Latest / Crime Stories with Nancy Grace / JODI ARIAS SELLING ARTWORK FOR THOUSANDS, STABBED LOVER DEAD IN SHOWER
Transcript
- 0:00Speaker 1: Crime Stories with Nancy Greece. Incredible. I thought I had
- 0:10Speaker 1: misread when I learned convicted killer Jody Arius. Remember her?
- 0:19Speaker 1: Jody Arius stabbed her boyfriend Chavis Alexander. There's an argument
- 0:26Speaker 1: about how many times she stabbed him dead because there
- 0:29Speaker 1: were so many stab wounds close to thirty that they
- 0:32Speaker 1: were overlapping each other and you couldn't tell if it
- 0:36Speaker 1: was one stab or two or three, and then capped
- 0:39Speaker 1: it off by shooting him in the head, leaving him
- 0:41Speaker 1: to decompose in a showerstall. Why because he dared to
- 0:46Speaker 1: ask another woman on a date after a marathon sex
- 0:50Speaker 1: session with Arius. She just couldn't take it. Jody Arius
- 0:56Speaker 1: is selling her artwork for one thousands. One of her
- 1:02Speaker 1: pieces of art is going for let me check this,
- 1:06Speaker 1: Maybe I need glasses for twenty five hundred dollars nearly
- 1:12Speaker 1: three thousand dollars. Hey, you know she's just getting a
- 1:15Speaker 1: magazine and tracing over it. Right that said, have you
- 1:19Speaker 1: ever heard of blood money? I need see Grace. This
- 1:23Speaker 1: is Crime Stories. Thank you for being with us.
- 1:27Speaker 2: A WorldWind romance between aspiring photographer Jody Arius and salesman
- 1:34Speaker 2: Travis Alexander turns sour the explosive pair is on and
- 1:40Speaker 2: off again, but this time Travis swears they're done for good.
- 1:46Speaker 1: And there's a reason. He swore to his friends he
- 1:49Speaker 1: was done with her for good. When we say a stalker,
- 1:54Speaker 1: we normally picture a husband or boyfriend and ex looking
- 1:59Speaker 1: in your wind, calling you non stop, following you around,
- 2:03Speaker 1: putting a GPS tracker on your vehicle. You don't normally
- 2:06Speaker 1: think of a woman. Jody are areas like Jody Arias
- 2:12Speaker 1: as being a stalker. But oh boy, she was a stalker.
- 2:16Speaker 1: And then some you don't believe me. Listen, what's going on?
- 2:21Speaker 3: A friend of ours is dead in his bedroom. We
- 2:24Speaker 3: hadn't heard from him for a while. We think he's dead.
- 2:27Speaker 3: His roommates just going in there, and so they bought
- 2:30Speaker 3: some blood. I didn't go in, but I can give
- 2:33Speaker 3: you this songe to someone who went in there.
- 2:35Speaker 4: Can yes, please?
- 2:36Speaker 5: Can you hello?
- 2:37Speaker 6: Hi? What's going on?
- 2:39Speaker 1: He's dead? He's in his bedroom in the shower.
- 2:45Speaker 4: Okay, how did this happen?
- 2:46Speaker 7: Do you have any idea?
- 2:47Speaker 1: We have no idea.
- 2:48Speaker 3: Everyone's been wondering about.
- 2:50Speaker 8: Him for a few days.
- 2:51Speaker 5: She said that there's blood, so is it coming from
- 2:53Speaker 5: his head?
- 2:54Speaker 1: Did he.
- 2:56Speaker 7: It's all over with me.
- 2:58Speaker 1: Renowned expert Joseph Scott Morgan, death investigator who has conducted
- 3:05Speaker 1: thousands of death investigations, be the natural causes accidents, suicide
- 3:12Speaker 1: or homicide. Author of Blood Beneath My Feet on Amazon,
- 3:17Speaker 1: and start of a Hitting You series podcast Body Bags
- 3:21Speaker 1: with Joseph Scott Morgan, Joe Scott, You and I went
- 3:24Speaker 1: round and around and round about how many times Travick's
- 3:29Speaker 1: Alexander was murdered, and we're about to do it again.
