Latest / Fake Doctors, Real Friends with Zach and Donald / 206: My Halloween

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206: My Halloween · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Welcome to the program for the first time, Mr. John Higgins.
• 0:06
  Speaker 1: It's John Higgins, everybody.
• 0:07
  Speaker 2: I'm so, so happy to be here, Joelle.
• 0:10
  Speaker 1: That's Joelle Monique. And Joelle Monique, you remember Ava Bunn?
• 0:13
  Speaker 3: Hi, Joelle.
• 0:14
  Speaker 1: Of course.
• 0:15
  Speaker 2: Hi, Ganeva.
• 0:15
  Speaker 4: Lovely to see you.
• 0:16
  Speaker 5: Hi.
• 0:17
  Speaker 6: Ava, you wanted to wear, you mentioned that you might
• 0:19
  Speaker 6: wear a full, what were you going to wear, a body?
• 0:22
  Speaker 3: A nude morph suit.
• 0:23
  Speaker 1: A nude morph suit.
• 0:24
  Speaker 4: What is that?
• 0:25
  Speaker 1: And explain that to the audience, for people who are
• 0:27
  Speaker 1: listening and to me. And to me.
• 0:28
  Speaker 7: So it's a nude morph suit that covers your fingers
• 0:34
  Speaker 7: and toes and just leaves out the.
• 0:37
  Speaker 3: Head, the face.
• 0:38
  Speaker 1: And it kind of just makes you look like a fetus?
• 0:39
  Speaker 7: Yeah, it just kind of makes you look like a fetus.
• 0:41
  Speaker 7: But the character that I do with it is Gilroy.
• 0:45
  Speaker 8: Let's meet Gilroy.
• 0:48
  Speaker 4: I'm afraid to meet Gilroy. I want to meet Gilroy.
• 0:50
  Speaker 5: Gilroy.
• 0:51
  Speaker 3: And Gilroy is just looking for a slice of gam.
• 0:56
  Speaker 4: What?
• 0:58
  Speaker 5: Slice of gum.
• 0:59
  Speaker 1: I think it's good you didn't bring Gilroy because it
• 1:01
  Speaker 1: would have been hard to sit here and have a serious,
• 1:04
  Speaker 1: even humorous conversation with you in a full body onesie.
• 1:07
  Speaker 4: I would have loved it.
• 1:08
  Speaker 3: Gilroy might appear later.
• 1:10
  Speaker 1: Okay, maybe in future podcasts.
• 1:12
  Speaker 2: It'd be funny, like minute 30 talking to Gilroy.
• 1:15
  Speaker 1: You know, we should do it just all of a sudden,
• 1:18
  Speaker 1: like without addressing it in the audience for the last
• 1:20
  Speaker 1: like 15 minutes she's in the suit.
• 1:22
  Speaker 8: Switch.
• 1:23
  Speaker 2: She brought it.
• 1:23
  Speaker 5: I brought it.
• 1:24
  Speaker 3: It's in my car.
• 1:24
  Speaker 9: Did you really?
• 1:25
  Speaker 3: It's in my car.
• 1:26
  Speaker 4: Okay, this might have to happen. I was like, oh,
• 1:28
  Speaker 4: you didn't bring it. And I was like, oh, yeah,
• 1:29
  Speaker 4: she brought it.
• 1:31
  Speaker 1: I was on Rick Glassman's podcast and I brought a
• 1:33
  Speaker 1: few different shirts because I was like, I don't know
• 1:35
  Speaker 1: what's going to look best. You tell me what will
• 1:37
  Speaker 1: look best. And he goes, why don't we do a
• 1:39
  Speaker 1: thing where just without addressing it, we both switch our
• 1:42
  Speaker 1: clothes four times.
• 1:43
  Speaker 2: Throughout the episode.
• 1:45
  Speaker 1: And I go, really? He goes, yeah. And we did that. Yeah.
• 1:47
  Speaker 1: Four different times. We just both changed our full outfits.
• 1:50
  Speaker 4: Did anybody say anything?
• 1:51
  Speaker 7: Yeah.
• 1:52
  Speaker 1: In the comments, people were like, what the fuck's going on?
• 1:54
  Speaker 4: It's so funny.
• 1:57
  Speaker 1: Well, John, welcome to the show. I got to say.
• 1:59
  Speaker 4: Welcome. Listen, let's give the man the props he deserves.
• 2:03
  Speaker 4: Thunderous applause.
• 2:04
  Speaker 1: Thunderous applause.
• 2:05
  Speaker 9: Thank you.
• 2:05
  Speaker 4: Thunderous applause, baby.
• 2:07
  Speaker 1: John, you are such a great addition to the show.
• 2:09
  Speaker 1: I'm having so much fun working with you.
• 2:11
  Speaker 2: Me too. I am so thankful to be a part
• 2:14
  Speaker 2: of this. It's so amazing, truly.
• 2:16
  Speaker 1: You can riff. For those of you who don't know,
• 2:18
  Speaker 1: John is in a troupe called Please Don't Destroy.
• 2:20
  Speaker 7: Yep.
• 2:21
  Speaker 1: And they were on SNL as a troupe for a while.
• 2:23
  Speaker 1: And you still tour with these guys, right?
• 2:25
  Speaker 4: Yeah.
• 2:26
  Speaker 2: Well, we've been shooting in Vancouver. I've been going back
• 2:28
  Speaker 2: and forth to, you know, wherever we've been doing shows.
• 2:30
  Speaker 2: And yeah, we still tour.
• 2:32
  Speaker 1: It's so fun working with you because you're very quick.
• 2:35
  Speaker 1: And I love how you riff and I love doing
• 2:39
  Speaker 1: scenes with you because we just come up with such
• 2:40
  Speaker 1: silly shit. And some of it doesn't make it because
• 2:42
  Speaker 1: it's bad shit. And some of it, it reminds me
• 2:45
  Speaker 1: of when I used to work with Neil Flynn because
• 2:47
  Speaker 1: we would just riff stuff. And some of it would
• 2:49
  Speaker 1: be like, this is insane. And some of it would
• 2:51
  Speaker 1: be like, well, this is not going to make the show,
• 2:53
  Speaker 1: but it's funny. And then it would make the show.
• 2:55
  Speaker 1: And then people would love it. And we'd be like, wow, okay.
• 2:58
  Speaker 2: Yeah.
• 2:59
  Speaker 1: I feel that I'm having that kind of fun when
• 3:01
  Speaker 1: you and I are doing our thing.
• 3:02
  Speaker 2: I feel that way about all of you guys so much.
• 3:05
  Speaker 2: We went to that dinner, I think, for Spiller's birthday,
• 3:07
  Speaker 2: who was one of the directors.
• 3:08
  Speaker 1: Our directing producer, yeah.
• 3:10
  Speaker 2: And we all went around, and it was like the
• 3:12
  Speaker 2: second week I was here, and we all went around
• 3:15
  Speaker 2: and said something nice about Spiller, and you guys have
• 3:17
  Speaker 2: known him forever. And I didn't know what I was
• 3:19
  Speaker 2: going to say, but then I remembered this quote, and
• 3:21
  Speaker 2: I think of it as so true of, there's not
• 3:23
  Speaker 2: a word yet for old friends who you just met.
• 3:25
  Speaker 2: And I really felt that way about you guys because
• 3:27
  Speaker 2: you just like took me in immediately and I felt
• 3:29
  Speaker 2: a part of this like family and it was like,
• 3:31
  Speaker 2: thank you.
• 3:32
  Speaker 4: No, thank you, man. You jumped right in. You jumped
• 3:34
  Speaker 4: into the deep end too and swam very, very easily.
• 3:40
  Speaker 4: It was like you were born to be on this show.
• 3:42
  Speaker 1: And we do have to credit Uncle Bill Lawrence.
• 3:44
  Speaker 4: Yes.
• 3:45
  Speaker 1: Because Bill Lawrence is a big fan of John Higgins.
• 3:48
  Speaker 1: I love Bill. And Bill Lawrence is a good friend
• 3:50
  Speaker 1: to have, you guys.
• 3:51
  Speaker 10: Yes.
• 3:52
  Speaker 2: One of the most important friends you could ever have.
• 3:54
  Speaker 1: He's a pretty darn good friend to have. Donald and
• 3:56
  Speaker 1: I have hitched our wagons to the Bill Lawrence cart.
• 4:00
  Speaker 4: Yes, I've been holding on.
• 4:01
  Speaker 1: Holding on tight.
• 4:03
  Speaker 4: I've been holding on.
• 4:04
  Speaker 1: But it was Bill in this season who had this
• 4:08
  Speaker 1: idea that just the way J.D. was a thorn in
• 4:13
  Speaker 1: Cox's side, that what if there was someone underneath J.D.?
• 4:17
  Speaker 1: who was also, you know, was obviously a source of
• 4:20
  Speaker 1: conflict for him, who was a thorn in his side,
• 4:22
  Speaker 1: who kind of, in a way that would drive J.D. crazy,
• 4:25
  Speaker 1: you know. And so not only was that seed of
• 4:30
  Speaker 1: that character Bill's idea, but then when we started talking
• 4:33
  Speaker 1: about people, he really championed wanting John Higgins to join
• 4:37
  Speaker 1: the show because he finds you hilarious.
• 4:39
  Speaker 2: That's so amazing.
• 4:40
  Speaker 1: So there you go.
• 4:41
  Speaker 2: Thank you, Uncle Bill.
• 4:42
  Speaker 4: Thank you, Uncle Bill. Thank you, Uncle Bill.
• 4:43
  Speaker 3: Thank you, Uncle Bill.
• 4:45
  Speaker 1: Yeah.
• 4:46
  Speaker 4: Ava.
• 4:46
  Speaker 1: Well, Ava. What? Ava has also benefited from having Bill
• 4:51
  Speaker 1: be a big fan of her. All right. Let's count
• 4:53
  Speaker 1: us in, Donald.
• 4:54
  Speaker 4: Five, six, seven, eight.
• 4:56
  Speaker 8: Hey.
• 5:00
  Speaker 10: Welcome to episode 206, as we say in the business,
• 5:05
  Speaker 10: or episode 6 of season 2 of The Revival.
• 5:12
  Speaker 1: It's Halloween. At Sacred Heart.
• 5:31
  Speaker 4: So I want to put out there that this episode
• 5:33
  Speaker 4: that we've seen is to time and not cut to locked.
• 5:39
  Speaker 4: What I saw was to time. Does that mean it's locked? Yeah.
• 5:42
  Speaker 1: What you saw should be 2130 and that means it's locked. Okay.
• 5:46
  Speaker 4: Then never mind. Okay. then never mind.
• 5:49
  Speaker 2: There might be things in it that aren't... Were you
• 5:51
  Speaker 2: looking for edits on stuff?
• 5:52
  Speaker 4: Yeah, well, that's the thing. I get a lot of
• 5:55
  Speaker 4: shows now, and this... A new era has unfortunately begun
• 6:00
  Speaker 4: where Donald, as an EP, has access to early cuts
• 6:03
  Speaker 4: of the show. And I get texts like.
• 6:05
  Speaker 1: Don't leave that in. You're not going.
• 6:07
  Speaker 4: To leave that in, are you? You're not going to
• 6:09
  Speaker 4: leave that in. Don't take this out.
• 6:14
  Speaker 1: Yeah, or more often, don't take this out.
• 6:16
  Speaker 4: Don't take this out.
• 6:18
  Speaker 1: Well, this one was really funny. My first thing I
• 6:22
  Speaker 1: wanted to say was that Rafi being death, there was
• 6:25
  Speaker 1: another beat that had to get cut.
• 6:27
  Speaker 8: Yes.
• 6:28
  Speaker 1: But that's when Rafi walked up to an old woman
• 6:30
  Speaker 1: and she said, and he was wearing his death costume,
• 6:33
  Speaker 1: and she said, please not tonight. I have tickets for
• 6:37
  Speaker 1: Les Mis.
• 6:37
  Speaker 2: It was so good.
• 6:41
  Speaker 4: And, uh, right.
• 6:42
  Speaker 1: And Rafi, uh, uh, see, this is something that we
• 6:45
  Speaker 1: all laughed at on the day, but had to go
• 6:47
  Speaker 1: for time.
• 6:47
  Speaker 4: Well, all right. So there's a couple of things that
• 6:49
  Speaker 4: happened in this. It's a Halloween episode. First of all,
• 6:52
  Speaker 4: And not only is it the Halloween episode, we learn
• 6:55
  Speaker 4: that Grant does not like Halloween.
• 6:57
  Speaker 1: Yes, right off the bat.
• 6:59
  Speaker 4: Right away. That's one of the first things he says
• 7:01
  Speaker 4: when he enters. I do not like Halloween. Do you
• 7:04
  Speaker 4: see all these people dressed up around here, especially that
• 7:06
  Speaker 4: dude in the Mario outfit? He probably doesn't have good
• 7:09
  Speaker 4: sex with his wife. And then Turk comes in, and
• 7:12
  Speaker 4: Turk loves Halloween.
• 7:13
  Speaker 1: Loves Halloween.
• 7:15
  Speaker 4: And he wants the Mario costume. He thinks that costume's amazing.
• 7:18
  Speaker 1: He hopes they have it in double X.
• 7:20
  Speaker 4: Right, because Turk's big.
• 7:25
  Speaker 1: And JD's mourning Charlie and getting coaching right away from everyone,
• 7:30
  Speaker 1: especially Turk and Carla, saying, dude, this is the perfect holiday.
