Latest / Drama, Darling: A Real Housewives Comedy Podcast / 💔 Mary Cosby, America's Next Top Model, 🛳️ BDDU Recap

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💔 Mary Cosby, America's Next Top Model, 🛳️ BDDU Recap · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama, Darling Drama, Darling Drama, Darling.
• 0:20
  Speaker 2: Hello, Darlings, Hello, darlings. Well, Emily and I are here
• 0:25
  Speaker 2: and high AM's hello. We are here with a somber
• 0:31
  Speaker 2: look on our face and a very heavy heart for
• 0:34
  Speaker 2: one Mary m Cosby. As I'm sure you all heard,
• 0:39
  Speaker 2: her son passed away on Monday night and the police
• 0:43
  Speaker 2: were called and it was the potential drug overdose, a
• 0:50
  Speaker 2: potential overdose, but upon later discovery, they've now opened up
• 0:56
  Speaker 2: death investigation, so it is pending. The death has not
• 1:00
  Speaker 2: a cause of death has not been officially determined. This
• 1:06
  Speaker 2: is heavy, you guys, so so heavy and incredibly tragic.
• 1:10
  Speaker 2: We've never seen this before, and I know all the
• 1:13
  Speaker 2: fans of Bravo are like really really sad. Today Andy
• 1:17
  Speaker 2: posted something and so we're all just you know, with
• 1:22
  Speaker 2: Mary in our hearts, right MS, We're just.
• 1:24
  Speaker 3: Sorry, Yeah, devastating, It's awful. I can't believe it.
• 1:29
  Speaker 2: I mean, it's it's really shocking, shocking, shocking news and
• 1:32
  Speaker 2: extremely sad.
• 1:34
  Speaker 1: Yeah. Yeah, and we feel like we know these people,
• 1:39
  Speaker 1: all of our housewives, but like I really can't imagine
• 1:43
  Speaker 1: what she's going through right now. So even though we're like, oh, Mary,
• 1:47
  Speaker 1: Mary and it's like, I have no idea, it's just
• 1:51
  Speaker 1: start breaking.
• 1:52
  Speaker 2: So we just send really good vibes her way. Yeah yeah,
• 1:57
  Speaker 2: what a world, man, What a world.
• 2:01
  Speaker 1: Yeah.
• 2:01
  Speaker 2: So today we're going to be talking about below Deck
• 2:05
  Speaker 2: down Under, but we also want to just touch quickly
• 2:07
  Speaker 2: on America's Next Top Model, the Reality Check documentary on
• 2:14
  Speaker 2: Netflix that Tyra Banks was in fact a producer of.
• 2:19
  Speaker 1: Did you know that executive producer? Well, I knew it
• 2:22
  Speaker 1: was her idea. I mean she was at the heart
• 2:26
  Speaker 1: of it.
• 2:27
  Speaker 2: Yeah, so that was interesting. You know, I also saw
• 2:34
  Speaker 2: the news. This was on Headline News. I'm kidding. So
• 2:39
  Speaker 2: coming up, there's going to be another documentary about Tyra
• 2:44
  Speaker 2: Banks and about America's Next Top Model, and I believe
• 2:47
  Speaker 2: it's going to be out on like March eleventh. I
• 2:50
  Speaker 2: want to say on e it's called Dirty Rotten Scandals.
• 2:55
  Speaker 2: They're going to be there's going to be three separate episodes.
• 2:59
  Speaker 2: The Doctor Phil Show is one, America's Next Top mop
• 3:04
  Speaker 2: America's Next Top Model is another, and The Price Is
• 3:07
  Speaker 2: Right is the third.
• 3:10
  Speaker 1: Oh interesting, you know what good that they're doing Doctor Phil. Honestly,
• 3:17
  Speaker 1: I mean like I don't know what I'm frustrated with
• 3:21
  Speaker 1: just this takedown this. You know, I know that Tyra
• 3:26
  Speaker 1: Banks deserves a lot of the shit that she's getting,
• 3:30
  Speaker 1: but I'm also like, can we spread the wealth a little?
• 3:35
  Speaker 3: I agree? I agree.
• 3:37
  Speaker 2: Well, The thing is, I think Tyra the reason why
• 3:40
  Speaker 2: she probably wanted to get as they say, ahead of it,
• 3:46
  Speaker 2: even though it kind of seems like it's a little behind,
• 3:48
  Speaker 2: is that during the pandemic, as we saw from this documentary,
• 3:52
  Speaker 2: it was like a whole rewatch thing and all these
• 3:54
  Speaker 2: people from a different generation who were watching America's Next
• 3:58
  Speaker 2: Top Model that had never seen it before, and they
• 4:00
  Speaker 2: were in shock at what they saw. We're so far
• 4:04
  Speaker 2: removed because that's then and this is now. We've left
• 4:06
  Speaker 2: that behind. We didn't remember, we don't know, and now
• 4:11
  Speaker 2: it's been exposed again. Of course, that show does not
• 4:14
  Speaker 2: hold up to today's standards, and so now she has
• 4:18
  Speaker 2: something to say for it. So much of the episode,
• 4:22
  Speaker 2: so much of the actual documentary was yeah, you know,
• 4:29
  Speaker 2: hindsight is twenty twenty, and I just really, you know,
• 4:32
  Speaker 2: life is hard, and I'm not quite sorry for that,
• 4:37
  Speaker 2: but I will get to something that I might be
• 4:39
  Speaker 2: sorry for at some point that you know, the wardrobe,
• 4:48
  Speaker 2: you know, fitting for covering herself up in a storm,
• 4:52
  Speaker 2: you know, a basically a trench coat, a cinched up
• 4:55
  Speaker 2: trench coat, just armored up, ready for things to fly
• 5:00
  Speaker 2: at her, and she's not going to push back. You know.
• 5:03
  Speaker 2: I think she lost her chance to turn this into
• 5:08
  Speaker 2: something good. You know how It's like she wanted to
• 5:12
  Speaker 2: do something good initially, I think at the beginning in
• 5:15
  Speaker 2: the inception of America's Next Top Model, with wanting to
• 5:21
  Speaker 2: use that platform that she has as a model to
• 5:24
  Speaker 2: open it up for women of all different sizes and colors.
• 5:29
  Speaker 2: And then of course it shifted into not really that,
• 5:35
  Speaker 2: and I think perhaps her motivation was there for that,
• 5:40
  Speaker 2: and then it really just went and jumped the shark
• 5:45
  Speaker 2: and went so dirty. But now with this and things
• 5:50
  Speaker 2: being exposed about the show, looking back, I think that
• 5:53
  Speaker 2: she could have, as she says in the documentary, she
• 5:56
  Speaker 2: loves to pivot. She really could have pivoted in a
• 5:59
  Speaker 2: different direct instead of just shielding and like letting, you know, bouncing,
• 6:05
  Speaker 2: trying to bounce everything off. Obviously, her lawyer is telling
• 6:10
  Speaker 2: her differently, because if she admits, then she could there
• 6:15
  Speaker 2: could be a potential lawsuit.
• 6:16
  Speaker 1: I suppose maybe I would think the statues of limitations
• 6:20
  Speaker 1: on some of that stuff would be long gone.
• 6:23
  Speaker 2: I wonder because a lot of people are speaking out.
• 6:25
  Speaker 2: I mean, there are other contestants that have books that
• 6:30
  Speaker 2: are being interviewed that are, you know, mentioning in it,
• 6:35
  Speaker 2: mentioning it all, including Ken Muck, who has no idea Jesus.
• 6:42
  Speaker 1: See, that's just it. I'm just like, you know, and
• 6:46
  Speaker 1: the Jays too. I'm kind of like, you can't play
• 6:49
  Speaker 1: this upbeat music under the jas and Ken Mock when
• 6:53
  Speaker 1: they're talking about being a part of and saying some
• 6:57
  Speaker 1: fucking crazy ass shit and laughing it off and the music.
• 7:00
  Speaker 1: It's dramatic when Tyra talks and it's like the weight
• 7:06
  Speaker 1: of the world is on her decisions when we know
• 7:09
  Speaker 1: that there was a lot of people making decisions, including
• 7:12
  Speaker 1: Les Moonvez who's been canceled. Right, But I mean, I guess, like,
• 7:17
  Speaker 1: I don't want to be a Tyra apologist, but I
• 7:21
  Speaker 1: have to say, watching this, I got I looked real
• 7:24
  Speaker 1: inward because as a viewer, Oh yeah, I watched the
• 7:30
  Speaker 1: first cycle or two, and honestly, I didn't stop watching
• 7:35
  Speaker 1: because I had a problem with it. I stopped watching
• 7:37
  Speaker 1: because you know, like I just stopped watching Life Happen, right,
• 7:42
  Speaker 1: But you know what, like I remember like thinking like, oh, yeah,
• 7:45
  Speaker 1: it's kind of harsh, but it's really funny and.
• 7:49
  Speaker 2: That's your business, Like that's the business. Well that was
• 7:53
  Speaker 2: what we don't know what it's told.
• 7:55
  Speaker 1: Yeah, and I think it really was the business. I
• 7:57
  Speaker 1: think that was the cat like that was how they
• 7:59
  Speaker 1: could get a with a lot, like you're going to
• 8:01
  Speaker 1: hear this from some asshole in the business. But at
• 8:05
  Speaker 1: the same time, like I remember Tyr sticking up for
• 8:08
  Speaker 1: these girls and feeling like it was almost wholesome. I mean, yeah,
• 8:13
  Speaker 1: that's how bad shit crazy we were.
• 8:16
  Speaker 3: Yeah. Yeah.
