Latest / DISGRACELAND / John Lennon: Violence, Protests, Provoking the FBI, and Pissing off the President
Transcript
- 0:00Speaker 1: Disgraceland as a production of Double Elvis. The stories about
- 0:17Speaker 1: John Lennon and his foray into politics are insane. The
- 0:21Speaker 1: one time Lovable Beadle aligned himself with violent revolutionaries, was
- 0:26Speaker 1: suspected of conspiring to disrupt a national political convention, freed
- 0:31Speaker 1: and unjustly jailed, doped, was alleged to have contributed financially
- 0:35Speaker 1: to a paramilitary terrorist organization, and he survived a home
- 0:39Speaker 1: invasion that eerily forecast his own shooting. John Lennon's turn
- 0:43Speaker 1: as rock's most famous revolutionary was short lived. The highest
- 0:47Speaker 1: levels of the United States federal government worried about the
- 0:50Speaker 1: pop star's influence on American youth and combat at as
- 0:54Speaker 1: radical politics by attempting to deport the ex Beadle. But
- 0:58Speaker 1: before these events, John Lennon, of course made great music.
- 1:03Speaker 1: Unlike that music I played for you at the top
- 1:05Speaker 1: of the show. That wasn't great music. That was a
- 1:08Speaker 1: preset loop from my melotron called Portly Prowler MK one.
- 1:14Speaker 1: I played you that loop because I can't afford the
- 1:16Speaker 1: rights to Family Affair by Sly and the Family Stone,
- 1:20Speaker 1: And why would I play you that specific slice of
- 1:23Speaker 1: riot going on cheese? Could I afford it because that
- 1:27Speaker 1: was the number one song in America. On December tenth,
- 1:31Speaker 1: nineteen seventy one, and that was the day John Lennon
- 1:34Speaker 1: took the stage with known radical Jerry Rubin in front
- 1:37Speaker 1: of thousands of fans in Detroit, drawing the wrath of
- 1:41Speaker 1: none other than Richard Nixon, the President of the United States.
- 1:46Speaker 2: On this episode.
- 1:47Speaker 1: Radical Politics, violent Revolutionaries, a home invasion, a riot going
- 1:52Speaker 1: on in John Lennon, I'm Jake Brennan, and this this
- 1:58Speaker 1: disgraceland freaks as far as the eye could see, freaks.
- 2:31Speaker 1: They filled Pontiac Stadium, fifteen thousand strong bombers and balladeers, radicals,
- 2:37Speaker 1: all Detroit, Michigan, nineteen seventy one. Richard Nixon's silent majority
- 2:42Speaker 1: was retreating. The freaks were ascended. Turns out violence worked.
- 2:47Speaker 1: Martin Luther King Junior was wrong. Nonviolence was submissive. You
- 2:51Speaker 1: want change? Post a panther up outside a police station
- 2:55Speaker 1: with a couple live rounds ready aim revolution. Jerry Rubin's
- 3:04Speaker 1: Yippies had grown up from street theater grouto Marxist to
- 3:07Speaker 1: guerrilla warriors. Detroit in nineteen seventy one wasn't like Chicago
- 3:12Speaker 1: in nineteen sixty eight. The Democratic National Convention was a
- 3:15Speaker 1: coming out party for Jerry Rubin and his fellow revolutionaries,
- 3:19Speaker 1: the New Left. Hello, America, do you know who your
- 3:22Speaker 1: children are? Fifteen hundred rioting in the street. Mox Zi
- 3:25Speaker 1: Guiles mockery trial, not guilty for incitement, guilty of contempt,
- 3:29Speaker 1: three years overturned on appeal.
- 3:32Speaker 2: Jerry Rubin beat the system and too.
- 3:35Speaker 1: John Lennon that meant something, which is why he and
- 3:38Speaker 1: his wife Yoko Ono were in Detroit that night to
- 3:41Speaker 1: free Jerry Rubin's buddy John Sinclair. Sinclair, the sort of poet,
- 3:46Speaker 1: half assed manager of the MC five and founding member
- 3:48Speaker 1: of the White Panther Party, the anti racist brothers in
- 3:51Speaker 1: arms to Bobby Seal's Black Panthers, had been railroaded. At
- 3:55Speaker 1: least that was the revolutionary rap. Busted for dope, two joints,
- 4:00Speaker 1: Sinclair was given a ten year sentence. Ten for two
- 4:04Speaker 1: went the sloganeering. John Lennon cooked up the catchphrase himself,
- 4:08Speaker 1: ten years, two joints harsh right. I guess what Jerry
- 4:12Speaker 1: Rubin and John Lennon left out of the rhetoric was
- 4:14Speaker 1: that Saint Clair, prior to the bus that sent him
- 4:16Speaker 1: away for a decade, had already been busted numerous times
- 4:19Speaker 1: for his flagrant refusal to stop smoking pot in public
- 4:22Speaker 1: while on probation for previous dope arrests. Say what you
- 4:26Speaker 1: will about the legality of marijuana, but stupid as stupid
- 4:30Speaker 1: didn't matter. John Sinclair, Jerry Ruben, Bobby Seal. The tide
- 4:33Speaker 1: was turning in their favor, at least in Detroit. Despite
- 4:37Speaker 1: the arrest of a couple white Panthers for the bombing
- 4:39Speaker 1: of a Selective Service office, despite the conviction of two
- 4:42Speaker 1: black Panthers for the murder and torture of an informant
- 4:45Speaker 1: alleged to have been committed on orders from Bobby Seal,
- 4:47Speaker 1: and despite the violence encoded in Jerry Ruben's early seventies rhetoric.
- 4:51Speaker 1: In nineteen seventy one, the revolutionaries were gaining ground in
- 4:55Speaker 1: the mainstream in Detroit. They flipped the City Council and
- 4:58Speaker 1: won control of the city's legally constituted government. It was
- 5:02Speaker 1: the coup of all coups for Jerry Rubin, who is
- 5:04Speaker 1: now officially America's most effective revolutionary. Detroit City Council SAT
- 5:09Speaker 1: members directly aligned with Reuben's radical New left causes, so
- 5:13Speaker 1: as far as John Lennon was concerned, he was aligning
- 5:16Speaker 1: himself for the winner. No matter what the audience in
- 5:19Speaker 1: Potiac Stadium looked like on that night, the imagined counter
- 5:25Speaker 1: culture utopia was in reality a stone fairweather fan opportunistic dystopia.
