Latest / My Family Thinks I'm Crazy / Antediluvian Landfill | What's Underneath Our Feet? Forbidden Archaeology, and Artificial Stratum

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Antediluvian Landfill | What's Underneath Our Feet? Forbidden Archaeology, and Artificial Stratum · My Family Thinks I'm Crazy

• 0:07
  [UNKNOWN]: But every time I do, my family thinks I'm crazy The whole world, you opposed alien to dating To run in the water, this way is disgusting You wouldn't have to come out these things They think I'm crazy, I know I'm stupid, any more people I'm crazy, I know I'm not in my control They say I'm crazy, baby I think I'm crazy, baby I think I'm crazy
• 0:38
  [UNKNOWN]: and this cliff in the mouth, and you walk into the space and there's all this imagery and I immediately was taken back to, you know, the human remains that I found in one of these potential artifacts.
• 0:52
  [UNKNOWN]: And that site felt strange, you know, it felt off, and I, um,
• 1:00
  [UNKNOWN]: You know, it was excited and I went about my business and I later discovered pretty quickly that, you know, that that sights more important than I realized.
• 1:14
  [UNKNOWN]: And the visitor center mentions nothing about any of this stuff.
• 1:17
  [UNKNOWN]: So there's all these like ruins and stacked up stones that make up in it images and all of this wild stuff carved into the side of the cliff and
• 1:26
  [UNKNOWN]: And as soon as you see it, you're like, how is this not acknowledged, but it's not.
• 1:32
  [UNKNOWN]: It's almost like they don't want anybody to know about it.
• 1:38
  [UNKNOWN]: You just heard today's guest, who joins me, Mystic Mark here on the My Family Think Some Crazy Podcast.
• 1:45
  [UNKNOWN]: Thank you for turning in and enjoy this conversation with a anti-deluvian landfill guy.
• 2:19
  [UNKNOWN]: Ladies and gentlemen, welcome back to my family.
• 2:21
  [UNKNOWN]: I think some crazy podcasts and we've got a new guest on the show today who documents the unbelievable discovery of anti-deluvian art, a collects, prehistoric artifact from across the world, identifies them, catalogs them, some very interesting stuff, the man behind the anti-deluvian landfill joins us.
• 2:47
  [UNKNOWN]: uh... so you're somewhat anonymous how would you like me to refer to you throughout this conversation because i know the zoom in the zoom meeting here just says guy would you like me to call you guy is that your first name or is that just just yeah that's generally what i go buy and i appreciate you having me on
• 3:03
  [UNKNOWN]: Of course, yeah, happy to have you on and again, your Instagram and YouTube channel are the anti deluvian landfill with underscores and the spaces.
• 3:15
  [UNKNOWN]: So, guys, I'm very curious about how this all began for you and what particularly motivates you to pursue this.
• 3:25
  [UNKNOWN]: I think some of your work
• 3:29
  [UNKNOWN]: You've got a lot of stones that you're lining up, you're showing all sorts of different patterns that have emerged to you, so what does this all begin for you?
• 3:40
  [UNKNOWN]: Well, actually, in reality, I never wanted to do any of this.
• 3:46
  [UNKNOWN]: My motivation is because I found something in the world needs to know.
• 3:50
  [UNKNOWN]: In fact, when I found these things, I tried to pass it on to many of the alternative content creators that are in the space.
• 3:59
  [UNKNOWN]: and was largely ignored and you know I understand they're all busy and so I essentially was forced to create a page and do my best to tell the story and the bottom line up front is ultimately that a series of discoveries have led to the realization that whole layers of our geology happened to be engineered.
• 4:25
  [UNKNOWN]: That's like really the the crescendo of all this.
• 4:28
  [UNKNOWN]: That's the the the big discovery of the gazillion other discoveries that you know will hopefully talk about.
• 4:36
  [UNKNOWN]: And ironically you know that sounds pretty extreme and silly and I understand in fact
• 4:43
  [UNKNOWN]: I fully understand the way it sounds because I was one of the individuals that would ridicule some of these alternative ideas, and I've really come a long way.
• 4:51
  [UNKNOWN]: In fact, my nose has been rubbed in it a lot over this process, and a lot in fact, a lot of statements that I've declared to myself in the past of that's not going to be real or whatever, you know, has often been, you know, I was wrong, and I've had to, you know, eat a lot of pride through this process, and I've had a lot of pride through this process.
• 5:12
  [UNKNOWN]: become one of the alternative people.
• 5:13
  [UNKNOWN]: So it's kind of interesting because I'm coming from the outside, you know, and so I, when I get the comments, I understand, because I was just one of those commenters.
• 5:24
  [UNKNOWN]: But for me, I spent 20 years in the military, and when I retired, I, you know, bought a home and, and in this home,
• 5:38
  [UNKNOWN]: the garden or rather the flower beds were with river rocks and one day I was hanging up Halloween decorations and I looked down and this one rock had these these funny scratches on it.
• 5:51
  [UNKNOWN]: And I got to look at it and, you know, in the end it was a statue head, like a head broken off of a statue and it was kind of egg-shaped.
• 6:02
  [UNKNOWN]: And to be honest, it was too fast.
• 6:05
  [UNKNOWN]: One side of it looked feminine at first, but in the end it's an alien, you know, and on the other side it looks like one of these old neckheads.
• 6:13
  [UNKNOWN]: It has that kind of helmet on it.
• 6:16
  [UNKNOWN]: And in the the earpiece of this helmet is a hexagram or a star of David, in my opinion, it has nothing to do with David, but a hexagram nonetheless.
• 6:27
  [UNKNOWN]: And this hexagram is encircled by a an hour borous.
• 6:34
  [UNKNOWN]: So
• 6:36
  [UNKNOWN]: to put it into perspective.
• 6:37
  [UNKNOWN]: You know, I spent my life in the military.
• 6:38
  [UNKNOWN]: I kind of get into, you know, artifact hunting and stuff like that.
• 6:44
  [UNKNOWN]: And then all of a sudden, I have in my hand symbols that should not be found in the West Virginia area, because that's where really where I was.
• 6:54
  [UNKNOWN]: What's Virginia's pretty mysterious as it is, and a lot of strange things are around, but these symbols are supposed to be on another continent, but it was right there, and so that blew my mind, and I knew enough about history, and at that point kind of the alternative stuff, that I knew something was wrong, and so I started to pursue that.
• 7:19
  [UNKNOWN]: Obviously, if I found one, maybe there'll be more.
• 7:22
  [UNKNOWN]: And so I started scouring these flower beds, and really only in two or three flower beds, I found numerous examples of things that anyone would clearly say is man-made at a glance.
• 7:33
  [UNKNOWN]: You know, with no...
• 7:36
  [UNKNOWN]: really knowledge about the subject.
• 7:37
  [UNKNOWN]: You just look at it.
• 7:38
  [UNKNOWN]: It's like, yeah, that square or that, you know, has a clear manufacturer's shape to it.
• 7:42
  [UNKNOWN]: It was a lot.
• 7:44
  [UNKNOWN]: And I started to question whether or not wherever these stones were taken from happened to be some ancient site.
• 7:52
  [UNKNOWN]: You know, it was almost like, well, did the site that they quarry, you know, did they get into something?
• 7:57
  [UNKNOWN]: And so what I did was I contacted the builder and I tracked down where the stones originally came from and they were dredged from the Ohio River.
• 8:06
  [UNKNOWN]: And there's a location in West Virginia along the Ohio that that really feeds a lot of the gravel and you know those types of materials for really West Virginia Kentucky and Ohio area.
• 8:19
  [UNKNOWN]: So anybody living in those areas are going to have access to these these stones that I'm talking about that all come from one spot.
• 8:26
  [UNKNOWN]: And when I found that out, I realized that, okay, if there's some kind of ancient culture, then it's going to be hard to track down because stones in the large portion of the Ohio river could be from anywhere above the river and the watershed, like literally.
• 8:43
  [UNKNOWN]: And it was really a dead end for me.
• 8:47
  [UNKNOWN]: But walking away from that investigation, you realize, well, hey, all these garden centers are going to have these stones stacked up in piles that I can just dig through.
• 8:59
  [UNKNOWN]: I'll start digging through them.
• 9:01
  [UNKNOWN]: and began to find some pretty strange stuff.
• 9:04
  [UNKNOWN]: And the first big thing that besides that initial one I described in a long way, a lot of the things that I was finding felt serpent-related, you know, like some examples of snakes or snake heads or, you know, really a lot of it just felt like snakes for like a better.
• 9:25
  [UNKNOWN]: But so I found this in digging through this big pile.
• 9:30
  [UNKNOWN]: I find this what looks like a cluster of cement.
• 9:35
  [UNKNOWN]: I almost actually tossed it thinking it was a modern thing.
• 9:39
  [UNKNOWN]: And as I examined, I realized it was a fossilized statue head of a dragon, kind of like a dog dragon, like from the Chinese kind of style of art.
• 9:52
  [UNKNOWN]: And again, this is coming from the Ohio River.
• 9:56
  [UNKNOWN]: And I took it home and actually got out the adventure and did the best I could and to remove some of this concretion.
• 10:04
  [UNKNOWN]: And these designs began to reveal themselves.
• 10:10
  [UNKNOWN]: And on this statue,
• 10:12
  [UNKNOWN]: the designs actually made up other images.
• 10:15
  [UNKNOWN]: So you know how like there's just optical illusion paintings where like, you know, it's a couple characters together and that makes up a larger face when you kind of back up or familiar with that kind of style, well, it was like that, you know.
• 10:32
  [UNKNOWN]: And what it was was like the dragonhead and the eye of the dragonhead happened to be like the head of a vulture.
• 10:41
  [UNKNOWN]: And this vulture had a fish and it's mouth, you know.
• 10:44
  [UNKNOWN]: And so this is like multi-faceted art in one space.
• 10:49
  [UNKNOWN]: And that vulture and fish was actually familiar.
• 10:53
  [UNKNOWN]: I'd done some metal detecting in the past.
• 10:55
  [UNKNOWN]: And in the past,
• 10:56
  [UNKNOWN]: A lot of people will find these little pieces of aluminum that look like melted aluminum.
• 11:02
  [UNKNOWN]: You assume that it's from a soda can and a campfire.
• 11:10
  [UNKNOWN]: I had one of these and you know like I kept it just because but I thought it was trash largely however on on this piece of trash kind of looked like a vulture whole biting on a fish.
• 11:22
  [UNKNOWN]: It was like really the same kind of image and so I grabbed it and compared them and it generally felt like a similar art style.
• 11:30
  [UNKNOWN]: So there I had fossilized statues which is kind of contradictory
• 11:40
  [UNKNOWN]: And then this piece of modern material or an alloy that also matches this or looks similar to this fossilized thing.
• 11:53
  [UNKNOWN]: And I actually had more than one, and I ran and grabbed my other ones, and of all these stones that I collected, I began quickly making matches of these little aluminum fragments to some fossilized stones and some others that aren't.
• 12:10
  [UNKNOWN]: And when you examine this aluminum under magnification, there's.
• 12:17
  [UNKNOWN]: really just like little balls.
• 12:18
  [UNKNOWN]: It's like little grains of aluminum fused together and and fortunately I actually am certified to speak on the subject because I spent my 20 years working in aviation and aircraft structures and and so aluminum pretty much I handled every day and you know we required to have extensive extensive knowledge about
• 12:41
  [UNKNOWN]: The stuff and it was something that I had never seen, you know, I'd seen many advanced, you know, composites and, and medals and variations of aluminum, you know, and the Air Force and and I had never seen anything like this, you know, so I knew I had something special.
• 12:59
  [UNKNOWN]: But the other thing that you take away from this weird aluminum thing is that they kind of look like, you know, you know, how golden golden nuggets look that kind of blobby shape are you familiar.
• 13:12
  [UNKNOWN]: Yeah.
• 13:13
  [UNKNOWN]: Yeah, so it's like they had a blobby gold nugget shape to them or feel overall, and in my search for some of the stuff I went on eBay to see if anybody was selling, you know, either metal detecting finds.
• 13:28
  [UNKNOWN]: And I came across copper examples of the same thing.
• 13:40
  [UNKNOWN]: beginning to also match these perceived to be man-made things that I'm finding.
• 13:46
  [UNKNOWN]: And it dawned on me that like, is there some kind of mass production situation because first of all, if these things are ancient, how is it possible that I could quickly find duplicates?
• 14:02
  [UNKNOWN]: And it's very easy to find duplicates.
• 14:05
  [UNKNOWN]: And that was very strange and I thought either I'm the luckiest person on the planet.
• 14:10
  [UNKNOWN]: or this is some kind of mass production situation.
• 14:13
  [UNKNOWN]: And at that time, I assumed it was just a, you know, some type of advanced civilization that, you know, existed on the East Coast somehow, and maybe it had something to do with the Ohio River Valley, and, you know, that stuff.
• 14:28
  [UNKNOWN]: And it, about that time, I, I'm off on a hike and I walk by this big massive boulder,
• 14:39
  [UNKNOWN]: But the bold-felt strange, and I turned and looked at it, in fact, familiar rather, it was more familiar.
• 14:45
  [UNKNOWN]: And I turned and looked at it, and it was another one of these shapes.
• 14:49
  [UNKNOWN]: It was just another one of these massive stone shapes that I had found previously.
• 14:54
  [UNKNOWN]: But interestingly, it was just like a snakehead, and it had an inlayed stone eye.
• 14:59
  [UNKNOWN]: So someone had cut, you know, a square, almost like with a circular saw, because, you
• 15:08
  [UNKNOWN]: It leaves that cut further than the dimension of the cut out, and so pretty much it looked just like that, and it had a completely different material inserted into the eye portion and it was square and not just kind of square, it was just square, it was very clearly somebody did it.
• 15:30
  [UNKNOWN]: And that kind of blew my mind because it was massive.
• 15:32
  [UNKNOWN]: I was finding these little
• 15:37
  [UNKNOWN]: And I had, at that point, decided, you know, I got to, at least say something because there's some kind of connection going on with these things.
• 15:47
  [UNKNOWN]: There's, you know, I didn't really know, but I was kind of theorizing that maybe,
• 15:53
  [UNKNOWN]: What we were looking at is remnants of an ancient culture, and these duplicates were just kind of like remnants of statues, because it didn't really understand the art style at that time.
• 16:04
  [UNKNOWN]: I didn't understand what I was looking at necessarily, but I was easily repeating these shapes.
• 16:11
  [UNKNOWN]: So, you know, you find this massive one, and you decide, or I decide to...