• 7:34
  Speaker 1: There's a buffet of booty everywhere. You can get over
• 7:37
  Speaker 1: Charlie with a mindless crush.
• 7:39
  Speaker 4: What is that about Halloween that it turns into that?
• 7:42
  Speaker 4: Because when you're kids, Halloween's about, you know, do I
• 7:46
  Speaker 4: got a really dope outfit on? But at the end
• 7:49
  Speaker 4: of the night, someone has a really dope outfit on
• 7:51
  Speaker 4: and everybody else has kind of lame outfits on, if
• 7:53
  Speaker 4: you ask me.
• 7:55
  Speaker 1: Yeah.
• 7:55
  Speaker 4: Let's just keep it a buck.
• 7:57
  Speaker 9: Yeah.
• 7:57
  Speaker 4: How come Halloween has turned into that? For some reason,
• 8:01
  Speaker 4: there's a group of people that dress really provocative.
• 8:05
  Speaker 1: Yeah, well, I think it's fun for people who get
• 8:07
  Speaker 1: a chance to have permission to say, like, tonight's the
• 8:11
  Speaker 1: night I'm going to... Yeah, I'm going to be sexy.
• 8:14
  Speaker 7: Do you feel this pressure to be funny on Halloween?
• 8:17
  Speaker 7: Where it's like, I'm like, oh, God. It's like, I
• 8:19
  Speaker 7: have to do a whole bit.
• 8:21
  Speaker 2: Penny!
• 8:22
  Speaker 1: There's Penny.
• 8:23
  Speaker 4: Come on in, babe.
• 8:24
  Speaker 8: But.
• 8:25
  Speaker 3: And then one.
• 8:27
  Speaker 7: One Halloween I thought it would be funny if I
• 8:30
  Speaker 7: dressed up as really sexy and I was like that
• 8:33
  Speaker 7: would be so funny because no one would expect it
• 8:35
  Speaker 7: but then I realized.
• 8:36
  Speaker 2: Oh like your friends would think.
• 8:39
  Speaker 7: Of it they'd be like what the hell but then
• 8:41
  Speaker 7: I realized it's not that funny it's not funny.
• 8:45
  Speaker 1: And cold I always feel when I see the women
• 8:49
  Speaker 1: who are scantily clad I'm like they must be so cold.
• 8:51
  Speaker 4: Wait how did you realize that it wasn't funny Well,
• 8:55
  Speaker 4: because then I was like in my bathroom. Friends tried
• 8:58
  Speaker 4: to hook up.
• 8:58
  Speaker 5: Yeah, I was.
• 9:00
  Speaker 4: Like, wait, I was just friends here.
• 9:02
  Speaker 5: What?
• 9:03
  Speaker 3: No, I was just standing in my bathroom looking at
• 9:05
  Speaker 3: myself like, this isn't me.
• 9:06
  Speaker 1: What was your costume? Yeah, what was your sexy costume?
• 9:10
  Speaker 3: I was going to dress up like a sexy girl.
• 9:12
  Speaker 5: That was my costume.
• 9:15
  Speaker 3: It was just like sexy girl.
• 9:17
  Speaker 4: That's not a.
• 9:17
  Speaker 2: White dress or something.
• 9:20
  Speaker 1: Ava, it's usually.
• 9:20
  Speaker 4: We should all guess. What's a sexy girl all about?
• 9:22
  Speaker 1: No, but I mean, Ava, it's usually a sexy.
• 9:26
  Speaker 4: Snow White.
• 9:26
  Speaker 1: Sexy Snow White.
• 9:27
  Speaker 3: It was just like, oh, I'll be sexy girl. Oh,
• 9:30
  Speaker 3: and then....
• 9:34
  Speaker 7: And then this is what was messed up. I had
• 9:36
  Speaker 7: a boyfriend at the time and I was like, oh,
• 9:38
  Speaker 7: let's like... dress up as he's he's the horse and
• 9:42
  Speaker 7: i'm the cow girl and that'll be so cute.
• 9:45
  Speaker 3: And he wore a full horse head like covering.
• 9:48
  Speaker 4: His face this is a great costume great costume.
• 9:50
  Speaker 7: That's good and i was a cute little cow girl
• 9:52
  Speaker 7: and girls kept hitting on him and didn't even notice
• 9:54
  Speaker 7: me and they just went straight and i was like
• 9:55
  Speaker 7: you can't even see his face because he's tall.
• 9:58
  Speaker 4: And that's all he needed to do was tall and
• 10:01
  Speaker 4: a horse and.
• 10:02
  Speaker 1: They can use their imagination like I bet there's a
• 10:04
  Speaker 1: really hot guy under that horse head.
• 10:05
  Speaker 5: Yes that's what it is they put their.
• 10:07
  Speaker 2: Own image on them they're like a fool I was
• 10:10
  Speaker 2: Flava Flav for Halloween what? when I was in fourth
• 10:13
  Speaker 2: grade yeah no way And I tried to pull up
• 10:16
  Speaker 2: the picture, but he was quick. He was in and out,
• 10:18
  Speaker 2: so I couldn't show it.
• 10:20
  Speaker 1: Oh, when you met him here on Scrubs?
• 10:21
  Speaker 4: Yeah.
• 10:22
  Speaker 1: My go-to these days, because it's very easy, is Ray Gunn,
• 10:25
  Speaker 1: the Australian female breakdancer. That's great. Because I ordered the
• 10:28
  Speaker 1: full outfit, the Australian breakdancing uniform. I have ordered that online,
• 10:33
  Speaker 1: and it's hanging in my closet. I never have to worry.
• 10:35
  Speaker 1: I can always be Ray Gunn. It's perfect. All you
• 10:37
  Speaker 1: got to do is just go like this, and people
• 10:39
  Speaker 1: know who you are. That's good.
• 10:42
  Speaker 2: That'll hit hard this year because she just had a documentary.
• 10:44
  Speaker 1: Yeah, she just had a document about her so I
• 10:46
  Speaker 1: say I can bring it back out.
• 10:48
  Speaker 4: You go hard on Halloween. Ever since I'd known you,
• 10:51
  Speaker 4: when that first Halloween when we went to the Playboy Mansion,
• 10:54
  Speaker 4: you dressed up as Dracula.
• 10:56
  Speaker 8: Dr.
• 10:56
  Speaker 1: Dracula, yeah.
• 10:57
  Speaker 4: Yeah, not Dr. Dracula, but Dracula. And that shit was fire.
• 11:00
  Speaker 4: And then one Halloween... Well, we were newly successful.
• 11:05
  Speaker 1: I was newly successful. And we got invited to a
• 11:07
  Speaker 1: Halloween party at the Playboy Mansion. I was like, I
• 11:10
  Speaker 1: should probably put on a good costume.
• 11:12
  Speaker 4: Yo, one Halloween you dressed up like me, and I
• 11:14
  Speaker 4: was so proud of you because you didn't go on blackface. Oh,
• 11:17
  Speaker 4: come on. That's nice. I was so proud of you.
• 11:19
  Speaker 1: Like I would ever do that.
• 11:20
  Speaker 4: But, you know, some people, some dumbasses.
• 11:22
  Speaker 1: How did I dress up like you?
• 11:24
  Speaker 4: I'm going to put on blackface tonight.
• 11:26
  Speaker 1: How was I to you?
• 11:27
  Speaker 4: It's Halloween.
• 11:28
  Speaker 1: I was like baggy clothes and a Knicks hat. What
• 11:30
  Speaker 1: did I wear?
• 11:31
  Speaker 4: No, you put on a bald cap. And this is
• 11:34
  Speaker 4: how you... This is when.
• 11:35
  Speaker 1: I was like... I think the bald cap was brown.
• 11:38
  Speaker 4: No, it wasn't. It was white. But this is when
• 11:40
  Speaker 4: I was like... There's times where I'm going to want
• 11:43
  Speaker 4: to punch this motherfucker in the mouth. Because you were like,
• 11:45
  Speaker 4: you said to me, yo, you're going to love my costume.
• 11:48
  Speaker 4: I'm going as the douchiest person you've ever seen in
• 11:50
  Speaker 4: your life. And you set me up for a week
• 11:52
  Speaker 4: with that shit.
• 11:53
  Speaker 1: That's hilarious.
• 11:54
  Speaker 4: You set me up for a week. And then you
• 11:55
  Speaker 4: walked on the set and was like, sound, this is
• 11:58
  Speaker 4: my level. And you did my fucking bit and everything.
• 12:01
  Speaker 2: Oh, my God.
• 12:01
  Speaker 4: And I was like. This motherfucker's gonna get it one day.
• 12:05
  Speaker 1: I think that was just at the scrubs for a
• 12:08
  Speaker 1: gag with you. I don't think I wore that out
• 12:09
  Speaker 1: on the town.
• 12:10
  Speaker 4: No, but that was for Halloween. It was a Halloween... It.
• 12:13
  Speaker 1: Was a prank on you.
• 12:14
  Speaker 4: On Halloween.
• 12:15
  Speaker 1: That was funny, though.
• 12:16
  Speaker 4: It was funny.
• 12:17
  Speaker 1: Let's get back to the show. There's a buffet of
• 12:19
  Speaker 1: booty at the hospital, and then Elliot comes in saying...
• 12:24
  Speaker 1: Everybody come outside, and we all get very excited for
• 12:27
  Speaker 1: the ice cream truck.
• 12:28
  Speaker 4: Well, we don't know that it's ice cream truck until
• 12:30
  Speaker 4: we hear the music.
• 12:30
  Speaker 1: We hear the music. We get ice cream. We start dancing.
• 12:33
  Speaker 1: We're so excited. Turk says he hopes they have the
• 12:35
  Speaker 1: little squirrel with the bubblegum nose.
• 12:37
  Speaker 4: This is very much an Eddie Murphy sketch. Ice cream!
• 12:40
  Speaker 7: Ice cream!
• 12:42
  Speaker 4: Yeah.
• 12:43
  Speaker 1: You know the tag is on your hat. It's supposed
• 12:45
  Speaker 1: to be?
• 12:46
  Speaker 4: That's the joke.
• 12:46
  Speaker 1: I know, but you're doing like the key and peel
• 12:48
  Speaker 1: sketch right now. That's the joke, bro.
• 12:49
  Speaker 4: Okay, just checking.
• 12:50
  Speaker 1: Just checking.
• 12:52
  Speaker 4: It doesn't have a sticker.
• 12:53
  Speaker 1: It does have a sticker. It has a sticker and
• 12:55
  Speaker 1: a tag.
• 12:56
  Speaker 4: My brother made this hat.
• 12:57
  Speaker 3: Oh.
• 12:57
  Speaker 9: That's great.
• 12:58
  Speaker 1: That's cool. I just wanted the audience who's listening to
• 13:00
  Speaker 1: know that you're doing the key and peel sketch.
• 13:01
  Speaker 4: That's the joke, man. If I could have it in
• 13:03
  Speaker 4: the bag, it would be in the bag.
• 13:05
  Speaker 1: Okay. So ice cream, ice cream. It's not an ice
• 13:09
  Speaker 1: cream truck. It's a mobile healthcare clinic. Elliot is developing it.
• 13:13
  Speaker 4: And everybody doesn't like that.
• 13:14
  Speaker 1: Everybody leaves. And, uh, JD, I don't know where she
• 13:18
  Speaker 1: so quickly gets a chocolate squirrel with a gumball nose.
• 13:22
  Speaker 1: I think it's supposed to be sometime later.
• 13:24
  Speaker 4: It's the world of scrubs.
• 13:25
  Speaker 1: It's the world of scrubs. One just appears. And, um, and,
• 13:29
  Speaker 1: and we're off, uh, we're off to the races when JD, uh.
• 13:32
  Speaker 1: taste that gumball nose.
• 13:33
  Speaker 4: Well, her truck catches fire too. It's a piece of
• 13:35
  Speaker 4: shit truck.
• 13:36
  Speaker 1: It does also catch fire.
• 13:37
  Speaker 8: Right.
• 13:38
  Speaker 4: She has a piece of shit truck.
• 13:39
  Speaker 1: Yeah, she's going to have to start from scratch. Yes,
• 13:41
  Speaker 1: pretty much. She really bought bottom of the barrel. Yes.
• 13:44
  Speaker 4: But this all comes from, you know, we've been building
• 13:47
  Speaker 4: up to this all season long where Elliot's trying to
• 13:49
  Speaker 4: figure out what it is that she wants to do.
• 13:51
  Speaker 7: Yes.
• 13:52
  Speaker 4: And she's finally, she's finally found something. She doesn't know
• 13:56
  Speaker 4: if it's going to work, but she's invested 100% into it.
• 14:01
  Speaker 4: And this is something that It's very new for her,
• 14:05
  Speaker 4: but she's trying to make her mark.
• 14:06
  Speaker 1: Yeah, she's looking for her lane to really make a difference.
• 14:10
  Speaker 1: And this women's health care clinic is what it's going
• 14:13
  Speaker 1: to be. Then we come to the first act and
• 14:16
  Speaker 1: we learn that we've got this real jerk who is
• 14:21
  Speaker 1: looking for his concierge doctor. He talks about how he
• 14:25
  Speaker 1: owns an aeronautics company and he makes bombs and And
• 14:29
  Speaker 1: Dubois says the only bombs I care about are bath bombs.
• 14:34
  Speaker 1: And Cox is back, and he's looking quite healthy, and J.D.