- 5:31Speaker 1: College kids ripped on acid, tuck and Johnson Clare blues,
- 5:35Speaker 1: Predatory drug dealers roaming the aisles, relieving suburban wastetoids of
- 5:38Speaker 1: their allowances, breaking off bricks of hash and bag bowls
- 5:42Speaker 1: of but motorheads, crushing cold cans of hams in old style,
- 5:46Speaker 1: cruised for school night, trim Vietnam vettes home from a
- 5:49Speaker 1: war they didn't want to wage in a country they
- 5:51Speaker 1: didn't recognize, hooked on heroin, a drug they didn't understand,
- 5:54Speaker 1: nodding out in the cheap seats, all of them forced
- 5:57Speaker 1: to sit through half assed hippie concert planning, long drawn
- 6:01Speaker 1: out breaks between musical artists, a stellar undercart to John
- 6:04Speaker 1: and Yoko's headlining slot, consisting with Stevie Wonder, Bob Seeker,
- 6:08Speaker 1: phil Oaks and Archie Shepp, and bored to tears by
- 6:11Speaker 1: the long winded speeches and political ramblings of Reuben and
- 6:14Speaker 1: the Zilk. Bobby Seal delivered, though Bobby knew that when
- 6:18Speaker 1: it came to speeches, you needed to hit him where
- 6:20Speaker 1: they lived with rock and roll soul power. He spit
- 6:24Speaker 1: Cassius Clay melodies over v I Lenin chords, entertaining and
- 6:28Speaker 1: motivating and as such, subversive as fuck. And by the
- 6:35Speaker 1: time John and Yoko took the stage, self contained on
- 6:38Speaker 1: methadone and cocaine cocktails, it was past two am. John
- 6:42Speaker 1: Sinclair was sleeping in his cell. Many in the crowd,
- 6:45Speaker 1: no doubt envious of him by this point, yet the.
- 6:48Speaker 2: Band played on showtime.
- 6:52Speaker 1: John Lennon Beatle John in the flesh in a rare
- 6:56Speaker 1: concert performance was worth the price of admission, Worth the
- 6:59Speaker 1: way wait, worth the coming hangover, worth the flashbacks, and
- 7:03Speaker 1: well worth of political gobblybook being shouted to the rafters.
- 7:06Speaker 1: It was even worth enduring John's wife on stage with
- 7:09Speaker 1: his spine piercing singing style, a real life beatle, except
- 7:13Speaker 1: John Lennon wasn't a beetle anymore. He was a revolutionary.
- 7:17Speaker 1: He'd taken up arms for the cause, whatever that actually.
- 7:21Speaker 2: Was in his mind.
- 7:22Speaker 1: He was fighting a good fight, and he and his
- 7:24Speaker 1: new brothers and sisters were winning. John Lennon didn't bet
- 7:28Speaker 1: on losing horses. He learned his lesson with that ass
- 7:30Speaker 1: grabbing Maishi a few years earlier. False prophets, didn't play
- 7:35Speaker 1: pop starred and was overrated. He'd been there, He'd done that.
- 7:38Speaker 1: Wanted to get him a mansion in the woods west
- 7:41Speaker 1: of London, a tax bill larger than the GDP of
- 7:43Speaker 1: a small nation, money he couldn't spend fast enough. Guilt
- 7:47Speaker 1: over his success, alienation, apathy. This the cause, Reuben, Bobby Shore,
- 7:52Speaker 1: even Saint Clair and his two joints. This was the
- 7:54Speaker 1: next big thing. John was certain. More than primal scream therapy,
- 7:59Speaker 1: more than LSD, more than chasing birds across America through
- 8:02Speaker 1: a haze of amphetamines in Zimmerman's grass. Now was the
- 8:05Speaker 1: time for real change. John could taste it. The future
- 8:08Speaker 1: was blinding, which made the past invisible, which was the point.
- 8:12Speaker 1: John Lennon wasn't the only one with his sights on
- 8:14Speaker 1: the future. In the crowd that night, a handful of
- 8:21Speaker 1: square white men circling their gaze upon the stage through
- 8:24Speaker 1: government issued binoculars.
- 8:26Speaker 2: If the crowd wasn't.
- 8:27Speaker 1: So stoned, they would have made the men instantly by
- 8:29Speaker 1: their white socks, dark shoes, floods, and high and tight
- 8:32Speaker 1: haircuts squares Hoover's men, government men FBI, thereon orders from
- 8:38Speaker 1: Bob Haldeman himself, Nixon's chief of staff and head ballbuster.
- 8:42Speaker 1: John Lennon wasn't some ordinary junkie folk singer. He was
- 8:46Speaker 1: a beetle and one, if not the biggest pop stars
- 8:49Speaker 1: on the planet. But when it came to the youth,
- 8:52Speaker 1: a demographic that Richard Nixon had little sway with, John
- 8:55Speaker 1: Lennon's influence was immeasurable. Therefore, John Lennon's political motivation was
- 9:01Speaker 1: highly suspect.
- 9:02Speaker 2: What was he doing exactly? What was his angle?
- 9:06Speaker 1: He wasn't even American. He was English, a foreigner on
- 9:09Speaker 1: a visitor visa, granted entry under American soil into this
- 9:12Speaker 1: great country by the generosity of the federal government alone,
- 9:15Speaker 1: and here he was protesting that same government alongside known
- 9:19Speaker 1: violent revolutionaries. If John Lennon would go to this extreme publicly,
- 9:24Speaker 1: what could he possibly be up to in private? It
- 9:49Speaker 1: was worse than Nixon stooges could have imagined. After John
- 9:52Speaker 1: Lennon appeared at the John Sinclair Freedom Rally, Unbelievably, John
- 9:57Speaker 1: Sinclair was freed.