• 8:19
  Speaker 1: And like the fact that I can watch this now
• 8:21
  Speaker 1: and watch thirty seconds and be like this is so wrong.
• 8:25
  Speaker 1: I wouldn't have any Like that's.
• 8:27
  Speaker 2: Good that we have perspective on it and we've somehow
• 8:32
  Speaker 2: in some way evolved. But you know, you and I
• 8:34
  Speaker 2: were talking about this because look, we watch reality television
• 8:38
  Speaker 2: now and it's pretty fucked up. It's very fucked up,
• 8:42
  Speaker 2: and so like in ten years, are we going to
• 8:44
  Speaker 2: be like we had a whole podcast on this, Like I, yes,
• 8:47
  Speaker 2: my whole life was like revolved around this. Maybe I
• 8:50
  Speaker 2: don't know, you know, in light of all of these
• 8:54
  Speaker 2: people and I you know, victims of America's Next Top
• 8:58
  Speaker 2: Model speaking out, it is terrible what they went through.
• 9:01
  Speaker 2: I mean, it really was abuse, and I think there
• 9:04
  Speaker 2: was a lot that wasn't shown. I saw I saw
• 9:08
  Speaker 2: a model who has a book out talk about when
• 9:14
  Speaker 2: a contestant.
• 9:16
  Speaker 3: Was let go.
• 9:17
  Speaker 2: They didn't get to stay during that cycle. Forgot about
• 9:21
  Speaker 2: the word cycle by the way, that kind of maybe yeah, laugh.
• 9:25
  Speaker 2: They didn't send them home. They put them in a
• 9:27
  Speaker 2: hotel and they sequestered them and they didn't get a
• 9:31
  Speaker 2: key to their room, and they were in there sometimes
• 9:34
  Speaker 2: up to two months.
• 9:36
  Speaker 1: I think they do that on Love Island something like that.
• 9:40
  Speaker 1: It's either before or after I got like a holding
• 9:44
  Speaker 1: that's sick.
• 9:45
  Speaker 3: That's really I don't know if.
• 9:46
  Speaker 1: I don't know if it's after they're done, but it's
• 9:48
  Speaker 1: definitely before they right.
• 9:51
  Speaker 3: They do put people like what are.
• 9:54
  Speaker 1: Saying, you don't know if you're going to get it,
• 9:56
  Speaker 1: if you're a bombshell, you just wait in this holding
• 9:58
  Speaker 1: pattern and you don't know if you're going to be
• 10:00
  Speaker 1: called in or not.
• 10:01
  Speaker 2: I know, but and we know that that works where
• 10:03
  Speaker 2: they put them in places. But yeah, the question is
• 10:08
  Speaker 2: do they not give them a key. That's the big thing,
• 10:10
  Speaker 2: Like they're not giving them a key to leave the room.
• 10:13
  Speaker 1: Oh yeah, yeah, that's awful.
• 10:14
  Speaker 2: Oh that's what I'm saying. I mean, that's the biggest thing.
• 10:16
  Speaker 2: It's like they're being put and they're being sequestered, but
• 10:20
  Speaker 2: they have no freedom to leave their room. And they also,
• 10:26
  Speaker 2: you know, one of the biggest things is they can't.
• 10:29
  Speaker 2: They don't want them to ever leave the show. So
• 10:32
  Speaker 2: what they do is they would penalize all of the
• 10:34
  Speaker 2: models if they talked off camera, they would penalize if
• 10:39
  Speaker 2: somebody did that, then they all got in trouble like prisoners,
• 10:44
  Speaker 2: like we're taking away your books because because Shelley talked
• 10:48
  Speaker 2: and she shouldn't have, you know, really abusive. I saw
• 10:51
  Speaker 2: a quick clip of Eva Marcelle talking about really it
• 10:55
  Speaker 2: was more focused on the producers because the leading question was, well,
• 11:00
  Speaker 2: this environment couldn't have happened without the producers, right, and
• 11:04
  Speaker 2: she was like, oh absolutely, you know, of course this
• 11:07
  Speaker 2: never would have happened if there wasn't a team of
• 11:10
  Speaker 2: people making this happen. Of course, Tyra and Ken Muck
• 11:15
  Speaker 2: at the top, you know, saying Yeah, we're gonna put
• 11:18
  Speaker 2: these people in solitary confinement with each other and make them,
• 11:21
  Speaker 2: you know, mike them up, not give them water, not
• 11:25
  Speaker 2: feed them enough, give them thirty seven dollars a day
• 11:28
  Speaker 2: as they're per diem, but that money actually has to
• 11:30
  Speaker 2: go towards their meals, and put them through these excruciating
• 11:37
  Speaker 2: challenges and then verbally abuse them when they're up there,
• 11:43
  Speaker 2: not only getting judged, but also through the photoshoots. This
• 11:48
  Speaker 2: like the Swan makeover thing that was happening, the teeth,
• 11:53
  Speaker 2: the closing the gap and the teeth, the opening the
• 11:56
  Speaker 2: gap and the teeth, the pulling the teeth out wash
• 12:01
  Speaker 2: extremely horrific. I mean, I could not believe that watching
• 12:05
  Speaker 2: that today, it was horrific.
• 12:07
  Speaker 1: But you know, I do think one though, uh, I
• 12:12
  Speaker 1: know that Danny did not want that, and that was
• 12:14
  Speaker 1: horrific to me because the I can't think of the
• 12:18
  Speaker 1: woman that did want it.
• 12:20
  Speaker 3: Oh, I have it written down.
• 12:22
  Speaker 1: Not Shanny no, not Shanny no, no.
• 12:24
  Speaker 2: She was the other one, oh wait to have but
• 12:28
  Speaker 2: Joy Joni, Yeah, she was.
• 12:32
  Speaker 1: This was like the best thing that you know, she
• 12:34
  Speaker 1: could have asked for, according to her. But like the
• 12:37
  Speaker 1: thing that was heartbreaking to me was the Danny one
• 12:40
  Speaker 1: where she was like this, I love this about myself.
• 12:43
  Speaker 1: Why are you changing this?
• 12:44
  Speaker 2: Yeah, I don't know if Jonie. I think Janie was
• 12:48
  Speaker 2: excited to get that done, but I don't think it
• 12:52
  Speaker 2: turned out.
• 12:53
  Speaker 3: The way she expected.
• 12:55
  Speaker 2: I don't think that she knew that they were going
• 12:57
  Speaker 2: to take four teeth in the same day.
• 13:01
  Speaker 1: Yeah, yeah, she didn't know any of that, but she
• 13:04
  Speaker 1: but she does say like she was right happy about it.
• 13:08
  Speaker 2: Well, yeah, you say, I want to get a makeover,
• 13:10
  Speaker 2: A great, give me a makeover, and I'm so excited
• 13:13
  Speaker 2: because I would never be able to get a makeover.
• 13:16
  Speaker 2: And then I go in and then they shave my head,
• 13:20
  Speaker 2: and they they dye my eyebrows. They they put lip
• 13:24
  Speaker 2: filler in my lips and in my cheeks, and yeah,
• 13:29
  Speaker 2: I would have never been able to afford that.
• 13:30
  Speaker 3: But is that what I actually wanted?
• 13:33
  Speaker 1: No?
• 13:34
  Speaker 3: Its insane.
• 13:35
  Speaker 2: When she was like, look at what they did to
• 13:37
  Speaker 2: my teeth, I didn't. I don't know what I was
• 13:39
  Speaker 2: even looking at.
• 13:40
  Speaker 1: Oh that was because they filed them down for her veneers.
• 13:43
  Speaker 2: See they gave her veneers. Like that's insane. Yeah, oh
• 13:50
  Speaker 2: my god, I can't even that is so traumatic. She
• 13:54
  Speaker 2: seemed to be you know, did you recognize her? She
• 13:57
  Speaker 2: said that she's like found she's on home improvement, Like
• 14:01
  Speaker 2: if she's on a TV show or something.
• 14:03
  Speaker 1: Did you recognize I didn't, but I remember her from
• 14:07
  Speaker 1: being on the show. I don't know. It's like for me.
• 14:13
  Speaker 1: That to me was like because, uh, because she seemed
• 14:16
  Speaker 1: happy about it in the end, I was like, Okay, well,
• 14:21
  Speaker 1: I mean like.
• 14:22
  Speaker 3: She happy about it in the end as an adult.
• 14:25
  Speaker 1: Now, yeah she is. She said that she was grateful
• 14:28
  Speaker 1: for that. Oh, but I I because she's like I
• 14:32
  Speaker 1: would have never been able to afford this. I was
• 14:34
  Speaker 1: so self conscious about this snaggletooth and they like took.
• 14:38
  Speaker 1: I just didn't realize the process was going to be
• 14:40
  Speaker 1: so insane, and I wasn't allowed to talk to my
• 14:43
  Speaker 1: mother or a lawyer or anything. But the like I
• 14:46
  Speaker 1: actually got like I cried for Danny because I was
• 14:50
  Speaker 1: just like, she loves their gap. That's like her. She
• 14:53
  Speaker 1: wants that what are you doing? What are you doing?
• 14:57
  Speaker 3: What are you doing?
• 14:58
  Speaker 1: These?
• 14:58
  Speaker 3: Yeah, poor guy, It's.
• 15:00
  Speaker 1: Just so many of those. And then I just like
• 15:02
  Speaker 1: so many of these situations, like the woman that was
• 15:05
  Speaker 1: like trying to stop the guy from touching her and
• 15:08
  Speaker 1: stood up for herself. It's those moments when they're standing
• 15:11
  Speaker 1: up for themselves that reminds me, No, we knew better.
