Latest / Arroe Collins Like It's Live / Help From A Hypocrite The Video Podcast From Comedian Joey Dandano

Transcript

Help From A Hypocrite The Video Podcast From Comedian Joey Dandano · Arroe Collins Like It's Live

• 0:00
  Speaker 1: The reason why there's twenty different podcasts is simple. In radio,
• 0:03
  Speaker 1: we're taught one thought per break. Why would I want
• 0:05
  Speaker 1: to put football stars with y A authors or chefs.
• 0:09
  Speaker 1: That's why you got to visit Arrow dot net a
• 0:12
  Speaker 1: r r oe dot net. Twenty different podcasts. One of
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  Speaker 1: the favorites something our parents would say, all of those
• 0:20
  Speaker 1: things that would make us go, what well it started
• 0:24
  Speaker 1: somewhere Something our parents would say only on Arrow dot
• 0:28
  Speaker 1: net aar r oe dot net. Enjoy your exploration, Joey,
• 0:32
  Speaker 1: You're doing something that is my god, It's all over LinkedIn,
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  Speaker 1: It's all everything that I have been researching, and the
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  Speaker 1: fact that we're even talking today has got to be
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  Speaker 1: the universe and the way that it works through every
• 0:42
  Speaker 1: one of us. Because this has been a subject of
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  Speaker 1: mine for a very long time, in making the transition
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  Speaker 1: to videos from just normal, typical terrestrial style type of podcasting.
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  Speaker 1: And I just want to know what the experience is
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  Speaker 1: like for you, for people to be able to see
• 0:57
  Speaker 1: you and to really get into that. That's a situation
• 1:00
  Speaker 1: of making that connection with people, you.
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  Speaker 2: Know what it really is. It's awesome to have people
• 1:09
  Speaker 2: be able to spend time with me in a video fashion,
• 1:12
  Speaker 2: and in like a more long term way. Like most
• 1:17
  Speaker 2: of the people who've ever discovered me, I guess that
• 1:21
  Speaker 2: the word would be through you know, videos that for
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  Speaker 2: the most part probably end at like fifteen seconds thirty
• 1:28
  Speaker 2: seconds a minute. If they discovered me through comedy, it'll
• 1:32
  Speaker 2: be through a set in the city or on a tour,
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  Speaker 2: like opening for a friend, that would be no more
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  Speaker 2: than twelve to fifteen minutes. And again that's not like
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  Speaker 2: something that someone can spend time with at home, like
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  Speaker 2: playing me on a screen when they're cooking or walking
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  Speaker 2: around or working out. So to have this it's very
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  Speaker 2: it's very exciting to end vulnerable, honestly, to know that,
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  Speaker 2: like people are getting to know me just by witnessing
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  Speaker 2: things that quite honestly are like out of my control.
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  Speaker 2: When you're on screen for an hour, you know, you
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  Speaker 2: can't really control every every way that your face moves,
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  Speaker 2: every every way that your eyes look.
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  Speaker 1: Yeah you know, yeah yeah.
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  Speaker 2: Well.
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  Speaker 1: Plus on top of that, Joey, is the fact that
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  Speaker 1: when when you do help from from a hypocrite, the
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  Speaker 1: thing is, I want to see your facial expressions, because
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  Speaker 1: I mean, you are a master of that art form.
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  Speaker 1: When just expressing with your face is like, how does
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  Speaker 1: he do that? Let me see what he's doing?
• 2:37
  Speaker 2: Yeah, well, I try to make sure like I'm thinking
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  Speaker 2: about that while we're recording, because we do record it
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  Speaker 2: in a nice beautiful studio, yes here in New York,
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  Speaker 2: a lot of cameras, very high deaf. I even we've
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  Speaker 2: got a guy going handheld on it to try to
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  Speaker 2: capture like, you know, make it engaging for people who
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  Speaker 2: choose to listen to it over video, because you do
• 2:58
  Speaker 2: have to think about clips. Now, that's how that's how
• 3:00
  Speaker 2: this industry works. You got to think about how to
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  Speaker 2: get discoverability. But I'm always thinking, I guess the term
• 3:08
  Speaker 2: would kind of be like over selling. How can I
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  Speaker 2: like overseell this that's it on the audio side. How
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  Speaker 2: can I make sure I'm really selling what I'm feeling
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  Speaker 2: or the joke that I'm trying to get across on
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  Speaker 2: the audio side, because I have a thing and maybe
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  Speaker 2: it's a problem, maybe it's not, but I love doing
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  Speaker 2: physical bits on an audio medium, and I shoot myself
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  Speaker 2: in the foot all the time by doing it because
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  Speaker 2: I realize halfway through it, I'm like, well, the people
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  Speaker 2: just listening cannot see what I'm.