- 9:59Speaker 2: It worked. John Lennon was.
- 10:03Speaker 1: Just as surprised as Richard Nixon. John Sinclair was released
- 10:06Speaker 1: from jail to appeal his conviction on orders from the
- 10:09Speaker 1: Michigan Supreme Court on the Monday after the freedom rally.
- 10:13Speaker 1: John Lennon's public appeal, along with the leftists now ensconced
- 10:16Speaker 1: inside city and state government, had come together.
- 10:19Speaker 2: To win freedom for Sinclair.
- 10:22Speaker 1: But it was more than a win for a lowly pothead,
- 10:24Speaker 1: harshly convicted for smoking a weed that did little more
- 10:27Speaker 1: than make him lazy and uninteresting. It was a symbolic
- 10:30Speaker 1: win for the revolution, and it emboldened John Lennon. He
- 10:34Speaker 1: doubled down on his political activities, appearing at the appalled
- 10:38Speaker 1: Theater benefit for the Harlem Six as well as at
- 10:40Speaker 1: another benefit for Attica State victims.
- 10:43Speaker 2: He marched in the streets of.
- 10:44Speaker 1: New York for the IRA and publicly eskewed his British
- 10:47Speaker 1: Welsh heritage in favor of his Irish roots to better
- 10:50Speaker 1: identify with the imperialized people of his Queen's England, and
- 10:54Speaker 1: he marched Bobby Seal and Jerry Rubin out in front
- 10:57Speaker 1: of a nationally televised audience on the Mike Douglas Show,
- 11:01Speaker 1: publicly proclaiming his support of the Black Panthers anti nationalism,
- 11:05Speaker 1: nodding along an agreement to Seal's stated goal of using
- 11:09Speaker 1: the Black Panthers organized philosophy of intercommunalism to redistribute American wealth.
- 11:15Speaker 1: The irony John Lennon, one of the richest musicians in
- 11:18Speaker 1: the world and a white man sitting next to Bobby
- 11:21Speaker 1: Seal in support of wealth distribution, A man whose primary
- 11:25Speaker 1: business venture, Apple Core, existed for the main purpose of
- 11:28Speaker 1: sheltering his multi million dollar income from tax collectors, taxes
- 11:33Speaker 1: that would have paid for government social services for the
- 11:36Speaker 1: underprivileged back home in his country had.
- 11:38Speaker 2: He actually paid them.
- 11:40Speaker 1: And of course here in America, John Lennon paid no
- 11:43Speaker 1: taxes either. Yet here he was, as far as Nixon
- 11:45Speaker 1: was concerned, blasting his anti American message out over American
- 11:49Speaker 1: broadcast towers built with real American labor, performed by hard
- 11:53Speaker 1: working Americans.
- 11:53Speaker 2: Who actually did pay their taxes.
- 11:56Speaker 1: The hypocrisy at all was enough to spend Richard Nixon
- 11:59Speaker 1: into a late night Scotch fueled rant in the White House.
- 12:02Speaker 1: Something had to be done. John Lennon was paranoid by nature,
- 12:09Speaker 1: but this was something else. The clicks he heard.
- 12:12Speaker 2: When he picked up the phone.
- 12:14Speaker 1: Someone was listening, and the squares on the park benches,
- 12:18Speaker 1: their legs crossed, their white sox showing their bespectacled heads
- 12:21Speaker 1: peering over the sports page of the Daily News. Someone
- 12:25Speaker 1: was watching the men he saw on inconspicuous sedans traveling
- 12:28Speaker 1: a safe two cars back from whatever New York cab
- 12:31Speaker 1: he was riding in. Someone was following him.
- 12:36Speaker 2: A change of scenery was needed.
- 12:38Speaker 1: Something less conspicuous than the five star aristocratic digs at
- 12:42Speaker 1: the Saint Regis Hotel would no longer do so he
- 12:45Speaker 1: rented a small apartment in the West Village. After all,
- 12:48Speaker 1: revolutions never come from the top down. They come from
- 12:51Speaker 1: the bottom, which is where John and Yoko seemed to
- 12:54Speaker 1: be racing toward. No sooner did they arrive at their
- 12:57Speaker 1: modest new digs at one five five and a half
- 13:00Speaker 1: Bank Street, did they renounce their possessions.
- 13:03Speaker 2: John wanted to give up his.
- 13:04Speaker 1: Quote unquote possessions complex, perhaps sensing the hypocrisy of supporting
- 13:09Speaker 1: the Black Panthers call for wealth redistribution while living off
- 13:12Speaker 1: of his and his former bandmates tax sheltered rock star
- 13:15Speaker 1: largazz Jerry Rubins spread the word John and Yoko had
- 13:20Speaker 1: opened their checkbook at their new Bank Street apartment. They
- 13:25Speaker 1: received the great Unwashed Freak community. All were invited to
- 13:29Speaker 1: reveal their cause or their plight and be granted an
- 13:31Speaker 1: audience with the new king and Queen of the counterculture,
- 13:34Speaker 1: John and Yoko, who took their meetings as was their
- 13:37Speaker 1: famous custom, in bed, often naked, ex cons down on
- 13:41Speaker 1: their luck, librarians, black panthers, white panthers, Jerry Rubin's next
- 13:44Speaker 1: generation of campus warriors, the newly christened Zippies. Any and
- 13:48Speaker 1: all hard luck cases down with the cause came palms up,
- 13:51Speaker 1: and John and Yoko did not disappoint. They put their money,
- 13:55Speaker 1: or John's money, part.
- 13:56Speaker 2: Of it anyway.
- 13:57Speaker 1: Where their mouths were, John identified with all of them
- 14:05Speaker 1: in private. As political rhetoric took a darker turn, became
- 14:08Speaker 1: more violent, even to the point of shocking Jerry Rubin,
- 14:11Speaker 1: who later said that John used to joke about his
- 14:13Speaker 1: pacifist past and blame it all on Yoko. According to Ruben,
- 14:17Speaker 1: Lennon said she's the one who's into the peace and love.
