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Creedence Clearwater Revival · Deprogrammed Music Podcast

0:33
It's the program, the podcast where we try to get you into a
0:37
band. That's right.
0:38
We've done all the work for you. All you have to do is press play
0:42
and listen. My name is Justin, and you could
0:45
call me band curious because indeed I am curious about bands.
0:49
So I like to bring people on, my friends and those around me to
0:54
talk about bands that they like. And today I'm going low hanging
1:00
fruit today. I haven't done this one this in
1:02
a while, but Randy knows you could say I was born on the
1:05
Bayou because we're going to be talking about Creedence
1:09
Clearwater Revival today. And Anderson, do you actually
1:13
put CCR up on the board? So talk to me about why it is
1:17
you feel like we needed to cover this band.
1:22
Yeah, I put these guys up because I missed The Beach Boys.
1:25
And when you're doing American Music, one O 1 CCRI think has to
1:31
come next. They don't have as long of a
1:35
chapter as The Beach Boys do. Like they were together for a
1:38
pretty short time, but what they did while they were together is
1:43
nothing short of amazing now. Brian, I can't remember if this
1:49
was like a a situation where it came together on and after the
1:53
fact where you guys were just talking about stuff that you had
1:55
in common or if this is something Anderson put up there
1:58
and you just jumped in on. I'm not shocked that you're
2:03
here, but considering kind of what we've covered, you know,
2:08
especially in more recent times, what makes you jump on CCR?
2:14
Yeah, I think it was in Discord chat.
2:16
But I am a huge classic rock fan.
2:21
You know, this is the stuff that my dad listened to when I was a
2:24
kid. I used to listen.
2:27
We had like 3 like rock radio stations in Connecticut.
2:30
There was like modern rock, heavy rock and then classic
2:34
rock. And I would go between like all
2:36
three. So yeah, this is a band that I
2:39
know well, like I will do anything like sixties, 70's rock
2:44
music. And yeah, this is like, this is
2:49
like grassroots American band. Like this is like, like, like
2:55
your favorite band's favorite band kind of kind of group, You
3:00
know, they were only together for a couple years and they put
3:03
out like, you know, four or five albums and a shit ton of
3:11
singles. Like when you, I'm sure we'll
3:16
get into it. But when you go through the
3:17
list, we start listening, you're like, but I know this song, I
3:21
know this song, I know this song.
3:23
Like just enough songs that you wouldn't even know some of them
3:29
are even them. It's just they're right up there
3:36
with like great historical classic rock bands and need to
3:40
be acknowledged as such. Acknowledging, yeah, I feel like
3:46
that's kind of what this this episode is just an
3:49
acknowledgement that this band existed.
3:51
But maybe I'm wrong, Randy. Like this kind of got brought up
3:55
in into one of our other chats and you said, yeah, I'd, I'd do
3:58
that. I would do that and that's
4:03
actually how it all turned out. And I'm, I'm currently doing
4:06
that as this very minute. I did the research for this.
4:10
I listened to the band. I listened to a lot of the songs
4:13
that I knew and some that I didn't know.
4:14
And I'm ready to go. Oh wait, what are we doing
4:17
again? Was this the *NSYNC episode?
4:22
Anyway, anyway, I think I want to elaborate on what you guys
4:27
said. The American rock band, like
4:31
this is the sound of America. I think, you know, when you
4:35
think of American Music, you kind of think of like a very
4:39
Southern style. Because you know, if if you're
4:42
talking about just like classic rock from a classic rock
4:46
standpoint, bands that took what Led Zeppelin were doing, took
4:50
what The Beatles and Rolling Stones were doing, like that is
4:53
a British sound that was developed over there.
4:56
Rock rock'n'roll isn't naturally British per SE, but the way that
5:02
it starts in America is. It starts in the Deep South, it
5:05
starts in places like Mississippi, it starts in places
5:08
like Saint Louis. The, you know, the old Blues,
5:13
the real bluesy rock'n'roll guys like Robert Johnson, that kind
5:17
of started the, you know, as the forefathers of of the genre.
5:23
And then it kind of develops into something that is a unique
5:29
sound to this country when you think about it, because, you
5:33
know, as far as American rock goes, you know, you got so many
5:39
different bands you can find. I think that you you said it
5:41
really well, Anderson, that Beach Boys define what the
5:46
American sound is as well. It's just a very typical
5:51
California sound. When you listen to them, it
5:53
makes you feel like you're in California, that you're on a
5:57
beach. And that's such a like a it,
6:02
it's such a definitive American thing.
6:05
And then when you listen to Creedence Clearwater Revival, it
6:08
makes you feel like you're down in the Deep South.
6:10
It makes you feel like you're in Louisiana there.
6:13
How many songs reference the Bayou?
6:15
How many songs can you visualize yourself?
6:20
You're on like just this, this house on a river, like sitting
6:25
on a porch playing a banjo. Like no other countries have
6:29
that specific sound to them. So to me, Korean's Clearwater
6:35
Revival is specifically American grassroots style music, and
6:41
that's what fascinates them about me so much.
6:44
And even expanding on that a little bit, it's that they're
6:48
not even from like New Orleans. You listen to them, you're like,
6:52
Oh my God, this is so you know, like you would think that they
6:56
would be brought up exactly how they sound.
6:59
No, they're San Francisco band. They're San Francisco band.
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They just were able to take the sound of their predecessors and
7:09
build off of it that a lot of, you know, black rock'n'roll
7:13
artists that came before them, you know, like Chuck Berry and
7:17
like Little Richard. They're very much inspired by
7:22
Little Richard and they turned it into just songs that kind of
7:27
define what it's like to be in this country.
7:29
And and to go even a little bit further than that, you know,
7:34
you, you guys mentioned sort of the historical angle too, but
7:37
like they're part of they're a fabric of American history as
7:41
well. The one of the things I don't
7:43
love about modern day music is that everybody just kind of
7:47
ignores what's around them and they just kind of sing about
7:53
what's personal to them that doesn't attach to the outside
7:57
world. And I like when I hear music
8:00
that can relate to all of that, when lyrics can relate to it.
8:04
So to me, a song like Fortunate Son is extremely important in
8:10
the grand scheme of not just American Music, but American
8:13
history because it takes you back to the Vietnam War, what
8:18
was going on at the time. And like, I think everybody here
8:22
has seen Forrest Gump probably more than once.
8:25
The that probably has a little bit to do with it because
8:29
there's that scene where they're in Vietnam and they're flying on
8:33
a helicopter and the song plays. And the song's premise, which of
8:38
course, like Born in the USA and other what seemingly are
8:43
patriotic songs, is not patriotic in any way, shape or
8:48
form. It's telling you the truth about
8:50
what was going on with the draft that time.
