Latest / What More Can I Say? / Diddy Vs. Lil Rod Update, Slim Thug's Comments About Women, Liking Pics On Social Media & More

Transcript

Diddy Vs. Lil Rod Update, Slim Thug's Comments About Women, Liking Pics On Social Media & More · What More Can I Say?

• 0:02
  Speaker 1: All right, y'all, welcome to the One Wore Can I Say? Podcast?
• 0:05
  Speaker 1: Episode writers two old three. The third day of the
• 0:11
  Speaker 1: pod just happened every day.
• 0:14
  Speaker 2: I feel like we need a part of thought.
• 0:19
  Speaker 1: Every day we just yapping, Yeah, just just yapping away.
• 0:24
  Speaker 1: I'll still get you to the schedule. I ain't gonna lie.
• 0:26
  Speaker 1: We could tell I had to, yeah, but I'll lock in.
• 0:28
  Speaker 3: I'm a lock in. I'm sorry, guy, I'm a little late,
• 0:31
  Speaker 3: so I don't try.
• 0:32
  Speaker 4: To walk in like he mad every time, walking in
• 0:35
  Speaker 4: real fast and nobody said nothing.
• 0:39
  Speaker 3: Man, just had to come from house south man. It's crazy.
• 0:44
  Speaker 1: Okay, that's just you know, I was renolate. I may
• 0:51
  Speaker 1: I forgot that we were parting today. I may I
• 0:55
  Speaker 1: forgot that, man, You know that. Thank God for group chats.
• 0:58
  Speaker 2: But but hey, but everybody bear with us for real,
• 1:01
  Speaker 2: pot fair. This is our first week trying this. We
• 1:04
  Speaker 2: are all trying to figure out what works. Yeah, so
• 1:07
  Speaker 2: you know we're figuring it out for you.
• 1:08
  Speaker 3: Yes, definitely figured out how on Your host.
• 1:12
  Speaker 1: Is the first Lady of the Pot, the only Lady
• 1:15
  Speaker 1: of the Pot and Pluffy and Fire.
• 1:17
  Speaker 4: Her name is Hey, friends, what's up? What's going on?
• 1:21
  Speaker 3: Hey? Doing this morning. I've never seen you three days
• 1:24
  Speaker 3: in a row. Yeah, this is a lot. In it
• 1:28
  Speaker 3: a lot? You want this? It's a lot. I know,
• 1:34
  Speaker 3: I know, I know you want this.
• 1:38
  Speaker 1: I don't even know how to answer that. Yo, that
• 1:46
  Speaker 1: would put me in a predicament introduced end of the
• 1:53
  Speaker 1: five predicament.
• 1:55
  Speaker 3: Just move on. That's welcome to day, so Zach, I
• 2:01
  Speaker 3: get it. Woo woops, Actually, never mind, I.
• 2:05
  Speaker 2: Forgot you always live in pine a lot man, I
• 2:07
  Speaker 2: get you a good wood yesterday.
• 2:09
  Speaker 1: But you know, they were in the middle of argued
• 2:12
  Speaker 1: over snickers.
• 2:15
  Speaker 3: The whole show even began.
• 2:16
  Speaker 1: Everybody, So if you send some tension between them, they
• 2:20
  Speaker 1: have a snicker Tom.
• 2:23
  Speaker 4: I gave him my snicker. All I asked was for
• 2:25
  Speaker 4: him to go give me a bottle water. He came
• 2:27
  Speaker 4: back with a straw with no water. What does that
• 2:30
  Speaker 4: do for me?
• 2:32
  Speaker 3: No water?
• 2:33
  Speaker 2: They didn't have any more water in the kitchen. Okay,
• 2:36
  Speaker 2: she didn't want any water out of a cup I offered.
• 2:38
  Speaker 2: I said, want to go get you some water the cups?
• 2:40
  Speaker 2: She said, Now I want you breathing on my water.
• 2:42
  Speaker 2: She's the German folk. And then I got her favorite
• 2:45
  Speaker 2: classic coke. She loves Classic coke, no endorsement, and I
• 2:50
  Speaker 2: was like, you just get some coke, and then he
• 2:52
  Speaker 2: was like, nah, I'm trying to do better.
• 2:53
  Speaker 4: So it's the Millennium tour coming. I ain't got no
• 2:56
  Speaker 4: zimpick in about three weeks. I'm trying to hold it together. No,
• 3:00
  Speaker 4: I can't drink a coke. I wanted water, but I
• 3:03
  Speaker 4: guess i'd just be thirsty.
• 3:06
  Speaker 1: All right, Well it was good, all right, Well let's
• 3:08
  Speaker 1: go ahead, jump right into it.
• 3:09
  Speaker 3: Man.
• 3:09
  Speaker 1: Judge dismisses five of the nine claims against Diddy uh
• 3:13
  Speaker 1: that were made by producer Little Rod. Now, the sexual
• 3:16
  Speaker 1: assault claim is still on the table, but he sued
• 3:19
  Speaker 1: Diddy for thirty million for sexual assault and sexual harassment.
• 3:24
  Speaker 5: Uh.
• 3:24
  Speaker 1: Do you think the rest of these claims are going?
• 3:26
  Speaker 1: It's five out of the nine. Do you think you
• 3:28
  Speaker 1: know the other four? Get they to go away?
• 3:31
  Speaker 3: Hell?
• 3:31
  Speaker 2: I don't know a little rods. Y'all know how I
• 3:36
  Speaker 2: felt about Little Rod's case, I mean his stuff. I
• 3:39
  Speaker 2: was kind of like, hey, you kept showing up, you know,
• 3:43
  Speaker 2: you were the camera man or whatever you were doing.
• 3:46
  Speaker 2: And you said did he fondled you? Which is wrong?
• 3:49
  Speaker 2: He shouldn't fondle you. But I'm not gonna keep coming back,
• 3:52
  Speaker 2: keep getting funded.
• 3:55
  Speaker 3: That's not framed. I'm stopping. I'm getting fundled about the
• 4:00
  Speaker 3: second third day. Touch my ball. Hey, I ain't coming
• 4:04
  Speaker 3: back no more. Man, Man, keep touching me, but I ain't.
• 4:07
  Speaker 2: Gonna keep coming back to work and then be like, oh,
• 4:09
  Speaker 2: I can't believe you're doing this.
• 4:10
  Speaker 3: Maybe not gonna do it today. He keeps touching you.
• 4:15
  Speaker 3: That's not right, you guys, that's really not right. No,
• 4:19
  Speaker 3: that's wrong to laugh. But it is like it's like
• 4:22
  Speaker 3: IFL Boy told you, like, hey, man.
• 4:25
  Speaker 1: I'll tell you something. I went over diddy House and
• 4:28
  Speaker 1: he fondled me, and you feel sorry and you're like, damn,
• 4:32
  Speaker 1: like what the what did you do? Like you you upset?
• 4:36
  Speaker 1: But he goes back for like three days.
• 4:38
  Speaker 3: And then he'd be like, where you going diddy House?
• 4:40
  Speaker 3: But didn't he just foping? I don't know. I don't know.
• 4:47
  Speaker 1: I don't know. You cut the drive to get off
• 4:53
  Speaker 1: the car. There's a lot of steps before the bar
• 4:57
  Speaker 1: over there.
• 4:59
  Speaker 3: I just I'm laughing, bron. Some of y'all would have
• 5:01
  Speaker 3: went back. Some of y'all would have went back.
• 5:05
  Speaker 1: No, if you are gonna go back, I don't think
• 5:07
  Speaker 1: you can go soon. Now, I'm giving you twice.
• 5:12
  Speaker 3: I'm giving you. I'll give you a two because you
• 5:14
  Speaker 3: like man.
• 5:15
  Speaker 1: No, you trying to justify I get it, man, they
• 5:18
  Speaker 1: try to justify it. But out of the day two
• 5:21
  Speaker 1: of the fathers, you going back, three, four, five, and
• 5:25
  Speaker 1: you posing their pictures.
• 5:27
  Speaker 3: Some of this is consentric. At some point, at some
• 5:33
  Speaker 3: point you have said, okay, that's all I'm saying. No,
• 5:37
  Speaker 3: what I gotta like your bother?
• 5:40
  Speaker 2: Wow?
• 5:41
  Speaker 3: Wow?
• 5:45
  Speaker 1: You go and you go see Dinny for a week straight,
• 5:49
  Speaker 1: and you with him. I can't feel sorry.
• 5:52
  Speaker 3: For you on vacations with him. Oh my, he got touch.
• 5:58
  Speaker 3: Come on, man, you charge some of the shoes having fun?
• 6:02
  Speaker 5: Oh my god, all right, look back.
• 6:24
  Speaker 3: It's just hard for me to be feel sorry for
• 6:27
  Speaker 3: a grown ass man. Dog. You ain't no child, You
• 6:29
  Speaker 3: ain't no woman. You a grown ass. Ben. She's driving
• 6:32
  Speaker 3: over there you at some point to let you in
• 6:35
  Speaker 3: the gate. Who is it? Lad? You're here again? Yeah?
• 6:43
  Speaker 3: The gate opens slow. It's so much time to think,
• 6:45
  Speaker 3: I don't think I want to do this.
• 6:49
  Speaker 4: It's so much time to think it's crazy. You are
• 6:52
  Speaker 4: sick all wrong. Oh my gosh, I'm standing is you.
• 7:02
  Speaker 1: Rob we respect, We respect it all. Bronna, Lie, don't
• 7:05
  Speaker 1: take this last. We don't understand your pain. It's just
• 7:09
  Speaker 1: it's hard. It's confusing when you keep going back. That's
• 7:14
  Speaker 1: the confusing part about it. Did he not Dracula? He
• 7:19
  Speaker 1: not hypnotizing you to coming back. You don't have a
• 7:22
  Speaker 1: gun in your head telling you to come back.
• 7:24
  Speaker 3: You pulling up? Well, what does the lady say? Key key?
• 7:30
  Speaker 4: Well no, it's just it's did he? And I know
• 7:32
  Speaker 4: a lot of men. I know a lot of men
• 7:35
  Speaker 4: who would absolutely do what did he say?
• 7:38
  Speaker 3: To keep coming back and get fond.
• 7:40
  Speaker 2: Dude, Get what you're saying. A lot of men would
• 7:44
  Speaker 2: probably do what did he say? But that means they
• 7:48
  Speaker 2: have consented for whatever reason though within that is either
• 7:52
  Speaker 2: because he did he they like to check that comes involved,
• 7:55
  Speaker 2: or whatever. It's just with me personally, you don't care
• 7:59
  Speaker 2: how much money is on the other side of that.
• 8:01
  Speaker 3: You're not fondling me. You know what I'm saying.
• 8:04
  Speaker 2: About the second time I get fondled, I'm gonna be like, Hey,
• 8:07
  Speaker 2: I don't like this, I ain't coming no more.
• 8:09
  Speaker 5: Right.
• 8:11
  Speaker 3: What you own? What you own? Bro?
• 8:12
  Speaker 2: Like, we're gonna have to have a conversation. It's gonna
• 8:14
  Speaker 2: be something we're gonna have to fight. Hey, touch me again.
• 8:17
  Speaker 2: We're fighting in here, bro.
• 8:19
  Speaker 3: Everybody say that you're gonna figure it out.
• 8:20
  Speaker 4: Everybody say that outside the gate or a lot of
• 8:24
  Speaker 4: people would have changed.
