Latest / Systematic Geekology / Zombies, Swifties, and the Lost Bus: What's New in Geek Culture?

Transcript

Zombies, Swifties, and the Lost Bus: What's New in Geek Culture? · Systematic Geekology

1:10
Foreign
1:15
spooky
1:16
season.
1:16
Everyone.
1:17
This
1:17
is
1:17
systematic
1:18
ecology.
1:19
We
1:19
are
1:19
the
1:19
priest
1:19
of
1:20
the
1:20
geeks
1:20
and
1:20
we
1:21
are
1:21
here
1:21
for
1:21
another
1:22
what's
1:23
News
1:23
episode
1:23
where
1:24
we
1:24
talk
1:24
about
1:24
all
1:25
the
1:25
latest
1:25
things
1:26
in
1:26
geek
1:26
culture
1:27
and
1:27
we're
1:27
going
1:28
to
1:28
be
1:28
talking
1:28
about
1:28
some
1:28
upcoming
1:29
things
1:29
for
1:29
the
1:29
rest
1:29
of
1:30
the
1:30
year
1:30
too.
1:30
So
1:31
I
1:31
am
1:31
very
1:31
excited
1:32
to
1:32
be
1:32
here.
1:32
I
1:33
am
1:33
one
1:33
of
1:33
your
1:33
geekologist,
1:34
Kevin
1:34
Schaefer
1:35
and
1:35
I
1:36
am
1:36
joined
1:36
here
1:37
with
1:37
my
1:37
fellow
1:38
co
1:38
host,
1:38
the
1:39
other
1:39
kind
1:39
of
1:39
Marvel
1:40
zombie,
1:40
Andy
1:41
Walsh.
1:41
Andy,
1:41
how
1:41
are
1:42
you
1:42
today?
1:42
I'm
1:42
doing
1:42
very
1:42
well,
1:43
Kevin,
1:43
thanks.
1:43
How
1:43
are
1:43
you?
1:44
I'm
1:44
doing
1:44
well.
1:45
It's,
1:45
you
1:45
know,
1:45
it's
1:45
my
1:46
favorite
1:46
time
1:46
of
1:46
year.
1:47
I
1:47
love
1:47
the
1:47
Halloween
1:48
season.
1:48
I
1:48
love
1:48
all
1:49
the
1:49
movies
1:49
coming
1:49
out
1:49
right
1:49
now
1:50
and
1:51
then
1:51
a
1:51
lot
1:51
to
1:51
look
1:52
forward
1:52
to.
1:52
And
1:52
we
1:53
have
1:53
a
1:53
very
1:53
I,
1:53
I
1:54
love
1:54
the
1:54
lineup
1:54
for
1:55
this
1:55
tonight.
1:55
We've
1:56
got,
1:56
as
1:56
you
1:57
can
1:57
see
1:57
for
1:57
the
1:57
preview
1:57
here
1:58
if
1:58
you're
1:59
watching
1:59
on
1:59
YouTube
2:00
where
2:00
we
2:00
just
2:01
gonna
2:01
be
2:01
discussing
2:02
couple
2:02
new
2:02
movies,
2:03
a
2:04
new
2:04
Marvel
2:04
animated
2:05
series
2:06
and
2:06
because
2:07
how
2:07
could
2:07
we
2:07
not
2:08
Taylor
2:09
Swift's
2:09
new
2:09
album.
2:09
So
2:10
we've
2:10
got
2:10
a
2:10
lot
2:10
to
2:10
cover
2:11
tonight
2:11
in
2:12
addition
2:12
to
2:13
what's
2:13
coming
2:13
up
2:14
for
2:14
the
2:14
rest
2:14
of
2:14
the
2:15
year
2:15
in
2:16
all
2:16
things
2:17
culture.
2:17
So
2:18
I'm
2:18
very
2:18
excited.
2:19
If
2:19
it's
2:20
your
2:20
first
2:20
time
2:20
here,
2:20
thank
2:21
you
2:21
so
2:21
much
2:21
for
2:21
being
2:21
here.
2:22
We
2:22
are
2:23
glad
2:23
to
2:23
have
2:23
you.
2:24
And
2:25
you
2:25
know,
2:25
these
2:25
are
2:25
really
2:26
fun
2:26
episodes
2:26
where
2:27
we
2:27
just
2:28
kind
2:28
of
2:28
geek
2:28
out,
2:29
talk
2:29
about
2:29
what's
2:30
new.
2:30
And
2:31
yeah,
2:31
we're
2:31
really
2:32
glad
2:32
you're
2:32
tuning
2:32
in.
2:33
Whether
2:33
you're
2:33
live
2:34
on
2:34
YouTube
2:34
or
2:34
if
2:35
you're
2:35
listening
2:35
to
2:35
this
2:35
later
2:36
on
2:36
one
2:36
of
2:37
our
2:37
platforms.
2:37
Thank
2:37
you
2:38
so
2:38
much.
2:38
And
2:38
if
2:39
you
2:39
do
2:40
like
2:41
what
2:41
you
2:41
hear
2:41
tonight,
2:41
like
2:42
what
2:42
you
2:42
see,
2:43
please
2:43
like
2:43
subscribe,
2:44
rate
2:44
and
2:44
review.
2:45
I
2:45
know
2:46
every
2:46
podcast
2:46
says
2:47
that,
2:47
but
2:47
it
2:47
really
2:47
does
2:48
help
2:49
the
2:49
show
2:49
out
2:49
a
2:50
lot.
2:50
And
2:50
we've
2:51
also
2:51
got
2:51
some
2:51
really
2:52
cool
2:52
new
2:52
merchandise
2:53
on
2:53
our
2:53
fourth
2:54
wall
2:54
store.
2:55
A
2:55
link
2:55
for
2:55
that
2:56
will
2:56
be
2:56
in
2:56
the
2:56
description
2:56
so
2:57
you
2:57
can
2:57
check
2:57
that
2:57
out.
2:58
And
2:58
if
2:58
you
2:58
want
2:59
to
2:59
go
2:59
the
2:59
extra
3:00
step,
3:00
be
3:01
extra
3:01
awesome
3:01
and
3:02
be
3:02
one
3:02
of
3:02
our
3:02
Patreon
3:03
subscribers,
3:04
you
3:04
could
3:04
do
3:04
that
3:04
as
3:04
well.
3:05
Support
3:05
the
3:06
show
3:06
for
3:06
just
3:06
a
3:06
few
3:06
bucks
3:07
a
3:07
month.
3:07
I
3:08
want
3:08
to
3:08
give
3:08
a
3:08
shout
3:08
out
3:08
to
3:09
one
3:09
of
3:09
our
3:09
Patreon
3:10
supporters
3:10
tonight,
3:11
Aaron
3:12
Hardy.
3:12
Aaron,
3:13
thank
3:13
you
3:13
so
3:13
much.
3:14
You
3:14
are
3:14
awesome.
3:15
We
3:15
really
3:15
appreciate
3:16
the
3:16
support.
3:17
And
3:17
with
3:18
that,
3:18
before
3:18
we
3:19
get
3:19
into
3:19
our
3:19
main
3:20
topics,
3:21
we
3:21
are
3:21
going
3:21
to
3:21
do
3:22
as
3:22
always,
3:22
our
3:23
lightning
3:23
round.
3:25
This
3:25
is
3:25
where
3:25
we
3:25
just
3:25
talk
3:25
about
3:26
some
3:26
other
3:26
things
3:26
we're
3:26
geeking
3:27
out
3:27
on.
3:27
So
3:28
Andy,
3:28
what
3:28
are
3:28
your
3:28
picks
3:29
for
3:29
tonight
3:29
as
3:29
far
3:30
as
3:30
what
3:30
else
3:31
you're
3:31
watching,
3:31
listening
3:32
to,
3:32
etc.
3:33
I'm
3:34
going
3:34
to
3:34
abuse
3:34
my
3:34
opportunity
3:35
here
3:35
and
3:36
shout
3:36
out
3:37
the
3:37
X
3:38
Men
3:38
Age
3:38
of
3:38
Revelation,
3:39
the
3:40
big
3:40
crossover
3:41
event
3:41
that
3:42
started
3:42
last
3:42
week
3:43
and
3:44
goes
3:44
into
3:44
full
3:45
swing
3:45
today
3:45
with
3:46
three
3:46
or
3:46
four
3:47
miniseries
3:48
starting.
3:48
So
3:49
I'm
3:49
very
3:49
excited
3:49
about
3:50
that.
3:50
It's
3:50
just
3:50
starting
3:50
so
3:50
I
3:51
don't
3:51
have
3:51
a
3:51
lot
3:51
of
3:51
thoughts
3:51
other
3:52
than
3:52
I've
3:52
been
3:53
enjoying
3:54
Jed
3:54
McKay's
3:55
writing
3:55
on
3:56
the
3:56
adjective
3:57
list
3:57
X
3:57
Men
3:57
book
3:58
so
3:58
far
3:59
and
4:00
he
4:00
seems
4:00
to
4:00
be
4:01
kind
4:01
of
4:01
the,
4:01
the
4:01
main
4:02
author
4:03
of
4:03
the,
4:03
the
4:04
main
4:04
story
4:04
and
4:05
then
4:05
every,
4:05
everybody
4:05
else
4:06
is
4:06
kind
4:06
of
4:06
doing
4:06
their,
4:07
their
4:07
spin
4:07
offs
4:08
and
4:08
shoot
4:08
offs
4:08
off
4:08
that.
4:09
So
4:09
I
4:09
think
4:09
the,
4:09
the
4:10
core
4:10
story
4:10
will
4:10
be
4:10
good.
4:11
I'm
4:11
looking
4:11
forward
4:11
to
4:11
that.
4:11
I
4:12
don't
4:12
know.
4:12
There
4:12
are
4:12
17
4:13
different
4:13
three
4:14
issue
4:14
minis
4:14
that
4:15
are
4:15
going
4:15
on
4:15
concurrently
4:16
with
4:16
this
4:17
which
4:17
feels
4:17
like
4:18
an
4:18
awful
4:18
lot.
4:18
I
4:18
saw
4:19
that
4:19
eye
4:19
roll
4:19
and
4:20
I
4:20
think
4:20
that's
4:20
appropriate
4:21
and
4:22
but
4:22
yeah,
4:22
I
4:22
think,
4:23
I
4:23
think
4:23
that
4:23
means
4:24
hopefully
4:24
that
4:24
there's
4:25
something
4:25
a
4:25
little
4:25
bit
4:25
of
4:25
something
4:25
for
4:26
everybody.
4:26
And
4:27
yeah,
4:27
I
4:27
think
4:27
the,
4:27
the
4:27
main
4:28
story
4:28
will
4:28
be
4:28
solid
4:28
regardless.
4:29
So
4:29
looking
4:29
forward
4:30
to
4:30
that.
4:30
Well,
4:30
for
4:31
listeners
4:31
and
4:31
viewers
4:32
out
4:32
there,
4:32
if
4:32
you
4:33
ever
4:33
need
4:33
an
4:34
encyclopedic
4:34
knowledge
4:35
of
4:35
X
4:35
Men,
4:35
Andy
4:36
is
4:36
your
4:36
go
4:36
to
4:37
expert
4:38
there
4:38
and
4:39
so
4:39
if
4:39
you
4:39
want
4:39
to
4:39
know
4:40
kind
4:40
of
4:40
like
4:41
oh
4:41
what
4:41
you
4:41
know,
4:41
with
4:42
all
4:42
these
4:42
big
4:42
crossovers
4:43
going
4:43
on
4:43
and
4:43
you
4:44
know,
4:44
kind
4:44
of
4:44
where
4:44
to
4:44
start,
4:45
what's
4:45
a
4:45
good
4:45
jumping
4:46
on
4:46
point
4:46
and
4:46
you
4:47
know,
4:47
which
4:47
characters
4:48
you
4:48
might
4:48
be
4:48
interested
4:49
in.
4:49
Andy
4:50
is
4:50
your
4:50
go
4:51
to
4:51
here.
4:51
So
4:52
I,
4:52
I
4:53
love
4:53
it
4:53
but
4:53
yeah,
4:53
yeah,
4:54
we
4:54
got
4:54
to
4:54
do
4:54
another
4:54
comic
4:55
book
4:55
catch
4:55
up
4:55
soon.
4:55
We'll,
4:56
we'll,
4:56
we'll
4:56
make
4:56
that
4:56
happen.
4:57
Yeah
4:58
awesome.
4:58
Well
4:59
on
4:59
my
4:59
end.
5:00
So
5:00
I,
5:01
I
5:01
don't
5:01
want
5:01
to
5:01
talk
5:01
too
5:01
much
5:02
about
5:02
Peacemaker
5:02
because
5:03
Christian
5:03
and
5:03
I
5:04
did
5:04
pretty
5:04
in
5:04
depth
5:05
last
5:05
time
5:06
on
5:06
what's
5:06
News
5:07
and
5:07
we're
5:07
going
5:07
to
5:07
be
5:07
doing
5:08
more
5:08
on
5:09
that
5:09
because
5:09
the
5:09
season
5:10
finale
5:10
is
5:11
this
5:11
week.
5:11
But
5:12
I'm
5:12
still
5:12
loving
5:12
it.
5:13
If
5:14
you
5:14
checked
5:14
out
5:14
the
5:15
last
5:15
what's
5:15
News
5:15
episode,
5:16
the
5:16
theory
5:17
that
5:17
I
5:17
shared
5:17
which
5:18
is
5:18
not.
5:18
I
5:18
don't
5:18
credit
5:19
that
5:19
as
5:19
my
5:19
own.
5:19
That
5:19
was
5:20
a
5:20
popular
5:20
fan
5:20
theory
5:21
but
5:21
it
5:21
did
5:21
come
5:21
true
5:22
in
5:22
the
5:24
most
5:24
recent
5:24
couple
5:24
of
5:25
episodes
5:25
and
5:25
so,
5:26
but
5:26
I
5:26
really
5:27
enjoyed
5:27
just
5:27
the
5:28
storytelling
5:28
throughout
5:28
the
5:29
season
5:29
and
5:29
I'm
5:30
very
5:30
excited
5:30
finale.
5:31
So
5:31
that's
5:32
a
5:32
big
5:32
thing.
5:33
And
5:33
then
5:34
the
5:34
other
5:34
is
5:35
a
5:36
different
5:36
from
5:36
that
5:37
but,
5:37
but
5:37
another
5:37
HBO
5:38
show.
5:39
So
5:39
one
5:40
of
5:40
the,
5:40
you
5:40
know,
5:41
great
5:41
shows
5:41
of
5:42
all
5:42
time
5:42
that
5:42
I'm
5:43
only
5:43
watching
5:43
the
5:44
first
5:44
time.
5:44
Uh,
5:45
but
5:45
HBO's
5:45
the
5:46
Wire,
5:46
which
5:46
is,
5:46
you
5:47
know,
5:47
critically
5:48
hailed
5:48
as
5:49
one
5:49
of
5:49
the
5:49
best
5:49
shows,
5:50
one
5:50
of
5:50
the
5:50
best
5:50
genre
5:51
dramas
5:51
of
5:52
all
5:52
time.
5:53
But
5:53
it
5:53
came
5:53
out
5:54
when
5:54
I
5:54
was
5:55
9
5:55
or
5:56
10,
5:56
so
5:57
needless
5:57
to
5:57
say,
5:57
I
5:58
was
5:58
not
5:58
watching
5:58
the
5:59
Wire
5:59
and
5:59
Sopranos
6:00
at
6:01
that
6:01
age.
6:01
And
6:01
so
6:02
you
6:02
know,
6:03
some
6:03
of
6:03
the
6:03
golden
6:04
age
6:04
of
6:04
TV
6:05
I
6:05
am
6:06
watching
6:06
much
6:06
later
6:07
on.
6:08
So
6:08
I
6:08
know
6:08
it's
6:08
a,
6:08
you
6:09
know,
6:09
20
6:09
year
6:09
old
6:10
show,
6:10
but
6:10
I'm
6:11
more
6:11
than
6:11
that
6:11
and
6:11
I'm,
6:12
you
6:12
know,
6:12
just
6:12
checking
6:13
it
6:13
out
6:13
for
6:13
the
6:13
first
6:13
time.
6:14
Only
6:14
a
6:14
few
6:15
episodes
6:15
in,
6:15
but
6:15
I,
6:16
you
6:16
know,
6:16
I,
6:16
I'm.
6:17
I'm
6:17
very
6:17
early
6:18
on
6:18
but
6:18
I
6:18
see
6:19
how
6:20
much,
6:20
how
6:20
intricate
6:21
the
6:21
storytelling
6:22
is,
6:22
how
6:23
phenomenal
6:24
performances
6:24
are.
6:26
Andy,
6:26
before
6:26
we
6:26
get
6:26
live,
6:27
we
6:27
don't
6:27
do
6:27
a
6:27
big
6:27
discussion
6:28
on
6:28
this,
6:28
but
6:28
I'm
6:28
just
6:28
curious
6:29
if
6:29
that's
6:30
one
6:30
you
6:30
ever
6:30
watched.
6:30
You
6:31
know
6:31
that.
6:31
It's
6:32
funny,
6:32
I
6:32
was
6:32
living
6:33
in
6:33
Baltimore
6:33
when
6:33
it,
6:33
when
6:34
it
6:34
came
6:34
out,
6:34
but
6:35
I
6:35
was
6:35
living
6:36
in
6:36
Baltimore
6:36
because
6:36
I
6:37
was
6:37
going
6:37
to
6:37
graduate
6:38
school.
6:38
So
6:38
I
6:38
had
6:38
the
6:38
income
6:39
of
6:39
a
6:39
graduate
6:39
student
6:40
and
6:40
that
6:40
meant
6:41
I
6:41
didn't
6:41
have
6:41
hbo.
6:42
So
6:43
sure,
6:43
that
6:44
is
6:44
a
6:44
hole
6:44
in
6:45
my
6:45
golden
6:46
age
6:46
of
6:46
TV
6:47
awareness.
6:48
But
6:48
I
6:48
probably
6:49
should
6:49
get
6:49
around
6:50
to
6:51
checking
6:51
that
6:51
out
6:51
because
6:52
like
6:52
you
6:52
say,
6:52
it
6:53
is
6:53
one
6:53
of
6:53
the
6:54
all
6:54
time
6:54
great.
6:54
Yeah,
6:55
it's
6:55
quite
6:56
fantastic
6:56
so
6:56
far.
6:56
And
6:57
that's
6:57
the
6:57
thing.
6:57
I.
6:57
We
6:58
didn't
6:58
have
6:58
HBO
6:58
growing
6:59
up.
6:59
My
6:59
parents
6:59
weren't
6:59
really
6:59
into
7:00
any
7:00
of
7:00
the
7:00
HBO
7:01
shows
7:01
so
7:01
I
7:02
got
7:02
it,
7:02
you
7:02
know,
7:02
much
7:03
later.
7:03
But,
7:04
but
7:04
yeah,
7:04
so
7:04
I,
7:05
so
7:05
one
7:06
of
7:06
mine
7:06
very
7:06
new.
7:07
The
7:07
other
7:07
mine
7:07
is,
7:07
you
7:08
know,
7:08
retro
7:09
a
7:09
little
7:09
bit,
7:10
but
7:10
it's
7:10
great.
7:10
So
7:11
those
7:11
are
7:12
my
7:12
lightning
7:12
round
7:12
picks
7:13
and
7:14
with
7:14
that
7:14
let's
7:15
get
7:15
on
7:15
to
7:16
the
7:16
main
7:16
topics
7:17
for
7:17
tonight.
7:18
So.
7:19
Okay.
7:19
Well
7:19
Andy,
7:20
I'm
7:20
very
7:20
excited
7:21
to
7:21
hear
7:21
from
7:21
you
7:21
about
7:21
this
7:22
one.
7:22
I
7:23
actually,
7:23
I
7:23
know
7:24
very
7:24
little
7:24
about
7:25
this
7:25
movie
7:25
other
7:25
than
7:26
I
7:26
do
7:26
know
7:27
the
7:27
director
7:27
quite
7:27
well
7:28
and
7:28
then
7:28
I
7:28
know
7:29
the
7:29
co
7:30
screenwriter
7:30
is
7:31
a
7:31
TV
7:32
showrunner
7:34
and
7:34
I'm
7:34
a
7:35
little
7:35
familiar
7:35
with
7:35
the
7:35
cast
7:36
there.
7:36
But
7:36
tell
7:36
me
7:37
about
7:37
this
7:38
movie,
7:38
the
7:39
Lost
7:39
Bus.
7:39
Yeah,
7:40
so
7:40
this
7:40
is
7:40
a
7:41
film
7:41
that
7:41
had
7:42
a
7:42
limited
7:42
theatrical
7:43
release
7:43
but
7:44
is
7:44
mainly
7:44
an
7:45
Apple
7:45
TV
7:45
plus
7:46
jam.
7:47
And
7:48
it
7:48
is
7:49
based
7:49
on
7:50
the
7:50
real
7:50
events
7:51
of
7:51
what's
7:52
known
7:52
as
7:52
the
7:52
campfire
7:53
in
7:54
California
7:55
in
7:56
I
7:56
want
7:56
to
7:56
say
7:56
2018.
7:57
The
7:58
most
7:59
deadly
8:00
wildfire
8:01
in
8:01
California
8:02
and
8:02
destroyed
8:03
the
8:04
most
8:04
number
8:04
of
8:05
buildings.
8:05
Basically
8:06
the
8:06
entire
8:07
town
8:07
of
8:07
Paradise,
8:08
California
8:09
was
8:09
lost
8:10
due
8:11
to
8:11
the
8:11
fire.
8:12
And
8:12
that's
8:12
where
8:13
most
8:13
if
8:13
not
8:13
all
8:13
the
8:13
fatality
8:14
fatalities
8:15
occurred
8:15
as
8:15
well.
8:15
There
8:15
were
8:16
also
8:16
some
8:16
other
8:16
surrounding
8:18
towns
8:18
that
8:19
had
8:19
significant
8:20
losses
8:20
as
8:20
well
8:21
in
8:21
terms
8:21
of
8:21
homes
8:22
and
8:22
things.
