Latest / Drama, Darling: A Real Housewives Comedy Podcast / 💎 RHOBH Recap "These Men Are Gone"

Transcript

💎 RHOBH Recap "These Men Are Gone" · Drama, Darling: A Real Housewives Comedy Podcast

• 0:04
  Speaker 1: Drama Darling.
• 0:11
  Speaker 2: Drama Darling Drama Darling, Yello, what's up? Darling's okay. So
• 0:23
  Speaker 2: it is a Beverly Hills day, So welcome in, Deanna Chang,
• 0:27
  Speaker 2: Welcome in Beverly Hills. Kay, welcome in. Now, first things first,
• 0:32
  Speaker 2: before we actually get into the episode. Tickets are on
• 0:36
  Speaker 2: sale right now ticketmaster dot com. You can search Drama Darling.
• 0:41
  Speaker 2: I am going to be live in Chicago on April second,
• 0:44
  Speaker 2: doing Drama Darling Live. Deanna will not be there this
• 0:48
  Speaker 2: time around, however, Emily will and we will have some
• 0:52
  Speaker 2: some special guests popping in, popping out, and the Darlings
• 0:57
  Speaker 2: are getting their tickets, so her hurry in. It's at
• 1:01
  Speaker 2: the Apollo Theater. Also, if you are a patron of
• 1:04
  Speaker 2: the Patreon, there is a special rate for you guys,
• 1:08
  Speaker 2: and some other specialty things happening, and you should be
• 1:12
  Speaker 2: abreast of that over on theepatreon dot com slash Drama Darling.
• 1:16
  Speaker 2: I am so excited. I'm going there for a podcast convention.
• 1:21
  Speaker 2: I'll be doing a panel with the Reality Gaze podcast
• 1:25
  Speaker 2: guys Matt and Jake, and then Mary Payne from Pink
• 1:29
  Speaker 2: Shade Podcasts will also be on the on the panel
• 1:32
  Speaker 2: as well as some other amazing people at this podcast
• 1:35
  Speaker 2: pod Movement Chicago Evolution thing. So I'm going in there
• 1:39
  Speaker 2: for that, and then at the live show, Matt and
• 1:42
  Speaker 2: Jake and Mary Payne are going to make a special
• 1:45
  Speaker 2: guest appearance in the show. So it's going to be
• 1:47
  Speaker 2: super fun. So get your tickets, Starlings. Now we really
• 1:52
  Speaker 2: need to get into Beverly Hills and what happened? What
• 1:54
  Speaker 2: happened now? I don't know if you saw this, Diana,
• 1:57
  Speaker 2: But interestingly enough, after on the heels of last night's
• 2:02
  Speaker 2: episode and Mauricio finally mentioning the photos and mikinos we
• 2:06
  Speaker 2: have right here. Published March eleventh, Mauricio is seen making
• 2:10
  Speaker 2: out with the brunette at Chateau Marmont after near run
• 2:14
  Speaker 2: in with Lisa Renna and Erica Jane. Now page six
• 2:17
  Speaker 2: is reporting that he was seen with a mystery brunette.
• 2:21
  Speaker 2: As I said, and an eyewitness told the US Sun
• 2:26
  Speaker 2: they saw Umanski at the West Hollywood Hotel with two
• 2:29
  Speaker 2: women on Saturday night at the same time that Lisa
• 2:32
  Speaker 2: ren and Erica Jane were there. He appeared more interested
• 2:35
  Speaker 2: in one of the women. The source observed as video
• 2:38
  Speaker 2: footage taken from a nearby table showed the agency founder
• 2:42
  Speaker 2: and ceoed a small round table mingling with two female companions.
• 2:47
  Speaker 2: One of the women sat closely next to him, while
• 2:50
  Speaker 2: the other sat across from the pair. Now, first of all,
• 2:55
  Speaker 2: a couple things to say about this. Very delighted to
• 2:58
  Speaker 2: hear that Erica and Lee Sarna are hanging out, first
• 3:01
  Speaker 2: and foremost, so like, you know, let's give a shout
• 3:04
  Speaker 2: out to that. Secondly, I feel like this has been
• 3:07
  Speaker 2: going on for twenty years with him doing this type
• 3:11
  Speaker 2: of thing, you know what I'm saying, allegedly, And so
• 3:14
  Speaker 2: this is where I want to begin with the Mauricio
• 3:18
  Speaker 2: and Kyle. We need to start peeling this banana because
• 3:22
  Speaker 2: should yes, Deanna should should Kyle had been less protective
• 3:27
  Speaker 2: of Mauricio all these years? We may not be dragging
• 3:32
  Speaker 2: her so much right now by saying, well, why can't
• 3:35
  Speaker 2: we talk about Morgan and we can talk about Mauricio. Well,
• 3:39
  Speaker 2: because we weren't talking about Mauricio for so long and
• 3:43
  Speaker 2: the things that he may or may not have been
• 3:45
  Speaker 2: doing that interfered with their marriage. And what I'm saying
• 3:50
  Speaker 2: is there were all of these rumors about alleged affairs happening,
• 3:53
  Speaker 2: and I think that if that's true, Kyle really wanted
• 3:57
  Speaker 2: to put a quirk on it and say her marriage.
• 4:00
  Speaker 2: She was willing to do whatever it took to save
• 4:03
  Speaker 2: her marriage. And perhaps they've had in and outs about that.
• 4:06
  Speaker 2: And then you know cut too, she's had it up
• 4:10
  Speaker 2: to hear with it, and there was a last straw
• 4:13
  Speaker 2: and she decided to go and venture out and be
• 4:17
  Speaker 2: in a music video and have some sort of relationship
• 4:20
  Speaker 2: whether she wants to define it or not with Morgan,
• 4:24
  Speaker 2: and she's hiding a lot of what we've seen. She's
• 4:27
  Speaker 2: been hiding it. Obviously. We have been very like, why,
• 4:30
  Speaker 2: you know, Garcel brought it up? If we can talk
• 4:32
  Speaker 2: about Mauricio, why can't we just say, hey, you were
• 4:35
  Speaker 2: at a concert, we didn't know where you were going.
• 4:37
  Speaker 2: How is that? Like? What's up? You know? Why can't
• 4:40
  Speaker 2: we talk about it? Great point, But great point. We're
• 4:43
  Speaker 2: now in a real pickle because Kyla's protected him for
• 4:47
  Speaker 2: so long that she can't say too much about what
• 4:52
  Speaker 2: he's done as to why she decided to finally bolt
• 4:55
  Speaker 2: and retaliate and have her time and do whatever she
• 4:59
  Speaker 2: wanted to do. And then the other thing is her
• 5:02
  Speaker 2: sexuality is in question, and so why does she have
• 5:04
  Speaker 2: to answer to that. She's been holding on, waiting to
• 5:07
  Speaker 2: see if Mauricio will finally come back and say, hey,
• 5:10
  Speaker 2: you know, all these years of allegedly, you know, popping
• 5:15
  Speaker 2: around here and there mingling or not mingling, I now
• 5:19
  Speaker 2: realize being without you is the wrong thing, and I
• 5:21
  Speaker 2: want to be with you. Well, he didn't do that,
• 5:24
  Speaker 2: he didn't fight for them. So now she's like, well,
• 5:28
  Speaker 2: I was kind of waiting for you to come back,
• 5:33
  Speaker 2: even though I did make the cut, But you're the
• 5:36
  Speaker 2: one who had more of the cards than you thought
• 5:38
  Speaker 2: you did, because you could have won me back and
• 5:41
  Speaker 2: I would have just put this Morgan stuff aside and
• 5:43
  Speaker 2: come back to you. Now I guess I'll be with
• 5:47
  Speaker 2: a country singer. I mean, I guess that's what I'm
• 5:50
  Speaker 2: you know, that's what I chose for what I thought
• 5:52
  Speaker 2: was temporary. Now now I'm really going to be doing it,
• 5:55
  Speaker 2: you know. I just it's very complex. It is more
• 5:59
  Speaker 2: complex than I say we're getting credit for. And her
• 6:03
  Speaker 2: with Morgan, like it is hilarious to me that like
• 6:06
  Speaker 2: she's backstage and we're just not even mentioning that they've
• 6:10
  Speaker 2: been in a relationship forever, you know, and it's like,
• 6:12
  Speaker 2: we can't talk about it. And here Mauricio when they're
• 6:15
  Speaker 2: in this conversation and she's like those pictures, you know,
• 6:19
  Speaker 2: it's really hurtful. He's like, tell me about it, Like
• 6:21
  Speaker 2: I've been dealing with that for the last year. Points
• 6:24
  Speaker 2: to Mauricio. I totally get it because it's very public.
• 6:28
  Speaker 2: But his stuff in the past was buried, so wasn't
• 6:33
  Speaker 2: that public even though we kind of knew. So I
• 6:37
  Speaker 2: peeled some of the banana Dianna passing the banana over
• 6:40
  Speaker 2: to you.