• 8:25
  Speaker 2: They man once they got on the other side. But
• 8:29
  Speaker 2: sometime like that said they were having fun. Well, or
• 8:34
  Speaker 2: even if it's that sexual assau even if you don't
• 8:37
  Speaker 2: like it, you've still made it. Oh, you've justified it
• 8:40
  Speaker 2: for whatever reward that you were getting out of it.
• 8:42
  Speaker 3: Right, So that's what I'm saying.
• 8:43
  Speaker 2: So you can't to choose that and be like, well,
• 8:47
  Speaker 2: I'm gonna take that because this the money, let's just
• 8:49
  Speaker 2: say the money that came with it. Was like he
• 8:51
  Speaker 2: was like, you know what, I'm just gonna take these
• 8:52
  Speaker 2: findals even though I don't like it, but I'm gonna
• 8:54
  Speaker 2: take this. But I want this check though, But think
• 8:56
  Speaker 2: about it. So now you can't go suit on the
• 8:58
  Speaker 2: other end because you were sitting here. You you can
• 9:00
  Speaker 2: still that's still making a.
• 9:01
  Speaker 4: Decision, making a decision for sure, But I'm just saying
• 9:04
  Speaker 4: you guys said it's not so easy when you're in
• 9:07
  Speaker 4: the situation to make those decisions. Think about it. You're
• 9:09
  Speaker 4: a videographer. You're getting to work with Diddy, right, and
• 9:12
  Speaker 4: then you go, he fondles you.
• 9:14
  Speaker 2: Let me ask a video, and then let's ask a videographer.
• 9:22
  Speaker 2: We want your opinion. Let's say you finally get the
• 9:24
  Speaker 2: opportunity to work with Diddy. You're out one night, pink cocaine,
• 9:28
  Speaker 2: a few drinks. Next thing you know, you're finding what
• 9:31
  Speaker 2: you're doing. What's your next move?
• 9:34
  Speaker 3: Okay, all right, but.
• 9:39
  Speaker 4: Your videographer ghost ghosts on you. You know what you
• 9:42
  Speaker 4: did to that videographer. You're Diddy. So we've seen and
• 9:46
  Speaker 4: we've heard alleged stories of what happened to people who
• 9:48
  Speaker 4: cross Diddy.
• 9:49
  Speaker 3: So you go missing one.
• 9:51
  Speaker 4: You're probably never gonna work in that town again with
• 9:53
  Speaker 4: anybody because he's Diddy. So if he wants to tell
• 9:56
  Speaker 4: everybody in the world not to work with you, they
• 9:58
  Speaker 4: will listen. So you done lost all your your whole career,
• 10:01
  Speaker 4: your opportunities.
• 10:03
  Speaker 3: People go back. I've seen people go back home for less.
• 10:09
  Speaker 3: I went to college. People went home because they didn't
• 10:12
  Speaker 3: like you talked to outside the gate.
• 10:15
  Speaker 1: Look a lot of them, it's a lot of you
• 10:19
  Speaker 1: gotta get up, you gotta go ahead. The shower. You know,
• 10:22
  Speaker 1: everybody thinking the shower a shower. You had a drive
• 10:26
  Speaker 1: over there that you definitely not catch it every night.
• 10:29
  Speaker 1: I gotta hit the rest. Sometimes you go about life,
• 10:33
  Speaker 1: it's a lot.
• 10:34
  Speaker 2: I'm gonna tell you about that second time I ain't showering.
• 10:37
  Speaker 2: You come over and finding it again. You're gonna get
• 10:39
  Speaker 2: some stink back.
• 10:40
  Speaker 3: Now that's one. I'm sorry, little Rod. I'm just trying
• 10:46
  Speaker 3: to love love, right man.
• 10:47
  Speaker 1: We hope whatever if you were, we hope justice comes
• 10:50
  Speaker 1: your justice.
• 10:52
  Speaker 2: You got you got more counts, more poemore counts that
• 10:56
  Speaker 2: stood up.
• 10:57
  Speaker 3: It is all right. Oh my gosh, that's a good laugh.
• 11:04
  Speaker 1: Gorilla abruptly ends her Saint Louis concert after multiple fights
• 11:07
  Speaker 1: broke out, and she ended the show after the third fight.
• 11:11
  Speaker 3: Oh this a little audio for this, Uh studio already
• 11:15
  Speaker 3: the pot film likes the audio. Now, yes, they do.
• 11:18
  Speaker 3: All they do. They have been saying they like the audio. Okay,
• 11:21
  Speaker 3: we're good.
• 11:22
  Speaker 1: Why I won't mess it up our producer Ryan shout
• 11:26
  Speaker 1: out to producer Ryan, and uh, yeah, I got it.
• 11:38
  Speaker 3: I love y'all. I don't want to do this. Hope
• 11:40
  Speaker 3: y'all to make your sitement first. I love y'all like
• 11:42
  Speaker 3: no one.
• 11:45
  Speaker 1: So that was her ending to fight everybody. After the
• 11:48
  Speaker 1: third fight, people are acted crazy and crazy and conscious.
• 11:51
  Speaker 3: I don't get that.
• 11:52
  Speaker 4: I don't need them. Why pay your money to do
• 11:54
  Speaker 4: stupid stuff like you there to see a show.
• 11:58
  Speaker 3: But people fight. You know what I what? This is
• 12:01
  Speaker 3: the guy that went to school I went to.
• 12:03
  Speaker 2: I wanted to get your public school, and it was
• 12:05
  Speaker 2: fights all the time in times where you probably shouldn't
• 12:07
  Speaker 2: be fighting in the morning. This was probably high school kids.
• 12:11
  Speaker 2: It's on site. You know when your high school people.
• 12:12
  Speaker 3: Fight a lot.
• 12:13
  Speaker 2: When your high school I guarantee it was high school
• 12:15
  Speaker 2: girls fighting, and that's just what happened. Somebody got beat up.
• 12:19
  Speaker 2: Her freedom was still there. Then they just kept going.
• 12:22
  Speaker 3: In St.
• 12:22
  Speaker 2: Louis, Saint Louis, they fighting Saint Louis, them Saint Louis
• 12:25
  Speaker 2: girls fighting fighting women in Saint Louis.
• 12:28
  Speaker 3: I gotta know your audience. Saint Louis dudes crazy, You
• 12:33
  Speaker 3: hear me crazy?
• 12:34
  Speaker 2: I know them, Saint Louis negroes, they got nuts, so
• 12:37
  Speaker 2: I can see it happening, you know what I'm saying.
• 12:40
  Speaker 2: But like I think Gorilla was responsible and decided to
• 12:44
  Speaker 2: shut the show down because if somebody gets hurt, y'all
• 12:46
  Speaker 2: gonna try to sue me. Nope, Nope, we shutting this
• 12:50
  Speaker 2: thing down. So I respect what Golriilla did.
• 12:52
  Speaker 3: She gave him three fights.
• 12:53
  Speaker 2: She gave you three chances. First one get out of here,
• 12:57
  Speaker 2: second one stop it, third one I'm out.
• 12:58
  Speaker 4: And let me just say, from the end of streets perspective,
• 13:01
  Speaker 4: like when y'all going to these shows and y'all fighting
• 13:03
  Speaker 4: or trying to pull guns on each other or trying
• 13:05
  Speaker 4: to turn up, can y'all wait till you get back
• 13:07
  Speaker 4: in the hood for that, because what you're doing is
• 13:10
  Speaker 4: making it very hard for your artists to be invited
• 13:12
  Speaker 4: to perform in your city. So you know, once once
• 13:15
  Speaker 4: Gorilla had three fights at her shows, then it's very
• 13:17
  Speaker 4: hard for Sexy Red to come and hold the show
• 13:19
  Speaker 4: at that same venue because they're gonna look like, no,
• 13:22
  Speaker 4: your crowd, your type of people, bring out this type
• 13:25
  Speaker 4: of audience, it's not safe for us to host you here.
• 13:27
  Speaker 3: And now next thing you know, she.
• 13:28
  Speaker 4: Out at the the damn garage up in the suburbs
• 13:33
  Speaker 4: and we're trying to perform because now she can't even
• 13:35
  Speaker 4: perform in downtown in her city. We've experienced that in Chicago. Like,
• 13:39
  Speaker 4: if you want to do something dumb, bro, do it
• 13:41
  Speaker 4: in the in the hood. Don't get dressed, put your
• 13:43
  Speaker 4: fit on, by a concert ticket, buy your drink, come
• 13:47
  Speaker 4: out with your.
• 13:47
  Speaker 3: Friends to mess up the night, and you won't.
• 13:49
  Speaker 4: You not even just messing up for you, You messing up
• 13:51
  Speaker 4: for messing it up for your favorite artists. So you know,
• 13:54
  Speaker 4: we as a rate, it's hard booking stuff when we
• 13:57
  Speaker 4: got people that's fighting at shows like you making it
• 14:00
  Speaker 4: hard for a lot more people than you know.
• 14:02
  Speaker 3: So please do that in the block, Like, don't bring
• 14:05
  Speaker 3: that to a concert. That's stupid.
• 14:06
  Speaker 1: Yeah, true, I mean I think a lot of times
• 14:08
  Speaker 1: when people fight, you know, I get it, you crash
• 14:11
  Speaker 1: out emotions, but they don't realize all of the things
• 14:14
  Speaker 1: that effect.
• 14:15
  Speaker 3: It's not it's the artists that you affected.
• 14:17
  Speaker 1: You affect a promoter, you you even even you drill
• 14:21
  Speaker 1: it all the way down to the employees that's working
• 14:24
  Speaker 1: the venue, everybody getting money when this stuff is happening,
• 14:28
  Speaker 1: and you just wasted somebody money. Yeah, like you said,
• 14:32
  Speaker 1: you don't have to drive way out to see some
• 14:35
  Speaker 1: of your favorite I mean, it's.
• 14:36
  Speaker 4: Saint Louis Glorella might not come back. You're not a major,
• 14:40
  Speaker 4: super major spot.
• 14:41
  Speaker 3: You know what I'm saying. You're not Atlanta. You're not.
• 14:43
  Speaker 4: No, that's I love Saint Louis. We right next, So
• 14:45
  Speaker 4: but you're not. You're not You're not La your Chicago.
• 14:49
  Speaker 4: You are Saint Louis. So when you're doing this, you
• 14:51
  Speaker 4: messing up your future entertainment opportunities.
• 14:53
  Speaker 3: It's stupid.
• 14:54
  Speaker 2: Yeah, you can miss Saint Louis on the tour stop
• 14:56
  Speaker 2: and still make your bad That's what I say. No disrespect,
• 14:59
  Speaker 2: no disrespect. But it is a bet. It's not a
• 15:01
  Speaker 2: sea city, it's a bee city. It's a nice city.
• 15:04
  Speaker 2: You know what I'm saying.
• 15:04
  Speaker 3: I'm not saying I love Saint Louis. But yeah, I've
• 15:07
  Speaker 3: seen many concerts miss it all right.
• 15:11
  Speaker 1: They was like, oh my god, but I remember what
• 15:14
  Speaker 1: Chicago when we had, you know, so many artists they
• 15:16
  Speaker 1: considered dangerous.
• 15:18
  Speaker 3: They all way way out in the suburbs.
• 15:20
  Speaker 4: And then you go out there and the police know
• 15:23
  Speaker 4: you coming, so they wait on you to get out
• 15:25
  Speaker 4: to place, hit you. They know your tags expired, they
• 15:28
  Speaker 4: know you got some weed or some lick on you.
• 15:31
  Speaker 4: They ready to take you to jail just because you black.