• 15:15
  Speaker 1: They knew better, and we as viewers knew better. And
• 15:18
  Speaker 1: then I sit there and think, Emily, what the hell,
• 15:21
  Speaker 1: who were you back then?
• 15:23
  Speaker 2: Like, yeah, I think, but I think that's how we
• 15:26
  Speaker 2: all must have been. We also haven't really been taught
• 15:32
  Speaker 2: to stand up for ourselves either. I mean, if I
• 15:34
  Speaker 2: was in that situation, I wouldn't have even said anything.
• 15:36
  Speaker 2: I would have absolutely gone along with that. Shoot, I
• 15:40
  Speaker 2: wouldn't have And you know, I can't judge these young
• 15:44
  Speaker 2: ladies because they're so young. I mean, that's a huge
• 15:48
  Speaker 2: part of it is that you know, when you're so
• 15:49
  Speaker 2: young in that situation and you get this opportunity and
• 15:52
  Speaker 2: they really didn't know what it was actually going to be,
• 15:56
  Speaker 2: and was also sad to see that, you know, really
• 15:58
  Speaker 2: like didn't really get them anywhere.
• 16:01
  Speaker 3: Most of them.
• 16:03
  Speaker 1: Well, and then they're okay. So like, I do have empathy,
• 16:06
  Speaker 1: not empathy, I do have a level of like, hey,
• 16:09
  Speaker 1: I must have been somewhere in the line of a
• 16:12
  Speaker 1: monster if I watched this and it was fun and
• 16:14
  Speaker 1: I didn't think it was bad for like Tyra and
• 16:19
  Speaker 1: Nuts and the people involved producer wise, because like we
• 16:22
  Speaker 1: didn't know or we thought, I don't know what the
• 16:25
  Speaker 1: fuck we were thinking is my point on that. But
• 16:28
  Speaker 1: to know that Tyra, as this show is going and evolving,
• 16:34
  Speaker 1: isn't even trying to help these people on the right
• 16:37
  Speaker 1: back end. Yeah, that made me mad.
• 16:39
  Speaker 2: Ooh what she said to Danielle, you know, fifteen years
• 16:43
  Speaker 2: later was crushing, crushing, Yeah about that. She knew that
• 16:49
  Speaker 2: she was going. She was like, I had to ride
• 16:51
  Speaker 2: the fence with her because I knew that she was
• 16:53
  Speaker 2: going to come against these roadblocks and I knew that
• 16:55
  Speaker 2: there was not much I could do to help her.
• 16:58
  Speaker 2: And Tyra is justifying this as in my opinion, she
• 17:03
  Speaker 2: was justifying why she did what she did because she
• 17:07
  Speaker 2: feels that and this is how she.
• 17:09
  Speaker 3: Can sleep at night.
• 17:10
  Speaker 2: If it weren't for them, and it weren't for their show,
• 17:13
  Speaker 2: they wouldn't have paved the way for other women and
• 17:17
  Speaker 2: other models to do what they're doing today. And that
• 17:20
  Speaker 2: may be part of it. I can't ignore that that's
• 17:24
  Speaker 2: not part of it. I mean the plus size model thing.
• 17:26
  Speaker 2: I think that that was huge.
• 17:28
  Speaker 3: When she was.
• 17:30
  Speaker 2: Shining a light on that and how people are not
• 17:33
  Speaker 2: talking about that enough even though yet at the same
• 17:35
  Speaker 2: time they're ripping these women to shreds about being you know,
• 17:40
  Speaker 2: too big when you're one hundred and thirty pounds.
• 17:43
  Speaker 1: But also Emmy was around then by the way, I
• 17:46
  Speaker 1: thought that, I was like, give Emmy a little credit.
• 17:50
  Speaker 1: Remember Emmy, she was a plus size supermodel. But and
• 17:56
  Speaker 1: then you know, like, by the way, I also want
• 17:58
  Speaker 1: to acknowledge like Tyra Banks, like this black woman that
• 18:02
  Speaker 1: was shit on by the industry completely even when they
• 18:04
  Speaker 1: showed sorry, I hint my mic even when they showed
• 18:07
  Speaker 1: her Sports Illustrated cover, being the first black woman on
• 18:10
  Speaker 1: Sports Illustrated, they still had to put a white woman
• 18:12
  Speaker 1: on with her. So it's like, I also am aware
• 18:16
  Speaker 1: of that, and so like I have a hard time
• 18:20
  Speaker 1: being like I just have a hard time fully going
• 18:25
  Speaker 1: as hard as I think I might have. I might
• 18:29
  Speaker 1: on Tira because even though this I don't know, this
• 18:33
  Speaker 1: whole documentary is very upsetting.
• 18:35
  Speaker 2: Well, she's projecting she wasn't treated fairly by any stretch
• 18:39
  Speaker 2: of the imagination. She was abused by a system, and
• 18:43
  Speaker 2: what ends up happening is it's a cycle is. That
• 18:46
  Speaker 2: isn't that interesting that it's called cycle because it's a
• 18:50
  Speaker 2: cycle of abuse. She was abused in this system. She
• 18:53
  Speaker 2: was mistreated, she was disrespected, she was overlooked, she was
• 18:58
  Speaker 2: all the things. And now she's, by default of her
• 19:04
  Speaker 2: not even wanting to do that, by wanting to do
• 19:07
  Speaker 2: the opposite, she's now done that. She's now projected her
• 19:12
  Speaker 2: abuse and the things that happened to her onto these women,
• 19:15
  Speaker 2: and that is what's so shocking about it.
• 19:18
  Speaker 1: Yeah. Yeah, and Jannas Dickinson. I forgot how brutal she was.
• 19:25
  Speaker 3: Yeah, they were.
• 19:28
  Speaker 1: Laughing about her stuff on the documentary. You're like, oh,
• 19:31
  Speaker 1: that's Janis. I'm like, oh my god, she leveled that
• 19:35
  Speaker 1: girl like out of nowhere. Yeah.
• 19:38
  Speaker 2: By the way, I think Janice Dickinson is going to
• 19:40
  Speaker 2: be on the e documentary.
• 19:43
  Speaker 1: Yeah. Also, do you get the vibe that because Tyra
• 19:46
  Speaker 1: wasn't nice to everybody that were you know, like the
• 19:50
  Speaker 1: J's probably Janis that like in their personal lives. I
• 19:56
  Speaker 1: feel like that's a lot of where the hurt is
• 19:58
  Speaker 1: coming from too with these guys. And I get it.
• 20:00
  Speaker 1: I would be hurt too. I'm just saying, like I
• 20:03
  Speaker 1: think Tyra, Tyra didn't do herself any favors. But I'm
• 20:09
  Speaker 1: just trying to like big picture this thing as much
• 20:11
  Speaker 1: as I can to be like we also because I
• 20:14
  Speaker 1: feel somewhat responsible in terms of just being a viewer
• 20:17
  Speaker 1: that like had no issue with this. I can't like
• 20:20
  Speaker 1: not admit that.
• 20:22
  Speaker 2: Well, you have admitted it, Emily, and we're all gonna
• 20:25
  Speaker 2: blame you. We're all gonna it's your fault documentary.
• 20:29
  Speaker 1: I'll be in the next documentary, thank you.
• 20:35
  Speaker 2: One of the biggest things was that Jay Alexander mss
• 20:40
  Speaker 2: Jay Queen of the Catwalk had a stroke and now
• 20:44
  Speaker 2: is struggling to walk. That whole situation is terrible, so
• 20:48
  Speaker 2: sad and miss Jay is not heard from Tyra.
• 20:53
  Speaker 1: That's not good. Yeah, it's bad.
• 20:56
  Speaker 2: Well, she is the type of person though, where it's like, yeah,
• 20:59
  Speaker 2: I guess I can understand she's not well, she's not
• 21:04
  Speaker 2: like a healthy, emotionally healthy person, you know. I agree,
• 21:08
  Speaker 2: So she cannot operate. It's like she's done with them
• 21:14
  Speaker 2: and then she moves on. When we found out that
• 21:16
  Speaker 2: like the three of those guys got fired because of
• 21:19
  Speaker 2: the new CEO, president of the network or whatever, I
• 21:24
  Speaker 2: thought that it was going to be a way bigger
• 21:28
  Speaker 2: reveal because like when j Manuel was talking about how
• 21:33
  Speaker 2: I thought that she was going to have my back,
• 21:35
  Speaker 2: turns out she didn't. I thought something really bad it happened.
• 21:41
  Speaker 2: I'm sorry, you aren't America's next top model. You get
• 21:46
  Speaker 2: rid of people, you slice and dice, and you've done
• 21:48
  Speaker 2: it for years, and a new CEO comes in and
• 21:50
  Speaker 2: you you now think that like you are either a invaluable, untouchable, unfireable.
• 22:00
  Speaker 2: I thought they're being petty to be honest with you.
• 22:04
  Speaker 1: Well, and also to think that Tyra owed them something
• 22:08
  Speaker 1: or yeah, I'm sure she did go to bat or
• 22:13
  Speaker 1: thinks that Tyra. I'm sure. What happened was you got
• 22:17
  Speaker 1: to make a decision. It's either you do these cuts, Tyra,
• 22:21
  Speaker 1: make these changes, you know, refresh the show, or it's done.
• 22:26
  Speaker 1: And she was like, Okay, I don't know if that
• 22:29
  Speaker 1: was the right thing or not. I think obviously it
• 22:32
  Speaker 1: would suck.
