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Hope Valley: 1874 Episode 6 (Hallmark +) · Girls Gone Hallmark | Hallmark Movie Reviews

• 0:11
  Speaker 1: Welcome to Girls Gone Hallmark, a Hallmark review podcast. I'm
• 0:13
  Speaker 1: Megan and I'm a longtime Hallmark fan. I'm Wendy. I'm
• 0:15
  Speaker 1: a former Hallmark hater. On today's episode, we are discussing
• 0:19
  Speaker 1: Hope Valley episode six, which is currently available to stream
• 0:22
  Speaker 1: on Hallmark Plus. By the way, we have a whole
• 0:26
  Speaker 1: website full of Hallmark content Girls Gone Hallmark dot Com.
• 0:29
  Speaker 1: There are movie guides, actor rundowns. If you've never poked
• 0:33
  Speaker 1: around over there, check it out.
• 0:36
  Speaker 2: Hey, if you want to email us your thoughts on
• 0:38
  Speaker 2: Hope Valley, are any other Hallmark movies, content headlines, whatever,
• 0:45
  Speaker 2: you can reach us at Hello at Girls Gone Hallmark
• 0:47
  Speaker 2: dot com.
• 0:49
  Speaker 1: All of that is always linked in our show notes,
• 0:52
  Speaker 1: which is available in whatever podcast app you are currently
• 0:55
  Speaker 1: listening to this episode in. I have a question for you. Huh.
• 0:58
  Speaker 1: How many episodes are there of Hope Bally? Eight? Eight?
• 1:02
  Speaker 3: Oh?
• 1:02
  Speaker 1: I thought we were gonna be at ten? Oh? Okay,
• 1:04
  Speaker 1: two more episodes ago?
• 1:07
  Speaker 2: Okay, Well, this episode did really teed up for the
• 1:11
  Speaker 2: I think so for the ending.
• 1:13
  Speaker 1: Yeah, I agree, yeah yeah?
• 1:15
  Speaker 2: Are you ready for a synopsis? Get me Hopevally Episode
• 1:18
  Speaker 2: six Common Ground Rebecca avoids grieving her late husband on
• 1:22
  Speaker 2: his birthday by throwing herself into work on the boarding house.
• 1:26
  Speaker 2: Alexander mediates rising tensions between Tom and Doyle.
• 1:31
  Speaker 1: We have a full list of news and notes about
• 1:33
  Speaker 1: this series in our complete show Notes, which are available
• 1:37
  Speaker 1: you Guessed it at Girls Gone Hallmark dot com. Let's
• 1:41
  Speaker 1: talk first impressions. What did you think of this episode
• 1:43
  Speaker 1: of Hope Balley eighteen seventy four.
• 1:45
  Speaker 2: I don't even know what happened in this episode because
• 1:48
  Speaker 2: I blacked out when Tom put Rebecca in her muddy
• 1:50
  Speaker 2: boots on her brand new couch.
• 1:54
  Speaker 1: Isn't my digit see that?
• 1:56
  Speaker 2: I literally was like, oh no, you know me, I'm
• 1:59
  Speaker 2: like such a freak about that kind of stuff.
• 2:02
  Speaker 1: My first impression is we only that Rebeca couldn't keep
• 2:04
  Speaker 1: up this pace, but I was still sad to see
• 2:05
  Speaker 1: her finally fall apart. Yeah, let's talk what we liked.
• 2:09
  Speaker 2: I sat there was two actually one really important storyline
• 2:15
  Speaker 2: in this episode, and it's Rebecca's grief finally gets the
• 2:21
  Speaker 2: space it deserves, and then Rebecca and Sarah have this
• 2:27
  Speaker 2: really nice moment and lovely.
• 2:30
  Speaker 1: So that's where a majority of my likes are at.
• 2:36
  Speaker 1: So we learned that Jim dies of clarasy. That's it.
• 2:39
  Speaker 1: I was like, wait, what was it?
• 2:41
  Speaker 2: And they and they leave basically like weeks after his death.
• 2:45
  Speaker 2: There's no time to grief think about it. What we
• 2:48
  Speaker 2: were talking about on the way home, and how Dell
• 2:50
  Speaker 2: was like in like years dealing with grief over dedakov.
• 2:56
  Speaker 1: And yes, yes, yes.
• 2:58
  Speaker 2: And so then we have like Rebecca who's just like
• 3:01
  Speaker 2: fearful of Jim's family. It feels like she's got to
• 3:03
  Speaker 2: go right. Well, I still need a little bit more
• 3:07
  Speaker 2: clarity on that. I'm gonna talk about my wishes. But
• 3:09
  Speaker 2: you know, she just hits the open road that's a
• 3:12
  Speaker 2: and surviving out on this like you right, packed up
• 3:16
  Speaker 2: a wagon. Yeah, she's just like shoving all this stuff down.
• 3:20
  Speaker 2: And I find it very relatable, to be honest.
• 3:24
  Speaker 1: Well, you just had she just had to get it
• 3:25
  Speaker 1: done right.