• 6:41
  Speaker 1: Oh banana Dianna. God Amy, it's so true. I was.
• 6:45
  Speaker 1: I got clarity last night, you know, watching that scene,
• 6:50
  Speaker 1: that clinking of the coffee when we were in silence
• 6:54
  Speaker 1: and he was just simply stirring. It was, yeah, there
• 7:01
  Speaker 1: she is.
• 7:01
  Speaker 2: There she blows, and Kyle's like, am no, it's that picture.
• 7:14
  Speaker 1: I mean, I think you're nailing it. It's the one
• 7:19
  Speaker 1: piece that we're not factor I felt last night, Okay,
• 7:24
  Speaker 1: this is what we're not factoring in, because yes, what
• 7:27
  Speaker 1: you just painted is it. He's been doing whatever he's
• 7:31
  Speaker 1: been doing throughout the years, allegedly, but you know, at
• 7:36
  Speaker 1: this point even Kathy was like, we've seen him, you know,
• 7:39
  Speaker 1: there's been the I mean, if Kathy is saying that.
• 7:42
  Speaker 2: It is what it is, thank you.
• 7:45
  Speaker 1: Yeah, yeah, we can lean back into it, right, you know.
• 7:51
  Speaker 1: And he's never denied it. He's never made a statement
• 7:58
  Speaker 1: to clear his good name, right, So you know, he
• 8:05
  Speaker 1: would have had that opportunity on the show to just
• 8:08
  Speaker 1: go like, these rumors are really hurtful and insane. And
• 8:11
  Speaker 1: maybe he did that with like, but he hasn't done it.
• 8:15
  Speaker 1: He hasn't really.
• 8:16
  Speaker 2: Done it to my knowledge. Yea, Okay, so.
• 8:20
  Speaker 1: He was doing his thing. Kyle was turning a blind eye.
• 8:25
  Speaker 1: She also was hurt by it, let's be real, Okay,
• 8:30
  Speaker 1: deeply hurt, but keeping tunnel vision, keeping making it work
• 8:36
  Speaker 1: for her in her head because of their love story
• 8:39
  Speaker 1: and because of her family and loving him period.
• 8:44
  Speaker 2: To keep a marriage together because her mother. That was
• 8:47
  Speaker 2: something that she said she prided herself on all these years,
• 8:50
  Speaker 2: was keeping this marriage together.
• 8:52
  Speaker 1: Yeah, she was. She was going to make it work. Yeah,
• 8:55
  Speaker 1: and then whatever he did, he went a bridge too
• 8:59
  Speaker 1: far and it was too painful, and she for the
• 9:04
  Speaker 1: first time said I'm going to show him how this feels. Right.
• 9:10
  Speaker 1: She met someone she did her.
• 9:14
  Speaker 2: And it was you know, I mean the video, you know,
• 9:17
  Speaker 2: and all the photos. Yeah, we're in it. You know,
• 9:21
  Speaker 2: it's happening.
• 9:22
  Speaker 1: We did it. We brought her to the best friend's funeral, this,
• 9:27
  Speaker 1: that and the other service you're you know, yes, memorial service.
• 9:34
  Speaker 1: So what she thought, I think was you've been doing X,
• 9:41
  Speaker 1: Y and Z. I'm gonna do X for a minute
• 9:46
  Speaker 1: and then you'll feel that and then and then we'll
• 9:50
  Speaker 1: ship me back together.
• 9:51
  Speaker 2: Yeah, I'm going to try this out. I'm going to
• 9:53
  Speaker 2: have some fun.
• 9:55
  Speaker 1: Yeah. Guess who else can have fun? Right?
• 9:57
  Speaker 2: Guess who else can you know, make fun decision at
• 10:00
  Speaker 2: this age and have a great time. And that's just me?
• 10:04
  Speaker 1: Ye party, I mean she didn't. She's like sober by
• 10:07
  Speaker 1: five days to hear that was so dark.
• 10:12
  Speaker 2: It was one of the most immature things I've ever
• 10:15
  Speaker 2: heard an adult person say. That gave you a well
• 10:19
  Speaker 2: look into him and where he is and this midlife crisis. Fah,
• 10:25
  Speaker 2: I don't want you to lose your train of so
• 10:27
  Speaker 2: carry on.
• 10:28
  Speaker 1: So she had she and I think what she thought
• 10:31
  Speaker 1: is he's gonna get a little taste of his medicine
• 10:34
  Speaker 1: and then we will figure out we're going to come
• 10:36
  Speaker 1: back to zero and reconnect and go forward. I think
• 10:42
  Speaker 1: that's what without thinking it out that hard, because she
• 10:46
  Speaker 1: was also just in her she was moving, you know,
• 10:49
  Speaker 1: and act feeling yes h and and he was like,
• 10:56
  Speaker 1: oh yeah, okay bye. You know, he was like, which
• 11:01
  Speaker 1: shows where he's been at, because when you're stepping out
• 11:04
  Speaker 1: for that long.
• 11:05
  Speaker 2: Right or even allegibly allegedly.
• 11:08
  Speaker 1: Allegedly we can lean into it, but allegedly allegedly he
• 11:15
  Speaker 1: I think he did have one foot out the door,
• 11:21
  Speaker 1: and probably seeing her with Morgan, he was like.
• 11:23
  Speaker 2: Come out, Well, that's what a dick. I mean, I
• 11:28
  Speaker 2: just am so blown away at how much I dislike
• 11:33
  Speaker 2: Mauricio after all these years now and just him doing
• 11:37
  Speaker 2: whatever he wants, and I just would hate to be
• 11:40
  Speaker 2: married to somebody like that. It just was so clear.
• 11:43
  Speaker 2: I mean, that kitchen scene. I don't necessarily think he's
• 11:46
  Speaker 2: a bad dad. I think he's a great dad, and
• 11:47
  Speaker 2: I think they make a great family unit and they've
• 11:50
  Speaker 2: been doing a great job. But he just sees her,
• 11:54
  Speaker 2: at least at this point, and I mean I don't
• 11:56
  Speaker 2: know for how long, you know, as just like another
• 12:00
  Speaker 2: agency partner in this is just some sort of I
• 12:03
  Speaker 2: don't know. I don't mean to make it sound so cold,
• 12:05
  Speaker 2: but you know, he's clearly well her. This was so
• 12:12
  Speaker 2: for people who say that she doesn't share and that
• 12:14
  Speaker 2: she's not honest, by god, I mean, you know, look,
• 12:17
  Speaker 2: there there are corners of this, and yes are they
• 12:20
  Speaker 2: big corners that we're not getting into with this vacuum
• 12:23
  Speaker 2: and we're not getting into the dirt of it. Yeah,
• 12:25
  Speaker 2: I mean we're not calling, we're not putting anything on
• 12:27
  Speaker 2: the Morgan thing, we're not even mentioning it, like it's
• 12:30
  Speaker 2: not even there. It's it's weird, it's bizarre, it doesn't
• 12:33
  Speaker 2: make sense, but there are I'm willing to just as
• 12:37
  Speaker 2: we're picking this apart, I'm willing to absolutely give Kyle
• 12:42
  Speaker 2: all the benefit of the doubt and all of the
• 12:44
  Speaker 2: cars because of how what she's put up with with
• 12:47
  Speaker 2: him and now with her trying to figure out who
• 12:50
  Speaker 2: she is. I think she just needs to take as
• 12:53
  Speaker 2: much time as she needs to. And I don't really
• 12:55
  Speaker 2: care if it's the not okay with the viewers. I
• 12:58
  Speaker 2: just don't care. I mean I haven't for a long time.
• 13:00
  Speaker 2: But for them to be in this kitchen and courses there,
• 13:05
  Speaker 2: and then how is your trip. You know, they obviously
• 13:10
  Speaker 2: did somehow communicate. He must have apologized to her before
• 13:13
  Speaker 2: about the picture, clearly, but him for to be like, oh,
• 13:17
  Speaker 2: you know, it was a lot of spas, sound healing,
• 13:19
  Speaker 2: spiritual healing. I only partied like five nights at twenty five.
• 13:24
  Speaker 2: I'm like, this is like a kid that just came
• 13:26
  Speaker 2: home from spring break, you know, is talking to their mom.
• 13:30
  Speaker 2: That's what it felt like.
• 13:31
  Speaker 1: Totally a gross it's so is. It's an I lean
• 13:38
  Speaker 1: back gun, and this is to all the real estate
• 13:40
  Speaker 1: agents out there.
• 13:42
  Speaker 2: She's coming for you.
• 13:44
  Speaker 1: I'm coming for you right now. And this isn't going
• 13:46
  Speaker 1: to feel good. It doesn't feel good for me to
• 13:47
  Speaker 1: say it's my truth. It's not the best of me,
• 13:50
  Speaker 1: as I'm about to say it. Okay, it's not my
• 13:53
  Speaker 1: best color, all right. But these real estate agents are
• 13:59
  Speaker 1: so alpha, they're so hot, especially Los Angeles, especially the
• 14:09
  Speaker 1: agency that it's amongst do you know what I mean?