- 3:33Speaker 1: It's a rematch. But one thing you said at the
- 3:37Speaker 1: time of the murder that's stuck with me and I'll
- 3:41Speaker 1: never forget it. You described some drops. I don't mean throwback,
- 3:51Speaker 1: I don't mean a transfer drops of blood on Travis
- 3:57Speaker 1: Alexander's sink the way you described it. I had so
- 4:03Speaker 1: many wounds, but these were drops, like around circular drops.
- 4:08Speaker 1: And you described how he would have looked into his
- 4:12Speaker 1: bathroom mirror and seeing himself dying, hit.
- 4:18Speaker 5: The nail on the head. Nancy, and I remember this
- 4:20Speaker 5: after all these years thinking back to this, you know
- 4:25Speaker 5: those droplets that you're referring to are in fact some
- 4:29Speaker 5: are droplets. But Nancy, here's the really ghastly thing about this.
- 4:33Speaker 5: Many of these are projected droplets, and it's what's referred
- 4:37Speaker 5: to as bloody aspirit. And I'm going to break that
- 4:40Speaker 5: down for you, just so people can understand what this
- 4:43Speaker 5: man went through after he was initially attacked in the shower.
- 4:48Speaker 5: He is aware of this. He leans over the seineking
- 4:51Speaker 5: see the contact, the contact points where his hands were
- 4:54Speaker 5: on the sink. He's leaning forward looking himself in the mirror,
- 4:58Speaker 5: and Nancy, he aspirated blood down into his airway and
- 5:03Speaker 5: spit it back out, So he's aspirating blowing it out,
- 5:06Speaker 5: and you get these fine little dots of blood that
- 5:08Speaker 5: were all all over the place at this point in time.
- 5:12Speaker 5: And it's a horrible event to imagine. This guy's just
- 5:15Speaker 5: taking a shower. Can you imagine suddenly you're getting stabbed
- 5:18Speaker 5: in the back by this demon and name Jon And.
- 5:24Speaker 1: You know he was found decomposing in the shower. But
- 5:27Speaker 1: I'm looking at the sink and I will never forget
- 5:29Speaker 1: this photo. And if you look to the left of
- 5:33Speaker 1: the faucet, toward the front of the sink, you see
- 5:38Speaker 1: two of the dropped drops you were describing. And then
- 5:42Speaker 1: if you go right, you see another drop. Now it's
- 5:45Speaker 1: amazing to me that you, as a death scene investigator,
- 5:50Speaker 1: could distinguish the difference between those drops and all the
- 5:55Speaker 1: other blood. But now that you told me about it,
- 5:58Speaker 1: I see it. I'm looking up at the stars and
- 6:01Speaker 1: if you don't know what you're doing, you can't see
- 6:03Speaker 1: the constellations. Looking at this blood tells a story, and
- 6:08Speaker 1: you can even determine which blood was aspiration. In other words,
- 6:15Speaker 1: he was bleeding. When he breathed out of his mouth
- 6:17Speaker 1: or nose, you would get a fine spray, especially from
- 6:20Speaker 1: the nose of blood.
- 6:22Speaker 5: Yes, yeah, you're absolutely right with this, Nancy, and he
- 6:26Speaker 5: would be bearing witness to this. This is one of
- 6:29Speaker 5: the issues with me, after we've covered this for so
- 6:32Speaker 5: many years. He's actually eyeballing himself in the mirror. He
- 6:35Speaker 5: has not lost his sight, his ability to see. If
- 6:38Speaker 5: you can imagine, he's slowly bleeding out, he has an
- 6:41Speaker 5: awareness he's getting lightheaded, but he's also regurgitating blood and
- 6:45Speaker 5: blowing it out. At the same time, you've got passive droplets,
- 6:49Speaker 5: which like a bloody nose, kind of dropped downward, and
- 6:52Speaker 5: then you have these projected droplets that are very far
- 6:55Speaker 5: hold on.