• 3:26
  Speaker 2: I mean, And I think that's a lot, you know,
• 3:28
  Speaker 2: as a woman. I remember when my mom died. My
• 3:32
  Speaker 2: daughter was in the fourth grade and I was like
• 3:33
  Speaker 2: the class parent, and it was like a very busy
• 3:36
  Speaker 2: time of school and I was there at school doing
• 3:38
  Speaker 2: something The next day after my mom died, and one
• 3:42
  Speaker 2: of my friends had told the teacher and the teacher
• 3:44
  Speaker 2: came over and told me, She's like, what are you
• 3:46
  Speaker 2: doing here? And I was like, there's stuff to be done.
• 3:49
  Speaker 2: I'm responsible things, and she's like, I totally get it.
• 3:52
  Speaker 2: So she's like, sometimes we just have to like put
• 3:54
  Speaker 2: things aside, put your head down to get things done.
• 3:58
  Speaker 2: And I wonder if that it's like, do you think
• 4:01
  Speaker 2: that's like a thing women do?
• 4:04
  Speaker 1: Yeah? I think would my husband? I think the diff
• 4:09
  Speaker 1: I don't know. Would my husband do the same thing.
• 4:11
  Speaker 1: I don't know. I think my husband is less likely
• 4:14
  Speaker 1: to cancel something because of emotions. Yeah, same. My husband's
• 4:18
  Speaker 1: the same way. You know, he's talking to me like
• 4:20
  Speaker 1: I need to be home and be sad about this.
• 4:22
  Speaker 1: But he wouldn't, I think, feel an obligation right to
• 4:27
  Speaker 1: do it. I don't think. I think that would be
• 4:29
  Speaker 1: the difference. He wouldn't be like, well, they're counting on me.
• 4:32
  Speaker 1: I got to show up, you know, if he had
• 4:34
  Speaker 1: another thing going on, he would not even think twice
• 4:37
  Speaker 1: about it, right right? Yeah, I think that's a women
• 4:41
  Speaker 1: thing probably. So I just thought it was a really
• 4:44
  Speaker 1: interesting take. Well, and I the thing I really loved
• 4:48
  Speaker 1: about this, I thought that the final resolution with Rebecca
• 4:51
  Speaker 1: and Sarah was really lovely that their connection at the
• 4:54
  Speaker 1: end and the way they finally honor him was was touching.
• 4:58
  Speaker 1: I loved that didn't let go. In the beginning of
• 5:03
  Speaker 1: the episode, she clocks that something's going on with Rebecca
• 5:06
  Speaker 1: and she's been aware. She's been such a good friend
• 5:09
  Speaker 1: to Rebecca, and Rebecca blows her off, and Hattie doesn't
• 5:13
  Speaker 1: let it go. And not only is she a good
• 5:16
  Speaker 1: friend to Rebecca, but she's good to her by listening
• 5:19
  Speaker 1: to Sarah too. Yes, and she hears what's going on
• 5:22
  Speaker 1: with Sarah, and she takes it to Rebecca in not
• 5:25
  Speaker 1: an accusatory way, in such a kind, loving look. I'm
• 5:30
  Speaker 1: a mom who lost her husband, is raising a daughter.
• 5:33
  Speaker 1: I get it. But also I think there's things that
• 5:36
  Speaker 1: you're not seeing and it's so like you couldn't have
• 5:40
  Speaker 1: done it better. She moved her forward in just this
• 5:44
  Speaker 1: incredibly loving and strong way. I look, the women are
• 5:49
  Speaker 1: the heart of this show, and I really like that.
• 5:52
  Speaker 2: Yes, so do I so do I I know I
• 5:56
  Speaker 2: last week I was like, oh, the episode's kind of boring.
• 5:59
  Speaker 2: I do really enjoy this show, and especially when we
• 6:02
  Speaker 2: dig deeper into these dynamics between the women. I mean
• 6:08
  Speaker 2: Hattie MVP A one hundred percent not an.
• 6:11
  Speaker 1: Action packed show. I mean, this is very much a
• 6:16
  Speaker 1: comforting show to watch. It's just it's not like The
• 6:19
  Speaker 1: Count Money Cristo or you're like on the edge of
• 6:21
  Speaker 1: your seat the entire time. Right. Yeah.
• 6:24
  Speaker 2: I love that scene where like Hattie overhears Olivia and
• 6:27
  Speaker 2: Sarah and she's learning all this stuff and I think,
• 6:31
  Speaker 2: and then is relating it back to her experience and
• 6:35
  Speaker 2: then just you know, oh, Rebecca, let me show you
• 6:38
  Speaker 2: this spot. This is where I come and like when
• 6:41
  Speaker 2: I agree it's okay to like relive the memories and
• 6:46
  Speaker 2: find the good stuff that you guys did have together
• 6:49
  Speaker 2: and share those things with your kid or whatever. I
• 6:52
  Speaker 2: just thought was so good, so so good. Let's talk
• 6:56
  Speaker 2: about the land dispute.
