Latest / Corie Sheppard Podcast / Episode 203 | Cheeks Out

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Episode 203 | Cheeks Out · Corie Sheppard Podcast

0:20
Speaker 1: Welcome to episode 203 of the Corey Shepard podcast.
0:23
Speaker 1: Welcome back to everybody who's listening and welcome to all the people who now find it.
0:29
Speaker 1: I hear long time.
0:30
Speaker 1: You know, I hear long time, long, long, long, long time.
0:32
Speaker 1: And for all the people who say, somebody tell me this, how are you in part of the episode In so long?
0:37
Speaker 1: We're looking forward to any comeback.
0:39
Speaker 1: I was like, wait, what comeback?
0:40
Speaker 1: I hear every week.
0:41
Speaker 1: So if you know anybody who is listening on Google Podcasts, just tell them.
0:46
Speaker 1: From a switch over there, the switch over to Spotify or Audible, or you can find it on YouTube, right, if you like to watch and peep, youtube is for you.
0:54
Speaker 1: But before we get into the details of the week, right Before we talk about what has happened this week and what we do weekend and all the different back and all that going on, drunk or sober, mind your business.
1:52
Speaker 3: I would like to start the episode by wishing a happy birthday to my married wife.
1:57
Speaker 3: Let's go.
1:57
Speaker 4: Happy Birthday, I say happy birthday, happy birthday, it's a good day for a little party, a good time to get next to your baby.
2:13
Speaker 4: Gather around all the friends you value, join with them in a toast and I wish you Happy birthday.
2:32
Speaker 3: Happy birthday.
2:33
Speaker 3: May your challenge run it over.
2:41
Speaker 3: May you always have a dollar.
2:43
Speaker 3: May you live on for a million more.
2:46
Speaker 4: Just for you, I sing this song today.
3:17
Speaker 1: Happy birthday.
3:17
Speaker 1: Happy birthday Whether you are near or far away.
3:23
Speaker 1: Happy birthday, happy birthday.
3:23
Speaker 4: Whether you are near or far away, happy Birthday.
3:24
Speaker 4: Happy Birthday Even though time is making you older.
3:31
Speaker 4: Experience is to make you much wiser.
3:35
Speaker 4: Let me pass with your lesson and teacher.
3:40
Speaker 5: And look forward to seeing you in the future.
3:43
Speaker 5: Happy Birthday and look forward to seeing you in the future.
3:47
Speaker 5: Happy birthday.
3:47
Speaker 5: Happy birthday.
3:55
Speaker 5: May prosperity be with you.
4:03
Speaker 5: May all of your dreams come true.
4:05
Speaker 5: May you live to score a million more.
4:07
Speaker 5: Happy birthday.
4:10
Speaker 5: Happy birthday.
4:17
Speaker 1: I know as Stacy, all you might know as Paula Stacy.
4:19
Speaker 1: Happy birthday to Paula Stacy.
4:21
Speaker 1: Happy birthday to everybody who's celebrating Round two.
4:22
Speaker 1: You know, it's our people like Dixie and they're celebrating happy birthday.
4:23
Speaker 1: Happy birthday to Palestine.
4:23
Speaker 1: Happy birthday to everybody who's celebrating around town too.
4:25
Speaker 1: It's people like Dixie and they're celebrating Happy birthday.
4:28
Speaker 1: It's people like Auntie Maria.
4:30
Speaker 1: Happy heavenly birthday.
4:31
Speaker 1: Plenty birthday around this time.
4:33
Speaker 1: Happy birthday to everybody.
4:34
Speaker 1: How you doing, how you doing?
4:35
Speaker 1: How you doing, how you doing.
4:36
Speaker 1: I feel like it's been a long time since I talked to all of you how you doing.
4:38
Speaker 1: I had a long weekend, right, weekend right.
4:47
Speaker 1: Usually I come here and complain I would my 40 year old self when I leave the house on a weekend and how tired I feel and I can't recover.
4:50
Speaker 1: This time they catch me staying in my house and can't recover it.
4:52
Speaker 1: You know, I mean at home and I can't recover because I have class right on a saturday.
4:59
Speaker 1: These days I have class from 8 am to 10 am and then our next class from 10 am till whenever all three 3, 4, 5 o'clock, sometimes 6 o'clock.
5:07
Speaker 1: I still meet them in groups and they catch me.
5:09
Speaker 1: This year they catch me this semester.
5:11
Speaker 1: I'm working hard, right.
5:13
Speaker 1: If only I was talking about currency and things unavailable.
5:16
Speaker 1: Let me work hard for the TTA if I had to buy US for more money, right, but this is what it is, and we're here.
5:24
Speaker 1: So you had to pay me hours, you had to pay me a shift, right, and with all that happening on saturday, I looking forward whole week, like most of us.
5:32
Speaker 1: When they say mike tyson fighting jake paul, because when I was a little child right in 1987, 88 or whenever it was right I remember tyson fighting Michael Spinks.
5:45
Speaker 1: Is it Leon Spinks or Michael Spinks?
5:46
Speaker 1: That'd be Michael right.
5:47
Speaker 1: And listen, I have pictures posted about it.
5:52
Speaker 1: I cut out the thing in the papers where Spinks and Tyson face off.
5:55
Speaker 1: I put a sticker on my wall.
5:58
Speaker 1: You know what I mean?
5:58
Speaker 1: I can't wait for this fight because the world used to stop when Tyson fights.
6:03
Speaker 1: Well, now, I can't even say used to.
6:05
Speaker 1: The world stops when Mike Tyson fights.
6:07
Speaker 1: The whole world stops.
6:08
Speaker 1: And let's prove it again At 58 years old.
6:11
Speaker 1: Whether you think it's a spectacle, you think it's fake, you think it's, whatever it is, everybody stops when he fights.
6:18
Speaker 1: I remember during the pandemic he fought Roy Jones Jr right, which was one of the baddest and most glamorous fighters you ever see, right.
6:24
Speaker 1: He also got one of the baddest and most glamorous fighters you ever see, right.
6:25
Speaker 1: He also got one of the baddest and most glamorous knockouts.
6:28
Speaker 1: He had to carry Roy Jones in the back.
6:29
Speaker 1: Roy Jones didn't wake up, he didn't know what hit him.
6:31
Speaker 1: He didn't wake up.
6:32
Speaker 1: All in the back they carried him.
6:33
Speaker 1: He still knock out, right, I never see somebody head hit the canvas so hard.
6:41
Speaker 1: Fights.
6:41
Speaker 1: Roy Jones, two, that's two.
6:44
Speaker 1: I'm gonna say two draws.
6:45
Speaker 1: I can't say that pause, right, that's two.
6:47
Speaker 1: Big drawing boxing.
6:48
Speaker 1: You know what I mean men coming out to see two of them.
6:50
Speaker 1: So when they fight one another during the pandemic, don't mind, tyson was 178 years old during the pandemic and Roy Jones about 152.
6:58
Speaker 1: But they fight in two different weight class too.
7:01
Speaker 1: So Roy Jones had to up his weight a little bit and from that fight which I would have never missed that fight I'm not a big, big boxing fan, but when Tyson fights in the other watch fight like.
7:12
Speaker 1: I remember working overnight in Iowa Station and watching Conor McGregor fight Floyd Mayweather, them is things.
7:20
Speaker 1: I mean I could understand why people saying they make a spectacle out of the boxing and they ain't like the way the thing and it's fake, and I don't mind, as a man used to stay up whole night and watch the wwf.
7:30
Speaker 1: I used to watch wrestling, you know, I mean I watching undertaker fight against brett hart and owen hart and, and, and, in the early, the earliest days, as hulk hogan and macho man randy savage, main binder.
7:44
Speaker 1: If you want to talk locally, you only remember Carlitos Colon and Abdullah the Butcher and Invader number 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
7:53
Speaker 1: I'm watching that.
7:54
Speaker 1: I fully well know it fake Reality TV.
7:56
Speaker 1: We stay up all night and watch reality TV, real housewives of every city in America.
8:01
Speaker 1: We say now, I'm watching that, I don't care if I were, and you know.
8:06
Speaker 1: Let me tell you where people are deceitful Before I get into my breakdown of the fight.
8:09
Speaker 1: Where people are deceitful, people talk about Mike Tyson thing and they spend their money.
8:13
Speaker 1: And what money you spend.
8:14
Speaker 1: You're paying Netflix like normal.
8:15
Speaker 1: You ain't spend a cent more than you would have spent If they didn't do this.
8:19
Speaker 1: You would have paid Netflix the.
8:20
Speaker 1: It's the same amount of money you pay them.
8:22
Speaker 1: But let me tell you which part of the defeat, man, the defeat made me sleep.
8:25
Speaker 1: Part of the thing, because I felt very good when I saw Mike Tyson, jake Paul, 9 pm.
8:32
Speaker 1: Remember I class 8 o'clock in the morning and I studied this thing.
8:37
Speaker 1: I said, well, all right, well, 9 o'clock.
8:39
Speaker 1: I said, well, I'll go by a partner online and watch she fight.
8:43
Speaker 1: I say, well, I'm going to invite some people here.
8:44
Speaker 1: I'm going through all different methods of things.
8:45
Speaker 1: Paula Stacey says, well, why don't you just stay with me, study and all kinds of different things, why don't you just stay with me and watch me fight with me?
8:50
Speaker 1: Paula Stacey ain't make it till 9 o'clock.
8:52
Speaker 1: She didn't see a supporting boat.
8:54
Speaker 1: She didn't see nothing happen as a matter of I go to a place that's a little bit between sleep and wake.
9:02
Speaker 1: So I go downstairs I say I'm going to take a tin down there.
9:05
Speaker 1: You know what I mean.
9:05
Speaker 1: I'm going to take in my little boxing and things.
9:08
Speaker 1: I say, 9 o'clock I go to a supporting bout.
9:11
Speaker 1: It's probably a performance and all kinds of nonsense, like they had for Roy Jones' fight.
9:14
Speaker 1: I say, well, about 11, 12 o'clock.
9:17
Speaker 1: I'm thinking, well, not me.
9:19
Speaker 1: My big up and watches my boy here and all conk out.
9:22
Speaker 1: He can't see a way, I alone, to fight it.
9:24
Speaker 1: Now.
9:24
Speaker 1: I think I sleep through every supporting boat.
9:27
Speaker 1: I see every supporting boat start and I see them finish, but I sleep in between.
9:32
Speaker 1: When I see midnight and his water modern flower.
9:35
Speaker 1: I start to set alarm on my phone.
9:37
Speaker 1: This is when you're properly middle age.
9:39
Speaker 1: You're properly middle age.
9:41
Speaker 1: Last week I went by the doctor.
9:42
Speaker 1: Tell him I have a shoulder pain.
9:44
Speaker 1: The first thing salute to Sergey.
9:46
Speaker 1: The first thing he says where's your age now?
9:48
Speaker 1: As I said before, he said yeah, yeah, yeah, yeah, yeah, there's the age for that.
9:51
Speaker 1: You know what I mean.
9:51
Speaker 1: This is where we reach, this is where we are now.
9:54
Speaker 1: All the young boy thing and them thing out the door Right when the doctor.
9:59
Speaker 1: I have an impingement, a muscle impingement.
10:03
Speaker 1: I never heard about that when I was young at all, but we hear.
10:06
Speaker 1: But I started to set an alarm on my phone.
10:09
Speaker 1: This is the age I reach.
10:10
Speaker 1: I started to set an alarm now for every half hour because I can't miss Tyson fighting.
10:15
Speaker 1: When it's time for Tyson and them to fight, I see they interviewing Tyson.
10:19
Speaker 1: Tyson walking away.
10:20
Speaker 1: Tyson, the whole bottom is in your road, tyson.
10:25
Speaker 1: Tyson will beat you.
10:26
Speaker 1: Tyson Hall, bottom is in the road.
10:27
Speaker 1: Tyson Hall BT.
10:27
Speaker 1: According to the fellas in Ghana, tyson Hall BT exposed.
10:31
Speaker 1: That is when I know all hell break loose.
10:32
Speaker 1: I see there is no chance in the world that Tyson could beat anybody if Tyson ain't wearing no kind of jockey shorts, no kind of underwear, no kind of nothing.
10:42
Speaker 1: I've never seen anything like that before.
10:46
Speaker 1: It is a spectacle to behold.
10:49
Speaker 1: A spectacle to behold as I tell myself.
10:57
Speaker 1: You bring water for me, right, zach?
10:58
Speaker 1: And put on that fan for me too, not a young man and a bacon in here.
11:01
Speaker 1: Thank you very much.
11:02
Speaker 1: I'm a big son.
11:03
Speaker 1: Big son, come to take in the episode this week.
11:05
Speaker 1: You know what I mean Long time.
11:06
Speaker 1: Well, that's all.
11:06
Speaker 1: Let's see the producer.
11:07
Speaker 1: So I want the best for Tyson.
11:12
Speaker 1: I really want Tyson to knock out Jake Paul.
11:15
Speaker 1: I don't think black people could have seen Kamala Harris and Tyson lost two weeks back to back.
11:20
Speaker 1: It would not be good at all.
11:27
Speaker 1: But boy, well, listen, when I see, when I see tyson walk off the, when I see tyson, I say boy, that boy, that is it, and this interview was so wicked.
11:32
Speaker 1: Tyson, he say well, turn out the fight.
11:34
Speaker 1: Tyson say destructive win.
11:37
Speaker 1: He say a destructive win is what going to happen right now.
11:40
Speaker 1: Boy, and that man kissed tyson on his face.
11:43
Speaker 1: You know, you know, tyson, bottom wasn't cover.
11:46
Speaker 1: You kiss that man on his face before the.
11:49
Speaker 1: I say well, from then, I know, I know, tyson, I know, hoping is well for the time, undefeated, you know.
11:53
Speaker 1: But we have a little tune.
11:55
Speaker 1: I mean as much as if tyson could do it, and I'll see the interview with tyson.
12:00
Speaker 1: Um, break the little guilt spirit.
12:02
Speaker 1: I like that, you know.
12:05
Speaker 1: I find Mike Tyson must be Mike Tyson.
12:07
Speaker 1: He come talk to me about legacy and let me tell you something.
12:09
Speaker 1: I agree with Mike Tyson 100%.
12:11
Speaker 1: This idea of legacy is foolishness, it's nonsense, it's just ego, as he say right, because if you living in our world, thanks.
12:21
Speaker 1: If you living in our world, well, you very, very concerned about what people have to say about you or their sentiment about you when you're dead and gone To me, that is you.
12:32
Speaker 1: You want your ego to stay wrong.
12:34
Speaker 1: It's like we become dust.
