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Abbey Road - The Beatles - Part 1 · Barber Cuts: Beats and Bars

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Just a quick note to let you know that this recording went
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long, so we broke it up into two parts, so don't be alarmed at
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this one. We'll be back next week to
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finish off Abbey Road. Welcome to Barber Cuts, Beads
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and Barbs. We're a father to daughter music
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podcast that slices into some of the greatest albums, one cut at
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a time. With no industry ties or formal
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training, just a shared love of music, we explore albums across
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genres, rating favorites and skips while digging into what
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makes each one iconic. I bring the beats.
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And I bring the bars and together we deliver real talk
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and fresh takes from both sides of the sound.
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Hey everyone, I'm Riley. And I'm Todd, and welcome to
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this week's version of version that's a new one, this week's
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episode of Barber Cuts. And we are talking about Abbey
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Road by The Beatles 1969. And we have a new face for those
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that may be watching this, that's joining us.
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Our audio listeners will have to wait just a few moments, but
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this is Charles Mooney. So Charles, welcome to Bar Cuts.
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You are our official first guess, which is probably a way
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bigger deal than Abbey Road ever was or ever could dream to be.
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But. I'm honored to be here.
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It's a big deal to me. So Charles tell us, you know, we
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mentioned in the in the last episode Charles and our Co
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workers and so but that's how I know this about him.
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But Charles, tell us about your musical journey.
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I guess what you did before you became a programmer.
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OK, yeah, as far as my musical qualifications go, I guess Super
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fan is a cliche. But you know, I was the guy who
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spent all his money on CDs and albums.
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I had a job in the neighborhood cutting lawns.
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I'd finish a lawn and then I go get down to a place in Houston
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called Evolution Records and Tapes and this be like, I'll
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take that and that, then go cut another lawn, get another album.
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A huge. So I was a huge fan of a lot of
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groups, but one of the biggest was The Beatles.
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I was I'm of the generation that came after they broke up.
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I actually as a kid listened to Paul McCartney and Wings before
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I discovered The Beatles. I guess my first introduction to
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The Beatles was for years they had a Saturday morning cartoon
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where actors played The Beatles and kind of got into hijinks for
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their free episode. I was a record collector, music
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aficionado, all types of music, rock, punk, Hard Rock, some
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country. The only thing I didn't care
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for, which unfortunately my father loved, was opera and and
3:23
bluegrass. I love country, bluegrass, not
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so much an opera. I've tried, but it's just not
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for me. At any rate, it's.
3:35
Because it's in a foreign language, you can't understand
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it. True, so I was born in Memphis
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but grew up in Houston, TX and when it came time to choose a
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college I still had a ton of relatives in Memphis and applied
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at what was then known as Southwestern at Memphis and is
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now Rhodes College. So I came up here in the early
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80s. I guess one illustration of my
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fandom is my poor father agreed to let me bring my entire record
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collection, which was then probably 6-7 hundred album, not
4:21
CDs albums. And so as we headed from Houston
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to Memphis to the Pontiac Bonneville, that was my 18th
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birthday gift used, it was like this going around the
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Interstate. And yes, eventually we had a
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flat tire It it was August and I think we were still in Texas
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when that happened. But August in Memphis, August in
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Texas, it's still awful. So without any complaints, dad,
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you know, changed the tire didn't say a single thing about
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look what you've gotten me into son and we continue on to
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that's. Because he was singing an opera
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in his head that was calming him down.
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That might have been it. It might have been like a
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mantra, A Pavarotti mantra of while while an undergrad I was a
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college DJ or just about every year I was there.
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And that was kind of fun being on being on the radio.
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After that, very briefly took a straight job working as a claims
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adjuster at an insurance company.
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I was an English major in college.
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So they're kind of the options of things to do were either
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teach, write or I don't know what, But I did write a little
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bit and mostly articles and almost always about music.
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After a couple of years of being in the insurance world, I
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realized I was really a fish out of water.