• 6:57
  Speaker 1: Oh my gosh. I loved it. I think it was
• 7:01
  Speaker 1: very interesting. Finally the constable gets something to do A
• 7:05
  Speaker 1: yes and b. I liked the meeting. It was very
• 7:08
  Speaker 1: fun to watch everyone getting all heated, and I like
• 7:12
  Speaker 1: the resolution. It makes perfect sense to me.
• 7:16
  Speaker 2: No, oh, let me think through this now. I agree,
• 7:21
  Speaker 2: it makes perfect sense. But Doyle does have a point.
• 7:25
  Speaker 2: He did file first.
• 7:27
  Speaker 1: He did file first, but Tom had been ranching that
• 7:31
  Speaker 1: land for a long time prior to now. They didn't
• 7:36
  Speaker 1: need a land grant. You just kind of claimed it.
• 7:40
  Speaker 1: I mean, is Tom a squatter? I guess in that case,
• 7:43
  Speaker 1: I don't know, you know. I think for Doyle to
• 7:46
  Speaker 1: show up and be like, well, I'm here, I'm going
• 7:48
  Speaker 1: to use it now, and I asked for it first,
• 7:51
  Speaker 1: the finder's keepers, I don't know, Yeah, and he grants
• 7:54
  Speaker 1: him an easement so we can cross the ranch land. Oh,
• 7:57
  Speaker 1: Tom did not like. Tom didn't not like that decision.
• 7:59
  Speaker 1: I was like, you don't bite the hand that feeds you.
• 8:02
  Speaker 1: Like you won, you won. My favorite thing about that
• 8:05
  Speaker 1: scene though, is at the very end where Doyle's like,
• 8:08
  Speaker 1: I'm going to your superior and I and I think
• 8:14
  Speaker 1: he says on a fast horse, it'll take you a
• 8:16
  Speaker 1: week to reach him, but be my guest. Yeah. I
• 8:19
  Speaker 1: was like, like Doyle going to get there. He's like,
• 8:21
  Speaker 1: gtfo man, you're never going to do that, Like go
• 8:23
  Speaker 1: talk to him.
• 8:25
  Speaker 2: How does how did Doyle damn the creek? One man
• 8:29
  Speaker 2: all by himself damned the creek.
• 8:30
  Speaker 1: I mean the creek's not that wide. Just tossing some
• 8:33
  Speaker 1: some wooden there, just build hoover damage I know, I know,
• 8:38
  Speaker 1: I know. You know, we live in Orange County. There's
• 8:41
  Speaker 1: not like a ton of creeks. There is not, that's true.
• 8:45
  Speaker 1: I liked all that.
• 8:46
  Speaker 2: I mean, it's a real pissing contest between Tom and Doyle. Yeah,
• 8:50
  Speaker 2: you know, and I do. It was kind of interesting
• 8:53
  Speaker 2: because twice there were two examples where Nash was like, hey, Tom,
• 8:58
  Speaker 2: do you want help with like confronting oil, And Tom's like, no,
• 9:01
  Speaker 2: I got it myself.
• 9:02
  Speaker 1: I was like why.
• 9:03
  Speaker 2: First of all, Nash's like ride or eye dude, Like
• 9:06
  Speaker 2: He's like, you know what I mean, you know, like
• 9:08
  Speaker 2: you've seen those movies were like come on, let's go
• 9:11
  Speaker 2: knock some heads in or whatever.
• 9:13
  Speaker 1: I have some thoughts about that. But Tom's like, now
• 9:15
  Speaker 1: I got it myself. You mind these ranch hands. I mean,
• 9:19
  Speaker 1: did they flood that land plot of Land production? Yeah, yeah,
• 9:24
  Speaker 1: because it was moppy, very muddy, the b of the hoes.
• 9:29
  Speaker 1: Maybe uh huh, it's just cure. Maybe maybe they just
• 9:33
  Speaker 1: got a ton of rain and they're like, oh, film
• 9:35
  Speaker 1: it now, film it now. Totally.
• 9:37
  Speaker 2: I mean, I liked all that, but I do think
• 9:40
  Speaker 2: what I thought was really funny was like Alexander the Constable,
• 9:43
  Speaker 2: like practicing like, yes, there's not a ton of comic
• 9:48
  Speaker 2: relief in this no in this show, and so when
• 9:50
  Speaker 2: it has these little moments, it didn't make me laugh
• 9:53
  Speaker 2: out loud. And he's like practicing like he's like, I
• 9:55
  Speaker 2: gotta be basically judge and jury, like.
• 9:57
  Speaker 1: You know that's ultimately rebec as the one who steps in,
• 10:01
  Speaker 1: and she's like makes them like simmer down. Oh that
• 10:04
  Speaker 1: was so funny.
• 10:05
  Speaker 2: When they were all heated and she's like, hey, listen,
• 10:07
  Speaker 2: she was like ready to hand some ass to these people.
• 10:10
  Speaker 2: She's like, you're not gonna mess up my brand new
• 10:12
  Speaker 2: table in my boarding house.