8:52
And it's such an important song that it, it just defines who we
8:59
are and what we went through as a nation.
9:01
I, I, I firmly believe that. So, you know, there's, there's a
9:05
lot of great sticking points to credence.
9:08
And yes, they didn't have that long of a time frame, but I
9:11
think that's kind of the amazing thing about them is that they
9:14
were able to create how many massive hits this these aren't
9:19
just like, yeah, songs I know on the radio.
9:22
I feel like somebody, one of you guys said that you might not
9:26
know it's credence. I think you explicitly know that
9:29
these songs are credence. Like John Fogerty's voice is
9:33
very like, you recognize that immediately.
9:38
You recognize the sound, even if you know they're not, you know,
9:42
singing in a part or something like that.
9:44
Like it's just very much who they were.
9:47
And, you know, inviting kind of broke this band apart.
9:51
But they're a terrific example of a band that took what was
9:57
going on at the time and made you feel like you were part of
10:00
it. I wholeheartedly agree with your
10:05
point about it being not patriotic, but I I do want to
10:12
take this moment to kind of reclaim what the word patriotic
10:16
should mean. Cause in in reality isn't isn't
10:20
that the most patriotic like standing?
10:23
Up 100% and I guess that's what I mean about.
10:26
Oh, I know exactly. Greenwood.
10:28
Yeah, it's. Not like Greenwood, where it's
10:30
like, let's pucker up and kiss America's ass.
10:32
Right, 'cause you're 1000% right.
10:36
The way the word patriotic has been taken is it is not that,
10:42
but it really is in that it's a protest song.
10:45
It is. It is like you said, it's
10:47
standing up and saying, hey, this is what's happening.
10:50
Are you paying attention? But like I also, it is
10:55
interesting. I never thought about this band
10:58
to all the points that you guys are talking about, like how how
11:02
woven into my life they've been. I love when we come across these
11:06
bands that have that have kind of like always been there and I
11:09
just never really kind of gave them the time of day.
11:12
Like you already mentioned, Forrest Gump, of course, you
11:15
know, that's that's the easy one.
11:17
The other one is as I'm becoming an adult, Big Lebowski.
11:22
Oh, yeah. Can't say much for the credence.
11:25
Like when when the tape, the cassette tape gets his car gets
11:29
stolen. But you know, just stuff like
11:31
that. And so many songs, you know, as
11:34
as we go through them appear on soundtracks and again, AMFM
11:39
radio, like just the this band has kind of always been there
11:44
for me in in that very same way that you were talking about,
11:48
like how it is kind of woven into America, like like
11:52
baseball, like the 4th of July, like, like fireworks.
11:57
Like it, it is just kind of part of it.
11:59
And, you know, we're just a little podcast, but it is nice
12:03
that we can kind of investigate this band in this way and kind
12:08
of bring some light. Cause even if you don't like the
12:12
music, which I don't know how you don't like, I may not love
12:16
all of their songs. I may not have, you know, love
12:19
their entire discography. But like the songs that, you
12:22
know, like when you go back and listen to them.
12:26
Oh yeah, fuck yeah. That, that, that kind of rules.
12:29
So we and kind of to your point, Randy, you know, it's them.
12:33
Like, you know what you're listening to.
12:37
We keep hammering home the point that they're not around long,
12:40
Anderson. Like, so there isn't a ton of
12:43
music to come through here. But like when you're looking to
12:47
pluck out 20, is it just kind of greatest hits and and call it a
12:51
day or did you have a different approach?
12:55
Yeah. I mean, the bulk of what this
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band did happened in the course of three years, maybe a little
13:02
less than three years. No, it's wild.
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But in that time they put out six albums and nobody does that
13:09
anymore. And to most of our generations
13:14
credits, the band starts us off. The best selling album is their
13:20
20 greatest hits. And so I mean, that is a place
13:25
you could start. It's not where I started.
13:28
I just ran through the list. I picked out 14 that I had to
13:31
have in and then I just put those to the side and listen to
13:37
everything else and just dropped songs as they weren't catching
13:42
my ear until I got that list down to about 10.
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And then I just put them together, made four more cuts
13:49
and came up with 2010 minutes ago.
13:55
Sometimes it'd be that way, man. Brian, is this like a more
14:00
intricate list for you, disco? Or again, is it just kind of
14:05
halfway full before you even start?
14:09
Oh, it was. It was 3/4 full before I
14:11
started. Like I said, I started.
14:13
I started with the songs that I knew just from listening to,
14:17
just from listening to like classic rock radio.
14:19
There were a couple songs that I found later that I knew, but I
14:22
didn't know the title of them. But when it came up, I was like,
14:26
oh, yeah, yeah, yeah, of course it's a big radio hit.
14:28
But like, I didn't know the title.
14:31
So when I got there, I I said there was like 16 songs that
14:36
that like I knew. And I'm like, OK, this is this
14:38
is, this is not good. I did have to make some tough
14:42
cuts, you know, a couple songs that I'm probably going to get
14:48
like groaned at. I, I didn't take.
14:52
There is 2 songs in particular which carry a same theme.
14:57
One of them was right, one of them is wrong, but actually, no,
15:00
the other one's not wrong. It's just that the one I took
15:03
is, is, is my favorite CCR song. So I had to take that one.
15:09
There's songs that deal with. Precipitation.
15:12
Yeah, yeah. There are songs that are covers.
15:20
OK, OK. They say there's songs that you
15:21
think are covers, but they're not.
15:24
So that that made it tough. And then and then it was it was
15:31
just making the hard cuts. There was, there was, there was
15:38
a record on there that kind of ignored because it was too
15:43
different and but we'll get there.
15:46
All right, Randy, it's your your first time back in a minute was,
15:51
was this like just getting on the bike or did you have a
15:55
different approach for this specific band?
15:58
No, not at all. I think this this was fairly
16:01
easy. I think like you guys said,
16:04
there were like 1213 off the bat and that you can just, you know,
16:08
home run hitters and I, I didn't like go through and say, you
16:13
know what, this is too big of a song.
16:15
I'd rather have people hear this.
16:17
I think there was one massive song that I didn't put on and
16:22
that's, you know, I'll have my reason for it.
16:25
That will contradict other reasons that other songs don't
16:28
go on. But I, you know, I don't care.
16:32
It's one of those things where it's like, OK, I think we can
16:35
make a list without X and try to make a list with Y, you know,
16:39
it's no big deal. But yeah, that that last album,
16:44
Mardi Gras is, you know, here's my thing.
16:52
Like, I get when you're in a band and you're starting to see
16:55
some mainstream success and it's all about one guy.