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Told my father that I was going to go to Business School so I
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could then leave work without getting in trouble for not
6:12
having a job. But then I started writing for a
6:16
local music magazine and occasionally going to class to
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learn how to be an accountant or whatever.
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The class part didn't last too long, but I enjoyed writing for
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this locally published magazine called the Memphis Star.
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They went out of business when desktop publishing became huge,
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and after a couple of years of just doing odd jobs, I came up
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with the idea of, well, if no one else is going to do anything
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for this music town in terms of music scene, let me get a
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computer. I borrowed my sister's old Mac
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Plus from 1987 and put out a monthly music magazine for
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almost 5 years from 91 to 95. It was a lot of fun and I made
7:09
absolutely no way. But towards the end of my music,
7:15
of my book publishing or magazine publishing days, I
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became interested in computer and that's kind of how I sort of
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pivoted into being in tech support and then programming.
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But all along the way, I never stopped collecting records,
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collecting CDs, you know, writing articles, like I said,
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about artists I liked or in some cases didn't.
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And that's kind of taken. We weren't, you know, it's very
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difficult in Memphis to make a living in the music industry.
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And if you're not a musician, it's really difficult.
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So at some point I realized that I was better served by getting a
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a job that was, you know, more in computers than entertainment.
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And I think my wife was really thrilled about that, too.
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So that's kind of where I switched careers but never
8:17
stopped, you know, listening to music and having my favorite
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artists. And The Beatles are definitely
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one of my favourites. So it's it's 33 BS, right?
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So The Beatles What what? What are the what are the
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others? Yeah, back when vinyl records
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were supposedly extinct and not a thing, I had a guest room in
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in my house that had walls of bookshelves with nothing but
8:54
vinyl out. And I'm looking at it.
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My magazine is gone. I've got tons of CDs.
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The one of the great things about having a publication
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dealing with music is I got on a bunch of record company mailing
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lists, so I was getting like stacks of CDs every week and
9:15
some of them were really good. But anyway, that's all over
9:18
with. I've got CDs and there's all
9:21
this vinyl just sitting around taking up space.
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So I called my brother, who is a musician, and I didn't want the
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back and forth of of, you know, haggling with the used record
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store. So I said, why don't we just
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load these up in your van? We'll take them to the Public
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Library, we'll donate them. And then should I ever want to
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play one of these vinyl records again, they'll be sitting right
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there in the library waiting for you.
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So I took everything except The Beatles, The Beach Boys and
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Bruce, Bruce Springsteen. We one Sunday, we loaded up the
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loading dock for the Memphis Public Library with a crazy
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amount of albums. And as I discovered, like, right
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when we finished, my neighbor told me when I said, hey, we
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just donate all this stuff to the library, all these albums.
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He said, that's great, Charles. You know, they'll probably make
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a good deal of money off that. I was like, make money.
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What do you mean? He goes, oh, they sell those,
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you know, the Friends of the Library sales that they have.
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Oh, yeah. Well, they take all those
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records or books that people donate and they sell them.
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And I'm like, Oh no, But I was not about to try and get them
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all back and load them home. So yes, I I have my favourites
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and it's a three BS Beagles, Beach Forest, Bruce and still
10:53
listening. And actually I bought a Beatles
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box set not too long ago, the Sergeant Pepper 1.
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So they're still finding ways to get money out of me even though
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all this stuff is streaming down.
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Very good. So we, I, I can also attest that
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before we really went hybrid, Charles was always fun to see
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how how close you could walk into his office and stand behind
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him and start doing things before he realized you were
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there because he had his earphones on over the years so
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he couldn't hear anything. And so we would then, then we
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would try to go in and have two people go in and like, carry on
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a conversation to see if he ever heard us and would turn around.
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So I, I, I can't attest that Charles was still listening to
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music. Or go in and steal.
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A popsicle. Yeah, Yeah.
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So. Yeah, did we?