• 10:14
  Speaker 1: That we're like sorry, ma'am. Yeah.
• 10:16
  Speaker 2: I thought that was great, and I did like that
• 10:18
  Speaker 2: both sides brought interested party.
• 10:20
  Speaker 1: Yeah, you know, had their teams. It was really good.
• 10:24
  Speaker 2: The one last thing I really liked was the Rachel
• 10:26
  Speaker 2: and Lars storyline. Here pure sweetness, pure sweetness. When Rachel's like, oh,
• 10:33
  Speaker 2: I can make bread and she's asking for like food
• 10:36
  Speaker 2: in exchange, like, oh my.
• 10:37
  Speaker 1: That's gotta be some hard living.
• 10:40
  Speaker 2: And I was so happy when Lars found this little
• 10:43
  Speaker 2: nugget of gold but it was only.
• 10:44
  Speaker 1: Worth ten dollar.
• 10:45
  Speaker 3: Went.
• 10:46
  Speaker 1: I was like he found it and I felt it
• 10:48
  Speaker 1: in my soul and it wasn't as much as he wanted. Yeah,
• 10:51
  Speaker 1: that scene really got me, especially when Hattie and Olivia
• 10:54
  Speaker 1: are saying goodbye to them. Yeah, I was like, oh no,
• 10:58
  Speaker 1: and I thought they surely can't be leaving. But I
• 11:01
  Speaker 1: loved the solution and it makes a lot of sense
• 11:04
  Speaker 1: for everybody, and Rebecca can finally focus a little more
• 11:08
  Speaker 1: and hand off the mess tent. I love that. Yeah,
• 11:11
  Speaker 1: I'm glad that she had some realization here, like she
• 11:14
  Speaker 1: can't do everything, she needs to pull back a little bit.
• 11:18
  Speaker 1: I have a couple of little likes. We do see
• 11:20
  Speaker 1: Recca and Tom growing ever so slightly closer again, It's
• 11:22
  Speaker 1: an incredibly slow burn, but she continues to confide in him, Yeah,
• 11:27
  Speaker 1: about her fears about Constable Vaughan, and in a much
• 11:30
  Speaker 1: less guarded way than she has, like the damn has opened,
• 11:33
  Speaker 1: so to speak, and so now that he knows. And
• 11:36
  Speaker 1: I like how he says, suspicion breads suspicion, try out
• 11:39
  Speaker 1: to give him something to worry about. Yeah, be chill,
• 11:42
  Speaker 1: be cool, don't be uncool. Right. Finally, I enjoyed the
• 11:45
  Speaker 1: final scene, the reveal of the big fancy house and
• 11:49
  Speaker 1: the woman who we assume as Rebecca's former mother in law. Yes,
• 11:53
  Speaker 1: reading the newspaper where the drawing of Rebecca and Sarah appeared,
• 11:59
  Speaker 1: and I you have your fo Olivia, do you have
• 12:03
  Speaker 1: a voicemail to play about it? I am the laugh first,
• 12:06
  Speaker 1: and as you know, if you put down a dough
• 12:07
  Speaker 1: first day, that's not believable. That would never happen because
• 12:12
  Speaker 1: I watched duds movies. I'm a escape from reality and
• 12:16
  Speaker 1: angels would never happen.
• 12:17
  Speaker 3: But I know ab'sen end happy the neighbor after. However,
• 12:21
  Speaker 3: I have an issue with the laugh that it's never
• 12:23
  Speaker 3: in the Pope Valley.
• 12:25
  Speaker 1: I watched one calls the Heart from feg and one.
• 12:28
  Speaker 3: I like storyline, Yes, the wolf flip the bit out there,
• 12:33
  Speaker 3: but what one also.
• 12:34
  Speaker 1: Reminiscent of a little house that to say, is stam called.
• 12:37
  Speaker 3: However, Mike Ride's been with the goth episode and the
• 12:40
  Speaker 3: final scene where when I came with her mother in.
• 12:43
  Speaker 4: Law opened the Chicago paper and seek the drawing of
• 12:46
  Speaker 4: her and her daughter.
• 12:47
  Speaker 1: Making a deal.
• 12:48
  Speaker 4: Now, if Rebecca it still concerned about hiding and not
• 12:53
  Speaker 4: having anyone know where they are, collect only keep a
• 12:56
  Speaker 4: secret about her pal, but where she's from why on God,
• 13:00
  Speaker 4: or you let from one who was drawing pictures or
• 13:04
  Speaker 4: the knee paper drawed extren current daughter. Yeah, it will
• 13:07
  Speaker 4: be the lat of things in today on zeb thing
• 13:10
  Speaker 4: like putting your cuts.
• 13:11
  Speaker 1: One for media and and that's where he lived. So
• 13:14
  Speaker 1: I did do not understand why.
• 13:16
  Speaker 3: Aside from the fact of it's good cliffhanger and now
• 13:19
  Speaker 3: it breathe in the in law into the story line.
