Latest / Luke's English Podcast / PANDA - Podpah _1089

Transcript

PANDA - Podpah _1089 · Luke's English Podcast

• 0:15
  Speaker 1: Yamaha is making the biggest sales festival in history.
• 0:19
  Speaker 2: And they called me because I have a.
• 0:21
  Speaker 3: Headlight for the best deals.
• 0:26
  Speaker 2: Factor with zero input. Phaser FZ25 Lander with zero rate.
• 0:31
  Speaker 3: All line with the first parcel for 90 days.
• 0:34
  Speaker 2: I told you, right? My headlight never fails.
• 0:37
  Speaker 4: Who has a headlight, choose Yamaha.
• 0:59
  Speaker 2: When you hide from the family.
• 1:02
  Speaker 5: How much you bet, it's a sign that the line
• 1:04
  Speaker 5: has been crossed. If this happened to you, the Super
• 1:08
  Speaker 5: Line is a channel to help you at this moment.
• 1:11
  Speaker 5: At Superbet, there's a limit to the game's rules.
• 1:29
  Speaker 6: Thank you.
• 1:30
  Speaker 4: Thank God.
• 1:31
  Speaker 6: Not more than you.
• 1:32
  Speaker 7: No, you're a little more than I am.
• 1:33
  Speaker 6: I'm liking your vibe today, kind of Sidney Magal.
• 1:37
  Speaker 2: Ah, I'm kind of going. Kind of going.
• 1:39
  Speaker 7: My.
• 1:39
  Speaker 2: How do you say.
• 1:40
  Speaker 6: That thing about the bus?
• 1:41
  Speaker 4: Bus driver.
• 1:41
  Speaker 8: That, that.
• 1:42
  Speaker 4: Bus driver.
• 1:42
  Speaker 2: Did you ever get.
• 1:43
  Speaker 6: A bus in your life?
• 1:45
  Speaker 2: For sure, brother. Bus, subway.
• 1:58
  Speaker 1: Especially here in São Paulo, at the beginning, when I
• 2:00
  Speaker 1: got here. Then I discovered how São Paulo is without
• 2:03
  Speaker 1: education and doesn't care.
• 2:05
  Speaker 8: Don't say that.
• 2:05
  Speaker 2: But it's true, on the subway, people run over each other.
• 2:07
  Speaker 2: It was there that you.
• 2:08
  Speaker 6: Cried, right? The first time you went on the subway,
• 2:10
  Speaker 6: when you came back home crying, right?
• 2:12
  Speaker 1: It was there that Cris, my love, who works there
• 2:14
  Speaker 1: at home, she was out of the house for a
• 2:16
  Speaker 1: month because she broke her foot there too.
• 2:19
  Speaker 2: The person on top of her.
• 2:20
  Speaker 6: Broke her foot. Damn, look at the subway.
• 2:21
  Speaker 2: Look how we start the show today too.
• 2:24
  Speaker 1: Welcome to another Podpá, leave the like, subscribe to the channel,
• 2:27
  Speaker 1: are you okay, Engão?
• 2:28
  Speaker 6: I'm great, I'm happy. After yesterday, after these last days,
• 2:32
  Speaker 6: these events, I'm very happy.
• 2:32
  Speaker 4: Me too.
• 2:33
  Speaker 6: Mítico Jovem, before starting our wonderful podcast, talking to our
• 2:36
  Speaker 6: wonderful guest, before even talking about our brands, I have.
• 2:39
  Speaker 8: A message.
• 2:48
  Speaker 6: A little sad to give, I wanted to lament and
• 2:52
  Speaker 6: wish condolences to the whole family of Rick, the double
• 2:54
  Speaker 6: Rick and Rainer, who were very successful in Sertanejo, who
• 2:57
  Speaker 6: are iconic, immortal, who are wonderful composers, incredible singers. Unfortunately,
• 3:03
  Speaker 6: Rick ended up losing his life in a tragic plane crash.
• 3:08
  Speaker 6: And leave this homage here and send a hug and
• 3:10
  Speaker 6: condolences to the family.
• 3:12
  Speaker 2: The family of all, right?
• 3:13
  Speaker 6: Exactly, exactly. Fortunately. And that's it.
• 3:17
  Speaker 7: A big kiss, guys.
• 3:17
  Speaker 6: And now, starting this podcast, trying to raise the mood
• 3:20
  Speaker 6: a little, talking about our brands, talking about our sponsors, starting,
• 3:24
  Speaker 6: Mítico Jovem, by Airbnb. Oh, my boss. Our holidays are coming, huh?
• 3:28
  Speaker 6: Thank God, right? Exactly. Who works deserves it. Who works
• 3:30
  Speaker 6: deserves it. Who believes, Mítico? Always reaches. You know that.
• 3:33
  Speaker 6: And the thing is, close your eyes.
• 3:34
  Speaker 4: Me? Uh-huh. Okay.
• 3:40
  Speaker 6: Close your eyes and imagine yourself on a beach in
• 3:41
  Speaker 6: the Northeast. I don't know, it could be Penareia, Maceió, Natal, Recife.
• 3:48
  Speaker 2: I'm imagining.
• 3:49
  Speaker 6: Imagine, continue imagining. Because in the next few months there
• 3:52
  Speaker 6: are a lot of holidays. There are prolonged holidays for
• 3:54
  Speaker 6: you to take that pause in the crazy routine and rest, enjoy.
• 3:58
  Speaker 6: So plan now. There's no QR Code on the ground, right?
• 4:01
  Speaker 6: There's not. But download the Airbnb app and guarantee your accommodation.
• 4:04
  Speaker 6: Because Airbnb has an accommodation that fits in your pocket,
• 4:07
  Speaker 6: for sure.
• 4:08
  Speaker 4: And if you.
• 4:09
  Speaker 6: Do you like the countryside? The beach? But the focus
• 4:11
  Speaker 6: now is the beach, because here, where we live, it's
• 4:13
  Speaker 6: kind of cold, right?
• 4:13
  Speaker 1: Yes.
• 4:13
  Speaker 6: From the middle to the bottom of the country, it's cold.
• 4:16
  Speaker 6: So the thing is to go up, to this paradise
• 4:19
  Speaker 6: that is called the Northeast. For the love of God,
• 4:21
  Speaker 6: I love the Northeast.
• 4:22
  Speaker 1: And remembering that the payment is via Pix, or up.
• 4:24
  Speaker 2: To six times without.
• 4:26
  Speaker 6: Interest on the card. This is good, obviously there are
• 4:29
  Speaker 6: other types of payment, but ViaPix and also on the
• 4:31
  Speaker 6: card helps you to make that partnership with your friends
• 4:35
  Speaker 6: and guarantee a good trip. So send the link to
• 4:37
  Speaker 6: the group and already plan. I'm going to travel now,
• 4:40
  Speaker 6: me and a young mythic, we're going to have our honeymoon,
• 4:41
  Speaker 6: I miss it.
• 4:42
  Speaker 1: For sure, brother, a lot of love, a lot of fraternity,
• 4:45
  Speaker 1: a lot of things are going to happen, I don't know.
• 4:48
  Speaker 6: Let's also talk about our other sponsor, Mítico Jovem, which
• 4:50
  Speaker 6: today premiered a new program on Podpá. It premiered a
• 4:54
  Speaker 6: new project on Podpá. Originais Podpá with Mizuno. The thing is,
• 4:59
  Speaker 6: the first Originais Podpá is... My God, where is it? Relíquia,
• 5:06
  Speaker 6: A Profecia Vem das Ruas, with Mizuno. We explaining the
• 5:08
  Speaker 6: whole history of Pro1. This tennis that became... Relic, it
• 5:12
  Speaker 6: became a trophy, it became something much, much more valuable
• 5:16
  Speaker 6: than just a sneaker.
• 5:16
  Speaker 2: Hey, man, Originais, what is it, man? It's like our documentary.
• 5:19
  Speaker 6: Exactly.
• 5:20
  Speaker 2: Made in our own way, with our look, with our language,
• 5:23
  Speaker 2: for you.
• 5:24
  Speaker 6: It's a documentary program, exactly as Mítico said, where we're
• 5:27
  Speaker 6: going to bring a more accurate look. A documentary for you.
• 5:30
  Speaker 6: And this one explains a lot why this sneaker is
• 5:33
  Speaker 6: so loved by the Paulist culture, the Paulist funk, right?
• 5:36
  Speaker 6: When the Podpah is.
• 5:37
  Speaker 1: Over, go watch it, you'll love it, man. It's a
• 5:40
  Speaker 1: wonderful production.
• 5:41
  Speaker 6: When you see this original Podpah, you can be sure
• 5:43
  Speaker 6: that it's a very good and successful thing.
• 5:45
  Speaker 2: Let's go.
• 5:46
  Speaker 6: Mítico Jovem, talk about our sponsor, Master. Talk about Yamaha,
• 5:49
  Speaker 6: because there's... People who have a true Faro to find
• 5:52
  Speaker 6: the best opportunities. And that's why Yamaha invited Rodrigo Faro
• 5:56
  Speaker 6: to this mission. At the Faro Vantage Festival, there is
• 6:00
  Speaker 6: the Factor model with zero entry, the Fazer FZ25 and
• 6:03
  Speaker 6: the Lander with zero rate too. In addition to the
• 6:06
  Speaker 6: entire Yamaha line, with the first parcel in up to
• 6:08
  Speaker 6: 90 days, this is great, see? It's the chance to
• 6:10
  Speaker 6: buy your new bike now and start paying only later.
• 6:13
  Speaker 6: So you access the QR code that is on the screen,
• 6:16
  Speaker 6: And then check all the conditions and also check all
• 6:20
  Speaker 6: the advantages, okay? Visit a dealership or site. Faro de Vantagens.
• 6:25
  Speaker 6: Who has Faro, choose Yamaha. We're together, right?
• 6:28
  Speaker 2: What is this, huh? Today, this briefing, you.
• 6:32
  Speaker 6: Look.
• 6:32
  Speaker 2: It's on my chest. Yamaha, enjoy. Follow Yamaha on social media.
• 6:36
  Speaker 2: And we're together, Yamaha. Send the MT-07 home, because I
• 6:38
  Speaker 2: miss it.
• 6:39
  Speaker 6: Let's go. Receive with a lot of affection. Make a
• 6:42
  Speaker 6: lot of noise. Drop this studio. Exactly, I want a
• 6:46
  Speaker 6: lot of applause and already leave a greeting here for
• 6:48
  Speaker 6: my partner Luiz. Luiz, this is here to stay for eternity,
• 6:51
  Speaker 6: this greeting for you. Receive with great affection our guest
• 6:54
  Speaker 6: of today, Panda!
• 6:54
  Speaker 4: Let's go!
• 6:54
  Speaker 7: I like this. I like this.
• 6:55
  Speaker 6: Gordão is here, fuck. Did you see how he spoke, Mítico?
• 7:03
  Speaker 6: Gordão is here, fuck. Wow, it's strong, right? It's to
• 7:06
  Speaker 6: get there, getting there, right?
• 7:11
  Speaker 2: Man, thank you for being here.
• 7:13
  Speaker 4: How are you? I'm doing great, how are you?
• 7:14
  Speaker 2: I'm doing great, thank God, in the name of Jesus Christ,
• 7:16
  Speaker 2: Savior of Heaven and Earth.
• 7:17
  Speaker 4: Amen. Amen.
• 7:19
  Speaker 2: You're working a lot, right?
• 7:20
  Speaker 4: A lot, thank God, right?
• 7:21
  Speaker 2: Have you always wanted to have such a crazy schedule?
• 7:23
  Speaker 4: Always. I'm thinking it's not much, actually. Send more.
• 7:25
  Speaker 6: Yeah, we can send more.
• 7:27
  Speaker 4: Here, Gordão really likes to sing. Man, brother, and I
• 7:30
  Speaker 4: don't know, let's.
• 7:31
  Speaker 6: Start breaking all the protocols. What a voice.
• 7:36
  Speaker 4: Thank you. You sing very well.
• 7:37
  Speaker 6: We're together. What a phenomenal artist you are. Thank you, brother. Congratulations.
• 7:40
  Speaker 6: I'm very happy.
• 7:41
  Speaker 4: I'm also a fan of yours.
• 7:41
  Speaker 6: Dude, you came saying that, I was even in front
• 7:43
  Speaker 6: of you.
• 7:43
  Speaker 4: Really. Thank you.
• 7:44
  Speaker 6: What you did with the name Podpá, you transformed it
• 7:46
  Speaker 6: into a wonderful industry. I know you rocked it.
• 7:48
  Speaker 4: You rocked it. So, it's very beautiful to see people prospering.
• 7:52
  Speaker 4: It's very beautiful. Thank you. Congratulations. Congratulations.
• 8:06
  Speaker 6: Pra contar a sua história aqui, pra gente saber desde
• 8:08
  Speaker 6: o comecinho do jeito certo. Quando é que... Não, como
• 8:13
  Speaker 6: que foi a sua infância e quando é que aparece
• 8:15
  Speaker 6: a música na sua vida?
• 8:17
  Speaker 4: A música sempre existiu na minha vida. Desde que eu nasci,
• 8:19
  Speaker 4: meu pai, apaixonado por música, não é cantor nem nada,
• 8:23
  Speaker 4: mas ele gosta muito de ouvir música sertaneja, antiga, né? Então,
• 8:27
  Speaker 4: a música sempre existiu na minha vida.
• 8:28
  Speaker 6: Muito mais o sertanejo.
• 8:30
  Speaker 4: O sertanejo. 100% sertanejo. Então, desde pequenininho, eu já... They
• 8:36
  Speaker 4: sang Olava, the songs, right? When I was about 14
• 8:41
  Speaker 4: years old, I got my first guitar. And I started
• 8:42
  Speaker 4: playing at home. Who did you get it from? My father.
• 8:45
  Speaker 2: He came and said, take it.
• 8:46
  Speaker 6: He saw that I liked it a lot.
• 8:48
  Speaker 2: We had a neighbor.
• 8:50
  Speaker 4: They lived... It was a neighbor in front of us.
• 8:51
  Speaker 4: They had a Zetanejo duo. They went there at home.
• 8:55
  Speaker 4: And I was watching them sing, play, and I was
• 8:58
  Speaker 4: drooling at them.
• 8:58
  Speaker 8: It was really cool, man.
• 9:05
  Speaker 4: Then my father saw it and gave me the guitar.
• 9:08
  Speaker 4: He said, look, if you like it, play the guitar.
• 9:10
  Speaker 4: When you have a review, you play it.
• 9:11
  Speaker 2: What was the first time you learned to play the guitar?
• 9:14
  Speaker 4: Man, it was one of Praça é Nossa.
• 9:16
  Speaker 6: Praça é Nossa?
• 9:18
  Speaker 2: Praça é Nossa do Carlos Alberto?
• 9:20
  Speaker 4: I won't remember now, man.
• 9:21
  Speaker 2: The same Praça.
• 9:22
  Speaker 4: The same Praça.
• 9:23
  Speaker 7: This one?
• 9:25
  Speaker 4: I knew, man.
• 9:25
  Speaker 2: Are you crazy?
• 9:27
  Speaker 4: It was this song. Why? Did you watch it on TV?
• 9:30
  Speaker 4: The teacher traveled, right? But there's no problem there. We
• 9:35
  Speaker 4: started when I was 15 years old. I met a
• 9:41
  Speaker 4: colleague at the club I used to go to. I'm
• 9:44
  Speaker 4: from Santo André. ABC Paulista. The club was called Maçã.
• 9:48
  Speaker 4: I used to go to this club. I met a
• 9:50
  Speaker 4: guy there.
• 9:50
  Speaker 6: What did you go to? Did you go to the
• 9:52
  Speaker 6: swimming pool? What was this club like?
• 9:54
  Speaker 4: Although no one believes when a fat guy says he
• 9:58
  Speaker 4: played soccer, but I played soccer, volleyball.
• 10:03
  Speaker 6: Everything you can imagine. You were a fat guy at
• 10:06
  Speaker 6: your disposal?
• 10:06
  Speaker 4: Or you weren't fat? I was thinner. I loved sports, right?
• 10:11
  Speaker 4: Doing sports. Today I don't do it anymore because of
• 10:14
  Speaker 4: time and because I don't want to either. Because it's tiring.
• 10:17
  Speaker 6: It's tiring a lot, right?
• 10:18
  Speaker 4: I met this partner, I had 3 years of duo
• 10:22
  Speaker 4: in São Paulo. 3 years of duo.
• 10:24
  Speaker 6: Calm down, calm down, we like details, let's go.
• 10:27
  Speaker 4: Let's go.
• 10:28
  Speaker 6: This partner of yours already sang.
• 10:30
  Speaker 4: Already sang and played.
• 10:31
  Speaker 6: How did you look at him and say, I need
• 10:33
  Speaker 6: a duo and it's you?
• 10:33
  Speaker 4: I said, no, he was playing with his friends there
• 10:37
  Speaker 4: and such, guitar. Then I said, sir, can I sing there?
• 10:40
  Speaker 4: I got in the middle, because I like to make friends.
• 10:42
  Speaker 4: Then I sang, he did the second and we started playing.
• 10:49
  Speaker 4: It started as a joke, and then it got really cool.
• 10:51
  Speaker 4: But wait, at 15 you.
• 10:52
  Speaker 1: Already had a great voice, because we're going through.
• 10:55
  Speaker 2: That age where our voice changes, right? That's right, man.
• 10:58
  Speaker 1: I already had a strong voice.
• 11:00
  Speaker 4: And if you take care of your voice, you only
• 11:01
  Speaker 4: mature it, it only gets better. It only gets better.
• 11:05
  Speaker 4: It only gets better. Se você não cuidar, ela realmente
• 11:14
  Speaker 4: trava em um certo momento e não avança mais, né?
• 11:17
  Speaker 6: Caramba, que louco você falar isso, Panda. Porque eu achava
• 11:20
  Speaker 6: que a voz, ela vai só piorando. Se você não cuida, sim.
• 11:25
  Speaker 6: Se você cuida... Mas se cuidar, ela vai ficando até melhor.
• 11:29
  Speaker 4: Vai ficando melhor, mais bonita, mais... Fica do jeito que
• 11:32
  Speaker 4: você quiser, né? Do jeito que você quiser, fica a
• 11:33
  Speaker 4: sua voz.
• 11:34
  Speaker 2: Mas então, desde essa idade, você já cuidava da sua voz?
• 11:37
  Speaker 4: Sempre cuidei. Sempre cuidei muito da minha voz. Sempre gostei disso. De...
• 11:44
  Speaker 4: You know, to do it nicely, I've always been curious. Today, obviously,
• 11:51
  Speaker 4: thank God, I became a professional singer. So I dedicate
• 11:57
  Speaker 4: myself much more to... I do the phonograph, singing lessons.
• 12:01
  Speaker 6: There are professionals behind it.
• 12:03
  Speaker 4: Yes, there are always. Singing lessons always have to have. Ah,
• 12:06
  Speaker 4: but you already know how to sing. No, it's not that.
• 12:08
  Speaker 4: It's for you to always improve what you know how
• 12:10
  Speaker 4: to do. For you to always.
• 12:11
  Speaker 6: Reach what you can do. And that's because.
• 12:13
  Speaker 4: The muscle, right? The voice is muscle.
• 12:17
  Speaker 2: Yes.
• 12:17
  Speaker 4: So you always have to be careful, otherwise this muscle
• 12:21
  Speaker 4: will atrophy, this muscle will weaken. This is normal.
• 12:24
  Speaker 6: Okay, but who was it that told you, at 15
• 12:26
  Speaker 6: years old, that I imagine, pô, everyone was 15 years
• 12:28
  Speaker 6: old here, when are you going to do it nicely,
• 12:30
  Speaker 6: take care of the stuff? Who was it that put
• 12:33
  Speaker 6: it in your head, like, pô, you have to take
• 12:34
  Speaker 6: care of this here? Because you could just throw the
• 12:37
  Speaker 6: stick in his voice and.
• 12:39
  Speaker 4: What I saw were examples of Chororó. And I always
• 12:45
  Speaker 4: saw his interviews. And I thought it was very beautiful.
• 12:50
  Speaker 4: I think it's very beautiful what he does. He's a
• 12:53
  Speaker 4: guy who's really an example. He's a guy who can't...
• 12:55
  Speaker 4: There's no comparison. So I always thought he was very beautiful.
• 12:59
  Speaker 4: He's a guy who doesn't drink. He doesn't smoke. He
• 13:01
  Speaker 4: doesn't smoke. He's a guy who... Wow, he's too dedicated
• 13:04
  Speaker 4: to his voice. His CD, Criança, he sings in the
• 13:09
  Speaker 4: same tone as the song he used to sing when
• 13:13
  Speaker 4: he was a kid.
• 13:14
  Speaker 6: And it's as beautiful as it is. So that shows
• 13:17
  Speaker 6: dedication to the profession, right?
• 13:18
  Speaker 4: That's right. No, for God's sake, my dedication doesn't reach
• 13:21
  Speaker 4: my feet. Even because there's alcohol. I don't smoke anything,
• 13:23
  Speaker 4: but there's alcohol. And we're new, we're new. And we
• 13:27
  Speaker 4: pass a little bit of the limit sometimes, right?
• 13:34
  Speaker 2: But you're still young, right?
• 13:35
  Speaker 8: I'm young, yeah.
• 13:36
  Speaker 2: You're young. But when you were a.
• 13:37
  Speaker 1: Little boy, everyone would say, Pandinha, you sing a lot, brother.
• 13:40
  Speaker 1: It was already a vibe like that. Did you already
• 13:43
  Speaker 1: have that expectation about you, brother?
• 13:45
  Speaker 4: Yes.
• 13:45
  Speaker 2: The people at school, my friends there, my circle of.
• 13:48
  Speaker 4: Friends, always encouraged me to sing. At home, in fact,
• 13:51
  Speaker 4: when I started playing at the bars, O pai e
• 14:03
  Speaker 4: a mãe da gente tem uma visão diferente de bar. Então... Perigoso.
• 14:07
  Speaker 4: No começo, com certeza, eu não tive incentivo dos meus pais,
• 14:11
  Speaker 4: mas por esse motivo, né? Hoje, graças a Deus, eu
• 14:14
  Speaker 4: mudei a vida da minha família e aposentei meus pais. Então,
• 14:19
  Speaker 4: eles sabem o quanto valeu a pena esperar e se
• 14:23
  Speaker 4: lascar no boteco 17 anos.
• 14:26
  Speaker 2: Foram 17 anos?
• 14:27
  Speaker 4: Foram 17 anos.
• 14:28
  Speaker 1: Como que foi as primeiras vezes em boteco, cara? Você
• 14:31
  Speaker 1: foi escondido da sua família?
• 14:33
  Speaker 4: No, I had a pair, right? So, I went with
• 14:38
  Speaker 4: the pair and with the mother and the father of
• 14:43
  Speaker 4: my partner. And we went together, I was underage, so
• 14:47
  Speaker 4: I was very stuck in that.
• 14:48
  Speaker 2: How much was the first cashier?
• 14:50
  Speaker 4: I don't remember. A pizza. I don't remember. 50 reais.
• 14:53
  Speaker 2: Lunch, I don't know.
• 14:53
  Speaker 4: I remember my first cashier was 100 reais. Four hours
• 15:00
  Speaker 4: of show.
• 15:01
  Speaker 8: Wow.
• 15:01
  Speaker 4: And the woman demanded that I sing only one style
• 15:04
  Speaker 4: of music, only one singer. Because she was a fan
• 15:07
  Speaker 4: of Bruno Marrone. And she said, I want you to
• 15:08
  Speaker 4: sing only Bruno Marrone. It was four hours of Bruno
• 15:10
  Speaker 4: Marrone singing. And for her and two.
• 15:16
  Speaker 2: Waiters. But why? Because the bar didn't... The bar didn't
• 15:18
  Speaker 2: give anyone, right? But you represented there. But, man, Bruno
• 15:22
  Speaker 2: Marrone has.
• 15:23
  Speaker 4: He has too much.
• 15:24
  Speaker 2: Four hours.
• 15:24
  Speaker 4: He repeats music a lot, right? But they have more, right?
• 15:28
  Speaker 4: For sure, but...
• 15:42
  Speaker 4: I had to run away from it, man.
• 15:53
  Speaker 4: It was very difficult. When you get addicted to reading, right?
• 15:56
  Speaker 4: The TDAH hits you when you forget the lyrics. Until today,
• 15:59
  Speaker 4: I have a lot of problems with that.
• 16:01
  Speaker 2: You get used to reading.
• 16:03
  Speaker 4: So, at the show, I have a point that my
• 16:07
  Speaker 4: musical director says at the beginning of the sentence, like,
• 16:12
  Speaker 4: sun and moon. Then I, sun and moon.
• 16:15
  Speaker 2: It's like that.
• 16:17
  Speaker 6: I'm going to tell.
• 16:18
  Speaker 4: You the TDAH thing. Up on the stage, You have
• 16:22
  Speaker 4: people with cell phones written things that you can't read.
