave and
• 9:54
  Speaker 1: data Puerto Rican then you can leave. If anyone's a
• 9:56
  Speaker 1: tourist or doesn't live in this country, you should leave too.
• 9:59
  Speaker 1: Also anyone named I don't enjoy the name Jimmy. Those
• 10:01
  Speaker 1: people had to leave. Man with beer bellies, long beers, Khakis,
• 10:04
  Speaker 1: and Time Choose were dismissed as well, And that's when
• 10:08
  Speaker 1: state the remainders had to compete in a running race.
• 10:11
  Speaker 1: But they said they haven't revealed what the whole project is,
• 10:14
  Speaker 1: but on Thursday Fast, on Thursday, they're gonna let you
• 10:18
  Speaker 1: know exactly what the host done is. All right, well,
• 10:22
  Speaker 1: last front page news. Now, usually we do get it
• 10:25
  Speaker 1: off your chess, but we got a special guest joining us.
• 10:28
  Speaker 1: We're gonna kick it in a couple of minutes. Natasha
• 10:30
  Speaker 1: s out for from the Grio. Tell the people who
• 10:33
  Speaker 1: she is and what she did recently. That was pretty big.
• 10:36
  Speaker 1: But Natasha's a deputy editor at the Grio, and she
• 10:38
  Speaker 1: interviewed I'm a Rosa. Was the first She was the
• 10:40
  Speaker 1: first black outlet to interview I'm a Rosa at the Grio,
• 10:43
  Speaker 1: and there was a lot that she had to go
• 10:45
  Speaker 1: through to make this interview happen. So it'll be interesting
• 10:47
  Speaker 1: to hear her point of view on what you had
• 10:49
  Speaker 1: to say about the whole behind the scenes activity to
• 10:51
  Speaker 1: even get that interview happening. All right, we'll get into
• 10:54
  Speaker 1: that next keeping lock don't worry. We're gonna be talking
• 10:56
  Speaker 1: about the VMA's this morning and Morison don't move and
• 10:59
  Speaker 1: Charlemagne really and of the day, keeping this breakfast club.
• 11:03
  Speaker 1: What does the c sucker of the day. What we're
• 11:04
  Speaker 1: gonna find out the breakfast club morning? Everybody is DJ
• 11:11
  Speaker 1: Envy Angela Yee, Charlomagne the guy. We are the breakfast club.
• 11:14
  Speaker 1: We gotta special guests in the building. Yes, Sir, Natasha
• 11:17
  Speaker 1: s Altford, good morning, good morning, what's up? Good morning?
• 11:21
  Speaker 1: How are you? I'm doing wonderful. How are you right?
• 11:23
  Speaker 1: And now we report it on you last week, Natasha,
• 11:25
  Speaker 1: because you were the first black outlet who did an
• 11:28
  Speaker 1: interview with Ama Rosa about her book. Have you read
• 11:31
  Speaker 1: her book? I have, She gave me a copy. I
• 11:33
  Speaker 1: didn't read the entire thing, and sometimes that happens. They
• 11:36
  Speaker 1: dropped the book on you with very little notice, so
• 11:38
  Speaker 1: that way they can kind of frame how they want
• 11:40
  Speaker 1: the interview to go. But I read excerpts and really
• 11:43
  Speaker 1: the focus of the book is she's talking about her journey,
• 11:46
  Speaker 1: but she's using what happened in the Trump White House
• 11:48
  Speaker 1: to basically sell her story as well. But you had
• 11:51
  Speaker 1: enough material to do an interview. Oh, definitely, definitely. I
• 11:54
  Speaker 1: mean the whole news media jumped all over. Anytime you
• 11:57
  Speaker 1: have recordings, anytime you're talking about race, that's going to
• 12:01
  Speaker 1: be a national story. But it was important for me
• 12:03
  Speaker 1: to make sure that black press was in the conversation
• 12:06
  Speaker 1: because you know, the first places she went, CBS, NBC,
• 12:10
  Speaker 1: all those big places, and it's like, you're using the
• 12:13
  Speaker 1: black community as part of your platform. You're saying that
• 12:15
  Speaker 1: you were advocating for us the whole time in the
• 12:17
  Speaker 1: White House, so therefore you should be talking to black
• 12:20
  Speaker 1: people directly about what your experience. She can't do that
• 12:24
  Speaker 1: because she know that US black people will tell her
• 12:26
  Speaker 1: she's fullish, And the white outlets can't do that. The
• 12:29
  Speaker 1: white outlets mainstream, I guess is the politically correct term
• 12:33
  Speaker 1: to use. But the mainstream news outlets, obviously their focus
• 12:37
  Speaker 1: is Donald Trump anytime they can get some dirt on him.
• 12:39
  Speaker 1: It's like, how much did you record? How many tapes
• 12:42
  Speaker 1: do you have? Are you talking to Robert Muller? And
• 12:46
  Speaker 1: I had a feeling that they weren't going to ask
• 12:48
  Speaker 1: the questions that I wanted to know, which was, what
• 12:50
  Speaker 1: was the whole point of doing this? Did you accomplish
• 12:52
  Speaker 1: anything for the black community? Why did it take you
• 12:55
  Speaker 1: so long to say that Donald Trump was a racist
• 12:58
  Speaker 1: when many people have already agreed that that's that's sort
• 13:01
  Speaker 1: of the agreement that things that he's he said are racist.
• 13:05
  Speaker 1: And also just like, what was the point of this
• 13:07
  Speaker 1: entire endeavor for books? Right? But going to the wire,
• 13:11
  Speaker 1: about being in the White House was big now. She
• 13:13
  Speaker 1: said that she didn't realize how bad it was because
• 13:16
  Speaker 1: you know, when you're really close to something and you
• 13:18
  Speaker 1: can't see from a different point of view because it's
• 13:21
  Speaker 1: happening right there next to you, I guess kind of thing. Yeah,
• 13:24
  Speaker 1: She said that she had a blind spot for Donald
• 13:26
  Speaker 1: Trump and that she really felt like they had a
• 13:28
  Speaker 1: genuine relationship fourteen years. Think about it, we didn't know
• 13:31
  Speaker 1: Omarosa from anything in the beginning, even though she had
• 13:34
  Speaker 1: worked in the White House before. It was The Apprentice
• 13:36
  Speaker 1: that really launched her. And so you have Donald Trump
• 13:38
  Speaker 1: and Omarossa using each other in a way to boost
• 13:42
  Speaker 1: their profile. And that's that's how she built her career,
• 13:45
  Speaker 1: and so he was doing favors for her. She says
• 13:47
  Speaker 1: it in the book that her career flourished because of him,
• 13:50
  Speaker 1: and so therefore she kept her loyalty to him, but
• 13:53
  Speaker 1: there were trade offs in the process. This is like
• 13:56
  Speaker 1: it's a transactional thing. She has an agenda. It's clear
• 13:58
  Speaker 1: she wants to sell books. We want to tell the
• 14:00
  Speaker 1: story of where do you stand with the black community?
• 14:02
  Speaker 1: So she comes in there like you have twelve minutes
• 14:05
  Speaker 1: her husband and her book people sit right there in
• 14:07
  Speaker 1: front of me. You don't see that on the camera,
• 14:09
  Speaker 1: but they are right there. And then we just we
• 14:11
  Speaker 1: go in and we start asking questions. And I knew
• 14:13
  Speaker 1: there were three things I wanted to ask. Why did
• 14:15
  Speaker 1: it take so long for you to call Donald Trump
• 14:17
  Speaker 1: a racist? What did you actually accomplish for the black community?
• 14:21
  Speaker 1: And what do you say to people in the black
• 14:23
  Speaker 1: community who feel like you betrayed them? And I think
• 14:25
  Speaker 1: when I asked her those questions, she was like, okay,
• 14:27
  Speaker 1: and you know, gave the answer that I'm sure that
• 14:30
  Speaker 1: she prepared and thought about. But I wanted to get
• 14:32
  Speaker 1: her on the record, and then I wanted to leave
• 14:34
  Speaker 1: it to black people to decide how they felt. You know,
• 14:37
  Speaker 1: we all feel different, but the majority of people read
• 14:40
  Speaker 1: the Grio are like Nazis, like, you're not coming back
• 14:43
  Speaker 1: to the bar. You know why because you didn't do
• 14:45
  Speaker 1: a good thanks. But I would respect her if she
• 14:52
  Speaker 1: had quit, you know what. She was in the White
• 14:54
  Speaker 1: House recording all these people and then she quit and
• 14:57
  Speaker 1: then revealed it. Then she's like this spook who sat
• 14:58
  Speaker 1: by the door. You got fired, man, like, like you
• 15:01
  Speaker 1: didn't quit, like and you was dealing with Donald Trumps
• 15:04
  Speaker 1: Celebrity Apprentice, Right, and that question, You're absolutely right about
• 15:07
  Speaker 1: the timing thing because when she quit, she went on
• 15:10
  Speaker 1: ABC with Deva Robertson said she didn't even quit, well, right,
• 15:14
  Speaker 1: she she resigned, she said, but then then it came
• 15:16
  Speaker 1: out that she quit. She said, he's not racist, he's racial. Right,
• 15:20
  Speaker 1: So there was so I believe this is now, this
• 15:24
  Speaker 1: is my opinion. She was like, there's still a benefit
• 15:26
  Speaker 1: to me being cool with him, but if he switches
• 15:29
  Speaker 1: up on me, if there's something that I can't get,
• 15:32
  Speaker 1: then then I'm basically, you know, releasing all the tapes.
• 15:34
  Speaker 1: So I believe we're looking at somebody who's a masterful
• 15:38
  Speaker 1: media communicator, Like she's very skilled, and she basically is
• 15:43
  Speaker 1: using the things that she learned from Donald Trump to
• 15:45
  Speaker 1: get back at Donald Trump. This whole thing is a
• 15:47
  Speaker 1: big game of Celebrity Apprentice. I think I think it's
• 15:49
  Speaker 1: a big game. We have more with Natasha from the
• 15:51
  Speaker 1: Grill when we come back. Keep it locked. As to
• 15:53
  Speaker 1: Breakfast Club, good morning, the Breakfast Club. Everybody is DJ Envy,
• 16:00
  Speaker 1: Angela Yee, Charlemagne the guy. We are the Breakfast Club
• 16:03
  Speaker 1: from the Grill, We have Natasha as Alfred in the building.
• 16:06
  Speaker 1: It what'sn't legality of taping the president? Like, I didn't
• 16:08
  Speaker 1: think you could just do that. I don't know, but
• 16:11
  Speaker 1: you can't. You're not even supposed to bring in any
• 16:12
  Speaker 1: type of devices or even your phone. Well, that's why
• 16:15
  Speaker 1: they are upset, But that's why people are also like,
• 16:17
  Speaker 1: what type of White House is this? You can be
• 16:19
  Speaker 1: in this situation room just recording whatever Hart takes your phone,
• 16:23
  Speaker 1: but the White House don't like that's crazy. And he's
• 16:26
  Speaker 1: still mad about getting kicked out of a Kevin Hart show.
• 16:30
  Speaker 1: I'm sure she'll be facing some type of legality though. Yeah,
• 16:33
  Speaker 1: Well they filed arbitration against her the Donald Trump campaign,
• 16:36
  Speaker 1: and so you saw in my interview and other interviews
• 16:38
  Speaker 1: she was saying, I can't talk about that right now,
• 16:41
  Speaker 1: you know. So she knows what's up. She knows that
• 16:43
  Speaker 1: there are sort of legal guidelines that are going to
• 16:46
  Speaker 1: prevent her from talking, but she might have something explosive
• 16:49
  Speaker 1: that she reveals when she talks to Robert Muller if
• 16:52
  Speaker 1: they speak again. She said that they had an interview,
• 16:54
  Speaker 1: so she spoke with him. So you just you never
• 16:57
  Speaker 1: know how it's going to turn out, But ultimately I
• 17:00
  Speaker 1: think she was she looked out for herself, which is
• 17:02
  Speaker 1: what she said, and now she's she's telling her story. Now,
• 17:05
  Speaker 1: if you're invited to the White House to go sit
• 17:07
  Speaker 1: down with Donald Trump, are you up in there? Because
• 17:09
  Speaker 1: as an investigative journalist, a good question. Yeah, I would
• 17:14
  Speaker 1: ask him questions. I asked him a question before um
• 17:17
  Speaker 1: on the campaign trail, back when nobody thought he was
• 17:19
  Speaker 1: gonna win, or maybe not nobody, but a lot of
• 17:22
  Speaker 1: the you know, the establishment was like, no, Hillary Clinton
• 17:26
  Speaker 1: is gonna win. I still was communicating with Republican sources
• 17:30
  Speaker 1: and I was like, I want to know what his
• 17:32
  Speaker 1: plan is for the black community. So they actually invited
• 17:34
  Speaker 1: me to the Trump Tower with other people. Now I
• 17:38
  Speaker 1: thought I could ask a question. I was told you
• 17:40
  Speaker 1: might be able to ask a questions. Then I get
• 17:42
  Speaker 1: there and they're like, no questions, And they were like,
• 17:44
  Speaker 1: are you going to be a problem. They had to
• 17:46
  Speaker 1: make sure they heard your voice over the phone. He
• 17:48
  Speaker 1: was like, I don't know. If she's black, everybody should
• 17:49
  Speaker 1: get it. No questions. The woman said are you going
• 17:53
  Speaker 1: to be a problem? Wow? And she actually turned away
• 17:56
  Speaker 1: another guy who worked for another black outlet. She was like,
• 17:58
  Speaker 1: you're not on the list. So I'm like, I'm the
• 18:00
  Speaker 1: only black person going up into this room. So I
• 18:04
  Speaker 1: was just like, no, I'm not going to be a problem.
