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OUTRO: A Real Mixed Bag · The Hauraki Big Show

• 0:01
  Speaker 1: For all you med bastards loving the Big Show podcast
• 0:06
  Speaker 1: Get up even closer on Instagram, YouTube, and TikTok for
• 0:10
  Speaker 1: raw targets four to seven every weekday on radio record
• 0:16
  Speaker 1: Good Ray, hellas Hello. Just to put this in context,
• 0:21
  Speaker 1: the time is five forty five am and we've all
• 0:25
  Speaker 1: just staggered in here bluary eyed.
• 0:27
  Speaker 2: Have you noticed that we've all got smaller eyes than normal?
• 0:31
  Speaker 2: I have, jac Yours are tiny?
• 0:33
  Speaker 1: Are they really? Yeah?
• 0:35
  Speaker 3: Right?
• 0:35
  Speaker 1: Okay? That hot pot? No, no hot pot yesterday? But
• 0:40
  Speaker 1: I paid the price yesterday. I won't get into the details.
• 0:44
  Speaker 2: Three favorite for I knew it as soon as you
• 0:49
  Speaker 2: said I work in the details.
• 0:50
  Speaker 1: I was like, hey on, here comes with details. How
• 0:53
  Speaker 1: are we going? Fellos? All g so fun? I was
• 0:58
  Speaker 1: saying the keysy moogi because we into each other coming
• 1:01
  Speaker 1: in today. You know what's going to happen, of course,
• 1:04
  Speaker 1: is that our body is going to fully adjust by
• 1:06
  Speaker 1: the end of the week to this time frame, and
• 1:09
  Speaker 1: all of next week we're going to be fucked because
• 1:11
  Speaker 1: we'll be waking up because our bodiesn't go. Oh that's right,
• 1:14
  Speaker 1: We're doing breakfast boing, wake up at four, and that'll
• 1:18
  Speaker 1: be us all next week I wake up for anyway,
• 1:20
  Speaker 1: are you really? Yes? Sometimes I think every day.
• 1:24
  Speaker 3: Yes, earlier, earlier, and then I just go back to
• 1:26
  Speaker 3: sleep if I can, Yeah I can't.
• 1:28
  Speaker 1: Then I get up and I do a little bit
• 1:30
  Speaker 1: of work, A little bit of work. Wanted to say,
• 1:32
  Speaker 1: funk all there. I woke up a quarter to four
• 1:39
  Speaker 1: this morning and the alarm I woke up at twenty four.
• 1:43
  Speaker 1: I woke up a quarter past right, and so I
• 1:46
  Speaker 1: went out into the lounge and I was at four. Ye. No,
• 1:51
  Speaker 1: I didn't know jacket on it. But you turned your
• 1:53
  Speaker 1: lac off, yeah, because I didn't want it to go
• 1:57
  Speaker 1: off and wake my wife. So it hadn't gone up,
• 1:59
  Speaker 1: and hadn't because I'd said it for four thirty or something.
• 2:03
  Speaker 1: But anyways, I'm just in the lounge there, just you know,
• 2:05
  Speaker 1: flicking through the YouTube and all the political dramas, and
• 2:09
  Speaker 1: then I hear this bing bing bing bing bing, and
• 2:12
  Speaker 1: I was like, what the fuck is that? And it's
• 2:16
  Speaker 1: some dude walking down the street ringing a cowbell chest
• 2:21
  Speaker 1: banging on this cow bell all the way down the street.
• 2:24
  Speaker 1: And I was like, good on you man, Fuck why not?
• 2:27
  Speaker 1: I mean, it's only you know, teen to four in
• 2:29
  Speaker 1: the morning.
• 2:30
  Speaker 3: It's just made me think that maybe we could do
• 2:31
  Speaker 3: a segment on the show where we play our alarm
• 2:35
  Speaker 3: What is your alarm like? Because I was just thinking
• 2:37
  Speaker 3: this morning when mine went off, I was like, should
• 2:38
  Speaker 3: I got to change that?
• 2:39
  Speaker 1: It's brutal? Yeah, what is your alarm like?
• 2:41
  Speaker 3: But we can we can make we can have a
• 2:43
  Speaker 3: bit of fun with it if you like, because I
• 2:45
  Speaker 3: know yours as people having sex?
• 2:48
  Speaker 1: Is it? Can you play it? What I mean like
• 2:52
  Speaker 1: vigor of six or.
• 2:54
  Speaker 3: Just towards the end there, you know, Harry up, kezy.
• 3:00
  Speaker 1: Y pretty hammer and tongue stuff. Jason, is it actually
• 3:04
  Speaker 1: you heaven? Yeah?
• 3:05
  Speaker 2: Yeah, five forty eight in the morning right now, that's
• 3:12
  Speaker 2: good stuff it. I do actually have a strategy around
• 3:17
  Speaker 2: my alarm.
• 3:18
  Speaker 1: Oh you do. It's quite interesting. Alarm chair.