• 16:18
  [UNKNOWN]: Make a video or try to tell somebody or do something with it because it seemed actually important.
• 16:24
  [UNKNOWN]: And as I was attempting to make one of my first videos, it felt rather silly and we're going to just hop on the internet and just tell people who these stones look the same, you know, I felt dumb.
• 16:37
  [UNKNOWN]: I'll be honest because at that point, you know, I wasn't completely sold on a lot of
• 16:47
  [UNKNOWN]: that we're really connecting and impossible really.
• 16:52
  [UNKNOWN]: And in that process, I took one of these stones and I treated it like I was gonna create a blueprint.
• 16:58
  [UNKNOWN]: You know, it's one of parts of my job and drafting, and so I measured it and analyzed it and made a blueprint.
• 17:06
  [UNKNOWN]: And I realized that the dimensions were all kind of spot on.
• 17:11
  [UNKNOWN]: You know, it was a triangular stone because it chose the simplest shape and it was a 40 degree triangle, exactly.
• 17:19
  [UNKNOWN]: I so I grabbed a bunch of these other triangles that I had because we've got these categories and they all happen to be 40 and 60 degrees on the dot.
• 17:28
  [UNKNOWN]: and that seemed impossible to me because they were random triangular stones that I was pulling out of this river, and they were different materials, but they were identical shapes.
• 17:39
  [UNKNOWN]: And my media thought was, well, okay, hold on.
• 17:42
  [UNKNOWN]: So that's probably like a material thing or like, you know, the geologist produces these triangular shapes, and you know, it's probably the answer.
• 17:51
  [UNKNOWN]: But I began to measure other things in different ways and discovered that nearly all the angles of all these stones are all divisible by 20 degrees, which is kind of insane.
• 18:04
  [UNKNOWN]: And they're all perfect.
• 18:08
  [UNKNOWN]: I mean, from a fabrication perspective, you measure these things.
• 18:12
  [UNKNOWN]: You measure a series of them.
• 18:15
  [UNKNOWN]: You know, all those angles that look organic and kind of, I mean, not even symmetrical, they're all divisible of 20 degrees in relation to each other, which is,
• 18:28
  [UNKNOWN]: mind blowing, you know, and I don't know if that kind of makes sense, but from my perspective and you know, I have professional experience with these things and that shouldn't exist because it should be randomized, you know, some of these angles should be, you know, odd numbers.
• 18:47
  [UNKNOWN]: It shouldn't
• 18:56
  [UNKNOWN]: And so I make my video, and in the process of making my video, there's, uh,
• 19:02
  [UNKNOWN]: a clip next to that boulder that I found or this massive, it's a megalith, and right next to it is another one, and it's even larger, and there's this really large face that appeared to be carved into it.
• 19:17
  [UNKNOWN]: And I was so skeptical that at that point I took it to everybody, that was in my circle, and asked them if they saw the same thing because I felt crazy, you know, there's this massive face that appears to be carved in this boulder.
• 19:30
  [UNKNOWN]: they all agreed that they saw it and I climbed back up on that mountain to verify it and it was all carved into the side of the rock.
• 19:37
  [UNKNOWN]: It's there.
• 19:39
  [UNKNOWN]: But in the process of doing that, I kind of realized that
• 19:45
  [UNKNOWN]: This face is on another massive megalith that appears to have fallen against the hillside.
• 19:50
  [UNKNOWN]: And in doing so, it has kind of created this really tight triangular space between the rock and the megalith.
• 19:59
  [UNKNOWN]: And so I creeped in there and discovered that there's a lot of carvings in there that are fresh and protected from being trapped and pinned.
• 20:12
  [UNKNOWN]: These carvings are mostly serpent-related.
• 20:15
  [UNKNOWN]: There's a lot of snakes, some more hex grams, we're discovered.
• 20:20
  [UNKNOWN]: The other thing that was realized is these carvings, and this is another impossibility.
• 20:26
  [UNKNOWN]: These carvings are detailed all the way down to like the one eighth inch or one sixteenth inch.
• 20:33
  [UNKNOWN]: And so, the larger images are made up of smaller images and also patterns that are so detailed that it would be impossible to do by hand.
• 20:47
  [UNKNOWN]: Whatever process created that was not hammering shizzle.
• 20:53
  [UNKNOWN]: And then that was actually on one side that was on the megalith.
• 20:56
  [UNKNOWN]: And on the opposite side appeared to be a straight line as if it was a stacked block.
• 21:02
  [UNKNOWN]: And I thought, holy cow, there's no way that this massive hill, you know, in West Virginia, that I'm looking at is some type of structure, you know, but the stone, this, this crack, you know, wasn't a crack.
• 21:13
  [UNKNOWN]: It was a scene between two, you know, portions, and that got me thinking like, you know, if you've ever seen the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the,
• 21:28
  [UNKNOWN]: photos that are shared where it's like a pyramid-shaped hill and people claim that's a pyramid or something like that.
• 21:35
  [UNKNOWN]: If you're ever seen in those.
• 21:38
  [UNKNOWN]: Well, essentially, I thought there's no way that that's true.
• 21:45
  [UNKNOWN]: I kind of always thought that that was crazy.
• 21:48
  [UNKNOWN]: And I was fortunate enough to not too far away come across a place where they were actually cutting into a mountain.
• 21:57
  [UNKNOWN]: and they're creating a new road for a resort.
• 22:00
  [UNKNOWN]: And I pretty much had a cross-section of this hill.
• 22:04
  [UNKNOWN]: And this hill actually sits in the middle of the Nainchard River valley, called the Tays River Valley.
• 22:11
  [UNKNOWN]: And sometimes, before the end of the last ice age, there was a river that ran through this valley, which is now dry.
• 22:18
  [UNKNOWN]: And so this hill sits kind of catacorner spanning that ancient dry river.
• 22:27
  [UNKNOWN]: you could see images.
• 22:29
  [UNKNOWN]: And so imagine for a second, as we're taught in geology, or in school, the geology is like the sandwich layers kind of, and when you look at a cross-section, you see all the different layers of time allegedly.
• 22:42
  [UNKNOWN]: Well, as they kind of scraped into this mountain, some of those layers made up images like sharks.
• 22:56
  [UNKNOWN]: nose art from a World War II aircraft.
• 22:59
  [UNKNOWN]: So like the sharp teeth that they paint on the side of, you know, the airplanes kind of thing, that's what it looked like.
• 23:05
  [UNKNOWN]: You know, it looked cartoonish.
• 23:07
  [UNKNOWN]: It looked almost silly.
• 23:10
  [UNKNOWN]: And then we're some other kind of images in this area.
• 23:13
  [UNKNOWN]: And that seemed impossible to me because how can, you know, millions of years of layers of
• 23:25
  [UNKNOWN]: that they didn't make sense, and I actually came back to the location, and the workers had cut into it deeper, probably only six inches, and those images were gone, which says to me that, you know, it wasn't layers of the earth, it was some type of top coat.
• 23:45
  [UNKNOWN]: You know, because when people create things, you know, it's in layers and often the exterior layers have the designs.
• 23:53
  [UNKNOWN]: And if these designs were only in six inches deep, it's not a mud fossil.
• 23:59
  [UNKNOWN]: Because when I saw that, I was like, well, is this seriously a mud fossil?
• 24:04
  [UNKNOWN]: Because I actually bought into the idea earlier.
• 24:08
  [UNKNOWN]: Before discovering all this stuff, I thought, you know, I saw the things in Google Earth like many others do it.
• 24:15
  [UNKNOWN]: And I thought, I guess that's the explanation.
• 24:17
  [UNKNOWN]: You know, there's no other better explanation.
• 24:19
  [UNKNOWN]: But when I saw this,
• 24:22
  [UNKNOWN]: I was, you know, toying with the idea, but it made no sense if six inches of materials removed and there's no like organs or other details.
• 24:29
  [UNKNOWN]: It was just kind of flat material.
• 24:31
  [UNKNOWN]: There was literally nothing.
• 24:33
  [UNKNOWN]: To me, that's just says top coaches, it's just like an exterior finish.
• 24:37
  [UNKNOWN]: And so I examined the area on Google Earth and realized that the general shape of that hill
• 24:51
  [UNKNOWN]: which is ironic because that was the image that I saw on the side of the hill.
• 24:56
  [UNKNOWN]: And as I climbed all over that hill, I found a location where, because they were excavating deep into this mountain and they had pulled out some organic materials, some wood, and there were actually some of these wooden artifacts.
• 25:14
  [UNKNOWN]: So some of these things that I'm finding, these
• 25:22
  [UNKNOWN]: They're all these shapes and they're matching across materials that shouldn't really exist.
• 25:26
  [UNKNOWN]: And so these guys were pulling the stuff deep out of the mountain and it's wood and it's matching these materials.
• 25:31
  [UNKNOWN]: Or these shapes rather.
• 25:32
  [UNKNOWN]: So these ancient wood bits are actually cut into these strange shapes that I'm finding.
• 25:40
  [UNKNOWN]: And on top of that, another thing I discovered that some of the rock hounds are aware of is it's like a
• 25:50
  [UNKNOWN]: But there will be sometimes designs and these clots of dirt.
• 25:54
  [UNKNOWN]: And as I was digging through all that stuff, I was finding those.
• 25:58
  [UNKNOWN]: And they were also in these shapes, these repeated shapes.
• 26:01
  [UNKNOWN]: And you could see there was designs in the dirt, but it was strange.
• 26:04
  [UNKNOWN]: Because it was just dirt, you know, I didn't really understand it.
• 26:07
  [UNKNOWN]: And I started smashing them apart.
• 26:10
  [UNKNOWN]: And inside of one of them happened to be a bone.
• 26:15
  [UNKNOWN]: And so this is where things get strange.
• 26:19
  [UNKNOWN]: Because, you know, I mean, believe it or not, whatever, like, these things had stuff in them.
• 26:27
  [UNKNOWN]: You know, and it kind of didn't make sense.
• 26:29
  [UNKNOWN]: I actually kind of figured out the story on them later, but they didn't make sense because it was just clumps of dirt in designs, which is strange.
• 26:36
  [UNKNOWN]: And then there's bones coming out of them, and when I researched what kind of bone that was, it turned out to be the toe bone of a child.
• 26:45
  [UNKNOWN]: And so,
• 26:48
  [UNKNOWN]: That says to me, you know, that, okay, hold on, if this is some ancient culture and these are, you know, kind of repeated shapes that I kind of thought that they were like statue bits or something.
• 26:59
  [UNKNOWN]: And then now I'm finding.
• 27:03
  [UNKNOWN]: human remains inside of them.
• 27:05
  [UNKNOWN]: A lot of things I'm seeing are snakes.
• 27:09
  [UNKNOWN]: A lot of what imagery I can make out is kind of dark.
• 27:13
  [UNKNOWN]: And now I have a potential what seems to be sacrificial bit.
• 27:19
  [UNKNOWN]: You know, while else would a child's remains be placed inside of one of these shapes with a design.
• 27:29
  [UNKNOWN]: You know, it was just, it kind of like at that moment, I felt uncomfortable, and, and that same location was this massive
• 27:40
  [UNKNOWN]: head.
• 27:40
  [UNKNOWN]: It was a statue head.
• 27:43
  [UNKNOWN]: It was pretty clear.
• 27:44
  [UNKNOWN]: And I, in this construction site, I was devising a way to get this 300 pound head off the mountain by myself with nobody noticing.
• 27:53
  [UNKNOWN]: And this location was kind of, you know, somewhat nowhere west Virginia.
• 27:58
  [UNKNOWN]: And the time that I went there, there was nobody around.
• 28:01
  [UNKNOWN]: So a couple days go by and I'm devising this plan to get this head because it's a fantastic piece of evidence and I go back on the hill to retrieve it and it's been defaced, but in such a strange way like Jack Hammer defaced.
• 28:15
  [UNKNOWN]: So somehow somebody knew to mess that up.
• 28:21
  [UNKNOWN]: And that's just like a strange snippet of the story that is ironic because either maybe the workers thought I was some guy looking for native remains or something and trying to shut down the project.
• 28:31
  [UNKNOWN]: I mean, that was ultimately my thought of why that would happen.
• 28:36
  [UNKNOWN]: But when I looked at that,
• 28:38
  [UNKNOWN]: It was Jack Hammard, you know, all the designs were gone, the face was gone, it was just, it was a loss, a complete loss.
• 28:45
  [UNKNOWN]: However, it seems that I was kind of verifying that in these hills of West Virginia, if there's designs and these layers, well, that's not geology, you know, it's manufactured somehow.
• 28:59
  [UNKNOWN]: it's impossible for for geology to stack up and turn into a shark face sideways, you know, it was a horizontal image.
• 29:08
  [UNKNOWN]: So anyways, this, this, this, this hill, you know, um, that has all this creepy stuff on it spans this ancient river valley.
• 29:15
  [UNKNOWN]: And when you look at it from Google Earth, it turns out it's, oh, I think I said that it's the shape of a shark.
• 29:19
  [UNKNOWN]: I might have already mentioned that.
• 29:21
  [UNKNOWN]: Um, so as all this is happening, I plan a trip to Italy, um, because
• 29:30
  [UNKNOWN]: I had an epiphany through all this, you know, one day I was sitting there and I realized, you know, a lot of these stone shapes kind of match up and I was able to discover YouTube videos of people talking about ancient walls or they're like serpent walls in North America and there's a bunch of places all over the East Coast and really all over North America where natives have stacked up these stone walls and a lot of times they're in the shape of a snake or they resemble a serpent somehow.
• 29:59
  [UNKNOWN]: And I noticed that these shapes are also in the serpent walls.
• 30:04
  [UNKNOWN]: The natives had identified it also, it seemed.
• 30:08
  [UNKNOWN]: Well, if that's the case, then there's a good chance that the megalithic sites in Europe
• 30:15
  [UNKNOWN]: contain the same shapes that I'm discovering.
• 30:18
  [UNKNOWN]: And it was like one of the first things I looked at, and that was the case.
• 30:22
  [UNKNOWN]: So these funny shapes that I discovered that were geometrically identical seem to match megalithic sites in Europe.
• 30:32
  [UNKNOWN]: So I plan a trip to Italy to Sicily.
• 30:36
  [UNKNOWN]: And immediately, at the B&B, I found many examples
• 30:44
  [UNKNOWN]: in their little common areas.
• 30:46
  [UNKNOWN]: I didn't even have to go anywhere.
• 30:47
  [UNKNOWN]: I just showed up and looked and immediately he made the same connection.