• 18:06
  Speaker 1: I didn't say I was going to ask a question though.
• 18:08
  Speaker 1: We got up there. You know, somebody said what do
• 18:10
  Speaker 1: we have going on here? It was like black and
• 18:12
  Speaker 1: Latino business fellows who he was saying, Look, I'm helping
• 18:16
  Speaker 1: black and Latino's become entrepreneurs. And so right as everybody
• 18:20
  Speaker 1: was about to leave, I was just like, mister Trump,
• 18:22
  Speaker 1: you know, what is your plan? This is not the
• 18:24
  Speaker 1: exact words that I use, but what is your plan
• 18:26
  Speaker 1: for dealing with bank discrimination against African Americans because we
• 18:30
  Speaker 1: don't get loans at the same rate like we're often
• 18:33
  Speaker 1: discriminated against. And he answered, and I was going live
• 18:36
  Speaker 1: on my phone just in case they kick me out.
• 18:39
  Speaker 1: I wanted everybody out here. He's just, oh, that's a problem.
• 18:43
  Speaker 1: You know, we're definitely going to do something to handle that.
• 18:45
  Speaker 1: You know, great question, So right, right, So I don't
• 18:49
  Speaker 1: mind asking him questions. And I think if I take
• 18:53
  Speaker 1: anything from this, the one thing I will say is
• 18:55
  Speaker 1: being in the room is important. But everybody has a
• 18:58
  Speaker 1: role to play. We need commentators who just who call
• 19:02
  Speaker 1: it like they see it. We need people who are
• 19:04
  Speaker 1: just telling the story of what what the heck is
• 19:06
  Speaker 1: happening right now in the country, and everybody has a
• 19:09
  Speaker 1: role to play and like getting us closer to the truth.
• 19:11
  Speaker 1: And as a young black millennial Latina all of that,
• 19:15
  Speaker 1: like I can bring a unique perspective because that's my
• 19:18
  Speaker 1: perspective and story that I'm bringing to my child. And
• 19:20
  Speaker 1: you better than me because I'd have been raised my
• 19:22
  Speaker 1: handles of Donald Trump. What do you think about America's
• 19:25
  Speaker 1: improving a relationship with Wakanda? You know what I'm saying,
• 19:28
  Speaker 1: And you would probably be like, this is before the
• 19:32
  Speaker 1: actually this is before the movie came out. But he
• 19:34
  Speaker 1: might might actually believe Wakanda is a real place. You
• 19:37
  Speaker 1: never know. Let Natasha, I just want to take congratulations
• 19:39
  Speaker 1: to you on everything that you think doing. Keep doing
• 19:41
  Speaker 1: good work, Natasha. Appreciate it. I really appreciate it. Thank
• 19:45
  Speaker 1: you for the opportunity to come on and talk about
• 19:47
  Speaker 1: my story and shout out to the Grio and everything.
• 19:50
  Speaker 1: Me and Natasha got to spend some time at the
• 19:51
  Speaker 1: UBJ and Abj. Yes, we both got on it at
• 19:55
  Speaker 1: a dinner. Yeah, and ABJ was awesome. N ABJ for
• 19:58
  Speaker 1: anybody that doesn't know National social of Black Journalists and
• 20:01
  Speaker 1: we exist to support journalists but also to make sure
• 20:04
  Speaker 1: that we're heard, whether you're working in a predominantly white
• 20:07
  Speaker 1: newsroom or if you're in black press. So that was
• 20:10
  Speaker 1: a that was a great week in Jamale. She won
• 20:12
  Speaker 1: UM Journalist of the Year. I got Merging Journalists of
• 20:15
  Speaker 1: the Year. Yeah, congratulations, Thank you girl. We'll be watching you.
• 20:19
  Speaker 1: Thank you. Appreciate it. All right, it's the Breakfast Club.
• 20:22
  Speaker 1: Good morning, the Breakfast Club. Listen. It's just oh gosh, guys,
• 20:34
  Speaker 1: it's the Report Breakfast Club. Well. I don't know what's
• 20:39
  Speaker 1: going on with Bowel aka shod Moss. He's going through
• 20:42
  Speaker 1: a lot. He posted on Twitter, take your ass to
• 20:45
  Speaker 1: sleep and get the f off Twitter for I embarrass
• 20:48
  Speaker 1: you stop playing with me, And the next post he put,
• 20:51
  Speaker 1: I hate being mere talking to himself and I don't
• 20:55
  Speaker 1: know who he's talking to, but he wants somebody to
• 20:58
  Speaker 1: get off Twitter before he embarrassed. Listen. Mental health is
• 21:00
  Speaker 1: just as important as physical health. But I don't know
• 21:02
  Speaker 1: when Shad Moss is doing things for attention or he's
• 21:04
  Speaker 1: serious he did have an album coming out called Suicide.
• 21:07
  Speaker 1: So I don't know if this whole depression knact is
• 21:08
  Speaker 1: all promo. But if it's not a n act, just
• 21:11
  Speaker 1: go get some help, brother, Like, go go do some therapy,
• 21:14
  Speaker 1: Go do some counseling. Seems a little help, find a
• 21:16
  Speaker 1: spiritual advisors something. But there's a lot of people that
• 21:18
  Speaker 1: need to help, and they think that that blacking out
• 21:20
  Speaker 1: on social media is gonna help him, but that just
• 21:21
  Speaker 1: makes it worse. Hell no, because soon as you reveal
• 21:23
  Speaker 1: your problems on social media, people are gonna be on
• 21:26
  Speaker 1: the encouraging you to do whatever it is you want
• 21:27
  Speaker 1: to do to yourself, you know, social media, and say
• 21:29
  Speaker 1: kill yourself. I want to kill myself. If you want to,
• 21:31
  Speaker 1: I bet you to be a bunch of people telling you, yes,
• 21:33
  Speaker 1: go ahead and do it. All right, well hopefully not
• 21:35
  Speaker 1: all right. Nisi Nash TNT has ordered a late night
• 21:38
  Speaker 1: show pilot from her dropping a close bonds for niss Nashville.
• 21:42
  Speaker 1: It's called Naked Nissi Nash and it's gonna be basically
• 21:46
  Speaker 1: Niazy Nash giving her humor, advice and all things on love, sex,
• 21:50
  Speaker 1: ro mans, and relationships with everyday people. So it should
• 21:53
  Speaker 1: be pretty interesting. It'll be executive produced by former Chelsea
• 21:56
  Speaker 1: Lately executive producers Sue Murphy. Not mad at that one. Yes,
• 22:00
  Speaker 1: congratulations Tinny C. Nash for that all right, Kendall Jenner
• 22:04
  Speaker 1: has managed to make the whole modeling community upset. Now.
• 22:07
  Speaker 1: She was talking to Love magazine. She said, since the beginning,
• 22:10
  Speaker 1: We've been super selective about what shows I do. I
• 22:13
  Speaker 1: was never one of those girls who would do like
• 22:15
  Speaker 1: thirty shows a season or whatever the f those girls do,
• 22:17
  Speaker 1: More power to them. We'll imagine you're a model who's
• 22:20
  Speaker 1: been struggling and working really hard to get to a
• 22:22
  Speaker 1: certain point, and you hear this from Kendall Jenner. Now.
• 22:25
  Speaker 1: Kendell Jenner went on to say, I had a million jobs,
• 22:27
  Speaker 1: not only catwalks, but everything else. The whole combination was
• 22:30
  Speaker 1: very overwhelming, and I started to freak out a little
• 22:32
  Speaker 1: bit and needed to take a step back. People were saying,
• 22:35
  Speaker 1: this makes me so angry when Victoria's Secret Model said
• 22:37
  Speaker 1: so disrespect for the literally ninety nine percent of people
• 22:40
  Speaker 1: in the industry. Yes, they had to work their way up.
• 22:42
  Speaker 1: Please get in tough with the real world. Why is it?
• 22:46
  Speaker 1: Why are they angry about that what am I missing? Well,
• 22:48
  Speaker 1: she's basically Kendall Jenner. A lot of these models work
• 22:51
  Speaker 1: really hard to get to the point that Kendall Jenner
• 22:53
  Speaker 1: is already at where she's turning things down and she's
• 22:55
  Speaker 1: saying that she's selective and I was never one of
• 22:57
  Speaker 1: those girls who would do like thirty shows a season
• 23:00
  Speaker 1: or whatever the f those girls do. So basically talking
• 23:03
  Speaker 1: down on these women that are doing thirty shows this
• 23:05
  Speaker 1: season because they're trying to pay their bills and they're
• 23:07
  Speaker 1: trying to be recognized and get known. So you can't
• 23:10
  Speaker 1: you can't be, you can't not can do Genda's blessings,
• 23:12
  Speaker 1: her blessings or her blessings, and I mean everybody, everybody's
• 23:15
  Speaker 1: in their own lane. Like they'll listen, they give the
• 23:18
  Speaker 1: Genders Kardashians too much flex. Now another model posted whatever
• 23:22
  Speaker 1: the f those girls do is do their very best
• 23:24
  Speaker 1: to make their way up and try to make some
• 23:26
  Speaker 1: money so they can provide for themselves and their families.
• 23:29
  Speaker 1: Oh and it's seventy shows a season, by the way,
• 23:31
  Speaker 1: so they don't like the wording of her saying whatever
• 23:34
  Speaker 1: the che whatever the Ethols girls do right isn't whatever,
• 23:37
  Speaker 1: But isn't whatever the fthtols girls do what she does too, well,
• 23:40
  Speaker 1: she doesn't have to do what they have to do.
• 23:41
  Speaker 1: They have to do seventy shows a season and try
• 23:43
  Speaker 1: to put food on the table and provide for their families,
• 23:45
  Speaker 1: so they don't have the luxury of being selective and
• 23:48
  Speaker 1: doing you know, whatever they want now. One person hashtagged
• 23:52
  Speaker 1: and the privilege Peyton Knight said, this kind of disrespect
• 23:56
  Speaker 1: toward other models who have no name for themselves walking
• 23:58
  Speaker 1: into the industry is disgusting. We don't get to choose
• 24:01
  Speaker 1: which shows to do, and it's an honor to do
• 24:02
  Speaker 1: a lot. If we said no to multiple jobs, we
• 24:04
  Speaker 1: wouldn't have a career. So basically, it's a trying to
• 24:08
  Speaker 1: uplift each other and not act like you're better than
• 24:10
  Speaker 1: the other models. Is the thing that they're all upset
• 24:13
  Speaker 1: about if she is more popping than other models, though, well,
• 24:16
  Speaker 1: I think what they're saying, it's a lot of privilege
• 24:18
  Speaker 1: that came with her getting the jobs that she's gotten,
• 24:20
  Speaker 1: while they've had to work really hard to get there.
• 24:22
  Speaker 1: So instead of talking down, try to uplift them and say,
• 24:25
  Speaker 1: these girls work very hard to get to where they've
• 24:27
  Speaker 1: gotten to instead of saying I don't have to do
• 24:29
  Speaker 1: what they do, but their last name isn't Jenna Kardashi
• 24:31
  Speaker 1: suill still never be me? Right, Well, you're not a model,
• 24:34
  Speaker 1: but I guess the modeling community was upset by these
• 24:36
  Speaker 1: comments because it is a lot of work that as
• 24:38
  Speaker 1: easy as it looks. So man, you guys, wind though,
• 24:42
  Speaker 1: all right now, Chili wants women to date outside of
• 24:46
  Speaker 1: want women a color to be open to dating outside
• 24:48
  Speaker 1: of their race. She said she's not worried about ever
• 24:49
  Speaker 1: finding her person because she's not limiting herself to only
• 24:52
  Speaker 1: dating black men. She said, I went for women, especially
• 24:56
  Speaker 1: for women of color, to be not to a close
• 24:57
  Speaker 1: minded when it comes to love. God made all of us,
• 25:00
  Speaker 1: and you may not find your husband because you're trying
• 25:02
  Speaker 1: to stick to one group. You've got to be open.