• 22:33
  Speaker 2: It wasn't the right thing, but it also wasn't the
• 22:35
  Speaker 2: wrong thing. The show was going down, it had run
• 22:38
  Speaker 2: its course, it was on Cycle infinity, and people were
• 22:43
  Speaker 2: over it by that point, you know, it was it
• 22:45
  Speaker 2: was done. It was a big, huge thing. And then
• 22:47
  Speaker 2: now it's like we're over it. They think well, as
• 22:51
  Speaker 2: she said in her confessional I'm Sorry interview, she said
• 22:55
  Speaker 2: that I think they probably think that I was the
• 23:00
  Speaker 2: one behind that when it wasn't me, when in fact, yeah,
• 23:06
  Speaker 2: probably it could have very well been. And then she's
• 23:08
  Speaker 2: just saying part of it. But like also who cares?
• 23:13
  Speaker 2: And and you can't even work with these people anymore
• 23:16
  Speaker 2: anyway because you hate Jay Manuel because he left you before.
• 23:21
  Speaker 2: And to that point, Jay, why do you even.
• 23:24
  Speaker 3: Want to stay? You can't stand working with there.
• 23:27
  Speaker 2: It's so uncomfortable, that's torturous, like they had it. He
• 23:31
  Speaker 2: wanted to leave, right, That was weird to me. He
• 23:34
  Speaker 2: wanted to leave and wrote her a note.
• 23:38
  Speaker 3: I'm sorry. I thought that you guys were best friends.
• 23:40
  Speaker 1: I think you donet emailed her, right, okay, a note.
• 23:43
  Speaker 3: But it like first he talked to her about it first.
• 23:48
  Speaker 1: Yeah, he said, he like messaged her about what his
• 23:51
  Speaker 1: plan was first or something like basically he like had
• 23:54
  Speaker 1: her in the loop first.
• 23:56
  Speaker 2: Yeah, but he didn't talk to her about it. He
• 23:59
  Speaker 2: just sent her an email.
• 24:00
  Speaker 1: I don't know I got the I didn't. I didn't
• 24:03
  Speaker 1: think that that was that bad.
• 24:05
  Speaker 2: Oh my god, if you sent me an email and
• 24:08
  Speaker 2: you're like, it's been a great two and a half years.
• 24:12
  Speaker 1: Don't open your email. Do not open your email right.
• 24:15
  Speaker 3: Now out of like nowhere.
• 24:19
  Speaker 2: I mean, I I guess I if that was really
• 24:22
  Speaker 2: like what he did, I'm gonna it seems like maybe
• 24:25
  Speaker 2: there's more of the story that we're missing. But like,
• 24:28
  Speaker 2: if they are truly friends, why wouldn't they Why wouldn't
• 24:31
  Speaker 2: he just be like, Tyra, I gotta talk to you.
• 24:33
  Speaker 2: This is how I'm feeling. I'm starting to feel this
• 24:36
  Speaker 2: way and I I'm probably gonna end up leaving. I
• 24:40
  Speaker 2: don't know, but it's like, why why would you treat
• 24:43
  Speaker 2: her like? I guess that's how you would treat your boss.
• 24:47
  Speaker 2: So maybe maybe people will disagree with me that an
• 24:50
  Speaker 2: email is totally fine.
• 24:51
  Speaker 3: She is his boss, So there's that.
• 24:52
  Speaker 1: I mean, who knows at that point what the actual
• 24:55
  Speaker 1: like day to day of their friendship was, Like, it
• 24:58
  Speaker 1: seems like there is a lot there was is a
• 25:00
  Speaker 1: shift at some point there where it got they were friendly.
• 25:05
  Speaker 3: It started to get weird after that after.
• 25:08
  Speaker 1: The email, but I felt before the email.
• 25:11
  Speaker 2: No, it got weird when they did that challenge, the
• 25:16
  Speaker 2: racial one Yes twice twice. Well he let he was
• 25:22
  Speaker 2: like after that, I'm like, I can't do this, and
• 25:25
  Speaker 2: then he left, only to come back to do another
• 25:28
  Speaker 2: one of those challenges, right, because he's like, well, I bucket.
• 25:33
  Speaker 2: I mean, I'm here anyway, I've already done it once.
• 25:35
  Speaker 2: I've sold myself to the devil strange.
• 25:39
  Speaker 3: Yeah, here's the thing.
• 25:40
  Speaker 2: You just you kinda you can't have your cake and
• 25:43
  Speaker 2: eat it too, That's all I'm saying.
• 25:44
  Speaker 3: That's the problem I have.
• 25:45
  Speaker 2: With specifically j Manuel miss miss Jay. I. I don't
• 25:52
  Speaker 2: necessarily know if I feel the same way to some degree,
• 25:57
  Speaker 2: because like they got they got rid of Miss Jay
• 26:01
  Speaker 2: so and Miss Jay's clearly holding a major grudge. That
• 26:07
  Speaker 2: being said, this does not excuse Tyra's behavior. I feel
• 26:11
  Speaker 2: like I'm becoming a Tyra apologist. I just don't like
• 26:14
  Speaker 2: the whole We were fine with all the bullshit for
• 26:18
  Speaker 2: all this time, but then we got fired and now
• 26:21
  Speaker 2: we're mad. Like that annoys me, you know.
• 26:24
  Speaker 1: Yeah, yeah, And I will say, like, maybe it took
• 26:28
  Speaker 1: them getting fired to see like the reality of the
• 26:33
  Speaker 1: situation with her, Like maybe, you know, but I didn't
• 26:37
  Speaker 1: get that vibe with this. Sometimes it takes you know,
• 26:40
  Speaker 1: what I mean like, oh, now, I see what you
• 26:42
  Speaker 1: all have been saying, Like I didn't get that vibe. Right,
• 26:47
  Speaker 1: Tyra's your boss, and I know that you have friendships
• 26:52
  Speaker 1: before that, and that gets complicated, and I don't want
• 26:55
  Speaker 1: to take away from that, but I do think sometimes
• 26:59
  Speaker 1: that I saw it with Ellen and I'm seeing some
• 27:02
  Speaker 1: of it with ty Rowards, like they're not going to
• 27:05
  Speaker 1: be nice every day. These are complicated people just like you.
• 27:08
  Speaker 1: So yeah, let them take this girl's teeth out.
• 27:13
  Speaker 3: Let's be cool about it, right, right right.
• 27:17
  Speaker 2: I mean like this train got on the tracks and
• 27:20
  Speaker 2: this show and it just kept going and going. I
• 27:23
  Speaker 2: do remember when I started watching it. I don't remember
• 27:28
  Speaker 2: Shanny Shanny Shandy.
• 27:32
  Speaker 3: I don't remember that. I do not.
• 27:34
  Speaker 2: I don't think because that was really early. I do
• 27:37
  Speaker 2: not think I saw the first two seasons. I don't know,
• 27:41
  Speaker 2: maybe even three of America's Next Top Model.
• 27:43
  Speaker 1: See that's I think all I watched and it was
• 27:47
  Speaker 1: just like very like compelling. And then I again, I
• 27:51
  Speaker 1: don't know why I didn't stop. I stopped, but I mean, yeah,
• 27:55
  Speaker 1: the Shandy thing, like I didn't it didn't even register
• 27:58
  Speaker 1: to me, like any of that was like a possible assault,
• 28:04
  Speaker 1: like the idea that she was like way too drunk
• 28:07
  Speaker 1: to consent or any of that. Yeah, that edit what
• 28:10
  Speaker 1: we saw because I did go back and I watched
• 28:12
  Speaker 1: some of that to be like, wait, what did I
• 28:14
  Speaker 1: see back then? And I thought this was okay and.
• 28:17
  Speaker 3: The end was.
• 28:20
  Speaker 1: Now horrible, But then I could see where I would
• 28:24
  Speaker 1: have watched that and thought like.
• 28:26
  Speaker 2: She did it, yeah, because you would like, we're not, huh,
• 28:30
  Speaker 2: we can villainize somebody so easily. We're not taking into
• 28:34
  Speaker 2: consideration that they're being overserved, that they're being encouraged to
• 28:38
  Speaker 2: be around these people, and that she's probably not eating right.
• 28:42
  Speaker 2: She's about like she's this size, she's as heavy as
• 28:46
  Speaker 2: a feather, and then she said she had like two
• 28:49
  Speaker 2: bottles of wine.
• 28:51
  Speaker 1: But it's also just like I can see now just
• 28:56
  Speaker 1: her body and be like in that moment with that
• 29:00
  Speaker 1: guy and be like, I don't think she knows what's happening,
• 29:04
  Speaker 1: but I do remember back then being really mad at
• 29:08
  Speaker 1: the boyfriend. I will say this, good on me for
• 29:11
  Speaker 1: this back then, even though I was like.
• 29:13
  Speaker 2: You're being so hard on yourself, and I mean, I get,
• 29:15
  Speaker 2: I get what you're saying.
• 29:17
  Speaker 1: Like viewers, we demanded these things and we still do.
• 29:21
  Speaker 1: So I'm just trying to be like Agnizon of like careful.
• 29:25
  Speaker 2: I wish don't over do it, Emily, And you know,
• 29:27
  Speaker 2: just let me just say a little bit of a break.
• 29:29
  Speaker 2: You're a great person and you stand up for women's
• 29:33
  Speaker 2: rights all the time.
• 29:35
  Speaker 3: You hired that asshole.
• 29:38
  Speaker 1: I hired the dentist and I said, go crazy in
• 29:42
  Speaker 1: that mouth, take out all the teeth, and he did.