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  Speaker 1: Right, that's right, that's right. Yeah, yeah. But when I'm
• 3:44
  Speaker 1: sitting in the front seat of the car, I hit
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  Speaker 1: that red light, what do I do? I grab the
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  Speaker 1: smartphone and I am watching you. So I mean, at
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  Speaker 1: least I have that power of choice of I can
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  Speaker 1: listen to you, I can watch you. I mean, if
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  Speaker 1: you can just give me a scratch and sniff, I
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  Speaker 1: would be a lot happier.
• 4:01
  Speaker 2: Well, just promise me that you're going back to audio assudio.
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  Speaker 1: So now, when you talk about people being in their studio,
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  Speaker 1: I gotta be honest. When when with iHeartRadio and those
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  Speaker 1: cameras were in that room with me, I felt crowded.
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  Speaker 1: Do you not feel crowded? It was it was so
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  Speaker 1: uncomfortable to be in there with Rob Schneider and all
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  Speaker 1: those guys, and it's like, it's like, oh my god,
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  Speaker 1: I'm so sorry Rob that you were sitting here eating
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  Speaker 1: a bow Jangle's biscuit and the whole freaking world is
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  Speaker 1: watching us do this.
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  Speaker 2: Yeah, it is. I whenever we record, there's always at
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  Speaker 2: least aside from the guest, you know, like four to
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  Speaker 2: five extra people in the room, and initially as a
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  Speaker 2: as a live performer. A thing I really had to
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  Speaker 2: get used to is the fact that they're not supposed
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  Speaker 2: to laugh because the the mics are gonna pick it up. Yeah,
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  Speaker 2: it's it's cool to have a joke land so hard
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  Speaker 2: that you hear the whole studio laugh. But they're professionals
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  Speaker 2: and they don't want to be you know, smut like
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  Speaker 2: covering the whole track with their laughter. Yeah. It's funny
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  Speaker 2: because I was thinking for the first couple episodes were
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  Speaker 2: recorded that I was bombing, that I was bombing like
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  Speaker 2: crazy the whole time, because I was like, damn, these
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  Speaker 2: guys are the hard crowd. This is a hard crowd
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  Speaker 2: in here. Turns out they're doing their job. They're doing
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  Speaker 2: exactly what they're supposed to do.
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  Speaker 1: Yeah, but aren't you as well? Because I mean, I
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  Speaker 1: mean you, being a comedian, you understand the power of
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  Speaker 1: the pause, and it's like I live for that with
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  Speaker 1: you guys. Is that when you send me into a
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  Speaker 1: shockwave of pause, it's like I'm to react now. So
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  Speaker 1: therefore if I don't laugh, that problem's on me, that's
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  Speaker 1: not you exactly.
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  Speaker 2: It's actually really fun to have a guest on who
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  Speaker 2: because I've you know, I'm starting out with comedians because
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  Speaker 2: those are my close friends. Those are people who I
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  Speaker 2: can trust to understand, you know, how a conversation can flow,
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  Speaker 2: what it's like to keep it entertaining. And that's obviously
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  Speaker 2: what I'm concerned about up top. But to have you know,
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  Speaker 2: a couple of other friends of mine who aren't doing comedy,
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  Speaker 2: but they are funny people in their own right right,
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  Speaker 2: it's very fun to see them experience the purposeful tension
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  Speaker 2: that comes with a silent moment, with with leaving the
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  Speaker 2: floor open for interjection. Like people, something happens when the
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  Speaker 2: cameras and the microphones are on, and people forget what
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  Speaker 2: it's like to have a regular conversation. For me, I
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  Speaker 2: love seeing how that goes down. It just kind of
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  Speaker 2: reminds me that I don't know how you feel. But
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  Speaker 2: this being a skill that you've worked on your whole life,
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  Speaker 2: it is, It's intangible. It's not a thing you can
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  Speaker 2: really put your hands on, you know, like saying I'm
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  Speaker 2: good at conversation or I'm good at being funny isn't
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  Speaker 2: a thing you can quantify. But once you're sitting down
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  Speaker 2: in a chair having a cup with someone and the
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  Speaker 2: purpose is to be entertaining, and the purpose is to
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  Speaker 2: get the most out of every minute and every moment.