• 14:17
  Speaker 1: They want and they want They are fighting for their
• 14:22
  Speaker 1: wrong on the ladder. It's war. Who's getting these listings?
• 14:26
  Speaker 1: It is war, and so you've got a hot guy
• 14:31
  Speaker 1: leading the charge. It's just I don't know. I wouldn't
• 14:35
  Speaker 1: I'm a pretty secure gal and I would be struggling
• 14:40
  Speaker 1: drama darling.
• 14:42
  Speaker 2: There's Kyle is like the best of the best. She
• 14:47
  Speaker 2: is water off a duck's back. She when it comes
• 14:50
  Speaker 2: to like okay, I'm not talking about like her sisters,
• 14:52
  Speaker 2: and when you get into certain things, you can push
• 14:54
  Speaker 2: a button with her, you know whatever. Okay, So let's
• 14:57
  Speaker 2: water off, water in, Yeah, water in all like know,
• 15:00
  Speaker 2: Matt tankuf just like uh we did over with Vihan
• 15:04
  Speaker 2: on below deck. But you know, she is a very
• 15:10
  Speaker 2: cool girl. Like she's a cool girl. She can go
• 15:13
  Speaker 2: with the flow, you know, and so he has really
• 15:18
  Speaker 2: taken advantage of that over the years. And now here
• 15:21
  Speaker 2: we are when he says to her, you know, I
• 15:26
  Speaker 2: wanted to see this is the first This was a
• 15:28
  Speaker 2: very awkward trip. I was without the family and I
• 15:31
  Speaker 2: wanted to be alone. I wanted to see what this
• 15:33
  Speaker 2: looked like. And I'm like, yeah, he myself, I think
• 15:36
  Speaker 2: you've I think you know what that feels like. And
• 15:39
  Speaker 2: now you just have the permission to know what that
• 15:41
  Speaker 2: feels like. And he's like, look, you know, run around
• 15:44
  Speaker 2: and make last minute decisions. And I just thought, oh boy,
• 15:48
  Speaker 2: this is you know, that is every partner in every marriage,
• 15:51
  Speaker 2: you know, by the way, you know Kyle probably feels
• 15:55
  Speaker 2: the same way and has this whole time. You think that,
• 15:57
  Speaker 2: like families or couples that go together on a vacation
• 16:01
  Speaker 2: don't think themselves. Wouldn't that be nice if I could
• 16:04
  Speaker 2: just go by myself and not plan like this person
• 16:07
  Speaker 2: you have to deal with all that. So and the
• 16:10
  Speaker 2: fact that he finally, after all that time, mentioned the mikonos,
• 16:14
  Speaker 2: you know photos, He didn't want to hurt her, and
• 16:18
  Speaker 2: then she says, I know you wouldn't. I don't know
• 16:20
  Speaker 2: about the other person. That's obviously hard to see. And
• 16:23
  Speaker 2: he kind of starts to nod his head, like, well,
• 16:25
  Speaker 2: she would never do that, you know, I know that
• 16:28
  Speaker 2: was crazy, And she said, watch it was so intense,
• 16:32
  Speaker 2: and she says, we are separated, so we're allowed to
• 16:35
  Speaker 2: do what we want during this time, which is interesting
• 16:39
  Speaker 2: to me because when she did talk about in her
• 16:43
  Speaker 2: confessional or actually even with Bows at the beginning, she
• 16:47
  Speaker 2: didn't really know what she wanted to do. She was
• 16:50
  Speaker 2: just like, we're you know, she reacted, we're going to
• 16:53
  Speaker 2: get separated. And so for her to be out there
• 16:57
  Speaker 2: like they had to have had a conversation that means
• 17:00
  Speaker 2: we're separated, we can do whatever we want, you know.
• 17:02
  Speaker 1: Yeah, well yeah I do. I got that. I mean that,
• 17:06
  Speaker 1: I got that. But here's the piece and I'm seeing
• 17:11
  Speaker 1: it with bo'se right now, and it's just it really
• 17:16
  Speaker 1: is a cautionary tale in general. It's like, you can't
• 17:21
  Speaker 1: stick your head in the sand. Yeah, you must ask
• 17:27
  Speaker 1: the questions. You must be real with the situation at hand.
• 17:32
  Speaker 1: And she has spent so much time like moving these
• 17:37
  Speaker 1: pieces around and shielding herself from whatever Moo's been doing,
• 17:42
  Speaker 1: I believe, making it Okay, So she's going, how did
• 17:48
  Speaker 1: we get here? Right?
• 17:50
  Speaker 2: That was the sadder thing. Yes, she said how did
• 17:54
  Speaker 2: we let this happen? That really broke my heart because
• 17:58
  Speaker 2: it's upsetting. I think that any couple that's together and
• 18:01
  Speaker 2: in love feels that way. How did we let this happen?
• 18:03
  Speaker 2: We were here in love, like, think about the beginning.
• 18:06
  Speaker 2: How did we get here? Well, that's the perfect example.
• 18:10
  Speaker 2: It's you know, it just it just would have ended sooner.
• 18:13
  Speaker 2: And that's the just gosh darn truth, right, because if
• 18:16
  Speaker 2: he wasn't willing to stop what he was doing along
• 18:20
  Speaker 2: the way, and then when it finally came to this
• 18:23
  Speaker 2: point of no return for Kyle, he still wasn't willing
• 18:28
  Speaker 2: to fight for them. Then it wasn't there to begin with,
• 18:32
  Speaker 2: and that is so hurtful to watch because she doesn't
• 18:37
  Speaker 2: deserve that, and I feel really sad for her. And
• 18:42
  Speaker 2: when she was in her confessional, I mean, it's so
• 18:46
  Speaker 2: obvious to us, but that despite that, it was so
• 18:50
  Speaker 2: interesting to watch her finally embrace and come to her
• 18:56
  Speaker 2: AHA moment. She said, the photos really did say to
• 18:59
  Speaker 2: me that he's moving on. And it would be very
• 19:02
  Speaker 2: easy for us to laugh and say, uh, yeah, where
• 19:06
  Speaker 2: have you been. But that's not that's not it. That's
• 19:09
  Speaker 2: not it. This is what she has been fighting for
• 19:12
  Speaker 2: and waiting for, and like she couldn't take anymore. And
• 19:16
  Speaker 2: she finally was like, this is what it is. He
• 19:19
  Speaker 2: I was living in la la land for so long,
• 19:21
  Speaker 2: and this is the hammer that hit my head and said, hello, Kyle,
• 19:25
  Speaker 2: he's moved on. It's okay. You're both entitled to live
• 19:30
  Speaker 2: your lives. And then for her to say everything we
• 19:33
  Speaker 2: built it's like a rug being ripped out from under me.
• 19:36
  Speaker 2: I mean, the feeling that it's awful, And then she
• 19:39
  Speaker 2: said she didn't expect her life to go in this direction,
• 19:42
  Speaker 2: of course, because she has been keeping these balls up
• 19:44
  Speaker 2: in the air for so long that why would you
• 19:46
  Speaker 2: expect for this to happen. But she chose herself, though
• 19:51
  Speaker 2: she at the end of the day, she chose her
• 19:53
  Speaker 2: and I'm really proud of her for doing that, and
• 19:57
  Speaker 2: I'm proud of her for showing that to us, you know,
• 20:01
  Speaker 2: even after all these years and to her daughters.
• 20:05
  Speaker 1: And when you say that, you mean, I mean, did
• 20:09
  Speaker 1: she have a choice?
• 20:10
  Speaker 2: Yeah, because herself, Because she could have continued to do
• 20:14
  Speaker 2: this over it.
• 20:15
  Speaker 1: I mean when they separated, got it? Yes?
• 20:19
  Speaker 2: Oh yes, yes, when they originally separated, Yeah, she could
• 20:21
  Speaker 2: have continued to go. Don't you think it's weird that
• 20:24
  Speaker 2: we haven't heard at all what the thing was that
• 20:28
  Speaker 2: he did, the very thing that finally broke her trust
• 20:31
  Speaker 2: that couldn't be put back together.
• 20:35
  Speaker 1: I mean kind of, but she's kept so much under
• 20:38
  Speaker 1: wraps that not really you know, even just the way
• 20:42
  Speaker 1: she's putting it on this random girl in mikon No's like,
• 20:46
  Speaker 1: I don't know what she's up to. This is a
• 20:49
  Speaker 1: way to just allow him to wash his hands clean.
• 20:56
  Speaker 2: Yeah, you know, well she called the I mean she
• 20:59
  Speaker 2: she you called the paps, or one of her friends
• 21:02
  Speaker 2: called the paps. She was like, I'm going to be
• 21:04
  Speaker 2: picking up Mauricio, so you call the paparazzi, you know,
• 21:07
  Speaker 2: I mean that.