8:22
So
8:22
just
8:22
a
8:23
very
8:23
devastating
8:23
fire
8:24
and
8:25
the
8:25
the
8:26
film
8:26
follows
8:27
the
8:27
story
8:28
of
8:28
a
8:29
bus
8:29
driver
8:30
who
8:31
happened
8:32
to
8:32
be
8:33
in
8:33
the.
8:33
In
8:34
the
8:34
right
8:34
place
8:34
or
8:34
the.
8:34
Or
8:34
the
8:35
wrong
8:35
place
8:35
at
8:35
the
8:35
right
8:35
time,
8:36
whenever
8:36
you
8:36
want
8:36
to
8:36
look
8:36
at
8:36
it,
8:37
to
8:38
pick
8:38
up
8:39
a
8:39
school
8:39
that.
8:40
Pick
8:40
up
8:40
kids
8:40
from
8:40
an
8:41
elementary
8:41
school
8:41
that
8:41
was
8:42
being
8:42
evacuated
8:42
because
8:42
it
8:43
was
8:43
closest
8:43
to
8:43
the
8:44
edge
8:44
of
8:44
the
8:45
advancing
8:45
wildfire.
8:46
And
8:47
they
8:47
were.
8:47
He
8:47
had
8:48
to
8:48
pick
8:48
them
8:48
up
8:48
and
8:48
he
8:49
thought
8:49
he
8:49
was
8:49
picking
8:49
them
8:49
up
8:50
to
8:50
take
8:50
them
8:50
to
8:50
a
8:51
different
8:51
elementary
8:51
school
8:52
in
8:52
the
8:52
same
8:52
town
8:53
where
8:53
their
8:53
parents
8:53
would
8:53
pick
8:53
them
8:54
up.
8:54
But
8:54
the
8:55
fire
8:55
was
8:55
just
8:55
spreading
8:56
way
8:56
faster
8:56
than
8:56
anybody
8:57
anticipated.
8:57
And
8:58
so
8:58
by
8:58
the
8:58
time
8:58
he
8:58
got
8:59
to
8:59
that
8:59
school,
8:59
that
8:59
school,
9:00
at
9:00
least
9:00
as
9:00
picked
9:01
in
9:01
the
9:01
film,
9:01
that
9:01
school
9:01
was
9:02
on
9:02
fire
9:02
itself
9:03
and
9:03
was
9:04
on
9:04
its
9:04
way
9:04
to
9:04
being
9:04
a
9:04
total
9:05
loss,
9:05
fortunately,
9:05
that
9:06
everybody
9:06
had
9:06
gotten
9:06
out
9:07
of
9:07
there.
9:07
But
9:07
then
9:07
they.
9:07
So
9:07
they
9:07
had
9:08
to
9:08
continue
9:08
on
9:09
through
9:09
the
9:09
town
9:09
to
9:10
get
9:10
to
9:11
another
9:11
town
9:12
called
9:12
Chico
9:13
where
9:13
everybody
9:14
was
9:14
being
9:14
evacuated
9:15
to.
9:15
From
9:15
the.
9:15
From
9:16
the
9:16
entire
9:16
town.
9:17
But
9:17
it's
9:17
called
9:18
the
9:18
Lost
9:18
Bus
9:18
because
9:19
the
9:19
fire
9:19
has
9:19
disrupted
9:20
communications.
9:21
And
9:21
so
9:22
no
9:22
one
9:23
can
9:23
tell
9:23
him
9:24
what's
9:24
going
9:24
on.
9:25
He
9:25
can't
9:25
get
9:25
any
9:26
information.
9:26
So
9:26
he,
9:26
he
9:27
thought
9:27
that
9:27
they
9:27
were
9:27
just
9:27
evacuating
9:28
part
9:28
of
9:28
the
9:28
town
9:29
when
9:29
he
9:29
started
9:29
off
9:29
on
9:29
the
9:30
Strip.
9:30
And
9:31
it's
9:31
just
9:31
kind
9:31
of
9:31
having
9:31
to
9:32
make
9:32
it
9:32
up
9:32
from
9:32
there,
9:33
what
9:33
to
9:33
do
9:33
once
9:33
he
9:34
realizes
9:34
that
9:34
that's
9:34
not
9:35
an
9:35
option.
9:35
So
9:36
that's,
9:36
you
9:36
know,
9:36
so,
9:38
yeah,
9:38
so
9:38
most
9:38
of
9:39
the
9:39
film
9:39
is,
9:39
you
9:40
know,
9:40
Matthew
9:41
McConney,
9:41
the
9:41
bus
9:42
driver,
9:42
and
9:43
America
9:43
Ferreira,
9:44
an
9:44
elementary
9:45
school
9:45
teacher,
9:45
and
9:46
20
9:46
some
9:46
odd
9:47
kids
9:47
on
9:47
a
9:47
school
9:47
bus
9:48
trying
9:48
to
9:48
find
9:49
their
9:49
way
9:49
through
9:49
this
9:50
rapidly
9:51
expanding
9:51
wildfire
9:52
to
9:53
safety.
9:55
I
9:55
apologize
9:55
for
9:56
the
9:56
spoilers,
9:56
but
9:57
rest
9:57
assured,
9:57
it
9:58
is
9:58
not
9:58
that
9:58
kind
9:58
of
9:58
movie.
9:59
The
9:59
22
9:59
children
10:00
or
10:00
so
10:00
do
10:00
make
10:00
it
10:00
out
10:01
alive,
10:02
so
10:02
you
10:02
don't
10:02
have
10:02
to
10:02
worry
10:03
about
10:03
that
10:03
kind
10:03
of
10:04
tragedy.
10:04
But
10:04
it
10:05
is
10:05
still
10:05
an
10:06
emotionally
10:07
grueling
10:07
film
10:08
to
10:08
watch
10:08
just
10:08
because
10:08
of
10:09
the
10:09
tension
10:09
and
10:09
the
10:10
drama.
10:11
It's
10:11
very
10:12
well
10:12
made
10:14
from
10:14
the,
10:14
you
10:15
know,
10:15
the
10:15
craft
10:15
of
10:16
the
10:16
visual
10:16
and
10:17
practical
10:17
effects
10:17
that
10:18
went
10:18
into
10:18
creating
10:18
the
10:18
fire.
10:19
They
10:20
did
10:20
a
10:20
lot
10:20
of
10:20
things,
10:21
you
10:21
know,
10:21
they
10:21
did
10:21
a
10:21
lot
10:21
of
10:21
just
10:22
driving
10:22
an
10:22
actual
10:22
bus
10:23
around
10:23
in
10:23
actual,
10:25
very
10:25
safely
10:25
done
10:26
propane
10:26
fires
10:27
to
10:28
create,
10:29
to
10:29
recreate
10:30
the
10:30
events.
10:31
The
10:31
acting
10:31
is
10:31
well
10:31
done,
10:33
the
10:33
directing,
10:34
the
10:34
cinematography
10:35
and
10:35
the
10:35
screenwriting
10:36
and
10:36
all
10:36
that
10:37
is
10:37
all
10:37
very
10:38
compelling.
10:39
My
10:39
biggest
10:41
issue
10:41
with
10:41
the
10:41
film
10:42
and
10:43
was
10:43
that
10:43
I,
10:44
you
10:44
know,
10:44
what
10:44
I
10:44
found
10:44
compelling
10:45
most
10:46
about
10:46
the
10:46
story
10:46
was
10:46
he's
10:47
constantly
10:48
having
10:48
to
10:48
make
10:48
these
10:49
decisions.
10:49
Do
10:49
I
10:50
go
10:50
down
10:50
this
10:50
road?
10:50
Do
10:50
I
10:51
go
10:51
down
10:51
that
10:51
road?
10:52
Do
10:52
I
10:52
stay
10:52
here
10:52
and
10:53
wait
10:53
a
10:53
little
10:53
while
10:53
and
10:53
See
10:53
if
10:54
the
10:54
fire
10:54
passes
10:55
in
10:56
a
10:56
different
10:56
direction
10:56
or
10:57
do
10:57
I
10:57
move
10:58
on
10:58
because
10:58
the
10:58
fire
10:58
is
10:59
going
10:59
to
10:59
come
10:59
here
10:59
and
10:59
I
11:00
need
11:00
to
11:00
not
11:00
be
11:00
here.
11:01
There
11:02
are
11:02
several
11:02
of
11:02
those
11:02
kinds
11:03
of
11:03
decisions
11:03
that
11:04
he
11:04
has
11:04
to
11:04
make
11:04
along
11:05
the
11:05
way.
11:05
And,
11:06
you
11:06
know,
11:06
so.
11:07
And
11:07
you
11:08
know,
11:08
very.
11:09
I
11:09
think
11:10
it
11:10
captures,
11:10
well,
11:10
the
11:11
uncertainty
11:11
of
11:11
having
11:11
to
11:12
make
11:12
those
11:12
kinds
11:12
of
11:12
decisions
11:13
in
11:13
that
11:13
situation
11:13
without
11:14
complete
11:15
information.
11:16
And
11:16
so
11:16
I
11:17
thought,
11:17
you
11:17
know,
11:17
okay,
11:17
maybe
11:17
at
11:17
the
11:18
end
11:18
we'll
11:18
get
11:18
a
11:18
little
11:18
bit
11:18
of,
11:19
you
11:19
know,
11:20
if
11:20
he
11:20
had,
11:21
if
11:21
he
11:21
had
11:21
stayed
11:21
here
11:21
that,
11:22
you
11:22
know,
11:22
this
11:22
sort
11:22
of
11:22
happened,
11:22
or
11:23
if
11:23
he'd
11:23
gone
11:23
this
11:23
route,
11:23
you
11:24
know,
11:24
everybody
11:24
that
11:24
went
11:25
that
11:25
route,
11:25
you
11:25
know,
11:25
had
11:26
other
11:26
issues
11:26
or
11:26
whatever,
11:27
but
11:27
there
11:27
was
11:28
none
11:28
of
11:28
that.
11:28
Because
11:28
it
11:28
turns
11:28
out
11:29
that
11:29
all
11:29
of
11:30
the,
11:30
all
11:30
of
11:30
the
11:31
drama
11:31
inherent
11:32
in
11:32
that
11:32
is
11:32
entirely
11:33
fictional.
11:35
There
11:35
was
11:35
a
11:36
bus
11:36
driver
11:37
with
11:37
the
11:38
name
11:38
of
11:38
Matthew
11:39
Conning's
11:39
character.
11:40
There
11:41
was
11:41
a
11:41
school
11:42
bus
11:42
full
11:42
of
11:42
children.
11:43
But
11:44
that's
11:45
pretty
11:45
much
11:45
the
11:45
start
11:46
and
11:46
the
11:46
end
11:46
of
11:47
the
11:47
reality
11:48
of
11:48
the
11:48
story.
11:49
And
11:49
I
11:49
know
11:49
that
11:50
they
11:50
always
11:50
have
11:51
to
11:51
embellish
11:51
these
11:51
things
11:51
and
11:52
dramatize
11:52
these
11:52
things
11:52
to
11:53
make
11:53
it
11:53
a
11:53
compelling
11:53
movie.
11:54
But
11:54
it's
11:55
not
11:55
just
11:55
different,
11:56
it's
11:56
almost
11:56
the
11:56
opposite
11:57
of
11:57
what
11:57
actually
11:57
happened.
11:58
What
11:58
actually
11:58
happened
11:59
is
11:59
he
11:59
picked
11:59
up
11:59
the
12:00
school
12:00
bus
12:00
full
12:00
of
12:00
kids.
12:01
He
12:01
continued
12:01
to
12:02
have
12:02
contact,
12:03
somewhat
12:04
intermittent.
12:04
There
12:04
were
12:04
disruptions
12:05
to
12:05
communications,
12:06
but
12:06
he
12:06
wasn't
12:06
completely
12:07
out
12:07
of
12:07
contact
12:07
with
12:07
the
12:07
bus
12:08
depot.
12:09
So
12:09
he
12:09
knew
12:10
what
12:10
was
12:10
going
12:10
on
12:11
and
12:11
where
12:11
he
12:11
needed
12:12
to
12:12
go.
12:12
And
12:13
he
12:13
followed
12:14
the
12:14
established
12:15
evacuation
12:15
route.
12:16
And
12:16
anytime
12:16
he
12:16
tried
12:17
to
12:17
deviate
12:17
from
12:17
that,
12:17
the
12:18
law
12:18
enforcement
12:18
made
12:19
sure
12:19
that
12:19
they
12:19
stayed
12:19
on
12:19
the
12:19
evacuation
12:20
route
12:20
because
12:20
that
12:21
was
12:21
the
12:21
safe
12:21
and
12:22
effective
12:23
route
12:23
to
12:23
get
12:23
people
12:23
out
12:24
of
12:24
town.
12:24
And
12:25
the
12:25
movie
12:25
is
12:26
all
12:26
about
12:26
all
12:26
of
12:27
this,
12:27
you
12:27
know,
12:27
going
12:28
off
12:28
of
12:28
that
12:28
established
12:29
evacuation
12:30
route
12:31
and,
12:31
you
12:31
know,
12:32
getting
12:32
into
12:32
all
12:32
these,
12:33
these
12:33
dilemmas
12:34
because
12:34
of
12:35
that,
12:35
that
12:35
then
12:35
none
12:36
of
12:36
that
12:36
happened.
12:36
And
12:37
it
12:37
was
12:37
just
12:37
kind
12:37
of
12:37
frustrating
12:38
that
12:39
it
12:39
almost
12:39
feels
12:39
like
12:39
a
12:40
dangerous
12:40
kind
12:40
of
12:40
story
12:41
to
12:41
tell
12:41
by
12:42
deviating
12:42
from,
12:42
from
12:42
reality
12:43
in
12:43
that
12:43
way,
12:43
because
12:43
it's
12:44
implying
12:44
that,
12:45
you
12:45
know,
12:45
what
12:45
you
12:45
need
12:46
to
12:46
do
12:46
is
12:46
be
12:46
this
12:46
kind
12:47
of
12:47
cowboy
12:47
loner,
12:48
you
12:48
know,
12:49
make
12:49
your
12:49
own
12:49
kind
12:49
of
12:49
gut
12:50
decisions
12:50
about
12:50
what
12:51
to
12:51
do
12:51
and
12:51
you'll
12:51
be
12:51
good.
12:52
When
12:52
the
12:53
reality
12:53
of
12:53
it
12:53
was
12:54
no,
12:54
we,
12:54
we.
12:55
People
12:55
have
12:55
thought
12:55
through
12:55
these
12:56
things
12:56
and
12:56
know
12:57
what
12:57
they're
12:57
doing
12:57
and
12:57
you
12:58
need
12:58
to
12:58
take
12:58
into
12:59
account,
12:59
you
12:59
know,
12:59
awareness
13:00
of
13:00
the
13:00
bigger
13:00
picture
13:01
and,
13:01
you
13:01
know,
13:02
go
13:02
through
13:02
those
13:02
kinds
13:03
of
13:03
things.
13:03
So,
13:03
yeah,
13:03
I
13:03
was
13:04
just,
13:05
I
13:05
was,
13:05
I
13:06
was
13:06
very
13:06
disappointed
13:07
in
13:07
that
13:07
aspect
13:07
of
13:08
what
13:08
I
13:08
thought
13:08
was
13:09
a
13:09
very
13:09
well
13:09
made
13:09
movie
13:10
and
13:10
had
13:10
the
13:10
opportunity
13:11
to,
13:11
you
13:12
know,
13:12
get
13:12
across
13:13
a
13:13
very
13:13
good
13:13
message
13:13
about,
13:14
you
13:14
know,
13:14
fire
13:14
safety
13:15
and
13:15
about
13:15
climate
13:16
change
13:16
and
13:16
all
13:16
these
13:16
things
13:17
and
13:17
the
13:17
heroism,
13:18
you
13:18
know,
13:19
shout
13:19
out
13:19
to,
13:20
you
13:20
know,
13:20
fireworkers,
13:21
ems,
13:21
you
13:22
know,
13:22
all
13:22
the
13:22
people
13:22
that
13:23
actually
13:23
deal
13:23
with
13:23
these
13:23
things.
13:24
You
13:25
know,
13:25
definitely,
13:25
you
13:26
know,
13:26
just
13:26
a
13:26
heroic
13:27
job,
13:27
selfless
13:28
job,
13:28
nothing.
13:29
Don't
13:29
want
13:29
to
13:29
take
13:29
anything
13:29
away
13:30
from
13:30
them.
13:30
And
13:30
if
13:30
anything,
13:30
I
13:31
felt
13:31
like
13:31
the
13:31
movie
13:31
could
13:32
have
13:32
done
13:32
a
13:32
better
13:32
job
13:33
of
13:33
showing
13:34
actual
13:34
heroism
13:35
of
13:35
actual
13:35
people.
13:36
Not
13:36
that
13:36
the
13:36
bus
13:36
driver
13:37
was
13:37
an
13:37
actual
13:37
person,
13:37
but
13:38
his
13:38
actions
13:38
were
13:38
completely
13:39
different.
13:39
And
13:39
so,
13:39
like,
13:40
it
13:40
undersells
13:40
what
13:41
he
13:41
did
13:41
and
13:41
it
13:42
undersells,
13:42
you
13:43
know,
13:43
all
13:43
the
13:43
other
13:44
jobs
13:44
that
13:44
other
13:44
people
13:45
were
13:45
doing.
13:45
So,
13:45
yeah,
13:46
a
13:47
very
13:47
well
13:47
made
13:47
movie.
13:47
Just
13:48
don't
13:49
take
13:49
away
13:49
from
13:50
it
13:50
anything
13:51
factual
13:52
about
13:52
the
13:52
campfire,
13:53
I
13:53
would
13:53
say,
13:53
and
13:54
you'll
13:54
be
13:55
in,
13:55
you'll
13:55
be
13:55
in
13:55
good
13:55
shape.
13:56
There's
13:56
8,
13:56
20.
13:56
There's
13:57
a
13:57
podcast
13:58
or
13:58
YouTube
13:59
channel
13:59
I,
13:59
I
14:00
watch
14:00
called
14:01
Real
14:01
History
14:02
that
14:02
breaks
14:03
down
14:03
historical
14:04
dramas,
14:04
historical
14:05
movies,
14:05
and
14:05
breaks
14:06
down
14:06
all
14:06
the,
14:07
like,
14:07
you
14:07
know,
14:08
ones
14:09
that
14:09
are
14:09
completely
14:10
fictional,
14:11
others
14:12
that,
14:12
you
14:12
know,
14:13
takes
14:13
creative
14:13
liberties,
14:14
like
14:14
you
14:15
said,
14:15
to
14:16
make
14:16
it
14:16
narratively
14:17
compelling.
14:18
But
14:18
it's,
14:19
it's
14:19
fascinating.
14:19
I
14:19
would
14:19
like.
14:20
This
14:20
is,
14:20
yeah,
14:21
prime
14:21
example
14:21
of
14:21
that
14:22
where,
14:22
yeah,
14:22
you
14:23
make
14:23
a
14:24
really
14:24
good
14:24
movie,
14:25
but,
14:25
you
14:25
know,
14:26
it
14:26
does
14:26
change
14:27
the
14:27
narrative
14:27
completely.
14:29
What
14:29
I'm
14:29
curious
14:29
about,
14:30
so
14:30
I
14:30
know
14:30
the
14:31
director,
14:31
Paul
14:31
Greengrass
14:32
from
14:33
the
14:33
Jason
14:33
Bourne
14:34
movies
14:34
and
14:34
then
14:35
Captain
14:35
Phillips
14:36
with
14:36
Tom
14:36
Hanks.
14:36
So
14:37
he's
14:37
known
14:37
for
14:38
that
14:38
very
14:38
gritty,
14:39
visceral,
14:40
shaky
14:41
camera
14:41
work.
14:41
Like,
14:42
does
14:42
he
14:42
do
14:42
the
14:43
shaky
14:43
handheld
14:44
kind
14:44
of
14:44
camera
14:44
work
14:44
here
14:45
or
14:45
is
14:45
it
14:46
a
14:46
little
14:46
more,
14:46
is
14:46
it
14:47
different?
14:48
There
14:48
is
14:48
definitely
14:49
some,
14:49
some
14:49
handheld.
14:50
Right.
14:51
So
14:51
we,
14:51
we
14:51
get.
14:52
There
14:52
are
14:52
times
14:52
where
14:52
they
14:53
have
14:53
to
14:53
get
14:53
off
14:53
the
14:53
bus
14:53
and
14:54
so
14:54
following
14:55
them,
14:56
you
14:56
know,
14:56
off
14:56
of
14:56
the
14:56
bus
14:56
and
14:57
into
14:57
different
14:57
situations.
14:58
You
14:59
know,
14:59
there
14:59
is
14:59
some,
14:59
some
15:00
of
15:00
that
15:00
kind
15:00
of
15:00
handheld
15:01
camera.
15:01
I
15:01
wouldn't
15:01
say
15:01
it's
15:02
as
15:03
intense
15:03
as,
15:03
as
15:03
the
15:04
Bourne
15:04
movies
15:04
or
15:04
things
15:05
like
15:05
that,
15:06
but
15:06
yeah,
15:06
it's
15:07
definitely
15:07
got
15:07
that
15:07
same
15:08
kind
15:08
of
15:08
style.
15:09
And
15:09
in
15:09
fact,
15:10
you
15:10
know,
15:10
so
15:10
I
15:10
was
15:10
listening
15:11
to
15:11
an
15:11
interview
15:11
with
15:11
him
15:12
because
15:12
I
15:12
thought
15:12
maybe
15:12
he'd
15:13
have
15:13
more
15:13
to
15:13
say
15:13
about
15:14
like,
15:14
why
15:14
they
15:14
made
15:14
the
15:15
choice,
15:15
the
15:15
story
15:15
choices
15:16
that
15:16
they
15:16
did.
15:16
Yeah,
15:16
didn't
15:17
really
15:17
get
15:17
into
15:17
that.
15:17
It
15:17
was
15:18
more
15:18
about
15:18
the
15:18
craft
15:19
choices.
15:20
But
15:20
apparently
15:21
for
15:22
quite
15:22
a
15:22
while
15:22
he
15:23
was
15:23
intending
15:23
to
15:23
make
15:23
this
15:24
movie
15:24
in
15:25
a,
15:25
in
15:25
a
15:26
volume
15:26
type
15:26
setup
15:27
with
15:27
the
15:27
big
15:27
LED
15:28
screens
15:28
and
15:29
a
15:29
bus
15:29
in
15:29
the
15:29
middle
15:30
on
15:31
a
15:31
gimbal
15:31
or
15:31
something
15:31
like
15:32
that.
