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Foley Artists · Artists on Artists on Artists on Artists

• 0:07
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:10
  Speaker 1: This week we're talking sound effects in movies and TV.
• 0:15
  Speaker 1: We've assembled four leading folly artists to come tell us
• 0:19
  Speaker 1: about their job.
• 0:21
  Speaker 2: Sound design is an entirely different game than you might
• 0:24
  Speaker 2: imagine it is from watching a movie. The sounds you're
• 0:28
  Speaker 2: hearing a foot stomping, a glass being shattered, those aren't
• 0:33
  Speaker 2: sounds that are being picked up while they're shooting. Those
• 0:35
  Speaker 2: are sounds that are added later by these craftsmen.
• 0:39
  Speaker 3: These fully artists come from various backgrounds and various companies,
• 0:44
  Speaker 3: but they've all mastered one thing, the art of making noise.
• 0:49
  Speaker 4: Now, listen in.
• 1:02
  Speaker 3: Wind Okay, that was a horse.
• 1:13
  Speaker 1: That was a horse, and this was great, so moving.
• 1:16
  Speaker 5: I was, I was actually going for sheep.
• 1:19
  Speaker 6: Okay, Well, what was What was the sheep's terrain they
• 1:22
  Speaker 6: were walking on?
• 1:24
  Speaker 5: You guys want to guess or do you want me
• 1:25
  Speaker 5: to tell you?
• 1:26
  Speaker 4: I'll say I thought it was grass shortly cut.
• 1:29
  Speaker 1: It seemed like sheep opening a door, walking across a
• 1:33
  Speaker 1: hardwood floor and then bathing in the grassy fields of Austria.
• 1:39
  Speaker 2: You guys were all really close. It was grass onto
• 1:43
  Speaker 2: dirt road. Oh, yeah, so started grass turning to dirt.
• 1:48
  Speaker 4: Road Wow wow Wow? Was it old dirt or new
• 1:53
  Speaker 4: it dirt?
• 1:54
  Speaker 5: It was? It was it was dirt of the earth.
• 1:56
  Speaker 5: So no, no, new dirt, isn't it Chrissie?
• 1:59
  Speaker 1: How mud has different sounds depending on what season you're in.
• 2:06
  Speaker 3: Yeah, that's really crazy because mud in the summer is
• 2:10
  Speaker 3: more just like dirt, it's more than mud in the
• 2:14
  Speaker 3: winter is more like snow.
• 2:18
  Speaker 1: Right, It's wonderful. Well, shall we go around?
• 2:22
  Speaker 2: I have to say this is the most exhilarated I've
• 2:24
  Speaker 2: ever been having this conversation, just now knowing that we're
• 2:27
  Speaker 2: about to have that kind of conversation for an hour.
• 2:31
  Speaker 5: That electrified.
• 2:33
  Speaker 3: Dare I say, I've got chills the sound.
• 2:39
  Speaker 6: There's something I do when I'm so excited, and I
• 2:42
  Speaker 6: hear it, and it's very small, but I'm doing it
• 2:45
  Speaker 6: a lot right now, and I hear it really quietly.
• 2:48
  Speaker 4: You can hear my teeth ready, listen, it's not even.
• 2:56
  Speaker 1: Your lips pulling apart to reveal the smile of tooth.
• 3:00
  Speaker 6: Oh, and I am smiling ear to ear. I know
• 3:03
  Speaker 6: they're on a podcast right now, but we can, we could.
• 3:07
  Speaker 6: It's our medium to make the sound.
• 3:09
  Speaker 3: Our medium is sounds without faces.
• 3:12
  Speaker 2: Absolutely, it's taking everything in me not to touch this microphone.
• 3:16
  Speaker 2: I want to make little noises on it. I want
• 3:18
  Speaker 2: to touch it, but I know that it's for the
• 3:21
  Speaker 2: sounds that are coming.
• 3:22
  Speaker 3: I want to grab this microphone and ring it like
• 3:25
  Speaker 3: a corn on the cob to make a sound of
• 3:27
  Speaker 3: a you know, a tambourine.
• 3:28
  Speaker 2: I want to shove it into a bucket of grapes
• 3:30
  Speaker 2: to make the sound of someone plunging their hands into
• 3:33
  Speaker 2: some guts.
• 3:34
  Speaker 4: See.
• 3:34
  Speaker 6: All I want to do is slap the hell out
• 3:36
  Speaker 6: of it, because I do only physical slaps.
• 3:39
  Speaker 4: I'll start my name.
• 3:43
  Speaker 6: My name is Brittany No No, Hi, Brittany, Thank you
• 3:48
  Speaker 6: so much.
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  Speaker 1: Hello Britney.
• 3:49
  Speaker 4: No No, Brittany no No.
• 3:52
  Speaker 6: I had that nickname growing up because I always touch
• 3:55
  Speaker 6: stuff and my mom would go no no.
• 3:58
  Speaker 4: So that's why I'm Brittany no No, it just stuck.
• 4:02
  Speaker 4: I'm so excited to be here today. I work.
• 4:06
  Speaker 6: I'm it's I mean, it's been reported, so I don't
• 4:10
  Speaker 6: want to brag, but I was named Time Magazine's number
• 4:14
  Speaker 6: one violence fighting folly artists.
• 4:19
  Speaker 4: They bring me in for combat combat.
• 4:22
  Speaker 6: I'm about human flesh hitting each other. That's what I've
• 4:26
  Speaker 6: been doing for twenty five years. One want anything else.
• 4:31
  Speaker 1: Wow, so good to have you here. My name is
• 4:34
  Speaker 1: Andrew Herzog, son of documentary filmmaker Warren their Hairzogy. Andrew, Hello,
• 4:43
  Speaker 1: so good to be here today. I do folly for
• 4:47
  Speaker 1: Animal Planet and Nature documentaries. So a lot of the
• 4:52
  Speaker 1: Animal Planet documentaries are shot with a very wide lens.
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  Speaker 1: There are many hundreds of feet away from the animal,
• 5:01
  Speaker 1: so they cannot get too close to hear the sounds
• 5:04
  Speaker 1: they make. So a lot of that is done in
• 5:07
  Speaker 1: studio by me.
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  Speaker 6: Wow, that's me disappointing. I would want the animals to
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  Speaker 6: make their normal sound.
• 5:14
  Speaker 1: Do you just feel like you're lying for a drag?
• 5:17
  Speaker 4: Do you feel like.
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  Speaker 6: You're lying sometimes because you don't know what those animals
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  Speaker 6: we really sound like?
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  Speaker 1: Yes, I do feel guilty assigning personalities to animals who
• 5:26
  Speaker 1: might not have them. Who am I to know if
• 5:29
  Speaker 1: a wild parrot says in an excited manner or in
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  Speaker 1: a fearful way. Sometimes you have to make these decisions
• 5:39
  Speaker 1: for yourself.
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  Speaker 4: Wow, that's creative.
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  Speaker 5: My name is Norman Legreux. It's so nice to mean
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  Speaker 5: all of you.
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  Speaker 2: I specialize a lot in fantastical, scientific, wild, surprising, you know,
• 6:00
  Speaker 2: really high concept kind of stuff. What does an alien
• 6:05
  Speaker 2: you know, an alien tree swish like?
• 6:08
  Speaker 5: You know, what does what does.
• 6:11
  Speaker 2: A pegasus putting his claw on some sort of orb
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  Speaker 2: sound like?
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  Speaker 5: I do a lot of that stuff.
• 6:19
  Speaker 2: And I actually work by myself in a Traverse City, Michigan.
• 6:23
  Speaker 2: I have my own Foley studio that I built. So
• 6:26
  Speaker 2: it's really nice to be around other artists because I
• 6:29
  Speaker 2: feel like I'm just there because people find me and people,
• 6:31
  Speaker 2: you know, it's really nice.
• 6:33
  Speaker 1: And mister LaRue, I will say, mister LaRue, correct.