12:35
Speaker 1: Who cares about what is happening with us?
12:37
Speaker 1: I'm not saying that people or loved ones wouldn't have reverence for us.
12:41
Speaker 1: Or if you're a great artist pass away, you're going to remember the person and you remember the music and you play the music and all that kind of thing.
12:48
Speaker 1: But the thing I agree with Tyson on legacy, right, is we cannot hold people to their legacy, especially men.
12:55
Speaker 1: I want to talk to men this episode because as Iron Mike Tyson, we see Iron Mike.
13:00
Speaker 1: He went from Cass Iron Mike to.
13:06
Speaker 1: He look a little bit like Mercury Mike in that ring.
13:09
Speaker 1: You know what I mean?
13:09
Speaker 1: All the bum-bum, saggy Dyson bum-bum and all kind of.
13:13
Speaker 1: I shouldn't watch that Lumpy lumpy.
13:17
Speaker 1: He's an old man, you're watching that.
13:19
Speaker 1: But as sports people, right, let me use Lara as an example.
13:22
Speaker 1: We might watch Lara and say Lara is the greatest batsman ever.
13:27
Speaker 1: He makes 375.
13:28
Speaker 1: He comes back and he makes 400.
13:30
Speaker 1: He does so much and we feel like he shouldn't do anything to spoil his legacy.
13:37
Speaker 1: That was a lot of the talk about Tyson.
13:38
Speaker 1: It spoiled his legacy.
13:40
Speaker 1: That idea of spoiling legacy is a selfish thing for us.
13:44
Speaker 1: We want the man to not live he life and do what he.
13:47
Speaker 1: We want him to forfeit 20 million dollars.
13:50
Speaker 1: You know I mean we want him to say no to 20 million so that we could always remember mike tyson as being.
13:56
Speaker 1: If you want to remember mike tyson as being a vicious, it's a youtube, it's a tiktok.
14:01
Speaker 1: It's a all different kind of thing.
14:02
Speaker 1: You can go and watch and and you relive your glory days and your time when you watch Tyson.
14:07
Speaker 1: That's fine.
14:08
Speaker 1: I don't see how anything happened with Tyson last night, except the, except the unnecessary exposure outside of that.
14:15
Speaker 1: I'm not seeing how any of that affecting this idea of legacy.
14:21
Speaker 1: The idea of legacy is really an idea you have in your head.
14:25
Speaker 1: How lara make you feel when he back.
14:27
Speaker 1: So if lara want to come and sing soca now, or if he decided he coming back and he gonna play t20 and he can't make no run, you say, well, he's spoiling the legacy, he mustn't do that.
14:36
Speaker 1: On the mother.
14:37
Speaker 1: Listen, I think it was very symbolic that interview tyson did with her and I like that.
14:39
Speaker 1: Okay, you know, salute to jazzy.
14:39
Speaker 1: Jazzy is one of the greatest interviewers.
14:40
Speaker 1: She said.
14:41
Speaker 1: I think it was very symbolic that interview Tyson did with her and I like that.
14:45
Speaker 1: I'll give a salute to Jazzy.
14:46
Speaker 1: Jazzy is one of the greatest interviewers.
14:48
Speaker 1: She started when she was so small, like single-digit age, and now she's asking questions.
14:53
Speaker 1: You know this is the second time she interviewed Mike Tyson, so people say she was scared.
14:57
Speaker 1: I think she knew exactly what to expect.
14:59
Speaker 1: She interviewed Mike before.
15:02
Speaker 1: She's accustomed to this.
15:03
Speaker 1: But I like what Tyson do.
15:07
Speaker 1: I like that he went out there.
15:08
Speaker 1: He didn't look good at all.
15:09
Speaker 1: That man's legs look weak and wobbly.
15:11
Speaker 1: It looked like Jake Paul could have knocked him out anytime.
15:13
Speaker 1: One thing I will say, though, is the first couple of jabs and the first couple of punches, tyson land, I think Jake Paul looked a little frightened.
15:21
Speaker 1: He got a little taste of the power that he had at the time.
15:25
Speaker 1: But one of my greatest ambitions for old age, right.
15:30
Speaker 1: I always remember a client we had back in the day, right, saluta Automation Technology College, right.
15:36
Speaker 1: So they're in South.
15:37
Speaker 1: Well, they're all over.
15:38
Speaker 1: They used to be in South at the time, and the principal or the owner of that school is a man I like a lot, you know.
15:47
Speaker 1: I mean the principal.
15:48
Speaker 1: He used to come and meet with us to help him with his um, his marketing and thing.
15:52
Speaker 1: Mr george, when you see he come in meeting, the first button he buttoning on his shirt and the only button he button is the last one this man hold button shirt open, he ain't care, he living like, and I find, when you live to reach a ripe old age, you should be able to strip yourself for ego, just be yourself.
16:10
Speaker 1: You know people so in the corporate world, especially people so sometimes false and pretentious, and everybody want to act like if they're doing great and they're so confident, and so he had none of that kind of kind of ears about him.
16:24
Speaker 1: He just used to come say what you had to say, do we had to do?
16:27
Speaker 1: He said I leave in it to tell you when you send him a proposal.
16:29
Speaker 1: Now you say, boy, that of course it was 7500.
16:31
Speaker 1: He come, he say, come, do something about this.
16:33
Speaker 1: Somebody say 75, do something about it.
16:35
Speaker 1: He just cool and don't tell you it's normal.
16:37
Speaker 1: And he never give you none of them kind of corporate kind of styling and I would imagine that it is take.
16:43
Speaker 1: I always just tell my father this.
16:44
Speaker 1: I say, boy, I think your mortgage has been one of the things that gave frighten me, because before I had a mortgage I used to go into meeting fearless, you know I mean.
16:51
Speaker 1: Well, now I go and meet, in my foot shaking under the table, I see my father when he finished paying mortgage, he going meeting fearless.
16:59
Speaker 1: This man had no concern anywhere.
17:01
Speaker 1: When he go out, go out.
17:02
Speaker 1: Sometimes I tell him hey, I still have my mortgage to pay.
17:05
Speaker 1: Don't go easy, don't go so hard.
17:07
Speaker 1: But age has its privileges, just like rank.
17:12
Speaker 1: Age have some privileges and sometimes I like.
17:14
Speaker 1: I like how tyson move, because when you reach a certain age and you accomplish everything you have in life to accomplish and come.
17:21
Speaker 1: People come to tell you about your legacy.
17:23
Speaker 1: And at your big age, people tell you what to do.
17:25
Speaker 1: When you was a baby, they tell you what to do when you was in school.
17:28
Speaker 1: In secondary school, they tell you you's a young adult, you must do this and you must do that.
17:32
Speaker 1: You're going to jail, they tell you.
17:33
Speaker 1: When you's 58, people still want to give you what to do and what to do.
17:37
Speaker 1: Sometimes you have to give people your ass to kiss.
17:46
Speaker 5: I Kiss, I like it, I like it.
18:06
Speaker 3: Come on, baby.
18:07
Speaker 3: What a mini road.
18:07
Speaker 3: If you see the shape of this lady what a mini road.
18:08
Speaker 3: If you see the shape of this lady, what a mini road.
18:09
Speaker 3: Went over and started to check she what a mini road.
18:12
Speaker 5: She tell me she name is Chanchani.
18:14
Speaker 5: What a mini road.
18:15
Speaker 5: She come from an Indian family.
18:17
Speaker 5: What a mini road If you see the shape of this lady.
18:21
Speaker 5: What a mini road.
18:22
Speaker 5: I had Douglas, I had Chinese, I had Syrian, I did African, I did white woman, but I never dated an Indian.
18:30
Speaker 5: She tell me she born in Bangladesh.
18:37
Speaker 5: What's on the road?
18:38
Speaker 5: Take a touch in the Creole.
18:40
Speaker 5: She wish.
18:41
Speaker 5: What's on the road?
18:42
Speaker 5: Take a touch in the Creole, she wish.
18:44
Speaker 5: What's on the road?
18:45
Speaker 5: The brothers say she talking foolishness.
18:46
Speaker 5: What's on the road?
18:47
Speaker 5: She wish.
18:47
Speaker 5: She wish.
18:47
Speaker 5: She wish.
18:48
Speaker 5: She say.
18:53
Speaker 5: She say.
18:53
Speaker 5: She say.
18:54
Speaker 5: She say.
18:58
Speaker 5: She say.
19:00
Speaker 5: She say.
19:02
Speaker 5: She say.
19:04
Speaker 5: She say I never had a girl from India.
19:06
Speaker 5: Give me the number you placed my darling.
19:26
Speaker 3: When will I see you again, my darling?
19:29
Speaker 3: When would I see you again, my darling?
19:31
Speaker 3: When will I see you again?
19:35
Speaker 3: She tell me to come with she mother, but I'm in the road.
19:40
Speaker 3: If you see the shape of the sister, but I'm in the road.
19:43
Speaker 3: If you see the shape of the sister, but I I'm in the road.
19:45
Speaker 3: If you see the shape of this star, but I'm in the road, something in me heard you telling me, but I'm in the road.
19:51
Speaker 5: She come from the boom boom family, but I'm in the road, If you see the shape of this lady.
19:57
Speaker 5: But I'm in the road.
19:59
Speaker 3: I have to consider unity, but I'm in the road.
20:02
Speaker 3: I had Douglas, I had Chinese, I had Syrian, I had African, I had white woman, but I never date an Indian is.
20:21
Speaker 5: But I'm in the road.
20:22
Speaker 5: She wants to know if Iwa is my brother, but I'm in the road.
20:25
Speaker 5: She wants to know if I's Devon O'Naya, but I'm in the road.
20:28
Speaker 5: I tell she's me.
20:30
Speaker 5: They call Iwa, but I'm in the road and I am the boom boom master, but I'm in the road.
20:36
Speaker 5: They call me the boom boom master, but I'm in the road.
20:39
Speaker 5: A girl from Canada, a girl from Canada, a girl from America, a girl from Canada, a girl from America, a girl from Dominica, a girl from Africa.
20:45
Speaker 5: I never had a girl for me in the all Woo Woo.
21:05
Speaker 1: When I go see you again, my darling.
21:08
Speaker 1: You know we done here already.
21:10
Speaker 1: You know, if we done here already, we might as well right, all right.
21:19
Speaker 2: Now it's time to get on bud.
21:20
Speaker 2: When I say bad, I mean bad, real bad.
21:24
Speaker 2: Now it love is boom, boom time.
21:27
Speaker 2: Masha, top, masha, top shaka top shaka, top.
21:37
Speaker 1: Tyson is clearly a Iowa fan like me, right?
21:53
Speaker 4: I'm a little Indian in town running up to him.
21:55
Speaker 4: All she says she don't like man.
21:57
Speaker 5: So why didn't come chill on long?
21:59
Speaker 5: Thank you.
21:59
Speaker 5: Wind down on the boom, boom, winding and she boom boom For the carnival.
22:04
Speaker 5: I mean All around the waze.
22:07
Speaker 5: Get down in the place Winding and she boom boom In the festival hall.
22:13
Speaker 5: Walk it up, walk it up, jam it up, jam it up.
22:22
Speaker 4: Rock it up, rock it up, jam it up.
22:24
Speaker 4: Rock it up, jam it up, jam it up.
22:25
Speaker 4: The lady come watch me Stretch up in my face, lord.
22:32
Speaker 4: Rolling up she belly, twisting up she waist.
22:35
Speaker 4: She said, mr Iowa, when you singing, soca, I want a man.
22:41
Speaker 5: So wind behind the boom boom, wind behind she boom boom.
22:44
Speaker 5: Wind on the boom boom.
22:44
Speaker 5: Wind behind the boom boom.
22:45
Speaker 5: Wind on one, the boom boom.
22:47
Speaker 5: Wind behind the boom boom For the carnival.
22:50
Speaker 5: I mean All around the world, get on in the place.
22:54
Speaker 5: Wind behind the boom boom In the festival of.
23:00
Speaker 4: Rub it up, rub it up, chase it up, chase it up, dress it up, dress it up.
23:08
Speaker 5: Roll that bum bum.
23:09
Speaker 5: Roll that bum bum.
23:14
Speaker 4: If the bum bum big, bum bum small, me afraid them at all.
23:18
Speaker 4: Bum bum big, bum bum small.
23:20
Speaker 5: I put in way some.
23:21
Speaker 5: If the bum bum big, bum bum small, me afraid them at all.
23:23
Speaker 5: Bum bum big, bum bum small.
23:23
Speaker 5: I put in waste on all of the bum bum bitch Bum bum small, me afraid them at all.
23:25
Speaker 5: Bum bum bitch, bum bum small.
23:27
Speaker 5: I put in waste on all of the bum bum bitch.
23:30
Speaker 5: Pull up, pull up, pull up, pull up.
23:31
Speaker 5: All of you check this, check out this, check it out good.
23:37
Speaker 1: Put a woman in front and a man behind her.
23:39
Speaker 1: Let your life she bumped her wife Give a woman in front and a man behind her.
23:43
Speaker 1: Watch him.
23:51
Speaker 1: Good, that is wine.
23:52
Speaker 1: One of the greatest soccer artists of all time, mr Neil Iwo Jodo.
23:56
Speaker 1: Did I say Tyson Wright?
23:57
Speaker 1: Tyson, collect your 20 million.
23:58
Speaker 1: What the hell is wrong with people?
24:00
Speaker 1: What is wrong with people?
24:03
Speaker 1: Let Tyson, live your life and enjoy yourself.
24:05
Speaker 1: Listen, I want to get into this Miss Universe Trinidad thing.
24:10
Speaker 1: Right, because I finally do Miss Universe very, very bad.
24:14
Speaker 1: Only was very, very mean to Miss Universe and I didn't like it at all.
24:18
Speaker 1: But I have serious thing to get to before I get to Miss Universe.
24:22
Speaker 1: Right, it is International Men's Day.
24:26
Speaker 1: Outside of Palisades, it is International Men's Day.
24:33
Speaker 1: And as much as we celebrate International Men's Day, I have a fine lineup of music to play that is about men, right, there's a big thing about women so much.
24:46
Speaker 1: Right, there's make thing about women so much.
24:51
Speaker 1: And I salute my guy, joel julian.
24:53
Speaker 1: I see him pose this morning to all the men on international women's day, asking when is international men's day?
24:58
Speaker 1: It's today, and happy international men's day.
25:01
Speaker 1: I even see the great joeden, my favorite podcaster.
25:07
Speaker 1: You know what I mean Talking about support.
25:12
Speaker 1: I don't believe in, I don't follow the whole.
25:15
Speaker 1: What do you call the thing?