• 14:37
  Speaker 1: is very pleased to see him, and it's because he
• 14:40
  Speaker 1: is going to... He's a concierge doctor. He claims that
• 14:43
  Speaker 1: he's bored, and he's going to be a concierge doctor
• 14:48
  Speaker 1: catering to the very rich.
• 14:50
  Speaker 4: That is a fall, bro, for Dr. Cox, if you
• 14:53
  Speaker 4: ask me. I know he's bored, but to me, in
• 14:57
  Speaker 4: seeing that, And even in the beginning of it all,
• 15:01
  Speaker 4: it was like, yo, you went from the hero... Like,
• 15:04
  Speaker 4: it's a line that Two-Face says in Batman. You either
• 15:11
  Speaker 4: die a hero or you live long enough to see
• 15:14
  Speaker 4: yourself become a villain. And now Cox has lived long
• 15:17
  Speaker 4: enough that his hero days are now over and he's
• 15:20
  Speaker 4: crossed over to pretty much the dark side, the shit
• 15:24
  Speaker 4: that fucking all of us in the hospital... Well, actually,
• 15:27
  Speaker 4: what J.D.
• 15:28
  Speaker 1: Started doing in season one in the pilot, that people
• 15:32
  Speaker 1: who work in this hospital and work their asses off
• 15:34
  Speaker 1: saving lives look down upon as a cash grab, as
• 15:38
  Speaker 1: a way of making a living that they don't respect
• 15:40
  Speaker 1: as much. Particularly Cox, who said, what the hell are
• 15:43
  Speaker 1: you doing being a concierge doctor in season one of
• 15:45
  Speaker 1: the revival? I trained you to be better than that.
• 15:48
  Speaker 1: But as we're going to learn, obviously, through the episode,
• 15:50
  Speaker 1: there's more to the story than that. He's not bored.
• 15:52
  Speaker 1: You know, I got to say, it was fascinating. Interesting
• 15:55
  Speaker 1: watching Johnny play sort of beta to this alpha guy
• 16:01
  Speaker 1: because that's just not in Johnny's nature. Yeah. As a man.
• 16:05
  Speaker 1: Even your voice cracked at that moment.
• 16:08
  Speaker 4: I got uncomfortable thinking about it.
• 16:11
  Speaker 1: No, I just remember thinking like John is very intense
• 16:15
  Speaker 1: and his performance is going to have to be, in
• 16:19
  Speaker 1: this character, he's going to get bossed around by another
• 16:22
  Speaker 1: man and degraded.
• 16:23
  Speaker 7: Yeah.
• 16:23
  Speaker 1: And I was aware that it was going to help
• 16:27
  Speaker 1: John inform playing the character because he was genuinely feeling
• 16:31
  Speaker 1: those feelings of like, fuck this guy. And I as
• 16:36
  Speaker 1: John's performance is so wonderful in this episode. I think
• 16:39
  Speaker 1: it inevitably helped him because he did not like it
• 16:43
  Speaker 1: in real life or as the character.
• 16:45
  Speaker 4: Yeah.
• 16:45
  Speaker 2: You can feel the friction.
• 16:46
  Speaker 4: It's really, really good. if you're on set, you feel
• 16:50
  Speaker 4: the friction.
• 16:51
  Speaker 1: Yeah.
• 16:51
  Speaker 4: Like, even if you're disrespectful to the character in the show,
• 16:54
  Speaker 4: it's like, I don't want to fucking get the glass
• 16:57
  Speaker 4: that's coming my way.
• 16:58
  Speaker 1: When you had that in your first episode where you go,
• 17:01
  Speaker 1: do you ever just not, do you ever just say
• 17:03
  Speaker 1: one sentence and stop?
• 17:04
  Speaker 4: Yeah.
• 17:05
  Speaker 1: So, which is hilarious, but no one in the world
• 17:07
  Speaker 1: of Scrubs speaks up to Cox like that. So, just Johnny,
• 17:12
  Speaker 1: for like 25 years of playing this guy, you could
• 17:14
  Speaker 1: see that he kind of tensed up at it. Like,
• 17:17
  Speaker 1: Even when we were shooting it, right?
• 17:18
  Speaker 4: I remember. Yeah.
• 17:19
  Speaker 5: And I was like, dude, I didn't write it. I'm
• 17:21
  Speaker 5: just saying mine.
• 17:22
  Speaker 1: I know. I felt for Higgins because he was like,
• 17:24
  Speaker 1: nice to meet you.
• 17:25
  Speaker 4: I didn't write this. I'm such a fan of his.
• 17:28
  Speaker 2: And his face, his reaction was so real.
• 17:31
  Speaker 1: He didn't love it.
• 17:33
  Speaker 4: No, he did not.
• 17:33
  Speaker 1: No, I'm saying Johnny C didn't love it. Yeah, I know.
• 17:36
  Speaker 10: Yeah.
• 17:37
  Speaker 2: But that was the most quoted thing that people messaged
• 17:40
  Speaker 2: me after that because I think it must have been
• 17:41
  Speaker 2: surprising to see nobody's ever done that.
• 17:45
  Speaker 1: And here we have a whole episode where he has
• 17:48
  Speaker 1: to be subservient to a douchebag of a man. And
• 17:52
  Speaker 1: even when we did the table read, you could feel
• 17:54
  Speaker 1: John just like, He started cursing. He was adding curses.
• 17:58
  Speaker 1: He cursed.
• 17:59
  Speaker 4: He added. Oh, shit. Oh, God.
• 18:03
  Speaker 1: It's funny because for those of you who aren't in
• 18:08
  Speaker 1: the business of doing table reads and that kind of thing,
• 18:11
  Speaker 1: people will add a little line here or there or
• 18:13
  Speaker 1: they might add a curse even though we know obviously
• 18:15
  Speaker 1: there's not going to be a curse on the show.
• 18:16
  Speaker 1: During that table read, John added like three cursors.
• 18:19
  Speaker 4: Yeah, fuck.
• 18:21
  Speaker 1: And I remember thinking like, what's going on? Like, it's
• 18:23
  Speaker 1: one thing to add one fuck that we all know
• 18:25
  Speaker 1: won't be in the show, but he's added a couple fucks.
• 18:27
  Speaker 4: Yeah, there's like three of them.
• 18:30
  Speaker 1: And then I went, oh, he is uncomfortable, A, and B,
• 18:35
  Speaker 1: that's going to be good for Johnny to play.
• 18:37
  Speaker 4: It'll work. Yes, it'll work.
• 18:38
  Speaker 1: All right, good. So, what's next?
• 18:47
  Speaker 4: We get to the, we go to the, the, the, where, shit,
• 18:53
  Speaker 4: the lunchroom, the cafeteria.
• 18:55
  Speaker 1: Yes.
• 18:56
  Speaker 4: That was a fucking porky pig moment for me.
• 18:58
  Speaker 1: We get to the lunchroom where we find out about.
• 19:04
  Speaker 4: Going dummy with it.
• 19:06
  Speaker 1: Going dummy with it. Now tell me about going dummy
• 19:07
  Speaker 1: with it because you young folks seem to know what
• 19:10
  Speaker 1: it was. Well, I had never heard of going dummy
• 19:12
  Speaker 1: with it.
• 19:13
  Speaker 5: No, I made it up.
• 19:14
  Speaker 4: Well, no, that was made up. Ha ha ha. Not
• 19:16
  Speaker 4: a thing.
• 19:17
  Speaker 1: Oh, but wait.
• 19:18
  Speaker 2: Going dumb is a thing.
• 19:20
  Speaker 1: But didn't you guys say that in the Bay Area
• 19:22
  Speaker 1: there's a slang or something? I don't... Or that wasn't
• 19:26
  Speaker 1: you guys. That was somebody else.
• 19:27
  Speaker 5: I don't remember.
• 19:28
  Speaker 2: That was someone.
• 19:29
  Speaker 7: One of the writers, I think, wrote in something about
• 19:31
  Speaker 7: the Bay Area and then.
• 19:33
  Speaker 2: You started saying go and dummy with it.
• 19:35
  Speaker 8: Yeah.
• 19:35
  Speaker 7: And I just kind of went, go dummy with it.
• 19:38
  Speaker 3: Go dummy with it.
• 19:40
  Speaker 4: And then it turned into this whole thing. Yeah. It's
• 19:43
  Speaker 4: really funny.
• 19:43
  Speaker 1: Yeah. Now, what I think is cute, sweet, as we learn,
• 19:47
  Speaker 1: as we begin this relationship between these two. as reluctant buddies,
• 19:52
  Speaker 1: question mark.
• 19:52
  Speaker 2: Yeah.
• 19:52
  Speaker 5: Yeah.
• 19:53
  Speaker 1: That she was like looking out for you.
• 19:55
  Speaker 4: Yeah.
• 19:56
  Speaker 1: Like, you're humiliating yourself.
• 19:58
  Speaker 8: Yes.
• 19:58
  Speaker 1: And I'm going to help you because this is so
• 20:02
  Speaker 1: embarrassing for you.
• 20:03
  Speaker 2: I love it when characters do that. When Ava comes over,
• 20:06
  Speaker 2: she goes, I'm trying to help you out. Like, that's...
• 20:08
  Speaker 2: I love that. Because it's just like, oh, there's this
• 20:10
  Speaker 2: whole backstory with them that we don't even know about
• 20:12
  Speaker 2: that we're just learning about now. And it was like, oh,
• 20:15
  Speaker 2: that's going to be fun.
• 20:15
  Speaker 1: Well, to me, this episode sort of launches that funny
• 20:18
  Speaker 1: relationship between you two guys.
• 20:19
  Speaker 7: Totally.
• 20:20
  Speaker 8: Yeah.
• 20:20
  Speaker 1: That I think... the writers are clearly liking because we
• 20:23
  Speaker 1: keep it going.
• 20:25
  Speaker 4: So you guys are so good together, you know, and
• 20:27
  Speaker 4: you guys both bounce off of each other. Even when
• 20:29
  Speaker 4: the podcast started today, you know, in the beginning, um,
• 20:33
  Speaker 4: with the outfit that you brought. You picked her on,
• 20:36
  Speaker 4: you know what I mean? I love Ava.
• 20:37
  Speaker 2: I think Ava's so funny.
• 20:39
  Speaker 3: Oh my God, I love you, John.
• 20:40
  Speaker 1: And they both come from a sketch background, so they
• 20:42
  Speaker 1: have that in their blood, which I think, and you're
• 20:45
  Speaker 1: both great riffers and you're funny folks.
• 20:48
  Speaker 4: Well, I enjoyed following this relationship, knowing that it wasn't
• 20:53
  Speaker 4: going to become anything more than a friendship, but that's
• 20:58
  Speaker 4: a good... Well, who knows?
• 21:01
  Speaker 1: We'll see.
• 21:01
  Speaker 4: But I feel like that's a good.
• 21:03
  Speaker 1: No, I'm not spilling any tea. I just think, like,
• 21:05
  Speaker 1: I agree with you, Donald. Sorry to interrupt you, but
• 21:07
  Speaker 1: I agree that there's no element of flirtation at all,
• 21:12
  Speaker 1: which I like. They both have crushes on other people,
• 21:16
  Speaker 1: but she's, like, she's helping him in a... funny, teasing way,
• 21:21
  Speaker 1: which I find very enjoyable to watch.
• 21:23
  Speaker 9: Totally.
• 21:24
  Speaker 4: And it travels through the whole casual sex thing and
• 21:27
  Speaker 4: all of that stuff. It's just.
• 21:29
  Speaker 2: Yeah, she's mean to me at the end. If you
• 21:30
  Speaker 2: can be mean to your friend, that's how you know
• 21:32
  Speaker 2: you're friends.
• 21:33
  Speaker 1: Exactly.
• 21:34
  Speaker 4: And it'd be okay. Yeah.
• 21:35
  Speaker 1: So then we cross over to the erection hot tub debate,
• 21:39
  Speaker 1: which is really a heated discussion about whether the water
• 21:42
  Speaker 1: displacement will be an issue. Now, What's up? You want
• 21:47
  Speaker 1: to know the real answer?
• 21:48
  Speaker 8: No.
• 21:48
  Speaker 1: I'm guessing that the writer's room must have Googled this
• 21:52
  Speaker 1: and gotten into a hot debate themselves.
• 21:54
  Speaker 4: I mean, but in the show, this debate gets like
• 21:57
  Speaker 4: stadium size.
• 21:58
  Speaker 1: Well, no, it just moves to the Radisson.
• 22:01
  Speaker 4: Okay, so it gets fucking ballroom size.
• 22:05
  Speaker 1: That's one of the, it's later, but that's so funny when,
• 22:07
  Speaker 1: when Sibby's like, oh no, no, that's, that had to
• 22:09
  Speaker 1: move to the Radisson.
• 22:10
  Speaker 7: That was such a fun scene to film.
• 22:14
  Speaker 4: Is that going to make it? That's the question.
• 22:16
  Speaker 1: What?
• 22:16
  Speaker 4: Men and their dicks.
• 22:18
  Speaker 3: You know what?
• 22:19
  Speaker 1: We have not been flagged yet for men and their dicks.
• 22:21
  Speaker 1: I think it's going to make it.
• 22:22
  Speaker 8: Oh shit.
• 22:22
  Speaker 3: Because she improvised that. It was so funny.
• 22:25
  Speaker 8: I know.
• 22:25
  Speaker 1: And I, I don't want to jinx it. Um, but I, uh,
• 22:30
  Speaker 1: I have not seen an email saying you can't say
• 22:32
  Speaker 1: men on their dicks yet.