• 21:09
  Speaker 1: Pap life is beyond me. I don't. I can't pa,
• 21:12
  Speaker 1: you know, I don't. I can't get a handle on it.
• 21:14
  Speaker 1: Pap life in Maconos seems hard for me to you know, like,
• 21:19
  Speaker 1: who's where one eight hundred Micono's pap? Like, how do
• 21:23
  Speaker 1: you even know?
• 21:26
  Speaker 2: It feels like I'd be able to get an actual
• 21:28
  Speaker 2: paps mirror in makon Os faster than I'd be able
• 21:30
  Speaker 2: to paparazzi.
• 21:31
  Speaker 1: Yeah, a more direct line. Yeah, Yeah, you know it's
• 21:38
  Speaker 1: I think. I think Mo, when you allow someone to
• 21:44
  Speaker 1: treat you incorrectly, which is ultimate. I mean, listen, people
• 21:49
  Speaker 1: have also agreements and it can work for them. So
• 21:52
  Speaker 1: I don't want to insert my you know, but I
• 21:58
  Speaker 1: will insert mine. Yeah. It's like he had the first
• 22:04
  Speaker 1: time she gave him a taste of his medicine. Everything
• 22:11
  Speaker 1: she did prior worked for him. It all worked for Mo.
• 22:19
  Speaker 1: The second she deviated, it no longer worked for him. Yeah,
• 22:25
  Speaker 1: and he could go do you know? And he it
• 22:27
  Speaker 1: was no fight.
• 22:29
  Speaker 2: But there was nothing that was That's what's so disturbing
• 22:32
  Speaker 2: about it. I hate this for her.
• 22:35
  Speaker 1: That's why when you make a move like that, you
• 22:37
  Speaker 1: gotta be ready to go. Like it's like in any negotiation,
• 22:41
  Speaker 1: you know, you have to be ready to walk for real.
• 22:46
  Speaker 1: And I don't know that she was ready to walk
• 22:48
  Speaker 1: for real, and she wasn't. We're seeing that's exactly right.
• 22:53
  Speaker 2: She wasn't. But she made a small, I don't say
• 22:56
  Speaker 2: baby step because it was a big step to get separated,
• 22:59
  Speaker 2: to say should put her foot down. Even if she
• 23:03
  Speaker 2: wasn't ready to, she did it anyway, And I think
• 23:06
  Speaker 2: that's a great example of how sometimes even if we're
• 23:10
  Speaker 2: not ready, you make a move because it will eventually
• 23:15
  Speaker 2: catch up with you if it is in fact the
• 23:17
  Speaker 2: right thing for you deep down. And she did it
• 23:20
  Speaker 2: in very slow steps as she was saying to us,
• 23:23
  Speaker 2: as she was saying to Bo's like, she was, you know,
• 23:26
  Speaker 2: very she didn't know what she actually wanted to do,
• 23:29
  Speaker 2: so she had Yeah, Moe hadn't even like moved out,
• 23:34
  Speaker 2: and she wasn't really ready to leave. But then he
• 23:39
  Speaker 2: finally moved out and it was like okay, So then
• 23:42
  Speaker 2: it's just like taking that band aid off really slowly,
• 23:46
  Speaker 2: just oh.
• 23:48
  Speaker 1: Strangely slow and fast. Because the Morgan thing was like crazy,
• 23:52
  Speaker 1: Well we're looking at the tableau of it. Yeah, her
• 23:56
  Speaker 1: bringing Morgan on the show, on the show getting tattoos
• 24:02
  Speaker 1: is bonkers.
• 24:03
  Speaker 2: It's not.
• 24:04
  Speaker 1: This is but I think the other piece of it
• 24:08
  Speaker 1: is what we have heard her say is like she
• 24:14
  Speaker 1: doesn't want this fast lifestyle that Moe is into right now,
• 24:18
  Speaker 1: She's matured past it. She wants to live in the
• 24:23
  Speaker 1: woods and have a cabin. She doesn't want to be
• 24:25
  Speaker 1: in Beverly Hills. She wants to sit and read and
• 24:28
  Speaker 1: do hikes and be active. Like this is. Their things
• 24:33
  Speaker 1: are not aligned anymore so, and he is in no
• 24:39
  Speaker 1: way where she has seems, you know, made a lot
• 24:46
  Speaker 1: of compromises for him. It hasn't gone, it seems, in
• 24:53
  Speaker 1: any direction backed her way.
• 24:55
  Speaker 2: Absolutely not. It's only fast forwarded for him. It's only
• 25:00
  Speaker 2: sped up. You know. It's like it's he's almost like
• 25:02
  Speaker 2: getting he's just getting started now course.
• 25:05
  Speaker 1: Yeah, oh yeah, he's all my jewelry is on, let's go,
• 25:13
  Speaker 1: you know, loaded up on the bracelets and the freaking necklace,
• 25:17
  Speaker 1: which looks good on him. He did look good to
• 25:19
  Speaker 1: me last night. I was like, damn it, Oh it
• 25:22
  Speaker 1: looks good.
• 25:23
  Speaker 2: Yeah, he looks good. And you know what else looks good? Kyle,
• 25:25
  Speaker 2: Kyle looks great.
• 25:27
  Speaker 1: Yeah.
• 25:27
  Speaker 2: And and by the way, so when Bo's goes over
• 25:30
  Speaker 2: to Kyle's, this is before the conversation with Mauricio and
• 25:34
  Speaker 2: and they have this great scene and where I feel
• 25:37
  Speaker 2: like they connected, uh clearly as we all saw, which
• 25:40
  Speaker 2: is what Bo's wanted from Kyle and Kyle and bows
• 25:45
  Speaker 2: needed to get to some foundation. M hmm. And it
• 25:51
  Speaker 2: was really telling. It was like she basically said, you know,
• 25:54
  Speaker 2: I met you like right when Moe moved out, which
• 25:58
  Speaker 2: said to me, like, I didn't know you anything. I
• 26:01
  Speaker 2: was going through something insanely intense. So for me to
• 26:06
  Speaker 2: have not really opened up to you on a sidebar,
• 26:09
  Speaker 2: just so you know the timeline, just so you know
• 26:12
  Speaker 2: the timeline, that's where we were. And I thought that
• 26:14
  Speaker 2: was very important to say it is and I think
• 26:17
  Speaker 2: that Bo's maybe didn't really understand that. And then you know,
• 26:23
  Speaker 2: this was so intense about what bo said about her.
• 26:27
  Speaker 2: She was afraid to ask Peter for a divorce and
• 26:30
  Speaker 2: then they just separated one day and then she went
• 26:32
  Speaker 2: to go pick up Lael and then Layelle sorry, and
• 26:36
  Speaker 2: there was this woman there, she says, And then when
• 26:40
  Speaker 2: he was terminal in the hospital, she was like giving
• 26:42
  Speaker 2: him kisses and she's like, I lost my mind, and
• 26:44
  Speaker 2: I said, bitch, get out of here. That turn was
• 26:48
  Speaker 2: not what I expected on any level. No, I would
• 26:53
  Speaker 2: have lost my mind too. I mean, can you even imagine?
• 26:56
  Speaker 2: Oh my god, no, no, I.
• 27:00
  Speaker 1: Just didn't you.
• 27:02
  Speaker 2: I was anticipating her saying if it didn't work out
• 27:06
  Speaker 2: between us, these are his last days, and it seems
• 27:10
  Speaker 2: he's found someone who.
• 27:11
  Speaker 1: It has worked.
• 27:13
  Speaker 2: I thought that's the direction we were going.
• 27:16
  Speaker 1: Funny. I was quite startled, but but it was. It
• 27:21
  Speaker 1: was very revealing and also I think relatable. M hm.
• 27:29
  Speaker 2: And and you know, that's a really tough position to
• 27:32
  Speaker 2: be in, you know, you finally ask for a divorce
• 27:36
  Speaker 2: and then he gets terminal cancer. Oh my god, just
• 27:41
  Speaker 2: you know, and that I love that she said that
• 27:43
  Speaker 2: he was such a great father. And then it was
• 27:45
  Speaker 2: very clear that she has not brought any men around Lee,
• 27:50
  Speaker 2: and but for her to think that it's time with
• 27:52
  Speaker 2: Keely is like, this is where now I can't breat
• 27:56
  Speaker 2: my head around this, Deanna. This whole thing like I
• 27:58
  Speaker 2: love both a sigh from all of this stuff with Kihly,
• 28:01
  Speaker 2: But I don't really understand what's happening here.
• 28:07
  Speaker 1: You know, it's not good. It's truly unhinged. And this
• 28:13
  Speaker 1: is not how she does. This isn't even how she
• 28:15
  Speaker 1: does a girls trip, which is thought out and planned
• 28:18
  Speaker 1: and organized. Like, what she's doing is truly unhinged, and
• 28:25
  Speaker 1: she does need a friend to step in and have
• 28:28
  Speaker 1: her pumped the brakes. Her daughter is asking more questions
• 28:32
  Speaker 1: and more getting more information out of her boyfriend than
• 28:37
  Speaker 1: she's doing. She her head is so far in the sand.