• 30:52
  [UNKNOWN]: Same shapes, nearly identical imagery.
• 30:57
  [UNKNOWN]: And at that point, I was getting better at seeing what was actually there.
• 31:02
  [UNKNOWN]: And I was beginning to notice that it had a lot to do with lighting.
• 31:07
  [UNKNOWN]: So if you've ever been out in nature and you've caught a stone, like kind of at an angle
• 31:14
  [UNKNOWN]: Well, that's part of this engineering, you know, and I'm starting to realize that light and perspective is actually really relevant in this art style, but still a lot of it looks twisted and messed up and it didn't make sense.
• 31:29
  [UNKNOWN]: Why it's not beauty, you know, if it's an ancient culture, all the ancient cultures we know, their stuff is generally beauty, but this stuff was like, I don't know, a nightmare kind of to look at.
• 31:40
  [UNKNOWN]: You know, that's why I thought, up until this point, most of it was damaged, you know, it just had been through cataclysm and then was messed up.
• 31:50
  [UNKNOWN]: So, in Sicily,
• 31:54
  [UNKNOWN]: The interesting thing was, a new connection was made.
• 31:59
  [UNKNOWN]: I go to the beach, finding all these, you know, more of these effigies is what they end up being and we'll just call them that from now on.
• 32:08
  [UNKNOWN]: I find all these connections, it's all the same stuff, it was actually like easy.
• 32:12
  [UNKNOWN]: I probably spent 20 minutes out there making a film and it was simple.
• 32:20
  [UNKNOWN]: There was so much of it.
• 32:21
  [UNKNOWN]: It was so easy to find identical things or, you know, nearly geometrically identical things.
• 32:29
  [UNKNOWN]: To what we were finding in West Virginia, but in that mix, on that beach and Sicily.
• 32:35
  [UNKNOWN]: happened to be some of that really advanced machining.
• 32:40
  [UNKNOWN]: So oftentimes in the history discussions around Egypt, they talk about some of the stones that are milled and there's these really flat stones where whatever machine they used had these
• 32:57
  [UNKNOWN]: Revolutions, you know, like, whatever cut it did so in such a precise way, it was impossible for, you know, ancient man.
• 33:04
  [UNKNOWN]: That's kind of the idea.
• 33:07
  [UNKNOWN]: Or at least how they presented it.
• 33:09
  [UNKNOWN]: It's a mystery.
• 33:11
  [UNKNOWN]: Ancient Egypts just had these, these, whatever, metal tools, and they couldn't have done that kind of thing.
• 33:17
  [UNKNOWN]: and then never account for the possibility of other ancient advanced cultures.
• 33:20
  [UNKNOWN]: But anyway, so there's this stuff on the beach that is advanced.
• 33:25
  [UNKNOWN]: It's milled.
• 33:26
  [UNKNOWN]: It's these cuts just like you find at all the other interesting megalithic sites.
• 33:31
  [UNKNOWN]: And I got super excited because at that point I thought, will maybe the culture that I am discovering or whatever it is that I'm finding, maybe it's connected to all that other strange megalithic stuff.
• 33:48
  [UNKNOWN]: And, you know, I was excited and it turned out not to be correct later on.
• 33:59
  [UNKNOWN]: But I kind of ran with that at the time and I thought that it was all one one thing, one one culture, one situation.
• 34:11
  [UNKNOWN]: feeling successful, I almost kind of just like, you know, went and got a gelato and threw in the towel on the project.
• 34:16
  [UNKNOWN]: But I, again, thought, well, you know, I should look around at least on Google Earth and see if I see anything interesting.
• 34:22
  [UNKNOWN]: And I mean, it wasn't 10 minutes and not even an hour away was this massive geocliff on the side of a mountain.
• 34:32
  [UNKNOWN]: And it was made up of those same stacked stones that appear all over North America or the same style.
• 34:41
  [UNKNOWN]: So I planned a trip to go check it out and what I found there was really unbelievable and it actually took a darker turn.
• 34:53
  [UNKNOWN]: You know, it got creepier, you know, and we're about to get into the parts where, you know,
• 35:02
  [UNKNOWN]: I ran into things that I'm not comfortable talking about because sometimes in my channel, I bring up elites and that's intentional because there is a connection here.
• 35:15
  [UNKNOWN]: And so at this location, at this massive geoglyph, what it is, it's an nature preserve on the coast of Sicily.
• 35:23
  [UNKNOWN]: And it's this almost pyramid-shaped mountain.
• 35:25
  [UNKNOWN]: And when you look at it, you would almost say, you know, is that a pyramid?
• 35:29
  [UNKNOWN]: You know, it's kind of offset, but at the same time, it looks very intentional.
• 35:34
  [UNKNOWN]: And one slope is this geoglyph in this shape of a dragonhead.
• 35:40
  [UNKNOWN]: You know, it's kind of a rudimentary dragonhead.
• 35:44
  [UNKNOWN]: And the design of this dragonhead is made up of stone walls that probably are waist high and maybe I don't know a meter wide, you know the large walls and it just covers a whole mountain side.
• 36:10
  [UNKNOWN]: Let's say the megalith that I discovered in West Virginia had these strange texture to it.
• 36:18
  [UNKNOWN]: You know, it kind of made it look like reptile skin, ultimately.
• 36:21
  [UNKNOWN]: That's what it was praying and it had a very specific way of doing that.
• 36:25
  [UNKNOWN]: And I found virtually the same thing and Sicily made out of, it was either marble or granite.
• 36:32
  [UNKNOWN]: And my example, unless Virginia just was sandstone, but it was almost the same cut style, the same art design.
• 36:42
  [UNKNOWN]: And it was just like walking down this path, these examples were more abundant.
• 36:47
  [UNKNOWN]: And it was almost like I was entering an area where
• 36:51
  [UNKNOWN]: I don't know it was it was it it changed.
• 36:54
  [UNKNOWN]: It was like all the little artifacts or all the little things that I was looking at became more clear They became more Advanced almost like there was more effort put into that general area
• 37:07
  [UNKNOWN]: And at the visitor center, happens to be another megalith that falls into these, you know, these shape categories.
• 37:15
  [UNKNOWN]: And on that megalith happens to be more of these cuts that I identified at the beach and the same ones that happen to be in Egypt and some of these other locations.
• 37:23
  [UNKNOWN]: And so I'm like, yeah, I'm doing good, you know, this is all fun and more of the same.
• 37:29
  [UNKNOWN]: And I ultimately all I cared about was getting on one of these walls.
• 37:34
  [UNKNOWN]: I'm verifying that they were using these stones that I was finding for the walls because that was kind of the theory that I had in America before I left that all those stone walls are made up of these shapes, that the previous cultures identified.
• 37:52
  [UNKNOWN]: And that was the case.
• 37:53
  [UNKNOWN]: As soon as you got, you know, as soon as I got up on one, I found numerous examples that verified this connection between really North America and the Mediterranean.
• 38:08
  [UNKNOWN]: And again, I have to be careful because, you know, like, oh, made it, you know, time to go home.
• 38:14
  [UNKNOWN]: And something told me just to go a little bit further and I'm glad I did.
• 38:21
  [UNKNOWN]: I found this.
• 38:23
  [UNKNOWN]: Well, let me just kind of just describe this.
• 38:26
  [UNKNOWN]: So remember the effigy.
• 38:28
  [UNKNOWN]: It's a big dragon.
• 38:30
  [UNKNOWN]: And the mouth of that dragon happens to be a cliffside.
• 38:34
  [UNKNOWN]: You know, it's like a crescent shape for the mouth.
• 38:38
  [UNKNOWN]: And there's actually a cutout in the cliff where you walk through this cave like stairs and you pop out on this ledge and you happen to be in the mouth of this dragon.
• 38:53
  [UNKNOWN]: this effigy.
• 38:55
  [UNKNOWN]: And as you walk around that place, the imagery, the carvings and stuff on these walls become more vibrant, real clear faces.
• 39:09
  [UNKNOWN]: And this is the stuff that most people would say is mud fossil stuff.
• 39:13
  [UNKNOWN]: But to me, it was becoming clear that
• 39:18
  [UNKNOWN]: that's not the case, that these things that I'm finding and looking at and stuff that does, you can make it out.
• 39:26
  [UNKNOWN]: It's art.
• 39:27
  [UNKNOWN]: It's not a dead creature.
• 39:30
  [UNKNOWN]: And a lot of it has these optical illusion abilities.
• 39:34
  [UNKNOWN]: So as you walk around these things, they kind of change.
• 39:37
  [UNKNOWN]: Almost like AI images can morph.
• 39:40
  [UNKNOWN]: It's like a literal version of that in art.
• 39:46
  [UNKNOWN]: is where I coined the term for this culture's art and I didn't have a name for the culture at the time.
• 39:53
  [UNKNOWN]: I didn't know what to call what the hell I was looking at.
• 39:57
  [UNKNOWN]: I was hoping that it was Atlantis, right?
• 40:02
  [UNKNOWN]: And I just had no idea what to refer to it as, but I totally lost my chance that where was I with the last part?
• 40:14
  [UNKNOWN]: So we were talking about the cliff side cut out things.
• 40:21
  [UNKNOWN]: So I was trying to describe the overall effigy and this cliff in the mouth and you walk into the space and there's all this imagery and I immediately was taken back to the human remains that I found in one of these potential artifacts.
• 40:41
  [UNKNOWN]: And that site felt strange, you know, it felt off.
• 40:46
  [UNKNOWN]: And I, you know, was excited and I went about my business.
• 40:51
  [UNKNOWN]: And I later,
• 40:54
  [UNKNOWN]: discovered pretty quickly that that sites more important than I realized and it's actually something that I have to be careful with.
• 41:08
  [UNKNOWN]: I was actually able to verify that, you know,
• 41:14
  [UNKNOWN]: These things aren't over, you know, all this weird stuff that people have done in history that we learn about this horrifying, you know, it hasn't stopped.
• 41:24
  [UNKNOWN]: And so the space I realized that this nature preserve,
• 41:29
  [UNKNOWN]: Oh, that's the other thing.
• 41:30
  [UNKNOWN]: This nature preserve and the visitor center mentions nothing about any of this stuff.
• 41:34
  [UNKNOWN]: So there's all these like ruins and stacked up stones that make up in it images and all of this wild stuff carved into the side of the cliff.
• 41:43
  [UNKNOWN]: And as soon as you see it, you're like, how is this not acknowledged?
• 41:49
  [UNKNOWN]: But it's not.
• 41:50
  [UNKNOWN]: It's almost like they don't want anybody to know about it.
• 41:54
  [UNKNOWN]: And there's kind of some people have theories about national parks and nature preserves and things and that, you know, they're not necessarily for what they say therefore.
• 42:05
  [UNKNOWN]: And when I had this experience, I realized I was like,
• 42:10
  [UNKNOWN]: You know, this place is protected, but not for the reasons that they say.
• 42:15
  [UNKNOWN]: It's protected because it's special to whoever, I don't know, worships these things or whatever this is, you know, I didn't really understand what I was getting into at that point, but again, I later verified.
• 42:29
  [UNKNOWN]: that, you know, things were happening and I should be careful with it.
• 42:34
  [UNKNOWN]: So, moving on from that, like, ultimately, it's a pretty important site.
• 42:41
  [UNKNOWN]: Let's just say we found a new geoglyph, it's an important site for some people, and, you know, we might want to be careful with it.
• 42:51
  [UNKNOWN]: And later that night,
• 42:54
  [UNKNOWN]: we end up on the other side of this mountain.
• 42:57
  [UNKNOWN]: And the sun sets and I realized like the shadows glanced across that mountain and another one of these effigies appear.
• 43:07
  [UNKNOWN]: It's kind of feels silly.
• 43:10
  [UNKNOWN]: But I realized that the opposite side of the mountain, the general shape made up another one of these effigies.
• 43:15
  [UNKNOWN]: And I actually took a photo and measured it and it was exactly 20 degrees.
• 43:19
  [UNKNOWN]: And it actually, when the sun hit it at a certain time,
• 43:25
  [UNKNOWN]: You know, and you could actually make out carvings inside of this overall mountain and
• 43:30
  [UNKNOWN]: I realized it's like there's no way that that whole thing is terraformed and I thought back to these stones that were stacked up on the opposite side of the mountain and you can actually see portions where they're so perfectly straight and they actually line up with cliff faces that are perfectly straight and I realized the possibility that whoever stacked up those stones to gain that image or they did was stack it on top of something
• 44:00
  [UNKNOWN]: something that was already in the mountain and some design that was from a previous culture.
• 44:07
  [UNKNOWN]: And also, I had to begin to deal with the idea that some of these mountains or somehow fully terraformed, you know, maybe some culture took a mountain and cut it down to whatever these shapes are.
• 44:24
  [UNKNOWN]: I didn't know how to rationalize that.
• 44:26
  [UNKNOWN]: Because everything we're taught forces us to look at the world a very specific way.
• 44:33
  [UNKNOWN]: and it felt like virtually everything I was coming into contact with, contradicted that.
• 44:40
  [UNKNOWN]: And so when the idea of whole mountains being formed, it was just like, look, I didn't know how to process, because it was already difficult to
• 44:50
  [UNKNOWN]: find all these things and and um yeah I mean it's kind of cool it's like okay well maybe I found a culture uh but the abundance and how extreme it was and it felt kind of overwhelming and then this it's like you know am I losing my mind it's like this isn't possible geology is this way and and we've been taught this and that that cannot exist but I'm seeing it.
• 45:16
  [UNKNOWN]: and it seems to fall into these measurements.
• 45:18
  [UNKNOWN]: And geometry is math, numbers of numbers.
• 45:21
  [UNKNOWN]: So whether or not we like it or not those stones and those mountains, they're all, you know, their geometries and their geometries are identical to each other.
• 45:32
  [UNKNOWN]: You're like, it is what it is.
• 45:35
  [UNKNOWN]: And this
• 45:39
  [UNKNOWN]: concept was largely difficult to deal with and the other concept that I struggled with at that time and as I was beginning to make these videos, I didn't really tell anybody, is that the abundance of it was almost like everything.
• 45:55
  [UNKNOWN]: And I know that sounds crazy, but it was like 80% of what I was picking up after a while.
• 46:03
  [UNKNOWN]: You would be able to categorize it.
• 46:05
  [UNKNOWN]: It's some of the it's some how manufactured and that that.
• 46:11
  [UNKNOWN]: amount was hard for me to accept, and I spent a lot of time ignoring a lot of this stuff because it was just too much.
• 46:20
  [UNKNOWN]: How is it possible that some of these mountains are formed?