16:59
I can get how egos can get busted a little bit and you can
17:04
get mad and you can be like, hey, well, you know, I want a
17:08
piece of this pie. Because John Fogerty was writing
17:10
all the songs. That's he, he just was, you
17:14
know, everybody else was producing their parts, but the
17:19
band wanted to be a bigger part of what they were doing.
17:27
So they make this record and the other guys start singing songs
17:32
and writing songs and it's almost like they ruin the sound
17:38
of credence 'cause it's so specific.
17:42
It's such a unique style. You need John Fogerty's voice to
17:47
tell you the stories that when other guys come in and sing this
17:53
and you're like, who is this generic sounding regular dude?
17:57
Like it doesn't, he's not bringing me to the Deep South
18:01
here or anything like that. Like it, it just, it dissuades
18:05
you. It dissuades you a little bit.
18:07
And it's disappointing that that's how it all ended for
18:10
them. Because look, I, I get it.
18:14
I get when you're doing something big and everybody
18:19
wants to have a creative vision with it, but God, you have to
18:24
have some semblance of other understanding that if you want
18:28
this for your lives, if you want to do this for a career, he's
18:32
your money maker. You have to ride him.
18:35
And I mean, his brother was like the first one to quit the band.
18:39
And he was like, Nah, I don't want anything to do with this.
18:41
And I, I get that working with him was not easy that he took,
18:46
you know, he took a large role out of it.
18:48
But to me it's like, God, just when you get something, ride
18:56
with it, you know, don't allow your ego to bruise like that.
19:00
And it just kind of like they've never had a reunion really like
19:06
as far as I know. And he kind of took the songs
19:09
and like, I think he has like the full rights to the songs or
19:14
something like that. It was, there was a a long time
19:18
legal battle with all this shit. So yeah, it's just they sued.
19:23
Him over. They sued him over one of his
19:25
own songs. Right, he.
19:27
He took the music from one of these songs he used in his solo
19:31
career and they sued him. He's like, it's my song, I wrote
19:34
him. Right, right.
19:37
I mean, he, he he did write a song for everyone, but probably
19:41
wasn't that. Yeah.
19:44
I mean, just just just go with your signature sound and you
19:49
know, that's yeah, that was the only like disappointing thing
19:53
was just going through that album.
19:54
I'm like, yeah, no, we just don't need anything from this.
19:58
But I, I will say that I think that when we do after the fact,
20:03
you brought up The Big Lebowski, which I am so sorry that I
20:07
failed to mention that movie in my first speech because that
20:11
really should be the first thing you mentioned when mentioning
20:14
Credence. Like how many males from ages 35
20:20
to 50? Like for no reason at all love
20:25
CCR and hate the Eagles just because of that movie.
20:30
I actually like the Eagles too, but yeah, see.
20:33
I went for years, like I, I'm not a huge fan of the Eagles or
20:37
anything like that, but like seeing that movie and being
20:40
around friends that like didn't care either way before the movie
20:44
came out. And then once the movie came
20:46
out, they were like, yeah, fuck the Eagles.
20:48
We're on a bad day. I don't want to listen to the
20:49
fucking Eagles. Like in after the fact.
20:52
We should do this dissertation of like how that has ruined
20:57
music for males in between a certain age in this generation
21:03
because it's just fascinating that that one movie could do
21:06
that. You heard it here folks, a
21:09
dollar a month gets you in the door.
21:10
Listen to us talk about Lebowski and and how Lebowski ruined the
21:15
Eagles. I So a couple things I want, I
21:20
want to, I mean, it is good to hear everybody's thoughts on
21:23
Mardi Gras. I I wish I would have cut the
21:28
two that I kept now because it sounds like I could have safely
21:31
done that. I I didn't dislike it, but I
21:37
definitely like I had a lot on the first pass because I'm
21:41
usually pretty open on the first pass and then you weigh it
21:45
against the rest of the discography and like the songs I
21:47
had to go in, you're like, why would I waste the spot?
21:51
Like I mean it just no, but I always hesitate to use the word
22:01
easy and then I always repeat myself by saying I hesitate to
22:04
use the word easy. But like I mean, this is pretty
22:07
easy. Like there were weren't any
22:10
really tough cuts. The toughest thing I had to do
22:15
is there was a cover that had made it all the way to like 22
22:18
or 21. And if you guys have it, I'm
22:21
going to be totally fine with it.
22:22
It's a great fucking song. It's a great cover, But like the
22:27
reason it didn't make mine was because it's a cover.
22:30
And sometimes that is the reason I, I, I probably don't have
22:38
every song that you think I'm going to have, but I probably
22:41
have most of them. And I, I do, I don't think I
22:50
left any out that I would have known.
22:53
I get it. I don't think I'm wording that
22:55
right, but like, I think you get what I'm trying to say is if I,
23:00
if I didn't know it like right off the bat, that's the only
23:03
reason it didn't get in or didn't get on my list.
23:06
So it's a this is a very agreeable band any way you look
23:11
at it. We're probably going to have
23:13
most of it unanimously, don't you think, Anderson?
23:16
Like for the final say, how many do you think we get through?
23:21
Well, I think I have 14 at least with each one of you.
23:27
It's a matter of how many all four of us have, and I'm still
23:32
going to go high. I'm going to say 8.
23:34
I like that. I think that's that's very
23:37
reasonable actually. What do you think, Brian?
23:41
I'm gonna go even, I'm gonna go even higher on this.
23:45
I'm gonna, I'm gonna play the game.
23:46
I'm gonna take the 11. How?
23:49
Dare you? That was my move.
23:53
I came up with the 11 rule. How dare you, damn it.
23:59
I used I used the 11 rule in our in our Boston episode too.
24:03
I I got it there. Yeah, 8 and 11, Randy, like so
24:09
now you got to change it would I mean, do you go higher than 11
24:13
or? No, I'm going to go 9 because if
24:16
you go higher than 11, then there's still a conversation
24:19
there. So I wanna, I wanna eliminate
24:23
the conversation cuz that's, that's the fun thing.
24:26
And it's no fun taking 10 cuz it's like, oh, I took ten.
24:30
OK, yeah, right. Nothing happens.
24:33
So I'm gonna, I'm gonna take 9. We had 10 that.
24:37
You get to pick the number one song, but that's not fair.
24:41
Yeah. No, that's you gotta have
24:43
everybody in on that. Yeah.
24:46
I mean, the number one, that's the conversation today.
24:48
Yeah, yeah, probably it's the that's that should be a good
24:52
conversation. There's a lot of choices.
24:54
Well, Randy, since you said it's no fun taking 10, I'm going to
24:57
take 10. Well, you're an asshole.
25:02
So we're going to take a quick pause and on the other side of
25:06
it, we're going to play the game.
