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Pablo's Rhino – Act Three · Table Read

• 0:06
  Speaker 1: Three clueless friends and a guy's trip to Columbia accidentally
• 0:10
  Speaker 1: kill Pablo Escobar's beloved pet Rhino, luring the notorious drug
• 0:14
  Speaker 1: lord out of hiding after years of being presumed dead.
• 0:17
  Speaker 1: Now they have just two days to replace it or
• 0:21
  Speaker 1: face Pablo's wrath.
• 0:24
  Speaker 2: Ah, it's a cool shit.
• 0:26
  Speaker 3: Okay, Okay, here we go.
• 0:30
  Speaker 4: Bablo doesn't just let them off easy. No no, no, no.
• 0:34
  Speaker 4: He drops them out in the middle of nowhere and
• 0:36
  Speaker 4: gives them an ultimatum. You have two days to replace
• 0:40
  Speaker 4: my preciures right now, or I eat your face. The
• 0:45
  Speaker 4: bottles are crazy, and for extra motivation, he's holding that
• 0:52
  Speaker 4: Copa Charlie, sweet Little Crush as collateral.
• 0:56
  Speaker 5: Keeps things interesting.
• 0:58
  Speaker 1: No victim whimpers, Cartel guy spends the chamber one last
• 1:03
  Speaker 1: time silence.
• 1:05
  Speaker 4: Now, with this little delivery, you get them back on
• 1:08
  Speaker 4: Pablo's good site. Or have they just brought themselves one
• 1:12
  Speaker 4: step closer to the grave.
• 1:15
  Speaker 1: Let's listen the deafening click of the trigger followed by
• 1:19
  Speaker 1: a gun show oops. Act three exterior Columbian Pueblo day.
• 1:29
  Speaker 1: Dirty street children play outside ramshackle buildings. Hardworking men walk
• 1:34
  Speaker 1: by pushing wooden carts laden with scraps of metal. Women
• 1:38
  Speaker 1: hang close out to dry and gab as they pick
• 1:40
  Speaker 1: through beans for the day's meal. A van pulls up
• 1:43
  Speaker 1: and tosses Charlie, Marcus, and Sam out before taking off
• 1:46
  Speaker 1: in a cloud of dust. Everyone on the street stops
• 1:49
  Speaker 1: with sudden interest. Two seconds later, another van pulls up.
• 1:53
  Speaker 1: Martinez and Knowles hop out, grab Marcus, Charlie and Sam
• 1:57
  Speaker 1: and throw black hoods over their heads. Squeals like a girl.
• 2:01
  Speaker 1: Knowles punches him out and throws them all in the
• 2:03
  Speaker 1: truck and takes off. Everyone in the street turns back
• 2:06
  Speaker 1: to what they were doing, as if this were a
• 2:08
  Speaker 1: common occurrence. Interior scusy hotel room night Noles finishes tying
• 2:14
  Speaker 1: up Marcus and Sam to a couple of chairs. He
• 2:17
  Speaker 1: crosses the room and exits through an adjoining door. Marcus
• 2:21
  Speaker 1: and Sam wriggle and moan through their gags, wondering what
• 2:23
  Speaker 1: the hell is going on outside. Through the wall, we
• 2:26
  Speaker 1: can hear some major partying going on, like where it's
• 2:29
  Speaker 1: some kind of frat house.
• 2:31
  Speaker 3: Interior adjoining room continuous.
• 2:34
  Speaker 1: Charlie is tied up in this room, also blindfolded and gagged.
• 2:37
  Speaker 1: Martinez stands behind him.
• 2:40
  Speaker 5: All right, they're not going anywhere.
• 2:43
  Speaker 6: What the fuck is going on out there?
• 2:46
  Speaker 5: Potus is in country. Some of the Secret Service douches
• 2:50
  Speaker 5: are on a bender.
• 2:51
  Speaker 7: Christ again, why don't they use their own safehouse? We
• 2:55
  Speaker 7: take bullets all the time. That never stops us from
• 2:57
  Speaker 7: being professionals.
• 2:58
  Speaker 5: Should I say something?
• 3:00
  Speaker 6: Let's just get this over with.
• 3:01
  Speaker 3: Knowles pulls off Charlie's hood.
• 3:04
  Speaker 5: Tell us what we want to know, and maybe we'll
• 3:07
  Speaker 5: let you live.
• 3:11
  Speaker 3: Charlie doesn't understand. What are you doing.
• 3:14
  Speaker 5: Disguising my voice?
• 3:16
  Speaker 6: He can't see us, He doesn't even.
• 3:19
  Speaker 3: Through the walls.
• 3:19
  Speaker 1: We hear more chanting and some random gunfire, followed by
• 3:22
  Speaker 1: more cheering.
• 3:23
  Speaker 6: That's it, how's anyone supposed to work like this?
• 3:26
  Speaker 3: No let me.
• 3:28
  Speaker 1: Martinez opens the door to the hall and sticks his
• 3:31
  Speaker 1: head out.
• 3:32
  Speaker 5: Hey guys, guys, a little professional courtesy. Some of us
• 3:38
  Speaker 5: are trying to work in here.
• 3:43
  Speaker 1: Someone chucks a plastic cup of beer at Martinez's face,
• 3:46
  Speaker 1: soaking him.
• 3:47
  Speaker 3: Thank you to Knowles.
• 3:49
  Speaker 5: We should be good now, All right, Charlie, I'm not
• 3:54
  Speaker 5: take off the hood, but if you scream, I start
• 3:57
  Speaker 5: pulling fingernails.
• 3:59
  Speaker 6: Clear Wait, wouldn't that just make him scream even.
• 4:03
  Speaker 1: More whyever, he gets the point, Knowles waves him off.
• 4:07
  Speaker 1: Martinez removes Charlie's gag.
• 4:10
  Speaker 6: What are you doing in Colombia?
• 4:12
  Speaker 3: I'm on vacation. Martinez flicks Charlie's ear.
• 4:15
  Speaker 7: Hey, try it again, what are you doing in Colombia?
• 4:21
  Speaker 8: No?
• 4:21
  Speaker 3: No, no, seriously, I'm on vacation. Knowles turns to Martinez
• 4:26
  Speaker 3: out of ideas.
• 4:28
  Speaker 5: I got nothing. Guy's a steel trap. I've never tortured
• 4:32
  Speaker 5: anyone before. Should we boil water and tear some bed sheets?
• 4:36
  Speaker 6: Only if he's pregnant?
• 4:37
  Speaker 3: Okay, look, maybe it would help.
• 4:39
  Speaker 9: Speed things along if you just told me who you
• 4:41
  Speaker 9: are and what you want.
• 4:43
  Speaker 3: They exchange a look shrug. It's toward the shot.
• 4:48
  Speaker 5: On Special Agent Martinez, and this is special Agent Noles
• 4:51
  Speaker 5: where with the Drug Enforcement Administration.
• 4:54
  Speaker 3: A wave of relief washes over Charlie.
• 4:56
  Speaker 9: Oh thank god. Okay, look, my friend and I are
• 5:00
  Speaker 9: American citizens. You gotta help us. We were kidnapped by
• 5:04
  Speaker 9: Pablo Escobar. He's still holding one of our friend's hostage.
• 5:09
  Speaker 3: Hold on.
• 5:11
  Speaker 5: Pablo Escobar has been dead for ten years.
• 5:14
  Speaker 1: Suddenly, a secret Service agent bursts in his sucking face
• 5:17
  Speaker 1: with a prostitute, oblivious of everyone else in the room seriously.
• 5:22
  Speaker 1: Noles grabs a dry humping couple and guides them through
• 5:24
  Speaker 1: to the adjoining room, where Marcus and Samar.
• 5:28
  Speaker 6: Sorry about that, where were we?
• 5:30
  Speaker 9: Okay, listen, he's not dead. He's been hiding this entire time.
