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Academy Award Ep6 Stagecoach · Academy Award

• 0:10
  Speaker 1: The House of Squibb, manufacturing chemists for the medical profession
• 0:13
  Speaker 1: since 1858, bring you Academy Award. The pictures, the players,
• 0:18
  Speaker 1: the techniques and skills which have won or been nominated for,
• 0:21
  Speaker 1: the coveted awards granted each year by the Academy of
• 0:24
  Speaker 1: Motion Picture Arts and Sciences to each in his field
• 0:28
  Speaker 1: for outstanding achievements. The House of Squibb, makers of a
• 0:48
  Speaker 1: great family of Squibb medicinal products, brings you the distinguished
• 0:51
  Speaker 1: stars Claire Trevor and Randolph Scott in Stagecoach, the production
• 0:56
  Speaker 1: which in the category of Best Picture of the Year
• 0:58
  Speaker 1: was nominated for... the 1939 Academy Awards.
• 1:03
  Speaker 2: Yo, come on, dog on it!
• 1:04
  Speaker 3: Fessy, sandy, blacky! Pull!
• 1:05
  Speaker 2: You shunt the guns!
• 1:07
  Speaker 3: Pull! Pull! This is the story of a trip by
• 1:42
  Speaker 3: stagecoach in the early days of the West. My stagecoach
• 1:46
  Speaker 3: from Tonto, Arizona to Lordsburg, Arizona. A few miles today
• 1:51
  Speaker 3: by car or train. An epic journey in those frontier
• 1:55
  Speaker 3: days shortly after the Civil War.
• 1:58
  Speaker 2: © BF-WATCH TV 2021.
• 2:08
  Speaker 3: This is the story of those who drove and those
• 2:11
  Speaker 3: who rode that stagecoach from Tonto to Lordsburg on this day.
• 2:16
  Speaker 3: It is mostly, though, the story of a bad man
• 2:19
  Speaker 3: of the trail and a girl who thought she was
• 2:22
  Speaker 3: too bad to marry him.
• 2:24
  Speaker 2: Come on, you lazy critters!
• 2:37
  Speaker 4: We'll never get to Dry Fort.
• 2:40
  Speaker 3: Back the way you've been croaking, I figure you're plum
• 2:42
  Speaker 3: scared of Geronimo and his Apache. Well, of course I'm
• 2:46
  Speaker 3: scared of Geronimo. So are you.
• 2:49
  Speaker 4: If we didn't have all these soldiers riding with us,
• 2:52
  Speaker 4: I'd go right.
• 2:53
  Speaker 3: Back to Tondo. I've been thinking about you too, Curly. Me?
• 2:58
  Speaker 3: What for?
• 2:58
  Speaker 4: Well, it's right funny you trailing the Ringo kid. I
• 3:02
  Speaker 4: thought he was in the pen.
• 3:03
  Speaker 5: He was.
• 3:04
  Speaker 3: Busted out? Yep, I hear that he was busting to
• 3:07
  Speaker 3: get the Lord's bird to get even with the plumber boys.
• 3:10
  Speaker 3: But I aim to find the kid and put him
• 3:12
  Speaker 3: back in the pen where he belongs.
• 3:14
  Speaker 4: Hey, ain't that a feller standing along the trail ahead?
• 3:18
  Speaker 5: Huh?
• 3:19
  Speaker 3: Yep, seems to be. Better slow down, Buck. Give me
• 3:22
  Speaker 3: room to swing my gun. Whoa, whoa, there it was. Whoa. Hey,
• 3:28
  Speaker 3: wonder who he is.
• 3:30
  Speaker 4: I don't remember no puncher being along this way. You're
• 3:34
  Speaker 4: a United States Marshal, Curly. You ought to know him.
• 3:37
  Speaker 3: Hey, pull up, Kim. He ain't got no horse. He's
• 3:40
  Speaker 3: carrying his saddle in one hand and holding a Winchester
• 3:43
  Speaker 3: in the other. Well, I'm sure glad he ain't Geronimo
• 3:47
  Speaker 3: or the Ringo Kid, that's all. Give me room, Buck.
• 3:53
  Speaker 3: It is the Ringo Kid, and I'm sure glad it... What? Hello, kid.
• 3:58
  Speaker 3: Ain't you far from home? You mean prison, don't you, Curly? Well,
• 4:02
  Speaker 3: I didn't expect you to be riding shotgun this trip.
• 4:05
  Speaker 3: On to Lordsburg? I figured you'd be in Lordsburg by
• 4:08
  Speaker 3: this time. Lame horse. Got any room in the coach, Buck? Well,
• 4:12
  Speaker 3: I reckon so, Ringo. Then you got another passenger. Yeah,
• 4:15
  Speaker 3: darn right we have. I'll take that Winchester kid. I
• 4:18
  Speaker 3: ain't going to argue about it, Curly. But I just
• 4:20
  Speaker 3: hate to part with a gun like this. I guess
• 4:24
  Speaker 3: you don't understand, Ringo. You're under arrest. Won't do. You're
• 4:29
  Speaker 3: no good a monkey with that rifle, kid. We got
• 4:31
  Speaker 3: a cavalry escort coming up behind. Well, what do you know?