• 22:33
  Speaker 4: Okay. Okay, ABC.
• 22:34
  Speaker 5: Okay.
• 22:35
  Speaker 4: Let's go.
• 22:36
  Speaker 7: Yeah, that was a fun scene because it was me, Sarah, Vanessa,
• 22:41
  Speaker 7: and Stephanie.
• 22:42
  Speaker 1: And it was late.
• 22:43
  Speaker 3: Yeah, and it was like so fun. Oh, my God,
• 22:46
  Speaker 3: the ladies.
• 22:47
  Speaker 1: Let's talk about Stephanie Koenig who has just joined our cast.
• 22:52
  Speaker 1: She is really talented. In the spirit of you guys,
• 22:55
  Speaker 1: very quick on her feet, she's a writer herself.
• 22:58
  Speaker 4: Very natural.
• 22:58
  Speaker 1: And she's so natural.
• 22:59
  Speaker 4: So natural.
• 23:00
  Speaker 1: You never feel a false moment from her. And it just,
• 23:03
  Speaker 1: and she can just keep up with improv and she's never, uh, well, we, we,
• 23:08
  Speaker 1: we crack each other up.
• 23:09
  Speaker 4: Did she know, oh, this is from another episode, but
• 23:12
  Speaker 4: she's just been so impressive. You know what I mean?
• 23:14
  Speaker 4: Like everybody that we brought in so far, uh, has
• 23:18
  Speaker 4: just really, you know, I.
• 23:21
  Speaker 1: Love in this episode the stuff we have where JD
• 23:24
  Speaker 1: just can't figure out how to hit on her. He's
• 23:28
  Speaker 1: so fumbling it so bad. And the stuff with the raccoons. Again,
• 23:33
  Speaker 1: we have raccoons, raccoons. And we were just riffing back
• 23:38
  Speaker 1: and forth and making that so cringe. And we also
• 23:40
  Speaker 1: have the saxophonist from The Lost Boys.
• 23:43
  Speaker 4: Which I love. Which I loved. I used to love that.
• 23:47
  Speaker 9: I still believe. I don't want to cry. I don't
• 23:57
  Speaker 9: want to cry. I don't want to cry.
• 24:00
  Speaker 1: Now, Joelle, did you know Lost Boys as well as
• 24:03
  Speaker 1: Donald does?
• 24:05
  Speaker 8: Lost Boys is a slightly older canon. I'm familiar with it,
• 24:09
  Speaker 8: but I know the saxophone guy from Memes.
• 24:11
  Speaker 5: He's very popular.
• 24:12
  Speaker 4: I wonder if that song's in the Broadway show.
• 24:18
  Speaker 1: I saw the Broadway show.
• 24:18
  Speaker 4: It seems like we have to.
• 24:20
  Speaker 1: I saw the Broadway show.
• 24:21
  Speaker 4: I still believe in the Broadway show.
• 24:23
  Speaker 1: I honestly don't remember. I think there is a sexy saxophonist.
• 24:27
  Speaker 1: I don't know if he has a dog collar and
• 24:29
  Speaker 1: wearing that crazy outfit.
• 24:31
  Speaker 4: With the biker shorts.
• 24:33
  Speaker 1: Yeah. Now, this guy, Tim, what's his real name? Oh, Joelle,
• 24:39
  Speaker 1: will you look that up for me, please? It is
• 24:41
  Speaker 1: Tim something. I'm sorry. We'll correct it. But he brought
• 24:45
  Speaker 1: the dog collar thing that he wore in Lost Boys.
• 24:49
  Speaker 4: Yes. Capello?
• 24:51
  Speaker 1: Yeah, Tim Capello. Thank you. He's a famous saxophonist, but
• 24:55
  Speaker 1: I believe his most famous thing of all time was
• 24:57
  Speaker 1: being the saxophonist in Lost Boys.
• 25:00
  Speaker 4: That is, I think that's where everybody, I mean, if
• 25:02
  Speaker 4: you're a real jazz fan, you probably know him otherwise.
• 25:07
  Speaker 1: I think he was in... Someone else's famous... Joel, can
• 25:10
  Speaker 1: you look it up? He plays with a lot of
• 25:12
  Speaker 1: famous artists. I know that. Obviously, he's an incredible saxophonist. Rock, rock.
• 25:18
  Speaker 4: A rock saxophone. I bet you he does jazz. I
• 25:20
  Speaker 4: bet you he does all that.
• 25:21
  Speaker 1: Go ahead, Joel.
• 25:22
  Speaker 8: Tim used to play in between Billy Crystal's sets. He
• 25:27
  Speaker 8: was also a saxophonist for Peter Gabriel. Oh!
• 25:32
  Speaker 4: You know who Peter Gabriel is? Yes! Or name a song.
• 25:35
  Speaker 8: Um....
• 25:40
  Speaker 1: Look up for anybody else, Jewel.
• 25:44
  Speaker 8: Okay, he performed on the 1993 soundtrack album What's Love
• 25:47
  Speaker 8: Got to Do With It.
• 25:48
  Speaker 2: That's what I was looking for.
• 25:51
  Speaker 1: I was looking for Tina Turner. I remember there was
• 25:53
  Speaker 1: a famous artist. It was Tina Turner. Okay, so J.D.
• 25:57
  Speaker 1: 's really fumbling hitting on Cassie. And then we cut
• 26:02
  Speaker 1: to Turk, who can't wait to trick-or-treat. He is so excited.
• 26:06
  Speaker 1: He's made a map and he's circled all the gays.
• 26:08
  Speaker 4: Right, because gays give out the best candy, as we
• 26:12
  Speaker 4: all know.
• 26:14
  Speaker 2: Is that an as we all know?
• 26:15
  Speaker 1: I didn't know it was a thing. Gays?
• 26:18
  Speaker 5: They celebrate Halloween.
• 26:21
  Speaker 4: Go ahead, Joelle. You know better than that. You're on it.
• 26:23
  Speaker 4: You're facts.
• 26:23
  Speaker 8: The gays just do Halloween better. And I think, too,
• 26:26
  Speaker 8: if you're in a smaller town with notable gays. I
• 26:30
  Speaker 8: grew up in a town where the mayor was gay
• 26:32
  Speaker 8: and we had music teachers who were gays. And they, like,
• 26:35
  Speaker 8: Halloween was a big event. The candy was hitting. I
• 26:38
  Speaker 8: find this very true.
• 26:38
  Speaker 1: The candy was hitting. And Michael James Scott agreed. He
• 26:45
  Speaker 1: said that, yes, the gays go take Halloween very seriously.
• 26:49
  Speaker 4: I can just throw one example into the fire and
• 26:53
  Speaker 4: everybody will agree. Let's just talk parade. Right, around Halloween.
• 26:59
  Speaker 7: Right.
• 26:59
  Speaker 1: Yes.
• 27:00
  Speaker 4: That West Hollywood parade is one of the.
• 27:02
  Speaker 1: Yes, and in New York City, too.
• 27:04
  Speaker 4: Oh, duh. Yeah.
• 27:05
  Speaker 1: That shit is out of control. I think they go
• 27:07
  Speaker 1: dummy with it.
• 27:07
  Speaker 4: They go dummy with it. They go dummy with it.
• 27:11
  Speaker 1: So Turk doesn't see the little girl that can't trick-or-treat.
• 27:16
  Speaker 4: Because she's sick in the hospital.
• 27:17
  Speaker 1: Her name is Tessa, and she's bummed, and Carla's like,
• 27:19
  Speaker 1: stop talking about trick-or-treating.
• 27:22
  Speaker 4: But Turk is so excited that he's going to take
• 27:24
  Speaker 4: his daughter trick-or-treating- Uh, he's going to take Nora, his
• 27:27
  Speaker 4: daughter trick or treating. And so he, when he sees
• 27:30
  Speaker 4: the little girl, he, he doesn't apologize. He just says hello.
• 27:33
  Speaker 1: But she does a very cute head shake when Carla
• 27:36
  Speaker 1: says she thinks it's appropriate. She helps him out.
• 27:37
  Speaker 8: So cute.
• 27:38
  Speaker 1: Do you think it's appropriate to circle all the gays?
• 27:40
  Speaker 1: And she's like, mm-mm.
• 27:42
  Speaker 4: Don't you do it.
• 27:43
  Speaker 1: That little girl was wonderful, by the way.
• 27:44
  Speaker 4: Yeah, she was great. Yes, what was her name? That's
• 27:46
  Speaker 4: the question.
• 27:47
  Speaker 1: I forgot her name, and I'm so sorry.
• 27:48
  Speaker 4: Okay, well, cut me asking that, Joelle.
• 27:50
  Speaker 1: But she was so talented and adorable. And we were
• 27:52
  Speaker 1: giving her lines on the day, and she just kept
• 27:55
  Speaker 1: riffing them perfectly.
• 27:56
  Speaker 4: Yeah.
• 27:56
  Speaker 1: She was very talented.
• 27:57
  Speaker 8: Aw.
• 27:57
  Speaker 1: Yeah.
• 27:58
  Speaker 9: Yeah.
• 27:58
  Speaker 1: Then, all right, so Cox tells Rick, it's very important
• 28:03
  Speaker 1: you have to take the meds for your kidney transplant.
• 28:05
  Speaker 4: Well, we skipped some stuff.
• 28:07
  Speaker 8: Okay.
• 28:07
  Speaker 4: Didn't we?
• 28:08
  Speaker 1: Well, I think I'm going in order, but you go ahead.
• 28:10
  Speaker 4: I thought we skipped the fact that you don't, Cox
• 28:16
  Speaker 4: doesn't know how to.
• 28:18
  Speaker 1: Oh, no, we didn't. That's coming right up. So Cox
• 28:20
  Speaker 1: tells Rick that he has to take the meds or
• 28:22
  Speaker 1: he's going to mess up his kidney transplant. And Rick
• 28:25
  Speaker 1: is very dismissive and says, you call my wife, all
• 28:28
  Speaker 1: these things. And Cox goes to JD and he says, please,
• 28:31
  Speaker 1: how do you deal with this? How do you kiss ass? Like,
• 28:34
  Speaker 1: I don't know how to do it. It's not in
• 28:36
  Speaker 1: my blood, which is so true for Cox and Johnny C. McKinley.
• 28:40
  Speaker 4: I love the way that's written also, because the way
• 28:42
  Speaker 4: it's written is Cox goes to you for help, goes
• 28:45
  Speaker 4: to JD for help. And he's angry because of the
• 28:49
  Speaker 4: way he was treated. So he immediately throws it on
• 28:52
  Speaker 4: to JD. How do you, how do you, Act like
• 28:54
  Speaker 4: someone's little bitch.
• 28:56
  Speaker 1: Yeah.
• 28:56
  Speaker 4: And because he's so angry at what just happened to him.
• 29:00
  Speaker 4: And so he insults JD. But JD does exactly what
• 29:05
  Speaker 4: Cox can't do and looks at that and tries to
• 29:09
  Speaker 4: find the heart in it or the. that know that
• 29:13
  Speaker 4: it's coming from love or something like that. And Cox
• 29:15
  Speaker 4: is like, that. How the fuck do you do that?
• 29:18
  Speaker 4: That's what I'm talking about right there. I'm not necessarily,
• 29:21
  Speaker 4: I was mad, I called you a bitch, I'm sorry,
• 29:23
  Speaker 4: but how the fuck do you do that? Because I
• 29:25
  Speaker 4: don't have that in me.
• 29:26
  Speaker 1: Yeah, well, JD's saying, hey, I'm going to sing a
• 29:28
  Speaker 1: little song for you in the spirit of Mary Poppins.
• 29:32
  Speaker 3: Oh my gosh.
• 29:32
  Speaker 1: And this was really fun to do. I haven't done
• 29:37
  Speaker 1: a lot of stunts for Scrubs where I could literally
• 29:40
  Speaker 1: legitimately die.
• 29:41
  Speaker 3: Yeah.
• 29:42
  Speaker 1: And this one, if things had gone awry, I remember.
• 29:47
  Speaker 6: Thinking, I do want to make America laugh, but I
• 29:51
  Speaker 6: also don't want to die.
• 29:52
  Speaker 4: Yeah. And I was.
• 29:53
  Speaker 1: Dangling from 40 feet in the air in a Mary
• 29:55
  Speaker 1: Poppins costume. Literally... just hanging there going, I mean, I'm
• 30:00
  Speaker 1: sure these guys know what they're doing.
• 30:02
  Speaker 4: I mean, they do all the time. You were pretty
• 30:05
  Speaker 4: high up, yes.
• 30:06
  Speaker 1: Johnny C was like, I would never. I was like,
• 30:08
  Speaker 1: that's not helping. That's not helping, Johnny.
• 30:10
  Speaker 2: Did you ever tip?
• 30:11
  Speaker 8: No.
• 30:12
  Speaker 1: We've been doing a lot of flying this season and
• 30:16
  Speaker 1: rigging of things. And we always have the same guys
• 30:20
  Speaker 1: and I trust them. They really seem like they know
• 30:22
  Speaker 1: what they're doing. But it is still fucking scary to
• 30:25
  Speaker 1: be dangling 40 feet in the air with solely... a
• 30:28
  Speaker 1: cable that's as thin as that tied to your waist.
• 30:32
  Speaker 1: But it was really, they did a great job, and
• 30:33
  Speaker 1: I thought it was really funny. The song I thought
• 30:37
  Speaker 1: was really cute and funny.