25:17
Speaker 1: The Aquarius and the Scorpio and the Libra?
25:19
Speaker 1: What do you call that?
25:20
Speaker 1: The horoscope thing?
25:21
Speaker 1: I don't really follow that too much.
25:23
Speaker 1: It's called the horoscope thing.
25:26
Speaker 1: I don't really follow that too much.
25:27
Speaker 1: But I will say that I was also very, very surprised to see that the 18th of November is also called Marita Scorpio Support Day.
25:42
Speaker 1: I never see this for no other, no other, no other.
25:44
Speaker 1: What do you call the thing?
25:45
Speaker 1: No other sign or anything like this.
25:46
Speaker 1: I just see that come up and I was quite surprised at that.
25:52
Speaker 1: So I just want to read for you real quick, right.
25:53
Speaker 1: Today we honor those who are married to Scorpios.
25:56
Speaker 1: Scorpios have worn between October 22nd and November 22nd and are said to have many positive traits, such as being disciplined, helpful to others and unfaithful Too much to dream about.
26:07
Speaker 1: But there are other traits that they are said to have which make them difficult to be married to, right?
26:14
Speaker 1: I'm not talking about me, you know.
26:16
Speaker 1: I'm just talking in general here, right?
26:18
Speaker 1: But they say from October 22 to November 22, usually, matt, they say there is National Marita Scorpio Support Day.
26:27
Speaker 1: So what are the things that could possibly make it difficult to be married to a Scorpio.
26:33
Speaker 1: They say Scorpios are seen as being intense, aggressive aggressive when provoked, deeply emotional and pessimistic.
26:43
Speaker 1: Well, three out of four ain't bad, but the thing about it is I's a provoking fella, i's a provoking fella.
26:52
Speaker 1: So if you're aggressive when provoked, you're in the wrong place.
26:56
Speaker 1: Sorry, this was not about me.
26:56
Speaker 1: They also tend not to forget things that are done to them.
27:00
Speaker 1: They don't With a sign up Way to sign up and they like alone time being annoyed if they can't have it.
27:09
Speaker 1: It's likely for this reason that this holiday exists, right.
27:15
Speaker 1: They say how to observe marriage to Scorpio.
27:17
Speaker 1: Check to see if you have any friends or podcasters who you're listening to or family members who are married to Scorpios.
27:24
Speaker 1: If so, let them know you support them.
27:27
Speaker 1: It's not an easy road.
27:29
Speaker 1: Men, they say they glamour and they get them when they see a Scorpio.
27:33
Speaker 1: If you are married to a Scorpio, let your spouse know about the day and reach out to others for support.
27:39
Speaker 1: If you are a Scorpio and you are married, just be happy that a holiday exists because of you.
27:46
Speaker 1: Try to be a little extra good to your spouse today.
27:53
Speaker 1: Okay, I find it's a fitting day.
27:56
Speaker 1: Don't ask me why I just find the 18th of November to be a very fitting day that it would be married to a Scorpio support day.
28:04
Speaker 1: So congratulations to everybody who married to a Scorpio support day.
28:06
Speaker 1: So congratulations to everybody who married to a Scorpio, and I will support you through thick and thin.
28:12
Speaker 1: I know it's not easy when they're intense and they're aggressive, when you provoke them, and they're deeply emotional and pessimistic, but the truth is that it's very good to be people who are disciplined and helpful to others and unfearful and so on, right?
28:23
Speaker 1: So you take the good with the bad, as with everything else, and this is how you just make a day.
28:28
Speaker 1: This is how you just make a day.
28:30
Speaker 1: This is how you just put a day in place and them kind of thing, right.
28:33
Speaker 1: But I want to take some time to celebrate Man's Day.
28:36
Speaker 1: It's a man's world.
28:40
Speaker 1: Even that had to end by saying it's nothing without a woman or a girl.
28:46
Speaker 1: You know what I mean.
28:47
Speaker 1: But it's a man's day and we must be happy when we have a little man day to celebrate, right?
28:52
Speaker 1: We don't get it often.
28:53
Speaker 1: We're not recognized very often, I think, in this new world well, not so much with Trump there, right, but in this new world that we live in, it is somewhat easy to forget the role of a man and the ease with which people could take for granted the sacrifices that a man is making and the things that a man mind to keep a family together and to keep the idea of a provider and a protector, and so on.
29:24
Speaker 1: You have to understand that a man is a provider when he ain't have.
29:27
Speaker 1: I ain't talking about no, half a man and no pia pia a man.
29:31
Speaker 1: This is man's day, right?
29:33
Speaker 1: A man is a provider when he do have and he don't know where the next thing coming from.
29:38
Speaker 1: He going to provide and go hungry.
29:40
Speaker 1: That is a man.
29:41
Speaker 1: A man is a protector when he frightened.
29:43
Speaker 1: A man will give his own life to protect yours.
29:49
Speaker 1: You don't forget that.
29:50
Speaker 1: So I was happy to see International Men's Day and, of course, taking leave it to Dominic Calipas had to give us much more education than we could have bargained for on this.
29:58
Speaker 1: He said that the idea this is from Dominic Calipas on Instagram right, the idea of International Men's Day was discussed since the 1960s, but it was first conceptualized and observed in 1999 by Trinidadian Dr Jerome T Luxing, a history professor at the University of the West Indies.
30:16
Speaker 1: I should have paid attention when I was in UA, you know like things was going on there.
30:18
Speaker 1: Professor T Luxing selected November 19th to observe as Men's Day as it marked the birth anniversary of his father, a role model, or his role model.
30:28
Speaker 1: Since then, it has been celebrated every year.
30:31
Speaker 1: Currently, 93 countries celebrate this day.
30:34
Speaker 1: Since then, it has been celebrated every year.
30:38
Speaker 1: Currently, 93 countries celebrate this day.
30:41
Speaker 1: No doubt Trinidadian contribution to the world.
30:43
Speaker 1: So salute to you, dr T Luxing, for coming up with the idea of International Men's Day, because the truth too is that men Let me talk for men for a minute, right?
30:54
Speaker 1: You know what I mean.
30:54
Speaker 1: I'm the king of that.
30:54
Speaker 1: Men, let me talk for men for a minute, right, as if I you know what I mean, I'm the king of the men, right?
30:58
Speaker 1: I want to say that men don't really ask for a lot or say they want nothing.
31:04
Speaker 1: Man is get quite a way, and my father is the same way too.
31:07
Speaker 1: And salute to fathers too on a day like this, not just husbands or men.
31:12
Speaker 1: Who is men in the household?
31:13
Speaker 1: It's the fathers, the men, the boys who becoming men, and us in our world, especially in Trinidad and Tobago.
31:20
Speaker 1: We need more men who are examples for young boys to watch and say I want to be like you.
31:26
Speaker 1: When I grow up I always remember I have an uncle or a cousin.
31:28
Speaker 1: It's a little Ronnie right, my cousin, uncle Ronnie Shepherd, right.
31:32
Speaker 1: And I was a young man, you know, I mean all over the place and so on, and I didn't find no scorpios and so on.
31:39
Speaker 1: Yet you know, I mean I was all around, I was in these streets right, gallivanting and so on, having that time right, and ronnie always used to tell me he said, ronnie, he's a corey only in making no children.
31:50
Speaker 1: And he tell him about specific men who grew up in tindy's right me he said this one had three.
31:54
Speaker 1: This one, he said, only gonna leave her world, where only leave all the gangsters and the bad boys, are three, four and five children, and then only the one to her, none.
32:02
Speaker 1: And then when only start only having one child.
32:04
Speaker 1: Now ronnie have a lot of children.
32:06
Speaker 1: I just want to see ronnie might be using himself as an example and I might.
32:10
Speaker 1: I might not want to follow that, but I understand the point he's making and so said, so done.
32:14
Speaker 1: Ronnie telling me this when I was a teenager, young adult kind of thing.
32:17
Speaker 1: A generation later, just what he was talking about is what come and happen.
32:21
Speaker 1: You have a whole set of role models as males.
32:26
Speaker 1: Who is a is a block and a big chain and a big talk and a gangster.
32:32
Speaker 1: That is what young boys have much more examples to look up to than somebody like Dr T Luxing, who clearly do well enough in his life to earn his PhD or doctorate but also went on to create something like International Men's Day long before.
32:47
Speaker 1: It would have been this whole gender thing that's going on.
32:50
Speaker 1: Now there's a debate in the world on social media.
32:53
Speaker 1: Long before that he came up with the idea of the international men's day and you see more groups and the importance of men.
33:00
Speaker 1: At least in trinidad and tobago you've seen it coming out more.
33:02
Speaker 1: I remember a group called men against violence against women.
33:05
Speaker 1: There's also a group that deals with single fathers association.
33:09
Speaker 1: So you're seeing where men starting to form themselves.
33:11
Speaker 1: But led by the idea of dr Luxing, we're here to celebrate International Men's Day and he's in a position where he could easily say, hey, my father is my biggest role model and I didn't just coin the day or come up with the idea for the day, but I want the day to be on the birthday of my father.
33:27
Speaker 1: I like that.
33:29
Speaker 1: I like that, but, but and I say that all the time, anytime I get a chance to say that I said my father is my biggest role model.
33:41
Speaker 1: I always had him to look up to and still have him to look up to, but my father's birthday is not in 19th of november, right.
33:49
Speaker 1: So if I had come up with international men's day and I would have put it, it would have would have been February, which would seem fitting to me.
33:55
Speaker 1: You know what I mean Short month.
33:57
Speaker 1: You know this dude.
33:57
Speaker 1: You don't want to get rid of a man in a short month.
33:59
Speaker 1: He pulls to the end of the month, so he's only 26.
34:02
Speaker 1: Just like a man.
34:02
Speaker 1: He almost barely makes it.
34:04
Speaker 1: That would be the best time to name this thing.
34:06
Speaker 1: But I don't want to disrespect the memory of his father and I don't want to knock international men's day in no way before.
34:16
Speaker 1: I'm very, very grateful for it, but I find, as a trinidadian right in the state our football is in right now, dr t luxing, you couldn't say your father was born on the 20th and observe your memory there.
34:30
Speaker 1: November 19th is not the happiest day in the history of Trinidad and Tobago football.
34:36
Speaker 1: Like I put it out on Facebook and people don't seem to understand what I mean when I say like that.
34:41
Speaker 1: Well, they don't like Trinidadian men.
34:43
Speaker 1: Why International Men's Day?
34:45
Speaker 1: It must be one of the saddest days in the history of Trinidad and Tobago football, the 19th of November 1989 and Tobago football the 19th of November 1989.
35:16
Speaker 5: Let me walk down memory lane now.
35:17
Speaker 5: Welcome soccer in the air.
35:17
Speaker 5: But the people afraid Say we can't make the grade.
35:21
Speaker 6: The anti-proceeding went out of fear and we just can't stop Till we reach the top.
35:29
Speaker 2: But this time.
35:30
Speaker 2: I want the whole world to know we're not only brilliant in college, so so we go get them.
35:37
Speaker 5: Goals from the left side, goals from the right side, goals on the inside and if they score, you'll notice our offside Goals.
35:46
Speaker 5: From penalty Goals, play pass to goalie Goals for TNT.
35:50
Speaker 5: Goals, goals, goals, tnt.
35:53
Speaker 5: We Go, go, go, tnt.
35:54
Speaker 5: We want our gold TNT.
36:04
Speaker 1: We want our gold.
36:05
Speaker 1: Oh yeah, golly boys, the golly boys.
36:11
Speaker 1: Remember that, dr T Luxing.
36:13
Speaker 1: I wonder if you ever heard a tune like this.
36:18
Speaker 5: This one dedicated to our Strikeforce.
36:20
Speaker 5: Massive man like Clayton Morris, dwight Young, dexter Lee and Maurice Albee for the victory, play ball Victory to the Strikeforce of D&T.
36:31
Speaker 5: Because we know for sure we on the road to Italy, we got the answer lowest.
36:40
Speaker 5: To put a 10 in the next row and bring pride and joy to the people in this country, pass the ball to the left.
36:51
Speaker 2: Pass the ball to the left.
36:53
Speaker 2: Pass the ball to the right.
36:55
Speaker 6: Pass the ball.
36:56
Speaker 6: Make me do it same way.
36:57
Speaker 6: We are gonna play all night, all day.
37:00
Speaker 6: Victory to the strikes force of the ante, because we know for sure we are the pro to Italy.
37:11
Speaker 1: We got the answer no way to protect the net.
37:13
Speaker 1: So we, we, we, we and bring pride and joy to the people in this country.
37:21
Speaker 1: I wonder if Dr T Luxon here tuned like that.
37:23
Speaker 1: I don't want to do or say anything disrespectful to this man or his father, but I just want it to be known that while we celebrate and we love the idea of International Men's Day, November the 19th could be painful 16 years ago in Haiti, we were denied fame and glory on the road the road to Germany and you breathe simulation, trying to erase that memory.
38:12
Speaker 5: On the road, the road on the road on the road we go in Italy On the road, on the road, on the road.
38:32
Speaker 5: We go in Italy Dancing, you hear?
38:40
Speaker 5: You are true, trini, you in everything, boy, Watch the ball.
38:49
Speaker 5: You win, hey, we win.
39:19
Speaker 5: Mama woke up, fever in tongue.
39:21
Speaker 5: Back and I leave the stadium.
39:22
Speaker 5: On the road we go in Italy.
39:24
Speaker 5: Calypso football at his best, tnt versus the rest.
39:26
Speaker 5: On the road we go in Italy.
39:27
Speaker 5: Hey, hey, captain Morris, I know Spider-Man, Francis, boston and Williams, lawrence, alley, york and Latter-P.
40:08
Speaker 2: All of them on the road Charles, harvey, morris, jamison, chineskin and Lewis on the road.
40:16
Speaker 1: Thank you, dr T Luxing, for giving us our International Men's Day.
40:20
Speaker 1: Please consider making a slight change, a slight adjustment let's start on midnight of the 20th.
40:26
Speaker 1: But we're grateful for it.
40:27
Speaker 1: We're grateful for it, we're grateful for it.
40:28
Speaker 1: And I have a little selection of tunes to play here for you.
40:32
Speaker 1: Right, I will get to Dwight York, which you hear how much times?
40:36
Speaker 1: Dwight York name, calling them Like I remember I'm not sure if people will remember this right In that stadium in 1989, when we lost.
40:46
Speaker 1: They're trying to get to Italy 1990.
40:49
Speaker 1: I don't know if you remember how players cry on that field and why.
40:53
Speaker 1: For anybody who was alive at that time or understand what that was, is a different emotion we feel then compared to what we feel, and we're not saying that they wasn't joyous about it, right, but the people who lived through 1989-19 and then see we qualify had a different kind of emotion, you know, I mean, and that way the tears come from.