• 15:33
  Speaker 4: So it's like, why why do this when we can
• 15:36
  Speaker 4: we can do stuff right in our own.
• 15:37
  Speaker 3: Backyard if you would just act right into the show,
• 15:40
  Speaker 3: you know, until you get home. Facts facts preaching. Now,
• 15:43
  Speaker 3: let's get to this there, girl, okay with it? Didn't you?
• 15:46
  Speaker 3: How about it?
• 15:47
  Speaker 1: Bow while Annalysis, This is Key Ky's best friend, his
• 15:50
  Speaker 1: highly anticipated collabor with Chris Brown. It's dropping this Friday,
• 15:54
  Speaker 1: and are looking forward? Are you looking forward to this?
• 15:58
  Speaker 3: Yes? I am absolutely looking forward to it.
• 16:00
  Speaker 4: And bow Wow is so excited, like I ain't never
• 16:04
  Speaker 4: seen him be more excited about anything than working with
• 16:06
  Speaker 4: Chris Brown. He is so excited. He knows that bow
• 16:10
  Speaker 4: Wow and Chris Brown. Like It's like bow Wow is
• 16:13
  Speaker 4: one of them people in the industry, like he can
• 16:15
  Speaker 4: recognize the greatness and another artist when I talk to him,
• 16:17
  Speaker 4: and the way he talks about Chris Brown is nothing
• 16:20
  Speaker 4: but admiration.
• 16:21
  Speaker 3: You know what I'm saying.
• 16:22
  Speaker 4: It's like, I know he a goat and I'm happy
• 16:25
  Speaker 4: to have him on my record, he said. I went
• 16:27
  Speaker 4: on three of his tour stops after he did it.
• 16:29
  Speaker 4: I was so happy he did the Diverse for me.
• 16:31
  Speaker 4: I went to three of his shows up. Y'all, remember
• 16:33
  Speaker 4: we were there when Chris Brown came in town. We
• 16:36
  Speaker 4: saw bow Wow sitting right and that thing, and he
• 16:38
  Speaker 4: and bow Wow is just like, I'm this record is good,
• 16:42
  Speaker 4: it's Chris Brown, it's me, and it's gonna it's gonna
• 16:45
  Speaker 4: be that feeling that we had when they did their
• 16:46
  Speaker 4: first collaboration. So I'm super excited about the song and
• 16:51
  Speaker 4: I think it's gonna be great.
• 16:52
  Speaker 3: I use me.
• 16:53
  Speaker 2: First of all, Chris, Chris Brown and bow Wow do
• 16:56
  Speaker 2: make good songs together. What was the song that they
• 16:58
  Speaker 2: had together.
• 16:58
  Speaker 3: I don't remember.
• 17:00
  Speaker 2: Shorty like mine, Shorty like mine? Yeah, Shorty like Mine
• 17:05
  Speaker 2: was a smash. And you know, Chris gonna do his thing,
• 17:08
  Speaker 2: But I like bow Wow when he has R and
• 17:10
  Speaker 2: B guy on the on the hook.
• 17:12
  Speaker 3: You know what I'm saying, That's most of his good
• 17:14
  Speaker 3: music come from that. You know what I'm saying.
• 17:15
  Speaker 2: From Jagged Edge to Chris Brown, Marion Marion to you
• 17:19
  Speaker 2: know what I'm saying.
• 17:21
  Speaker 3: Then, what are you laughing?
• 17:22
  Speaker 2: They did a whole collaboration album and that's nothing but
• 17:27
  Speaker 2: bangers on that album.
• 17:30
  Speaker 3: Hold on, I was I was a look I had
• 17:37
  Speaker 3: had the next problem. DJ Tony they had some good
• 17:41
  Speaker 3: songs on that nothing but they nothing but hits on
• 17:44
  Speaker 3: the face Off album. That's I can't find out.
• 17:52
  Speaker 1: I'm like, yeah, and I would have, let you know,
• 17:55
  Speaker 1: I would album. I was excited for that album for him.
• 17:59
  Speaker 1: I was like, let me hold you down, there we go.
• 18:02
  Speaker 3: That was that was the one. But that was it.
• 18:05
  Speaker 3: But I thought Girlfriend was a good one too. Yeah,
• 18:07
  Speaker 3: it was.
• 18:07
  Speaker 1: All of them was good. So yeah, No, but I
• 18:14
  Speaker 1: will give bow Wow his credit. He doesn't break often,
• 18:17
  Speaker 1: and he he knows his music, like I I trust
• 18:22
  Speaker 1: a bow Wow being excited about something. Lets we know
• 18:25
  Speaker 1: he putting all of this this energy behind it. He
• 18:28
  Speaker 1: knows it's a good record.
• 18:29
  Speaker 4: And Chris, and that's what I love about bow Wow too.
• 18:32
  Speaker 4: And this is what other I think other artists can take. No,
• 18:35
  Speaker 4: bow Wow don't really just put out random songs. He
• 18:39
  Speaker 4: don't be just flooding us with random trash songs.
• 18:42
  Speaker 3: You know what I'm saying. So now we will record him.
• 18:44
  Speaker 3: He probably recorded.
• 18:45
  Speaker 2: He said He'll be like, I'm in the studio, y'all,
• 18:47
  Speaker 2: I got an album coming.
• 18:48
  Speaker 3: I bet you he play it back and he'd be
• 18:50
  Speaker 3: like that, ain't I know that? Ain't it don't put
• 18:54
  Speaker 3: that out.
• 18:55
  Speaker 4: And I respect artists that can be honest with themselves
• 18:58
  Speaker 4: instead of making us.
• 19:00
  Speaker 3: So yeah, I'm excited about this. That's a big deal.
• 19:03
  Speaker 1: We'll look forward to buy while I guess we'll be
• 19:06
  Speaker 1: able to review it because it's dropping on Friday, so
• 19:08
  Speaker 1: we'll be talk about it on the podcast.
• 19:11
  Speaker 4: Performing here in Chicago. Hopefully Chris will throw the bone
• 19:13
  Speaker 4: and come join them there.
• 19:14
  Speaker 3: It is I don't even know bone who throwing.
• 19:18
  Speaker 4: Chris Brown joining you anywhere is a bone facts? Okay,
• 19:22
  Speaker 4: it is Chris Brown comes to your Bible study. That's
• 19:24
  Speaker 4: about took it up.
• 19:26
  Speaker 1: So one of them like he's the one Chris Brown feature.
• 19:30
  Speaker 1: It's like how people talk about a Drake feature, Chris
• 19:33
  Speaker 1: Brown feature.
• 19:33
  Speaker 3: You getting listened to That Chris.
• 19:35
  Speaker 2: Brown feature might be more impactful than the Drake feature.
• 19:38
  Speaker 3: It is I've never Okay, yes.
• 19:42
  Speaker 2: It is what I have not heard Chris.
• 19:47
  Speaker 3: We nineteen minutes into the pod.
• 19:49
  Speaker 2: I'm going to tell you now, like I said last
• 19:51
  Speaker 2: time Chris put his album out, I have heard some
• 19:56
  Speaker 2: songs that may not be my favorite, ye, but I
• 19:59
  Speaker 2: have never heard a bad sounding song.
• 20:04
  Speaker 3: One ain't never I ain't call him. That's middle name.
• 20:08
  Speaker 3: I never heard you talking about our Michael. He ain't
• 20:12
  Speaker 3: never heard he might give you a lot of songs.
• 20:16
  Speaker 2: Have ever heard something where you was like, Chris, you
• 20:18
  Speaker 2: don't sound good on that.
• 20:19
  Speaker 3: I ain't never in his whole career, PI fam. This
• 20:23
  Speaker 3: is how they do it. They try to move the
• 20:25
  Speaker 3: damn question.
• 20:26
  Speaker 1: No, I didn't never say Chris Brown doesn't make crazy records.
• 20:30
  Speaker 1: He is one of the best times of our generation.
• 20:33
  Speaker 1: But I was more impactful.
• 20:36
  Speaker 2: So here we go, so that I was just setting
• 20:37
  Speaker 2: you up for the next for the point the set
• 20:40
  Speaker 2: up U was, this is the punch was well.
• 20:43
  Speaker 3: Chris as a feature.
• 20:45
  Speaker 2: I have never heard him throw a dud feature on
• 20:48
  Speaker 2: nobody's song. Every song where featuring Chris Brown has always
• 20:53
  Speaker 2: been a hit.
• 20:55
  Speaker 1: You still say the same thing, impactful and and judging
• 20:59
  Speaker 1: if it's good a bad, or two different things.
• 21:02
  Speaker 3: Impactful.
• 21:03
  Speaker 1: If we want to talk about impactful, they both when
• 21:07
  Speaker 1: they get on your record, the impact is amazing. So
• 21:10
  Speaker 1: let's just go right there, right, we're going, we're going
• 21:13
  Speaker 1: an a you know what now? But Drake has literally
• 21:19
  Speaker 1: changed people's trajectory.
• 21:21
  Speaker 3: We could go, man, we wouldn't even know who.
• 21:24
  Speaker 1: Four bats was if it wasn't for the Drake. We
• 21:27
  Speaker 1: still don't well, that's that's.
• 21:32
  Speaker 3: We still don't coat it's this is great. We wouldn't know.
• 21:47
  Speaker 3: I ain't looking for a faux bats.
• 21:49
  Speaker 2: I ain't never said, and I wasn't that faux bat
• 21:52
  Speaker 2: anybody else my point exactly.
• 21:56
  Speaker 1: But it was a heavy rotation, heavy road. I don't
• 22:02
  Speaker 1: feel like why you want me.
• 22:04
  Speaker 3: To don't know? I do it was it was decent.
• 22:12
  Speaker 1: Besides you, I mean, look what he did.
• 22:15
  Speaker 3: What's the Rick Ross record that he did? Can I
• 22:17
  Speaker 3: tell you all.
• 22:18
  Speaker 4: The difference on why the impact feels more for Drake
• 22:22
  Speaker 4: because Drake only hops on new up and coming artists
• 22:27
  Speaker 4: that he wants to stamp and steal they swag from Allegedly,
• 22:30
  Speaker 4: that's what the street says. So he gets you when
• 22:33
  Speaker 4: you come, when you fresh out the breast, you hot,
• 22:35
  Speaker 4: you on your way up, and he go ahead and
• 22:38
  Speaker 4: throw you that feature and then he don't. Then once
• 22:40
  Speaker 4: you become competition, he done with you, right, or he
• 22:42
  Speaker 4: do a joint album with you, whatever. But with Chris Brown,
• 22:46
  Speaker 4: Chris Brown is very generous because he just likes doing music.
• 22:49
  Speaker 4: So anybody with the right amount of money could get
• 22:52
  Speaker 4: a Chris Brown feature. But why Chris Brown wins, It's
• 22:55
  Speaker 4: because he's quality over quantity. But even with Chris Brown,
• 22:59
  Speaker 4: the quantity is more or but the quality is still there.
• 23:01
  Speaker 4: So it'd be different if Chris Brown and I don't
• 23:03
  Speaker 4: want to use my goal, but little Wayne follow me.
• 23:06
  Speaker 3: I don't want to use my goal? Am I the
• 23:09
  Speaker 3: only one? She just ran? You played the shell game?
• 23:17
  Speaker 3: Pick a car this one here, Pick the queen, This
• 23:19
  Speaker 3: the queen? When you're gonna get I was like a podcast,
• 23:25
  Speaker 3: But no follow what I'm.
• 23:26
  Speaker 4: Saying, y'all osten you know how y'all know how anybody
• 23:30
  Speaker 4: can get a Wayne feature?