• 16:25
  Speaker 4: You have people yelling at you, talking to you. You
• 16:29
  Speaker 4: can't hear. You can't hear. You have to pay attention to...
• 16:32
  Speaker 4: There are people.
• 16:33
  Speaker 2: Saying, here is Corinthians.
• 16:35
  Speaker 4: Yes, there are people saying that. Then there are people
• 16:38
  Speaker 4: who say like this, hey Panda, what time can I drink?
• 16:40
  Speaker 4: Then I say, now! So, the TDAH catches. And then
• 16:44
  Speaker 4: I use these tricks. But then, Basinho was your school. Yes,
• 16:52
  Speaker 4: it was my school. The school of every singer.
• 16:54
  Speaker 2: What were some of the bar experiences that you had
• 16:56
  Speaker 2: to go through?
• 16:56
  Speaker 4: Oh my God.
• 16:57
  Speaker 2: What's one funny thing that you've experienced?
• 16:59
  Speaker 6: No, horrible, right? That must have happened.
• 17:01
  Speaker 2: Yes, funny things, horrible things, good things. Because it's a
• 17:05
  Speaker 2: school there, right?
• 17:06
  Speaker 4: I'll tell you something, man. I think that when we
• 17:12
  Speaker 4: get to a certain age, we get used to the
• 17:14
  Speaker 4: craziness of the people, right?
• 17:18
  Speaker 2: And bar is the crazy place, right?
• 17:19
  Speaker 4: Bar is crazy. I saw a lot of betrayal in bars.
• 17:23
  Speaker 4: A lot of betrayal.
• 17:24
  Speaker 2: Look how cool it is. Like, a woman arrived.
• 17:26
  Speaker 4: Yeah, I knew her. I would get there and say, like, damn,
• 17:29
  Speaker 4: the woman of the guy who was there, man. No... Yeah,
• 17:33
  Speaker 4: with the guy there. Then, suddenly, the other day, in
• 17:37
  Speaker 4: the bar, her husband with another woman. I said, wow,
• 17:40
  Speaker 4: it's reciprocal and such.
• 17:41
  Speaker 6: In the same bar?
• 17:42
  Speaker 4: No, it's different bars too.
• 17:44
  Speaker 2: And you didn't just stand there in the microphone and say, oh, José,
• 17:46
  Speaker 2: pay attention.
• 17:47
  Speaker 4: No, I was really afraid of that.
• 17:49
  Speaker 2: You'd leave it quiet.
• 17:50
  Speaker 4: I'd leave it there. It's all right.
• 17:53
  Speaker 2: What else did you experience at the bar?
• 17:56
  Speaker 4: The bar literally taught me how to deal with people.
• 18:01
  Speaker 4: Because at the bar, people have 100% access to you.
• 18:05
  Speaker 4: So the person goes up on stage, hits the microphone
• 18:08
  Speaker 4: in our mouth, asks for music, plays our guitar, hits
• 18:11
  Speaker 4: us like this, throws beer at us, fights, fights, chairs,
• 18:14
  Speaker 4: you have to... a stick coming in your head, then
• 18:19
  Speaker 4: you have to deviate. So, the bar taught me to
• 18:22
  Speaker 4: deal with people. For today, you can understand what's going on.
• 18:27
  Speaker 4: In a show with 30,000 people, you look and say,
• 18:29
  Speaker 4: I know how to deal with all these people. But
• 18:31
  Speaker 4: in those 17 years, Panda, doing the bar, weren't there
• 18:34
  Speaker 4: moments or phases in your life that you said.
• 18:36
  Speaker 6: Like this, Damn, it's only going to be a bar.
• 18:47
  Speaker 4: I think it's very cool in the beginning. Because I'm
• 18:51
  Speaker 4: a guy who likes to drink. And the bar, for
• 18:58
  Speaker 4: the singer, I never paid. I don't remember the last
• 19:00
  Speaker 4: time I paid to drink. So we get the drink.
• 19:02
  Speaker 4: People want the singer drinking with you.
• 19:07
  Speaker 6: It's tasty.
• 19:07
  Speaker 4: It's cool. The drink is part of it. There's nothing
• 19:09
  Speaker 4: to do. It's in the bar still. It's the perfect
• 19:11
  Speaker 4: climate to drink one, Modão playing... People lying to each other.
• 19:19
  Speaker 6: And I've seen you saying that your thing is to
• 19:21
  Speaker 6: see people drinking. Yes, people have to drink.
• 19:23
  Speaker 4: Not me. I like to see people falling on the floor.
• 19:26
  Speaker 4: You like to see.
• 19:27
  Speaker 6: Us arriving like this. Look at Igão, he arrived in
• 19:29
  Speaker 6: this good semblance. Look at Igão, at one hour of
• 19:32
  Speaker 6: the show he's already crazy.
• 19:33
  Speaker 7: That's right.
• 19:34
  Speaker 4: This is panda, fuck. That's right.
• 19:36
  Speaker 8: Cool.
• 19:37
  Speaker 4: The guy says like this, look, two more came out
• 19:39
  Speaker 4: in the ambulance. I said, this is panda, fuck. But
• 19:43
  Speaker 4: that's more. Hold on. We do the show for people
• 19:45
  Speaker 4: to have fun. Like me, I'm in a mess today,
• 19:47
  Speaker 4: so big. I imagined, man. So much that I vomited.
• 19:51
  Speaker 4: Today it's not written. And I had a headache from
• 19:53
  Speaker 4: my medicine. Because yesterday, me and my wife. My wife
• 19:56
  Speaker 4: is a partner. She gets crazy with me. Dona Shirley,
• 19:58
  Speaker 4: I love you, my love. Fica louca comigo. Ontem eu
• 20:11
  Speaker 4: e ela ficamos doidão lá. Graças a Deus, meu segurança,
• 20:16
  Speaker 4: o Urso e o Murilo, meu assessor, They were there to.
• 20:19
  Speaker 2: To manage, to take care.
• 20:20
  Speaker 4: To get me off the ground, because I fell several times.
• 20:24
  Speaker 7: I fell from.
• 20:24
  Speaker 6: But you stay with one to the other, kind.
• 20:27
  Speaker 4: Of drunk, like... Oh, this woman is awesome! Me, on
• 20:29
  Speaker 4: my knees.
• 20:30
  Speaker 6: It's a drunk thing.
• 20:30
  Speaker 4: There was a chaotic moment, that I looked, Wesley was German,
• 20:35
  Speaker 4: Bistecone was drunk.
• 20:36
  Speaker 6: Nice, it's a dream. Yeah.
• 20:39
  Speaker 4: And I said, man, it looked like those dreams, right?
• 20:42
  Speaker 4: And I looked at my wife, and I have my
• 20:44
  Speaker 4: best friend, more than 12 years of friendship, who is
• 20:46
  Speaker 4: Gabriel Riboli, or Biel. Fuck you. He doesn't come here today,
• 20:49
  Speaker 4: he must be drunk too. He, my oldest son, Luiz Fernando,
• 20:52
  Speaker 4: and my wife were hugging and crying. I said, wow,
• 20:55
  Speaker 4: why are they crying? I went there and cried too.
• 20:58
  Speaker 4: I said, I'm a partner, let's cry. If you're crying,
• 21:00
  Speaker 4: you're crying. So, man, I always liked the drink.
• 21:03
  Speaker 2: Music and drink transform the environment.
• 21:13
  Speaker 4: E se você souber usar com alegria, aí fechou. Aí
• 21:17
  Speaker 4: é o combinado perfeito, né?
• 21:18
  Speaker 2: Mas nesse início ali, você era dupla, né?
• 21:21
  Speaker 4: Não, não. A dupla foi três anos. Eu era menor
• 21:25
  Speaker 4: de idade, né? Foi dos 15 aos 17, mais ou menos.
• 21:29
  Speaker 4: Aí eu fui pra Mato Grosso.
• 21:30
  Speaker 2: Por quê?
• 21:31
  Speaker 4: Porque o meu pai já tinha... Meus pais já tinham
• 21:34
  Speaker 4: se mudado pro Mato Grosso, na cidade de Sorriso, né?
• 21:38
  Speaker 4: E a dupla não tava dando certo. Eu não tinha
• 21:40
  Speaker 4: maturidade pra entender... The nightlife, the evilness of the nightlife.
• 21:46
  Speaker 6: There's evilness.
• 21:46
  Speaker 4: You have to have a hellish malice for you to
• 21:49
  Speaker 4: go through that. So the duo ended and I moved
• 21:53
  Speaker 4: to Mato Grosso. And when I got to Mato Grosso,
• 21:56
  Speaker 4: I didn't sing for a year.
• 21:58
  Speaker 6: You were discouraged, brother?
• 21:59
  Speaker 4: I was discouraged because of that. I said, wow, what
• 22:02
  Speaker 4: a dirty world. And there are certain things that you
• 22:05
  Speaker 4: have to... Relevate. Relevate, right? But this one year I
• 22:10
  Speaker 4: stopped singing, I started working in the CLT, it was
• 22:15
  Speaker 4: a piece of shit, and then I was a printer.
• 22:18
  Speaker 4: Look how wonderful. Yeah, printer.
• 22:19
  Speaker 2: But it was very bad, I arrived super late, and I.
• 22:22
  Speaker 4: Don't think it works, I don't know how to work
• 22:24
  Speaker 4: like that. Routines. Yeah, I don't serve for that, no.
• 22:30
  Speaker 2: But how was the routine of this work?
• 22:32
  Speaker 4: Boring, right? A boring routine. A very, very, very boring routine.
• 22:35
  Speaker 4: Mato Grosso has a lot of work, it was a
• 22:37
  Speaker 4: lot of delivery, I didn't understand why I worked so much.
• 22:41
  Speaker 2: But what was it? Was it a motorcycle or a bike?
• 22:43
  Speaker 4: It was a motorcycle.
• 22:44
  Speaker 6: I didn't understand why I was working. Man, and you
• 22:47
  Speaker 6: carried the giant gallon of ink? Everything, can you imagine?
• 22:49
  Speaker 4: I had a time that I would go, I would
• 22:51
  Speaker 4: get there, I would forget about the ink. I said, damn,
• 22:56
  Speaker 4: I have to go back.
• 22:57
  Speaker 2: And look, you were the delivery man of the ink.
• 22:59
  Speaker 4: I don't serve to do that. So, with their encouragement,
• 23:04
  Speaker 4: even from the guys who, after the tour, after working
• 23:07
  Speaker 4: and such, after that, the guys encouraged me. They said, oh,
• 23:10
  Speaker 4: you have to make a.
• 23:12
  Speaker 6: Club, man.
• 23:12
  Speaker 2: But you kept playing in the free time there?
• 23:14
  Speaker 4: Yeah, there was a guitar left there, I passed the
• 23:17
  Speaker 4: notes there and sang a lot. They said, you sing
• 23:19
  Speaker 4: well and such. With my voice, I appeared from Bruno,
• 23:22
  Speaker 4: from Bruno Marrone. There are many people who don't know
• 23:25
  Speaker 4: who Bruno is and who Marrone is, right? It's true.
• 23:28
  Speaker 4: They don't know how to identify who is who in
• 23:31
  Speaker 4: the duo. Then the people said, you sing like Marrone, man.
• 23:34
  Speaker 4: Then I said, cool, thanks, because I won't be discussing
• 23:38
  Speaker 4: it too much.
• 23:38
  Speaker 2: Then, everything is fine.
• 23:39
  Speaker 4: Very, very, very, very. Then I said, yeah, everything is fine.
• 23:43
  Speaker 4: It's all right, Marrone and such. Marrone is a good person.
• 23:47
  Speaker 4: Then I said, man... Let's put it as Marrone, man.
• 23:51
  Speaker 4: My artistic name is Marrone. Then I made a little card,
• 23:56
  Speaker 4: Marrone Show. Then I made a show for Danai Boteco.
• 23:59
  Speaker 6: But that's a beautiful thought, because, from the heart, Bruno,
• 24:04
  Speaker 6: there are several. Marrone is just Marrone, man. There's no other.
• 24:08
  Speaker 2: And Marrone is a legend.
• 24:10
  Speaker 6: Did the Marrone Show work?
• 24:11
  Speaker 4: It worked a lot, until I met Marrone. Then Marrone said,
• 24:14
  Speaker 4: this name is mine, man. But he still said it
• 24:18
  Speaker 4: in a good way, right? I said, you have to
• 24:20
  Speaker 4: wear yours, you're not beautiful. What's your name? Jonathan.
• 24:21
  Speaker 6: Yes, thank you.
• 24:22
  Speaker 4: Jonathan Anjos.
• 24:23
  Speaker 6: Then I put it there.
• 24:24
  Speaker 2: Good name.
• 24:25
  Speaker 4: Good name, but it's too long.
• 24:27
  Speaker 2: Jonathan Anjos.
• 24:28
  Speaker 4: That's it. Then I put it there, Jonathan Anjos. Then
• 24:32
  Speaker 4: it was cool.
• 24:33
  Speaker 2: No, but wait, how was this first meeting with Marrone?
• 24:35
  Speaker 4: It was, there was a football, there in Sorriso, in
• 24:41
  Speaker 4: Lucas do Rivete, I don't remember now. There was a
• 24:44
  Speaker 4: soccer game there and the guy who played called me
• 24:46
  Speaker 4: and said, Marrone will be there? Make a show for
• 24:49
  Speaker 4: us for free to receive Marrone. It was easy. Let's
• 24:52
  Speaker 4: go meet Marrone.
• 24:53
  Speaker 2: How long has it been since the Marrone show?
• 24:55
  Speaker 4: About 3 years.
• 24:57
  Speaker 6: What the fuck?
• 24:59
  Speaker 4: About 4 years. Then I got there, set the sound
• 25:02
  Speaker 4: in the party gourmet area of ​ ​ football and it
• 25:05
  Speaker 4: was about 100 meters away from where they played football.
• 25:10
  Speaker 4: And I was there playing the guitar, singing Bruno Marrone, right?
• 25:13
  Speaker 4: Then Marrone arrived, played the ball and such. Marrone really
• 25:19
  Speaker 4: likes soccer, man.
• 25:20
  Speaker 6: This is not good.
• 25:21
  Speaker 4: No, it's not like that.
• 25:23
  Speaker 6: I already played the ball with Marrone. Really? I like him.
• 25:26
  Speaker 4: What?
• 25:26
  Speaker 6: Beneficent soccer? Empaths of Minas.
• 25:28
  Speaker 2: Marrone is a monster. Look how good he is.
• 25:29
  Speaker 4: Guilhermontes. Then the soccer ended and they sat there. Instead
• 25:33
  Speaker 4: of coming there with me, I was alone there. They
• 25:36
  Speaker 4: sat there in the soccer, man. And I kept singing.
• 25:40
  Speaker 4: Then I looked at the brother who had invited me
• 25:42
  Speaker 4: and said, I didn't like it, I wasn't even calling.
• 25:44
  Speaker 4: I was talking to Marrone yesterday.
• 25:47
  Speaker 2: But you were trying, you were screaming more, you were like.
• 25:50
  Speaker 4: I was bursting, bro. But no one looked at me.
• 25:53
  Speaker 4: Marrone didn't even turn back.
• 25:55
  Speaker 2: Son of a mother.
• 25:56
  Speaker 4: Marrone was shitting and walking to me, bro. I said, bro,
• 25:59
  Speaker 4: it's good, let's go.
• 26:00
  Speaker 2: And the name is Marrone Show, bro.
• 26:02
  Speaker 4: I'm Marrone, bro. Then he picked it up and said...
• 26:06
  Speaker 4: My friend got up and said, Marrone... Did you like
• 26:09
  Speaker 4: the song? Then Marrone said, but what song? Isn't it
• 26:13
  Speaker 4: our CD that's playing? Because when I sang very similar
• 26:17
  Speaker 4: to Bruno, you know? He thought it was the CD
• 26:21
  Speaker 4: Bruno Marrone, that acoustic there, right? The first one.
• 26:23
  Speaker 7: But he didn't even hear it, so.
• 26:24
  Speaker 2: Then he said, no, it's our friend there, man.
• 26:27
  Speaker 4: Then he turned and said... That's a fucking compliment, man.
• 26:30
  Speaker 4: Holy shit, man.
• 26:31
  Speaker 8: Or.
• 26:35
  Speaker 4: When he looked at me, he said, man, I didn't know.
• 26:39
  Speaker 4: And everyone came here. And we started singing together. Man,
• 26:42
  Speaker 4: we did more than two hours of review there, me
• 26:46
  Speaker 4: and him.
• 26:46
  Speaker 6: Only after he came back.
• 26:47
  Speaker 4: After he came back.
• 26:48
  Speaker 6: Man, this DVD, for me, at least in my family,
• 26:50
  Speaker 6: it's very remarkable, Mítico. Which one? The acoustic DVD of
• 26:54
  Speaker 6: Bruno Marrone.
• 26:55
  Speaker 4: Of course. The blue CD.
• 26:57
  Speaker 6: Don't leave me out of your schedule on the weekend, man.
• 27:01
  Speaker 6: And then you played with him.
• 27:02
  Speaker 4: And he said, I was even finding it strange. I said,
• 27:05
  Speaker 4: these sons of a bitch took my voice and left
• 27:08
  Speaker 4: only Bruno's. What is this? I said, no, man.
• 27:10
  Speaker 6: It's not always like that. I'm kidding. I'm kidding.
• 27:13
  Speaker 4: Then we sang, I had the opportunity to get to
• 27:17
  Speaker 4: know him better. And today, thank God, I'm a friend
• 27:19
  Speaker 4: of Marrone. Bruno's too. I like friendship a lot. The
• 27:29
  Speaker 4: voice of the people ends, the money ends, everything can end,
• 27:31
  Speaker 4: but friendship is a very cool thing. It's the most
• 27:32
  Speaker 4: delicious thing in life, bro.
• 27:33
  Speaker 6: I think so, bro. And you're the guy who says, like,
• 27:36
  Speaker 6: I like making friends. I like it, I like it.
• 27:38
  Speaker 6: It was always something that you, like, bro, I'm seeing
• 27:40
  Speaker 6: that quiet guy there, I'll go there and talk to him.
• 27:43
  Speaker 6: I'll go there and save the person.
• 27:45
  Speaker 4: Yeah, I like it too much.
• 27:46
  Speaker 6: You're this guy.
• 27:47
  Speaker 4: Bistecone yesterday, I called him to the show, right? And
• 27:49
  Speaker 4: he was very lost there, right? He only knew me. Yes.
• 27:51
  Speaker 4: Then I said, Bistecone, come here, stick to me, I'll
• 27:54
  Speaker 4: introduce you to the guys there and such. I like
• 27:58
  Speaker 4: to do that, I like to be remembered, you know?
• 28:03
  Speaker 4: For a cool thing, I think it's very cool.
• 28:05
  Speaker 2: But at that moment, what do you remember?
• 28:07
  Speaker 1: The first things that Mahoney gave you tips, what.
• 28:11
  Speaker 4: Did he say? He praised a lot, he gave tips
• 28:14
  Speaker 4: about if one day to be successful, take care of
• 28:18
  Speaker 4: the money, family. Marrone is a very wise guy, a
• 28:23
  Speaker 4: very nice guy to talk to. So, after that day, what?
• 28:26
  Speaker 1: Did it open a door for you?
• 28:28
  Speaker 2: How was it after that meeting? No, nothing. Nothing changed.
• 28:32
  Speaker 4: Nothing changed? I was going to the pubs. Until a year,
• 28:35
  Speaker 4: a year and a half ago, I was in the pub.
• 28:37
  Speaker 4: That's crazy. The Ascension that is happening and everything else.
• 28:43
  Speaker 9: It's been a year and a half. It's very recent.
• 28:53
  Speaker 4: Panda is 5 years old.
• 28:56
  Speaker 6: How did you get from Jonathan Anjos to Panda?
• 28:59
  Speaker 4: When I met Rafael Cabral, my business partner, there are
• 29:03
  Speaker 4: Rafael Cabral, Fernando Cabral and Michel Cabral.
• 29:06
  Speaker 6: What is that?
• 29:06
  Speaker 4: The Cabrais. When I met him, he said, your name
• 29:10
  Speaker 4: is beautiful, Jonathan Anjos is cool, but it's very extensive.
• 29:12
  Speaker 4: We need something faster, shorter, faster. And we started thinking, thinking, thinking, thinking, thinking,
• 29:23
  Speaker 4: and nothing. He said, look, I have a business here.
• 29:25
  Speaker 4: When I look at you, man, I see a little bear,
• 29:28
  Speaker 4: good people. You're a chubby, good people, make the people laugh,
• 29:31
  Speaker 4: leave everyone at ease. You're a panda, man. You're a panda, right?
• 29:36
  Speaker 6: But to like that at first.
• 29:37
  Speaker 4: Then I said, no, panda, no. Boa, faz a galera
• 29:31
  Speaker 4: dar risada, deixa todo mundo à vontade. Você é um panda, velho.
• 29:34
  Speaker 4: Você é um panda, né?
• 29:36
  Speaker 6: Mas pra gostar disso de primeira?
• 29:37
  Speaker 4: Aí eu falei, não, panda não. Falei, Rafa, panda é
• 29:41
  Speaker 4: uma bosta, cara. Eu saí lá, tô passando raiva lá
• 29:44
  Speaker 4: em Mato Grosso, lá de tocar em boteco. Vim aqui
• 29:47
  Speaker 4: pra receber nome de bicho, Rafa. Ah, não, coloca elefante logo.
• 29:50
  Speaker 4: Pra ser apelativo logo. Aí ele pediu desculpa, ele falou, não,
• 29:54
  Speaker 4: desculpa aí, velho. I wanted you to understand. It's just
• 29:58
  Speaker 4: an idea. I said, no, it's okay. Let's think about
• 30:00
  Speaker 4: the name.
• 30:00
  Speaker 6: Let's work on it more.
• 30:01
  Speaker 4: At least people.
• 30:01
  Speaker 2: Then Rafa said, no, tomorrow there.
• 30:03
  Speaker 4: Will be a meeting. We finish beating this. I said,
• 30:06
  Speaker 4: it's over. I went home. I even talked to the staff,
• 30:08
  Speaker 4: my wife. I said, no, these guys are going to
• 30:10
  Speaker 4: put the name of Panda. What did your wife say?
• 30:12
  Speaker 4: She said, wow, Panda, no, it's not cool. Only Rafa
• 30:14
  Speaker 4: was doing well.
• 30:15
  Speaker 6: Then I arrived.
• 30:16
  Speaker 4: The other day I woke up early to have a
• 30:18
  Speaker 4: meeting of... for us to start our work with Panda,
• 30:28
  Speaker 4: only five years ago. And who opened the office door
• 30:32
  Speaker 4: was Dede, who was a former advisor to Afro. When
• 30:35
  Speaker 4: he opened the door, he said, welcome Mr. Panda. I said,
• 30:37
  Speaker 4: the name is good as hell, man. Because maybe I
• 30:38
  Speaker 4: was with another thought.
• 30:40
  Speaker 2: Ah, name of animal, maybe it can refer to children, right?
• 30:53
  Speaker 4: A cute panda, a panda bear, a panda kogifu panda.
• 30:57
  Speaker 4: When he said, welcome, Mr. Panda, I said, damn, this name...
• 31:01
  Speaker 4: He gave it to.
• 31:01
  Speaker 6: You in another way, right? I said, this name is cool,
• 31:04
  Speaker 6: I liked it.
• 31:04
  Speaker 4: I entered the room and said, it's Panda, you can
• 31:08
  Speaker 4: call me Panda. He said, no, but you didn't like it.
• 31:10
  Speaker 4: I said, I didn't like it, I loved it. I
• 31:12
  Speaker 4: want Panda. He said, I don't want another name, I
• 31:15
  Speaker 4: want Panda. He said, so it's Panda, so it's closed,
• 31:18
  Speaker 4: you're Panda. I said, damn, it's closed, Panda. And it's
• 31:22
  Speaker 4: a small name, man. On the bus, there are five
• 31:25
  Speaker 4: meters of names like that, Panda. You can see it
• 31:28
  Speaker 4: from afar.
• 31:28
  Speaker 2: Panda is.
• 31:29
  Speaker 6: And it's unique, right? There's no other.
• 31:31
  Speaker 4: It's like Maroni. There's DJ Panda, for example. But singer Panda...
• 31:34
  Speaker 4: That's what I was going to say. It's like Ferrugem, right?
• 31:38
  Speaker 4: We used this example. Ferrugem, man. Ferrugem is total. You
• 31:42
  Speaker 4: stop to think the name Ferrugem.
• 31:45
  Speaker 6: It's something bad, right?
• 31:46
  Speaker 7: It's a bad thing, right?
• 31:47
  Speaker 4: It's a bad thing. Ferrugem.
• 31:48
  Speaker 6: But he didn't think of that.
• 31:49
  Speaker 4: Yes. Ferrugem?
• 31:51
  Speaker 6: Ferrugem is phenomenal. Ferrugem is Ferrugem.
• 31:53
  Speaker 2: You say Ferrugem with your eyes closed, you see him
• 31:56
  Speaker 2: in your mind.