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Y'all did do that to me. I remember once having an entire
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conversation like this, looking at the screen, headphones on,
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and Todd is contributing, saying what about this, What about
12:05
that, that, And then he goes, finally, I'm sitting right
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behind. You.
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And it was like a 15 or 20 bit conversation.
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I guess that that was on Slack carried on a whole conversation
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sitting in the chair behind him. So all right, so here we go.
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Let's, I guess, let's let's start with our least favorite
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albums from or least favorite albums and least favorite songs
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from Abbey Road Rally. Do you wanna kick start us?
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Sure I can. One of my least favorites was
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Sun King. It just felt like an it.
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Well, OK, I'm nervous. I'm saying I don't like songs.
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To to a Beatles super fan, I know it hurt his feelings.
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I'm already offended. But one of them was Sun King.
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It just seems like an intro song.
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Like it's kind of like with Pink Floyd we were talking about.
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I wouldn't necessarily listen to the song by itself, but when
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like leading into other things, it kind of works.
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But it just didn't stand out to me the way a lot of their other
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songs can be stand out an individual, even when they sound
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better in a list of songs, if that makes sense.
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And then my other least favorite was Polythene Pam as the lyric
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person. The lyrics just kind of catch
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you off guard on this song. And it's it's also not like a
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super standout song where you can kind of like ignore the
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lyrics. So it just kind of ended up
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being down there just because it it catches you off guard.
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And and so also in Full disclosure, you know, Riley and
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I started these before and talking about them just before
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we ever started recording. And I'll be curious, do you
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remember if those were the same two from the first time we
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actually talked about this before we recorded?
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I know polythene Pam was OK, but the other one I have no clue
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what has changed. Because I, I know, I know one of
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mine. One of mine changed and but I
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was just curious if if yours was too.
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Charles, do you have least favorites?
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Yes, I do. A least favorite?
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A least favorite, and I kind of thought that the both of you
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might pitch in on this one. Maxwell Silver Hammer No.
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No, no, no. I do, I do remember this.
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I do remember this conversation from the first time we taught
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that that is as well my least favorite, Charles.
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So thank you for for providing confirmation.
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Silver Hammer is like in my top five.
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I love that song. I'll say this, it is a great
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song, it just happens to be the worst song off of a great album
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and and actually all the other Beatles except Paul felt the
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same way. That song took the longest for
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them to record cause Paul wanted to get the take just right and
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George later was like, oh, I couldn't stand that song over
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and over again. Paula just keep making us, you
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know, Bang Bang and and we just all thought it was the liver
15:39
puddly and slang was fruity, which I I think just means it
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was corny. Yeah, I.
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Think I think Ringo called it the quote, the worst track we
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ever had to record. This is just, I mean, there's
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something about it that's so charming to me.
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I think that's what gets me. It's like it's it's it is like a
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childish song almost like it without any context to what the
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lyrics are. It sounds like the kids song
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almost. And I think it's just charming.
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Like the Bang Bang is very annoying, but at the same time
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it's like it's kind of precious. It kind of makes me like just
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love them. 33 out of four Three out of four Beatles disagree
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with you, Riley. OK, well, they continue They.
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What do they know? I'll I'll take them on it all.
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Right, Charles, What else about the old Maxwell Silver Hammer?
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Anything else? And see, that's where it's
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tough. I'm like, least you know that
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one. And that's more because I've
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heard it enough. I hate to say it, but in terms
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of least favorite, can that be #1 and #2 I I don't have another
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song that that I shy away from that I maybe I want you.
17:01
She's so heavy, which I feel guilty of saying.
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Yeah. So, so I being a super fan, as
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you know of Pearl Jam, I only picked one on that one, so I'm
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not going to force you to pick any others.
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Maxwell's Silver Hammer is good enough for me.
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Just because you know you, you had a music magazine.
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You agree with me. As do three of the four Beatles.
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And Riley is standing alone on this one.
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He said it was a good song still just not the Best Song.