• 25:03
  Speaker 1: So basically, right now, the person that she's dating, she's saying,
• 25:06
  Speaker 1: it's not black. Okay, thank you Chili for that most
• 25:09
  Speaker 1: that obvious advice. Round of applause to Chili for giv
• 25:12
  Speaker 1: me just most obvious advice to women. Yes, does she
• 25:15
  Speaker 1: have ch block? Still you can date outside of your race? Why? Yeah?
• 25:19
  Speaker 1: But a lot of black women do try to date
• 25:20
  Speaker 1: other black men and have that difference. So she's saying
• 25:24
  Speaker 1: to be more open minded. Nothing wrong with giving that advice.
• 25:26
  Speaker 1: Some people don't even think that. You know how many
• 25:28
  Speaker 1: racial dat not popping. You know how many black women
• 25:31
  Speaker 1: have never dated anybody outside of a black man. A
• 25:35
  Speaker 1: lot of races are like that, though a lot of
• 25:37
  Speaker 1: black women haven't. Well, she's black, so she's giving advice
• 25:39
  Speaker 1: to other black women, black women. Chili gave yall the
• 25:41
  Speaker 1: green light. It's cool, it's safe now, you know what
• 25:42
  Speaker 1: I'm saying. She created a safe space for y'all to
• 25:44
  Speaker 1: date all the white men and Spanish men or whatever
• 25:46
  Speaker 1: other race men y'all want. That's why you blocked. Yes,
• 25:49
  Speaker 1: Chili did it, all right, I mansi laye, and that
• 25:51
  Speaker 1: is your weather. For Chili, we'd have no Obama, all right,
• 25:54
  Speaker 1: shut up, man, that's what she say. I'm just saying.
• 25:57
  Speaker 1: It wasn't for Chili, we wouldn't have j colen't for ChIL. No. Wait,
• 26:00
  Speaker 1: Obama's mom is she gave the green light. Okay, that's
• 26:03
  Speaker 1: why you stay. Obama's mom isn't black, and she's talking
• 26:07
  Speaker 1: about black women specifically. Oh god, okay, Okay, she's saying
• 26:10
  Speaker 1: black women know that. Well, black women say, ye's mom, Yes,
• 26:14
  Speaker 1: black women, you have the green light the date outside
• 26:15
  Speaker 1: of your race. Now, if it wasn't for that, it
• 26:17
  Speaker 1: wasn't Chili given the green light, we'd have no Angeli drops.
• 26:26
  Speaker 1: That's why you stay blocked. That's why, that's why you're
• 26:29
  Speaker 1: getting this award to mark on Thursday. Y'all can't wait?
• 26:34
  Speaker 1: Right you think I'll give a damn. I just want
• 26:36
  Speaker 1: to hate the sound of fact. I'm getting called a
• 26:38
  Speaker 1: rapers all, mom, what is the sea sucker gonna do? Stop?
• 26:40
  Speaker 1: I just want to hear the sound. Knock it off
• 26:41
  Speaker 1: your donkeys. He I just want to know the sound
• 26:44
  Speaker 1: sucker that I'm not doing it, because then you're gonna
• 26:45
  Speaker 1: take my right. I'm gonna take my sound effect like
• 26:48
  Speaker 1: a slurping sound. How you doing it? That's the guy
• 26:51
  Speaker 1: that's gonna get you first of all, everybody in this room.
• 26:55
  Speaker 1: We might get it everybody. I don't mind getting that
• 26:58
  Speaker 1: a woman. Okay, ye, I don't mind getting my sea sucked. Now,
• 27:03
  Speaker 1: that's not what the other way. Don't tempt you with
• 27:07
  Speaker 1: a good time whatever. All right, guys, that's your rumor report.
• 27:09
  Speaker 1: All right? Up next to Front page News. What we're
• 27:11
  Speaker 1: talking about in front basiness business. Let's talk about a
• 27:13
  Speaker 1: young girl who was sent home from school over a
• 27:16
  Speaker 1: quote unnatural here. All right, we'll get into that when
• 27:18
  Speaker 1: we come back. Keep it locked. This to Breakfast Club,
• 27:20
  Speaker 1: Good Morning, wanting everybody's DJ Envy, Angela Yee, Charlemagne the
• 27:23
  Speaker 1: guy we all the Breakfast Club. Let's get to Front
• 27:26
  Speaker 1: page News. Lets start with Aaron Rnandez. Yes, they have
• 27:29
  Speaker 1: revealed Aaron Hernanez's suicide notes. His attorney, Jose Bias, has
• 27:33
  Speaker 1: a book, Unnecessary Roughness Inside the Trial and final Days
• 27:38
  Speaker 1: of Aaron Hernanez. There were three letters that he wrote
• 27:40
  Speaker 1: the night that he died that were discovered in his
• 27:42
  Speaker 1: cell and released to correction officials a few days after
• 27:46
  Speaker 1: his death. So now they have revealed those suicide notes.
• 27:50
  Speaker 1: There was one letter that was written to his lawyer,
• 27:52
  Speaker 1: Jose was up, brother, what I wrote this letter following
• 27:55
  Speaker 1: my acquittal. I wanted to voice how I felt and
• 27:57
  Speaker 1: let some people whose music help me get through hard
• 27:59
  Speaker 1: times know that it did. Some of those people that
• 28:02
  Speaker 1: he talked about that helped him get through, with Kevin Gates,
• 28:04
  Speaker 1: Rick Ross, Jay Z and so on and so forth.
• 28:08
  Speaker 1: So he shouted them out the game as well. All right.
• 28:13
  Speaker 1: He also wrote a letter to his fiance, and what
• 28:15
  Speaker 1: he said to her was, I don't believe he was well.
• 28:17
  Speaker 1: According to Bias, he said, I don't believe he was
• 28:19
  Speaker 1: in sound mind doing this. But he told his fiance, say,
• 28:22
  Speaker 1: you have always been my soul mate and I want
• 28:24
  Speaker 1: you to love life. And no, I'm always with you.
• 28:26
  Speaker 1: I told you it was coming in directly. I love
• 28:27
  Speaker 1: you so much and know you are an angel. We
• 28:29
  Speaker 1: split into two to come change the world. You're characteristic
• 28:33
  Speaker 1: is that of a true angel and the definition of
• 28:35
  Speaker 1: God's love. He also wrote a letter to his daughter,
• 28:40
  Speaker 1: Daddy will never leave you. I'm entering to the timeless realm,
• 28:42
  Speaker 1: in which I can enter into any form at any time,
• 28:44
  Speaker 1: because everything that could happen or not happen, I see
• 28:47
  Speaker 1: all at once. Life is eternal. Believe, love, repent, and
• 28:49
  Speaker 1: see me yourself and everyone, because that's what truth is.
• 28:52
  Speaker 1: I'll see you all in the heavens, awaiting you all
• 28:54
  Speaker 1: with the same love. Never fear me, but love me
• 28:57
  Speaker 1: with all of you, all right. In addition, in this book,
• 29:00
  Speaker 1: his fiance wrote about basically not having any indication that
• 29:05
  Speaker 1: he was gay or homosexual. She said, I wish I
• 29:07
  Speaker 1: would had known how he felt, just so we could
• 29:09
  Speaker 1: have talked about it. I wouldn't have disowned him. I
• 29:11
  Speaker 1: would have been supportive. I can't fault him if he
• 29:14
  Speaker 1: was feeling that way. When you love someone so much,
• 29:16
  Speaker 1: you just want to be there to support them. The
• 29:18
  Speaker 1: fact that he felt he couldn't come out to me
• 29:20
  Speaker 1: or you couldn't tell me these things hurts because we
• 29:22
  Speaker 1: had that bond. I feel empathy for Aeron Nandez because
• 29:24
  Speaker 1: he suffered from CTE. But he did kill people. So
• 29:29
  Speaker 1: I don't know if he killed people because of the CTE,
• 29:31
  Speaker 1: but he still did kill people. So it's as soon
• 29:33
  Speaker 1: as you have some empathy when you read. You read
• 29:34
  Speaker 1: those letters like that, and it tucked at your heart
• 29:36
  Speaker 1: a little bit. You're like, well, he did kill people,
• 29:38
  Speaker 1: all right. Now let's talk about the young girl who
• 29:40
  Speaker 1: was sent home because of her hairstyle. This was a
• 29:43
  Speaker 1: christ the King and Louisiana and Terrytown, Louisiana. Now, the
• 29:46
  Speaker 1: school policy as students can only have natural hair, but
• 29:49
  Speaker 1: this young lady had extra extensions in because she had
• 29:53
  Speaker 1: some braids in her hair. So they informed the student
• 29:55
  Speaker 1: and her mother that hairstyle was not in compliance, and
• 29:58
  Speaker 1: she agreed to change her child out here to comply
• 30:01
  Speaker 1: with the policy. So she was sent home. It was
• 30:03
  Speaker 1: embarrassing for her and she was crying. They took the
• 30:06
  Speaker 1: video of her being sent home for that. Well, you know,
• 30:08
  Speaker 1: I hate it having a young black queen in the
• 30:09
  Speaker 1: school where it's majority of white people's hair is a
• 30:11
  Speaker 1: point of scress for me because it's like whenever she
• 30:14
  Speaker 1: has braids or some type of hairstyle, when she pulls up,
• 30:18
  Speaker 1: it's like all the little white girls want to touch
• 30:20
  Speaker 1: her hair. And I am absolutely the father that will
• 30:22
  Speaker 1: scream at them, little white girls and their parents and
• 30:24
  Speaker 1: tell their parents to please stop. Please tell your kids
• 30:27
  Speaker 1: to stop touching my child's head. Yeah, I don't have
• 30:28
  Speaker 1: a problem with that. In the next couple of weeks,
• 30:30
  Speaker 1: Logans going to his school. They want a neat haircut,
• 30:32
  Speaker 1: and I don't think they consider corn rolls as a
• 30:34
  Speaker 1: neat hairsty. It was a really neat as long as
• 30:36
  Speaker 1: you don't let them get frizzy. Well, we got that problem.
• 30:39
  Speaker 1: Your daughter never had those problems. She's sixteen, seventeen. Nope, really,
• 30:44
  Speaker 1: white girls, I just wanted touch her hair. All right,
• 30:49
  Speaker 1: Well that's your front page news. All right, thank you, missy. Now,
• 30:52
  Speaker 1: feel like braids are no contact sport all black hairstyles
• 30:55
  Speaker 1: are no contact board just admire from afar they do
• 30:58
  Speaker 1: when when she had the corn rolls and and I
• 31:01
  Speaker 1: guess they want to touch the head to see if
• 31:03
  Speaker 1: it's her real hair all the time. But what is
• 31:05
  Speaker 1: It's something about braids and twist that just drive white
• 31:08
  Speaker 1: people crazy. I don't know. It's like braids and twist
• 31:10
  Speaker 1: to the backstreet boys of hairstyles for black people, for
• 31:12
  Speaker 1: white people. I don't know. My son wanted dreds, but
• 31:15
  Speaker 1: we did at that immediately. I just I don't know.
• 31:17
  Speaker 1: I just I don't know. Anyway, can't be light skin
• 31:20
  Speaker 1: with dredgs that I was taking the same thing. I said,
• 31:22
  Speaker 1: you just look stupid. What that sounds silly to like
• 31:28
  Speaker 1: dread y'all do look like y'allself sandals sometimes on some resorts,
• 31:32
  Speaker 1: we're just gonna look stupid, just corn rolls. Anyway, all right,
• 31:35
  Speaker 1: when we come back, shoot your shot right now. If
• 31:37
  Speaker 1: you want to higher at somebody, maybe a co worker,
• 31:39
  Speaker 1: maybe an accent, and you need a little help, you
• 31:41
  Speaker 1: need some help from the Breakfast Club eight hundred five
• 31:44
  Speaker 1: eight five one on five one. If you want to shoot,
• 31:46
  Speaker 1: you shot high at somebody will help you. We'll get
• 31:48
  Speaker 1: on the line and we'll guide you through the process
• 31:50
  Speaker 1: of getting that person back or hollering at that person.
• 31:52
  Speaker 1: All right, call us up. Now shoot your shots next
• 31:55
  Speaker 1: the Breakfast Club. It's time to shoot your shot. To
• 32:04
  Speaker 1: shoot your shot with the Breakfast Club. Just one chance.
• 32:07
  Speaker 1: Don't mess it up, mess it up, mess it up.
