Latest / Murder Files Unsealed / LA Wife Sentenced After Lover Kills Her Hairdresser Husband in "Brutal" Conspiracy
Transcript
- 0:00Speaker 1: Welcome to the deep dive. This shortcut to being truly
- 0:04well informed. We take that huge stack of evidence, research, analysis,
- 0:08all that stuff. Yeah, all that stuff, and we boil
- 0:10it down, delivered the essential nuggets of knowledge straight to you.
- 0:15Speaker 2: Get you up to speed fast exactly.
- 0:17Speaker 1: And today we're kind of swapping worlds. We're leaving the
- 0:22high glamour scene of celebrity hairstyling for something much darker,
- 0:26the deeply shadowed valleys of betrayal.
- 0:29Speaker 2: Yeah, we're heading into Woodland Hills, California. You picture it, right,
- 0:32manicured lawns, these amazing luxury homes looking out over La.
- 0:35The perfect setting, almost almost, but it became the backdrop
- 0:39for well, what prosecutors actually called a tale of love,
- 0:43greed and cold blooded murder.
- 0:45Speaker 1: Wow, straight up, it's kind of that classic La paradox,
- 0:49isn't it. You've got this incredible professional success right.
- 0:51Speaker 2: Next to just complete emotional decay. The facade here didn't
- 0:54just like crack, No, it was violently ripped away and
- 0:57what was underneath a meticulous, the engineered plot.
- 1:01Speaker 1: We are unpacking the just devastating case centered on Fabio
- 1:07Sementilli and Fabio he wasn't just a stylist, No, not
- 1:10all the sources consistently call him a titan in the
- 1:13beauty industry. Forty nine years old, celebrity hairstylist. His hands
- 1:17literally shaped the looks of Hollywood royalty.
- 1:19Speaker 2: He was. They called him an inescapable phenomenon that level
- 1:23and that stature.
- 1:24Speaker 1: That's really key, isn't it to understanding just how big
- 1:28this betrayal was.
- 1:29Speaker 2: Absolutely this guy was at the absolute peak of his game. Yeah,
- 1:32and then January twenty three, twenty seventeen, his life has
- 1:37just violently ended.
- 1:38Speaker 1: Found stabbed to death, h on his own backyard patio.
- 1:41Speaker 2: And discovered this part is just awful, discovered by a
- 1:44sixteen year old daughter.
- 1:45Speaker 1: Now I can't even imagine, And.
- 1:46Speaker 2: The sources are very clear. The brutality was shocking. Multiple
- 1:50knife wounds, neck, face, chest, just horrific.
- 1:54Speaker 1: That detail alone, the daughter finding him, just agonizing. And
- 1:57you know what started looking like, okay, maybe a ran
- 2:00home invasion or robbery gone rang. The initial narrative that
- 2:03started to fall apart really fast under police scrutiny because
- 2:07the scene, the evidence, it just didn't make sense for
- 2:11a simple break in exactly.
- 2:13Speaker 2: It didn't add up. So the investigation pivoted quickly, and
- 2:18the twist the real core of what we're diving into today. Yeah,
- 2:21this wasn't random, It wasn't a stranger. It was a
- 2:23conspiracy orchestrated by the person closest to him, his wife,
- 2:28Monica Semontille and her lover.
- 2:30Speaker 1: Robert Louis Baker or her lover.
- 2:31Speaker 2: Right.
- 2:32Speaker 1: Okay, so the affair, the lust, that's part of it.
- 2:35But the underlying engine, according to the prosecution.
- 2:38Speaker 2: Pure financial strategy, cold hard cash.
- 2:41Speaker 1: We're talking about securing a massive life insurance payout, right,
- 2:44like one point six million dollars.
- 2:46Speaker 2: A huge amount, and also avoiding what would have been
- 2:49a really messy, potentially financially ruinous divorce for her high
- 2:52net worth couple California.
- 2:54Speaker 1: It would have been complicated very so this.
- 2:56Speaker 2: Was seen as well the cleaner richer option God.
- 3:00Speaker 1: Los Angeles District Attorney Nathan Hoschman, he didn't pull any punches,
- 3:03did he.
- 3:04Speaker 2: Not at all. He called this, and this is a
- 3:06direct quote, one of the most premeditated, calculating, devious, murder
- 3:10conspiracies he'd seen in his entire career decades.
- 3:14Speaker 1: That's that says a lot. That's the level of chilling detail.
- 3:17We need to dissect here it really is. Okay, So
- 3:19our mission today, follow the money, follow the method, follow
- 3:22the investigation. We're going to explore Fabio's rise, Monica's what
- 3:27the scent, the nuts and bolts of the plot, and
- 3:30then the trial, the dramatic trial that finally brought it
- 3:33all out into the open.
- 3:34Speaker 2: Sounds like a plan.
- 3:35Speaker 1: Let's start with Fabio. We need to establish just how
- 3:38high he'd climbed, because it makes the fall and the
- 3:41betrayal just so much harder to wrap your head around.
- 3:45Speaker 2: Okay, so let's really untack this professional life. The sources,
- 3:48like you said, they use these huge words for Fabio
- 3:50sim until his career, titan inescapable phenomenon. What was it
- 3:54about him what made him that influential in the beauty world.
- 3:58Speaker 1: Well, it wasn't just the celebrity climes cions, though he
- 4:00definitely had those later on. It was really his technical skill,
- 4:04his vision.
- 4:05Speaker 2: He really cut his teeth, you know, honed his craft
- 4:09in the salon scene in Toronto. This is back in
- 4:12the eighties and nineties, super competitive environment, and he quickly
- 4:15got noticed because he could do these amazing like architectural precision, cuts,
- 4:20the kind that looked good days later.