• 28:41
  Speaker 1: She's barreling towards something she wants without any indication that
• 28:52
  Speaker 1: this is correct. It's it is wild.
• 28:56
  Speaker 2: Is there some sort of thing that she is doing
• 29:01
  Speaker 2: behind the scenes that we're not aware of that we know?
• 29:06
  Speaker 2: I don't think so, I just don't know.
• 29:08
  Speaker 1: I do not. This is like I think she is
• 29:14
  Speaker 1: to find the right pairing for her, someone who's ready
• 29:18
  Speaker 1: to step in with this powerhouse of a person, this
• 29:21
  Speaker 1: accomplished woman. You know, I think she thinks this is
• 29:27
  Speaker 1: her last boat out and she's jumping on it despite
• 29:35
  Speaker 1: any of the steps that are not like in place,
• 29:39
  Speaker 1: but like last boat for children, you mean last boat.
• 29:44
  Speaker 1: I just think last boat for relationship. That's even like
• 29:48
  Speaker 1: that is the craziest thing.
• 29:50
  Speaker 2: That's like, I don't understand. It's bananas. It makes zero sense.
• 29:57
  Speaker 2: You know, it's like murder trying to merge two companies
• 30:02
  Speaker 2: but they're personal and she's almost doing it as as
• 30:07
  Speaker 2: a business. But like you said, it's not at all
• 30:10
  Speaker 2: orchestrated in the way that she works because it's personally.
• 30:13
  Speaker 2: I can't imagine treating it like that.
• 30:15
  Speaker 1: She's treating it like business but not approaching it, like
• 30:20
  Speaker 1: she said something about like believing in love despite all
• 30:24
  Speaker 1: you know, So she's just she's yeah, she's trying to
• 30:29
  Speaker 1: conduct a merger without doing the due diligence that she
• 30:32
  Speaker 1: would do in business.
• 30:35
  Speaker 2: I don't understand it. And so for l'elle to be like,
• 30:41
  Speaker 2: so do you think you guys will live together before
• 30:42
  Speaker 2: you get married, and he's like, well, I have done that,
• 30:45
  Speaker 2: you know, but in this case, I will probably wait
• 30:48
  Speaker 2: until there's an engagement and for you guys to have
• 30:52
  Speaker 2: a conversation first, and then Leelle says, and would you
• 30:56
  Speaker 2: get a place or move into one of yours? I mean,
• 30:58
  Speaker 2: this is like stuff that You're parents might ask you,
• 31:02
  Speaker 2: you know, when you're getting married at you know, twenty one, like,
• 31:07
  Speaker 2: are you guys, what are you? What is your plan
• 31:10
  Speaker 2: here kids? Because you're very young. You don't know what
• 31:12
  Speaker 2: you're doing. You're not ready for kids. This is not
• 31:14
  Speaker 2: a good idea. You know, where do you plan on going?
• 31:17
  Speaker 2: How are you going to afford your rent? This is like,
• 31:19
  Speaker 2: this is what it's giving. And I don't know, but
• 31:25
  Speaker 2: Bo saying I've never brought men around Layel because I
• 31:27
  Speaker 2: didn't think they could measure up Akille does. I don't
• 31:30
  Speaker 2: know about that. I'm worried.
• 31:33
  Speaker 1: So I don't know about Kihlee. I can't even accurately
• 31:37
  Speaker 1: assess him. He seems fine, you know, he seems perfectly fine.
• 31:46
  Speaker 1: I think that we're just not there, you know, simply put,
• 31:53
  Speaker 1: this is the cart before the horse on steroids.
• 31:56
  Speaker 2: Yeah, absolutely. Okay, Well, we're going to take a quick
• 32:01
  Speaker 2: break and then we're gonna come back and talk Beverly Hill.
• 32:05
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• 32:09
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• 35:38
  Speaker 2: so we are back talking Beverly Hills. Let's pop over
• 35:41
  Speaker 2: to the beginning where we're at Erika's house with Turit
• 35:44
  Speaker 2: and Bows and Bow's. You know, she's planned this trip
• 35:46
  Speaker 2: to Saint Lucia and she brings them bathing suits and.
• 35:50
  Speaker 3: Derek's like, come in, come in, look at my lovely
• 35:53
  Speaker 3: all these bathings. Then I ans save and Dury It's like, wow,
• 35:58
  Speaker 3: I haven't been here so long. And then she's just
• 36:01
  Speaker 3: you know, wandering aimlessly around the house. And it was
• 36:06
  Speaker 3: so funny because Bo's was like, yeah, with these bathing suits,
• 36:09
  Speaker 3: there's gonna be a real fashion show there. I mean,
• 36:12
  Speaker 3: I didn't mean to say it like that because she's
• 36:13
  Speaker 3: like sliding suttons.
• 36:14
  Speaker 1: But Eric, Beverly Beach bathing suits.
• 36:21
  Speaker 2: No, no, no, God, Beverly Beach. I don't think that's
• 36:24
  Speaker 2: anywhere to be found. We're not in production, no, And
• 36:28
  Speaker 2: I did think about that when I saw those, and
• 36:30
  Speaker 2: I was like, you know, Dorry can't say anythings, just
• 36:33
  Speaker 2: don't have a line, So it doesn't.
• 36:35
  Speaker 1: I would love to.
• 36:36
  Speaker 2: But the way Erica popped off about that bathing suit
• 36:40
  Speaker 2: color way, I seen that. Thank you for acknowledging that I.
• 36:46
  Speaker 1: Ever seen that energy from her before.
• 36:50
  Speaker 2: It must be just the most fashion forward color trend
• 36:57
  Speaker 2: that you're only seeing if you are on the in
• 37:00
  Speaker 2: side of the fashion world, Like that's the next color
• 37:02
  Speaker 2: trend or something like that, that orange Sherbert. I don't know.
• 37:08
  Speaker 1: It was quite a reaction never seeing her light up
• 37:12
  Speaker 1: like that. Ye ever seen her find find it like that?
• 37:16
  Speaker 2: You know, receive that gift?
• 37:19
  Speaker 3: So well, yeah, oh you don't get me those colors?
• 37:23
  Speaker 1: Wow?
• 37:24
  Speaker 3: And before they even know it.
• 37:28
  Speaker 2: Yeah, it was very odd. Yeah, So then we talk.
• 37:32
  Speaker 2: Erica is so funny because it's like every once in
• 37:35
  Speaker 2: a while she'll try to bring up how she was
• 37:38
  Speaker 2: just dragged for two years by these ladies, you know,
• 37:43
  Speaker 2: and I mean, look, I don't. I don't think we
• 37:45
  Speaker 2: need to. It was just a completely different scenario. I
• 37:49
  Speaker 2: don't think the example applies to anything, doesn't. Okay, that
• 37:55
  Speaker 2: of her tits, Okay, she is out of her tits
• 38:00
  Speaker 2: to think that, like nobody should ask her a question
• 38:04
  Speaker 2: about that.
• 38:05
  Speaker 1: I mean, truly buckwild.
• 38:09
  Speaker 2: With her behavior, right, And the only reason why Dee
• 38:14
  Speaker 2: agreed with it is because it's going against Sutton, you
• 38:18
  Speaker 2: know what I'm saying. Because even Durrett's face in that
• 38:21
  Speaker 2: conversation was like, you can't really be saying this, because
• 38:25
  Speaker 2: Eric was like, hold on a second.
• 38:29
  Speaker 3: Eric was like Sutton having that reaction to you mentioning
• 38:33
  Speaker 3: a drinking what about what was done to me?
• 38:37
  Speaker 2: And then she just goes on about how it was
• 38:40
  Speaker 2: the lowest part for her life. Yeah, and Durry it's like, uh, right, yes,
• 38:49
  Speaker 2: you're against Sutton. Whatever you're saying, I agree, you know.
• 38:52
  Speaker 2: It's just like she just wanted to co sign no
• 38:54
  Speaker 2: matter what. Oh my gosh, so funny, you know. So
• 38:59
  Speaker 2: then we pop over to Sutton's house with Garcel and
• 39:02
  Speaker 2: they're having an opposite conversation about, you know, everything that
• 39:05
  Speaker 2: they're talking about at the Ericas, and they're laughing talking
• 39:08
  Speaker 2: about how Kathy was fashioned roadkill, and Garcel tells Sutton
• 39:13
  Speaker 2: about her lunch with Dart and then they're laughing at
• 39:17
  Speaker 2: They're like, well, how come you know Dart and Kyle
• 39:19
  Speaker 2: are like best friends again, and all this stuff. Well,
• 39:22
  Speaker 2: Garcel really takes to her confessionals and she will she'll
• 39:26
  Speaker 2: strip a bit, you know, she'll strip anyone left and right.
• 39:30
  Speaker 2: She doesn't care. She's gonna say it whether it's her
• 39:32
  Speaker 2: bestie or her enemy. And I have to respect that.