• 30:38
  Speaker 4: Yeah, be the bitch for the rich.
• 30:40
  Speaker 1: And then on the day, we had this idea in
• 30:42
  Speaker 1: the spirit, I think this may have been your idea,
• 30:44
  Speaker 1: the 2D, so we had a, as you remember in
• 30:48
  Speaker 1: Mary Poppins, there's all those 2D animated animals. And was
• 30:52
  Speaker 1: it your idea that said we should do a 2D
• 30:53
  Speaker 1: animated rowdy that comes.
• 30:55
  Speaker 2: Up And it tries to sing along.
• 30:58
  Speaker 1: And so we're having that animated. And then I did
• 31:01
  Speaker 1: it on the day just to give us like the
• 31:04
  Speaker 1: idea of it. But then I thought, oh, it'd be
• 31:05
  Speaker 1: way funnier if it's Michael James Scott.
• 31:07
  Speaker 8: Right.
• 31:08
  Speaker 1: And then he did it so campy. He's like, rough, rough, rough, rough, rough.
• 31:16
  Speaker 4: So.
• 31:18
  Speaker 1: There you go. By the time the audience sees it,
• 31:20
  Speaker 1: you guys haven't seen it with all the VFX done,
• 31:22
  Speaker 1: it'll be like birds swarming around and leaves, and it'll
• 31:25
  Speaker 1: look really good. It'll look great.
• 31:28
  Speaker 4: Very popping-ass.
• 31:29
  Speaker 1: Sidney has... Sibby has been kidnapped multiple times.
• 31:33
  Speaker 4: Now, this is.
• 31:34
  Speaker 6: Okay.
• 31:34
  Speaker 1: Go ahead. What's your problem with it?
• 31:36
  Speaker 4: I remember you saying this, and I've said this a
• 31:38
  Speaker 4: couple of times, but the 70s and 80s were a
• 31:42
  Speaker 4: different time. And for some reason, I remember being kidnapped too.
• 31:47
  Speaker 1: I remember being kidnapped.
• 31:48
  Speaker 4: Yeah, I know.
• 31:48
  Speaker 3: You said this once too, bro.
• 31:49
  Speaker 2: Like in real life?
• 31:50
  Speaker 4: Yeah, man.
• 31:51
  Speaker 1: I have a story in my life that I just
• 31:54
  Speaker 1: don't have. I don't know if you guys have anything
• 31:55
  Speaker 1: like this in your life where you have absolutely no
• 31:59
  Speaker 1: idea if it really happened or not. I'm literally 50-50
• 32:03
  Speaker 1: on it. And I wasn't kidnapped. It was a kidnapping attempt. Oh, shit. Again,
• 32:10
  Speaker 1: I really don't know, honestly. In my mind, I have
• 32:13
  Speaker 1: a very specific memory of this happening. But at this age,
• 32:17
  Speaker 1: I look back and go, it could have been a dream.
• 32:19
  Speaker 1: And I remember it. My parents don't remember it. But
• 32:22
  Speaker 1: I was at a very short version of it. I
• 32:24
  Speaker 1: was at a friend's house. A woman pulled up in
• 32:26
  Speaker 1: a station wagon. She had other kids in the car.
• 32:28
  Speaker 1: And she said, your mom wanted me to come pick
• 32:30
  Speaker 1: you up. And I said, I don't know you. I'm
• 32:33
  Speaker 1: not getting in the car. And I said to the
• 32:35
  Speaker 1: people I was with, I don't know her. And she
• 32:38
  Speaker 1: eventually gave up and left. And when I went home
• 32:40
  Speaker 1: to my parents, I was like, I told them and
• 32:42
  Speaker 1: they were like, we didn't tell anybody to come pick
• 32:43
  Speaker 1: you up.
• 32:43
  Speaker 10: Wow.
• 32:44
  Speaker 8: Okay.
• 32:44
  Speaker 4: So my dream, it's definitely a dream, but my dream
• 32:48
  Speaker 4: is that I got kidnapped and they pulled up in
• 32:50
  Speaker 4: a white van and they kept me for a while.
• 32:51
  Speaker 4: And I think, you know, when I saw, and this
• 32:53
  Speaker 4: is crazy because when you see big, this motherfucker runs
• 32:57
  Speaker 4: away from home and tells his mom pretty much that
• 33:00
  Speaker 4: he's been kidnapped. And she's like, Well, when you get
• 33:04
  Speaker 4: bringing the kid home, when you bring him home, like
• 33:06
  Speaker 4: he calls her. Yeah. Listen, I'm going to bring him
• 33:08
  Speaker 4: home soon. Don't worry. Pretty much in the fucking movie.
• 33:12
  Speaker 4: And in my mind, I was like, that shit feels
• 33:14
  Speaker 4: like that happened to me at one point. Now, I
• 33:16
  Speaker 4: know it didn't, but I dreamt at some point that
• 33:20
  Speaker 4: I got pulled in the van.
• 33:21
  Speaker 1: I honestly, I honestly have no idea if mine really
• 33:26
  Speaker 1: happened or is a dream. It's a very specific, detailed memory.
• 33:29
  Speaker 2: Did your parents remember you coming home and saying that?
• 33:32
  Speaker 1: No, I don't think they have any recall of it,
• 33:35
  Speaker 1: which feels like if it was real, they would remember.
• 33:37
  Speaker 1: But I don't know. I don't mean to dwell on it.
• 33:41
  Speaker 1: It's just so trippy that it's one of the few
• 33:42
  Speaker 1: things in my life that's crazy that I don't have
• 33:44
  Speaker 1: a definitive answer on.
• 33:45
  Speaker 4: And then Sibby says it.
• 33:47
  Speaker 1: Well, Sibby, I don't think this was written that she
• 33:49
  Speaker 1: was kidnapped. I think it was written that she keeps
• 33:51
  Speaker 1: getting hit by them. But I think on the day
• 33:53
  Speaker 1: we were laughing more at the fact that she had
• 33:55
  Speaker 1: been kidnapped multiple times and it was always Vance.
• 33:58
  Speaker 7: Oh, yeah.
• 33:58
  Speaker 4: It's always Vance.
• 33:59
  Speaker 7: Yes.
• 34:00
  Speaker 2: It's always Vance.
• 34:01
  Speaker 4: It's always Vance.
• 34:02
  Speaker 1: All right. So the erection debate, we talked about this.
• 34:04
  Speaker 1: It moves to the Radisson. Now, this Gumby hair flying off,
• 34:07
  Speaker 1: I laughed out loud. It is so funny. And I
• 34:10
  Speaker 1: was very concerned because I wasn't there when you guys
• 34:12
  Speaker 1: shot this. And I said to everyone involved, Craig Zisk
• 34:15
  Speaker 1: directed this, we should say, and Michael Spiller was there,
• 34:18
  Speaker 1: our producing director. And I said, you guys, this is
• 34:20
  Speaker 1: not a fantasy. It's in the real world. The Gumby
• 34:23
  Speaker 1: has to fly off in a believable way.
• 34:25
  Speaker 4: I was so disappointed. I wanted it to fly off
• 34:28
  Speaker 4: like a young Frankenstein.
• 34:29
  Speaker 1: I know.
• 34:30
  Speaker 8: No!
• 34:33
  Speaker 1: That would have been a fantasy.
• 34:34
  Speaker 4: No, we did it on Scrubs before where Ted saw
• 34:37
  Speaker 4: something and his hair went from flat to fucking poofy
• 34:41
  Speaker 4: and then went flat again, bro. We did it before.
• 34:43
  Speaker 9: So funny.
• 34:44
  Speaker 1: All right. I hear that. I hear that argument. I just,
• 34:47
  Speaker 1: I mean, I laughed at the way it is, didn't you?
• 34:49
  Speaker 4: I laughed my ass off.
• 34:50
  Speaker 1: Okay. So we got to have our cake and eat
• 34:52
  Speaker 1: it too.
• 34:52
  Speaker 4: Yes, absolutely.
• 34:52
  Speaker 1: It falls off, but it falls off in a believable way.
• 34:56
  Speaker 1: I laughed.
• 34:56
  Speaker 4: I laughed at the fact that I'm dressed as Bobby Brown.
• 34:58
  Speaker 4: Now this is where I didn't laugh.
• 35:00
  Speaker 9: All right.
• 35:00
  Speaker 1: What's the matter?
• 35:03
  Speaker 4: Fucking John C. McGinley is ripped. He takes his shirt
• 35:05
  Speaker 4: off at one point and his motherfucker and his body
• 35:08
  Speaker 4: is ripped. Y'all let me walk around in a motherfucking jacket.
• 35:11
  Speaker 1: Don't blow out the mic.
• 35:12
  Speaker 3: You look great.
• 35:13
  Speaker 4: Thank you so much, Ava. But my fucking sides is
• 35:16
  Speaker 4: hanging over and shit. I do the running man and
• 35:19
  Speaker 4: I'm coming up and I'm like, damn it, John C. McGinley.
• 35:22
  Speaker 1: Yeah, but he works his ass off every day.
• 35:24
  Speaker 4: John C. McGinley, I'm very impressed with how you're able
• 35:27
  Speaker 4: to do that.
• 35:28
  Speaker 1: It's because in Rooster, he's in the sauna a lot
• 35:31
  Speaker 1: and he likes to be ripped.
• 35:33
  Speaker 4: He takes off his shirt and that shit's flat.
• 35:35
  Speaker 1: But do you know how hard that man works? And
• 35:37
  Speaker 1: he doesn't have a sip of alcohol. He doesn't have
• 35:41
  Speaker 1: any sugar. He works out every morning. You could do
• 35:44
  Speaker 1: all that.
• 35:45
  Speaker 4: I don't know.
• 35:45
  Speaker 3: But was that intentional? I was like, okay, little peak.
• 35:51
  Speaker 4: At the same time. I said, okay. He's letting them know.
• 35:54
  Speaker 1: Johnny's going to be very happy that the ladies clocked
• 35:57
  Speaker 1: his abs. I think when he took that off, Whereas
• 36:01
  Speaker 1: most of us would make sure our shirt came down,
• 36:04
  Speaker 1: Johnny did not mind that.
• 36:05
  Speaker 5: His shirt came up.
• 36:06
  Speaker 4: It's coming up.
• 36:07
  Speaker 1: Well, he works so hard.
• 36:08
  Speaker 7: Yeah.
• 36:09
  Speaker 1: And if you got it, flaunt it.
• 36:11
  Speaker 3: Seriously.
• 36:12
  Speaker 1: By the way, I had a revelation. This is later
• 36:14
  Speaker 1: in the script, I guess, but I'll just get to
• 36:15
  Speaker 1: it now. And I don't know if the writers intended this.
• 36:19
  Speaker 1: You guys tell me what you think. When he has
• 36:22
  Speaker 1: had enough of Rick and he takes off the thing,
• 36:25
  Speaker 1: he's taking off the costume. He's taking off his costume
• 36:29
  Speaker 1: from Halloween. of being someone he's not.
• 36:32
  Speaker 7: Yes.
• 36:32
  Speaker 1: Very good. Did you guys see that or no?
• 36:35
  Speaker 4: Yes. Absolutely, I did. And I was wondering if.
• 36:39
  Speaker 1: Joelle, did you clock that or no?
• 36:41
  Speaker 8: Not in real time, but I'm seeing it now.
• 36:43
  Speaker 4: Yeah, that makes sense.
• 36:44
  Speaker 5: I remember the hat flip off.
• 36:46
  Speaker 8: Was so aggressively. I was so done with this shit.
• 36:48
  Speaker 8: He's communicating a lot in these actions.
• 36:50
  Speaker 4: Yes.
• 36:52
  Speaker 1: I don't know if the writers intended that, but I
• 36:54
  Speaker 1: thought that that was very, very clever.
• 36:56
  Speaker 4: Yeah. I want to go back.
• 36:58
  Speaker 1: I'm sorry. That was to jump ahead. Go ahead.
• 37:00
  Speaker 4: You go. Let's talk about these two. Talking at the
• 37:03
  Speaker 4: end about, not at the end, in the middle, about casual,
• 37:08
  Speaker 4: about the casual sex.
• 37:10
  Speaker 1: Yes. Ava, you kind of do, when you're saying I
• 37:15
  Speaker 1: picture you as more of a.
• 37:17
  Speaker 2: Formal sex.
• 37:17
  Speaker 1: Formal sex kind of guy.
• 37:18
  Speaker 4: Formal sex kind of guy. It's not casual, it's formal.
• 37:22
  Speaker 4: And then you go into this formal voice.
• 37:23
  Speaker 1: Formal sex.
• 37:24
  Speaker 4: And then he says, and then he says.
• 37:26
  Speaker 2: I want to apologize for being an inquisitive lover.
• 37:28
  Speaker 1: Yeah, but you do it in a formal voice. I
• 37:31
  Speaker 1: want to apologize for being an inquisitive lover.
• 37:34
  Speaker 4: I laughed at that too. But it just shows also
• 37:38
  Speaker 4: that you guys have a great fucking, we said it before,
• 37:41
  Speaker 4: we'll say it again. You guys have a great chemistry.
• 37:43
  Speaker 4: Was the first scene together?
• 37:45
  Speaker 3: Like our first like just us two.
• 37:47
  Speaker 4: Yeah.
• 37:47
  Speaker 8: Yeah.
• 37:47
  Speaker 1: Yeah.
• 37:48
  Speaker 4: You know, you both bring so much to the show
• 37:51
  Speaker 4: and it's great to have the both of you finally. Yeah.