- 4:22Speaker 1: Yeah, the ones that hold their shape exactly.
- 4:25Speaker 2: But he blended that with really avant garde boundary pushing
- 4:29coloring techniques. He wasn't following trends, he was setting them.
- 4:33Speaker 1: Ah Okay, that's a crucial difference, isn't it, being the
- 4:37trendsetter not the follower.
- 4:38Speaker 2: Absolutely, and that explains why his career just took off
- 4:41like a rocket. Moving the family to LA in two
- 4:43thousand and five. That wasn't just changing zip codes. That
- 4:47was a major leap into the like the corporate stratosphere
- 4:50of the beauty industry.
- 4:51Speaker 1: Right because he took that, well a job vice President
- 4:53of Education.
- 4:54Speaker 2: That's right, wella which you know is a key part
- 4:57of Procter and Gamble Salon Professional Division P.
- 4:59Speaker 1: ANDGA, huge massive company.
- 5:02Speaker 2: So this wasn't some local gig. This was global. He
- 5:06was managing these multimillion dollar education programs flying all over
- 5:10the world, training thousands of stylists, launching product lines. Wow.
- 5:15Basically being the face and the brains of the brand internationally.
- 5:19Speaker 1: The pressure and the sheer commitment for a P and
- 5:22G global VP role like that, I mean, it's immense.
- 5:26It basically defines your entire life.
- 5:28Speaker 2: Totally constant travel, different time zones, always being on and that.
- 5:33Speaker 1: Role naturally put him in contact with the highest levels
- 5:37of celebrities exactly.
- 5:38Speaker 2: The A list client lists kind of followed from that
- 5:41visibility and reputation. The sources specifically mentioned Jennifer Aniston during her.
- 5:45Speaker 1: Big Friends Money era.
- 5:46Speaker 2: Yeah right, And you know you've made it when magazines
- 5:49like Salon Friday are crediting you specifically with popularizing a
- 5:53whole look.
- 5:54Speaker 1: What was his look?
- 5:55Speaker 2: The effortless beachwave.
- 5:56Speaker 1: Ah okay, ubiquitous.
- 5:58Speaker 2: Now totally he was seen is the guy who really
- 6:00brought that into the mainstream. So he wasn't just a
- 6:02stylist anymore. He was like an arbiter of style.
- 6:05Speaker 1: And that kind of success, that level of income, it
- 6:09funded the life they presented, right, the Seminilly family life,
- 6:12the perfect American dream facade.
- 6:14Speaker 2: Absolutely. They got married back in ninety seven, had the
- 6:17two daughters, the big house in Woodland Hills, you know,
- 6:21backyard oasis, family trips to Italy. It looked perfect from
- 6:25the outside, lawless, totally flawless on the surface. And Fabio
- 6:29himself he had this reputation for being really generous mentoring
- 6:33young stylists, helping people out.
- 6:34Speaker 1: There's always a butt, isn't.
- 6:35Speaker 2: There always that external shine. It always comes at a cost,
- 6:40especially inside a marriage.
- 6:42Speaker 1: And this is where those cracks start showing up in
- 6:44that perfect venear. The reality of that global VP job,
- 6:49the crazy demanding schedule, the constant international flights, the late
- 6:54nights dealing with global teams. It meant he was just
- 6:57gone a lot physically, apps even when he was technically home.
- 7:01Speaker 2: And the sources, they really give his monica side of that.
- 7:04By twenty sixteen, she's forty five, she's managing the house,
- 7:07the kids, dabbling a bit in real estate, but fundamentally
- 7:10she felt isolated. There's this key phrase the sources use
- 7:14that just jumps out opulent but empty home.
- 7:17Speaker 1: Oh yeah, that says it all right.
- 7:20Speaker 2: She had all the material stuff, the luxury, the financial security,
- 7:24but none of the actual emotional connection.
- 7:26Speaker 1: That's got to be incredibly tough, where the very thing
- 7:28providing the lifestyle is also the thing creating the emotional distance,
- 7:32like a.
- 7:32Speaker 2: Trap, a really isolating cycle. And the sources hint that
- 7:36people in their circle noticed there were whispers about her
- 7:40growing resentment over him always being away.
- 7:43Speaker 1: So it wasn't a secret necessarily, probably not entirely.
- 7:47Speaker 2: What's so fascinating or maybe tragic here is that the
- 7:50marriage wasn't undermined by failure. It was undermined by Fabio's
- 7:54massive success.
- 7:55Speaker 1: Oh that's yeah, the relationship.
- 7:57Speaker 2: Just frayed under these unspoken tensons. Monica's sitting there in
- 8:01this financial paradise, but it feels like an emotional desert, that.
- 8:05Speaker 1: Kind of vacuum. Well, it's the perfect place for someone.
- 8:07Speaker 2: Else to step in exactly, someone offering not just you know,
- 8:10companionship or attention, but.
- 8:12Speaker 1: Maybe an escape, an exit strategy.
- 8:15Speaker 2: Precisely, and escape from that resentment, that isolation.
- 8:18Speaker 1: It feels like that emotional emptiness just set the stage
- 8:22for something much, much worse to take root. Okay, so
- 8:25we've got Monica feeling resentful, isolated, kind of rattling around
- 8:30in this beautiful but empty house. Fabio's success has basically
- 8:34carved out this void in her life.
- 8:36Speaker 2: Right, that's the emotional landscape, And into that landscape walks
- 8:40Robert Louis.
- 8:41Speaker 1: Baker, and Baker is well, he's the complete opposite of
- 8:44Fabio's polished corporate image.