• 6:36
  Speaker 5: Yes, Norman, Norman, mister LaRue, yeah.
• 6:38
  Speaker 1: Norman, mister LaRue, I will say that your zooms and
• 6:42
  Speaker 1: wooshes are some of the best in the business.
• 6:45
  Speaker 5: Oh please, there are among hundreds of others that are good.
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  Speaker 5: We are very nice.
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  Speaker 3: I'm always trying to recreate them. I just love them
• 6:53
  Speaker 3: so much.
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  Speaker 6: But you're you're really known specifically for being I don't know,
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  Speaker 6: I don't know how to describe this, but a lot
• 7:00
  Speaker 6: of us try to emulate real life, and then a
• 7:03
  Speaker 6: lot of us will write, and you are a writer,
• 7:08
  Speaker 6: I believe, because we don't really know what aliens hitting
• 7:13
  Speaker 6: together sound like, and I think you use your creative
• 7:16
  Speaker 6: imagination and you create that, wouldn't you say?
• 7:18
  Speaker 5: I have a mind too.
• 7:20
  Speaker 2: I like to go some places in my head and
• 7:23
  Speaker 2: I like to find places, and I like to see somewhere,
• 7:26
  Speaker 2: and I like to say what would that be?
• 7:29
  Speaker 5: If that's writing, then that's writing. You know.
• 7:31
  Speaker 6: I saw your work on Lord of the Rings when
• 7:34
  Speaker 6: the pegasus coughed or the rings zero, and there's no way,
• 7:39
  Speaker 6: there's no way to know what that sound would be
• 7:41
  Speaker 6: like in reality because the Pegasus doesn't exist.
• 7:44
  Speaker 4: So you made that up.
• 7:46
  Speaker 2: I made that up, and it actually came to me.
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  Speaker 2: I was in a stable and I saw a horse
• 7:51
  Speaker 2: cough and I thought, well, if a horse had wings,
• 7:55
  Speaker 2: how would the cough reverberate through not just the body
• 7:58
  Speaker 2: but also the wings. And so that's where I got
• 8:01
  Speaker 2: the kind of.
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  Speaker 5: Because I imagine a cough going through wings.
• 8:07
  Speaker 1: Because yes, that is also a fantastical creature. So the
• 8:11
  Speaker 1: way you elevated the creature with the second noise because
• 8:15
  Speaker 1: a pegasus's cousin, which is a horse, often just coughs
• 8:19
  Speaker 1: like this, but the pegasus has an extra woosh.
• 8:25
  Speaker 2: Andrew am really I'm really impressed that you know that
• 8:27
  Speaker 2: kind of stuff that a Pegasus cousin is a horse.
• 8:30
  Speaker 1: I feel like we may spent a lot of time
• 8:33
  Speaker 1: and nature.
• 8:34
  Speaker 5: I feel like we can maybe talk shop fantasy a
• 8:36
  Speaker 5: little bit.
• 8:37
  Speaker 1: I think we could.
• 8:38
  Speaker 5: We could maybe geek out.
• 8:39
  Speaker 1: I am such a nerd.
• 8:41
  Speaker 5: I am a total geek.
• 8:42
  Speaker 1: It's unreal.
• 8:43
  Speaker 5: I'm an absolute geek.
• 8:44
  Speaker 4: Oh, I'm a freaking nerdy nerd.
• 8:47
  Speaker 2: Every single partner of mine in my polyamorous relationship thinks
• 8:51
  Speaker 2: I'm a total geek.
• 8:54
  Speaker 3: How many people do you have in your relationship?
• 8:56
  Speaker 5: Currently?
• 8:56
  Speaker 2: It's flex but right now we have four and we're
• 9:00
  Speaker 2: auditioning another and it's going really well, and I think
• 9:02
  Speaker 2: she's gonna make it into.
• 9:04
  Speaker 4: The audition process.
• 9:05
  Speaker 2: It depends on the person. It's rolling and mission, but
• 9:08
  Speaker 2: it's also depends on the person. So we're gonna see
• 9:11
  Speaker 2: what happens. But she's really fun and we have a
• 9:14
  Speaker 2: big banquet and I think we're gonna probably fold her
• 9:17
  Speaker 2: in after the banquet on.
• 9:18
  Speaker 1: So people ever get dismissed.
• 9:21
  Speaker 2: Yes, Yeah, we do have to let them go sometimes
• 9:24
  Speaker 2: because they just aren't pulling their weight in the relationship.
• 9:27
  Speaker 5: What's your name?
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  Speaker 3: Hi? I am Hi. I'm Natasha n E N n
• 9:39
  Speaker 3: and I do fully mostly for war and big, big
• 9:44
  Speaker 3: fight scenes like that war military. Well, I think you
• 9:49
  Speaker 3: do most combat skin to skin. I'm doing machine to machine.
• 9:52
  Speaker 4: We are so similar, Yeah, yeah, we are very similar.
• 9:57
  Speaker 5: You really attached to her, to her fast?
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  Speaker 6: Yeah No, I just I think we I look at
• 10:03
  Speaker 6: you and I feel like you're a sister I never had.
• 10:05
  Speaker 3: Yeah, yeah, no, I feel the exact same way. It's
• 10:08
  Speaker 3: like when if I could describe it in a noise,
• 10:11
  Speaker 3: it would be.
• 10:14
  Speaker 1: We have clearly developed two distinct partnerships already split exactly
• 10:21
  Speaker 1: down the middle.
• 10:22
  Speaker 3: And I will say it's great that you guys do nature,
• 10:24
  Speaker 3: but I would say I love your work on skin
• 10:27
  Speaker 3: to skin because most of my stuff is, you know,
• 10:30
  Speaker 3: machine to machine, metal to metal, and to feel the
• 10:34
  Speaker 3: art and the work of somebody inside that metal. I
• 10:38
  Speaker 3: just love.
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  Speaker 5: I just love so much.
• 10:41
  Speaker 4: Because you're really good with guns.
• 10:43
  Speaker 3: Yes, I do mostly guns, and they're mostly I bring
• 10:47
  Speaker 3: in a lot of guns into the studio and that's
• 10:50
  Speaker 3: how I get most of my noises.
• 10:51
  Speaker 2: That was my big question, Natasha, do you do you
• 10:54
  Speaker 2: just pick the gun that's in the movie and then
• 10:57
  Speaker 2: use that same gun for when you're in the.
• 10:59
  Speaker 3: Stow that's a common misconception. A common misconception. It's kind
• 11:03
  Speaker 3: of like when you have a scene in the water,
• 11:07
  Speaker 3: you wouldn't just bring a little bit of water, and
• 11:09
  Speaker 3: you have to bring it a lot and splash it
• 11:10
  Speaker 3: around more. So usually we bring in bigger guns and
• 11:14
  Speaker 3: then do audio sound effects a lot of the time
• 11:17
  Speaker 3: to add to the guns. So let's just say you
• 11:21
  Speaker 3: have a little handgun. In real life, that gun sounds
• 11:24
  Speaker 3: like do do tiny stupid, it's not scary. So in
• 11:29
  Speaker 3: the studio I'll bring in something like a big, big
• 11:33
  Speaker 3: bazooka or a big big gun that a rocket launcher,
• 11:38
  Speaker 3: and I'll launch that off while yelling, and that's usually
• 11:40
  Speaker 3: how we capture it.
• 11:41
  Speaker 1: So could you play me a pistol? Sound what that
• 11:45
  Speaker 1: would sound like for you? A small handgun in a movie?
• 11:49
  Speaker 4: Doing what you what you do?
• 11:52
  Speaker 3: Yeah, So this is Fast and Furious, the ninth one
• 11:57
  Speaker 3: that's about to come out.
• 12:00
  Speaker 1: What did you missed your movie?