41:25
Speaker 1: And I remember jack warner at the end of the barring game we first interview he had with andrea, but he's saying every one of them cry like babies.
41:33
Speaker 1: I want to tell jack every one of them cry like babies.
41:34
Speaker 1: I want to tell Jack, every one of we cry like babies the two.
41:37
Speaker 1: Especially people, who was a wrong in 89.
41:39
Speaker 1: I was a little child in 89 looking to go and play football in the park, because them days when you're playing football you was on the field.
41:46
Speaker 1: You was Marvin Foster or Alibi or Brian Williams or Kerry Jamerson or Leonson Lewis or Elliot Alain or Silvio Spann no, leroy Spann, you know what I mean.
41:56
Speaker 1: Or Earl Spiderman Carter you was one of them men, everybody was playing, one of them, you know what I mean.
42:04
Speaker 1: Or Dwight York or Lattes at the time.
42:06
Speaker 1: So to come back around to the point where we have Dwight York and Lattes in charge of the team is something I'm bound to talk about.
42:11
Speaker 1: Right, but before I get to that, I in in celebration of international men's day.
42:18
Speaker 1: I have some tune here that's celebrated man, all kind of manner, no kind of don't try to ask me what kind of man are celebrating on them thing, but it's all kinds of different men we celebrate.
42:29
Speaker 1: Because when women's day come, or when mothers day come, and these kind of days that built around the woman, they don't allow we to say it's a no deadbeat mothers, or it's these who don't see money trend, or it's a them who just keep.
42:40
Speaker 1: They don't allow we to say none of that.
42:42
Speaker 1: You have to say happy mother's day to all mothers and you have to say happy woman's day to all women.
42:48
Speaker 1: So today, in this episode of the podcast, we just just dedicate a thing to all kinds of men.
42:56
Speaker 1: You know what I mean.
42:57
Speaker 1: All kinds of men, no question.
43:00
Speaker 1: But I would like to start in a specific place, because this tune about men that I want to get into, possibly if it's a lover of Calypso, right?
43:11
Speaker 1: I asked you to to to name some tune about man and all all kind of different man, this one should come to come to mind quick.
43:21
Speaker 1: Right, when I tell you about the kind of man, right, this one should come to mind quick.
43:26
Speaker 1: And it just so happened that we have a, we have a, we have a, a bonus, a bonus built into this one this week, right?
43:32
Speaker 1: Because anytime you're talking about tunes, this is classics, and classic to the point where, 50 years from the making of this tune, the tune is still one of the greatest tunes about man ever made in Calypso Bum-biddy-woom, bum-biddy-woom, bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-bum-b.
43:58
Speaker 1: One more time I was planning to forget, and it's so.
44:23
Speaker 5: To go and plant these into a bay boat, but I am afraid I can't make the grade.
44:28
Speaker 5: Every night I lie down in my bed.
44:31
Speaker 5: I hear a bass man in my head Bum, bum, bitty, bum, bum, bum, bum, bitty, bum, bum, bum, bum, pitim, bum, bum, bum, bum, pitim, bum, bum, bum, bum, bum, bum, bum, bum, bum.
44:41
Speaker 5: I don't know how this thing get inside me.
44:45
Speaker 5: Mama every morning is driving me crazy, like he taking me for a panyard and evening Uncle Pharrell gone mad.
44:57
Speaker 5: If I don't want to sing when he start to do his thing?
45:02
Speaker 5: I don't want to, but I gotta sing If I don't want to dance.
45:08
Speaker 5: He just have me in a trance.
45:10
Speaker 5: I don't want to.
45:17
Speaker 3: But I gotta dance me in a trance.
45:19
Speaker 3: I don't want to, but I got a fan.
45:22
Speaker 3: I want some hearts One more time.
45:42
Speaker 5: One night I said to the basement Give me your identification.
45:50
Speaker 5: He said it's me.
45:51
Speaker 5: Pharrell, your basement from hell.
45:54
Speaker 5: When they tell me you're singing calypso, I come up to pull some notes for you Bum bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum bum.
46:18
Speaker 5: Inside me, mama, every morning he's driving me crazy, like he taking me for a panyard, but I gotta see him, but I got a scene.
46:32
Speaker 5: If I don't wanna dance, he just has me in a trance.
46:36
Speaker 3: I don't want to, but I got the prance Bam Bam, bichy Bam, bam Bam Bam, bichy, bam, bam, bam Bam, bichy Bam, bam, bam, bam, bam, bam, bam, bam, bam, bam, bam, bam Bam Bam, bichy Bam, bam, bam Bam, bichy Bam.
46:59
Speaker 6: Bam, bam, bam, bam, bam, bam Bam.
47:00
Speaker 1: Once again we have a special celebration lineup for the 50th anniversary of that tune, right.
47:08
Speaker 1: But it's only fitting that I play a little piece of the original too, right 50 years old.
47:30
Speaker 5: so I'm going plant peas in tobago but I am afraid I can't make the grade, cause every night I lie down in my bed.
47:37
Speaker 5: I hearing a bass man in my head this is caribbean vibes I don't know how this thing gets inside me, but every morning thing get inside me.
47:59
Speaker 5: But every morning he tried to make me crazy, like he's taking me.
48:03
Speaker 5: And if I don't want to sing when he started to eat him, I don't want to, but I have to sing.
48:14
Speaker 5: And if I don't want to dance, he does have me in a trance.
48:15
Speaker 5: I don't want to, but I have to sing Tim-tum.
48:16
Speaker 5: And if I don't want to dance Tim-tum, he does have me in a trance.
48:16
Speaker 5: I don't want to, but I have to prance To him Tum-pi-dim-pum Pam, tum-pi-dim-pum Pam, tum-pi-dim-pum Pam.
48:22
Speaker 5: Tim-tim-tim-tim-tum, pam-pam-pim-pam-pim-p.
48:43
Speaker 5: One night I said to the basement.
48:45
Speaker 5: Give me your identification, he said.
48:47
Speaker 5: Is me Pharrell?
48:48
Speaker 5: Your basement from hell?
48:50
Speaker 5: They tell me you sing in Calypso and I come up to pull some notes for you.
48:58
Speaker 6: This is Caribbean Vibes.
49:02
Speaker 1: Take it easy.
49:02
Speaker 1: Caribbean Vibes.
49:03
Speaker 1: You know it's you right?
49:03
Speaker 1: The bassist, shadow, himself tell me that these two tuners go together.
49:10
Speaker 1: Right, you play for Shadow all the time and he tell me these two tuners go together.
49:13
Speaker 1: So I have to keep them together.
49:20
Speaker 5: If the man say, keep them together who is me to say no, this is Caribbean vibes.
49:45
Speaker 5: It was Tuesday night Last lap, carnival Me head feeling right.
49:50
Speaker 5: I bounce up this girl.
49:52
Speaker 5: She say I drink up me whiskey and I smoke up me tampi and right now I'm searching for a man to jump up with me.
50:01
Speaker 5: But boy, you're dancing like you afraid me, man, go beat you.
50:05
Speaker 5: I come out to play me and, man, I tell you, I only hope you have no money in the van, cause if you have a woman, that will be real confusion.
50:25
Speaker 5: I am in search of a man with your description and you got to play with me from now on till I swim in International Men's Day.
50:52
Speaker 1: We couldn't do it without playing the bass man right?
50:54
Speaker 1: The bass man from hell, to be specific, right, 50 years old.
50:58
Speaker 1: That song is today, but this year.
51:00
Speaker 1: But I want to say that the son of the bass man himself, mr Shadow, mr Winston Bailey, and this youth man I don't call him a youth man, right, I never see somebody who, like they tell me, I sung like my father.
51:18
Speaker 1: But this man, looking like your father, he's singing like your father, he's singing like your father and he put together something nice for you to celebrate the 50th anniversary of the bass man.
51:34
Speaker 5: I'm ready to go, I'm ready to make the move.
51:41
Speaker 3: Hey Monday, I'm Monday.
51:43
Speaker 3: I went across to Tobago no intention of planting bees.
51:51
Speaker 3: When I heard the sound of a distant voice, I whispered in the breeze.
51:55
Speaker 3: I started to look all around me Not even a flick in the hands.
51:59
Speaker 5: Imagine driving Bingo, later my demon telling me that I'm too so.
52:02
Speaker 5: Follow the rhythm.
52:03
Speaker 5: Follow the rhythm Up down.
52:06
Speaker 5: Follow the rhythm, More down.
52:08
Speaker 5: Follow the rhythm, Go left.
52:10
Speaker 5: Follow the rhythm.
52:11
Speaker 5: He said it's my imagination, but I know I'm hearing the bass man.
52:16
Speaker 3: Something telling me to jump up send me to tell you to jump up.
52:20
Speaker 3: So jump up with your hands up or move like dirty bread, yeah.
52:24
Speaker 5: You sound like a drum pop.
52:26
Speaker 3: Now you sound like a drum pop now you sound like a drum pop, you sound like a Something telling me to whine send me to tell you to whine.
52:39
Speaker 5: So hear it in my bass or see it on my face.
52:42
Speaker 3: Thank you Beating them timby.
52:44
Speaker 3: Later night they go driving On my way to a studio.
53:02
Speaker 3: Studio session epic and starry.
53:04
Speaker 3: Oh, I ain't nothing like you.
53:06
Speaker 3: I fightin' up with the force that night.
53:09
Speaker 5: It was not easy.
53:10
Speaker 5: Google my zoom and get horse and don't be singing, follow me, mix up, go.
53:13
Speaker 5: So Now up, now Easy, you go in my room and get lost and don't be singing, follow me, mix up follow the rhythm Go.
53:15
Speaker 3: So follow the rhythm Now up down.
53:18
Speaker 5: Follow the rhythm Up down.
53:19
Speaker 5: Follow the rhythm.
53:20
Speaker 5: Go left.
53:21
Speaker 5: Follow the rhythm, more left.
53:23
Speaker 5: He said.
53:23
Speaker 5: It's my imagination, but I know I hear in the basement, so be telling me to jump up, send me to tell you to jump up.
53:31
Speaker 5: So jump up with your hands up, move like Brody, break your up.
53:35
Speaker 5: Los Angeles Jumper, you ain't made it first time.
53:38
Speaker 5: Los Angeles, jumper, jumper boy, los Angeles, jumper, los Angeles.
53:41
Speaker 5: Somebody telling me to whine, send me to tell you to whine.
53:45
Speaker 1: So hear it in me bass or see it on me face, los Angeles.
53:50
Speaker 1: Jumper.
53:50
Speaker 1: I'm very serious right now.
53:52
Speaker 1: You better stop jumping.
54:00
Speaker 3: Don't stand up.
54:06
Speaker 1: While you're listening to the bass line.
54:09
Speaker 1: A nice little flip on the bass line.
54:12
Speaker 1: People are still listening to these kind of musics, people, people still listen to these kind of musics.
54:16
Speaker 1: People still listen to these kind of musics.
54:18
Speaker 1: I straight make one we still like these kind of musics.
54:20
Speaker 1: Or we like the essence of the musics and them slip away from you.
54:24
Speaker 1: I just be frightened sometimes.
54:25
Speaker 1: I just come and I do what I had to do here To make sure that we keep the musics together, because I love the musics and I love the musics and I think I think if, if the youths we like to talk about, calypso is for youths and calypso is thing and these kind of these kind of youth, youths are interested in calypso and all these kind of things they like to talk about, right, and I feel like if we for some reason fail to expose the youths to enough calypso for, for whatever we feel is our old style again, like when you look at pan now, right, if you look at the pan movement now you go around, pan is young people, me, I talk about we kind of young and we're gray in the beard and so on and long in the tooth, you know I mean, and her impingement and all these things.
55:08
Speaker 1: I talk about young people, 20 something years old young teenagers now turning adults and and we're going back to the days of man finding girlfriend in pannier and them kind of things.
55:19
Speaker 1: Give it a say.
55:20
Speaker 1: There's the same woman who put out her granddaughters beat for steel pan.
55:25
Speaker 1: She boasted now when she put out the house when she had a steel pan.
55:28
Speaker 1: Man she bring home.
55:29
Speaker 1: But youths now going back into pan and them kind of thing.
55:33
Speaker 1: You go back into any, any, any of the traditional movements.
55:36
Speaker 1: I see.
55:37
Speaker 1: Salute to the um, the, the folks in south who had a juve recently with uh, with the steel band, people like starleaf and taking the juve.
55:46
Speaker 1: It's important youths finding their way back into them things.
55:50
Speaker 1: And the more we introduce the youth or the more we hide it from them and say it's old people thing and thing is, is it less?
55:58
Speaker 1: And and also to hold it back right.
56:00
Speaker 1: There's another thing that I always argue that not only do we fail to expose them enough to it and and and let them understand what it is, we do allow them to express themselves and change it and make it into what they want to make it into because, like I know the charlotte bailey song, because a man like omari ashby, mr shack and them the men, is posty song, they work with them and think, right, I know maria's a rap so man and but people might know kindred and think I see him post one of them young boy kindred picture the other day, real jolly man things, you know I mean, if you know what I mean.
56:37
Speaker 1: So we we grew up knowing rap so music and I want to say, right, that when you're young I don't think you're as interested in genre music and what is rap so and what is ragasoka and what is soka and what I think is just no vibes, because it had rap so songs that when, when, when kindred was singing, or, a matter of fact, that whole kiss kiddie caravan which is so much rap so involved in the right, and when I say rap so brother, resistance on them, fellas, was rap so right, the career Mandela and the men is founders, originators in rap so, but I always feel like rap so have a way of embracing youth and letting youth go and carry it in the direction they wanted to.
57:18
Speaker 1: Because if you look at kiski the caravan carefully, right, you had men like kindred, who was more on the rapping side of the rap so, and then you had men who was on more this or the other, one named super child was more on the dance, all side of the rap.
57:31
Speaker 1: So.
57:32
Speaker 1: And then you have men who sing in the soca kind of side of the rap.
57:35
Speaker 1: So they leave it for you to come up with whatever style or whatever version.
57:41
Speaker 1: You go with it.
57:42
Speaker 1: You know what I mean.
57:42
Speaker 1: We don't hold it and stifle it to the point where nobody don't want to hear it.
57:49
Speaker 1: And when you listen to that rap movement and what it is and what it was back then and the fact that it could have followed the stadium with you, so that same shadow I remember shadow closing Kiss Kitty Caravan shows with pack pack, pack, pack, pack, pay the devil, pay the devil.