- 8:46Speaker 2: Isn't total He's fifty five, described as kind of ruggedly charming,
- 8:49works as a rackupball coach at a local gym. But his past,
- 8:53his past immediately injects this element of let's say, calculated risk,
- 8:59maybe danger.
- 9:00Speaker 1: Yeah, the sources are explicit about that checkered history, is
- 9:02putting it mildly. He was a former adult film actor,
- 9:06and this is critical. A convicted sex offender, right.
- 9:08Speaker 2: Which you know, objectively should have been a gigantic red
- 9:11flag like stop signed danger zone. I'd think you would think.
- 9:16But sometimes when someone feels trapped and is desperate for
- 9:19an escape, sometimes danger looks like excitement or maybe attention
- 9:24she wasn't getting elsewhere.
- 9:26Speaker 1: So the affair starts just casually.
- 9:29Speaker 2: Pretty much. It started during a racketball lesson late twenty fifteen,
- 9:34but it escalated quickly from casual into this really torrid,
- 9:37all consuming romance. Baker was offering that immediate attention, that
- 9:41focus that Fabia, with his schedule just couldn't or maybe
- 9:45wouldn't provide.
- 9:45Speaker 1: And this wasn't just like a secret lunch date here
- 9:48and there.
- 9:48Speaker 2: Oh, No, much more intense. We're talking clandestine meetings at motels,
- 9:53stolen weekends away whenever Fabia was out of the country
- 9:56on business. They relied on his travel schedule for cover
- 9:59sneaking around deeply and the intensity. We know about it
- 10:02because investigators later pulled their text messages.
- 10:04Speaker 1: Ah, the digital trail always.
- 10:07Speaker 2: And those messages. This wasn't just physical, It was a
- 10:10deepening obsession. Monica was calling Baker her soulmate.
- 10:13Speaker 1: Soul mate, wow, yeah.
- 10:15Speaker 2: And he's making these grand promises, vowing to make her
- 10:18happy forever. They weren't just having an affair. They were
- 10:22actively planning a permanent future together.
- 10:25Speaker 1: Okay, but futures, especially the kind lived in multimillion dollar
- 10:29woodland hills homes. They cost money, exactly.
- 10:32Speaker 2: So as the relationship got more serious, the conversation maybe
- 10:36inevitably shifted from just romantic talk to cold, hard finance.
- 10:43Speaker 1: And this is where it gets really dark. This is
- 10:44the pivot point, right.
- 10:45Speaker 2: This is absolutely the pivot point the source material forces
- 10:48us to look at. Monica wasn't just venting about being
- 10:50unhappy in her marriage. She was expressing very specific, acute
- 10:55fears about what a divorce would mean for her financially.
- 10:58Speaker 1: Right, because in California, with community property.
- 11:01Speaker 2: Laws, precisely a high net worth couple like them. A
- 11:04divorce would mean splitting Fabio's considerable assets right down the middle.
- 11:07That would have seriously impacted her lifestyle or financial security.
- 11:10Would have been a huge downgrade potentially.
- 11:12Speaker 1: Okay, So suddenly that one point six million dollar life
- 11:15insurance payout it's not just a tragic what if.
- 11:18Speaker 2: No, it becomes a potential solution, a mechanism to bypass
- 11:23all the difficulty, the public messiness, the legal fees, and
- 11:26the potential financial hit of a divorce settlement while.
- 11:29Speaker 1: Also getting to be with her new soulmate.
- 11:31Speaker 2: Exactly, it wraps it all up. It transformed the motive
- 11:34from maybe just simple greed or lust into something more
- 11:39strategic financial preservation combined with immediate relationship gratification.
- 11:43Speaker 1: So the conversations turned to the policy itself.
- 11:46Speaker 2: It did that one point six million dollar policy became
- 11:49a frequent topic between them, not as a safety net
- 11:51for the family, but as a target, an.
- 11:54Speaker 1: Objective, and Baker he's the one who takes it there,
- 11:57who suggests elimination.
- 11:59Speaker 2: According to the devestigation a later testimony, Yes, Baker eager
- 12:03to kind of prove his devotion, maybe secure this lavish
- 12:06future he saw with Monica.
- 12:07Speaker 1: Hm.
- 12:07Speaker 2: Hm, He allegedly floated the idea elimination instead of divorce.
- 12:11Speaker 1: And Monica she didn't shut it down.
- 12:14Speaker 2: That's the terrifying part. She didn't recoil, she didn't report him.
- 12:17The sources indicate she leaned in. She started laying the
- 12:20groundwork almost immediately after he suggested it. Wow, that simmering
- 12:24resentment over feeling isolated, combined with the very real fear
- 12:29of losing her financial standing, it just metastasized. It became
- 12:33a willingness to actually do this, to enter into this deadly.
- 12:36Speaker 1: Packed So the agreement was made. It wasn't just talk anymore.
- 12:39Speaker 2: It seems, so it turned lust and greed into, like
- 12:42you said, a pact, a high stakes, deadly joint venture.
- 12:45Speaker 1: The speed of that, going from feeling alone in a
- 12:47big house to actively plotting murder, it's just chillin', okay.
- 12:53So the pact has made, the decision has been taken.
- 12:55Monica then shifts into what operational.
- 12:57Speaker 2: Mode pretty much, she becomes a mastermind, really leveraging everything
- 13:00she knows intimately about Fabio, about the house, about their routines.
- 13:05This wasn't going to be sloppy. It was planned to
- 13:07look like a random act, but it was going to
- 13:09be executed with inside.
- 13:10Speaker 1: Precision because she had all the key info, She.