• 39:37
  Speaker 1: Hats off. Like she did get everyone all the way together,
• 39:41
  Speaker 1: and those confessionals.
• 39:42
  Speaker 2: Everything person she has checked down to their studs and
• 39:46
  Speaker 2: these confessionals.
• 39:49
  Speaker 1: It was important to just like, yeah, Sutton to get
• 39:55
  Speaker 1: clear about Sutton's thirst for Kyle was nice.
• 40:00
  Speaker 2: I mean it is. I didn't really clock it and
• 40:02
  Speaker 2: I needed right. She really put it together for us.
• 40:06
  Speaker 1: She did. She was like she says, you know, Kyle's
• 40:09
  Speaker 1: not going to do this, that and the other. And
• 40:11
  Speaker 1: Sutton's clearly afraid.
• 40:13
  Speaker 2: Wow, which says a lot, because she's not afraid of
• 40:17
  Speaker 2: much at all.
• 40:20
  Speaker 1: I mean, Sutton started out so strong this season and
• 40:25
  Speaker 1: I don't know, Amy Phillips, Yeah, it's started to feel
• 40:30
  Speaker 1: I'm worn down by it.
• 40:32
  Speaker 2: Yeah, I mean the Deirit and Sutton thing is ridiculous.
• 40:36
  Speaker 2: It's built on twigs and dust. I don't know what
• 40:41
  Speaker 2: we're talking about. I don't care at this point somehow
• 40:45
  Speaker 2: Dete's winning for me and I don't even know how
• 40:48
  Speaker 2: that's happening. Yeah, you know what I mean, right, Yes,
• 40:51
  Speaker 2: I don't even know how she got that win. It
• 40:53
  Speaker 2: was like no, somehow the ref was like, you know,
• 40:59
  Speaker 2: blew the whistle and was just like handed her the
• 41:01
  Speaker 2: ball and she's had the ball ever since. And here
• 41:05
  Speaker 2: we have Sutton just I don't know.
• 41:08
  Speaker 1: I think it's because like she's unbothered, is why she
• 41:13
  Speaker 1: has the win, Like Dorrit's not bothered by Sutton, and
• 41:17
  Speaker 1: Sutton is consumed with do so even with Dorrie calling
• 41:22
  Speaker 1: me poor, which is what she I'm sorry, Sutton calling
• 41:25
  Speaker 1: me poor, which is what she did. And you and
• 41:28
  Speaker 1: all the listeners and everyone we got we all got
• 41:31
  Speaker 1: slammed at that lunch. I'm still siding with Dorrie, you know?
• 41:40
  Speaker 1: Or does that make sense? It does? Wait? Does you
• 41:44
  Speaker 1: know that is why I'm siding with her? I lost
• 41:46
  Speaker 1: my way but because I lost, Yeah, forget that. But
• 41:53
  Speaker 1: but tea.
• 41:55
  Speaker 2: Team despite it all, despite it all, and you know,
• 42:01
  Speaker 2: basically they also mention about how they can't talk about
• 42:05
  Speaker 2: Garcel's like how come we can't say anything about Morgan?
• 42:08
  Speaker 2: And Sutton suggests maybe bringing up the Morgan at the
• 42:11
  Speaker 2: concert stuff and all that in a positive way so
• 42:14
  Speaker 2: as to not have her be reactive. And I actually
• 42:18
  Speaker 2: think that's a great idea, you know, I mean, you
• 42:20
  Speaker 2: should always approach somebody in that way, because you're never
• 42:24
  Speaker 2: going to get a good end result if you're going
• 42:26
  Speaker 2: to come at them and be like, why aren't you
• 42:27
  Speaker 2: telling us about Morgan? But then Garcel says, ah, kit gloves,
• 42:33
  Speaker 2: which is I was like, it's kid gloves. She said
• 42:38
  Speaker 2: kit didn't she?
• 42:40
  Speaker 1: You know, I let it. I accepted it. It is
• 42:44
  Speaker 1: kid gloves. But to say that so boldly on national
• 42:49
  Speaker 1: tell of it and it washed over me. But that's
• 42:52
  Speaker 1: really funny, and I was like.
• 42:53
  Speaker 2: Wait what But you know, I you know, sometimes some
• 42:56
  Speaker 2: people don't like we don't get we don't even know
• 42:59
  Speaker 2: what the expression is or what it means what happened.
• 43:02
  Speaker 2: But it is kid gloves.
• 43:05
  Speaker 1: It definitely is kid glob.
• 43:06
  Speaker 2: So but why don't we why don't we talk about
• 43:12
  Speaker 2: we we got to talk about Derey and PK at Drake's.
• 43:16
  Speaker 2: Oh yeah, okay. So they get welcomed in by the way,
• 43:20
  Speaker 2: they were like welcome in and it looks like the
• 43:23
  Speaker 2: same place they were last time. You know because they're
• 43:26
  Speaker 2: always in that you know, half Moon Booth from like
• 43:30
  Speaker 2: the sixties, I don't know, like just some lounge and
• 43:35
  Speaker 2: they're back somewhere. We're back in a half moon Yeah,
• 43:39
  Speaker 2: back in half Moon booth. And this is so wild,
• 43:43
  Speaker 2: Like Deanna, the circles that he's running around her are
• 43:48
  Speaker 2: unbelievable and I am just She's just sitting here going,
• 43:53
  Speaker 2: I just want an answer, did you mean it a
• 43:56
  Speaker 2: divorce or not? And him trying to spin this to
• 44:01
  Speaker 2: not telling her that he's going to divorce her, to
• 44:06
  Speaker 2: saying like if we could just be friends, we got
• 44:08
  Speaker 2: to work on a friendship first, and then if we're
• 44:11
  Speaker 2: like that for six months, then then we get a divorce.
• 44:15
  Speaker 2: It's like you just you're saying everything but saying you
• 44:19
  Speaker 2: want a divorce because you're trying to not have her
• 44:22
  Speaker 2: be angry at you and take you down with her lawyer.
• 44:29
  Speaker 2: He is trying so hard to suppress her by gaslighting
• 44:33
  Speaker 2: her and not telling her the truth. It is unbelievable.
• 44:39
  Speaker 2: Watching this right.
• 44:41
  Speaker 1: Gets me together. You're getting me together. Amy, Even though
• 44:44
  Speaker 1: I got I got that, I wouldn't be able to
• 44:47
  Speaker 1: articulate it like that. And your PK is startlingly good.
• 44:53
  Speaker 1: I'm kind of my hars kind of I felt like
• 44:57
  Speaker 1: I was getting told by PK something that was crazy.
• 45:01
  Speaker 2: He has brushed her off and he's just showing up
• 45:04
  Speaker 2: at this meeting because this is on the agenda and
• 45:08
  Speaker 2: the work he has to do to get what he
• 45:09
  Speaker 2: wants out of this divorce period. Dot. It's unbelievable the
• 45:14
  Speaker 2: words he was using. It was wild to watch this episode,
• 45:18
  Speaker 2: in particular seeing Kyle not wanting to really want to
• 45:22
  Speaker 2: lose their marriage and Dey both of them equally gone
• 45:27
  Speaker 2: so gone.
• 45:28
  Speaker 1: Never seen two men so gone, like gone, baby gone.
• 45:33
  Speaker 1: They are not here, They're not in the building.
• 45:36
  Speaker 2: And willing to show up to say that they're gone,
• 45:39
  Speaker 2: and they're.
• 45:40
  Speaker 1: Like, Hi, yeah, Mike me up, I'm done. Yeah, you
• 45:43
  Speaker 1: know right right up. He really got her and manipulated
• 45:52
  Speaker 1: her when he said you're my best fucking mate. Oh
• 45:55
  Speaker 1: you saw that hit.
• 45:57
  Speaker 2: Yep, which means you're not telling me that you're the
• 46:00
  Speaker 2: love of my life and the mother of my children
• 46:03
  Speaker 2: and you want to fight for our marriage. That's not
• 46:04
  Speaker 2: at all what you're saying. You're saying you're my best
• 46:08
  Speaker 2: friend and I need you to behave yourself right. So
• 46:12
  Speaker 2: that we can have shared custody and you won't take
• 46:16
  Speaker 2: me to the cleaners and take everything I've got and
• 46:19
  Speaker 2: get whatever that whole custody. She wants to know, like
• 46:23
  Speaker 2: why he sent this email, and he's like, oh, we're
• 46:25
  Speaker 2: going to talk about you know what you're saying in
• 46:28
  Speaker 2: the email, or we're going to talk about only part
• 46:30
  Speaker 2: of it, or how you made me feel, because if
• 46:35
  Speaker 2: we don't resolve this, you know, we're not gonna it's
• 46:39
  Speaker 2: not going to end well. And that's what I'm saying
• 46:41
  Speaker 2: in this email. If we don't get this together, we're
• 46:43
  Speaker 2: gonna it's not going to be good. And then she's like, well,
• 46:47
  Speaker 2: but you told me to get a lawyer. And he's
• 46:49
  Speaker 2: like because we got communicate and she's like, well, I'm
• 46:52
  Speaker 2: trying to communicate with you, yeah, but you need to
• 46:55
  Speaker 2: get a lawyer. It's like, well, why would I get
• 46:57
  Speaker 2: a lawyer if it's not a divorce. You know, he's
• 46:59
  Speaker 2: just continue to put he up against a what And
• 47:02
  Speaker 2: she's like, but you retained a lawyer and you're like,
• 47:04
  Speaker 2: a way before I even knew that was even a possibility,
• 47:07
  Speaker 2: or one hundred steps ahead of me, did you at
• 47:09
  Speaker 2: any point want a divorce. I mean, she is asking
• 47:11
  Speaker 2: the right questions and he is just skirting around, saying like, uh,
• 47:16
  Speaker 2: you know, can end a marriage rather you know, you know,
• 47:19
  Speaker 2: you don't bring out the best in me. So that's
• 47:21
  Speaker 2: why it's ending, Deree, you bring out the worst in me.