• 46:23
  [UNKNOWN]: And how is it that all these stones that I'm finding in these rivers seem to be formed intentionally?
• 46:32
  [UNKNOWN]: And then Arizona comes along, I end up in Arizona for something and if any of you listening in Arizona, you might be familiar with Picacho Peak and Picacho Peak is on I-10 between Tucson and Phoenix.
• 46:47
  [UNKNOWN]: And when you kind of approach the mountain, the drive up to the mountain, there's a spot where you can pull over and I noticed on the side of that mountain was giant face.
• 47:00
  [UNKNOWN]: and this face appeared to be like, have you ever seen the lawn ornaments?
• 47:07
  [UNKNOWN]: It's like a guy with a puffy cheeks.
• 47:10
  [UNKNOWN]: He's like blowing wind guy.
• 47:12
  [UNKNOWN]: It's like a reality, it's an ancient Greek God.
• 47:15
  [UNKNOWN]: And he's called Zyphers.
• 47:18
  [UNKNOWN]: He's the God of the West Wind.
• 47:21
  [UNKNOWN]: And I often share a photo on my page where it compares ziferous depictions with this mountain side.
• 47:29
  [UNKNOWN]: And it's the same thing.
• 47:30
  [UNKNOWN]: And ironically, the face of this image is blowing west.
• 47:36
  [UNKNOWN]: So if it is truly a god of the west wind, well, hey, it's positioned correctly.
• 47:40
  [UNKNOWN]: And that was fascinating.
• 47:43
  [UNKNOWN]: But further down and getting into Tucson in Marana,
• 47:48
  [UNKNOWN]: One of these mountains happened to be one of the effigies, which is really impossible to duplicate, because here's the other thing.
• 47:58
  [UNKNOWN]: As I describe these shapes, if you don't go to my page, as I describe these shapes, most of it is just triangles, really.
• 48:06
  [UNKNOWN]: Some kind of variation of a triangle, whether it's a triangle with a tail cut off or two triangles together, and then they're just kind of these rudimentary shapes.
• 48:16
  [UNKNOWN]: However, there are some that are more advanced, like the fossilized statue head that I found.
• 48:24
  [UNKNOWN]: And it, like I said, it looks like a Chinese dog dragon that you just might see, you know, in their country and it's pretty clear, you know, it's not kind of ambiguous like a lot of this other stuff.
• 48:37
  [UNKNOWN]: Well, this mountain looks like the dog dragon, like the Chinese dog dragon.
• 48:43
  [UNKNOWN]: And I had actually passed that mountain in the past and thought to myself, that kind of looks us in it long before years before any of this.
• 48:52
  [UNKNOWN]: But then, you know, reviewing it with all this knowledge and seeing that the overall image looks nearly identical to what is being portrayed in that fossilized thing I found in the Ohio River.
• 49:03
  [UNKNOWN]: It seems to be some Chinese image, right?
• 49:13
  [UNKNOWN]: are all these mountains that are popping out of the desert, part of their structures, you know, like most of these mountains are the angled, you know, basic rudimentary shapes but some of them are complex and happen to look like things.
• 49:29
  [UNKNOWN]: And that's where the mud fossil comes in.
• 49:32
  [UNKNOWN]: You know, this mountain that looks like a dragon.
• 49:39
  [UNKNOWN]: mud fossil, you know, supporters would, would argue is that something died and in some type of cataclysm and petrified.
• 49:49
  [UNKNOWN]: Well, okay, you could say, why does it appear to compare to Chinese art style?
• 49:57
  [UNKNOWN]: And one might say, well, those dragons that are being portrayed in the Chinese or style are these dragons, like that's what they're trying to emulate or reflect.
• 50:08
  [UNKNOWN]: But I would say that it's just more art, somehow that whole mountain is not a dead thing.
• 50:15
  [UNKNOWN]: It's just been formed to look that way.
• 50:20
  [UNKNOWN]: And I'll be honest, I had a hard time with the mud fossil concept because I originally
• 50:27
  [UNKNOWN]: really when you consider it.
• 50:28
  [UNKNOWN]: And some of these images are hundreds or even thousands of miles long.
• 50:32
  [UNKNOWN]: How could they be a species?
• 50:34
  [UNKNOWN]: How could they have babies and prey and environment like it's impossible?
• 50:41
  [UNKNOWN]: But what it might be possible is that some advanced culture had the ability to
• 50:48
  [UNKNOWN]: You know, engineer the landscape in a way that reflected the dragon that worshiped, you know, some kind of serpent because ultimately that's what we're seeing, you know, we see faces and see a lot of elephants.
• 51:02
  [UNKNOWN]: But serpents are everywhere, whether it's dragon or snake or griffin kind of thing, that kind of stuff is everywhere.
• 51:15
  [UNKNOWN]: You know, kind of at that point, I'm like, okay, terraforming.
• 51:18
  [UNKNOWN]: That, because there's no way that's a dead thing.
• 51:20
  [UNKNOWN]: And I just saw a ziferous like 10 minutes ago.
• 51:23
  [UNKNOWN]: And then, you know, I see this other Chinese dragon, this is engineered, has to be.
• 51:30
  [UNKNOWN]: And I arrived to Tucson and the,
• 51:34
  [UNKNOWN]: Rinkon, I believe it is, whichever range mountain and rests in, when you're in Tucson and you look at the mountain range.
• 51:44
  [UNKNOWN]: Off to the left is another one of these slanted kind of pyramid-shaped mountains.
• 51:50
  [UNKNOWN]: And anybody in Tucson that would listen to this knows exactly what I'm talking about.
• 51:53
  [UNKNOWN]: And you might have often thought that portion of the mountain doesn't look natural, and that's because it's not.
• 52:00
  [UNKNOWN]: I realized one of the most wild things in this process and is that when I saw that that mountain looked similar to the one in Sicily, I busted out my photo shop and overlaid the mountain from Sicily.
• 52:15
  [UNKNOWN]: You know, on top of the mountain in Tucson and the ridge lines were nearly identical.
• 52:21
  [UNKNOWN]: They were the same degrees and the designer, the shape of the ridge line, you know,
• 52:28
  [UNKNOWN]: That is impossible.
• 52:30
  [UNKNOWN]: There are two different mountains on two different continents, different environments.
• 52:35
  [UNKNOWN]: They should be weathering differently.
• 52:38
  [UNKNOWN]: However, here they are appearing to be identical.
• 52:43
  [UNKNOWN]: And I kind of got excited because it's like, hey, man, this is a big deal.
• 52:50
  [UNKNOWN]: It's like these things are not for some of,
• 52:56
  [UNKNOWN]: these mud fossils are not fossils.
• 52:58
  [UNKNOWN]: There are, and that actually gave me peace.
• 53:01
  [UNKNOWN]: Because, you know, I've actually spoken to a lot of people who were like, yeah, you know, I was on the mud fossil train, but at the same time I didn't feel great about it because it was just seemed impossible.
• 53:10
  [UNKNOWN]: And, you know, when I heard your perspective, it's like breath of fresh air because, you know, it's hard to, for me anyway.
• 53:18
  [UNKNOWN]: It's hard to, I guess, believe from that perspective.
• 53:22
  [UNKNOWN]: So these things are engineered.
• 53:25
  [UNKNOWN]: Now, if all these mountains are engineered, then there has to be evidence on Google Earth.
• 53:30
  [UNKNOWN]: You know, if it's that big of a scale, maybe I can find something more to connect.
• 53:37
  [UNKNOWN]: And I began to look and ultimately, that's where I discovered the big thing.
• 53:45
  [UNKNOWN]: And,
• 53:50
  [UNKNOWN]: We're working on a documentary, I've been approached by an individual who has produced some films previously and has been successful and we have agreed to do a project together and it's about the story and what I've discovered and ultimately I'm trying to
• 54:21
  [UNKNOWN]: There is terraformed, there is a architectural geometric standard present in layers of the earth.
• 54:31
  [UNKNOWN]: And how I found that was I began playing with these facts that I had in my back pocket, like all the dimensions that I was finding, all the numbers that I was finding in the math, the geometry, and I was applying that to the landscape, and I was actually able to discover their blueprint, essentially.
• 54:53
  [UNKNOWN]: And at that point, I realized that it was unique to one layer
• 55:02
  [UNKNOWN]: because I was only able to verify this blueprint, let's say, in areas that were clearly sublayers or stone or deep geology, and I've later discovered that it's the Paleozoic layer of geology.
• 55:20
  [UNKNOWN]: And I ended up looking at all, many parts of the world, and I was able to reproduce the results.
• 55:28
  [UNKNOWN]: And I'll actually explain it kind of in a simple way,
• 55:32
  [UNKNOWN]: Okay, um, you're familiar with a floor plan of a house, right?
• 55:37
  [UNKNOWN]: Yeah.
• 55:38
  [UNKNOWN]: All the angles are 90 degrees to each other.
• 55:42
  [UNKNOWN]: You know, it doesn't matter the distance, you know, every angle like the doorways and the angles of the rooms.
• 55:47
  [UNKNOWN]: There are 90 degrees from each other no matter the distance.
• 55:51
  [UNKNOWN]: And let's imagine for a second that we put multiple houses together, like a tract home.
• 55:57
  [UNKNOWN]: Well, each house, all the angles of the doors and the rooms are 90 degrees to each other.
• 56:03
  [UNKNOWN]: Regardless, whether it's one house or another, would you agree with that, is that kind of make sense?
• 56:10
  [UNKNOWN]: Okay.
• 56:13
  [UNKNOWN]: Imagine for one second that I'd take one of those track tombs and I'd twist it sideways.
• 56:18
  [UNKNOWN]: All of a sudden, the floor plan of that house no longer is in relation to the floor plan of the rest of them.
• 56:26
  [UNKNOWN]: Does that make sense?
• 56:28
  [UNKNOWN]: Right, like it's it's off.
• 56:30
  [UNKNOWN]: They are no longer 90 degrees to each other.
• 56:32
  [UNKNOWN]: Yeah.
• 56:33
  [UNKNOWN]: Okay.
• 56:34
  [UNKNOWN]: What is happening is the layers, when they engineered the layers of this paleozoic, all the details, all the rivers, the edges of the continents.
• 56:50
  [UNKNOWN]: They did so on a standard and that standard is in relation to the rest of the continents around the world, just as I described these homes.
• 57:03
  [UNKNOWN]: Just only they're not on the 90 degrees standard, like all the rooms of those houses are 90 degrees to each other, but that can actually change you could add a 45 degree in there, you know, and then that's just like kind of one more angle in a standard.
• 57:17
  [UNKNOWN]: Well, it's kind of like that.
• 57:19
  [UNKNOWN]: It's, it's simply a fore plan.
• 57:22
  [UNKNOWN]: It is a massive blueprint that can easily be demonstrated.
• 57:25
  [UNKNOWN]: And, however, it only applies to the deep geology.
• 57:30
  [UNKNOWN]: And there happens to be more layers over top of this.
• 57:35
  [UNKNOWN]: And where I realized this was happen to be in the new river gorge of West Virginia because I was actually verifying that area.
• 57:43
  [UNKNOWN]: And you can see where parts of the gorge, the main structure of the gorge in the river, follow this floor plan or this blue printer, this architectural standard.
• 57:56
  [UNKNOWN]: However,
• 57:58
  [UNKNOWN]: the material of earth, you can kind of say like the top layer of top soil, top layer of geology, does not follow that standard at all.
• 58:08
  [UNKNOWN]: It's completely unrelated.
• 58:11
  [UNKNOWN]: So what can be demonstrated is that there is a geometric standard inside of one layer of geology only.
• 58:18
  [UNKNOWN]: And when you look at the other layers that are outside, they don't reproduce the same results.
• 58:25
  [UNKNOWN]: Um, so all of our rivers and all of our deep stone geology happens to be designed.
• 58:35
  [UNKNOWN]: And that's really impossible to believe and and I kind of just laugh when people are like, yeah, you're nuts.
• 58:41
  [UNKNOWN]: I'm like, yeah, I know.
• 58:43
  [UNKNOWN]: I know how insane this is.
• 58:45
  [UNKNOWN]: But at the same time, it ends up answering a lot of questions.
• 58:49
  [UNKNOWN]: Because from this general discovery, I was later able to theorize a different time, an alternate timeline for history.
• 59:02
  [UNKNOWN]: You know, we're taught a cradle of civilization, fertile crescent, 6,000 years, there's nothing else.
• 59:09
  [UNKNOWN]: And then now we find go backly teppy and it's like, okay, well, we got 12,000 years or whatever, but that's it.
• 59:18
  [UNKNOWN]: And what's before that?
• 59:18
  [UNKNOWN]: And some people are like, well, the great flood.
• 59:20
  [UNKNOWN]: Great floods before that.
• 59:22
  [UNKNOWN]: And there's an event called the younger dryers.
• 59:26
  [UNKNOWN]: lot of people speculate that this cataclysmic event is the great flood, you know, and I started thinking about all these things and a lot of what I was finding was destroyed, you know, you could clearly see it was damaged, it was torn apart, it was broken, it endured.
• 59:43
  [UNKNOWN]: massive damage.
• 59:45
  [UNKNOWN]: And as I fumble around in my collecting, I drop these things and do damage to my own artifacts and they're pretty tough.
• 59:53
  [UNKNOWN]: So the damage to, or the forces required to create the damages that I'm finding in this investigation is extreme.
• 1:00:03
  [UNKNOWN]: And so in my mind, it's like, what is the younger driest, the cause of the damage to whatever this culture is?
• 1:00:13
  [UNKNOWN]: You know, to kind of just, you know, make it short, I ended up realizing that that's not the case that the younger dryus is the great food and I developed a new theory for this alternate historic timeline, which is all this geology that I'm finding to be engineered belongs to one culture and I realized that the cuts that I found.
• 1:00:42
  [UNKNOWN]: that I hoped was connected to my culture, happened to not be connected to the culture that I was discovering.
• 1:00:47
  [UNKNOWN]: It was actually a later culture, because there's three separate eras.
• 1:00:54
  [UNKNOWN]: There's the era that has the culture that created the mud fossils and this terraforming.
• 1:01:00
  [UNKNOWN]: And then something destroyed that culture.
• 1:01:03
  [UNKNOWN]: And in my mind, and I am pretty confident that what that is, is the great flood.
• 1:01:09
  [UNKNOWN]: And that the great flood is not the younger dry as cataclysm.
• 1:01:13
  [UNKNOWN]: and what happened was after the great flood, which I do my best to be religiously ambiguous, because I want everyone to feel welcome and I don't think we need to have that discussion just to talk about rocks and facts.