58:05
Speaker 1: And I mean not to say I mean Omari and his performers, ozzy, merrick, forgetting some of the names.
58:11
Speaker 1: Now, super child, edu ranking, who's minds get to orions, I'd like get to orions.
58:16
Speaker 1: Bad, you know, sister run, sister run a come, get to the.
58:21
Speaker 1: The movement of, of kiski caravan and them times was it was bad, bad men, right, and as a young, young child, them times I don't know the connection between some of the old kaiso and thing my father gave me to listen to and why I love this storytelling element and that don't mind it'so and thing my father gave me to listen to and why I love this storytelling element and that don't mind it's slow and there's no, no vibes to go and dance on, but the storytelling element I love in it.
58:41
Speaker 1: But when you hear idu ranking on them, let me see I that there's more vibes to me and it bring me into the music.
58:51
Speaker 1: But have a way we used to.
58:52
Speaker 1: Again you old people say david rudder singing ballad.
58:55
Speaker 1: I want nonsense.
58:56
Speaker 1: I feel we had to be careful when we're saying things like that because you see that same rap, so movement.
59:02
Speaker 1: I watching a woman by the name of lady lava, right, one day I'll get around to lady lava and playing some for this episode.
59:11
Speaker 1: Let people shake up their whole bones, you know I.
59:13
Speaker 1: But let me tell you something.
59:14
Speaker 1: Lady Lava is a superstar, she's a rock star.
59:18
Speaker 1: You know you're talking to her and you're saying how long she do it and them kind of things for Salute to her right.
59:23
Speaker 1: Everybody had a journey and people don't come from what do they say?
59:27
Speaker 1: Overnight success, wasn't I overnight O over?
59:30
Speaker 1: And I don't mind toil, I don't know if it's on them so well.
59:32
Speaker 1: But you see, I went out on a pod toilet through the night and all the entire thing, right, you don't know when I'm on bus and I went, I'm on reach, where he going, what the man went through to go there.
59:40
Speaker 1: So it's a kg.
59:41
Speaker 1: Right, they have a fellow.
59:42
Speaker 1: I wanted to go and check out kg music and on youtube he's do uh, a lot of interviews with youths right, with people, with a lot of different people, and I see he went through a soca star series, which is the next place I get to see a lot of them coming out, where he had umi makano on, he had fireball on, he had chinese salute to the great valentine mccoy.
1:00:01
Speaker 1: He had him on talking about their journey in as soca stars winners, right coming through the ranks and uh, and I will say like, but it's when fireball, when soca star, soca star was a big nationwide event on my synergy and thing.
1:00:15
Speaker 1: By the time chiney win that it was starting to fade a little bit.
1:00:19
Speaker 1: You know me, umi was a big winner and chiney almost single-handedly carried her.
1:00:23
Speaker 1: That's so good.
1:00:25
Speaker 1: And kg salute to kg, because again, some of them to tell their stories and thing.
1:00:29
Speaker 1: But when you hear these stories or men go through to reach where they reach.
1:00:32
Speaker 1: Nobody can get through easier.
1:00:35
Speaker 1: And this is what I like about lady lava.
1:00:36
Speaker 1: She's very plain in the way she's talked and simple in the way she's put things across.
1:00:41
Speaker 1: But I want you to take a minute right.
1:00:43
Speaker 1: Forget if you like the lyrics, forget if you like her style.
1:00:46
Speaker 1: Just listen to the way she's deliver music and understand how that come directly from brother resistance and Corriga Mandela and Omari Ashby and Ozzy Merrick.
1:00:57
Speaker 1: It comes so directly from them, fellas.
1:01:02
Speaker 1: It's amazing, especially the way she's performed, because she has a song, right, and I want to tell you, as a man, I feel like I could write a little song.
1:01:10
Speaker 1: You know what I mean.
1:01:10
Speaker 1: I like a little parody song.
1:01:12
Speaker 1: If a man has a song, I think I could flip it and make it into something right.
1:01:21
Speaker 1: If I sit down here and I write a song and the song say and my man and my man, and like these lines in the song right about your man and your man and your man and your man and your man and your man and your man, I straight with a piece of paper, you know 5.9, bottom of the garbage, garbage.
1:01:34
Speaker 1: I could never sing.
1:01:35
Speaker 1: That I could never get nobody that to sing right.
1:01:36
Speaker 1: But she's a star.
1:01:38
Speaker 1: She understands what it is as a woman, she understands the vibe, she understands what happens on the ground, what people talk and what they say, and you see that thing she's doing.
1:01:46
Speaker 1: So the song basically is I show you.
1:01:49
Speaker 1: Basically is I don't know if you're outside for the summer, if you do have a ring, then you do have a mister hands up, bend for the camera and we'll listen.
1:01:57
Speaker 1: And when she say you to bend I don't know that I could write down you to bend on a piece of paper and sing, that I would not sing it.
1:02:03
Speaker 1: I do too much of English cause I can't sing I say you should bend, you know what I mean.
1:02:10
Speaker 1: And then when I released that song, that song is garbage.
1:02:13
Speaker 1: You know what I mean.
1:02:14
Speaker 1: So I leave them doing what they're doing.
1:02:15
Speaker 1: But the point I'm making is this no matter how good this song is and how much people pick up on this song, it's the performance of this song holding people.
1:02:23
Speaker 1: Because I remember some years ago Paula Stacey told me she went and worked in a Skeng concert.
1:02:28
Speaker 1: Right, skeng is a dance hall artist who's come here.
1:02:29
Speaker 1: Come here, youths can have the youths luck, right.
1:02:35
Speaker 1: Skeng is a big dance hall artist and she come home and tell me she said boy, you know lady lava.
1:02:37
Speaker 1: I said nah.
1:02:37
Speaker 1: She said boy, lady lava, steal the show.
1:02:38
Speaker 1: Nobody couldn't perform after lady lava.
1:02:39
Speaker 1: I said, well, what she sing?
1:02:41
Speaker 1: She said boy, me, no, none of the songs.
1:02:42
Speaker 1: She just had the people and them in her grip.
1:02:44
Speaker 1: And when you see her performances now check out lady lava in boston.
1:02:49
Speaker 1: This is recent, right, this is last week and the the way she and the DJ sync up to do the song.
1:02:55
Speaker 1: She's do the song when the song is a big hit, right.
1:02:57
Speaker 1: So when she come out, the crowd is a frenzy.
1:03:00
Speaker 1: And when they say you to Ben, it's become like it's International Men's Day again, because all the faces you're seeing in the crowd is men For all women, ben, whether they are ringed in or not ringed in it, I don't ring the listen all of them but the DJ just cut out the music and then she starts to go and talk the song.
1:03:18
Speaker 1: And I remember when they used to do a thing on the radio called Talk Tent and they used to get it's almost like you know first, it doesn't just do the poetry, slam and thing.
1:03:27
Speaker 1: She's take up a style like that where she talk into the crowd and as she go on she's singing and they know the lyrics already, right, so it's the lyrics of the song.
1:03:37
Speaker 1: She's doing like poetry, but she's so powerful when she's snapping her hands and somewhere in the midst of that the DJ go drop back in near them and it's about my man and my man and my man and my man.
1:03:49
Speaker 1: Bad, bad, bad, bad bad artists.
1:03:51
Speaker 1: They're unstoppable.
1:03:54
Speaker 1: It's something that you have to look into and listen to for yourself to understand where I'm coming from.
1:03:58
Speaker 1: But again, if we fail to expose the youths and them to that uh, and, and fail to show them the connection between what they call in zest now, or whatever name it is, and and and things like rap, so, and where it come from, and be connected to it, we, we, we responsible for the generation gap that we, we complain about and the missing generation that we sing about, we responsible for it if we don't do it.
1:04:24
Speaker 1: So let me give you an example.
1:04:25
Speaker 1: Right last week, of course, I said last year when marshall mondano, come and sing calypso.
1:04:30
Speaker 1: I said that going and open up a door, because there's plenty men who doing calypso and women doing Calypso.
1:04:33
Speaker 1: I said that going on, open up a door Because there's plenty of men who are doing Calypso and women doing Calypso day in, day out.
1:04:37
Speaker 1: Well, it's not about the women, it's international men's day, right.
1:04:39
Speaker 1: There are plenty of men doing Calypso right and never turn their back on Calypso and make it what it is right.
1:04:45
Speaker 1: Several of them went to Madison Square Garden with that's what they.
1:04:50
Speaker 1: They make that their life right.
1:04:54
Speaker 1: But that exposure and that simple calypso rhythm that Marshall come up with last time and bring you into it, I tell myself, old boy, you go start back to here, because I always remember my father telling me the calypsonians you know what I mean.
1:05:09
Speaker 1: He don't really say soaker artists like that, he's always say calypsonian Because the calypsonians who have an uptempo, one them is he wants to be in the fet and things you just used to talk about, the calypsonian and them dominating the fet.
1:05:18
Speaker 1: And I think we're gonna see that again, because I see a rhythm come out named the tilden hall rhythm, right, and several artists find themselves on this tilden hall rhythm.
1:05:28
Speaker 1: Uh, let me, let me just make sure I tell you some of the artists who won it right, just to make sure that we understand where we are coming from.
1:05:37
Speaker 1: It's Lyrical Marshall, several artists, a long list of men who is seasoned veterans in calypso soccer.
1:05:46
Speaker 1: Any part of the art form them is seasoned men.
1:05:49
Speaker 1: But I want to play for you the man who have the best song on that Tilden Hall rhythm.
1:05:56
Speaker 1: And when I say best song, I'm not talking about just best song in terms of vibes, I'm talking about best song in terms of interpreting a calypso rhythm or a kaiso kind of style and making a melody and a theme and everything that fit so well.
1:06:12
Speaker 1: Everybody.
1:06:12
Speaker 1: They're playing all the wrestle songs but guaranteed this is the one that will take off the fastest.
1:06:21
Speaker 5: Oh, it's badabadi da di, da, di, badabadi, di, di, di, di, badabadi, di di di.
1:06:27
Speaker 5: Who are you going?
1:06:37
Speaker 5: Who are you going?
1:06:38
Speaker 5: Stand up there and take the jammy.
1:06:40
Speaker 5: Why are you only looking down at your watch?
1:06:42
Speaker 5: Then make your whole body rock and take that.
1:06:45
Speaker 5: It's hot water in the kettle pot.
1:06:47
Speaker 5: You're wrong.
1:06:47
Speaker 5: Why are you going down the block?
1:06:49
Speaker 5: You're wrong.
1:06:49
Speaker 5: When you're ready for the iron drum?
1:06:51
Speaker 5: You're wrong.
1:06:51
Speaker 5: Right back when I hit his foot.
1:06:53
Speaker 5: Just spread ways.
1:06:54
Speaker 5: Spread ways, like betting is your profession.
1:06:56
Speaker 5: I go wait.
1:06:58
Speaker 5: I go wait till you bump a confession.
1:07:00
Speaker 5: I I'm not.
1:07:03
Speaker 5: No, sukunya, no, laja bless.
1:07:05
Speaker 5: No, no, just come to get fun, but come to set.
1:07:10
Speaker 5: Yeah, yeah, don't be afraid, girl, don't reject me.
1:07:15
Speaker 5: Why don't you throw it back?
1:07:17
Speaker 5: Let me say yeah, yeah, this is how we jump, loosen your waist and turn around.
1:07:23
Speaker 5: No buts and no.
1:07:35
Speaker 5: It's a water in your kettle, but you're wrong.
1:07:37
Speaker 5: But why are you going?
1:07:38
Speaker 5: Wrongly blah?
1:07:38
Speaker 5: You're wrong.
1:07:39
Speaker 5: When you're reading from the iron, you're wrong.
1:07:40
Speaker 5: You're wrong.
1:07:41
Speaker 5: Why, back when I hit this cup, just press base, press base.
1:07:44
Speaker 5: Life pattern is your profession, I go it, I go it.
1:07:49
Speaker 5: Tell your bump a confession.
1:07:55
Speaker 4: I promise to take my time, show respect.
1:07:56
Speaker 4: Yeah, yeah, put my hands by my side.
1:07:59
Speaker 4: Keep them in check, if you would take me down.
1:08:03
Speaker 5: We could go down there.
1:08:04
Speaker 5: The lower we go, the more jamming you go, yeah, but the more you resist, the more they come.
1:08:12
Speaker 5: It's like throwing sugar on the ground Watching the ants move along.
1:08:16
Speaker 5: No, this is just how we party.
1:08:19
Speaker 5: This is how we jam, loosen your waist and turn around.
1:08:23
Speaker 5: Go back home now.
1:08:25
Speaker 5: There's some water in the kettle, but but why are you going round?
1:08:28
Speaker 6: the block when you're ready for the iron jump.
1:08:32
Speaker 5: Why back when I hit this fuck, just best ways, belt ways, like when they did your profession, I go wait, I go wait.
1:08:39
Speaker 5: Then you bump a confession I, it's a fuck, I need to get a little fun.
1:08:44
Speaker 5: Go run why I go when you're on.
1:08:45
Speaker 5: Go run what?
1:08:47
Speaker 1: do you know?
1:08:47
Speaker 1: Get a little fun, go run.
1:08:48
Speaker 1: By far the best interpretation I've heard on the rhythm.
1:08:52
Speaker 1: I have a few more to play for you, because the rhythm itself is bad and you hear the, I want to say Iguilis, 90 calypso, kind of calypso, want to be soaker.
1:09:03
Speaker 1: Before they had a genre called groovy.
1:09:04
Speaker 1: You was right.
1:09:04
Speaker 1: Well, let me play some of the other big boys from here on the rhythm right Heavy, heavy heavy hitters.
1:09:08
Speaker 1: Thank you, we'll see you next time.
1:09:13
Speaker 1: I'm going to tell you, make the party start.
1:09:18
Speaker 1: It's good music and proper melody.
1:09:57
Speaker 4: A little room and we're ready to party Tonight.
1:10:02
Speaker 4: It's my king and queen with me?
1:10:03
Speaker 4: I sure am.
1:10:06
Speaker 4: I'm going to learn a new poetry.
1:10:07
Speaker 4: Things are sweet, sweet, sweet sweet.
1:10:34
Speaker 1: Let me show them we can retro Mix the smoke and we can soar.
1:10:36
Speaker 1: Thank you.
1:10:37
Speaker 1: By the way, there's a voice here on Voice, st Louis, right.
1:10:55
Speaker 5: Let me play our next heavy hitter for you.
1:10:56
Speaker 5: Now.
1:10:56
Speaker 5: When you call me, make sure you bet the round more than more Cos.
1:10:57
Speaker 5: When I reach, I come in to mash up your body.