- 13:12Speaker 2: Had all the critical operational details. As the sources put it,
- 13:15she fed Baker everything he needed, Fabio's exact daily schedule,
- 13:20the specific layout of their house, you know where things
- 13:23were entry points.
- 13:24Speaker 1: So maybe the most chilling detail.
- 13:26Speaker 2: The combination to the family safe, right.
- 13:29Speaker 1: Where spare keys were kept. That wasn't just about getting
- 13:31in the house, was it.
- 13:32Speaker 2: No, that detail is crucial. It shows the depth of
- 13:35the betrayal, but also the planning. Getting into the safe
- 13:39wasn't just about unlocking a door. It was about accessing
- 13:42the keys to Fabio's Porsche.
- 13:44Speaker 1: To stage the kar theF part of the robbery, exactly.
- 13:48Speaker 2: Proving that the robbery wasn't the real motive, It was
- 13:50the cover story and they needed the keys to make
- 13:53that convincing.
- 13:54Speaker 1: Okay, so they have the plan, the inside info, but
- 13:57they decide they need help.
- 13:58Speaker 2: Apparently to solidify the plan, maybe handle unforeseen issues. They
- 14:03brought in a third person, a guy named Christopher Austen
- 14:06who was he Austin was thirty six. He was actually
- 14:08a former probation officer from Oregon and a longtime friend
- 14:12of Baker's a.
- 14:13Speaker 1: Former probation officer involved in a murder plot.
- 14:16Speaker 2: Wow, Yeah, the irony is thick there, and Baker was
- 14:18explicit with him. Austin later testified that Baker told him
- 14:22straight up Monica wanted her husband gone.
- 14:24Speaker 1: Okay, So that's direct confirmation from a third party about
- 14:27Monica's intent, No ambiguity there. Baker wasn't just acting alone
- 14:31out of jealousy.
- 14:32Speaker 2: Not, according to Austin. He said, Baker made it clear
- 14:35he was carrying out Monica's wishes, and they didn't just
- 14:38chat about it casually. They met secretly used encrypted communication.
- 14:43Speaker 1: Method really like burner phones or apps.
- 14:45Speaker 2: The sources mentioned encrypted communication, Yeah, which just underscores how
- 14:50premeditated this whole thing was. They were trying to cover
- 14:53their tracks from the beginning.
- 14:54Speaker 1: And Monica's role on the actual night, what was her job?
- 14:58Speaker 2: Her job was crucial the alibi and access. She planned
- 15:03to pretend she was just running a quick errand you know,
- 15:05picking up dinner, classic move, right, But critically, while she
- 15:09was out, she had to make sure the front door
- 15:11was left unlocked or maybe slightly a jar, give Baker
- 15:15easy silent entry.
- 15:16Speaker 1: But the plan had a snag, right, Austin got nervous.
- 15:19Speaker 2: Yeah, big snag. Just hours before they were supposed to
- 15:21do it, Austin was apparently doing some last minute reconnaissance
- 15:24near the house with Baker, and he just he got
- 15:27cold feet.
- 15:27Speaker 1: He backed out, so Baker was left to do it alone.
- 15:30Speaker 2: He had to proceed alone. Yeah, which might have made
- 15:32him more desperate, maybe more prone to mistakes later.
- 15:35Speaker 1: And the weapon that adds another layer of just awful intimacy.
- 15:40Speaker 2: It really does. Baker didn't bring some untraceable weapon. He
- 15:43armed himself with a kitchen knife from their kitchen, a
- 15:46knife he had apparently stolen from the Seminilly home during
- 15:49a previous visit when Fabia wasn't there.
- 15:51Speaker 1: Oh my god, So he used one of their own
- 15:53nimes against Fabio. That just feels violated, like desecrating the
- 15:58home itself completely.
- 15:59Speaker 2: It makes the whole act feel intensely personal, violating that
- 16:03domestic sanctuary.
- 16:04Speaker 1: Okay, let's walk through the timeline. January twenty third, twenty seventeen.
- 16:08The night itself Fabia's home.
- 16:10Speaker 2: Yeah, it's around seven thirty pm. Fabia is just unwinding.
- 16:13He's out in the backyard patio, maybe having a glass
- 16:16of wine. Just finished a day at the Wella offices,
- 16:18completely unaware, relaxing in his own safe space.
- 16:22Speaker 1: Well, Monica, she's out on her fake dinner run.
- 16:24Speaker 2: She's out, yes, but she wasn't just driving around aimlessly.
- 16:27This is maybe the most chilling piece of evidence that
- 16:30came out later.
- 16:30Speaker 1: What's up?
- 16:31Speaker 2: She was actively monitoring the situation on her phone? How
- 16:35she was watching a live feed from their home security camera.
- 16:38Speaker 1: No, she was watching him approach.
- 16:40Speaker 2: She was watching the feed confirming Baker's approaching the house,
- 16:44confirming he was getting into position before she continued with
- 16:47her alibi, making sure the coast was clear for him.
- 16:50Speaker 1: Essentially sitting in her car watching her lover go into
- 16:54her house to murder her husband on a live feed.
- 16:58I don't even have words for that is the definition
- 17:01of cold blooded.
- 17:02Speaker 2: It truly is.
- 17:03Speaker 3: So.
- 17:03Speaker 2: Baker gets in silently thanks to the unlocked door. He
- 17:06finds Fabio on the patio, comes up from behind an ambush,
- 17:10total ambush. The attack was immediate, frenzied, brutal. The medical
- 17:15examiner later confirmed, like we said, over twenty stab wounds
- 17:18aimed to kill absolutely severed major arteries, punctured his lungs.