- 14:20Speaker 1: John was pissed, particularly at the cops. Revolutionary violence was
- 14:25Speaker 1: becoming an obsession, and they were all out to keep
- 14:28Speaker 1: the common man down. The cops, the politicians didn't matter.
- 14:31Speaker 1: It was the same as it was back at school.
- 14:33Speaker 1: Do this, don't do that. The man stopped the spirit
- 14:36Speaker 1: right out of you, wore you down to a nub,
- 14:38Speaker 1: molded you into the soulis automaton that the lower class
- 14:41Speaker 1: you were born into demanded and God forbid. You were
- 14:44Speaker 1: born in the wrong part of the world, in Burma
- 14:46Speaker 1: or Vietnam or Ireland, and then you.
- 14:48Speaker 2: Were royally fucked.
- 14:50Speaker 1: Whatever the means, As long as the people were free,
- 14:52Speaker 1: free from their oppressors, as long as John was free,
- 14:55Speaker 1: free from his past, Jerry Rubin was right, fuck them all.
- 15:00Speaker 2: Bobby seeal cinched it via brother Malcolm. By any means.
- 15:03Speaker 1: Necessary, John could get with that, and he was in
- 15:06Speaker 1: a position to do so, which is why when an
- 15:12Speaker 1: Irish arms dealer turned up at his door looking for
- 15:14Speaker 1: a place to lay off his stash, John allegedly put
- 15:17Speaker 1: him in touch with a contact who connected the arms
- 15:20Speaker 1: dealer with the IRA Front nor then Irish Aid, an
- 15:23Speaker 1: organization to which John Lennon would eventually assign the royalties
- 15:26Speaker 1: for his song look of the Irish. The Front funded
- 15:29Speaker 1: the Provisional IRA, the paramilitary division known as one of
- 15:33Speaker 1: the most vicious, violent domestic terrorist organizations on the planet,
- 15:37Speaker 1: which is why Lenin's biographer alleged that the Smart Beetle
- 15:40Speaker 1: gave Jerry Rubin Zippies two brand in cash to finance
- 15:44Speaker 1: the violent disruption of the Democratic and Republican conventions in
- 15:47Speaker 1: Miami that year. The exact same type of violent crime
- 15:51Speaker 1: Jerry Rubin in the Chicago seven cooked up at the
- 15:53Speaker 1: Democratic National Convention back in nineteen sixty eight, but Miami
- 15:58Speaker 1: in seventy two was to be even bigger, batter, more spectacle,
- 16:02Speaker 1: more violence guaranteed. Violence is what really got the press's attention.
- 16:07Speaker 1: Violence is what brought the revolution into Middle America's living rooms.
- 16:11Speaker 1: Violence is what brought legitimate change Miami seventy two, Nixon's
- 16:16Speaker 1: newest coronation. Jerry Rubin and John Lennon had big plans,
- 16:21Speaker 1: but then there came a hard knock on the door.
- 16:24Speaker 2: John opened it.
- 16:25Speaker 1: Two squares, dark suits, white sox ins men Immigration and
- 16:30Speaker 1: Naturalization Service. They handed John papers. The pros was bleak
- 16:35Speaker 1: and bold faced courier font Mister John Lennon your deportation
- 16:39Speaker 1: from the United States is hereby demanded.
- 16:48Speaker 2: We'll be right back after this word word word.
- 16:56Speaker 1: This was exactly what the White House feared thousands of
- 17:00Speaker 1: protesters making their way from all over the country to
- 17:03Speaker 1: the nineteen seventy two Republican National Convention in Miami. It's
- 17:07Speaker 1: why they were trying to toss John Lennon out of
- 17:09Speaker 1: the country to port him. His case dragged on, and
- 17:12Speaker 1: that was fine with authorities. In court or out of
- 17:14Speaker 1: the country. It didn't matter either way. John Lennon was neutered,
- 17:18Speaker 1: which was what the FEDS wanted.
- 17:21Speaker 2: Where it was.
- 17:21Speaker 1: John Lennon and Jerry Rubin, the rabble rouser who had
- 17:24Speaker 1: so successfully disrupted the Democratic National Convention in nineteen sixty
- 17:28Speaker 1: eight and gotten away with it, were planning on hosting
- 17:31Speaker 1: a counter convention to be held outside the RNC Stale Affair,
- 17:35Speaker 1: attracting all the freaks Vietnam War protesters, black panthers, white panthers, hippies, yippies, zippies,
- 17:41Speaker 1: and whatever other revolutionary rabble could find its way down
- 17:44Speaker 1: to the bottom of the country that couldn't happen. A
- 17:48Speaker 1: counter convention would be a disaster for Dixon, just as
- 17:52Speaker 1: he took the stage to make his case. For four
- 17:54Speaker 1: more years, the lens of the press would be equally
- 17:56Speaker 1: trained on the side show across the street, protesting only
- 18:00Speaker 1: Nixon's presidency, but demonstrating in support of the charges that
- 18:03Speaker 1: Richard Nixon was nothing more than.
- 18:05Speaker 2: A war criminal.
- 18:07Speaker 1: John Lennon Jerry Rubin. Any success in Miami for the
- 18:10Speaker 1: two of them meant failure for Nixon. It was zero sum.
- 18:14Speaker 1: So the federal hounds were unleashed, unto John Lennon in
- 18:17Speaker 1: the form of a trumped up deportation case. What did
- 18:20Speaker 1: John Lennon expect? Did he really expect to go up
- 18:23Speaker 1: against the President of the United States and his goons
- 18:26Speaker 1: Bob Haldeman and g. Gordon Lyddy with questionable immigrant status,
- 18:30Speaker 1: a convicted doper a, known junkie. Did he expect to
- 18:33Speaker 1: call Nixon in the establishment out on a repeated basis
- 18:37Speaker 1: in public and to fund black panthers, white panthers IRA
- 18:40Speaker 1: fronts and still be allowed to stay in this country
- 18:43Speaker 1: and continue to do so. Say what you will about
- 18:46Speaker 1: the righteousness of John Lennon's actions, but his hubris was monumental.