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I could make an I could make an argument for the fact that it is
17:40
actually a great song. It's it's catchy, it's poppy,
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it's almost a nursery rhyme, but there's this subversive story
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behind it about. It's about.
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A. Serial killer.
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And so it's, it's what they call dark humor and, and it's, you
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know, it's amusing. The first.
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The first 100 times. I don't, I, I don't know if
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you've heard any of these when I mentioned these trials, but
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there's an album that I or an EP that I really like called Music
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City Murder Ballad. And it's 3 songs about murderers
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set in Nashville and it follows the murderers or in one, it's
18:25
like the police officer. So it's kind of right up my
18:28
alley. It's talking about a serial
18:30
killer. Unfortunately, they just they
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find me. They find yeah, they you know,
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this is another one that we we we've we've talked about artists
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that do this is that you have a dark subject matter and then
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there's happy music on top of it.
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I I think they as dark as serial killer is, I think they tried to
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match that with the music and almost went whimsical to me.
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So but I am personally, I'm going to blame the song for the
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downfall of The Beatles, but that that's just me.
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So just so I, I'm, I'm not going to force Charles into another
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least favorite, but the I my other one.
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And and I'm not really considering Her Majesty a song
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because it really wasn't listed. It was a hidden track, But man,
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that's, that's disappointing. They should have just left that
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off, but it should have ended with the end.
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It was so, so well named. But my other my other least
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favorite song, and this kind of goes back to last week's episode
19:48
is because I was just it was just slow.
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That's the one that actually swapped out on me listening to
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it this time. And maybe because a couple times
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I listened to it on the drive to Knoxville, on the drive home
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from Knoxville. And so driving and that slow
20:05
song coming on like that wasn't a good combination.
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So maybe maybe it's a recency bias on it.
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So, but So the Cause and Maxwell Silver Hammer.
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And and like Her Majesty, but at least on Spotify, it's it's like
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the only one on this album that I mean, it doesn't even have a
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million streams. So like it may be the only
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Beatles. I'd be curious.
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Maybe the only Beatles song that doesn't have a million streams.
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But anyway, so favorites. So Riley, what are your
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favorites? OK, so one of my favourites is I
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want you. She's so heavy.
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I I like the bluesy feel that kind of gives and I I don't
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know, I just I enjoyed it every time I listen to it.
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I like the random like slow down beat and then going back.
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I just liked how they played with that.
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But my favorite is this time listening was Oh Darling, I it's
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just a sweet song and it's we talked about it last week.
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I'm not a big fan of like a sappy sweet song that's like
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your classic love song. And this is not that.
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It's still a sappy, sweet song, but doesn't sound like your
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classic, for lack of better words, obnoxious love song.
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And just the way they sing. Oh, darling.
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Just fits with you can picture someone singing it to someone or
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like singing it to someone and singing their heart out.
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And I just really liked that visual that this song kind of
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provided along with the lyrics. Yeah, really sweet.
21:59
Yeah, I like that one too. It's a good song.
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I really like the the clean cut of the chorus and then when he
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gets in, you know, I'm a I'm a sucker for a raspy voice and
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that raspiness comes in and the and the chorus is nice.
22:14
So Charles, whatever, what about?
22:18
Well, I'll go ahead and go and then that way I can, I can, I
22:21
can pass it over to you So and you can, you can maybe tell us
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where we're wrong. So my second favorite song is
22:29
actually a three song. So it's the combo there of
22:34
Golden Slumbers, carry that weight and the end.
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And and I maybe it's that way because that's that's the way I
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always heard it on the radio. It seemed like those three were
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always, always together. And so they're the last three
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songs of the the huge medley that that ends the album.
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And so Golden Slumbers is like a minute and a half, carry that
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weights a minute and a half. The end is 2 minutes.
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So all together right around out of that five minute song.