• 47:25
  Speaker 2: So the thing is, you've got to be a friend.
• 47:29
  Speaker 2: We've got a coult parent. We gotta keep got to
• 47:31
  Speaker 2: keep it loving and kind. We have to, you know,
• 47:33
  Speaker 2: work for the relationship. We've got to get back and
• 47:36
  Speaker 2: we gotta find that friendship again so we can be
• 47:38
  Speaker 2: two people living two separate lives, not married. So are
• 47:44
  Speaker 2: you saying you want a divorce? I'm saying we've got
• 47:47
  Speaker 2: to be Dori. Are you listening. I'm saying we've got
• 47:50
  Speaker 2: to be best friends. We've got to be mates. But
• 47:53
  Speaker 2: are you saying a divorce and we live separately and Dori,
• 47:58
  Speaker 2: we don't get it together, it's gonna end badly. Do
• 48:02
  Speaker 2: you hear me. I'm gonna send another email. I'm gonna
• 48:05
  Speaker 2: get another booth. I'm gonna get another phone in the
• 48:07
  Speaker 2: GRONI We're gonna go in that booth. We're gonna talk
• 48:11
  Speaker 2: about again. It's not working. To read this see this
• 48:14
  Speaker 2: this is the worst to me. If you want the
• 48:17
  Speaker 2: best of me, you won't take any of my money,
• 48:20
  Speaker 2: you won't take my kids, you won't take my house.
• 48:23
  Speaker 2: I'm living in an apartment. Do you know how humbling
• 48:26
  Speaker 2: that is for bloke like me trying to take ladies
• 48:29
  Speaker 2: back to a little apartment. It's horrible to read. So
• 48:33
  Speaker 2: are you saying we should be living separately and be
• 48:37
  Speaker 2: seeing other people to read? You're making a mockery of
• 48:40
  Speaker 2: my words. That's what it felt like.
• 48:44
  Speaker 1: Wow, Amy, this is like award winning. Thank you so
• 48:49
  Speaker 1: much for that show. Thank you for that show. I
• 48:53
  Speaker 1: needed it. You have got Peakey down his psycle, not
• 49:00
  Speaker 1: only the impression, but you really have his whole stikla down,
• 49:06
  Speaker 1: like what he's trying to pull here.
• 49:07
  Speaker 2: Now we see how he does business, you know what
• 49:10
  Speaker 2: I mean? Like that's how he does business.
• 49:14
  Speaker 1: Jerie looked very beautiful in that scene, and I will say,
• 49:18
  Speaker 1: coulduce to her for that? You know whether she she
• 49:22
  Speaker 1: has no sense of what's going on, but she did
• 49:25
  Speaker 1: look quite beautiful.
• 49:26
  Speaker 2: And honestly, can you blame her now? I mean, after
• 49:29
  Speaker 2: we saw this, can you blame her? She's in a
• 49:31
  Speaker 2: freaking tornado. Pique Tornado. He's wishing her around, and that's
• 49:34
  Speaker 2: why she needs friends like Erica to say to her
• 49:38
  Speaker 2: and bows and that must No, he's saying this, he's
• 49:43
  Speaker 2: telling you this, but he's actually saying this. You need
• 49:46
  Speaker 2: to read between the lines, and that's where she's just
• 49:49
  Speaker 2: getting boumboozled.
• 49:50
  Speaker 1: So, I mean, it just does also seem like how
• 49:56
  Speaker 1: why does she want to be with him?
• 49:58
  Speaker 2: But I know, put that over the side, you know. Yeah,
• 50:01
  Speaker 2: I have a lot of questions about that. I guess
• 50:03
  Speaker 2: we'll deal with that another time. But yeah, why don't
• 50:06
  Speaker 2: we talk about their travel day and you know, going
• 50:09
  Speaker 2: to Saint Lucia and obviously they're all going to get
• 50:12
  Speaker 2: there going in different places from different areas because Kathy's
• 50:16
  Speaker 2: going to fly private. I'm guessing because she wasn't on
• 50:18
  Speaker 2: that plane with them, right or was she?
• 50:20
  Speaker 1: I couldn't figure it out her with the laundry and
• 50:24
  Speaker 1: the laundry bags, no brazier, I mean, no undergarment mood whatsoever.
• 50:29
  Speaker 2: And it's very see through for her.
• 50:32
  Speaker 1: This is what you get to do when you're Kathy
• 50:35
  Speaker 1: Goddamn Hilton. You hit a point where you're titty going
• 50:38
  Speaker 1: to be out in a moon moot with laundry bats
• 50:41
  Speaker 1: and that's great. It's something to aspire to.
• 50:46
  Speaker 2: Quite frankly, you guys, she literally had a sack like
• 50:51
  Speaker 2: a white linen sack sack with a string as a
• 50:57
  Speaker 2: as a carrier around her shoulder that looked like it
• 51:00
  Speaker 2: was stuff with sheets coming off of that plane. Good,
• 51:05
  Speaker 2: you know, now what's going? What is she doing? You
• 51:08
  Speaker 2: gotta love it? And then Kathy uh, and then Jennifer
• 51:12
  Speaker 2: with her designer luggage and that vintage jewelry case that
• 51:17
  Speaker 2: Erica Jane could not get over salivating.
• 51:21
  Speaker 1: We do need those two to have like a lunch
• 51:24
  Speaker 1: or something, or Erica just to go over to Tilly's
• 51:26
  Speaker 1: house and do a one on one.
• 51:28
  Speaker 2: I hope that they can connect further, because they really do.
• 51:31
  Speaker 2: I mean, if Erica could wear Jennifer Tilly's skin, I
• 51:34
  Speaker 2: think she would because you know, she is just chomping
• 51:37
  Speaker 2: at the bed because the way that she has this
• 51:39
  Speaker 2: stuff is amazing.
• 51:41
  Speaker 1: She really can. You know, it's it's her former life
• 51:46
  Speaker 1: and it's crazy. It is crazy to watch.
• 51:49
  Speaker 2: It is Deanna. It is so Sutton uh wait no, sorry,
• 51:55
  Speaker 2: so Saint Lucia and not sudden Saint Lucia. Bo's is like,
• 51:59
  Speaker 2: this was a funny edit from the producers. She's like,
• 52:02
  Speaker 2: We've got the ocean, We've got a band, we have
• 52:04
  Speaker 2: delicious cocktails. Cut to Sutton drinking because it's like not
• 52:08
  Speaker 2: only the drinking thing, but she hated those drinks at
• 52:12
  Speaker 2: Duri's house.
• 52:13
  Speaker 1: Remember, Yeah.
• 52:15
  Speaker 2: And then we get the room assignments, and now Jennifer
• 52:18
  Speaker 2: is like, has to share a bed with Sutton, and
• 52:21
  Speaker 2: she has this great confessional at the end where we
• 52:24
  Speaker 2: learn a lot about her. But she describes Sutton waking
• 52:28
  Speaker 2: up with a jolt like yelling, I got you know,
• 52:31
  Speaker 2: And I was like, oh, that's me. I'm like, yeah,
• 52:33
  Speaker 2: that's kind of like what I do. So Suttin I
• 52:35
  Speaker 2: have that in common, which is terrifying. But then we
• 52:40
  Speaker 2: have this entire this is a commercial for this hotel.
• 52:45
  Speaker 2: Erica starts the commercial in her confessional, She's.
• 52:47
  Speaker 3: Like, everything is so fabulous at the Lynn Jammer. Yes,
• 52:52
  Speaker 3: I mean Kathy Hilton's trips, I mean wow, Bose is
• 52:55
  Speaker 3: giving her run for money.
• 52:57
  Speaker 2: Wow. And then you go in and then Kathy's look
• 53:00
  Speaker 2: at these bar stools. And then they walk out. Kathy's
• 53:04
  Speaker 2: and Kelly's like, look at this pool, and even Sutton's like, wow,
• 53:08
  Speaker 2: this view.