• 32:10
  Speaker 1: We got Mike on the line. Mike, what's up and
• 32:12
  Speaker 1: what's going on, y'all? How's everybody be good? Man? Everybody good?
• 32:15
  Speaker 1: How your mama doing doing well? Man? Mike, you want
• 32:19
  Speaker 1: to shoot your shot with bro? I want to shoot
• 32:21
  Speaker 1: my shot at Kenyon. That's my baby mama, and I'm
• 32:23
  Speaker 1: trying to really get back with her. We've we've weeping
• 32:26
  Speaker 1: through our ups and downs, and I love her. I mean,
• 32:29
  Speaker 1: I've been have the ask well quite a while? Had
• 32:32
  Speaker 1: you been up her ass? No? No, he is an ass.
• 32:37
  Speaker 1: Why tell us that as soon as you hear asks
• 32:41
  Speaker 1: that he's been doing things wrong? He didn't treat her well.
• 32:45
  Speaker 1: Didn't sound like that, sound like he was about ain't
• 32:47
  Speaker 1: it is? Ain't a pleasure it is ain't a pleasure, Mike, continue, Please,
• 32:51
  Speaker 1: I'm sorry, Mike. Yeah, I mean, you know, I never
• 32:54
  Speaker 1: had my father in my life and he was an
• 32:57
  Speaker 1: absent and the same music, and got kind of accepted
• 32:59
  Speaker 1: the that you know, me and changars a relationship was.
• 33:02
  Speaker 1: I mean, I love it a gut. And you have
• 33:04
  Speaker 1: a daughters promised three years old. And I've seen a
• 33:08
  Speaker 1: lot of things, a lot of my friends. When I'm
• 33:10
  Speaker 1: gone killed, I just want to, you know, have a family.
• 33:13
  Speaker 1: I want to be back well and I love her.
• 33:15
  Speaker 1: Are you willing to change though? Cut out some of
• 33:17
  Speaker 1: the stuff that you were doing before that that that
• 33:19
  Speaker 1: broke y'all up, Like, like what were you doing? I
• 33:22
  Speaker 1: was going to script clubs, I was cheating, I was
• 33:25
  Speaker 1: hanging out late, not doing things that I needed to
• 33:28
  Speaker 1: be and take full responsibility of being a man. And
• 33:31
  Speaker 1: I accept, you know, my faults, and I'm just ready
• 33:34
  Speaker 1: to change. When the last time you've been to the
• 33:35
  Speaker 1: script club sir, like two months ago? The last time
• 33:41
  Speaker 1: you cheated, sir, he's not with us, it wouldn't be cheating.
• 33:45
  Speaker 1: Uh yeah, exactly. I'm not known. When the last time
• 33:48
  Speaker 1: you another girl, sir, man like two months ago. You're
• 33:53
  Speaker 1: not ready ready? What are you doing? What are you
• 33:57
  Speaker 1: doing to change? Bro? Actually I realized, you know, when
• 34:00
  Speaker 1: you sleep with somebody and you realize it's not the
• 34:02
  Speaker 1: same thing as somebody that's sharing a share at a party,
• 34:05
  Speaker 1: and it's like, you know, all that is just out
• 34:07
  Speaker 1: the door, you know, you know, I just realized that
• 34:10
  Speaker 1: I want I want her. I don't want anybody else.
• 34:13
  Speaker 1: How old are you, sir? I'm getting he might be there,
• 34:19
  Speaker 1: might be you might be there. All right, So this
• 34:21
  Speaker 1: is what we're gonna do when we come back. What's
• 34:24
  Speaker 1: the name again? Kenya? All right? We African country Cole?
• 34:28
  Speaker 1: Can you when we come back? And hopefully we can
• 34:30
  Speaker 1: make this work all right? All right? All right, keep
• 34:33
  Speaker 1: a lock as the breakfast clog more Envy and Angela yee,
• 34:36
  Speaker 1: Charlemagne the guy. We are the breakfast club. In the
• 34:38
  Speaker 1: middle of shoots, she shot. We have Mike on the line.
• 34:41
  Speaker 1: Mike's about to col can you Hello, Hey, Kenya, It's Mike.
• 34:57
  Speaker 1: What's up. I just wanted to have a conversation that
• 35:01
  Speaker 1: you could you talk? Yeah, what's going on? I really
• 35:07
  Speaker 1: miss you and I want you and promise to be
• 35:10
  Speaker 1: under the same roof as I am right now. I mean,
• 35:13
  Speaker 1: I can't stand this co parent and I want it
• 35:16
  Speaker 1: as a one sample household. I just want to apologize
• 35:19
  Speaker 1: for anything that I've done in the past that could
• 35:21
  Speaker 1: have hurt you and made you disappointed to me. You know,
• 35:24
  Speaker 1: I'm just trying to stop us a man, and I
• 35:27
  Speaker 1: want you back in my life, like for real. I mean,
• 35:33
  Speaker 1: we talked about this before. I mean, you live in
• 35:38
  Speaker 1: the Chinese studio apartment. I live with my parents. What
• 35:41
  Speaker 1: are we gonna do. I'm wanting to go out there.
• 35:44
  Speaker 1: We have a baby, we co parent. I mean, I
• 35:47
  Speaker 1: know you love me, I know we're good, but there's
• 35:49
  Speaker 1: nothing we can do. Even though there's a lot that
• 35:52
  Speaker 1: we could do. I could just go out there and
• 35:53
  Speaker 1: if I have to work two jobs to make sure
• 35:55
  Speaker 1: that we have enough wrong for you and promise I'll
• 35:58
  Speaker 1: go out there and do that. You know. I want
• 36:00
  Speaker 1: you to move out to your family's house and come
• 36:02
  Speaker 1: live with me. I mean, give me a month or
• 36:04
  Speaker 1: two our promises. That's that's from my heart. Why are
• 36:10
  Speaker 1: you doing this now? I mean, I love what you're saying,
• 36:14
  Speaker 1: but this is just this is like, this is crazy.
• 36:17
  Speaker 1: I mean, we we've talked about this so many times.
• 36:19
  Speaker 1: Why why are you? Why are you saying this? Now?
• 36:22
  Speaker 1: You know my You know I've had issues in my life,
• 36:26
  Speaker 1: for my father not being around, to my best friend
• 36:29
  Speaker 1: getting killed too, a lot of people I grew up
• 36:32
  Speaker 1: with upstake doing time. You know, I don't want to
• 36:35
  Speaker 1: I don't want to live like that. I want you. Hey,
• 36:38
  Speaker 1: ken Ye, it's bare chiming in here. It's Angela, Charmaine
• 36:44
  Speaker 1: and envy. Yeah, I'm sorry, I'm sorry that you gotta
• 36:46
  Speaker 1: listen to this BS all right? Uh sounds to me
• 36:49
  Speaker 1: like entry to Kenya has been denied. They don't except
• 36:52
  Speaker 1: you know, he's trying hard, Kenya. He's changed, He's trying
• 36:55
  Speaker 1: to change his life. He wants to be dead daddy
• 36:57
  Speaker 1: and dead homeboy. Got to do with this. He's going
• 37:00
  Speaker 1: a lot, and he just really wants to change. Explaining
• 37:02
  Speaker 1: the shot, Why you got a therapy? You should know,
• 37:04
  Speaker 1: he's explaining his behavior. I don't got nothing to do
• 37:06
  Speaker 1: with the cheating. What are you doing? Who was on
• 37:10
  Speaker 1: the phone? Oh, hi'st to the breakfast class D. I
• 37:14
  Speaker 1: do listen to the breakfast CLUBB. But what are you
• 37:16
  Speaker 1: doing on this phone call? He wanted to shoot his
• 37:18
  Speaker 1: shot and try to get you back and know what
• 37:20
  Speaker 1: it is that he needs to do. You got to
• 37:24
  Speaker 1: move out, baby, that's what you gotta do. What she
• 37:26
  Speaker 1: called you baby, that's a good thing because you could
• 37:28
  Speaker 1: have called you ass. You're being You're being expunged from Kenya, sir.
• 37:31
  Speaker 1: So Mike, now that I like just played in the
• 37:34
  Speaker 1: whole world like, I mean, it's cute, sweetheart, but you
• 37:37
  Speaker 1: really need to look kind of like keep you guys.
• 37:43
  Speaker 1: But so, Mike, you ready to move out? Mike? Can
• 37:45
  Speaker 1: you get you got a job? Can you believe Mike
• 37:47
  Speaker 1: you're a tourist. So, mikea, are you ready to move
• 37:50
  Speaker 1: out and really put her into a home and really
• 37:51
  Speaker 1: start this family the right way, no cheating, be a
• 37:54
  Speaker 1: responsible adult. Hold on, So they're about to live together? Yes?
• 37:57
  Speaker 1: Where he moving out from his tiny, tiny little apartment
• 38:01
  Speaker 1: that she can't stand. Oh, ken Ya, I don't know
• 38:03
  Speaker 1: if you should do this. Mom. I'm gonna be honest
• 38:05
  Speaker 1: with the man just has sex with another woman too much? Man,
• 38:07
  Speaker 1: shoot your shot with trying to help not he told
• 38:09
  Speaker 1: me I really don't need to hear that, sweetheart. That
• 38:11
  Speaker 1: was a lot of Charlomagne's line. He didn't say that
• 38:14
  Speaker 1: oh on my lying, I'm lying here. Yes, so Kenya,
• 38:16
  Speaker 1: if he moves out, if he moves out at you down,
• 38:19
  Speaker 1: I'm down. Yeah, I want to get it. I mean yeah,
• 38:23
  Speaker 1: tell her the truth. Mike, you have sex with another
• 38:24
  Speaker 1: woman too much ago? What's wrong with you? Man Laker's
• 38:29
  Speaker 1: locker room? Definitely? So now I'm snitching. So you see,
• 38:33
  Speaker 1: that's the problem. You said that you was gonna be
• 38:34
  Speaker 1: a change man. You're gonna start being honest with Kenya.
• 38:36
  Speaker 1: But you're not even being honest with Kenya right now, Kenya,
• 38:41
  Speaker 1: So you're gonna give him another chance? Right? So? Did
• 38:44
  Speaker 1: you have sex with a guy too much ago? Guy?
• 38:49
  Speaker 1: Your head? You have sex with another woman too months ago?
• 38:52
  Speaker 1: Stop it, CanYa, thank you for giving him another shot.
• 38:55
  Speaker 1: Hopefully you guys worked this out. I stay away from
• 38:58
  Speaker 1: charlomagne o. He You'll be smelling his muff. Oh my god,
• 39:01
  Speaker 1: I'm wondering if he's cheating. Oh wow, you know. I
• 39:03
  Speaker 1: thank you guys. Good luck? All right? Yeah, I wish
• 39:06
  Speaker 1: you and yesterday I'm a good luck too, shall any
• 39:09
  Speaker 1: thank you? I stopped cheating? Three? That was a threat
• 39:14
  Speaker 1: you hated, yo, My man trying to get his life
• 39:16
  Speaker 1: to give you don't even let him get his light together.
• 39:19
  Speaker 1: You know what? All right, man, we got rumors all
• 39:21
  Speaker 1: the way. It's a breakfast club. Good morning, all right morning.
• 39:24
  Speaker 1: Everybody is DJ m VY, Angela, Ye, Charlomagne the guy.
• 39:28
  Speaker 1: We are the breakfast club. Let's get to these rumors.
• 39:30
  Speaker 1: Let's talk to VMAs. This is the rumor report with
• 39:34
  Speaker 1: Angela breast Club. Well, if you guys watched the VMA's
• 39:44
  Speaker 1: last night, there were some little shots being thrown throughout. Now.
• 39:49
  Speaker 1: Of course, Tiffany Haddris and Kevin Hart were up first,
• 39:52
  Speaker 1: and Tiffany Haris had a little jokey joke about Fifth Harmony.
• 39:55
  Speaker 1: Here's what she said. Calla is nominated for fun. I
• 40:00
  Speaker 1: know I can't read that good right, I only speak
• 40:03
  Speaker 1: English and that's mostly any BONNICX. Look, she's nominated for
• 40:07
  Speaker 1: five being made tonight. I'm super proud ever so um
• 40:13
  Speaker 1: so those of you watching at home high Fifth Harmony?
• 40:16
  Speaker 1: Oh God, I know nothing about hi Fifth Harmony, so
• 40:20
  Speaker 1: that exchanging over my head. But I'm assuming Camilla Cabello
• 40:23
  Speaker 1: was used to be in Fifth Harmony. Yesicked her out right. Well,
• 40:27
  Speaker 1: Nicki Minaj actually defended one of her friends from Fifth Harmony.