• 23:32
  Speaker 3: Yeah?
• 23:32
  Speaker 2: Okay, well no, okay for your point, yes, because I
• 23:36
  Speaker 2: don't want to get more confused feelings.
• 23:38
  Speaker 3: Let's lie and act like everybody can't get a Wayne feature.
• 23:40
  Speaker 4: If you got a check, everybody can get a Wayne
• 23:44
  Speaker 4: feature with the right amount of money.
• 23:46
  Speaker 3: Right, yellow ball just got one? Thank you?
• 23:48
  Speaker 2: Okay, float e lodgah Nate you gotta be a rapper?
• 23:52
  Speaker 3: Thank you? Okay.
• 23:53
  Speaker 4: So anyway, everybody can get a Wayne feature, but the
• 23:58
  Speaker 4: feature don't always hits mm. Almost everybody can get a
• 24:04
  Speaker 4: Chris Brown feature because he likes doing it. Okay, but
• 24:08
  Speaker 4: he is always hit. Everybody can't get a Drake feature.
• 24:14
  Speaker 4: He only gets on what's already hot. Chris Brown has
• 24:19
  Speaker 4: revived career like Kid inkdam Kid inking them got features
• 24:23
  Speaker 4: with Chris Brown, Jordan's sparks got.
• 24:27
  Speaker 3: O t genesis, little scrap.
• 24:30
  Speaker 4: You know that I'm lying, But it's all kinds of
• 24:32
  Speaker 4: people that got you know, collaborations with Chris Brown.
• 24:36
  Speaker 1: One and you see one thing that matches her statement
• 24:40
  Speaker 1: and like yeah, and then and you see.
• 24:42
  Speaker 3: How I guess we can't.
• 24:45
  Speaker 4: Please tap into this conversation because I know y'all get
• 24:47
  Speaker 4: what I'm saying. It's quality over quantity. But with Chris
• 24:51
  Speaker 4: Brown is both quality. He gonna give you hell of
• 24:54
  Speaker 4: features and only get on people that he No.
• 25:00
  Speaker 1: No, let's just say, like, well, I get it the
• 25:03
  Speaker 1: people that are hot. That's that's fair. But I also
• 25:06
  Speaker 1: he has got on new artists, changed the trajectory of
• 25:10
  Speaker 1: their records.
• 25:11
  Speaker 3: We've all heard that, we've seen it.
• 25:13
  Speaker 1: That Drake feature is something crazy, but he's hopping on.
• 25:19
  Speaker 2: Like I'm saying, Chris is creating from scratch. Drake is
• 25:22
  Speaker 2: putting verses on songs that was already bubbling.
• 25:25
  Speaker 3: But that's a great were you the artist. Think about
• 25:28
  Speaker 3: this already bubbling. But I've never even seen jay Z.
• 25:32
  Speaker 3: Let's go my goal, jay Z.
• 25:34
  Speaker 1: Yes, I'm other than the artist that he that he signed,
• 25:38
  Speaker 1: that he has underhand under him. So X those out,
• 25:43
  Speaker 1: X those features out.
• 25:45
  Speaker 3: That he had that he signed and has something to
• 25:47
  Speaker 3: do with.
• 25:48
  Speaker 1: You've never seen an artist of that magnitude go and
• 25:52
  Speaker 1: jump on new hot records. Yes, it's always going to
• 25:55
  Speaker 1: be new hot records or Drake Like let's say, like
• 25:57
  Speaker 1: the Migoals with the Migos, sat was a hit record.
• 26:01
  Speaker 1: He hears it like yo, like I dig that, I'm
• 26:03
  Speaker 1: gonna go put something on that change the whole thing.
• 26:06
  Speaker 3: He does it all the time.
• 26:08
  Speaker 4: But he's getting on a crafted song that's already put together.
• 26:12
  Speaker 4: Chris Brown comes in and literally crafts your song like
• 26:18
  Speaker 4: he come in with a kid. We ain't listening to
• 26:21
  Speaker 4: no kidd.
• 26:21
  Speaker 3: Verse, Bro, I like kid, I like you. You're not
• 26:25
  Speaker 3: going to come in here telling them I do like kidding.
• 26:28
  Speaker 3: I like kidding too. I'm not trying to listen to
• 26:30
  Speaker 3: Lord God damn kidd.
• 26:32
  Speaker 1: When Kiddy was stopping, he was stopping, he was listening
• 26:36
  Speaker 1: to Kid, and Kenny had to run Kid.
• 26:39
  Speaker 3: He had to run the last Did you listen.
• 26:46
  Speaker 2: To something, Chris Brown?
• 26:51
  Speaker 4: You remind me, that's what I'm saying. Chris Brown song
• 26:54
  Speaker 4: crafts the song. Drake adds the hot he the hot sauce, right, Chris.
• 26:59
  Speaker 2: Brown, the cat it's been there, catfish was coming out
• 27:02
  Speaker 2: hot anyway.
• 27:03
  Speaker 3: We but when Chris Brown come and he beat a
• 27:08
  Speaker 3: cat gish on your plate? All right? Yeah? What about
• 27:12
  Speaker 3: ourselves there? What about the grits? What are y'all? What
• 27:17
  Speaker 3: Christmas young?
• 27:21
  Speaker 2: What I was trying to say, We was already having
• 27:24
  Speaker 2: a fish fry, but damn the big things good to you?
• 27:27
  Speaker 3: So that what raked I'm trying to tell you, Drake
• 27:31
  Speaker 3: is mau sauce. Brown is the wing has wings.
• 27:41
  Speaker 2: Gone already, the wings salt pepper, and and Drake come
• 27:44
  Speaker 2: and he give you a little mouse sauce on top.
• 27:47
  Speaker 1: I stopped listening to Chiky since you started talking about
• 27:51
  Speaker 1: a whole order for harolds. I've done. I can't, I'm not.
• 27:57
  Speaker 1: I'm done man.
• 27:58
  Speaker 2: Trying to tell you something special is the lemon pepper sprinkle.
• 28:03
  Speaker 3: Yes, Drake is lemon pepper. Chris is the catfish nuggets? Ready?
• 28:09
  Speaker 3: What's the meal he made? Chris Brown make your house
• 28:14
  Speaker 3: a home. You know what I'm saying. He is, He
• 28:17
  Speaker 3: is that and he can do that for anybody.
• 28:20
  Speaker 4: Chris Brown can make a record with Zach and his
• 28:21
  Speaker 4: saxophone and it's good.
• 28:23
  Speaker 1: Dn not the saxophone. Who got a Chris Brown shoulder
• 28:31
  Speaker 1: on Zach book solo?
• 28:33
  Speaker 3: Man go crazy?
• 28:37
  Speaker 4: I'm telling you, man, Chris Brown, now one. I want
• 28:40
  Speaker 4: a Chris Brown feature before anybody, anybody.
• 28:44
  Speaker 1: I take it the Drake feature. I take the Drake
• 28:47
  Speaker 1: have one hit, but that's it cool. You can live
• 28:50
  Speaker 1: one and he ain't.
• 28:53
  Speaker 3: Like. The Chris Brown feature is gonna keep you going.
• 28:56
  Speaker 4: Like, but you can always go back and get another.
• 28:58
  Speaker 4: He can't go give you another one.
• 29:00
  Speaker 3: I ain't seen Jordan Sparks do nothing since Chris Brown.
• 29:03
  Speaker 3: That was and that was that the and get it.
• 29:09
  Speaker 3: She can get another one anyway.
• 29:11
  Speaker 1: That was a good one, stingy George Sparks gave what
• 29:15
  Speaker 1: he gave Seventh Streeter one.
• 29:16
  Speaker 4: Yeah, Chris, you know we're not gonna do that steven
• 29:21
  Speaker 4: seventh Street of the pen, so we won't.
• 29:23
  Speaker 3: He ain't really, I mean they are to sing it. Yeah,
• 29:26
  Speaker 3: he can sing it. But I'm just saying that Chris
• 29:28
  Speaker 3: voice is different.
• 29:29
  Speaker 4: It's different. It's different, but I just I'm sensitive that
• 29:31
  Speaker 4: y'all hear his mutt? Did you hear him on Mutt?
• 29:34
  Speaker 4: Listen to that?
• 29:34
  Speaker 3: Yet? I don't give him credit for that though. That
• 29:36
  Speaker 3: was because that was already.
• 29:38
  Speaker 4: That was a hit already, and and that and shout
• 29:40
  Speaker 4: out to Leon Thomas just interviewed him too. He he
• 29:43
  Speaker 4: built that up on his own, you know what I'm saying.
• 29:45
  Speaker 4: So we're not gonna get a credit to Chris. He
• 29:46
  Speaker 4: did it right, but like you know, we'll take supposed
• 29:49
  Speaker 4: to be y'all want a Mari. Chris got on that
• 29:53
  Speaker 4: in it.
• 29:54
  Speaker 3: You know that I never thought about it. Man.
• 30:00
  Speaker 1: Black Boy JB look alive. Well, black Boy with Drake
• 30:03
  Speaker 1: jumped on that. That got nasty, That got nasty. Tell
• 30:07
  Speaker 1: the truth, black Boy JB was already doing this thing
• 30:10
  Speaker 1: in Memphis.
• 30:11
  Speaker 2: What I didn't say, He wasn't. I'm saying that, but
• 30:14
  Speaker 2: it took him from Memphis.
• 30:16
  Speaker 3: To the world.
• 30:16
  Speaker 2: So he just Drake is just like the accelerator, so
• 30:19
  Speaker 2: you can get bigger faster.
• 30:21
  Speaker 3: But if it's already a hit record, that's easy to
• 30:23
  Speaker 3: do because.
• 30:24
  Speaker 2: You could just see that this is hit Memphis with
• 30:26
  Speaker 2: this song, Drake already Drake.
• 30:32
  Speaker 3: Only Drake is an alternator. Chris is the engine.
• 30:35
  Speaker 2: All right, I'm not going We could drive with a
• 30:40
  Speaker 2: broke alternator for a little bit.
• 30:41
  Speaker 1: We can get forty dollars.
• 30:45
  Speaker 3: I could get a new alternator. You can't feel the engine.
• 30:48
  Speaker 3: The crown will be on you. An engine, baby, I
• 30:51
  Speaker 3: got listen.
• 30:53
  Speaker 1: Jumped into barely know about all toda is and engines.
• 30:57
  Speaker 3: I know, child, Okay, that.
• 31:00
  Speaker 4: Colls forty dollars my engine. I'm gonna throw the whole
• 31:02
  Speaker 4: car away. Chris Browns is an engine in every setting
• 31:07
  Speaker 4: that he's in. He's the engine.
• 31:09
  Speaker 2: We got you, We got your queen. Go ahead now
• 31:13
  Speaker 2: with your band self. Let's keep going, okay.
• 31:17
  Speaker 1: Carl Crawford is not admitting that he did not know
• 31:20
  Speaker 1: much about the music business when he originally signed Meg
• 31:23
  Speaker 1: the Stallion Too a three sixty deal.
• 31:26
  Speaker 3: We just came up with a number. Now we interviewed Carl.
• 31:31
  Speaker 3: We did? I like Carl. He's handsome too. Did y'all
• 31:35
  Speaker 3: interview Carl? We didn't? We interview Carl. It was cool
• 31:38
  Speaker 3: to talk to him.
• 31:38
  Speaker 1: I wanted to talk to him about baseball because Carl
• 31:40
  Speaker 1: Carford is one of the best baseball players of all time.