1:10:58
Speaker 5: Make sure our last hundred show is gonna be real and core.
1:11:03
Speaker 5: They don't want me to leave.
1:11:05
Speaker 5: You won't bet me that I could make them jam on till they felt over.
1:11:09
Speaker 5: Oi, oi, oi, me and me can't show.
1:11:11
Speaker 5: I put a woman in front your hand on she's shoulder.
1:11:13
Speaker 5: Oi, oi, oi, me and me can't show.
1:11:22
Speaker 5: Put up your coat, make it.
1:11:24
Speaker 1: Keep in mind that this is a man.
1:11:26
Speaker 1: Right, he was making hits during this era of music, right, but tell them don't rush me, tell them don't doubt me that I could make this whole party go up in a frenzy.
1:11:38
Speaker 5: You won't make me that I could make them shout until they turn over.
1:11:59
Speaker 5: Oy, oy, oy me a making joke.
1:12:01
Speaker 5: I put someone in front, your hand on his shoulder, oy oy oy me a making joke.
1:12:06
Speaker 1: I got to get the gang gang, gang, gang, gang.
1:12:07
Speaker 1: Oy oy oy me a making joke Get.
1:12:54
Speaker 4: Thank you, darling, darling the oil in your pantry.
1:12:57
Speaker 4: I wanna go down there, go down there, go down there.
1:13:04
Speaker 5: Here's the oil in your pantry.
1:13:05
Speaker 5: I wanna go down there.
1:13:08
Speaker 5: Go down there, go down there.
1:13:10
Speaker 5: Bring me back to the day.
1:13:12
Speaker 5: Shorty in red, that's what I call it.
1:13:15
Speaker 5: Everything was nice, everything was sweet.
1:13:18
Speaker 4: Did you play some college song?
1:13:19
Speaker 4: You're moving your waist, waistline, sweet like an old college song.
1:13:24
Speaker 5: Baby, you look nice, baby, you look sweet.
1:13:26
Speaker 5: Did you play some college song?
1:13:28
Speaker 5: All in your pantry, all in your pantry.
1:13:31
Speaker 5: It's the all in your pantry, all in your pantry.
1:13:36
Speaker 1: I want to play the next one for you.
1:13:37
Speaker 1: It's lyrical again.
1:13:38
Speaker 1: Veterans, right?
1:13:40
Speaker 1: Wait, this is the fastest music they could play for the two days I played mass.
1:14:23
Speaker 1: We'll see you next week.
1:14:25
Speaker 1: It's a good for you, so tell me why you're walking so.
1:14:28
Speaker 5: Dirty, dirty.
1:15:01
Speaker 1: Dirty.
1:15:01
Speaker 1: Now again, having heard from all the veterans right, this is Young Brother First song I played.
1:15:09
Speaker 1: Was Young Brother?
1:15:10
Speaker 1: Right?
1:15:10
Speaker 1: This is the first one, and I should play all the veterans for you in between.
1:15:14
Speaker 1: Listen to this again and tell me if Young young brother wasn't here in her past life, he had to be from before.
1:15:22
Speaker 1: Who?
1:15:23
Speaker 5: are you going?
1:15:23
Speaker 5: Who are you going?
1:15:24
Speaker 5: Stand up there and take the jammy.
1:15:39
Speaker 5: Why you only looking down at your watch girl.
1:15:40
Speaker 5: Make your whole body rock and take that.
1:15:43
Speaker 5: It's hot water in the kettle for Dora.
1:15:45
Speaker 5: Why you going round in rock Dora, when you ready for the iron drum Dora?
1:15:49
Speaker 5: Why you back when I hit the spot?
1:15:50
Speaker 5: Just spend way, spend way, like betting is your profession.
1:15:54
Speaker 5: I go wait.
1:15:56
Speaker 5: I go wait Till you bump a confession.
1:15:58
Speaker 5: I I'm not.
1:16:01
Speaker 5: No sukunya, no larger bless, no, no.
1:16:04
Speaker 5: Just come to get fun, but come to set scare.
1:16:08
Speaker 5: Yeah, don't be afraid Y'all don't reject me.
1:16:12
Speaker 5: Why don't you throw it back, let me say.
1:16:16
Speaker 5: But the more you resist, the more they come.
1:16:19
Speaker 5: It's like throwing sugar on the ground and watching the ants move along.
1:16:24
Speaker 5: No, this is just how we party.
1:16:27
Speaker 5: This is how we jam.
1:16:28
Speaker 5: Loosen your waist and turn around, go back down.
1:16:32
Speaker 5: Now it's just water in the kettle, but don't run.
1:16:35
Speaker 5: But why you going wrong?
1:16:36
Speaker 5: We block, don't run.
1:16:37
Speaker 1: When you're reading from the iron job, don't run why you back when Tell me if he wasn't here in her life before now and I've been saying this not just about him.
1:16:49
Speaker 1: Remember you see that DJ they call Hotty 2?
1:16:50
Speaker 1: He was in her life, here before.
1:16:52
Speaker 1: Them fellas understand the formula for music at several different years, so salute to them.
1:16:56
Speaker 1: I wish Lady Lava was on this rhythm, but I feel good when I see this rhythm come out and it have a style of music and a style of kaiso and calypso and soko that we ain't hear a long time and I ain't know if we'll ever hear it again.
1:17:11
Speaker 1: So it's good to see that era coming back.
1:17:13
Speaker 1: I'm hoping that, especially for a long carnival season, when the carnival season is long, you need plenty of song at this speed.
1:17:21
Speaker 1: Whatever BPM is that?
1:17:23
Speaker 1: That is January BPM.
1:17:26
Speaker 1: You call that right, because when January reaches, people are not ready.
1:17:32
Speaker 1: People are not ready for that yet.
1:17:40
Speaker 1: In January, people have to take their time.
1:17:42
Speaker 1: Take their time on their knees, take your time on your ankle.
1:17:44
Speaker 1: Don't want to impinge nothing.
1:17:46
Speaker 1: Take your time on your salary.
1:17:48
Speaker 1: When you see a soaker in mocha and firefet, people have to go a little easy.
1:17:53
Speaker 1: So we want a few more tunes.
1:17:55
Speaker 1: I don't care if it's rhythm or it's tune from art.
1:17:57
Speaker 1: According to Marshall Montano, you have to control your ground game.
1:18:00
Speaker 1: You see, that little one-two step, that is what we need.
1:18:11
Speaker 1: We need a couple more in that little zone right there.
1:18:13
Speaker 1: But make sure the Mutes involved, mark Moore, you see, lady Lava, young Brother.
1:18:18
Speaker 1: I think them have old soul, them was in this life before own rider.
1:18:18
Speaker 1: But make sure, make sure the mutant valve mcmoe to see lady, our lady lava young brother.
1:18:19
Speaker 1: I think them have old soul.
1:18:21
Speaker 1: Them was in this life before.
1:18:22
Speaker 1: Them read somebody when we was crying for some suka artist or somebody who passed away or some rap.
1:18:29
Speaker 1: So man who went, they come right back with lady lava.
1:18:32
Speaker 1: Don't, don't, don't feel like them was here before, for sure, here before.
1:18:36
Speaker 1: Let me talk about our next man here before, right before I get again to my man's day, calypso, my international man's day calypso.
1:18:45
Speaker 1: Dwight york arrives in trinidad ice training camp next week.
1:18:49
Speaker 1: One of the things I thought I was real good about this right, we talking about dwight york taking over the team.
1:18:54
Speaker 1: I expected that a lot of people would have been one of his assistant coaches.
1:18:57
Speaker 1: I I'm surprised they didn't bring Lara to help people with, like how to train the ball or something I figured Lara could be there for some motivation or something will happen that make Lara end up on this coaching staff and so on.
1:19:09
Speaker 1: But York has his coaching clinic pretty much same clinic, his coaching camp on the way, and they had a what do you want to call it?
1:19:25
Speaker 1: An unveiling of Dwight York as the coach of the national team.
1:19:29
Speaker 1: I believe it was in the Atterboulden Stadium where they were having their.
1:19:33
Speaker 1: Let me make sure I have it here right.
1:19:36
Speaker 1: Read from this thing, corey, don't try and go on your owntfa unleashes the y factor.
1:19:44
Speaker 1: York and uh, officially unveiled as soccer warriors coach.
1:19:45
Speaker 1: Uh, fixated on achieving 2026 world cup qualification.
1:19:47
Speaker 1: Ttf a have unleashed the y factor.
1:19:51
Speaker 1: I like that.
1:19:52
Speaker 1: I like that as a marketing guy, you know.
1:19:54
Speaker 1: So.
1:19:54
Speaker 1: You see, when they started branding from a, let me just talk about from a marketing standpoint, right, york and why, when you're talking about um syllables in marketing, they both equally is the same.
1:20:07
Speaker 1: So you could just say the york factor instead of the y factor, unless, unless you're gonna make a play on why and this is our why, and I'm not sure, but maybe.
1:20:17
Speaker 1: But all right.
1:20:18
Speaker 1: The why factor Dwight York as head coach of Spearheads Nations campaign.
1:20:25
Speaker 1: The former TNT captain and striker and central defensive midfielder was officially and extravagantly unveiled as the senior team's guiding light under the spotlight on sprinklers at Atobolden Stadium's main field in Balmain Coover on November 14th.
1:20:36
Speaker 1: York described the feeling of leading the national team once more, this time as head coach, as an emotional one, which has always been a dream of mine.
1:20:44
Speaker 1: During his first public address after being appointed on November 1, york said that he and his coaching staff are using the ongoing seven-day camp at the national stadium for both players and officials to interact and acclimatize with each other as they begin working towards the ultimate goal of World Cup qualification.
1:21:00
Speaker 1: He credited former head coach Angus E for a job well done in bringing the team to their current level, and New York wants to build on this.
1:21:07
Speaker 1: He said the work begins now.
1:21:08
Speaker 1: My ambition is to build on what has already been built.
1:21:11
Speaker 1: With the addition of my backroom staff, we could only hopefully enhance what we're about.
1:21:15
Speaker 1: I can assure that we'll be given 110% to make sure that the best to get the best out of these players and to try to bring joy, celebration and excitement.
1:21:28
Speaker 1: York believes once all stakeholders are on board with this plan, inclusive of the TTFA, backroom staff, sponsors and the public, he can return to success once more.
1:21:36
Speaker 1: I do not want to stress I.
1:21:38
Speaker 1: I do want to stress there's a lot of hard work ahead.
1:21:40
Speaker 1: It's not going to be an easy challenge, but it's a challenge that I want all of us to take on.
1:21:44
Speaker 1: I think as a nation, if we pull in one direction, there's no reason why we can't be successful.
1:21:49
Speaker 1: We've done it in 2006 and I can surely do it in 2026.
1:21:53
Speaker 1: So when?
1:21:53
Speaker 1: When he go in there, right, talking as somebody who was part of that 2026.
1:21:56
Speaker 1: So when he go in there, right, talking as somebody who was part of that 2026 squad, the captain of that squad, as a matter of fact, and he was not there at the beginning of the campaign York was not playing for Trinidad and Tobago at this stage we had in the World Cup in 2005.
1:22:10
Speaker 1: He came back when we were in the hex already, when Bertil Sinclair had led us into the hex, which is we must commend that right, because we don't always get into the hex at that time.
1:22:25
Speaker 1: We always used to be there, but we don't always get ever bertil took us there and then we I think we would have draw one and lose one very big, and he get fired and ben hacker came in, and that's when york and latter p came back.
1:22:37
Speaker 1: York also wasn't a striker on our team.
1:22:38
Speaker 1: Striker on our team would have been men like Cornell Glenn and possibly Kenwin Jones, I can't remember.
1:22:46
Speaker 1: I can't remember, but York was playing defensive midfielder as captain of the team and Latipi came back.
1:22:52
Speaker 1: I remember Latipi scoring some good goals to my guy, damian Panto.
1:22:55
Speaker 1: We used to be in the stadium every time we play.
1:22:56
Speaker 1: We watch all them games, right, including the ones that Bertel was losing in his stadium and what got us to the hex in the first place?
1:23:03
Speaker 1: Right, he'd go all the game.
1:23:04
Speaker 1: Once I had football in his stadium I did.
1:23:05
Speaker 1: But I think and no, knock on Angus Eve, no, knock on Derrick King.
1:23:11
Speaker 1: Derrick King is still part of the coaching staff and he bring in some of his people as well his New York team, I guess as specialist coaches.
1:23:18
Speaker 1: I didn't see them name the whole coaching squad, but as I said last week, the government had injected I think it's $2 million in there.
1:23:28
Speaker 1: So that's good.
1:23:29
Speaker 1: Oh, no, actually, no, let me read on here a little bit, because I was saying last week that the $2 million, let me give people the credit where it's due right.
1:23:43
Speaker 1: Additionally, 2006 World Cup teammates and former goalkeeper turned broadcaster Shaka Hislop shared virtual congratulations to his ex-captain via video played across the screens.
1:23:52
Speaker 1: Hislop hailed York as a true leader and believes he's the right man to lead to return tnt to the biggest stage of football.
1:23:59
Speaker 1: He said I've seen all that he's given to make the best of himself as a player.
1:24:03
Speaker 1: I've seen how he leads with with young players, particularly during the world cup run.
1:24:07
Speaker 1: I've seen him be an example to me what it means to pull uh, pull out the red, white and black.
1:24:13
Speaker 1: Nearly 40 years now this is him giving back to a game that's given him so much.
1:24:17
Speaker 1: I couldn't be more proud of dwight as a friend, a teammate and a leader over the years.
1:24:21
Speaker 1: All those attributes are why I'm so excited by what's to come.
1:24:25
Speaker 1: It's a big ass, but dwight is at his best.
1:24:27
Speaker 1: Uh, the bigger ask is but dwight is at his best.
1:24:33
Speaker 1: The bigger ask is I don't know what that sentence mean.
1:24:36
Speaker 1: I don't know who writes this article.
1:24:37
Speaker 1: I'm looking forward to seeing tnt play on the biggest stage yet again.
1:24:41
Speaker 1: There's no one else I would trust.
1:24:42
Speaker 1: Hislop said.
1:24:43
Speaker 1: Minister of sport and community development, chamfer, could you was always also present to welcome fellow tobogganian new york to his new post.
1:24:50
Speaker 1: Uh, after it was previously reported that the ministry would distribute two million over the next two years towards the team world cup campaign, could you confirm that the figure is us dollars 2 million?
1:25:02
Speaker 1: I like that.
1:25:03
Speaker 1: I appreciate this.
1:25:03
Speaker 1: I appreciate this.
1:25:05
Speaker 1: So I was telling some partners recently, right, that the appointment to york is more than just and and and everything.