- 6:56Speaker 1: Scott it's just I compare it to the scene and
- 7:00Speaker 1: arson where accelerant is used. You can tell where the
- 7:03Speaker 1: fire started because you'll see excellerant or you'll see the major,
- 7:08Speaker 1: major portion of the burning, the most destruction in that
- 7:11Speaker 1: spot where the fire started. And here in the shower,
- 7:14Speaker 1: that's where we see an abundance of blood. So would
- 7:19Speaker 1: you agree that's where it started or what would you
- 7:24Speaker 1: what do you think?
- 7:24Speaker 5: Well, what you're seeing here is passive blood flow and
- 7:28Speaker 5: a lot of this is decomposing as well. But draw
- 7:31Speaker 5: your attention to the right aspect to the shower wall.
- 7:35Speaker 5: There when he was placed into that shower, that's actually
- 7:39Speaker 5: probably where his shoulder was resting, that kind of swipe
- 7:43Speaker 5: that you have right there, and then the settling of
- 7:45Speaker 5: the dark blood headed down the drain. That's a combination
- 7:49Speaker 5: of the seepage of the blood and also combination of
- 7:52Speaker 5: decompositional fluid. She left this guy to literally decompose in
- 7:56Speaker 5: his own bathroom, Nancy.
- 7:57Speaker 1: There are very few people that can follow an explanation
- 8:02Speaker 1: by Joe Scott Morgan. But before I go to Andy Cohn,
- 8:05Speaker 1: I want you to hear what pops up immediately in
- 8:08Speaker 1: the nine one one call.
- 8:10Speaker 4: You're a good friend of Travis's. Okay, Has he been depressed.
- 8:14Speaker 6: At all thinking about any suicide anything like that.
- 8:18Speaker 4: I don't think he'd been community to say he's been
- 8:20Speaker 4: really depressed because he broke up with this girl and
- 8:24Speaker 4: he was allset about that, But I don't think he
- 8:26Speaker 4: would actually kill himself over that.
- 8:28Speaker 1: Has he been threatened by anyone recently?
- 8:31Speaker 4: Who he has? He has an ex girlfriend that's been
- 8:34Speaker 4: bothering him and following him and flashing tires and things
- 8:38Speaker 4: like that.
- 8:39Speaker 1: As you know, the ex girlfriend's name.
- 8:41Speaker 3: His her name is Jody.
- 8:42Speaker 1: And there you go, right then, and the nine to
- 8:45Speaker 1: one one called doctor Bethany Marshall. There you're hearing doctor
- 8:49Speaker 1: Bethany Marshall, renown psycho analyst, joining us out of la
- 8:52Speaker 1: at Dr Bethany Marshall dot com. She appears in the
- 8:55Speaker 1: show Paris in Love on Peacock. She's everywhere. Her book
- 9:00Speaker 1: deal Breaker, When to work on a relationship and when
- 9:03Speaker 1: to walk away, specifically pertinent to today's material, today's case. I
- 9:11Speaker 1: cannot believe this woman is selling artwork for nearly three
- 9:16Speaker 1: thousand dollars per sketch. That's a whole nother cannel can
- 9:21Speaker 1: I talk to you about the stalking. Remember those photos
- 9:26Speaker 1: of Jody Arias warning everybody just go ahead and buckle
- 9:30Speaker 1: your seat belt. The jury saw this, as did I.
- 9:32Speaker 1: Jody aria is all sprawled down. I can't remember she
- 9:35Speaker 1: had on underwear or was naked, but anyway, on his
- 9:39Speaker 1: bed they had Oh dep is that her I had
- 9:42Speaker 1: to turn upside down? Is that the day of the
- 9:45Speaker 1: marathon sex session. There's some a lot more racy than that. Anyway,
- 9:49Speaker 1: she has a marathon sex session with Travis Alexander, not judging,
- 9:55Speaker 1: don't care. But it's only after all day in the
- 9:59Speaker 1: South that she says, so you're still taking that woman
- 10:04Speaker 1: to CanKan on that trip? He goes, yeah, these two
- 10:09Speaker 1: were broken up. She had no right to demand he
- 10:12Speaker 1: not date other people. They were broken up over her stocking,
- 10:17Speaker 1: slashing his tires, showing up at his house, leaving cinnabon
- 10:22Speaker 1: on his car at five o'clock in the morning, under
- 10:25Speaker 1: the pretext of getting him breakfast bs. She's trying to
- 10:28Speaker 1: find out he might spend the night over at his place.