• 29:44
  Speaker 1: So it's my fault, Okay, no, I do. I do
• 29:50
  Speaker 1: remember thinking like that boyfriend. I was like, god, dude,
• 29:53
  Speaker 1: calm down. Like what he was like was gonna have
• 29:56
  Speaker 1: it sucks.
• 29:58
  Speaker 2: Sorry now now I'm having fun with it. But yeah,
• 30:01
  Speaker 2: I mean it was you should have my house, you should.
• 30:05
  Speaker 1: Have my house. Yeah.
• 30:11
  Speaker 2: Anyway, well yeah, because and then the other like he does,
• 30:14
  Speaker 2: he didn't understand what she was going through, that she
• 30:19
  Speaker 2: was really set up. You know, he was young too.
• 30:21
  Speaker 2: He didn't get it. He just thought she did something terrible.
• 30:25
  Speaker 2: And by the way, he's the one who told her
• 30:28
  Speaker 2: to do this, remember.
• 30:30
  Speaker 1: Oh yeah, I know, I know.
• 30:32
  Speaker 2: And then they try to get back together and then
• 30:36
  Speaker 2: you know, they're walking on the street. I honestly he
• 30:39
  Speaker 2: had I hope that he realizes to this day that
• 30:44
  Speaker 2: he fucked up, like he should have stuck in there
• 30:46
  Speaker 2: with her.
• 30:47
  Speaker 3: She didn't even know what was going on. Yeah, yeah, yeah,
• 30:51
  Speaker 3: I feel bad.
• 30:52
  Speaker 1: Yeah yeah, but you know, we learn, we learn, we
• 30:56
  Speaker 1: learn because now you know, something like that goes down
• 31:00
  Speaker 1: below deck below deck. Yeah we I yeah, I do
• 31:06
  Speaker 1: think like reality television has changed so much since then,
• 31:11
  Speaker 1: and it's still very good. So people just.
• 31:15
  Speaker 3: Go to jail, you know.
• 31:16
  Speaker 2: Yeah yeah, yeah, Oh my gosh. So I do really
• 31:24
  Speaker 2: want to watch the Dirty Rotten Scandals on E So
• 31:30
  Speaker 2: we should definitely be watching that.
• 31:32
  Speaker 1: Okay, I will, and I'll feel even worse about my
• 31:37
  Speaker 1: choices as a young Emily cheering it on, although I
• 31:44
  Speaker 1: won't feel as bad about the price is right because
• 31:49
  Speaker 1: that wasn't all right in front of us to see
• 31:51
  Speaker 1: and to hate, like air to love or whatever, like
• 31:55
  Speaker 1: America's Top Model. A lot of that. I like. I
• 31:58
  Speaker 1: like seeing what happened behind the scenes that I didn't
• 32:02
  Speaker 1: know about and I don't.
• 32:02
  Speaker 2: Have right and you don't have to feel yeah, right, totally,
• 32:08
  Speaker 2: it makes sense. Well, why don't we just halt it
• 32:15
  Speaker 2: right here? Okay, drop the anchor. We'll drop the anchor,
• 32:20
  Speaker 2: but first Emily, I have two girls in front of me.
• 32:29
  Speaker 2: I'm holding two pictures and now I'm only holding one picture.
• 32:36
  Speaker 1: Am I still in the running to be America's next
• 32:41
  Speaker 1: to me?
• 32:41
  Speaker 3: Phillips?
• 32:43
  Speaker 2: Shit?
• 32:48
  Speaker 1: Will you send me flowers?
• 32:49
  Speaker 2: We were rooting for you. We were all rooting for you.
• 32:52
  Speaker 2: Oh my god, I'm sorry. That's so brutal. Even Janice
• 32:57
  Speaker 2: Dickinson was like, shit, Ty, what the fuck is your problem?
• 33:02
  Speaker 1: Yeah? Yeah, I mean that I wasn't watching anymore at
• 33:08
  Speaker 1: that point, but I do remember like seeing that clip.
• 33:11
  Speaker 3: That's when I probably that's when I was watching it.
• 33:14
  Speaker 1: Yeah, okay, I remember seeing that clip and being like,
• 33:18
  Speaker 1: what the hell is happening? Oh?
• 33:22
  Speaker 2: By the way, she's like living in Australia now yeah,
• 33:25
  Speaker 2: and she's like, what are we gonna do for our
• 33:28
  Speaker 2: next cycle?
• 33:29
  Speaker 3: And I'm like, wait what now?
• 33:32
  Speaker 1: She her house burned down in the Palisads Tyra Banks house.
• 33:36
  Speaker 3: Oh? Is that why she's in Australia?
• 33:38
  Speaker 1: I think she was already there. Oh okay, I do
• 33:40
  Speaker 1: remember reading that her homes one of her homes, Wow, Palisads.
• 33:48
  Speaker 3: All that America's next top model history mm hmm. Scrap
• 33:57
  Speaker 3: books gone probably better.
• 34:00
  Speaker 2: That's probably why she did the documentary because all the
• 34:03
  Speaker 2: evidence of the shit has been destroyed, not than like
• 34:06
  Speaker 2: making a light of a wildfire.
• 34:09
  Speaker 3: Okay, well, welcoming, thank you.
• 34:15
  Speaker 2: Let's talk about below deck downenda. So where were you
• 34:23
  Speaker 2: the moment you spotted your first gray hair? I think
• 34:26
  Speaker 2: we all know where we were when it was, what
• 34:30
  Speaker 2: time of year, what day it was, and what time?
• 34:33
  Speaker 3: Am I right?
• 34:34
  Speaker 2: I mean it always feels like it comes out of nowhere.
• 34:37
  Speaker 2: I remember seeing mine and thinking, okay, we've got a
• 34:40
  Speaker 2: little silver, got a little silver coming in, gorgeous silver?
• 34:45
  Speaker 2: But is that really the look I'm going for?
• 34:48
  Speaker 3: No?
• 34:48
  Speaker 2: And it is never just the color. Gray hairs feel different,
• 34:53
  Speaker 2: you know, they move a little different, They're a little coarser,
• 34:56
  Speaker 2: they're a little sassy or a little wiry, you know,
• 34:59
  Speaker 2: and they stand out from the rest of your hair.
• 35:02
  Speaker 2: Some people pluck it, some immediately start searching for dyes,
• 35:05
  Speaker 2: and some pretend it never happened. I might fall into
• 35:09
  Speaker 2: that category. But even if you haven't had that moment yet,
• 35:13
  Speaker 2: it eventually shows up for all of us. Sorry to say,
• 35:16
  Speaker 2: but here is the interesting part. What if you could
• 35:20
  Speaker 2: actually slow them down and keep your natural color longer
• 35:25
  Speaker 2: while also getting thicker fuller, shinier hair. That's where Array
• 35:31
  Speaker 2: comes in. Array has revolutionized the way we think about
• 35:35
  Speaker 2: gray hair. Their products are clinically proven to slow gray growth,
• 35:40
  Speaker 2: support repigmentation, and improve thickness and fullness in as little
• 35:44
  Speaker 2: as three to six months with consistent usage. So I've
• 35:48
  Speaker 2: been using the system myself and I have genuinely noticed
• 35:52
  Speaker 2: a difference, fewer new grays coming in and healthier feeling
• 35:57
  Speaker 2: hair overall. And here's how it works. So Array targets
• 36:01
  Speaker 2: grays from both the inside and the outside. Inside is
• 36:06
  Speaker 2: there daily supplement called not Today Gray. It fills nutrient
• 36:11
  Speaker 2: gaps that can speed up gray and supports melanin production,
• 36:15
  Speaker 2: which is the pigment behind your natural color. It can
• 36:18
  Speaker 2: even help grays grow back with more pigment. Now outside,
• 36:22
  Speaker 2: is there lightweight oil free serum to the root is
• 36:25
  Speaker 2: what it's called, and I love it. Powered by arrays
• 36:29
  Speaker 2: patented Mela nine complex, it helps slow new grays while
• 36:33
  Speaker 2: supporting thicker and fuller hair, and adding and timing matters
• 36:37
  Speaker 2: even if you haven't spotted a gray yet. I don't
• 36:40
  Speaker 2: fall into that category, but anyway, prevention works best when
• 36:43
  Speaker 2: you start early. In a Rays clinical study eighty eight
• 36:46
  Speaker 2: percent of users had less gray growth. Many also had
• 36:49
  Speaker 2: increased fullness, shine, and softer texture. Did you know that
• 36:53
  Speaker 2: the scalp ages six times faster than the face?
• 36:55
  Speaker 3: Yeah?
• 36:56
  Speaker 2: I didn't either. That's kind of wild. Yeah, so we
• 37:00
  Speaker 2: need to pay attention to that. Most people cover grays,
• 37:03
  Speaker 2: but you can actually slow their progression for a limited time.
• 37:06
  Speaker 2: My listeners get fifteen percent off at Array by using
• 37:10
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• 37:14
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• 37:18
  Speaker 2: and you're all set. After you purchase, they'll ask you
• 37:21
  Speaker 2: where you heard about them. Please support my show and
• 37:24
  Speaker 2: tell them that Drama Darling sent you. Well well, well, well, well,
• 37:32
  Speaker 2: my god, we went from from a turtle off the
• 37:36
  Speaker 2: port side to lost at CE Liz.
• 37:40
  Speaker 1: Yeah, how about you got a little shout out on
• 37:45
  Speaker 1: Watch What Happens from Andres.
• 37:47
  Speaker 3: Oh my god.