15:33
And
15:33
he
15:33
thought
15:33
that
15:34
would
15:34
be
15:34
necessary
15:34
for
15:34
safety
15:35
reasons
15:35
and
15:35
for
15:36
other
15:36
reasons
15:37
and
15:38
so
15:38
he
15:38
was
15:39
developing
15:40
the
15:40
film
15:41
in
15:41
that
15:41
direction
15:41
and
15:42
fairly
15:42
shortly
15:43
before
15:43
filming
15:44
started,
15:44
decided
15:44
to
15:45
go
15:45
in
15:45
completely
15:45
the
15:45
opposite
15:46
direction
15:46
and
15:48
go
15:48
out
15:48
into
15:49
a
15:49
lot.
15:49
I
15:49
mean,
15:50
they
15:50
weren't
15:50
on.
15:50
They
15:51
weren't
15:51
necessarily
15:51
out
15:52
in
15:52
the
15:53
wild,
15:53
so
15:53
to
15:53
speak.
15:53
They
15:54
were
15:54
in
15:54
a
15:54
controlled
15:55
setting,
15:56
but
15:56
still
15:56
in
15:56
a
15:56
place
15:56
where,
15:58
you
15:58
know,
15:58
in
15:58
a
15:59
similar
15:59
environment
15:59
where
15:59
the.
16:00
The
16:00
actual
16:01
events
16:01
took
16:01
place
16:02
and,
16:03
you
16:03
know,
16:03
creating
16:03
real
16:04
fires
16:04
with
16:04
gas.
16:05
And
16:05
then
16:05
he
16:05
talked
16:05
about
16:06
how,
16:06
you
16:06
know,
16:06
doing
16:06
it
16:07
with
16:07
gas
16:07
pipes
16:07
makes
16:07
it
16:08
safe
16:08
because
16:08
there's
16:08
nothing
16:09
that.
16:10
There's
16:11
no
16:11
particle
16:11
matter
16:11
that
16:12
escapes
16:12
from
16:12
those
16:12
fires
16:13
that
16:13
can
16:13
spark
16:13
other
16:13
places.
16:14
That's
16:14
a
16:14
big
16:14
element
16:15
of
16:15
the
16:15
film,
16:16
is
16:16
that
16:16
these
16:16
little
16:17
sparks
16:18
from
16:18
a
16:18
fire
16:19
in
16:19
one
16:19
place
16:19
are
16:19
carried
16:20
by
16:20
very
16:20
heavy
16:21
winds,
16:21
very
16:22
long
16:22
distances
16:22
to
16:23
start
16:23
up
16:23
additional
16:24
spot
16:24
fires
16:25
that
16:25
could
16:26
expand.
16:26
And
16:26
so
16:27
that's
16:27
part
16:27
of
16:27
why
16:27
the
16:28
fire
16:29
moved
16:29
so
16:29
quickly
16:29
and
16:29
was
16:30
so
16:30
devastating.
16:30
Was
16:30
just
16:30
like
16:31
it
16:31
was
16:31
constantly
16:31
sort
16:31
of
16:32
leapfrogging
16:32
ahead
16:32
with
16:33
these
16:33
little
16:33
sparks.
16:33
And
16:34
so
16:34
they
16:34
didn't
16:34
want
16:34
to
16:34
obviously
16:35
start
16:35
their
16:35
own
16:35
wildfire
16:36
making
16:37
the
16:37
movie.
16:37
So
16:38
they
16:38
had
16:38
to
16:38
use
16:38
these
16:38
propane.
16:39
But
16:40
if
16:40
they
16:40
use
16:40
these
16:40
propane
16:41
fires,
16:41
then
16:41
they
16:41
could
16:41
do
16:41
it
16:41
safely.
16:42
And
16:42
so
16:42
once
16:42
you
16:42
realized
16:42
that
16:43
there
16:43
were
16:43
ways
16:43
to
16:43
do
16:43
it
16:45
without
16:45
creating
16:46
another
16:46
disaster,
16:47
you
16:47
know,
16:47
by
16:48
just
16:48
making
16:48
the
16:48
film,
16:49
they
16:49
went
16:49
with
16:49
that
16:50
realistic
16:50
route.
16:51
And
16:51
he
16:51
said,
16:51
you
16:51
know,
16:51
that's
16:52
more
16:52
my
16:52
style
16:52
anyway.
16:52
I
16:53
don't
16:53
know
16:53
really
16:53
why
16:53
I
16:53
was
16:54
going
16:54
this
16:54
other
16:54
direction.
16:55
Yeah,
16:55
it's
16:55
definitely.
16:56
Yeah,
16:56
it
16:56
definitely
16:57
feels
16:57
like
16:57
a
16:57
Paula
16:57
Greengrass
16:58
film
16:59
in
16:59
that
16:59
regard.
17:00
Well,
17:00
and
17:00
it's
17:01
also
17:01
an
17:01
interesting
17:01
combination
17:02
here
17:02
too.
17:02
The
17:03
screenwriter
17:03
is
17:03
being
17:04
Greengrass
17:04
and
17:05
then
17:05
Brad
17:05
Inglesby,
17:06
who
17:06
is
17:06
the
17:06
creator
17:07
of
17:07
Mayor
17:08
of
17:08
Easttown
17:08
and
17:09
Task,
17:09
the
17:10
new
17:10
HBO
17:11
miniseries
17:12
that
17:12
fits.
17:13
I
17:13
mean,
17:13
Ingles
17:14
B
17:14
has
17:14
very
17:15
dark,
17:16
gritty
17:16
dramas.
17:17
I
17:17
think
17:17
that
17:17
lends
17:17
itself
17:18
to
17:19
something
17:19
that
17:20
Greengrass
17:21
would
17:21
be
17:21
attracted
17:21
to.
17:22
I
17:22
think
17:22
this
17:22
sounds
17:23
much
17:23
more
17:23
optimistic
17:24
in
17:24
that
17:24
regard.
17:25
Like,
17:25
I
17:25
think
17:25
the
17:25
Dask
17:26
and
17:26
Maravi's
17:26
down
17:27
are
17:27
pretty
17:28
depressing,
17:28
but.
17:29
But,
17:29
you
17:30
know,
17:30
this.
17:31
I.
17:31
I
17:31
think
17:31
what
17:32
sounds
17:32
like
17:32
a
17:32
little
17:33
more
17:33
of
17:33
a
17:34
uplifting
17:34
ending
17:35
at
17:35
the.
17:35
While
17:36
still
17:36
tense,
17:37
you
17:37
know,
17:38
throughout
17:38
the
17:38
movie.
17:39
Yeah,
17:39
I
17:39
mean,
17:39
you
17:39
know,
17:40
in
17:40
terms
17:40
of
17:40
the.
17:41
The
17:41
human
17:41
element.
17:42
Yeah,
17:42
it's
17:42
certainly
17:43
a
17:43
very
17:43
positive
17:43
story
17:43
about
17:44
people
17:45
making
17:46
it
17:46
through
17:46
challenging
17:47
times.
17:49
Yeah,
17:49
I
17:50
will
17:50
definitely
17:50
check
17:50
this
17:51
one
17:51
out.
17:51
You
17:51
know,
17:51
and
17:52
Apple,
17:52
it's
17:52
really
17:53
interesting
17:53
because
17:54
I
17:54
think
17:55
they
17:55
still
17:56
are
17:56
dominated
17:57
by
17:58
some
17:58
really
17:58
good
17:58
TV
17:59
series,
17:59
but
18:00
the
18:00
movies
18:01
they
18:01
put
18:01
out,
18:02
some
18:02
are
18:02
duds,
18:02
but,
18:03
you
18:03
know,
18:03
they've
18:04
started
18:04
to
18:04
attract
18:05
more,
18:05
you
18:05
know,
18:06
high
18:06
profile
18:07
filmmakers.
18:07
So,
18:08
like,
18:08
I
18:08
saw
18:09
Spike
18:09
Lee
18:09
1.
18:10
Highest
18:10
to
18:10
lowest.
18:11
I
18:11
actually
18:11
got
18:11
to
18:11
see
18:11
that
18:11
in
18:12
theaters
18:12
and
18:12
I
18:12
thought
18:13
that
18:13
was
18:13
excellent,
18:13
you
18:14
know,
18:15
and
18:15
then,
18:15
you
18:15
know,
18:15
they
18:15
worked
18:16
with
18:16
SC
18:16
and
18:17
you
18:17
know,
18:17
they're
18:18
doing
18:18
a
18:18
lot
18:18
of
18:19
really
18:19
interesting
18:19
things.
18:19
So
18:20
they
18:20
don't
18:20
put
18:20
out
18:20
a
18:21
ton
18:21
of
18:21
movies,
18:21
but
18:22
when
18:22
they
18:22
do,
18:22
it's
18:22
really
18:22
interesting
18:23
to
18:23
see
18:23
what
18:23
it
18:24
is.
18:25
So,
18:25
yeah,
18:25
I.
18:26
This
18:26
one
18:26
is
18:26
one
18:26
I'll
18:27
definitely
18:27
check
18:27
out.
18:28
Like,
18:28
I
18:28
had
18:29
seen
18:29
something
18:29
about
18:29
it,
18:30
but
18:30
I
18:30
honestly
18:30
didn't
18:31
know
18:31
much
18:32
about
18:32
it.
18:32
So
18:32
I'm
18:33
glad
18:33
you
18:33
gave
18:33
me
18:33
kind
18:34
of
18:34
content
18:34
and
18:34
I
18:34
don't
18:35
mind
18:35
the.
18:35
I.
18:35
I'm
18:35
glad
18:36
that's
18:36
a
18:36
spoiler.
18:37
I'm
18:37
glad
18:37
to
18:37
have
18:37
knowing
18:38
that
18:38
the,
18:38
the,
18:39
the
18:39
kids
18:39
make
18:39
it
18:39
out
18:39
and
18:40
it's
18:40
a
18:40
happy
18:41
ending
18:41
and
18:42
you
18:42
know.
18:42
And
18:42
it
18:42
is
18:43
real
18:43
life.
18:43
Right.
18:43
That,
18:43
you
18:43
know,
18:44
that,
18:44
that
18:44
part
18:44
of
18:45
it
18:45
is.
18:45
Yeah.
18:46
Real.
18:46
So.
18:47
Darn.
18:48
But
18:48
yeah,
18:48
I
18:48
think.
18:49
Excellent.
18:49
That's
18:49
good
18:49
if
18:50
we
18:50
want
18:50
to
18:50
move
18:50
on.
18:50
Great
18:51
pick.
18:51
Let's
18:51
do
18:51
it.
18:52
Awesome.
19:39
And
19:40
so
19:40
another
19:40
movie
19:41
for
19:41
me
19:41
now
19:41
this
19:42
is
19:42
a
19:42
movie
19:43
with
19:43
a
19:43
capital
19:43
M.
19:45
Oh
19:45
my
19:45
gosh.
19:45
I
19:45
just
19:46
like
19:46
it.
19:46
But
19:46
Andy,
19:47
have
19:47
you
19:47
seen
19:47
this
19:47
one
19:47
yet?
19:47
I
19:48
was
19:49
hoping
19:49
to,
19:50
but
19:50
I
19:50
could
19:50
not
19:50
get
19:51
three
19:51
hours
19:51
in
19:51
my
19:51
weekend
19:52
this
19:52
past
19:52
weekend.
19:52
So
19:52
maybe
19:53
coming
19:53
up
19:53
I've
19:53
got
19:54
a
19:54
holiday
19:54
extra
19:54
day.
19:55
Sure.
19:55
And
19:56
I
19:56
do
19:56
understand
19:57
that
19:57
it's.
19:57
I
19:58
mean,
19:58
it's
19:58
a
19:58
three
19:58
hour
19:59
epic.
19:59
Like
19:59
you
20:00
do
20:00
have
20:00
to
20:00
set
20:00
us
20:00
at
20:01
the
20:01
time
20:01
for
20:01
it.
20:01
I
20:02
will
20:02
say
20:02
off
20:02
the
20:02
bat
20:03
that
20:03
it
20:03
does
20:04
not
20:04
feel
20:04
like
20:05
it's
20:05
run
20:05
time.
20:06
It.
20:06
This
20:06
feels
20:07
more
20:07
like,
20:08
I
20:08
would
20:08
say
20:08
about
20:08
a
20:09
two
20:09
hour
20:09
movie.
20:10
It
20:10
flies
20:10
by
20:11
and
20:11
it
20:11
is
20:11
so
20:11
immersive.
20:12
I.
20:12
I'm
20:13
gonna
20:13
refrain
20:14
from
20:14
giving
20:14
really
20:14
heavy
20:15
spoilers.
20:15
I'll
20:15
set
20:16
up
20:16
the
20:16
context.
20:16
But
20:17
I
20:17
want
20:17
as
20:17
many
20:18
people
20:18
as
20:18
possible
20:19
to
20:19
go
20:19
to
20:20
a
20:20
theater
20:20
and
20:20
go
20:20
see
20:20
this
20:21
because
20:21
for
20:21
all
20:22
the
20:22
complaints
20:23
people
20:23
say
20:23
about
20:23
like,
20:24
oh,
20:24
film
20:24
is
20:25
dead.
20:25
They
20:25
never
20:25
make
20:26
original
20:26
stuff
20:26
anymore.
20:27
I.
20:27
That's
20:28
a
20:28
completely
20:28
false
20:28
statement.
20:29
The
20:29
problem
20:29
is
20:30
there,
20:30
I
20:30
mean,
20:30
there
20:30
are,
20:31
there
20:31
are
20:31
multiple
20:31
problems
20:32
there
20:32
with,
20:32
you
20:32
know,
20:33
there
20:33
is
20:33
the
20:34
price
20:34
of
20:34
movies.
20:35
There's,
20:35
you
20:35
know,
20:36
the
20:36
studio
20:36
system.
20:37
But
20:37
the
20:38
message
20:39
is
20:39
that
20:39
if
20:40
more
20:40
audiences
20:40
go
20:41
out
20:41
and
20:41
see
20:41
original
20:42
films
20:42
like
20:42
this,
20:43
it
20:43
will
20:43
send
20:43
the
20:44
message
20:44
to
20:44
studios
20:45
to
20:45
take
20:46
more
20:46
risks
20:46
and
20:46
let
20:47
filmmakers
20:47
do
20:48
what
20:48
they
20:48
want.
20:48
So
20:49
I'll
20:49
go
20:49
ahead
20:49
and
20:49
say
20:49
that
20:49
as
20:50
my
20:50
TED
20:50
talk
20:51
of
20:51
the
20:51
day,
20:52
but.
20:52
But,
20:53
yeah,
20:53
but
20:53
anyway,
20:53
getting
20:54
to
20:54
the
20:54
movie.
20:54
So
20:55
one
20:55
battle
20:55
after
20:55
another.
20:56
Written
20:56
and
20:56
directed
20:57
by
20:57
Paul
20:57
Thomas
20:57
Anderson,
20:58
one
20:59
of
20:59
the
20:59
great
20:59
autore
21:00
filmmakers
21:01
of
21:01
our
21:02
generation.
21:03
And
21:03
this
21:04
movie
21:04
without
21:04
getting
21:05
heavy
21:05
spoilers,
21:06
is
21:07
about
21:08
ex
21:08
revolutionaries
21:09
who,
21:10
16
21:10
years
21:11
after
21:11
they've
21:11
been
21:12
disbanded,
21:13
their
21:13
main
21:14
nemesis,
21:14
played
21:14
by
21:15
Sean
21:15
Penn,
21:16
returns.
21:17
And
21:18
the
21:18
Leonardo
21:19
DiCaprio
21:20
plays
21:20
one
21:20
of
21:20
the
21:21
extra
21:21
revolutionaries.
21:23
The
21:23
mother
21:24
of
21:24
his
21:24
daughter
21:25
went
21:25
missing
21:26
a
21:26
long
21:26
time
21:26
ago.
21:27
He's
21:27
now
21:28
been
21:28
living
21:28
incognito
21:29
with
21:29
his
21:29
daughter.
21:30
And
21:30
when
21:31
his
21:31
daughter
21:32
gets
21:33
thrown
21:33
into
21:33
the
21:33
mix
21:34
here
21:34
and
21:34
gets
21:34
captured,
21:35
he
21:35
has
21:36
to
21:36
go
21:36
back
21:37
into
21:37
the
21:37
fold,
21:38
team
21:38
up
21:38
with
21:39
other
21:40
former
21:40
allies
21:41
and,
21:42
you
21:42
know,
21:42
go
21:42
rescue
21:43
his
21:43
daughter.
21:43
Go
21:43
on
21:44
this
21:45
part
21:46
revenge
21:46
part,
21:47
you
21:47
know,
21:48
reigniting
21:48
revolutionary
21:50
storyline.
21:51
And
21:51
at,
21:51
you
21:52
know,
21:52
based
21:52
on
21:53
that
21:53
description
21:53
alone,
21:54
it
21:54
doesn't
21:54
sound
21:55
like,
21:55
okay,
21:55
what's,
21:56
you
21:56
know,
21:56
the
21:56
main
21:56
appeal
21:56
there.
21:57
It
21:57
sounds
21:57
kind
21:57
of
21:57
classic,
21:58
like
21:58
revenge,
21:58
classic
21:59
action
21:59
movie.
21:59
It
22:00
is
22:00
so
22:00
much
22:00
more
22:00
than
22:01
that.
22:01
It
22:01
is
22:02
a
22:02
big
22:03
action
22:03
epic.
22:04
It
22:04
is
22:04
also
22:05
a
22:05
very
22:05
timely
22:06
satire
22:06
that
22:07
holds
22:07
a
22:07
mirror
22:07
to
22:08
our
22:08
society
22:09
right
22:09
now
22:10
with
22:11
political
22:11
tensions
22:12
with,
22:13
you
22:13
know,
22:13
rampant
22:14
white
22:14
supremacy,
22:16
both
22:16
in
22:17
just,
22:17
you
22:17
know,
22:17
social
22:18
scenarios
22:18
and
22:19
in
22:19
government.
22:20
And
22:21
it's
22:21
not
22:21
afraid
22:22
to
22:22
tackle
22:22
those.
22:23
All
22:23
of
22:23
those
22:23
themes
22:24
and
22:24
in
22:25
particular,
22:25
what
22:25
this
22:26
movie
22:26
did
22:26
for
22:27
me,
22:27
and
22:27
this
22:28
is
22:28
one
22:28
of
22:28
its
22:28
biggest
22:29
references,
22:30
is
22:31
also
22:32
inspired
22:33
by
22:33
a
22:33
Thomas
22:33
Pynchon
22:34
novel
22:34
from
22:34
the
22:35
90s.
22:35
But
22:36
one
22:36
of
22:36
its
22:36
big
22:36
influences
22:37
that
22:37
it
22:37
directly
22:38
references
22:39
early
22:39
on
22:39
in
22:40
the
22:40
movie
22:40
is
22:40
a
22:41
French
22:41
film
22:41
from,
22:42
I
22:42
think,
22:42
the
22:42
60s
22:43
called
22:44
the
22:44
Battle
22:44
of
22:45
Alers,
22:45
which
22:46
I
22:46
saw
22:47
in
22:47
a
22:47
film
22:47
class
22:48
in
22:48
high
22:48
school.
22:49
And
22:49
it
22:50
still
22:50
left
22:50
an
22:50
impression
22:51
on
22:51
me.
22:51
Even
22:52
just
22:52
seeing
22:53
it
22:53
back
22:53
then.
22:53
It
22:54
was
22:54
something
22:55
where
22:55
I
22:55
feel
22:56
like
22:56
that
22:56
was
22:56
one
22:56
of
22:57
the
22:57
films
22:58
that,
22:58
you
22:58
know,
22:59
film
22:59
students
23:00
watch
23:00
that
23:01
really
23:02
blurs
23:02
the
23:02
line
23:03
between
23:03
good
23:04
and
23:04
evil.
23:04
There
23:04
isn't
23:05
this,
23:05
like,
23:05
definitive
23:06
good
23:06
guy,
23:07
definitive
23:07
bad
23:07
guy.
23:08
There's
23:08
a
23:08
lot
23:08
of
23:09
gray
23:09
areas.
23:09
And
23:10
again,
23:11
that
23:11
was
23:11
a
23:11
heavy
23:12
influence
23:12
on
23:12
this
23:12
film
23:13
and
23:13
the
23:14
way
23:14
it
23:14
draws
23:15
inspiration
23:15
from
23:15
there
23:16
in
23:16
terms
23:16
of,
23:17
you
23:17
know,
23:17
crafting
23:18
these
23:18
characters,
23:19
crafting
23:19
a
23:20
villain
23:20
who
23:21
is
23:21
so
23:21
despicable
23:22
and
23:22
just
23:23
so
23:23
iconic
23:24
that
23:24
you
23:24
can't
23:25
help
23:25
but
23:26
be
23:26
immersed
23:26
that
23:27
you
23:27
hate
23:27
the
23:27
guy
23:27
that
23:28
Sean
23:28
Ben
23:28
plays,
23:29
but
23:29
you're
23:30
still
23:30
transfixed
23:31
by
23:32
him
23:32
in
23:33
the
23:33
same
23:33
way
23:33
you
23:33
are.
23:34
Other
23:34
great
23:34
movie
23:35
villains,
23:35
like,
23:35
I.
23:36
I'm
23:36
thinking,
23:36
you
23:36
know,
23:37
like
23:37
Daniel
23:37
Day
23:37
Lewis
23:38
character
23:38
in
23:39
Gangs
23:39
of
23:39
New
23:39
York,
23:41
the
23:41
Butcher
23:41
Bill,
23:42
the
23:42
Butcher.
23:42
Ones
23:43
like
23:43
that,
23:43
you
23:43
know,
23:44
that
23:44
or
23:45
pretty
23:45
much
23:45
anyone
23:46
Ray
23:46
finds
23:46
place
23:47
there.
23:47
But
23:48
these.
23:48
These,
23:49
you
23:49
know,
23:49
great
23:49
iconic
23:50
movie
23:50
villains
23:50
that
23:50
are
23:51
so
23:51
despicable,
23:52
so
23:52
terrifying,
23:53
but
23:53
you
23:54
are
23:55
just.