• 12:04
  Speaker 3: Oh no, I missed another premiere. I was lost in
• 12:06
  Speaker 3: the work. But anyway, there's a scene where Vin Diesel
• 12:10
  Speaker 3: pulls out a gun and shoots ludicrous in the leg
• 12:14
  Speaker 3: as a joke. It's a funny haha, and let's just play.
• 12:18
  Speaker 7: It Funyoo, didn't you say that was funny?
• 12:34
  Speaker 3: So, yeah, that was the sound of a handgun.
• 12:38
  Speaker 1: That is a hilarious clip.
• 12:40
  Speaker 5: Thank you.
• 12:41
  Speaker 3: We worked on that sound because I wanted to really
• 12:44
  Speaker 3: really hit the comedy of that scene.
• 12:46
  Speaker 1: I like how you made the sounds of Vin Diesel screaming.
• 12:50
  Speaker 3: Yes, well, that actually is part of the gun. I
• 12:53
  Speaker 3: kind of like to add a little bit of a
• 12:54
  Speaker 3: Natasha and flare and all my guns scream a little wow.
• 12:59
  Speaker 3: That's how you know it's my movie.
• 13:01
  Speaker 6: So that's so funny because now I'll look out for
• 13:03
  Speaker 6: it when I'm watching.
• 13:05
  Speaker 5: Yes, I think it's gonna be hard not to hear
• 13:07
  Speaker 5: it now.
• 13:08
  Speaker 4: No, I don't think so.
• 13:09
  Speaker 6: I think I think I watched a movie recently that
• 13:12
  Speaker 6: I wonder if it was your work. It was a
• 13:15
  Speaker 6: movie about the revolutionary It was some revolution movie.
• 13:20
  Speaker 3: Yeah, Revolution four point zero.
• 13:23
  Speaker 4: Yes, about the American Revolution in the future.
• 13:25
  Speaker 3: Yes, it's the American Revolution in the future set in
• 13:28
  Speaker 3: the future. Yes, you caught me. I was in that.
• 13:31
  Speaker 6: Movie because I did look to my husband and I said,
• 13:33
  Speaker 6: those guns are quite high pitch, and it sounds like
• 13:37
  Speaker 6: something's happening at the end of them.
• 13:38
  Speaker 2: Yeah, they yell and Natasha, I noticed you said I
• 13:41
  Speaker 2: was in that movie. So do you consider when you
• 13:44
  Speaker 2: have sounds in the movie that you are in the movie?
• 13:46
  Speaker 3: Yes, I do, But I also played a role in
• 13:49
  Speaker 3: that movie. Yes I will. So you're a member of
• 13:51
  Speaker 3: I Love the Revolutionary War. And I said, look, I
• 13:54
  Speaker 3: did a deal with them. Look, I'll do this movie
• 13:56
  Speaker 3: for free. Put me in as an extra. I want
• 13:58
  Speaker 3: to be I want to fight. I want to fight.
• 14:01
  Speaker 4: Wow.
• 14:02
  Speaker 3: Yeah, it was great.
• 14:03
  Speaker 5: So I'd love to know.
• 14:05
  Speaker 2: I know you have a signature. I'd love to know
• 14:08
  Speaker 2: what everyone's signature is if they feel like they have
• 14:11
  Speaker 2: a sound that they excel in the most.
• 14:14
  Speaker 5: You don't put you on the map, We'll put you
• 14:16
  Speaker 5: on the map. I love that. Yeah, let's shift my question.
• 14:21
  Speaker 4: I think it's the same thing. What are you good
• 14:22
  Speaker 4: at it?
• 14:22
  Speaker 5: That's great? What are you good at? What was the
• 14:24
  Speaker 5: first thing that got you known?
• 14:26
  Speaker 3: Well? Can I say for you?
• 14:28
  Speaker 5: That's great?
• 14:29
  Speaker 3: The scene and I I've got to I've got to
• 14:32
  Speaker 3: give it to you. I watched Boxing in a Big Bath,
• 14:37
  Speaker 3: your short film thesis that you did.
• 14:40
  Speaker 4: And at the University of Rhode Island.
• 14:42
  Speaker 3: At the University of Rhode Island and I was blown
• 14:46
  Speaker 3: away on the sounds of those fists.
• 14:49
  Speaker 6: I know, I know, thank you so much that that
• 14:52
  Speaker 6: job got me a million dollar baby with.
• 14:54
  Speaker 5: The Hilary Swing.
• 14:57
  Speaker 4: Hilary Swing.
• 14:59
  Speaker 1: So you did the thesis? Was this your thesis film?
• 15:03
  Speaker 1: Just the foy part? Because I didn't know you could
• 15:06
  Speaker 1: do that to film school.
• 15:08
  Speaker 6: Well, that's what my professor said, And I said, well,
• 15:12
  Speaker 6: this is where greatness begins, is when I produce a
• 15:16
  Speaker 6: film it's just fully and can that tell a story
• 15:19
  Speaker 6: on its own?
• 15:20
  Speaker 3: And it really did? It really did.
• 15:22
  Speaker 4: No one says that. Usually they just say it's a
• 15:24
  Speaker 4: black screen.
• 15:25
  Speaker 3: The black screen with a bunch of weird noises going on.
• 15:27
  Speaker 3: And I'm so glad you said that because specifically, also
• 15:30
  Speaker 3: we should clarify Fully does no dialogue. It's just the noises.
• 15:35
  Speaker 3: It's just the noises.
• 15:37
  Speaker 4: You're dubbing anything.
• 15:38
  Speaker 1: Du So, was it periods of time? Because most movies
• 15:42
  Speaker 1: do have dialogue in them. Did you take a break
• 15:46
  Speaker 1: for the dialogue and leave a black screen?
• 15:48
  Speaker 3: You just have to see it, You just have to
• 15:50
  Speaker 3: see it. Can you play clip? Is that all right?
• 15:52
  Speaker 3: If we play a clip from.
• 15:53
  Speaker 4: My thesis film from twenty five years ago?
• 15:55
  Speaker 3: So much.
• 15:56
  Speaker 4: Yes, my god, you're so kind.
• 15:58
  Speaker 8: Let's roll film splat Finn.
• 16:14
  Speaker 4: So I let one person come in for a dr
• 16:16
  Speaker 4: to do the end where it said Finn.
• 16:18
  Speaker 5: How long did that take? Oh?
• 16:19
  Speaker 4: We did a couple of takes, just a couple. It's
• 16:21
  Speaker 4: like twenty.
• 16:24
  Speaker 6: But the whole film took me, my whole, my whole
• 16:27
  Speaker 6: grad school two years, two full years.
• 16:30
  Speaker 4: Did that for two full years.
• 16:32
  Speaker 6: And I when I sent it around, well, uh, the
• 16:38
  Speaker 6: director of Clint Eastwood, when I send him that film,
• 16:40
  Speaker 6: I was like, this is a short film I made.
• 16:42
  Speaker 6: He thought it was my demo real because there's no picture,
• 16:47
  Speaker 6: and I was like, what's the difference between that and
• 16:49
  Speaker 6: my short?
• 16:50
  Speaker 4: I don't know. And it got me the job anyway.
• 16:52
  Speaker 3: That's great.
• 16:53
  Speaker 2: There's a I have a big question about boxing movies
• 16:56
  Speaker 2: because I know you do a lot of hand to
• 16:58
  Speaker 2: hand and the hand to body. There's in boxing. There's
• 17:01
  Speaker 2: of course a glove. Is that somebody else or is
• 17:03
  Speaker 2: that also you?
• 17:04
  Speaker 6: So I have a glove guy I work with. He's awesome.
• 17:08
  Speaker 6: His name is Paul McCartney.
• 17:09
  Speaker 3: No relation, I know Paul McCartney, Paul McCarty.
• 17:12
  Speaker 5: I worked with Paul McCartney at the.
• 17:14
  Speaker 3: Glove guy.