• 31:56
  Speaker 4: You don't see Ferrugem anymore, Ferrugem.
• 31:59
  Speaker 2: No, no.
• 31:59
  Speaker 4: You talk about Panda, you don't see a little panda. No.
• 32:01
  Speaker 4: You see the drink, the singer, Sertanejo, you know?
• 32:05
  Speaker 2: A big voice.
• 32:05
  Speaker 6: This totally meant the thing. This is very cool, but
• 32:07
  Speaker 6: one thing I wanted to understand, Panda, is... If you
• 32:11
  Speaker 6: noticed the difference between the market of bars in São
• 32:14
  Speaker 6: Paulo and Mato Grosso, if there is any difference, do
• 32:16
  Speaker 6: people receive better in Mato Grosso because it is something
• 32:20
  Speaker 6: closer to Sertanejo music, or is there not so much difference?
• 32:23
  Speaker 4: I did boutiques practically all over Brazil. So everywhere you
• 32:27
  Speaker 4: are received in a different way. There is no place
• 32:32
  Speaker 4: that you are not well received. Especially when you are
• 32:36
  Speaker 4: a singer. People like singers, you know? So, man, I think...
• 32:39
  Speaker 4: But a bar in Goiás is different.
• 32:41
  Speaker 6: Ah, no, in Goiás is crazy.
• 32:42
  Speaker 4: But I think that the Goianian, man... I'm from Goiânia,
• 32:45
  Speaker 4: I live in Goiânia now. There in Goiânia is too good, man.
• 32:51
  Speaker 4: I'm in love with Goiânia. It's very good. And I
• 32:52
  Speaker 4: lived until I was 17 in São Paulo. And I'm
• 32:54
  Speaker 4: going to tell you something, man. If you live... A
• 33:05
  Speaker 4: week in Goiânia, you will fall in love with Goiânia.
• 33:09
  Speaker 6: You don't leave there?
• 33:10
  Speaker 4: No, no, I don't leave.
• 33:12
  Speaker 6: There for nothing. And whoever goes there for a week also.
• 33:14
  Speaker 4: Doesn't leave there? Don't leave there. Goiânia is very safe.
• 33:18
  Speaker 4: There you can walk with a Ferrari, without hood, with
• 33:22
  Speaker 4: Rolex outside.
• 33:23
  Speaker 6: Nothing will happen.
• 33:24
  Speaker 4: Nothing will happen. It's very safe. The life you live
• 33:28
  Speaker 4: there is delicious. Second to second, if you want to
• 33:34
  Speaker 4: do a review, you have where to go. And always
• 33:36
  Speaker 4: with the setanejo playing.
• 33:40
  Speaker 6: Good thing.
• 33:40
  Speaker 4: On the sign, people asking for money, guitar and singing.
• 33:46
  Speaker 4: So there is music, man. There you breathe music.
• 33:49
  Speaker 6: So for you it's perfect, right?
• 33:51
  Speaker 4: For me it's perfect, man. Goiânia is perfect. For me
• 33:53
  Speaker 4: it's perfect.
• 33:54
  Speaker 6: When did you decide to live there? Was it strategic
• 33:56
  Speaker 6: or was it by chance?
• 33:57
  Speaker 4: The office is there. So I.
• 33:58
  Speaker 6: First of all, I went there.
• 34:02
  Speaker 4: And obviously I knew that it was better to live there.
• 34:08
  Speaker 4: And it all started with the pandemic. The first DVD
• 34:11
  Speaker 4: was in the pandemic. The first DVD didn't work, it
• 34:15
  Speaker 4: didn't work. But it was one more thing like, let's
• 34:17
  Speaker 4: sign here, let's record the first one so we can
• 34:20
  Speaker 4: pamper the panda here in the office. Okay, it worked.
• 34:23
  Speaker 4: Then I moved to Goiânia. I spent 60 days sleeping
• 34:27
  Speaker 4: on the couch of my schedule. We call it pro labore, right?
• 34:34
  Speaker 4: Without earning pro labore, which can also be called salary, right?
• 34:39
  Speaker 4: Without any security.
• 34:40
  Speaker 7: But what were the plans?
• 34:41
  Speaker 4: Was it like, let's record this.
• 34:42
  Speaker 2: DVD here, if it works, it's us, if it doesn't work,
• 34:45
  Speaker 2: it's not us anymore.
• 34:46
  Speaker 1: Or like, let's go to the next one, let's go,
• 34:49
  Speaker 1: what was it like? In fact, I recorded that DVD,
• 34:51
  Speaker 1: I didn't record anything else for four years.
• 34:59
  Speaker 4: Why is that? Because we were working a lot only
• 35:03
  Speaker 4: with that DVD. So we did a lot of bars,
• 35:06
  Speaker 4: a lot of private parties with that DVD.
• 35:08
  Speaker 6: It went viral then.
• 35:09
  Speaker 4: In fact, it was an acoustic DVD, so it was
• 35:15
  Speaker 4: very good to present to the contractor. To say, look,
• 35:18
  Speaker 4: this is what Panda does here. Cool, how much is it?
• 35:22
  Speaker 4: And we did the last bar I played there in Goiânia.
• 35:26
  Speaker 4: It's called Velho Texas. It was 1,200 reais. What is this, bro?
• 35:30
  Speaker 6: 4 musicians.
• 35:31
  Speaker 4: 4 musicians?
• 35:32
  Speaker 6: I was doing a show.
• 35:33
  Speaker 4: There just to do the show. How many hours of show?
• 35:38
  Speaker 8: 4 hours of show.
• 35:39
  Speaker 6: This is very crazy, right, Panda? You're here talking about
• 35:43
  Speaker 6: your life and it's already a very adult life, right?
• 35:45
  Speaker 6: Because you should already be 20-something years old, 28 years old.
• 35:49
  Speaker 2: I'm 33.
• 35:49
  Speaker 6: You're very young.
• 35:50
  Speaker 4: 33, bro? I'm going to do 32.
• 35:58
  Speaker 6: So, man, living with 20-something years, from 25 years old,
• 36:02
  Speaker 6: living at the mercy of destiny, obviously you worked a lot,
• 36:07
  Speaker 6: but it's like, fuck, I've been on this couch for
• 36:08
  Speaker 6: two months, I don't know what's going to happen. I'm
• 36:10
  Speaker 6: going to record this DVD, I don't know what's going
• 36:13
  Speaker 6: to happen.
• 36:13
  Speaker 4: I'm here... No, I had already recorded.
• 36:15
  Speaker 6: No, I know, but like, without knowing what's going to happen, man.
• 36:18
  Speaker 6: It's not going to get like, 28 years old, 26
• 36:19
  Speaker 6: years old. My God, 27 years old, you know?
• 36:22
  Speaker 4: You won't get that response. Danilo, who is my agent today,
• 36:25
  Speaker 4: who takes care of my agenda, takes care of my commitments, right?
• 36:30
  Speaker 4: If he wants to get to Panda, you will first
• 36:33
  Speaker 4: get to Danilo. That's the thing. He, man, I think
• 36:36
  Speaker 4: he earned like R $ 2,000 a month. I didn't
• 36:38
  Speaker 4: earn anything. We ate, we went to the market in
• 36:41
  Speaker 4: front of us, the market was expensive, man. The market
• 36:44
  Speaker 4: was for black and rich, you know? We went there
• 36:47
  Speaker 4: and bought the frozen ones. I bought 10 frozen lasagna,
• 36:51
  Speaker 4: which was cheap, and I ate frozen lasagna. I shared
• 36:54
  Speaker 4: that frozen lasagna with them.
• 36:55
  Speaker 6: Two months.
• 36:56
  Speaker 4: Then I had a car, I had a car that
• 37:00
  Speaker 4: I bought before the pandemic, some money from my father.
• 37:06
  Speaker 4: He had an apartment, Danilo. I said, hey, sell me
• 37:09
  Speaker 4: this apartment.
• 37:10
  Speaker 8: I'll pay you.
• 37:11
  Speaker 4: Take as much as I have here, which is the car,
• 37:14
  Speaker 4: I sell the car and such. Then it worked. Then
• 37:19
  Speaker 4: I called my wife and said, honey... You bought an apartment.
• 37:23
  Speaker 4: I bought an apartment. How did she buy an apartment?
• 37:27
  Speaker 4: I said, honey, I don't know how. I don't even
• 37:28
  Speaker 4: know why I talked to Danilo right. But I bought it.
• 37:31
  Speaker 4: We can change now. Then it took less than a week.
• 37:34
  Speaker 4: Everyone was already at home. Me, my wife and my
• 37:36
  Speaker 4: older son. Until then. We slept for a good few
• 37:37
  Speaker 4: months in a mattress of this size. And that was
• 37:40
  Speaker 4: doing shows. A few. A few shows. Because, like... I
• 37:53
  Speaker 4: started doing a lot of shows... Let's say that... After
• 37:59
  Speaker 4: about two years that I was there.
• 38:02
  Speaker 6: Inside the office.
• 38:02
  Speaker 4: Yeah. I started doing a lot of shows.
• 38:04
  Speaker 6: Okay, just to understand that this part we skipped. How
• 38:07
  Speaker 6: is it that Danilo, the office people... He says like this... Hey,
• 38:11
  Speaker 6: come closer. Where did they see you? And he says.
• 38:13
  Speaker 8: This guy.
• 38:13
  Speaker 6: Calm down.
• 38:13
  Speaker 4: Okay, it all started... I was cutting my hair.
• 38:15
  Speaker 8: Then.
• 38:17
  Speaker 4: My friend, Paul, he made a video with the hair thing.
• 38:25
  Speaker 6: Is it Paul because of the app?
• 38:26
  Speaker 4: No. I don't know why it's Paul.
• 38:30
  Speaker 2: I'm a foreigner.
• 38:32
  Speaker 4: His name must be ugly. So he put Paul.
• 38:35
  Speaker 7: Paul do Arrocha.
• 38:36
  Speaker 4: It's fucking awesome. Paul do Arrocha only has him.
• 38:39
  Speaker 2: His show is very bad.
• 38:39
  Speaker 6: Paul, I love you, Paul.
• 38:47
  Speaker 4: But he's a great hairdresser, barber, so he follows... Poor Paul! Oh, Paul, Paul, Paul!
• 38:51
  Speaker 2: I love you, Paul!
• 38:52
  Speaker 4: You're not going to sing, you're going to cut your hair!
• 38:56
  Speaker 4: The guy is a phenomenon, Ponta Salão is there. And
• 38:59
  Speaker 4: I had a... I'm going to try to summarize, because
• 39:02
  Speaker 4: TDAH doesn't help me, but.
• 39:03
  Speaker 6: Please, you can tell me.
• 39:04
  Speaker 4: I had a sound, I had, I don't know, 5,
• 39:06
  Speaker 4: 6 thousand reais in sound. I had two sound boxes, powerful,
• 39:11
  Speaker 4: sound table, microphone, cables and such, I had a business
• 39:14
  Speaker 4: ready to do a show, you know? E quando ele
• 39:17
  Speaker 4: fez o vídeo, ele postou esse vídeo. Eu não sei
• 39:21
  Speaker 4: como o... Eu tô tentando lembrar o nome dele, o
• 39:24
  Speaker 4: de São Paulo. Que ele foi lá e mandou o
• 39:28
  Speaker 4: vídeo pro Rafa. Lembra dele? I don't know how... I'm
• 39:23
  Speaker 4: trying to remember his name, from São Paulo. He went
• 39:27
  Speaker 4: there and sent the video to Rafa. Do you remember him, honey?
• 39:35
  Speaker 4: I'll remember him later. I'm sorry. He sent the video
• 39:37
  Speaker 4: to Rafa, and I said, if it works, if I
• 39:41
  Speaker 4: sign this contract with Rafa, I'll give you my gift sound,
• 39:45
  Speaker 4: which I won't use anymore. So I'll give you as
• 39:48
  Speaker 4: a gift.
• 39:49
  Speaker 2: So, but he looked and said, man, I know an
• 39:51
  Speaker 2: entrepreneur out here.
• 39:52
  Speaker 4: No, no, he did it and posted the video.
• 39:54
  Speaker 7: Ah.
• 39:54
  Speaker 4: Then they saw this video there. And it got to
• 39:56
  Speaker 4: this guy from São Paulo. Then this guy from São
• 39:58
  Speaker 4: Paulo changed it for Rafa. Uh-huh. Then he asked for
• 40:00
  Speaker 4: contact and such, he changed the contact. Rafa took my
• 40:02
  Speaker 4: contact and called me. He said, do you have interest
• 40:04
  Speaker 4: in coming to Goiânia? Do you have availability? I said,
• 40:08
  Speaker 4: I do. He said, so come.
• 40:08
  Speaker 6: But it's Rafa that I'm imagining.
• 40:10
  Speaker 4: Rafael Cabral?
• 40:10
  Speaker 6: Is it? Let me play here. Because he's a big
• 40:14
  Speaker 6: business man in Sertanejo, right?
• 40:15
  Speaker 4: He has Iker Jumar, Humberto Ronaldo. I think he's the one.
• 40:18
  Speaker 4: But when he saw you.
• 40:21
  Speaker 2: He said, come, Pandinha, right away. He said, come so
• 40:23
  Speaker 2: we can meet. It was our first contact, right?
• 40:24
  Speaker 4: That's it. He's there, by the way. He doesn't just
• 40:26
  Speaker 4: come today, but he's at the hotel with us, at
• 40:30
  Speaker 4: the event yesterday. Then it worked out. I gave him
• 40:32
  Speaker 4: the sound as a gift. I bought the word, gave
• 40:34
  Speaker 4: him the sound as a gift. And it was really cool,
• 40:44
  Speaker 4: because he's a guy that I trust, I trust him,
• 40:46
  Speaker 4: he's a guy that I really like, my real friend.
• 40:51
  Speaker 4: So when I got there, I opened the car cover
• 40:54
  Speaker 4: and said, I brought it to you as a gift.
• 40:56
  Speaker 4: He said, damn, it worked, the contract. It worked, thank God.
• 40:59
  Speaker 4: Then we got there.
• 41:01
  Speaker 6: Were you afraid to go to Goiânia, brother?
• 41:04
  Speaker 4: It's a dream, man.
• 41:05
  Speaker 6: Fuck it.
• 41:06
  Speaker 4: Fuck it. It's a dream. When it's a dream, you
• 41:09
  Speaker 4: get screwed, you get cancelled, you get deceived. But you
• 41:13
  Speaker 4: keep going, keep going. You say, man, I want to
• 41:15
  Speaker 4: give up. Love is greater, right?
• 41:16
  Speaker 6: Love is greater, much greater. And it was a blessing.
• 41:18
  Speaker 4: To meet Rafa, man. Because Rafa is a very nice guy.
• 41:21
  Speaker 4: The brothers, Cabral. They are honest people, fair, and work hard.
• 41:23
  Speaker 4: So it was very good to meet them. And you
• 41:26
  Speaker 4: said that after two years that you recorded your first project,
• 41:32
  Speaker 4: that things started to happen.
• 41:41
  Speaker 6: How did that happen? What happened to start it? My
• 41:42
  Speaker 6: show comes from a show.
• 41:43
  Speaker 4: So I was going to do a show, I sold
• 41:47
  Speaker 4: three or four more shows. I see. So today, until today,
• 41:51
  Speaker 4: my show comes from a show.
• 41:52
  Speaker 6: So you know every time you're going to do a show,
• 41:54
  Speaker 6: you say, man, it's my opportunity now.
• 41:56
  Speaker 4: And I always let myself know, I said, who's going
• 41:57
  Speaker 4: to be there? Ah, it's going to be this guy,
• 41:59
  Speaker 4: this guy, this guy. I said, so you leave it
• 42:01
  Speaker 4: to me. It's hello to everyone.
• 42:02
  Speaker 6: It's hello to everyone.
• 42:03
  Speaker 4: I receive it in the dressing room, I send it,
• 42:06
  Speaker 4: at that time I'm going to arrive, I already send
• 42:08
  Speaker 4: it to the dressing room. Because that's the game. This
• 42:11
  Speaker 4: is my job. So I love what I do. And
• 42:13
  Speaker 4: as I said, I know how to deal with people
• 42:15
  Speaker 4: very well. So we came with this first DVD that
• 42:19
  Speaker 4: we recorded. We worked two years very well. And what
• 42:25
  Speaker 4: was the repertoire of this DVD, Paulo? It's fashion.
• 42:29
  Speaker 6: Fashion. Recording, yeah. Fashion, fashion, fashion, until some hours.
• 42:34
  Speaker 4: And that's it. I don't have what to say today.
• 42:37
  Speaker 6: Recording, I think it's... It's always been like that, right?
• 42:41
  Speaker 4: It's too good to sit in a circle of friends
• 42:43
  Speaker 4: and sing a setanês modão. I think that's very good
• 42:45
  Speaker 4: and I think that... I don't know if.
• 42:48
  Speaker 6: You share the same idea, but I see in you,
• 42:51
  Speaker 6: and we recently received Nathanzinho Lima here, It's a very
• 42:57
  Speaker 6: similar method of work, you know? Of doing many things,
• 43:00
  Speaker 6: of working a lot, of re-recording. Because I think, like,
• 43:04
  Speaker 6: there are songs that are classics and will be classics forever, but, man,
• 43:09
  Speaker 6: the re-recording is very good because sometimes you present this
• 43:12
  Speaker 6: song that is a classic to a new generation that
• 43:15
  Speaker 6: doesn't know it, you know?
• 43:16
  Speaker 4: But the intention is this. You reach the new generation. Because,
• 43:20
  Speaker 4: for example, songs that I recorded... Just like Bruno Marron's...
• 43:28
  Speaker 4: There are a lot of people who think that the
• 43:31
  Speaker 4: song is mine. And the one who thinks it's mine
• 43:33
  Speaker 4: is the new generation. And that's good. That's good. Because
• 43:39
  Speaker 4: it creates a certain identity for you. Even if the
• 43:43
  Speaker 4: song is already from another person.
• 43:45
  Speaker 6: Yes, I understand perfectly.
• 43:47
  Speaker 4: But it creates... Because I want to be a singer.
• 43:49
  Speaker 4: I'm a romantic singer.
• 43:50
  Speaker 6: And I think there's a lot of the new generation, Panda.
• 43:52
  Speaker 6: Because I was young. The new generation is like this... Ah,
• 43:56
  Speaker 6: it's from Bruno Marrone. No, they're old, I don't like them.
• 43:59
  Speaker 6: It's from Panda.
• 44:00
  Speaker 8: Oh, cool.
• 44:00
  Speaker 6: There's a lot of that with the new generation.
• 44:02
  Speaker 7: There's that, man.
• 44:02
  Speaker 6: We mentioned Bruno Marrone, but.
• 44:03
  Speaker 4: It's just an example. Yes, of course. For the love
• 44:05
  Speaker 4: of God, man. But there's that, that's it. That's the thing.
• 44:15
  Speaker 4: That's it.
• 44:15
  Speaker 1: And how did this moment start to work out? Did
• 44:18
  Speaker 1: you start selling a lot of shows? How did life
• 44:20
  Speaker 1: start to work out?
• 44:21
  Speaker 4: No, I spent four years earning the same thing. I
• 44:25
  Speaker 4: earned R $ 3,000 a month. I earned R $ 3,000
• 44:27
  Speaker 4: a month for four years. And doing an absurd amount
• 44:30
  Speaker 4: of shows.
• 44:30
  Speaker 6: No, no. The shows we did weren't an absurd amount.
• 44:32
  Speaker 6: They were 15 shows a month.
• 44:33
  Speaker 8: Okay.
• 44:40
  Speaker 4: For those who don't have a successful DVD, for those
• 44:42
  Speaker 4: who don't have.
• 44:43
  Speaker 8: It, it's really cool.
• 44:43
  Speaker 2: That's what I was going to say.
• 44:46
  Speaker 4: And my combination with my agenda, with Danilo, was, no,
• 44:50
  Speaker 4: let's think about money. Let's think about production. And improve.
• 44:56
  Speaker 4: And improve. So let's do, what will be the cost
• 44:59
  Speaker 4: of coming to a show here at Podpah? The cost
• 45:01
  Speaker 4: will be 5,000. So charge 5,000.
• 45:04
  Speaker 4: .
• 45:09
  Speaker 6: .
• 45:20
  Speaker 4: Because I came from a boutique. And
• 45:33
  Speaker 4: a boutique has nothing to do with the national scene.
• 45:35
  Speaker 4: With national stages. Nothing to do with it. Nothing. Nothing?
• 45:39
  Speaker 6: Nothing to do with it.
• 45:41
  Speaker 4: Damn, that's crazy. So, let's mature the panel. So, it
• 45:44
  Speaker 4: was four years of maturation.
• 45:46
  Speaker 6: So, let him dominate the stage.
• 45:48
  Speaker 4: Let him learn everything. Learn everything, in quotes. Because now
• 45:51
  Speaker 4: I'm really learning.
• 45:51
  Speaker 6: But what was the biggest challenge on the stage, when
• 45:53
  Speaker 6: you were in that maturation? Taking the vices out of
• 45:56
  Speaker 6: the boutique.
• 45:56
  Speaker 4: What are the vices of the boutique? It's... How does
• 46:01
  Speaker 4: a singer from a club sing? Sitting.
• 46:04
  Speaker 8: Yes.
• 46:04
  Speaker 4: So, on a Barretos stage, which is gigantic, I have
• 46:09
  Speaker 4: to learn how to walk. I have to learn how
• 46:12
  Speaker 4: to direct myself, how to look at everyone, how to
• 46:15
  Speaker 4: walk in a posture. Gustavo Lima does this very well.
• 46:18
  Speaker 4: Luan Santana, there were two examples that I took. Luan
• 46:21
  Speaker 4: Santana and Gustavo Lima. They are in a posture on stage.
• 46:25
  Speaker 2: Luan Santana.
• 46:26
  Speaker 4: For me, he's one of the greatest Brazilian artists. His
• 46:29
  Speaker 4: name is Luan Santana. I agree with you. He's a
• 46:31
  Speaker 4: horse on the stage. You see him and say, holy shit!
• 46:34
  Speaker 4: Look at the position of this guy on the stage.
• 46:38
  Speaker 4: So I saw a lot of that. Musically, who am
• 46:42
  Speaker 4: I going to take as an example? Inside the dressing room,
• 46:45
  Speaker 4: who am I going to take as an example?
• 46:47
  Speaker 2: Who did you take as an example?
• 46:49
  Speaker 4: Camarim Jorge. Jorge Matheus.
• 46:50
  Speaker 6: Why?
• 46:51
  Speaker 4: Because Jorge remembers the name of all his fans. Jorge,
• 46:56
  Speaker 4: he's on stage and he sends 30 hugs with his name. Oh, Mr. João. Oh,
• 47:00
  Speaker 4: Maria Jiguinha.
• 47:01
  Speaker 6: Oh, what's up? Oh, the coffee there.
• 47:04
  Speaker 4: So, this brings a very fucking proximity. This is very nice.
• 47:09
  Speaker 4: This is very cool.
• 47:10
  Speaker 6: And not only at the show, but when the artist
• 47:13
  Speaker 6: does this, even on the DVD itself, when there's a
• 47:15
  Speaker 6: hello like this, it makes you so human. So similar
• 47:19
  Speaker 6: to us who are watching.
• 47:20
  Speaker 7: And we are.
• 47:21
  Speaker 4: I think that.
• 47:24
  Speaker 4: What I do in my dressing room, at the show,
• 47:29
  Speaker 4: is to show that there's no artist singing on stage.
• 47:33
  Speaker 4: There's a fat guy there who likes to sing, and
• 47:35
  Speaker 4: it's us, we're together.
• 47:36
  Speaker 2: What can't be missing in your dressing room? Today in my.
• 47:39
  Speaker 4: Dressing room, man, my dressing room is... As I said,
• 47:43
  Speaker 4: I take the example of Chitãozinho Chordó. And my dressing
• 47:47
  Speaker 4: room today has coffee without sugar, fruits and water only.
• 47:51
  Speaker 4: We at Camarim, I say this to everyone and I'm
• 47:54
  Speaker 4: proud to say this, at Camarim, the Camarim is made
• 47:59
  Speaker 4: to receive guests, to receive fans. We are service providers.
• 48:05
  Speaker 4: We are not there to... This is my opinion, okay?
• 48:08
  Speaker 4: Who likes the Camarim full of things, no problem at all.
• 48:11
  Speaker 4: This is my opinion of my business.
• 48:14
  Speaker 6: Of your Camarim.
• 48:15
  Speaker 4: I like to understand that I am a service provider
• 48:20
  Speaker 4: shows that the contractor, the city hall, I don't know what,
• 48:25
  Speaker 4: I don't know what, they're paying. It's not cheap, I
• 48:28
  Speaker 4: know it's not cheap. So this is the way to
• 48:30
  Speaker 4: show professionalism and respect to these people. And the dressing
• 48:35
  Speaker 4: room has to be beautiful, it has to be cool
• 48:37
  Speaker 4: for the fan to enter there and sit at home.