25:07
It's the program, Jack. And with that, the name of the
25:16
game is deprogrammed. The four of us have come through
25:19
the Creedence Clearwater Revival, better known as CCR,
25:23
which will probably say more of, or maybe Credence.
25:27
I'm not going to say the whole band until the end.
25:30
Maybe we have each plucked out 20 songs and now we're going to
25:35
mash together, Mash them together in an attempt to create
25:38
a top ten sort of kit for you. In case you have never listened
25:41
to CCR, I'm going to test the waters here.
25:46
This feels like it should be a home run.
25:50
As far as I know, it's a home run, but I'm going with it first
25:55
because, because the waterboy #1 and #2 I just forgotten how much
26:04
I love this song. I, it just, when it started
26:06
playing, I was like, oh fuck yeah, duh.
26:09
I knew this was CCR. I knew that, but I didn't think
26:12
about it. And so I'm going with Born on
26:14
the Bayou. Oh.
26:17
Yeah, yeah, I got. Yeah, I mean, I would have been
26:23
OK if one of you didn't, but like, to me, that has to be a
26:29
three at least. So we'll take that.
26:32
Born on the Bayou. Oh, let me turn that down.
26:36
Spotify is. Good.
26:37
Yeah, I definitely. I definitely think of the Water
26:39
Boy every time I hear that song. Now like.
26:42
I love that you mentioned the Water Boy and Adam Sandler cuz
26:45
there's a ton of songs on in their discography that are like
26:49
Sandler songs totally. Like Keep on Juglin and Oogie
26:54
Doogie or whatever. That's what's that.
26:56
Ooby doobie. Ooby doobie.
26:57
Yeah, yeah. Ooby doobie.
27:00
Those are like Sandler words. Yeah, yeah, totally.
27:06
All right. Boom.
27:07
Born of the Bayou is in Anderson.
27:10
Where you want to go? I am going to go with a song
27:15
that influenced I think 2 songs from Presidents the United
27:20
States of America of all people. Look it out my back door.
27:24
Yes, I got it. Oh yeah.
27:28
That's another. Song that gave me really really
27:30
strong vibes of feather plucking and the old man on the front
27:35
porch. Old man on the back porch.
27:37
Old man on the back porch. Old man on the back porch.
27:40
In that old man is me. Sorry.
27:44
You bring you bring up the presidents and I got to I got to
27:47
talk about them. Hold on.
27:50
Which one are we doing here? Looking out my back door.
27:54
Oh, come on. I listen to this again, like
27:58
right before we went on and like it's just a a fun little Ripper.
28:05
And this is another one that like when it came up in the
28:10
playlist, I was like, I knew it was them.
28:13
You know, I didn't not know it was them.
28:16
But like against sometimes the math doesn't always math boom.
28:21
Like I'm like, Oh yeah, fuck yeah, like I I love this song.
28:25
I didn't realize how much I loved it until we did this.
28:31
So boom, looking out my back door is in.
28:36
I also I know that's been in a bunch of movies and I would not
28:40
be the least bit surprised if a Sandler.
28:42
Movie that's in Lebowski. Yeah, Lebowski.
28:45
That's right after he gets like a prostate exam or something
28:47
like that. He's smoking a joint, driving a
28:50
car and this was playing. Pounding his pounding his
28:54
ceiling to it there. You.
28:58
Go boom, boom, boom, boom. All right, Brian, if you want to
29:03
hit that 11, that means you got to keep keep the heat.
29:06
We're going to keep on trucking, baby.
29:07
I was going to use a song, but Randy talked it up so much
29:15
earlier. I'm gonna leave it for.
29:17
Him. Sorry.
29:19
Do what you wanna do. Also now I'll go somewhere else,
29:25
we'll go with about old school rock'n'roll.
29:28
Like this is like the most old school rock'n'roll sounding song
29:32
they have. How about a traveling band?
29:35
I knew you were gonna say that, yeah.
29:37
Yeah, I got it. Yeah, I got it to me.
29:40
To me it sounds like 2 old school songs.
29:43
It sounds like Good Golly Miss Molly, which they cover, but it
29:47
also sounds like Jailhouse Rock A.
29:49
Little bit, yeah. It's like, and it's, it's, you
29:54
know, modern, you know, late 60s modern enough.
29:58
It's like, is this a punk song? Like, just like the elements of
30:04
the music are there. And yeah, it's a fucking banger.
30:10
God Dang it, where is it? Did I not mark it there?
30:22
I marked it here. I did not mark it there.
30:27
I actually really enjoyed Cosmos Factory.
30:30
For the record, it's such a great album.
30:33
Like all time albums, this should be mentioned on Rolling
30:38
Stones lists and stuff like that in like the top 25.
30:42
It's it's that good. Yeah, absolutely.
30:46
I had to pick it up on vinyl after listening to it for this.
30:50
That's funny because I was thinking about going to my shop
30:52
up the road and being like, hey man, where's the credence?
30:57
Point me in the. I've had this in Bayou country
30:59
for years. These are two the other one
31:02
standards on my record player. All right, so we take traveling
31:09
band is in. All right, Randy.
31:17
Let's try and keep good juju going.
31:19
I'm not going to take the one that Brian's suggesting because
31:22
fuck you, I do what I want. I'm going to take maybe my
31:27
favorite Creedence song up around the bend.
31:30
Yeah. Yep, yeah.
31:34
That's an easy one. I, I think, I don't know that
31:39
it's my favorite, but I, I think it definitely has weight like
31:45
again, like before, before doing this, you know, I'd heard it God
31:53
knows how many times and just, it was always just kind of
31:56
there, you know, I obviously liked it on the first pass or
32:00
recognized it on the first pass. I liked it enough to keep it
32:03
around on the 2nd and I was like just kind of going through, you
32:07
know, my list and going through some of the songs just before we
32:10
came on. And when I push play on up
32:13
around the bend, I was like, Oh yeah, like it's jaunty.
32:18
It's kind of fun. It's bouncy.
32:20
Like that guitar riff is like it's an all timer.
32:25
Like just because it doesn't RIP doesn't mean it's not an all
32:28
timer. Like that's just a catchy ass
32:31
riff coming in. Kind of rips.
32:35
Yeah, I mean, you know it. The whole thing of it.
32:39
Yeah. It's just, it's it's just a good
32:41
one. Sometimes that's the best.
32:44
Less words is better. All right, Boom.
32:49
Up around the bend gets us up to four.
32:52
Well, now, do I beat the snake? No.
32:54
You know what? This one is less of less of a
32:59
chance, but it feels like a home run.
33:03
How about bad moon rising? Yeah.
33:07
Yeah. Yeah, I thought so.
33:10
One of the best examples of misheard lyrics.