• 17:17
  Speaker 2: In space, So I wow, you work with Paul. I
• 17:20
  Speaker 2: bring him in all the time. I love Paul McCartney.
• 17:21
  Speaker 6: He's great. But Paul's a good guy and he does it.
• 17:24
  Speaker 6: He does his one thing and he does it really well.
• 17:27
  Speaker 3: Gloves and warrant. There's a lot of scenes of people
• 17:29
  Speaker 3: putting on gloves and more.
• 17:30
  Speaker 4: Yeah.
• 17:30
  Speaker 6: Well, him and I we started working together back in
• 17:33
  Speaker 6: the day. Because what I started doing was because I'm
• 17:36
  Speaker 6: I should say, even though that time article came out
• 17:38
  Speaker 6: about me about violence and the hitting, I I really
• 17:41
  Speaker 6: started with body on body contact and I started in college.
• 17:48
  Speaker 6: I loved making the sounds. I'll be real, can we can?
• 17:52
  Speaker 4: I be honest.
• 17:53
  Speaker 6: I was struggling to pay for my school bills and
• 17:57
  Speaker 6: a man spends that A man online offered me ten
• 18:04
  Speaker 6: grand to send him the sounds of two bodies having
• 18:07
  Speaker 6: sex without voice.
• 18:10
  Speaker 4: So just hip on.
• 18:11
  Speaker 6: Hip, yes, And that's what got me into the business
• 18:14
  Speaker 6: because I needed that money so badly and I thought
• 18:16
  Speaker 6: I could do this. And that's when I built my
• 18:18
  Speaker 6: first fake body and I started putting these bodies on
• 18:22
  Speaker 6: top of each other. Because he didn't want any voice.
• 18:24
  Speaker 6: He just wanted he wanted the sound of it.
• 18:27
  Speaker 3: So when you go in, you recreate bodies.
• 18:30
  Speaker 4: Yes, yes.
• 18:31
  Speaker 6: And then Paul is when I met Paul because we
• 18:35
  Speaker 6: started dealing with body on body with clothes sometimes. So
• 18:39
  Speaker 6: Paul came in and we were doing some glove stuff,
• 18:41
  Speaker 6: and that's when he found his glove method. So that's
• 18:45
  Speaker 6: really how I started.
• 18:47
  Speaker 5: Wow, amazing, that is awesome.
• 18:49
  Speaker 6: And that man sent me ten grand Wow. I don't
• 18:52
  Speaker 6: know who that sick fuck is, but he paid for
• 18:54
  Speaker 6: my schooling.
• 18:54
  Speaker 3: That's all great.
• 18:56
  Speaker 1: While also tuition was only ten thousand dollars, what a bargain.
• 19:04
  Speaker 3: Well, what's your signature?
• 19:05
  Speaker 1: Well my calling card is I don't know if you
• 19:10
  Speaker 1: notice this when you watch the Animal Planet, but all
• 19:14
  Speaker 1: of my grass rustling sounds. The grass rustles with a
• 19:20
  Speaker 1: childlike curiosity that distinguishes it from other grass rustling. So
• 19:26
  Speaker 1: if you play, I'll just play a quick clip of this.
• 19:32
  Speaker 9: Hmmm, oh you don't says, is.
• 19:43
  Speaker 3: So damn curious, And yeah, I will say, though you
• 19:46
  Speaker 3: don't say, it's not very childlike. Feels some more like
• 19:48
  Speaker 3: sixty year old man reading the news.
• 19:51
  Speaker 6: He feels like a man walking through a museum.
• 19:55
  Speaker 1: I'm a man of age, and so I am just
• 19:58
  Speaker 1: guessing it. What a child.
• 20:00
  Speaker 3: Thanks, But I love that that did put.
• 20:04
  Speaker 1: Me on the map.
• 20:05
  Speaker 5: I have to be honest.
• 20:08
  Speaker 2: I do kind of sometimes imbibe in marijuana products for
• 20:13
  Speaker 2: my body, for my health, you know. And I've watched
• 20:16
  Speaker 2: some nature documentaries that you've done, and when I am
• 20:19
  Speaker 2: high on marijuana watching those nature documentaries, they freak me out.
• 20:27
  Speaker 1: Because you will not be afraid of my inquisitive grass
• 20:31
  Speaker 1: for my angry birds.
• 20:34
  Speaker 4: Oh yes, I don't want to be afraid of you.
• 20:37
  Speaker 4: I remember that.
• 20:38
  Speaker 3: I was late at night, maybe three am, watching your
• 20:42
  Speaker 3: father's documentary of the Akabango Delta, and all the birds
• 20:45
  Speaker 3: started yelling, and I thought Satan had come. I thought
• 20:49
  Speaker 3: it was the witching hour, and I thought I was dead.
• 20:51
  Speaker 1: It was just they do yelling rather the Old Testament
• 20:55
  Speaker 1: style fire and brimstone way. Not in so many words,
• 20:59
  Speaker 1: but in the cars they are screaming that they will
• 21:04
  Speaker 1: be not safe in the rapture.
• 21:07
  Speaker 5: And what did you say? That was? What was? What's cbd?
• 21:11
  Speaker 1: CBD is basically all of the calming effects of marijuana THHC,
• 21:18
  Speaker 1: but without any of the anxiety or psychoactive effects.
• 21:23
  Speaker 3: I can help you. THC for me is more like, oh, wow,
• 21:27
  Speaker 3: our Wow, Our, But CBD is more like it's.
• 21:37
  Speaker 4: The difference between. So it's kind of they have these
• 21:41
  Speaker 4: CBD roll ons which go.
• 21:44
  Speaker 3: Wow so much soft.
• 21:46
  Speaker 2: They should be paying you, guys. CBD should be paying
• 21:48
  Speaker 2: you guys, because this is a glowing endorsement CBD.
• 21:51
  Speaker 1: The difference for me is THHC is that's THHC, but
• 21:58
  Speaker 1: CBD is more.
• 22:03
  Speaker 3: You and I chill it okay.
• 22:06
  Speaker 4: So THHD to me sounds like when CBD sounds like.
• 22:18
  Speaker 3: Just any so I hear it, can I maybe if
• 22:22
  Speaker 3: you try, If I'm synthesizing all of this, it sounds
• 22:24
  Speaker 3: to me like th HC is maybe a little.
• 22:32
  Speaker 5: Rare rare, yes, whereas maybe CBD is a little more.
• 22:44
  Speaker 3: I just don't think you're getting it. No, I don't
• 22:45
  Speaker 3: think you're getting what.
• 22:46
  Speaker 5: I'm wrong.
• 22:47
  Speaker 3: You're wrong.
• 22:48
  Speaker 5: That sound.
• 22:51
  Speaker 3: You haven't tried before, so I understand it's why you
• 22:55
  Speaker 3: would be confused.
• 22:56
  Speaker 4: Sounding more tense when you don't see.
• 22:57
  Speaker 3: It sounds like you did actually like a high rid
• 22:59
  Speaker 3: of the two, like a forty twenty you were at close.
• 23:02
  Speaker 1: It's a specialized to use your terminology of wooshes and
• 23:06
  Speaker 1: bangs of the supernatural world. DC is more yeah, yeah, yeah, yeah,
• 23:13
  Speaker 1: yeah yeah, and c BD is more.
• 23:20
  Speaker 5: Oh yeah, oh that makes a lot more sense.
• 23:23
  Speaker 4: Okay, so THC I would say ah when TBD is ah.
• 23:34
  Speaker 1: You know I recognized that first sound you did. That
• 23:38
  Speaker 1: was the truck that was in the recent Michael Bay
• 23:40
  Speaker 1: movie Ambulance.
• 23:42
  Speaker 4: Right, they brought me it. Actually it was one thing
• 23:44
  Speaker 4: I did outside.
• 23:45
  Speaker 10: Oh I wanted that movie sod wait, that was the
• 23:49
  Speaker 10: folly artist for that was a Sli mcfake name, right,
• 23:54
  Speaker 10: And I always would have been wondering in the bag.