- 18:51Speaker 1: The fact that the aggressive move by the Fed surprised him.
- 18:54Speaker 1: Speaks to just how far he had his head.
- 18:56Speaker 2: Up his own ass.
- 18:57Speaker 1: In nineteen seventy two, the federal government's gambit did what
- 19:01Speaker 1: it was supposed to do, tied John up in court,
- 19:04Speaker 1: effectively sidelining him from the revolution. He wouldn't dare fuck
- 19:08Speaker 1: with Nixon in Miami while on trial over his status
- 19:11Speaker 1: as a legal immigrant. Except it didn't matter whether without
- 19:15Speaker 1: John Lennon the revolution was on Jerry Rubin was determined.
- 19:20Speaker 1: Whether or not an actual counter political convention would still
- 19:22Speaker 1: take place remained to be seen. That required planning, even
- 19:26Speaker 1: if you were just going to nominate a real, live
- 19:27Speaker 1: pig to run against Richard Nixon, which was the rumor,
- 19:30Speaker 1: and planning was in a strong suit of the cause
- 19:33Speaker 1: regardless though the revolution had arrived in Miami and shit
- 19:37Speaker 1: was about to go off. August twenty second, nineteen seventy two,
- 19:45Speaker 1: Richard Nixon's nomination day a second term. John Wayne on
- 19:49Speaker 1: hand to welcome Tricky Dick Hanoi, Jane and Flamingo Park
- 19:52Speaker 1: around the corner from the Miami Beach Convention Center on
- 19:55Speaker 1: a small makeshift stage under the dank stank of grass,
- 19:58Speaker 1: speaking to anti war demonstrators all quiet on the Southern
- 20:01Speaker 1: Front for the moment, peaceful protests, and then a protester
- 20:09Speaker 1: launched a brick at marching delegates. The delegates ran not
- 20:12Speaker 1: so fast and Ride and AV was now the official
- 20:14Speaker 1: Piggywalk of shame. Protesters were going to force the delegates
- 20:17Speaker 1: to walk the gauntlet. Demonstrators in ghostly white death masks
- 20:20Speaker 1: taunted the delegates, screaming there's blood on your hands, and
- 20:23Speaker 1: murderers are other protesters and Richard Nixon, mass smeared with
- 20:27Speaker 1: red paint blood clashed violently with police and photographers, and
- 20:31Speaker 1: the cops worried. The plan they heard was for the
- 20:34Speaker 1: demonstrators to take the convention hall at the exact moment
- 20:37Speaker 1: Nixon was taking the nomination, disrupt the whole fucking thing
- 20:40Speaker 1: right there on National TV, and the cops moved in
- 20:43Speaker 1: and riot gear. There were now three thousand protesters flooding
- 20:46Speaker 1: the streets Miami Dade's finest, strategically positioned school buses sixt
- 20:50Speaker 1: deep in front of the convention center's entrance. The protesters advanced,
- 20:54Speaker 1: launching rocks and bricks at cops and more arriving delegates.
- 20:57Speaker 1: They pounced on dignitaries, their limbs and cop cars. An
- 21:01Speaker 1: escaping room, they ran over a Vietnam ven more chance, fuck, no,
- 21:05Speaker 1: we won't go cops. Worse, there's the door. Bobby Seal,
- 21:08Speaker 1: undeterred by being jailed after the sixty eight riot, took
- 21:11Speaker 1: to the street with more of that cascious clay flow,
- 21:14Speaker 1: leading a chant of one, two, three, four, we don't
- 21:16Speaker 1: want you fucking walk. Delegates were horrified, clutching pearls and
- 21:19Speaker 1: pissing pants. Pencil neck young Republicans fired back with bricks
- 21:23Speaker 1: of their own. The protesters set American flags of flame
- 21:25Speaker 1: and smashed windows of neighboring businesses.
- 21:27Speaker 2: And then.
- 21:29Speaker 1: The cooty gross Jerry Rubin's grouto Marxist protest theory come
- 21:34Speaker 1: to life. There in the middle of Meridian Avenue, a
- 21:38Speaker 1: circus elephant marching surrounded by protesters, walking in step and
- 21:43Speaker 1: pulling a coffin toward the convention center. It was great theater,
- 21:48Speaker 1: but it didn't little to physically advance the rioters, cause
- 21:51Speaker 1: the cops held the rioters back from entering the convention center.
- 21:55Speaker 1: Nixon was nominated without anterruption. Still, the national press covered
- 22:03Speaker 1: at mouths agape and blasted the images back all over
- 22:06Speaker 1: the country across the nightly news. At the end of
- 22:09Speaker 1: the day, more than two hundred demonstrators were arrested. One
- 22:12Speaker 1: news report closed with this item, as police packed a
- 22:15Speaker 1: group of violent demonstrators into a yellow police van. The
- 22:18Speaker 1: demonstrators were said to break into song, singing the Beatles
- 22:21Speaker 1: we all live in a yellow submarine. Watching the report
- 22:25Speaker 1: back home in New York on his prize possession his
- 22:28Speaker 1: color television, John Lennon thought, for fuck's sake, this was
- 22:32Speaker 1: a bloody mess, and if his hands were seen as
- 22:35Speaker 1: being all over it, he'd be tossed from the country
- 22:37Speaker 1: for sure. The timing for him couldn't have been worse.