- 10:30Speaker 1: He goes on and on and on.
- 10:32Speaker 8: Bethany, you know, Nancy, he's doing what.
- 10:35Speaker 1: Abuse victims do.
- 10:36Speaker 8: He's welcoming the abuser right back into the home because
- 10:39Speaker 8: she convinces him that she's not going to hurt him.
- 10:43Speaker 8: So all of this marathon sex. She probably has borderline
- 10:47Speaker 8: sociopathic personality disorder, and women who are borderline you was
- 10:52Speaker 8: sex to hook the other person in to have control
- 10:55Speaker 8: over them. She probably had what we call merger fantasies
- 10:59Speaker 8: in my feet. This is somebody who's so disturbed they
- 11:02Speaker 8: want to merge into the love object. They want to
- 11:05Speaker 8: be one with that person. Any separation between them and
- 11:09Speaker 8: that person, even if that person picks up the phone
- 11:12Speaker 8: or calls their mother or goes away with somebody else,
- 11:15Speaker 8: feels like a under abandonment and a betrayal. And when
- 11:19Speaker 8: they feel abandoned, they feel deflated. And when they feel deflated,
- 11:24Speaker 8: they become enraged. Women with orderline personality disorder, they have
- 11:29Speaker 8: this oceanic rage that leads to plotting and planning, and
- 11:34Speaker 8: plotting and planning. She was probably planning this for a
- 11:38Speaker 8: long long time, and I'm imagining that marathon sex session.
- 11:42Speaker 8: She probably thought that they had an unique and special relationship,
- 11:45Speaker 8: that he was going to come back to her, and
- 11:48Speaker 8: then when he was honest, which I admired him for
- 11:50Speaker 8: and said, I'm going on this vacation. She just snapped.
- 11:55Speaker 8: Her emotions outpaced her ability to think. What's interesting about
- 12:01Speaker 8: the sand you just played. The roommates knew that Jody
- 12:05Speaker 8: Arius was going to do this. Remember that party, Nancy,
- 12:08Speaker 8: We all covered this where they were all hanging out,
- 12:11Speaker 8: I think at the apartment and she either had her
- 12:14Speaker 8: head in his lap or his legs across his lap.
- 12:18Speaker 8: They say she was marking her territory. She belonged to
- 12:22Speaker 8: her and nobody else in her mind.
- 12:24Speaker 1: And it's always amazing to me that people can name
- 12:27Speaker 1: the killer in the nine on one call. It's like
- 12:30Speaker 1: everybody knows. Of course that's not evidence, can't come in
- 12:34Speaker 1: as evidence. But when I have ten people saying she
- 12:38Speaker 1: did it, I listen crime stories with Nancy Grace joining
- 12:54Speaker 1: me right now. Is a very special guest, a longtime
- 12:57Speaker 1: colleague that has become a friend. And as weird as
- 13:02Speaker 1: it may sound, we bonded over toenails, not his toenails,
- 13:08Speaker 1: not my toenails, but the toenails of on Hell on
- 13:16Speaker 1: Hell Ramirez. Correct, wasn't that his name? Or on Hell
- 13:19Speaker 1: Resendez Ramirez. What I know is he's a serial killer
- 13:23Speaker 1: selling his toenails from behind bars and people actually paid
- 13:27Speaker 1: for it. When you told me that, I said a
- 13:30Speaker 1: technical legal term BS, I don't know, come to my office.
- 13:35Speaker 1: I followed you, and your office at that time was
- 13:39Speaker 1: like a treasure show trope. Now let me say a
- 13:43Speaker 1: Pandora's box, okay of evils of all these people around
- 13:48Speaker 1: the country that were selling murder rebelia and you you
- 13:53Speaker 1: coined that phrase. I stole it, but you made that
- 13:58Speaker 1: up and now oh Arius is doing it.