• 13:22
  Speaker 3: But if you're still the picking that your daughter, you
• 13:24
  Speaker 3: would never let anyone get to you and your daughter,
• 13:26
  Speaker 3: you know, and did it as soon to put out
• 13:28
  Speaker 3: in the paper as marketing.
• 13:30
  Speaker 2: I think that's a fair take. But also our back
• 13:32
  Speaker 2: is busy. Does she actually know that that picture was
• 13:34
  Speaker 2: sketched of them?
• 13:36
  Speaker 1: That's what I was wondering A and B. I think
• 13:38
  Speaker 1: sometimes we you're so living minute to minute that you
• 13:41
  Speaker 1: don't have the foresight necessarily to think about the consequences
• 13:44
  Speaker 1: of your action. You can't imagine that something is going
• 13:46
  Speaker 1: to have the reach that it's going to have. I
• 13:49
  Speaker 1: agree we should. We should have seen that one coming.
• 13:51
  Speaker 1: I guess I didn't see it come in. I didn't either.
• 13:55
  Speaker 2: I mean kudos to Olivia for drawing, you know, such likeness.
• 13:59
  Speaker 2: Right that the mother in law is like, she recognizes
• 14:02
  Speaker 2: that my daughter in law and with my granddaughter who
• 14:05
  Speaker 2: has been gone for who knows how long?
• 14:08
  Speaker 1: Right, I completely forgot to tell you that one of
• 14:10
  Speaker 1: my likes was the boarding house has finally come deem
• 14:12
  Speaker 1: together finally and it looks good. Yeah, I'm gonna talk
• 14:16
  Speaker 1: about it, and I did you see that? Okay, let's
• 14:19
  Speaker 1: take aqick break and we're gonna come back with our wishes.
• 14:29
  Speaker 1: I only have a few wishes about this episode. Same
• 14:32
  Speaker 1: if I can start, because I want to reference what
• 14:34
  Speaker 1: you said. Nash's like ride or Die, write it to knockheads,
• 14:38
  Speaker 1: Benjamin Ayers. I love this man. I love him as
• 14:41
  Speaker 1: an actor. He's not a bad cop. He's not a
• 14:45
  Speaker 1: bad guy. And there's a moment where he basically growls, mmmm,
• 14:49
  Speaker 1: it's coming from the stream like when he realizes, he's like,
• 14:53
  Speaker 1: it's coming from the stream like, and I was like, oh,
• 14:55
  Speaker 1: do it again. I'm not gonna do it, sweet sweet man. Right,
• 15:00
  Speaker 1: he needs to be a man who drinks is smoothie
• 15:02
  Speaker 1: out of the blender? What do we talk to you?
• 15:05
  Speaker 1: All out of love? Truly my first favorite Hallmark actor,
• 15:10
  Speaker 1: you know from the beginning was Benjamin Ayers. Yeah, I
• 15:12
  Speaker 1: was in Airshead before you were. It's not a real wish,
• 15:16
  Speaker 1: but I do think that Nash should be in the
• 15:19
  Speaker 1: role of bad cop. Oh yeah, yeah, because when Nash
• 15:22
  Speaker 1: is like, well get him, I can now Nash is
• 15:25
  Speaker 1: a sweet guy in the show, but I can believe
• 15:27
  Speaker 1: that he has that darker side. Nash also has like
• 15:29
  Speaker 1: a busted leg right now still, though I understand why
• 15:31
  Speaker 1: he can't be Yeah. But also, all all Tom does
• 15:35
  Speaker 1: is go throw some words at the guy. He doesn't
• 15:37
  Speaker 1: actually throw hands.
• 15:39
  Speaker 2: I wondered if ben Ayers is actually riding the horse
• 15:42
  Speaker 2: in this show. We see him like riding away and
• 15:46
  Speaker 2: it's only like the back of him.
• 15:47
  Speaker 1: At some point we've seen him on a horse and
• 15:50
  Speaker 1: from the front like have you in Olivia go for
• 15:52
  Speaker 1: a oh yeah, and he and Rebecca goes for a ride.
• 15:56
  Speaker 1: He's definitely him writing.
• 15:58
  Speaker 2: Was he on the was he actual on that horse
• 16:00
  Speaker 2: when when he was trying to like break that horse
• 16:03
  Speaker 2: or whatever, which oh yeah, bucked off I don't really like.
• 16:05
  Speaker 2: I mean, I'm imagining that Benjamin Aer's didn't actually get.
• 16:08
  Speaker 1: Bucked off of that stallion yet. But yeah, he's definitely
• 16:11
  Speaker 1: riding a horse. Okay, can you imagine that? Like we
• 16:13
  Speaker 1: want you for this show and he's like, yeah, I
• 16:14
  Speaker 1: can't ride a horse, and they're like, that's sorry, I'll
• 16:16
  Speaker 1: make it work. Well, that would be me if I
• 16:18
  Speaker 1: ever got when we need you to ride a horse,
• 16:20
  Speaker 1: I'd be like, I'm scared of those big animals. Can't
• 16:22
  Speaker 1: do it? Sorry, are you really? Yeah? Huh? The animal
• 16:28
  Speaker 1: would kill me. No. I used to go to horseback
• 16:30
  Speaker 1: riding care. I know you have, but you don't think
• 16:33
  Speaker 1: a horse could kill you? Sure? I think it could.