• 3:21
  Speaker 2: He's arm chat with me, Mogi. Jason's is just audio
• 3:27
  Speaker 2: of him taking a steamer.
• 3:28
  Speaker 1: Yeah, exactly. It's three a days, Ding ding ding feelers.
• 3:34
  Speaker 1: Come on fux sake.
• 3:37
  Speaker 2: The Whole Lucky Big Show week days from four on
• 3:41
  Speaker 2: Radio Hierarchy with the Whole Wracky Big Show podcast.
• 3:45
  Speaker 3: Be Sam Neil last night, Yeah said very sad news, said.
• 3:50
  Speaker 1: Neil lovely Man from the few times that I met him,
• 3:54
  Speaker 1: and just an icon. He's in an acting he he's
• 3:59
  Speaker 1: had a huge He'd be.
• 4:00
  Speaker 3: The one, wouldn't he. Yeah, to choose one, and I
• 4:04
  Speaker 3: think he'd be the one. Yeah, I agree.
• 4:07
  Speaker 1: Devastatingly good looking too, He's a beautiful looking backing as
• 4:12
  Speaker 1: right through but amazing actor. Sad news.
• 4:16
  Speaker 3: I was just watching a reel with Alec Baldwin because
• 4:21
  Speaker 3: Alec Baldwin did Hunt for Red October with them. Oh yes, yeah,
• 4:25
  Speaker 3: and he said, oh, you know, I'm just I just
• 4:28
  Speaker 3: wanted to jump on here and talk. I'm absolutely stricken
• 4:30
  Speaker 3: about sam Neil. Yes, so I did Hunt for Red
• 4:33
  Speaker 3: October and eighty eight came out in eighty nine. It
• 4:35
  Speaker 3: was my first sort of proper meaty roll up until then.
• 4:40
  Speaker 3: I don't know that beetle juice and other things and
• 4:42
  Speaker 3: a sort of small roles.
• 4:44
  Speaker 1: God, it was a great car.
• 4:45
  Speaker 3: So I just had to write it down against her,
• 4:47
  Speaker 3: and he reads out all the cars and he sort
• 4:48
  Speaker 3: of talks. So anyway, it goes on for about four
• 4:50
  Speaker 3: or five minutes. At no time as he mentioned sam Neil,
• 4:53
  Speaker 3: except to say that he's sad about it at the start,
• 4:57
  Speaker 3: and then at the end, after mentioning every other actor
• 5:00
  Speaker 3: in the film and how great it was working with them,
• 5:03
  Speaker 3: He then his sam Neil very said for his family,
• 5:10
  Speaker 3: he doesn't even say that sam Neil was in Hunt
• 5:12
  Speaker 3: for God Almighty, very honest.
• 5:16
  Speaker 1: I think you're thinking of Hunt for the Wilder People. Yeah, yeah,
• 5:18
  Speaker 1: that's right.
• 5:18
  Speaker 3: Wrong.
• 5:19
  Speaker 1: One I remember. I remember an interview with Ian Mune
• 5:24
  Speaker 1: in Muni, who's worked with him a lot, and he
• 5:27
  Speaker 1: and he was talking about he was saying, I'm sleeping Dogs.
• 5:30
  Speaker 1: Wasn't Sleeping Dogs classic film? Your wife wouldn't like it? Keasy?
• 5:35
  Speaker 1: She likes sleeping dogs and does she let them lie
• 5:38
  Speaker 1: or no? Ian Mune was talking about sam Neil and
• 5:41
  Speaker 1: he was going, there's a fucking this amazing looking guy,
• 5:44
  Speaker 1: and his ons going he's not doing anything, He's not
• 5:46
  Speaker 1: doing anything, and you know, he's just so still, and
• 5:51
  Speaker 1: I'm just like what you know? And Ian Mune's quite
• 5:53
  Speaker 1: a big act and he was just going, what the
• 5:55
  Speaker 1: fuck is this guy about? But he realized that's that
• 6:00
  Speaker 1: was his genius, was that he was very still as
• 6:02
  Speaker 1: an actor, very sort of settled, and that was his power.
• 6:07
  Speaker 1: And he went back and then I realized that I
• 6:08
  Speaker 1: saw him on screen and went ah ah, yeah, okay,
• 6:13
  Speaker 1: that's what it is.
• 6:14
  Speaker 2: Ian Barry Mune, New Zealand character actor, director and screenwriter.
• 6:18
  Speaker 3: Director What Becomes the Broken Hearted Sleep.
• 6:22
  Speaker 1: Very controversially, remember, because he was fuming about the reviews
• 6:25
  Speaker 1: and stuff. Yes, and he had a rent at the
• 6:28
  Speaker 1: Film Awards about it. Yeah, he was a little bit.
• 6:35
  Speaker 3: I remember because I used to televise them live back
• 6:38
  Speaker 3: in the day, and I remember compatriot of Mune and
• 6:42
  Speaker 3: old d and do you see him, Neil the Bruno
• 6:45
  Speaker 3: Lawrence And he was absolutely maggot pursed when he got
• 6:51
  Speaker 3: his award, yes, and my mother was disgusted.