• 4:36
  Speaker 3: I guess it's all right. Here's the gun, Curly. Thanks. Now,
• 4:40
  Speaker 3: just get in the coach and make yourself to home.
• 4:57
  Speaker 2: You say something, Curly?
• 5:05
  Speaker 5: Nope.
• 5:06
  Speaker 3: Oh, excuse me.
• 5:08
  Speaker 4: Well, why don't.
• 5:09
  Speaker 3: You say something? A man gets nervous sitting here like
• 5:13
  Speaker 3: a mummy thinking about Indians. You say something. You've been
• 5:16
  Speaker 3: talking all day without making no sense. Well, dog on it,
• 5:20
  Speaker 3: here's something that makes sense. I've been peeking down back
• 5:23
  Speaker 3: into the coach, and I've seen the Ringo kid making
• 5:26
  Speaker 3: eyes at Dallas, and she's making eyes at him. That's rich.
• 5:31
  Speaker 3: The Ringo kid and Dallas the dancehall gal. The match.
• 5:37
  Speaker 3: He breaks out of jail, and she gets kicked out
• 5:40
  Speaker 3: of town.
• 5:41
  Speaker 5: Oh, Mark.
• 5:42
  Speaker 2: Drive, Mark! All out, folks, to change horses! Can I
• 5:45
  Speaker 2: help you down, Miss Dallas?
• 6:06
  Speaker 3: Pretty high step.
• 6:07
  Speaker 5: There.
• 6:08
  Speaker 3: Thanks. Oh, uh, just a minute. Yes? I, uh, I
• 6:13
  Speaker 3: just wanted to thank you for smiling at me in
• 6:16
  Speaker 3: the coach.
• 6:17
  Speaker 6: Smiling at you?
• 6:19
  Speaker 3: Mm-hmm.
• 6:19
  Speaker 6: Oh, well, that isn't anything.
• 6:22
  Speaker 3: Yes, it is. To a fellow who's been in jail,
• 6:24
  Speaker 3: it is. Well, I appreciate it, Miss Dallas. You see,
• 6:29
  Speaker 3: the others, except Doc Boone, they were kind of uppish,
• 6:33
  Speaker 3: not that I blame them.
• 6:34
  Speaker 6: Oh, I guess they don't mean to be.
• 6:36
  Speaker 3: Oh, I guess not. Only I... Well, I noticed sort
• 6:39
  Speaker 3: of that they acted kind of that way to you, too.
• 6:43
  Speaker 2: Oh.
• 6:44
  Speaker 6: Well, yes, I guess they did.
• 6:48
  Speaker 3: I didn't mean nothing by what I said. If I
• 6:50
  Speaker 3: said something that offends, I... Well, I'm sorry.
• 6:55
  Speaker 6: I'm not offended.
• 6:57
  Speaker 3: I didn't get a chance to get acquainted with the
• 6:59
  Speaker 3: folks on the stage. You know who they are?
• 7:02
  Speaker 6: Yes. That's... Mrs.
• 7:04
  Speaker 7: Mallory standing there. She's on her way to join her husband,
• 7:08
  Speaker 7: Captain Mallory of the Cavalry. You know Doc. And the
• 7:14
  Speaker 7: man with the white hair and the little traveling bag
• 7:17
  Speaker 7: is Mr. Gatewood, the banker from Tonto. The dark tall
• 7:22
  Speaker 7: man is Hatfield, the gambler. And the little wheezing man
• 7:26
  Speaker 7: is Mr.
• 7:27
  Speaker 6: Peacock. He's a whiskey salesman.
• 7:30
  Speaker 3: Thanks. I guess that covers everybody. Except You.
• 7:35
  Speaker 5: Me?
• 7:36
  Speaker 3: Yeah, sure. You're such a pretty gal to be traveling alone.
• 7:42
  Speaker 3: You counting on meeting a husband somewhere along the line? Husband?
• 7:47
  Speaker 6: No, I hadn't. No, I have no husband.
• 7:52
  Speaker 3: Good. I feel better, Dallas. Dallas, mind if I call
• 7:57
  Speaker 3: you that? No.
• 7:59
  Speaker 6: No, I don't mind.
• 7:59
  Speaker 3: Hey, you! Ringo! Come on in here where I can
• 8:02
  Speaker 3: keep an eye on you. Why, sure, Curly. After you, ma'am.
• 8:06
  Speaker 8: For God's sake, what are all you folks doing here?