• 23:56
  Speaker 4: I can't sit in the bag.
• 23:58
  Speaker 5: I am slim.
• 24:01
  Speaker 1: Like rowling.
• 24:04
  Speaker 6: So my reps told me I gotta do one thing,
• 24:05
  Speaker 6: and I gotta do it good. And I noticed that,
• 24:08
  Speaker 6: you know what, I can do a lot of things.
• 24:10
  Speaker 6: So I've been going out for some stuff under a name.
• 24:14
  Speaker 3: That I made up.
• 24:15
  Speaker 4: Believe it or not.
• 24:18
  Speaker 1: That's just genius.
• 24:19
  Speaker 6: Thank you so much. Yeah, I made this name up.
• 24:21
  Speaker 6: My husband is so damn creative.
• 24:23
  Speaker 3: I thought it was.
• 24:24
  Speaker 6: He said to me, here's a name you can use,
• 24:27
  Speaker 6: and I said, my husband should be a writer.
• 24:31
  Speaker 1: Fake.
• 24:31
  Speaker 3: I always said it. I thought it was slim and
• 24:35
  Speaker 3: I just was an idiot.
• 24:37
  Speaker 1: You were just pronouncing it. How one name would be.
• 24:40
  Speaker 4: I thought it was mcfucking no, it's slimic fake name.
• 24:45
  Speaker 3: I can't believe.
• 24:46
  Speaker 5: I can't fake names. He works a lot, he does work.
• 24:50
  Speaker 3: He does work a lot.
• 24:52
  Speaker 4: And I and I wear a hat when I'm slimic
• 24:54
  Speaker 4: fake names.
• 24:54
  Speaker 1: Okay, because no one can see you when you do this.
• 25:00
  Speaker 4: It's in my home studio, so I could separate them.
• 25:02
  Speaker 5: You know, it's.
• 25:04
  Speaker 1: So and your fake So it's like severance when you
• 25:08
  Speaker 1: become a different person.
• 25:10
  Speaker 2: So would you say the name of would you say
• 25:12
  Speaker 2: the vibe of Brittany no No is like, but the
• 25:16
  Speaker 2: vibe of Slimic fake name is like, Yeah, I think
• 25:22
  Speaker 2: you hit it on the head.
• 25:23
  Speaker 6: I think that's exactly it. I think it's I think
• 25:27
  Speaker 6: Brittany no No is me me, me, this is me.
• 25:32
  Speaker 6: She's got an ego and slim fake name is.
• 25:39
  Speaker 1: Very different.
• 25:40
  Speaker 4: It's like Beyonce and.
• 25:42
  Speaker 3: Her alter ego. I we love the noises that she makes.
• 25:49
  Speaker 5: No where did Sasha go? I'm wondering when she's coming back.
• 25:53
  Speaker 3: And the work that she did on her album. If
• 25:55
  Speaker 3: you listen closely, she's doing she Sasha Fierce is doing
• 25:59
  Speaker 3: so Yeah.
• 26:00
  Speaker 2: Oh, I have a question for you guys. I always
• 26:03
  Speaker 2: love to know where you got your most surprising inspiration.
• 26:06
  Speaker 2: You know, folly artists we see the world differently, we
• 26:09
  Speaker 2: hear different noises. We say, oh, I need to remember
• 26:12
  Speaker 2: that noise.
• 26:13
  Speaker 5: For the future.
• 26:13
  Speaker 2: I need to take that and I need to use
• 26:15
  Speaker 2: that when that comes up. You know, I remember I
• 26:17
  Speaker 2: made uh the sound of a slime monster coming through
• 26:23
  Speaker 2: a door. I found that after I dropped a double
• 26:29
  Speaker 2: stuffed oreo into a glass of milk.
• 26:33
  Speaker 5: I was trying. It was too slippery for me because
• 26:35
  Speaker 5: kind of like.
• 26:37
  Speaker 4: And the exactly I could imagine normal stuff would be
• 26:42
  Speaker 4: normal stuff would be yeah, and dabble stuff would.
• 26:45
  Speaker 5: Be plow yeah.
• 26:47
  Speaker 2: And that's when I found it. And so when the
• 26:49
  Speaker 2: slime monster comes in, he's going and then all of
• 26:53
  Speaker 2: a sudden he eats everyone. And so that was something
• 26:55
  Speaker 2: that I had discovered. What is a noise that you
• 26:57
  Speaker 2: guys found and you said, wait a minute, there's something here.
• 27:00
  Speaker 3: Yes, wow, Well I heard water water. It was raining
• 27:05
  Speaker 3: and it was raining on this big metal tarp and
• 27:08
  Speaker 3: the metal turp accidentally fell because the wind blew, and
• 27:11
  Speaker 3: it gave me the idea of what it would sound
• 27:15
  Speaker 3: like if somebody blew up a hospital in the.
• 27:19
  Speaker 1: Kind of the hospital blowing up would sound like thing,
• 27:23
  Speaker 1: pink pink, pink.
• 27:24
  Speaker 3: Ye, yes, like.
• 27:32
  Speaker 6: Now were you searching for what what that sound would
• 27:35
  Speaker 6: be like? I imagine you see that in the script
• 27:37
  Speaker 6: and you go, how do I where do I?
• 27:38
  Speaker 3: Yes, there was a scene. Because the hospital is not
• 27:41
  Speaker 3: just like any other building full of machinery, full of machinery,
• 27:45
  Speaker 3: you got to capture it. And so when I saw
• 27:48
  Speaker 3: this script, I it came across and it says he
• 27:52
  Speaker 3: blows up the hospital, and I thought, well, we've got
• 27:56
  Speaker 3: a problem here. I don't know what this sounds.
• 27:58
  Speaker 1: I was going through the script of one of my
• 28:01
  Speaker 1: Animal Planet episodes.
• 28:03
  Speaker 3: Can I ask a question? Do they dialogue out all
• 28:05
  Speaker 3: the animals?
• 28:06
  Speaker 5: Yes?
• 28:07
  Speaker 1: They do, So there is a plant. I'm sorry to
• 28:10
  Speaker 1: burst some bubbles, but Animal Planet documentaries, they are scripted.
• 28:14
  Speaker 1: Oh wow, I'm not just talking about the narration. I
• 28:18
  Speaker 1: am talking, of course, about the animals and what they do.
• 28:22
  Speaker 1: And so there came a point in the script where
• 28:26
  Speaker 1: Harhino was going to step into a spooshy pile of mud.
• 28:32
  Speaker 1: Now sposhy au spooshy.
• 28:36
  Speaker 5: Now.
• 28:36
  Speaker 1: I was able to recreate this by going to a
• 28:40
  Speaker 1: mind gym This is, of course a gym for children.
• 28:44
  Speaker 1: The beanbags they have to sit down in the rest
• 28:47
  Speaker 1: area are smaller, so I was able to recreate the
• 28:51
  Speaker 1: punching of the bean bag, which is of course.
• 28:56
  Speaker 3: Wow, it's like I'm it's like I'm hearing a rhino
• 29:00
  Speaker 3: step in. It's amazing, exactly the serengity.
• 29:06
  Speaker 1: That's a squosh you pronounce.
• 29:07
  Speaker 5: I've only seen it written.
• 29:09
  Speaker 3: It's serengetti.
• 29:10
  Speaker 5: Oh I'm sorry.
• 29:13
  Speaker 1: Anyway, what was your most surprising noise?
• 29:18
  Speaker 4: I think, Uh, my husband and I on Saturdays, we
• 29:21
  Speaker 4: go to the library.
• 29:23
  Speaker 5: And he's not a writer.
• 29:26
  Speaker 4: He's not can you believe he thought of slimkfake name.
• 29:28
  Speaker 5: And he loves libraries.
• 29:30
  Speaker 4: He loves library. He's not a writer.