23:55
You
23:56
can't
23:56
look
23:56
away
23:56
from.
23:57
It's
23:57
that
23:57
it
23:58
has
23:58
that
23:58
kind
23:58
of
23:58
feel.
23:59
DiCaprio
24:00
gives
24:00
a
24:00
great
24:00
performance.
24:01
I
24:01
think
24:01
what
24:02
really
24:02
the,
24:03
you
24:04
know,
24:04
in
24:04
addition
24:05
to
24:05
DiCaprio
24:07
and
24:07
Pen
24:07
and,
24:08
you
24:08
know,
24:08
the
24:08
heavy
24:08
Editors
24:09
like
24:09
this
24:09
Chase
24:10
Infinity,
24:10
who
24:11
plays
24:11
the
24:11
daughter
24:12
here.
24:12
And
24:12
I
24:12
think
24:13
this
24:13
is
24:13
her
24:13
first
24:13
big
24:13
movie
24:14
role.
24:14
She
24:15
really
24:15
does
24:15
amazing
24:16
work
24:16
here,
24:17
carrying
24:17
the
24:18
heart
24:18
and
24:18
soul
24:18
of
24:19
the
24:19
movie
24:20
because
24:20
she
24:20
is
24:21
this
24:21
next
24:21
generation
24:22
character
24:23
who
24:23
grew
24:24
up
24:24
without
24:24
her
24:24
mother.
24:25
She
24:26
knew.
24:26
She
24:26
knows
24:27
that
24:27
her
24:27
dad
24:27
was
24:27
the
24:28
sex
24:28
revolutionary,
24:29
but.
24:29
But,
24:30
you
24:30
know,
24:30
he's
24:30
just
24:31
kind
24:31
of
24:31
faded
24:32
into
24:33
suburban
24:34
life
24:34
now
24:35
and
24:35
has,
24:35
you
24:35
know,
24:36
done
24:36
his
24:36
best,
24:37
but
24:37
has
24:37
very
24:38
much
24:38
struggled
24:38
to
24:39
adapt
24:40
to
24:40
being
24:40
a
24:40
civilian.
24:42
And
24:42
so
24:42
she's
24:43
kind
24:43
of
24:43
caught
24:43
in
24:43
this.
24:45
In
24:45
the
24:45
middle
24:45
of
24:45
all
24:46
this,
24:46
and.
24:46
But
24:47
the
24:47
way
24:47
her
24:48
character
24:48
evolves
24:49
and
24:49
she
24:50
kind
24:50
of
24:50
steps
24:50
into
24:51
the
24:51
role
24:51
that
24:52
her
24:52
parents
24:53
laid
24:53
out
24:53
for
24:53
her
24:54
is
24:54
fascinating
24:55
to
24:55
watch.
24:56
There's
24:56
just
24:56
so
24:57
much
24:57
to
24:57
absorb
24:58
in
24:58
this
24:58
movie.
24:58
I
24:59
do
24:59
want
24:59
to
24:59
see
24:59
it
24:59
again.
24:59
It
24:59
is
25:00
also.
25:00
Yeah,
25:00
because
25:00
it's
25:01
three
25:01
hours.
25:01
I've
25:01
also.
25:01
I've
25:02
only
25:02
got
25:02
to
25:02
see
25:02
it
25:02
once.
25:03
I
25:03
really
25:04
want
25:04
to
25:04
go
25:04
again
25:04
this
25:04
weekend
25:05
because
25:05
it.
25:05
This
25:06
is
25:06
the
25:06
kind
25:06
of
25:06
movie
25:07
that
25:07
demands
25:08
to
25:08
be
25:08
seen
25:08
on
25:08
the
25:08
big
25:08
screen.
25:09
It
25:09
demands
25:10
to
25:10
be
25:10
seen
25:10
multiple
25:11
times.
25:11
It's
25:12
really
25:12
hard
25:12
to
25:12
take
25:12
it
25:13
all
25:13
in
25:13
on
25:13
one
25:13
screening,
25:15
but
25:15
there
25:15
is
25:15
just.
25:16
I
25:16
mean,
25:16
yeah,
25:16
I
25:17
was
25:17
laughing
25:17
at
25:18
points
25:18
because
25:18
it
25:19
is.
25:19
It
25:19
has.
25:19
Employs
25:20
a
25:21
very
25:21
dark
25:21
humor
25:22
and
25:23
very
25:23
satirical
25:23
lens.
25:24
But
25:24
then
25:25
I'm
25:25
also,
25:25
you
25:25
know,
25:26
riveted
25:26
by
25:27
the
25:27
drama,
25:27
the
25:28
spectacle,
25:29
the
25:29
originality.
25:30
It's
25:31
just.
25:32
This
25:32
is
25:32
just
25:32
such
25:33
a
25:33
phenomenal
25:34
film
25:34
from
25:35
start
25:35
to
25:35
finish.
25:36
Also,
25:36
Benio
25:37
del
25:37
Toro
25:38
gives
25:38
one
25:38
of
25:39
the
25:39
greatest
25:39
performances
25:39
here
25:40
as
25:40
a
25:40
very
25:41
different
25:41
character
25:41
than
25:42
what,
25:42
you
25:42
know,
25:42
he
25:43
plays
25:43
typically,
25:43
very
25:44
oddball
25:44
characters
25:45
you
25:45
look
25:45
at,
25:46
even,
25:46
like,
25:46
the
25:46
Last
25:46
Jedi,
25:47
like,
25:47
his
25:47
role
25:47
there,
25:48
he
25:48
kind
25:48
of
25:48
steals
25:49
the
25:49
show
25:49
here.
25:50
He
25:50
does
25:50
it
25:50
as
25:51
well,
25:51
but
25:52
with
25:52
a
25:52
more
25:52
understated
25:53
performance
25:53
that
25:54
we're
25:54
not
25:54
used
25:54
from
25:55
him.
25:55
And
25:55
I
25:55
thought
25:56
that
25:56
was
25:56
fascinating.
25:57
So
25:57
there's
25:57
just,
25:58
you
25:58
know,
25:58
the
25:58
cast
25:59
is
25:59
impeccable.
26:00
The
26:00
writing
26:01
is
26:01
superb.
26:02
The
26:02
directing
26:03
is
26:03
just.
26:04
And
26:04
the
26:04
cinematography
26:05
are
26:05
just,
26:06
I
26:06
mean,
26:06
I
26:07
would
26:07
say,
26:07
close
26:08
to
26:08
flawless.
26:09
It's
26:09
got
26:10
a
26:10
great
26:10
soundtrack.
26:11
You
26:11
know,
26:11
I
26:11
mean,
26:12
I
26:12
could
26:12
go
26:12
on
26:12
and
26:12
on
26:12
about
26:13
this
26:13
movie,
26:13
and
26:13
again,
26:13
I
26:14
don't
26:14
want
26:14
to
26:14
spoil
26:14
things
26:15
much
26:15
because
26:15
I
26:16
really
26:16
want
26:16
people
26:16
to
26:17
go
26:17
and
26:17
see
26:17
it.
26:17
But,
26:18
Andy,
26:19
what's
26:19
that
26:19
like?
26:19
What's
26:20
kind
26:20
of
26:20
your
26:20
background
26:21
with
26:21
Paul
26:21
Thomas
26:21
Anderson?
26:22
Good
26:23
question.
26:23
I've
26:24
definitely
26:24
seen
26:26
some
26:26
of
26:26
his
26:26
films,
26:27
but
26:27
not
26:27
all
26:27
of
26:27
them.
26:28
I
26:28
would,
26:29
you
26:30
know,
26:30
he's
26:30
somebody
26:30
who
26:31
I'm
26:31
kind
26:32
of
26:32
aware
26:32
of
26:32
and,
26:32
you
26:33
know,
26:33
pay
26:33
attention
26:33
when.
26:34
When
26:34
he's
26:34
got
26:34
a
26:34
new
26:34
film
26:34
coming
26:35
out.
26:35
But
26:35
I
26:35
wouldn't
26:36
say
26:36
he's
26:36
quite
26:36
made
26:36
my
26:37
list
26:37
of
26:37
if
26:38
he's
26:38
got
26:38
a
26:38
movie
26:38
out,
26:38
I
26:39
have
26:39
to
26:39
go
26:39
see
26:39
it
26:39
kind
26:39
of
26:40
thing.
26:40
And
26:41
that's
26:41
not,
26:41
you
26:42
know,
26:42
that's
26:42
not
26:42
anything
26:43
about
26:43
the
26:43
quality
26:43
of
26:43
the
26:43
films,
26:44
really.
26:44
Just
26:44
I
26:44
think
26:45
some
26:45
of
26:45
them
26:45
have.
26:45
Have
26:45
clicked
26:46
for
26:46
me
26:46
or
26:46
the
26:46
subjects
26:47
have
26:47
clicked
26:47
and
26:47
others
26:48
haven't.
26:48
And
26:48
so.
26:49
Yeah,
26:49
but,
26:49
you
26:49
know,
26:50
he's
26:50
obviously
26:51
very
26:51
talented.
26:52
Sure.
26:52
And
26:52
it's.
26:53
It.
26:53
I
26:53
mean,
26:53
I
26:53
haven't
26:53
even
26:54
seen
26:54
all
26:54
of
26:54
his
26:54
albums
26:54
either.
26:55
Like,
26:55
I
26:55
love.
26:56
I
26:56
mean,
26:56
There
26:56
Will
26:57
Be
26:57
Blood
26:57
is
26:57
great.
26:58
The
26:58
Master,
26:59
I
26:59
think,
26:59
has
26:59
phenomenal
27:00
performances.
27:01
I
27:01
love
27:01
Licorice
27:02
Pizza,
27:03
Boogie
27:04
Nights.
27:04
But,
27:04
like,
27:05
you
27:05
know,
27:05
I
27:05
think
27:05
one
27:06
of
27:06
the
27:06
fascinating
27:06
things
27:07
for
27:07
me
27:08
about
27:09
Anderson
27:09
is
27:10
that
27:10
his
27:10
subject
27:11
matter,
27:11
I
27:12
really.
27:12
I
27:12
never
27:13
know
27:13
what
27:13
he's
27:13
going
27:13
to
27:14
tackle
27:14
next.
27:14
So,
27:14
like,
27:15
you
27:15
know,
27:15
licorice
27:16
pizza
27:16
for
27:16
last
27:17
film
27:17
was
27:18
this,
27:18
you
27:18
know,
27:18
like
27:18
kind
27:19
of
27:21
Southern
27:21
or
27:21
the
27:22
California
27:24
oddball
27:25
relationship.
27:25
And
27:26
mainly
27:26
the
27:27
story
27:27
of
27:27
this
27:28
young
27:28
woman
27:28
kind
27:29
of
27:29
like
27:29
finding
27:29
herself.
27:30
And
27:31
as
27:31
it's
27:31
kind
27:31
of
27:31
idyllic
27:32
tone
27:33
to
27:33
it,
27:33
then
27:34
he
27:34
does,
27:34
you
27:34
know,
27:35
the
27:35
Master,
27:36
which
27:36
is,
27:37
you
27:37
know,
27:37
Philip
27:38
Seymour
27:38
Hoffman's
27:39
character
27:39
there
27:40
is.
27:41
While
27:41
he's
27:42
not
27:42
named
27:42
after
27:43
the
27:44
founder
27:45
of
27:45
Scientology,
27:45
L.
27:46
Ron
27:46
Hubbard,
27:46
he's,
27:47
you
27:47
know,
27:47
a
27:48
stand
27:48
in
27:48
for
27:48
that.
27:49
It
27:49
examines,
27:49
you
27:50
know,
27:50
cult
27:50
ideologies.
27:51
And
27:52
then
27:52
this,
27:52
again,
27:52
is
27:53
a
27:53
big
27:53
action
27:54
war
27:54
epic
27:54
and
27:55
a
27:55
satire.
27:55
So
27:56
while
27:56
there
27:56
are
27:57
similar
27:58
themes
27:58
and
27:59
kind
27:59
of
27:59
stylistic
28:00
choices
28:00
in
28:00
all
28:00
his
28:00
films,
28:01
and
28:01
he
28:01
does
28:01
work
28:01
with
28:02
a
28:02
lot
28:02
of
28:02
the
28:02
same
28:02
actors,
28:03
I
28:03
really
28:03
love
28:04
that
28:04
his
28:04
subject
28:05
matter
28:05
is
28:05
kind
28:06
of
28:06
all
28:06
over
28:06
the
28:06
place,
28:06
and
28:07
I
28:07
never
28:07
know
28:07
what
28:07
he's
28:08
going
28:08
to
28:08
do
28:08
next.
28:08
There's
28:09
a
28:09
lot
28:09
of
28:09
originality
28:09
there.
28:10
And
28:11
this
28:11
especially,
28:11
it's
28:12
just,
28:12
you
28:12
know,
28:12
I.
28:12
I
28:13
was
28:13
watching
28:13
a
28:13
review
28:14
earlier
28:14
on
28:15
Chris
28:15
Duckman's
28:15
channel,
28:16
which,
28:16
by
28:17
the
28:17
way,
28:17
he
28:17
has
28:17
a
28:17
movie
28:18
coming
28:18
out
28:18
soon,
28:18
which
28:18
I'm
28:19
very
28:19
excited
28:19
for,
28:20
but
28:21
he
28:21
was
28:21
saying
28:22
that
28:22
this
28:23
movie
28:23
feels
28:23
like
28:24
it
28:24
was,
28:24
you
28:25
know,
28:25
like
28:25
a
28:25
late
28:26
90s,
28:26
early
28:27
2000,
28:28
like,
28:28
you
28:28
know,
28:29
just
28:29
auteur
28:30
masterpiece
28:31
that
28:31
they,
28:31
you
28:32
know,
28:32
it's
28:32
a
28:32
cliche
28:33
to
28:33
say,
28:33
oh,
28:34
they
28:34
don't
28:34
make
28:34
them
28:34
like
28:34
they
28:34
used
28:35
to.
28:35
But
28:35
there
28:35
is
28:36
a
28:36
lot
28:36
of
28:36
truth
28:36
in
28:36
that
28:36
because
28:38
like
28:38
I
28:38
said
28:38
earlier,
28:39
studios
28:39
are
28:39
not.
28:40
Are
28:40
very
28:40
reluctant
28:41
to
28:41
greenlight
28:42
anything
28:43
that
28:43
is
28:43
not
28:44
a
28:44
big
28:44
IP
28:45
or
28:46
it's
28:46
not
28:46
a
28:46
safe
28:47
bet
28:47
and
28:47
that,
28:47
you
28:48
know,
28:48
will
28:49
turn
28:49
a
28:50
profit.
28:50
And
28:50
I,
28:51
you
28:51
know,
28:51
right
28:51
now,
28:52
we,
28:53
again,
28:54
we
28:54
need
28:54
audiences
28:55
to
28:55
go
28:55
out
28:56
and
28:56
support
28:57
original
28:58
130
28:59
million
29:00
films
29:01
like
29:01
this.
29:01
You
29:01
know,
29:02
they
29:02
did
29:02
it.
29:02
We
29:02
did
29:02
it
29:03
for
29:03
Barbie
29:03
and
29:03
Oppenheimer.
29:04
We
29:04
can
29:04
do
29:04
it
29:04
for
29:05
this.
29:05
And
29:05
as
29:05
someone
29:06
who
29:06
goes
29:06
to
29:06
movies
29:07
all
29:07
the
29:07
time.
29:08
There
29:08
are
29:08
still
29:08
plenty
29:09
of
29:09
original
29:09
films
29:10
being
29:10
made,
29:10
but
29:11
they
29:11
need
29:11
support
29:12
at
29:12
the
29:12
theatrical
29:13
level.
29:14
So
29:14
if
29:14
you
29:14
can
29:14
get
29:15
to
29:15
a
29:15
theater,
29:15
if
29:15
you
29:16
can
29:16
go
29:17
see
29:17
this,
29:17
please,
29:18
I
29:18
urge
29:18
you,
29:18
do
29:19
not
29:19
wait
29:19
for
29:19
streaming.
29:20
Yeah,
29:21
I
29:21
mean
29:21
I,
29:21
I
29:22
still
29:22
need
29:23
to
29:23
see
29:23
it
29:23
again
29:23
to
29:23
really
29:24
absorb
29:25
it
29:25
and
29:25
I'm
29:25
sure
29:25
I'll
29:26
have
29:26
more
29:26
takeaways.
29:27
But
29:28
as
29:28
it
29:28
stands,
29:28
I
29:28
think
29:29
it's
29:29
just
29:29
a
29:30
phenomenally
29:31
made,
29:32
wonderfully
29:32
acted
29:33
film
29:33
from
29:33
start
29:33
to
29:34
finish.
29:34
It
29:34
is
29:34
wildly
29:35
entertaining
29:36
and
29:36
very
29:37
provocative
29:38
in
29:38
terms
29:38
of
29:38
again,
29:39
how
29:39
it
29:39
holds
29:40
a
29:40
society.
29:41
It
29:41
holds
29:41
a
29:41
mirror
29:41
to
29:42
society,
29:42
society
29:42
today
29:43
and
29:43
has
29:44
so
29:44
many
29:45
themes
29:45
and
29:46
talking
29:47
points
29:47
that
29:48
you
29:48
can't
29:48
help
29:48
but
29:49
really
29:49
break
29:50
it
29:50
down.
29:50
And
29:50
I
29:51
ran
29:51
into,
29:51
even
29:52
I
29:52
ran
29:52
into
29:52
my
29:52
creative
29:53
writing
29:53
professor
29:54
from
29:54
college
29:55
on
29:56
the
29:56
way
29:56
out
29:56
of
29:56
this
29:56
movie
29:56
and
29:57
we
29:57
were
29:57
talking
29:57
about
29:57
it
29:58
and
29:58
you
29:58
know,
29:58
it
29:59
was,
29:59
it's
29:59
just
29:59
that
29:59
kind
30:00
of
30:00
movie
30:00
that
30:00
really
30:01
evokes
30:02
discussion
30:02
because
30:03
sometimes,
30:03
you
30:03
know,
30:04
you
30:04
see
30:04
a
30:04
movie
30:04
and
30:05
it's
30:05
like,
30:05
okay,
30:05
you
30:06
know,
30:06
that
30:06
was,
30:06
you
30:06
know,
30:06
passing
30:07
entertainment.
30:07
This
30:08
is
30:08
the
30:08
kind
30:08
of
30:08
film
30:08
that
30:09
really
30:09
sticks
30:09
with
30:10
you
30:10
in
30:11
your
30:11
mind
30:11
and
30:11
really
30:12
moves
30:12
you.
30:13
So
30:13
I
30:13
cannot
30:13
recommend
30:14
it
30:14
enough.
30:14
I,
30:15
I
30:16
would
30:16
love
30:16
to
30:16
discuss
30:16
it
30:17
more
30:17
in
30:17
depth
30:18
with
30:18
other
30:18
hosts
30:19
because
30:19
I
30:19
think
30:19
there
30:19
is
30:20
a
30:20
lot
30:20
of
30:20
here
30:21
that
30:21
could
30:21
be
30:21
tackled
30:22
from
30:22
a
30:22
sociopolitical
30:23
lens,
30:23
from
30:24
a
30:24
spiritual
30:24
lens.
30:25
There's
30:25
just
30:26
a
30:26
lot
30:26
to
30:26
dissect
30:27
here.
30:27
So
30:28
go
30:28
see
30:28
one
30:28
battle
30:29
after
30:29
another.
30:29
I,
30:30
you
30:30
know,
30:30
I,
30:31
I,
30:31
I
30:31
can't
30:31
guarantee
30:32
it,
30:32
but
30:32
I
30:32
think
30:33
you
30:33
will
30:33
not
30:33
be
30:33
deceived.
30:34
Disappointed.
30:35
Excellent.
30:35
So
30:36
there
30:36
is
30:36
my,
30:38
yeah,
30:38
that's
30:39
a
30:39
good
30:39
movie
30:39
discussion
30:40
here.
30:41
Andy,
30:41
what
30:41
is
30:41
our
30:42
next
30:42
topic
30:42
here?
30:43
Yeah,
30:44
so,
30:45
you
30:45
know,
30:45
I
30:45
think
30:46
in
30:46
the
30:46
category
30:46
of
30:47
passing
30:48
entertainment
30:49
goes
30:49
the
30:50
Marvel
30:50
Zombies
30:50
animated
30:51
series.
30:52
You
30:52
know,
30:53
and
30:53
that's
30:53
not
30:53
a
30:54
slight
30:54
on
30:54
the,
30:55
you
30:55
know,
30:55
the
30:55
quality
30:55
or
30:56
uh,
30:56
what
30:57
might
30:57
get
30:57
out
30:58
of
30:58
it.
30:58
But
30:58
I,
30:58
I
30:58
don't
30:58
think
30:59
it's
30:59
going
30:59
to
30:59
go
31:00
down
31:00
with
31:01
quite
31:01
the
31:01
same
31:01
critical
31:02
reputation
31:03
as
31:04
Paul
31:04
Thomas
31:05
Anderson
31:05
film.
31:06
Yeah,
31:06
so
31:06
this
31:07
is
31:07
the
31:07
latest
31:08
from
31:09
Marvel
31:10
from
31:10
the
31:10
MCU
31:11
kind
31:11
of
31:11
expanding
31:12
their
31:12
animation
31:14
offerings.
31:17
It
31:17
is
31:17
very
31:17
much
31:18
a
31:19
follow
31:19
up
31:19
to
31:20
the
31:20
what
31:21
if
31:21
Season
31:21
1
31:22
episode
31:23
in
31:23
the
31:23
zombie
31:24
world.
31:24
And
31:24
so
31:25
this
31:25
is
31:25
the
31:25
same
31:26
universe.
31:27
So
31:27
if
31:27
you
31:27
haven't
31:28
watched
31:29
that
31:29
episode
31:29
of
31:29
what
31:30
if,
31:30
definitely
31:31
go
31:31
back
31:31
and
31:32
watch
31:32
that
31:32
because
31:33
this
31:33
is
31:33
a
31:33
four
31:33
episode
31:34
show
31:34
and
31:35
that's
31:35
essentially
31:36
episode
31:36
zero
31:37
of
31:38
this
31:39
series.