• 48:40
  Speaker 4: The perfumed dressing room, the dressing room with air conditioning,
• 48:44
  Speaker 4: you know? For the fan to get there and be
• 48:46
  Speaker 4: well received.
• 48:47
  Speaker 2: Do you receive the fans before or after the show? I.
• 48:51
  Speaker 4: A while ago I used to do both, but now
• 48:54
  Speaker 4: only before.
• 48:56
  Speaker 2: Wow, if you did both, it would take hours.
• 48:58
  Speaker 4: The harassment is very big. So, after the show, the
• 49:01
  Speaker 4: crowd has already turned a little bit of the gangrene inside. So,
• 49:04
  Speaker 4: we usually don't do it, because sometimes it can happen,
• 49:08
  Speaker 4: cause some problem. Ask too much, don't want to leave.
• 49:10
  Speaker 6: It's normal, and we don't want to be rude. We
• 49:12
  Speaker 6: don't want to say, please.
• 49:17
  Speaker 4: get out of here.
• 49:18
  Speaker 6: I don't want to, I want to avoid that.
• 49:19
  Speaker 4: But your posture is very beautiful with your work, brother.
• 49:22
  Speaker 6: From the heart, because it's very easy for us to
• 49:25
  Speaker 6: get lost when we're living our dream. And I'm talking
• 49:29
  Speaker 6: about myself, like this. You're living a dream, you take
• 49:32
  Speaker 6: a look and.
• 49:37
  Speaker 6: It's okay, I know you're also in a bad mood,
• 49:39
  Speaker 6: but we start to disrespect our own work environment. So
• 49:42
  Speaker 6: when you say that, like, no, no, no, my dressing
• 49:45
  Speaker 6: room has to be calm, it has to receive my fans.
• 49:47
  Speaker 4: It has to be quiet.
• 49:48
  Speaker 6: It has to receive the employer who is there paying my.
• 49:50
  Speaker 4: That's it, the guy who's there, man, took a lot
• 49:53
  Speaker 4: of money for me, he's there, man. And sometimes, there's
• 49:57
  Speaker 4: so much trouble, the guy is there like this, in a...
• 49:59
  Speaker 4: In such a big cucumber, he enters the dressing room,
• 50:04
  Speaker 4: you know? Hey, my dear, how are you? Give me
• 50:09
  Speaker 4: a hug here. How are you? Thank you. You change
• 50:11
  Speaker 4: the guy's energy.
• 50:12
  Speaker 6: Then the guy says, man, the guy is cool.
• 50:13
  Speaker 4: And sometimes, it's not cool because I received the guy,
• 50:16
  Speaker 4: it's because the guy was in such a boring vibe. Stunned, right? Stunned,
• 50:20
  Speaker 4: with a week taking care of that event. He arrives
• 50:22
  Speaker 4: at the dressing room, he's just treated normally, well treated,
• 50:27
  Speaker 4: just a hello, with affection.
• 50:30
  Speaker 2: Like, I'm here, I'm ready.
• 50:31
  Speaker 4: Man, God bless you with affection. It's... It knocks down
• 50:34
  Speaker 4: the person. He said, God bless you. People say, man,
• 50:38
  Speaker 4: Panda told me, God bless you. So true, right? Panda
• 50:41
  Speaker 4: told me, God bless you. And so tasty. Wow, man,
• 50:43
  Speaker 4: Panda is so cool. So this is good, man. Treating
• 50:47
  Speaker 4: those who put the bread of each day on our
• 50:49
  Speaker 4: table well is very tasty, man. It's the minimum, right, man?
• 50:53
  Speaker 4: It's interesting your story.
• 50:55
  Speaker 2: So after these two years, four years. Four years. And
• 50:57
  Speaker 2: how was it that... The question became the key.
• 50:59
  Speaker 1: After these four years, you started making money, right?
• 51:06
  Speaker 2: Not only money, but it started to have more relevance.
• 51:10
  Speaker 4: We needed to renew, because it was like selling the show.
• 51:13
  Speaker 4: I said, look, it's selling the show. If we make
• 51:16
  Speaker 4: a DVD, we can increase the cashier, we can improve things.
• 51:19
  Speaker 4: Let's go. Let's go. Do you have money? How much
• 51:24
  Speaker 4: do you have in the cashier? And we are like that.
• 51:26
  Speaker 4: We like to do the real. I said, no, there's
• 51:28
  Speaker 4: 50 mil in the cashier. I'm not going to get
• 51:29
  Speaker 4: a million borrowed here. No, no. There's 100 mil in
• 51:32
  Speaker 4: the cashier. Let's use 100 mil. Here in the cashier.
• 51:35
  Speaker 4: It can't pass, okay? Let's go then. I think there
• 51:39
  Speaker 4: were 70,000 locations, something like that. Then we made a
• 51:42
  Speaker 4: DVD at Rafa's old house, in the living room, in
• 51:44
  Speaker 4: the kitchen, I don't know, inside the house, with friends
• 51:49
  Speaker 4: and the people from the office. That's it. We got
• 51:54
  Speaker 4: the meat as a gift, the drink, which was from
• 51:57
  Speaker 4: the open shop. We got... Even the waiter was a
• 52:04
  Speaker 4: gift to us. The waiter is our friend to this day.
• 52:06
  Speaker 2: What was the expectation for this moment?
• 52:09
  Speaker 4: To record a DVD and have a new portfolio to
• 52:13
  Speaker 4: show to the new contractors. They said, guys, it's renewed.
• 52:16
  Speaker 4: Four years later, it's renewed, okay?
• 52:17
  Speaker 6: And nothing so different from the first one? Modão or
• 52:20
  Speaker 6: you saw a new page?
• 52:21
  Speaker 4: Modão, modão, modão. Acoustic voice, right? And we called Fred
• 52:26
  Speaker 4: Fabrício to participate. and Ícaro Jumar participated. Ícaro, who produces
• 52:31
  Speaker 4: my acoustic DVD. So Ícaro Jumar is my godfather in music.
• 52:37
  Speaker 4: Then we recorded, and we released the first song, which
• 52:41
  Speaker 4: is called Agora Fala Quem Me Ama, with the participation
• 52:45
  Speaker 4: of Fred Fabrício and Ícaro Jumar. I was on a trip,
• 52:49
  Speaker 4: going to a show near Goiânia, with a rented minibus,
• 52:55
  Speaker 4: We put the guys in there, there were four musicians,
• 52:59
  Speaker 4: five people, plus the technician, six people, and we took
• 53:03
  Speaker 4: a rented bus and went. Danilo's phone, with this launch,
• 53:09
  Speaker 4: without any investment, there was no investment.
• 53:12
  Speaker 2: We just played on YouTube.
• 53:16
  Speaker 4: He started playing. I said, man, who is this fat guy? No,
• 53:20
  Speaker 4: wait a minute, what's going on? No, no, I don't
• 53:22
  Speaker 4: want it. How much is his show? I want the show.
• 53:24
  Speaker 4: He started playing Danilo's phone. And we noticed that people
• 53:28
  Speaker 4: started looking for a recording. And Danilo called me and said, Panda,
• 53:33
  Speaker 4: it's a weird business. I said, why? He said, no,
• 53:36
  Speaker 4: the music is bombing here on YouTube. I said, but
• 53:41
  Speaker 4: did you invest? He said, no, there's zero. I said,
• 53:43
  Speaker 4: wait a minute. Bug?
• 53:47
  Speaker 6: He even started doubting.
• 53:48
  Speaker 4: He said, Panda, we're checking if it's a bug. I said, no,
• 53:55
  Speaker 4: so keep an eye on it, it's cool.
• 53:56
  Speaker 2: It had hit, what, 100, 1,500, 1,000,000? Yeah, it was
• 53:58
  Speaker 2: giving a lot of visualization.
• 53:59
  Speaker 4: I don't remember how much. Then we thought, cool, it
• 54:02
  Speaker 4: gave a mess there. Let's release an initial that we
• 54:04
  Speaker 4: had recorded, baqued, right? Let's release an initial? Let's release it.
• 54:09
  Speaker 4: It released an initial. It gave a million views per hour. Wow.
• 54:14
  Speaker 4: The music exploded. It exploded.
• 54:25
  Speaker 2: The music exploded. But you already had followers?
• 54:28
  Speaker 4: No, I had nothing, man. I had, I think, 12, 11,
• 54:30
  Speaker 4: 12 thousand followers on Instagram.
• 54:32
  Speaker 6: That's crazy, man.
• 54:32
  Speaker 4: The YouTube was new, there were no followers. And it exploded, man.
• 54:36
  Speaker 4: It exploded. Then, on the trip, Danilo called me, he said, Panda,
• 54:42
  Speaker 4: you're fucked. Now you're fucked. I said, what happened, man?
• 54:47
  Speaker 6: Let's work.
• 54:48
  Speaker 4: He said, man, look at your agenda. I started looking
• 54:51
  Speaker 4: at the agenda, I said, I was like, wow, Danilo,
• 54:55
  Speaker 4: your song blew up, bro. Your baquete blew up.
• 54:59
  Speaker 6: That's crazy.
• 55:00
  Speaker 4: I was like, wow, this bug is really crazy. I
• 55:03
  Speaker 4: was like, man, he said, Panda, it's not a bug.
• 55:06
  Speaker 4: It blew up. It blew up.
• 55:07
  Speaker 2: Show every day.
• 55:09
  Speaker 4: Show every day, bro. Show every day. And the cachê increased?
• 55:12
  Speaker 4: The cachê increased. It started to give more, but it
• 55:14
  Speaker 4: didn't increase absurdly. We put a base because we had to.
• 55:21
  Speaker 4: Increase the bus, increase the crew a little. Because there
• 55:23
  Speaker 4: was a lot of show. And we started releasing more songs.
• 55:27
  Speaker 4: I said, let's put it. The DVD almost all exploded.
• 55:30
  Speaker 6: And your feeling at that moment, brother? Sometimes you went
• 55:33
  Speaker 6: back inside the house, you took a shower. How was
• 55:36
  Speaker 6: your head at that time? Like, I'm seeing it start happening.
• 55:39
  Speaker 4: Damn it. Man, even today, I don't like to look
• 55:42
  Speaker 4: this way.
• 55:43
  Speaker 7: Okay.
• 55:43
  Speaker 4: Because the numbers, the numbers, numerically... I leave it to them.
• 55:53
  Speaker 4: I like the feeling of the business. I understand, I'm
• 55:57
  Speaker 4: not stupid, I understand what's going on. But I have
• 56:03
  Speaker 4: very few vices. My greatest joy is to see my
• 56:08
  Speaker 4: family enjoying it. So I don't care about that, man.
• 56:13
  Speaker 4: I don't care.
• 56:14
  Speaker 6: No, but I'm not talking about the feeling of values increasing. Obviously,
• 56:18
  Speaker 6: as you said, it's very good, but I'm saying this. Man,
• 56:20
  Speaker 6: my schedule is full, I'm going to sing, but I'm
• 56:23
  Speaker 6: going to be a professional singer.
• 56:25
  Speaker 4: I was four years old in maturation.
• 56:28
  Speaker 6: So you were already calm, right?
• 56:29
  Speaker 4: I was calm.
• 56:31
  Speaker 6: You were prepared. It was an important moment, right? In maturation.
• 56:34
  Speaker 4: Then we understand the time of God, right? I said,
• 56:36
  Speaker 4: four years, I think, how many times did I lock
• 56:38
  Speaker 4: myself in the room with my wife to cry? Imagine.
• 56:40
  Speaker 4: How many times, once, every month they cut our light
• 56:43
  Speaker 4: and our water. So I went down to the party area,
• 56:51
  Speaker 4: where there was energy, air conditioning and to charge the
• 56:54
  Speaker 4: cell phone. And that day my son took a magazine,
• 56:57
  Speaker 4: he was talking about a magazine that didn't have a
• 56:59
  Speaker 4: cell phone, and he saw a commercial from a restaurant
• 57:05
  Speaker 4: in Goiânia, with a tibone, a beautiful meat like that.
• 57:10
  Speaker 6: The meat of the pica-pau.
• 57:11
  Speaker 4: Yeah, he said like this, our dad, imagine if we
• 57:13
  Speaker 4: ate a meat. This is too bad to.
• 57:16
  Speaker 7: Hear, you know?
• 57:17
  Speaker 6: You feel like shit.
• 57:17
  Speaker 4: I felt like shit. Because I said, our meat is
• 57:20
  Speaker 4: 20 reais, you buy meat, you know? And I didn't
• 57:22
  Speaker 4: have that. We were really screwed. But people, when I
• 57:25
  Speaker 4: say this, say, but Rafael Cabral, I never said anything
• 57:30
  Speaker 4: to Rafael Cabral.
• 57:40
  Speaker 7: Why?
• 57:40
  Speaker 2: Did you hide the game for him?
• 57:42
  Speaker 4: No, because this is my problem. It's not Rafael Cabral's problem.
• 57:47
  Speaker 4: I was the one who chose to go to the goal.
• 57:49
  Speaker 6: But I imagine when he found out, he cursed you
• 57:52
  Speaker 6: from top to bottom.
• 57:53
  Speaker 4: He cursed me, he cursed me a lot. Then I said, Rafa,
• 57:56
  Speaker 4: when things started to work out, I said it. Today
• 57:57
  Speaker 4: I say it in interviews, I say, we just didn't
• 58:01
  Speaker 4: starve because.
• 58:07
  Speaker 4: The janitor of the building used to give us a
• 58:11
  Speaker 4: basic basket.
• 58:11
  Speaker 2: Man, you always have a soul, right?
• 58:13
  Speaker 4: Always. And he helped us a lot with the basic basket,
• 58:16
  Speaker 4: for a while. Some months that were the worst, you know?
• 58:19
  Speaker 4: The strongest. I've been with my wife for 10 years.
• 58:23
  Speaker 4: It's going to be 10 years.
• 58:24
  Speaker 2: I wanted you to tell us how you met her.
• 58:26
  Speaker 2: I met her through an app, through Tinder. How was it?
• 58:32
  Speaker 4: Who beat who?
• 58:33
  Speaker 2: How was it when you said she was the.
• 58:34
  Speaker 4: Love of my life?
• 58:36
  Speaker 2: I looked at.
• 58:37
  Speaker 4: Her, I thought she was a delight. I said, fuck it.
• 58:41
  Speaker 4: And Tinder is that, right? I said, there she is.
• 58:43
  Speaker 2: To the right or to the left? I don't remember.
• 58:47
  Speaker 6: You don't remember anymore, right? The guy is married for
• 58:48
  Speaker 6: 10 years. Please, ask delicately.
• 58:49
  Speaker 4: Sorry.
• 58:49
  Speaker 6: I was imagining his scene. When he looked, he said.
• 58:51
  Speaker 2: I don't know.
• 58:52
  Speaker 7: Voila.
• 58:52
  Speaker 4: I said, cool, man. Cool.
• 58:53
  Speaker 2: Then I said.
• 59:01
  Speaker 4: E aí tudo bem a gente ficou conversando tipo o
• 59:03
  Speaker 4: dia inteiro cara a noite inteira madrugada inteira de onde
• 59:06
  Speaker 4: a gente viu a gente não precisa nem se casar
• 59:00
  Speaker 4: And then we kept talking the whole day, man. The
• 59:02
  Speaker 4: whole night, the whole dawn. When we saw each other,
• 59:06
  Speaker 4: we didn't even need to get married anymore, because we
• 59:08
  Speaker 4: already knew.
• 59:09
  Speaker 6: Each other a lot.
• 59:14
  Speaker 4: I think we even fought in this first conversation. We
• 59:19
  Speaker 4: talked so much.
• 59:20
  Speaker 2: It's true.
• 59:20
  Speaker 1: And your life at that moment was a rush, you
• 59:23
  Speaker 1: were crazy, doing a show.
• 59:24
  Speaker 4: In a bar. I lived in Mato Grosso, right? She
• 59:27
  Speaker 4: lived in Lucas do Rio Verde, I lived in Sorriso.
• 59:30
  Speaker 4: And she went to college in Sorriso. Then I came
• 59:33
  Speaker 4: to her and said, okay, fine. And I had a car, right?
• 59:38
  Speaker 4: It was a Panda.
• 59:39
  Speaker 6: It was a Panda. Oh, no.
• 59:40
  Speaker 4: No, it was Jonathan.
• 59:41
  Speaker 6: Jonathan, we're looking for you at the college.
• 59:45
  Speaker 4: Yeah.
• 59:45
  Speaker 1: I said, I'll look.
• 59:49
  Speaker 6: For you at the college. What color was the black one?
• 59:52
  Speaker 4: Gray. Oh, damn.
• 59:53
  Speaker 7: Respect me.
• 59:53
  Speaker 2: Two doors or four?
• 59:55
  Speaker 4: Four doors here, new, automatic. I said to her, it's automatic.
• 59:59
  Speaker 4: Then she said, oh, no, look. You can pick me
• 1:00:06
  Speaker 4: up at college, crazy, you also accepted a stranger from Tinder,
• 1:00:08
  Speaker 4: pick her up at college and take her home.
• 1:00:10
  Speaker 2: She must have said, this guy must be good people.
• 1:00:12
  Speaker 4: It's not possible, he said it's not possible, because I
• 1:00:14
  Speaker 4: told her like this, I'm not going to say any
• 1:00:15
  Speaker 4: quality of mine. Even because there are few. I said,
• 1:00:19
  Speaker 4: I'm going to tell you all my flaws. Then you
• 1:00:21
  Speaker 4: can turn around if you want to go out with
• 1:00:23
  Speaker 4: me or not. I said, I'm a perfectionist. Let me
• 1:00:25
  Speaker 4: tell you, I'm already.
• 1:00:26
  Speaker 6: Fat with tits.
• 1:00:26
  Speaker 4: Imagine my belly is here, forget me. What was a flaw?
• 1:00:31
  Speaker 4: You didn't play all the flaws to scare her.
• 1:00:32
  Speaker 6: I said, I've been through depression.
• 1:00:48
  Speaker 4: I'm an impossible guy.
• 1:00:52
  Speaker 2: I'm like that.
• 1:00:53
  Speaker 4: I'm a singer. I earn little money. I have a son.
• 1:00:57
  Speaker 4: Let's go. Let's go. Now that you know that, I'm here.
• 1:01:03
  Speaker 6: Then she said, no, I don't care.
• 1:01:05
  Speaker 4: I want to meet you. Let's do things together and
• 1:01:08
  Speaker 4: grow together. I have a son. I said, you have
• 1:01:10
  Speaker 4: a son? My dream is to be a father. Then
• 1:01:11
  Speaker 4: I said to her, my dream is to be a father, man.
• 1:01:19
  Speaker 4: She said, so it's over, it's all right. Because she's
• 1:01:22
  Speaker 4: a single mother. For a single mother to find a
• 1:01:26
  Speaker 4: guy who will take care of both... It's almost impossible, man.
• 1:01:33
  Speaker 4: It's difficult today. It exists, yes, but it's difficult today.
• 1:01:37
  Speaker 4: So I accepted it. And I was the second man
• 1:01:42
  Speaker 4: in Shirley's life that Luiz Fernando called father. Very father. So, today,
• 1:01:49
  Speaker 4: my son, Total, next year, the nickname will be with him.
• 1:01:54
  Speaker 6: Receive.
• 1:01:56
  Speaker 4: Receive, take.
• 1:01:56
  Speaker 6: Receive the panda.
• 1:01:58
  Speaker 1: But when you went to pick her up at college,
• 1:02:00
  Speaker 1: how were the first impressions?
• 1:02:02
  Speaker 2: Besides the defects that she already knew, right, brother?
• 1:02:05
  Speaker 4: Without filter, without filter. Can I say without filter, brother?
• 1:02:07
  Speaker 6: Look at her there, look.
• 1:02:09
  Speaker 2: Be careful.
• 1:02:09
  Speaker 6: I was afraid.
• 1:02:10
  Speaker 4: Those pictures would be old or old-fashioned. It was very beautiful.
• 1:02:15
  Speaker 6: Then I was up there, in a.
• 1:02:17
  Speaker 4: Place where I could see everyone who was leaving.
• 1:02:21
  Speaker 6: The guy was like a sniper. Where's Shirley?
• 1:02:24
  Speaker 4: I turned off the car, I left everything off. I said,
• 1:02:27
  Speaker 4: if I see that it's kind of fake news, I accelerate.
• 1:02:34
  Speaker 6: The car and I take the bus and go away.
• 1:02:37
  Speaker 4: I put it on D, because it was automatic. Then,
• 1:02:41
  Speaker 4: I was looking, taking care of it. I was sincerely
• 1:02:44
  Speaker 4: like this. Anxious. Then I saw something a little different. Oh,
• 1:02:48
  Speaker 4: it's not. Then, suddenly, in my ear. It was her already.
• 1:02:53
  Speaker 4: Light as hell. I didn't even have time to see it.
• 1:02:55
  Speaker 2: Then I said, hi, how are you?
• 1:02:56
  Speaker 4: Come in. Then she came in. E a gente começou
• 1:03:01
  Speaker 4: a nossa vida. História, né? Foi foda. Levei ela pra casa.
• 1:03:04
  Speaker 6: Mas pelo que você tá me explicando aí, a história
• 1:03:07
  Speaker 6: de vocês foi avassaladora.
• 1:03:10
  Speaker 4: Foi uma coisa rápida, né?
• 1:03:12
  Speaker 2: Rápida quanto?
• 1:03:13
  Speaker 4: No quinto dia eu me mudei pra casa dela.
• 1:03:15
  Speaker 6: Que isso, bandão!
• 1:03:17
  Speaker 4: No quinto dia eu cheguei lá e falei assim, bora? Foda-se, bora?
• 1:03:22
  Speaker 6: Cê jura?
• 1:03:23
  Speaker 4: Juro por Deus.
• 1:03:23
  Speaker 6: Cê jura?
• 1:03:24
  Speaker 4: Juro por Deus.
• 1:03:24
  Speaker 2: Por que essa certeza toda em cinco dias?
• 1:03:27
  Speaker 4: Meu amigo achava...
• 1:03:34
  Speaker 4: .
• 1:03:39
  Speaker 6: .
• 1:03:41
  Speaker 2: .
• 1:03:58
  Speaker 4: It didn't work, but there was a pool. But it
• 1:04:01
  Speaker 4: was there. It was there.
• 1:04:01
  Speaker 6: It was a nice picture.
• 1:04:02
  Speaker 2: If you fix it, it was working.
• 1:04:04
  Speaker 4: Yeah, but it doesn't fix it. How does it fix it?
• 1:04:05
  Speaker 6: It doesn't work. It's like that end of the year
• 1:04:08
  Speaker 6: of ours, there in Peruíbe.
• 1:04:09
  Speaker 2: Wow.
• 1:04:10
  Speaker 6: The myth says.
• 1:04:11
  Speaker 4: There's a pool. There, there.
• 1:04:12
  Speaker 7: But there was even grass.
• 1:04:13
  Speaker 4: There was, right? There was a pool, right? There was.
• 1:04:16
  Speaker 2: It was a lie. But, wow, five days already passed.
• 1:04:19
  Speaker 4: Five days.
• 1:04:19
  Speaker 2: He already said, it's the love of my life.
• 1:04:20
  Speaker 4: It's over. It's the love of my life. Every day.
• 1:04:22
  Speaker 4: Every day I see her.
• 1:04:24
  Speaker 2: Thanks to Tinder.
• 1:04:25
  Speaker 4: Tinderzinho, yeah. It works. She still has the print of.
• 1:04:29
  Speaker 6: Of Match?
• 1:04:30
  Speaker 4: Of my profile.
• 1:04:31
  Speaker 6: Of the first conversation.
• 1:04:32
  Speaker 7: Oh, man.
• 1:04:32
  Speaker 2: What was in the description of your profile?
• 1:04:34
  Speaker 4: Ah, I don't remember exactly, but you have there, bro.
• 1:04:36
  Speaker 4: I'm a musician, I'm a singer.
• 1:04:39
  Speaker 2: There's Uno.
• 1:04:41
  Speaker 4: There's Uno Automático. Don't forget.
• 1:04:42
  Speaker 6: I'm not even there for nothing.
• 1:04:45
  Speaker 4: And I look for something cool. There was a serious
• 1:04:47
  Speaker 4: thing there. I want something serious, something cool, right?
• 1:04:49
  Speaker 6: Hey Panda, you're now arriving in a very consolidated environment,
• 1:04:54
  Speaker 6: like sertanejo, and I see, I notice things in sertanejo,
• 1:04:58
  Speaker 6: and you can deny me if it's a lie, but
• 1:05:00
  Speaker 6: I see that it's all right to sing the music
• 1:05:03
  Speaker 6: of other people, I see that it's all right, it
• 1:05:06
  Speaker 6: seems to be all right when someone new comes and
• 1:05:09
  Speaker 6: sticks with us, how is it to arrive... so new,
• 1:05:14
  Speaker 6: in an environment that is already so consolidated, where there
• 1:05:17
  Speaker 6: are legends of Jorge Matheus, Chitanzo e Chororó, Chororó, Luan Santana,
• 1:05:22
  Speaker 6: how does it come, oops, I'm coming, how does it
• 1:05:25
  Speaker 6: come to this scenario already established?