• 40:31
  Speaker 1: Here's what she said, shout out to Covin and Test
• 40:33
  Speaker 1: and Tiff don't be coming for Fifth Harmony because Normany
• 40:36
  Speaker 1: is that all right? No money? Clearly another member from
• 40:39
  Speaker 1: Fifth Harmony as well, so she said, don't you know
• 40:43
  Speaker 1: that's her. She had a big song on their charts too.
• 40:45
  Speaker 1: She was okay, now, okay, now Cardie B also one
• 40:53
  Speaker 1: for oh first of all, Nicki Minaj by the way
• 40:55
  Speaker 1: you got up there. She won the first award that
• 40:57
  Speaker 1: we saw on TV for the night. And here's what
• 40:59
  Speaker 1: she said during her speech. I wanted just to say,
• 41:02
  Speaker 1: tune in for Queen Mario so you can know who
• 41:04
  Speaker 1: the suck up the Day award is going to. What's
• 41:07
  Speaker 1: wrong with sucking? Seas? Though? Nothing right, everybody sucks. We
• 41:11
  Speaker 1: love it. This is a very like uh like you
• 41:15
  Speaker 1: know that can't be an insult. May have contests, especially
• 41:19
  Speaker 1: if you do it. I'm sure Nikki sucks sees right,
• 41:23
  Speaker 1: I would hope. So yeah, I'm sure nobody said it's
• 41:26
  Speaker 1: a bad award. Maybe it's a goodward who's getting Maybe
• 41:30
  Speaker 1: it's not a bad thing. I just want to know
• 41:31
  Speaker 1: the sound effects, like you know donkeys talk about. I
• 41:33
  Speaker 1: just wouldn't know what the sound effects gonna be. Let's
• 41:35
  Speaker 1: talk about the award Nikki won for Best Hip Hop Artists.
• 41:38
  Speaker 1: Do you think that she should have won the category
• 41:39
  Speaker 1: with Drake J Cole me Goes the Carters and Cardi B.
• 41:43
  Speaker 1: Do you think she should have won or she won
• 41:44
  Speaker 1: because she performed, or maybe they had a performed because
• 41:48
  Speaker 1: she was winning. I think you. I think you just
• 41:50
  Speaker 1: said the same thing I just said, and I try
• 41:55
  Speaker 1: trying to trick a fire you. But I think the
• 41:57
  Speaker 1: moral of the story, she won that award because she
• 41:58
  Speaker 1: was performing. All right. Now, Cardi B did win Best
• 42:02
  Speaker 1: New Ice Award, and here's what she has to say
• 42:05
  Speaker 1: during her acceptance speech. I'm so happy, you know so
• 42:09
  Speaker 1: received this award. A couple of months ago, a lot
• 42:12
  Speaker 1: of people were saying, you know, you're gambling your career,
• 42:15
  Speaker 1: You're about to have a baby. What are you doing?
• 42:17
  Speaker 1: And you know I had a baby, I carry the
• 42:20
  Speaker 1: baby and now I'm still running a horse. I want
• 42:24
  Speaker 1: to thank all my fans, my family that supported me,
• 42:27
  Speaker 1: all the love, all the love that my fans, that
• 42:29
  Speaker 1: my friends, that everybody shows me. And that's something that
• 42:34
  Speaker 1: God give me that you can't buy now. You know.
• 42:41
  Speaker 1: That's because a lot of people were trying to say
• 42:43
  Speaker 1: that she paid uh Atlantic Records paid for people to
• 42:47
  Speaker 1: support Cardi B. So she wants to show all right now,
• 42:52
  Speaker 1: Travis Scott. In the meantime, I also had to point
• 42:56
  Speaker 1: out the fact that he does indeed have the number
• 43:00
  Speaker 1: or one album right now, and now I come when
• 43:08
  Speaker 1: that was a reach That was a reach point out
• 43:11
  Speaker 1: he had the number one album. You're just stating the obvious.
• 43:13
  Speaker 1: He had satan the fact. Yeah, but let's be clear,
• 43:15
  Speaker 1: Nicki Minaj did say that she spoke to He doesn't
• 43:17
  Speaker 1: have the number one album, she said, and not to
• 43:20
  Speaker 1: mention he was sitting behind her. They heard they had
• 43:22
  Speaker 1: him change the seats because his album's number one right now,
• 43:25
  Speaker 1: So then they ended up seating him across the room.
• 43:27
  Speaker 1: But I guess, yeah, I would be kind of mad
• 43:29
  Speaker 1: my album number one, I gotta sit behind her her
• 43:30
  Speaker 1: album number two. I heard during rehearsals Travis Scott told
• 43:33
  Speaker 1: everybody thought their peace signs in the air, and it
• 43:34
  Speaker 1: was like, no, I don't do that because everybody they're
• 43:36
  Speaker 1: gonna thank you, being some liminal tone. Everybody thought it
• 43:38
  Speaker 1: number two up, stop it stopping you don't want to
• 43:40
  Speaker 1: start it. All that sounds like you're starting a room.
• 43:42
  Speaker 1: And right now, all right now, now, this whole Harriet
• 43:45
  Speaker 1: Tubman situation, Harriet Tubman was trending, and that's because Nikki said,
• 43:50
  Speaker 1: all the queens I remember, shook Ish Queen of the
• 43:53
  Speaker 1: week may go to Harriet Tubman. Had she just sat
• 43:56
  Speaker 1: there and ate her rice, you and Where's history would
• 43:58
  Speaker 1: have been a lot less trying. I'm fit now that
• 44:01
  Speaker 1: ended up being a trending topic. And now Nikki said
• 44:04
  Speaker 1: on Queen Radio she's going to be honoring Harriet Tubman.
• 44:08
  Speaker 1: She said she could have rescued more slaves had they
• 44:11
  Speaker 1: known they were slaves. I fought for streaming services to
• 44:13
  Speaker 1: count to our billboard when a lot of n word
• 44:16
  Speaker 1: stayed quiet. Well, that's not a real Harriet Tubman. Que
• 44:18
  Speaker 1: Harry Tubman never said that. By the way, she never
• 44:20
  Speaker 1: said what that she if a lot more people, she
• 44:22
  Speaker 1: would have recute more slaves if they had known they
• 44:24
  Speaker 1: were slaves. That's not a real quote. It's like a myth,
• 44:27
  Speaker 1: a rumor that that's a quote, urban legend. But that's
• 44:29
  Speaker 1: not a real quote from Harriet Tubman. I just I
• 44:31
  Speaker 1: just the thing that offended me to most about that
• 44:33
  Speaker 1: tweet was the fact that she thinks Harriet Tubman was
• 44:35
  Speaker 1: ever just sitting around eating rice. Okay. It's almost like
• 44:37
  Speaker 1: she didn't know. Harriet Tubman was a nurse, a spy,
• 44:39
  Speaker 1: ain't a cook. Okay, Harry was a professional cook, all right.
• 44:43
  Speaker 1: How do you think she made money to fund her rage?
• 44:45
  Speaker 1: She wasn't just eating rice. They had chicken fat, chunk,
• 44:48
  Speaker 1: sup pork pies, bread. Okay, so she was making rice.
• 44:53
  Speaker 1: Shut up, I'm just saying she was the mother of
• 44:55
  Speaker 1: a cook, all right, Like HARRYE. Tubman spent the summer
• 44:58
  Speaker 1: in eighteen fifty two working into the cook in the resort,
• 45:01
  Speaker 1: and she used that money to pay for a raid
• 45:02
  Speaker 1: that three nine slaves like she had. She know a cook,
• 45:05
  Speaker 1: you'd more than rice. You definitely go with the streaming services.
• 45:08
  Speaker 1: It's what Spotify if you guys remember, she said that
• 45:10
  Speaker 1: Spotify actually sabotaged all of her streaming because they wanted
• 45:14
  Speaker 1: to teach her a lesson after she aligned herself with
• 45:16
  Speaker 1: Apple Music. While Spotify has responded, a rep said Spotify
• 45:21
  Speaker 1: supported Nicki Minas with The Times Square Billboard, a host
• 45:24
  Speaker 1: of the largest playlist new music Friday and the new
• 45:26
  Speaker 1: music release Shelf. Her song Bed actually saw an increase
• 45:29
  Speaker 1: based on the promotions put behind the campaign. The company
• 45:32
  Speaker 1: continues to be big fans of Nikki So and nick
• 45:36
  Speaker 1: even posted the Spotify billboard that was in Times Square
• 45:40
  Speaker 1: on her own Instagram names. I can't wait to get
• 45:42
  Speaker 1: that seat suck out to day You saw crazy like
• 45:45
  Speaker 1: without context on the ground, bro, without context, you right
• 45:48
  Speaker 1: on crazy. You can't wait till you get that seat
• 45:51
  Speaker 1: stuck out to day like, you can't wait to give
• 45:53
  Speaker 1: it to me? And I want to put your little
• 45:56
  Speaker 1: Nike hoodie on a drop to your knees and let
• 45:58
  Speaker 1: this particular remember queen, it's something positive. I'm going to
• 46:03
  Speaker 1: human resources. Let's talk about Drake going to Larry Children's Hospital.
• 46:07
  Speaker 1: I'm not gonna lie. This just warm my coal heart.
• 46:09
  Speaker 1: This was really sweet. You went to go see a
• 46:11
  Speaker 1: transplant patient, Sophia Sanchez. She turned eleven and her wish
• 46:15
  Speaker 1: was for Drake to come and visit her. That was
• 46:18
  Speaker 1: her birthday wish. I love this. Check it out. It's
• 46:21
  Speaker 1: in literal because it's one of the persons I make
• 46:24
  Speaker 1: shure like that, and you asked me to come on here.
• 46:32
  Speaker 1: I didn't talk for him, and I was like, it's
• 46:34
  Speaker 1: just it's just a real freak, like it's me Drake.
• 46:38
  Speaker 1: I'm like, oh my God and many gods to seem
• 46:42
  Speaker 1: me God's plan. I gave him my autograph and he
• 46:45
  Speaker 1: gave me his. This is the best birthday present I ever.
• 46:48
  Speaker 1: Thank you so much, Faith for coming saying me. It
• 46:51
  Speaker 1: means a lot for you to come and share me.
• 46:53
  Speaker 1: That warm my cot a little chi I go by
• 46:58
  Speaker 1: the way. That was nice. Doesn't this mean you guys
• 47:00
  Speaker 1: want to be wish grants for Make a Wish Foundation.
• 47:02
  Speaker 1: I do that now, you do. I do it too.
• 47:04
  Speaker 1: We all do it. You guys were part of Make
• 47:07
  Speaker 1: a Wish pulling up the hospitals. I just don't be
• 47:10
  Speaker 1: putting it on Instagram or putting it in God's playing
• 47:13
  Speaker 1: a video. But I ain't mad at nobody who does.
• 47:14
  Speaker 1: I think it actually encourages a lot of people to
• 47:17
  Speaker 1: join foundations like that when they see the difference that
• 47:19
  Speaker 1: it can make in a young child's life because you
• 47:21
  Speaker 1: don't actually have to pull up. But sometimes for which
• 47:23
  Speaker 1: I just want to LaToya games some clothes if they
• 47:26
  Speaker 1: have a wish to help them get that granted from
• 47:29
  Speaker 1: so if it's somebody that they want to meet, if
• 47:31
  Speaker 1: it's a trip they want to say, they want to
• 47:33
  Speaker 1: go to Disney World or something like that. You helped
• 47:34
  Speaker 1: make those wishes come true. So it's not that you
• 47:36
  Speaker 1: physically have to be there. Like Drake Win, which of
• 47:39
  Speaker 1: course was a big wish. I like pulling up the
• 47:41
  Speaker 1: flue to Drake for that. I was at the Brooklyn
• 47:43
  Speaker 1: Platinum Medical Center on this past Saturday. A matter of fact, Okay,
• 47:46
  Speaker 1: want to see and I will see that. I will
• 47:49
  Speaker 1: see that, like where is it? Where is Drake? We
• 47:52
  Speaker 1: want to see Drake come ontility. My little girl got
• 47:57
  Speaker 1: Drake got man. I go to therapy every week. Chalomagne
• 48:03
  Speaker 1: was in there telling the kids, shook once my book
• 48:04
  Speaker 1: is coming out, anxiety kills me. Whatever little kids can't read.