31:40
But
31:41
yeah,
31:41
it
31:42
follows
31:44
several
31:44
of
31:44
our
31:46
favorites
31:47
from
31:48
that
31:48
first
31:48
episode.
31:50
The
31:51
non
31:51
zombified
31:51
heroes
31:52
from
31:52
the
31:52
first
31:52
episode
31:53
are
31:53
back
31:53
and
31:54
then
31:55
introduces
31:55
some
31:55
more,
31:56
more
31:56
recent
31:57
favorites
31:58
who
31:59
are
31:59
also
31:59
still
31:59
not
32:00
zombified
32:00
in
32:00
this
32:01
world.
32:01
And,
32:02
you
32:02
know,
32:02
explorers,
32:04
you
32:04
know,
32:04
goes.
32:04
Takes
32:05
them
32:05
on
32:05
a
32:05
story
32:06
of,
32:06
you
32:06
know,
32:07
that's
32:07
sort
32:07
of
32:07
a
32:07
tour
32:08
of
32:08
the
32:08
world.
32:08
And
32:08
so
32:08
you
32:09
see
32:09
different
32:09
corners
32:10
of
32:10
the
32:10
Marvel
32:10
Cinematic
32:11
Universe
32:12
as
32:12
they
32:12
are
32:12
zombified.
32:13
We
32:14
open
32:15
in
32:16
the
32:16
same
32:17
part
32:17
of
32:17
Lower
32:18
Manhattan
32:18
where
32:19
the
32:19
Battle
32:19
of
32:19
New
32:19
York
32:19
happens
32:20
in
32:20
the
32:20
first
32:20
Avengers
32:21
film.
32:21
There's
32:22
some
32:22
very
32:22
recognized.
32:22
You
32:22
know,
32:23
you
32:24
are
32:24
familiar
32:24
with
32:24
that
32:24
story.
32:26
The.
32:26
The
32:26
architecture,
32:27
the
32:27
geography
32:28
will
32:28
be
32:28
familiar
32:28
there.
32:29
It
32:29
also
32:29
features
32:30
heavily
32:30
in
32:31
the
32:32
Lego
32:33
Avengers
32:34
video
32:34
game.
32:35
Right.
32:35
So
32:35
I
32:36
just.
32:36
I
32:36
feel
32:37
like
32:37
I've
32:38
gotten
32:38
very
32:38
familiar
32:39
with
32:39
that
32:39
part
32:39
of
32:39
Manhattan
32:40
just
32:41
from
32:41
those
32:41
games.
32:42
I
32:42
have
32:42
also
32:42
been
32:43
to
32:43
that
32:43
part
32:43
of
32:43
Manhattan,
32:44
but
32:44
I've
32:44
not
32:44
spent
32:45
as
32:45
much
32:45
time
32:45
there
32:45
in
32:46
real
32:46
life
32:46
as
32:46
I
32:46
have
32:46
in
32:47
those
32:47
different
32:48
properties.
32:49
Yeah.
32:49
So
32:49
we
32:49
go
32:50
there.
32:50
We
32:50
go
32:51
to
32:52
New
32:52
Asgard
32:53
in.
32:54
Is
32:54
it
32:54
Norway.
32:56
We
32:56
go
32:56
to
32:57
the
32:57
Raft,
32:58
and
32:58
they
32:58
do
32:58
something
32:59
interesting
32:59
with
33:00
the
33:00
raft
33:00
prison.
33:01
Right.
33:01
So,
33:01
you
33:02
know,
33:02
it's
33:02
kind
33:02
of
33:02
a
33:02
tour
33:03
of
33:04
MCU
33:05
places
33:05
old
33:06
and
33:06
new
33:07
with
33:07
MCU
33:07
favorites
33:08
old
33:08
and
33:08
new.
33:09
So
33:09
in
33:10
addition
33:10
to
33:11
the
33:11
trio
33:12
of
33:13
Spider
33:13
man,
33:14
the
33:14
floating
33:15
head
33:15
of
33:16
Ant
33:16
man,
33:17
and.
33:18
Oh,
33:18
goodness.
33:19
Who
33:19
is
33:19
the
33:19
third
33:19
person
33:20
from
33:20
that
33:20
first
33:21
episode?
33:22
Why
33:22
is
33:22
it
33:23
like.
33:24
I
33:24
know.
33:24
Well,
33:25
Wanda
33:25
is,
33:25
like,
33:26
the
33:26
leader,
33:28
but
33:28
Wanda
33:29
is
33:29
the.
33:29
Is
33:29
the.
33:30
Becomes
33:31
the
33:31
zombified
33:32
villain,
33:33
and
33:33
so
33:34
she's
33:34
the
33:34
main
33:34
antagonist.
33:36
Apologies
33:37
for
33:37
blanking
33:37
on.
33:38
Let
33:38
me
33:38
see
33:38
what
33:39
the
33:39
cast
33:39
list
33:40
is
33:40
helping
33:40
me
33:40
remember.
33:40
But.
33:41
No,
33:43
but
33:43
anyway,
33:44
so
33:44
that
33:44
trio
33:45
from
33:47
the
33:47
first
33:47
episode
33:49
from
33:49
what
33:49
if
33:50
is
33:50
joined
33:51
by,
33:51
as
33:51
you
33:52
can
33:52
probably
33:52
guess
33:52
from
33:53
the
33:53
cast.
33:53
Here
33:53
we've
33:53
got
33:55
the
33:55
first
33:55
episode
33:56
of
33:56
Marvel
33:56
Zombies
33:57
focuses
33:57
on
33:58
Iman
33:58
Vellani's
33:59
Ms.
33:59
Marvel,
34:00
Hailee
34:00
Steinfeld,
34:02
Hawkeye,
34:03
and
34:05
Dominic
34:05
Thorne's
34:06
Riri
34:07
Williams.
34:07
Right.
34:07
So
34:08
they.
34:08
They're
34:08
another
34:08
trio
34:09
that
34:09
are
34:09
traveling
34:10
together,
34:10
and
34:11
they
34:12
stumble
34:12
upon
34:13
a,
34:14
you
34:15
know,
34:16
what
34:16
do
34:16
they
34:16
call
34:16
it
34:16
in
34:16
the
34:17
Spider
34:17
Verse
34:17
movies?
34:18
A
34:18
thingy.
34:18
No,
34:18
not
34:18
a
34:18
thingy.
34:19
Anyway,
34:20
you
34:20
know,
34:21
a
34:21
McGuffin.
34:22
I.
34:22
I
34:23
watched
34:23
it,
34:23
and
34:23
I'm
34:24
still
34:24
like,
34:24
I
34:24
know
34:24
it.
34:25
We
34:25
could
34:25
just
34:25
say
34:25
McGuffin
34:26
at
34:26
this
34:26
point.
34:26
They.
34:26
They
34:27
can
34:27
come
34:27
up
34:27
with
34:27
all
34:27
the,
34:28
like,
34:28
terms
34:28
they
34:28
want.
34:29
We're
34:29
not
34:29
going
34:29
to
34:29
remember
34:29
them
34:29
all.
34:30
Yeah,
34:31
but
34:31
you
34:31
know,
34:31
a
34:31
dude
34:32
at
34:32
a
34:32
gizmo
34:32
that
34:34
they
34:34
believe
34:35
will
34:36
contact
34:36
the
34:37
Nova
34:37
Corps
34:38
and
34:39
summon
34:40
the
34:40
Nova
34:40
Corps
34:40
to
34:40
help
34:41
them
34:42
cure
34:42
the
34:42
Earth
34:43
of
34:43
the
34:43
zombie
34:44
infection.
34:45
And
34:45
so
34:45
that
34:45
sets
34:45
them
34:46
on
34:46
this
34:46
story.
34:47
But
34:47
the
34:48
problem
34:48
is
34:48
that
34:49
the
34:49
Earth
34:49
has
34:50
been
34:50
covered
34:51
in
34:52
an
34:53
energy
34:53
shield
34:53
of
34:53
sorts
34:54
that
34:54
is
34:54
preventing
34:55
transmissions
34:55
from
34:56
getting
34:56
out.
34:56
And
34:57
there
34:57
was
34:58
an
34:58
event
34:58
in
34:58
Wakanda
34:59
they
34:59
call
35:00
it.
35:00
And.
35:02
And
35:02
that
35:02
has
35:02
caused
35:03
the
35:03
Earth
35:03
to
35:03
sort
35:03
of
35:03
be
35:03
cut
35:04
off
35:04
from
35:04
communication
35:05
with
35:05
the
35:05
rest
35:05
of
35:05
the
35:06
galaxy.
35:07
So
35:07
they
35:07
have
35:07
to
35:07
find
35:07
a
35:07
spaceship
35:09
and
35:09
get
35:09
into
35:10
space
35:10
to
35:10
summon
35:11
the
35:11
Nova
35:11
Corps.
35:11
And
35:11
I
35:12
think
35:12
that's
35:12
probably
35:12
all
35:12
the
35:12
plot
35:13
we'll
35:14
get
35:14
into
35:14
here.
35:15
There's
35:15
obviously
35:16
more
35:17
that.
35:17
More
35:18
than
35:18
that
35:18
going
35:18
on,
35:18
as
35:19
you
35:19
might
35:19
imagine.
35:19
And.
35:20
But
35:20
a
35:20
lot
35:20
of
35:20
it
35:21
is
35:21
just,
35:21
you
35:21
know,
35:21
the
35:22
thrills
35:23
of
35:23
seeing
35:24
your
35:24
favorites
35:25
either,
35:25
you
35:25
know,
35:25
in
35:26
a
35:26
new
35:26
setting
35:26
or
35:26
seeing
35:27
your
35:27
favorites
35:27
as
35:27
zombies.
35:29
Seeing,
35:29
you
35:29
know,
35:30
various
35:30
zombie
35:31
kills
35:31
and
35:31
all
35:31
that
35:32
kind
35:32
of
35:32
stuff
35:32
that
35:32
comes
35:33
with
35:33
a
35:34
zombie
35:34
story.
35:35
And.
35:36
Yeah,
35:36
I
35:36
mean,
35:36
you
35:37
know,
35:37
if
35:37
you,
35:37
if
35:37
you're
35:38
into
35:38
these
35:38
characters
35:39
and
35:39
into
35:39
this
35:39
world,
35:40
you
35:40
know,
35:40
and
35:40
you
35:41
can
35:41
tolerate
35:42
that
35:42
level
35:42
of
35:43
gore
35:43
and,
35:43
you
35:43
know,
35:44
this
35:44
is
35:44
very
35:44
much
35:44
an
35:44
R
35:45
rated
35:45
or
35:46
the
35:46
equivalent
35:46
thereof,
35:47
you
35:48
know,
35:48
kind
35:48
of
35:48
zombie
35:48
story
35:49
in
35:49
animations,
35:50
but
35:50
still
35:51
fairly
35:51
intense.
35:52
They
35:52
do
35:52
not
35:52
shy
35:52
away
35:53
from
35:53
the
35:53
kinds
35:54
of
35:54
things
35:54
that
35:54
happen
35:55
to
35:55
zombies
35:55
and
35:56
that
35:56
zombies
35:56
do
35:56
to
35:56
other
35:57
people
35:57
in
35:58
other
35:58
kinds
35:58
of
35:58
zombie
35:58
stories.
36:00
You
36:00
know,
36:00
if
36:00
you
36:00
like
36:00
these,
36:01
these
36:01
actors,
36:02
you
36:02
know,
36:02
it's
36:02
a
36:02
lot
36:02
of
36:03
fun.
36:03
I
36:03
think
36:03
that
36:03
the
36:03
thing
36:04
that
36:04
it
36:04
highlighted
36:05
for
36:05
me,
36:05
though,
36:05
is
36:05
just,
36:05
you
36:06
know,
36:06
how
36:06
many
36:07
great
36:07
characters
36:08
are
36:09
kind
36:09
of
36:09
sitting
36:09
on
36:09
the
36:09
shelf
36:10
of
36:10
the
36:10
MCU
36:11
and
36:11
we
36:12
should
36:12
really
36:12
see
36:12
more
36:12
of.
36:13
Right.
36:14
Simu
36:14
Liu,
36:15
Shang
36:16
Chi,
36:16
you
36:16
know,
36:17
debuted
36:17
in
36:17
an
36:17
excellent
36:18
film
36:18
and
36:19
we've
36:19
now
36:19
seen,
36:19
you
36:19
know,
36:20
we've
36:20
now
36:20
seen
36:21
him
36:21
twice
36:22
and
36:22
Hillary
36:22
Steinfeld
36:23
twice,
36:24
Hawkeye
36:25
in.
36:25
In
36:25
these
36:26
animated
36:26
shows
36:27
because
36:27
they
36:27
both
36:27
had
36:27
a
36:28
what
36:28
if
36:28
episode
36:29
and
36:29
some
36:29
of
36:29
these
36:29
other
36:30
characters
36:30
that,
36:30
you
36:30
know,
36:30
have
36:30
been
36:31
between
36:31
what
36:31
if
36:31
and
36:32
this,
36:32
you
36:32
know,
36:32
we're
36:32
seeing
36:33
them
36:33
on
36:33
the,
36:33
on
36:33
the
36:33
small
36:34
screen
36:34
in
36:34
animated
36:35
form,
36:35
but
36:35
you've
36:36
got
36:36
some
36:36
very
36:36
charismatic
36:37
popular
36:38
actors
36:38
and
36:38
characters
36:39
that
36:39
really
36:39
should
36:40
be.
36:41
We
36:41
should
36:41
have
36:41
had
36:42
more,
36:42
more
36:42
films
36:43
or
36:44
something
36:44
with
36:44
some
36:44
of
36:44
these
36:45
characters
36:45
by
36:45
now.
36:45
And
36:46
I
36:46
know
36:46
that
36:46
there
36:46
are
36:46
a
36:47
lot
36:47
of
36:47
reasons
36:47
that
36:47
nobody
36:48
chose
36:49
why
36:50
that's
36:50
happening,
36:50
right?
36:50
The,
36:50
the
36:50
strikes
36:51
and
36:51
the,
36:51
the
36:51
pandemic
36:52
and
36:52
all
36:52
that,
36:52
like,
36:52
this
36:52
isn't
36:53
all
36:53
entirely
36:54
just
36:54
that
36:55
they
36:55
made
36:55
bad
36:55
decisions.
36:56
It's
36:56
also
36:57
bad
36:57
or
36:58
unfortunate
36:58
things
36:59
happen
36:59
to
36:59
them
37:00
and
37:00
around
37:00
them
37:00
as
37:00
well.
37:01
But,
37:01
yeah,
37:02
I
37:02
think
37:03
if
37:04
they
37:04
can
37:04
find
37:04
a
37:05
way
37:05
to
37:06
keep
37:06
folks
37:06
around
37:07
and
37:07
get
37:07
some
37:08
of
37:08
these
37:08
folks
37:08
into
37:08
some
37:10
more
37:10
shows
37:10
and
37:11
movies,
37:12
they
37:12
have
37:13
quite
37:13
a
37:13
lineup
37:14
that
37:14
is
37:15
underutilized,
37:16
let's
37:17
say,
37:17
thus
37:17
far.
37:18
And
37:18
so
37:19
it's
37:19
got
37:19
me
37:19
excited.
37:20
If
37:20
they
37:20
can
37:20
do
37:20
something
37:21
good
37:21
with
37:21
them
37:21
with
37:21
Avengers,
37:22
Doomsday
37:22
and
37:23
Secret
37:23
wars,
37:23
that
37:23
would
37:23
be
37:24
great.
37:24
Please,
37:25
please,
37:25
please.
37:25
When
37:26
Destin,
37:26
Daniel
37:26
Cretton
37:27
is
37:27
done
37:27
with
37:27
Spider
37:28
man,
37:28
brand
37:28
new
37:28
day.
37:28
Please
37:29
make
37:29
Shang
37:30
Chi
37:30
2.
37:30
Even
37:31
though
37:31
I'm
37:31
sure
37:31
they
37:31
will
37:32
want
37:32
him
37:32
back
37:32
for
37:32
Spider
37:33
Man.
37:33
Whatever
37:34
day.
37:34
One
37:34
more
37:34
day.
37:35
Rainy
37:36
day.
37:36
Oh,
37:37
there
37:37
you
37:37
go.
37:37
Spider
37:38
man
37:38
rainy
37:38
day.
37:38
That's
37:39
a
37:39
crossover
37:40
of
37:40
Spider
37:40
man
37:41
and
37:41
the
37:41
Tom
37:41
Holland
37:42
Rihanna
37:43
umbrella
37:43
video.
37:44
There
37:44
you
37:44
go.
37:44
There's
37:45
a
37:45
billion
37:45
dollar
37:46
idea.
37:46
Marvel,
37:47
Sony.
37:48
You're
37:48
welcome.
37:48
They're
37:49
pitched
37:49
right
37:50
here.
37:50
Hey,
37:50
Spider
37:51
Man.
37:51
Die
37:51
another
37:51
day.
37:52
There
37:53
you
37:53
go.
37:53
Tom
37:54
Holland
37:54
can
37:54
just
37:54
transition
37:55
from
37:55
playing
37:55
Peter
37:56
Parker
37:56
to
37:56
James
37:56
Bond.
37:57
There
37:57
you
37:57
go.
37:58
There
37:58
you
37:58
go.
37:58
Yeah,
37:59
yeah,
37:59
yeah.
37:59
I
38:00
mean,
38:00
yeah,
38:00
there's
38:00
the
38:00
rights
38:01
issues
38:01
with
38:01
Disney
38:02
and
38:02
Amazon,
38:02
but
38:02
who
38:03
cares?
38:03
We're
38:04
just,
38:04
we're
38:04
just
38:04
throwing
38:04
away
38:05
the
38:05
billion
38:05
dollars
38:05
right
38:06
here.
38:06
Yeah,
38:07
let's
38:07
do
38:08
it.
38:08
But
38:08
yeah,
38:09
no,
38:09
I
38:10
similar.
38:10
I
38:11
mean,
38:11
I've
38:11
only
38:11
watched
38:11
the
38:12
first
38:12
episode
38:12
of
38:12
this
38:12
so
38:12
far,
38:13
but
38:13
wow.
38:14
I,
38:14
you
38:14
know,
38:14
I
38:14
couldn't
38:15
help
38:15
but,
38:15
you
38:16
know,
38:16
think
38:17
while
38:17
I
38:17
was
38:17
watching
38:18
similar
38:18
thoughts
38:19
as
38:19
you
38:19
is
38:19
like,
38:20
I
38:20
really
38:20
wish
38:21
we
38:21
had
38:21
seen
38:21
these
38:22
characters
38:22
more
38:22
and
38:22
I
38:22
actually
38:23
think
38:23
they
38:23
would
38:24
have
38:24
been
38:24
better
38:25
to
38:25
have
38:26
a
38:26
lot
38:26
of
38:26
these
38:26
characters
38:26
introduced.
38:27
Maybe
38:27
an
38:27
animated
38:28
format
38:28
first.
38:28
Like,
38:29
I
38:29
like
38:29
watching
38:30
that
38:30
first
38:30
episode
38:31
because
38:31
I
38:31
love
38:32
Ms.
38:32
Marvel
38:33
like
38:33
the
38:34
character
38:34
and
38:34
particularly
38:34
the
38:35
Gio
38:35
Willow
38:35
Wilson
38:36
comics.
38:36
And
38:37
I
38:37
just
38:37
think
38:37
it
38:37
would
38:38
have
38:38
been
38:38
so
38:38
much
38:38
better
38:38
if
38:39
they
38:39
had
38:39
introduced
38:40
that
38:40
character
38:41
in
38:41
an
38:41
animated
38:41
series
38:42
that
38:42
could
38:43
have
38:43
really
38:43
captured
38:43
the
38:43
tone
38:44
and
38:44
aesthetic
38:44
of
38:45
those
38:45
comics,
38:45
then
38:46
introduced
38:47
her
38:47
on
38:47
live
38:48
action
38:48
form
38:49
with
38:49
the
38:49
same
38:49
actor
38:50
Imani
38:51
in,
38:52
you
38:52
know,
38:52
the
38:52
Marvels
38:53
or
38:53
whatever
38:53
kind
38:53
of
38:54
Captain
38:54
Marvel
38:54
sequel
38:55
that
38:55
just
38:55
would
38:56
have,
38:56
you
38:56
know,
38:56
been
38:56
really
38:57
cool.
38:57
I
38:58
there.
38:58
I
38:59
feel
38:59
like
38:59
they
38:59
are
38:59
missing
39:00
an
39:00
opportunity
39:01
here
39:02
by
39:02
not
39:02
exploring
39:03
animation
39:03
more
39:04
because,
39:05
you
39:05
know,
39:05
it
39:06
a.
39:06
It
39:06
cuts
39:06
down
39:06
on
39:07
budget.
39:07
There's
39:07
the
39:07
practicality
39:08
of
39:08
it,
39:08
but
39:08
also
39:09
it's
39:10
just
39:10
a
39:10
really
39:10
good
39:10
medium
39:11
for
39:11
storytelling
39:12
and
39:12
they
39:13
can
39:13
do
39:13
a
39:13
lot
39:13
more
39:14
there
39:14
on
39:15
tv.
39:15
So
39:15
I
39:15
kind
39:15
of
39:16
wish
39:16
they
39:16
had
39:16
put
39:16
more
39:16
resources
39:17
toward
39:17
the
39:17
animation
39:18
beyond
39:18
just
39:19
what
39:19
if
39:19
and
39:19
this
39:20
and
39:21
done
39:21
some
39:21
of
39:21
those
39:22
live
39:22
action
39:22
shows
39:23
that
39:23
didn't
39:23
as
39:24
well
39:24
and
39:24
done
39:25
them
39:25
in
39:25
animated
39:26
form.
39:27
But
39:27
yeah,
39:28
that
39:28
aside,
39:29
just
39:29
looking
39:29
at
39:30
the
39:30
pilot
39:30
and
39:30
again,
39:30
I
39:31
know
39:31
I
39:31
haven't
39:31
watched
39:31
the
39:31
rest
39:31
of
39:32
it,
39:32
but.
39:33
But
39:33
yeah,
39:33
it's.
39:33
I
39:33
mean,
39:34
it's
39:34
entertaining.
39:35
It
39:35
is
39:35
fun
39:35
to
39:36
see
39:36
these
39:36
characters.