• 1:05:28
  Speaker 4: Man, I don't have the feeling of established, I don't have,
• 1:05:33
  Speaker 4: I don't consider myself a consolidated singer, never, I'm working
• 1:05:40
  Speaker 4: a lot for that, right? What happens is the comparisons. Because, obviously,
• 1:05:48
  Speaker 4: you are very demanded. Certainly. So, you divide the stage with... Today,
• 1:05:56
  Speaker 4: I divide the stage with the greatest artists in Brazil.
• 1:06:00
  Speaker 4: Not being the greatest artist in Brazil, but being a
• 1:06:02
  Speaker 4: beloved artist. And I'm on the rise. I'm one of
• 1:06:06
  Speaker 4: the most heard artists in Brazil. And that's not a
• 1:06:09
  Speaker 4: small thing. But....
• 1:06:12
  Speaker 6: But in a country so critical of music, you know.
• 1:06:15
  Speaker 4: Criticism is a crazy thing, man. But well, when you
• 1:06:23
  Speaker 4: are compared, people want... I did a show after Gustavo Lima, right?
• 1:06:29
  Speaker 4: Gustavo Lima has his name already. He's a consolidated singer.
• 1:06:32
  Speaker 4: So when I enter, people say, man, Panda's show is
• 1:06:34
  Speaker 4: not cool. Gustavo Lima was much better. This kind of
• 1:06:42
  Speaker 4: comparison exists because it's a pleasure for me to be
• 1:06:47
  Speaker 4: on the side of giants, but I'm not. I'm learning,
• 1:06:50
  Speaker 4: I have a year and a half of national career,
• 1:06:54
  Speaker 4: so I'm a boy.
• 1:06:55
  Speaker 6: But what I want to know is how, when I
• 1:06:58
  Speaker 6: talk about established, how this scenario that is already there,
• 1:07:01
  Speaker 6: already works, receives a new guy coming. Because it seems
• 1:07:05
  Speaker 6: to be very welcoming, the sertanejo seems to be together,
• 1:07:08
  Speaker 6: you know, united, at least that's what it seems.
• 1:07:10
  Speaker 4: Man, I'm very well-liked by the crowd. So, I have
• 1:07:14
  Speaker 4: great friends, I'm making great friendships. César Melote Fabiano, they're
• 1:07:18
  Speaker 4: wonderful guys. Edson Hudson, they became my private friends. Bruno Marrone, man,
• 1:07:25
  Speaker 4: they're two great guys to talk to.
• 1:07:27
  Speaker 1: Who were the first ones to give you, to extend
• 1:07:30
  Speaker 1: their arms to you, of these big guys?
• 1:07:32
  Speaker 4: Of the big guys? Man, Iker Jumar was already in
• 1:07:37
  Speaker 4: a great phase. They were the first ones I had
• 1:07:39
  Speaker 4: a wonderful contact with, Beto Ronaldo, who is in the office.
• 1:07:44
  Speaker 4: They were the first ones there. But I think that...
• 1:07:49
  Speaker 4: Except for them.
• 1:07:55
  Speaker 2: Man, Daniel.
• 1:07:57
  Speaker 6: Wow, only the lord of the sertanejo. He doesn't even
• 1:07:59
  Speaker 6: get old, right?
• 1:07:59
  Speaker 4: Wonderful.
• 1:07:59
  Speaker 8: Man, he is a.
• 1:08:00
  Speaker 4: I tell him, I say, Daniel, you are not unpleasant.
• 1:08:06
  Speaker 4: He is, right? He is.
• 1:08:08
  Speaker 2: He is so cool.
• 1:08:09
  Speaker 4: He is so cool.
• 1:08:10
  Speaker 1: All grandmothers and mothers love this guy.
• 1:08:12
  Speaker 2: Man, he is a phenomenon.
• 1:08:13
  Speaker 4: He is a phenomenon. And everyone is a fan of him.
• 1:08:15
  Speaker 4: He doesn't have haters, man.
• 1:08:17
  Speaker 6: There's no way.
• 1:08:18
  Speaker 4: There's no way. It's crazy. We found him on....
• 1:08:22
  Speaker 2: Teleton.
• 1:08:22
  Speaker 6: Teleton.
• 1:08:23
  Speaker 8: What's that?
• 1:08:23
  Speaker 6: When he came in, he said, Daniel! I said, no way!
• 1:08:28
  Speaker 6: I was in shock.
• 1:08:29
  Speaker 4: I know.
• 1:08:30
  Speaker 6: The kids were in shock. Everyone was in shock. I said,
• 1:08:34
  Speaker 6: if he sends my... I got scared.
• 1:08:36
  Speaker 2: And he sent it, didn't he? And he threw his.
• 1:08:38
  Speaker 6: Legs to the side. I said, fuck it.
• 1:08:40
  Speaker 4: He's a guy who, fuck, hugged me like hell.
• 1:08:42
  Speaker 2: Where did you get him? Was it a show?
• 1:08:44
  Speaker 4: It was at a show in....
• 1:08:49
  Speaker 6: São Paulo?
• 1:08:50
  Speaker 4: A great show, man. He was... I did it after him, man.
• 1:08:53
  Speaker 4: Can you imagine? He came to see you?
• 1:08:55
  Speaker 2: Can you imagine?
• 1:08:56
  Speaker 4: After 150 ballerinas dancing the song. he had an absurd molly,
• 1:09:01
  Speaker 4: with that wonderful voice of his that doesn't end. That
• 1:09:04
  Speaker 4: charisma of his. That absurd charisma. Look at the responsibility, man.
• 1:09:08
  Speaker 2: Then you go, you see the fat man drinking with
• 1:09:10
  Speaker 2: the bar and you say, fuck, man.
• 1:09:20
  Speaker 4: It's crazy, it happens, man, too much. But everyone has
• 1:09:23
  Speaker 4: their own show, everyone has their own vibe.
• 1:09:25
  Speaker 2: Did he stay to see your show?
• 1:09:26
  Speaker 4: Dude, he didn't stay because he had another show, but
• 1:09:28
  Speaker 4: he sent me to call him and he really wanted
• 1:09:31
  Speaker 4: to meet me, he's really cool. That day I told him,
• 1:09:34
  Speaker 4: I learned this from him, to say that it's unpleasant,
• 1:09:37
  Speaker 4: that he said like this, man, you sing a lot, huh?
• 1:09:40
  Speaker 4: Who introduced me to you was my brother, his brother
• 1:09:42
  Speaker 4: has a brand of Chopin that I now forgot. It's
• 1:09:50
  Speaker 4: a wonderful band and they have a lot of parties
• 1:09:52
  Speaker 4: with Daniel in Brotas. He came to me and said,
• 1:09:57
  Speaker 4: you sing too much, man. It's not nice. I said,
• 1:09:59
  Speaker 4: this is good, I'll take it from me. So Daniel
• 1:10:04
  Speaker 4: was a guy.
• 1:10:05
  Speaker 6: Disgusting.
• 1:10:06
  Speaker 4: He's been a wonderful guy for me. I participated in
• 1:10:09
  Speaker 4: his program now. So he's a guy....
• 1:10:14
  Speaker 2: His addiction must be something special, right? It's a chancel, right?
• 1:10:17
  Speaker 2: It's a motivation, it's a... That's it, man. A chancel.
• 1:10:20
  Speaker 4: Like, what's that? And you talk to him, you literally
• 1:10:25
  Speaker 4: meet with God, man. An entity, right? Yeah.
• 1:10:28
  Speaker 6: But it seems like he has a real relationship with God.
• 1:10:32
  Speaker 6: It seems like God sleeps in the same house as him, brother. Yeah.
• 1:10:35
  Speaker 4: He divides himself in four, man. It's absurd. Because you
• 1:10:38
  Speaker 4: talk to him, he has a wonderful energy, man.
• 1:10:42
  Speaker 6: A peace.
• 1:10:43
  Speaker 4: A peace. You say, Daniel, excuse me, I'm bothering you.
• 1:10:48
  Speaker 4: I don't know, excuse me.
• 1:10:50
  Speaker 1: It seems like you have no idea what to change
• 1:10:53
  Speaker 1: with him.
• 1:10:53
  Speaker 4: You're a very, very cool guy. Do you have any
• 1:10:56
  Speaker 4: idea what it is that I'm starting now at Parada?
• 1:11:01
  Speaker 4: And changing ideas with these guys, man. From equal to equal.
• 1:11:04
  Speaker 2: It's not equal.
• 1:11:04
  Speaker 4: From equal to equal, for the love of God.
• 1:11:07
  Speaker 7: I understand.
• 1:11:07
  Speaker 6: They put you from equal to equal. That's it, from
• 1:11:10
  Speaker 6: friend to friend.
• 1:11:11
  Speaker 4: Like we're having a chat here, we've never seen each other.
• 1:11:14
  Speaker 4: But look how cool the chat is.
• 1:11:16
  Speaker 6: And it's really cool, I'm talking to you like this.
• 1:11:19
  Speaker 4: It's really cool. And I'm excited to come to Podpad,
• 1:11:22
  Speaker 4: since I knew. Because I said, this show is really cool, man.
• 1:11:25
  Speaker 4: My son said, dad, you're going to Podpad? Damn, I
• 1:11:28
  Speaker 4: want it together. Let's go together, that's why I brought
• 1:11:31
  Speaker 4: everyone together.
• 1:11:32
  Speaker 2: And it's really cool.
• 1:11:33
  Speaker 4: As I said, the friendship is really good, man. And Daniel,
• 1:11:36
  Speaker 4: answering the question, was the first to meet me, one
• 1:11:41
  Speaker 4: of the giants, the medallions. Then I have contact with
• 1:11:45
  Speaker 4: Rio Nexo Limões.
• 1:11:46
  Speaker 2: When did you meet Bruno?
• 1:11:48
  Speaker 4: With Bruno? Ah, man, it was... We both died of
• 1:11:51
  Speaker 4: a cachaça, right? He drinks a little?
• 1:11:52
  Speaker 2: Bruno drinks.
• 1:11:52
  Speaker 6: Marrone drinks nothing.
• 1:11:53
  Speaker 4: Bruno drinks more than you or you drink more than Bruno?
• 1:11:56
  Speaker 2: I think I drink more than Bruno. Que isso, então
• 1:12:01
  Speaker 2: você bebe com isso ao caralho. É.
• 1:12:04
  Speaker 6: Mano, lembra daquela live da pandemia do Bruno e Marrone?
• 1:12:06
  Speaker 7: Jesus, amado.
• 1:12:07
  Speaker 6: Queria agradecer todos os patrocinadores.
• 1:12:09
  Speaker 4: Vem lá, velho.
• 1:12:13
  Speaker 6: Man, I was watching that live, live, and he was like,
• 1:12:17
  Speaker 6: I don't know who it is, but Quen doesn't have
• 1:12:18
  Speaker 6: a ball. And I was like, this guy here has
• 1:12:20
  Speaker 6: a ball, Marrone owes I don't know who. And when
• 1:12:24
  Speaker 6: Marrone went to talk, he cut Marrone.
• 1:12:26
  Speaker 2: It was sensational. So you did a show together.
• 1:12:29
  Speaker 4: Where did you drink that cachaça? I don't know if
• 1:12:33
  Speaker 4: you know Junior Mello, from Uberlândia, producer. Bruno is always
• 1:12:39
  Speaker 4: at his house, there's a studio called Estúdio Bar.
• 1:12:42
  Speaker 8: Very cool.
• 1:12:43
  Speaker 2: Look at the name of the studio. Look at the
• 1:12:45
  Speaker 2: name of the studio.
• 1:12:46
  Speaker 4: Look at this name.
• 1:12:47
  Speaker 2: What's in this studio?
• 1:12:49
  Speaker 6: Music and drinks.
• 1:12:50
  Speaker 4: Dude, imagine you get there. Bruno is always there. Why?
• 1:12:57
  Speaker 4: Junior Mello is a wonderful guy. He's a great friend
• 1:12:59
  Speaker 4: of mine too. It's Junior Mello, right? Am I missing
• 1:13:03
  Speaker 4: a name? It's Juninho.
• 1:13:05
  Speaker 6: TDAH fucks up the man, right? Until he gets it right,
• 1:13:07
  Speaker 6: he's like... I need to go to Goiânia, dude.
• 1:13:12
  Speaker 4: Look at the name of the place, you're invited, I'll
• 1:13:14
  Speaker 4: go I'll make a barbecue at home. I'll play FIFA
• 1:13:36
  Speaker 4: with Luiz.
• 1:13:36
  Speaker 6: Then you forget.
• 1:13:37
  Speaker 2: But then you arrived, Bruno was there.
• 1:13:40
  Speaker 7: Come on.
• 1:13:40
  Speaker 2: Bruno was there.
• 1:13:43
  Speaker 4: As I am, I don't like to be chetano. I
• 1:13:45
  Speaker 4: don't like it because I know how much, sometimes, you're
• 1:13:48
  Speaker 4: tired and stuff. I said, I'm not going to do
• 1:13:51
  Speaker 4: this to the guy. The guy, there's... 50 years in
• 1:13:54
  Speaker 4: this business, and I'll get there, I won't be babbling
• 1:13:56
  Speaker 4: the guy, no.
• 1:13:56
  Speaker 2: Let's make a song. It's going to happen.
• 1:13:59
  Speaker 4: When I talk to him.
• 1:14:00
  Speaker 1: Yes.
• 1:14:00
  Speaker 6: So I leave it quiet, you know?
• 1:14:01
  Speaker 4: I let you.
• 1:14:05
  Speaker 4: I let it be cool.
• 1:14:06
  Speaker 6: This way of yours, you know, conquers many people. Because
• 1:14:09
  Speaker 6: what people should lose of opportunity, because... He arrived at
• 1:14:11
  Speaker 6: the studio.
• 1:14:12
  Speaker 1: With a second of the Mythic.
• 1:14:13
  Speaker 6: No, Mythic, so come here, come to my side.
• 1:14:15
  Speaker 4: Play a song with me here, I don't know what.
• 1:14:20
  Speaker 4: It's going to work, look at it. Record a video here,
• 1:14:22
  Speaker 4: my dad, that.
• 1:14:23
  Speaker 2: I start making connections.
• 1:14:24
  Speaker 4: Wow, that's cool. Look who's here with me. Look there, yeah. Wow.
• 1:14:28
  Speaker 4: The guy who works with many people, the guy who
• 1:14:29
  Speaker 4: is an artist... When he's in a place where you
• 1:14:32
  Speaker 4: can see he's sitting and drinking... Leave him there. He
• 1:14:34
  Speaker 4: wants to stay there. He's calm. Because our job is with.
• 1:14:38
  Speaker 7: Folly, with a lot of energy.
• 1:14:39
  Speaker 4: Noise. So when we stay quiet, it's to stay quiet.
• 1:14:43
  Speaker 4: Because we have to recharge the energy for the guys.
• 1:14:45
  Speaker 4: It's normal. Then I met him. We had participated in
• 1:14:48
  Speaker 4: a DVD. I also forgot the name, sorry. It's not
• 1:14:58
  Speaker 4: for the bad, it's for me. It happens, it happens.
• 1:15:01
  Speaker 4: Then Bruno participated in the music and such.
• 1:15:03
  Speaker 2: I was even in the studio, me, Bruno and such,
• 1:15:04
  Speaker 2: and I changed a word with Bruno.
• 1:15:06
  Speaker 4: A word. I was quiet, right? Hanging out with the guys. Then,
• 1:15:09
  Speaker 4: after I participated in the DVD, Bruno said, you're on
• 1:15:11
  Speaker 4: my side here. I said, now it's true. Now take it.
• 1:15:26
  Speaker 4: So I went there, sat next to him, and he said, man,
• 1:15:27
  Speaker 4: it's a pleasure to see you. Hey, Mariana, how are you?
• 1:15:29
  Speaker 4: Mariana was there too. Then we started talking. Enzo was
• 1:15:34
  Speaker 4: there too. We started talking, chatting, and we exchanged contacts.
• 1:15:37
  Speaker 4: We had a drink, made a video. The video exploded
• 1:15:40
  Speaker 4: on the internet, of us drinking. Because Bruno gets indignant
• 1:15:43
  Speaker 4: that he takes a cup of dose. Then I take
• 1:15:46
  Speaker 4: the dose, take the bottle and turn. Then Bruno, what
• 1:15:48
  Speaker 4: is this? What bottle? Old par. Whiskey. Old par?
• 1:15:54
  Speaker 2: Look how he talks.
• 1:15:55
  Speaker 4: Old par. Old par is good.
• 1:15:57
  Speaker 1: Then you turned it into a whole bottle.
• 1:16:01
  Speaker 4: No, no, no. Oh, okay.
• 1:16:02
  Speaker 6: Good part.
• 1:16:02
  Speaker 4: This time, no. This time it was just a little bit.
• 1:16:05
  Speaker 4: But then we... It's like that, man, that makes friendship.
• 1:16:09
  Speaker 4: You're also like that.
• 1:16:10
  Speaker 7: For sure, man.
• 1:16:11
  Speaker 2: You marked it. He said, look at this guy.
• 1:16:13
  Speaker 4: Oh, how cool. Why is Campari so good?
• 1:16:18
  Speaker 6: The guy sighs.
• 1:16:19
  Speaker 4: I've known Campari for many years. I have a tattoo here.
• 1:16:24
  Speaker 1: What is this?
• 1:16:26
  Speaker 4: I have a tattooed glass here.
• 1:16:29
  Speaker 2: What is this? He really has a Campari.
• 1:16:32
  Speaker 4: He has a Campari. I learned to drink Campari because
• 1:16:37
  Speaker 4: it was cheap. Seriously.
• 1:16:38
  Speaker 6: Because my father likes to drink it.
• 1:16:39
  Speaker 2: And who likes Campari loves Campari.
• 1:16:41
  Speaker 6: My father leaves his Campari in the freezer.
• 1:16:42
  Speaker 7: That's it.
• 1:16:43
  Speaker 4: What happens is that I used to play at a
• 1:16:46
  Speaker 4: bar there. His name was Marconso. And they're my friends
• 1:16:51
  Speaker 4: to this day.
• 1:16:51
  Speaker 9: Leo.
• 1:16:51
  Speaker 4: The whole family is wonderful. I'm in love with them.
• 1:16:53
  Speaker 4: And he was a guy who helped me a lot
• 1:16:56
  Speaker 4: financially there in Mato Grosso. At the time of the boutiques.
• 1:17:00
  Speaker 4: He came once to pay me monthly.
• 1:17:01
  Speaker 2: Damn.
• 1:17:01
  Speaker 4: He gave me so many thousand reais a month. Look
• 1:17:05
  Speaker 4: at the pro labor there.
• 1:17:06
  Speaker 6: I bought the labor.
• 1:17:07
  Speaker 4: Then he took it and... I think it was very
• 1:17:10
  Speaker 4: expensive to ask for a combo there to drink. And
• 1:17:14
  Speaker 4: I went to the boutique. Not to sing, but to drink.
• 1:17:18
  Speaker 6: Singing is a consequence.
• 1:17:20
  Speaker 4: Singing is a consequence of the business. So I got
• 1:17:23
  Speaker 4: there and said, no, it's too expensive, this is my cashier.
• 1:17:26
  Speaker 4: He said, no, but man, I have a business here.
• 1:17:29
  Speaker 4: I said, what do you have there? He said, here,
• 1:17:32
  Speaker 4: he took the bottle like this. He said, I'll make
• 1:17:34
  Speaker 4: you R $ 13,00 the bottle. It's the cost price.
• 1:17:37
  Speaker 4: I said, opa, R $ 13,00 is cool. R $ 13,00,
• 1:17:38
  Speaker 4: you can take two. Give me a glass there. I
• 1:17:44
  Speaker 4: drank it and thought it was horrible. That's why it
• 1:17:47
  Speaker 4: costs R $ 13. It's really bad. He said, put some
• 1:17:49
  Speaker 4: orange juice, something like that. A tonic.
• 1:17:51
  Speaker 6: I said, okay.
• 1:17:51
  Speaker 4: I put it and thought it was cool. And R $ 13.
• 1:17:53
  Speaker 4: The third glass, you forget me. The third glass, you're
• 1:17:56
  Speaker 4: drinking pure, straight from the bottle.
• 1:18:00
  Speaker 2: Speaking Arabic.
• 1:18:01
  Speaker 4: So my story with Campari started there. And I like Campari,
• 1:18:14
  Speaker 4: the bitterness of Campari. And it's cool, it's a drink
• 1:18:16
  Speaker 4: that has become... I believe that the Sertanejo had a
• 1:18:20
  Speaker 4: very big blame.
• 1:18:20
  Speaker 6: Yes, they raised the level of the thing.
• 1:18:22
  Speaker 4: Campari is gummitized, right?
• 1:18:24
  Speaker 6: For fuck's sake.
• 1:18:25
  Speaker 4: Yes, it's very cool. And it even changed... The recipe
• 1:18:30
  Speaker 4: is sweeter today.
• 1:18:31
  Speaker 6: How is the perfect Campari dose? How do you prepare
• 1:18:33
  Speaker 6: your Campari? Any way.
• 1:18:34
  Speaker 4: Any way?
• 1:18:35
  Speaker 6: But isn't there a favorite way? No, here's the Campari,
• 1:18:37
  Speaker 6: put it in the glass, put it in your.
• 1:18:38
  Speaker 4: Mouth, it's good. It's gone, goal. At the time. Have
• 1:18:41
  Speaker 4: you ever.
• 1:18:42
  Speaker 6: Tried to drink Campari?
• 1:18:44
  Speaker 2: Yes.
• 1:18:44
  Speaker 4: It's good as hell.
• 1:18:45
  Speaker 1: But I say that with orange juice it's good.
• 1:18:46
  Speaker 2: I've never had that.
• 1:18:47
  Speaker 6: With lemon it's better.
• 1:18:48
  Speaker 4: Is it? Yes.
• 1:19:09
  Speaker 4: There are many, many, including this year. Because at concerts
• 1:19:15
  Speaker 4: I usually don't drink. Last year, my friend, last year
• 1:19:21
  Speaker 4: I drank a lot, man.
• 1:19:23
  Speaker 2: A lot, like a lot.
• 1:19:25
  Speaker 4: A lot, a lot, a lot. Three liters of Campari
• 1:19:28
  Speaker 4: for the show.
• 1:19:29
  Speaker 6: Jesus, my love. If you scratch a fossil next to you, fuck.
• 1:19:33
  Speaker 4: It would explode.
• 1:19:34
  Speaker 6: It would explode, man. Then what did I say?
• 1:19:36
  Speaker 4: I said, wait a minute, let's start changing this joke.
• 1:19:39
  Speaker 4: That joke is gone. It's gone.
• 1:19:40
  Speaker 1: Yeah, because I remember a lot of memes, a lot
• 1:19:43
  Speaker 1: of videos where you drink.
• 1:19:44
  Speaker 2: To hunt.
• 1:19:45
  Speaker 4: That's right.
• 1:19:46
  Speaker 2: That also ended up showing you more, too, for the world, right? Man,
• 1:19:49
  Speaker 2: I think it shows.
• 1:19:50
  Speaker 4: Because whoever wants to go to a sertanejo show, wants
• 1:19:54
  Speaker 4: to drink.
• 1:19:55
  Speaker 2: If the singer is going crazy like that, I want
• 1:19:58
  Speaker 2: to go to that guy's show. Man, who did a
• 1:19:59
  Speaker 2: lot of that was Marília, man.
• 1:20:00
  Speaker 4: Marília is a queen. She closed the boutique, my friend.
• 1:20:06
  Speaker 6: Oh, I've heard people say that you couldn't accompany her
• 1:20:08
  Speaker 6: to the cachaça.
• 1:20:09
  Speaker 2: You couldn't.
• 1:20:10
  Speaker 4: You couldn't. We leave people at ease to drink at
• 1:20:14
  Speaker 4: the show. And who likes that? The bar owners. Wow.
• 1:20:19
  Speaker 4: Because the guys.
• 1:20:20
  Speaker 2: You want to sell, right, brother?
• 1:20:21
  Speaker 4: I've already had parties. You want to make 3, 4
• 1:20:23
  Speaker 4: million reais at the bar. What? You want to make 3,
• 1:20:26
  Speaker 4: 4 million reais at the bar. Because I went there
• 1:20:28
  Speaker 4: and entered the show already with a bottle of Campari.
• 1:20:32
  Speaker 4: He said, Panda... I had a gentleman in a big
• 1:20:35
  Speaker 4: show house, man. He said, I don't know you. But
• 1:20:37
  Speaker 4: what did you do? Because there was one hour left
• 1:20:41
  Speaker 4: for you to enter and it was over. And I
• 1:20:43
  Speaker 4: had bought 700 Campari. And it's over. The guys want.
• 1:20:46
  Speaker 6: To follow you on Campari. You're going to sell it.