- 14:02Speaker 9: Yeah. I mean, you had this giant industry that's sprung
- 14:05Speaker 9: up primarily from the Internet, in which you have serial killers,
- 14:09Speaker 9: mass murders, school shooters, high profile killers like Yoda Areas
- 14:13Speaker 9: who like it or not, has a big name, she
- 14:15Speaker 9: has a following, and they have found a way to
- 14:18Speaker 9: continue to enable their narcissistic behavior. I mean, obviously she
- 14:22Speaker 9: has a giant ego and she is simply selling her artwork.
- 14:27Speaker 9: No one should be able to rob, rape, and murder
- 14:29Speaker 9: then turn around and make a buck off it.
- 14:31Speaker 7: I don't care.
- 14:32Speaker 9: You know, if you're a firm believer in capitalism or whatever,
- 14:35Speaker 9: this is where you've got to draw the line and
- 14:37Speaker 9: the buck has to stop here. You cannot continue to
- 14:40Speaker 9: allow a convicted murderer to essentially operate a business behind
- 14:46Speaker 9: prison bars. I'm just absolutely shocked because most of the time,
- 14:50Speaker 9: in my research and dealings, most of the time prisons
- 14:53Speaker 9: are not aware that a particular inmate is selling their
- 14:57Speaker 9: goods through third parties. But the Arizona Department the Corrections
- 15:01Speaker 9: is completely complicit because they're aware of it, and they're
- 15:04Speaker 9: just shrugging their shoulders saying, there's nothing we can do
- 15:08Speaker 9: to quote you, Nancy. That's bs because most prisons have
- 15:13Speaker 9: policies in the prison that state you cannot operate a
- 15:19Speaker 9: business unless you have their permission.
- 15:23Speaker 1: I cannot believe.
- 15:24Speaker 9: That the Arizona Department of Corrections would give their permission
- 15:27Speaker 9: to allow Jody Arius to profit from killing Travis Alexander.
- 15:33Speaker 9: That is absolutely absurd. I've not seen that in my
- 15:37Speaker 9: twenty five years of researching this industry.
- 15:39Speaker 8: His bedroom is ware in the house.
- 15:42Speaker 3: It's upstairs, and if you go up the stairs, it's
- 15:47Speaker 3: on the left. It's the first door on your left.
- 15:49Speaker 3: It's the only door on your left, okay, and it's
- 15:54Speaker 3: just a big master sweet paging that day.
- 16:00Speaker 10: And.
- 16:03Speaker 3: She's talking to his friend right now and there's a
- 16:06Speaker 3: girl that sends stocking him and then and she's trying
- 16:11Speaker 3: and he's trying to, uh, you might know with some information.
- 16:17Speaker 3: I hope my phone doesn't. I'm on like one bar
- 16:19Speaker 3: of battery.
- 16:20Speaker 4: Okay, Well, I'm just going to keep you on the
- 16:22Speaker 4: phone until.
- 16:22Speaker 3: Officers are right, either officers or pyramids arrive. Okay, okay,
- 16:25Speaker 3: I think I can hear the same.
- 16:29Speaker 11: Where he is.
- 16:30Speaker 2: Travis Alexander. Friends haven't heard from him for days. They're
- 16:34Speaker 2: supposed to take off for Cancun in only a matter
- 16:37Speaker 2: of hours, but Travis is nowhere to be found.
- 16:42Speaker 1: What happened to Travis Alexander we know now his then
- 16:47Speaker 1: lover spurned, who had been stalking him, murdered him in
- 16:52Speaker 1: a brutal fashion. The brutality I've seen a lot of murders,
- 16:58Speaker 1: and the murder Travis Alexander is one of the most
- 17:02Speaker 1: brutal murders I've ever seen. Now she's selling her artwork online. Wait,
- 17:10Speaker 1: this is her artwork, not mine. Here you go. There's
- 17:14Speaker 1: a lady straddling a man. I'm not the church lady.