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  Speaker 2: You sit there and you're like, you know what, I
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  Speaker 2: am pretty good at this damn thing. Yeah, and and
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  Speaker 2: and when you see someone else kind of struggle, and
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  Speaker 2: it's your job to make sure the audience never even
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  Speaker 2: noticed is that there was a struggle in that moment,
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  Speaker 2: or like a pause that could throw off a conversation.
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  Speaker 2: You're like, yeah, you know what, I think. I think,
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  Speaker 2: I think I'm gonna have fun here.
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  Speaker 1: So now what is your reaction to what is going
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  Speaker 1: on right now? With YouTube and even iHeartRadio is doing
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  Speaker 1: this where they're putting a lot of people on because
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  Speaker 1: they know that's the investment when it comes to where
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  Speaker 1: people want their entertainment. But the problem is, though, is
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  Speaker 1: they've got that stupid microphone in front of them in
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  Speaker 1: situations where I think if you had just a hidden
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  Speaker 1: away microphone that would even be more genuine and authentic.
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  Speaker 1: I mean, you and I are used to microphones. We
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  Speaker 1: we have to have the microphone. I get it, yeah,
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  Speaker 1: but when you're when I'm sitting there watching something on
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  Speaker 1: YouTube and I'm going you don't need a freaking microphone.
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  Speaker 1: Get that thing out of your face. You're not even
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  Speaker 1: talking on that thing the right way.
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  Speaker 2: Ha. Yeah, I think you know. I'm I've been doing
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  Speaker 2: this for for since I was a teenager. I'm thirty
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  Speaker 2: one now. I've been performing for a long time. And
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  Speaker 2: every single aspect of this industry that I was aware
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  Speaker 2: of growing up that I thought are going to be, like,
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  Speaker 2: you know, important to my career, such as like performing live,
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  Speaker 2: killing it, like for small groups at a time, building
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  Speaker 2: an audience, it's just it's just not how it works anymore.
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  Speaker 2: And then being being the funniest comic in a room
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  Speaker 2: or being the best actor in a thing like it's
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  Speaker 2: it's not enough anymore to just do one thing and
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  Speaker 2: be the best. Yep and ill. I don't think that's
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  Speaker 2: either good or bad. I think I think that still
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  Speaker 2: rewards the hustlers who make an effort to catch their
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  Speaker 2: audience wherever they can, understanding that people are going to
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  Speaker 2: find you however they see fit. Like there's there's so
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  Speaker 2: many different avenues. I think this kind of thing is exciting.
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  Speaker 2: I I will say, and I'm gonna be vulnerable here.
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  Speaker 2: I had I had done a podcast before in the uh,
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  Speaker 2: you know, when we were all stuck at home twenty
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  Speaker 2: twenty three, I was recording over zoom. It was it
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  Speaker 2: was really just a way to hang out and have
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  Speaker 2: fun with my friend yep. But to have it come
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  Speaker 2: back and be a real like professional gig and a
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  Speaker 2: thing that is well produced and put together and gonna
• 9:43
  Speaker 2: be something that that that that we're putting on the resume.
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  Speaker 2: I'd say, the first couple of times we recorded, which
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  Speaker 2: you know, two episodes a day, getting good friends.
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  Speaker 1: In the catching good for you, Yeah, yeah.
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  Speaker 2: The first couple of times, I I'm gonna be honest
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  Speaker 2: here and say I was super self conscious despite how
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  Speaker 2: fun it was going, and and and you know, despite
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  Speaker 2: how how amazing the recording went. No matter what I
• 10:14
  Speaker 2: was sitting there going every single episode, I was asking
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  Speaker 2: the whole team, the production team, was that good am I?