• 37:48
  Speaker 1: Daisy Andreas from Tallyho was on Watch What Happens and
• 37:54
  Speaker 1: he opened up by saying, Daisy, I met you when
• 37:57
  Speaker 1: Amy Phillips gave me a lapdoce at the at her
• 38:01
  Speaker 1: cabaret show, and Daisy said, you were very lucky.
• 38:07
  Speaker 2: He's so nice of you, and and it's like, what's
• 38:10
  Speaker 2: your question. I don't take any offense to that, by
• 38:17
  Speaker 2: the way, and no one should because they have to
• 38:20
  Speaker 2: keep it going.
• 38:20
  Speaker 1: I mean they do have to keep yelling at him
• 38:22
  Speaker 1: in the lag on the question from the viewers to
• 38:28
  Speaker 1: when they get it in the studio. There's always that lag.
• 38:32
  Speaker 3: Yeah, you can't.
• 38:33
  Speaker 1: It's hard, it's it's tough. It's like New Year's when
• 38:37
  Speaker 1: they go remote to different spots and there's the lag.
• 38:40
  Speaker 2: Right.
• 38:40
  Speaker 1: But Andre's department did I just we haven't. We've got
• 38:44
  Speaker 1: to correct that technology.
• 38:47
  Speaker 3: We do.
• 38:48
  Speaker 2: We do so when Liz wasn't found, I literally was gasping,
• 38:55
  Speaker 2: Like the amount of space that he had to actually
• 39:00
  Speaker 2: run that tender was shockingly scary.
• 39:05
  Speaker 1: Yeah, he went on and on and on. And also
• 39:07
  Speaker 1: anytime you hear from the cameraman, it's like, fuck.
• 39:11
  Speaker 3: This is right.
• 39:13
  Speaker 2: Yeah, they're like, she wasn't with me.
• 39:18
  Speaker 1: Maybe the Darling Darlings helped me out. Jaywow did this before.
• 39:22
  Speaker 1: Not the body, not the losing the person thing, but
• 39:25
  Speaker 1: he does this thing where when he fucks up, he
• 39:28
  Speaker 1: immediately points at somebody else in point puts it on them.
• 39:31
  Speaker 1: He did this on the last charter ye, not the
• 39:34
  Speaker 1: last chart of the last season. He was on and
• 39:36
  Speaker 1: he tries to be crazy, and I was like, I
• 39:39
  Speaker 1: don't remember what he did, but he did do it
• 39:41
  Speaker 1: very familiar.
• 39:42
  Speaker 2: It's very jowow of him, just yeah wow of him.
• 39:45
  Speaker 2: Yeah jay wow, jed dumb, just stupid. And you know, look,
• 39:54
  Speaker 2: I don't know. I don't know. I may have done
• 39:56
  Speaker 2: the same thing, because I mean, you've almost lost a
• 39:59
  Speaker 2: fucking person.
• 40:00
  Speaker 3: Okay you yeah? Fuck yeah, I am you bet you
• 40:05
  Speaker 3: better be.
• 40:06
  Speaker 2: Look I am driving the tender. You better What does
• 40:08
  Speaker 2: Mike doing? No, of course I'm not gonna blame you. You
• 40:12
  Speaker 2: would never be responsible for that. You would, You'd have
• 40:15
  Speaker 2: fucking the idiot who's not watching what's going on?
• 40:20
  Speaker 3: Mike.
• 40:21
  Speaker 1: I'm gonna blame myl Hey, the buck stops with you.
• 40:24
  Speaker 1: Wow wow, it stops with you, not me Amy wow
• 40:29
  Speaker 1: a wow ah wow.
• 40:32
  Speaker 2: Yeah.
• 40:32
  Speaker 3: It's pretty weak. It is weak.
• 40:34
  Speaker 2: I wouldn't blame somebody, but I would. No, I'm sorry,
• 40:37
  Speaker 2: I would. I'd blame my husband. That's who I would blame.
• 40:44
  Speaker 2: That was terrifying. And this guest was like, it's all good.
• 40:48
  Speaker 2: I was just following a fucking sea horse or whatever.
• 40:52
  Speaker 4: She's a sting ray And I'm like, yeah, you almost
• 40:55
  Speaker 4: have followed it to heaven like look up, look alive,
• 40:59
  Speaker 4: Like I can't believe that she just got off track
• 41:02
  Speaker 4: like that.
• 41:03
  Speaker 1: God. I was very surprised that they weren't sure if
• 41:07
  Speaker 1: she wore a life jacket, as though that was a
• 41:09
  Speaker 1: voluntary option.
• 41:11
  Speaker 3: Oh my god.
• 41:12
  Speaker 2: And that, to me is almost a bigger negligence considering
• 41:17
  Speaker 2: that they knew that the tides were going nuts.
• 41:21
  Speaker 1: Yeah. Yeah, first she's like, oh.
• 41:24
  Speaker 2: Well, if I didn't have a life jacket on, I
• 41:26
  Speaker 2: probably would have been freaking out. Yeah, you probably would
• 41:28
  Speaker 2: have drowned. I mean, I'm seriously And.
• 41:32
  Speaker 1: It seemed like we didn't see the footage, but it
• 41:34
  Speaker 1: did seem like they had there was it was questionable,
• 41:38
  Speaker 1: like if you want it, you can have it, and
• 41:41
  Speaker 1: she did. Fortunately someone talked her and do it. But
• 41:44
  Speaker 1: we didn't see that. But that was the vibe.
• 41:46
  Speaker 3: That was the vibe. Wow, how about that?
• 41:50
  Speaker 2: Well, sing a Net Benning or whatever her name is,
• 41:54
  Speaker 2: a Net Perry.
• 41:56
  Speaker 1: Ll sell this house today.
• 41:58
  Speaker 3: Yes, oh I got an amazing American beauty.
• 42:02
  Speaker 2: Yeah yeah, yeah, a Net Perry coming in twirling in
• 42:09
  Speaker 2: And this couple's great. I mean, they are just the
• 42:12
  Speaker 2: epitome of what you want on a charter, you know, like, oh,
• 42:16
  Speaker 2: those aren't polo horses. That's for the Western Country Western
• 42:20
  Speaker 2: Tomorrow Night, you.
• 42:21
  Speaker 1: Fool see, get your shit together. These are not racing horses.
• 42:26
  Speaker 2: So funny, they're like, by the way, tomorrow Night, now,
• 42:31
  Speaker 2: that is where we're gonna need the reunion set from Potomac.
• 42:35
  Speaker 3: Okay, look alive, Look alive.
• 42:38
  Speaker 2: By the way, I was on Facebook Marketplace, as I
• 42:41
  Speaker 2: have been constantly because with baby Dorter's new room design,
• 42:48
  Speaker 2: just getting some finishing touches there. And then also I
• 42:54
  Speaker 2: want to get a new chair for myself for the
• 42:56
  Speaker 2: living room because Brett has.
• 42:58
  Speaker 1: His chair, yes he does.
• 43:01
  Speaker 2: I don't have my chair. So I was like, you know,
• 43:05
  Speaker 2: what where are we talking about? Oh, father's chair. Oh
• 43:08
  Speaker 2: father's I mean, it's a joke, we joke father chair.
• 43:11
  Speaker 1: Cha.
• 43:11
  Speaker 2: That's exactly what I said. I go, I want mother's chair.
• 43:17
  Speaker 2: So that's what I'm getting for my birthday. That was
• 43:19
  Speaker 2: my birth that's my birthday gift. So I've been looking
• 43:21
  Speaker 2: on Facebook Marketplace constantly for like the right chair.
• 43:25
  Speaker 1: Yeah nice.
• 43:26
  Speaker 2: And then I also got a desk for Maddie's room,
• 43:29
  Speaker 2: which I picked up this morning. But oh yeah, So
• 43:32
  Speaker 2: my point is is that I was scrolling and I
• 43:35
  Speaker 2: saw a couch cushion, a long like patio outdoor couch
• 43:40
  Speaker 2: cushion that was that was green and white striped, exactly
• 43:44
  Speaker 2: like the Reunion couch.
• 43:46
  Speaker 3: Oh wow, it's that hilarious.
• 43:49
  Speaker 1: Yeah, let's do it. Let's make your living room into
• 43:53
  Speaker 1: the Potomac set.
• 43:54
  Speaker 3: Yeah, or this this office?
• 43:55
  Speaker 1: Why not?
• 43:56
  Speaker 3: Why not we do? Okay? Yeah?
• 44:00
  Speaker 2: Annette Perry and the primaries of this charter great, loving
• 44:07
  Speaker 2: what they're bringing, their high status, their high high maintenance.
• 44:12
  Speaker 2: Thank you, and it's great. Now Daisy, Poor Daisy. By
• 44:19
  Speaker 2: the end of this episode, she's like.
• 44:20
  Speaker 5: We're fucking late to greeting, We're late to decor, and
• 44:24
  Speaker 5: we're fucking late to dinner and launch and now we're late.
• 44:28
  Speaker 3: I fucking swimsuits.
• 44:32
  Speaker 2: Mike was wasn't Mike specifically who was told to take
• 44:36
  Speaker 2: the tender back and get the swim seas?
• 44:38
  Speaker 3: Okay, Eddie, what's up with that?
• 44:42
  Speaker 1: You know? I think that if I were Eddie, I
• 44:45
  Speaker 1: would have made the same mistake, because lunch was like
• 44:48
  Speaker 1: about ready, It's like, why am I going to do
• 44:50
  Speaker 1: two trips? When?
• 44:51
  Speaker 3: Oh interesting?