1:25:11
Speaker 1: I went through with mccarthy fc and so on.
1:25:13
Speaker 1: York seemed to be a good head coach and building his reputation, but one of the things about having somebody like him there is that it's going to attract I I I'm not sure that a minister sport was coming down cover to donate no, two million us.
1:25:30
Speaker 1: If angus eve, with all due respect, was there, derrick king was still there.
1:25:34
Speaker 1: It's it's.
1:25:35
Speaker 1: The names make a difference when the ministry put this kind of money in now and York could do things with the team, especially like I saw somebody say, all this fanfare and all this thing and fireworks and things for York was a waste of time and that money could be used towards football.
1:25:51
Speaker 1: That money going to be used to attract much more money, because that is them kind of events is what corporate Trinidad want to be a part of now.
1:25:58
Speaker 1: I was a part of the.
1:25:59
Speaker 1: Coincidentally, this is where I met pala stacy.
1:26:02
Speaker 1: This is where the scorpio my scorpio support needed.
1:26:08
Speaker 1: You know, that's where it started.
1:26:10
Speaker 1: I wish I had known it had a support group back then, but I met her when when we were working with sony and doing sony was doing sponsorship for the women's world cup.
1:26:21
Speaker 1: At the time I already worked on another world cup before because I think that under 21 world cup here that sony had sponsored, sony had a sponsorship for world cups with fifa directly.
1:26:30
Speaker 1: So anywhere in the world that had world cups at any level, in any gender, sony used to execute.
1:26:35
Speaker 1: And once it happened in trinidad or the games happened in trinidad, we used to work to get everything that sony needed here to done, whether it's the officials coming into the country to go and shake people hand at the games or is to invite there.
1:26:48
Speaker 1: They were selling to courts, price, smart and standards and were the biggest suppliers or the buyers down here.
1:26:55
Speaker 1: So what they would do is they would get as part of the sponsorship, 10 VIP tickets to the lounge and thing in the stadium.
1:27:02
Speaker 1: So what you do is they distribute that to their biggest buyers, the CEO or co-authors, this one, that one and then they send their officials the president of Sony and thing here and they meet with one another and talk some sales and talk some business and have some fun.
1:27:13
Speaker 1: Right, we used to facilitate that and make a little percentage you can't go wrong and also Lavender Rhythm section of the games, the perimeter boards around the field.
1:27:25
Speaker 1: We used to make sure like, for instance, simple things like sponsorship.
1:27:30
Speaker 1: You should see one of these sponsorship contracts.
1:27:32
Speaker 1: I don't know if this is interesting to anybody else but me.
1:27:34
Speaker 1: I used to be excited about marketing and when you see these sponsorship contracts, you'll be surprised at how detailed it is.
1:27:39
Speaker 1: For instance, I used to have to go to all the training games.
1:27:44
Speaker 1: Sometimes Latapie was the coach, because Sony had Trinidad, had qualified in 2006 for the World Cup and with Sony's sponsorship of the FIFA World Cup as a whole, they were getting very interested in individual teams.
1:27:55
Speaker 1: So they had come here to make an individual deal with soca warriors because the expectation from sponsors, at least, was that, coming up for 2006 when we qualified, they're expecting us to do well in 2010 in the region and remember they have regional.
1:28:09
Speaker 1: They selling the.
1:28:11
Speaker 1: The office was sony puerto rico.
1:28:13
Speaker 1: They were responsible for the caribbean and latin america, so at that time, as far as they concern, the soca warriors is the biggest team and the biggest draw in the region, so they're going to use them to sell the products through the english-speaking caribbean right.
1:28:25
Speaker 1: So when you see the sponsorship contract so detailed, pay attention to everything in it because, like when you go to training sessions, the players were supposed to have sony, like things like lanyards or the bags that they come out.
1:28:35
Speaker 1: They're supposed to have those things because when media take pictures, or like, for instance, chamfocodjo comes to greet the team, or they appoint a Dwight York and he comes to talk to them, or York when he inevitably brings Lara to give a motivational speech to them, the media has been there.
1:28:49
Speaker 1: So when they take pictures, sony want to make sure that their brand is shown in the pictures.
1:28:53
Speaker 1: We're supposed to have photos of every single training session with the players in front of the perimeter boards.
1:29:01
Speaker 1: It's very, very detailed, even like the, the warm-up uniforms or the, or the jacket that they wear, it's supposed to have sony on it.
1:29:06
Speaker 1: So I our job was to verify that the sponsorship money is being they're getting value for the money, because what they're paying for is what we call brand awareness, right, visibility.
1:29:16
Speaker 1: They want to make sure that the logo is seen and things.
1:29:18
Speaker 1: So I was very close to that campaign and I saw what it did.
1:29:22
Speaker 1: Again, that fella from Puerto Rico don't know much about Trinidad, football and the history.
1:29:26
Speaker 1: He don't know, no, lancelot Lane, he don't know Colin Lucas, he don't know no Songrev, he don't know Superblue, he don't know maximus dan, you know I mean.
1:29:35
Speaker 1: But what he knows is that this team giving us visibility and I think that's why york, more than everything, I I don't.
1:29:41
Speaker 1: I wouldn't understand the technical battery football.
1:29:44
Speaker 1: I think our next game is june next year, when we reach qualifying game.
1:29:48
Speaker 1: That is the next game.
1:29:49
Speaker 1: That is of consequence.
1:29:50
Speaker 1: But I want you to observe what's going to happen, right, if they have a friendly in the stadium between now and june, which they will have, because he could attract better countries to do friendlies with again because of his name, man of a brand, watch what's going to happen in that stadium.
1:30:08
Speaker 1: And I like the way he's talking already because he is clear that he also understands this.
1:30:12
Speaker 1: So you notice that in his address, when the minister there and there's an unveiling and the head of ttfa, and this man know what he doing.
1:30:20
Speaker 1: He not talking just about footballers and skill and the different positions.
1:30:24
Speaker 1: He's talking about we as a nation coming together and bringing everybody together, and all of us had to do this together fans, sponsors.
1:30:30
Speaker 1: This that he done, he done making the moves already.
1:30:33
Speaker 1: So you're going to find that the the biggest companies in this country the massey is the answer mccall, who seem to be making a big international push, uh, recently, and uh, even regional people like sony and them who don't operate here they're going to get, you're going to see, more interest in the soca warriors going forward and, of course, I am very interested in this because I hope that they work through we and we could collect a little percentage of whatever they spend.
1:30:59
Speaker 1: Again, them was good days.
1:31:00
Speaker 1: This York appointment is my route to start back earning US dollars.
1:31:06
Speaker 1: You know long wins here client pay me in US.
1:31:08
Speaker 1: We can't even collect TT these days.
1:31:09
Speaker 1: So again, I think it's a great move.
1:31:11
Speaker 1: I'm not sure why people are upset with this unveiling and I'm very, very, very, very happy to hear that there's 2 million US dollars that the government is putting and I expect to see much more millions of US dollars being pumped in by corporate Trinidad and Tobago and much more millions of maybe not US but TT dollars being pumped in by fans who are going to pay to go to the games and so on.
1:31:36
Speaker 1: I can't wait for them to announce some kind of friendly.
1:31:38
Speaker 1: It just so happened that we well, not just so happened.
1:31:40
Speaker 1: I suppose that's why the appointment was made at this time, but we're in an international break for football now and we don't have any games in this window.
1:31:46
Speaker 1: So it gives York the opportunity to work with at least the local players, who seem to be all from the Defence force or police.
1:31:55
Speaker 1: Oh, and I would like to say that I apologize to kevin the great molyneux.
1:31:58
Speaker 1: I apologize because see that man walking.
1:32:02
Speaker 1: So like me, wrong king george, that man going on working.
1:32:04
Speaker 1: I think he's going in playing with defense force now and this man fit like hell.
1:32:09
Speaker 1: How he get fit so fast.
1:32:10
Speaker 1: How the hell this man get fit.
1:32:14
Speaker 1: So I had to go.
1:32:15
Speaker 1: Denzel teobol is the head coach.
1:32:16
Speaker 1: I had to go there and try and see if I could get fit, because he I come and laugh at this man, at how fat and obese this man looking around.
1:32:24
Speaker 1: King georgia now this man fit like a fiddle.
1:32:26
Speaker 1: I still fat.
1:32:27
Speaker 1: I still fat.
1:32:28
Speaker 1: But best wishes to.
1:32:29
Speaker 1: Dwight.
1:32:29
Speaker 1: You're great move.
1:32:30
Speaker 1: Great move by shampoo.
1:32:31
Speaker 1: Good, you're great move by ttfa.
1:32:33
Speaker 1: I hope everybody, as he say, everybody on board and everybody doing what it takes for that team to get the support that they deserve and that they need so that we could continue to grow from strength to strength and, when we went to 2026, come for selfish reasons to get some sponsorships that I could get a little percentage of, but, more importantly, we get to go and support the team and feel that pride that we'll feel.
1:32:56
Speaker 1: It'll be sad if we make the 2006 World Cup and then none of us in our lifetimes see another World Cup ever again.
1:33:04
Speaker 1: So have a little tune.
1:33:06
Speaker 1: I've a bunch of songs here to play for International Men's Day, right, and I want to open with a song that I want to dedicate to Mr Dwight Theophilus York.
1:33:18
Speaker 1: You may know his middle name, right?
1:33:20
Speaker 1: But I just want to say that if Mike Tyson is 58 years old, let me see how old Dwight York is.
1:33:32
Speaker 1: Dwight York age Dwight York is 53.
1:33:37
Speaker 1: He ain't far from Tyson, right, but I just want to say that Dwight York Paul's in advance, right, but Dwight York looking damn good.
1:33:46
Speaker 1: Dwight York looking fit, dwight York looking like any young boy.
1:33:48
Speaker 1: As a matter of fact, when you see him in the coaching sessions on YouTube, he looking fitter than some of the players that he giving instructions out there on the field.
1:33:57
Speaker 1: I want to say that if, for any reason, when Diock do that interview to bring the nation together, I'm thinking if for any reason he didn't have on no pants, like Tyson, I feel the bottom of my lungs.
1:34:09
Speaker 1: So I would like to dedicate this first song of International Men's Day to the great Dwight D Oak.
1:34:52
Speaker 6: I'm going to go ahead and get back to work.
1:34:54
Speaker 6: A car crash, a hash lash.
1:34:57
Speaker 6: Everybody say man done.
1:35:00
Speaker 6: A news flash, cbs smash one more calypso-nian gone.
1:35:08
Speaker 6: Scientists from a foreign country sat and planned to turn me into a bionic man.
1:35:15
Speaker 6: The doctor asked my mother what she's crying for.
1:35:19
Speaker 6: They're bringing me back.
1:35:20
Speaker 6: Better than before.
1:35:22
Speaker 6: Better than before.
1:35:25
Speaker 5: Bionic, I could walk all night and keep on walking.
1:35:29
Speaker 6: Bionic, no man would dare tell me I'm fooling.
1:35:36
Speaker 6: Bionic, no man would dare tell me I'm fooling.
1:35:50
Speaker 6: I could walk on, walk and never tire.
1:35:52
Speaker 6: If you tackle me, you tackle fire, a tower of power and endurance.
1:36:02
Speaker 6: I could keep my speed the longest distance.
1:36:08
Speaker 5: I mixed up human and machine.
1:36:17
Speaker 6: Even Steve Washington Are able, with me this curious but cautious, To see just how strong I am, Victorious.
1:37:00
Speaker 6: Some heads cost a good bit of them.
1:37:04
Speaker 6: Islam and women who underrate me later complete.
1:37:09
Speaker 6: I sure they will tackle me again when they hear what it costs to patch me up the rock.
1:37:16
Speaker 6: They say it costs about six million or more.
1:37:19
Speaker 6: Six million or more.
1:37:22
Speaker 6: I could walk and walk and never tire.
1:37:26
Speaker 6: If you tackle me, you tackle fire.
1:37:33
Speaker 6: A tower of power and endurance.
1:37:50
Speaker 6: Tackle fire.
1:37:50
Speaker 6: I maintain my speed.
1:37:52
Speaker 6: The longest distance.
1:37:53
Speaker 6: I could dance all night and keep on dancing.
1:38:06
Speaker 5: No woman would dare tell me I'm fooling.
1:38:12
Speaker 6: I'm mixed up human and machinery.
1:38:15
Speaker 6: Even Steve.
1:38:30
Speaker 5: Austin is Abel with me.
1:38:31
Speaker 5: Six million dollar man.
1:38:31
Speaker 5: Six million dollar man.
1:38:33
Speaker 1: If it was anybody, it was a bionic man.
1:38:35
Speaker 1: It had to be the great Dwight York, right?
1:38:38
Speaker 1: Should I carry you down this road now, as we're talking about man right, I tell you, there's all kind of man I come here to talk about, you know.
1:39:08
Speaker 5: There's not one kind of man I can't leave out at all.
1:39:12
Speaker 5: ¶¶ Way up in my room.
1:39:15
Speaker 5: I decided to make an invention, so I packed up my house with iron.
1:39:21
Speaker 5: The news went around and that was the case.
1:39:23
Speaker 5: You know they come up with a warrant searching my place.
1:39:27
Speaker 5: Look at how, five o'clock in the morning, two men police came searching and before I could put on my clothes, all me iron exposed.
1:39:39
Speaker 5: Well, it's nowhere in misery, you know they started questioning me Will you get this among the irons?
1:40:00
Speaker 5: Please answer the question.
1:40:02
Speaker 5: I say I didn't know.
1:40:04
Speaker 5: It was against the law.
1:40:05
Speaker 5: So they told me that explanation before Then they hold me and they throw me in the maria and carry me to the female commissioner.
1:40:15
Speaker 5: It was five o'clock in the morning.
1:40:17
Speaker 5: Two women police came searching and before I could put on my clothes, all me iron exposed.
1:40:26
Speaker 5: As soon as they take me out from the marriah I bounce up the commissioner.
1:40:42
Speaker 5: When she see me she turns her face.
1:40:46
Speaker 5: But this time I am all wrong me ways and this was a statement to me.
1:40:51
Speaker 5: It's the most I've seen in this colony.
1:40:54
Speaker 5: So we go charging for unlawful possession.
1:40:57
Speaker 5: Oh me lord.
1:40:58
Speaker 5: No bill for the iron man.
1:41:01
Speaker 5: Five o'clock in the morning two men put this game such in Well.
1:41:07
Speaker 5: This was back and all.
1:41:08
Speaker 5: The following day was my trial.
1:41:29
Speaker 5: If you see a woman inside the place and it's a woman, ma, just try to try my case.