39:37
I'm
39:37
a
39:37
big
39:37
zombie
39:38
guy
39:38
and
39:38
I
39:38
love
39:39
horror.
39:40
I
39:40
don't
39:41
think
39:41
from
39:41
that
39:41
first
39:41
episode
39:42
it
39:42
was
39:42
like
39:43
particularly
39:43
leaned
39:44
into
39:44
it
39:45
as
39:45
much.
39:45
I
39:45
mean,
39:46
you
39:46
know,
39:46
again,
39:46
I
39:46
haven't
39:46
seen
39:47
the
39:47
rest,
39:47
so
39:47
it
39:47
might
39:48
delve
39:49
into
39:49
that
39:49
a
39:49
lot
39:49
more.
39:50
But
39:50
it
39:51
was,
39:51
you
39:51
know,
39:52
it's
39:52
still
39:52
perfectly
39:53
entertaining.
39:54
Again,
39:54
it's
39:54
Just,
39:55
it's
39:55
hard
39:55
to,
39:55
like,
39:56
not
39:56
think
39:57
about
39:57
the
39:57
wider
39:57
MCU
39:58
right
39:58
now
39:58
when
39:58
I'm
39:58
watching
39:59
anything
39:59
in
40:00
this
40:00
universe,
40:00
because
40:01
there
40:01
is
40:01
just
40:02
so
40:02
much
40:03
you.
40:03
It's
40:03
so
40:04
convoluted
40:04
right
40:04
now.
40:05
And,
40:06
you
40:06
know,
40:06
characters
40:07
are
40:07
kind
40:07
of
40:07
all
40:07
over
40:07
the
40:07
place.
40:08
And,
40:08
you
40:08
know,
40:08
these.
40:09
I
40:09
like
40:09
you.
40:10
I
40:10
loved
40:10
the
40:11
first
40:11
Shangi
40:11
movie.
40:12
I've
40:13
been
40:13
hammering
40:13
for
40:14
a
40:14
sequel
40:14
as
40:14
well.
40:15
And,
40:15
you
40:16
know,
40:16
I
40:16
hope
40:16
they
40:16
can
40:17
also
40:17
do
40:17
more
40:18
with
40:18
characters
40:18
like
40:19
him
40:19
and
40:19
Ms.
40:20
Marvel
40:20
and
40:21
Ironheart.
40:22
All
40:22
of
40:22
these,
40:22
you
40:23
know,
40:24
depending
40:24
on
40:24
how
40:25
Doomsday
40:25
and
40:26
Secret
40:26
wars
40:26
go,
40:26
we
40:27
will
40:27
see.
40:27
But.
40:28
But,
40:28
yeah,
40:29
but.
40:29
But,
40:30
yeah,
40:30
I
40:30
mean,
40:30
this
40:30
is
40:30
a
40:31
very
40:31
enjoyable
40:31
show
40:32
on
40:32
its
40:32
own.
40:32
Like,
40:32
I.
40:33
I
40:33
remember
40:34
doing
40:34
a
40:34
book
40:34
club
40:35
with
40:35
the
40:35
original
40:36
Marvel
40:37
Zombies
40:37
comic
40:38
years
40:38
ago
40:38
at
40:39
Comic
40:39
Shop,
40:39
and
40:40
I
40:40
actually
40:40
was
40:40
not
40:40
a
40:41
fan
40:41
of
40:41
it.
40:41
Even
40:41
though
40:41
I
40:42
like
40:42
Robert
40:42
Kirkman
40:43
and
40:43
I
40:43
love
40:43
Walking
40:43
Dead,
40:44
mainly
40:45
the
40:45
comics.
40:45
The
40:45
show
40:45
is
40:46
a
40:46
little
40:46
bit
40:46
all
40:46
over
40:46
the
40:46
place.
40:47
But.
40:47
But,
40:48
you
40:48
know,
40:48
like,
40:49
I.
40:49
It
40:49
was
40:50
a
40:50
great
40:50
premise.
40:50
I
40:51
don't
40:51
think
40:51
that
40:51
was
40:51
executed
40:52
that
40:52
well.
40:53
I'm
40:53
glad
40:53
that
40:53
with
40:54
the
40:54
what
40:54
if
40:54
episode
40:55
and
40:56
this
40:56
show,
40:56
they
40:56
took
40:57
a
40:57
very
40:57
different
40:57
storyline
40:58
there
40:58
and
40:58
kind
40:59
of
40:59
made
40:59
it
40:59
their
40:59
own,
41:00
which
41:00
I
41:01
like.
41:01
But,
41:01
yeah,
41:02
I
41:02
mean,
41:02
I
41:02
think
41:02
the
41:02
animation's
41:03
solid.
41:04
Oh,
41:04
the
41:04
other
41:04
thing
41:05
is
41:05
that,
41:05
you
41:05
know,
41:05
this
41:05
is
41:05
another
41:06
thing
41:06
of,
41:06
like,
41:07
this
41:07
just
41:07
makes
41:08
you
41:09
really.
41:10
It
41:10
made
41:10
me
41:10
very
41:11
just,
41:11
like,
41:11
sad
41:12
about
41:12
the
41:12
overall
41:12
state
41:13
of
41:13
the
41:13
mcu.
41:13
They
41:14
have
41:14
Blade
41:14
in
41:14
this,
41:15
and
41:15
it
41:15
just
41:16
reminded
41:16
me
41:16
that
41:17
we're
41:17
probably
41:17
never
41:18
getting
41:18
the
41:18
MCU
41:19
Blade
41:19
movie
41:19
because
41:19
that
41:19
has
41:20
been
41:20
stuck
41:20
in
41:20
development
41:21
hell
41:22
for
41:22
years
41:22
at
41:23
this
41:23
point.
41:24
So
41:24
that's
41:24
just.
41:25
It's
41:25
another
41:25
thing.
41:26
It's
41:26
like,
41:26
I'm
41:27
trying
41:27
to
41:27
watch
41:27
these
41:27
independently,
41:28
but
41:28
it's
41:28
hard
41:29
not
41:29
to
41:29
think
41:29
about
41:30
the
41:30
wider
41:30
universe
41:31
and
41:31
all
41:31
the
41:31
problems
41:31
going
41:32
on
41:32
there.
41:33
But
41:33
this
41:33
series,
41:34
you
41:34
know,
41:34
if
41:34
you
41:34
want
41:34
just
41:35
some
41:35
good,
41:36
you
41:36
know,
41:36
zombie
41:37
horror,
41:37
superhero
41:38
entertainment,
41:39
I
41:39
think
41:39
it
41:39
scratches
41:40
an
41:40
itch
41:40
there
41:40
and
41:40
it
41:41
has
41:41
some
41:41
fun
41:41
characters.
41:42
These
41:42
are
41:42
all
41:42
characters
41:43
that
41:43
I
41:43
really
41:43
enjoy,
41:44
and
41:45
it
41:45
puts
41:45
them
41:45
in
41:45
fun
41:46
interactions,
41:47
each
41:47
other.
41:48
So,
41:48
yeah,
41:48
I
41:49
mean,
41:49
I'll
41:49
probably.
41:49
I
41:49
will
41:49
probably
41:50
check
41:50
out
41:50
the
41:50
rest
41:50
of
41:50
it,
41:51
but
41:51
it's
41:51
also
41:52
not
41:52
like,
41:53
oh,
41:53
my
41:53
gosh,
41:53
I
41:54
have
41:54
to
41:54
watch
41:54
this.
41:54
It's
41:55
high
41:55
on
41:55
my
41:55
list.
41:56
Feels,
41:56
you
41:57
know,
41:57
kind
41:57
of
41:57
like
41:57
you
41:58
said,
41:58
passive
41:58
entertainment.
41:59
Yep.
42:00
And
42:00
also,
42:00
if
42:01
they.
42:01
If
42:01
they
42:01
don't
42:01
make
42:01
that
42:01
young
42:02
Avengers
42:02
film
42:02
they
42:02
promised
42:03
us
42:03
at
42:03
the
42:03
end
42:03
of
42:04
the
42:04
Marvels.
42:04
Yeah,
42:05
I
42:05
will
42:05
be
42:05
so
42:05
sad
42:06
because.
42:06
I
42:06
mean,
42:07
the
42:07
chemistry
42:07
between
42:08
them
42:08
here
42:08
is
42:08
flawless.
42:09
Like,
42:09
that.
42:10
All
42:10
the
42:10
ingredients
42:11
there,
42:11
I
42:11
just.
42:12
Yeah.
42:12
They're
42:12
missing
42:12
so
42:13
Many
42:13
opportunities.
42:13
I,
42:14
I
42:15
don't
42:15
know.
42:15
We'll
42:15
see
42:15
what
42:15
happens.
42:16
But
42:16
I
42:16
mean,
42:16
I
42:16
know
42:17
you
42:17
know,
42:17
Secret
42:18
wars
42:18
is
42:18
supposed
42:19
to
42:19
do
42:20
sort
42:20
of
42:20
a
42:20
soft
42:20
reboot
42:21
and
42:21
I
42:21
agree
42:21
that
42:22
they
42:22
need
42:22
to
42:22
scale
42:22
back.
42:23
I,
42:23
I,
42:23
I
42:23
like
42:24
James
42:24
Gunn's
42:24
approach
42:24
in
42:25
D.C.
42:25
that
42:26
he's
42:26
not
42:26
green
42:27
lighting
42:27
a
42:27
project
42:27
until
42:28
he's
42:28
happy
42:28
with
42:28
the
42:28
script.
42:29
I,
42:30
that's
42:30
a
42:31
really
42:31
good
42:31
approach
42:32
I
42:32
think
42:33
but,
42:34
but
42:34
nonetheless
42:35
they
42:35
need
42:35
to,
42:36
you
42:36
know,
42:37
build
42:37
on
42:37
some
42:37
of
42:37
the
42:37
promises
42:38
that
42:38
they've
42:38
laid
42:38
out
42:39
in,
42:39
you
42:39
know,
42:40
all
42:40
these
42:40
are
42:40
characters
42:41
we
42:41
haven't
42:41
seen
42:41
in
42:41
forever.
42:42
And
42:43
yeah,
42:43
just
42:43
like
42:44
don't
42:45
sit
42:45
on
42:45
these
42:45
for
42:46
too
42:46
long,
42:46
you
42:46
know.
42:46
Yeah.
42:47
And
42:47
especially,
42:47
you
42:47
know,
42:48
I
42:48
especially
42:48
think
42:48
of
42:48
Simu
42:49
Liu.
42:49
Right.
42:49
They
42:50
made
42:50
him
42:50
an
42:50
action
42:50
hero
42:51
star
42:52
and
42:52
then
42:53
like
42:53
there's
42:53
only
42:54
so
42:54
many
42:54
years
42:54
of
42:54
a
42:55
man's
42:55
life
42:55
that
42:55
he
42:55
can
42:55
do
42:55
that
42:56
or,
42:56
or
42:56
a
42:56
woman.
42:57
Right,
42:57
right.
42:58
So
42:59
don't.
42:59
And,
42:59
and
43:00
yes,
43:00
I
43:00
know
43:00
Liam
43:00
Easton,
43:01
we,
43:02
but
43:02
right.
43:03
He,
43:03
not
43:03
everybody
43:04
wants
43:04
to
43:04
be
43:04
doing
43:04
those
43:05
kinds
43:05
of
43:05
films
43:05
till
43:05
they're
43:05
80
43:07
and
43:07
so
43:07
I
43:08
think
43:08
it's,
43:08
it's
43:08
a
43:08
real
43:08
shame
43:09
that
43:09
you
43:09
know,
43:09
this
43:10
is
43:10
seven
43:10
years
43:10
of,
43:11
of
43:11
his
43:12
kind
43:12
of
43:12
peak
43:13
career
43:13
for
43:13
that
43:14
kind
43:14
of
43:14
thing
43:14
that
43:15
have,
43:15
have
43:15
gone
43:16
unused.
43:17
So
43:17
anyway,
43:18
I'll
43:18
get
43:18
off
43:18
my
43:19
I.
43:19
Oh
43:20
I
43:20
agree
43:20
100
43:21
and
43:21
yeah,
43:22
not
43:22
everyone
43:22
can
43:22
be
43:23
a
43:23
Liam
43:23
Neeson
43:24
or
43:24
Tom
43:24
Cruise
43:25
like,
43:25
you
43:25
know,
43:25
like
43:26
and,
43:26
and
43:26
again,
43:27
the
43:27
first
43:27
song,
43:28
she
43:28
was
43:28
so
43:28
good.
43:28
It
43:29
was
43:29
so
43:29
well
43:29
directed.
43:30
It
43:30
left
43:31
me
43:31
wanting
43:31
more.
43:33
I
43:33
was
43:33
just
43:33
like
43:33
get
43:33
this
43:34
spawn
43:34
a
43:34
trilogy.
43:35
And
43:35
yeah,
43:36
they
43:36
have
43:36
not
43:37
followed
43:37
up
43:38
on
43:38
that
43:38
so
43:38
we'll
43:38
see.
43:39
But
43:39
get
43:40
on
43:40
it
43:40
Marvel
43:40
we
43:41
can.
43:41
These
43:42
are
43:42
the
43:42
things
43:42
you
43:42
want.
44:44
But
44:46
by
44:46
contrast,
44:46
somebody
44:47
who
44:47
knows
44:47
how
44:47
to
44:48
strike
44:48
while
44:49
the
44:49
iron
44:49
is
44:49
hot.
44:50
Someone
44:50
who
44:50
does
44:50
not
44:51
slow
44:51
down.
44:51
I
44:52
will
44:53
say.
44:54
So
44:55
yeah,
44:55
for
44:55
those
44:56
of
44:56
you
44:56
who
44:56
don't
44:56
know
44:56
systematicology,
44:57
like
44:58
I
44:58
am
44:58
kind
44:58
of
44:58
the
44:58
right.
44:59
I
44:59
get
44:59
the
44:59
resident
45:00
Swifty
45:00
here.
45:00
Well,
45:01
I
45:01
don't
45:01
know,
45:01
there
45:01
may
45:02
be
45:02
other
45:02
hosts
45:03
but
45:03
I'll
45:04
have
45:04
to
45:04
see
45:04
that
45:05
we
45:05
have
45:05
any
45:05
other
45:06
McFans.
45:07
But,
45:08
but
45:08
yeah,
45:08
I
45:08
mean
45:09
and
45:09
I
45:09
was,
45:09
I
45:09
will
45:10
say
45:10
I
45:10
became
45:11
a
45:11
Swifty
45:11
more
45:12
in
45:13
what
45:14
kind
45:14
of
45:14
really
45:15
kind
45:15
of
45:15
lured
45:16
me
45:16
and
45:16
I
45:16
guess
45:16
you
45:16
could
45:17
say
45:17
is
45:17
when
45:18
she
45:18
was
45:18
on
45:18
SNL
45:20
a
45:20
few
45:20
years
45:20
ago
45:21
and
45:21
did
45:21
the
45:22
10
45:22
minute
45:22
version
45:23
of
45:23
All
45:23
Too
45:23
well,
45:24
I
45:24
was
45:24
mesmerized
45:25
there.
45:25
I
45:25
mean
45:26
I,
45:26
I
45:26
grew
45:26
up,
45:27
you
45:27
know,
45:27
like,
45:27
I
45:27
mean
45:27
I'd
45:27
hear
45:28
on
45:28
the
45:28
radio
45:28
obviously,
45:29
you
45:29
know,
45:30
rising
45:30
cultural
45:31
phenomenon
45:32
throughout
45:32
my
45:33
lifetime.
45:34
But
45:34
I,
45:34
you
45:34
know,
45:34
I
45:35
was
45:35
not
45:35
there's
45:36
a
45:36
tater
45:36
by
45:36
any
45:37
means.
45:37
I
45:37
Just,
45:38
you
45:38
know,
45:38
I
45:38
hadn't
45:39
really
45:39
gotten
45:40
into
45:40
that
45:40
particular
45:40
fandom,
45:41
but
45:41
that
45:41
was
45:42
what
45:42
lured
45:42
me
45:42
in.
45:42
And
45:43
from
45:43
that
45:43
point
45:43
on
45:43
I,
45:44
you
45:44
know,
45:44
went
45:44
all
45:44
in
45:45
and
45:45
I,
45:46
you
45:46
know,
45:46
I've
45:47
not,
45:47
I
45:47
didn't
45:47
get
45:47
to
45:48
see
45:48
the
45:48
ERAS
45:48
tour
45:49
live,
45:50
unfortunately.
45:50
I
45:50
tried
45:50
to
45:51
get
45:51
tickets,
45:51
but
45:51
I
45:52
did
45:52
go
45:52
see
45:52
the
45:52
movie
45:53
in
45:53
theaters
45:53
and
45:54
I
45:54
went
45:54
to
45:55
the,
45:55
with
45:56
the
45:56
new
45:56
album
45:56
the
45:56
Life
45:57
of
45:57
a
45:57
Showgirl.
45:57
I
45:57
went
45:58
to
45:58
the
45:59
movie
45:59
release
46:00
party
46:00
for
46:01
the
46:01
album
46:01
this
46:02
weekend
46:02
at
46:02
Alamo.
46:03
So
46:03
that
46:03
was
46:03
a
46:03
lot
46:03
of
46:03
fun.
46:04
But
46:04
yeah,
46:04
that's,
46:05
I
46:05
mean,
46:05
so
46:05
this
46:06
is
46:06
obviously
46:08
album
46:08
the
46:08
Life
46:08
of
46:09
a
46:09
Showgirl.
46:10
A
46:10
lot
46:11
has
46:11
happened,
46:12
you
46:12
know,
46:12
over
46:13
the
46:13
years
46:13
with
46:13
her
46:14
career
46:14
and
46:15
this
46:15
is,
46:16
you
46:16
know,
46:16
a
46:16
different
46:17
tone
46:17
because,
46:18
you
46:18
know,
46:19
the,
46:20
the
46:20
cliche
46:21
around
46:21
Taylor
46:21
Swift
46:22
is
46:22
like
46:22
for
46:22
a
46:23
long
46:23
time
46:23
was
46:23
like,
46:23
oh,
46:23
she
46:24
just,
46:24
you
46:24
know,
46:24
writes
46:25
breakout
46:25
out
46:25
breakup
46:26
albums
46:26
and
46:26
all
46:27
that.
46:27
And
46:27
you
46:27
know,
46:28
that,
46:28
that
46:28
I
46:28
think
46:28
is
46:29
a
46:29
very
46:29
like
46:30
surface
46:30
level
46:31
thing
46:31
to
46:31
say.
46:31
But
46:32
nonetheless,
46:33
there
46:33
are
46:33
a
46:34
lot
46:34
of
46:34
her
46:34
music
46:35
For
46:35
a
46:35
Long
46:36
Time
46:36
was
46:36
based
46:37
on,
46:37
you
46:37
know,
46:38
evolving
46:38
relationships
46:39
and
46:40
you
46:40
know,
46:40
her
46:40
growing
46:41
feelings
46:41
and,
46:43
and
46:43
just,
46:43
you
46:43
know,
46:44
the
46:44
rise
46:45
to
46:45
fame.
46:46
This
46:46
one,
46:47
it
46:47
comes
46:47
at
46:47
a
46:47
time
46:48
where
46:48
she's
46:49
very
46:49
happy
46:50
and
46:51
you
46:51
know,
46:51
she's
46:51
recently
46:52
engaged.
46:52
She's
46:54
at
46:54
the
46:55
top
46:55
of
46:56
her
46:56
superstardom
46:57
level.
46:58
She's
46:58
one
46:58
of
46:58
the
46:58
most
46:59
famous
46:59
rich
46:59
people.
46:59
Rich
47:00
people
47:00
on
47:00
earth.
47:01
And
47:02
you
47:02
wonder
47:03
how
47:03
does
47:04
that
47:04
level
47:04
of
47:05
fame
47:05
and
47:05
fortune
47:06
inform
47:07
an
47:07
artist's
47:08
work?
47:09
And
47:09
I
47:09
will
47:09
go
47:10
and
47:10
say,
47:10
I
47:10
mean,
47:10
is
47:11
this,
47:11
you
47:11
know,
47:11
my
47:11
favorite
47:12
album
47:12
I
47:12
heard?
47:12
No.
47:13
Do
47:13
I
47:13
think
47:14
it's
47:14
terrible?
47:14
No,
47:15
I
47:15
think
47:15
it's
47:17
looking
47:17
at
47:17
it
47:18
objectively
47:19
as,
47:19
as
47:19
a
47:19
fan,
47:19
but
47:19
as
47:20
someone
47:20
who
47:20
can
47:20
still,
47:21
you
47:21
know,
47:21
evaluate
47:22
work
47:23
on
47:24
its
47:24
own.
47:24
I
47:25
think
47:25
it
47:25
is
47:25
a.
47:26
I,
47:26
I
47:26
was
47:27
texting
47:27
a
47:27
friend
47:27
about
47:27
it
47:28
and
47:28
I
47:29
feel
47:29
like
47:29
this
47:29
came
47:30
at
47:30
the
47:30
right
47:30
time
47:30
because
47:31
yes,
47:31
it
47:31
is
47:32
a
47:32
more
47:32
happy,
47:32
feelgood
47:33
album
47:33
and
47:34
it's
47:35
not
47:35
going
47:35
to
47:35
have
47:35
the
47:35
same,
47:36
you
47:36
know,
47:37
lyrical,
47:38
hard
47:38
hitting,
47:39
kind
47:39
of
47:40
mastery
47:40
as
47:40
something
47:41
like
47:42
folklore,
47:43
evermore
47:44
tortured
47:45
poet
47:45
society.
47:46
But
47:46
it
47:47
does
47:47
have
47:48
that
47:48
kind
47:48
of
47:48
feel
47:48
good
47:49
essence
47:49
to
47:50
it.
47:50
And
47:51
for
47:51
me
47:51
at
47:51
least
47:52
I
47:52
needed
47:52
something
47:53
feel
47:53
good
47:53
and
47:53
happy
47:54
and
47:54
light
47:54
hearted.
47:55
So
47:55
I
47:55
was
47:56
happy
47:56
to
47:57
play
47:57
this
47:57
on
47:57
Friday.
47:58
I
47:58
had
47:59
a
47:59
good
47:59
time
47:59
listening
47:59
to
48:00
it.