• 8:20
  Speaker 3: Howdy, Maggie. Where's the soldiers with Tomitas?
• 8:22
  Speaker 6: Ain't no soldiers except those that come with you.
• 8:25
  Speaker 8: Billy and me didn't expect no stagecoach coming through with
• 8:27
  Speaker 8: them Apaches raising canes. We was just figuring on hitching
• 8:31
  Speaker 8: up the buckboard and going into Tonto where it's safe.
• 8:33
  Speaker 3: You mean there are no troops here?
• 8:35
  Speaker 6: That's my husband, Captain Mallory. I was told he was here.
• 8:38
  Speaker 5: He was, dearie.
• 8:39
  Speaker 8: Got orders night before last to join the soldiers at
• 8:42
  Speaker 8: Apache Wells.
• 8:42
  Speaker 3: Well, I guess we gotta turn back. See here, you're
• 8:45
  Speaker 3: the station agent.
• 8:46
  Speaker 1: This coach started for Lordsburg, and it's your duty to
• 8:49
  Speaker 1: get us there.
• 8:50
  Speaker 6: Mercy, mister, I'm just an agent.
• 8:52
  Speaker 8: Ask the driver.
• 8:53
  Speaker 3: If the soldiers gotta go back, we all gotta go back.
• 8:56
  Speaker 1: Um, yes.
• 8:58
  Speaker 9: I think, uh, that is, I feel, we should all
• 9:02
  Speaker 9: go back.
• 9:02
  Speaker 3: I think we can get through all right, Curling. Well,
• 9:05
  Speaker 3: settle this by foot. Folks, if we push on, we
• 9:08
  Speaker 3: can be in Apache Wells by sundown. Soldiers there will
• 9:11
  Speaker 3: give us an escort as far as the ferry, and
• 9:13
  Speaker 3: then it's only a hoot and a holler into Lord's Bell.
• 9:15
  Speaker 3: Wait a minute. We got four men can handle guns.
• 9:17
  Speaker 3: Five with you, Ringo. Doc Boone can shoot if sober.
• 9:23
  Speaker 3: It's foul slander, Curly. By when I was in training
• 9:27
  Speaker 3: in 61 to put down the rebellion in the South...
• 9:30
  Speaker 3: Later on, Doc, later on. Now, Mrs. Mallory, I don't
• 9:33
  Speaker 3: aim to put no lady into danger without she votes
• 9:36
  Speaker 3: for it.
• 9:36
  Speaker 6: I've traveled all the way here from Virginia. I'm determined
• 9:39
  Speaker 6: to get to my husband. I won't be separated any longer.
• 9:43
  Speaker 3: And what's your vote, mister? Where's your manners, Curly? Ain't
• 9:45
  Speaker 3: you going to ask this lady first?
• 9:47
  Speaker 1: Huh?
• 9:48
  Speaker 3: Oh, well, what do you say?
• 9:49
  Speaker 6: What difference does it make? What does it matter?
• 9:52
  Speaker 3: I demand that we go on. I stand on my
• 9:54
  Speaker 3: legal rights. We'll count that as a vote. What do
• 9:56
  Speaker 3: you say, Hatfield? To Lodgeburg. If Mrs.
• 9:59
  Speaker 5: Mallory can go, I can. In fact, it's my duty
• 10:03
  Speaker 5: as a gentleman to protect her.
• 10:05
  Speaker 3: You, Doc?
• 10:06
  Speaker 5: Aye, sir.
• 10:07
  Speaker 3: I'm not only a philosopher, I'm also a fatalist. Somewhere, sometime,
• 10:13
  Speaker 3: there may be the right bullet. or the wrong bottle
• 10:16
  Speaker 3: waiting for Josiah Boone. Why worry where or when? Yes
• 10:21
  Speaker 3: or no? Having this wisdom, sir, I have always courted danger.
• 10:26
  Speaker 3: During the late war, when I had the honor, sir,
• 10:29
  Speaker 3: to serve the Union under our great President Abraham Lincoln...
• 10:32
  Speaker 3: Do you want to go back now? Mr. Peacock, you! Well, I, um.
• 10:38
  Speaker 9: I would like to go, brother. I want to reach
• 10:41
  Speaker 9: the bosom of my dear family. But I may never
• 10:44
  Speaker 9: reach the bosom if we go on. Brother, I think
• 10:49
  Speaker 9: at best we should go back to the bosom.
• 10:53
  Speaker 3: I mean the soldiers. May Ringo and Buck vote to
• 10:56
  Speaker 3: go on, and that settles it. So you better all
• 10:58
  Speaker 3: wash and have a bite to eat, folks, then we'll
• 11:00
  Speaker 3: hit the trail again.
• 11:01
  Speaker 6: Good.
• 11:01
  Speaker 3: Set right in, folks.