• 44:53
  Speaker 1: You know what I mean? Like I would have thought
• 44:55
  Speaker 1: it's definitely one of those things where I would have
• 44:58
  Speaker 1: been told I've been thinking, oh, it's just two more minutes,
• 45:00
  Speaker 1: It's just two more minutes. Yeah, and it adds up
• 45:02
  Speaker 1: and adds up and adds up and you don't realize.
• 45:05
  Speaker 1: But I was also like, why is it so hot
• 45:08
  Speaker 1: on that beach?
• 45:09
  Speaker 3: Also, Annette, you really forgot your swimsuit?
• 45:13
  Speaker 1: Like, go way down in the water. What's wrong?
• 45:15
  Speaker 3: Get in the water with your dress.
• 45:18
  Speaker 1: Yeah, who cares? You just flew here on a jet,
• 45:21
  Speaker 1: that dress, that dress and get it wet.
• 45:24
  Speaker 3: And dress you can get it wet. Just get in
• 45:27
  Speaker 3: the water. You can buy on a jet.
• 45:30
  Speaker 2: You can get your butt jet in the wet fat dress.
• 45:36
  Speaker 1: I was my point, Rachel is that I don't know
• 45:40
  Speaker 1: who that was. It started as Rachel, then it changed
• 45:43
  Speaker 1: with me.
• 45:45
  Speaker 3: Yeah it's Rache.
• 45:52
  Speaker 1: Yeah, I don't think. My point is that they keep
• 45:55
  Speaker 1: saying or showing that they have more money than the
• 45:57
  Speaker 1: entire planet. So I'm like, just get in the ruin
• 46:00
  Speaker 1: the dress, live a little, let's see it.
• 46:02
  Speaker 2: She can't think outside that box also, you know, I
• 46:06
  Speaker 2: mean she would never can you imagine She's like, does
• 46:08
  Speaker 2: this room have a makeup desk? Which you know, that's
• 46:16
  Speaker 2: it would be nice to have, but like, yeah, she
• 46:21
  Speaker 2: no one said get your ass in the water, or
• 46:24
  Speaker 2: like pull your dress up. She had her dress up,
• 46:27
  Speaker 2: Just go wade, go, wade up to your thighs, swirl
• 46:32
  Speaker 2: in there.
• 46:33
  Speaker 1: Hot ass sand, which she was complaining was too hot.
• 46:37
  Speaker 1: And then she puts her whole body down flat into
• 46:40
  Speaker 1: that hot ass sand.
• 46:42
  Speaker 2: And her husband's like, hmm, I think she's gonna die
• 46:45
  Speaker 2: from a hate stroke. Oh lovey, it's like Gilligan's Island lovey.
• 46:52
  Speaker 2: Oh no, love He's gonna die love He's melting into
• 46:55
  Speaker 2: the sand. Oh boy. All right, So Ellie, did I
• 47:04
  Speaker 2: tell you? I have told you that Brett is Slovenian
• 47:06
  Speaker 2: and we found that out when he did twenty three
• 47:08
  Speaker 2: and meters.
• 47:09
  Speaker 1: Oh, I think if you did. I forgot.
• 47:13
  Speaker 2: How could you forget someone who's whose ancestry is from Slovenia.
• 47:20
  Speaker 3: Slovenia, Thank God for Ellie.
• 47:23
  Speaker 1: That's probably when you told me the first time. I
• 47:25
  Speaker 1: forgd Well, I also forgot Ellie. So it's not just
• 47:31
  Speaker 1: his back. I forgot the entire person of Ellie. Sure
• 47:33
  Speaker 1: until this season.
• 47:34
  Speaker 2: Again, Yeah, that's normal. Don't blame yourself. Okay, you're taking
• 47:39
  Speaker 2: a lot of heat on yourself to that.
• 47:40
  Speaker 1: I don't think. I don't like this.
• 47:42
  Speaker 3: I thinking, don't do this to yourself.
• 47:46
  Speaker 1: How about Ben and Ellie bonding over their trauma? Is there?
• 47:51
  Speaker 1: Like lunch was forty five fucking minutes to go into
• 47:54
  Speaker 1: the walkie talkie and they don't even hear it. They
• 47:57
  Speaker 1: don't hear it.
• 47:58
  Speaker 3: They're like, she's like, I got the bond drop in
• 48:00
  Speaker 3: me and eight years.
• 48:02
  Speaker 2: Old the bombs And he's like, he's like, Gorda, wait,
• 48:07
  Speaker 2: how does he talk? How does he talk? I don't
• 48:08
  Speaker 2: even know British?
• 48:09
  Speaker 6: Right? So he's like, oh, I've got a holt burning
• 48:21
  Speaker 6: pot pan.
• 48:23
  Speaker 2: That was on fire thrown in my head. See now
• 48:26
  Speaker 2: I'm doing Australian. I can't do British anymore.
• 48:29
  Speaker 1: Yes, you can a me.
• 48:30
  Speaker 3: No, it's my fault. It's my fault that ty retreated
• 48:34
  Speaker 3: the mind.
• 48:35
  Speaker 1: That it is. See good, let it out.
• 48:42
  Speaker 3: Okay, it's not my fault, right right O. I don't know.
• 48:47
  Speaker 3: I can't do it.
• 48:49
  Speaker 1: Oh got a hot ice? Oh I oh I can't
• 48:57
  Speaker 1: now either.
• 48:58
  Speaker 7: What happened?
• 49:01
  Speaker 1: Disgusting?
• 49:03
  Speaker 3: Let's do our exercises.
• 49:05
  Speaker 2: The rain on the plane falls mainly, No, the rain
• 49:09
  Speaker 2: in spain falls mainly on the plane.
• 49:12
  Speaker 3: I got a hot pot thrown at my head.
• 49:17
  Speaker 2: I got a hot pot thrown at my.
• 49:27
  Speaker 1: You know what. It's like, I can't get into like
• 49:29
  Speaker 1: a lock in word for him or phrase, and then
• 49:32
  Speaker 1: it just is.
• 49:33
  Speaker 2: Dalin, Darlin, Darlin, Wait, thank you see I'm going Australian.
• 49:39
  Speaker 3: I can't. I can't. Yeah, okay, we.
• 49:42
  Speaker 1: Get there anyway, it'll come back back.
• 49:45
  Speaker 2: And then she's like what did she say? And the
• 49:47
  Speaker 2: yo and and he's like what'd she say? And she's like,
• 49:51
  Speaker 2: I don't know.
• 49:52
  Speaker 3: Bombs and they drop.
• 49:54
  Speaker 2: I'm like, oh my god, you poor things. No, I
• 49:56
  Speaker 2: felt terrible. I felt terrible.
• 49:57
  Speaker 1: It's awful that hurt bos. The story was insane.
• 50:01
  Speaker 2: Oh my god, insane. And then you know, and not
• 50:05
  Speaker 2: to be lighthearted about it, but like to go through
• 50:08
  Speaker 2: such an atrocity at such a young age is terrifying.
• 50:12
  Speaker 2: And you know, look that's happening, you know as we speak,
• 50:18
  Speaker 2: and it's just you just hear. We are so far
• 50:21
  Speaker 2: removed from it, and so it's just crazy to hear
• 50:25
  Speaker 2: when people share this. She's like, oh, organizing helps me,
• 50:29
  Speaker 2: like cope, And I thought, oh, that makes so much sense.
• 50:32
  Speaker 3: Why she was like cutting boards color quoted. He's like, yeah, no, Darlan.
• 50:40
  Speaker 1: Yeah, now I do. And I also want her to
• 50:43
  Speaker 1: organize her hair back away from the field. Oh man,
• 50:49
  Speaker 1: I mean, I know. I'm sorry. That has nothing to
• 50:52
  Speaker 1: do with her past. I'm living in the moment stage. Hi,
• 50:58
  Speaker 1: I'm so happy to tell you this is so brittany.
• 51:02
  Speaker 1: She's interrupting us to ting ting ting, like, of course
• 51:05
  Speaker 1: it's a Brittany drop. That doesn't need to be there.
• 51:07
  Speaker 1: It's so brittany. She probably planned that.
• 51:10
  Speaker 2: That was totally my fault. I'm so sorry. I did
• 51:12
  Speaker 2: not mean to hit that. My apologies, Emily, you were saying.
• 51:20
  Speaker 1: Uh, yeah, that's it, just that in the moment that
• 51:24
  Speaker 1: we are currently in with Ellie's hair nothing to do
• 51:27
  Speaker 1: with her past. I need her to pull it all
• 51:29
  Speaker 1: back to get out of there.
• 51:31
  Speaker 3: It's much longer than it was last time, too.
• 51:34
  Speaker 1: Well, it's in everything to me. I'm just like, there's
• 51:38
  Speaker 1: so much hair.
• 51:38
  Speaker 2: It's going to be I mean, Annette is when she
• 51:43
  Speaker 2: when she gets uh sorry, when she complains about her
• 51:49
  Speaker 2: scallop cake and and he's got to make her some
• 51:53
  Speaker 2: scallop in their actual regular form. Yeah, there is gonna
• 51:59
  Speaker 2: be a piece of hair so long that she is
• 52:03
  Speaker 2: gonna pull out of that mouth. And she's tiny, so
• 52:06
  Speaker 2: it's gonna go. She's gonna be as long as she
• 52:10
  Speaker 2: is not to mention lot of Oh no, it's so.
• 52:17
  Speaker 1: Long, like you said, and it's like going to get
• 52:20
  Speaker 1: caught in shit in the kitchen.
• 52:22
  Speaker 2: Oh like, don't don't do not walk on deck, okay, Ellie,
• 52:27
  Speaker 2: because it's not gonna be pretty, but put a hairnut on.
• 52:31
  Speaker 3: I'm sorry, I'm not.