48:00
I
48:00
had
48:00
a
48:00
fun
48:01
time
48:02
at
48:02
the
48:03
movie.
48:03
You
48:04
know,
48:05
the
48:05
movie
48:05
was
48:05
really
48:06
just
48:06
a
48:07
compilation
48:08
of
48:08
lyric
48:09
videos
48:09
with
48:09
intros
48:10
by
48:10
her.
48:11
And
48:11
then
48:11
it
48:11
showed
48:11
the
48:13
music
48:13
video
48:13
for
48:14
the
48:14
Fate
48:14
of
48:14
Ailia,
48:15
which
48:15
is
48:16
the
48:16
first
48:16
track
48:17
on
48:17
this
48:17
album.
48:18
And
48:18
then
48:18
it
48:18
gave
48:19
some
48:19
behind
48:19
the
48:19
scenes
48:20
into
48:20
that.
48:20
So
48:21
it's,
48:21
it's
48:22
more
48:22
like
48:22
a
48:23
Kind
48:23
of
48:23
a
48:23
celebration
48:24
and
48:24
she
48:25
put
48:25
it
48:25
in
48:25
theaters
48:26
because
48:26
she
48:26
can.
48:26
Because
48:27
she's.
48:28
But.
48:29
But
48:29
it
48:29
was
48:29
a
48:30
fun
48:30
time.
48:30
Yeah,
48:30
but
48:31
that's
48:31
kind
48:31
of
48:31
was
48:31
my
48:32
reaction
48:32
to
48:32
this
48:32
album.
48:33
I
48:33
mean
48:33
there
48:33
are
48:33
a
48:34
couple
48:34
songs
48:34
I
48:34
really
48:35
like.
48:35
There
48:35
are
48:35
others
48:35
that
48:36
are,
48:36
eh.
48:37
It's
48:37
not
48:37
that
48:37
good.
48:37
But
48:38
as
48:38
a
48:38
whole
48:39
it's
48:39
an
48:39
album
48:40
that
48:40
is
48:40
very
48:41
happy.
48:41
It's
48:42
very.
48:42
You
48:42
know,
48:44
to
48:44
an
48:45
extent
48:45
I
48:45
think
48:45
that
48:46
when
48:46
you
48:47
do
48:47
get
48:47
that
48:48
rich
48:48
and
48:48
that
48:48
famous.
48:49
Yes.
48:50
It's
48:50
going
48:50
to
48:50
potentially
48:51
have
48:51
a
48:51
negative
48:51
impact
48:52
on
48:52
your
48:52
work
48:52
because
48:52
at
48:53
a
48:53
certain
48:53
point
48:53
it's
48:53
like
48:54
you.
48:54
It's
48:55
hard
48:55
to
48:56
relate
48:56
to
48:57
common
48:57
people
48:58
at
48:58
all
48:58
because
48:58
you're
48:59
on
48:59
a
48:59
whole
48:59
nother
49:00
stratosphere
49:01
of.
49:02
Of
49:02
fame
49:03
and
49:03
fortune.
49:04
So
49:04
it's.
49:05
There's
49:06
gonna
49:06
be
49:06
a
49:06
difference
49:07
in
49:07
the
49:08
songwriting
49:09
here
49:09
compared
49:10
to
49:11
her
49:11
earlier
49:11
works
49:12
that
49:12
are
49:12
about
49:13
just
49:13
growing
49:14
up
49:14
in
49:14
relationships
49:15
and
49:15
you
49:15
know,
49:16
trying
49:17
to
49:17
wrestle
49:17
with
49:18
different
49:19
emotions.
49:20
And
49:20
you
49:21
know,
49:21
there's
49:21
still
49:22
the
49:22
songs
49:23
like
49:23
Elizabeth
49:23
Taylor
49:24
and
49:24
the
49:24
Fate
49:24
of
49:24
Ophelia
49:25
draw
49:26
from
49:26
her
49:27
long
49:28
time
49:28
interest
49:29
in
49:30
English
49:30
and
49:30
mythology
49:31
and
49:31
literature.
49:32
So
49:32
that
49:33
the
49:33
Very
49:33
imbued
49:34
in
49:34
there.
49:35
But
49:35
some
49:35
of
49:35
the
49:35
others
49:36
kind
49:36
of,
49:36
you
49:36
know,
49:37
kind
49:37
of
49:37
fall
49:37
flat
49:37
and
49:38
I
49:38
mean
49:38
I'm
49:38
not
49:39
even
49:39
getting
49:39
through
49:39
it
49:39
on
49:39
here.
49:40
But
49:40
the.
49:41
There
49:41
is
49:41
always.
49:42
There
49:42
has
49:42
already
49:42
been
49:43
a
49:43
myriad
49:43
of
49:44
jokes
49:44
about
49:45
the
49:45
song
49:45
Wood
49:46
on
49:46
here,
49:46
which
49:46
is
49:47
pretty
49:48
obvious
49:48
about
49:49
Travis
49:50
Kelsey
49:50
here
49:51
and
49:52
has
49:52
very
49:52
sexual
49:53
undertones
49:53
to
49:54
it.
49:54
Um,
49:54
I
49:54
did
49:55
quite
49:55
a
49:55
laugh
49:56
at
49:56
a
49:56
lot
49:56
of
49:56
the
49:56
memes
49:56
there,
49:58
but.
49:58
Yeah,
49:59
so
49:59
I
49:59
mean
49:59
I,
49:59
I
50:00
give
50:00
this
50:00
idea,
50:00
you
50:00
know,
50:00
my,
50:01
my
50:01
Taylor
50:01
Swift
50:02
favorite.
50:02
My
50:02
favorite
50:03
Taylor
50:03
Swift
50:03
albums
50:04
are
50:05
1989,
50:06
Red
50:06
and
50:07
Midnight.
50:08
I
50:08
think
50:08
all
50:08
of
50:08
those
50:09
have
50:09
different
50:10
feels
50:10
to
50:11
them.
50:11
They
50:11
have
50:11
really
50:12
standout
50:12
songs.
50:13
And
50:13
yeah,
50:14
there's
50:15
a
50:15
good
50:15
fusion
50:15
of
50:16
kind
50:16
of
50:16
pop
50:17
and.
50:18
And
50:19
then
50:19
you
50:19
know,
50:19
Evermore
50:20
and
50:20
Folklore
50:20
are
50:21
very
50:21
folk
50:22
and
50:23
I
50:23
have
50:24
such
50:24
strong
50:24
lyricism.
50:25
This
50:26
is,
50:26
you
50:26
know,
50:27
definitely
50:27
not
50:27
one
50:27
of
50:27
her
50:28
all
50:28
time
50:28
best.
50:28
But
50:29
again,
50:29
I
50:30
think
50:30
it's
50:30
a
50:30
perfectly
50:31
nice
50:31
feel
50:32
good
50:32
album
50:32
and
50:33
I
50:33
needed
50:33
something
50:34
like
50:34
that.
50:35
With
50:35
everything
50:35
going
50:36
on
50:36
in
50:36
the
50:36
world
50:36
right
50:36
now,
50:37
it
50:37
was
50:37
pleasant
50:38
to
50:38
get
50:38
a
50:38
nice
50:39
happy
50:40
feel
50:40
good
50:40
album.
50:41
So
50:41
those
50:41
were
50:42
kind
50:42
of
50:42
my
50:42
thoughts.
50:42
Like
50:42
Andy,
50:43
I
50:43
don't
50:43
know,
50:43
are
50:43
you
50:44
into
50:44
Taylor
50:45
Swift
50:45
at
50:45
all
50:45
or
50:45
do
50:46
you
50:46
have
50:46
like
50:46
as
50:46
your
50:47
family?
50:47
Right.
50:48
So
50:48
I've
50:48
given
50:48
Taylor
50:49
Swift
50:49
a
50:49
lot
50:49
of
50:49
my
50:49
money,
50:50
but
50:50
that
50:51
is
50:51
mainly
50:51
to
50:52
buy
50:52
tickets
50:53
to
50:53
concerts
50:54
for
50:54
my
50:54
daughter
50:54
and
50:55
my
50:55
wife.
50:56
So
50:57
yes,
50:57
I,
50:57
I
50:57
am
50:58
certainly
50:58
not
50:58
a
50:58
stranger
50:59
to
51:00
the
51:00
larger
51:01
Taylor
51:01
Swift
51:01
phenomenon.
51:02
I've,
51:03
you
51:04
know,
51:04
listened
51:04
to
51:05
most
51:05
if
51:05
not
51:05
all
51:05
of
51:05
her
51:06
music
51:06
including
51:07
this
51:07
album.
51:07
You
51:08
know,
51:08
I
51:08
gave
51:08
it
51:08
a
51:08
once
51:09
through
51:09
because
51:09
I,
51:09
you
51:09
know,
51:09
I
51:10
want
51:10
to
51:10
be
51:10
able
51:10
to
51:10
talk
51:11
to
51:11
my
51:11
daughter
51:11
and
51:11
my
51:11
wife
51:11
about
51:12
these
51:12
things
51:12
that
51:12
are
51:12
important
51:13
to
51:13
them.
51:13
Yeah.
51:14
You
51:14
know,
51:14
I
51:15
think
51:15
I,
51:16
for
51:16
my
51:16
own
51:16
personal
51:17
listening,
51:17
enjoy
51:18
Taylor
51:18
Swift
51:19
in
51:19
her
51:19
more
51:19
pop
51:20
mode.
51:20
Something
51:20
like
51:20
Midnight
51:21
or
51:22
Lover
51:22
or
51:22
something
51:23
like
51:23
that.
51:24
But
51:24
it's
51:24
also
51:25
not
51:25
something
51:25
I
51:25
put.
51:26
Taylor
51:26
Swift
51:26
music
51:26
is
51:27
not
51:27
something
51:27
I
51:27
generally
51:27
put
51:28
on
51:28
for
51:28
my
51:29
own
51:29
listening.
51:29
Anyway.
51:32
I
51:32
have
51:32
a
51:33
lot
51:33
of
51:33
respect
51:33
for
51:33
her
51:34
as
51:34
a
51:34
musician,
51:35
as
51:35
an
51:35
entertainer,
51:36
as
51:36
somebody
51:36
who
51:36
is
51:37
taking
51:37
control
51:37
of
51:38
her
51:38
own
51:38
destiny.
51:40
So
51:41
I
51:41
have
51:41
no
51:42
quarrels
51:43
with
51:43
any
51:43
of
51:43
that.
51:44
And
51:45
it's
51:45
not
51:45
a
51:45
comment
51:45
on
51:46
the
51:46
quality
51:46
of
51:46
it
51:46
and
51:46
the
51:47
other
51:47
things
51:47
just
51:47
sort
51:48
of
51:48
not.
51:48
It's
51:49
obviously
51:49
not
51:49
for
51:49
me.
51:49
Right.
51:49
I
51:50
am
51:50
not
51:50
the
51:50
kind
51:50
of
51:50
person
51:50
that
51:51
she's
51:51
thinking
51:51
about
51:51
when
51:51
she's
51:52
writing
51:52
that
51:52
they're
51:52
writing
51:53
these
51:53
songs
51:53
and
51:53
that
51:53
is
51:54
a.
51:54
Okay.
51:54
I'm
51:55
glad
51:55
that
51:55
they
51:55
are
51:56
more
51:56
meaningful
51:56
to
51:57
other
51:57
people.
51:58
And
51:59
yeah,
51:59
my
51:59
only
51:59
other
51:59
thought
52:00
reaction
52:01
to
52:01
this
52:01
album
52:01
was
52:02
that
52:02
I
52:02
do
52:02
not
52:02
envy
52:03
my
52:03
sister
52:03
who,
52:04
you
52:04
know,
52:05
my,
52:05
my
52:05
daughter
52:05
is
52:05
now
52:06
18
52:06
or
52:07
almost
52:07
19
52:08
all
52:08
the
52:08
way
52:08
to
52:08
college.
52:09
She
52:09
can
52:09
make
52:10
her
52:10
own
52:10
decisions
52:10
about
52:11
these
52:11
kinds
52:11
of
52:11
things.
52:12
But
52:12
my
52:12
sister,
52:13
my
52:14
niece
52:14
is
52:15
very
52:15
much
52:16
in
52:16
that
52:16
tween
52:17
stage
52:17
of
52:17
life
52:18
and
52:18
so
52:19
navigating
52:20
something
52:20
like
52:21
the
52:21
Songwood
52:21
and
52:22
whether
52:22
we
52:22
get
52:22
to
52:22
listen
52:23
to
52:23
her
52:23
or
52:23
not
52:23
and
52:23
what
52:23
it's
52:24
talking
52:24
about,
52:24
I
52:24
do
52:24
not
52:25
enjoy
52:25
those
52:25
conversations
52:26
for
52:27
my
52:27
sister,
52:27
but
52:28
I'm
52:28
happy
52:28
to
52:28
not
52:28
have
52:29
to
52:30
deal
52:30
with
52:30
that
52:30
myself
52:31
at
52:31
this
52:31
stage
52:32
in
52:33
my
52:33
relationship
52:33
with
52:34
my
52:34
own
52:34
kids.
52:35
I
52:35
was
52:35
texting
52:36
my
52:36
sister
52:36
about
52:36
that
52:36
because
52:37
my
52:37
niece
52:37
is
52:38
8
52:38
and
52:38
she's
52:39
been
52:39
listening
52:40
to
52:40
it
52:40
for
52:40
years
52:41
because
52:41
like
52:42
my
52:42
sister
52:43
plays
52:43
in
52:43
the
52:43
radio
52:44
and
52:44
everything.
52:44
So
52:44
I
52:44
mean,
52:45
she
52:45
knows
52:45
a
52:45
lot
52:45
of
52:45
the
52:45
classics
52:46
like
52:46
you
52:46
know,
52:47
Love
52:47
Story
52:47
and
52:48
Take
52:48
it
52:48
off
52:48
and
52:48
I
52:49
mean,
52:49
she
52:49
knows
52:49
a
52:49
lot
52:49
at
52:50
this
52:50
point.
52:50
But
52:50
I
52:50
was
52:51
thinking
52:51
about
52:51
that.
52:51
I
52:51
was
52:51
like,
52:51
oh,
52:52
are
52:52
you
52:52
going
52:52
to
52:52
let
52:52
her
52:52
listen
52:53
to
52:53
this
52:53
album?
52:55
You
52:55
know,
52:56
I
52:56
can
52:56
only
52:56
imagine
52:56
the
52:57
questions
52:57
that
52:57
would
52:57
come
52:57
up
52:58
there.
52:58
But,
52:59
but
53:00
I
53:00
got.
53:00
But
53:00
also
53:01
on
53:01
that
53:01
note
53:01
too,
53:02
I,
53:02
you
53:02
know,
53:03
similar
53:03
to
53:04
what
53:04
I
53:04
was
53:04
saying
53:05
earlier
53:05
about
53:05
Paul
53:06
Thomas
53:06
Anderson
53:06
and
53:06
how
53:07
the
53:07
subject
53:08
matter
53:08
ranges
53:09
here,
53:09
I'm
53:09
not
53:09
saying
53:10
there's
53:10
what
53:11
there's
53:11
not
53:11
similar
53:11
themes
53:12
and
53:12
subject
53:12
matter,
53:12
but
53:13
I
53:13
will
53:13
say
53:13
in
53:13
terms
53:14
of
53:15
audience
53:15
and
53:16
how
53:17
some
53:17
song
53:18
can
53:18
be
53:18
super
53:19
mainstream,
53:19
super
53:20
appropriate
53:20
for
53:21
any
53:21
age
53:21
really,
53:22
and
53:23
great
53:23
for
53:24
young
53:25
and
53:25
older
53:26
listeners
53:27
alike,
53:27
she
53:28
can
53:28
also
53:28
do
53:28
stuff
53:29
that
53:29
is
53:29
very
53:29
mature
53:30
and
53:30
that
53:30
is
53:30
intended
53:31
for
53:32
an
53:32
older
53:32
audience.
53:32
That's
53:33
okay.
53:33
And
53:34
because
53:34
she
53:34
has
53:34
such
53:35
a
53:35
massive
53:37
music.
53:40
I'm
53:40
talking,
53:40
like
53:40
on
53:41
the
53:41
word
53:41
but,
53:41
like,
53:41
because
53:41
I
53:42
was
53:42
about
53:42
to
53:42
say
53:42
filmography,
53:43
but.
53:43
But
53:44
massive
53:45
library
53:45
of
53:45
songs
53:46
and
53:46
albums
53:47
there.
53:47
You
53:47
know,
53:48
you
53:48
can,
53:49
if
53:49
you
53:49
want
53:50
to
53:50
just
53:50
let
53:50
your
53:50
kids
53:51
listen
53:51
to
53:52
fearless
53:53
and
53:53
1989,
53:54
stuff
53:54
like
53:55
that,
53:55
that's
53:55
totally
53:56
fine.
53:56
And
53:56
then,
53:56
you
53:56
know,
53:57
when
53:57
they
53:57
get
53:57
older,
53:57
they
53:57
can
53:58
listen
53:58
to.
53:58
To
53:58
Tortured
53:59
Poet,
53:59
Society
54:00
and
54:00
life
54:00
of
54:01
a
54:01
showgirl.
54:01
So
54:01
that
54:02
there
54:02
is
54:02
that
54:03
it's
54:03
okay
54:04
that
54:04
I
54:04
think
54:04
an
54:04
artist
54:05
can
54:05
evolve
54:06
and
54:06
can
54:07
kind
54:07
of
54:07
grow
54:07
with
54:07
their
54:08
audience
54:08
and
54:09
still
54:09
have
54:09
plenty
54:09
to
54:10
offer
54:10
younger
54:11
and
54:12
older
54:12
audiences
54:13
alike.
54:13
But
54:14
yeah,
54:14
sounds
54:14
good.
54:15
Very
54:15
cool.
54:15
So
54:16
that
54:16
is
54:16
my
54:16
thoughts
54:17
there.
54:18
But,
54:18
yeah,
54:19
I
54:19
love
54:19
how
54:19
this
54:20
episode
54:20
is.
54:20
I
54:20
know
54:21
for
54:21
this,
54:21
I
54:21
feel
54:22
like
54:22
this
54:22
episode
54:22
of
54:22
what's
54:22
News,
54:23
we
54:23
really
54:23
got
54:24
to
54:24
talk
54:24
to
54:25
multiple
54:27
audiences
54:27
here,
54:28
multiple
54:28
fandoms,
54:29
because
54:29
a
54:29
lot
54:29
of
54:29
times
54:30
it's
54:30
like,
54:30
oh,
54:30
we're
54:31
going
54:31
to
54:31
talk
54:31
about
54:31
the
54:31
latest
54:31
comic
54:32
book
54:32
material.
54:32
And
54:32
that's
54:33
pretty
54:33
much
54:33
it.
54:34
We've
54:34
got
54:34
a.
54:35
We
54:35
cover
54:35
a
54:35
lot
54:35
of
54:35
material
54:36
here.
54:37
And
54:37
Andy,
54:37
before
54:38
we
54:38
go,
54:38
let's
54:38
also
54:39
look
54:39
to
54:39
the
54:40
rest
54:40
of
54:40
the
54:40
year
54:40
because
54:41
there
54:41
is
54:41
some
54:41
exciting
54:42
movies,
54:43
TV
54:43
shows,
54:44
other
54:45
phantom
54:46
items
54:46
coming
54:46
up.
54:46
So,
54:47
Andy,
54:48
what
54:48
if
54:48
there's
54:48
like
54:49
a
54:49
few
54:49
projects
54:50
here
54:51
that
54:51
it's.
54:52
We're
54:52
in
54:53
October
54:53
of
54:53
2025
54:54
right
54:54
now.
54:55
Got
54:55
a
54:55
little
54:55
bit
54:55
left
54:56
of
54:56
the
54:56
year.
54:56
What
54:57
are
54:57
you
54:57
most
54:57
looking
54:57
forward
54:58
to?
54:58
Rest
54:58
of
54:59
the
54:59
year.
54:59
Yeah.
55:00
So
55:00
real
55:00
quickly,
55:01
unlike
55:01
Paul
55:02
Thomas
55:02
Anderson,
55:03
both
55:03
Edgar
55:03
Wright
55:03
and
55:03
Ryan
55:04
Johnson
55:04
are
55:04
on
55:05
my
55:05
list
55:05
of
55:05
if
55:05
they've
55:06
got
55:06
a
55:06
movie,
55:06
I'm
55:06
gonna
55:07
see
55:07
it.
55:08
So
55:08
I
55:08
am
55:08
very
55:09
excited
55:09
for
55:09
Running
55:09
man
55:10
and
55:10
Wake
55:10
Up
55:10
Dead
55:11
Man.
55:12
You
55:12
know,
55:13
I
55:13
even.
55:14
I
55:14
wasn't
55:14
sure
55:14
about
55:14
last
55:15
night
55:15
in
55:15
Soho,
55:15
like,
55:16
going
55:16
into
55:16
it,
55:17
and
55:17
I
55:17
was
55:18
really
55:18
impressed
55:18
with
55:18
that
55:18
film.
55:19
So
55:19
even
55:19
though,
55:20
like,
55:20
the
55:20
Running
55:20
man,
55:20
the
55:21
story
55:21
hasn't
55:22
grabbed
55:22
me
55:22
in
55:22
the
55:22
past,
55:23
I'm
55:23
very
55:23
excited
55:23
to
55:23
see
55:24
what
55:24
Edgar
55:24
Wright
55:24
does
55:24
with
55:24
that,
55:25
partly
55:26
because
55:26
of
55:26
his
55:26
work
55:26
on
55:27
Shang
55:27
Chi
55:28
and
55:28
partly
55:29
because
55:30
I'm
55:30
curious
55:30
about
55:32
the
55:32
tone
55:32
and
55:32
the
55:33
story.
55:33
I
55:34
am
55:34
excited
55:34
for
55:35
the
55:35
Wonder
55:35
man
55:36
show
55:36
that
55:37
Destin
55:37
Daniel
55:37
Cretton
55:38
has
55:38
been
55:39
overseeing.
55:40
And
55:41
our
55:41
family
55:41
has.