• 11:03
  Speaker 6: It's hot and ready.
• 11:04
  Speaker 3: Another delay. Boy, I could eat a coyote. Later on.
• 11:09
  Speaker 3: Get out there and hitch up. Here, Dallas. You're going
• 11:12
  Speaker 3: down where no folks are sitting. Take this chair right
• 11:15
  Speaker 3: with Miss Mallory.
• 11:16
  Speaker 6: Oh, but I.
• 11:18
  Speaker 3: Well, thank you.
• 11:21
  Speaker 5: I think, Mrs. Mallory, you would find it cooler at
• 11:24
  Speaker 5: the other end of the table near the window.
• 11:26
  Speaker 6: I'm sure I would. Thank you, Mr.
• 11:28
  Speaker 2: Hetfield.
• 11:31
  Speaker 3: I think I'd find it cooler there, too. Well, it's...
• 11:36
  Speaker 3: It looks like I got the plague, don't it? Oh, no.
• 11:39
  Speaker 6: No, it's not you.
• 11:40
  Speaker 3: Well, I guess you can't break out of prison and
• 11:43
  Speaker 3: enter society the same week. I'm pretty dumb for sitting
• 11:47
  Speaker 3: down with a lady like you. Thanks again for being
• 11:51
  Speaker 3: kind to me, not moving away like they did. Oh, no, please.
• 11:55
  Speaker 6: You don't understand. I.
• 11:56
  Speaker 3: Will you have the bread, ma'am?
• 11:58
  Speaker 7: Thank you.
• 12:08
  Speaker 3: Mrs. Mallory, are you ill?
• 12:10
  Speaker 6: No, just.
• 12:13
  Speaker 6: I'll be all right. You're very kind. Why?
• 12:18
  Speaker 5: In the world I live in, one doesn't often see
• 12:21
  Speaker 5: a lady, Mrs. Mallory.
• 12:23
  Speaker 6: But they say you are a gambler.
• 12:26
  Speaker 5: Yes, my dear. I guess I am.
• 12:29
  Speaker 6: Have you ever been to Virginia, Mr. Hatfield?
• 12:32
  Speaker 5: I had the honor of being in your father's regiment.
• 12:36
  Speaker 3: Oh?
• 12:38
  Speaker 6: But I don't seem to recall the name of Hatfield.
• 12:41
  Speaker 5: It's what I'm called now.
• 12:43
  Speaker 3: Everybody up! Come on, folks!
• 12:45
  Speaker 4: Next stop, Apache Wells!
• 13:04
  Speaker 2: I've had tea wells.
• 13:08
  Speaker 3: All out, folks. We got to change horses. You yelled
• 13:12
  Speaker 3: that the last time.
• 13:13
  Speaker 4: Shucks, I know it. I got to yell something, don't I?
• 13:17
  Speaker 4: You want them to think we're stopping for Indians?
• 13:20
  Speaker 3: Get the folks about, Chris, while we change horses. We're
• 13:22
  Speaker 3: pushing right through to Lordspur. You come without the soldiers?
• 13:26
  Speaker 4: Sure, we wasn't scared. Never seen an Apache, did we, Curly?
• 13:30
  Speaker 4: Where's the cavalry, Chris?
• 13:31
  Speaker 3: Yeah, where is the soldiers? There is no soldiers. Yeah.
• 13:35
  Speaker 3: The soldiers are gone.
• 13:37
  Speaker 6: My husband. Where's Captain Mallory? Where is he?
• 13:40
  Speaker 3: You, his wife, I think.
• 13:41
  Speaker 6: Yes, where is he? Did he go with his men?
• 13:44
  Speaker 3: Si, senora. A little, what you call it, skirmish with
• 13:49
  Speaker 3: the Apaches last night.
• 13:51
  Speaker 5: The soldiers take Captain Mallory.
• 13:53
  Speaker 3: To Lost Bird. I think he get hurt. Hurt? Yes.
• 14:01
  Speaker 5: Mrs.
• 14:01
  Speaker 6: Mallory, let me.
• 14:04
  Speaker 3: Mrs.
• 14:05
  Speaker 6: Mallory, she's fainted.
• 14:06
  Speaker 3: I'll carry her. She'll be all right. Get some water, somebody.
• 14:09
  Speaker 3: Take her in, Curly. Put her to bed. Huh? To bed? Well,
• 14:12
  Speaker 3: we've got to get hitched and on the trail for
• 14:13
  Speaker 3: law school. Put that woman to bed. Here, Peacock, take
• 14:17
  Speaker 3: this bottle of whiskey. Guard it with your life until
• 14:21
  Speaker 3: I'm finished. Here, I got the water, Curly. Take the
• 14:23
  Speaker 3: water in the kitchen with Dallas. Boil it. Boil plenty
• 14:28
  Speaker 3: of it. Boil it?