• 5:34
  Speaker 9: If I don't wear places h nosris in two days,
• 5:36
  Speaker 9: here's going to eat my family.
• 5:39
  Speaker 1: Martinez looks over at Noles and nods. Knowles takes out
• 5:43
  Speaker 1: a photo of Escobar.
• 5:44
  Speaker 6: Yeah, that sounds like a zimo.
• 5:47
  Speaker 5: Is this the man you met?
• 5:49
  Speaker 9: Well he's older now, but yeah, that's him. You're sure, Yes,
• 5:53
  Speaker 9: that is Pablo Escobar.
• 5:56
  Speaker 1: Noles and Martinez give each other a solemn nod, then
• 5:59
  Speaker 1: behind Charlie's to view do a quick happy dance.
• 6:04
  Speaker 7: The man you met may have been an imposter. Escobar
• 6:07
  Speaker 7: was known and keep severalbody doubles on hand. That's how
• 6:10
  Speaker 7: he was rumored to fake his death in the first place.
• 6:13
  Speaker 9: Well, whoever it was, If I don't give him what
• 6:15
  Speaker 9: he wants, he is going to kill me and everyone
• 6:18
  Speaker 9: I know.
• 6:19
  Speaker 5: Men, you must have really pissed him off to bring
• 6:23
  Speaker 5: him out of id.
• 6:24
  Speaker 1: Some intense sex sounds are starting to build in the
• 6:26
  Speaker 1: next room. Martinez and Noles try to ignore it.
• 6:29
  Speaker 3: Can't you just go and arrest him? Oh?
• 6:31
  Speaker 7: Sure, you want to write down as a dress for us,
• 6:33
  Speaker 7: and we'll get right on it.
• 6:35
  Speaker 1: Off screen, the sex noises start to intensify.
• 6:38
  Speaker 3: It. It's starting to really get under Martinez his skin.
• 6:41
  Speaker 3: They had a bag over my head.
• 6:43
  Speaker 6: Not so easy, then, is it, smart guy, He's.
• 6:46
  Speaker 5: Like a Colombian yetti.
• 6:48
  Speaker 3: No one's ever gotten.
• 6:49
  Speaker 5: This close to him and lived to tell about it.
• 6:52
  Speaker 3: We need you to lead us to him like bait.
• 6:56
  Speaker 3: Oh no, no, no, no, I don't think so.
• 6:57
  Speaker 1: The off screen orgasm builds to an earth shattering crescendo. Look, Charlie,
• 7:04
  Speaker 1: you guys are in pauses for the final scream for.
• 7:06
  Speaker 5: The love of God, finish already.
• 7:10
  Speaker 1: The secret service officer in the prostitute exit the room,
• 7:13
  Speaker 1: not even noticing Charlie. Sam and Marcus can be heard
• 7:16
  Speaker 1: crying in the other room.
• 7:20
  Speaker 7: We could lock all of you up right now for
• 7:21
  Speaker 7: money laundering, trafficking, jaywalking, anything we want.
• 7:24
  Speaker 3: Martinez crosses to get in Charlie's face.
• 7:28
  Speaker 5: It doesn't even have to be real. This is Columbia.
• 7:32
  Speaker 5: Son accidents happen all them.
• 7:35
  Speaker 1: Stubs, his toe, mother, cocksuckers, shit locking, Oh my god,
• 7:41
  Speaker 1: I think I think.
• 7:43
  Speaker 3: I broke the nail. Martinez stumbles around the room in
• 7:48
  Speaker 3: agaty okay? Can we focus? What do you want me
• 7:51
  Speaker 3: to do?
• 7:52
  Speaker 6: Carry on like everything is normal normal?
• 7:55
  Speaker 3: Can't you guys just give me a rhino?
• 7:58
  Speaker 9: Shit?
• 7:58
  Speaker 3: But what do we look like?
• 7:59
  Speaker 5: The animal keeping people?
• 8:04
  Speaker 3: You believe this guy?
• 8:06
  Speaker 7: Understand this escobo has eyes everywhere. He has to believe
• 8:10
  Speaker 7: you are completing his little test.
• 8:12
  Speaker 3: And what drop by rhino? Martin asks for one rhino
• 8:15
  Speaker 3: to go?
• 8:15
  Speaker 6: Should have thought of that before you murdered the man's pet.
• 8:17
  Speaker 5: And don't tell anyone about this. Meeting Charlie or finding
• 8:21
  Speaker 5: a rhino will be the least of your worries.
• 8:24
  Speaker 9: Seriously, that's your plan. Sit back and watch. Oh my god,
• 8:29
  Speaker 9: you guys are the worst, fucking.
• 8:30
  Speaker 6: The words you're looking for is civil servant.
• 8:35
  Speaker 1: Martinez replaces the tape over Charlie's mouth as Knowles brings
• 8:38
  Speaker 1: down the hood over his head.
• 8:40
  Speaker 3: Exterior, Columbian Village day.
• 8:43
  Speaker 1: A truck pulls up and tosses the guys out before
• 8:45
  Speaker 1: leaving them once again in a cloud of dust. They
• 8:48
  Speaker 1: get up, slowly, dust themselves off, and without a word,
• 8:51
  Speaker 1: stumble into interior cantina day. They take a seat at
• 8:56
  Speaker 1: the bar. The bartender pours them ea to drink like
• 8:59
  Speaker 1: he was expected them. The canteena is otherwise empty, asigdn
• 9:02
  Speaker 1: from an old drunk passed out at the other end.
• 9:05
  Speaker 1: No one speaks for a good long beat till Sam
• 9:08
  Speaker 1: breaks the silence.
• 9:10
  Speaker 3: Okay, what the actual thought was that? I think it
• 9:14
  Speaker 3: was like a wrong number or something. Kidnapped, brought to
• 9:18
  Speaker 3: an orgy which we don't.
• 9:19
  Speaker 10: Even get to participate in, then dumped back in the
• 9:22
  Speaker 10: anus of nowhere.
• 9:23
  Speaker 6: We still have no clue how.
• 9:25
  Speaker 3: The moving on perfect.
• 9:34
  Speaker 10: Kidnapped, brought to an orgy which we don't even get
• 9:37
  Speaker 10: to participate in, and then dumped back in the anus
• 9:40
  Speaker 10: of nowhere, where we still have no clue.
• 9:41
  Speaker 3: How the hell we're supposed to find another rhinoceros in Columbia.
• 9:45
  Speaker 11: Yes, Charlie, pray, tell, what is this brilliant plan of yours?
• 9:49
  Speaker 3: Whoa whoa, whoa whoa my plan? Why all of a
• 9:52
  Speaker 3: sudden is it my plan?
• 9:54
  Speaker 10: Anyone who didn't promise Pablo Escobar new rhinoceros?
• 9:57
  Speaker 3: Raise your hand.
• 9:58
  Speaker 1: Everyone in the bar besides including the past out drunk,
• 10:02
  Speaker 1: raises their hands.
• 10:04
  Speaker 3: We're not actually doing that? Are we Uh no.
• 10:07
  Speaker 9: Okay, are you fucking kidding me? We can't just leave.
• 10:10
  Speaker 9: We's here with that maniac. Look, none of us would
• 10:13
  Speaker 9: even be in this mess in the first place if
• 10:15
  Speaker 9: Marcus didn't bring us down here to be extorted by
• 10:18
  Speaker 9: drug dealers.
• 10:19
  Speaker 3: Oh well, excuse me, mister midlife crisis. I'm sorry if
• 10:22
  Speaker 3: this doesn't live.
• 10:23
  Speaker 2: Up to your big shot accountant life of excitement.
• 10:26
  Speaker 3: Wait, I have an idea.
• 10:28
  Speaker 1: Charlie downs's drink and taps his glass for a top of.