• 1:20:53
  Speaker 4: Aí ele falou assim, não, eu tenho que comprar mais.
• 1:20:54
  Speaker 4: Eu falei, compra que eu vou entrar com a garrafa
• 1:20:55
  Speaker 4: de Campari.
• 1:20:56
  Speaker 6: Ei, Campari! Cadê os comercial?
• 1:20:58
  Speaker 2: Cadê? É, pô.
• 1:20:58
  Speaker 4: Tudo aí, pô. Pelo amor de Deus, Campari.
• 1:21:00
  Speaker 6: Quero comercial, irmão.
• 1:21:01
  Speaker 2: O cara tem um bagulho tatuado. Nossa Senhora.
• 1:21:05
  Speaker 4: E eles não dão moral pra nós. Não dão moral. É, Campari.
• 1:21:08
  Speaker 6: Agora vai dar.
• 1:21:09
  Speaker 4: Dá moral pra nós, pô.
• 1:21:10
  Speaker 2: Pelo amor de Deus, irmão.
• 1:21:11
  Speaker 6: Agora vai dar. Agora vai dar. Por favor, tem que.
• 1:21:13
  Speaker 2: Tem que.
• 1:21:14
  Speaker 4: Porra. Mas assim... Camparizinho aqui em cima, aqui, ó.
• 1:21:17
  Speaker 2: Aí, ó.
• 1:21:17
  Speaker 6: Toma.
• 1:21:17
  Speaker 4: Esquece.
• 1:21:18
  Speaker 2: O Campari fazendo, tomando um Campari, né?
• 1:21:20
  Speaker 4: Eu tomava aqui agora, mas aí.
• 1:21:22
  Speaker 2: They didn't arrive, right? But, like, is there anyone, any
• 1:21:25
  Speaker 2: singer that gets close to your level of drinking? Bruno, right?
• 1:21:28
  Speaker 7: He is the.
• 1:21:29
  Speaker 2: No, and you see what it is.
• 1:21:32
  Speaker 6: And we asked before, you asked before, who drinks more,
• 1:21:35
  Speaker 6: him or me? Oh, I will, I will. So, under Bruno,
• 1:21:36
  Speaker 6: who is the.
• 1:21:37
  Speaker 4: Other one there?
• 1:21:38
  Speaker 2: There's you.
• 1:21:39
  Speaker 4: Ítero. Good too? Good, with cachaça, good, good with gole.
• 1:21:41
  Speaker 2: Yeah. Oh, it's been a while since I've had a...
• 1:21:44
  Speaker 2: One to stay.
• 1:21:44
  Speaker 4: Yeah. But I'm going to tell you, from the cachaça
• 1:21:54
  Speaker 4: I drank yesterday, for me, I never drink again in
• 1:21:57
  Speaker 4: my life.
• 1:21:57
  Speaker 2: But it's not always like that. After the resac, you say,
• 1:21:59
  Speaker 2: I'll never drink again.
• 1:22:01
  Speaker 4: And you, who drinks, how do you feel? I posted
• 1:22:03
  Speaker 4: a thousand reais with my insurance, and he said I
• 1:22:05
  Speaker 4: drink this year still. But it's obvious that you drink.
• 1:22:08
  Speaker 4: This year?
• 1:22:09
  Speaker 2: I thought you were going to drink one today.
• 1:22:11
  Speaker 4: A thousand? You could play 10,000, brother.
• 1:22:13
  Speaker 6: You would make money. To earn a thousand, maybe. Until
• 1:22:18
  Speaker 6: the end of the year, there are some holidays. There's
• 1:22:20
  Speaker 6: Children's Day, which he's going to drink.
• 1:22:21
  Speaker 4: My wife's birthday is tomorrow.
• 1:22:23
  Speaker 6: Look, he's drinking tomorrow. No, you're not going to drink
• 1:22:27
  Speaker 6: a caxile.
• 1:22:27
  Speaker 4: I'm going to Europe, the United States, damn it.
• 1:22:29
  Speaker 6: Oh my God, I think you're going to drink.
• 1:22:32
  Speaker 4: Make a little bit.
• 1:22:34
  Speaker 6: Of a thousand reais and drink a caxile.
• 1:22:37
  Speaker 2: He's already drinking. I said, yesterday he finished, but today
• 1:22:39
  Speaker 2: he's going to want to drink a caxile.
• 1:22:40
  Speaker 4: But it's because when I bet, I kept thinking about
• 1:22:45
  Speaker 4: the cachaça I drank yesterday. I forgot that at home
• 1:22:48
  Speaker 4: I like to drink a little wine, you know?
• 1:22:51
  Speaker 2: And time goes by, right? The hangover goes away.
• 1:22:54
  Speaker 4: Tomorrow we wake up 100%.
• 1:22:56
  Speaker 2: But now, you're 30. After 30, the hangover is another, right?
• 1:22:59
  Speaker 4: Or how is your hangover?
• 1:22:59
  Speaker 2: Dengue, pneumonia, cancer?
• 1:23:01
  Speaker 6: It's a thing, it's a feeling.
• 1:23:04
  Speaker 4: Of almost death, right, man? Today I woke up, I
• 1:23:05
  Speaker 4: looked at my wife and said, love, I'm not feeling
• 1:23:07
  Speaker 4: my body, man. I'm about to cry, I'm about to cry.
• 1:23:15
  Speaker 2: No, I want to cry the hippie line.
• 1:23:16
  Speaker 4: I want to cry. The guy is crying. You're sensitive.
• 1:23:21
  Speaker 2: I'm cooked, I'm cooked.
• 1:23:22
  Speaker 4: I said, wow, guys. Then, I... Wow, it was crazy.
• 1:23:28
  Speaker 4: I said, my God, love. Then, I vomited to give nothing.
• 1:23:31
  Speaker 6: But there was a day that you said like this,
• 1:23:33
  Speaker 6: we beat our record. This madness that we did.
• 1:23:34
  Speaker 4: I was in a Seta Doido, in a Seta Doido,
• 1:23:36
  Speaker 4: which is our label, right? We drank 13 liters of champagne.
• 1:23:40
  Speaker 6: My God, man.
• 1:23:40
  Speaker 7: Wow, ma'am.
• 1:23:41
  Speaker 2: I almost lost my wife, I almost lost my dignity.
• 1:23:43
  Speaker 4: I wanted to walk from here to the beach. Then
• 1:23:45
  Speaker 4: the other day I came to my wife and.
• 1:23:47
  Speaker 7: Said, my love, I'm sorry.
• 1:23:49
  Speaker 6: I never drink again. Never again.
• 1:23:51
  Speaker 4: Then yesterday I and she were very drunk together. Thank
• 1:23:52
  Speaker 4: God together, right, love?
• 1:23:54
  Speaker 6: It happens.
• 1:23:55
  Speaker 4: It's love, right?
• 1:23:55
  Speaker 6: Love is beautiful.
• 1:24:05
  Speaker 1: So, but, like, it's because, man, after you do 30,
• 1:24:08
  Speaker 1: now you did, it's because you don't drink much.
• 1:24:11
  Speaker 2: I did 30, but no, I'm not drinking.
• 1:24:13
  Speaker 6: But after the 30, brother. Brother, I'll tell you, oh, yesterday,
• 1:24:16
  Speaker 6: it was a very cool day here, there was a
• 1:24:17
  Speaker 6: nice launch, I drank about 3, 4 drinks.
• 1:24:19
  Speaker 2: Just to?
• 1:24:20
  Speaker 6: Just to give an amenity there, just to lower the
• 1:24:23
  Speaker 6: eye and the pressure to be 12 by 8, just
• 1:24:25
  Speaker 6: for that. To give the shine, right?
• 1:24:26
  Speaker 2: That shine in the eye.
• 1:24:27
  Speaker 6: But before, my thing was to have a glass in
• 1:24:29
  Speaker 6: my hand, brother, it was... Oh, remember when we used
• 1:24:33
  Speaker 6: to go.
• 1:24:33
  Speaker 2: Jesus, my love.
• 1:24:34
  Speaker 6: You did the show at Vila JK yesterday, right?
• 1:24:36
  Speaker 8: Yeah.
• 1:24:36
  Speaker 6: When we used to go to Vila JK, right?
• 1:24:37
  Speaker 4: Open the ceiling. It was combos.
• 1:24:40
  Speaker 6: Open the ceiling.
• 1:24:40
  Speaker 2: Remember when we used to ask.
• 1:24:42
  Speaker 6: Just you and me, three combos. Open the ceiling, open hell,
• 1:24:45
  Speaker 6: down there.
• 1:24:46
  Speaker 2: And before, you stayed there until what time? Because Bisteconi
• 1:24:48
  Speaker 2: was calling me.
• 1:24:49
  Speaker 4: I don't remember anything. I don't remember anything. I don't
• 1:24:52
  Speaker 4: remember anything, man.
• 1:24:53
  Speaker 2: The guy said, man, it's until one and a half,
• 1:24:55
  Speaker 2: it's over. Is it over, Mimi?
• 1:24:56
  Speaker 4: I don't know, I don't know. I don't know. Seriously?
• 1:25:00
  Speaker 4: You don't remember? It was so chaotic.
• 1:25:02
  Speaker 6: The guys said, it's over.
• 1:25:03
  Speaker 4: I said, it's over? I just know it was so
• 1:25:05
  Speaker 4: chaotic that the only thing I remember, the only thing
• 1:25:10
  Speaker 4: I remember is me hugging... It's me hugging Luiz Ricardo
• 1:25:14
  Speaker 4: from SBT. Liar.
• 1:25:15
  Speaker 8: Bozo?
• 1:25:15
  Speaker 4: Yeah, man.
• 1:25:15
  Speaker 6: My God, what a wonderful role.
• 1:25:18
  Speaker 2: Wiesel Alemão, Bistecone, Bozo.
• 1:25:19
  Speaker 4: Yeah, man.
• 1:25:20
  Speaker 2: Panda. I said, man, I'm losing this role.
• 1:25:21
  Speaker 6: And how was Luiz Ricardo?
• 1:25:28
  Speaker 4: I don't know either. I think he was fine. He
• 1:25:30
  Speaker 4: was happy. I was happy. And he was crying, man.
• 1:25:31
  Speaker 2: I don't remember why either.
• 1:25:32
  Speaker 4: But Luiz Ricardo, I'm in love with him. He's wonderful.
• 1:25:35
  Speaker 4: He's an icon. So yesterday he was there and I
• 1:25:39
  Speaker 4: think we got emotional. It was a lot of happiness.
• 1:25:41
  Speaker 4: I think I must have praised him or I don't
• 1:25:44
  Speaker 4: know what happened. And then I looked to the side,
• 1:25:55
  Speaker 4: my wife hugging my son, crying too. I said, wow, man.
• 1:25:57
  Speaker 4: I'm with Luiz Ricardo here. What's going on? What a
• 1:26:01
  Speaker 4: crazy guy. I just know that at one point, what
• 1:26:05
  Speaker 4: they told me, they remembered me. They're remembering me. I'm
• 1:26:08
  Speaker 4: going to show you a video here. With the television
• 1:26:11
  Speaker 4: in hand, on top of the stage.
• 1:26:13
  Speaker 3: You?
• 1:26:14
  Speaker 6: But why?
• 1:26:15
  Speaker 4: I don't know. I only know that one time the
• 1:26:18
  Speaker 4: guy asked for a drink from me, I think, I
• 1:26:20
  Speaker 4: took the glass from the guy's hand, threw everything on
• 1:26:22
  Speaker 4: the floor, broke the glass from the guy on the
• 1:26:24
  Speaker 4: floor like this, and did like this.
• 1:26:27
  Speaker 6: I'm not crazy.
• 1:26:28
  Speaker 4: I'm punk. Look at this, man. What madness.
• 1:26:31
  Speaker 2: And when you see yourself doing this, you tell me.
• 1:26:35
  Speaker 4: My cell phone, take my cell phone there.
• 1:26:36
  Speaker 2: When you see yourself, you say.
• 1:26:38
  Speaker 4: I say like this, my God. Samara, right? Samara. The
• 1:26:43
  Speaker 4: first question I ask my advisors, I say like this,
• 1:26:46
  Speaker 4: I did ugly. Then they said like this, ah, and
• 1:26:48
  Speaker 4: now I'm going to say the craziest thing in the world.
• 1:26:53
  Speaker 4: My security saved yesterday a guy inside the bathroom that
• 1:26:56
  Speaker 4: I was going to hit.
• 1:26:58
  Speaker 7: You?
• 1:26:58
  Speaker 4: Yeah.
• 1:26:58
  Speaker 8: Why?
• 1:26:58
  Speaker 6: And he says, yeah, I'm going to.
• 1:27:02
  Speaker 7: Kill this guy.
• 1:27:02
  Speaker 4: I ended up punching Fidelis Falante. Why? I don't know why.
• 1:27:07
  Speaker 4: He showed up and I punched him. Then he crouched
• 1:27:12
  Speaker 4: down and I punched him. He was drunk as hell.
• 1:27:14
  Speaker 4: Then he said, you hit Fidelis. I said, I hit Fidelis?
• 1:27:19
  Speaker 4: He said, I hit him. I said, wait a minute.
• 1:27:22
  Speaker 7: Really?
• 1:27:23
  Speaker 4: I called Fidelis. I said, Fidelis, how are you? He said,
• 1:27:25
  Speaker 4: what's up, man? I said, I'm sorry, man. I punched you.
• 1:27:27
  Speaker 4: He said, my brother hit my kidney yesterday. You have
• 1:27:31
  Speaker 4: such a heavy hand, man, that you have. Fuck. I said, Fidelio. Fuck, Pantos,
• 1:27:33
  Speaker 4: you must be.
• 1:27:34
  Speaker 7: Strong as fuck.
• 1:27:35
  Speaker 6: And then, Fidelio, take this, because you're very crazy.
• 1:27:37
  Speaker 4: He's still sad.
• 1:27:38
  Speaker 6: And then, Fidelio, what is this?
• 1:27:41
  Speaker 2: He said, take this.
• 1:27:42
  Speaker 7: It was, it was.
• 1:27:43
  Speaker 6: It was, because the moment I punched.
• 1:27:45
  Speaker 4: Him, he turned his back and lowered like this. Then
• 1:27:48
  Speaker 4: I took it and, bah, take it, Fidelio. Take it, fuck.
• 1:27:50
  Speaker 4: And I was caught by a panda, fuck.
• 1:27:53
  Speaker 6: Then I called to apologize, I said, forgive me, I'm
• 1:27:54
  Speaker 6: his friend, right?
• 1:27:56
  Speaker 4: Forgive me. They gave me a black flag. He was
• 1:28:02
  Speaker 4: drunk and said, I'll give you a black flag. I said,
• 1:28:05
  Speaker 4: my dream is to have a black flag. He said,
• 1:28:07
  Speaker 4: I'll give you a black flag. The next day I
• 1:28:08
  Speaker 4: called him and he gave me a black flag. But
• 1:28:12
  Speaker 4: he forgave you for the punch in the kidney. He
• 1:28:14
  Speaker 4: forgave me. Then he called me.
• 1:28:16
  Speaker 2: My agent Danilo called me and said, you punched me yesterday.
• 1:28:27
  Speaker 6: Ah, você bateu em dois?
• 1:28:29
  Speaker 4: Batei em dois. Eu falei assim, ah, você vai se foder, você.
• 1:28:33
  Speaker 7: Você merece.
• 1:28:33
  Speaker 6: 55 shows na semana pra.
• 1:28:35
  Speaker 4: Mim, pô. Merece um soquinho.
• 1:28:36
  Speaker 7: Um soquinho, toma.
• 1:28:30
  Speaker 4: I said, you're going to fuck yourself. You deserve it.
• 1:28:32
  Speaker 7: 55 shows a week, bro.
• 1:28:33
  Speaker 6: You deserve a punch. A punch, take it.
• 1:28:35
  Speaker 3: So, man, our life, our nightlife is chaotic, right, man?
• 1:28:38
  Speaker 2: Some things happen and I say, it's true.
• 1:28:40
  Speaker 4: That I punched a guy. Now, imagine if he says,
• 1:28:44
  Speaker 4: you hit your wife, that's fucked up.
• 1:28:45
  Speaker 2: I'll never drink again. But it's just affection, love, right, love?
• 1:28:49
  Speaker 4: But Fideliz, yesterday, almost... The guy got out of the bathroom...
• 1:28:58
  Speaker 4: So go, man.
• 1:28:59
  Speaker 1: And then you don't remember, sometimes, any moments?
• 1:29:03
  Speaker 2: I don't remember anything.
• 1:29:06
  Speaker 6: I just remember that he was with the TV on
• 1:29:08
  Speaker 6: the stage.
• 1:29:08
  Speaker 4: Yeah, the TV was this one, look.
• 1:29:11
  Speaker 2: Dude, my God.
• 1:29:12
  Speaker 4: If you let me show it here. Thiago Brava was
• 1:29:16
  Speaker 4: there too. He was sending me a message here.
• 1:29:18
  Speaker 2: Jesus, my love. There was a lot of people there yesterday.
• 1:29:22
  Speaker 6: What?
• 1:29:22
  Speaker 4: Amigo, was it just me?
• 1:29:22
  Speaker 6: You also seem to have.
• 1:29:24
  Speaker 2: I don't know, no one knows.
• 1:29:25
  Speaker 6: Structure, man.
• 1:29:25
  Speaker 4: Yeah, I think it's the... The videos of this guy here.
• 1:29:27
  Speaker 4: Very good. He's very good. Why did you send me
• 1:29:30
  Speaker 4: the video, man? You're going to take it in the ass, man.
• 1:29:33
  Speaker 6: The guys with.
• 1:29:34
  Speaker 2: The TV on the stage, hugging Luiz Ricardo, punching friends.
• 1:29:38
  Speaker 4: Bistecones, Leão.
• 1:29:38
  Speaker 6: No, I was on my cell phone. This guy must
• 1:29:41
  Speaker 6: have been crazy. I want to be on the next one, man.
• 1:29:43
  Speaker 2: That's why I said, no, tomorrow morning I have therapy.
• 1:29:46
  Speaker 2: I'm not going.
• 1:29:47
  Speaker 4: Then... I need to find this video.
• 1:29:55
  Speaker 1: When Bisteconio started calling me, I asked what was going on.
• 1:29:59
  Speaker 2: Bisteconio was crazy.
• 1:30:00
  Speaker 1: He was recording everything and Gabriel was calling me.
• 1:30:05
  Speaker 2: I said, if I go, I think something will happen.
• 1:30:08
  Speaker 6: We wouldn't be here today. It's Monday.
• 1:30:10
  Speaker 2: There's no limit.
• 1:30:11
  Speaker 6: I said, therapy in the morning on Tuesday.
• 1:30:12
  Speaker 2: It's not possible. Júlio Cossielo was going to be there too.
• 1:30:18
  Speaker 6: No, no, no, don't do that.
• 1:30:20
  Speaker 2: I met him in.
• 1:30:20
  Speaker 6: This guy doesn't know how to stop, man. Was it
• 1:30:23
  Speaker 6: in Jaguariúna?
• 1:30:24
  Speaker 7: Yeah.
• 1:30:25
  Speaker 4: I met him in Jaguariúna.
• 1:30:26
  Speaker 2: And he's rumbling, he's rumbling, he's cachaça and he's rumbling.
• 1:30:29
  Speaker 4: I said, he got very drunk. Then he came and said, dressed, undressed.
• 1:30:36
  Speaker 4: I said, damn, man.
• 1:30:37
  Speaker 2: He's enjoying it. I'm in love. I'm going to find the.
• 1:30:40
  Speaker 4: Video, man. I don't remember who sent it to me, man.
• 1:30:41
  Speaker 4: It's all right, Pandinha. But I'll show it to you later.
• 1:30:46
  Speaker 1: This video was you holding the TV, breaking the glass.
• 1:30:50
  Speaker 4: Because the TV stopped working, I think. It's what we
• 1:30:53
  Speaker 4: see in the lyrics of the song. Then I think
• 1:30:56
  Speaker 4: I took the cable out of the TV and did this.
• 1:31:00
  Speaker 4: It was very crazy. It's like that. Sensational.
• 1:31:03
  Speaker 6: Before, you're going to make a fashion for us too, right?
• 1:31:07
  Speaker 6: But before he makes a fashion, I have questions for
• 1:31:09
  Speaker 6: him to answer right away. Can it be Panda?
• 1:31:11
  Speaker 1: Can.
• 1:31:14
  Speaker 6: Um artista que consegue te acompanhar na bebida.
• 1:31:16
  Speaker 4: Bruno.
• 1:31:17
  Speaker 6: Um que tentou e passou mal.
• 1:31:19
  Speaker 7: Bruno.
• 1:31:21
  Speaker 6: Uma garrafa que não dá pra virar.
• 1:31:23
  Speaker 4: Uma garrafa que não dá pra virar.
• 1:31:27
  Speaker 6: Mano, ele foi longe no pensamento.
• 1:31:28
  Speaker 4: É vodka, mas vodka não dá pra fazer isso.
• 1:31:30
  Speaker 6: Horrível.
• 1:31:30
  Speaker 2: Nossa, não dá.
• 1:31:31
  Speaker 4: Muito ruim.
• 1:31:32
  Speaker 6: Melhor jeito de superar um pé na bunda.
• 1:31:34
  Speaker 4: Indo no show do Panda.
• 1:31:36
  Speaker 6: Porra, perfeito. Boate azul ou evidências?
• 1:31:39
  Speaker 4: Porra, cara, que pergunta, hein? Evidências.
• 1:31:42
  Speaker 6: É o amor ou dormir na praça?
• 1:31:44
  Speaker 4: Puta, é o amor.
• 1:31:46
  Speaker 6: Sabia, é o amor, não tem como, porra. O que
• 1:31:49
  Speaker 6: fazer se falhar na hora H?
• 1:31:51
  Speaker 4: O que fazer? My friend, forget it. It will never fail.
• 1:31:56
  Speaker 6: What about that sound of yours that failed, lost the
• 1:32:00
  Speaker 6: motel's 120?
• 1:32:01
  Speaker 4: Did you see, bro?
• 1:32:02
  Speaker 6: I saw, that's sad, right? 200.
• 1:32:05
  Speaker 4: Was it 200? It was, he went there, got a
• 1:32:06
  Speaker 4: cute girl there, no, no, no. A cute girl. Then
• 1:32:09
  Speaker 4: he arrived, went to the motel.
• 1:32:10
  Speaker 6: A cute girl is good, huh?
• 1:32:12
  Speaker 2: Then he went to the motel.
• 1:32:13
  Speaker 6: A cute girl is good.
• 1:32:14
  Speaker 8: Yeah, a cute girl.
• 1:32:15
  Speaker 4: He arrived at the motel. And I saw his ex
• 1:32:18
  Speaker 4: moaning in the other room.
• 1:32:20
  Speaker 8: What the fuck?
• 1:32:20
  Speaker 4: Then he lost 200 tons of... Of carinhosa. Of carinhosa
• 1:32:22
  Speaker 4: and failed, right? Fuck, Mitty.
• 1:32:25
  Speaker 6: It's not easy, friend.
• 1:32:25
  Speaker 4: What do you do, Mitty, when you fail?
• 1:32:26
  Speaker 6: I do stand-up.
• 1:32:27
  Speaker 2: I do a la risse, feel at ease, want to
• 1:32:31
  Speaker 2: eat something, are hungry.
• 1:32:32
  Speaker 4: Fuck, what.
• 1:32:33
  Speaker 2: Wait, wait a half hour. And if it happens to
• 1:32:35
  Speaker 2: the person to be a girl.
• 1:32:41
  Speaker 4: Yeah, that's fucked up.
• 1:32:43
  Speaker 6: That's fucked up.
• 1:32:43
  Speaker 4: That's fucked up. What happens?
• 1:32:44
  Speaker 6: What's fucked up is when you have a chewing gum
• 1:32:47
  Speaker 6: in your hand and she says, calm down. I say, no,
• 1:32:49
  Speaker 6: say that.
• 1:32:49
  Speaker 2: Yeah, right. Say that.
• 1:32:50
  Speaker 6: I'm desperate here. Don't say that. Don't say calm down
• 1:32:52
  Speaker 6: to me.
• 1:32:52
  Speaker 4: It happens.
• 1:32:53
  Speaker 7: Oh, it's all right.
• 1:32:53
  Speaker 6: It happens, don't say it. It happens, don't say it.
• 1:32:56
  Speaker 4: Holy shit, with all those brofists you've... It happens, don't
• 1:32:58
  Speaker 4: say it.
• 1:32:58
  Speaker 6: But I'm more of your vibe, Mitch. If this happens,
• 1:33:02
  Speaker 6: I'll say it like this.
• 1:33:04
  Speaker 1: Let's let the weather let's let the weather let's talk
• 1:33:08
  Speaker 1: let's go let's.
• 1:33:09
  Speaker 6: Sleep tight at most a way to form the.
• 1:33:16
  Speaker 4: Aura is turning, right?
• 1:33:20
  Speaker 6: Original top 3 duplas sertanejas good.