33:14
Yeah, yeah, there's a bathroom on the right.
33:22
Where did it go? Fucking hell, I should start
33:29
queuing them up. There we go.
33:34
It's also like one of the most imitatable songs of all time.
33:37
Oh, for sure. Like just that, that beginning I
33:41
see, like everybody, you Can't Sing that song without doing the
33:46
voice. Boom, bad mood and horizon is
33:53
in. I also feel like is that like a
33:57
it's just definitely a Sports Center thing.
33:59
But my immediate thought was. Andre Bad moon rising, Yes.
34:03
That's right. Yeah, There we go.
34:08
All right, boom. Up to five in Anderson Europe.
34:15
All right, when I was a kid I remember hearing some CCR songs
34:20
set to like Hanna Barbera Eclipse, like Scooby-doo and
34:24
shit, and one of them was Bad Moon Rising.
34:28
The other one that I can remember was Down on the Corner.
34:33
Yeah. Yeah, I got it.
34:35
Yeah. Hey, I was worried that was
34:38
going to be the one you were talking about.
34:40
Really the that you left off. No, no, no, no.
34:44
Like that song? That's fun, isn't it?
34:48
Holy hilarious. So again, this is a song that's
34:53
kind of lived in my life like forever.
34:56
Like I never didn't know it. You know what I mean?
35:00
Today, I was today years old when I realized he was saying
35:04
Willie and the poor boys are playing.
35:10
I like I was listening to it and I was looking at the name of the
35:12
record and I was like Willie and the oh, OK, you know, I didn't.
35:20
I never said I was a smart man. I may not be a smart man, Jenny,
35:26
but I do know I do know what I hear eventually, I guess
35:33
eventually I get it right. All right down on the corner is
35:36
in Brian all. Right.
35:41
I'm going to go here. I have AI have a story here for
35:47
this song that I'm sure Randy of what people appreciate and so
35:51
he's gonna know where I'm going. July of 2003 saw my first ever
35:55
pulled Pearl Jam show and I don't I get goosebumps a lot
36:01
when songs are played. This cover was played that
36:04
night. The opening guitar riff just
36:06
gave me instant goosebumps. We talked it up earlier.
36:10
We got to have it on there. Fortunate son.
36:13
Yeah, yeah. Yeah, can't skip it.
36:17
Yeah, yeah, it's another one that I I I've always liked that
36:22
song. Like, it's not one I didn't
36:24
realize I liked, but like when I came around to it on this, like,
36:28
Oh yeah. Like, I don't know if it it's
36:32
just the perfect time to come up in my life to like kind of
36:35
really hit home. But yeah, that riff again, all
36:41
timer. Yeah, yeah, well, I'll take home
36:44
because you know you know 2003 pro game was playing that like
36:50
almost every night, right Andy? Like, yeah, a lot.
36:52
They're playing Fortunate Son because he just wrote like an F
36:56
you to George Bush like album so all.
37:03
Right, Boom, just like that. I mean, it feels, feels like
37:09
there's a lot out there too. That song in particular, you
37:14
close your eyes, you see a Vietnam helicopter because I
37:18
mean, it's not just for us dump, it's every Vietnam movie ever
37:21
has that song in it. Yep.
37:23
So like, if you hear that and you're have a television near
37:27
you, there's either a helicopter or a piss stop hippie.
37:32
Yep, all right. Fortunate son is in Randy.
37:41
I'm gonna keep good juju going. I like when you throw a perfect
37:44
game here. I'm gonna take a chance because
37:49
I know that precipitation was something that came up before,
37:51
and there are a couple of songs about precipitation.
37:55
You'll always see a meme every now and again.
37:57
That is like a Spotify playlist. It's like why John Fogarty hates
38:01
rain or something like that. I'm gonna say I think the
38:06
stronger of the 2 is pretty obvious here.
38:10
Of the obvious, you know, ones with rain in the title.
38:15
I'm gonna see, I'm gonna say, have you ever seen rain?
38:17
Yeah, I got it. Oh yeah.
38:19
Yep, that's the one. Yeah, that's the one.
38:21
That's my favorite season star song.
38:24
Hey, I wasn't sure. Perfect game is intact.
38:28
Yeah, well, I mean. Tough.
38:32
Yeah. I mean, anyway, you, you slice
38:35
it, even if we, if we stay perfect, then it gets it's tough
38:39
when you start making the cuts. There it is.
38:46
Yeah. Just.
38:50
Having to find them because we've just, you know, Homer
38:54
after Homer after Homer. It's like a a relief start or
38:59
something. Like, right, you're starting a
39:02
middle release guy. Yeah, All right, come on.
39:11
Do what you're supposed to do. There you go.
39:16
All right, stop that. Now we're back to me A now I
39:24
feel like I might be the one who might be the spoiler.
39:37
How about Green River? Yes.
39:41
Yeah, Yep. Hey.
39:45
That's the song. So this is the song I said that
39:48
I knew, but I didn't know the title of it.
39:51
And when I started playing, I was like, I know this song,
39:54
like, very, very well and I'm singing along to it.
39:56
I never knew what it was called because you know.
40:00
And you should, since you are a Pearl Jam fan, add in that
40:03
element. That's true, Yeah.
40:06
And the radio didn't. The radio didn't tell us what
40:08
song was playing. Right.
40:12
Oh, man, I don't care how we do from here.
40:15
Like, if we stop hitting homers from here, it's all right
40:18
because we're at 9, fellas. That's really good.
40:21
Yeah. I mean, we don't really have our
40:24
work cut out for us anymore. Green Rivers Inn, Anderson.
40:31
OK, now I got to decide if I want to be the one to kill the
40:33
streak. I'm going to take a shot here at
40:39
one that I did not know but I instantly fell in love with it.
40:45
Hey, tonight. Yeah, I have it.
40:50
Yeah. Oh wow, you guys all do and I
40:52
don't. Yeah, I.
40:55
Actually need a conversation. So so when I mentioned, when I
40:59
said in the thing before songs you didn't know were them, I
41:02
knew this song and for some reason in my head I thought it
41:06
was of the band. I don't know why I had it in my
41:12
head that tonight was by the band.
41:14
So when it came out, I was like, oh, just a cover.
41:16
So then like I looked it up. I'm like, Oh no, it was never
41:19
performed by the band all. Right.
41:23
We'll take that, I guess. That's one band where you can
41:25
say that the two kind of do cross paths a little bit.
41:30
It's, it's just that one song. For some reason, John's voice
41:32
sounds a little bit different and I was just the way he's
41:35
singing and I, I don't know why I thought it was the band.
41:40
Well, I mean, pressure's off, Brian.
41:41
I, if nothing else, were already done.