• 29:32
  Speaker 6: So we're at the we're at the library, and you know,
• 29:34
  Speaker 6: I try to put my work away a try. It's
• 29:37
  Speaker 6: a Saturday, you know, And I heard a woman close
• 29:40
  Speaker 6: a cookbook. It was a big book, and suddenly I went,
• 29:46
  Speaker 6: that's the thrusting of two people hooking up in Manhattan.
• 29:51
  Speaker 1: Yes, so kind of.
• 29:53
  Speaker 3: It was.
• 29:54
  Speaker 6: I can't even I can't do it without the specific book.
• 29:57
  Speaker 6: And I went up to that woman because here's the thing.
• 29:59
  Speaker 4: We work with it, I can. Every book is a
• 30:00
  Speaker 4: different soun when it closes.
• 30:01
  Speaker 5: Do you remember the cookbook I'd love to know.
• 30:03
  Speaker 4: I think it was Julia Childs Just the Joy of Cooking.
• 30:07
  Speaker 5: I'm going to try those out of all.
• 30:08
  Speaker 6: Yes, And I'll say I literally I was across the
• 30:11
  Speaker 6: library and like a loud, obnoxious person.
• 30:13
  Speaker 4: I said, stop it.
• 30:17
  Speaker 6: I went put that book down, and I grabbed that
• 30:22
  Speaker 6: book out of her hands. She was so scared, and
• 30:24
  Speaker 6: I went, I'm sorry, I can't turn off the work
• 30:26
  Speaker 6: in me. That sound right there. I've been looking for
• 30:28
  Speaker 6: for weeks, so I use I use a certain a
• 30:32
  Speaker 6: certain size cookbook. Sometimes they come in really awkward big sizes.
• 30:38
  Speaker 6: That's not a coffee table book, and it's not a
• 30:39
  Speaker 6: chapter book.
• 30:40
  Speaker 5: I hate that size. By the way, what do you
• 30:42
  Speaker 5: do with it? I'm trying to cook.
• 30:43
  Speaker 4: You can't put it in a book a bookshelf.
• 30:44
  Speaker 5: You I can't put it anywhere.
• 30:46
  Speaker 4: I know it takes them so much counter room.
• 30:48
  Speaker 3: Yeah, I can't even do my v's and for us
• 30:50
  Speaker 3: for my spices to know you think they'd make me
• 30:54
  Speaker 3: smile and it kind of makes me feel like, uh,
• 30:58
  Speaker 3: you know, like when this happened to guys.
• 31:01
  Speaker 1: Oh, why you have a fun game. How about we
• 31:04
  Speaker 1: play one of our sounds that we've made for one
• 31:08
  Speaker 1: of our movies and we all have to guess what
• 31:11
  Speaker 1: it is.
• 31:11
  Speaker 4: I love this game, y, guess how we made it
• 31:14
  Speaker 4: or what the sound of that is.
• 31:16
  Speaker 3: I like the first one, the first one.
• 31:18
  Speaker 4: Okay, so what that sound is?
• 31:20
  Speaker 3: What that sound is?
• 31:20
  Speaker 4: Okay, Greg's what that sound is? Okay, here we go,
• 31:24
  Speaker 4: Here we go.
• 31:24
  Speaker 3: I'll go first. I'll go first. Ready, can I can I?
• 31:32
  Speaker 1: Can I buzz in?
• 31:33
  Speaker 3: Let's go ahead?
• 31:34
  Speaker 1: Guns?
• 31:34
  Speaker 2: Yes?
• 31:34
  Speaker 5: Okay?
• 31:35
  Speaker 4: Can it is AK forty seven?
• 31:37
  Speaker 3: Close?
• 31:37
  Speaker 5: There?
• 31:37
  Speaker 2: Can I buzz in one of those machine guns they
• 31:40
  Speaker 2: shoot off the top of a of a of a
• 31:42
  Speaker 2: car in a World War two movie?
• 31:43
  Speaker 3: Oh my gosh, it got more specific and more specific.
• 31:47
  Speaker 3: It was the top machine gun on the top of
• 31:51
  Speaker 3: a World War two jeep.
• 31:53
  Speaker 5: Oh I was closed.
• 31:55
  Speaker 3: Let's hear it again, so you guys can tell. And
• 32:02
  Speaker 3: to be clear, that scream is just your signature, it's
• 32:04
  Speaker 3: my signature.
• 32:05
  Speaker 6: So you're a member of SAG as well. Huh, yes,
• 32:08
  Speaker 6: I work with you, do ADR and the folly.
• 32:10
  Speaker 3: Wow. I mostly just do commercials.
• 32:12
  Speaker 4: Okay for you? Okay, my turn?
• 32:14
  Speaker 3: Cool? Can I by then? That's two people having sex.
• 32:25
  Speaker 5: Can I was in? That's somebody trying to wake a
• 32:27
  Speaker 5: baby up?
• 32:29
  Speaker 1: Can I buzz in?
• 32:30
  Speaker 4: Yes?
• 32:30
  Speaker 1: This is two people. They met at a bar and
• 32:33
  Speaker 1: they had an instant connection. One asks to go to
• 32:37
  Speaker 1: the other's apartment. The other is reluctant. She just got
• 32:41
  Speaker 1: out of a relationship. But maybe, just maybe, tonight is
• 32:46
  Speaker 1: the night they go upstairs and then they have a
• 32:50
  Speaker 1: surprisingly nurturing sexual encounter. It does not last long, but
• 32:56
  Speaker 1: it is fulfilling.
• 32:59
  Speaker 4: It was a baby waking a baby, but you are
• 33:04
  Speaker 4: so close?
• 33:06
  Speaker 1: Was close?
• 33:08
  Speaker 2: Just quick question that we'll get back to the game.
• 33:10
  Speaker 2: How do you feel like growing up in Werner Hurdzng's house.
• 33:15
  Speaker 1: Wild, I'm just like every other boy. I would stand
• 33:20
  Speaker 1: up in the morning, and Werner would be in another room,
• 33:25
  Speaker 1: off screen, so to say, sort of narrating what I
• 33:28
  Speaker 1: was doing. He would say things like, the boy has
• 33:32
  Speaker 1: arisen from his morning nap. He proceeds to the bathroom
• 33:37
  Speaker 1: to urinate and relieve himself of yesterday's water.
• 33:43
  Speaker 3: The craziest thing from me is how he called sleeping
• 33:45
  Speaker 3: a morning nap.
• 33:50
  Speaker 1: He proceeds into the kitchen to nourish his belly with
• 33:54
  Speaker 1: the Cereal of the Gods. This is, of course Poseidon
• 34:00
  Speaker 1: Captain Crunch.
• 34:02
  Speaker 4: But Sidon Captain Crunch, it would go henceforth from there.
• 34:06
  Speaker 3: Wow, that does seem very normal, And I do like
• 34:09
  Speaker 3: how you work for Animal Planet. Does your dad have
• 34:11
  Speaker 3: any really strong feelings about that?
• 34:13
  Speaker 1: He likes it. Well, he's a little disappointed that I'm
• 34:17
  Speaker 1: not going a little more artistic and advanced. Of course,
• 34:22
  Speaker 1: Berner tends to taple tackle big projects, and he think
• 34:26
  Speaker 1: I sold out to the networks.
• 34:29
  Speaker 3: Yes, because Animal Planet doesn't really have a lot of
• 34:31
  Speaker 3: nature documentaries. It's more like nature reality TV shows.
• 34:36
  Speaker 5: My Cat from Hell? Do you my Cat from Hell?
• 34:39
  Speaker 1: I do?
• 34:39
  Speaker 4: Do my Cat, My Cat from Hell?
• 34:41
  Speaker 5: I love Jackson Maine. Isn't that his name? That's not
• 34:44
  Speaker 5: his name is Jackson?