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  Speaker 2: Should I walk away happy? From that? Should I walk away?
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  Speaker 2: And that's in relation to the to the room being
• 10:25
  Speaker 2: as quiet as I mentioned earlier, like people are not
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  Speaker 2: supposed to laugh. I'm used to the laughter, but it
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  Speaker 2: was It's just an example of the fact that like
• 10:34
  Speaker 2: there's so many growing pains in this industry where you
• 10:38
  Speaker 2: just have to keep finding yourself in different formats and
• 10:41
  Speaker 2: different avenues of exposure, and it's always gonna feel brand
• 10:46
  Speaker 2: new if it's not something you were doing before. You know,
• 10:51
  Speaker 2: so true, so true.
• 10:53
  Speaker 1: Please do not move. We're just getting started with Joey Dandano.
• 10:55
  Speaker 1: We'll be right back. The name of the video podcast
• 11:00
  Speaker 1: help from a Hypocrite. Oh really, let's get back in
• 11:04
  Speaker 1: with Joey Dandano. I gotta tell you something. I wish
• 11:07
  Speaker 1: I could be a fly on the wall when you
• 11:09
  Speaker 1: get into a kind of a fun subject with like
• 11:11
  Speaker 1: Sasha and it goes to it goes the way of
• 11:14
  Speaker 1: messy bisexuals, because I would love to see if you're
• 11:16
  Speaker 1: sitting there jotting down notes, if you're squiggling in your chair,
• 11:20
  Speaker 1: what your eyes are doing, darting around the room, because
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  Speaker 1: there's no way in hell you're gonna sit there, you know,
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  Speaker 1: just very calm, cool and collected with a subject like that.
• 11:29
  Speaker 2: Dude, Yeah, I do. There's something so fun that happens
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  Speaker 2: where it's the same thing that happens when you're when
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  Speaker 2: you're on stage doing comedy and you're and you're riffing
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  Speaker 2: some something happens in the moment and you're like Okay,
• 11:43
  Speaker 2: let me let me stray from the material that I
• 11:46
  Speaker 2: planned on talking about, and let me follow this to
• 11:49
  Speaker 2: the end. Something something happens, and I've talked, I've spoken
• 11:53
  Speaker 2: about this with other performers who have to do a
• 11:55
  Speaker 2: very in the moment kind of thing. You kind of
• 12:00
  Speaker 2: the best the best wording I could use is is
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  Speaker 2: you're blacking out. You're just fully like, not even there
• 12:07
  Speaker 2: in the moment. You're giving yourself over as a performer
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  Speaker 2: to like to what's happening. You're like, Okay, what's the
• 12:14
  Speaker 2: best response I can give right here to launch her
• 12:17
  Speaker 2: into what could be the funniest anecdote that she could share,
• 12:20
  Speaker 2: you know, and you're quietly in your own head, filtering
• 12:24
  Speaker 2: through like six responses in this in in the span
• 12:29
  Speaker 2: of what has to be like half like a millisecond.
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  Speaker 2: It's it's it's the same thing that happens to me
• 12:36
  Speaker 2: on stage. And I'm talking to someone in the front
• 12:39
  Speaker 2: row and we've been having a conversation, but now they
• 12:43
  Speaker 2: just threw me a curveball that I did not see coming.
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  Speaker 2: And if I respond to it, well, we're gonna keep
• 12:49
  Speaker 2: having fun. And if I respond to it poorly, we
• 12:52
  Speaker 2: might this night might go negative.
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  Speaker 1: See, that's that's that's when I come out and I
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  Speaker 1: literally say I'm having a brown out right now, and
• 12:59
  Speaker 1: they kind of look at me. Therefore, okay, I'm going, okay, now,
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  Speaker 1: I've got them engage. A brownout means I didn't blackout.
• 13:04
  Speaker 1: I just browned out, and I'm gonna step off what
• 13:07
  Speaker 1: I normally do and we're gonna go in a direction
• 13:09
  Speaker 1: that's probably gonna make you say, what the fuck? What
• 13:11
  Speaker 1: the hell's this guy doing?
• 13:14
  Speaker 2: Well, I thought I thought brown out was for was
• 13:16
  Speaker 2: for if you happened to smoke too much. I thought
• 13:18
  Speaker 2: that was the phrase of that. But maybe I'm wrong.