• 14:29
  Speaker 4: But, Doc, it's about 200 in the shade right now.
• 14:33
  Speaker 3: I said boil water. Plenty of water. Look here, you. Sot.
• 14:39
  Speaker 3: What are you trying to do? I've got to get
• 14:41
  Speaker 3: to Lordsburg. You'll get to Lordsburg when that woman is
• 14:45
  Speaker 3: fit to travel again. Again? What's the matter with her?
• 14:48
  Speaker 3: She's going to have a baby. Now, come on. Help
• 14:52
  Speaker 3: get me sober. Hello?
• 15:11
  Speaker 1: Before continuing with the second part of Academy Award, I'd
• 15:14
  Speaker 1: like to tell you about one member of the great
• 15:16
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  Speaker 1: and see the refreshing difference. In just a moment, we'll
• 16:14
  Speaker 1: present the second part of Stagecoach. But first, we want
• 16:17
  Speaker 1: to thank United Artists and Walter Wanger for making this
• 16:20
  Speaker 1: story available. You'll be interested to know that Walter Wanger's
• 16:23
  Speaker 1: next production is Night in Paradise, which can soon be
• 16:26
  Speaker 1: seen in your local theater.
• 16:39
  Speaker 3: And now the.
• 16:40
  Speaker 1: House of Squibb presents part two of Academy Award, starring
• 16:44
  Speaker 1: Claire Trevor as Dallas and Randolph Scott as the Ringo
• 16:47
  Speaker 1: Kid in Stagecoach.
• 17:06
  Speaker 5: What was that?
• 17:07
  Speaker 3: Just an old coyote, Hatfield. That was no coyote. Listen.
• 17:16
  Speaker 4: No, that wasn't no coyote.
• 17:19
  Speaker 6: What?
• 17:20
  Speaker 3: It's a baby. Then that's enough accord playing for me tonight.
• 17:24
  Speaker 3: Looks like Doc brought it off all right. Good boy, Doc. Well?
• 17:31
  Speaker 6: It's a girl.
• 17:32
  Speaker 3: A girl? Well, three cheers for old Doc Boone.
• 17:38
  Speaker 9: Quiet.
• 17:40
  Speaker 6: Mrs.
• 17:40
  Speaker 3: Mallory must not be disturbed. How is Mrs. Mallory?
• 17:43
  Speaker 6: She's going to be all right.
• 17:45
  Speaker 3: Well, doggone.
• 17:46
  Speaker 4: And I thought that little critter was a coyote howling.
• 17:49
  Speaker 9: Who's there?
• 18:11
  Speaker 3: You oughtn't go too far, Miss Dollars. The Patchers like
• 18:14
  Speaker 3: to sneak up and pick off strangers. Oh. I, uh,
• 18:19
  Speaker 3: I watched you with that baby. You look, well, nice. Oh, uh,
• 18:26
  Speaker 3: you visiting in Lordsburg?
• 18:28
  Speaker 6: No, I, I have friends there. Look, why don't you escape, Ringo?
• 18:35
  Speaker 6: Why don't you escape?
• 18:36
  Speaker 3: I aim to, Miss Dollars, in Lordsburg.
• 18:38
  Speaker 6: Why Lordsburg? Why don't you get over the border?
• 18:42
  Speaker 3: My father and brother were shot down by the plumbers.
• 18:45
  Speaker 3: I guess you don't know how it feels to lose
• 18:48
  Speaker 3: your own folks that way.
• 18:49
  Speaker 6: My people were killed by the Indians. I was just
• 18:53
  Speaker 6: a kid.
• 18:53
  Speaker 7: There was a massacre in the Superstition Mountains.
• 18:57
  Speaker 3: That's tough on a girl. It's a hard country.
• 19:01
  Speaker 6: You have to live, no matter what happens.
• 19:04
  Speaker 3: Yeah, that's it. Look, Dallas, you've got no folks, neither
• 19:09
  Speaker 3: have I. Maybe I'm crazy to ask you, but... Well,
• 19:14
  Speaker 3: I still got a ranch across the border. It's a
• 19:17
  Speaker 3: nice place. Trees, grass, a house half built. You see,
• 19:23
  Speaker 3: I'm asking... Well, what I mean is... A man could
• 19:27
  Speaker 3: live there. And a woman. Oh, I guess I'm crazy
• 19:32
  Speaker 3: being so... So close to you like this.
• 19:35
  Speaker 6: But you don't know me. You don't know who I am.
• 19:42
  Speaker 3: What I am. I know all I want to know.
• 19:45
  Speaker 3: You're the kind of a girl a man wants to marry.
• 19:48
  Speaker 3: What's it doing out here?
• 19:50
  Speaker 5: Kid?