- 17:22This wasn't a struggle gone wrong. This was an execution
- 17:25designed to make sure Fabio had absolutely no chance to
- 17:27fight back or survive.
- 17:28Speaker 1: And then the staging Baker goes inside right.
- 17:32Speaker 2: Briefly rifles through a few things make it look like
- 17:34a robbery, but his main goal inside, besides the superficial mess,
- 17:38was getting to that safe.
- 17:39Speaker 1: Using the combination Monica gave.
- 17:41Speaker 2: It exactly, gets the Porsha keys from the safe, goes
- 17:43to the garage, takes.
- 17:45Speaker 1: The car, and then just dumps it somewhere.
- 17:47Speaker 2: Abandons the luxury car miles away, all part of the
- 17:50plan to support the car deft robbery story.
- 17:53Speaker 1: But you said earlier the staging was flawed.
- 17:55Speaker 2: Critically flawed. As soon as experienced detect has arrived on
- 17:58seeing those flaws, just screamed staged. The focused excessive brutality
- 18:04on Fabio himself, the clean entry, no four doors.
- 18:08Speaker 1: Or windows, and leaving valuables behind.
- 18:10Speaker 2: Right, Fabio's Wallet's still in his pocket, electronics likely untouched.
- 18:14It just didn't fit the pattern of the typical home
- 18:16invasion robbery where thieves grab easy, valuable stuff and run
- 18:20it pointed towards something personal, something targeted.
- 18:23Speaker 1: And then the final awful piece. The daughter comes home.
- 18:28Speaker 2: Yeah. The sixteen year old daughter returns from a friend's house,
- 18:31walks into that scene, finds her father's that the sources
- 18:35use the word mangled body. Oh, that poor girl, unimaginable trauma.
- 18:38She calls for help, calls her.
- 18:40Speaker 1: Mom, and Monica rushes back playing. The grieving widow.
- 18:43Speaker 2: Rushes back, Yeah, collapses, the performance begins. Dateline sources described
- 18:48it as looking like rehearsed grief. She's telling the police,
- 18:52you know, she just wanted to be the best possible.
- 18:54Speaker 1: Comfort, well, knowing exactly what happened.
- 18:56Speaker 2: Exactly, well, internally, maybe she and Baker already thinking about
- 19:01their new freedom.
- 19:02Speaker 1: Okay, So the police arrive, they see the scene. What
- 19:05were those immediate red flags, the things that made them think,
- 19:07hang on, this isn't just a robbery.
- 19:09Speaker 2: Well, the first big one, as we mentioned, was the entry,
- 19:12no force doors, no broken windows, and it secured home
- 19:16in Woodland Hills. Weird. It suggests the person either had
- 19:20a key or the door was left open for.
- 19:21Speaker 1: Them inside job indicator right.
- 19:23Speaker 2: Second, the nature of the robbery itself, taking a high profile,
- 19:27easily trackable luxury car like a Porsche, makes some sense
- 19:30for joy riding maybe, but then leaving behind cash, wallets, maybe,
- 19:34jewelry or electronics that were likely.
- 19:36Speaker 1: Visible doesn't fit. Thieve usually grab quick portable value exactly.
- 19:42Speaker 2: Fabia's wallet still being on him was a huge inconsistency
- 19:46and the sheer level of violence directed only at Fabio
- 19:49while the house was only superficially disturbed. It all screamed staging.
- 19:53It pointed towards the victim knowing the attacker, or the
- 19:56attacker having very specific inside information.
- 19:59Speaker 1: Okay, so suspicion is there early. Meanwhile, Monica is playing
- 20:02the part the grieving widow.
- 20:04Speaker 2: Oh yeah, full performance. She organizes this huge, lavish funeral
- 20:10attended by all these big names from the beauty industry.
- 20:13She gives this tearful eulogy for Fabio.
- 20:15Speaker 1: But behind the scenes, what was she actually doing.
- 20:18Speaker 2: She was moving fast on the money. That was one
- 20:20of her biggest mistakes. Really, yeah, the sources say, almost immediately,
- 20:23like way too soon, suspiciously soon, Yeah, suspiciously soon. She
- 20:27starts the application process for that one point six million
- 20:30dollar life insurance payout.
- 20:31Speaker 1: Wow, doesn't even wait for the police investigation to conclude.
- 20:34Speaker 2: Apparently, not that eagerness, that immediate focus on the cash
- 20:37reward when she should theoretically be consumed by grief. That
- 20:41definitely raised eyebrows.
- 20:42Speaker 1: And meanwhile, she and Baker are still communicating.
- 20:45Speaker 2: They are trying to be careful using coded messages, but
- 20:49investigators later found communications where they were basically celebrating their freedom,
- 20:53talking about their future together. More nails in the coffin.
- 20:57Speaker 1: It's always the communication trail. So the police are so
- 21:00suspicious Monica's acting weird about the money. But what was
- 21:03the actual breakthrough? What connected the dots definitively to Robert Baker.
- 21:09Speaker 2: That took a little time. It came about five months later,
- 21:11June twenty seventeen, and it came from a tip someone
- 21:15they knew, Yeah, an acquaintance from the racquetball club where
- 21:17Baker worked. This person new Baker had apparently seen him
- 21:20with Monica, maybe picked up on the intensity of their relationship.
- 21:24Speaker 1: And put two and two together. After the murder, seems.
- 21:27Speaker 2: Like it, they reached out to detectives and that one
- 21:30single tip that was enough. It gave investigators the probable
- 21:34cause they needed to really focus in, get search warrants
- 21:37for Baker, for Monica, for their phones, their homes.