41:45
Like, you know what I mean? Yeah.
41:47
Any way you look. Yeah, I mean, no, cuz we're at
41:50
9:00, so really, Randy would have final say, which means he
41:54
could pick whatever he wanted for song #10 that's right.
41:58
All right, Brian, you're up. I'm gonna go with the song that
42:03
caused the lawsuit. He stole the music from run
42:06
through the jungle. That stole, but he used the
42:08
music for run through jungle for the old man down the road.
42:10
So run through the jungle. Yep.
42:14
I do have it. Man, that's three.
42:17
Yeah, it's a 3. I was listening to that before
42:23
we went on, and that's another one of those ones where I kind
42:26
of wanted to make space, but I didn't have time to listen to
42:31
all the songs that I wasn't, you know, wasn't 100% sure on.
42:38
So we'll take a three there. All right, Randy.
42:45
I'm going to play this that is also on the rain playlist but
42:50
isn't specifically a rain song. It came out of the sky.
42:53
I don't. Have, yeah.
42:58
Yeah, fucking love that song. I know it's a great song, it's
43:04
one of the songs where it's like, this wasn't a massive hit
43:07
or anything like that, but damn, like sure as hell could have
43:10
been. Yeah, it's just fun.
43:16
That was only a two. Yeah, that was a 2, Brian.
43:18
You didn't have it. No, I did not have it.
43:22
Yeah, twos are twos are done. Yeah, I mean, anyway, I mean,
43:28
unless we stay right at 9 and you really want to take that 1
43:31
then? Yeah, I could.
43:33
Yeah, it's very possible. I'm looking at them and that's
43:37
very possible. I might want to come down to
43:39
that, but we'll see. Yeah.
43:42
All right, check. To me, I feel like this gave me
43:51
an early definition to put around.
43:54
Like there is this feeling to CCR that kind of the title of
44:00
this song kind of kind of like puts it all all out there.
44:06
The working man. It's a good thought.
44:11
When I think of the song title Working Man, I think Rush
44:15
that's, but that's not why I didn't take it so.
44:17
Yeah, I don't I. Don't either.
44:20
OK, nice little bluesy rocks on there.
44:24
I'm the first in the bin. That makes that makes sense. 4
44:28
rounds. I just made it the last three
44:30
without being on board. So.
44:33
All right, Anderson. Back around to me.
44:38
This one's not going to get a lot of love, but I wanted to
44:41
mention it just so I could. Dumb to get a Woodstock
44:44
reference. And CCR was the first band to
44:49
actually be signed for Woodstock, and a lot of people
44:53
don't remember that they were even in it because they made one
44:57
of the great mistakes of rock music and took the stage after
45:01
the Grateful Dead. And so nobody was awake or
45:07
coherent enough to really know what was happening.
45:11
But one that really reminds me of a dead song is Graveyard
45:15
Train. Oh, that was on my list and I
45:20
cut it. Yeah, I like that song a lot
45:24
though. Very good though, yeah.
45:26
I can't save you there, sorry. Yeah, that long as hell.
45:29
But it's it's a good one. Hey, that's something we forgot
45:34
to mention. They are, like you mentioned,
45:37
Grateful Dead. They are a jam band and they're
45:39
like one of, you know, the original type of jam bands
45:42
there. Some of these songs on these
45:44
records, there's at least like one or two eight minute songs
45:48
and they're all fucking phenomenal.
45:52
All right, Brian. I think we got a couple more
45:58
hits here, so let's go through one of them.
46:01
How about Susie Q? Yeah, that's not their song, but
46:06
it's a classic. Oh, I didn't.
46:09
You know what? I didn't even think to look up
46:10
if it was a cover or not. Yeah, it's like a standard rock
46:13
song. Yeah.
46:14
It's a very good standard. Rock song don't have it.
46:16
The Rolling Stones did it too. But I think of Credence when I
46:20
think of this song. Yeah, me too.
46:22
That's the three. That's two.
46:26
I don't have it either. It's OK, one of my last cuts it
46:29
was it was hard to hard to leave it off all.
46:35
Right, Randy? You know, there there's, it's
46:47
funny, I want to go to this conversation because I think
46:50
this conversation is kind of funny.
46:52
There's some songs that you might not know the titles to
46:54
just because of the way that he's pronouncing certain words.
47:01
And this one, I didn't realize that he was singing the title in
47:05
the song until I looked at it and put it together.
47:08
I'm like, is he really singing that?
47:11
It sounds like he's saying hooley, hooley, but he's singing
47:15
bootleg, bootleg, bootleg, and it does not sound like he's
47:19
singing bootleg at all. So does anybody have bootleg?
47:22
I got it. I don't.
47:25
I do not either all. Right.
47:28
We'll take the two there. Good one.
47:29
But you know what? That's, that's fine, yeah.
47:32
Yeah, yeah, all right. We're good.
47:35
I think maybe we got one more round in US and then we'll dump
47:39
out. Even though I still have like, I
47:41
think like 7 songs. We just have like so many
47:47
already through. Yeah, I got sticks left.
47:51
I have 8I. Have 7.
47:56
I know two of these are binners for sure, so we'll go back to
48:04
the beginning. How about Porterville?
48:07
No, yeah. Yeah.
48:08
Hey, oh wow, I'll. Take a three there.
48:12
Yeah, that's all right by me. Boom.
48:17
And. Yo, there's a there's a big song
48:20
that no one said yet and I don't, I don't, I don't have it,
48:23
but I was hoping to have a conversation about it.
48:24
So I hope someone brings it up. It's.
48:27
Probably. It's probably the one that I
48:29
didn't take. If it hasn't, I didn't taken
48:32
yet. I didn't take.
48:34
It for a certain reason so. Yeah, well, that kind of thing
48:38
too, but. Contradicts.
48:41
Contradicts. The reason why I took something
48:44
so. I think I know which one you're
48:47
saying, and it was my #20 and probably for the same reason.
48:53
But that's not where I'm going right now.
48:54
I'm going to. If it was good enough for Dolly
48:58
Parton to cover, I can play it long as I can see the light.
49:01
Yeah, I got it. That that was my last cut.
49:06
OK. And I only cut it because I'm
49:09
like I got 6 off of Cosmos and. I had seven, yeah.
49:16
I could easily take it. So is that a three or a 233?
49:23
Yeah, deserving of the three. Yeah.
49:27
All right, boom, boom, boom. Kind of going through all mine
49:31
here, Brian. I love this song.
49:37
How about? Effigy.
49:41
Yeah, I love it too. Just so cool.
49:46
And it's kind of like the the guitar in that.
49:49
The guitar sound in that is so unique.