• 19:51
  Speaker 3: Oh, it's you, Dallas. Will you come along, kid? Stick
• 19:53
  Speaker 3: close to the reservation. It's time we fed it down, too.
• 19:57
  Speaker 3: We've got to hit the trail come morning early. Geronimo
• 19:59
  Speaker 3: or no Geronimo. Woof! Woof! Well, good morning, Dallas.
• 20:20
  Speaker 6: Oh, Doc.
• 20:21
  Speaker 3: Fine morning. I hear you stayed up all night with
• 20:25
  Speaker 3: my patient.
• 20:26
  Speaker 5: Thanks.
• 20:26
  Speaker 6: Well, I slept some in the rocker.
• 20:28
  Speaker 2: Hey, hoey!
• 20:29
  Speaker 3: Everybody up!
• 20:30
  Speaker 4: Get your breakfast, folks! The stagecoach is leaving on its
• 20:34
  Speaker 4: last lap!
• 20:35
  Speaker 3: Next stop, Lordsburg! Everybody up! It's about time. Good morning.
• 20:43
  Speaker 8: Good morning.
• 20:44
  Speaker 3: I laid awake most of the night. Wondering what you'd
• 20:47
  Speaker 3: have said if Curly hadn't busted in. You didn't answer
• 20:51
  Speaker 3: what I asked you last night.
• 20:52
  Speaker 6: Ringo, why don't you escape? There's a horse out there
• 20:55
  Speaker 6: in the corral. Curly won't go after you. He can't
• 20:58
  Speaker 6: leave the passengers in this fix.
• 21:00
  Speaker 3: But I gotta go to Lordsburg. Won't you go to
• 21:03
  Speaker 3: my ranch and wait for me?
• 21:04
  Speaker 6: Wait for a dead man. You haven't got a chance
• 21:08
  Speaker 6: and you know it.
• 21:10
  Speaker 7: It was three against one when the plumbers swore you
• 21:12
  Speaker 7: killed a foreman.
• 21:14
  Speaker 6: It'll be three against one in Lordsburg.
• 21:16
  Speaker 3: There's some things a man just can't run away from.
• 21:18
  Speaker 6: How can you talk about your life and my life
• 21:21
  Speaker 6: when you're throwing him away?
• 21:23
  Speaker 3: What do you want me to do?
• 21:24
  Speaker 6: Would it make us any happier if Luke Plummer was dead?
• 21:29
  Speaker 6: One of his brothers would be after you with a gun.
• 21:31
  Speaker 6: We'd never be safe. I don't want that kind of life, Ringo.
• 21:35
  Speaker 3: I don't see what else I can do.
• 21:37
  Speaker 6: Go now. Get away. Forget Lordsburg. Forget the plumbers. Make
• 21:43
  Speaker 6: for the border and And I'll come.
• 21:46
  Speaker 3: You mean that?
• 21:47
  Speaker 6: I do, I do.
• 21:48
  Speaker 3: Won't you come along with me?
• 21:50
  Speaker 6: I can't leave Mrs. Mallory and her baby. I'll come
• 21:54
  Speaker 6: to you from Northsburg, I swear it.
• 21:55
  Speaker 3: I ought to have my rifle.
• 21:58
  Speaker 6: I got it for you last night. Now go on, Ringo.
• 22:01
  Speaker 6: Saddle up and ride. Ride for the border.
• 22:05
  Speaker 4: The End.
• 22:16
  Speaker 3: Ringo, get him up.
• 22:18
  Speaker 6: Ringo, ride, ride. Don't stop now.
• 22:21
  Speaker 3: Get off that horse.
• 22:22
  Speaker 2: Why did you stop?
• 22:24
  Speaker 6: You had a chance. Curly couldn't have caught you.
• 22:29
  Speaker 3: I couldn't leave you now, Dallas. Give me your hands, kid.
• 22:31
  Speaker 3: I'm putting the irons on you this time. You don't
• 22:33
  Speaker 3: have to, Curly. I'm not running away. I'll say you ain't.
• 22:36
  Speaker 3: Look at them hills. Smoke signals. Listen. War drums. Geronimo's Apaches. Right. Waiting.
• 22:43
  Speaker 9: Come on.
• 23:02
  Speaker 3: Doggone it, Curly.
• 23:04
  Speaker 4: Seems to me we're doing something mighty foolhardy. Trying to
• 23:07
  Speaker 4: run through these hills and them four Indians. We don't
• 23:11
  Speaker 4: know who they are yet.
• 23:12
  Speaker 3: Keep running.
• 23:13
  Speaker 4: Come on, boys!
• 23:17
  Speaker 3: Run!
• 23:18
  Speaker 4: Hey, Gully, don't you think you ought to take the
• 23:21
  Speaker 4: cops off Ringo? He's mighty handy with a gun.
• 23:24
  Speaker 3: You drive them horses! I'll worry about the kids! Right,
• 23:28
  Speaker 3: all right!