• 10:31
  Speaker 3: We should have stayed in prison. At least we would
• 10:33
  Speaker 3: have been safe behind bars. Or not, we should have
• 10:35
  Speaker 3: stayed home. That way we would be saved.
• 10:38
  Speaker 2: At whole, A whole life is safe. You wrote eight
• 10:40
  Speaker 2: books about taking.
• 10:41
  Speaker 3: Zero rests as opposed to you.
• 10:44
  Speaker 9: My daddy left me money, so I nevery day they
• 10:46
  Speaker 9: grow up, Well, why don't we get arrested?
• 10:49
  Speaker 3: So they just put us.
• 10:50
  Speaker 2: Back in jail.
• 10:51
  Speaker 3: Marcus and Charlie both stop and turned to Sam. Sam
• 10:55
  Speaker 3: your genius? What that is a stupid idea? A better
• 10:59
  Speaker 3: idea would well, okay, we'll need to commit a crime.
• 11:03
  Speaker 2: Okay, okay, okay, okay, okay, uh.
• 11:06
  Speaker 3: Like, what what are you talking about here. Uh, maybe
• 11:08
  Speaker 3: off a hobo.
• 11:10
  Speaker 1: Marcus nudges his head in the direction of the drunk
• 11:12
  Speaker 1: guy at the end of the bar. What no, you morons,
• 11:16
  Speaker 1: they've stopped listening to him altogether.
• 11:18
  Speaker 11: Okay, it should be something minor, so they hold us
• 11:20
  Speaker 11: long enough, but not too long.
• 11:22
  Speaker 6: I can't I can't do hard time. Maybe just soft
• 11:24
  Speaker 6: court time.
• 11:25
  Speaker 3: Right right right, right, right, right right right. Maybe Uh
• 11:27
  Speaker 3: we could shoplift something small.
• 11:29
  Speaker 1: Marcus tries in diostreetly to swipe the ashtray off the bar, but.
• 11:32
  Speaker 3: It's glued down.
• 11:33
  Speaker 9: Woo.
• 11:34
  Speaker 11: How about we all whip them out and wait at
• 11:36
  Speaker 11: the school kids for a good old public in decency charge.
• 11:39
  Speaker 3: Seriously, guys, I know where we can find.
• 11:41
  Speaker 10: Oh, I can get plenty in decent Wait is that
• 11:43
  Speaker 10: even a crime in this country?
• 11:45
  Speaker 3: Guys? The old drunk at the end of the bar
• 11:47
  Speaker 3: lifts his head long enough to speak as Meal Myers things,
• 11:51
  Speaker 3: a lohico, you gotta look at you.
• 11:55
  Speaker 1: The old drunk slumps his head back down. They look
• 11:58
  Speaker 1: at the bartender confused.
• 12:02
  Speaker 3: Oh do we not have a bartender?
• 12:03
  Speaker 4: Congratulations, you say, why don't you go to the zoo
• 12:10
  Speaker 4: and Kelly and just think what you want?
• 12:13
  Speaker 3: Papa Sancho makes a good point.
• 12:17
  Speaker 10: I'm not gonna let a little thing like a four
• 12:20
  Speaker 10: ton rhino stand in the way of my dreams.
• 12:22
  Speaker 3: That's what I was trying to say.
• 12:25
  Speaker 1: Sam just shakes his head and walks out. Marcus shakes
• 12:28
  Speaker 1: his head disapprovingly at Charlie.
• 12:30
  Speaker 11: Really, Charlie, I mean, now you're taking credit for the
• 12:33
  Speaker 11: old man's ideas.
• 12:34
  Speaker 2: Too typical.
• 12:36
  Speaker 3: Marcus walks out, leaving Charlie dumbfounded.
• 12:38
  Speaker 1: Idiots dissolved to exterior CALLI Zoo Entrance day. The guys
• 12:45
  Speaker 1: take up different positions around the entrance, trying to appear
• 12:48
  Speaker 1: in conspicuous. Marcus reads a newspaper, Charlie casually eats in
• 12:52
  Speaker 1: that banada, while Sam pretends to be a blind shaking
• 12:55
  Speaker 1: a tin cup.
• 12:57
  Speaker 3: All looks clear. They each drop what they're holding in
• 12:59
  Speaker 3: approach the entrance.
• 13:01
  Speaker 1: A woman walks by, dragging her fat kid, who sloppers
• 13:04
  Speaker 1: over a huge ice cream cone. A scoop drops from
• 13:06
  Speaker 1: the kid's cone. The guy's all freeze, unsure what to do.
• 13:11
  Speaker 1: The kid wails, but the mother just yanks him away harder.
• 13:14
  Speaker 1: So the guys continue their approach, but the kid breaks
• 13:17
  Speaker 1: free and goes after the fallen scoop, the guys freeze again,
• 13:20
  Speaker 1: trying to look in conspicuous. The mother runs back, grabs
• 13:24
  Speaker 1: her kid by the wrist scolds him to leave the
• 13:26
  Speaker 1: fallen scoop. Sam, fed up, grabs the fallen scoop off
• 13:30
  Speaker 1: the sidewalk and slaps it back on the kid's cone.
• 13:34
  Speaker 1: The mother and kid are momentarily stunned by this. The
• 13:37
  Speaker 1: kid goes back to licking his cone as his mom
• 13:39
  Speaker 1: hauls him.
• 13:39
  Speaker 3: Away quick before the fat LRD tries to leak the sidewalk.
• 13:44
  Speaker 1: Marcus runs over and laces his hands for Sam to
• 13:46
  Speaker 1: climb onto.
• 13:47
  Speaker 3: They fumble and grunt.
• 13:48
  Speaker 1: To get over the wall, while Charlie walks right on
• 13:50
  Speaker 1: through the entrance and stares at them from the other side.
• 13:54
  Speaker 3: Marcus calls out, oblivious.
• 13:55
  Speaker 10: Charlie, Charlie, I need a hand.
• 14:00
  Speaker 3: Where the hell he go?
• 14:01
  Speaker 2: I canal him down. Don't don't let me fall, Don't
• 14:04
  Speaker 2: be fool.
• 14:05
  Speaker 3: Charlie pulls on Sam's pant leg and squeals, would you
• 14:08
  Speaker 3: get down here already?
• 14:10
  Speaker 1: Sam falls with a hard thud to the ground. Marcus
• 14:13
  Speaker 1: looks up. Here's Charlie on the other side, confused, how'd.
• 14:18
  Speaker 3: You Charlie pokes his head out the front gate.
• 14:21
  Speaker 1: Right, exterior zoo grounds day, Marcus Hurry's in.
• 14:26
  Speaker 3: Sam dusts himself off.
• 14:28
  Speaker 2: I could have been killed. You know.
• 14:30
  Speaker 3: The zoo is.
• 14:31
  Speaker 1: Run down and the place is empty except for a
• 14:33
  Speaker 1: couple of grounds keepers off in the distance.
• 14:35
  Speaker 9: Okay, look, we scope the place out and we gather
• 14:37
  Speaker 9: as much intel as we can.
• 14:39
  Speaker 3: Yes, good, so far. We know there's a front gate.
• 14:41
  Speaker 9: What if someone sees us get on all fours and
• 14:44
  Speaker 9: bark like a dog?
• 14:45
  Speaker 3: Right, Charlie punches him in the arm. It's a public zoo, dingus.
• 14:49
  Speaker 3: You're here to see the animals. Ye, yeah about that.
• 14:54
  Speaker 3: I'm not seeing any What are you talking about? Of
• 14:57
  Speaker 3: course there?
• 14:58
  Speaker 1: Charlie rushes up to one of the pant Maybe they're hiding.
• 15:03
  Speaker 1: The groundskeeper drives by a motorized push cart. The guy's
• 15:06
  Speaker 1: swooped down on him, taking him by surprise.