49:56
This is like the like one of the like the definitely like jam
49:59
band songs. And yeah, it's it's very Allman
50:03
Brothers. It's very well you're an Allman
50:04
brother back in yet, but. Is that only two?
50:09
No, the two, Yep. Yeah.
50:11
Oh that song is so good. All right, Randy.
50:18
I think this is a safe period now to take this.
50:22
If I'm the only one on it, I'm totally fine with it.
50:24
But like, this is one of those things where if I put on Cosmos
50:29
and I hear this song, I'm just like, just sit back and enjoy
50:32
this ride because it's fucking phenomenal.
50:35
I mean, no, CCR is not known for this song.
50:38
It's obviously a Marvin Gaye song, and I think it wasn't even
50:42
his song. It was done by somebody before
50:44
him, but this is so good when you hear them jam on it and I
50:50
couldn't help but but take it heard it through the Grapevine.
50:54
It's just an amazing rendition it.
50:56
Really is I, you know, I, I have to give it that and I gave it
51:01
consideration, but ultimately it was just the weight of a cover
51:06
sometimes. Yep.
51:09
And. Yeah, I didn't.
51:12
Yeah, I didn't either. Being 8 minutes long kind of
51:17
hurt that one for me. Oh, that's I definitely love
51:20
his. I definitely love love their
51:22
version of Grapevine. Yeah, it's, it's so good.
51:27
I couldn't help myself. Hoy it it through the grade.
51:37
I'm going to start at the top here and just dump out.
51:42
The word heard that OK, it's OK. All right, starting at the top
51:50
penthouse Popper. No.
51:54
No. Yes, Hey, I do.
51:56
I'll. Take it away.
51:58
Yeah, that's that's all right. Feeling blue?
52:06
Nope, that was on my list. I think that was the last five.
52:11
Nope for me all. Right into the bin.
52:14
Pagan baby. Yes.
52:20
No, I don't have that either all.
52:25
Right. Take a two there.
52:26
Born to move. Another close one, but no.
52:32
No. Also no.
52:35
Is that the one with the organ section that just explodes?
52:40
I think so. I didn't take.
52:42
Notes. So good.
52:44
All right, these ones are for sure banners, I'm pretty sure
52:47
because they're from Mardi Gras. Need someone to hold.
52:53
Yeah. Now.
52:56
And someday never comes. Yeah.
53:00
That one I have. Wow.
53:01
Oh, OK, didn't see that coming there.
53:04
You go. I'll take a two there, all
53:07
right. And last but not least, I do
53:10
have to admit that I basically only took this mostly because I
53:14
loved the rest of this record and kind of fell into it, and
53:18
also for recognition purposes. Like I recognized it and that
53:24
got it to #20 Who'll stop the rain?
53:30
Yes. I don't have it.
53:33
Yeah, that's why I held off. I'll take it.
53:38
Can't have two. Races.
53:39
Yeah, yeah, yeah, yeah. All right, So we'll take a three
53:44
there. That's not bad.
53:46
I mean, we're definitely done though.
53:48
Like we can't get any more into the unanimous, so Randy's going
53:51
to hold on and get that nine so that here you go.
53:55
If it's not taking that 11. Yeah, yeah.
53:57
All right. Hold on.
54:01
Let me shake this up and then we'll have Anderson been out.
54:08
All right, there we go. What do you got left there,
54:10
Anderson? OK I got 3 left.
54:14
The one that barely made the cut was proud Mary.
54:18
Is that the one that you're talking about, Brian?
54:20
Yeah, yeah. I couldn't take it because I
54:22
think Tina Turner made it her own. 100% that's exactly why I
54:26
didn't take it. And also like, I feel like if it
54:30
makes the list, then it's just kind of like we we just put on
54:33
their most popular, well known song and like, like, I just
54:38
don't sit around and want to listen to that song, you know?
54:42
Yeah, yeah. The deserve to make somebody's
54:46
list. For sure, I'm glad it came up.
54:50
Yeah, and I mean between the two I was thinking about the other
54:54
one didn't get mentioned at all, so I feel fine.
54:58
Lodi was also on my list. Lodi, No.
55:03
Oh, I have that. That was one.
55:07
I kept wanting to cut it, but every time I listened to it, I
55:10
just couldn't. Yeah.
55:12
And my last one was Ramble. Tamble that.
55:16
Was a very close enough for me right bin all right, Brian.
55:27
Our last one's it's just the thought.
55:31
Nope. And what was the last one?
55:36
I have it the midnight special. Very, very close.
55:40
That was another cover. But yeah, classic type song.
55:47
My last two are Keep on Choogling and wrote a song for
55:51
Everyone I. Means my 21 didn't even get
56:00
mentioned. Neither did mine.
56:04
Yeah, I, I, I really like their rendition of Put a Spell On You.
56:10
Like, it was #1 it's very good. But I, that was the reason I, I
56:17
dumped it at the last minute. I'm like, I, I found plenty of
56:22
other things to like by this band and actually other covers
56:27
that I, I liked that they did. I can't I couldn't justify
56:31
bringing that one, so it ended up bidding.
56:36
All right, let's shift this and then I'll read these nine down
56:42
and Randy will get his final say.
56:46
I mean, it's as easy as that sometimes.
56:49
All right, We got born on the Bayou.
56:50
Bad moon rising traveling band. Looking out my back door, up
56:54
around the bend down in the corner.
56:55
Fortunate sun, Green River. Have you ever seen the rain?
57:00
Those are the 9, Randy what's #10.
57:04
It came out of the sky. Well, all right.
57:07
The hell. Yeah, boom.
57:10
And that was the one I knew it wasn't going to get a unanimous
57:14
pick, but I'm glad that one other person took it because I
57:18
was in on it and immediately said oh fuck yeah, the song is
57:22
so good. Well, it's neat to you didn't
57:27
have to pluck out of the bin, you know.
57:29
Yeah, technically you did because it was a 2 and we had so
57:33
many. But like, really it it would
57:36
have been in our conversation to fill out that 10 spot.
57:42
So boom, it came out of the sky is our number 10.
57:46
Let me run it down one last go and then we'll crank up the
57:49
heat. Born on the Bayou bedroom
57:51
rising, travelling ban looking out my back door up around the
57:54
bend down on the corner. Fortunate sun Green River.
57:56
Have you ever seen the rain? It came out of the sky,
57:59
Anderson. You already mentioned this.
58:00
And and, you know, we all kind of agreed this is the
58:03
conversation, right? Like, which one of these is the
58:06
one like it? You could make a case for most
58:12
of these. Yeah.
58:15
If I wanted to, I can make a case for all ten of them, but
58:18
I'm not going to do that. So Fortunate Son is the very,
58:24
very low hanging fruit and I tend to avoid that.