• 1:01:31
  [UNKNOWN]: And when I talk about the great flood, I do so as from the perspective of,
• 1:01:40
  [UNKNOWN]: 18 different cultures or whatever the number is have stated that there is some sort of great deluge.
• 1:01:45
  [UNKNOWN]: So we could probably assume that there was some sort of great deluge.
• 1:01:49
  [UNKNOWN]: You know, it's like 20 cultures have similar stories that I'll say the same thing.
• 1:01:53
  [UNKNOWN]: Maybe we can take that same thing as, you know, a general possibility.
• 1:01:57
  [UNKNOWN]: And so a lot of, I've had the experience where people in my page will say, you lost me at flood and you find that they're really rejecting that because it's somehow connected to the Christian ideas and perspective and that's not the case, you know, many cultures have discussed that.
• 1:02:16
  [UNKNOWN]: So this great flood, this great deluge, for me, has destroyed the culture that I eventually called the San Castle culture.
• 1:02:26
  [UNKNOWN]: And I named it the San Castle culture because I realized that this terraforming was created through the forming of sea materials.
• 1:02:35
  [UNKNOWN]: And if we look at the geologic table, we see that the Paleozoic, the one that I'm claiming is engineered, happens to have no mammals in it, or it's all basic sea life.
• 1:02:47
  [UNKNOWN]: And I would argue now that that is because they took that material from existing areas and repurposed it and really no different than you would make a sand castle and turn it to certain.
• 1:03:02
  [UNKNOWN]: A lot of what we see from this culture appears to be almost like they could mold stone.
• 1:03:11
  [UNKNOWN]: and I'm currently doing actually doing a review of a documentary I just discovered because all these ideas that I'm currently sharing with you for the longest time I thought I was the soul creator of it because I could not find anyone else saying exactly what I'm saying.
• 1:03:27
  [UNKNOWN]: But I finally found some guy, his name was Alfredo Gamata, and he was in a documentary, but someone made a documentary about his life's work, and he pioneered the theory of the three worlds, which is exactly what I was saying.
• 1:03:44
  [UNKNOWN]: And so currently I'm doing a review on that documentary, and so I ended up finally finding somebody that actually supports my general theory.
• 1:03:54
  [UNKNOWN]: And I found later that we can demonstrate this through the construction styles of the different cultures, because they are actually different and it turns out that the first world that is responsible for the mud fossil art and the terraforming.
• 1:04:14
  [UNKNOWN]: Well, they happen to be the ones that cut into mountains.
• 1:04:18
  [UNKNOWN]: So when you see these strange archaeological sites where there's like stairs cut into a mountain or caves where the walls are kind of concave, you know, they're curved and the surface is polished, but it's all like one big megalith.
• 1:04:34
  [UNKNOWN]: It's all in one form, you know, it's not blocks.
• 1:04:37
  [UNKNOWN]: Well, that's the first world.
• 1:04:44
  [UNKNOWN]: I wasn't looking at the strange megalithic construction, I was looking at the new discovery of the commonality of these rocks and the evidence of the terraforming.
• 1:04:55
  [UNKNOWN]: I didn't really think, oh yeah, it's clearly obvious those construction techniques that are also parts of the mountain happen to be.
• 1:05:05
  [UNKNOWN]: from the same culture that mud fossils come from which are their art and their parts of the mountain because these mountains are engineered, they're terraformed.
• 1:05:18
  [UNKNOWN]: And then all the cellular constructions, so like the the megalithic blocks that look like they've been molded together and they're precisely fit perfectly.
• 1:05:25
  [UNKNOWN]: Well, that comes from the second era or the second world.
• 1:05:30
  [UNKNOWN]: This would be after the great flood.
• 1:05:34
  [UNKNOWN]: When you get into the Anunnaki stuff, if you're a believer of that or the fallen angels, in their stories, they also record the great flood or the great delusion.
• 1:05:43
  [UNKNOWN]: They say, after this event, they descended again.
• 1:05:48
  [UNKNOWN]: And so I would say that it's likely that whatever all this is that we're seeing is probably from those stories, either it's fallen angels, on anarchy, you know, interdimensional whatever you want to call it, non-human, you know, bottom line, it's, it's not us.
• 1:06:05
  [UNKNOWN]: And so what is responsible for all this is not us and this on a knocky thing is actually relevant.
• 1:06:16
  [UNKNOWN]: They came back, they repurposed in the end a lot of the cultural art from that first world.
• 1:06:25
  [UNKNOWN]: And I have examples actually.
• 1:06:28
  [UNKNOWN]: In fact, that's what was happening.
• 1:06:34
  [UNKNOWN]: when the second world came into play that what they did was they took the first world stuff and they reused it.
• 1:06:41
  [UNKNOWN]: And that's actually a common thread throughout history where ancient cultures will use previous culture stuff.
• 1:06:47
  [UNKNOWN]: And that's all that happened.
• 1:06:48
  [UNKNOWN]: And so these Anonaki or whatever you want to call them, they return and they do things in the second era.
• 1:06:58
  [UNKNOWN]: Well, I believe that this era is also the era of Atlantis.
• 1:07:02
  [UNKNOWN]: This is the time when all the stories that we actually, like the Vimana stuff from India, like these advanced stories that we have some type of proof of will.
• 1:07:15
  [UNKNOWN]: I believe that that comes from the second world, the second era, this time when these on and hockey came back, and then something happened again, and that's the younger drives, and that's the most recent cataclysm.
• 1:07:30
  [UNKNOWN]: And I have since found, since returned to Italy and found,
• 1:07:36
  [UNKNOWN]: very likely that that cataclysm also involved some type of fire destruction.
• 1:07:41
  [UNKNOWN]: And I was an unbored with mythology.
• 1:07:44
  [UNKNOWN]: Again, it's like, like I said, everything that I thought was dumb ended up being, you know, true.
• 1:07:51
  [UNKNOWN]: And the mythology thing, when I went back to Sicily, I went back to that location where I found all the strange, you know, the temple kind of thing going on.
• 1:07:59
  [UNKNOWN]: And a lot of that
• 1:08:01
  [UNKNOWN]: Beach area was melted and it was clearly melted because you had examples of where it was melted right next to not melted
• 1:08:09
  [UNKNOWN]: And it was obvious.
• 1:08:11
  [UNKNOWN]: And I started to realize that, you know, mythology is a thing.
• 1:08:17
  [UNKNOWN]: But it's in the sense of, I've since seen across the world, there's examples of these stones that are gray in appearance.
• 1:08:26
  [UNKNOWN]: And so what you'll see is you'll see like orange and then like gray streaking.
• 1:08:31
  [UNKNOWN]: And this can be seen everywhere, every continent, whether it's South America or the Middle East
• 1:08:40
  [UNKNOWN]: And I've come to realize that that gray streaking actually comes from melted stone.
• 1:08:45
  [UNKNOWN]: It's it's brimstone.
• 1:08:46
  [UNKNOWN]: It's something fiery.
• 1:08:48
  [UNKNOWN]: And I've actually gotten on board to mythology.
• 1:08:51
  [UNKNOWN]: Yeah, because earlier a lot of this terraforming does appear molded.
• 1:08:57
  [UNKNOWN]: You know, and I've seen where some people are like, Oh, that molded stone is melted and I disagree.
• 1:09:02
  [UNKNOWN]: You know, I can clearly see it's their construction technique.
• 1:09:05
  [UNKNOWN]: But in this case,
• 1:09:07
  [UNKNOWN]: There was no art, you know, there was no patterns, there was no geometry, it was just random melted mess.
• 1:09:15
  [UNKNOWN]: Well, big discovery happens.
• 1:09:19
  [UNKNOWN]: In that same spot that I find this melted stuff, under a ledge appears to be a human melted, like a dead guy.
• 1:09:30
  [UNKNOWN]: And I've posted it on my page a couple of times.
• 1:09:32
  [UNKNOWN]: And so if you can imagine the dead individuals from Pompeii, where they were encased in that was a pyroclastic, I don't know how to call it, the flow from the lava, or the initial blast, and they were pretty much trapped.
• 1:09:50
  [UNKNOWN]: And archeologists poured,
• 1:09:53
  [UNKNOWN]: Plaster into these voids and you can see the shapes of the bodies, you know, it's like escaping from whatever terror they were enduring.
• 1:10:02
  [UNKNOWN]: Well, there's a, what seems to be a melted individual under this ledge by the beach and all this melted area on this beach is just like it's bad.
• 1:10:14
  [UNKNOWN]: It's like really, really bad.
• 1:10:16
  [UNKNOWN]: And where this individual crawled, he got up or he or she got up under the ledge.
• 1:10:23
  [UNKNOWN]: and where they're, I guess, you know, organic material or skin, what it interacted with that heat, it like melted and bubbled.
• 1:10:32
  [UNKNOWN]: So, I mean, it's like a movie dude.
• 1:10:35
  [UNKNOWN]: It's kind of silly.
• 1:10:36
  [UNKNOWN]: Imagine, you know, somebody melting and what kind of spot it would leave.
• 1:10:39
  [UNKNOWN]: That's what it looks like.
• 1:10:41
  [UNKNOWN]: But it's all stone and you can see the skull and everything and it almost looks like there's a second smaller individual almost like, you know, who's a adult and a child attempting to escape this and then just flash melted and turn it to stone in whatever this is and so.
• 1:11:00
  [UNKNOWN]: we plan to return to Italy and further investigate this because it was like a momentary discovery towards the end of my last trip.
• 1:11:08
  [UNKNOWN]: But like all this stuff that I'm telling you isn't saying, you know, and all of it has happened within like a year, you know, and and I find all these bizarre amazing things and there's really so much more.
• 1:11:22
  [UNKNOWN]: I'm doing my best to summarize as much as I can,
• 1:11:27
  [UNKNOWN]: In the end, you know, we have solid evidence that this is a thing and the geology, the geologic theories completely inaccurate.
• 1:11:41
  [UNKNOWN]: What those layers actually represent are not linear time, you know, building up slowly, they represent events.
• 1:11:51
  [UNKNOWN]: if the the layer of Paleozoic is engineered, right?
• 1:11:58
  [UNKNOWN]: Well, then what's the layer below it?
• 1:12:01
  [UNKNOWN]: Are you familiar with geology at all or
• 1:12:09
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• 1:12:11
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• 1:12:21
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• 1:12:41
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• 1:14:52
  [UNKNOWN]: have you ever heard of anything called the great and conformity?
• 1:14:55
  [UNKNOWN]: Okay, there's layers of geology that have no life, correct?
• 1:14:59
  [UNKNOWN]: And then we have layers that have basic life, like sea life, and then we get into the mammals and like the dinosaurs.
• 1:15:06
  [UNKNOWN]: Well, between the layer of no life and the layers of
• 1:15:15
  [UNKNOWN]: space called the Great Unconformity, and what it is is it appears in the geological record like some type of the glacial event, some type of event, caused the previous geology to be flattened and almost like material disappeared.
• 1:15:31
  [UNKNOWN]: They say that there's a billion years missing, is what they refer to.
• 1:15:35
  [UNKNOWN]: It's like a big mystery in geology.
• 1:15:38
  [UNKNOWN]: Well, this flat missing material that lays just underneath the Paleozoic, well, if it's discovered that the Paleozoic is engineered.
• 1:15:50
  [UNKNOWN]: And then there's a mystery about the material underneath being flat.
• 1:15:53
  [UNKNOWN]: Well, you create your foundation.
• 1:15:56
  [UNKNOWN]: You know, if you're going to build anything, you dig your footer or you flatten the area or level the area, and that's what that layer represents.
• 1:16:06
  [UNKNOWN]: It's the most logical conclusion that that mystery is actually answered by the fact that the layers are engineered.
• 1:16:13
  [UNKNOWN]: The missing flat geology comes from preparation for structure.
• 1:16:20
  [UNKNOWN]: And if that's the case, then what is the layer above the engineered?
• 1:16:27
  [UNKNOWN]: Paleozoic is the basic sea life, and that's the same castle stuff, there are all structures.
• 1:16:32
  [UNKNOWN]: The layer above that is like the dinosaur layers, that's all that stuff.
• 1:16:38
  [UNKNOWN]: Well, if they are cataclysmic layers, then there's a good chance.
• 1:16:43
  [UNKNOWN]: that the dinosaur layers happened to be sediment deposits from the great flood.
• 1:16:50
  [UNKNOWN]: And so whatever animals and plant life was trapped in that stuff existed during the time of the first world.
• 1:17:00
  [UNKNOWN]: So there's a good chance that this time of Noah, if you're a believer, it was more like the land of the lost.
• 1:17:09
  [UNKNOWN]: the dinosaurs or dragons, whatever you want to call them, appear to have existed alongside mankind in that first period.
• 1:17:18
  [UNKNOWN]: And some might say that that is the blasphemy and part of the reason for the flood.
• 1:17:24
  [UNKNOWN]: If you believe in God, you'd say, well, these genetic experiments, the falling angels came down and started modifying mankind.
• 1:17:34
  [UNKNOWN]: And well, that might happen to be part
• 1:17:37
  [UNKNOWN]: I currently hold the position of the dinosaurs being engineered genetic experiments, essentially.
• 1:17:45
  [UNKNOWN]: If whatever is being worshipped and whatever entities, everything's serpent-related, everything's dragon-related, it makes sense that they might as well just engineer some massive dragons.
• 1:17:55
  [UNKNOWN]: And if you believe that, you know, well, humans were also engineered.
• 1:18:01
  [UNKNOWN]: genetically.
• 1:18:02
  [UNKNOWN]: That's also a possible reason of why, you know, the great flood happened.
• 1:18:06
  [UNKNOWN]: That first world was the maximum technology, the maximum perversion of life and humanity, and it was all wiped away.
• 1:18:18
  [UNKNOWN]: And in reality, the art I now know is crazy.
• 1:18:24
  [UNKNOWN]: It's wild stuff, and it's dark.
• 1:18:31
  [UNKNOWN]: and getting into the second world.
• 1:18:38
  [UNKNOWN]: Um, you know, it's, that's like the, it's not as dark, you know, it's like they, they re-emulated, you know, the earlier, but it's more like the Atlanta stuff and, and more like the lost content of mood, it's, it's, the art and, and the things associated with it are, are more realism and less dark, um, the, the first world is, is like impressionism, it's like twisted melt, you know,
• 1:19:04
  [UNKNOWN]: bizarre modern art.
• 1:19:05
  [UNKNOWN]: I mean, that's like the best way to put it.