• 48:09
  Speaker 1: This is why I'd been going to therapy right here
• 48:11
  Speaker 1: every week, right here, you know what I'm saying. And
• 48:13
  Speaker 1: I looked at that them. I looked at that video
• 48:16
  Speaker 1: just now just to see if Drake had on a
• 48:19
  Speaker 1: Nike Yard Didas tracks. That wasn't it. No, it was
• 48:22
  Speaker 1: a OO that makes more sense than both OO. Was
• 48:26
  Speaker 1: it was? But I was if it was the Didas
• 48:27
  Speaker 1: I was gonna say you said checks over. I was
• 48:29
  Speaker 1: just looking for something to hate on. You know me, right,
• 48:31
  Speaker 1: we know we know me somehow hate on this as
• 48:34
  Speaker 1: I'm gonna find a way to hate on this thing
• 48:37
  Speaker 1: that's making me happy. That is your room report. Why
• 48:41
  Speaker 1: do you keep rubbing your chest like that? What's going on?
• 48:43
  Speaker 1: Hurt my heart? That really made me feel good. You're
• 48:46
  Speaker 1: ruined the story. You kind of like Madonna situation. I
• 48:51
  Speaker 1: remember the time that I went. I went this weekend
• 48:53
  Speaker 1: in Brooklyn, and I see from Canada's going to optitles too.
• 49:00
  Speaker 1: I gonna you're talking about yourself care when I pull
• 49:03
  Speaker 1: up to go see the chance. Yeah, that was hate
• 49:05
  Speaker 1: all hate. Charlotte mcdonnado mcdonne, Who are you giving your
• 49:09
  Speaker 1: donkey to next? Madonna? Nigga? How about the unleash all
• 49:12
  Speaker 1: of this pain? It ain't gone feeling on her this morning?
• 49:15
  Speaker 1: Charlote mcdonna coming up next to all y'all fault my
• 49:19
  Speaker 1: goodness and I'll get a dance sponsored by hate. Keep
• 49:23
  Speaker 1: talking about Drake. I pull up to the hospital in Brooklyn.
• 49:26
  Speaker 1: I talk to the kids too. I might care about
• 49:28
  Speaker 1: my plan. I just don't call my plan. Can't be
• 49:30
  Speaker 1: got I gotta post it. I just don't be posted it.
• 49:33
  Speaker 1: It's the breakfast club. Good morning. Don't you get drunk
• 49:43
  Speaker 1: you are. I'm gonna fatten all that around your eyes.
• 49:51
  Speaker 1: They want this man to dog and blowers man. They're
• 49:53
  Speaker 1: waiting for Charlomagne to talk these gloves let's go. Had
• 49:56
  Speaker 1: to make a judgment who was gonna be on the
• 49:58
  Speaker 1: donkey of the day. They chose you. It was a
• 50:00
  Speaker 1: breakfast club bitch's donkey of the day to day. Well,
• 50:04
  Speaker 1: don't here to day for Tuesday. All the twenty first
• 50:06
  Speaker 1: goals to Madonna for that a refa Franklin tribute that
• 50:09
  Speaker 1: she did last night at the VMA's. If you're not
• 50:11
  Speaker 1: watching me on Revolte, then you didn't see me put
• 50:13
  Speaker 1: tribute and air quotes just now. But I had to
• 50:16
  Speaker 1: look up the definition of tribute last night, because after
• 50:18
  Speaker 1: watching what Madonna did, I had to make sure I
• 50:20
  Speaker 1: understood what a tribute was. Okay, the dictionary says the
• 50:23
  Speaker 1: tribute is an act, statement, a gift that is intended
• 50:25
  Speaker 1: to show gratitude, respect, our admiration. So I was like, okay,
• 50:29
  Speaker 1: tribute means the same thing that it's always meant. So
• 50:31
  Speaker 1: what was my issue when Madonna paying tribute to a
• 50:35
  Speaker 1: refer Franklin last night. My issue was, at some point
• 50:37
  Speaker 1: during that speech, she lost me because I'm sitting there
• 50:39
  Speaker 1: waiting to here Madonna paying hommage the Queen Aretha, but
• 50:42
  Speaker 1: all of her was her paying hommage to herself. Now,
• 50:44
  Speaker 1: I'm not gonna sit here and let Madonna take all
• 50:46
  Speaker 1: this smoke by herself, because I'm sure she rehearsed this.
• 50:48
  Speaker 1: But when you are surrounded by a bunch of yes
• 50:51
  Speaker 1: people and in your own team, and nobody at MTV
• 50:54
  Speaker 1: wants to rock the boat because they don't want Madonna
• 50:56
  Speaker 1: to get mad and not do it, that's when you
• 50:58
  Speaker 1: get someone giving herself from self indulgent tribute to himself
• 51:02
  Speaker 1: instead of paying homage to the Queen of Soul, Miss
• 51:04
  Speaker 1: Aretha Franklin. Everyone, do you have a minute in twenty
• 51:08
  Speaker 1: six seconds despair to listen to Madonna suck her own
• 51:11
  Speaker 1: breast for a moment. Let's flash back to last night's fame.
• 51:14
  Speaker 1: Aretha Louise Franklin changed the course of my life. I
• 51:21
  Speaker 1: left Detroit when I was eighteen, thirty five dollars in
• 51:25
  Speaker 1: my pocket. I had no training or dreams of ever
• 51:29
  Speaker 1: becoming a singer, but I went for it. I got
• 51:32
  Speaker 1: cut and rejected from every audition, and then one day
• 51:37
  Speaker 1: a French disco sensation was looking for backup singers and
• 51:40
  Speaker 1: dancers for his world tour. The dance audition went well.
• 51:45
  Speaker 1: Then they asked me if I had sheet music and
• 51:47
  Speaker 1: a song prepared. Fortunately, one of my favorite albums was
• 51:52
  Speaker 1: Lady's Soul. I don't need sheet music, I said, I
• 51:55
  Speaker 1: know every word. When I was finished, they said, we
• 51:59
  Speaker 1: will call you a day and maybe soon. Finally the
• 52:02
  Speaker 1: phone rang and it was one of the producers saying,
• 52:05
  Speaker 1: we don't think you are right for this job. We
• 52:08
  Speaker 1: think you have great potentials. We want to bring you
• 52:12
  Speaker 1: to Paris and make you a star. So that was
• 52:15
  Speaker 1: the beginning of my journey as a singer. You're probably
• 52:18
  Speaker 1: all wondering why I'm telling you this story, because none
• 52:22
  Speaker 1: of this would have happened without our Lady or Soul.
• 52:26
  Speaker 1: She led me to where I am today, and I
• 52:30
  Speaker 1: know she influenced so many people, and I want to
• 52:34
  Speaker 1: thank you, Aretha for empowering all of us. R s
• 52:39
  Speaker 1: pect Now did that seem long and drawn out? That
• 52:43
  Speaker 1: was a minute in twenty six sec long. I forgot
• 52:45
  Speaker 1: the point. I want you to note that the original speech, uncut,
• 52:48
  Speaker 1: is six minutes twelve seconds of Madonna talking about herself
• 52:52
  Speaker 1: and then tagging Aretha. First of all, I refused to
• 52:55
  Speaker 1: believe that Madonna blew anybody away with a rendition of
• 52:58
  Speaker 1: any Aretha's now, all right. She simply doesn't have the
• 53:01
  Speaker 1: vocal shops to pull that off. Second of all, if
• 53:03
  Speaker 1: someone could give their own eulogy, it would sound exactly
• 53:06
  Speaker 1: like how Madonna sounded just now. Third of all, I
• 53:08
  Speaker 1: don't know why. It's just dawned on me, but Aretha
• 53:10
  Speaker 1: Franklin passed away on Mcdonna's sixty of born day, all right,
• 53:13
  Speaker 1: sixty as a milestone, and it's Madonna's born day, So
• 53:16
  Speaker 1: you know how they had that backdrop of Aretha behind
• 53:18
  Speaker 1: Madonna as she was talking. Well, when it comes to
• 53:20
  Speaker 1: Madonna's born day and her turning sixty, Aretha Franklin dying
• 53:25
  Speaker 1: is definitely in her review. It's just the backdrop. And
• 53:27
  Speaker 1: when things are in your review, they're behind you, so
• 53:30
  Speaker 1: you can't really see them. Okay, you're not really checking
• 53:32
  Speaker 1: for things in your rearview, which leads me to mind,
• 53:34
  Speaker 1: which leads me the fourth Okay. Of of all, the
• 53:38
  Speaker 1: ultimate aim of the ego is not to see something. Okay,
• 53:41
  Speaker 1: the ultimate aim of the ego is not to see something,
• 53:43
  Speaker 1: but to be something. But Donna doesn't see it for
• 53:46
  Speaker 1: Aretha because she too busy being Madonna. But I will
• 53:49
  Speaker 1: never understand, because Madonna, when you pass, God forbid, God
• 53:52
  Speaker 1: forbid is not anytime soon, the white man's world is
• 53:54
  Speaker 1: gonna stop for you. Okay. See, if Madonna had passed
• 53:57
  Speaker 1: away last Thursday, the vmade last night would have been
• 54:00
  Speaker 1: Video Madonna Awards. Every presentation, every performance, all the imaging
• 54:04
  Speaker 1: would have been centered around Madonna. And when she does
• 54:06
  Speaker 1: pass and I pray us in the far far future,
• 54:09
  Speaker 1: I pray for her to have a long life, it's
• 54:10
  Speaker 1: still gonna be the Video Madonna Awards. And I'm not
• 54:13
  Speaker 1: surprised because I don't look for anyone else to celebrate
• 54:16
  Speaker 1: us the way we will celebrate us, And by us,
• 54:19
  Speaker 1: I mean black people. Okay, there's no way in hell
• 54:22
  Speaker 1: the Vamaze would allow a black artist to come out
• 54:24
  Speaker 1: and turn a tribute about one of their own into
• 54:27
  Speaker 1: a self indulgent rant about how they got started in
• 54:30
  Speaker 1: the music business. But let's not make this about race.
• 54:32
  Speaker 1: Let's keep it about Ego Madonna. That tribute wasn't about you,
• 54:36
  Speaker 1: all right. And even if you wanted to use a
• 54:37
  Speaker 1: Retha to explain that she was a spark to get
• 54:40
  Speaker 1: your career started, then get to that point faster. It
• 54:43
  Speaker 1: shouldn't take six minutes and twelve seconds. Okay. A Reza
• 54:45
  Speaker 1: should have been the A story. How you gotten the
• 54:47
  Speaker 1: singing should have been the B story. We have plenty
• 54:50
  Speaker 1: of time to get to your origin story because you
• 54:53
  Speaker 1: are Donna. Okay, you will probably still be alive to
• 54:57
  Speaker 1: see your biopick. Aretha doesn't have the so could you
• 55:01
  Speaker 1: please make this tribute about her and move along. Everybody
• 55:05
  Speaker 1: in name Mamma knows how to spell respect r E
• 55:08
  Speaker 1: s p I c T except Ol Sharpton, oh my goodness,
• 55:12
  Speaker 1: except Al Sharpton. But it's not enough to just spell
• 55:15
  Speaker 1: respect when it comes to Queen Aretha Franklin R E
• 55:19
  Speaker 1: S P e CT. You have to show it, and
• 55:23
  Speaker 1: it wasn't shown to her last night at the VMA's.
• 55:26
  Speaker 1: Please give him, Madonna the sweet sounds of the Hamletones.
• 55:28
  Speaker 1: You are the dokey O the day you are the
• 55:38
  Speaker 1: dokey the day he all right, thank you, for that
• 55:51
  Speaker 1: donkey of the day, our producer, Daniel, one of our producers,
• 55:55
  Speaker 1: slut to Daniel. He just emailed me. I looked in
• 55:57
  Speaker 1: the inbox and said full Madonna tribute, as if I
• 56:01
  Speaker 1: want to see that again. So I put it in
• 56:03
  Speaker 1: my trash conversation, moved to trash right now, and I
• 56:06
  Speaker 1: would not undo. People applaud after because I didn't see
• 56:09
  Speaker 1: it in real time. The level and whoever won their award,
• 56:14
  Speaker 1: I think it was the girl from Fifth Harmony she
• 56:16
  Speaker 1: dedicated her award to Madonna, to mcdonna, yes she did, yes, okay,
• 56:21
  Speaker 1: she didn't think young thuck too and young thugs on
• 56:23
  Speaker 1: that record. Wasn't gonna think twenty one savage, twenty one
• 56:26
  Speaker 1: savage and come on the show for him, Come come
• 56:28
  Speaker 1: on the stage with him. Now, White people ain't thinking
• 56:30
  Speaker 1: about us, all right, Well, thank you for that donkey today,
• 56:33
  Speaker 1: let's open up the phone lines eight on drip five
• 56:35
  Speaker 1: eight five, one oh five one now on a scale
• 56:38
  Speaker 1: from one to ten, how bad on a scale of
• 56:43
  Speaker 1: one to Nikki giving me the Sea Sucker of the
• 56:45
  Speaker 1: Day award, how bad? Well, how disrespectful was that tribute?