• 37:55
  Speaker 1: I think they're going to keep writing to it too.
• 37:56
  Speaker 9: Yeah.
• 37:57
  Speaker 4: I hope so.
• 37:57
  Speaker 1: One thing you'll find on Scrubs and is that when
• 38:03
  Speaker 1: things are, when a new relationship, oh, that's funny together.
• 38:06
  Speaker 4: Yeah.
• 38:07
  Speaker 1: We all start writing to it.
• 38:09
  Speaker 4: Yeah.
• 38:09
  Speaker 1: You know? And I think that that's, you know, that's
• 38:13
  Speaker 1: clearly a new thing.
• 38:14
  Speaker 4: You two.
• 38:15
  Speaker 1: And I think, again, I like that it's not a
• 38:16
  Speaker 1: romantic thing.
• 38:19
  Speaker 2: She feels like my homie.
• 38:20
  Speaker 4: Yeah, it's very much Turk and JD again.
• 38:23
  Speaker 1: But they're not easy homies. She's constantly dissing you. But
• 38:26
  Speaker 1: you're not, like, lusting after her. You've got your eyes
• 38:29
  Speaker 1: set on Amara. I like that the character of Grant
• 38:34
  Speaker 1: is meant to be a very exceptional doctor. But he
• 38:37
  Speaker 1: has absolutely zero skills with women.
• 38:40
  Speaker 4: I know.
• 38:41
  Speaker 2: It's a part that I can play well.
• 38:43
  Speaker 1: What?
• 38:46
  Speaker 4: You're married, aren't you?
• 38:47
  Speaker 1: Yeah, I am.
• 38:47
  Speaker 4: You did good.
• 38:48
  Speaker 1: Are you married?
• 38:48
  Speaker 8: Yeah.
• 38:49
  Speaker 1: Oh.
• 38:49
  Speaker 2: Big time.
• 38:50
  Speaker 4: Big time.
• 38:51
  Speaker 1: I knew you had a partner.
• 38:52
  Speaker 3: Big time marriage.
• 38:53
  Speaker 1: What makes a marriage big time? The way I do it.
• 38:57
  Speaker 3: Big time marriage.
• 38:58
  Speaker 1: I marry hard.
• 38:59
  Speaker 4: Yeah.
• 39:09
  Speaker 1: I laughed out loud every time you pulled that fucking
• 39:12
  Speaker 1: red vine out of your pants.
• 39:13
  Speaker 4: Yes.
• 39:14
  Speaker 1: And in fact, I came up with the idea to
• 39:16
  Speaker 1: not let the audience ever see the end of it.
• 39:19
  Speaker 7: Yeah.
• 39:19
  Speaker 1: Because it used to come out and then there was
• 39:22
  Speaker 1: a couplet after. I go, if we don't ever show
• 39:24
  Speaker 1: the end of it and the audience is mine, it
• 39:26
  Speaker 1: keeps talking.
• 39:27
  Speaker 4: She's still doing it. That's fun. That was a lot
• 39:31
  Speaker 4: of fun. That's another example of us getting really big.
• 39:35
  Speaker 4: There's no red vine in history that is.
• 39:38
  Speaker 1: Well, they had to have that made.
• 39:39
  Speaker 4: Yeah, that was a homemade.
• 39:40
  Speaker 1: That's not that big. I believe in the world that
• 39:43
  Speaker 1: someone could make a giant red vine. I don't believe
• 39:46
  Speaker 1: that hair flies off when someone's surprised. Obviously, the thing
• 39:56
  Speaker 1: about scrubs, and this was always the case with Bill,
• 39:58
  Speaker 1: is that you set rules, and then, of course, you
• 40:00
  Speaker 1: always break them.
• 40:00
  Speaker 4: Break them.
• 40:01
  Speaker 1: But you try and have the breaks be rare.
• 40:03
  Speaker 8: Yeah.
• 40:03
  Speaker 1: Do you know what I mean?
• 40:05
  Speaker 4: I understand.
• 40:06
  Speaker 1: By the way, it's so funny. The way your hair
• 40:09
  Speaker 1: falls off is hilarious to me.
• 40:10
  Speaker 4: That shit made me laugh. Yes, because Nora doesn't want
• 40:13
  Speaker 4: to trick-or-treat with her dad.
• 40:14
  Speaker 3: I get what you're saying, though, Donald, about it.
• 40:17
  Speaker 4: That would have been hilarious if it just flew off like...
• 40:20
  Speaker 4: Three Stooges style. Three Stooges, yes.
• 40:22
  Speaker 1: And Buckwheat. Do you remember when Buckwheat.
• 40:24
  Speaker 4: That was... Yes, I do remember that. And the eyes
• 40:27
  Speaker 4: and all of that stuff.
• 40:27
  Speaker 1: No, but wouldn't Buckwheat's hair unfold straight up?
• 40:31
  Speaker 4: No, all of them.
• 40:31
  Speaker 2: That's so fun.
• 40:32
  Speaker 4: It would happen to all of them. Steam would come
• 40:34
  Speaker 4: out of their ears or... You know what I mean?
• 40:36
  Speaker 4: Their hat would fly off or something like that when
• 40:38
  Speaker 4: they got surprised.
• 40:39
  Speaker 1: Do you know what the Little Rascals are?
• 40:40
  Speaker 5: Yes.
• 40:41
  Speaker 1: But you probably know the modern version.
• 40:43
  Speaker 5: Alfalfa.
• 40:43
  Speaker 4: Yeah, our gang.
• 40:45
  Speaker 1: Well, back in our day, we would watch the OG
• 40:48
  Speaker 1: black and white ones.
• 40:49
  Speaker 4: Called our gang.
• 40:49
  Speaker 1: They were on TV.
• 40:51
  Speaker 4: It was the Little Rascals, but they was really our gang.
• 40:53
  Speaker 1: I loved it.
• 40:54
  Speaker 4: So did I.
• 40:54
  Speaker 1: I grew up watching that.
• 40:55
  Speaker 4: So did I. All right.
• 40:57
  Speaker 1: Elliot struggles to explain a write-off to.
• 41:01
  Speaker 4: Let's go back. And say what happened. So, Elliot comes
• 41:05
  Speaker 4: into the office of Cassie, pitching her idea for women's health.
• 41:10
  Speaker 4: Because Cassie, in the scene that we were talking about
• 41:14
  Speaker 4: earlier with Sibi, Tosh, Elliot, and Cassie, they're all talking
• 41:23
  Speaker 4: about women's rights. Women's health care. Sorry. You could hit the.
• 41:31
  Speaker 1: Are you still actively feeling the marijuana that you have? No, but-
• 41:35
  Speaker 1: Or did you go re-up in the break?
• 41:36
  Speaker 4: I should have.
• 41:37
  Speaker 1: I should have.
• 41:38
  Speaker 4: I didn't.
• 41:39
  Speaker 2: You remember everything.
• 41:40
  Speaker 1: Here we go.
• 41:40
  Speaker 4: Thank you. Because I forgot names. Thank you.
• 41:48
  Speaker 9: Thank you.
• 41:49
  Speaker 2: And ever and ever and ever.
• 41:50
  Speaker 4: All right.
• 41:52
  Speaker 1: You got the names now, girl?
• 41:54
  Speaker 4: I said it.
• 41:55
  Speaker 1: You got them all out.
• 41:55
  Speaker 3: Is there a scene about women's rights?
• 41:57
  Speaker 4: Yeah, they were talking about them. And so now in
• 42:00
  Speaker 4: this scene, it's set up where, thank you, by the way. Yes, yeah, obviously.
• 42:05
  Speaker 4: Where Elliot's now in the office because she thinks that
• 42:08
  Speaker 4: Cassie is down with the rest of the ladies. And
• 42:11
  Speaker 4: Cassie's like, when I said nobody cares about women's health,
• 42:15
  Speaker 4: I was actually saying that it doesn't make money for
• 42:17
  Speaker 4: the hospital, therefore nobody cares. And this catches Elliot off guard.
• 42:22
  Speaker 4: And she said, well, it's a great tax write-off. And
• 42:24
  Speaker 4: this is where Cassie says, you know, well, explain tax
• 42:28
  Speaker 4: write-off to me. What a tax write-off is.
• 42:30
  Speaker 1: Yeah, and Elliot has a really bizarre way of getting
• 42:33
  Speaker 1: to the words write-off.
• 42:35
  Speaker 8: Yes.
• 42:35
  Speaker 1: They threw the T right off the boat.
• 42:37
  Speaker 4: And I believe that's where the term.
• 42:39
  Speaker 1: Write-off comes from. They're funny together, too. Absolutely. Because Elliot
• 42:44
  Speaker 1: and Cassie, I think, is a new funny combo.
• 42:47
  Speaker 4: But anyway, but this also shows us how evil Cassie
• 42:50
  Speaker 4: is also. This is our.
• 42:52
  Speaker 1: Well, evil I don't think is the word. I think
• 42:54
  Speaker 1: that what we're going to learn is that you might
• 42:57
  Speaker 1: not like her. She doesn't give a fuck. This comes
• 42:59
  Speaker 1: up in the episode we just shot. She has a line, sorry, spoiler,
• 43:05
  Speaker 1: I guess, where she says, I literally don't care. I
• 43:07
  Speaker 1: have my phone on during the whole movie. I use
• 43:10
  Speaker 1: the flashlight. I don't give a fuck what people think
• 43:12
  Speaker 1: about me. And so she... She is like, I'm solely
• 43:17
  Speaker 1: here to make this hospital money. I don't really care
• 43:19
  Speaker 1: what anybody thinks about me.
• 43:20
  Speaker 4: But this is the first time that we see that also. Yeah, yeah.
• 43:22
  Speaker 4: This is the turn. Yeah, exactly. We should also talk
• 43:25
  Speaker 4: about how when JD meets Cassie for the first time,
• 43:28
  Speaker 4: he hits on her, not knowing that it's his boss.
• 43:31
  Speaker 4: And then this comes back around and bites him.
• 43:32
  Speaker 1: By the way, when I flowed out at the act
• 43:34
  Speaker 1: break at Mary Poppins again, it wasn't written that I
• 43:38
  Speaker 1: had those little heels on. Yeah, the heels are good.
• 43:40
  Speaker 1: But I thought that would be funny to put the
• 43:41
  Speaker 1: heels back on.
• 43:42
  Speaker 4: That shit was hilarious.
• 43:43
  Speaker 1: Hilarious.
• 43:44
  Speaker 2: Do you click them together?
• 43:45
  Speaker 1: No, that's not a... She doesn't click them, but she
• 43:48
  Speaker 1: does hold them out like that. Yeah, that's hilarious. That
• 43:52
  Speaker 1: whole run was funny too. We were cracking up on
• 43:54
  Speaker 1: the day. And don't be afraid to ride me. I mean,
• 43:57
  Speaker 1: ride me, not like ride me.
• 44:00
  Speaker 4: Is that going to make the show?
• 44:03
  Speaker 1: Yeah.
• 44:04
  Speaker 4: Okay. We get racy in this episode.
• 44:07
  Speaker 1: Well, the ultra used to get racy. We just have
• 44:09
  Speaker 1: to find our balance.
• 44:10
  Speaker 4: But this Halloween episode, there's a lot of raciness in it.
• 44:13
  Speaker 4: We open with freaking breast assist, then we go, you
• 44:16
  Speaker 4: know what I mean?
• 44:17
  Speaker 1: Well, so far we haven't been dinged on anything. I
• 44:20
  Speaker 1: think we're allowed to say rock.
• 44:21
  Speaker 4: We say dicks in it? Like, there's a lot.
• 44:24
  Speaker 1: They're more lenient on dick than dongs.
• 44:29
  Speaker 4: Really? And they don't like berries? They don't want to
• 44:32
  Speaker 4: describe your balls?
• 44:34
  Speaker 1: We cannot find a term for testicles they will let
• 44:36
  Speaker 1: us use. Unless it's medical and you're referring medically to
• 44:41
  Speaker 1: a pair of testicles. You can do that. But if
• 44:43
  Speaker 1: you say my balls, my nuts, none of that.
• 44:45
  Speaker 4: My bag?
• 44:47
  Speaker 1: Nothing.
• 44:47
  Speaker 4: My sack? None of that.
• 44:49
  Speaker 3: The family jewels.
• 44:50
  Speaker 4: Nothing.
• 44:51
  Speaker 1: We ended up with berries.
• 44:53
  Speaker 2: And you can say berries.
• 44:54
  Speaker 4: My berries.
• 44:54
  Speaker 1: We ended up cutting it because we were like berries
• 44:56
  Speaker 1: doesn't make sense.
• 44:57
  Speaker 2: My berries. She kicked me in the berries.
• 44:59
  Speaker 1: It's so bizarre. Like, it's very hard to find, understand
• 45:04
  Speaker 1: the censor guy. Yeah. Because you're like, I can call
• 45:09
  Speaker 1: you a dick. You called me a puss.
• 45:13
  Speaker 4: Yeah.
• 45:14
  Speaker 1: We cannot say balls. We cannot say dong.
• 45:18
  Speaker 2: Dong is crazy.
• 45:19
  Speaker 1: Last season, last season, Todd was in episode two. He's
• 45:24
  Speaker 1: supposed to say, you should, well, she goes.
• 45:27
  Speaker 4: You're making real, you're making, uh, you're showing real growth, Todd.