• 1:19:06
  [UNKNOWN]: It's like messed up stuff.
• 1:19:08
  [UNKNOWN]: But that second world wasn't so, you know, messed up from an imagery perspective.
• 1:19:13
  [UNKNOWN]: And the things that I should add in this second world, it's also theorized that it's the time of the power babble.
• 1:19:24
  [UNKNOWN]: You know, if the tower of babble is a real thing, then it existed at that time.
• 1:19:31
  [UNKNOWN]: and very likely the younger dry as cataclysm is what destroyed that.
• 1:19:36
  [UNKNOWN]: And so,
• 1:19:39
  [UNKNOWN]: From that, we enter into like the third era, right?
• 1:19:42
  [UNKNOWN]: That's our modern era, after the younger dry as everything after the last cataclysm would be the third world or the third era as I called it.
• 1:19:51
  [UNKNOWN]: And that's where you get all the stacked stones.
• 1:19:53
  [UNKNOWN]: There's no mold of the stone.
• 1:19:55
  [UNKNOWN]: There's no, none of this like scooped mountain side stuff or any interesting things.
• 1:20:02
  [UNKNOWN]: It's pretty much hammer and chisel boring stuff.
• 1:20:09
  [UNKNOWN]: enter Go Beckley-Tepi, you know, that is very clearly the third world of stacked up stones, and it's my belief that a lot of what they've done there is taken...
• 1:20:20
  [UNKNOWN]: pieces from different eras and stack them up because, you know, some of those pillars, I believe are from the first world and then some things are actually from the second world.
• 1:20:31
  [UNKNOWN]: It's almost like they're trying to demonstrate the different eras or the different worlds at that site.
• 1:20:36
  [UNKNOWN]: I'm not, you know, I'm not really sure, but at a glance, you know, it is another stacked stone site.
• 1:20:43
  [UNKNOWN]: Kind of, I mean, it is different than the ones in North America, but at the
• 1:20:51
  [UNKNOWN]: effigies and all these artifacts placed together by some people, you know, and and I kind of feel like they are correct about it trying to tell us something, you know, I think there's, that's kind of the purpose of that place, but yeah, this last era is,
• 1:21:09
  [UNKNOWN]: You know, Rome as we know it or not advanced ancient India, you know, just regular ancient India, no Vimana, you know, that's that's before the last cataclysm, and so, and it would be anything up till the present day would be classified as this, you know, third era or this third world, and really
• 1:21:31
  [UNKNOWN]: I've actually learned a lot from all this, you know, it's answered a lot of questions.
• 1:21:37
  [UNKNOWN]: For example, what did the world look like when all this stuff was happening?
• 1:21:44
  [UNKNOWN]: And I've really come to the conclusion and found evidence that there's a lot of engineering all the way at the sea floor and how is that possible?
• 1:22:02
  [UNKNOWN]: It was the land of rivers, there might be some one-piece fans out there, and I really feel like there's some truth hidden in the story line of this cartoon or this anime series, and it's that in one piece.
• 1:22:19
  [UNKNOWN]: long ago the world was actually a land of rivers and the ocean didn't exist and for one and reason or another the advanced peoples were destroyed and after that destruction is where the oceans showed up well I feel that that's the case and you know I mean
• 1:22:39
  [UNKNOWN]: the way that the Bible describes the great delusions kind of ridiculous.
• 1:22:42
  [UNKNOWN]: It's like, you know, the heavens opened up in the bottom or the, you know, the earth spouted out or whatever it says, you know, it seems crazy.
• 1:22:52
  [UNKNOWN]: But whatever happened,
• 1:22:55
  [UNKNOWN]: I feel it's correct that the the oceans were not present at that time, that this engineering took place in a land that was free of oceans and they probably had access to everything.
• 1:23:10
  [UNKNOWN]: And so the way that our river systems work together happens to actually be engineered.
• 1:23:17
  [UNKNOWN]: because those river systems all follow, you know, these deep ancient stone, you know, cores of our continent, you know, that it's all there, you know, it's following something that already exists and it hasn't been cut naturally.
• 1:23:33
  [UNKNOWN]: I know that we're taught that, but it doesn't seem to be accurate.
• 1:23:37
  [UNKNOWN]: And so all this stuff is
• 1:23:40
  [UNKNOWN]: engineered in this bizarre perfect way, you know, and flows together.
• 1:23:46
  [UNKNOWN]: And there's a bunch of, you know, crap on top of it from more cataclysms.
• 1:23:50
  [UNKNOWN]: These cataclysms keep adding material.
• 1:23:54
  [UNKNOWN]: Also, that's the other thing is that those layers of earth besides the engineered ones, you know, they make up.
• 1:24:02
  [UNKNOWN]: other stuff, other people stuff, other cultures that have been destroyed and they're stacked on top of each other.
• 1:24:09
  [UNKNOWN]: And strangely, if you really think about it, when that first world existed, none of that material was there.
• 1:24:18
  [UNKNOWN]: It was all gone.
• 1:24:19
  [UNKNOWN]: The surface of the earth was more shallow, we'll say, well, a couple of CAD Closoms later, and now we have all these layers of geology.
• 1:24:32
  [UNKNOWN]: You know, I theorized it's like, you have these three different arrows in history that are separated by cataclysms.
• 1:24:39
  [UNKNOWN]: And then the first two, they have this really advanced stone working abilities and the third one just it doesn't seem to be present.
• 1:24:52
  [UNKNOWN]: And in these days, we have a lot of conspiracy theories about reptilians.
• 1:24:58
  [UNKNOWN]: There's reptilians running the government or aliens this and whatever.
• 1:25:07
  [UNKNOWN]: And I, you know, somewhat think that that's accurate.
• 1:25:18
  [UNKNOWN]: Whatever this is is not us and it's something else outside of us.
• 1:25:23
  [UNKNOWN]: There's a good chance that the fall angel slash on a knocky thing is correct.
• 1:25:30
  [UNKNOWN]: And, you know, it's hard to stomach.
• 1:25:40
  [UNKNOWN]: It's hard to stomach that.
• 1:25:42
  [UNKNOWN]: these creatures or whatever entities exist in our world and have built these things and have done these things and there's rumors that they're working with our leaders and all of a sudden it's like there's videos online of strange noises coming from out of the ground and and vibrations and this and that all seeming to emit from beneath the ground.
• 1:26:10
  [UNKNOWN]: And when you think about this big picture situation of entities coming to our world and messing with stone and, you know, the two previous worlds having it present, but this one doesn't, well, hold on a second.
• 1:26:24
  [UNKNOWN]: All that material wasn't there before, but it's there now.
• 1:26:29
  [UNKNOWN]: And if they have this advanced ability to manipulate our earth and whatever way they see fit, what if in our third era,
• 1:26:40
  [UNKNOWN]: just like the previous two, we also have advanced to stone manipulation happening, put the difference with our era in the third world and the most recent in the present, brother.
• 1:26:53
  [UNKNOWN]: It's happening underground.
• 1:26:57
  [UNKNOWN]: So I think that there's a chance that all that strange stuff that we're here and all those things,
• 1:27:04
  [UNKNOWN]: that fall into that category of vibrations and whatever there's chance that whatever these things are are underneath our feet doing the same thing or at least with the same technology and the same abilities.
• 1:27:20
  [UNKNOWN]: because I really thought to myself is like, okay, well, if these things did create all that stuff in the past and they are technically here now, then where the hell is their, you know, projects?
• 1:27:31
  [UNKNOWN]: And again, they haven't revealed themselves to us.
• 1:27:33
  [UNKNOWN]: There's no disclosure yet, but most of us feel it coming.
• 1:27:40
  [UNKNOWN]: And so like,
• 1:27:42
  [UNKNOWN]: you know, where is it?
• 1:27:44
  [UNKNOWN]: Maybe it's beneath our feet.
• 1:27:46
  [UNKNOWN]: Maybe that's the answer for all that.
• 1:27:47
  [UNKNOWN]: Maybe all those tunnels that they talk about are true.
• 1:27:49
  [UNKNOWN]: Maybe the deep underground military bases are vast.
• 1:27:52
  [UNKNOWN]: You know, and, and so the molded stone example is back again.
• 1:28:01
  [UNKNOWN]: It's just, you know, we can't see it yet.
• 1:28:04
  [UNKNOWN]: And so that's kind of my, my thought on,
• 1:28:07
  [UNKNOWN]: who really is responsible for all this stuff and, you know, I feel like we're about to see some type of disclosure, some type of example of these.
• 1:28:18
  [UNKNOWN]: And what I think is fun about all this is whether or not I make my documentary or if I disappear or whatever.
• 1:28:26
  [UNKNOWN]: At some point, these things are going to show up and they're very likely going to point to these things on earth and say,
• 1:28:36
  [UNKNOWN]: And it was just going to point to exactly what I'm saying, and something like probably one of the most interesting things that I find in all this that I didn't realize, you know, like, I guess I'm not smart enough to realize this, but I should have, think about this for a second.
• 1:28:51
  [UNKNOWN]: So I'm finding ancient stuff, and it's perfect geometry, but it's perfect geometry to a modern, you know, aircraft mechanic, like,
• 1:29:03
  [UNKNOWN]: So where does our geometry come from?
• 1:29:07
  [UNKNOWN]: If our geometry is modern, it shouldn't technically line up with an ancient style.
• 1:29:14
  [UNKNOWN]: Because there's different ways of there's different versions of math, for example, like base 10, which is what we use for our number system.
• 1:29:24
  [UNKNOWN]: But in our geometric system, in geometry, we use base 60.
• 1:29:29
  [UNKNOWN]: And it turns out that that comes from the ancient Samarians.
• 1:29:36
  [UNKNOWN]: And so, if we never maintained that geometry,
• 1:29:42
  [UNKNOWN]: And, you know, modern mathematicians divided up 360 degrees, you know, intense as opposed to, you know, divisible of 60.
• 1:29:52
  [UNKNOWN]: Well, I never would have found this stuff because the geometry wouldn't have worked.
• 1:29:58
  [UNKNOWN]: And the only reason I have been able to discover this architectural standard is because it was created using Sumerian geometry.
• 1:30:09
  [UNKNOWN]: And the Sumerians are alleged to be the, you know, that's the Onanaki stuff that's where all that comes from.
• 1:30:16
  [UNKNOWN]: And I have since found carvings that fall into the first world category of architecture, and it's, you know, Onanaki stuff.
• 1:30:30
  [UNKNOWN]: It's the Sumerian God stuff.
• 1:30:32
  [UNKNOWN]: So it does appear that
• 1:30:35
  [UNKNOWN]: that first world was occupied by whoever, you know, is responsible for the unlocky slash fallen angel situation because they used, you know, the summary in geometry to create all this stuff and we continue to use it today and that's the only reason I've been able to discover it, which is for me that's really kind of fascinating because I should have realized that sooner it's like,
• 1:31:00
  [UNKNOWN]: You know, if you're using modern math, it shouldn't really line up with this ancient system, but it turns out that our modern math is ancient, and that's the only reason that works.
• 1:31:11
  [UNKNOWN]: So beyond that, you know, that's kind of like the vast portion of everything, and in fact, let me add one more thing.
• 1:31:21
  [UNKNOWN]: So there's a the face early in the story, you know, I find the
• 1:31:30
  [UNKNOWN]: Well, that face, you can see it was a face and the kind of, you couldn't really tell what it was, you know, kind of strange, but it was a face.
• 1:31:39
  [UNKNOWN]: And in the center, the forehead of this face is like a side profile.
• 1:31:44
  [UNKNOWN]: But on the forehead, you can see that a shield shape is clearly kind of made out in the stone.
• 1:31:50
  [UNKNOWN]: And sometime later, I come across the image on Instagram of it was a black and white reptilian image.
• 1:31:56
  [UNKNOWN]: And if you've ever seen this image, it's probably one of the only convincing photos of what a reptilian is.
• 1:32:03
  [UNKNOWN]: It looks real.
• 1:32:05
  [UNKNOWN]: And in this photo of this reptilian on his forehead is the shape of a shield.
• 1:32:11
  [UNKNOWN]: It's almost like whatever is carved in that millennia old stone out in West Virginia is the same thing
• 1:32:21
  [UNKNOWN]: And so I'm convinced now that that photo is real.
• 1:32:26
  [UNKNOWN]: So if you know which one I'm talking about, you know, you can confirm it, man, like it's, I think that's a real photo.
• 1:32:32
  [UNKNOWN]: And it is a photo of whatever was being worshiped when creating all this stuff.
• 1:32:40
  [UNKNOWN]: Because their reptile presence is everywhere.
• 1:32:45
  [UNKNOWN]: We live in the land of the loss.
• 1:32:47
  [UNKNOWN]: Like we live in a post-Cataclismic reptile world.
• 1:32:50
  [UNKNOWN]: And it is the most fascinating thing ever.
• 1:32:52
  [UNKNOWN]: In fact, what we have been taught is the most boring thing.
• 1:32:55
  [UNKNOWN]: And I'm happy to, you know, take it down because it sucks.
• 1:33:01
  [UNKNOWN]: You know, it's boring.
• 1:33:02
  [UNKNOWN]: It's not interesting.
• 1:33:02
  [UNKNOWN]: This is fascinating.
• 1:33:04
  [UNKNOWN]: Terraforming, freaking, you know, reptilians and melting stone and, you know, wow, it's so much more interesting.
• 1:33:15
  [UNKNOWN]: And I eventually realized that the elites worship something.
• 1:33:24
  [UNKNOWN]: And some say, you know, they worship the grand architect.
• 1:33:26
  [UNKNOWN]: Have you ever heard that?
• 1:33:29
  [UNKNOWN]: and that kind of leads into the masonry.
• 1:33:31
  [UNKNOWN]: Why, what are the mason's worshiping?
• 1:33:34
  [UNKNOWN]: You know, what's about all that secret society stuff?
• 1:33:36
  [UNKNOWN]: What, what is it?
• 1:33:38
  [UNKNOWN]: And it turns out they are worshiping some grand architect and that grand architect is whatever created all this stuff that I'm finding.
• 1:33:47
  [UNKNOWN]: And they teach us some BS line about history that's not true and they maintain the truth for themselves.
• 1:33:56
  [UNKNOWN]: It's, I'm sure the elites, you know, when they enter their societies, this is the information they get.
• 1:34:02
  [UNKNOWN]: This is some of what they get about history, which is the truth.
• 1:34:06
  [UNKNOWN]: And when you go look at this for yourself, because you really shouldn't trust me, you should go look.