• 31:44
  Speaker 1: But I think he just got like. I like the
• 31:46
  Speaker 1: fact that he admitted that he just kind of jumped
• 31:48
  Speaker 1: in something and just probably was following what everybody else said,
• 31:52
  Speaker 1: and now he knows the business yep.
• 31:55
  Speaker 3: Well.
• 31:55
  Speaker 4: And I love that he was honest about it because
• 31:58
  Speaker 4: a lot of these athletes, I feel like, I get.
• 32:00
  Speaker 3: Some money and they want to do music stuff like,
• 32:03
  Speaker 3: that's not you.
• 32:04
  Speaker 4: That's not what you know sports really well, or you
• 32:07
  Speaker 4: know certain things really well. Take your money and invest
• 32:10
  Speaker 4: in that, because now you have introduced the world to
• 32:13
  Speaker 4: one of the biggest pop stars out right now. And
• 32:15
  Speaker 4: it looks like she ain't You ain't getting no bread
• 32:17
  Speaker 4: from that, and now you gotta live with that, you
• 32:20
  Speaker 4: know what I'm saying. Now, he had a major league career,
• 32:22
  Speaker 4: so I'm sure he's fine financially, but it's just so good.
• 32:25
  Speaker 3: Yeah, it's not.
• 32:26
  Speaker 4: It's not that, but it's a lesson to be learned.
• 32:28
  Speaker 4: It's like, if you're gonna take your money and get
• 32:30
  Speaker 4: into other lanes, really invest in do your research before
• 32:33
  Speaker 4: you just do it because it's hot or you think
• 32:35
  Speaker 4: it's cool. Do something that really fits you.
• 32:38
  Speaker 3: He sixty deal with smart though, man, she got out
• 32:41
  Speaker 3: of it.
• 32:41
  Speaker 1: Yeah, I mean, but I would have gave it a
• 32:42
  Speaker 1: three sixty deal, but we'd have had some years on it.
• 32:45
  Speaker 3: But you don't even know what it is about three
• 32:46
  Speaker 3: sixty deals. Huh, you give out three sixty deals. I
• 32:48
  Speaker 3: would have gave it three sixty. We gotta get out
• 32:50
  Speaker 3: of here kicking big sugar already. Maybe he signed me
• 32:52
  Speaker 3: for life, but you're gonna get out. I thought, recoop
• 32:57
  Speaker 3: get out. No, he gonna try to reinvest after he precool.
• 33:01
  Speaker 1: But I do think when those when you never see
• 33:05
  Speaker 1: is that one. Maybe I'm forgetting Zach. Y'all know, maybe righted.
• 33:09
  Speaker 1: Is there anybody that has been an athlete it got
• 33:12
  Speaker 1: into music that has been successful. No, I'm talking about
• 33:17
  Speaker 1: on the business side. We've heard about a bunch of labels.
• 33:21
  Speaker 2: A man such that got to talking about like an
• 33:23
  Speaker 2: athlete that started a label and became Yeah, carl I
• 33:27
  Speaker 2: guess who just the car guy that you're talking about.
• 33:31
  Speaker 3: He got screwed.
• 33:32
  Speaker 2: I mean, but he was successful. In order to get screwed,
• 33:35
  Speaker 2: you had to have a certain level of success.
• 33:36
  Speaker 3: With the artist. So you said, Carlton, yeah, you can
• 33:39
  Speaker 3: still consider him successful. Anybody else took it over it
• 33:45
  Speaker 3: was a rap form.
• 33:47
  Speaker 4: I don't know one athlete that's had a successful music career. Yeah,
• 33:50
  Speaker 4: I tell you this all the time. Y'all always say
• 33:52
  Speaker 4: Shack and I still don't remember it.
• 33:54
  Speaker 1: But I don't know Shack Shack as far as like
• 33:58
  Speaker 1: music career, Shack is the most successful athlete that had
• 34:01
  Speaker 1: a music career. I don't remember ever hearing the song
• 34:04
  Speaker 1: on the radio.
• 34:06
  Speaker 2: To young that's what I'm saying, and figure it out.
• 34:11
  Speaker 2: I had to go back and listen.
• 34:12
  Speaker 3: It is song with Biggie. It was good. Yeah, Okay,
• 34:16
  Speaker 3: I've never heard it. Call you Can't Stop the Rain
• 34:19
  Speaker 3: really after because I've never heard the song. Can we
• 34:23
  Speaker 3: play that with a guy getting licensed? I mean, what's
• 34:27
  Speaker 3: the name? Okay, shut down? I played. I don't know
• 34:31
  Speaker 3: an athlete that had a successful career.
• 34:33
  Speaker 1: I think I think, I think what's the name? I
• 34:36
  Speaker 1: think Kobe had a song with Brandy.
• 34:38
  Speaker 3: I think you see what I he was talking about
• 34:42
  Speaker 3: was like, that's a reach what I think Kobe did.
• 34:45
  Speaker 3: I think he had one. If you had to think,
• 34:47
  Speaker 3: and you were a djellow ball, you would.
• 34:48
  Speaker 2: Know that's not Jello's got the Jello might have them all.
• 34:52
  Speaker 2: He up there with Shack Now I'm still waiting on
• 34:54
  Speaker 2: he's hits.
• 34:55
  Speaker 3: You said he got lined up five hits.
• 34:59
  Speaker 1: I I met, No, he does. He messed up. I
• 35:02
  Speaker 1: heard the song now he messed up and roll aloud.
• 35:05
  Speaker 1: Now I hated that for him. And see this is
• 35:07
  Speaker 1: again when they have people that they're not talking to,
• 35:10
  Speaker 1: they let the dude for cheat Ohels come out and
• 35:12
  Speaker 1: start talking about gangster stuff.
• 35:14
  Speaker 3: Bad move, bad move. So that's what made no.
• 35:18
  Speaker 1: They said the second song he debuted roll aloud, and
• 35:21
  Speaker 1: that was That's all the things that was in the comments, like,
• 35:24
  Speaker 1: oh man, you trying to say some gangs and stuff
• 35:27
  Speaker 1: and you can cheat.
• 35:27
  Speaker 3: No heels. That's how he had made. No tweaker's not
• 35:31
  Speaker 3: like that. No tweakers, not like that.
• 35:32
  Speaker 2: But when you said that he got signed, he was like,
• 35:34
  Speaker 2: they probably signed for that much money because he had
• 35:36
  Speaker 2: other songs. So they heard them other songs and those
• 35:39
  Speaker 2: were the songs, and they just got noney.
• 35:42
  Speaker 3: You wanted I want to help people out. I don't
• 35:45
  Speaker 3: know why. All right, they said good people was good,
• 35:48
  Speaker 3: But I met several truths. Made the truth set you free.
• 35:52
  Speaker 3: The truth is the truth.
• 35:53
  Speaker 4: Now you got on his podcast and told us we
• 35:55
  Speaker 4: had five hit records coming from him.
• 35:58
  Speaker 3: We ain't heard, not one.
• 36:00
  Speaker 1: I think you got I've heard, but my sources, my
• 36:03
  Speaker 1: sources said he had five. And I'm trusting I had
• 36:07
  Speaker 1: this this source. It's connected to the family. They told me, Hey,
• 36:11
  Speaker 1: he's got five records.
• 36:15
  Speaker 2: Okay, man, you know how many artists don't got five?
• 36:17
  Speaker 2: Five records stretch for anybody?
• 36:19
  Speaker 3: Yes, it is. That's tough. You got a career. If
• 36:21
  Speaker 3: you got five records, you got five hits?
• 36:23
  Speaker 2: You you have you have a full career. Two it's hard.
• 36:28
  Speaker 2: Five yeah, right, hm hmm, Okay, I like this one.
• 36:35
  Speaker 2: Are you cool with your significant other? Like salacious picks
• 36:40
  Speaker 2: on of the opposite sex on Instagram? Are you cool
• 36:44
  Speaker 2: with that?
• 36:45
  Speaker 4: Absolutely not. I don't even I don't even like me.
• 36:48
  Speaker 4: And with an Instagram what you check likes? I don't
• 36:51
  Speaker 4: have to check a like because it ain't happening with me.
• 36:54
  Speaker 3: I'm not damn.
• 36:58
  Speaker 2: Why are you talking like that? I'm talking like that
• 37:02
  Speaker 2: because about it.
• 37:03
  Speaker 3: I ain't got to check on Yeah. Yeah, I'm gonna
• 37:12
  Speaker 3: tell y'all something like old gang. I felt like, yeah,
• 37:19
  Speaker 3: we minister. She was like, look.
• 37:22
  Speaker 2: Cuz she said look, because I ain't never checked the
• 37:25
  Speaker 2: mother like, damn blood, I'm.
• 37:32
  Speaker 3: Sorry you took me back to a place. No, I don't.
• 37:35
  Speaker 3: I don't have to worry about this.
• 37:37
  Speaker 4: I like me and who don't have social media for
• 37:39
  Speaker 4: that reason, Because here's the thing.
• 37:41
  Speaker 3: I'm not insecure about you liking what you see. You're
• 37:45
  Speaker 3: a human. You're gonna look around and see things that
• 37:47
  Speaker 3: you like, right.
• 37:49
  Speaker 4: But by you liking a salacious photo on of the
• 37:52
  Speaker 4: opposite sex, then I have my friends and other our
• 37:56
  Speaker 4: mutuals that are like what he doing and he her likes?
• 37:59
  Speaker 4: You know what I'm saying, what he doing in her views?
• 38:01
  Speaker 4: What is he doing over there? You know? It gets messy,
• 38:04
  Speaker 4: And so to protect that, I would suggest, if you're
• 38:06
  Speaker 4: in a relationship and y'all on social media, respect your
• 38:08
  Speaker 4: partner and keep it cute and you don't need to
• 38:12
  Speaker 4: like every photo on her. If I go there all
• 38:14
  Speaker 4: her likes and you and every last and one of them,
• 38:18
  Speaker 4: that's ground's for termination. Damn absolutely, because you're sending the
• 38:22
  Speaker 4: wrong message.
• 38:24
  Speaker 1: I guess if you're in a relationship, you locked in
• 38:26
  Speaker 1: like that. But I mean, but for me, like I like,
• 38:30
  Speaker 1: I just let's say I've been following these women forever.
• 38:33
  Speaker 1: I've been following these same women forever, and they come
• 38:36
  Speaker 1: across my timeline.
• 38:37
  Speaker 3: I'm in a relationship. I'm just gonna give.
• 38:39
  Speaker 1: It a keeping it moving, like I'm a cute that
• 38:44
  Speaker 1: if I'm married. I do feel like if you married,
• 38:49
  Speaker 1: that's a little different than me and boyfriend and girl.
• 38:52
  Speaker 3: If you marry my wife, I'm not.
• 38:54
  Speaker 1: I'm not gonna like Peig just off of what you said,
• 38:56
  Speaker 1: off the strip of like, yo, your husband is in
• 38:59
  Speaker 1: the like i'm your boyfriend. I've been liking these women's
• 39:02
  Speaker 1: pictures before I met you.
• 39:04
  Speaker 3: That's your excuse. Don't go with that one. Don't go
• 39:10
  Speaker 3: and ain'tna work. That don't sound good, don't dog. I'll
• 39:14
  Speaker 3: be with you, bro, but that ain't gonna work. I've
• 39:17
  Speaker 3: been liking the girl.
• 39:22
  Speaker 1: I just like because for me, I guess social media
• 39:26
  Speaker 1: does not mean nothing to me. It means I mean
• 39:30
  Speaker 1: it does like outside of like outside of work.