• 16:37
  Speaker 1: That's scary. They scare me. Okay, they are bigger than you.
• 16:41
  Speaker 1: It's reasonable bite my hand off if I'm trying to feed.
• 16:43
  Speaker 1: Their teeth are flat. It still would hurt. It might hurt,
• 16:46
  Speaker 1: but it would not remove your hand. I'll stick to Uh.
• 16:51
  Speaker 1: Horses are herbivores. I don't think it's going to eat
• 16:53
  Speaker 1: me on me. That's why you feed it a horse
• 17:00
  Speaker 1: with an open hand. No, I think I have PTSD.
• 17:04
  Speaker 1: I don't know. Okay, exposure therapy. We're gonna go to Ireland.
• 17:08
  Speaker 1: We're gonna stay at Adare Manor and I'm gonna take you. Actually, no,
• 17:11
  Speaker 1: because English writing sucks. Okay, we went horseback writing in
• 17:15
  Speaker 1: Ireland with my daughter, and I've only ridden Western because
• 17:18
  Speaker 1: I'm from here and we had to ride English, and y'all,
• 17:22
  Speaker 1: I don't know how people are doing that.
• 17:24
  Speaker 2: I don't know what the difference is, but I think
• 17:25
  Speaker 2: you and I should go to like a dude ranch
• 17:27
  Speaker 2: for like a getaway.
• 17:28
  Speaker 1: Wheeze, let's do it. Oh my gosh, I would love that.
• 17:33
  Speaker 1: The difference is that English writing is a lot harder.
• 17:35
  Speaker 1: It's it's a lot more physically involved. You're basically using
• 17:39
  Speaker 1: your quads the entire time. I don't know how y'all
• 17:42
  Speaker 1: do it. Moving on, Okay, what other wishes do you have?
• 17:45
  Speaker 2: It's a tiny wish, and it has to do with
• 17:47
  Speaker 2: Rebecca's backstory. I know we're getting there. I just need
• 17:50
  Speaker 2: to know why she's so afraid.
• 17:54
  Speaker 1: Well, we know the answer. She thinks her in laws
• 17:57
  Speaker 1: are gonna go. We're not going. You can't. They can't.
• 18:00
  Speaker 1: Well she thinks anybody can be bought. Yeah, I don't
• 18:02
  Speaker 1: like that's not those steaks are not rich enough for me. Oh,
• 18:07
  Speaker 1: you think there's something else, or you want there to
• 18:08
  Speaker 1: be something don't know. I kind of want there to
• 18:10
  Speaker 1: be something else. Yeah, I suspect that there's not. But
• 18:13
  Speaker 1: then what happens in season two A lot of unreasonable fears. Yeah,
• 18:17
  Speaker 1: but it's okay that in season two she's no longer afraid.
• 18:20
  Speaker 1: They find another conflict? What other tension? What conflict? Let's
• 18:25
  Speaker 1: let's workshop this. I don't know life on the Frontiers.
• 18:28
  Speaker 1: Heard someone's having a bad day from sleeping on that. Hey, mattress. Oh,
• 18:31
  Speaker 1: I'm gonna talk about it. I'm gonna talk about it. Oh,
• 18:33
  Speaker 1: talk about it. Oh my gosh, that's really my only wish.
• 18:36
  Speaker 2: I am glad that I have Rebecca doing too much
• 18:39
  Speaker 2: storyline continues. I am finally hopefully we put a pin
• 18:44
  Speaker 2: in that.
• 18:44
  Speaker 1: Yeah, I think so. I have two little wishes. I
• 18:47
  Speaker 1: know beggars can't be choosers, and I love seeing the
• 18:49
  Speaker 1: boarding house come together, But I would really have loved
• 18:51
  Speaker 1: to see a montage with the renovations agree. And finally,
• 18:56
  Speaker 1: we need a longing look count on this series between
• 18:59
  Speaker 1: Alexander Klay and Olivia. I can't it drives me crazy,
• 19:05
  Speaker 1: Oh Alexander, oh clear. Oh, and just the way the
• 19:09
  Speaker 1: guys like every time she connects with the other one
• 19:11
  Speaker 1: and they're just sitting there like they shoot daggers at
• 19:13
  Speaker 1: each other. Well clean was shooting daggers at Alexander. No,
• 19:17
  Speaker 1: I know it's giving Brady and Elliott a little bit.
• 19:21
  Speaker 2: Let's talk to you to see that. I talked about
• 19:23
  Speaker 2: it in my first impression. Rebecca faints outside. Tom grabs her.
• 19:28
  Speaker 2: He does get a little bit of her.
• 19:30
  Speaker 1: Boutet in the in the catch. Uh, not that big
• 19:35
  Speaker 1: of a dob. I mean he also he caught her
• 19:36
  Speaker 1: resses her face. Yes, but I'm telling you, like.