- 17:16Speaker 1: I don't care, but I don't like Arias making money
- 17:19Speaker 1: off of it. Take a look at her. Oh, there's
- 17:22Speaker 1: a self portrait at PERivale prison. Guess that's what she thinks.
- 17:27Speaker 1: She looks like, Okay, there you go. I didn't know
- 17:30Speaker 1: they had fingernail polish. But behind bars see the nature
- 17:35Speaker 1: of her art. Check it out Jody Arius's art work.
- 17:42Speaker 1: Now you heard Andy Kahn joining us saying that the
- 17:46Speaker 1: jail is turning a blind eye. And I agree. She's
- 17:50Speaker 1: not creating art for her own enjoyment or fulfillment. She's
- 17:55Speaker 1: creating it to sell it. Now what she's doing the
- 18:00Speaker 1: money that, I don't know, but she is selling this
- 18:04Speaker 1: art and it is blood money. What happened? Listen to this.
- 18:09Speaker 12: I was actually watching a movie with my girlfriend at
- 18:13Speaker 12: the time or my wife now, and.
- 18:17Speaker 11: I remember getting a knock on my door and.
- 18:21Speaker 12: Travis's friends came to the door and they said, have
- 18:24Speaker 12: you seen Travis? And I said, well, no, I haven't
- 18:27Speaker 12: seen Travis. He's supposed to be in CanCon or out
- 18:30Speaker 12: on vacation right now. And they said, yes he is,
- 18:33Speaker 12: but he's supposed to be here with me with Mimi,
- 18:37Speaker 12: And so I said, well, have you checked his bedroom?
- 18:39Speaker 11: And that was my first thought.
- 18:42Speaker 12: So they said, well, no, we have in the doors locked,
- 18:44Speaker 12: and I said, I think he keeps a spare set
- 18:45Speaker 12: of keys downstairs.
- 18:47Speaker 11: So I went downstairs and I searched for him.
- 18:49Speaker 12: And grabbed a few sets of keys and came back
- 18:51Speaker 12: upstairs and tried a few different sets of keys, and
- 18:53Speaker 12: one of them happened to be his bedroom key.
- 18:56Speaker 11: And as soon as the door was opened, my heart
- 19:01Speaker 11: just seeing.
- 19:01Speaker 1: And listen to more of what Travis's friend Zach billings
- 19:07Speaker 1: tennels me.
- 19:08Speaker 12: She came up to me and gave me a big
- 19:10Speaker 12: hug and just said, I'm you know, isn't this just horrible?
- 19:13Speaker 12: I'm so sorry you had to go through that. And
- 19:15Speaker 12: she asked me where I was living at the time,
- 19:19Speaker 12: and that was about the extent of our interaction after
- 19:23Speaker 12: that point.
- 19:24Speaker 1: Did she ask you any questions regarding your discovery of
- 19:27Speaker 1: the body?
- 19:30Speaker 12: She asked me, just a brief of what happened, as
- 19:35Speaker 12: far as my interaction with as far as my interaction
- 19:42Speaker 12: with anybody else. Had the police talk to me? And
- 19:46Speaker 12: she already knew at that point that I had seen
- 19:48Speaker 12: the body, and just asked what the process was going through,
- 19:50Speaker 12: what I was going through.
- 19:52Speaker 1: Joining me now. Susan Hendricks, investigative journalist, author of a
- 19:56Speaker 1: brand new book, Down the Hill Mine Descent to the
- 19:59Speaker 1: double murder in Delvi. Susan, thank you for being with us.
- 20:03Speaker 1: Explain to me where is Jody Arius and how is
- 20:08Speaker 1: she enabled to sell her art for a profit online?
- 20:13Speaker 6: Yeah, Nancy, good to be here. I couldn't believe it
- 20:15Speaker 6: when I heard it. And I remember covering with you
- 20:18Speaker 6: the Jody Arias trial day in and day out, and
- 20:21Speaker 6: the day she was called to that stand, and everything
- 20:25Speaker 6: she said on the stand. I put nothing past her,
- 20:27Speaker 6: revictimizing his family has seven siblings, over and over again.
- 20:33Speaker 6: Remember this, Nancy, the headstand. I would put nothing past her.