• 15:09
  Speaker 3: Signor animals where all? WHEREO? Where all? Seriously?
• 15:22
  Speaker 1: Sam pushes Charlie aside and puts a hand to his
• 15:24
  Speaker 1: head like it's a horn. He trots around in a circle.
• 15:27
  Speaker 1: The groundskeeper looks even more confused.
• 15:29
  Speaker 3: What the fuck are you doing? I'm communicating? You look
• 15:33
  Speaker 3: like a retarded unicorn.
• 15:36
  Speaker 5: Oh, you're looking for the animals.
• 15:38
  Speaker 3: Oh you speak English?
• 15:39
  Speaker 4: Yeah for sure, why would and I you're too late?
• 15:41
  Speaker 3: Zoom moved.
• 15:42
  Speaker 1: The groundskeeper takes out a flyer and hands it to Charlie.
• 15:45
  Speaker 1: Marcus grabs the flyer.
• 15:47
  Speaker 3: They moved the zoom. Can they do that? No?
• 15:50
  Speaker 9: Uuhh no, No, they're supposed to be a rhinoceros. Here
• 15:53
  Speaker 9: checks his watch, all packed.
• 15:55
  Speaker 4: Up on the train to the new animal sanctuary in bobaita.
• 15:59
  Speaker 3: Boatah, that makes no sense. Sam pushes Charlie aside, step byside,
• 16:05
  Speaker 3: It'll take forever you were waiting.
• 16:07
  Speaker 1: Sam goes back to his rhino impression. The groundskeeper mind's
• 16:11
  Speaker 1: driving a truck. This turns into a conversation made up
• 16:13
  Speaker 1: of weird imitations and sound effects.
• 16:16
  Speaker 9: Sam he already said he speaks anglersh yeah, but he
• 16:20
  Speaker 9: speaks idiot which one.
• 16:22
  Speaker 11: Okay, so it looks like we just missed him.
• 16:25
  Speaker 1: By Sam turns back to the groundskeeper and does an
• 16:27
  Speaker 1: imitation of an eagle on the sun. The groundskeeper nods.
• 16:31
  Speaker 3: Twenty minutes. The truck's just left for the train yards.
• 16:34
  Speaker 2: That's how they're transporting.
• 16:35
  Speaker 3: The small ones from there.
• 16:37
  Speaker 11: The big ones, including one rhinoceros are going by truck
• 16:40
  Speaker 11: to Bogata.
• 16:41
  Speaker 3: Fine, except they left twenty minutes ago and we don't
• 16:43
  Speaker 3: even have a car. Ooh, are you thinking what I'm thinking?
• 16:46
  Speaker 3: Sam looks the groundskeeper up and down. Now he's way
• 16:50
  Speaker 3: too scrony to pass for a rhinoceros. The three turned
• 16:53
  Speaker 3: to the groundskeeper, who smiles back. Nice suit. It was
• 17:00
  Speaker 3: like the exterior Columbia Highway day.
• 17:08
  Speaker 1: Sam holds onto Marcus, who holds onto Charlie as they
• 17:10
  Speaker 1: race down the highway on the groundskeeper's motorcycle. Marcus is
• 17:14
  Speaker 1: now wearing the groundskeeper's coveralls. Exterior train Yards night. Charlie
• 17:20
  Speaker 1: scopes out the yards from the other side of a
• 17:22
  Speaker 1: chain link fence. Charlie's p O V Zoo workers offload
• 17:27
  Speaker 1: animals from cargo trucks onto train cars. We see a
• 17:31
  Speaker 1: few tape ears, a hippo, and finally a rhinoceros back
• 17:36
  Speaker 1: big out of nowhere, a pistol is jammed in his back.
• 17:40
  Speaker 6: Hello, Charlie, missus.
• 17:42
  Speaker 3: Oh fuck.
• 17:44
  Speaker 1: Charlie turns slowly to see noles and Martinez eating oble
• 17:48
  Speaker 1: What is.
• 17:49
  Speaker 3: This obs.
• 17:55
  Speaker 1: Okay, okay, that's the only food we all know Charlie
• 18:05
  Speaker 1: turns slowly to see Knoles and Martinez eating epanadas.
• 18:08
  Speaker 3: He puts his hands down.
• 18:10
  Speaker 5: You're a hard man to nail Charlie down.
• 18:14
  Speaker 3: What still chewing?
• 18:16
  Speaker 6: He's a hard man to nail down.
• 18:18
  Speaker 9: Really well, I'm sorry. Maybe it'd be easier to find
• 18:22
  Speaker 9: me at the zoo and Cali. Oh wait, they shut
• 18:25
  Speaker 9: that down.
• 18:26
  Speaker 5: I'm sensing a little hostility.
• 18:28
  Speaker 9: Okay, Look, unless you haven't noticed, I'm kind of busy
• 18:31
  Speaker 9: at the moment.
• 18:33
  Speaker 3: Charlie turns his attention back to the yards.
• 18:35
  Speaker 7: Consider this a friendly reminder to keep your yap shut
• 18:38
  Speaker 7: about our little arrangement.
• 18:40
  Speaker 5: The walls have ears.
• 18:42
  Speaker 3: We're outside.
• 18:43
  Speaker 5: It's a figure of speaking.
• 18:45
  Speaker 3: Okay, look, I didn't tell them. Okay, the guys holster
• 18:48
  Speaker 3: their weapons. Good.
• 18:51
  Speaker 6: You worry about finding that animal and leave the rest
• 18:53
  Speaker 6: to us.
• 18:54
  Speaker 9: Well, it may be a long wait unless you can
• 18:56
  Speaker 9: figure out how three guys on a scooter can transport
• 18:59
  Speaker 9: a four ton.
• 18:59
  Speaker 1: N posceus Noles and Martinez side by each other and
• 19:03
  Speaker 1: offer up a smug smile.
• 19:05
  Speaker 6: Now there, we might be able to help.
• 19:08
  Speaker 1: Exterior curbside train yards day, Sam and Marcus and on
• 19:13
  Speaker 1: the sidewalk sipping a couple of Club Columbia's wrapped in napkins.
• 19:16
  Speaker 3: Charlie approaches, Okay, we're in business.
• 19:19
  Speaker 9: I saw them loading animals onto cars, including one rhino.
• 19:23
  Speaker 3: Marcus and Sam get to their feet relieved. Fucking hey, so.
• 19:26
  Speaker 5: Now do we just saunter over and say your rhino
• 19:29
  Speaker 5: or your life?
• 19:29
  Speaker 3: Oh no, no, we'll come back after dark.
• 19:31
  Speaker 9: That'll give us time to get supplies and maybe some peans.
• 19:38
  Speaker 1: Two of them actually, Marcus and Sam not enthusiastically at
• 19:42
  Speaker 1: the suggestion. Exterior train yards night, Marcus and Charlie are
• 19:48
  Speaker 1: crouched behind an empty railway car.
• 19:50
  Speaker 3: Sam sidles up beside them.
• 19:52
  Speaker 11: Okay, I spotted two guards, but one is watching reruns
• 19:56
  Speaker 11: of Latino Mattlock, so really there's only one. Okay, I
• 20:20
  Speaker 11: spotted two guards. One is watching reruns of Latino Mattlock,
• 20:24
  Speaker 11: so really.
• 20:25
  Speaker 3: There's only one. What about the animals?
• 20:27
  Speaker 11: I doubt they could see it was a pretty small TV.
• 20:30
  Speaker 3: Are they still there?
• 20:32
  Speaker 1: Oh?
• 20:32
  Speaker 3: Oh right, right?
• 20:33
  Speaker 11: Yeah, well I heard plenty of grunting and snorting, which
• 20:35
  Speaker 11: is either the animals or someone be getting there PHCD.
• 20:39
  Speaker 3: Marcus and Charlie give them a weird look. It's a
• 20:42
  Speaker 3: new thing.