• 56:51
  Speaker 1: This is all about slander This morning? There is nothing.
• 56:53
  Speaker 1: All this is. This whole segment is hate hate eight
• 56:57
  Speaker 1: eight eight eight. On a scale from one to ten,
• 57:03
  Speaker 1: how disrespectful was that tribute? That's right, Carlo Ben slanted
• 57:09
  Speaker 1: the hell out of mdonnad. Let's piss off some white people.
• 57:11
  Speaker 1: That one, all right, Carls. White people feel free to
• 57:13
  Speaker 1: call in and slander. Or two joined the breakfast club
• 57:20
  Speaker 1: more than everybody? Is DJ mvy angela ye, Charlomagne the guy,
• 57:24
  Speaker 1: we are the breakfast club. Now if you just joined us.
• 57:26
  Speaker 1: Charlemagne gave Donkey of the Day to Madonna. That's because
• 57:29
  Speaker 1: of that a tribute last night she gave to RIFA
• 57:31
  Speaker 1: Franklin tribute put tribute in air quotes. It was a
• 57:33
  Speaker 1: six minute, twelve second rant of Madonna talking about her life. Okay,
• 57:38
  Speaker 1: it was a Madonna Madonna monologue and she mentioned the
• 57:41
  Speaker 1: RIFA Franklin towards the end. So we're asking, on the
• 57:43
  Speaker 1: scale of one to ten, how disrespectful was that tribute?
• 57:46
  Speaker 1: On a scale of one to me, stepping on your
• 57:49
  Speaker 1: fresh new white air force ones, I would have to
• 57:53
  Speaker 1: give that a ten. I say the reason I give
• 57:56
  Speaker 1: it a ten because you know the VMA's has already
• 57:59
  Speaker 1: whitewashed enough. So you know, I was shocked that they
• 58:01
  Speaker 1: even did anything for a Wretha Franklin, but you know,
• 58:04
  Speaker 1: to give her that moment where they have a backdrop
• 58:07
  Speaker 1: of Aretha Franklin behind Madonna and they have Madonna rant
• 58:10
  Speaker 1: about herself for six minutes and twelve seconds and nobody
• 58:13
  Speaker 1: checked that, like she had to rehearse that. So nobody
• 58:15
  Speaker 1: on her team said, Madonna, this ain't about you. Nobody
• 58:18
  Speaker 1: at that works at MTV could pull pull somebody from
• 58:21
  Speaker 1: Madonna team to decide to say, this isn't really about her.
• 58:23
  Speaker 1: We want her to keep this about Aretha. Like super
• 58:26
  Speaker 1: disrespectful to me. I agree mcdonna had died last Thursday,
• 58:29
  Speaker 1: that whole award sho would have been the video of Madonna. Awards,
• 58:31
  Speaker 1: every presentation, every tribute, every performance, everything would have been
• 58:35
  Speaker 1: about Madonna. So I feel like Aretha deserve better than that,
• 58:38
  Speaker 1: but BT gonna give it to it. I'm with you.
• 58:40
  Speaker 1: I think it was it was Holly. I forgot what
• 58:42
  Speaker 1: Madonna was doing up there, Like she started talking about
• 58:45
  Speaker 1: her doing you know, hu going in and they said
• 58:47
  Speaker 1: you can't sing, and she says, I'm Madonna. I was like,
• 58:49
  Speaker 1: what the hell is what are we doing right now?
• 58:51
  Speaker 1: Exactly that? But that's ego. Ego. Ego is not about
• 58:54
  Speaker 1: seeing people, it's about being. It's yeah, the ego is
• 58:57
  Speaker 1: not about seeing, it's about Yeah. The ultimate aim the
• 59:00
  Speaker 1: Eagle is not to see something, but to be something.
• 59:02
  Speaker 1: Madonna doesn't see it for Aretha because she's too busy
• 59:05
  Speaker 1: being Madonna. Get what do you think? I was just
• 59:07
  Speaker 1: confused because I was like, what's she up there to
• 59:09
  Speaker 1: give an award? Because I know she did give Video
• 59:11
  Speaker 1: of the Year award and then on her own mention Deretha.
• 59:14
  Speaker 1: Was that supposed to be a for real tribute? Because
• 59:17
  Speaker 1: it didn't feel like a tribute to Aretha Franklin. I thought,
• 59:20
  Speaker 1: is this just Madonna getting ready to give an award
• 59:22
  Speaker 1: and then digressing from that? So I was just confused.
• 59:25
  Speaker 1: Let's go to the phone line. See what I've dold
• 59:30
  Speaker 1: detroit A, see what's happening. On the scale of one
• 59:32
  Speaker 1: to ten, how disrespectful was it? Well, I think it
• 59:35
  Speaker 1: wasn't that disrespectful at all. I really I will probably
• 59:38
  Speaker 1: give it a three. I really think you hate right now,
• 59:41
  Speaker 1: I start on the name. You can't come hating because
• 59:44
  Speaker 1: you think it's other people are here disrespecting the respect.
• 59:48
  Speaker 1: You gotta put some respect on Aretha's name. Didn't didn't.
• 59:51
  Speaker 1: Al Sharpton just felled it wrong, sell her, sell her
• 59:55
  Speaker 1: her song wrong. Yes, she felt this song wrong. Rspilf
• 59:59
  Speaker 1: year to day because I think at the head of
• 1:00:01
  Speaker 1: the day, all Madonna was doing was paying hommed. I mean,
• 1:00:05
  Speaker 1: she did have to lead up to what she was
• 1:00:07
  Speaker 1: talking about. It was the story. She had a limit
• 1:00:09
  Speaker 1: of amount of time. Of course, we understand that she
• 1:00:11
  Speaker 1: had six minutes and twelve seconds. That's a long time
• 1:00:14
  Speaker 1: on television. Brother, six minutes and twelve seconds. That was
• 1:00:18
  Speaker 1: the time time it prop and that was only up
• 1:00:22
  Speaker 1: how she got on. And at the end of the day,
• 1:00:25
  Speaker 1: she feels like a Wretha did put her on because
• 1:00:27
  Speaker 1: she put her on with that song. No, brother, you
• 1:00:30
  Speaker 1: mean to tell me that Madonna been in this industry
• 1:00:31
  Speaker 1: a long time. She don't have a personal story that
• 1:00:33
  Speaker 1: she shared with Aretha. She met a Wretha somewhere and
• 1:00:36
  Speaker 1: they had a conversation or something. If not, then wise
• 1:00:38
  Speaker 1: mcdonna on the Let's get somebody, That's what I'm saying. Marissa, Hey,
• 1:00:44
  Speaker 1: good morning, good morning. I love you guys. On the
• 1:00:47
  Speaker 1: Breakfast Club. I just want to let y'all know, guys,
• 1:00:50
  Speaker 1: I love you. Value. On the scale of one to ten,
• 1:00:52
  Speaker 1: how disrespectful was that attribute? Very ten? Very disrespectful? Yes,
• 1:00:58
  Speaker 1: because sometimes I just say, like white people, they just
• 1:01:01
  Speaker 1: say book and they don't realize the offense, but they
• 1:01:04
  Speaker 1: say it, yeah, because they to it. Okay, thank you mama.
• 1:01:08
  Speaker 1: All right, I have a good one on YouTube now.
• 1:01:10
  Speaker 1: Eight hundred five eight five, one oh five one. We're asking,
• 1:01:13
  Speaker 1: on the scale of one to ten, how disrespectful was
• 1:01:15
  Speaker 1: Madonna's tribute last night? If you haven't heard it, we're
• 1:01:17
  Speaker 1: gonna play it back when we come back. How disrespectful
• 1:01:23
  Speaker 1: was the hairline one? Yeah, that was a hairline one.
• 1:01:26
  Speaker 1: I call us now as the Breakfast Clo. Good morning Porning.
• 1:01:29
  Speaker 1: Everybody is DJ mvy angela ye, Charlemagne the guy. We
• 1:01:33
  Speaker 1: are the Breakfast Club. Now. If you just missed it,
• 1:01:35
  Speaker 1: Charlemagne gave Madonna Donkey of the Day for her tribute
• 1:01:38
  Speaker 1: last night to Aretha Franklin at the VMA's If you missed,
• 1:01:41
  Speaker 1: let's play a snippet of it. Aretha Louise Franklin changed
• 1:01:47
  Speaker 1: the course of my life. I left Detroit when I
• 1:01:51
  Speaker 1: was eighteen thirty five dollars in my pocket. My dream
• 1:01:55
  Speaker 1: was to make it as a professional dancer. After years
• 1:01:58
  Speaker 1: of struggling and being broke, I decided to go to
• 1:02:01
  Speaker 1: auditions for musical theater. None of this would have happened
• 1:02:04
  Speaker 1: without our Lady of Soul. She led me to where
• 1:02:09
  Speaker 1: I am today. And I want to thank you, Aretha
• 1:02:12
  Speaker 1: for empowering all of us. R E S P e CT.
• 1:02:18
  Speaker 1: That thing is the snippet of it, because the whole
• 1:02:19
  Speaker 1: thing is six minutes and twelve seconds, all right, And
• 1:02:22
  Speaker 1: in six minutes and twelve seconds, she might have mentioned
• 1:02:24
  Speaker 1: Aretha Franklin for thirty five to forty at those seconds.
• 1:02:27
  Speaker 1: And I keep telling y'all that you know. The thing
• 1:02:29
  Speaker 1: about ego is that you know U ego. I don't
• 1:02:35
  Speaker 1: even want the hell you say? What do you say?
• 1:02:36
  Speaker 1: Right now? Anyway, let's go, let's go to the photo.
• 1:02:41
  Speaker 1: I'm just I'm just disgusted at this whole situation. Five
• 1:02:43
  Speaker 1: A five one five one Hello, who's this? Come on?
• 1:02:46
  Speaker 1: J Hey, Ray? What's going on? Brother? I just want
• 1:02:49
  Speaker 1: to talk about the disrespect these white people have towards
• 1:02:52
  Speaker 1: our pulse. Char I just don't understand it, right, You
• 1:02:55
  Speaker 1: can drop to two clues bombs. One for Aretha Franklin,
• 1:02:58
  Speaker 1: God rest her soul and walk for the breakfast Club.
• 1:03:01
  Speaker 1: Always know when the culture forward, Thank you, sir. You know,
• 1:03:03
  Speaker 1: since the beginning they mentioned that, oh, she died on
• 1:03:06
  Speaker 1: the same day as Elvis Presley, who cares? And she
• 1:03:10
  Speaker 1: died on mcdonna's birthday too, Yeah, who cares? She died? Died?
• 1:03:16
  Speaker 1: You know, the disrespect of our culture, you know, the
• 1:03:21
  Speaker 1: white depression. We all know about it. There's nothing new.
• 1:03:24
  Speaker 1: And again it goes to show last night the VMA
• 1:03:26
  Speaker 1: when mcdonna goes on the whole field about herself so wild.
• 1:03:29
  Speaker 1: Who cares about you? Madonna? You're old trash. You know
• 1:03:33
  Speaker 1: what I think too, I'm gonna. I think I hadn't
• 1:03:37
  Speaker 1: have died, they would have had Madonna present that same award.
• 1:03:40
  Speaker 1: But I think that they would have had Madonna talk
• 1:03:42
  Speaker 1: about turning sixty because sixty is such a milestone. So
• 1:03:46
  Speaker 1: I think Madonna already had that prepared to discuss herself.
• 1:03:50
  Speaker 1: But then Aretha died and she was yeah, she had
• 1:03:53
  Speaker 1: to just Hello, who's this? You know this drake from
• 1:03:56
  Speaker 1: test what's up? Bro? We're talking on the scale of
• 1:03:59
  Speaker 1: one to ten. How disrespectful was that tribute? Man? It
• 1:04:01
  Speaker 1: was about a two out of ten? Man? It was
• 1:04:03
  Speaker 1: really disrespectful. Man, So how can it be a two
• 1:04:05
  Speaker 1: out of ten? You? I swear to god he did
• 1:04:07
  Speaker 1: it backwards. He did it backwards? All right? Then say
• 1:04:11
  Speaker 1: that man, he didn't know a S E c K.
• 1:04:14
  Speaker 1: Is it? What? Sor sorry? With ten being the most
• 1:04:18
  Speaker 1: disrespectful and one being the least disrespectful, why are you
• 1:04:22
  Speaker 1: so mad? God, I don't want to sound stupid from
• 1:04:25
  Speaker 1: the white people. I forget it, forget it? What grad
• 1:04:28
  Speaker 1: you in? Bro? Man? I'm out of school. Was okay,
• 1:04:31
  Speaker 1: you can't have this? Yeah, I'll shopton not here spelling
• 1:04:33
  Speaker 1: to respect rspr ct This man says it's a two
• 1:04:37
  Speaker 1: out of ten? Like, come on, you really spelled an
• 1:04:39
  Speaker 1: RSPE I thought you was joking. So you get something?