• 39:33
  Speaker 3: You need to stop. No, it does mean toxic.
• 39:35
  Speaker 4: Man, this is their first line social media. That don't
• 39:38
  Speaker 4: mean nothing to me.
• 39:43
  Speaker 3: It doesn't. I don't come from that era here. It
• 39:47
  Speaker 3: does not mean nothing to me.
• 39:49
  Speaker 1: So do I think if I like this girl's picture,
• 39:51
  Speaker 1: like this girl, she gonna all of a sudden pull
• 39:54
  Speaker 1: up on me like, hey, that doesn't that's not happening,
• 39:57
  Speaker 1: because trust me, I liked a lot of Bernie's burke
• 40:00
  Speaker 1: over pictures.
• 40:01
  Speaker 3: If she ain't poured on me, what not one time? Okay,
• 40:04
  Speaker 3: So here's the thing.
• 40:05
  Speaker 2: Liking a girl picture is equivalent to smiling all up
• 40:08
  Speaker 2: in their face.
• 40:08
  Speaker 3: Thank you.
• 40:10
  Speaker 2: It's not necessarily you haven't done necessarily anything wrong. Just
• 40:13
  Speaker 2: don't look good, you know what I'm saying. So let's
• 40:15
  Speaker 2: say you your girl come to a party and you
• 40:18
  Speaker 2: at the bar smiling in these chicks face. Don't look good.
• 40:21
  Speaker 2: You might not have been doing anything. It might have
• 40:22
  Speaker 2: been a regular conversation that's in person. Just doesn't look good.
• 40:25
  Speaker 2: I'm just telling you what the internet equivalent is. Okay,
• 40:28
  Speaker 2: so you go to the now you use being seen
• 40:32
  Speaker 2: liking all these girls pictures. You look flirtatious and you
• 40:35
  Speaker 2: look available. It's just the way it looks. I'm not
• 40:38
  Speaker 2: saying it. Yes to say deal, why do you have
• 40:43
  Speaker 2: to like? The thing is you can see the same
• 40:46
  Speaker 2: picture without double tapping it. You can see it and
• 40:50
  Speaker 2: admire the picture without touching it.
• 40:53
  Speaker 3: Why, hey, if you want to, because you.
• 40:56
  Speaker 2: Want to, let the world know that I don't like.
• 41:00
  Speaker 2: I wouldn't like if I wouldn't want my I don't
• 41:02
  Speaker 2: want to see my girl double tapping all these Negroes pictures.
• 41:05
  Speaker 2: I don't look at it. I don't look at it.
• 41:07
  Speaker 2: I don't want to see that. I don't want to
• 41:09
  Speaker 2: see that. I will never say nothing if we're in
• 41:11
  Speaker 2: a relationship, I will never tell you that you can't
• 41:13
  Speaker 2: like nobody else stuff because I just don't want to
• 41:16
  Speaker 2: do that, because I want to see what you're gonna
• 41:17
  Speaker 2: do on your own. That's right, you know what I'm saying.
• 41:18
  Speaker 2: I want to see how you because if I tell you,
• 41:20
  Speaker 2: then you're gonna stop. But if I want to see
• 41:23
  Speaker 2: what is your natural reaction in it in social media world,
• 41:26
  Speaker 2: I don't you just be naturally liking a whole bunch
• 41:28
  Speaker 2: of I'm gonna take not of that, like you gotta watch.
• 41:30
  Speaker 3: Up with you over there now, I'm just over there.
• 41:35
  Speaker 1: I just I'm saying I give what you saying, Zach
• 41:37
  Speaker 1: is what you said makes sense, and I'm it makes
• 41:40
  Speaker 1: total sense. But for me, I don't even look at it.
• 41:42
  Speaker 1: I've said this before on this pod a thousand times.
• 41:45
  Speaker 1: If I'm daddy someone, I just don't look at her Instagram.
• 41:50
  Speaker 1: I don't because I've done it and it has took
• 41:53
  Speaker 1: me out. It is affected.
• 41:55
  Speaker 2: It's affects me because now I'm like, what you got
• 41:57
  Speaker 2: going on?
• 41:58
  Speaker 1: Why is this dude leaving this in the common? And
• 42:00
  Speaker 1: then I'm not looking for what you like, who you follow.
• 42:03
  Speaker 1: I know it's too much. I'd rather live and how
• 42:07
  Speaker 1: we rock together, and if things start moving funny, I'm
• 42:12
  Speaker 1: gonna I'm I'm gonna react off of that. I don't
• 42:14
  Speaker 1: need social media add into any of that stuff. The
• 42:18
  Speaker 1: only thing that I don't like, like I think we
• 42:20
  Speaker 1: may even talked about on the pod when I when
• 42:22
  Speaker 1: I was in a relationship and this happened, like she
• 42:26
  Speaker 1: gave she gave a dude the Instagram and she was
• 42:29
  Speaker 1: like it wasn't a big deal, and I was like
• 42:33
  Speaker 1: that part that now giving people your Instagram, like, hey,
• 42:36
  Speaker 1: what's up?
• 42:37
  Speaker 3: I don't like that it changed your Instagram is no.
• 42:40
  Speaker 2: No, that's like exchanging the number exactly. That's like giving
• 42:44
  Speaker 2: them your I've heard a girl say that I just
• 42:47
  Speaker 2: gave him my instagram, my instagram told me she said, Okay,
• 42:51
  Speaker 2: what about this one? Y'all tell me what y'all think
• 42:53
  Speaker 2: about this, she said, I get She said, I took
• 43:00
  Speaker 2: his Instagram. I said, that don't make no sense. I said,
• 43:03
  Speaker 2: if you took his Instagram, guess.
• 43:05
  Speaker 3: What he saw it. Whether he followed you, don't you
• 43:10
  Speaker 3: know that he still got it. That ain't no different.
• 43:13
  Speaker 3: Well she took care, she didn't.
• 43:15
  Speaker 2: Give him her Okay, followed that. Man, he still see
• 43:20
  Speaker 2: the follow it's there. It's still still like I just
• 43:25
  Speaker 2: took it.
• 43:26
  Speaker 3: That's still like exchanging numbers.
• 43:28
  Speaker 2: So if if following somebody and giving the Instagram, it
• 43:31
  Speaker 2: is like exchanging numbers. Liking is like flirting in a
• 43:35
  Speaker 2: way that's before the exchange numbers. It's like unless you
• 43:39
  Speaker 2: lost me on that.
• 43:40
  Speaker 3: Listen, man, I can like key key stuff, it'll never happened.
• 43:44
  Speaker 2: But I can't like big Booty Judy's pictures and think
• 43:50
  Speaker 2: somebody gonna ain't gonna say something.
• 43:51
  Speaker 3: How blessed girl? You did good with that one. Girl?
• 43:55
  Speaker 3: Tap tap tap tap. You don't want to be that guy.
• 43:58
  Speaker 3: Tap every picture. Tap.
• 44:00
  Speaker 1: Alright, I'm gonna stop liking stuff. You gotta get out
• 44:03
  Speaker 1: of that. Brother, Just look, you got to get out
• 44:05
  Speaker 1: of that. I gotta start liking stuff. You know a
• 44:08
  Speaker 1: lot of times what I do, and a lot of times,
• 44:10
  Speaker 1: especially like if I know somebody has liked something of
• 44:13
  Speaker 1: mine and and I know that I see them in
• 44:16
  Speaker 1: my likes a lot, and if something comes I like it.
• 44:19
  Speaker 1: It's like kind of like a reciprocations. Now, what about that?
• 44:23
  Speaker 3: Here's the trick?
• 44:23
  Speaker 4: You got any reciprocating ass shots.
• 44:26
  Speaker 3: That happened to be happened to be the most latest. No,
• 44:30
  Speaker 3: you don't need to reciprocate with her.
• 44:31
  Speaker 4: You reciprocate with me, Zach, your friends in real life,
• 44:35
  Speaker 4: your your industry friends as your call us you.
• 44:38
  Speaker 3: And you with that, you go.
• 44:41
  Speaker 2: You know you like Angela, you picture okay, But if
• 44:44
  Speaker 2: you're staidying liking Bernice all down her timeline and I'm
• 44:49
  Speaker 2: your girlfriend, I may not look nothing like Bernice.
• 44:52
  Speaker 3: We got a big problem. What if you look like Bernie,
• 44:56
  Speaker 3: you still got a problem. Ain't that? Like?
• 44:58
  Speaker 1: I ain't never I see burniey He's twice in my
• 45:02
  Speaker 1: entire life, and she had no clue who I was.
• 45:04
  Speaker 3: He was like, oh, you the dude didn't like my
• 45:06
  Speaker 3: pick nothing like you know what I mean?
• 45:08
  Speaker 4: Like it's but you're trying to your way into it.
• 45:11
  Speaker 4: You're trying to like your way into something.
• 45:13
  Speaker 3: I swear I'm not. I swear on every.
• 45:19
  Speaker 1: Instagram first came out, I was trying to like because
• 45:23
  Speaker 1: you realize it don't work.
• 45:26
  Speaker 3: It don't work. When it first came out, you was
• 45:30
  Speaker 3: like I was like, I'm like, man, they just likes bro.
• 45:34
  Speaker 4: Now everybody got somebody on their page that like everything
• 45:38
  Speaker 4: they do, or they only like when you look a
• 45:40
  Speaker 4: certain way. They letting you know, like this, I'm here
• 45:43
  Speaker 4: for a reason. I want you to see me. Do
• 45:45
  Speaker 4: women shot through the likes? Like if a girl go
• 45:48
  Speaker 4: down your page and like a lot of stuff.
• 45:51
  Speaker 3: Yes, absolutely absolutely.
• 45:53
  Speaker 4: That's why you gotta be mindful if you have a
• 45:55
  Speaker 4: partner with social media. If I keep seeing you and
• 45:57
  Speaker 4: my man likes I mean everything he po everything he posts.
• 46:02
  Speaker 3: Uh huh, I know something.
• 46:04
  Speaker 1: I got women that like that has liked every picture
• 46:07
  Speaker 1: I put up. Right, But there's also the women that
• 46:11
  Speaker 1: have liked that every day posts are extremely different from
• 46:15
  Speaker 1: the ones that come into the d M. They're like
• 46:17
  Speaker 1: the ones the ones that I know probably they're they're
• 46:20
  Speaker 1: them the ones that you get the d ms from
• 46:22
  Speaker 1: the eyes, the what's ubs that heck, those are the
• 46:26
  Speaker 1: ones the ones that like it ain't doing anything that.
• 46:29
  Speaker 3: Might get caught onto it. Now.
• 46:30
  Speaker 4: You know, most people know if I if I like
• 46:32
  Speaker 4: like like, then okay, I'm other people gonna see that
• 46:35
  Speaker 4: I'm trying to pull up on him rather than just
• 46:37
  Speaker 4: let me just slide in his DM. People have gotten
• 46:39
  Speaker 4: hit to it now. So yeah, a lot of you know,
• 46:41
  Speaker 4: if you're smart, you're not gonna show up in the likes.
• 46:43
  Speaker 4: But if you're showing up, we know what's up.
• 46:46
  Speaker 3: Okay, there, it is, all right, there is all right.
• 46:49
  Speaker 2: Let's go ahead and get to this. Slim thug said something.
• 46:52
  Speaker 2: Let's pull it up with slim thugs audiol hair.
• 46:55
  Speaker 3: Okay, let's get to it. We're getting them almost fifty minutes, y'all.
• 46:57
  Speaker 3: We got it. I love it. Get shorts.