• 20:43
  Speaker 6: I'm trying no to ethnic never mind.
• 20:46
  Speaker 9: Okay, come on, come on, we'll just split up. Anyone
• 20:48
  Speaker 9: runs into trouble, just call out and one.
• 20:50
  Speaker 3: Of us will come find you. What's your signal? I
• 20:52
  Speaker 3: don't know. You do a bird call or something? Oh,
• 20:55
  Speaker 3: I could do a Moroccan fire chicken. That could literally
• 21:01
  Speaker 3: be any animal. It's fine, it's fine. Whatever. Okay, let's
• 21:05
  Speaker 3: do a supply check. What did you find?
• 21:07
  Speaker 1: Marcus looks in his bag. First things first, he passes
• 21:10
  Speaker 1: out fake mustaches. They put them on without question. Reached
• 21:14
  Speaker 1: to the bag.
• 21:15
  Speaker 3: What else?
• 21:16
  Speaker 8: Let's see doggy treats, stuck tape, folk cutters, pennyhose, sound.
• 21:22
  Speaker 2: Like here, gotta get his the record? Am I right?
• 21:26
  Speaker 3: Still?
• 21:26
  Speaker 8: No?
• 21:28
  Speaker 3: I also got these.
• 21:29
  Speaker 1: Marcus pulls out a small red packet and gives them
• 21:31
  Speaker 1: to Charlie.
• 21:32
  Speaker 3: Firecrackers for what uh? Because they're awesome.
• 21:37
  Speaker 1: Charlie can't argue with that. Sam grabs a pack.
• 21:41
  Speaker 11: Ooh, did you get the sparkly kind that shoot out
• 21:43
  Speaker 11: different colors?
• 21:44
  Speaker 1: Could we please focus for a second, Sam throws Marcus
• 21:47
  Speaker 1: a look, mocking Charlie.
• 21:48
  Speaker 3: All right, here's the plan, Sam, since you speak the
• 21:51
  Speaker 3: most Spanish.
• 21:51
  Speaker 1: And Rhino, Charlie lays out the plan over a series
• 21:55
  Speaker 1: of shots set to Latino heist music. Sam SLINKs around
• 21:59
  Speaker 1: between the railcars, checking each one.
• 22:01
  Speaker 9: You'll be our scout. Find out which car the rhino
• 22:04
  Speaker 9: was in. Marcus and I we will wait for your signal.
• 22:06
  Speaker 9: Once you're located, we'll come find you.
• 22:09
  Speaker 1: Marcus hugs the side of the guard station while the
• 22:11
  Speaker 1: guard dog gnaws happily on a bone.
• 22:13
  Speaker 3: Marcus, you handle security. Make sure that dog stays put.
• 22:17
  Speaker 1: As Marcus peeks in, we see a fat guard glued
• 22:20
  Speaker 1: to his television. Marcus rolls up his pant leg and
• 22:22
  Speaker 1: sticks out at pantyhose' leg into the booth. The guard
• 22:25
  Speaker 1: sees the leg raises an eyebrow. Whatever you do, keep
• 22:29
  Speaker 1: it quiet. We don't need any undue attention. After the
• 22:32
  Speaker 1: guard is out of commission, open the gate and I'll
• 22:34
  Speaker 1: come find you. Guys with a truck.
• 22:37
  Speaker 6: Where are you gonna get a truck?
• 22:38
  Speaker 3: I'll get one. Just make sure the gate is open.
• 22:41
  Speaker 10: This sounds all great and all, but how are we
• 22:43
  Speaker 10: supposed to get said rhino off the train?
• 22:46
  Speaker 1: Sam takes out a cabbage from his bag. Let's bend
• 22:48
  Speaker 1: split in half and houled out with a ball of
• 22:50
  Speaker 1: paste in the middle.
• 22:51
  Speaker 11: Oh, this baby is packed with enough goof juice to
• 22:53
  Speaker 11: put down a I don't know, like a really big
• 22:56
  Speaker 11: horse or smallesh elephant or something.
• 22:58
  Speaker 2: Where the hell did you get that?
• 23:00
  Speaker 3: Oh for Mama, the medicine man.
• 23:02
  Speaker 6: You had a gift shop too.
• 23:03
  Speaker 3: Oh, I also got this watch.
• 23:05
  Speaker 2: It's Sako.
• 23:09
  Speaker 1: Exterior train yards night. Sam peeks his head around a
• 23:13
  Speaker 1: railcar to see a zoo worker sealing up a box
• 23:16
  Speaker 1: car before moving off. Sam sneaks between the rows of
• 23:20
  Speaker 1: railway cars, wrapping on the sides and looking between slats.
• 23:24
  Speaker 2: Here, rhino, rhino, rhino.
• 23:27
  Speaker 1: We hear snorting. Sam peeks his head into one car.
• 23:30
  Speaker 1: An elephant sneaks its trunk out with the slats and
• 23:33
  Speaker 1: slapped Sam hard, momentarily stunning it. Sam shakes it off,
• 23:37
  Speaker 1: but the elephant sprays some putrid brown liquid on his face.
• 23:43
  Speaker 3: Today's out of the closet.
• 23:44
  Speaker 2: I'm already taking it in the face.
• 23:51
  Speaker 1: He wipes it off and looks in another car. This
• 23:54
  Speaker 1: time it's the right one. Sam slides it open. Sure enough,
• 23:58
  Speaker 1: it's a young fourteen hundred black rhinoceros.
• 24:02
  Speaker 3: Right over, Alert, right.
• 24:03
  Speaker 2: Over, Alert.
• 24:05
  Speaker 3: Marcus appears behind the train car. Damn Sam, over here,
• 24:11
  Speaker 3: over here, I think we may have a problem.
• 24:14
  Speaker 1: Marcus rushes over and looks in the rhino is assend out.
• 24:19
  Speaker 3: Yeah, that's a problem.
• 24:20
  Speaker 6: Did you try giving it the cabbage?
• 24:22
  Speaker 3: Charlie said, not until it was on the truck. Well,
• 24:24
  Speaker 3: Charlie doesn't know about this. Why say give it to
• 24:26
  Speaker 3: him now? Oh all right?
• 24:28
  Speaker 6: But why do I always have to be the fluffer?
• 24:31
  Speaker 3: Marcus smiles.
• 24:33
  Speaker 1: Sam huffs and takes out the cabbage, lamely waving it around.
• 24:38
  Speaker 3: Here.
• 24:38
  Speaker 11: You go, boy, got a nice, big, good cabbage for you.
• 24:44
  Speaker 3: You have to climb up there. He needs it to
• 24:46
  Speaker 3: ump are waiting? Are you you have to climb You
• 24:55
  Speaker 3: have to climb up there. He needs to smell it.
• 24:57
  Speaker 2: Are you fucking Coco puffs?
• 24:59
  Speaker 3: I am no.
• 25:00
  Speaker 6: I'm not getting in there with that thing.
• 25:01
  Speaker 2: By can't see in the dark.
• 25:04
  Speaker 10: I'm codline, Sam, Sam, Where are you all fine?
• 25:09
  Speaker 3: You big baby? Exterior interior box car night.
• 25:14
  Speaker 1: Sam climbs into the car and suddenly realizes the floor
• 25:17
  Speaker 1: is covered in three feet of rhino.
• 25:19
  Speaker 9: Turn Oh good, oh my god, I'm me deep and
• 25:24
  Speaker 9: after first, forget that.
• 25:26
  Speaker 2: Just give him the cabbage and get out.
• 25:29
  Speaker 1: Sam tries to shimmy around the rhino, who seems pretty tame.
• 25:32
  Speaker 1: He waves the cabbage around. The rhino turns its head
• 25:35
  Speaker 1: and swats Sam's face with his tail.