23:06
But they just seem to go together in the shifts in the
23:10
way that they make, you know, and, and one of the neat things
23:15
that I saw about the end was where somebody said that this
23:20
was the last known new recording that involved all four members
23:25
of the group. Which if that is actually the
23:28
case, that is quite apropos that it was the end that they did it
23:34
on, you know, and, and so so I guess so those three really go
23:40
together for me, even though they are three separate songs.
23:45
And much like Riley, my favorite song was I Want you.
23:48
She's so heavy. And I I just liked it.
23:52
The the had more guitar in it, more bluesy.
23:58
And it seems like it's and I guess it is two different songs
24:03
that keep competing back and forth with with each other And,
24:09
and you know, written by Lennon about his relationship with Yoko
24:13
Ono. And it and it almost, again, I
24:18
don't know if this is the case, but the, the it's almost as if
24:22
he's fighting that internal battle of I want you, you know,
24:29
And then in the other side, she's so heavy of just the
24:33
weight of what, you know, their relationship was and then going
24:38
back and forth to the way I want you.
24:40
Wait, it's a lot. I want you.
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It's a lot, you know, the the guitar solo in and is is really,
24:47
really good. And then it always gets me the
24:50
first time I listen to it after that.
24:52
I remember, but it's got the unusual ending where it just
24:55
cuts off mid, you know, and every time I like, Oh, I skipped
25:01
something, I hit something to make it go to a next song and I
25:04
was like, Oh, Nope, that's just the way it wait, wait, it ends.
25:07
So so that's that's my favorite too.
25:10
So Charles, favorites from you or where did we go wrong in
25:15
ours? Or did we?
25:17
Did we get something right? Neither of you went wrong, even
25:22
though I kind of started to say if I had to pick a second least
25:26
favorite, it was I want you. Yeah, I know, I know.
25:29
That song's an song's an absolute screamer.
25:33
It's it's if you, if you want the anger, if you want the
25:39
sarcasm intensity, John Lennon's your guy.
25:43
Yeah, Paul could do the sweet stuff.
25:47
He could do the rough stuff too. He wrote Helter Skelter, which
25:51
by the craziest song that they ever did in terms of Hard Rock.
25:55
I'm I'm totally cool with I Want you.
25:58
She's so heavy. And and that's the same before
26:01
you get going like that. That's the thing with a lot of
26:03
these albums that we've done, we, we call them least favorites
26:07
and sometimes that is bad, making it sound like we don't
26:10
like a song, but it's especially on a song on, on an album like
26:14
Abbey Road or really anything by The Beatles.
26:19
They're all such good songs. To say 1 is a least favorite.
26:24
Like we're not equating that to we don't like the song.
26:27
It's, it's just of the how many songs are on this album?
26:31
717 if we count Her Majesty, which I will. 17 songs you're
26:40
going to be naturally drawn to more than you know, some more
26:44
than the other. So, yeah, we're, we're not,
26:48
we're not saying we don't like any of them except for Maxwell's
26:51
Solar Hammer. All right, so, Charles, keep
26:55
keep going with with your favorites.
26:56
I didn't. I didn't want to.
26:59
OK. I'm sidetrack you.
27:01
No, I I actually agree with you about what what I call some
27:06
people call the medley at the end of side too, because and I
27:11
don't think it starts with golden slumbers.
27:14
It starts with, I even start with because but you get these
27:21
little snippets that there's no space.
27:25
They go 1 into the other and actually you never give me your
27:30
money. Part of the piano part on that
27:33
is tweak and becomes golden slumbers.
27:37
But yeah, that last, that last sort of medley with those songs
27:44
strung together and then the ending, which is just epic of
27:51
the love you take is equal to the love you make is and, and
27:59
and, you know, in showbiz, in music, the laziest thing
28:03
performers can do, although in the past it was mostly in
28:07
concert, was you could tell which of their hits they hated
28:11
because they'd slap them all into a medley.
28:14
What The Beatles did here was they had fragments of the song
28:19
and they came up with the idea, which probably in anyone else's
28:23
hands might not have been that great an idea.
28:26
Let's let's stitch these together.