• 47:02
  Speaker 1: And she don't want to give nobody the fos advertising.
• 47:05
  Speaker 3: I told hers she better give somebody some every weekend. Wow,
• 47:08
  Speaker 3: you got all your ass out. You ain't giving nobody nine.
• 47:12
  Speaker 3: You got all your You should have long clothes on them.
• 47:15
  Speaker 1: No, split the booty tights if you ain't giving nobody nine.
• 47:19
  Speaker 3: Okay, okay, okay.
• 47:24
  Speaker 1: So what he said is women who wear booty shorts
• 47:29
  Speaker 1: to the gym are false advertising.
• 47:31
  Speaker 3: These women are devils.
• 47:33
  Speaker 1: They try to entrap you with these outfits and I'm
• 47:36
  Speaker 1: only a man. But he also was saying, you know,
• 47:39
  Speaker 1: y'all not want to get nobody now because y'all win it, y'all, y'all,
• 47:43
  Speaker 1: y'all might as well wear something else.
• 47:45
  Speaker 3: He sounds like a predator, a grade A predator. That's
• 47:49
  Speaker 3: huston a man you would not want to know. No, no,
• 47:51
  Speaker 3: it's not everybody. God bless it be King. Everybody in
• 47:56
  Speaker 3: Houston is fine.
• 47:57
  Speaker 4: But that don't just cause I'm fine just because I
• 47:59
  Speaker 4: got on booty shorts, just because I got on a bikini.
• 48:01
  Speaker 4: That don't make mean I need to give you anything, sir.
• 48:05
  Speaker 4: And that's wow that you would get on the on
• 48:07
  Speaker 4: Beyonce's Internet in twenty twenty five and say that, like
• 48:10
  Speaker 4: you should know better than that.
• 48:12
  Speaker 3: Even if you think that, why would you ever put
• 48:13
  Speaker 3: that on video? Because he slimed it's very it's given predator.
• 48:17
  Speaker 3: It's a Houston, Houston. I like.
• 48:22
  Speaker 1: Some of the outfits at the gym have gotten ridiculous.
• 48:27
  Speaker 3: Oh they're insane. They've gotten just ridiculous. Not get it.
• 48:32
  Speaker 1: You want to work out and and be comfortable, but
• 48:37
  Speaker 1: some of it has gotten you like this is given,
• 48:40
  Speaker 1: this given like it's like booby Trap on the river
• 48:43
  Speaker 1: without being booby Trap on the river.
• 48:47
  Speaker 4: But guess what what You can walk through the grocery
• 48:50
  Speaker 4: store and see everything.
• 48:52
  Speaker 3: You don't mean you can touch it. You can't touch
• 48:53
  Speaker 3: it on you don't touch it.
• 48:55
  Speaker 4: That don't mean that I owe you something because I
• 48:57
  Speaker 4: like wearing scantily clad workout.
• 48:59
  Speaker 3: You know that don't mean I owe you anything. Now
• 49:02
  Speaker 3: what is that? Now? Does that mean? Now let's just
• 49:05
  Speaker 3: say you got you got it out? So? Is that
• 49:10
  Speaker 3: is that a? Is that a? Is it okay to look?
• 49:13
  Speaker 3: Is it okay to pull up on you.
• 49:15
  Speaker 4: Enjoyed the view? And approach me like you would approach
• 49:17
  Speaker 4: anybody else. Because anything outside of that, you're a predator.
• 49:21
  Speaker 3: Damn girl, that monkey poking you a predator. You know
• 49:26
  Speaker 3: what I'm saying.
• 49:27
  Speaker 4: So don't be that guy poking.
• 49:33
  Speaker 2: Now you can't get mad. We will say that if
• 49:36
  Speaker 2: he say something like that, you're sitting there on the
• 49:38
  Speaker 2: leg thing got st up all the way up in
• 49:41
  Speaker 2: the hood. Dude, be like, yah, that monkey sitting, that
• 49:46
  Speaker 2: mom sitting, No, that moke.
• 49:48
  Speaker 3: That wheeler moven. Now you can't be like, oh, I
• 49:52
  Speaker 3: can't believe he said, no, you know you come on.
• 49:54
  Speaker 2: Now, that's the thing that we have to now where
• 49:57
  Speaker 2: swim thug is saying like you got to give him
• 49:59
  Speaker 2: some and all that. Noah, but you gotta understand, ladies.
• 50:03
  Speaker 2: I know you can wear whatever you want, but you
• 50:05
  Speaker 2: gotta understand the way you are approached. It's been kind
• 50:10
  Speaker 2: of how which the way you wear, the way you dress,
• 50:12
  Speaker 2: you get different. You get approached differently based off how
• 50:15
  Speaker 2: you dressed. If you out here with everything out, a
• 50:18
  Speaker 2: man will approach you as if you got anything out,
• 50:21
  Speaker 2: but not saying it's right, but they will. They gonna
• 50:24
  Speaker 2: approach you like anything. You ain't gonna be like, oh, sister,
• 50:27
  Speaker 2: how you doing. My sister might be like, no, you
• 50:29
  Speaker 2: get that ass out that that doesn't mean that you
• 50:32
  Speaker 2: have rights to my ass. No, just say I have
• 50:34
  Speaker 2: rights to your ass I'm talking about you. That means
• 50:37
  Speaker 2: but you you also don't have rights to how I
• 50:39
  Speaker 2: approach you either. No, I have every right on how
• 50:42
  Speaker 2: you approach me, and I have to engage you. No,
• 50:44
  Speaker 2: you don't have to engage and dem you approached me
• 50:46
  Speaker 2: irrespect You can if you say something.
• 50:49
  Speaker 3: Disrespectful, you don't have to respond. You have that right.
• 50:51
  Speaker 2: But what I'm trying to say is you have to
• 50:53
  Speaker 2: know the way you dress invites disrespectful commentary. To look
• 50:58
  Speaker 2: at you look invites that. So you have to be
• 51:00
  Speaker 2: responsible in that. You still have to be responsible. You
• 51:03
  Speaker 2: can't say that you can't take no. You can't have
• 51:06
  Speaker 2: no accountability in the situation Kiki, as as if I.
• 51:09
  Speaker 4: Walked past you with my neked ass, you don't have
• 51:11
  Speaker 4: no aund if I walk around no, not touch you,
• 51:15
  Speaker 4: not touch you. I didn't say touch you, So you
• 51:17
  Speaker 4: could say, Kiki, look at look at he like you
• 51:19
  Speaker 4: could say.
• 51:19
  Speaker 2: Yes and sweatpans, no, draws, peenis just shaking, and she'd
• 51:27
  Speaker 2: be like, Oh, I see you. I see that penis bouncing.
• 51:30
  Speaker 2: I'm doing jumping Jackson. I'm doing jumping Jackson bounce and
• 51:35
  Speaker 2: I see the bouncing. I can't believe I can't do
• 51:41
  Speaker 2: that because I'm over.
• 51:44
  Speaker 3: I'm actually more on your side.
• 51:46
  Speaker 2: I just had to speak for women, because sometimes it's
• 51:49
  Speaker 2: every thin line that you that you walk when you
• 51:52
  Speaker 2: say you know, depending on what you have on is
• 51:55
  Speaker 2: how I can no.
• 51:56
  Speaker 3: Depending on what I have on, It's just what I
• 51:58
  Speaker 3: got on it. What I got on sh not just
• 52:01
  Speaker 3: don't anything. Don't be surprised. No, there is a there is.
• 52:06
  Speaker 2: Like you said, there's a thad line, there's also another
• 52:08
  Speaker 2: thead line that you are like teetering like.
• 52:13
  Speaker 1: It's a reason why nuns dressed the way they dress.
• 52:17
  Speaker 1: It's the reason why Muslim women dressed the way they dress.
• 52:21
  Speaker 1: It's a reason because of female body is the sexiest
• 52:26
  Speaker 1: thing ever.
• 52:27
  Speaker 3: So when you see if a woman over.
• 52:30
  Speaker 1: Sexualize herself, it causes certain responses for men.
• 52:35
  Speaker 2: But y'all need to learn to control yourself. Hold on,
• 52:38
  Speaker 2: because so let's say Tank is performing. He come on
• 52:40
  Speaker 2: stage and he and he decides to do his part
• 52:43
  Speaker 2: where he takes his shirt off and women start screaming
• 52:47
  Speaker 2: and they start reaching and all that stuff.
• 52:48
  Speaker 3: They literally touched on the man. He's a performer on
• 52:51
  Speaker 3: the stage. But I'm saying you can't.
• 52:52
  Speaker 4: I'm in the gym trying to work out, y'all, y'all
• 52:55
  Speaker 4: want to objectify what I got on that The reason
• 52:58
  Speaker 4: the reason you're saying you're screaming focusing on me, The
• 53:02
  Speaker 4: reason they're screaming is not because he's saying it's because
• 53:04
  Speaker 4: of his body.
• 53:06
  Speaker 3: Stage where people are paid to come and objective like
• 53:10
  Speaker 3: a stripper. If I'm a stripper dancing, then I yeah.
• 53:17
  Speaker 4: And if I'm in the gym and I got a
• 53:20
  Speaker 4: fat ass, that don't mean I have to be waiting
• 53:23
  Speaker 4: for you or what want you?
• 53:25
  Speaker 3: How it's gonna make you. That's what I'm saying.
• 53:29
  Speaker 2: If Beyonce goes in a short thing, I have the
• 53:32
  Speaker 2: right to touch her because she's on the stage.
• 53:34
  Speaker 3: Is that what you're saying.
• 53:34
  Speaker 4: No, what I'm saying is because ain't nobody touching Tank.
• 53:37
  Speaker 4: You said what you said because he invites it. You
• 53:40
  Speaker 4: said women are sitting here drooling over take on a stage.
• 53:43
  Speaker 4: He's on a stage, Dude, he's a performer.
• 53:45
  Speaker 2: I Beyonce, Kelly and and Michelle give a man a
• 53:50
  Speaker 2: whole lap dance and they couldn't touch her. It would
• 53:53
  Speaker 2: be inappropriate if they touched it. And they said they
• 53:55
  Speaker 2: literally had a man sitting exact what what did that happen?
• 53:58
  Speaker 3: It was part up the show. Because what I'm.
• 54:00
  Speaker 4: Saying, a woman in a gym in a tight outfit
• 54:03
  Speaker 4: to take on a stage with his shirt off.
• 54:05
  Speaker 3: That don't make no doubt what I am comparing. What
• 54:07
  Speaker 3: I am comparing is not that.
• 54:09
  Speaker 2: What I am what I'm comparing is the reaction from
• 54:12
  Speaker 2: the opposite sex when you do sexy.
• 54:14
  Speaker 3: Things, when the man and women scream. If take all
• 54:19
  Speaker 3: of a sudden, it was like, why are y'all screaming?
• 54:20
  Speaker 3: I can't believe it.
• 54:22
  Speaker 2: He knows that when I take my shirt off, I
• 54:24
  Speaker 2: get this reaction, just like a woman. If you're walking
• 54:26
  Speaker 2: around with your ass out, you know you get a
• 54:28
  Speaker 2: certain reaction.
• 54:29
  Speaker 3: That's all I'm saying.
• 54:30
  Speaker 4: That's gym cloths versus somebody on the stage performing.
• 54:33
  Speaker 3: That is I'm comparing reactions to somebody being sexy. But
• 54:37
  Speaker 3: let me say this. See that don't give you the
• 54:40
  Speaker 3: right to say anything inappropriate. I'm a sex am. I
• 54:43
  Speaker 3: have a reaction. What I'm trying to say. You can't
• 54:46
  Speaker 3: get selling sex to you.