• 19:41
  Speaker 2: They all just moved in all this brand new furniture,
• 19:44
  Speaker 2: and he the woman has been These.
• 19:46
  Speaker 1: Shoes are not clean, her clothes are not clean, and
• 19:50
  Speaker 1: the couch is white. Well, not only does he lay
• 19:53
  Speaker 1: her on the white couch? My did you see that? Say?
• 19:55
  Speaker 1: White silva's on the frontier seems like a terrible idea.
• 19:58
  Speaker 1: You need a pattern, a darkly colored one at that.
• 20:01
  Speaker 1: Because there's no indoor plumbing. These people aren't showering daily.
• 20:04
  Speaker 1: Oh they're filthy, I know. And you're building a boarding
• 20:08
  Speaker 1: house for prospectors who work outside all day long. Yes,
• 20:11
  Speaker 1: these white sofas are not long for this world. Yes,
• 20:14
  Speaker 1: mostly put plastic on them, yes, yes, yes.
• 20:16
  Speaker 2: To piggyback off of that when she like kind of
• 20:19
  Speaker 2: awakes and we see the the pov of like looking
• 20:23
  Speaker 2: up at Tom over her. I was like, well, hello there, Tom.
• 20:27
  Speaker 2: I mean that's something nice to wake up too.
• 20:30
  Speaker 1: I feel like you blew past too quickly. The face correct,
• 20:34
  Speaker 1: he really remember when he catches her, he's like holding
• 20:37
  Speaker 1: her when he first catches her, he's holding her in
• 20:39
  Speaker 1: his left hand and his like right face like touches her.
• 20:42
  Speaker 1: Right hand touches her face. Oh, he had a glove
• 20:44
  Speaker 1: on right I remember he had. Don't remember. It's the
• 20:47
  Speaker 1: new hairtuck for me. M it was. It was very sweet.
• 20:52
  Speaker 1: H What else did you see?
• 20:53
  Speaker 2: We have another horseless wagon moment? Oh no, I'm never
• 20:58
  Speaker 2: not going to notice it now.
• 21:00
  Speaker 1: I didn't notice. Is it Olivia and Sarah? Ooh it's
• 21:03
  Speaker 1: Rebecca and Sarah. Thank you?
• 21:05
  Speaker 2: Oh I just I would feel so stupid saying like
• 21:09
  Speaker 2: oh and to.
• 21:11
  Speaker 1: The pa to the machine bumping my my wagon, I
• 21:17
  Speaker 1: oh my gosh. If you are the PA who is
• 21:20
  Speaker 1: responsible for making the wagon look like it's bumping over
• 21:23
  Speaker 1: a road drawn by a horse, please email us fellow
• 21:26
  Speaker 1: a Girl's Gone Hallmark dot com. We'll keep you an odymous.
• 21:28
  Speaker 1: We need to know all the details. Please please, we're
• 21:31
  Speaker 1: begging you. We're begging you. The boarding house looks damn good.
• 21:36
  Speaker 1: The outside light blue. Huh did Rebecca do all that?
• 21:40
  Speaker 1: Like she put all new shingles on it. I don't
• 21:43
  Speaker 1: know if they were called shingles back then, but like
• 21:45
  Speaker 1: you know what I mean. The walls have molding on
• 21:48
  Speaker 1: the inside, decorative molding. I'm like, it looks better than
• 21:52
  Speaker 1: my house. What's the time frame here? No, I don't know,
• 21:55
  Speaker 1: but it looks great.
• 21:57
  Speaker 3: Yeah.
• 21:58
  Speaker 2: I was happy, like Sarah gotter. Like I know it's
• 22:00
  Speaker 2: not Sarah's rum, it's their shared room, but like she
• 22:02
  Speaker 2: was like so excited.
• 22:05
  Speaker 1: Gosh.
• 22:06
  Speaker 2: I recently posted on my personal Instagram that, uh, I'm
• 22:11
  Speaker 2: this old because do you remember those like plastic hand
• 22:14
  Speaker 2: puppet things you used to get from McDonald's happy Meals?
• 22:18
  Speaker 1: I don't, you don't. It was like we're all McDonald
• 22:21
  Speaker 1: had like one on each finger. No, it was like
• 22:24
  Speaker 1: a plastic glove.
• 22:26
  Speaker 3: Yeah.
• 22:27
  Speaker 1: And like I'm trying to figure out where you're going
• 22:29
  Speaker 1: with this. I'm just saying, like I was a child,
• 22:32
  Speaker 1: that I would get excited about that kind of stuff,
• 22:33
  Speaker 1: so I would probably like Sarah too, Like I got
• 22:35
  Speaker 1: a new room and like these are things that are
• 22:38
  Speaker 1: so exciting. Well, they've been sleep yes, of course. I
• 22:41
  Speaker 1: mean she hasn't had a room, they haven't had a space.