- 20:37Speaker 6: I also remember her walking in claiming she was an
- 20:40Speaker 6: abuse victim, holding up a T shirt that said survivor
- 20:44Speaker 6: on it, then begging the jurors for her life, and
- 20:47Speaker 6: showing a slide show of her artwork. So I put
- 20:51Speaker 6: nothing past her. I just wish she would donate the
- 20:53Speaker 6: money to the family members of Travis. I remember her saying,
- 20:57Speaker 6: I'll help people, please spare my life. I'll do good.
- 20:59Speaker 6: And well, what is she doing that's so good except
- 21:02Speaker 6: benefiting herself off the murder of.
- 21:04Speaker 1: Travis and Susan having a string of love lorn men
- 21:10Speaker 1: trying to get her affection. Why I do not know,
- 21:13Speaker 1: but I guarantee you this much. They all send her money.
- 21:16Speaker 1: Derek Smith joining me high profile criminal defense attorney and
- 21:19Speaker 1: you can find him it d WS. D W Smith Legal,
- 21:24Speaker 1: repeat d W Smith Legal. Derek, you know your way
- 21:29Speaker 1: around the courtroom. What and the hate went wrong? Because
- 21:34Speaker 1: you know, I guess you have to play the cards.
- 21:37Speaker 1: That's delcha because her attorney and I've spoke many many times.
- 21:42Speaker 1: At first she claimed she had no idea what happened,
- 21:47Speaker 1: what I wasn't there. Then she was tracked across the desert.
- 21:52Speaker 1: She actually filled up big tanks of gas put them
- 21:58Speaker 1: in her trunk so she would be spotted at a
- 22:00Speaker 1: gas station. She goes all the way across the desert
- 22:04Speaker 1: to get to Travis Alexander. She gets there, then she
- 22:09Speaker 1: waits for it. Derek Smith, I could just see you
- 22:11Speaker 1: doing a backflip when you find out about this elence
- 22:13Speaker 1: it it's your client. She had a digital camera that
- 22:17Speaker 1: she was using to take naughty photos off herself during
- 22:22Speaker 1: their sex marathon, and Ding Dong put it in the
- 22:26Speaker 1: washing machine. The digitkam and the cops find it and
- 22:30Speaker 1: guess what it survived, and they actually see a picture
- 22:35Speaker 1: of her foot and leg in the photo, and then
- 22:40Speaker 1: those clothes she was wearing in that photo are traced
- 22:42Speaker 1: back to her. So first she says, I went there.
- 22:46Speaker 1: I don't know anything about it. Then the digikim shows
- 22:49Speaker 1: up in the washer and she goes, okay, I was
- 22:51Speaker 1: there and two ninjas. I think it was too just
- 22:55Speaker 1: all in black. Of course for dramatic flare broke in,
- 23:01Speaker 1: they kill him, I run for it. And then by
- 23:03Speaker 1: the end she climbed, Oh it was self defense. What
- 23:06Speaker 1: do you do with that? Derek Smith?
- 23:07Speaker 13: Oh, you've seen this many times before, dealing with you know,
- 23:12Speaker 13: victims and on the prosecutorial side, and of course on
- 23:16Speaker 13: the defensive side, stories change all the time. When you
- 23:19Speaker 13: have just mountains of evidence against the defendant, in this
- 23:24Speaker 13: case self preservation. You know, the first thing is deny, deny, deny,
- 23:29Speaker 13: and then the second thing is okay, I'm caught.
- 23:31Speaker 8: How am I going to get out of this?
- 23:32Speaker 13: And you can tell the rabbit hole that these defendants
- 23:35Speaker 13: dig themselves deeper and deeper, and then once they get
- 23:37Speaker 13: to me or someone.
- 23:38Speaker 8: Like me on the defense, what are we going to do?