- 22:41Speaker 1: His deportation case was shockingly going well better than his
- 22:50Speaker 1: music career at the moment. Like his ex songwriting partner
- 22:53Speaker 1: Paul McCartney, nineteen seventy two was not a good year
- 22:57Speaker 1: for John Lennon musically. His newest directord a strictly political
- 23:01Speaker 1: affair entitled Sometime in New York City with the aforementioned
- 23:05Speaker 1: luck of the Irish. The rallying cry for John Sinclair
- 23:08Speaker 1: entitled John Sinclair and a string of other protest knockoffs,
- 23:12Speaker 1: was savaged by critics. Rolling Stone called the album quote
- 23:17Speaker 1: incipient artistic suicide, and went on to further denounce it
- 23:20Speaker 1: by saying, quote, the songs are awful, shallow and derivative,
- 23:24Speaker 1: sloppy nursery rhymes to patronize the issues and individuals they
- 23:28Speaker 1: seek to exalt. Only a monomaniacal smugness could allow the
- 23:32Speaker 1: Lenins to think that this witless doggerel wouldn't insult the
- 23:35Speaker 1: intelligence and feelings of any.
- 23:37Speaker 2: Audience unquote ouch.
- 23:40Speaker 1: Calling John Lennon witless was like calling Richard Nixon a
- 23:43Speaker 1: liberal DEM's fighting words, except John Knewitt Who is he kidding?
- 23:48Speaker 1: They could knock off a good protest song with the
- 23:50Speaker 1: best of them, but an album full of them. This
- 23:53Speaker 1: was in nineteen sixty three, and he wasn't Bob Dylan.
- 23:56Speaker 1: He was John Lennon, and what he did best was
- 23:58Speaker 1: interpret this fucked up world through his own experiences with visceral,
- 24:02Speaker 1: subjective simplicity and soul cold turkey, How do you sleep,
- 24:06Speaker 1: jealous guy, instant karma. Those were the types of solo
- 24:10Speaker 1: efforts from John Lennon that nobody could touch, not his
- 24:13Speaker 1: ex Beatle bandmates, not Bob Dylan, not anybody. John, commenting
- 24:18Speaker 1: on the world from within it, as opposed to taking
- 24:20Speaker 1: a folky, subjective journalistic approach, was the side of the
- 24:23Speaker 1: street he was meant to work. Sure, the occasional swipe
- 24:26Speaker 1: and angry folk music like give Me Some Truth worked out,
- 24:28Speaker 1: but that was because it was entirely subjective, and John
- 24:31Speaker 1: could be grant too. To great effect. His song Imagine
- 24:34Speaker 1: proved that, and the rest of the songs on the
- 24:37Speaker 1: same album, along with the album that preceded it, John
- 24:39Speaker 1: Lennon Plastic Gono Band, proved that John Lennon as a songwriter,
- 24:43Speaker 1: despite as many flaws and contradictions, was at the top
- 24:47Speaker 1: of his game upon exiting the Beatles, which was more
- 24:50Speaker 1: than the critics could say for Paul McCartney, whose solo
- 24:53Speaker 1: records to that point had all critically flopped. But Paul
- 24:56Speaker 1: would be back. John knew it, just as he knew
- 24:59Speaker 1: he would be too, if we were only allowed to
- 25:02Speaker 1: stay in the US. He couldn't bear going back to England.
- 25:05Speaker 1: It would be seen as a defeat, a humiliation of rejection,
- 25:09Speaker 1: the same rejection he'd known his whole life. First his
- 25:12Speaker 1: dad did want him, then his mom. It singed him
- 25:15Speaker 1: as a boy and the pain never left it drove
- 25:17Speaker 1: him freeing himself from this pain, the pain of being
- 25:20Speaker 1: John or worse, beatle John, all those expectations, No amount
- 25:24Speaker 1: of drugs or pussy or politics would.
- 25:26Speaker 2: Loosen him from its grip.
- 25:27Speaker 1: And now this case, this fucking case, was throwing it
- 25:30Speaker 1: all back into his face. And there was no running
- 25:33Speaker 1: from himself in England, at least in the States. In
- 25:35Speaker 1: New York City he could hide, he could blend in.
- 25:38Speaker 1: In New York, New Yorker's largely left him alone, and
- 25:41Speaker 1: that was something akin to letting him be himself, and
- 25:43Speaker 1: that was freedom.
- 25:45Speaker 2: He'd felt that.
- 25:45Speaker 1: Freedom nowhere else in the world, not since he was
- 25:48Speaker 1: a star anyway, maybe in the early days back in
- 25:50Speaker 1: Hamburg or Liverpool, but not in a long long time.
- 25:54Speaker 1: Losing that feeling was horrifying, and thus losing the case
- 25:58Speaker 1: was horrifying, but not as.
- 26:00Speaker 2: Horrifying as what was about to happen. Next, the.
- 26:07Speaker 1: Doorbell to John Lennon's Bank Street apartment rang. John, no
- 26:11Speaker 1: doubt stoned and used to a revolving door of revolutionaries
- 26:14Speaker 1: by now opened the door without checking first to see
- 26:17Speaker 1: who was there. Two men burst in, and they were
- 26:22Speaker 1: clearly wasted. They were there as they mumbled to collect
- 26:26Speaker 1: collect what John asked, your debt came a response John
- 26:30Speaker 1: took from the tone in their voices that they meant
- 26:32Speaker 1: to make him pay for being rich, for not truly
- 26:35Speaker 1: being down with the cause, and the revolution was eating
- 26:39Speaker 1: its own. The two Stone roughnecks set about tossing John's
- 26:43Speaker 1: apartment looking for cash. John begged them to stop, and
- 26:46Speaker 1: they took what they found, which wasn't much. Annoyed, they
- 26:49Speaker 1: positioned themselves around John's color television, the one thing the
- 26:53Speaker 1: languors Lenin could not do without. He loved that fucking television.
- 26:57Speaker 1: It was all he did most of the day, sit
- 26:58Speaker 1: in bed, get Stone watched TV.
- 27:00Speaker 2: Try to fuck Yoka.