• 1:34:12
  [UNKNOWN]: and you'll see like it is everywhere.
• 1:34:15
  [UNKNOWN]: It's like, oh my gosh, and so I can imagine being an elite and getting dumped on that information and then walking out into the world and realizing, oh my gosh, it's correct.
• 1:34:23
  [UNKNOWN]: You know, this is a post-Cataclismic world where an advanced civilization, you know, was in charge and, you know,
• 1:34:30
  [UNKNOWN]: probably should worship them.
• 1:34:31
  [UNKNOWN]: That's probably part of the selling process, you know, when they get fed that information, it checks out, and so they believe it must be true.
• 1:34:38
  [UNKNOWN]: You know, we must worship these things, and into a sense it is true, but they're not the end all BL, in my opinion, you know, whatever this is, is much larger than these creatures, and all this, it's, you know, I guess it boils down to the Battle of Good Nevol or something, I don't know.
• 1:34:57
  [UNKNOWN]: That's ultimately where, you know, that's kind of the big picture and I'll give you a chance to ask any questions if you got any, because it kind of dumped on you there.
• 1:35:05
  [UNKNOWN]: No, I love it.
• 1:35:06
  [UNKNOWN]: That was a diet tribe of all diet tribes.
• 1:35:09
  [UNKNOWN]: And that's exactly what we look for on this show.
• 1:35:15
  [UNKNOWN]: You know, you just broke it down and I appreciate that, but I've done topics like this before and we can anticipate there's going to be people who ask, you know, some pretty obvious questions.
• 1:35:29
  [UNKNOWN]: So, excuse me.
• 1:35:30
  [UNKNOWN]: for addressing maybe some of the obvious, you know, skeptical kind of angles, but to anybody who kind of does the classic Paradoelia or the, you know, anthropomorphism kind of angle,
• 1:35:47
  [UNKNOWN]: what your main what would be like your main piece of evidence that you would turn someone like that towards because obviously with a show like this I've heard far crazier things yeah quite sleep you've given the most compelling case for a theory like this
• 1:36:03
  [UNKNOWN]: that I've heard to this day.
• 1:36:04
  [UNKNOWN]: So, you know, comes to this topic, I'm sure you've seen it in the comments and whatnot.
• 1:36:12
  [UNKNOWN]: So what is your main piece of evidence that you would turn somebody towards if they are coming from that angle of maybe this is just paranoia?
• 1:36:22
  [UNKNOWN]: Okay.
• 1:36:24
  [UNKNOWN]: In fact, that's probably the most common thing that's stated, and it was actually my position before all this, you know, so I get it.
• 1:36:33
  [UNKNOWN]: But what I have discovered, it's quite easy to verify whether or not it is or is not.
• 1:36:39
  [UNKNOWN]: And what I'm saying is there's a geometric standard in all these things.
• 1:36:46
  [UNKNOWN]: And it's so clear that it's like looking at the floor plan of house from a, you know, engineering or architectures perspective, like anybody that is remotely trained in that kind of class of, you know, work would would see what I'm talking about, like it's kind of clear.
• 1:37:07
  [UNKNOWN]: And so the standard exists.
• 1:37:10
  [UNKNOWN]: also in these images, right?
• 1:37:13
  [UNKNOWN]: So regardless of whether or not I see a face or you see a face, what I can say is the lines in this thing that we are looking at, all follow this very specific geometry.
• 1:37:26
  [UNKNOWN]: So, you know, is it a face or is it not?
• 1:37:29
  [UNKNOWN]: You know, really, I would say that this art is actually engineered to be multiple, you know, you're gonna see everybody's gonna see something kind of different.
• 1:37:40
  [UNKNOWN]: the lines of whatever it is we're looking at and a lot of these things are trying killer a lot of these things have very hard lines that you can actually measure you know in relation to each other and you find that the standard pops out and so if I am just seeing things then all the lines that make up this random thing that I'm seeing should not follow a standard it should be randomized.
• 1:38:07
  [UNKNOWN]: But if we analyze it, you know, from that perspective, like draw it and check measure all the lines in relation to each other, you find that it follows this bizarre 20 degree standard.
• 1:38:18
  [UNKNOWN]: And so the easiest way to prove whether or not, and that also applies to the mud fossil individuals because on the flip side, those people say, you know, it's not art and you're not seeing things you're seeing a dead animal.
• 1:38:39
  [UNKNOWN]: And we analyze it with the standard and it turns out that that standard is present then you have to rationalize that that creature died and and all the angles of its body were perfect in relation to each other, you know, like it was drawn on a drafting board, you know, and and so that's what I'm saying I'm saying that can be done and that professionals that understand this.
• 1:39:04
  [UNKNOWN]: You know, drafting work can look at these things and say, okay, yeah, these angles are this and those angles are that.
• 1:39:09
  [UNKNOWN]: And that's just math, you know.
• 1:39:10
  [UNKNOWN]: And either it is or it is not.
• 1:39:13
  [UNKNOWN]: And so that's how we verify it and you should not trust me.
• 1:39:16
  [UNKNOWN]: In fact, most of what I'm doing is kind of high school geometry.
• 1:39:19
  [UNKNOWN]: You know, you can draw 20 degrees on increments on a piece of paper and measure these things yourself.
• 1:39:27
  [UNKNOWN]: And see if all those strange triangles that you keep picking up in the stream happen to all be the same.
• 1:39:32
  [UNKNOWN]: shape or geometry, you know, like, so I don't want you to trust me.
• 1:39:37
  [UNKNOWN]: You shouldn't.
• 1:39:38
  [UNKNOWN]: You should go look because I'm having great success.
• 1:39:43
  [UNKNOWN]: A lot of people that are like, you know, I'm not on board.
• 1:39:47
  [UNKNOWN]: I hear what you're saying, but I'm not seeing it.
• 1:39:49
  [UNKNOWN]: They'll come back like, you know, three weeks later, be like, okay, you got it.
• 1:39:52
  [UNKNOWN]: You know, I saw it.
• 1:39:53
  [UNKNOWN]: I, you know, I went and looked.
• 1:39:55
  [UNKNOWN]: And so that's what I I hope for.
• 1:39:57
  [UNKNOWN]: I don't want to be somebody that people follow just because it's a good idea.
• 1:40:01
  [UNKNOWN]: I want you to
• 1:40:02
  [UNKNOWN]: to see for yourself because it's wildly interesting and these sites are around our neighborhoods and our homes and our areas because all those rocks that are protruding out of the ground are part of this engineering and so often these small towns will have you know a strange special rock that they all know about or you know it's just there and and that's what it is
• 1:40:32
  [UNKNOWN]: Negalithic sites across the world to see some of this ancient culture stuff.
• 1:40:36
  [UNKNOWN]: It's right out your door.
• 1:40:40
  [UNKNOWN]: So another question that comes to mind, you ask, you know, how much I know about geology and yeah, I collect crystals and stuff.
• 1:40:50
  [UNKNOWN]: So just sort of an amateur rock hounds level of knowledge.
• 1:41:01
  [UNKNOWN]: That maybe the conventional geologist would classify these artifacts as like when they take a look at some one of these artifacts that you found would they say, you know, what like is it more often than not a type because I imagine it's something on stone like a sedimentary type of right.
• 1:41:28
  [UNKNOWN]: interesting.
• 1:41:29
  [UNKNOWN]: Here's another thing that we should actually address that the vast majority of the terraforming, yeah, there are portions that are very specific, like you're saying.
• 1:41:43
  [UNKNOWN]: In discovering this, I have realized that Pangey never existed.
• 1:41:47
  [UNKNOWN]: That was severely disappointed, because I was a big fan of Pangey.
• 1:41:52
  [UNKNOWN]: I thought it was a thing.
• 1:41:53
  [UNKNOWN]: I thought it sounded great, whatever.
• 1:41:56
  [UNKNOWN]: And this geometry would not be possible if the continents ever moved, because I'm able to go around the world and kind of reproduce these results and they're all in line with each other.
• 1:42:10
  [UNKNOWN]: You know, it's almost like layline kind of stuff.
• 1:42:13
  [UNKNOWN]: There's lines projecting all the way across the world that line up with each other.
• 1:42:17
  [UNKNOWN]: That's already kind of been demonstrated in others fears, but what I found is it's on par with that kind of concept.
• 1:42:23
  [UNKNOWN]: And so these lines
• 1:42:27
  [UNKNOWN]: if the continents had moved as continental drift suggests, they wouldn't line up because the stuff was engineered during the Paleozoic era, which is super long ago, pre-dinosaurves, and that's a lot of time.
• 1:42:41
  [UNKNOWN]: So the continents should have moved some, and it appears that they have not.
• 1:42:46
  [UNKNOWN]: So what is the answer for Pangea?
• 1:42:50
  [UNKNOWN]: The Pangea is believed to be a thing because
• 1:42:59
  [UNKNOWN]: And that's ultimately what it is.
• 1:43:00
  [UNKNOWN]: So like a layer in North America will correspond with a layer in Europe, and they'll be exactly the same materials, only separated.
• 1:43:09
  [UNKNOWN]: And so that's where their theory largely comes from is that they were all connected because the materials are the same.
• 1:43:15
  [UNKNOWN]: But what has actually happened is when they engineered this stuff,
• 1:43:20
  [UNKNOWN]: They just sourced it from the same location.
• 1:43:22
  [UNKNOWN]: So it's just like the homes again that I was talking about, you put your home, your concrete slab on your home.
• 1:43:29
  [UNKNOWN]: And the cement truck pours multiple slabs for multiple homes.
• 1:43:33
  [UNKNOWN]: And they all come from the same source.
• 1:43:35
  [UNKNOWN]: But they're now separate.
• 1:43:37
  [UNKNOWN]: And that's essentially what has happened.
• 1:43:40
  [UNKNOWN]: The terraforming was created using material from the same sources, but on different continents.
• 1:43:48
  [UNKNOWN]: You know, it's just like a cement truck that just, you know, got it from one spot and put it in different locations.
• 1:43:53
  [UNKNOWN]: And so modern geologists believe, well, it must have been together.
• 1:43:57
  [UNKNOWN]: That's the only explanation.
• 1:43:58
  [UNKNOWN]: When in reality, it's not it's the engineering.
• 1:44:02
  [UNKNOWN]: And, and so that was like another big thing because, um,
• 1:44:07
  [UNKNOWN]: a lot of people talk about Pangea and to discover that that's really not the cases is wild and I thought that Continental Drift was a fact and when you research it it remains a theory.
• 1:44:18
  [UNKNOWN]: So it's a theory of a reason.
• 1:44:24
  [UNKNOWN]: Yeah, I, I really am baffled at the exactitude and the geometry, I mean, I have seen a ton of the images that you've shared on your Instagram and your YouTube and more often than not, it is something that.
• 1:44:40
  [UNKNOWN]: is worth noting, you know, and I'm someone who looks at rocks fairly often and I take a take my time to like, pull a little rocks out of the river in such and I've definitely found my fair share of stones that have odd shapes to them.
• 1:44:57
  [UNKNOWN]: I just never really considered it from this angle.
• 1:45:00
  [UNKNOWN]: So it's it's really compelling now going back to maybe another one of these
• 1:45:05
  [UNKNOWN]: questions you probably get a lot or maybe you should get more often.
• 1:45:10
  [UNKNOWN]: What would you point to is like the largest example of this?
• 1:45:14
  [UNKNOWN]: I mean, I've had a guest on who talked about a mountain in Spain,
• 1:45:22
  [UNKNOWN]: that it's essentially named in Spanish like the elephant mountain and it's shaped essentially like an elephant and he's even got into parts of the mountain and hollow parts of the mountain and discovered that it even resembles like the anatomy of an elephant, you know,
• 1:45:42
  [UNKNOWN]: And that's where, you know, the mud fossil theory derives from is because this art style was organic, you know, it was very natural in a sense, and they made things look like living things, remember me talking about those clumps of dirt that had artifacts inside of them and those clumps of dirt had designs in them.
• 1:46:08
  [UNKNOWN]: I'll answer your question, but I just wanted to say real quick, I had later found an example of a covering around one of these artifacts.
• 1:46:20
  [UNKNOWN]: So imagine the clump of dirt, you know, has designs on it, and then there's like a...
• 1:46:26
  [UNKNOWN]: A vinyl wrap, you know how you vinyl wrap a car, you know, just like a, put the plastic around it kind of thing.
• 1:46:32
  [UNKNOWN]: Well, it was like that.
• 1:46:33
  [UNKNOWN]: It was a piece stuck to one of these, these artifacts and I realized that what was happening was they were covering these artifacts in a kind of exterior, you know, skin and it looked like reptiles skin and it was still pliable.
• 1:46:50
  [UNKNOWN]: And when you examine it under a microscope, it looks like reptile skin and it is organic.
• 1:46:56
  [UNKNOWN]: And so I have heard of whoever does the mud fossil research saying that some of the stuff that they have tested has turned out to be organic coming from geologic things.
• 1:47:10
  [UNKNOWN]: And that's where like everything is, you know, a dead creature.
• 1:47:14
  [UNKNOWN]: But I, here I appear to have an example of like a exterior coating just around a clump of dirt and straw.
• 1:47:24
  [UNKNOWN]: But it's organic, you know, it's like a artistic exterior shell.
• 1:47:29
  [UNKNOWN]: And so I kept it and it's one of the things that we are going to research for, where we have it sent off and examined for the documentary, along with the child's toe bone and, you know, some other artifacts to verify.
• 1:47:42
  [UNKNOWN]: But that skin, you know, you talk about the organic nature of these things, and that's why a lot of people believe the mud falls off because when you look at it, it looks like there's some organic school and on.
• 1:47:52
  [UNKNOWN]: But that's, you know, engineered in their style, but there's also a chance that somehow they had the ability to utilize organics in this construction.
• 1:48:10
  [UNKNOWN]: And that seems wild that why would you use an organic to construct, you know, an art piece or whatever.
• 1:48:17
  [UNKNOWN]: And it was probably produced not off of animals.
• 1:48:21
  [UNKNOWN]: You know, if this piece of skin that wraps an artifact is, you know, organic.
• 1:48:26
  [UNKNOWN]: It was actually probably engineered no different than their 3D printed meat because that's probably skinning a lot of animals because these artifacts, these covered artifacts, you hardly ever find them with the skin, you know, they're just, and I have since actually communicated to other rock towns and they're like, they know exactly what I'm talking about, you know, so it's a thing.
• 1:48:46
  [UNKNOWN]: So there's organics, somehow involved in this.