• 54:48
  Speaker 4: If we're in a place where I'm I'm wearing a
• 54:50
  Speaker 4: strip club, We're in a I'm a performer at a show.
• 54:54
  Speaker 3: If I'm twerking in front of your face, yes I
• 54:57
  Speaker 3: expect a reaction. If I'm just walking around in my
• 55:00
  Speaker 3: gym uniform, you don't have the right to say no
• 55:02
  Speaker 3: where no responsibility. Listen, this is what I'm saying. So
• 55:10
  Speaker 3: in the gym what you were saying before.
• 55:12
  Speaker 2: That, But I don't like when he brought up the
• 55:15
  Speaker 2: example about Muslim women, see they cover up because no,
• 55:18
  Speaker 2: because what you're saying is I gotta walk around covered
• 55:21
  Speaker 2: up because you can't control your temptation.
• 55:23
  Speaker 1: No, no, I wasn't because you didn't even get a
• 55:25
  Speaker 1: chance to explain it. You finished finished. I said that
• 55:28
  Speaker 1: like just like a guy. That just like a guy
• 55:31
  Speaker 1: if he's wearing he ripped up and he walking around
• 55:35
  Speaker 1: the gym and he working out with small shirt.
• 55:38
  Speaker 3: On, he knows and you could see it in the gym.
• 55:41
  Speaker 1: You can see it that women all of a sudden
• 55:44
  Speaker 1: start working out by it because they want to watch him.
• 55:48
  Speaker 1: He knows, he knows that I'm ripped to pieces, I'm
• 55:52
  Speaker 1: wearing this little and these This is the reaction comments
• 55:57
  Speaker 1: on his muscle.
• 55:57
  Speaker 2: If a woman says, oh, I like your pet, or
• 56:00
  Speaker 2: she likes his chest, and she says something about it
• 56:03
  Speaker 2: like not touch him. But if she says, ooh I
• 56:05
  Speaker 2: like your chest, for him to get offended would be ridiculous.
• 56:08
  Speaker 3: So I like your chest, it's the same thing as
• 56:11
  Speaker 3: let me patch your moose knuckle or whatever you just is.
• 56:14
  Speaker 3: That's the same figure out the line brought up Tank
• 56:20
  Speaker 3: that you completely with that example. Okay, because but KI
• 56:24
  Speaker 3: still listen to this, guys, I'm just trying to save y'all.
• 56:27
  Speaker 4: Y'all have to know a woman's dressing does not determine
• 56:30
  Speaker 4: how you act and how you get to as a
• 56:33
  Speaker 4: man in society. You have to control your temptations and
• 56:36
  Speaker 4: control you. You have to protect women. So when you
• 56:41
  Speaker 4: see a.
• 56:41
  Speaker 2: Girl outside and she got a moose knuckle hanging out,
• 56:44
  Speaker 2: and you see your friend comment on her a body
• 56:48
  Speaker 2: and objectifying her body, pull her aside as a big
• 56:50
  Speaker 2: brother and say, hey, you know, I think this is
• 56:53
  Speaker 2: what you know.
• 56:54
  Speaker 4: Forgive my brother for how he's acting. But you know,
• 56:57
  Speaker 4: maybe you can cover up. But it's not on a one.
• 56:59
  Speaker 4: It's not on anybody to walk up to to change
• 57:02
  Speaker 4: how they walk around because you can't control your flesh.
• 57:07
  Speaker 3: Getting I still say nothing because we all here, I
• 57:15
  Speaker 3: have not met. I have not made my point one time.
• 57:19
  Speaker 3: The point, the point of it is is that.
• 57:23
  Speaker 1: A woman when you dress a certain way, sometimes especially
• 57:27
  Speaker 1: the Jimmy. You've heard it yourself. I get mad at
• 57:30
  Speaker 1: dudes looking at me. I get mad like you got
• 57:33
  Speaker 1: on three fifths. You don't got on nothing, You don't
• 57:36
  Speaker 1: got on nothing. You like literally got stuff that you
• 57:39
  Speaker 1: want people to look at. How good your assole? Because
• 57:42
  Speaker 1: it's now like I said, we talk about the tights.
• 57:44
  Speaker 3: Oh, it's cinched up the crack, all up the crack.
• 57:47
  Speaker 1: And it is a it's something that's pushing him up
• 57:50
  Speaker 1: all time. And you look at like this is a
• 57:52
  Speaker 1: not and women get mad at you looking. I admit you,
• 57:55
  Speaker 1: as a man, you should never say nothing. Let her
• 57:59
  Speaker 1: rock high, she gonna rock. But when women get mad
• 58:02
  Speaker 1: when dudes are in the gym looking at them, and
• 58:05
  Speaker 1: I've heard that on many occasions, they're like, why you
• 58:09
  Speaker 1: gotta stab me because you got on, you got on
• 58:13
  Speaker 1: tystick all up your ass and you squatting and bending
• 58:17
  Speaker 1: over right in front of me.
• 58:18
  Speaker 3: What am I supposed to do?
• 58:23
  Speaker 1: I look on you like you you feel bad because
• 58:27
  Speaker 1: you're like, I don't want to look at this, but
• 58:29
  Speaker 1: this looks so good, and you look.
• 58:33
  Speaker 4: Look and then finished doing what you're doing. Once you
• 58:36
  Speaker 4: can't take your eyes on somebody a pervert. You ain't
• 58:38
  Speaker 4: never seen ass before.
• 58:40
  Speaker 3: Sometimes it looks so good, bell.
• 58:47
  Speaker 1: Like, I ain't gonna know me, I get I don't
• 58:51
  Speaker 1: even I will leave a machine if a woman cousin
• 58:56
  Speaker 1: that's bad and bodied up and do I like man
• 59:00
  Speaker 1: and she's squad and I'm like, I'm gone.
• 59:03
  Speaker 3: I'm gone. Not even about control of myself. I just
• 59:07
  Speaker 3: like it. It looks good.
• 59:09
  Speaker 1: It looks good, and you obviously see wearing like if
• 59:12
  Speaker 1: I was, if I'm ripped up, if I'm ripped up
• 59:15
  Speaker 1: in the gym, and I'm like ship, you know, I
• 59:17
  Speaker 1: know it's ladies in here. I'm gonna show and I
• 59:20
  Speaker 1: get the muscle dudes at the gym, Zach goes. You
• 59:24
  Speaker 1: see the muscle guys, They're like, yep, I know it's
• 59:27
  Speaker 1: my day. I'm swollen today, I'm about to get out here.
• 59:29
  Speaker 1: They wear a small shirts and women sit and watch them.
• 59:34
  Speaker 1: I think sometimes the women at the gym and joy
• 59:37
  Speaker 1: what dudes looking at them? Because you why would you
• 59:39
  Speaker 1: wear that?
• 59:40
  Speaker 3: Baby?
• 59:40
  Speaker 4: I wouldn't know. I ain't been to nobody gym for
• 59:42
  Speaker 4: so long. I don't know what y'all doing down there.
• 59:45
  Speaker 4: All I know is if I'm going to wear some
• 59:48
  Speaker 4: don't touch me and watch what you say to me.
• 59:50
  Speaker 3: Because you can't say you can't touch the case. Watch
• 59:53
  Speaker 3: what you say to me. I can absolutely, yeah, you
• 59:55
  Speaker 3: can say. Watch you can that, But that look it
• 1:00:00
  Speaker 3: that's the part that I would say. You can say,
• 1:00:02
  Speaker 3: stop staring at me too. You can say all of
• 1:00:04
  Speaker 3: that you have because it shouldn't nobody been like that.
• 1:00:08
  Speaker 1: Thank you.
• 1:00:08
  Speaker 3: You should be able to move around. But I'm trying.
• 1:00:12
  Speaker 4: You said, if I'm at the gym with Tyson, you
• 1:00:14
  Speaker 4: see my print, you can comment on my print.
• 1:00:17
  Speaker 3: That was the same. That was a joke. No, no, no,
• 1:00:19
  Speaker 3: I said, I said, here's what I said. Yea, that's
• 1:00:22
  Speaker 3: what I'm saying.
• 1:00:22
  Speaker 2: You always try to come back and make it a
• 1:00:24
  Speaker 2: thing like I said, you just say whatever the hell
• 1:00:26
  Speaker 2: you want to say.
• 1:00:27
  Speaker 3: I didn't say that.
• 1:00:28
  Speaker 2: All I'm saying is, if you if you have a problem,
• 1:00:30
  Speaker 2: if you're a woman and you have a problem with
• 1:00:32
  Speaker 2: the way people looking at you, you have a problem
• 1:00:34
  Speaker 2: with you approach all of this. You have a lot
• 1:00:38
  Speaker 2: of control, Yes, you have a lot in what you
• 1:00:40
  Speaker 2: can control.
• 1:00:41
  Speaker 3: Yes, And what you can.
• 1:00:42
  Speaker 2: Control is not having your whole ass out. You can
• 1:00:45
  Speaker 2: have a great you can have a great workout and everything.
• 1:00:47
  Speaker 2: And all I'm saying is when you make the decision
• 1:00:50
  Speaker 2: to have your whole ass out, you can only control you. Okay,
• 1:00:54
  Speaker 2: I'm not saying that people should or can or whatever
• 1:00:57
  Speaker 2: But if you have a problem and you get a
• 1:00:58
  Speaker 2: and you get a certain reaction, you have to think, like,
• 1:01:01
  Speaker 2: oh my god, me having my whole ass, I might
• 1:01:04
  Speaker 2: get this type of reaction today.
• 1:01:06
  Speaker 3: You know what, I'm gonna wear a little I'm gonna
• 1:01:07
  Speaker 3: wear a bigger women do all the time. Women got
• 1:01:12
  Speaker 3: in the gym, but we always have in the gym,
• 1:01:17
  Speaker 3: and she don't have her adsment sweatshirt around. Women make adjustments.
• 1:01:24
  Speaker 3: Wear my long pass in the gym because guess what
• 1:01:26
  Speaker 3: this swillow go hang out show.
• 1:01:31
  Speaker 4: Women make adjustments. You know about your swiller. I don't
• 1:01:37
  Speaker 4: want to object by you in that way.
• 1:01:39
  Speaker 3: I don't. I don't. I gotta adjust to the hammer.
• 1:01:43
  Speaker 3: Don't be women.
• 1:01:47
  Speaker 4: Y'all want women to adjust because y'all can't control y'all.
• 1:01:50
  Speaker 3: Flesh walking around it tights is crazy yourselves. It's okay,
• 1:01:57
  Speaker 3: Oh my gosh, all right, man, we had time, so
• 1:02:00
  Speaker 3: we gotta go. Damn.
• 1:02:02
  Speaker 1: Yeah, final thoughts, final thoughts. Oh so y'all Thursday, Okay,
• 1:02:06
  Speaker 1: do it again, Yeah, do it again.
• 1:02:11
  Speaker 3: Thank you for my Coca cola. You enjoy that Coca cola,
• 1:02:14
  Speaker 3: And yeah, I see why you liked it.
• 1:02:17
  Speaker 1: I bet you do, all right, well that was a
• 1:02:21
  Speaker 1: great fire thoughts. Look at them, they had a fight today,
• 1:02:23
  Speaker 1: little ladies.
• 1:02:26
  Speaker 3: I mean, this is every day. It's every day. With
• 1:02:29
  Speaker 3: that being said, well more can we say