• 1:04:43
  Speaker 1: Actually her did? All right? Well, what's the moral of
• 1:04:46
  Speaker 1: the story. The moral of the story is the ultimate
• 1:04:48
  Speaker 1: aim of the ego is not to see something, but
• 1:04:50
  Speaker 1: to be something. Madonna doesn't see it for Aretha because
• 1:04:53
  Speaker 1: she's too busy being Madonna. Okay, it's all ego, baby,
• 1:04:57
  Speaker 1: But you know, respect is not something that you you
• 1:05:00
  Speaker 1: just can spell respected. Something that you have to show respect. Rspect. No,
• 1:05:04
  Speaker 1: you can't find out what it means to me. C
• 1:05:06
  Speaker 1: C C s U C K E R. You're gonna
• 1:05:10
  Speaker 1: get that right out who you are. We got rumored
• 1:05:15
  Speaker 1: on the way. Yes, let's do something great. Let's talk
• 1:05:18
  Speaker 1: about some own bios winning every gold medal at the
• 1:05:20
  Speaker 1: US Championships. Okay, we'll get into that when we come back.
• 1:05:23
  Speaker 1: Keeping locked this to Breakfast Club the Mordy. Now listen.
• 1:05:26
  Speaker 1: I usually get tired in hand Drake on every record
• 1:05:28
  Speaker 1: on the radio, so I would never request this. But
• 1:05:31
  Speaker 1: there's one record I want to hear Drake on. I
• 1:05:34
  Speaker 1: want Drake to do a verse on a little Duvall. Smile, bitch.
• 1:05:37
  Speaker 1: He didn't do it because he can't. He can't hear it.
• 1:05:39
  Speaker 1: If he didn't do it, I want him to do
• 1:05:41
  Speaker 1: it because he's living his best life. Why don't you
• 1:05:43
  Speaker 1: call him who Drake and tell him set it up?
• 1:05:47
  Speaker 1: I want Drake to do a verse on living my
• 1:05:50
  Speaker 1: best life. Put Drake go ahead and take that record
• 1:05:53
  Speaker 1: number one for the coaches. It's already top ten. Put
• 1:05:55
  Speaker 1: Drake and Nikki on it. No, Drake and Cardy, you
• 1:06:04
  Speaker 1: fool man. Let's get to the rooms. Let's talk sim Bows.
• 1:06:15
  Speaker 1: Angela ye the breakfast club man. I love a great
• 1:06:19
  Speaker 1: story like this. Congratulations to Simone Bows. She became the
• 1:06:22
  Speaker 1: first female gymnast to win five all around titles at
• 1:06:26
  Speaker 1: the twenty eighteen US Gymnastics Championships. For Small Bows, one
• 1:06:30
  Speaker 1: of my daughters. She took a fourteen month break from
• 1:06:33
  Speaker 1: training after the twenty sixteen Olympics. She just started competing
• 1:06:36
  Speaker 1: three weeks ago. She said, I've been back for only
• 1:06:39
  Speaker 1: nine months. I'm so proud of myself. She also wore
• 1:06:42
  Speaker 1: till and that until leotard represents the color of sexual
• 1:06:45
  Speaker 1: assault awareness. She wore that to honor the victims of
• 1:06:49
  Speaker 1: former US gymnastics doctor Larry Nassar, who was sentenced to
• 1:06:53
  Speaker 1: life in prison for sexual assault. So congratulations to Simone
• 1:06:57
  Speaker 1: Bows for that landmarket. Simon Boss, my daughter is in
• 1:07:01
  Speaker 1: the gymnastics and all that good stuff. So she absolutely
• 1:07:04
  Speaker 1: idolizes small daughter. Yes, now, she said, I knew I
• 1:07:08
  Speaker 1: was capable of scoring as well, but I kind of
• 1:07:10
  Speaker 1: thought I was going to be a nervous wreck and
• 1:07:12
  Speaker 1: maybe fall apart going into these events. I know, I
• 1:07:15
  Speaker 1: kept telling my family like, I don't know if I'm
• 1:07:16
  Speaker 1: going to be able to calm myself down the way
• 1:07:18
  Speaker 1: I did before and handle the nerves. But so far,
• 1:07:21
  Speaker 1: so good. All right, congratulations to young Doug. He has
• 1:07:25
  Speaker 1: partnered up with bell Air. He announced that partnership. He said,
• 1:07:28
  Speaker 1: I've been friends with Brett Barrish for a while. He's
• 1:07:30
  Speaker 1: the CEO of Sovereign Brands. For a Bellair, he said,
• 1:07:33
  Speaker 1: We've been talking about doing something together for a couple
• 1:07:35
  Speaker 1: of years, and then we finally linked up. So he
• 1:07:38
  Speaker 1: also shouted them out for supporting the hip hop culture
• 1:07:41
  Speaker 1: since Rick Ross became their first rap ambassador back in
• 1:07:44
  Speaker 1: twenty fifteen. And what pink, bubbly, sparkly champagne will he
• 1:07:47
  Speaker 1: be promoting. I'm sure it's going to be delicious. You'll
• 1:07:51
  Speaker 1: taste it right. All right, now, let's talk about whoa
• 1:07:55
  Speaker 1: my go I don't know, walked right into that stupid
• 1:07:58
  Speaker 1: one right there. Whoa whoa I saw it in still
• 1:08:02
  Speaker 1: boom forhead? What's your forehead? Hit? Okay, whoa you cain't
• 1:08:07
  Speaker 1: key just runing bro right, guys, Okay, you guys and
• 1:08:10
  Speaker 1: gals calmed down. They call that a turkey slap just
• 1:08:12
  Speaker 1: so yeah, okay, everybody, really, ye look it up. It's
• 1:08:15
  Speaker 1: not even Thanksgiving. You know what a turkey slap is? No? Okay,
• 1:08:18
  Speaker 1: google it? No thank you? All right. Now, let's talk
• 1:08:20
  Speaker 1: about Asia Argento. She is one of the first people
• 1:08:24
  Speaker 1: to speak out against Harvey Weinstein in the Me Too movement,
• 1:08:26
  Speaker 1: one of the first alleged victims to come forward. Well,
• 1:08:29
  Speaker 1: now she has something against her. She actually paid three
• 1:08:32
  Speaker 1: hundred and eighty thousand dollars for a photo of her
• 1:08:35
  Speaker 1: snuggling with then seventeen year old Jimmy Bennett on a bed,
• 1:08:39
  Speaker 1: shirtless with their foreheads pressed together. Now, he did play
• 1:08:42
  Speaker 1: her son in a movie. Prior to that, he was
• 1:08:45
  Speaker 1: only seventeen, and the age of consent in California where
• 1:08:48
  Speaker 1: that picture was is eighteen years old, so she had
• 1:08:50
  Speaker 1: to pay him three hundred and eighty thousand dollars for it. Now,
• 1:08:53
  Speaker 1: TMZ did see the picture, and the only reason there
• 1:08:55
  Speaker 1: was no NDA is because in California, confidentiality agreements are
• 1:08:59
  Speaker 1: not in four when they involve allegations of child sex acts.
• 1:09:04
  Speaker 1: So she has not been a reachable since this whole
• 1:09:06
  Speaker 1: entire story broke. But they do have documents and everything
• 1:09:09
  Speaker 1: to support that this payment was made. Well, the hypocrisy
• 1:09:13
  Speaker 1: is high on this one because I saw Rose McGowan
• 1:09:15
  Speaker 1: tweet out, none of us know the truth for the situation,
• 1:09:18
  Speaker 1: and I'm sure more will be revealed. Be gentle guys
• 1:09:21
  Speaker 1: don't get that kind of luxury when accusations happen, not
• 1:09:24
  Speaker 1: at all, not even a little bit. M No, I
• 1:09:26
  Speaker 1: don't know about that, because sometimes people don't believe women,
• 1:09:28
  Speaker 1: depending on who it is. It was a lot of
• 1:09:30
  Speaker 1: what Bill Cosby with all those accusers. People still didn't
• 1:09:33
  Speaker 1: believe that he did anything, So I wouldn't say that
• 1:09:35
  Speaker 1: they don't get that all around from McGowan once tweeted
• 1:09:39
  Speaker 1: that it's quite simple. All who have worked with knowing
• 1:09:41
  Speaker 1: predators should do three simple things. Believe survivors, apologized for
• 1:09:45
  Speaker 1: putting your careers and whiles before what was right, gravispine,
• 1:09:48
  Speaker 1: and denounced. If you do not do those things, you
• 1:09:49
  Speaker 1: are still moral cowards. What she tweeted about that young
• 1:09:52
  Speaker 1: lady right there was a far cry from that original tweet. Right. No, definitely,
• 1:09:56
  Speaker 1: she certainly should be treated the same way that everybody
• 1:09:59
  Speaker 1: else who is a predator is treated. Okay, now let's
• 1:10:03
  Speaker 1: discuss the MTV Video Music Award winners, because we didn't
• 1:10:06
  Speaker 1: even get into that so much. Video of the Wear
• 1:10:09
  Speaker 1: of the Year went to Camilla Cabello and Young Thug Havanna.
• 1:10:12
  Speaker 1: Artists of the Year went to Camilla Cabello. Also, Song
• 1:10:14
  Speaker 1: of the Year went to Post Malone and twenty one
• 1:10:16
  Speaker 1: Savage for rock Star. Also Best New Artist that was
• 1:10:20
  Speaker 1: Cardi B. Best Collab went to Jennifer Lopez featuring DJ
• 1:10:23
  Speaker 1: Khaled and Cardi B with De Niro. Best Pop went
• 1:10:26
  Speaker 1: to Ariana Grande No Tears Left to Cry, Best hip
• 1:10:29
  Speaker 1: Hop Nicki Minaj with Chun Lee, and for Best Video
• 1:10:32
  Speaker 1: with a message that was Childish Gambino this is America,
• 1:10:36
  Speaker 1: and the cartists did win for ape ish, for Best
• 1:10:38
  Speaker 1: Cinematography and for Best Art to ract are all these
• 1:10:42
  Speaker 1: awards voted on? Because I see everybody telling me that
• 1:10:45
  Speaker 1: the reason Nikki won Best hip Hop because it was
• 1:10:46
  Speaker 1: voted on. That's why I was asking you, I said,
• 1:10:48
  Speaker 1: how did they determine these awards? Because it was two
• 1:10:50
  Speaker 1: awards that I definitely feel like they gave you to
• 1:10:52
  Speaker 1: people just because they were earned in attendance, and that
• 1:10:54
  Speaker 1: was the Best hip Hop Award and Best Collaboration because
• 1:10:58
  Speaker 1: j Loo in Cardi and Kalid was not a better
• 1:11:02
  Speaker 1: collaboration than jay Z and Beyonce. It does say that
• 1:11:05
  Speaker 1: VMAs are determined by fans and mysterious strangers. Oh, mysterious strangers.
• 1:11:11
  Speaker 1: When I was years ago, I was a few years ago,
• 1:11:13
  Speaker 1: that the same way. Now, I don't know. I have
• 1:11:15
  Speaker 1: no idea how they determine who wins. Listen. I just
• 1:11:17
  Speaker 1: feel like I don't even know if I would do
• 1:11:19
  Speaker 1: the same thing though I don't know MTV for music anyway,
• 1:11:21
  Speaker 1: if you come to the award show and you perform,
• 1:11:24
  Speaker 1: I would award you. That's whacked. Yeah, but you know what,
• 1:11:27
  Speaker 1: I can't have a whole night of such and such
• 1:11:29
  Speaker 1: couldn't be here tonight because they didn't. No, no, no,
• 1:11:32
  Speaker 1: that's why that's whack. When people don't show up to
• 1:11:35
  Speaker 1: the award show. I think sometimes they give you a
• 1:11:36
  Speaker 1: heads up if you're gonna win. So sometimes it might
• 1:11:39
  Speaker 1: be that they asked you to perform because they already
• 1:11:41
  Speaker 1: know you're gonna win. So they're like, all right, just
• 1:11:43
  Speaker 1: so you know you are about to win this award,
• 1:11:45
  Speaker 1: so it would be greative. That's an extra incentive to
• 1:11:47
  Speaker 1: come perform. Certainly, that's true, true, all right, I'm angela
• 1:11:50
  Speaker 1: yea and that's your rumor report, all right, Shell to revote,
• 1:11:52
  Speaker 1: will see you guys tomorrow. Everybody else to People's Choice
• 1:11:55
  Speaker 1: mixes up. Next, let's go. It's the Breakfast Club comorning