• 13:20
  Speaker 1: No, that's that's the building of a perfect radio person
• 13:23
  Speaker 1: smoking in hard alcohol. You got that, boys, But bye.
• 13:31
  Speaker 2: Guy with that stuff. I gotta make sure I got
• 13:32
  Speaker 2: energy for this cage.
• 13:34
  Speaker 1: So true, Oh my god. And well let's talk about
• 13:36
  Speaker 1: that energy. Because I sit here and I watch the videos,
• 13:39
  Speaker 1: I hear what you're doing. I see what you're doing,
• 13:41
  Speaker 1: and then I go, wait a second, are you using
• 13:43
  Speaker 1: the same compartment of energy in a podcast that you
• 13:47
  Speaker 1: do on a live stage, because you're still on the spot.
• 13:51
  Speaker 2: I definitely do. I Actually, I have to talk to
• 13:56
  Speaker 2: my team if I noticed, because you know, I'm doing
• 13:58
  Speaker 2: the clubs here in New York, especially especially the stand
• 14:01
  Speaker 2: here on Sixteenth Street. Love that club. It's my home
• 14:04
  Speaker 2: club right now. I if I look at my schedule
• 14:08
  Speaker 2: and I have multiple spots that night, I got to
• 14:13
  Speaker 2: tell the team, Hey, I can only do one episode today,
• 14:17
  Speaker 2: Please don't schedule me for two, because it really does
• 14:21
  Speaker 2: use like the entire inventory of energy. Like it's you know,
• 14:27
  Speaker 2: you know what I'm talking about when I say that,
• 14:28
  Speaker 2: when you're when you're deep in a conversation, like like
• 14:30
  Speaker 2: how we are right now, very focused in the moment.
• 14:32
  Speaker 2: We're making sure to listen to every word. What's like
• 14:35
  Speaker 2: what are we going to respond to? Uh? What? What?
• 14:38
  Speaker 2: What can we get the most bang for our buck
• 14:40
  Speaker 2: for in terms of how we respond and what we
• 14:43
  Speaker 2: respond to? Like when I'm recording, it is using I say,
• 14:50
  Speaker 2: like if I'm if I'm operating all day at like
• 14:53
  Speaker 2: eight miles per gallon when I'm performing or if I'm
• 14:57
  Speaker 2: recording an episode, I'm I'm quadruped that at like thirty forty,
• 15:01
  Speaker 2: Like is it is burning me from every which way
• 15:05
  Speaker 2: in a way that I like, I'm not complaining about
• 15:08
  Speaker 2: that I'm just saying that I'm giving it my all
• 15:11
  Speaker 2: in a way where after every episode I do have
• 15:13
  Speaker 2: to walk into the green room or another room for
• 15:15
  Speaker 2: like five to ten minutes and just not talk yep
• 15:18
  Speaker 2: because because I was just on in a way that, like,
• 15:23
  Speaker 2: you know, I think most other people aren't unless they're
• 15:25
  Speaker 2: in a very very important meeting that was on the
• 15:29
  Speaker 2: calendar for months and now they're in it.
• 15:31
  Speaker 1: You know, do you do you get the hippie hippie
• 15:33
  Speaker 1: shanks afterwards where you put so much of your energy
• 15:36
  Speaker 1: into it, it's almost like your protein said, I'm out
• 15:38
  Speaker 1: of here, guys, screw you, go get some go get
• 15:41
  Speaker 1: some almonds. Dude, you need to refresh here.
• 15:44
  Speaker 2: So I got to say, I I'm just now, since
• 15:46
  Speaker 2: I'm thirty one, I've just now tried to start being
• 15:49
  Speaker 2: healthy and fuel my body the way that it's supposed to.
• 15:52
  Speaker 2: But something is happening with podcasting where I simply just
• 15:56
  Speaker 2: keep chugging coffees. Yeah, And I think there's a couple
• 15:58
  Speaker 2: of episodes where if you watch video, you're seeing me
• 16:01
  Speaker 2: get the shakes.
• 16:03
  Speaker 1: Have you done one with a buzz yet?
• 16:05
  Speaker 2: I have?