• 25:37
  Speaker 2: Take it, digg it.
• 25:39
  Speaker 1: The rhinos slowly lumbers to its feet and tries to
• 25:42
  Speaker 1: turn around to the tight space, pinning Sam against the car.
• 25:45
  Speaker 3: Hurry up, I think I hear someone. Sam wheezes and
• 25:48
  Speaker 3: smacks at the rhinos. Get it to move.
• 25:50
  Speaker 1: The rhino barely notices. Sam throws the cabbage down. The
• 25:54
  Speaker 1: rhino shifts over to sniff it, trapping Sam in the
• 25:57
  Speaker 1: rear of the car.
• 25:58
  Speaker 3: Marcus, Marcus, Help.
• 26:01
  Speaker 2: I'm stuck.
• 26:02
  Speaker 1: Headlights appear through the cars. Marcus ducks down. Charlie pulls
• 26:06
  Speaker 1: up in a cargo truck. The letters DEA are shoddily
• 26:10
  Speaker 1: painted over in white, like liquid paper. He pulls up
• 26:12
  Speaker 1: alongside the railcar parks and gets out.
• 26:16
  Speaker 3: Where's Sam. He's in the car with the rhino. Oh
• 26:18
  Speaker 3: what the hell is he doing there? Even at the cabbage,
• 26:21
  Speaker 3: neither noticed. The train has lurched full.
• 26:23
  Speaker 9: Okay, that was supposed to be from when the rhino
• 26:25
  Speaker 9: was already on the truck.
• 26:26
  Speaker 3: Hey, hey, well we're moving. I had to improvise.
• 26:30
  Speaker 2: It was facing the wrong way, and now we have
• 26:32
  Speaker 2: we're moving.
• 26:32
  Speaker 3: The train is not supposed to be moving. They look up. Shit.
• 26:38
  Speaker 3: Charlie and Marcus take off, running alongside the box car.
• 26:40
  Speaker 3: Shit shit, Sam, just hang on, don't worry. Sam, just
• 26:45
  Speaker 3: fuck you mean, don't worry.
• 26:46
  Speaker 2: I'm trapped behind the fudge maker of a.
• 26:48
  Speaker 3: Motherflipp a dinosaur. Stay with him, I'll get the truck.
• 26:52
  Speaker 1: Charlie runs off while Marcus tries to keep up with
• 26:54
  Speaker 1: the car.
• 26:54
  Speaker 10: I'm running, I'm running, I'm dying.
• 27:01
  Speaker 1: Marcus reaches out and grabs onto the car's door handle.
• 27:04
  Speaker 1: The momentum jerks him off his feet till he's able
• 27:06
  Speaker 1: to catch up and grab on. Charlie drives up alongside.
• 27:09
  Speaker 3: Well, one of you do something, Barkis, I'll hold her.
• 27:13
  Speaker 9: Steady tells Sam to jump before the trane picks up speed.
• 27:16
  Speaker 2: Charlie says, you gotta jump? What jump? I can't get
• 27:20
  Speaker 2: around this thing.
• 27:22
  Speaker 1: Sam tries slapping the rhino's butt harder and harder, but
• 27:25
  Speaker 1: the runner doesn't.
• 27:26
  Speaker 3: Even feel it. It just chews on a cabbage. He
• 27:28
  Speaker 3: says he can't. Carla cheers to him in a.
• 27:31
  Speaker 4: Vision Jnathan up the boomer No matter how they are
• 27:35
  Speaker 4: that's son of.
• 27:35
  Speaker 2: A bishop, puff off every time.
• 27:37
  Speaker 9: Tell him to ram his fist in it butt hoole
• 27:40
  Speaker 9: as hard as he can.
• 27:42
  Speaker 2: Trust me, Charlie says, you gotta bunch it in the
• 27:45
  Speaker 2: starfish as hard as you can. I change my mind.
• 27:50
  Speaker 2: I don't love me.
• 27:51
  Speaker 3: Yeah.
• 27:54
  Speaker 1: Sam hums and haws grossed out until he swings his
• 27:58
  Speaker 1: arm back and rams his fist part of the rhino's
• 28:01
  Speaker 1: rectum freeze frame on the rhino as it jolts up.
• 28:09
  Speaker 1: Marcus swings out of the way. At the last second,
• 28:15
  Speaker 1: the rhino breaks through the sidewall of the car. Charlie
• 28:23
  Speaker 1: turns the wheel at the last moment, narrowly missing the rhino.
• 28:26
  Speaker 1: The truck rolls up on two wheels, inches from rolling over.
• 28:30
  Speaker 1: Marcus and Sam leap from the train and roll into
• 28:33
  Speaker 1: the dirt, kicking up a dust cloud a few yards
• 28:35
  Speaker 1: ahead of the truck. Charlie holds a tight grip on
• 28:38
  Speaker 1: the steering wheel. He jams on the brakes, trying to
• 28:41
  Speaker 1: process what the hell just happened.
• 28:43
  Speaker 3: The rhino takes off running No no, no, no no no.
• 28:48
  Speaker 1: Charlie unbuckles pops down from the truck just as Sam
• 28:51
  Speaker 1: and Marcus catch up They all watch dejectedly as the
• 28:55
  Speaker 1: rhino runs off in a cloud of dust.
• 28:58
  Speaker 3: We're dead men.
• 28:59
  Speaker 1: Wait, look, the rhino wobbles unsteadily and whomp it buckles
• 29:05
  Speaker 1: stoned out of its core.
• 29:06
  Speaker 3: Perfect.
• 29:07
  Speaker 1: Now, how the hell do we get Andre the giant
• 29:09
  Speaker 1: here on the truck. They all look defeated for a beat.
• 29:12
  Speaker 1: Then suddenly we hear them.
• 29:16
  Speaker 3: Of propeller blades.
• 29:18
  Speaker 1: They all look up to see a camouflaged Huey helicopter
• 29:23
  Speaker 1: A harness drops to the ground above the rhino.
• 29:26
  Speaker 3: Knowles leans out the side and gives them a thumbs up.
• 29:29
  Speaker 3: It's okay, they're with me.
• 29:32
  Speaker 1: Exterior Highway Day. The cargo truck cruises down the expressway.
• 29:38
  Speaker 1: Its rear suspension is completely shot, and the back edge
• 29:41
  Speaker 1: of the truck scraped sparks along the asphalt with every
• 29:44
  Speaker 1: bump they hit.
• 29:45
  Speaker 3: Soon exactly when you go in and tell us that
• 29:46
  Speaker 3: the FEDS were involved. I couldn't. I couldn't. They said
• 29:49
  Speaker 3: that they'd arrest all of us if I.
• 29:50
  Speaker 2: Told they were playing you.
• 29:52
  Speaker 3: They want us to turn on each other. You can't
• 29:54
  Speaker 3: fall for the mind games.
• 29:56
  Speaker 9: Look, I'm sorry, I've been an asshole, and I know
• 30:03
  Speaker 9: it all. Anna Kiljoy Okay, you're right. Look, whatever happens,
• 30:07
  Speaker 9: I just want you guys to know I would never
• 30:09
  Speaker 9: turn on you, not me.
• 30:12
  Speaker 6: I'd leave you both on a hot second for the
• 30:13
  Speaker 6: right piece of ass.
• 30:15
  Speaker 3: They all mutually agree on that.
• 30:17
  Speaker 10: Fine, Fine, I admit it may be by fault we're
• 30:21
  Speaker 10: in this mess.
• 30:24
  Speaker 3: Okay, definitely, I guess.
• 30:26
  Speaker 8: I just, I just I was really hoping I could
• 30:28
  Speaker 8: pull this off for the three of us, like we
• 30:30
  Speaker 8: dreamed about when we were kids, our own private hideaway.
• 30:34
  Speaker 3: Well, maybe it's time we all grow up and stop hiding.