- 27:01Speaker 1: Sex was a non starter lately, so the TV was
- 27:04Speaker 1: all he had. He begged the two men, please make
- 27:07Speaker 1: it care less. Out went the television. They stole the
- 27:10Speaker 1: Salvador Dolly lithograph on the wall on their way out, too,
- 27:13Speaker 1: for good measure. Fuck John Lennon was pissed. This this
- 27:18Speaker 1: is what he got for his contribution to the cause,
- 27:20Speaker 1: All the money, the dope, everything he shared. His name
- 27:23Speaker 1: is fucking reputation, and this is how he's repaid with
- 27:26Speaker 1: a goddamn home invasion, a robbery. His television is fucking
- 27:30Speaker 1: television stolen right out from monder room, and there was
- 27:32Speaker 1: nothing he could do about it. Everyone knew where he was,
- 27:35Speaker 1: where he lived. Literally, if he wasn't safe in his home,
- 27:38Speaker 1: where then was he si Beatlemania. It was bad, but
- 27:41Speaker 1: this was now somehow worse. It was one big prison
- 27:44Speaker 1: all over again, his own attica. He was helpless and scared, angry, and.
- 27:49Speaker 2: About to make some changes.
- 28:12Speaker 1: The letter set off a chain of events later revealed
- 28:15Speaker 1: in court upon discovery South Carolina Senator Sirrom Thurman that
- 28:19Speaker 1: old Dixie Bull Thurman was born into white supremacy, rabble
- 28:24Speaker 1: rousing legal immigrant pop singers didn't play. Before setting his
- 28:28Speaker 1: sights on John Lennon. Senator Thurman took aim at the
- 28:31Speaker 1: civil rights movement, blocking bills that would have granted equal
- 28:34Speaker 1: rights to blacks, voting against Hawaii's statehood because the islands
- 28:38Speaker 1: weren't white enough, and of course, famously switching parties from
- 28:42Speaker 1: Democrat to Republican and leading Southern whites who shared his
- 28:46Speaker 1: attitudes towards race with him. By the time the early
- 28:49Speaker 1: seventies rolled around, Thurman's racist attitude had started to thaw.
- 28:54Speaker 1: Maybe it had something to do with the secret he
- 28:56Speaker 1: Harvard that back in the nineteen twenties he'd fathered in
- 28:59Speaker 1: nil legitimate child with a black lover. By nineteen seventy,
- 29:03Speaker 1: Senator Thurman had voted in favor of Martin Luther King
- 29:06Speaker 1: Junior's birthday becoming a national holiday, and had hired numerous
- 29:10Speaker 1: black men and women to his staff. Such was his
- 29:12Speaker 1: turnaround on race that when he died six months after
- 29:15Speaker 1: giving up his Senate seat in two thousand and three,
- 29:18Speaker 1: at the age of one hundred, fellow senator at the time,
- 29:21Speaker 1: Democrat Joe Biden, spoke at his memorial service, but I digress. Nonetheless.
- 29:27Speaker 1: In nineteen seventy two, Republican Strom Thurman was still seen
- 29:31Speaker 1: as a patriot above all else, so when certain actions
- 29:34Speaker 1: came to light involving John Lennon's role in freeing John
- 29:37Speaker 1: Sinclair from prison, Senator Thurman sat down to write a
- 29:41Speaker 1: letter to his boss, Richard M.
- 29:43Speaker 2: Nixon.
- 29:45Speaker 1: In the letter, Thurman claims that Lenin's involvement with and
- 29:48Speaker 1: support of radicals will quote pour tremendous amounts of money
- 29:51Speaker 1: into the coffers of the new Left. It can only
- 29:54Speaker 1: inevitably lead to a clash between a controlled mob organized
- 29:57Speaker 1: by this group in law enforcement officials, the letter had
- 30:00Speaker 1: the desired effect. J Edgar Hoover's FBI launched a surveillance
- 30:04Speaker 1: and harassment campaign against the Lenins throughout the nineteen seventy
- 30:08Speaker 1: two election season. Years later, it was this very harassment
- 30:12Speaker 1: campaign that would form the backbone of Lenin's defense and
- 30:15Speaker 1: sink the government's case to have him deported. In true
- 30:19Speaker 1: Nixon error irony. Of course, a series of status reports
- 30:22Speaker 1: from Hoover to Nixon's right hand man H. R. Haldeman
- 30:25Speaker 1: was a smoking gun that, once discovered, proved the immigration
- 30:28Speaker 1: case against John Lennon was nothing more than an illegitimate
- 30:31Speaker 1: political hit job. But on election night, November seventh, nineteen
- 30:36Speaker 1: seventy two, John Lennon did not yet know what good
- 30:39Speaker 1: fortune was coming his way. He would be spared deportation. No, Instead,
- 30:44Speaker 1: he was faced with the gloom of four more years
- 30:46Speaker 1: of Richard Milhouse nixon An office, an outcome of which
- 30:50Speaker 1: he was certain spelled instant doomed for him, for it
- 30:53Speaker 1: would seal his deportation.
- 30:58Speaker 2: On that night, he was.
- 30:59Speaker 1: In the control room at the Record Plan, listening to
- 31:01Speaker 1: Yoko trying to screech her way through something barely passing
- 31:05Speaker 1: as a melody.
- 31:06Speaker 2: The news of.
- 31:06Speaker 1: The returns favoring Nixon only made him to test Yoko's
- 31:09Speaker 1: performance more. He sucked on a bottle of Sequila and
- 31:13Speaker 1: grew angrier by the second, making disparaging remarks about Yoko's
- 31:17Speaker 1: lack of talent to the studio's engineer behind his wife's back. Yoko,
- 31:21Speaker 1: if she was aware, to her credit, soldiered on in
- 31:24Speaker 1: the vocal booth, which was more than could be said
- 31:26Speaker 1: of her husband, who was wearing his defeatism on his
- 31:28Speaker 1: double wild lapel like a hungover sailor proudly sporting a
- 31:31Speaker 1: fresh herpies outbreak. Mercifully, the session wrapped around four a m.
- 31:36Speaker 1: And mister and missus John Lennon headed downtown to Jerry
- 31:39Speaker 1: Ruben's apartment to take in the rest of the election
- 31:42Speaker 1: night returns and commiserate with their fellow revolutionaries. Ruben nearly
- 31:47Speaker 1: shat himself when he heard the screaming outside his door.