28:29
And they had certain melodies that they would have kind of pop
28:33
in and out. So this sort of showbiz cliche,
28:36
more of a cliche cliche now then back then is it could be argued
28:43
it's almost their finest hour. If nothing else, it's The
28:46
Beatles going out on an absolute home run melodically.
28:53
You know, back in 69 you had Hard Rock groups with 20 minute
28:58
guitar solos, Led Zeppelin with a 15 minute drum solo, and The
29:05
Beatles come in and they do a minute each.
29:08
Here's what we can do, just like you guys.
29:11
But we're not, we're not overstaying our welcome.
29:14
And then boom and yeah, it's over.
29:18
Her Majesty was kind of a little witty joke at the end.
29:22
Not, not really. It's there, but it's sort of
29:26
there, you know, it's not listed on the album.
29:28
It's just kind of, there's a little, OK, we said goodbye, but
29:33
how about this little cute thing at the end?
29:36
Because they're British. You know.
29:38
Her Majesty doesn't have a lot to say, which probably only Paul
29:42
could have gotten away with saying that, but yeah, it's that
29:48
it's that final 8 minutes or whatever it is that is just the
29:53
peak of the album. One other thing.
29:55
And we haven't even used his name.
29:59
What is notable about Abbey Road?
30:03
I guess 1st, that it's not really a revolutionary album.
30:07
You know, they're not stretching the boundaries of everything,
30:12
it's just they're doing what they do best with a fantastic
30:16
collection of songs. But the unsung hero on this
30:21
album is George Harrison, because he has two songs, one of
30:28
which was a huge hit. Something was a single.
30:33
I can't remember if Here Comes the Sun was, but up until that
30:37
point, he's like the second class songwriter in The Beatles.
30:41
In in the movie Get Back, you see them all working together on
30:45
songs and they kind of get a little bored when George
30:48
presents something. But on Abbey Road, something and
30:54
Here Comes the Sun are like, you actually wouldn't be laughed out
30:57
of the room if you said, Hey, I think the two best songs off
31:01
this Beatle album are Here Comes the Sun and something.
31:04
I mean, they're still played everywhere.
31:08
Yeah, that's with Here Comes the Sun.
31:11
It's it's unfortunate that it gets played so much.
31:13
It's like everyone's first ukulele song that they learned
31:17
is like Here Comes the Sun and Riptide.
31:20
It's like everyone I knew growing up who played any type
31:24
of guitar, their first song was Here Comes the Sun.
31:27
And so that just became my idea of Here Comes the Sun.
31:30
But no, I think something in Here Comes the Sun would be
31:33
pretty fair favorite too. Though that boded well for
31:37
Georgia's solo career when they ultimately, not long after this
31:41
album, called it wits and Frank Sinatra did a version of
31:48
something. Which was real unusual because
31:52
as you all discussed last time, Frank Sinatra and swinging and
31:58
the ballads, that's not really rock'n'roll.
32:01
But he so enjoyed the ballad something, he started covering
32:06
it in concert. And he'd get up there and say
32:09
this is one of the best love songs written in the last 50
32:12
years by Lennon and McCartney. And then he would sing something
32:18
which was written by Schwartz later, I think.
32:22
I'm sure somebody told him. Somebody told him wrong
32:26
songwriters. But.
32:27
Or Can you imagine? You're George, you're George.
32:30
And like, hey, Frank Sinatra did your song George.
32:33
And he's like, wow. And then it's just it's a Lennon
32:37
McCartney scene. But yeah.
32:40
Poor George. Yeah.
32:43
But this is a really all, almost a flawless album.
32:48
You know? There's a reason people still
32:50
love it today. All.
32:51
Right. So, you know, let's, let's
32:54
continue that and, and we'll say why.