1:41:34
Speaker 5: But after the police gave evidence she called upon me for my defense.
1:41:40
Speaker 5: But she said before she come to a conclusion, I have to come home in your house to inspect this iron.
1:41:45
Speaker 5: She came by me with a chickney to examine the iron personally, but when she left the house I was happy she took all the iron and set me free.
1:42:10
Speaker 1: That is a song by the name of Iron man, the singer by the name of Iron man.
1:42:16
Speaker 1: You know the Iron Man's andouille.
1:42:33
Speaker 5: Well, a female stick player named Winnie live in Sandy Grandy.
1:42:38
Speaker 5: She put her heart down the garden.
1:42:41
Speaker 5: She say open competition.
1:42:44
Speaker 5: She is the best stick player in Grandy and she play in anybody day to see if she could really play.
1:43:03
Speaker 5: Well, we carry down in the back of the alley, only me and she.
1:43:05
Speaker 5: I fall on my knees and I charge to the first boy under she belly.
1:43:12
Speaker 5: She breaks the bar and she back back watch me fixing me and lapper I get the lyrics and I try to change the tension and my heart breaks in half.
1:43:18
Speaker 5: You could imagine how I feel, in shame to see the sandalwood, see flame Now my heart break in the center and she laughing ca-ca-ca.
1:43:41
Speaker 5: Now we go see how Zando the crawling On me knees and perspiring, but I pick up a piece of string in a drain so I tie up me wood and carry again.
1:43:52
Speaker 5: Now I jam she on her back and go fencing.
1:43:56
Speaker 5: She started to ball but in the excitement she raised the bar so her back tailer stumbled and fall.
1:44:04
Speaker 5: Then she stand up over me and she charging, this time pose and doing the drain.
1:44:09
Speaker 5: So I charge her bar to dig out her liver.
1:44:13
Speaker 5: May her wood break again.
1:44:30
Speaker 5: It was getting late in the evening and people start gathering.
1:44:32
Speaker 5: So a old stickman named Jukwenge lend me a stick to play.
1:44:38
Speaker 5: Now we're charging like he's crazy and she's only backing from me.
1:44:43
Speaker 5: She said I didn't know you could play stick.
1:44:47
Speaker 5: So oh my lord, oh, beg, pardon, sando.
1:44:49
Speaker 5: Now she's crumbled onto the bar with her two hands playing tag a war.
1:44:54
Speaker 5: I said Lego, lego, lego man, what you doing that for?
1:45:01
Speaker 5: Well, he slip out he hand and he fall in agony, begging me to stop.
1:45:05
Speaker 5: I say who'd make you ball?
1:45:08
Speaker 1: Who'd make you ball is who to make you get up From Iron man To Stick man To just outright Too Mucha man just outright too much a man.
1:45:57
Speaker 5: I'm innocent like you.
1:45:57
Speaker 5: Take me for Mickey Mouse the way you bring in man in my house.
1:46:02
Speaker 5: I say you take me for Mickey Mouse, the way you bring in man in my house.
1:46:07
Speaker 5: Look, I don't want to break your plastic jaw, I don't want to tangle with the law.
1:46:13
Speaker 5: You better have some respect for me and stop this nonsense entirely.
1:46:18
Speaker 5: Every day is a different man.
1:46:22
Speaker 5: You have a woman up in Ponytail.
1:46:24
Speaker 5: You're introducing them as your cousin, your brother-in-law.
1:46:29
Speaker 5: You compare.
1:46:31
Speaker 5: So before reaching the crazy house or the hangman's cemetery, look, I want you to write all your family names on a piece of paper for me.
1:46:40
Speaker 5: Well, let me tell you something, millie, you are too much a man family and they always employ you with the government.
1:47:00
Speaker 5: They hide you in the force of the regiment.
1:47:03
Speaker 5: You might be saying to yourself I want to know now if it's only man family you could bring in here.
1:47:20
Speaker 5: How you never invite your auntie you need.
1:47:24
Speaker 5: So you maku me and this cousin, this uncle, this company business, get in me varsity.
1:47:31
Speaker 5: So, darling, I want you to write all your family name On a piece of paper for me.
1:47:36
Speaker 5: Oh, yeah, you giving me cuckoo to eat and the food never tastes in sweet.
1:47:53
Speaker 5: Your man, tanya, cook up with salt and steel With no grease at all, like the pine tail.
1:47:59
Speaker 5: But a man.
1:48:01
Speaker 5: When you say you family, when they reach home you want it.
1:48:05
Speaker 5: Like you catching malachi for so glad and killing the biggest cock in the yard.
1:48:11
Speaker 5: You're taking down the pot from the fire before time.
1:48:14
Speaker 5: First, you can wait.
1:48:16
Speaker 5: Give me the bottom of the folder.
1:48:19
Speaker 5: I'll put a chicken leg inside the plate.
1:48:23
Speaker 5: Look, I'm getting tired and disgusted.
1:48:25
Speaker 5: I don't want to commit a felony.
1:48:27
Speaker 5: So I want you to write all your family name on a piece of paper for me.
1:48:44
Speaker 5: Me, this family business is going too far, so get a pen and piece of me, and then, man, will you have a new diary?
1:48:52
Speaker 5: I say to write down the name one by one for me.
1:48:55
Speaker 5: I am not against you giving me a boot, but like you, want to tie his hand to foot and play in a game with his different men.
1:49:03
Speaker 5: Why you cry the longest rope of an end?
1:49:06
Speaker 5: You is the only human I know.
1:49:09
Speaker 5: All your family is man and you always singing a song in my head that you ain't have luck with one.
1:49:20
Speaker 5: But your family is sitting on your seaman's bed and I have to sleep in the gallery, so I want you to write all your family name and present it to Sandor.
1:49:39
Speaker 1: Thank you, one of the greatest recordings in live calypso history.
1:49:43
Speaker 1: Right the backup singers King David Ruddock, king Gypsy King Mystic Prolo.
1:49:48
Speaker 1: But Zando Lee as a man you know as the Iron man, the Stick man.
1:49:51
Speaker 1: As any woman out of a man family, I find you must make allowances when it comes to great storytelling in Kaiso.
1:49:57
Speaker 1: Zando is one of the greatest you want to hear, one of the modern greatest in Kaiso storytelling.
1:50:02
Speaker 1: And as we're talking about man, you have na na, na hey.
1:50:19
Speaker 5: Dum ba dum de de a dum, dum, de de dum, ba dum, de de dum, ba dum, de de dum, ba dum de de dum ba dum de de a dum and do.
1:50:26
Speaker 5: Well, let me tell you about a young lady that I met back in January.
1:50:32
Speaker 5: She have a husband.
1:50:33
Speaker 5: His name is Jerry and the man big, tall and he's scary.
1:50:36
Speaker 5: He way older than she.
1:50:38
Speaker 5: She did, married real young.
1:50:39
Speaker 5: He's a big businessman.
1:50:41
Speaker 5: He just carry two gun when they no tidy nut.
1:50:43
Speaker 5: If you see the love run.
1:50:44
Speaker 5: Now he's six years gone.
1:50:45
Speaker 5: She ain't having no fun.
1:50:47
Speaker 5: She don't want to be a cheater, but Jerry, start to beat her.
1:50:49
Speaker 5: Now she looking online for a late night creeper.
1:50:51
Speaker 5: She remember when I meet her by a bar on a rampeter.
1:50:54
Speaker 5: So she's dashing Bye.
1:51:19
Speaker 5: We have to go high.
1:51:19
Speaker 5: Oh, she say I see outside man.
1:51:19
Speaker 5: Oh, oh, she begging me for the right.
1:51:21
Speaker 5: And she say I can't come inside.
1:51:22
Speaker 5: What she say?
1:51:24
Speaker 5: No, no, she say you can't come inside.
1:51:26
Speaker 5: You can't come inside at all.
1:51:28
Speaker 5: No, no, she say you can't come inside.
1:51:30
Speaker 5: You can't come inside at all.
1:51:32
Speaker 5: No, no.
1:51:33
Speaker 5: She say you can't come inside.
1:51:34
Speaker 5: You can't come inside at all.
1:51:36
Speaker 5: No, no, she say you can't come inside.
1:51:38
Speaker 5: You can't come inside at all.
1:51:39
Speaker 5: No, no, she said you can't come inside.
1:51:41
Speaker 5: You can't come inside at all no, no.
1:51:45
Speaker 6: Now she said don't take she husband for fool.
1:51:47
Speaker 5: If we doing this, we have to set a few rules Because it's pressure if the man never find out.
1:51:51
Speaker 5: So now we going by guest house and hide out, he does have she under man as if it's the house.
1:51:56
Speaker 5: She We'll be right back Because you is the outside man.
1:51:59
Speaker 5: She begging me for the light.
1:52:00
Speaker 5: She said we have to go high.
1:52:41
Speaker 5: She said I see outside man, but she begging me for the light and she said I can't come inside.
1:52:51
Speaker 5: No, no, she said you can't come inside.
1:52:54
Speaker 5: You can't come inside at all.
1:52:55
Speaker 5: No, no, she said you can't come inside.
1:52:56
Speaker 5: You can't come inside at all.
1:52:57
Speaker 5: No, no, she say you can't come inside.
1:53:00
Speaker 5: You can't come inside at all.
1:53:01
Speaker 5: No, no, she say you can't come inside.
1:53:05
Speaker 5: You can't come inside at all.
1:53:06
Speaker 5: No, no, she say you can't come inside.
1:53:09
Speaker 5: You can't come inside at all.
1:53:11
Speaker 5: No, no.
1:53:12
Speaker 5: Now, although she hold me take happy, I ain't really wanna mash up the family.
1:53:17
Speaker 1: Cause, honestly, I don't like the drama, and I's a man that does believe in karma.
1:53:22
Speaker 5: So one night I went by him and said drinking.
1:53:24
Speaker 5: I said time to do some heavy, heavy thinking.
1:53:26
Speaker 5: It's when I spot a man in the corner, his face looking like he going through torture.
1:53:31
Speaker 5: He say he wife for six years just have him in tears.
1:53:34
Speaker 5: She don't cook no food.
1:53:35
Speaker 5: She ain't washing no wares.
1:53:36
Speaker 5: She spend out all her money, her mortgage, in her hands.
1:53:39
Speaker 5: She kick him out the room.
1:53:40
Speaker 5: Now he's sleeping downstairs.
1:53:41
Speaker 5: She's lying till she fares.
1:53:43
Speaker 6: He's sexy like a chef.
1:53:44
Speaker 5: She going to take his house and he land on his chair and he way out the road and she having an affair.
1:53:48
Speaker 6: So I buy two more bears, knock his glass and his chairs and say, boss, what is the plan?
1:53:53
Speaker 5: He say he have a strong suspicion About she and her tall red man, and if the hepa catch them, he's gone shut in the pan.
1:53:59
Speaker 5: Well, I said, boss, I think I'll be leaving, cause I run a little late for a meeting.
1:54:04
Speaker 5: It's only after a while that it's sinking.
1:54:06
Speaker 5: Jerry realized he was by the bar drinking With the outside man.
1:54:11
Speaker 5: Oh, she's begging me for the ride.
1:54:28
Speaker 1: Oh, she say I can't come inside.
1:54:29
Speaker 1: Oh Lord, you can't come inside.
1:54:31
Speaker 1: She's a lady for the night.
1:54:33
Speaker 1: And lastly, listen to Matic.
1:54:34
Speaker 1: All you know how we just live.
1:54:36
Speaker 1: Right, it's International Men's Day, but as a real man, you're supposed to know.
1:54:40
Speaker 1: I know them women and them had the last say.
1:54:42
Speaker 1: Right, them women and them has always had the last say.
1:54:44
Speaker 1: So I'm leaving all this one, all this one and them about man.
1:54:48
Speaker 1: You know who in charge, right?
1:55:08
Speaker 4: Two girls in an argument, big arguments and deep events.
1:55:13
Speaker 4: Two little girls in an argument, big arguments and deep events.
1:55:32
Speaker 4: Thank you.
1:55:33
Speaker 4: A man is a man.
1:55:34
Speaker 4: Your man is faced like a frying pan.
1:55:37
Speaker 4: Oh, be a man or man, he could.
1:55:40
Speaker 4: Man, any man could give you satisfaction.
1:55:44
Speaker 4: Oh, my Lord, I'm ready.
1:55:45
Speaker 4: Ay-oh, whoopsie, mama.
1:56:00
Speaker 4: One of the girls turn around and say she don't want no man who have cock-a-bay.
1:56:02
Speaker 4: I says she only ignorant.
1:56:05
Speaker 4: You see, she don't want her friends to laugh at she.
1:56:09
Speaker 4: Well, a Chinese one they calling toy.
1:56:12
Speaker 4: She says she wanted a saga boy.
1:56:15
Speaker 4: He must be working in the police force.
1:56:17
Speaker 4: I say I see city door working on the wolf.
1:56:21
Speaker 4: I tell she look, a man is a man, whether he face like a frying pan, chinese man or Indian man, any man could give you satisfaction.
1:56:33
Speaker 4: I'm not lying, I know a man has to be a man.
1:56:40
Speaker 4: When Calypso Rose was small, mommy mommy used to make me ball.
1:56:52
Speaker 4: She says before you get married, she will choose the man for me.
1:56:58
Speaker 4: Don't take no criminal, because Every minute you're in the hospital.
1:57:04
Speaker 4: She said take a barrister, a minister or even a doctor.
1:57:10
Speaker 4: Well, I tell she man, a man is a man.
1:57:13
Speaker 4: You must mind what's their profession.
1:57:15
Speaker 4: Mommy, you must understand, any man could give me satisfaction.
1:57:21
Speaker 4: A man has to be a man, mommy, doesn't matter one foot or one hand.
1:57:29
Speaker 4: Some of the girls in this island, they're running competition, some looking for taxi man and some looking for policeman.
1:57:47
Speaker 4: Well, I want them to understand that no woman should pass the hand, because even some of the men in jail, some of them turning female.
1:57:58
Speaker 4: So you see, my friend, a man is a man.
1:58:02
Speaker 4: You must mind what's their profession, you must use your discretion.
1:58:07
Speaker 4: No dead man could give you satisfaction.
1:58:10
Speaker 4: Ayo, oxy Mama.
1:58:18
Speaker 4: A man have to be a man, whether he have one foot or one hand.
1:58:23
Speaker 4: A man got to be a man.
1:58:25
Speaker 4: Ayo Wee Wee.
1:58:38
Speaker 1: I like it.
1:58:39
Speaker 1: Women must always have the last say I ain be here.
1:58:42
Speaker 1: Enjoy the week, bye.