• 45:33
  Speaker 1: Well, yeah. And he goes, yeah, well, you should, he's
• 45:35
  Speaker 1: meant to say, well, you should see my dong. They
• 45:37
  Speaker 1: wouldn't let us do that. So we came up with
• 45:38
  Speaker 1: the idea of, because there's, there's a marching band in
• 45:41
  Speaker 1: the episode where they take over the, they, but so
• 45:44
  Speaker 1: he goes, duh, he only gets the duh out. Yeah. Um, Anyway,
• 45:48
  Speaker 1: these are the high-class problems we face in Scrubs.
• 45:51
  Speaker 2: Is it one censor? Do you guys know the censor?
• 45:54
  Speaker 4: I don't know if.
• 45:57
  Speaker 1: The network might have multiple people, but I think we
• 45:59
  Speaker 1: deal with one guy.
• 46:01
  Speaker 8: Yeah.
• 46:01
  Speaker 1: And the emails are always hilarious. Guys are the best.
• 46:03
  Speaker 1: No dong.
• 46:05
  Speaker 2: At SNL, we had Betsy Torres, who was amazing. She
• 46:07
  Speaker 2: was the censor forever. I don't think she works there anymore.
• 46:10
  Speaker 4: But she would always.
• 46:12
  Speaker 2: suggest other options and they'd be like way worse.
• 46:18
  Speaker 1: I think we get suggestions from this guy too.
• 46:20
  Speaker 3: That's so funny.
• 46:22
  Speaker 1: But it's contentious. Your woman in SNL sounds nice.
• 46:25
  Speaker 4: Yeah, she's lovely.
• 46:26
  Speaker 1: I feel like, I don't deal with this person, but
• 46:30
  Speaker 1: when I see, sometimes I see the emails and I'm like, wow,
• 46:33
  Speaker 1: these are sort of heated. Like, no dick, no balls.
• 46:37
  Speaker 4: Wow. Wait, when you say she would make worse like
• 46:42
  Speaker 4: what would she offer then.
• 46:43
  Speaker 2: I don't remember a specific example but it'd be stuff
• 46:46
  Speaker 2: like instead of pussy it'd be like what about like.
• 46:50
  Speaker 1: What bad no.
• 46:52
  Speaker 5: No like worse like innuendo.
• 46:54
  Speaker 2: Like what John I'm trying to this is not it
• 46:57
  Speaker 2: so Betsy if you're watching I'm sorry but it'd be
• 46:59
  Speaker 2: like skin slit.
• 47:04
  Speaker 10: What?
• 47:04
  Speaker 5: That was my first thought that I had.
• 47:07
  Speaker 2: But it wouldn't be that, but that's like an example
• 47:10
  Speaker 2: would all of a sudden be just out of left field.
• 47:11
  Speaker 4: Like, what?
• 47:13
  Speaker 5: I'm not ever going.
• 47:14
  Speaker 4: To say that ever.
• 47:15
  Speaker 1: Oh my God.
• 47:16
  Speaker 4: We should try to get away with skin slit, bro.
• 47:18
  Speaker 1: I don't think we'll get skin slit through. I can't
• 47:20
  Speaker 1: say dong.
• 47:21
  Speaker 2: I mean, yeah.
• 47:21
  Speaker 1: Skin slit is just nasty.
• 47:23
  Speaker 4: Sorry, Ben.
• 47:24
  Speaker 1: And that came straight from Ava, I apologize. Ava, I apologize.
• 47:28
  Speaker 1: You had to hear that.
• 47:29
  Speaker 7: I'm sorry I said skin slip.
• 47:33
  Speaker 1: I'm sorry that we had a guest on that would
• 47:35
  Speaker 1: say something like skin slip.
• 47:36
  Speaker 4: Joel laughed really hard and so did Ava, so I
• 47:38
  Speaker 4: don't know if they're offended.
• 47:39
  Speaker 1: We're fine. All right, here we go. Let's get to
• 47:42
  Speaker 1: the end. We hear the song Teardrop by Jose Gonzalez,
• 47:46
  Speaker 1: which is a beautiful song. And then I really thought
• 47:49
  Speaker 1: it was great. well done, the rushing to the CPR
• 47:52
  Speaker 1: for the patient as they all get back to their
• 47:55
  Speaker 1: roots of what they're here to do, which is to
• 47:57
  Speaker 1: save lives in this hospital. And Cox kind of comes
• 48:02
  Speaker 1: back to life. He gets the fire back in his,
• 48:06
  Speaker 1: he gets his mojo back by saving a life. Sorry,
• 48:09
  Speaker 1: she passes, but he gets his mojo back in fighting
• 48:14
  Speaker 1: for people's lives and he gets livid that this man
• 48:17
  Speaker 1: who's a rich asshole is is not protecting the organ
• 48:21
  Speaker 1: that he was, that was donated to him. And, um, yeah.
• 48:25
  Speaker 1: And that really makes him sort of, as I say,
• 48:28
  Speaker 1: take off the costume of the, of the, of the
• 48:30
  Speaker 1: person he is not and go back to the amazing
• 48:33
  Speaker 1: person that he is.
• 48:35
  Speaker 4: Yeah.
• 48:36
  Speaker 8: Yeah.
• 48:36
  Speaker 2: That scene was like one of those ones where I
• 48:38
  Speaker 2: think I was talking to you guys in village the
• 48:40
  Speaker 2: other day or whatever of like, um, This show feels
• 48:44
  Speaker 2: like the actual textbook definition of dramedy, where it's the
• 48:47
  Speaker 2: comedy is hard comedy. I'm actually laughing. And the dramatic moments,
• 48:52
  Speaker 2: I really feel it. I felt like that Avengers Assemble
• 48:54
  Speaker 2: moment when Johnny C. runs in and gets fucking revved up.
• 48:59
  Speaker 2: But it's like this show just does such a good
• 49:01
  Speaker 2: job at that, of making you truly feel both things
• 49:04
  Speaker 2: in a real way. Because dramedy now, to me, is
• 49:06
  Speaker 2: just drama. Most dramedies are that.
• 49:10
  Speaker 1: But this is actually... I like that. Thank you. I
• 49:12
  Speaker 1: like that about the show. I like that you laugh
• 49:15
  Speaker 1: out loud. And then there's almost always not every. episode,
• 49:20
  Speaker 1: but almost always this really moving moment. Because, you know,
• 49:23
  Speaker 1: we always heard from the people who work in hospitals, like,
• 49:27
  Speaker 1: they love this show because that's the life in the hospital.
• 49:29
  Speaker 4: Totally.
• 49:30
  Speaker 1: It's so intense. And then you're belly laughing with your
• 49:33
  Speaker 1: friends because you have to.
• 49:35
  Speaker 4: Yeah.
• 49:35
  Speaker 9: Yeah.
• 49:36
  Speaker 1: And so that's why we tried to capture that tone
• 49:39
  Speaker 1: of working there.
• 49:40
  Speaker 4: Yeah. I want to say one thing.
• 49:42
  Speaker 1: Go ahead.
• 49:43
  Speaker 4: I look good with hair.
• 49:46
  Speaker 1: You could wear a wig like in real life if
• 49:47
  Speaker 1: you want.
• 49:48
  Speaker 4: You could.
• 49:49
  Speaker 1: Or you could go to Turkey.
• 49:51
  Speaker 4: Well, I suggested that to my agent, and my agent
• 49:53
  Speaker 4: was like, for what? You're known as this. What are
• 49:57
  Speaker 4: you going to do? Are you going to come back
• 49:58
  Speaker 4: with a swollen noggin and freaking it'll all fall out?
• 50:01
  Speaker 1: It would be funny, though.
• 50:03
  Speaker 4: It would be fun.
• 50:04
  Speaker 1: Will you do it for the bit? If to go
• 50:05
  Speaker 1: to Turkey, we'll document the whole thing?
• 50:07
  Speaker 4: Okay, look.
• 50:08
  Speaker 1: If I document it, I send a documentary. Do I
• 50:10
  Speaker 1: need to go to Turkey?
• 50:10
  Speaker 4: Can I go to America?
• 50:11
  Speaker 1: Turk goes to Turkey. Turk goes to Turkey.
• 50:13
  Speaker 3: Turk goes to Turkey.
• 50:14
  Speaker 4: Listen.
• 50:15
  Speaker 1: Oh, my God. That's the doctor.
• 50:16
  Speaker 9: There you go.
• 50:16
  Speaker 1: Oh, my God. Higgins, do you want to produce anything?
• 50:19
  Speaker 4: No, wait.
• 50:19
  Speaker 9: Time out.
• 50:20
  Speaker 4: Time out. Why do I got to go to Turkey?
• 50:22
  Speaker 4: They do it in America now.
• 50:23
  Speaker 1: Well, it's just much cheaper in Turkey. That's why people
• 50:25
  Speaker 1: go there.
• 50:26
  Speaker 3: And it's more fun.
• 50:26
  Speaker 4: But I got insurance and I got- For the doc,
• 50:28
  Speaker 4: it's better if you go to Turkey for the name. Yeah,
• 50:30
  Speaker 4: but Turkey is like- Yeah, the doc's going to be boring.
• 50:33
  Speaker 4: We already found the name.
• 50:34
  Speaker 1: By the way, the doc is boring if it's Turk
• 50:37
  Speaker 1: Goes to Beverly Hills.
• 50:38
  Speaker 5: Yeah, you can't go to Beverly Hills.
• 50:40
  Speaker 1: No one wants to watch Turk Goes to Beverly Hills.
• 50:42
  Speaker 4: How long is the flight to Turkey? What? How long
• 50:45
  Speaker 4: is the flight to Turkey? I just feel like those
• 50:46
  Speaker 4: guys are always sitting in that airport and their head
• 50:50
  Speaker 4: is on fire.
• 50:50
  Speaker 1: Joelle, can you look up, is there a direct flight
• 50:52
  Speaker 1: from LAX to Turkey?
• 50:53
  Speaker 4: There's definitely not.
• 50:54
  Speaker 3: Or Vancouver.
• 50:55
  Speaker 4: It looks like you can get to.
• 50:57
  Speaker 8: Istanbul, nonstop, 13 hours, 10 minutes.
• 50:59
  Speaker 4: Oh, great.
• 50:59
  Speaker 1: 13 hours.
• 51:00
  Speaker 4: There we go.
• 51:01
  Speaker 1: And we'll get you a life flat.
• 51:04
  Speaker 4: I don't know if you want to put your head down.
• 51:06
  Speaker 1: You're not allowed to. Yeah, you can't.
• 51:07
  Speaker 5: A life flat on the way there.
• 51:11
  Speaker 1: I've seen docs about it. Like, you have to keep
• 51:14
  Speaker 1: your head upright. They give you a neck pillow. You
• 51:17
  Speaker 1: can't fuck in them. There's saran wrap on your shit.
• 51:19
  Speaker 2: The Brazilian butt lifts, they have to get whole rows
• 51:22
  Speaker 2: because they have to bend down.
• 51:23
  Speaker 1: They can't sit on them. Did you have yours done?
• 51:25
  Speaker 4: Yeah, I did.
• 51:26
  Speaker 1: It looks great. I didn't know you'd had it done.
• 51:29
  Speaker 1: I noticed that you had a juicy trunk. Yeah, yeah. Yeah,
• 51:31
  Speaker 1: I got it done.
• 51:32
  Speaker 2: And I'm not afraid to say it.
• 51:33
  Speaker 9: Good.
• 51:33
  Speaker 4: Good for you.
• 51:34
  Speaker 1: Did you do Beverly Hills or Brazil?
• 51:35
  Speaker 4: I did Brazil.
• 51:36
  Speaker 1: Okay, good.
• 51:36
  Speaker 4: I'm going to go Beverly Hills, I think, if we
• 51:38
  Speaker 4: do it.
• 51:38
  Speaker 10: Yeah.
• 51:39
  Speaker 4: We should go Beverly Hills.
• 51:40
  Speaker 1: Of course you're going to get bougie hair. Yeah.
• 51:43
  Speaker 4: It'll be my hair. How is it bougie?
• 51:45
  Speaker 1: Well, Beverly Hills hair. Yeah. All right, let's wrap it up.
• 51:49
  Speaker 1: You coming in as Beetlejuice is hilarious. Shout out to
• 51:52
  Speaker 1: our hair and makeup team.
• 51:53
  Speaker 2: Truly, they did such a good job. It looked awesome.
• 51:57
  Speaker 1: When you shrink with your shoulders, because you realize everyone's
• 52:00
  Speaker 1: not in a costume, it is so funny. It's like
• 52:02
  Speaker 1: a turtle going into a shell. Your body, your physical
• 52:05
  Speaker 1: comedy there is so funny, John, when you just go.
• 52:07
  Speaker 2: Thank you.
• 52:08
  Speaker 4: That's what we said on set.
• 52:09
  Speaker 2: I was like, I should shrink after I realized that nobody.
• 52:12
  Speaker 1: But your whole body just like, collapses of embarrassment.
• 52:16
  Speaker 2: Well, it's weird that he goes, I know that the
• 52:18
  Speaker 2: girl that I have a crush on thinks it's cool.
• 52:21
  Speaker 2: to wear a costume. So I go, this is what
• 52:23
  Speaker 2: I'm going to do. We were talking about how insane
• 52:25
  Speaker 2: that would be in real life if somebody went to
• 52:27
  Speaker 2: that extent.
• 52:28
  Speaker 1: Well, this character looks like he hired pros.
• 52:31
  Speaker 4: Pros, for sure.
• 52:32
  Speaker 5: I mean, we know that we've established that.