• 34:46
  Speaker 3: Do you work on Caesar Milan? Do you work on
• 34:47
  Speaker 3: Caesar Caesar Milan?
• 34:49
  Speaker 1: So he comes over. I do a lot of Caesar's
• 34:53
  Speaker 1: leather jackets, hitting the doors as he walks in the
• 34:57
  Speaker 1: houses to try so.
• 34:59
  Speaker 3: Caesar, and that makes sense. They shoot that show on
• 35:02
  Speaker 3: a very long lens.
• 35:04
  Speaker 4: Lens get me further away.
• 35:06
  Speaker 3: I've heard that everybody's scared of the dogs train hundreds
• 35:10
  Speaker 3: of feet away.
• 35:11
  Speaker 4: Well, it's like a safety issue. You have all those.
• 35:14
  Speaker 2: I also heard they only get clearance to be in
• 35:15
  Speaker 2: every other ZIP code, so if they're shooting in one
• 35:18
  Speaker 2: DIP code, they have to be in another one on
• 35:20
  Speaker 2: the far away.
• 35:21
  Speaker 3: It's true.
• 35:22
  Speaker 1: It makes it difficult for the camera departments. Not so
• 35:26
  Speaker 1: difficult for me because I get more working therefore more income.
• 35:32
  Speaker 3: Okay, game, game, I want to hear.
• 35:34
  Speaker 2: I have a noise that I would love for you
• 35:36
  Speaker 2: guys to guess this. This is one of my favorite
• 35:37
  Speaker 2: noises I ever made.
• 35:39
  Speaker 3: Oh yeah, Norman, Okay, can we hear it?
• 35:45
  Speaker 5: One? Mort?
• 35:46
  Speaker 3: I sure?
• 35:51
  Speaker 1: I would say, an alien going back and forth in time. Oh,
• 35:56
  Speaker 1: I'm so sorry, now I buzz in.
• 35:58
  Speaker 5: Yeah, I was really freaked out you had Yes.
• 36:02
  Speaker 1: Okay, I'll say it again. This was an alien going
• 36:05
  Speaker 1: back and forth in time.
• 36:07
  Speaker 5: Okay.
• 36:08
  Speaker 3: Oh yeah, that's a good guess.
• 36:10
  Speaker 4: May I buzz in you may I'm gonna guess it's
• 36:14
  Speaker 4: a lady alien's water breaking?
• 36:17
  Speaker 3: Okay, may I ah, buzz in. I think it's uh
• 36:24
  Speaker 3: maybe what it is is an alien punching another alien
• 36:29
  Speaker 3: through the belly, and it's the noise of the spine
• 36:32
  Speaker 3: popping out of the back of the chest.
• 36:36
  Speaker 5: Those are all wonderful guesses. It was the sound of
• 36:39
  Speaker 5: a spaceship opening.
• 36:41
  Speaker 3: H D.
• 36:42
  Speaker 4: I should have thought of a door.
• 36:43
  Speaker 3: Can we hear?
• 36:44
  Speaker 2: Were?
• 36:44
  Speaker 5: People don't remember that there aren't just aliens in space,
• 36:49
  Speaker 5: there are doors. There are ships.
• 36:55
  Speaker 6: That made me think of some of your work, Norman,
• 36:57
  Speaker 6: when I saw there was an alien movie of some
• 36:59
  Speaker 6: sort that I saw in an alien flush.
• 37:01
  Speaker 4: The toilet and it made me giggle. Yes, oh yeah,
• 37:04
  Speaker 4: because I was like, that's a toilet in space.
• 37:06
  Speaker 5: Well, you're probably thinking of Spinkle.
• 37:09
  Speaker 3: I loved Spinkle. It was so beautiful.
• 37:13
  Speaker 2: It was really so the pitch in the room because
• 37:16
  Speaker 2: this is one of the first movies they brought me on.
• 37:18
  Speaker 5: They brought me on as a fully artist to pitch it.
• 37:21
  Speaker 2: Which I've never been involved. Diamon me Matt Damon and
• 37:27
  Speaker 2: Ava du Verna and we went in. We went all
• 37:31
  Speaker 2: over the place and we pitched this funny little thing
• 37:34
  Speaker 2: called Spinkle, and it was it was et meets Dodgeball,
• 37:39
  Speaker 2: and it was really fun. It was a bunch of
• 37:41
  Speaker 2: aliens living in space and there's a big tournament and
• 37:47
  Speaker 2: the aliens have to go up against each other. And
• 37:50
  Speaker 2: I'll tell you what this was a fully artist's sweat dream, aliens.
• 37:54
  Speaker 5: Throwing balls, aliens going against each other.
• 37:59
  Speaker 1: I mean, it was all getting excited to justin.
• 38:04
  Speaker 2: I'm thinking about it, and I'm glowing thinking about it
• 38:07
  Speaker 2: because it was the most fun.
• 38:10
  Speaker 6: I bet all your partners felt so neglected when you
• 38:12
  Speaker 6: were working on it because you were working so hard.
• 38:14
  Speaker 5: My partner said, are we gonna have to throw a
• 38:17
  Speaker 5: banquet for Spinkle? That was the joker on the house.
• 38:22
  Speaker 5: It was gonna be our new partner we were inviting
• 38:24
  Speaker 5: into the relationship. Of course that's not the case.
• 38:30
  Speaker 1: Of course not are they Do you have to worry
• 38:35
  Speaker 1: that your partners might dismiss you?
• 38:38
  Speaker 3: Oh?
• 38:39
  Speaker 2: Yes, that's what keeps it healthy. We're all constantly worried,
• 38:44
  Speaker 2: and we're all trying to carry our weight. I think
• 38:47
  Speaker 2: a good relationship is worrying that if you stop putting
• 38:51
  Speaker 2: forth something, you'll be dismissed.
• 38:53
  Speaker 6: Wow, I mean do you just feel like, yeah, you
• 38:56
  Speaker 6: guys feel like you have trouble in Like just like
• 39:00
  Speaker 6: with my husband, he's trying to constantly tell me to
• 39:02
  Speaker 6: stop working because it's hard for me. He brought me
• 39:05
  Speaker 6: for our twenty fifth anniversary, he brought me to Flappers
• 39:08
  Speaker 6: comedy in Burbank.
• 39:10
  Speaker 5: I love Flappers.
• 39:11
  Speaker 3: It was such I love flappers.
• 39:12
  Speaker 6: Would you believe When we were leaving, I couldn't get
• 39:17
  Speaker 6: my ear off the floor because I loved listening to
• 39:19
  Speaker 6: the people walking on this three inch stage.
• 39:24
  Speaker 4: I was on all fours just listening.
• 39:27
  Speaker 2: I'm a sucker for a hollow stage. I mean, if
• 39:29
  Speaker 2: I hear one, I just run. I mean, it's so interesting.
• 39:32
  Speaker 4: I needed to hear it.
• 39:33
  Speaker 6: And he was like, honey, get up, this is embarrassing.
• 39:35
  Speaker 6: You're on the ground, and I I it's just it's
• 39:38
  Speaker 6: an interesting.
• 39:39
  Speaker 3: Reason to stand up and still make fun of you.
• 39:42
  Speaker 1: It's been tough on my relationships as well, because I
• 39:46
  Speaker 1: used to date or I was married to rather another
• 39:50
  Speaker 1: folly artist. Oh and her name was Miranda Lambert, no relation.
• 39:57
  Speaker 3: To Adam Lambert.
• 40:01
  Speaker 5: She random the famous country.
• 40:05
  Speaker 4: Season famous singer Adam Lambert, which no relationship.
• 40:09
  Speaker 2: So Adam Lambert and Marina Libert are not related to
• 40:12
  Speaker 2: each other. And this Miranda Lambert and the other men
• 40:14
  Speaker 2: Miranda Lambert are also not related to each other.
• 40:17
  Speaker 1: Miranda Lambert no relation is related to real Adam.