• 1:48:51
  [UNKNOWN]: So I don't know, but, but the biggest
• 1:48:54
  [UNKNOWN]: is the continents, the continents, all our effigies and then they'll fit in some of these categories that I found.
• 1:49:04
  [UNKNOWN]: But the interesting thing is they don't appear in that form until you flip the world upside down.
• 1:49:10
  [UNKNOWN]: So there's an idea that, in the past, there was a pole flip, you know, like the pole shift and, you know, the ocean's rushed over the continents and stuff like that.
• 1:49:24
  [UNKNOWN]: Well, that might be possible, you know, I know there's a lot of flat earth people, okay.
• 1:49:31
  [UNKNOWN]: What I'm saying is, as I look at the map,
• 1:49:35
  [UNKNOWN]: when you turn the globe upside down.
• 1:49:37
  [UNKNOWN]: It does appear that Antarctica is at the center of all this construction.
• 1:49:41
  [UNKNOWN]: And then the continents then become these effigies.
• 1:49:45
  [UNKNOWN]: It's no coincidence that when you turn the world upside down, that South America looks like a seahorse.
• 1:49:49
  [UNKNOWN]: That is intentional.
• 1:49:51
  [UNKNOWN]: when you look at North America, turned upside down.
• 1:49:53
  [UNKNOWN]: It looks like a big dog, like a doghead.
• 1:49:56
  [UNKNOWN]: And some of the examples that I've shared on my page is that specific one.
• 1:50:02
  [UNKNOWN]: I have a stone doghead in my living room.
• 1:50:06
  [UNKNOWN]: That matches the FG of North America.
• 1:50:09
  [UNKNOWN]: which is the stockhead, but interestingly, have you ever seen, has been pretty popular?
• 1:50:14
  [UNKNOWN]: There's a dude called the point of view channel, and recently he's been in Wyoming or Utah or somewhere where he filmed a drone shot of these massive blocks cut into the mountain, you know, they're huge, and they just look like these, like building size blocks.
• 1:50:30
  [UNKNOWN]: Have you ever seen that?
• 1:50:32
  [UNKNOWN]: It's actually a pretty popular.
• 1:50:33
  [UNKNOWN]: Oh, but I just look, some other sites that sound similar.
• 1:50:39
  [UNKNOWN]: Well, essentially, I realized that these blocks, these massive blocks cut in the side of the mountain are also these effigies.
• 1:50:50
  [UNKNOWN]: And one of them happens to be the North American dog effigy.
• 1:50:53
  [UNKNOWN]: So in my examples that I share on Instagram of the continents, one of them happens to be that.
• 1:51:00
  [UNKNOWN]: And it's actually cool because
• 1:51:03
  [UNKNOWN]: People look at those blocks that he shared, and it's like impossibly huge, but it looks like a stone quarry that's been abandoned.
• 1:51:12
  [UNKNOWN]: And it is.
• 1:51:14
  [UNKNOWN]: And what turns out is it appears that the sum culture was cutting out these effigies, whether that was the first or the second world, they both seem to appear to have used these effigies, these shapes for art.
• 1:51:28
  [UNKNOWN]: And so one of those big blocks is this shape.
• 1:51:34
  [UNKNOWN]: And that is big, you know, that is a big example.
• 1:51:37
  [UNKNOWN]: And we can really do it with all the continents.
• 1:51:42
  [UNKNOWN]: Another big deal is discovering the lost content of Moo.
• 1:51:48
  [UNKNOWN]: Actually forgot to tell you that.
• 1:51:52
  [UNKNOWN]: This is enabled us to look at the seafloor and a lot of the terrain of the seafloor actually falls into this geometry, and it turns out the area in the Pacific of this continent of mu.
• 1:52:10
  [UNKNOWN]: Well, it turns out to be another one of these effigies and actually did a video where I pointed out where the content was, I pointed out the shape of it, why it was that shape and in fact it is one of these multi shapes that you know you flip it upside down and it becomes another one of these these images and so I've done a video about that.
• 1:52:28
  [UNKNOWN]: Um, and it appears to be a thing, you know, the continent probably was there, and it was probably before the last sea level rose, you know, because in that second world or that second era, the sea levels were 400 feet lower, you know, so first world no seas, you know, it's like land of rivers, the second world or the second era, now we have this inundation of water, but it's not complete, you know, the glacial period seemed to retain a lot of that,
• 1:52:56
  [UNKNOWN]: that water.
• 1:52:58
  [UNKNOWN]: And so people naturally create their settlements along, you know, the shorelines, and then next cataclysm, well, you know, 400 feet higher and all of it's gone.
• 1:53:09
  [UNKNOWN]: So, you know, the, uh,
• 1:53:14
  [UNKNOWN]: naturally you think well what about Atlantis and really I even though I guess he doesn't like me I owe Jimmy what's his name Jimmy Corsetti from Brighton site really I owe him the credit for
• 1:53:30
  [UNKNOWN]: beginning to change my mind in all this because years and years ago he made a video about Atlantis that made him popular and I watched it and I was able to begin to look at the world a little bit different because of his Atlantis video and what he suggests is that the area in North Africa it's like Northeastern Africa there's these rings in the desert and people refer to it as the
• 1:53:56
  [UNKNOWN]: his video did a really good job making a case that that was the city of Atlantis.
• 1:54:03
  [UNKNOWN]: Well, I have since found what I believe to be Atlantis and I think he is right and he is also wrong.
• 1:54:13
  [UNKNOWN]: Because this geometry allows us to look at these shapes and verify what is and is not a part of this culture, well, it turns out that mid-Atlantic ridge when you back the world out really far and you look at the mid-Atlantic ridge, the mid-Atlantic ridge actually makes up two effigies.
• 1:54:36
  [UNKNOWN]: They're either dragging our shark effigies,
• 1:54:41
  [UNKNOWN]: But I now believe that that mid Atlantic ridge when the sea level was lower, that those were the islands of Atlantis and Jimmy can still be right.
• 1:54:55
  [UNKNOWN]: Because when you think about it, that whole Atlantic region, if Atlantis existed, then they were probably a superpower.
• 1:55:03
  [UNKNOWN]: They probably controlled just like Rome.
• 1:55:05
  [UNKNOWN]: I mean, look at how Rome controlled the whole Mediterranean.
• 1:55:09
  [UNKNOWN]: Well, it's fair to say that Atlantis probably controlled the whole Atlantic region.
• 1:55:15
  [UNKNOWN]: And so it's quite possible that Jimmy's location for the city of Atlantis is at the edge of their empire, you know.
• 1:55:25
  [UNKNOWN]: Their capital can be anywhere.
• 1:55:29
  [UNKNOWN]: And so when we argue about where is Atlantis, well Atlantis is in a lot of places.
• 1:55:36
  [UNKNOWN]: And in my last trip to Italy, I found myself in Rome.
• 1:55:44
  [UNKNOWN]: many of those structures melted on par with the melting that I had discovered in Sicily.
• 1:55:52
  [UNKNOWN]: And I began to form the theory that
• 1:55:57
  [UNKNOWN]: the robins actually might be a copycat culture.
• 1:56:01
  [UNKNOWN]: So, you know how there's a chance that like ancient Egypt, there's an advanced ancient Egypt and there's ancient Egypt, like we know it, like the loss of their technology almost.
• 1:56:11
  [UNKNOWN]: And then there's a case where the Indians, you know, they had advanced Vimana, Vimana, India and then like all their cool buildings and then they lost technology.
• 1:56:22
  [UNKNOWN]: Well, that actually comes from the reality is those advanced versions come from that second world and the cataclysm is what loses the technology and then the people that come after pick it up and they try to emulate it, but they can't at the same level.
• 1:56:46
  [UNKNOWN]: discovered the majority of this architecture and rehabilitated it and and emulated it as their own.
• 1:56:53
  [UNKNOWN]: And in some of that Roman architecture, I believe is Atlantian.
• 1:56:59
  [UNKNOWN]: I think the Pantheon doors being gigantic are because they're a part of this ancient culture.
• 1:57:05
  [UNKNOWN]: I think it's a rehabilitation and on the Pantheon and on pillars all around Rome you can see melted stone.
• 1:57:15
  [UNKNOWN]: And if the younger dry is cataclysm contained that fiery situation, well, that was a long time ago.
• 1:57:22
  [UNKNOWN]: And that's not modern, you know, the room as we know it.
• 1:57:26
  [UNKNOWN]: That's something else.
• 1:57:28
  [UNKNOWN]: And that's in the same region.
• 1:57:31
  [UNKNOWN]: Potentially, it's only less than a thousand miles from the Rashad structure.
• 1:57:35
  [UNKNOWN]: So if we're drawn a big circle around the Atlantic region, well, you know,
• 1:57:43
  [UNKNOWN]: So when we see images of Rome and pop culture, Rome, excuse me, when we see images of Atlantis and pop culture being portrayed with that Greco-Roman architecture, what's probably accurate?
• 1:57:55
  [UNKNOWN]: It's probably not Greco-Roman.
• 1:57:56
  [UNKNOWN]: It's probably Atlantean architecture.
• 1:57:58
  [UNKNOWN]: That's probably where that all comes from.
• 1:58:01
  [UNKNOWN]: So, you know, and that then you got to get it into the whole mudfled stuff and all this weird brick structure everywhere.
• 1:58:12
  [UNKNOWN]: Some of that brick structure is melted.
• 1:58:13
  [UNKNOWN]: There's stuff in California that seems to be melted similarly to what I'm finding in Italy.
• 1:58:20
  [UNKNOWN]: And so I'm starting to wonder if some of this brick construction that a lot of people, you know, attribute to
• 1:58:29
  [UNKNOWN]: I mean, it's North America.
• 1:58:30
  [UNKNOWN]: I don't think it would be Tartaria.
• 1:58:32
  [UNKNOWN]: Some people think Tartaria is everywhere, but it's almost like some of the brick structure on the North American continent actually might be attributed to that second era somehow.
• 1:58:44
  [UNKNOWN]: It might be older than we know.
• 1:58:47
  [UNKNOWN]: you know, and just because they're ancient cultures doesn't mean they have to have maybe they made similar buildings, you know, I don't know, but there's definitely I've seen and I think it's San Francisco, there's like a whole wall of bricks that's just melted and it's been shared quite often, but yeah, you know, the
• 1:59:06
  [UNKNOWN]: That's an opinion that has changed, you know, of mine, of the Roman situation after going there and seeing these things myself, and I've actually shared examples of that on my page.
• 1:59:17
  [UNKNOWN]: You know, our world is so much cooler than we could ever know, really.
• 1:59:22
  [UNKNOWN]: I mean, it's exciting, you know, it's fun and exciting, and a story, you know, when detectives are trying to stall the case, the theory doesn't work unless it answers all the questions.
• 1:59:36
  [UNKNOWN]: And in this case, when you look at this big picture story, it answers all the questions.
• 1:59:42
  [UNKNOWN]: like a lot of the the the mysteries that we have about history this timeline this series of events this story works and I have yet to find anything that you know throws a wrench in it and I'll be the first to throw in the towel because I don't make anything from this you know I'm just out here doing this because I guess I feel like I have to you know and if I found out I was wrong
• 2:00:12
  [UNKNOWN]: I mean, it's not my thing.
• 2:00:14
  [UNKNOWN]: I'm here because I have to be, you know, I'm here because it's true.
• 2:00:18
  [UNKNOWN]: I'm here because, you know, I found something and people need to, at least have a chance to reject it, you know?
• 2:00:25
  [UNKNOWN]: So...
• 2:00:26
  [UNKNOWN]: Well said, Guy, well, I look forward to your documentary when it comes out.
• 2:00:31
  [UNKNOWN]: I hope you'd message me with a reminder if I don't see it first, but please do come back on the show after the documentaries out and I've had time to watch it because yeah.
• 2:00:43
  [UNKNOWN]: get more into everything going on with that.
• 2:00:48
  [UNKNOWN]: And yeah, if I could pull a one thing, many people might be interested in, you know, deeper, long-form information about what I'm talking about.
• 2:00:58
  [UNKNOWN]: And so, if you want that, I would suggest that you do look at my YouTube channel.
• 2:01:05
  [UNKNOWN]: And my earlier videos, you know, they were made as I was kind of developing all this, you know, but if you want the hard real full story, I have done multiple live videos in a series that kind of lay all this out in a similar way.
• 2:01:21
  [UNKNOWN]: So if you want, you know,
• 2:01:23
  [UNKNOWN]: a reproduction of what the story I told you with some images and a better explanation, a little bit deeper, I would suggest that you go to my YouTube channel, which is the same as my Instagram.
• 2:01:32
  [UNKNOWN]: It's just the end of the deluvian landfill under score spaces on YouTube.
• 2:01:38
  [UNKNOWN]: So that's pretty much it.
• 2:01:39
  [UNKNOWN]: Right on.
• 2:01:41
  [UNKNOWN]: Well, thank you again for coming.
• 2:01:43
  [UNKNOWN]: I appreciate you sharing the time and the information.
• 2:01:45
  [UNKNOWN]: It's all very fascinating.
• 2:01:48
  [UNKNOWN]: I hope it's new information to most of the audience.
• 2:01:52
  [UNKNOWN]: If it is, they should go and check out your channel.
• 2:01:56
  [UNKNOWN]: I hope that you like this.
• 2:01:59
  [UNKNOWN]: Next episode of folks, thank you all for tuning in and until then we'll catch you on the next show until then immerse yourself in the moment wherever you are in the now.
• 2:02:12
  [UNKNOWN]: All right, folks, that does it for all you brave people who listen all the way to the end.
• 2:02:19
  [UNKNOWN]: I love when people listen to the end of the podcast.
• 2:02:24
  [UNKNOWN]: I listen to the end of a podcast that I like.
• 2:02:28
  [UNKNOWN]: So if you listen to the end of this podcast, that means you like me or the guest.
• 2:02:32
  [UNKNOWN]: Not could you not be anti-deluvian landfill guy, I got lost, I'll say, somewhere along the conversation if you're wondering why I'm marked in talk much, you know, I got a little lost in the geology talk, but overall I thought he had a...
• 2:02:50
  [UNKNOWN]: clever way of going about this and interesting results to his queries so I'm excited to see what our guy and he's Luvian landfill guy comes up with next and what he finds to back up some of his speculation and he's already got some cool evidence going check out his YouTube channel, check out his Instagram and you'll find it.
• 2:03:17
  [UNKNOWN]: All of the evidence to support his theory, so check that out.
• 2:03:23
  [UNKNOWN]: And until next episode, immerse yourself in the moment wherever you are in the now.