• 6:54
  Speaker 1: And he well that was not unusual. Smash Palace, Smash.
• 7:00
  Speaker 1: That was a great movie. That is a great movie.
• 7:02
  Speaker 1: It says here he died at fifty four. That's young. Yeah. No.
• 7:06
  Speaker 1: David Lawrence one of Jack Nicholson's favorite actors.
• 7:12
  Speaker 3: Kesey really and he's a key he was. But he
• 7:16
  Speaker 3: grew up in six symbol as well. Despite the Yeah
• 7:19
  Speaker 3: he was, but he was just so virile you can tell.
• 7:24
  Speaker 1: Yeah, yeah, And he was a bit of a character
• 7:26
  Speaker 1: and he loved his pess Bruno did. Yeah. I was
• 7:30
  Speaker 1: actually told true story when I was doing seven Periods
• 7:34
  Speaker 1: with mister Gormsby, and it was by not his relative,
• 7:41
  Speaker 1: but it was sort of a distant relative of Bruno's.
• 7:45
  Speaker 1: And she was part of the crew on seven Periods
• 7:49
  Speaker 1: of mister Gornsby. And she said, you remind me of
• 7:51
  Speaker 1: Bruno because I was really over well I probably was.
• 7:59
  Speaker 1: Bruno was like my hero.
• 8:00
  Speaker 3: That might have been very nique. Yeahs a script supervisor. Maybe, yeah,
• 8:05
  Speaker 3: she's a weapon.
• 8:08
  Speaker 1: But yeah, really sad, really sad about sam Neil. Also
• 8:11
  Speaker 1: just on the man. It's a very good painter, really
• 8:14
  Speaker 1: very good painter I've seen in the houses. No, he
• 8:20
  Speaker 1: does portraits. He's fucking good. I was like, he puts
• 8:23
  Speaker 1: them on Facebook every now and then. I'm like, ship,
• 8:25
  Speaker 1: that's good.
• 8:27
  Speaker 2: Eu.
• 8:27
  Speaker 1: Just do a fruit bawl anymore? Come on here?
• 8:31
  Speaker 3: Yes, really, still life everyone, that's how you learn.
• 8:37
  Speaker 1: I was going to say, it's your classic art school
• 8:40
  Speaker 1: sort of first step, the fruit bowl and.
• 8:42
  Speaker 2: Then why the human form? Why does that become a thing?
• 8:47
  Speaker 2: The painting nude thing.
• 8:49
  Speaker 1: Same thing. Yeah, it's just about light and shade and
• 8:51
  Speaker 1: the same thing, muscularity.
• 8:54
  Speaker 3: And the amazing thing about it is because my wife's
• 8:56
  Speaker 3: a painter, and she she's learning more and more. But
• 9:01
  Speaker 3: what you learn at school and what you get taught
• 9:03
  Speaker 3: so back and it's over in Europe, especially in here
• 9:07
  Speaker 3: a little bit, but not as part of the curriculum.
• 9:09
  Speaker 3: You're actually taught about the physiology of the human body.
• 9:14
  Speaker 3: So you start you learn the skeleton, then the muscles
• 9:18
  Speaker 3: go on, so you learn and then fat and so
• 9:21
  Speaker 3: you learn why the body looks the way it does,
• 9:24
  Speaker 3: why the face looks the way it does. You know,
• 9:26
  Speaker 3: all of the layers that are underneath, all the way
• 9:28
  Speaker 3: down to the skeleton. Is it primary school this as
• 9:30
  Speaker 3: well with kids over there not Maybe not primary school probably,
• 9:35
  Speaker 3: well later in primary school maybe, but yeah, it makes
• 9:38
  Speaker 3: a huge difference to the art.
• 9:40
  Speaker 2: And because that's why da Vinci was so great, because
• 9:43
  Speaker 2: he dissected so many cadavers to understand why the human
• 9:47
  Speaker 2: body looked like it did.
• 9:48
  Speaker 1: Yeah, and then made his pan paintings looking more lifelike. Yeah.
• 9:50
  Speaker 1: I used to do a bit of modeling back in
• 9:52
  Speaker 1: the day, actually noses.
• 9:56
  Speaker 2: Yeah, he posed for the Easter Island head when they
• 10:00
  Speaker 2: were carving those gutty something I got.
• 10:10
  Speaker 1: It's too early, fucking hell, I'm trying really hard not
• 10:15
  Speaker 1: to just overgo overboard. On the coffees by the way, Fellers,
• 10:18
  Speaker 1: I only had one yesterday for the entire show and
• 10:22
  Speaker 1: morning you should have another one. Well, I had one
• 10:24
  Speaker 1: when I went and met my wife. They should have
• 10:26
  Speaker 1: two today. No keysy because it makes me feel nauseous.
• 10:30
  Speaker 2: Listen to the Big Show for weekdays. Radio Hurduki Okay
• 10:34
  Speaker 2: Listening