• 1:33:24
  Speaker 4: Dupla sertaneja is Bruno Marrone, Edson Hudson and Chitãozinho.
• 1:33:31
  Speaker 6: Chororó top 3 rock bands.
• 1:33:34
  Speaker 4: Rock and roll, I like it. Urban religion, I like
• 1:33:38
  Speaker 4: it too. And it can be international. Please, I thought
• 1:33:41
  Speaker 4: you were going to come to.
• 1:33:42
  Speaker 6: Them, because I saw that you were following.
• 1:33:45
  Speaker 4: I went to their show, fuck. Was the show awesome?
• 1:33:49
  Speaker 4: They always talk about Manoel Aura.
• 1:33:54
  Speaker 8: All the time.
• 1:33:55
  Speaker 4: That guitarist there, man. I think they're going to stop, right?
• 1:33:59
  Speaker 4: Or they're going to stop, because they're old, right?
• 1:34:01
  Speaker 6: Well, yeah.
• 1:34:02
  Speaker 4: But it's phenomenal. No, I'm kidding.
• 1:34:03
  Speaker 6: Do the size of the piece with your hand. I'm kidding. Oh,
• 1:34:06
  Speaker 6: after this, we're going to fashion.
• 1:34:07
  Speaker 7: Let's go.
• 1:34:16
  Speaker 6: Man, I'm not kidding, I'm with Retorno here. To talk
• 1:34:20
  Speaker 6: to him, his voice comes here. I understood, I understood, Shirley.
• 1:34:24
  Speaker 6: I understood everything, you see? Yeah, four minutes talking to her,
• 1:34:28
  Speaker 6: but I want to marry her. Now you're going to
• 1:34:30
  Speaker 6: see her singing. Damn, what is this?
• 1:34:33
  Speaker 4: Did you sing for her? What? No, but.
• 1:34:34
  Speaker 6: She's already angry. But I want to know if you
• 1:34:36
  Speaker 6: sang for her in that first week.
• 1:34:37
  Speaker 4: I do, I always sing for my love, always. For her.
• 1:34:40
  Speaker 6: I don't know what I can do here.
• 1:34:41
  Speaker 4: Look here, take it here. Pum, pum, pum. 150 reais
• 1:34:43
  Speaker 4: at the bar, take it. Look what I get here, boom. Yeah,
• 1:34:47
  Speaker 4: the music is too good.
• 1:34:48
  Speaker 6: Look, you see here, man? I'm good as hell and
• 1:34:49
  Speaker 6: no one values it. But that was in the past.
• 1:34:52
  Speaker 4: Where's the guitar?
• 1:34:53
  Speaker 2: It's behind you.
• 1:34:54
  Speaker 4: Ah, it's here.
• 1:34:54
  Speaker 6: Ah, it's there, man. It's there already.
• 1:34:56
  Speaker 4: It's far as hell.
• 1:34:57
  Speaker 6: Man, what a beautiful guitar.
• 1:34:58
  Speaker 2: Did you see?
• 1:34:59
  Speaker 6: It's a guitar, right, in this case. Fuck.
• 1:35:01
  Speaker 4: It's what you want, man.
• 1:35:03
  Speaker 7: Fuck.
• 1:35:03
  Speaker 4: Look.
• 1:35:04
  Speaker 2: And it's loud, right?
• 1:35:07
  Speaker 4: Can I play what I want? What you want.
• 1:35:08
  Speaker 8: For sure.
• 1:35:08
  Speaker 6: What you want, man. I'm going to play Abaqueado here.
• 1:35:11
  Speaker 8: The first one here, boom. I'm going.
• 1:35:26
  Speaker 4: To drink for the baby The more the degree goes up,
• 1:35:31
  Speaker 4: the less I get sober Mas sobra você em.
• 1:35:50
  Speaker 10: Mim Em mim Quando falta um pouquinho pra esquecer Toma
• 1:35:58
  Speaker 10: um golinho pra lembrar A garrafa acabando eu aqui E
• 1:36:02
  Speaker 10: acabando de tanto chorar Quando falta.
• 1:36:05
  Speaker 2: Um pouquinho pra esquecer.
• 1:36:07
  Speaker 10: Toma um golinho pra lembrar A garrafa acabando eu aqui
• 1:36:11
  Speaker 10: E acabando de tanto chorar.
• 1:36:18
  Speaker 4: A garrafa acabando.
• 1:36:20
  Speaker 3: Eu aqui Me acabando de tanto chorar.
• 1:36:37
  Speaker 2: Very good.
• 1:36:38
  Speaker 6: No, bro, I heard you on Spotify, it's one thing,
• 1:36:40
  Speaker 6: on the sound of the car, it's another. I still
• 1:36:42
  Speaker 6: haven't had the opportunity to go to your show, but here, live.
• 1:36:45
  Speaker 7: It's bizarre.
• 1:36:46
  Speaker 6: Thank you, bro, we're together.
• 1:36:48
  Speaker 4: God bless you.
• 1:36:49
  Speaker 6: No, God bless you and continue to bless you. Disappointing
• 1:36:51
  Speaker 6: with a nice voice. That's it, man. A caring man.
• 1:36:57
  Speaker 4: A caring man.
• 1:36:58
  Speaker 6: I'll never forget a caring woman.
• 1:37:00
  Speaker 4: Yeah, a caring woman. Do you want me to play
• 1:37:02
  Speaker 4: one more song?
• 1:37:04
  Speaker 7: Just if you don't.
• 1:37:04
  Speaker 6: But we don't want to be Faustão here, right? Who?
• 1:37:08
  Speaker 4: Alvivo, bicho?
• 1:37:09
  Speaker 6: Sidney Magal on top of the CDC base.
• 1:37:11
  Speaker 4: Dude, I'm going to sing a.
• 1:37:15
  Speaker 2: It's awesome, right?
• 1:37:16
  Speaker 1: I imagine he spends a lot of strength to play
• 1:37:19
  Speaker 1: the voice.
• 1:37:19
  Speaker 6: Didn't you see that he said he takes good care
• 1:37:20
  Speaker 6: of his voice?
• 1:37:21
  Speaker 4: I take good care of my voice.
• 1:37:22
  Speaker 2: I'm sorry. I'm sorry.
• 1:37:25
  Speaker 6: Would you sing Bruno e Marrone?
• 1:37:26
  Speaker 4: I sing? Any one.
• 1:37:27
  Speaker 6: Any one? Wow, there's one that I like a lot.
• 1:37:29
  Speaker 4: Which one?
• 1:37:30
  Speaker 6: You don't know how to play. If you don't know,
• 1:37:32
  Speaker 6: you say, I don't know this one.
• 1:37:33
  Speaker 4: Okay, fine.
• 1:37:33
  Speaker 6: Look, from that DVD. Um Bom Perdedor me mata.
• 1:37:37
  Speaker 4: Essa aí ninguém sabe tocar essa música.
• 1:37:38
  Speaker 6: Ninguém sabe, né?
• 1:37:39
  Speaker 4: Música difícil de tocar do caramba.
• 1:37:40
  Speaker 7: Tem mais nota que isso.
• 1:37:40
  Speaker 6: Então manda outra, o que você quiser.
• 1:37:42
  Speaker 4: Outra, né?
• 1:37:43
  Speaker 1: Outra que você quiser.
• 1:37:46
  Speaker 4: A música tem mais nota do que letra, eu nunca
• 1:37:47
  Speaker 4: vi isso.
• 1:37:48
  Speaker 2: Difícil.
• 1:37:49
  Speaker 4: Vou cantar uma. Essa aqui.
• 1:37:53
  Speaker 3: Deixar Pelo menos falar de nós Por um minuto ouvir
• 1:38:00
  Speaker 3: tua voz Nem precisa me perdoar Sabe, já não consigo
• 1:38:10
  Speaker 3: entender quem.
• 1:38:13
  Speaker 2: Amou pra valer.
• 1:38:15
  Speaker 3: Me diz que agora tanto faz, se já não me
• 1:38:20
  Speaker 3: quer mais. E diz que nunca, nunca, nunca vai me
• 1:38:26
  Speaker 3: ligar na hora que a saudade e a vontade aparecem.
• 1:38:20
  Speaker 7: Oh, my God.
• 1:38:53
  Speaker 4: I want to believe that I can forget you Já
• 1:39:24
  Speaker 4: não tá prometido.
• 1:39:27
  Speaker 3: Se um dia no bar Eu me embriagar Não me
• 1:39:32
  Speaker 3: responsabilizo Pode ser que eu te ligue em alta madrugada
• 1:39:38
  Speaker 3: Querendo te ver Pois o meu coração se arrastra no
• 1:39:42
  Speaker 3: chão Quando lembra você Se a bebida travar as palavras
• 1:39:46
  Speaker 3: E eu começar a chorar Por favor desliga Desliga, por Deus,
• 1:39:55
  Speaker 3: eu não quero Cair na cilada do teu coração Matar
• 1:40:02
  Speaker 3: a saudade do beijo da boca Do gosto do amor
• 1:40:08
  Speaker 3: Do fogo da paixão Por Deus, tô tentando de tudo
• 1:40:14
  Speaker 3: Mas quando eu me vejo sozinho no bar Me bate
• 1:40:18
  Speaker 3: a saudade.
• 1:40:20
  Speaker 2: Eu bebo e fico louco.
• 1:40:23
  Speaker 3: Querendo outra vez te amar.
• 1:40:51
  Speaker 6: Casa de Mulheres Carinhosas. É, mas lá... Que tem o palco, né? Exato, exato.
• 1:40:55
  Speaker 1: Mano, muito prazeroso ver vocês nesse nível cantando assim ao vivo, né?
• 1:40:59
  Speaker 4: Eu pensei que você ia falar muito outra coisa. Eu também,
• 1:41:01
  Speaker 4: eu também, eu também, eu também. É, porque ele vai
• 1:41:04
  Speaker 4: muito prazeroso.
• 1:41:06
  Speaker 2: Deixa eu ver cantar a banda. Damn, man, it's very
• 1:41:10
  Speaker 2: good to see you live.
• 1:41:11
  Speaker 7: What is this?
• 1:41:12
  Speaker 4: We're together, man.
• 1:41:12
  Speaker 6: No, it's... Brother, I don't know, but I'm in a
• 1:41:14
  Speaker 6: daze because there's no effect, there's no shit, it's a
• 1:41:18
  Speaker 6: dry microphone and the guitar, man, receive it. I think
• 1:41:20
  Speaker 6: that's what the.
• 1:41:20
  Speaker 4: Bar teaches us, right? Because we need to deliver with
• 1:41:23
  Speaker 4: the guitar and voice, in a bad sound, it's the
• 1:41:25
  Speaker 4: best for people, right? So, the bar teaches that, right?
• 1:41:29
  Speaker 4: You take the guitar in your hand and... In the
• 1:41:31
  Speaker 4: first song, it's... Impression, right? What do I do to impress?
• 1:41:41
  Speaker 4: What do people want to hear? People want to hear strength.
• 1:41:45
  Speaker 4: Today people seem to want to hear softness. Let's mix
• 1:41:48
  Speaker 4: the two? We start soft, put strength in the chorus.
• 1:41:53
  Speaker 4: That's what Boteco teaches. In your time at Boteco.
• 1:41:56
  Speaker 2: What was the song you used to say? This one
• 1:41:58
  Speaker 2: is my joker.
• 1:41:58
  Speaker 1: This one, if I play, everyone turns their necks, looks.
• 1:42:02
  Speaker 2: Gets up, asks for more beer.
• 1:42:08
  Speaker 4: It was now, right?
• 1:42:08
  Speaker 1: Wow.
• 1:42:08
  Speaker 2: I was already naughty, I wanted that. That's it.
• 1:42:11
  Speaker 6: Higher than your.
• 1:42:16
  Speaker 4: Ass would spin. With the hangover I'm in. Sorry.
• 1:42:17
  Speaker 6: Sorry?
• 1:42:19
  Speaker 4: Just don't punch us. No, no. Now tell me who
• 1:42:22
  Speaker 4: loves me.
• 1:42:39
  Speaker 3: E agora que não tem mais nada.
• 1:42:46
  Speaker 4: Diz que morre.
• 1:42:47
  Speaker 10: De amor por mim Agora, depois de ter chorado rios
• 1:43:07
  Speaker 10: Depois de tanto ter sofrido.
• 1:43:12
  Speaker 4: Agora por fim.
• 1:43:15
  Speaker 3: Vai saber o que um dia eu vivi Eu.
• 1:43:19
  Speaker 7: Vivi I asked her, when can I drink?
• 1:43:38
  Speaker 4: And she said... But this was also a song.
• 1:43:39
  Speaker 1: That you knew that when you played it, the whole
• 1:43:43
  Speaker 1: bar's tension was on you.
• 1:43:44
  Speaker 6: Yeah, the feeling, man.
• 1:43:46
  Speaker 4: You start... Slowly, you come with the now... The now
• 1:43:50
  Speaker 4: is strong, man. And I prolonged it a lot. There
• 1:43:53
  Speaker 4: are shows that I prolong it a lot. For the guys.
• 1:43:56
  Speaker 4: I prolong it until the guys clap their hands. I'll
• 1:43:58
  Speaker 4: take your hands off now. Son of a bitch. And
• 1:44:07
  Speaker 4: when it starts, I just stop.
• 1:44:10
  Speaker 2: Because when people clap, it must be a feeling like, man,
• 1:44:13
  Speaker 2: what is this? It's not going to stop.
• 1:44:15
  Speaker 6: It's not going to end, it's very good. It's total energy,
• 1:44:17
  Speaker 6: but you have to have a preparation to do this, brother.
• 1:44:20
  Speaker 6: You have to have, you have to have.
• 1:44:23
  Speaker 4: In fact, it's what I tell you. Phono, take care, laser.
• 1:44:28
  Speaker 4: Because just the act of us talking causes micro.
• 1:44:33
  Speaker 6: Lesions?
• 1:44:34
  Speaker 4: Lesions. I just don't have the courage to smoke.
• 1:44:37
  Speaker 6: But it's also not a problem for those who take
• 1:44:39
  Speaker 6: care of it.
• 1:44:56
  Speaker 4: I know wonderful singers with incredible voices, as you know,
• 1:45:01
  Speaker 4: some of them smoke padaná. So, it's normal. It happens, right?
• 1:45:04
  Speaker 2: It happens.
• 1:45:04
  Speaker 4: Ah, but that derby voice sometimes matches, right? It doesn't match, no.
• 1:45:09
  Speaker 6: This derby voice, man, is because it's burning the.
• 1:45:12
  Speaker 2: Calm down.
• 1:45:13
  Speaker 4: Smoking is foda. Smoking is foda. You have to listen
• 1:45:17
  Speaker 4: to Panda, what we say here is.
• 1:45:25
  Speaker 6: Baboseiro.
• 1:45:26
  Speaker 4: Baboseiro.
• 1:45:27
  Speaker 2: Não fumem.
• 1:45:27
  Speaker 6: Não fumem.
• 1:45:29
  Speaker 4: Vocês que, por exemplo, só falam bastante, fazem bastante entrevistas,
• 1:45:34
  Speaker 4: vocês também tem que cuidar da voz.
• 1:45:35
  Speaker 6: Tem, cara. Mítico faz fono.
• 1:45:37
  Speaker 2: Tava fazendo.
• 1:45:39
  Speaker 4: Sua voz é linda, cara.
• 1:45:40
  Speaker 2: Obrigado. Já já vou começar a cantar.
• 1:45:43
  Speaker 6: Faz isso não.
• 1:45:45
  Speaker 2: Às vezes você nem fala de... Imagina cantando.
• 1:45:47
  Speaker 4: Não, não, não. Faz isso não. Fono é legal. Vai tirar.
• 1:45:49
  Speaker 6: Faz laser.
• 1:45:51
  Speaker 2: No, I just keep blowing the things, the little balls.
• 1:45:53
  Speaker 4: Tell her to do laser on you, because laser will help.
• 1:45:56
  Speaker 2: Laser?
• 1:45:57
  Speaker 7: Laser.
• 1:45:57
  Speaker 4: Tell her to do laser. How is this laser? Laser,
• 1:45:59
  Speaker 4: it's a laser, right?
• 1:46:00
  Speaker 6: Is it laser on the throat here? It's to cure
• 1:46:04
  Speaker 6: the micro lesions. I do laser on the knee now,
• 1:46:06
  Speaker 6: in physiotherapy.
• 1:46:07
  Speaker 4: In physiotherapy.
• 1:46:07
  Speaker 2: That's good, you have to take care of the voice, right?
• 1:46:10
  Speaker 4: Damn.
• 1:46:11
  Speaker 2: Especially this voice there, the breadwinner, right?
• 1:46:12
  Speaker 4: I think so, that God blessed us so much in communication, right?
• 1:46:17
  Speaker 4: We are communicators, we are artists. And we have to
• 1:46:20
  Speaker 4: take care of this blessing of God. Every time, before
• 1:46:23
  Speaker 4: I go on stage, I offer my voice to God,
• 1:46:24
  Speaker 4: because the voice is a miracle. So I thank him
• 1:46:26
  Speaker 4: and say, I know that it's a gift from him
• 1:46:29
  Speaker 4: to me, while I'm on this earth. So I respect
• 1:46:32
  Speaker 4: him a lot. And it's very crazy, because it's something
• 1:46:34
  Speaker 4: that can really end, right, man?
• 1:46:36
  Speaker 6: So he has to take care, he has to take care, man. Yes, respect,
• 1:46:38
  Speaker 6: take care.
• 1:46:39
  Speaker 2: I respect my work material.
• 1:46:50
  Speaker 4: When you respect it, it's great. I respect it. It's
• 1:46:53
  Speaker 4: like buying a car. You have to be careful, change
• 1:46:56
  Speaker 4: the car, send it to wash, send it to see
• 1:46:58
  Speaker 4: the tires. You have to be careful with the car,
• 1:47:01
  Speaker 4: otherwise the car will deteriorate, it will end. One day
• 1:47:03
  Speaker 4: you will have to throw the car away, you know?
• 1:47:06
  Speaker 2: This is new, there is still a lot of time
• 1:47:09
  Speaker 2: to go.
• 1:47:10
  Speaker 4: Thank God, if God wants, we will work a lot still.
• 1:47:15
  Speaker 4: Things are happening in time.
• 1:47:16
  Speaker 2: And that's what I was going to tell you.
• 1:47:18
  Speaker 1: It's been a year and a half since this success started.
• 1:47:23
  Speaker 1: All the articles come out, which you must be knowing, right?
• 1:47:26
  Speaker 2: Besides seeing your numbers.
• 1:47:27
  Speaker 1: But what really affects Panda is that he is the
• 1:47:31
  Speaker 1: artist and singer most heard in Brazil. And he is
• 1:47:34
  Speaker 1: more heard in Brazil in general, but in several states
• 1:47:38
  Speaker 1: of Brazil.
• 1:47:38
  Speaker 2: Be careful with my equipment. In several states of Brazil,
• 1:47:43
  Speaker 2: you are the top, man. No, I don't see it
• 1:47:44
  Speaker 2: that way. But the news, the news.
• 1:47:45
  Speaker 4: It may even be, but I think that the way.
• 1:47:46
  Speaker 2: I think is, the moment is this, right? So we
• 1:47:48
  Speaker 2: have to use the.
• 1:47:49
  Speaker 4: Moment in the best possible way. How is it?
• 1:48:01
  Speaker 6: Não deslumbrar, né?
• 1:48:02
  Speaker 4: Cara, coisa que eu não consigo é deslumbrar de certas coisas.
• 1:48:06
  Speaker 4: Pra mim tá tudo certo. A única coisa que eu
• 1:48:09
  Speaker 4: gosto é de respeito. Então, cara, você me respeitando, respeitando
• 1:48:13
  Speaker 4: a minha história, a minha origem, não falando besteira. Se
• 1:48:17
  Speaker 4: você não me conhece, não fala besteira. Porque isso, There's
• 1:48:11
  Speaker 4: a proximity. And doing this is all right. I don't
• 1:48:28
  Speaker 4: want you to praise me, to put me on a pedestal.
• 1:48:33
  Speaker 4: And even if you find a pedestal, it will be
• 1:48:35
  Speaker 4: almost impossible. But doing this, man, I don't need it.
• 1:48:39
  Speaker 4: It's all right. I know my quality. I know my truth.
• 1:48:42
  Speaker 4: What I want from people and what everyone wants is respect, reciprocity.
• 1:48:50
  Speaker 4: My way of showing reciprocity to all the affection I'm
• 1:48:53
  Speaker 4: being involved with is on stage. With love and affection.
• 1:48:57
  Speaker 4: The artist's life, the true work of the artist is
• 1:49:04
  Speaker 4: to deal with people, it's not singing. Because singing for
• 1:49:06
  Speaker 4: us is a pleasure, man.
• 1:49:08
  Speaker 6: It's the easiest part, maybe.
• 1:49:09
  Speaker 4: It's easy. It's not the easiest part. The difficult part
• 1:49:13
  Speaker 4: is everything else. It's everything else. Because sometimes, this is
• 1:49:17
  Speaker 4: who lives with me intensely, it's my team. Because they
• 1:49:21
  Speaker 4: are 24 hours with me. So I've been on the
• 1:49:24
  Speaker 4: road since day 30. Got it? So we get to
• 1:49:31
  Speaker 4: the hotel, take four hours by plane, plus three hours
• 1:49:35
  Speaker 4: by plane. We get to the hotel, there are 20
• 1:49:38
  Speaker 4: people to take pictures. You have to look at it
• 1:49:41
  Speaker 4: with their eyes, because they don't know that I'm tired.
• 1:49:49
  Speaker 4: They will see, obviously, that your face is tired, your
• 1:49:52
  Speaker 4: face is wrinkled, messy, because, man, I don't know what
• 1:49:57
  Speaker 4: to do with it, my friend, forget it, it's arranged.
• 1:50:00
  Speaker 2: Only at the time of the show.
• 1:50:02
  Speaker 4: You don't walk with your hair down, do you? It's
• 1:50:04
  Speaker 4: not possible, it's not possible, it's cool, it's all gone.
• 1:50:06
  Speaker 6: Let's go.
• 1:50:06
  Speaker 4: Then I arrive, how do I look at people? They
• 1:50:09
  Speaker 4: see me on Instagram as a chubby playboy, a good.
• 1:50:12
  Speaker 6: Guy, a joker, I don't know what.
• 1:50:13
  Speaker 4: How does this guy get to knock down? Then I
• 1:50:15
  Speaker 4: start to lose my clients, you know? So I take
• 1:50:19
  Speaker 4: a deep breath. Because they don't blame me for being tired.
• 1:50:25
  Speaker 4: They're not there for that. They're there to see the panda.
• 1:50:28
  Speaker 4: Hey guys, how are you? Let's take a picture. And
• 1:50:30
  Speaker 4: I attend everyone. We've never attended less than 50, 60
• 1:50:33
  Speaker 4: people in the dressing room. I don't want that. So
• 1:50:36
  Speaker 4: we've already attended 200 people. And that's hard to do.
• 1:50:39
  Speaker 4: Because the dressing room, you sometimes get very tired. Then
• 1:50:43
  Speaker 4: you have to choose. Either you relax and don't reach anyone,
• 1:50:56
  Speaker 4: reach the basic minimum, the authorities, or you leave it
• 1:51:03
  Speaker 4: to rest at home, because it's your job. So how
• 1:51:05
  Speaker 4: many people are there to attend PANDA? There are 120
• 1:51:08
  Speaker 4: people to bring. There was a show that had so
• 1:51:11
  Speaker 4: many people to attend that I said, let's attend now.
• 1:51:13
  Speaker 4: It was about 90, 100 people. And in the middle
• 1:51:14
  Speaker 4: of the show, I said, guys, after the show, I'm
• 1:51:22
  Speaker 4: going to attend too. Then my producer looked at me
• 1:51:25
  Speaker 4: and said, I'm going to attend.
• 1:51:28
  Speaker 2: Too.
• 1:51:28
  Speaker 4: But look, you can't attend everyone. 100 people. Then people
• 1:51:32
  Speaker 4: thought I was going to say 10 people, you know?
• 1:51:35
  Speaker 4: I said 100 people. My producer looked at me like this.
• 1:51:38
  Speaker 4: Then I looked at him and said, 100 people, only.
• 1:51:41
  Speaker 4: He said, only? He said, 100 people is good.
• 1:51:43
  Speaker 6: There are 30,000 people.
• 1:51:45
  Speaker 4: At the party. Attend 10? I don't agree. I, in
• 1:51:47
  Speaker 4: my opinion.
• 1:51:52
  Speaker 4: I, as the owner of my nose, I don't agree
• 1:51:55
  Speaker 4: with that. I attended 104 people. I passed four and said, oh,
• 1:51:59
  Speaker 4: four people. 104 people.
• 1:52:00
  Speaker 6: So I do that. I like to give attention to
• 1:52:02
  Speaker 6: the public.