• 30:39
  Speaker 3: Sam spots something in the side mirror.
• 30:42
  Speaker 11: Guys, looks like we got company.
• 30:45
  Speaker 1: A black suv pulls up alongside the passenger. A tough
• 30:49
  Speaker 1: guy in mirrored shades motions with his pistol for them
• 30:52
  Speaker 1: to follow.
• 30:52
  Speaker 3: He found us.
• 30:54
  Speaker 1: It's license plate reads Satan Cut two exterior Finker Hideaway. Later,
• 31:03
  Speaker 1: they reach a large gated compound flanked by guard towers.
• 31:07
  Speaker 3: A guard with an oozy.
• 31:08
  Speaker 1: Approaches the window and yells at them and Spanish to
• 31:10
  Speaker 1: get their hands up, then to Charlie to roll down
• 31:13
  Speaker 1: his window.
• 31:15
  Speaker 3: So it u uh delivery for mister Escobar.
• 31:19
  Speaker 1: The goon heads around to the rear of the van
• 31:21
  Speaker 1: and opens it to see the stone run. The goon
• 31:25
  Speaker 1: motions to the guard to let them through.
• 31:27
  Speaker 6: We're there.
• 31:29
  Speaker 1: Cut two exterior Escobar hideaway courtyard Day Sam Marcus and
• 31:35
  Speaker 1: Charlie pull into an open air courtyard. Charlie looks around
• 31:38
  Speaker 1: and clocks two armed guards on a balcony. The large
• 31:41
  Speaker 1: wooden gate closes behind him. Through awkward smiles and clenched teeth, Charlie.
• 31:47
  Speaker 3: I hope the hell you know what you're doing. Just
• 31:49
  Speaker 3: stick to the plan, right the plan? What was the
• 31:53
  Speaker 3: plan again?
• 31:54
  Speaker 1: The door's open. Out walks Pablo back in full mobster form.
• 31:58
  Speaker 3: Hey Charlie, you made it back alive. Color me impressed.
• 32:04
  Speaker 3: You have my package. I held up my end of
• 32:06
  Speaker 3: the bargain.
• 32:07
  Speaker 1: They opened the back of the truck to reveal the rhino.
• 32:10
  Speaker 1: Pablo steps forward, delighted, his eyes well up, bites his fist.
• 32:18
  Speaker 3: She's beautiful. Okay, you got your rhino. Now let Lucia go.
• 32:24
  Speaker 1: Escobar wags a finger and a henchman steps up, holding Lucia.
• 32:27
  Speaker 3: Charlie, Lucia, you are a man of your word.
• 32:31
  Speaker 1: Nevertheless, the henchman puts his pistol against the back of
• 32:35
  Speaker 1: Lucia's head.
• 32:35
  Speaker 3: And cocks the trigger.
• 32:36
  Speaker 9: Well, you said that if we got you the right show,
• 32:39
  Speaker 9: but that Nicklam's supposed to be dead, and since you
• 32:42
  Speaker 9: all saw me.
• 32:42
  Speaker 3: No, is this the plan yet?
• 32:47
  Speaker 1: The henchman hands Pablo his pistol. He pointed at Charlie.
• 32:52
  Speaker 3: I got here, ka wait wait, I know what it's like.
• 32:57
  Speaker 9: We know what it's like, convincing yourself that you're happy
• 33:01
  Speaker 9: because you have everything you could ever want to.
• 33:03
  Speaker 3: Get, still feeling like something is missing.
• 33:06
  Speaker 9: Never pursuing your true passion because somehow wife had other plans.
• 33:11
  Speaker 3: Maria barges in holding her dog.
• 33:13
  Speaker 2: What the fuck is the hold up?
• 33:15
  Speaker 3: You go what you want it, now, finish it.
• 33:17
  Speaker 1: Sam steps forward, only living to try and please others,
• 33:22
  Speaker 1: never being true to.
• 33:23
  Speaker 11: Who you are, living a lie to make other people
• 33:26
  Speaker 11: feel comfortable.
• 33:28
  Speaker 1: Why we all want to log in Pablo shoot them.
• 33:32
  Speaker 3: But Pablo can't hear her. Not When finally he has seen.
• 33:36
  Speaker 8: Trying to live up to other people's expectations instead of
• 33:39
  Speaker 8: setting out on your own with a courage to make mistakes,
• 33:43
  Speaker 8: never feeling free to be me, Pablo lowers the God
• 33:49
  Speaker 8: for the.
• 33:49
  Speaker 2: Love of God, for God's sake, fuck in methist.
• 33:52
  Speaker 3: Maria moves to grab it away. No no, no, no no
• 33:54
  Speaker 3: no no no no no.
• 33:55
  Speaker 1: Pablo yanks his hand back. The gun goes off and blame.
• 34:00
  Speaker 1: The henchmen nearest to him fall to the ground dead.
• 34:03
  Speaker 3: Oh. Pablo shakes his head, turns on Maria. See what
• 34:07
  Speaker 3: you maybe do? I am sick of you constantly micro
• 34:11
  Speaker 3: managing me from now one don't know? So I got
• 34:16
  Speaker 3: be done? So I got be done? I got be done?
• 34:20
  Speaker 3: Did he just caote LaBamba? He's had a roll? Go
• 34:22
  Speaker 3: with it.
• 34:24
  Speaker 1: Lucia, capitalizing on the distraction, grabs the yuzy from the
• 34:27
  Speaker 1: dead thug run and opens fire on the other henchmen
• 34:31
  Speaker 1: in the balcony.
• 34:31
  Speaker 3: I'm not leaving you.
• 34:33
  Speaker 1: Wait do we miss a light at the bottom of one?
• 34:35
  Speaker 3: Three? He's on the wall. Go with it. Oh, I
• 34:37
  Speaker 3: said that, no one. You might want to follow the
• 34:41
  Speaker 3: walk from up on the balcony. The henchman returns.
• 34:51
  Speaker 1: Fire bullets smack the stone tiles inches from Charlie, Marcus
• 34:56
  Speaker 1: and Sam. They all die for cover, terrified as the
• 34:59
  Speaker 1: firing continue.
• 35:00
  Speaker 2: Okay, now we can leave.
• 35:03
  Speaker 3: Oh wait, it's even big Bold riding and I can't
• 35:05
  Speaker 3: even still.
• 35:10
  Speaker 2: Okay, now we can go home.
• 35:13
  Speaker 1: Lucia expertly takes out another henchman, sending him over the
• 35:16
  Speaker 1: railing to the ground in a clasp of dust. Two
• 35:19
  Speaker 1: more henchmen come running out. Lucilla turns to fire, discovering
• 35:22
  Speaker 1: she's out, you know. Lucia drops the gun and holds
• 35:26
  Speaker 1: her hands up as the two draw down in her.
• 35:29
  Speaker 3: Come on out, Charlie, it's over it. You may not
• 35:32
  Speaker 3: have lived like a man, but you can at least
• 35:34
  Speaker 3: die like one. The guys all step out with their
• 35:36
  Speaker 3: hands off.
• 35:38
  Speaker 5: Pablo escomore, this is the United States Justice Department.
• 35:43
  Speaker 3: We have the police surrounded.
• 35:45
  Speaker 5: We do and your whipps and surrender immediately.
• 35:48
  Speaker 3: That's the plan. Well play, Charlie, but this change is nothing.
• 35:56
  Speaker 3: Pablo ask out, does not surrender.
• 35:59
  Speaker 1: Everyone cocks their guns when suddenly the rhino it stumbles
• 36:04
  Speaker 1: out of the truck, clearly still stoned. It turns to
• 36:07
  Speaker 1: Pablo and his men on henchmen. He raises a rifle.
• 36:11
  Speaker 1: Pablo stops him.
• 36:12
  Speaker 2: What's the matter, would.