• 23:29
  Speaker 2: Come on, boys! Hey!
• 23:35
  Speaker 3: Curly, look! There they are! Indians! Shut up and drive them, folks!
• 23:41
  Speaker 2: We've got to run for it now!
• 23:59
  Speaker 3: Hold fast and play. I'm out of ammunition. So am I, Doc.
• 24:02
  Speaker 3: I've got three rounds.
• 24:03
  Speaker 2: Save him.
• 24:05
  Speaker 3: Dallas, haven't you got a smile for me?
• 24:08
  Speaker 6: Oh, sure, Ringo.
• 24:10
  Speaker 8: Sure.
• 24:10
  Speaker 3: Thanks.
• 24:10
  Speaker 1: Ringo!
• 24:11
  Speaker 3: Get out there and leave us! Right.
• 24:13
  Speaker 2: So long, Dallas. Wait.
• 24:15
  Speaker 3: Wait, don't you hear us?
• 24:16
  Speaker 2: Yeah, what, ma'am?
• 24:18
  Speaker 6: The bugle.
• 24:22
  Speaker 2: The cavalry!
• 24:23
  Speaker 3: Let me see. He's right. Soldiers from Louisburg. Ringo!
• 24:28
  Speaker 2: Oh, Ringo!
• 24:30
  Speaker 3: Oh, Ringo! Call out, folks. Lordsburg, last stop.
• 24:52
  Speaker 5: Hold it, Buck.
• 24:53
  Speaker 3: You all right? Sure, sure, Curly. Just a scratch. Whoa, whoa, Curly, whoa.
• 25:00
  Speaker 3: This is the end of the line. Watch it, boys. Mrs.
• 25:04
  Speaker 3: Mallory's a sick woman.
• 25:05
  Speaker 5: Get a stretcher.
• 25:07
  Speaker 3: Take it easy. We've got a dead man in there, too.
• 25:10
  Speaker 3: Where's Mrs. Mallory? She's all right. Well, tell her our husband,
• 25:13
  Speaker 3: Captain Mallory, is out of danger.
• 25:15
  Speaker 4: Tell the captain he ain't. He's a pauper. Well, so long, Dallas.
• 25:22
  Speaker 6: So long, boys.
• 25:23
  Speaker 3: Well, Curly, we're in Logsburg. Yeah, kid, this is it.
• 25:26
  Speaker 3: Could you spare me an hour? Oh, I don't know, kid.
• 25:29
  Speaker 3: My world still goes, Curly. I'll be back in an hour.
• 25:33
  Speaker 3: All right, kid, I'll trust you. Could I take my gun? Sure,
• 25:35
  Speaker 3: why not? It ain't loaded. I borrowed three shells from Gatewood.
• 25:39
  Speaker 5: Three?
• 25:40
  Speaker 4: One for each of the plumber boys, eh?
• 25:42
  Speaker 3: Cash buck, one for each of them. You're out on
• 25:44
  Speaker 3: parole for an hour, Ringo. That's all I want to
• 25:47
  Speaker 3: know about it. One hour. Wait, Dallas. Ain't you walking
• 26:01
  Speaker 3: the wrong way? This way is the bad side of town,
• 26:05
  Speaker 3: the dance halls and the... Dallas, wait.
• 26:08
  Speaker 2: Let go.
• 26:11
  Speaker 6: Let go of me. I told you not to follow me.
• 26:14
  Speaker 3: But you can't go down there.
• 26:17
  Speaker 6: That's where I'm going.
• 26:19
  Speaker 3: I asked you to marry me.
• 26:21
  Speaker 6: I'll never forget you asked me, Ringo. That's something.
• 26:26
  Speaker 3: See them scars? Handcuffs. Scars wear off, Dallas. Yes. I
• 26:32
  Speaker 3: ain't going to give you a chance to forget me.
• 26:34
  Speaker 6: No. Please, Ringo.
• 26:36
  Speaker 3: Let me go now. Señor. Señor Ringo.
• 26:40
  Speaker 9: Listen.
• 26:41
  Speaker 3: They are waiting around the town in the road. Thanks, amigo. Thanks.
• 26:46
  Speaker 3: I'll be ready.
• 26:46
  Speaker 6: No, Ringo.
• 26:47
  Speaker 3: No. Wait for me here, Dallas. Wait for me right here.
• 26:50
  Speaker 3: I'll be back.
• 26:50
  Speaker 6: Ringo, come back.
• 26:52
  Speaker 2: Come back. Ringo.
• 27:06
  Speaker 4: Curly, I got corns on my driving seat. Now we
• 27:10
  Speaker 4: gotta sit on this buck, Bart.
• 27:12
  Speaker 3: What for?
• 27:13
  Speaker 5: Shut up, Buck.