- 21:40Speaker 1: Okay, Let's talk about the evidence they found, because this
- 21:43is where modern forensics really blows these cases wide open. Right.
- 21:47You think you've deleted something, but it's never really gone.
- 21:51Speaker 2: Not to the experts. The evidence they seized was absolutely damning,
- 21:55and it came from multiple angles like what. Okay, first,
- 21:58the old fashioned stuff, physical love letters found documenting the
- 22:03affair pretty clearly.
- 22:04Speaker 1: Okay, it proves the affair, proves the.
- 22:05Speaker 2: Affair establishes a relationship. But the real gold mine was digital.
- 22:10They recovered deleted text messages, the.
- 22:13Speaker 3: Ones where they called each other's soulmates, those and others
- 22:16messages that explicitly detailed the affair, the obsession, and critically,
- 22:21messages that indicated the planning stages of the murder plot.
- 22:25Speaker 2: Conversations about Fabio being in the way.
- 22:27Speaker 1: That's huge. That links the affair directly to the idea
- 22:30of getting rid of him.
- 22:31Speaker 2: Absolutely, and the police didn't stop there. They got even
- 22:34more direct evidence from Monica herself. How they ran a
- 22:37police sting operation while she was in jail, likely after
- 22:40being arrested. Based on the other evidence, Okay, they recorded
- 22:43her conversations and in one of those tape jail house calls,
- 22:47discussing the plot, she referred to Baker specifically as my
- 22:50confidant in the whole.
- 22:52Speaker 1: Thing, my confidante in the plot.
- 22:54Speaker 2: BINGO. That single phrase, captured on tape, basically sealed the
- 22:59conspiracy charge. It completely destroyed any defense argument that Baker
- 23:04acted alone out of jealousy or that she was just
- 23:06some passive participant or victim. She admitted he was her
- 23:09partner in it.
- 23:10Speaker 1: Okay, so you've got the suspicious scene, the motive, the
- 23:13digital evidence, her own words on tape. What else?
- 23:17Speaker 2: The final piece of the puzzle the third conspirator, Christopher Austen,
- 23:22the friend of Baker's who got cold feet. Yeah, he flipped.
- 23:25He made a deal with the prosecution.
- 23:27Speaker 1: What kind of deal.
- 23:27Speaker 2: He pleaded guilty to second degree murder, accepted a sentence
- 23:31of sixteen years to life, but in exchange he had
- 23:34to testify. He agreed to testify truthfully against both Monica
- 23:38and Robert Baker.
- 23:39Speaker 3: Wow.
- 23:39Speaker 1: So now you have an inside witness confirming the entire plot,
- 23:42confirming Monica's role as the instigator.
- 23:44Speaker 2: Exactly with Austin's testimony added to the physical evidence, the
- 23:48financial records proving motive, the recovered texts and Monica's own
- 23:52recorded admission. The case went from just strong to absolute airtight.
- 23:56Speaker 1: They had him okay, So the evidence is overwhelming, but
- 23:59the legal process it dragged on for a while, didn't it. Appeals,
- 24:03COVID delays.
- 24:04Speaker 2: Yeah, it took years to finally get to trial, especially
- 24:07for Monica. Baker's case was resolved a bit sooner in
- 24:10twenty twenty three.
- 24:11Speaker 1: What happened with Baker? Did he go to trial?
- 24:14Speaker 2: No, he cut a deal too, but not for testimony.
- 24:17He pleaded no contest in July twenty twenty three.
- 24:20Speaker 1: No contest. Let's clarify that for people listening, what does
- 24:22no contest actually mean? Is it different from pleading guilty?
- 24:26Speaker 2: It is slightly different Legally, no contest or the Latin
- 24:30term nolo contendere basically means the defendant isn't fighting the
- 24:34charges anymore. They accept the punishment as if they were guilty.
- 24:37Speaker 1: But they don't actually admit guilt on.
- 24:39Speaker 2: The record exactly. They don't formally admit wrongdoing in that
- 24:42criminal court setting. Sometimes defendants do this in high profile
- 24:46cases to try and limit their liability and potential civil
- 24:48lawsuits later on.
- 24:50Speaker 1: Like a wrongful death suit from the family right.
- 24:53Speaker 2: By not admitting guilt in the criminal case, it can
- 24:56sometimes make the civil case slightly harder for the plaintiffs. Oh,
- 25:00it usually doesn't stop it entirely. But for Baker's criminal case,
- 25:04the outcome was the same as a guilty plea, which
- 25:06was first degree murder conspiracy plus those special circumstances murder
- 25:11for financial gain, murder by lying in wait. The sentence
- 25:14was automatic life in prison without the possibility of parole.
- 25:20Done deal.
- 25:20Speaker 1: Okay, so Baker's locked away for life. But then he
- 25:24shows up at Monica's trial and.
- 25:27Speaker 2: Testifies he does. It was pretty shocking. He gets on
- 25:30the stand during her trial, even though his own fate
- 25:32was already sealed, and says what he completely changes his tune.
- 25:35He claims sole responsibility, stands up there and basically says,
- 25:38I did it. I murdered him because I wanted her.
- 25:41Speaker 1: It was all me whoa trying to save at the
- 25:43last minute, taking the fall entirely.
- 25:45Speaker 2: It looked like a desperate, maybe possessive, last ditch effort
- 25:48to shield his soulmate, right, claiming it was all just
- 25:52his jealous rage, his desire for her that drove him,
- 25:55trying to make it sell like she had nothing to
- 25:56do with the planning.
- 25:57Speaker 1: But the prosecution wasn't buying it for a second at all.