55:42
They
55:42
are,
55:42
you
55:43
know,
55:43
silly
55:43
and
55:45
goofy,
55:45
but
55:45
our
55:45
family
55:46
has
55:46
really
55:46
gotten
55:46
into
55:46
the
55:47
now
55:47
you
55:47
see
55:47
me
55:47
films.
55:48
So
55:48
I'm
55:49
looking
55:49
forward.
55:49
I'm
55:50
hoping
55:50
that
55:50
it
55:50
will
55:50
still
55:50
be
55:50
in
55:51
theaters
55:51
and
55:51
both
55:51
my
55:51
kids
55:52
get
55:52
back
55:52
from
55:52
college
55:52
so
55:53
that
55:53
we
55:53
can
55:53
go
55:53
as
55:53
a
55:53
family
55:54
to
55:54
see
55:54
that.
55:55
To
55:55
see
55:55
the
55:55
latest
55:56
and
55:56
appropriately
55:57
named
55:57
now
55:58
you
55:58
See
55:58
Me,
55:58
now
55:58
you
55:58
Don't.
55:59
I
55:59
love
55:59
it.
55:59
Yeah.
56:00
Same
56:01
as
56:01
you.
56:01
Rian
56:01
Johnson,
56:02
Edgar
56:02
Wright,
56:02
two
56:03
of
56:03
My
56:03
favorite
56:03
filmmakers
56:04
I
56:04
very
56:05
excited
56:05
for.
56:05
I,
56:06
I
56:06
got
56:06
to
56:06
see
56:06
the.
56:07
I've
56:07
seen
56:07
both
56:08
Knives
56:08
out
56:08
movies
56:08
in
56:09
theaters
56:09
because
56:10
the
56:10
last
56:10
one
56:10
they
56:11
also
56:11
did
56:12
once
56:12
Netflix
56:13
bought
56:13
it,
56:13
you
56:13
know,
56:13
they
56:14
did
56:14
the
56:14
limited
56:14
theatrical
56:15
release.
56:15
I'm
56:15
definitely
56:15
going
56:15
to
56:16
do
56:16
that
56:16
again
56:16
for
56:17
Wake
56:17
Up
56:17
Dead
56:17
Man
56:18
Running
56:18
Man.
56:18
I'm
56:19
there
56:19
opening
56:19
night.
56:20
You
56:21
know,
56:21
I,
56:21
I
56:21
love
56:22
actor,
56:22
right.
56:22
He's
56:22
one
56:23
of
56:23
my
56:23
all
56:23
time
56:23
favorite
56:23
directors.
56:25
Easily
56:25
the
56:25
top
56:26
two
56:26
I'm
56:26
most
56:26
excited
56:27
for
56:27
though
56:28
I,
56:28
unsurprisingly,
56:29
if
56:30
you've,
56:30
if,
56:30
if
56:30
this
56:31
is
56:31
your
56:31
first
56:31
time
56:31
listening,
56:32
then
56:32
you
56:32
know,
56:32
you'll
56:32
learn
56:32
this
56:33
about
56:33
me.
56:33
If
56:33
you've
56:34
listened
56:34
to
56:34
this
56:34
show
56:35
at
56:35
all,
56:35
you
56:36
will
56:36
know
56:36
that
56:36
Wicked
56:37
and
56:37
Stranger
56:38
Things,
56:38
the
56:38
final
56:39
season
56:39
are
56:40
the
56:40
biggest
56:41
you.
56:41
I,
56:41
I
56:42
got
56:42
my
56:42
tickets
56:42
for
56:42
Wicked
56:43
today.
56:43
Stranger
56:44
Things
56:44
Season
56:44
5,
56:45
the
56:45
final
56:45
season.
56:46
I,
56:46
I've
56:47
been
56:47
there
56:47
since
56:47
day
56:48
one.
56:48
I've
56:48
been
56:49
rewatching
56:49
the
56:49
whole
56:49
series
56:50
again
56:50
in
56:51
anticipation.
56:52
So
56:52
I
56:52
could
56:52
not
56:52
be
56:53
more
56:53
excited
56:53
for
56:53
both
56:53
of
56:54
those
56:54
projects.
56:55
And
56:55
yeah,
56:55
Wonder
56:56
Man,
56:56
I'm
56:56
very
56:56
interested
56:57
now.
56:57
I
56:57
did
56:57
not
56:58
know
56:58
that
56:58
that
56:58
Justin
56:59
Daniel
56:59
Crepton
57:00
is
57:00
overseeing
57:01
it.
57:01
That's
57:01
really
57:01
exciting
57:02
to
57:02
me.
57:02
I
57:02
really
57:03
know
57:03
nothing
57:03
about
57:03
that
57:04
character.
57:04
But
57:05
that
57:05
just,
57:06
it
57:06
skyrocketed
57:07
my
57:07
excitement
57:08
level.
57:08
So
57:09
that
57:09
is
57:09
really
57:10
good
57:10
to
57:10
know.
57:11
And
57:11
then
57:12
yeah,
57:12
I
57:12
mean,
57:12
Avatar,
57:13
I
57:13
mean,
57:14
I'll
57:14
see
57:14
it.
57:14
It's
57:15
one
57:15
of
57:15
those
57:15
like,
57:15
you
57:16
know,
57:16
I,
57:16
I
57:16
remember
57:17
when
57:17
the
57:17
first
57:17
one
57:17
came
57:18
out,
57:18
it
57:18
was
57:18
mesmerizing,
57:20
especially
57:20
from
57:21
a
57:21
visual
57:22
lens.
57:22
And
57:23
you
57:23
know,
57:23
the
57:24
last
57:24
movie
57:24
felt
57:25
like
57:25
very
57:26
visual
57:26
spectacle
57:27
as
57:27
well.
57:28
I
57:28
can't
57:28
say
57:29
I
57:29
really
57:29
have
57:30
high
57:30
expectations
57:31
for
57:31
the
57:32
narrative.
57:32
But
57:33
yeah,
57:33
I
57:33
mean,
57:33
I'll
57:33
go
57:33
see
57:34
it.
57:35
But,
57:35
but
57:35
definitely
57:35
Stranger
57:36
Things,
57:36
Wicked
57:37
are
57:37
the
57:37
biggest
57:38
excitement
57:38
levels
57:39
to
57:39
me.
57:39
And
57:39
Tron,
57:40
I
57:40
would
57:40
be
57:41
more
57:41
excited
57:41
for
57:41
it
57:42
if
57:42
Jared
57:42
Leto
57:43
wasn't
57:43
in
57:43
it.
57:44
I'll
57:44
leave
57:44
it
57:44
at
57:44
that.
57:45
I
57:46
hear
57:46
you.
57:47
So,
57:47
yeah,
57:48
but
57:48
some
57:48
good
57:48
stuff
57:49
coming
57:49
out.
57:49
I'm
57:49
really
57:50
excited.
57:50
I
57:50
think,
57:50
you
57:51
know,
57:51
we'll
57:51
sell
57:51
plenty
57:52
more
57:52
to
57:52
talk
57:52
about
57:53
before
57:53
the
57:54
year
57:54
ends.
57:54
And
57:55
a
57:55
lot
57:55
of
57:56
big
57:57
spectacle
57:57
movies
57:58
and
57:58
shows
57:59
and
57:59
smaller
57:59
stuff
58:00
as
58:00
well.
58:00
And
58:00
again
58:01
it's
58:01
Halloween
58:01
season,
58:02
so
58:02
it's
58:02
my
58:03
favorite
58:03
time
58:03
of
58:03
year.
58:04
Very
58:04
excited
58:05
for
58:05
all
58:05
the
58:06
horror
58:06
stuff.
58:06
Oh,
58:06
that's
58:07
the
58:07
other
58:07
thing.
58:07
Welcome
58:07
to
58:08
Dairy
58:08
is
58:08
coming
58:08
out
58:08
at
58:09
the
58:09
end
58:09
of
58:09
this
58:10
month.
58:10
That's
58:10
it.
58:11
Equal
58:11
series
58:12
that
58:12
I'm
58:13
really
58:13
hoping
58:14
will
58:14
be
58:14
good.
58:17
Awesome.
58:17
Well,
58:18
Andy,
58:18
this
58:18
has
58:18
been
58:19
fantastic.
58:19
And
58:20
before
58:21
we
58:21
go,
58:21
do
58:22
you
58:22
have
58:22
a
58:22
recommendation
58:24
either
58:24
from
58:25
anything
58:25
we've
58:25
talked
58:26
about
58:26
tonight
58:26
or
58:27
something
58:27
else
58:27
you
58:28
want
58:28
to
58:28
give
58:28
a
58:28
shout
58:28
out
58:28
to?
58:29
Yeah,
58:30
it's
58:30
a
58:30
Good
58:30
question.
58:30
Because
58:30
I,
58:30
you
58:30
know,
58:31
I
58:31
have
58:31
mixed
58:31
feelings
58:31
about
58:32
both
58:32
of
58:32
the
58:33
things
58:33
that
58:33
I
58:33
talked
58:33
about
58:33
as,
58:34
as
58:34
I
58:34
think
58:35
was
58:35
obvious.
58:37
I'm
58:37
tempted
58:38
to
58:38
just
58:38
sight
58:39
unseen
58:39
recommend
58:40
one
58:40
bet
58:40
after
58:40
another
58:41
based
58:41
on
58:41
your
58:42
raves.
58:42
And
58:42
you
58:43
know,
58:43
I
58:43
am
58:43
excited
58:43
to
58:44
see
58:44
it.
58:44
Just
58:45
haven't
58:45
gotten
58:45
the
58:45
chance
58:46
yet.
58:46
So
58:46
maybe
58:46
I'll,
58:47
I'll,
58:48
I
58:48
suspect
58:48
to
58:49
join
58:49
you
58:49
in,
58:49
in
58:50
picking
58:50
that
58:50
one.
58:50
I
58:51
will.
58:51
Yeah.
58:51
That
58:51
is
58:51
definitely
58:52
my,
58:52
my
58:52
pick.
58:52
I
58:52
mean,
58:53
unsurprisingly,
58:54
after
58:54
my
58:54
ray
58:55
review.
58:55
But
58:55
also,
58:56
you
58:56
know,
58:56
if
58:56
you've
58:57
not
58:57
seen
58:57
any
58:57
other
58:58
Paul
58:58
Thomas
58:58
Anderson
58:59
films,
58:59
like,
58:59
go
58:59
check
59:00
out
59:00
some,
59:00
either,
59:01
you
59:01
know,
59:01
rant
59:02
them
59:02
or.
59:03
I'm
59:03
always
59:03
a
59:04
big
59:04
fan
59:04
of
59:04
physical
59:05
media,
59:05
so,
59:06
you
59:06
know,
59:06
if
59:06
you
59:06
want
59:07
to
59:07
go
59:07
out
59:07
and
59:07
get
59:07
some
59:08
Blu
59:08
Rays.
59:08
But
59:09
yeah,
59:09
I
59:10
like
59:10
actually
59:10
if
59:11
I
59:11
want
59:11
to
59:11
recommend
59:11
one
59:12
in
59:12
particular.
59:12
Been
59:13
a
59:13
while
59:13
since
59:13
I've
59:13
seen
59:14
it,
59:14
but
59:14
Punch
59:14
Drunk
59:14
Love
59:15
is
59:15
a
59:16
phenomenal
59:16
one.
59:16
Like,
59:17
I
59:17
mean
59:17
this
59:18
was
59:18
long
59:18
before
59:18
Uncut
59:19
Gems.
59:19
I,
59:20
I
59:20
think
59:20
Adam
59:21
Sandler
59:21
has
59:21
always
59:21
been
59:22
a
59:22
great
59:22
actor.
59:23
He's
59:23
just
59:23
like,
59:25
he
59:25
can
59:25
do
59:25
amazing
59:26
things.
59:26
And
59:27
I
59:27
mean,
59:27
I
59:27
love
59:27
his
59:28
90s
59:28
comedies,
59:30
but
59:30
as
59:30
far
59:30
as
59:31
showing
59:31
what
59:32
he
59:32
can
59:32
really
59:32
do
59:32
as
59:32
a
59:32
performer,
59:33
he
59:33
can
59:34
do
59:34
amazing
59:34
things
59:34
when
59:35
he's
59:35
paired
59:35
with
59:35
the
59:35
right
59:35
script
59:36
and
59:36
the
59:36
right
59:36
director.
59:37
And
59:37
that's
59:37
a
59:37
perfect
59:37
example
59:38
of
59:38
that.
59:39
Yep,
59:39
it's
59:40
a
59:40
little
59:40
off
59:40
our
59:40
beam
59:40
track,
59:41
but
59:42
while
59:42
we're
59:42
making
59:42
a
59:43
plug
59:43
for
59:43
going
59:43
to
59:43
see
59:43
movies
59:44
in
59:44
the
59:44
theater,
59:44
I
59:45
will
59:45
also
59:45
make
59:45
a
59:45
plug
59:45
to
59:45
go
59:46
see
59:46
theater
59:46
in
59:46
the
59:46
theater.
59:48
It
59:48
won't
59:48
be
59:49
available
59:49
to
59:49
everyone
59:49
obviously,
59:50
but
59:50
I
59:51
went
59:51
with
59:51
my
59:51
wife
59:51
to
59:51
see
59:52
Noises
59:52
off
59:53
in
59:53
Pittsburgh
59:54
here
59:54
on
59:55
the
59:55
stage.
59:56
It
59:56
is
59:56
a
59:57
farce
59:58
play.
1:00:00
Lots
1:00:00
of
1:00:00
in
1:00:01
and
1:00:01
out
1:00:01
of
1:00:01
doors,
1:00:01
lots
1:00:02
of
1:00:03
goofy
1:00:04
physical
1:00:04
comedy
1:00:05
and
1:00:06
just
1:00:06
had
1:00:06
a
1:00:06
really
1:00:07
great
1:00:07
time.
1:00:07
An
1:00:08
excellent
1:00:08
performance.
1:00:09
A
1:00:09
lot
1:00:09
of
1:00:10
goes
1:00:10
into
1:00:10
just
1:00:10
the
1:00:11
timing
1:00:11
of
1:00:11
a
1:00:11
show
1:00:11
like
1:00:12
that,
1:00:12
getting
1:00:12
all
1:00:12
the
1:00:13
different
1:00:14
movements
1:00:14
and
1:00:15
cues
1:00:15
and
1:00:15
everything
1:00:15
right.
1:00:16
So,
1:00:16
yeah,
1:00:16
shout
1:00:17
out
1:00:17
to
1:00:17
the
1:00:17
cast
1:00:18
of
1:00:18
Pittsburgh
1:00:19
Public
1:00:19
Theater's
1:00:20
performance
1:00:20
of
1:00:20
Noises
1:00:20
off.
1:00:21
And
1:00:21
you
1:00:21
probably
1:00:21
can't
1:00:22
go
1:00:22
see
1:00:22
it,
1:00:22
but
1:00:22
there's
1:00:22
probably
1:00:23
some
1:00:23
other
1:00:23
live
1:00:23
theater
1:00:24
near
1:00:24
you
1:00:24
that
1:00:24
you
1:00:24
can
1:00:24
go
1:00:24
see.
1:00:25
So
1:00:25
look
1:00:25
into
1:00:26
that
1:00:26
as
1:00:26
well.
1:00:26
And
1:00:27
if
1:00:27
you
1:00:27
want
1:00:27
something
1:00:27
geeky,
1:00:28
I
1:00:28
was
1:00:28
about
1:00:28
to
1:00:28
say
1:00:29
Keanu
1:00:30
Reeves
1:00:30
and
1:00:32
Alex
1:00:32
Winters
1:00:32
will
1:00:33
be
1:00:33
on
1:00:34
the
1:00:34
stage
1:00:34
in
1:00:34
New
1:00:34
York
1:00:35
in
1:00:35
Waiting
1:00:35
for
1:00:35
Godot.
1:00:36
If
1:00:36
you
1:00:36
need
1:00:36
a
1:00:36
geek
1:00:37
book
1:00:37
to.
1:00:38
Your
1:00:38
theater
1:00:38
outing,
1:00:39
I,
1:00:40
I
1:00:40
would
1:00:40
love
1:00:40
to
1:00:40
get
1:00:41
to
1:00:41
New
1:00:41
York
1:00:41
to
1:00:41
see
1:00:41
that
1:00:41
one.
1:00:42
It's.
1:00:42
It's
1:00:42
like
1:00:42
that.
1:00:43
And
1:00:43
then
1:00:43
the,
1:00:44
the,
1:00:44
the
1:00:44
one
1:00:44
I
1:00:45
really
1:00:45
want
1:00:45
to
1:00:45
see
1:00:45
is
1:00:45
the
1:00:45
Stranger
1:00:46
Thing,
1:00:47
the
1:00:47
First
1:00:47
Shadow.
1:00:48
But
1:00:48
like,
1:00:48
I,
1:00:49
that's
1:00:49
one.
1:00:49
I.
1:00:49
I
1:00:50
am.
1:00:50
I
1:00:50
mean,
1:00:50
I've
1:00:50
been
1:00:51
in
1:00:51
New
1:00:51
York
1:00:51
a
1:00:51
couple
1:00:51
times.
1:00:52
I
1:00:52
love
1:00:52
it.
1:00:53
But
1:00:53
next
1:00:53
time
1:00:53
I
1:00:54
make
1:00:54
it
1:00:54
out
1:00:54
there,
1:00:55
that
1:00:55
will
1:00:55
be.
1:00:55
That's
1:00:55
on
1:00:56
my
1:00:56
list.
1:00:56
But.
1:00:56
Yeah,
1:00:56
but
1:00:57
definitely.
1:00:57
I
1:00:57
mean,
1:00:57
but
1:00:58
live
1:00:58
theater
1:00:59
100
1:01:00
into
1:01:00
our
1:01:00
site.
1:01:01
I
1:01:01
have
1:01:01
a
1:01:01
theater
1:01:01
background
1:01:02
and
1:01:02
you
1:01:03
know,
1:01:03
when
1:01:03
this
1:01:03
does
1:01:04
not
1:01:04
have
1:01:04
to
1:01:04
be
1:01:04
exclusive
1:01:05
to
1:01:05
Broadway,
1:01:05
go
1:01:06
see
1:01:06
shows
1:01:07
in
1:01:07
your
1:01:07
community.
1:01:08
Support
1:01:08
live
1:01:09
theater.
1:01:09
Absolutely.
1:01:11
Awesome.
1:01:12
Well,
1:01:12
Andy,
1:01:12
this
1:01:12
has
1:01:12
been
1:01:13
fantastic.
1:01:13
I
1:01:13
love
1:01:14
how
1:01:14
many.
1:01:14
Yeah.
1:01:15
Again,
1:01:15
not
1:01:15
many
1:01:15
things
1:01:15
we
1:01:16
covered
1:01:16
tonight,
1:01:16
we,
1:01:16
we
1:01:17
tackled
1:01:17
a
1:01:17
lot
1:01:17
of
1:01:17
different
1:01:17
fandoms
1:01:18
and
1:01:19
this
1:01:19
was
1:01:19
a
1:01:19
ton
1:01:20
of
1:01:20
fun.
1:01:20
So
1:01:20
thank
1:01:21
you
1:01:21
so
1:01:21
much
1:01:21
for
1:01:21
joining
1:01:21
me
1:01:22
tonight.
1:01:22
Yeah,
1:01:23
I
1:01:23
enjoyed
1:01:23
it.
1:01:23
Thanks
1:01:24
for
1:01:24
having
1:01:25
this
1:01:25
chat
1:01:25
with
1:01:25
me.
1:01:26
Absolutely.
1:01:26
And
1:01:27
again,
1:01:27
for
1:01:27
our
1:01:27
listeners
1:01:28
out
1:01:28
there,
1:01:28
viewers,
1:01:29
if
1:01:29
you're
1:01:29
on
1:01:30
YouTube,
1:01:30
please
1:01:31
like
1:01:31
this
1:01:32
we
1:01:32
if
1:01:33
we
1:01:33
get
1:01:33
50
1:01:34
likes
1:01:34
on
1:01:35
any
1:01:35
one
1:01:35
of
1:01:35
our
1:01:36
videos,
1:01:36
our
1:01:37
very
1:01:37
own
1:01:37
Will
1:01:37
Rose.
1:01:38
Will
1:01:38
he.
1:01:39
He'll
1:01:39
do.
1:01:39
He'll
1:01:39
do
1:01:40
something.
1:01:40
We
1:01:40
keep
1:01:40
changing
1:01:41
what
1:01:42
his
1:01:42
promise
1:01:42
will
1:01:42
be.
1:01:43
It's
1:01:43
been
1:01:43
everything
1:01:44
from
1:01:44
frolicking
1:01:45
through
1:01:45
a
1:01:45
field
1:01:45
of
1:01:46
flowers
1:01:46
to
1:01:46
maybe
1:01:47
he'll
1:01:47
show
1:01:47
off
1:01:47
his
1:01:48
Halloween
1:01:48
costume.
1:01:48
I
1:01:48
don't
1:01:49
know.
1:01:49
We'll
1:01:49
do
1:01:49
something
1:01:49
fun.
1:01:50
But
1:01:50
please
1:01:50
hit
1:01:50
that
1:01:51
like
1:01:51
button
1:01:51
really
1:01:51
helps.
1:01:52
And
1:01:52
wherever
1:01:53
you
1:01:53
are
1:01:53
on
1:01:53
listening
1:01:54
to
1:01:54
this,
1:01:55
you
1:01:55
know,
1:01:55
any
1:01:55
kind
1:01:56
of
1:01:56
support
1:01:56
really
1:01:56
helps
1:01:57
the
1:01:57
show.
1:01:57
And
1:01:57
again,
1:01:58
you
1:01:58
can
1:01:58
check
1:01:58
out
1:01:58
our
1:01:58
merchandise.
1:01:59
You
1:01:59
can
1:01:59
connect
1:01:59
with
1:01:59
us
1:02:00
on
1:02:00
social
1:02:00
media.
1:02:01
We
1:02:01
really
1:02:01
appreciate
1:02:01
your
1:02:02
support.
1:02:03
And
1:02:03
just
1:02:04
remember,
1:02:05
we
1:02:05
are
1:02:05
all
1:02:06
chosen
1:02:06
people.
1:02:07
A
1:02:07
beat
1:02:07
them
1:02:07
of
1:02:08
peace.
1:02:08
Take
1:02:09
care,
1:02:09
everyone.