• 40:22
  Speaker 4: That's what I have a feeling.
• 40:24
  Speaker 3: That's what I said. That's what I was asking, you.
• 40:26
  Speaker 1: Were saying okay. I got confused. But anyway, we as
• 40:30
  Speaker 1: fully artists married couple developed sort of a folly language.
• 40:35
  Speaker 1: So a lot of times if we were thinking I
• 40:37
  Speaker 1: love you, we would say.
• 40:40
  Speaker 3: What an awful noise for I love?
• 40:44
  Speaker 1: What did work for us?
• 40:47
  Speaker 3: So when eventually we from divorce, what part of I
• 40:50
  Speaker 3: loved you a noise?
• 40:52
  Speaker 5: Criticize?
• 40:53
  Speaker 2: Love?
• 40:53
  Speaker 5: Love comes all.
• 40:54
  Speaker 1: Found of two paint scrapers scriping against each other.
• 40:59
  Speaker 5: Oh that is sweet, beautiful.
• 41:02
  Speaker 1: And so when we divorced and I dated a new woman,
• 41:06
  Speaker 1: she could not pick up on the language she did
• 41:11
  Speaker 1: not know, which meant.
• 41:12
  Speaker 3: She must have thought there was some sort of ambre
• 41:14
  Speaker 3: alert or something going off.
• 41:16
  Speaker 1: Yes, she kept checking her I have license plate.
• 41:19
  Speaker 3: My boyfriend he's great. His name is Gami, and he
• 41:24
  Speaker 3: is so now when I bring work home, because like,
• 41:27
  Speaker 3: how else do you talk about the day?
• 41:28
  Speaker 5: You know?
• 41:29
  Speaker 3: I'm like, okay. So then we go in and it
• 41:30
  Speaker 3: was just like.
• 41:33
  Speaker 5: And then.
• 41:42
  Speaker 4: And then when the mash pic gets blown up at
• 41:44
  Speaker 4: the end, yes.
• 41:45
  Speaker 3: The mosh pit, And then I saw she in this
• 41:46
  Speaker 3: movie and this car flipped and it was like and
• 41:53
  Speaker 3: Gami is like, what are you going on about? I
• 41:56
  Speaker 3: don't understand a word you're saying.
• 41:57
  Speaker 5: I hate him. That's so Rod.
• 41:59
  Speaker 3: Yeah, he's there.
• 42:00
  Speaker 4: I gotta let you have your process.
• 42:01
  Speaker 3: They have, I know, and my process is talking to
• 42:04
  Speaker 3: anybody about it.
• 42:05
  Speaker 2: You know.
• 42:06
  Speaker 5: Absolutely.
• 42:06
  Speaker 6: I would love to all go around and say how
• 42:08
  Speaker 6: we would say I love you in a sound before
• 42:10
  Speaker 6: we end this off, because I think it's I just
• 42:14
  Speaker 6: I really when you said.
• 42:18
  Speaker 4: I really, I feel like I got closer to you, and.
• 42:21
  Speaker 1: I feel that way about all of you. I know
• 42:24
  Speaker 1: it's only been forty four minutes together, but I believe
• 42:29
  Speaker 1: that we have such a connection. And if you don't mind,
• 42:33
  Speaker 1: I would love to get some.
• 42:35
  Speaker 3: I would love that this. Oh maybe also some oh.
• 42:41
  Speaker 4: My god, meatballs. I would love to grab meatballs.
• 42:45
  Speaker 5: What a little bit of what about a little bit
• 42:47
  Speaker 5: of a.
• 42:49
  Speaker 3: Meo oh beer dark cab beer stouter.
• 42:55
  Speaker 6: Report it's either a stouter or a cab that was
• 42:58
  Speaker 6: either cabin nice avign Yon.
• 43:00
  Speaker 3: It's so similar. Yeah, and maybe after we could go
• 43:03
  Speaker 3: a little.
• 43:09
  Speaker 4: Rocu city.
• 43:12
  Speaker 1: Maybe after we can go some.
• 43:18
  Speaker 5: I think so oh ice cream ice cream.
• 43:24
  Speaker 4: I would love After the ice cream, maybe we.
• 43:29
  Speaker 3: Maybe road trip road trip driving a car.
• 43:34
  Speaker 5: I hope our car doesn't break down.
• 43:36
  Speaker 3: But maybe maybe what we can do after that is break.
• 43:42
  Speaker 5: Going up.
• 43:45
  Speaker 1: Usicle chairs on top of the American fountains.
• 43:48
  Speaker 2: Okay, but I'm seeing a huge life for us and
• 43:51
  Speaker 2: I think I really see in our future some day.
• 43:59
  Speaker 4: I know this sound hospice anywhere.
• 44:04
  Speaker 1: I can tell in this scenario, probably two to three weeks.
• 44:07
  Speaker 6: To live, and I think it's an in home hospice
• 44:10
  Speaker 6: versus hospital hospitals.
• 44:11
  Speaker 3: Definitely in And just because it's my thing, I would
• 44:14
  Speaker 3: love to feel like what this feels like when it
• 44:17
  Speaker 3: blows up. You know, this would be such a fun
• 44:19
  Speaker 3: thing to blow up later.
• 44:20
  Speaker 4: Absolutely, I would love to.
• 44:21
  Speaker 5: I want to answer your question, I love you. The
• 44:24
  Speaker 5: sound for me has got to be ah.
• 44:30
  Speaker 4: Yes, I had a little sprinkle in there.
• 44:33
  Speaker 2: I I when you do one, it sticks with you sometimes,
• 44:36
  Speaker 2: and I'll never not have a little bit of spinkle
• 44:39
  Speaker 2: in me.
• 44:40
  Speaker 4: What about you?
• 44:42
  Speaker 3: The noise for love for me is don't drop it,
• 44:55
  Speaker 3: don't drop it.
• 44:56
  Speaker 5: I've got to I've got to do it. Press the button. Dammick.
• 45:14
  Speaker 5: That is love. That was beautiful.
• 45:16
  Speaker 1: That just love for me.
• 45:17
  Speaker 4: I'll say I love you to you guys right now too.
• 45:19
  Speaker 4: In my own way.
• 45:32
  Speaker 5: I'm gonna cry so beautiful.
• 45:36
  Speaker 1: Obviously, yes, I love you, but how I say I
• 45:40
  Speaker 1: love you very much?
• 45:42
  Speaker 5: Is it.
• 45:45
  Speaker 4: For school?
• 45:46
  Speaker 1: And seven years ago our fore fathers fought for.
• 45:49
  Speaker 4: This great This has been Artists on Artists on Artists
• 45:53
  Speaker 4: on artists, answering the question. Now, that's why they call
• 45:55
  Speaker 4: it showbiz. Good Night, Hollywood.
• 45:58
  Speaker 1: Great on Artists on Artists on Artists is an improvised
• 46:02
  Speaker 1: Hollywood roundtable podcast created, performed, and produced by Kylie Bragman,
• 46:07
  Speaker 1: Jeremy Colhane, Angela Giritana, and Patrick McDonald. AOAOAOA is a
• 46:12
  Speaker 1: Sugar twenty three podcast. Mike Mayer and Michael Sugar executive producers,
• 46:16
  Speaker 1: Liam Billingham producer. Production support by Angela Ristano and Anthony
• 46:21
  Speaker 1: Di Francesco. Music is by Gabriel Ponton. The opinions expressed
• 46:26
  Speaker 1: on this podcast do not reflect the opinions of anyone
• 46:28
  Speaker 1: who works on it, not even the performers, because this
• 46:31
  Speaker 1: is an improvised podcast and we're stupid. Full video versions
• 46:35
  Speaker 1: of Aoaoaoa are available on YouTube, so please like and
• 46:38
  Speaker 1: subscribe and leave us a five star review wherever you
• 46:41
  Speaker 1: get your podcasts. That's all for now, good Night, Hollywood