• 53:10
  Speaker 1: I mean it was gorgeous.
• 53:12
  Speaker 2: No, I know, but these types of ads, to me,
• 53:16
  Speaker 2: I can't figure out. It feels like Kathy is behind
• 53:19
  Speaker 2: them because they're never this obvious and I just don't
• 53:22
  Speaker 2: understand why. But I do. I do love spotting it.
• 53:25
  Speaker 2: That's what I like about it.
• 53:26
  Speaker 1: Well, forget that she runs the she's part of She's
• 53:30
  Speaker 1: at the top of the Hilton Fortune, you know what
• 53:33
  Speaker 1: I mean, like right the hotel.
• 53:36
  Speaker 2: We have to just yeah, we have to.
• 53:38
  Speaker 1: I have to keep that in mind.
• 53:40
  Speaker 2: But Kathy's always popping in with ads.
• 53:42
  Speaker 1: You know.
• 53:42
  Speaker 2: That's like she's whether it's pajamas or you know, who knows. Okay, So,
• 53:47
  Speaker 2: by the way, her packing unpacking those enormous tabula jars.
• 53:54
  Speaker 1: Needed it, wanted, wanted zomans. I was like, can I
• 53:57
  Speaker 1: get I need to see, like I need more time
• 54:01
  Speaker 1: with this.
• 54:02
  Speaker 2: Yes, Like truly it was amazing, just full glass jars.
• 54:08
  Speaker 2: I mean it was great. It was so so c just.
• 54:12
  Speaker 1: Like clank, just everything.
• 54:14
  Speaker 2: Cereum's hair lotions loved it and like a pair of
• 54:16
  Speaker 2: white boots that did not look like they were.
• 54:19
  Speaker 1: Hers hers, No, those are not hers. She can't make
• 54:23
  Speaker 1: your way in those I.
• 54:24
  Speaker 2: Grab Paris's boots by accident, you know, like, what are
• 54:27
  Speaker 2: they doing?
• 54:28
  Speaker 1: Yes, I don't They must have been Kyle's. They had
• 54:32
  Speaker 1: to have been.
• 54:34
  Speaker 2: So Jennifer's candy explodes in her bag and I did
• 54:38
  Speaker 2: have to like really appreciate her being like, oh no,
• 54:41
  Speaker 2: mister Bell and just like an old reference, you know,
• 54:46
  Speaker 2: from like SNL or whatever. She in this confessional talking
• 54:51
  Speaker 2: about her life about how she was felt like she
• 54:54
  Speaker 2: was the weird kid and she wanted to be part
• 54:56
  Speaker 2: of the popular group and she was wearing I can
• 55:00
  Speaker 2: hand clothes and a hippie just her opening up it
• 55:03
  Speaker 2: was very sweet. And then calling out that this group
• 55:07
  Speaker 2: is very clicky and it's hard to crack was a
• 55:10
  Speaker 2: great moment from her.
• 55:12
  Speaker 1: We needed it, We needed to kind of drop in
• 55:15
  Speaker 1: with her on a real level, and this was good.
• 55:18
  Speaker 1: It was good insight.
• 55:20
  Speaker 2: It was I feel like that was it was perfect
• 55:23
  Speaker 2: for where they put it, you know. So I'm glad
• 55:25
  Speaker 2: that we kind of, you know, landed in with her
• 55:27
  Speaker 2: and that was nice. And then Sutton towards the end
• 55:30
  Speaker 2: here when they're in the room talking with Garcel and Jennifer,
• 55:33
  Speaker 2: Sutton says that you know, you like this being a
• 55:37
  Speaker 2: really long rode with these girls. Garcel is the only
• 55:39
  Speaker 2: one that supports her, and that even Kyle won't say
• 55:42
  Speaker 2: stick up for her when it's like her and Deurite
• 55:46
  Speaker 2: arguing Kyle's like enough you too, you know, like their kids,
• 55:50
  Speaker 2: instead of being like Drete, that's too much, And of
• 55:54
  Speaker 2: course Garcel calls it out. You know, that's the million
• 55:57
  Speaker 2: dollar question. Why does Sutton stick up for Kyle and
• 55:58
  Speaker 2: Kyle doesn't for her? I mean, I definitely think that
• 56:02
  Speaker 2: Kyle sees Derate and Sutton on equal playing grounds and
• 56:06
  Speaker 2: she's like, you guys are both wacky, so stop it.
• 56:11
  Speaker 2: She also doesn't have the bandwidth this season to really
• 56:14
  Speaker 2: take up for Sutton, and I don't blame her and
• 56:17
  Speaker 2: Sutton if she's gonna have a problem with Kyle this season,
• 56:20
  Speaker 2: I would say, your timing is all off, you know,
• 56:23
  Speaker 2: come back next year and deal with that.
• 56:26
  Speaker 1: Right.
• 56:26
  Speaker 2: What are your thoughts?
• 56:28
  Speaker 1: I agree one hundred percent. Yeah, it's not the time,
• 56:32
  Speaker 1: nor is it the place, nor do we like it's
• 56:36
  Speaker 1: been too much with the Deret Sutton anyway, and she's
• 56:41
  Speaker 1: been wrong several times, so yeah, girl.
• 56:45
  Speaker 2: Very And then lastly, before we wrap this up, when
• 56:50
  Speaker 2: Deret was talking to Erica and Bose and talking about
• 56:56
  Speaker 2: how she and Sutton haven't said to words to each other,
• 57:00
  Speaker 2: and she's explaining how she knows when Sutton is going
• 57:03
  Speaker 2: to be coming for her. She knows that look and
• 57:07
  Speaker 2: she can see her. And this is like one of
• 57:09
  Speaker 2: my favorite things in the world. When Dury goes into
• 57:11
  Speaker 2: a character, when she starts to talk, talk like the
• 57:15
  Speaker 2: other person. It is the funniest thing I've ever seen.
• 57:18
  Speaker 1: So good. It's so good.
• 57:20
  Speaker 2: I have like a little clip. I'm gonna just play
• 57:22
  Speaker 2: it for you.
• 57:27
  Speaker 3: Have been a bad.
• 57:28
  Speaker 4: Girl's so bizarre, you know, it really is so bizarre.
• 57:38
  Speaker 1: I don't know, but the essence is correct.
• 57:41
  Speaker 2: You're right. But she when she steps out of her character,
• 57:46
  Speaker 2: it's jarring because you don't think she can do anything
• 57:49
  Speaker 2: other than talking like this and like that and like this.
• 57:52
  Speaker 2: She's always so measured, and so when she pops out
• 57:56
  Speaker 2: like that one time she came for Sutton, I don't
• 57:59
  Speaker 2: remember the big and Sutton's like, well, I don't know
• 58:04
  Speaker 2: who you think you are. And then Jerie it's like,
• 58:07
  Speaker 2: well I don't know who you think you are, like.
• 58:09
  Speaker 1: She mocked her.
• 58:09
  Speaker 2: It was like the funniest thing I've ever seen, because
• 58:12
  Speaker 2: it's so unlike her to do anything like that, And
• 58:15
  Speaker 2: I wish we could have a little montage of all
• 58:19
  Speaker 2: the times that she's done these things because they're so
• 58:21
  Speaker 2: bizarre and so funny.
• 58:22
  Speaker 1: So, yeah, she doesn't have like a great person, She's
• 58:26
  Speaker 1: not funny per se, right, but these things are hilarious
• 58:32
  Speaker 1: and it shows a funny side to her that we
• 58:36
  Speaker 1: never She's not a humorous person.
• 58:39
  Speaker 2: Right, It's like, oh, you can act, you know, you
• 58:41
  Speaker 2: can actually kind of act and become a different character.
• 58:45
  Speaker 2: Fully have many pushed.
• 58:46
  Speaker 1: To the brank, and then she can find it.
• 58:49
  Speaker 2: You know, you can see her doing a technique, like
• 58:52
  Speaker 2: she really gets into the character she's thinking about that.
• 58:55
  Speaker 2: You know. It's like, that's what my process looks like.
• 58:58
  Speaker 2: Like what right?
• 59:00
  Speaker 1: Fun? Yes?
• 59:02
  Speaker 2: Anyway, all right, Well that's a wrap on Beverly Hills.
• 59:05
  Speaker 2: Diana Chang, thank you so much.
• 59:08
  Speaker 1: Thank you everyone.
• 59:09
  Speaker 2: Get on over to Deanna Chang dot com and everything's there,
• 59:12
  Speaker 2: her substack, How to Be Less Old, the Montage Queen,
• 59:16
  Speaker 2: and of course follow and subscribe over to Patreon dot com.
• 59:20
  Speaker 2: Slash Drama Darling, lots of stuff over there, guys, below
• 59:24
  Speaker 2: deck down under Low dish all kinds of Southern charms
• 59:29
  Speaker 2: gonna be over their summerhouse. Bye for now.