- 31:50Speaker 1: It was John pissed, pissed, drunk, and pissed off, and
- 31:54Speaker 1: reverting back to his primal scream therapy, he barged into
- 31:57Speaker 1: the relatively calm apartment gathering Like an inmate freshly escaped
- 32:01Speaker 1: from the sanitarium, Zelda Fitzgerald had nothing on him. He
- 32:05Speaker 1: grabbed the first woman he saw with two hands on
- 32:07Speaker 1: her cheeks, pulled her face into his, and smacked a big,
- 32:10Speaker 1: wet one on her. Yoko brought up the rear, nonplussed.
- 32:14Speaker 1: This wasn't her first rodeo.
- 32:16Speaker 2: John went at Ruben, Revolution, Revolution.
- 32:19Speaker 1: How the fuck are you gonna have a fucking revolution
- 32:21Speaker 1: when you can't even get McGovern elected.
- 32:24Speaker 2: Jerry Rubin was crestfallen. John wasn't wrong.
- 32:27Speaker 1: Yoko sat down calmly between a couple on the couch,
- 32:30Speaker 1: pulled out a small bag of cocaine, and dutifully began
- 32:33Speaker 1: cutting it up into lines. John left Reuben to his
- 32:37Speaker 1: guest and turned his wild eyes to the door. An
- 32:40Speaker 1: exit was needed fast. Fucked these people, Charlatan's ineffective middle
- 32:45Speaker 1: class bourgeois roots.
- 32:47Speaker 2: What could they actually do? Nothing?
- 32:49Speaker 1: If you want to accomplish anything, leave it to the
- 32:52Speaker 1: working man. That's who he was. Something to be free.
- 32:56Speaker 1: Fuck all of you, he yelled, swiping a bottle of
- 32:58Speaker 1: vodka off the table. As he made his way to
- 33:00Speaker 1: the door. He pulled from the bottle of vodka and
- 33:03Speaker 1: screamed to no one and everyone at the same time,
- 33:05Speaker 1: I'm going to join the weatherman. I'm going to shoot
- 33:07Speaker 1: a policeman and with that, John Lennon's revolution was lost
- 33:19Speaker 1: years later, after splitting from Yoko, after heading to Los
- 33:22Speaker 1: Angeles to drink away his pain, to fuck his way
- 33:24Speaker 1: to freedom, to run from his own abandonment issues, and
- 33:27Speaker 1: from the guilt of abandoning his first wife Cynthia and
- 33:30Speaker 1: his son Julian. After white knuckling it through Hollywood self
- 33:33Speaker 1: destruction with a gun toting phil Spector in a double
- 33:36Speaker 1: milkshake swinging Harry Nilsen, after finding his way back to
- 33:40Speaker 1: New York, back to Yoko remarkably in one piece, after
- 33:43Speaker 1: finding out she was pregnant and that at last there
- 33:45Speaker 1: would be no miscarriage, after giving birth to their beautiful
- 33:48Speaker 1: boy Sean, after freeing himself from whatever the next big
- 33:51Speaker 1: thing was, from LSD, from the mah Rishi, from primal
- 33:55Speaker 1: scream therapy, from politics, after doubling down on the fantasy
- 33:58Speaker 1: of Yoko and shot on family. After all that, In
- 34:03Speaker 1: nineteen eighty, John Lennon described his years as a radical
- 34:07Speaker 1: by saying, quote, I dabbled in so called politics in
- 34:10Speaker 1: the late sixties and seventies more out of guilt than
- 34:13Speaker 1: anything else. Guilt for being rich, and guilt for thinking
- 34:16Speaker 1: peace and love isn't enough, and you have to go
- 34:19Speaker 1: out and get shot or get punched in the face
- 34:21Speaker 1: to prove I'm one of the people.
- 34:23Speaker 2: I was doing it against my instincts.
- 34:26Speaker 1: The irony, of course, was that when John Lennon finally
- 34:29Speaker 1: did let go of politics and let go of wanting
- 34:32Speaker 1: to be as he said shot, he found himself outside
- 34:36Speaker 1: his luxury Dakota apartment staring down a gunman, and then
- 34:42Speaker 1: I'm shot.
- 34:44Speaker 2: John Lennon was right.
- 34:46Speaker 1: He was shot, hit four times, and it was bad.
- 34:50Speaker 1: The police were on the scene quickly. John was carried
- 34:53Speaker 1: into the back of a patrol car by two cops
- 34:55Speaker 1: to take him with the quickness to Roosevelt Hospital. The
- 34:59Speaker 1: dying man and the sat with his head in the
- 35:01Speaker 1: cops thot gurgling blood. The cop looked into the dying
- 35:04Speaker 1: man's eyes, couldn't believe what he was seeing.
- 35:08Speaker 2: Fuck.
- 35:08Speaker 1: The cop looked down at the man and asked, do
- 35:11Speaker 1: you know who you are? John Lennon looked up at
- 35:13Speaker 1: the officer gave him some truth, whispering yeah, and then
- 35:18Speaker 1: he died on December eighth, nineteen eighty. He was free, finally,
- 35:28Speaker 1: free from the trap of being John Lennon, Sir Winston O'Boogie,
- 35:32Speaker 1: Harry Nilsen's hustle, Phil Spector's hostage, Jerry rubens Stick, Paul
- 35:36Speaker 1: McCartney's partner, George and Ringo's leader, the World's Beatle, Cynthia's ex,
- 35:41Speaker 1: Julian's absent father, Mimi's embarrassment, his mom's anxiety, his dad's abandonment.
- 35:47Speaker 1: He was just John, Yoko's husband, Sean's father.
- 35:51Speaker 2: Free but gone just when he found himself.
- 35:56Speaker 1: And that's a disgrace. I'm Jay Brennan in this this Disgraceland.
- 36:17Speaker 1: Disgraceland was created by Yours Truly and is produced in
- 36:20Speaker 1: partnership with Double Elvis. Credits for this episode can be
- 36:24Speaker 1: found on the show notes page at disgracelampod dot com.
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- 36:31Speaker 1: you for supporting the show.
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- 37:08Speaker 2: Rock a Roller. He's a bad down man.