• 1:52:02
  Speaker 4: I like to... Everyone who comes in there, I make
• 1:52:05
  Speaker 4: a question. I realize what the person wants. Sometimes the
• 1:52:09
  Speaker 4: person just wants a pat on the hand. Sometimes the
• 1:52:11
  Speaker 4: person just wants a photo. Just the same photo. Doesn't
• 1:52:14
  Speaker 4: even want to talk to you. Sometimes the person just
• 1:52:16
  Speaker 4: wants a hug. You know? Sometimes the person just wants
• 1:52:19
  Speaker 4: to see you. The person looks, she looks and says
• 1:52:21
  Speaker 4: like this, look. My God.
• 1:52:22
  Speaker 8: It's him.
• 1:52:23
  Speaker 4: I said, fuck it. Then the person comes in, hug,
• 1:52:27
  Speaker 4: take care, understand? Receive with love and affection. Because that's
• 1:52:33
  Speaker 4: what an artist does. Love and affection. I always say
• 1:52:38
  Speaker 4: that our mission on this earth is to bring entertainment
• 1:52:41
  Speaker 4: and joy to people. Because in that hour and a
• 1:52:44
  Speaker 4: half of show, it can be the only time of Relief.
• 1:52:50
  Speaker 4: Relief from a guy who had a whole week of shit.
• 1:52:54
  Speaker 6: Usually it is, Panda.
• 1:52:56
  Speaker 4: Got it?
• 1:52:56
  Speaker 6: Normally it is.
• 1:52:56
  Speaker 4: So your responsibility as an artist is very big. That's
• 1:52:59
  Speaker 4: why you have to take care. We have to take care. Man,
• 1:53:02
  Speaker 4: there's a show that I do. There are a lot
• 1:53:04
  Speaker 4: of children at my show. Adolescents, adults, all ages. And
• 1:53:08
  Speaker 4: every time you look at the children, they make a
• 1:53:10
  Speaker 4: little heart. So sometimes I make 30, 40 little hearts
• 1:53:12
  Speaker 4: for the same child. And a father one day came
• 1:53:14
  Speaker 4: to me and said, Panda, man, you did... coraçãozinho, mandou
• 1:53:19
  Speaker 4: joinha toda vez que você olhou pro meu filho. Falei, cara,
• 1:53:22
  Speaker 4: mas é o seu filho, pô. Se você olhar pro
• 1:53:26
  Speaker 4: meu filho, meu filho te dar moral e você não
• 1:53:28
  Speaker 4: dar moral pra ele, eu vou ficar muito chateado com você.
• 1:53:30
  Speaker 4: Vou falar assim, aquele cara lá, eu sei ver na
• 1:53:33
  Speaker 4: visão de vocês. Então eu faço questão, mandou coraçãozinho, tchauzinho, beijo.
• 1:53:38
  Speaker 4: A pessoa fala assim, panda, te amo. Eu falei, eu
• 1:53:39
  Speaker 4: também te amo.
• 1:53:40
  Speaker 2: Você marcou o dia da pessoa.
• 1:53:41
  Speaker 4: Eu vejo que eu respondo a pessoa, quando eu falo, cara,
• 1:53:44
  Speaker 4: eu também te amo. A pessoa fala assim, My God.
• 1:53:48
  Speaker 4: He saw me. This is very cool, man. This is
• 1:53:50
  Speaker 4: very nice. This is reciprocity.
• 1:53:52
  Speaker 6: It's what it is, right?
• 1:53:53
  Speaker 4: It's what it is. That's cool. This doesn't end. Love, friendship,
• 1:53:59
  Speaker 4: it doesn't end.
• 1:54:00
  Speaker 6: It just multiplies, right?
• 1:54:03
  Speaker 4: This is what Leonardo does. Leonardo, how many years has
• 1:54:06
  Speaker 4: it been since Leonardo released a song?
• 1:54:08
  Speaker 6: My God. It's been many years. How many years has
• 1:54:10
  Speaker 6: he been successful?
• 1:54:11
  Speaker 4: It only increases the success of the guy, because he...
• 1:54:14
  Speaker 4: He meets his fans and takes care of them. He's charismatic.
• 1:54:21
  Speaker 4: Daniel is charismatic as hell with his fans. So, that's
• 1:54:25
  Speaker 4: the example.
• 1:54:26
  Speaker 6: What did you say about Jorge, who knows the names
• 1:54:28
  Speaker 6: of his fans?
• 1:54:28
  Speaker 4: Jorge, man. Jorge is the prince of that. He's the
• 1:54:33
  Speaker 4: guy who treats his fans like that. Amarilha, right? I
• 1:54:37
  Speaker 4: used to take a lot of Amarilha's examples on stage.
• 1:54:40
  Speaker 4: Jorge on the dressing room, Amarilha on the stage. Her
• 1:54:42
  Speaker 4: charisma on stage, her way on stage. Marília is not
• 1:54:48
  Speaker 4: for anyone. Marília is an alien. I pay her a
• 1:54:52
  Speaker 4: tribute at my show. I put a giant picture of her,
• 1:54:55
  Speaker 4: a beautiful picture of her at the show. And I
• 1:54:58
  Speaker 4: sing her song. In any place in Brazil that I
• 1:55:02
  Speaker 4: say Marília Mendonça, it's animal.
• 1:55:07
  Speaker 2: Everyone loves her.
• 1:55:08
  Speaker 4: It's absurd. You're there in the Northeast, in the North,
• 1:55:11
  Speaker 4: in the South, in the Midwest.
• 1:55:13
  Speaker 6: And with all due respect, obviously Marília was an absurd singer.
• 1:55:18
  Speaker 6: But the people who do all this, it's not just
• 1:55:20
  Speaker 6: because she was the singer she was. It's the person
• 1:55:22
  Speaker 6: she was.
• 1:55:23
  Speaker 4: It's the person.
• 1:55:23
  Speaker 6: Because when people talk about Marília Mendonça, obviously they're going
• 1:55:26
  Speaker 6: to quote the singer. But, no, you don't know what
• 1:55:28
  Speaker 6: she is.
• 1:55:29
  Speaker 2: You didn't drink one with her.
• 1:55:30
  Speaker 4: It's the person. But this is our biggest challenge. To
• 1:55:35
  Speaker 4: make people not look at an artist. Look at the
• 1:55:40
  Speaker 4: human being. For sure, you, me, everyone today, everyone who
• 1:55:46
  Speaker 4: stands out, suffers attacks. This is normal. Because people don't
• 1:55:51
  Speaker 4: see the human being. They don't see that I'm a father,
• 1:55:56
  Speaker 4: that I'm a guy who is struggling a lot, you know?
• 1:56:06
  Speaker 4: Eu tô trabalhando demais, eu não volto pra minha casa.
• 1:56:11
  Speaker 4: Eu não volto. A minha casa, esses dias eu falei
• 1:56:14
  Speaker 4: pra minha esposa, a minha casa é a minha segunda opção.
• 1:56:19
  Speaker 4: A minha casa não é a minha prioridade hoje. A
• 1:56:22
  Speaker 4: minha prioridade hoje é a estrada. Olha isso que eu
• 1:56:26
  Speaker 4: tô fazendo pra levar alegria para as pessoas. E deixar
• 1:56:31
  Speaker 4: bem claro pra minha família que falou assim, agora o
• 1:56:34
  Speaker 4: momento é esse. and you still receive attacks from people
• 1:56:39
  Speaker 4: who don't know you, who want to attack you for free,
• 1:56:41
  Speaker 4: this happens to everyone who stands out, this hurts our soul.
• 1:56:45
  Speaker 4: Because of the fact that, man, I did two shows today,
• 1:56:50
  Speaker 4: and look at the attack I'm receiving. This is sad,
• 1:56:54
  Speaker 4: because we know that we are prosperous, because we fight
• 1:57:07
  Speaker 4: like hell, we know that this is frustration. We know
• 1:57:11
  Speaker 4: that this is envy. And why? You don't need to, man.
• 1:57:16
  Speaker 4: This is my life. And I'm just prospering because I'm
• 1:57:21
  Speaker 4: not looking at the life of another person. Because I
• 1:57:24
  Speaker 4: don't need to. Just because I took care of my life,
• 1:57:28
  Speaker 4: I shut my mouth and took care of my life,
• 1:57:30
  Speaker 4: I'm taking care of it, it's working.
• 1:57:32
  Speaker 1: But this type of attack, you didn't affect anything?
• 1:57:35
  Speaker 4: It affects. Because I get sad with people. Not with comments.
• 1:57:38
  Speaker 4: Because that's not true.
• 1:57:40
  Speaker 6: You want to know why you're talking about it.
• 1:57:42
  Speaker 2: Because we, for example, an attack you received.
• 1:57:47
  Speaker 4: He said, he cursed at you. You're a shit. You'll
• 1:57:51
  Speaker 4: never have the opportunity to talk to that person because
• 1:57:53
  Speaker 4: that person doesn't have the courage to get close to you.
• 1:57:58
  Speaker 4: I usually call it sofa pitbulls. I'm a street pitbull, brother.
• 1:58:05
  Speaker 4: Eu nunca vou precisar xingar ninguém. Porque eu estou cuidando
• 1:58:09
  Speaker 4: da minha vida. because I'm taking care of my life
• 1:58:05
  Speaker 4: I don't have time to curse you to speak ill
• 1:58:08
  Speaker 4: of you looking for defects in you because I'm taking
• 1:58:11
  Speaker 4: care of my life I'm taking care of my business.
• 1:58:18
  Speaker 6: It's something that's part of your life. You don't even
• 1:58:21
  Speaker 6: need to spend that energy.
• 1:58:22
  Speaker 7: Hello, Mr.
• 1:58:23
  Speaker 4: Mythic. You're a fool, man. This is very childish. A lot.
• 1:58:24
  Speaker 4: People go with me because I'm fat. I know I'm
• 1:58:28
  Speaker 4: fat for many years, man. I know I'm fat. Don't
• 1:58:31
  Speaker 4: make fun of me. This is school time. The guy said, oh,
• 1:58:35
  Speaker 4: Panda is fat. It's okay, then. They say I'm fat, too.
• 1:58:45
  Speaker 4: I'm not fat. I have a tits, too. I'm fat.
• 1:58:47
  Speaker 4: What's up? But I'm loyal to my wife. Loyal to
• 1:58:49
  Speaker 4: my family. I take care of all of them. I
• 1:58:52
  Speaker 4: carry all of them on my back. Along with thousands,
• 1:58:56
  Speaker 4: millions of fans. Why don't you look at this? Because
• 1:58:59
  Speaker 4: you're a frustrated person. Because you couldn't get where you want,
• 1:59:03
  Speaker 4: but you will.
• 1:59:13
  Speaker 6: When you stop wanting.
• 1:59:14
  Speaker 4: To punch the others. Because if you want to punch
• 1:59:18
  Speaker 4: a strong person, you can even stabilize it. If you
• 1:59:22
  Speaker 4: knock it down, you won't be able to. Because I
• 1:59:24
  Speaker 4: have a wonderful family, wonderful friends. But don't do that, no.
• 1:59:28
  Speaker 4: Stop with that. Unfortunately, we get sad, even though the
• 1:59:34
  Speaker 4: force exists, but we get sad because we will never
• 1:59:36
  Speaker 4: be able to get to that person and say, hey,
• 1:59:38
  Speaker 4: come here, I met you more closely. Give a hug here.
• 1:59:41
  Speaker 2: What's going on?
• 1:59:42
  Speaker 4: You will never be able to talk to this person.
• 1:59:46
  Speaker 4: You will never be able to. Because we had a
• 1:59:50
  Speaker 4: guy there, bro. In the world there. That he came,
• 1:59:55
  Speaker 4: made a miracle, made Segue Enxergar, made Aleijado walk. And
• 2:00:00
  Speaker 4: they preached his hand on a cross, tickled and everything, bro.
• 2:00:05
  Speaker 4: They hit him until he died, bro.
• 2:00:06
  Speaker 6: And today they would do worse.
• 2:00:09
  Speaker 4: And today they might do worse. So, who is the
• 2:00:11
  Speaker 4: fat guy here? So, I leave my place and I
• 2:00:14
  Speaker 4: understand that I'm going to bother a lot of people.
• 2:00:17
  Speaker 4: Do you have an idea? I have an idea, because
• 2:00:21
  Speaker 4: I know you, I know your story. I know what's
• 2:00:24
  Speaker 4: on the internet. What Podpah was the first time you
• 2:00:27
  Speaker 4: turned on a live?
• 2:00:28
  Speaker 6: It's crazy. It was nothing, damn it.
• 2:00:31
  Speaker 4: Exactly. Today it's an industry. Today you have more than
• 2:00:34
  Speaker 4: 100 employees, almost 130 employees. That's right. I said it right, right?
• 2:00:39
  Speaker 4: I said it right for them. You guys have it
• 2:00:42
  Speaker 4: here today. No one has an idea what this is.
• 2:00:45
  Speaker 4: No one, bro. The guys... Oh, guys, this is the thing.
• 2:00:49
  Speaker 4: If you're watching this, do you think this is small?
• 2:00:52
  Speaker 4: This is gigantic, bro. And another thing, Edson Hudson is
• 2:00:55
  Speaker 4: going to record a DVD here. And I'm going to
• 2:00:57
  Speaker 4: be participating. It's a lie! The song is awesome. The
• 2:01:02
  Speaker 4: song is awesome. The song is called Embruja Pra Viagem.
• 2:01:06
  Speaker 4: The guy went to the restaurant and asked the woman
• 2:01:10
  Speaker 4: to go out with him. He prepared everything and she
• 2:01:15
  Speaker 4: didn't arrive, she didn't arrive, she didn't arrive. Everything arrived
• 2:01:19
  Speaker 4: at the table, except her. Then she sent a message,
• 2:01:21
  Speaker 4: she said, I talked to my ex here and we
• 2:01:24
  Speaker 4: came back. Wow! Then he sends a picture of the table,
• 2:01:26
  Speaker 4: she said, Brulha is going on a trip.
• 2:01:28
  Speaker 2: Wow, how evil. Yeah, mother's daughter, right?
• 2:01:31
  Speaker 4: Mother's daughter, man. I'm going to record that one of him.
• 2:01:35
  Speaker 3: Say that I understood wrong, that I didn't intend to
• 2:01:39
  Speaker 3: have anything.
• 2:01:40
  Speaker 4: So let's go there again, man.
• 2:01:41
  Speaker 6: Man, very cool. Thank you very much, Panda. I'm a
• 2:01:43
  Speaker 6: big fan of Edson and Hudson, man. I went to
• 2:01:45
  Speaker 6: a DVD recording of them in the Osaka area. I
• 2:01:47
  Speaker 6: don't know if they remember this show. I'm sure they
• 2:01:49
  Speaker 6: must remember. Holy shit, Edson and Hudson, man.
• 2:01:51
  Speaker 1: We have a pod for records, so feel free to
• 2:01:53
  Speaker 1: do anything.
• 2:01:54
  Speaker 4: No, I was there meeting them. I met them all here. Man, sensational, man. Sensational.
• 2:01:58
  Speaker 4: I'm crazy to record something there on Records.
• 2:02:02
  Speaker 2: Look, it's recorded.
• 2:02:02
  Speaker 6: It's recorded. Whenever you want. And the next steps of
• 2:02:05
  Speaker 6: your career, brother? How is it now? What will happen
• 2:02:09
  Speaker 6: until the end of the year? For the people who
• 2:02:11
  Speaker 6: want to plan and go.
• 2:02:12
  Speaker 4: To your show.
• 2:02:14
  Speaker 2: Dude, here's the thing. 350 shows until December.
• 2:02:16
  Speaker 4: Amen. Last year it was 288.
• 2:02:18
  Speaker 6: Jesus, brother.
• 2:02:18
  Speaker 4: This year I think we get to 290, 293 shows.
• 2:02:20
  Speaker 7: Amen, amen, amen, amen.
• 2:02:25
  Speaker 4: God willing, for sure. And next year too. We don't
• 2:02:27
  Speaker 4: want to stop now. I'm new, I'm strong. And the
• 2:02:31
  Speaker 4: time to rest will still exist. So let's plant. When
• 2:02:34
  Speaker 4: we plant, we get tired. It's tiring, it's hard. So
• 2:02:39
  Speaker 4: it's all right. But we're going to record another project now.
• 2:02:42
  Speaker 4: We haven't even finished releasing the first DVD we released.
• 2:02:45
  Speaker 4: We recorded this year, which is the Out of the Standard,
• 2:02:47
  Speaker 4: which are just unreleased songs. So there are five more songs,
• 2:02:52
  Speaker 4: if I'm not mistaken, to release, right? One better than
• 2:02:56
  Speaker 4: the other. So, please, we've even released one now. Some songs.
• 2:03:01
  Speaker 4: There's one called Toca Telefone Toca. This song is beautiful, man.
• 2:03:05
  Speaker 4: So go watch it, man. Toca Telefone. It's a good song, man.
• 2:03:08
  Speaker 6: Tune in to Dom's channel. Subscribe, activate notifications, because there
• 2:03:12
  Speaker 6: will be five new ones to come. And guys, follow.
• 2:03:14
  Speaker 4: Me on Instagram, man, to get me some followers there, man. Panja.
• 2:03:18
  Speaker 4: Panja Cantor.
• 2:03:19
  Speaker 6: Panja Cantor.
• 2:03:21
  Speaker 4: And we're also going to record a Modão project, another one, right?
• 2:03:24
  Speaker 4: Panda Sem Moderação. Panda Sem Moderação is for crying and
• 2:03:29
  Speaker 4: Fora do Padrão is to always show innovation.
• 2:03:31
  Speaker 2: This year you've already launched four projects.
• 2:03:34
  Speaker 4: Already. We have the Cabral's review, right? We have a
• 2:03:38
  Speaker 4: lot of singers singing there. You're crazy? You're crazy. We
• 2:03:42
  Speaker 4: have Panda Sem Moderação, Fora do Padrão. And now it's
• 2:03:46
  Speaker 4: going to launch the race too, the race, huh? Ah,
• 2:03:53
  Speaker 4: there's Balaio, man.
• 2:03:54
  Speaker 6: Balaio is good, huh?
• 2:03:55
  Speaker 4: Balaio is crazy.
• 2:03:56
  Speaker 2: What is Balaio?
• 2:03:57
  Speaker 4: Balaio put together Cê Tá Doido, which is Panda, Ícaro
• 2:04:00
  Speaker 4: Jumar and Humberto Ronaldo, with Xande Avião. Jesus. Zé Vaqueiro.
• 2:04:05
  Speaker 6: Credo.
• 2:04:06
  Speaker 4: And Natan. Fuck.
• 2:04:08
  Speaker 2: This is going to be a blast, man.
• 2:04:11
  Speaker 4: It's crazy. We've already released one. Balaio, you'll see the
• 2:04:14
  Speaker 4: madness there.
• 2:04:14
  Speaker 6: Can I drink in this show?
• 2:04:16
  Speaker 4: Pode beber.
• 2:04:18
  Speaker 6: Pode beber.
• 2:04:19
  Speaker 4: Depois que lançar o DVD todo, você assiste ele, que
• 2:04:21
  Speaker 4: você vai ver a gente ficando bêbado.
• 2:04:25
  Speaker 2: Não, o bagulho já tá doido já.
• 2:04:27
  Speaker 4: É verdade.
• 2:04:28
  Speaker 2: Que da hora, mano. Nossa, que pessoa maravilhosa que você é,
• 2:04:31
  Speaker 2: meu irmão.
• 2:04:32
  Speaker 4: Vocês também são foda demais.
• 2:04:33
  Speaker 6: De verdade. Irmão, além de você ser um ET cantando,
• 2:04:36
  Speaker 6: o seu carisma é inigualável.
• 2:04:37
  Speaker 4: Obrigado, mano.
• 2:04:38
  Speaker 2: E a sua humildade também, irmão.
• 2:04:40
  Speaker 4: Amém, meu irmão. Somos todos em mais semelhança do senhor.
• 2:04:43
  Speaker 1: Amém.
• 2:04:44
  Speaker 6: Devemos uma visita no show.
• 2:04:46
  Speaker 4: Qualquer um. Feijoada do Panda. Tem a Feijoada do Panda.
• 2:04:52
  Speaker 4: Não falamos. Lancei uma label aí. Feijoada do Panda, 3
• 2:04:55
  Speaker 4: horas de show. São mais de 10 horas de festa.
• 2:05:01
  Speaker 4: Bebendo das 11 até a hora de acabar.
• 2:05:03
  Speaker 6: Você cola com nós, Luiz?
• 2:05:05
  Speaker 4: A próxima é Balneário Camboriú? A próxima vai ser em
• 2:05:08
  Speaker 4: Balneário Camboriú.
• 2:05:09
  Speaker 6: O Mítico não gosta de ir lá.
• 2:05:10
  Speaker 4: Nem o Igor.
• 2:05:11
  Speaker 1: Balneário Camboriú é cheio de moças carinhosas.
• 2:05:15
  Speaker 6: Não sei de nada.
• 2:05:16
  Speaker 4: Cheio de moças carinhosas. Vocês estão convidados para irem lá,
• 2:05:19
  Speaker 4: tá bom? E vai ser uma honra receber vocês lá.
• 2:05:23
  Speaker 4: E lembra, sente a tarde, a gente recebe vocês, porque
• 2:05:27
  Speaker 4: nós somos parceiros.
• 2:05:28
  Speaker 2: Com certeza, irmão.
• 2:05:29
  Speaker 4: Já considero vocês meus amigos.
• 2:05:30
  Speaker 6: Por favor, a gente também.
• 2:05:31
  Speaker 4: Que alegria, irmão.
• 2:05:33
  Speaker 6: Você curtiu trocar essa ideia com a gente hoje?
• 2:05:34
  Speaker 4: Demais, mano. Obrigado de verdade.
• 2:05:36
  Speaker 2: Que pessoa maravilhosa.
• 2:05:37
  Speaker 6: Caralho, é sério, rapaziada. Se você gostou, deixe seu like,
• 2:05:39
  Speaker 6: se inscreva no canal, siga o Panda nas redes sociais,
• 2:05:42
  Speaker 6: arroba Panda Cantor, vá aos shows, consuma as músicas nas
• 2:05:46
  Speaker 6: plataformas digitais.
• 2:05:47
  Speaker 2: Vai ver ao vivo, vai ver ao.
• 2:05:49
  Speaker 6: Vivo, você vai ficar doido. Idiota, igual eu fiquei aqui,
• 2:05:52
  Speaker 6: igual idiota.
• 2:05:53
  Speaker 7: Caralho.
• 2:05:54
  Speaker 1: ET.
• 2:05:56
  Speaker 6: Giovanna, where is Giovanna? Pedro, when you see that it's
• 2:06:00
  Speaker 6: a man's show.
• 2:06:00
  Speaker 2: How is Daniel like? Disappointing. Disappointing.
• 2:06:04
  Speaker 6: A totally unpleasant guy, from top to bottom.
• 2:06:06
  Speaker 7: Really.
• 2:06:06
  Speaker 6: Thank you very much, my brother. What a sensational person
• 2:06:09
  Speaker 6: you are. Thank you, guys, from Podpá. We were very
• 2:06:11
  Speaker 6: well received.
• 2:06:11
  Speaker 4: All wonderful. Thank you to everyone who received us, you guys.
• 2:06:15
  Speaker 4: Congratulations for everything you are building, which is not a
• 2:06:18
  Speaker 4: small thing. It's gigantic what you have in your hands.
• 2:06:24
  Speaker 4: Parabéns pela história de vocês, pelas todas as conquistas. É
• 2:06:28
  Speaker 4: muito massa assistir vocês. Eu gosto demais, sou muito fã
• 2:06:31
  Speaker 4: de verdade. Meu moleque acompanha desde os 6 anos de
• 2:06:34
  Speaker 4: idade de vocês. É muito legal. Parabéns. Sucesso mais ainda.
• 2:06:38
  Speaker 2: Obrigado, viu? É isso, rapaziada. Tamo junto. Dignidade já. É nóis.
• 2:06:43
  Speaker 6: Muito foda.
• 2:06:47
  Speaker 1: Yamaha is making the biggest sales festival in history.
• 2:06:51
  Speaker 2: And they called me because I have.
• 2:06:53
  Speaker 4: A lighthouse.
• 2:06:56
  Speaker 7: For the best hotels.
• 2:06:58
  Speaker 3: Factor with zero entry.
• 2:07:01
  Speaker 2: Phaser FG25 Lander with zero rate. All line with the
• 2:07:04
  Speaker 2: first parcel for 90 days. I warned you, right? My
• 2:07:08
  Speaker 2: lighthouse never fails.
• 2:07:09
  Speaker 4: Who has a lighthouse, choose Yamaha.
• 2:07:32
  Speaker 2: Every game has its limits.
• 2:07:34
  Speaker 5: When you hide from the family how much you bet,
• 2:07:37
  Speaker 5: it's a sign that the line has been crossed. If
• 2:07:40
  Speaker 5: that happened to you, the Super Line is a channel
• 2:07:42
  Speaker 5: to help you in this moment.
• 2:07:44
  Speaker 2: At Superbet, there's a limit to the rules of the game.