• 16:05
  Speaker 1: And it's like that that is the worst thing in
• 16:07
  Speaker 1: the world for me, but I'm sure to anybody else
• 16:09
  Speaker 1: they're gonna go God, dang, this dude was screwing up everywhere.
• 16:15
  Speaker 2: No, I think I think every single episode. I'm very
• 16:19
  Speaker 2: I'm very happy to say I think every single episode,
• 16:22
  Speaker 2: this energy that I get from either a good night's sleep,
• 16:25
  Speaker 2: working out, or shugging a coffee, it has only served me.
• 16:30
  Speaker 2: It has only been positive. I don't think I've had
• 16:33
  Speaker 2: either any any episode where at the end I'm like, Okay,
• 16:37
  Speaker 2: I think I was on one. I think I gotta
• 16:38
  Speaker 2: take a break. I think I got.
• 16:41
  Speaker 1: Now who does the editing of your video? Because I mean,
• 16:44
  Speaker 1: you're talking about hitting that stage. I always want to
• 16:46
  Speaker 1: give those guys kudos too, because they have to go
• 16:48
  Speaker 1: back through our mess and make it look beautiful. Yeah.
• 16:52
  Speaker 2: I definitely got to shout out my guys over at
• 16:55
  Speaker 2: Pod Streeting Studios here in New York. I got a
• 16:58
  Speaker 2: shout over my production company. This is Snorro. They the
• 17:02
  Speaker 2: team that we have there. We have New York, we
• 17:04
  Speaker 2: got Mexico City. They are brushing it Like as a comedian,
• 17:09
  Speaker 2: I every single time I have worked on a project
• 17:13
  Speaker 2: where someone else is in charge of the editing, I
• 17:17
  Speaker 2: have both my own experience as someone who puts out
• 17:20
  Speaker 2: videos and I have, you know, the comedic timing, that
• 17:23
  Speaker 2: intangible skill that I have been working on my entire life.
• 17:27
  Speaker 2: And it's very, very difficult to explain those notes to
• 17:32
  Speaker 2: someone who doesn't understand it is. It is the great
• 17:36
  Speaker 2: pain of a comedian to try to explain. And they
• 17:40
  Speaker 2: get it. And and I'm very happy with the stuff
• 17:44
  Speaker 2: that we put out. And I watched my first episode,
• 17:47
  Speaker 2: you know, proudly, like three to four times through just
• 17:50
  Speaker 2: to be like, what can I get out of this? Yes,
• 17:53
  Speaker 2: to make sure that like there's notes that that don't
• 17:56
  Speaker 2: need to be repeated every time, and I I really
• 18:00
  Speaker 2: didn't have that much. They get the timing, they get
• 18:02
  Speaker 2: what I'm out for, they get how to make this work,
• 18:05
  Speaker 2: and there's something really awesome with that. It just shows
• 18:08
  Speaker 2: that the collaboration, Like I went to the wrong place,
• 18:11
  Speaker 2: I mean I went to the right place, and they
• 18:13
  Speaker 2: came to the right guy.
• 18:14
  Speaker 1: You know, Wow, dude, you got to come back to
• 18:17
  Speaker 1: this show anytime in the future. Eighteen minutes with you
• 18:19
  Speaker 1: is never gonna be enough. I love where your heart is,
• 18:21
  Speaker 1: I love where your vision is. You're on the right path.
• 18:24
  Speaker 1: And do me a favorite. Don't stop like you kept saying,
• 18:27
  Speaker 1: don't stop because if you do, there ain't gonna be
• 18:30
  Speaker 1: anybody else that's gonna do it like you. You are
• 18:32
  Speaker 1: only you.
• 18:34
  Speaker 2: Man. I really appreciate that. I did not even realize
• 18:37
  Speaker 2: that eighteen minutes had just passed that.
• 18:39
  Speaker 1: How about that?
• 18:39
  Speaker 2: Brother?
• 18:40
  Speaker 1: Oh my god, Well, please come back anytime.
• 18:43
  Speaker 2: Man, absolutely brn thanks for having me. You have a
• 18:47
  Speaker 2: good day.
• 18:47
  Speaker 1: Uh, you'd be brilliant today, you too, well come up
• 18:51
  Speaker 1: to the song