32:58
So our, our question we asked each week as we're going through
33:01
these albums is why should, why should somebody go and listen to
33:07
this album? And so before we really talk
33:11
about the album, but a lot of times we make sure that and, and
33:17
this one probably we don't need to do but but I'll, I'll throw
33:21
some of these in in here anyway. So The Beatles, so 1960 is when
33:28
they formed, right? Charles 60 to 70, so 10 years,
33:35
absolute massive hits every time they released an album.
33:40
And so depending on the number you look at, they are the best
33:45
selling music artist of all time.
33:49
And as of 2017 they had the most number one hits on the Billboard
33:56
Hot 100 with 20. They also won an Academy Award
34:02
for Best Original Song Score for the film Let It Be in 1971.
34:08
Ironically, 71 after they broke up in 70.
34:13
But you know, and and just because Charles, I know you
34:16
enjoy The Beach Boys that they are.
34:19
I can't remember who it was that said it, but they were heavily
34:22
influenced by Pet Sounds album from The Beach Boys and that Pet
34:30
Sounds is is number 2 on the Rolling Stone Top 500 album list
34:37
that we referenced quite a bit. They have a Grammy Lifetime
34:40
Achievement Award in 2014 and The Beatles were inducted into
34:44
the Rock and Roll Hall of Fame in 1988.
34:47
What I also found found interesting is that each of the
34:50
four members, so Paul, John, Ringo and George are also all
34:58
individually in the Rock and Roll Hall of Fame.
35:02
So I'm not sure how many bands that is can actually say that to
35:08
where the band itself. But then all the members
35:12
individually have been added into the Rock and Roll Hall of
35:14
Fame. So that's just the type of
35:17
musician that we're talking about here.
35:20
So that's The Beatles. So why, why should people go and
35:24
listen to this album? So I guess Riley, we'll, we'll
35:28
start with you and, and then we'll, we'll turn the floor over
35:32
to Charles or Charles. Maybe we should start with
35:34
Charles. You're the Super fan.
35:37
We don't want to steal any of your Thunder.
35:38
Why should why other? Other than the album cover,
35:43
which is iconic in its own right, why should people go
35:47
listen to Abbey Road? The simplest answer is the
35:52
quality of the songs they endure.
35:56
This album for the first time in a few albums has just these
36:01
marvelous 3 part harmonies that The Beatles hadn't done in since
36:07
like the mid 60s. I mean because here comes the
36:12
Sun King. Yeah, OK, you may not like the
36:16
song, but them singing together had this trademark Beatles sound
36:21
vocally that they updated for the, you know, their final run
36:25
of an album. And really, to me, there's
36:29
there's there really is something for everybody on this
36:33
album even. And I never considered it as my
36:37
least favorite, but the charming kids song, Octopus's Garden,
36:44
written by Ringo, probably with a little help.
36:50
But, you know, I was listening to it yesterday while I was
36:58
walking the dog. And yeah, I know it's I'd like
37:01
to be under the sea and all that.
37:04
And it's just a catchy, unforgettable song.
37:08
It's sort of Yellow Submarine Revisited, but it's just so
37:13
good. You don't care.
37:14
It's just such a happy little song sung by a guy in his, you
37:19
know, everyman voice. I don't think you could play
37:22
that for for a kid and have them not go.
37:26
Oh neato. Right.
37:28
I could be wrong, right? I could be wrong so.
37:31
And. And it's just not a bad song
37:33
anyway. There's a great guitar solo in
37:34
there too, so the. Record that little riff at the
37:38
beginning is is nice too. Yeah, I mean, all the songs are,
37:48
I guess you'd say, catchy and and none of them overstay their
37:53
welcome. It's just and as a final
37:56
statement, which funny thing is, is that when when I was buying
38:02
records and my friends were was before the Internet, a lot of
38:06
people thought that The Beatles final album was Let it Be.
38:11
We were all like, yeah, OK, that's that's OK.
38:16
I guess. They were running out of steam.
38:18
But the truth is they shall let it be.
38:21
Came back to do this one album and in the back of their heads
38:28
was, you know, we're going to go out on a high note.