- 26:00Speaker 2: They immediately labeled it perjury lying under oath.
- 26:03Speaker 1: Why were they so sure he was lying? I mean,
- 26:05maybe he did act mostly alone out of obsession.
- 26:08Speaker 2: Because they had evidence proving he was lying. Even then,
- 26:12they presented more jailhouse calls communications between Baker and Monica
- 26:16after their arrests, sharing what showing them still actively coordinating,
- 26:21plotting alibis together, trying to get their stories straight, even
- 26:24from behind bars. So his dramatic courtroom confession, the jury
- 26:29saw right through it. It looked exactly like what it
- 26:32probably was, a continuation of the conspiracy, a final failed
- 26:37attempt to protect the mastermind.
- 26:39Speaker 1: Okay, so Baker's testimony bombs Monica's trial itself.
- 26:42Speaker 2: It lasted a while, Yeah, it was a long ten
- 26:44weeks started in January twenty twenty five. The prosecutor, Deputy
- 26:48da Beth Silverman. She had a mountain of evidence to present, and.
- 26:51Speaker 1: She really hammered home the motive relentlessly.
- 26:54Speaker 2: She painted this picture of Monica as cold, calculating, manipulative.
- 26:59Silverman emphasized again and again that this wasn't just a
- 27:02crime of passion skilling over. It was explicitly planned for
- 27:06financial gain as well as for their future together.
- 27:09Speaker 1: And the evidence she used what was the most powerful
- 27:12stuff in court.
- 27:13Speaker 2: The visual evidence was incredibly impactful. Showing the jury that
- 27:17video footage.
- 27:18Speaker 1: From the security camera.
- 27:19Speaker 2: Feed, Yes, the footage of Monica sitting in her car
- 27:22monitoring that live feed on her phone as Baker approached
- 27:25the house. That piece of physical evidence was just devastating.
- 27:30It proved her direct, active participation in the operational part
- 27:33of the murder. She wasn't just wishing him gone, she
- 27:36was facilitating and watching it happen.
- 27:37Speaker 1: Unbelievable. What about her defense? What could they even argue?
- 27:40Speaker 2: They tried? Her attorney, Leonard Levine, argued the narrative that
- 27:44Baker was the obsessed one, that he acted alone in
- 27:46a jealous rage, and that Monica was essentially his duped
- 27:50victim used by him.
- 27:51Speaker 1: But how did they counter all the financial evidence, the
- 27:54insurance stuff that.
- 27:55Speaker 2: Was the problem for the defense. The prosecution had meticulously
- 27:59docus men at her financial research. They showed the jury
- 28:02her web search history, looking up details about Fabio's life
- 28:06insurance policies, pay out timelines how it all worked before
- 28:09the murder, Long before the murder, proving she was focused
- 28:12on the money, on the mechanics of accessing it well
- 28:14in advance, just completely undercut the duped victim narrative. The
- 28:19digital financial trail was just too strong.
- 28:21Speaker 1: So the jury goes out to deliberate three days.
- 28:23Speaker 2: They deliberated for three days, ten men, two women on
- 28:26the jury, and they came.
- 28:28Speaker 1: Back with a verdict guilty.
- 28:29Speaker 2: Guilty April eleventh, twenty twenty five. Convicted of first free murder,
- 28:34convicted of conspiracy to commit murder, and crucially, the jury
- 28:38found both special circumstances to be true, murder for financial
- 28:42gain and murder by.
- 28:44Speaker 1: Lying in wait, which meant the sentence.
- 28:46Speaker 2: Was mandatory life without pearl. Sam's bigger. The sentencing hearing
- 28:50happened a couple months later in June twenty twenty five,
- 28:53and Judge Ronald S. Cohen formally imposed that maximum sentence.
- 28:57Speaker 1: And the judge had some pretty harsh words for her,
- 28:59didn't he He didn't just rote stamp the sentence.
- 29:01Speaker 2: No, he was incredibly scathing. He made it crystal clear.
- 29:05He saw through the defense's attempts to minimize her role.
- 29:09He explicitly rejected any idea that she was just an
- 29:12accessory or somehow less culpable than Baker.
- 29:14Speaker 1: What did he call her?
- 29:16Speaker 2: He branded Monica the mastermind in this conspiracy to commit
- 29:19murder and the prime mover in this execution of a
- 29:23human being. Strong words from a bench. He laid the
- 29:27responsibility squarely at her feet, saying that while Baker might
- 29:30have wielded the.
- 29:31Speaker 1: Knife, she was the engine behind it all exactly.
- 29:34Speaker 2: The intelligence, the planning, the financial motive that all came
- 29:37from her.
- 29:38Speaker 1: In the judge's view, he even used Baker's own testimony
- 29:41against her. Didn't he the part where Baker tried to
- 29:43take all the blame.
- 29:44Speaker 2: Yes, it was quite a judicial move. Judge Cohen directly
- 29:48referenced Baker's attempt to shield Monica and basically said it
- 29:51proved the opposite. He stated flatly that Baker did not
- 29:54have the intelligence to plan such a brutal, well thought
- 29:56out slaughter.
- 29:57Speaker 1: Wow, So he used Baker's supposed li lack of intelligence
- 30:01to reinforce Monica's role as the planner.
- 30:03Speaker 2: Precisely, he dismissed Baker's courtroom confession as not credible and
- 30:08argued that the complexity, the access, the financial motive all
- 30:13pointed to Monica Simonelli being the architect of the entire plot.
- 30:16Speaker 1: And then came the victim impact statements. Fabia's family finally
- 30:19getting to speak.