• 36:13
  Speaker 3: You get it? The rhino charges.
• 36:16
  Speaker 1: Everyone scrambles in terror as the rhino goes on a rampage.
• 36:19
  Speaker 3: Consider they say the board. Maria looks genuinely shocked.
• 36:23
  Speaker 5: Yeah, what little guy.
• 36:25
  Speaker 2: Case it whine.
• 36:27
  Speaker 1: Off screen and the distance automatic gunfire can be heard.
• 36:31
  Speaker 3: I will no longer continue to let you cause up
• 36:33
  Speaker 3: my manhood. Then allow me.
• 36:36
  Speaker 1: Lucia straight arms Pablo, knocking him flat on his ass.
• 36:40
  Speaker 1: On Maria, she grabs a gun and turns the fire
• 36:43
  Speaker 1: on Lucia when the rhino butts her, sending her flying.
• 36:46
  Speaker 1: All heads turn to watch her sore through the air.
• 36:49
  Speaker 1: The rhino breaks through the courtyard doors and keeps on running.
• 36:53
  Speaker 1: Nolesa Martinez bust in with their guns drawn, followed by
• 36:55
  Speaker 1: several other gun toting dee a Lackey's please, nobody.
• 37:01
  Speaker 6: Move if you say freeze, nobody moves, implied no, That's.
• 37:05
  Speaker 3: Why I said it.
• 37:07
  Speaker 1: Knowles and Martinez see Charlie and Lucia standing over an
• 37:10
  Speaker 1: unconscious Pablo.
• 37:11
  Speaker 6: Good work, and remember this never happened.
• 37:15
  Speaker 1: As the Feds pour in, taking charge of the situation,
• 37:18
  Speaker 1: Lucia sweeps Charlie up in a heartfelt embrace.
• 37:21
  Speaker 9: Thank you, Charlie for not giving up, and thank you
• 37:26
  Speaker 9: for being the reason I came to Colombia in the
• 37:28
  Speaker 9: first place.
• 37:29
  Speaker 3: In a statement issued by the Colombian President today, candle
• 37:33
  Speaker 3: A visuals around the country are being held to honor.
• 37:35
  Speaker 8: The eleventh anniversary of the death of infamous drug kingpin
• 37:39
  Speaker 8: Pablo Escobar, ending years of torment for the people of Colombia.
• 37:44
  Speaker 1: Exterior jeep driving Day one year later. A military jeep
• 37:51
  Speaker 1: races through the jungle. It pulls sharply off the path
• 37:54
  Speaker 1: onto a paved road. They pass a couple shoulders who
• 37:57
  Speaker 1: patrol the road on either side of them.
• 38:06
  Speaker 2: Of DeCamps.
• 38:10
  Speaker 1: It pulls sharply off the path onto a paved road.
• 38:13
  Speaker 1: They pass a couple soldiers who patrol the road on
• 38:15
  Speaker 1: either side of them. The guards give a thumbs up.
• 38:18
  Speaker 1: The road takes us to a large gated checkpoint. The
• 38:21
  Speaker 1: jeep stops. A guard comes out and is handed a
• 38:24
  Speaker 1: metal briefcase. They salute each other as the guard takes possession.
• 38:29
  Speaker 1: Interior hallway Day. The guard knocks on.
• 38:33
  Speaker 3: The door, Iffie, it has a right come.
• 38:38
  Speaker 1: The guard opens the door and enters into interior office Continuous,
• 38:44
  Speaker 1: a modest looking office with a wide oak desk. The
• 38:47
  Speaker 1: man behind the desk, with his back to us, turns
• 38:50
  Speaker 1: in his leather back chair and we see that it
• 38:52
  Speaker 1: is Charlie, dressed like mister Rourke from Fantasy Island.
• 38:57
  Speaker 3: Thank you Jason the guards.
• 39:00
  Speaker 1: Charlie opens the briefcase, where inside he finds a copy
• 39:04
  Speaker 1: of his new novel. The cover depicts a white rhinoceros.
• 39:09
  Speaker 1: The title reads El Contador. Charlie flips it over to
• 39:14
  Speaker 1: see a black and white photo of himself looking a
• 39:16
  Speaker 1: bit like Indiana Jones. There's a sticky note attached that
• 39:20
  Speaker 1: reads Happy Rebirthday TC. The sound of a walkie talkie
• 39:26
  Speaker 1: squelches Charlie. On my way out Exterior Resort day. The
• 39:32
  Speaker 1: villa has been modernized and expanded into a full blown resort.
• 39:36
  Speaker 1: The grounds are buzzing with workers beautifying the grounds. Exotic
• 39:40
  Speaker 1: flowers and topiaries are everywhere. Charlie comes out and waves
• 39:43
  Speaker 1: to a gardener shaping a shrub into a giant rhino.
• 39:46
  Speaker 3: Looking good Don Diego parts.
• 39:50
  Speaker 1: An assistant comes out to greet Charlie. They do a
• 39:52
  Speaker 1: walk and talk through the resort beneath a wrought iron
• 39:56
  Speaker 1: sign that reads Parasomo got a ESOMEO continuous.
• 40:03
  Speaker 4: I rescheduled her four o'clock with the developers like you asked,
• 40:06
  Speaker 4: and the Secret Service sent over a gift basket.
• 40:08
  Speaker 7: With a check for damages.
• 40:10
  Speaker 1: They're interrupted by Marcus, who approaches holding said gift basket.
• 40:14
  Speaker 3: Marcus wears reading glasses.
• 40:16
  Speaker 10: Can you believe this shit who sends a fucking fruit
• 40:18
  Speaker 10: basket to a tropical resort in Columbia?
• 40:21
  Speaker 9: Public relations is your department? Let me go better handle
• 40:24
  Speaker 9: it before it turns into another international incident.
• 40:27
  Speaker 3: Please, like anyone would find out? Are you joining us?
• 40:31
  Speaker 3: Someone's got around the joint. Marcus goes back into his office.
• 40:35
  Speaker 3: Everything is set up on the observation.
• 40:36
  Speaker 5: Deck as you requested.
• 40:38
  Speaker 1: The assistant smiles and takes her leave. Charlie looks over
• 40:41
  Speaker 1: to see Lucia sunning herself by the pool, sun kissed
• 40:47
  Speaker 1: and fabulous.
• 40:48
  Speaker 3: Charlie, you promised you wouldn't spend the entire day working,
• 40:52
  Speaker 3: just one final thing. I need to take care of me,
• 40:54
  Speaker 3: and then I promise I am all yous. All we
• 41:00
  Speaker 3: are a long, passionate kiss and too suanous.
• 41:09
  Speaker 1: Charlie crosses past a hot tub where Sam is enjoying
• 41:12
  Speaker 1: a fruity cocktail with Philip, his French lover.
• 41:15
  Speaker 3: Looking good, Sam, feeling good, Charlie.
• 41:21
  Speaker 1: Exterior pwat youse meo observation deck continuous. Charlie walks up
• 41:26
  Speaker 1: a few steps to a gorgeous terrace, overlooking a spectacular
• 41:29
  Speaker 1: vista of waterfront property. Charlie sighs and takes in a
• 41:32
  Speaker 1: deep breath, soaking it all in.
• 41:35
  Speaker 3: Come on, Dad.
• 41:36
  Speaker 1: We pan over to see Ben standing with a bungee guide.
• 41:40
  Speaker 1: Charlie throws up an apologetic hand and takes off his jacket.
• 41:43
  Speaker 1: The guide clips him into a harness.
• 41:46
  Speaker 3: Sure you want to do this? Are you kidding? I
• 41:49
  Speaker 3: live for this. Sad as Charlie goes over the edge,
• 41:55
  Speaker 3: fade to black. The end, any.
• 42:03
  Speaker 2: Anything to be
• 42:07
  Speaker 3: Block