58:29
I'm going to say it's up around the bend.
58:31
I like that. Wow, yeah.
58:35
I'm into that. What do you think, Brian?
58:39
I mean, like you said, it's anything.
58:44
Yeah. Fortunate Son and Born the Bayou
58:46
I think are both like low hanging fruit.
58:50
Bad Moon rising a little bit too.
58:52
Yeah, Bad Moon Rising. They're just So what, you're so
58:54
well known for that. And that's mostly known because
58:57
people because it's in like the misheard of lyrics things all
59:01
the time. I mean, these are all which one
59:07
did he pick up on the bend or looking Outback door?
59:09
I forgot. Up around the bend.
59:16
I like up around the bend. I'll still looking at my back
59:20
door because I always think of I think of Lebowski hitting his
59:25
ceiling in his car. I'm I'm between those two.
59:36
I'm going to let it go to majority.
59:39
Oh, I guess between up around the bend and look at the door.
59:42
What? Do you think, Randy?
59:45
I don't think it's going to be as crazy of a conversation as
59:49
you guys might have thought it was going to be because I am
59:53
totally on this team. Justin, you say it all the time
59:57
that like you want the number one song to hook you right away
1:00:01
and to tell you within the 1st 4 seconds who this band is and
1:00:05
what their sound is. And that guitar lick at the
1:00:09
beginning of Up Around the Bend. Like I don't know if there's a
1:00:13
number one that I've done in the last couple of years that
1:00:17
defines a band and their sound more than this one.
1:00:20
And like, that's a slam dunk to me that that is the number one.
1:00:27
I don't think I can argue. I, you know, like, because you
1:00:31
could, you could say that about Fortunate son, but fortunate son
1:00:35
has the weight of being fortunate son where, you know,
1:00:38
up around the bend, also a massive song, but it's not
1:00:40
fortunate Son. I think, I think they do the
1:00:44
same thing as far as what you're talking about, like with the
1:00:47
Rif, I think, I think you can make that case for Fortunate
1:00:51
Son. But I think the smart play here
1:00:53
is going with up around the bend and I and it's a little less
1:00:57
heavy firstly. And it's fun.
1:01:00
Like, you know, you could make the case that back door and down
1:01:05
in the corner are more fun, but like I think up around the bend
1:01:09
kind of does. It's all-encompassing of what
1:01:13
we're trying to do so like I am a OK with with going with up
1:01:19
around the bend. Here is what I'm trying to say
1:01:22
so in so many words. Let's go with up around the bend
1:01:26
and I will shut my face. Let me read this down one last
1:01:30
go up around the bend is going to be our number one born in the
1:01:33
Bayou bad moon rising traveling band looking out my back door
1:01:37
down on the corner fortunate sun Green River.
1:01:39
Have you ever seen the rain and it came out of the sky is going
1:01:42
to round out our 10. Let's let up around the bend,
1:01:46
get a moment in the sun, bouncy, bright.
1:02:02
Go ahead and do it. Like, yeah, go ahead and do it.
1:02:07
Like go, go ahead. And I mean, again, this isn't I
1:02:11
say listen to Cosmos Factory, you know, I think that's the
1:02:16
most bang for your buck. It may not have all my like
1:02:20
favorite stuff on it, but like, I think it is my favorite
1:02:23
record. It I I think that makes sense.
1:02:28
But like, I, I think it's worth, I think this band is worth your
1:02:33
time, But I also understand that considering it's 6 records here.
1:02:40
Hold on, I'll give you the real math 65 songs, 4 hours, 4
1:02:44
minutes. So it's not a lot of song age,
1:02:47
but it is 4 minutes. So I mean, if you take it album
1:02:51
by album, you know, maybe, maybe you work it honestly, we've put
1:02:56
the list together for you. Just listen to the list and go
1:02:58
from there. If if you like this list, you
1:03:01
will like this band. And let's just leave it at that.
1:03:04
So we're a podcast. You can argue with us about our
1:03:08
credence list if you'd like, you can do that by you can make
1:03:14
comments on Spotify if that's something you'd like to do or
1:03:18
you can follow on threads at deprogram VA.
1:03:23
Throw me a line, say hey, this is where you got CCR wrong.
1:03:27
That's fine. You know, we'll talk about it.
1:03:29
We can be you can be nice about it.
1:03:30
Is is the thing you don't have to call us idiots or jerks or
1:03:34
stupid. Just say you disagree like it's
1:03:37
it's really that simple and we can have a chat about it if
1:03:41
you'd like to come aboard and play on the show.
1:03:45
Oh man, boy, do I have the place for you.
1:03:47
You can join the Legion of Stupid discord, hop in there,
1:03:50
boom. And then there's the Deprogram
1:03:52
channel boom. And under that there's the
1:03:55
panelists, the program panelists and hop in there and say, hey,
1:03:58
I'd like to talk about this band.
1:04:00
I guarantee you somebody will say something and if nothing
1:04:04
else, you'll get added to the list and we will find people
1:04:07
that want to talk about that band with you and then you get
1:04:11
to be the one that people are calling a jerk or stupid just
1:04:16
like that. It's simple.
1:04:18
We are a podcast. Oh, you know what?
1:04:20
Before I do that, Randy mentioned we're going to talk
1:04:23
about Lebowski some more on the after the fact A dollar a month
1:04:26
gets you in the door. patreon.com/show.
1:04:27
Hi Justin. If you do that, it also gets you
1:04:30
an automatic invite link to the Legion of stupid discord.
1:04:33
So you don't have to go searching for it.
1:04:35
Just saying it's a it's a dollar a month and it gets that part
1:04:38
done for you. It also gets you deprogrammed
1:04:41
before the rest of the world and every after the fact
1:04:43
conversation that we've done. So like all of that is there the
1:04:47
ever so slight, ever so occasional Really, really not.
1:04:52
It's it's really rare. Oh, hi, just an episode happens
1:04:55
there. All sorts of other stuff.
1:04:57
I actually put my the Undercutters song up there
1:05:01
before it released the rest of the world.
1:05:04
Just saying it's a neat place. It's only a dollar if you kick
1:05:07
up to $5. There's some extra channels that
1:05:09
you get in Discord, so consider that.
1:05:12
If not, I understand times is tough, but we are a podcast
1:05:17
subscribing rating comment is the best way that you can help
1:05:20
us. If you cannot do so monetarily,
1:05:24
you can share share, share baby share, baby share and honestly
1:05:29
the best way to help us is by telling somebody that you listen
1:05:31
to the show. Hey, I listen to you programmed
1:05:33
you should too. And with that readings
1:05:35
Clearwater revival. The only other time I said it
1:05:38
learn them and loving people. We'll see you next week.
1:05:40
Goodbye.