- 30:20Speaker 2: Yeah, those must have been just gut wrenching moments in
- 30:23the courtroom. His sister, Lorettapiccolo, spoke directly to Monica, didn't
- 30:28hold back.
- 30:29Speaker 1: What did she say?
- 30:30Speaker 2: She called Monica a demon, said she had betrayed all
- 30:34of us, and she highlighted the specific cruelty of how
- 30:37the murder was carried out, implying Monica orchestrated it so
- 30:40her own children might be the ones to find their fathers.
- 30:44The term used was lifeless body, just brutal honesty about
- 30:47the pain caused.
- 30:48Speaker 1: And the daughters they spoke to they were young adults
- 30:50by then, they did.
- 30:51Speaker 2: Both daughters addressed the court tearfully. The sources mentioned the
- 30:56elder daughter speaking about her lost innocence, the trauma, the
- 30:59younger daughter talking about how her mother become a monster
- 31:01in her eye.
- 31:01Speaker 1: Oh, that's just the ultimate cost, isn't it. Not just
- 31:04the prison sense, but destroying her own family or relationship
- 31:06with her children completely.
- 31:08Speaker 2: She threw literally everything away, her husband, the opulent lifestyle
- 31:12she was supposedly trying to protect, and most tragically, any
- 31:15future relationship with their daughters, all for what one point
- 31:19six million dollars and a future with a convicted sex
- 31:22offender who was also going to prison for life.
- 31:24Speaker 1: The sentence absolutely reflected the depth of that betrayal, the calculation,
- 31:29the greed.
- 31:31Speaker 2: So the sentencing finally brought an end to this incredibly long,
- 31:34painful legal process. For Fabio's family, especially his sisters like
- 31:38Marella Rota, there must have been some sense of relief, closure,
- 31:44a degree of closure, definitely. They spoke to the media afterwards.
- 31:47Marel Roda called the sentencing day the most beautiful day
- 31:50for our family, saying it finally allowed their brother Fabio
- 31:53to truly rest in peace just as finally served.
- 31:56Speaker 1: But closure doesn't erase the damage, does it, especially for
- 31:59the daughters.
- 32:00Speaker 2: No, the impact is permanent. Reports indicate the daughters have
- 32:03actually relocated moved away from LA. They're rebuilding their lives,
- 32:07leaning on extended family and understandably undergoing extensive therapy trying
- 32:12to process the absolute trauma of losing their father to
- 32:15a brutal murder and their mother to the prison system
- 32:18as the architect of it all.
- 32:19Speaker 1: It's just devastating on every level, and the conspirators all.
- 32:22Speaker 2: Serving their time. Monica Sementelli life without parole, Robert Baker
- 32:27life without parole, Christopher Austen serving his sentence of sixteen
- 32:30years to life for his role based on his.
- 32:32Speaker 1: Plea deal, and Deputy da Silverman's final word on it
- 32:36really sums it up, doesn't it.
- 32:37Speaker 2: It does. She reiterated that this was plain and simple,
- 32:41a senseless murder driven solely by greed and lust. The
- 32:45emotional vacuum that existed in that marriage wasn't filled with
- 32:48communication or counseling. It was filled with malice and ultimately
- 32:52funded by an insurance policy.
- 32:54Speaker 1: It's such a stark case because it takes that glittering
- 32:56world of Hollywood glamour, celebrity success, the peak of that
- 33:00la dream, and slams it right into the grim, cold
- 33:04reality of calculated spousal betrayal. We followed the plot, the money,
- 33:10the evidence, but the sources they keep kind of circling
- 33:13back to that core issue, don't they trust? Or the
- 33:16complete lack of it simmering beneath the surface of that
- 33:20beautiful woodland Hills life.
- 33:21Speaker 2: Exactly how long was that resentment building? How does a
- 33:25marriage get to a point where murder seems like a viable,
- 33:28even preferable financial strategy compared to divorce.
- 33:31Speaker 1: It makes you wonder about the warning signs. Could anything
- 33:34have been done differently earlier?
- 33:36Speaker 2: And that leads us right into our final provocative thought
- 33:39for you, the listener to maybe molover. The sources really
- 33:42emphasize Monica's isolation, her resentment fueled by Fabia's demanding career,
- 33:45his constant travel for wella those late nights. Okay, so
- 33:49we know the job kept him physically absent a lot,
- 33:52But beyond just the hours logged, what else might have
- 33:55been going on?
- 33:55Speaker 1: You mean, like deeper issues?
- 33:57Speaker 2: Yeah? What specific? Maybe non material things, unspoken tensions, perhaps
- 34:04a fundamental misalignment in what they valued, or maybe a
- 34:07persistent failure by Fabio caught up in his success to
- 34:11really acknowledge Monica's contribution, her own needs, her emotional life
- 34:15beyond just managing the household. Could those factors have been
- 34:18the crucial early warning signs.
- 34:20Speaker 1: Signs that the emotional distance was becoming critical?
- 34:23Speaker 2: Exactly could better communication, maybe seeking professional help, have bridged
- 34:27that gap? Before the resentment became so toxic, so entrenched,
- 34:32that it literally created the opening for this deadly financially
- 34:35motivated pact with Baker to seem like an actual option.
- 34:39Speaker 1: It really highlights that fragility of trust, doesn't it, And
- 34:42how quickly an unaddressed emotional void can become fertile ground
- 34:45for truly destructive intentions.
- 34:47Speaker 2: A deeply sobering thought for sure, especially about that potential
- 34:50dark side of intense professional success and the intimacy it
- 34:54can sometimes neglect.
- 34:55Speaker 1: Indeed, thank you for joining us on this deep dive.
- 34:57We'll see you next time.