• 22:44
  Speaker 1: I would have been excited too, anybody, I think would
• 22:46
  Speaker 1: have in that moment. Yeah, where's Phoebe been. She's finally
• 22:49
  Speaker 1: back and she's on tom side and the battle for
• 22:50
  Speaker 1: the land grant. But I was just thinking at the
• 22:53
  Speaker 1: beginning of this episode, we haven't seen Phoebe the Bee
• 22:55
  Speaker 1: Lady in a long time, and here she is. Maybe
• 22:57
  Speaker 1: we'll get more of her. Maybe she's a she's a
• 22:59
  Speaker 1: season two season two conflictor. Finally, I mentioned it earlier,
• 23:03
  Speaker 1: the Hay mattresses. Once again, just roll me into the
• 23:06
  Speaker 1: stream and leave me for dead. There was a hole
• 23:09
  Speaker 1: in that too, did you see. I was like, hey, Jenny,
• 23:14
  Speaker 1: and I'll bring over the mattresses we made. Yeah, I
• 23:17
  Speaker 1: guess it makes sense they're not bringing in bed frames.
• 23:19
  Speaker 1: Although I did think the furniture was quite nice, and
• 23:21
  Speaker 1: I thought, where did she get all this money? Because
• 23:23
  Speaker 1: it was beautiful furniture that they brought in. Dad, I
• 23:25
  Speaker 1: don't know, but I like this.
• 23:26
  Speaker 2: She's established herself as like a woman of her word
• 23:29
  Speaker 2: and yeah, no big deal.
• 23:31
  Speaker 1: Yeah that was cool.
• 23:33
  Speaker 2: The scene where Jenny and Sarah bring in the hay
• 23:35
  Speaker 2: mattress and they're like fumbling it two children trying to
• 23:38
  Speaker 2: carry in it, and.
• 23:39
  Speaker 1: Tom runs over. He's like wood. It felt very improved.
• 23:43
  Speaker 1: You know, It's like, oh been airs, he's a dad too,
• 23:47
  Speaker 1: you know, you know, I just it was cute. I
• 23:50
  Speaker 1: actually really like this show.
• 23:53
  Speaker 2: I'm excited to see what season two is gonna hold
• 23:55
  Speaker 2: because I feel like I can see what's.
• 23:57
  Speaker 1: Coming with the next two episodes. Sure, sure, I think
• 24:00
  Speaker 1: we're gonna wrap up this fear of the in laws
• 24:03
  Speaker 1: and I'm gonna need Hattie to get a love interest.
• 24:06
  Speaker 1: Yeah right, she deserves a second chance out. No, maybe,
• 24:14
  Speaker 1: but no, it's gonna be how to bring in a
• 24:16
  Speaker 1: new care It's gonna be some Oh hold on, wait,
• 24:20
  Speaker 1: I know who it is. Let's workshop this. Yes, do
• 24:21
  Speaker 1: you remember the first episode we see like the leader
• 24:23
  Speaker 1: of the Constables, the Commander, Yes, yes, that guy yeah
• 24:28
  Speaker 1: with the blue eyes, who.
• 24:29
  Speaker 2: Is like an actual actor who's been on like I
• 24:31
  Speaker 2: don't know, Brilliant Minds or CSI or something like that.
• 24:34
  Speaker 1: Yeah, yeah, let's do that. Oh. Oh, because Alexander's using
• 24:41
  Speaker 1: the boarding house as base camp and then like the
• 24:44
  Speaker 1: head guy is gonna come check on him and see
• 24:47
  Speaker 1: how we're going.
• 24:49
  Speaker 2: A little bunka chick, Yes on those Hey Mattresses baby
• 24:54
  Speaker 2: in scene.
• 24:57
  Speaker 1: Maybe not that way though, maybe not, but I think
• 25:00
  Speaker 1: he's coming. I think Amanda Cronstable's I really don't know
• 25:06
  Speaker 1: when this became that podcast. It's only these episodes. It's
• 25:10
  Speaker 1: only Hope Pally that we just turned twelve years old. Wait,
• 25:19
  Speaker 1: don't take me down with your ship injury hate emails
• 25:22
  Speaker 1: to Hello, Girls Gone Hallmark dot com checked Wendy, You're
• 25:27
  Speaker 1: an idiot. No, Hey, thanks for listening to this episode
• 25:32
  Speaker 1: of Girls Gone Hallmark. If you love these episodes, do
• 25:34
  Speaker 1: us a favorite, drop us a five star rating in
• 25:36
  Speaker 1: the podcast app that you are currently listening in, and
• 25:39
  Speaker 1: we'll be back next time with more reviews. Goodbye bye.
• 25:54
  Speaker 1: All right friends, before we go, just a quick heads up,
• 25:56
  Speaker 1: you're about to hear some ads. Thee Little Gems help
• 25:58
  Speaker 1: us keep the show running and the home park love flowing.
• 26:02
  Speaker 1: So do with that info what you will, Grab a snack,
• 26:05
  Speaker 1: hit the skip button, or maybe just maybe listen in
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  Speaker 1: and discover your new favorite product. Bye