• 27:14
  Speaker 3: We're waiting for Ringo.
• 27:15
  Speaker 4: That's gonna be some wait with them three plumber brothers
• 27:18
  Speaker 4: laying for him.
• 27:20
  Speaker 3: Three against one. Shut up! She's waiting, ain't she? Dallas? Well, heck, Curly,
• 27:25
  Speaker 3: she's gotta wait. She's in law.
• 27:28
  Speaker 2: Hey, look.
• 27:32
  Speaker 3: Them shadows. Three of them. I see them. Plumbers. And
• 27:38
  Speaker 3: these big shatters, Curly. Shut up. I'm looking for the
• 27:41
  Speaker 3: other shatter. There it is. That's him, Curly. That tall shatter.
• 27:47
  Speaker 3: Straight as an arrow.
• 27:54
  Speaker 6: Dallas.
• 27:55
  Speaker 3: What? He said to wait. Wait?
• 27:59
  Speaker 5: Yeah.
• 28:00
  Speaker 6: I'll be waiting. Forever now. What chance would he have?
• 28:08
  Speaker 3: Ringo.
• 28:10
  Speaker 6: Oh, Ringo.
• 28:12
  Speaker 3: Hello, Dallas. I told you I'd be back for a
• 28:14
  Speaker 3: little while.
• 28:15
  Speaker 6: Ringo, your arm, it's soaked with blood.
• 28:19
  Speaker 3: Get up here, Dallas, on this wagon. You've got to drive.
• 28:21
  Speaker 3: You mean she can stay with me a while, Curly? Yeah,
• 28:24
  Speaker 3: for a little while. Let her drive. You nurse that arm. Thanks.
• 28:27
  Speaker 3: Got a good hold on them rain sellers? Yes, Kelly.
• 28:30
  Speaker 6: I've got them.
• 28:31
  Speaker 3: All right, then.
• 28:44
  Speaker 4: Now, what's the idea of making them horses run away?
• 28:48
  Speaker 3: Don't be so dumb, Buck. Them nags won't stop till
• 28:52
  Speaker 3: that buckboard is over the border. But you'll let Ringo
• 28:55
  Speaker 3: get away. Yeah, Buck. I guess I did it then. Now,
• 29:04
  Speaker 3: wasn't that disgraceful careless?
• 29:08
  Speaker 4: Why, Curly, you ain't such a bad hombre after all.
• 29:17
  Speaker 2: The End.
• 29:32
  Speaker 1: Imagine you are now looking down into a room where figures,
• 29:36
  Speaker 1: gowned and masked in spotless white, are working under the
• 29:39
  Speaker 1: brilliant light of nature. huge sterilizing lamps. At first glance,
• 29:43
  Speaker 1: you might well believe yourself to be in the operating
• 29:45
  Speaker 1: room of a modern hospital. But what you're actually seeing
• 29:49
  Speaker 1: is one of the rooms at the Scribd Laboratories where
• 29:52
  Speaker 1: products such as influenza virus vaccine or penicillin are packed.
• 29:56
  Speaker 1: The most sterile conditions possible are always maintained there. Even
• 30:01
  Speaker 1: the air is sterilized. No operating room anywhere is more
• 30:05
  Speaker 1: scientifically safeguarded against contamination. It's just one example of the
• 30:10
  Speaker 1: endless precautions taken by the House of Squibb to ensure
• 30:14
  Speaker 1: the uniformity, purity, and efficacy of all the many Squibb products.
• 30:19
  Speaker 1: Through such responsible service in the cause of human health,
• 30:23
  Speaker 1: Squibb has earned its worldwide reputation as a name you
• 30:28
  Speaker 1: can trust. Next week, another great picture. The House of
• 30:35
  Speaker 1: Squibb will present Academy Awards starring Ronald Coleman in If
• 30:39
  Speaker 1: I Were King. Stagecoach was written for radio by Frank
• 30:43
  Speaker 1: Wilson with an original musical score composed and conducted by
• 30:46
  Speaker 1: Lee Stevens. Our producer-director is Dee Engelbach. Randolph Scott, whom
• 30:51
  Speaker 1: you enjoyed as Ringo in today's performance, can now be
• 30:54
  Speaker 1: seen in RKO's Batman Territory.
• 30:56
  Speaker 3: Claire Trevor, who.
• 30:57
  Speaker 1: Played Dallas, will soon be seen in the RKO picture, Crack-Up.
• 31:01
  Speaker 1: This is Hugh Brundage bidding you good night until next
• 31:03
  Speaker 1: week at the same time when you are invited to
• 31:05
  Speaker 1: listen again to Academy Award presented by the House of Squibb,
• 31:10
  Speaker 1: a name you can trust. This is CBS, the Columbia
• 31:26
  Speaker 1: Broadcasting System.
• 31:31
  Speaker 3: Oh, no.