38:31
And they they did. Yeah, I, I, I saw that too when,
38:35
when I was looking at this. And again, I, you know, I'm not
38:37
a listen heavily to The Beatles, but I saw where this was their
38:44
11th studio album, so the next to last one that was released,
38:51
but yet it was mostly recorded after Let it be that became
38:57
their last released album. And so it's, it's really neat to
39:02
see that even though this was not the last, it was mostly of
39:08
their last recorded session music, which interesting how all
39:14
that works, but still still neat.
39:16
So but. But yeah, I mean, I in in terms
39:20
of why should be in it, to me it still sounds contemporary
39:27
production wise. A lot of the old Beatle albums
39:30
this time has passed to have been like, you know, remixed and
39:34
done all this stuff with it to try and make it sound a little
39:38
more modern. This is the one album that when
39:41
it came time to remix it, the producer son George Martin, who
39:45
sort of took over for him after George passed away, said we're
39:50
leaving this one alone. There's nothing that needs to be
39:53
changed because it just, you know, it was recorded in a very
39:57
modern facility for 69 and it just, it just sounds, it doesn't
40:02
sound dated to me. That's me could sound dated to
40:06
anybody else. But so, and sometimes it gets
40:11
forgotten because, you know, nothing wild and crazy happened
40:15
around it. Like, you know, the White Album
40:18
was all four of them kind of doing their own thing and it was
40:22
a, a double album. Sergeant Pepper, of course, you
40:26
know, change the cultural landscape of music and fashion.
40:31
This was just a really, really fantastic album, and it was
40:37
sayonara. That's it.
40:40
That's all folks. And boy, talk about going out on
40:43
a high note. And, and you know, for for me,
40:46
and I know Riley, you, you talked about it.
40:49
I mean, I will admittedly skip Maxwell's silver hammer, but
40:55
that's the only one I'll skip. And and again, just the
40:58
whimsical nature of it, Like I, it just, it just, I don't, I
41:03
don't know, but but I, I agree, Charles, like it's, you know,
41:07
and again, I'm, I'm not a huge Beatles fan.
41:10
I mean, I, I like The Beatles, not, not one that I would
41:15
consistently go to to pick up and, and listen to, you know,
41:21
but going through this one again, even more so on the way
41:25
home from Knoxville, I was like, you know, this is really good.
41:31
Like, you know, coming back to, I was like, OK, this is, this
41:36
is, this is, this is good stuff, you know, And again, there's
41:41
some oddities in there that maybe I don't understand because
41:44
I haven't listened to, you know, all The Beatles albums and, and
41:49
all that, but, you know, but it's, it's very good.
41:54
So, you know, the, the other thing that I want to mention is,
41:59
you know, we often times we talk about, again, why listen to it?
42:04
Just so some people that want numbers it on The Rolling Stones
42:07
top 500, it's #5 and and again number #1 we've already done so
42:14
Marvin Gaye number 2 was Pet Sounds that we just mentioned
42:19
that influenced this one at #5 and I I think on our list we
42:26
we've got three and four too, but I just don't know when
42:29
they're popping in because we're not going any particular order.
42:34
And then this album was also inducted into the Grammy Hall of
42:37
Fame the the first year was eligible, which, you know,
42:43
brings up a a question to to chat about which I think I've
42:48
seen theories and philosophies on it.
42:51
But I guess they have 11 Grammys, I think, which is not
42:56
that many when you when you think about it.
42:59
And so I'd love to get your take, Charles, on why you think
43:04
they are light in the Grammy department.
43:09
Not that that really measures how great somebody is, but
43:14
generally they go, they go fairly well hand in hand, but
43:18
what was what was going on that would have stopped them?
43:23
Do you think? So we'll cut it right there on
43:26
the cliffhanger. So TuneIn next week to hear
43:29
Charles answer and his thoughts on that.
43:31
Also our best beats and bars from the album are rating songs
43:36
of the week and even our next album we'll listen to, so
43:41
hopefully we'll see you back next week.