• 52:34
  Speaker 1: Even giving you. I'll even say this. I'll allow not
• 52:38
  Speaker 1: a hairnet. Just pull it back and I'm not gonna
• 52:40
  Speaker 1: notice in a in a bun and like pin it
• 52:43
  Speaker 1: back just so we're.
• 52:45
  Speaker 3: Not yeah something.
• 52:46
  Speaker 2: You know, no one wants to be on camera in
• 52:48
  Speaker 2: a hairnet, so.
• 52:49
  Speaker 3: I'll allow it too. Yeah yeah yeah.
• 52:54
  Speaker 2: So but meanwhile, like who can hear Daisy actually on
• 52:58
  Speaker 2: the radio for really being honest about it, because it's
• 53:00
  Speaker 2: like her tone is so basy, it's probably matching with
• 53:04
  Speaker 2: the engine room at all times.
• 53:06
  Speaker 5: So it's like that's everybody ready for there wasn't just
• 53:10
  Speaker 5: sort on everybody's everybody's park the drus we need the no.
• 53:19
  Speaker 3: It's like the shipboarn goes. They just think it's the
• 53:22
  Speaker 3: ship worn.
• 53:24
  Speaker 1: Like that's a hungry No one can hear you on
• 53:28
  Speaker 1: this boat at all. Everybody's got there's a communication like
• 53:32
  Speaker 1: a literal. No one can understand or hear each other.
• 53:35
  Speaker 3: On the wood can oh my god, pull pull.
• 53:40
  Speaker 1: Buttle pole poor the tool the tool.
• 53:48
  Speaker 2: I was thinking of a tool, so I said poll,
• 53:51
  Speaker 2: oh my god, my heart, my heart, my heart, my heart.
• 53:56
  Speaker 1: Yeah, that was so sad.
• 53:59
  Speaker 5: Oh.
• 54:00
  Speaker 1: I thought Captain Jason handled that well.
• 54:02
  Speaker 3: He did, and I think she handled it.
• 54:05
  Speaker 1: Well, by the way, because that was not an easy
• 54:07
  Speaker 1: thing for her to go do. And she's actually kind
• 54:09
  Speaker 1: of conf not confronting him but just saying, like very
• 54:14
  Speaker 1: much what she needs from him, And that's an easy
• 54:17
  Speaker 1: thing to ask in that situation.
• 54:20
  Speaker 2: You know, it was all fun and games and like
• 54:22
  Speaker 2: funny that she was like these accents this person, that
• 54:27
  Speaker 2: person and like Jenna, and I love that Daisy co
• 54:31
  Speaker 2: signed that she couldn't understand. She's like, my cans are
• 54:33
  Speaker 2: a fucking wardo, just saying Jenna, that was.
• 54:36
  Speaker 3: A great shot.
• 54:38
  Speaker 2: But like, yeah, she to be you know, multi lingual. Yeah,
• 54:46
  Speaker 2: and like that is a huge challenge then opening up
• 54:50
  Speaker 2: about her personal life and to be told that she's
• 54:53
  Speaker 2: just not smart enough is just so heartbreaking to me,
• 54:55
  Speaker 2: and it makes me so angry.
• 54:58
  Speaker 3: Yeah.
• 55:00
  Speaker 2: Yeah, hearing her story was just so sad. And then
• 55:02
  Speaker 2: you know, being told that she's not smart enough her
• 55:04
  Speaker 2: whole life, it's just devastating and I love that she
• 55:08
  Speaker 2: wants to give give them a big fuck you.
• 55:10
  Speaker 3: Good for her.
• 55:12
  Speaker 1: Yeah, she's definitely angry about that. Like when she puts
• 55:15
  Speaker 1: up when she gave two big metal figures, I was like.
• 55:18
  Speaker 3: Wouces, we're heading into Duce territory.
• 55:21
  Speaker 1: Which I was like, we all understand that. Finally somebody's
• 55:25
  Speaker 1: very clear on this boat. Yeah, she knew.
• 55:27
  Speaker 2: I knew where the camera was and she was like,
• 55:30
  Speaker 2: deuzes up and drop the anchor on those deuces.
• 55:36
  Speaker 3: Yeah, and I like that. He's like, the it is
• 55:38
  Speaker 3: just a language, Buria.
• 55:39
  Speaker 7: They were going to ye through see go en and
• 55:44
  Speaker 7: it's like, oh, Jason, please, but her father being married
• 55:51
  Speaker 7: to three women.
• 55:52
  Speaker 1: At the same time, Yeah, something like that.
• 55:56
  Speaker 3: Yeah, that's wild.
• 55:57
  Speaker 1: It seems like she got the short end of the stick.
• 56:02
  Speaker 2: Indeed, speaking of sticks, let's see here, where can I.
• 56:08
  Speaker 3: Deal with that? Well?
• 56:15
  Speaker 1: Yeah, do you get the vibe that Ben really needs
• 56:20
  Speaker 1: this gig?
• 56:21
  Speaker 2: Oh, cause you're right, he needs to pay for that
• 56:24
  Speaker 2: fifty thousand dollars wedding.
• 56:25
  Speaker 1: Oh yeah.
• 56:28
  Speaker 2: Kate Chastain entered the chat because Ben's ex fiance, Ah.
• 56:35
  Speaker 3: Did that video? You saw that, right?
• 56:38
  Speaker 1: I saw that. Kate spoke about the video or there's
• 56:41
  Speaker 1: like this fallout with that.
• 56:43
  Speaker 2: Well, the ex fiance was like, I'm Ben's ex fiance.
• 56:50
  Speaker 2: I would never do that. What he said is not true.
• 56:54
  Speaker 2: I did not cheat on him with his friend. Whatever
• 56:58
  Speaker 2: she said, and I was like, oh, interesting, So Ben's
• 57:02
  Speaker 2: a liar face. And then Kate jumped in and was like, oh,
• 57:08
  Speaker 2: this is interesting. I saw the receats. Yeah, I saw
• 57:13
  Speaker 2: the attacks.
• 57:14
  Speaker 1: She's lying, Well, I told you on the after show
• 57:18
  Speaker 1: I watched last week. Kate's on there and she's like,
• 57:24
  Speaker 1: you know, Ben's X was not great, Like she basically
• 57:29
  Speaker 1: said it in so many words, I forget, but she
• 57:31
  Speaker 1: basically is that, Kate, that's Ben's X.
• 57:34
  Speaker 3: Sorry, go ahead.
• 57:37
  Speaker 1: She basically agreed with him that she was maybe not
• 57:41
  Speaker 1: the best for him. But I'm also like, we've all
• 57:43
  Speaker 1: seen Ben and so I am. I am kind of
• 57:47
  Speaker 1: like I don't know what went down with whatever, but
• 57:51
  Speaker 1: like I don't I don't know Ben really is the
• 57:54
  Speaker 1: marrying kind in the long run.
• 58:00
  Speaker 3: A potted plate hit my head.
• 58:05
  Speaker 1: That was hot.
• 58:06
  Speaker 3: No, no, okay.
• 58:07
  Speaker 1: Well it's close. We're getting there.
• 58:10
  Speaker 3: Yeah maybe, I don't know if we'll get there.
• 58:11
  Speaker 1: It's just like dinner. Yeah, it's gonna get it's gonna
• 58:14
  Speaker 1: be late, but we will get you that accent.
• 58:17
  Speaker 3: Yeah, thank you, I appreciate it.
• 58:19
  Speaker 2: Will everybody get into your wets And I've never heard
• 58:23
  Speaker 2: that before of you.
• 58:24
  Speaker 1: That was fun.
• 58:25
  Speaker 2: You know, you think you've learned all the lingo, and
• 58:28
  Speaker 2: then I never heard their regular clothes be referred to
• 58:31
  Speaker 2: as wets.
• 58:33
  Speaker 1: Yeah, a little Also another side note, I meant to
• 58:37
  Speaker 1: say at the top about life jackets, let's get those
• 58:39
  Speaker 1: like really really bright ones so we.
• 58:43
  Speaker 2: Can thank you, no, thank you. When they picked up
• 58:48
  Speaker 2: lost Lisa at sea, she's the color of the ocean,
• 58:51
  Speaker 2: She's the color of the Yeah. Yeah, I mean she
• 58:55
  Speaker 2: literally had like stingray fins on it like was camouflage.
• 59:01
  Speaker 2: It couldn't have been more, it couldn't have been worse.
• 59:04
  Speaker 1: Yeah, I agree.
• 59:08
  Speaker 3: Anyway, Well that was just a delight. Thanks.
• 59:11
  Speaker 1: Everybody's dinner going to be That's like.
• 59:16
  Speaker 3: That's good.
• 59:16
  Speaker 1: Cannibal Lectern amazing Lizzie father being.
• 59:29
  Speaker 3: What does he say when he's like in Havana with
• 59:32
  Speaker 3: his whites on?
• 59:34
  Speaker 2: Get jo whites on and escape the country after you
• 59:37
  Speaker 2: read people and you leave down.
• 59:42
  Speaker 3: Tag a totto.
• 59:43
  Speaker 2: All right, get into your wets, everybody, and uh sit
• 59:48
  Speaker 2: down to dinner.
• 59:48
  Speaker 3: It's gonna be late.
• 59:50
  Speaker 2: What bye for now, guys, Bye for now, Bye bye, Emily.
• 59:58
  Speaker 1: I'm gonna feel bad about myself.
• 1:00:00
  Speaker 2: No, not your fault, darling.
• 1:00:05
  Speaker 3: You're not allowed to watch those things.
• 1:00:07
  Speaker 1: M