• 52:34
  Speaker 4: This cost $ 5, 000.
• 52:36
  Speaker 1: We've established that Grant is broke.
• 52:38
  Speaker 8: Yeah.
• 52:38
  Speaker 5: This is what he spends his money on.
• 52:40
  Speaker 4: No, but he spends his money on crazy shit like
• 52:43
  Speaker 4: a turtle. Yeah, he's blowing it.
• 52:45
  Speaker 1: But by the last... I mean, he spent whatever money
• 52:48
  Speaker 1: he doesn't have on hiring pros. Match out a credit card, yeah.
• 52:52
  Speaker 1: Because this was not done by him in the mirror. No,
• 52:54
  Speaker 1: not at all.
• 52:55
  Speaker 4: It's too good.
• 52:56
  Speaker 5: It's really good.
• 52:57
  Speaker 4: Showtime.
• 52:58
  Speaker 8: Yeah.
• 52:58
  Speaker 2: I love that you kept the scream in, too.
• 53:01
  Speaker 1: Yes, that was so funny. And then you have a
• 53:03
  Speaker 1: really mean diss to him.
• 53:04
  Speaker 4: Super mean.
• 53:05
  Speaker 1: Was that a riff or where did that come from?
• 53:06
  Speaker 7: Well, I love that you said, because at first it
• 53:09
  Speaker 7: was just I say that and I walk away and
• 53:11
  Speaker 7: it's silent.
• 53:12
  Speaker 3: And then you were like, that's just mean and weird.
• 53:15
  Speaker 1: Oh, yeah, that's what we kept it. You're going, that's
• 53:17
  Speaker 1: a really mean and weird thing to say to someone.
• 53:19
  Speaker 8: Yeah.
• 53:20
  Speaker 2: Because when we were rehearsing it, it was just so
• 53:22
  Speaker 2: bald of just like, what?
• 53:23
  Speaker 1: And you said to me, you're like, I'm like, I
• 53:25
  Speaker 1: can't believe you kept that in.
• 53:26
  Speaker 4: That's funny.
• 53:27
  Speaker 7: And I think that was the first time we spoke to,
• 53:30
  Speaker 7: because we had filmed that before we did our scene.
• 53:33
  Speaker 4: That was the first thing.
• 53:34
  Speaker 1: Yeah.
• 53:34
  Speaker 7: And so then when I would come up to him
• 53:36
  Speaker 7: and we were looking at each other, we were like,
• 53:37
  Speaker 7: why are we like different people right now?
• 53:39
  Speaker 3: It was like kind of jarring.
• 53:40
  Speaker 4: The magic of, the magic of, filmmaking that's crazy because
• 53:45
  Speaker 4: i would have thought you guys shot that after because
• 53:47
  Speaker 4: it's so endearing after too though even though you're making
• 53:49
  Speaker 4: fun of them yeah and and you say uh and
• 53:53
  Speaker 4: you clown them and you say you know you don't
• 53:54
  Speaker 4: look like you you definitely don't have casual sex it's
• 53:58
  Speaker 4: still endearing i know it is it is it's still kind.
• 54:01
  Speaker 1: Of because it's a buddy being making giving you know
• 54:05
  Speaker 1: it's like we do fucking all day long it's yeah
• 54:07
  Speaker 1: it's a buddy fucking with each other yeah a thousand
• 54:09
  Speaker 1: percent um I wanted to say when Turk is dancing
• 54:13
  Speaker 1: in the tag, it is in the exact same spot
• 54:17
  Speaker 1: that he did his famous poison dance back in the 80s.
• 54:22
  Speaker 1: And that is a fan, a mega fan Easter egg.
• 54:24
  Speaker 4: Absolutely. But this time I stick to actual Bobby Brown
• 54:27
  Speaker 4: dances where if you watch the poison video. They don't
• 54:31
  Speaker 4: do any of the shit that I do on the Poison.
• 54:33
  Speaker 1: Oh, really?
• 54:33
  Speaker 4: That was all you? Yeah, yeah.
• 54:35
  Speaker 3: Damn.
• 54:35
  Speaker 4: Yeah.
• 54:36
  Speaker 1: And did you know that it's the Fortnite default dance thing? Yeah.
• 54:39
  Speaker 1: They just took the dance from you.
• 54:40
  Speaker 2: Somebody needs to check for that.
• 54:41
  Speaker 10: No.
• 54:41
  Speaker 4: No, don't do it.
• 54:42
  Speaker 1: Don't get people riled up.
• 54:43
  Speaker 4: Don't get mad at me. Them kids.
• 54:45
  Speaker 1: Don't get the internet riled up.
• 54:46
  Speaker 4: Not the internet. Don't get these kids.
• 54:48
  Speaker 1: The little kids get riled up.
• 54:49
  Speaker 4: I don't need that.
• 54:50
  Speaker 1: I don't need that in my life. Yeah. Donald doesn't
• 54:53
  Speaker 1: need to be trolled by little kids. No, wait a second.
• 54:56
  Speaker 4: You.
• 54:57
  Speaker 1: These dances that you do are some of the moves
• 55:00
  Speaker 1: that Bobby does in the video.
• 55:03
  Speaker 4: Right. So there's two versions of that. So Bobby Brown
• 55:05
  Speaker 4: in the video does a certain dance, but then Bobby
• 55:10
  Speaker 4: Brown on Soul Train did it, and it was different.
• 55:15
  Speaker 4: And so I kind of incorporate that. Into both. Into both, yes.
• 55:21
  Speaker 1: And I just want to say lastly that I remember
• 55:24
  Speaker 1: getting a call saying, hey.
• 55:27
  Speaker 1: Michael James Scott called Asim, our showrunner, about something. And,
• 55:31
  Speaker 1: you know, obviously you can't help but go, oh gosh,
• 55:33
  Speaker 1: I hope Michael's all right. I hope no one's upset
• 55:36
  Speaker 1: about what's, And I go, what about? He said he
• 55:39
  Speaker 1: wanted to know if it was okay if he was
• 55:41
  Speaker 1: Oprah Winfrey in the Halloween episode. Like 80s Oprah. And
• 55:46
  Speaker 1: we were all like, oh, my God.
• 55:48
  Speaker 8: Yes.
• 55:49
  Speaker 1: We will find a way. And so in the very
• 55:51
  Speaker 1: last moments, we were able to get Michael James Scott
• 55:55
  Speaker 1: as Oprah in the episode. You get a candy. You
• 55:58
  Speaker 1: get a candy.
• 55:58
  Speaker 4: He looked amazing. Amazing.
• 56:01
  Speaker 1: We have the funniest shots, pictures of Michael and Donald together.
• 56:04
  Speaker 4: I just love that he's Oprah with a goatee.
• 56:06
  Speaker 9: Yeah.
• 56:07
  Speaker 3: I know.
• 56:07
  Speaker 4: Oh, yeah. Sorry.
• 56:08
  Speaker 1: He's Oprah with a goatee.
• 56:09
  Speaker 4: With a goatee.
• 56:10
  Speaker 3: So good.
• 56:11
  Speaker 2: There's a great picture in the hair and makeup trailer
• 56:13
  Speaker 2: of you, me, and Michael.
• 56:14
  Speaker 1: Yes.
• 56:15
  Speaker 4: It's just like, what is this show?
• 56:17
  Speaker 10: Yeah.
• 56:18
  Speaker 1: Well, the other day they came up to me, they're like,
• 56:20
  Speaker 1: are you going to be able to straddle the casket
• 56:22
  Speaker 1: in the rain?
• 56:23
  Speaker 4: And I was like.
• 56:24
  Speaker 1: I love this show.
• 56:24
  Speaker 4: I know. It's like, this is your job.
• 56:26
  Speaker 1: Only on Scrubs would anyone say the sentence, would you
• 56:28
  Speaker 1: be able to straddle the casket in the rain? Yeah.
• 56:32
  Speaker 1: That's 206, everybody.
• 56:34
  Speaker 4: Thank you.
• 56:35
  Speaker 1: John Higgins, tell people how to follow you on the Instagram.
• 56:37
  Speaker 2: Oh, follow me at JohnHigginsJWN. because at John, J-O-H-M was taken.
• 56:42
  Speaker 1: Okay. And if you want to watch you guys perform, it's... Oh,
• 56:47
  Speaker 1: go to PleaseDon'tDestroy.com. PleaseDon'tDestroy.com. And Ava, tell people how to
• 56:51
  Speaker 1: find you.
• 56:52
  Speaker 3: Ava Marie Bunn.
• 56:54
  Speaker 1: One N or two?
• 56:55
  Speaker 3: Two Ns.
• 56:56
  Speaker 1: Two Ns.
• 56:56
  Speaker 2: Also, I don't want to pin Ava out, but she's
• 56:58
  Speaker 2: really good at funny dancing, too.
• 57:00
  Speaker 3: Oh, thank you, John.
• 57:02
  Speaker 2: That reminded me.
• 57:03
  Speaker 3: Wait, can you tell them about the story that happened
• 57:05
  Speaker 3: when we were walking?
• 57:05
  Speaker 4: Yeah.
• 57:06
  Speaker 7: She.
• 57:07
  Speaker 2: We were walking, we were kind of delirious after set
• 57:09
  Speaker 2: one day and she busted out a dance move that
• 57:12
  Speaker 2: I'm not kidding, maybe seven people turned around and started applauding.
• 57:16
  Speaker 1: What is it? Can you do it?
• 57:18
  Speaker 2: Like, it was awesome. Like, it was just, like, this funny, like,
• 57:21
  Speaker 2: I was like, you got to do that on the show.
• 57:23
  Speaker 3: And people were applauding.
• 57:24
  Speaker 1: Can you do, like, the seated version of it?
• 57:25
  Speaker 3: I don't know.
• 57:27
  Speaker 2: It was not seated.
• 57:27
  Speaker 1: Oh, it's not a seated kind of thing.
• 57:28
  Speaker 3: It's a full body commitment.
• 57:30
  Speaker 2: But it was awesome, and that's my dream.
• 57:34
  Speaker 1: Maybe we'll find a place for Tosh to do that
• 57:36
  Speaker 1: on the show.
• 57:36
  Speaker 4: You know, I'm a little disappointed, though, Ava.
• 57:38
  Speaker 8: Why?
• 57:39
  Speaker 4: Because you said you were going to put on the costume,
• 57:41
  Speaker 4: and we didn't get to the costume.
• 57:42
  Speaker 1: Well, hey. How about next time you're on the podcast?
• 57:44
  Speaker 1: You should be Gilroy.
• 57:46
  Speaker 3: I have to be Gilroy.
• 57:47
  Speaker 1: Next time you're on the podcast.
• 57:48
  Speaker 4: Can I be Gilroy? When we interview you, you be Gilroy. Yeah,
• 57:51
  Speaker 4: we're going to interview you.
• 57:53
  Speaker 1: We don't want her to stay in character. That'll get old. Well, no,
• 57:55
  Speaker 1: it won't get old.
• 57:56
  Speaker 4: Maybe she just does a bunch of characters.
• 57:57
  Speaker 3: Gilroy has a lot of depth to him.
• 57:59
  Speaker 4: Maybe she does a bunch of characters.
• 58:00
  Speaker 1: You gave us a little sampler, and I don't know.
• 58:02
  Speaker 4: If that's going to hold up for a while. A lot. Yeah,
• 58:04
  Speaker 4: she's got a lot. 30 minutes of Gilroy. It's like
• 58:06
  Speaker 4: Jiminy Glick, right?
• 58:07
  Speaker 8: Yeah.
• 58:08
  Speaker 4: We could do that. You could do a bunch of
• 58:09
  Speaker 4: different characters. We could meet a bunch of your characters.
• 58:12
  Speaker 4: Have you guys.
• 58:13
  Speaker 2: Ever had Jiminy Glick interview you two?
• 58:15
  Speaker 4: That would be amazing. He'd diss us. It would be
• 58:17
  Speaker 4: my greatest honor. He would diss us so good. It
• 58:19
  Speaker 4: would be amazing.
• 58:20
  Speaker 1: It would be one of my greatest honors. Donald Faisal.
• 58:23
  Speaker 1: As a couple, we are very big Martin Short fans.
• 58:26
  Speaker 4: Huge. I love him.
• 58:28
  Speaker 1: I think he's one of the funniest people alive.
• 58:30
  Speaker 4: Yeah, since I can remember. Since fucking the SCTV, was
• 58:36
  Speaker 4: that what he was on, where he had the freaking
• 58:38
  Speaker 4: spike on it?
• 58:38
  Speaker 1: Yeah, but let's talk about Men's Synchronized Swimming, SNL classic.
• 58:42
  Speaker 2: Perfect SNL sketch.
• 58:43
  Speaker 4: Let's talk about freaking Three Amigos.
• 58:45
  Speaker 1: All right, we're going to wrap it up here. Thank you, everybody.
• 58:48
  Speaker 2: Thank you guys for having us.
• 58:49
  Speaker 1: Thank you guys. And count us out, Donald.
• 58:50
  Speaker 4: Five, six, seven, eight.
• 58:56
  Speaker 10: About a bunch of docs and nurses and a janitor
• 58:59
  Speaker 10: who loved to hate. I said he's got stories that
• 59:03
  Speaker 10: we all should know.
• 59:06
  Speaker 1: So gather round to hear our... Gather round to hear our.
• 59:10
  Speaker 10: our Scrubs Rewatch Show with Zach and Donald.
• 59:14
  Speaker 4: Mm-hmm.