- 23:41Speaker 13: You've already pretty much buried yourself, and all we can
- 23:44Speaker 13: do is try to mitigate at this point, you know,
- 23:46Speaker 13: work with the prosecution, work with you know, the detectives,
- 23:50Speaker 13: the police officers, and I mean they do a good
- 23:54Speaker 13: enough job to find this evidence that these defendants think, Hey,
- 23:56Speaker 13: I'm smarter than them. I'm going to be able to,
- 23:58Speaker 13: like you say, throw this but it's in the washing
- 24:00Speaker 13: machine and the driver get rid of it. No, sorry,
- 24:02Speaker 13: it doesn't work like that. Our detectives in our law
- 24:05Speaker 13: enforcement are much better than the defendants.
- 24:08Speaker 1: Derek Smith is joining US high profile lawyer in Ohio's
- 24:13Speaker 1: tried a lot of cases. Is at d W Smith
- 24:17Speaker 1: Legal dot com. Derek, can I just get you to
- 24:21Speaker 1: confess to a common defense tactic, and that is you say, no, no,
- 24:28Speaker 1: we had nothing to do with it, and you're kind
- 24:30Speaker 1: of stalling waiting to see what the state's evidence is
- 24:33Speaker 1: going to be. And then let's just pretend you find
- 24:38Speaker 1: a fingerprint. Then you go, okay, yeah, you know what,
- 24:41Speaker 1: I was there, but not the day of the murder.
- 24:44Speaker 1: Oh no, I was dating him, and so my fingerprints
- 24:47Speaker 1: are all over that place, all right. Then you find
- 24:51Speaker 1: out about the digikim with the date and the time
- 24:54Speaker 1: stamp on it. Then you say something like oh yeah, yeah, yeah,
- 24:59Speaker 1: that's not my digit caam. Then you see her face
- 25:01Speaker 1: on it, and you know, okay, that is my digitcam.
- 25:04Speaker 1: But those pictures were from a different time and obviously
- 25:09Speaker 1: the time and date stamp are wrong. Okay, then that's
- 25:12Speaker 1: disproved that. I mean, do you tailor your defense based
- 25:18Speaker 1: on the state's evidence as in Unfolds?
- 25:21Speaker 13: Of course, you know that. I mean, ideally, we tell
- 25:26Speaker 13: our clients not to speak. They have a right to
- 25:30Speaker 13: not talk. The more they talk, generally, the more they
- 25:34Speaker 13: can damage the case. It is our job as defense
- 25:37Speaker 13: attorneys to sort through the evidence to make sure that
- 25:40Speaker 13: everything was done constitutionally, and then speak with our clients
- 25:44Speaker 13: to figure out, you know what, how did this evidence
- 25:45Speaker 13: get there? How are your fingerprints there? Why are these
- 25:48Speaker 13: videos of you there? And then Taylor defense accordingly, Andrew.
- 25:57Speaker 11: How did this happen?
- 25:58Speaker 1: Do you have any idea?
- 26:00Speaker 4: Yeah, that girlfriend's been bothering him. He's following him and
- 26:03Speaker 4: shouting hired and things like that.
- 26:05Speaker 3: There is a Jill that sends doctor who he's bringing
- 26:09Speaker 3: to Jody.
- 26:11Speaker 1: And now Jody Arius who stabbed Travis Alexander unarmed Travis
- 26:17Speaker 1: Alexander while he's in the shower. Joe Scott, what's your
- 26:22Speaker 1: final tally? Now, after many discussions with me about how
- 26:26Speaker 1: many times he was.
- 26:27Speaker 5: Stabbed, it has to me at least thirty. It's hard,
- 26:30Speaker 5: it's indeterminate, but there's injuries you're missing here, Nancy, if
- 26:34Speaker 5: you want to go down this brutal road, he wasn't
- 26:36Speaker 5: just stabbed. He had his throat cut from ear to ear.
- 26:39Speaker 5: Oh and by the way, I don't know folks notice this,
- 26:43Speaker 5: but those pictures of his ankles, I've often held that
- 26:48Speaker 5: while he was trying to escape from her, when he's
- 26:51Speaker 5: in that hallway, that little walkway there, she stomped on
- 26:55Speaker 5: this man's ankles while he was there to try to
- 26:58Speaker 5: keep him down. Oh and by the way, if that
- 27:00Speaker 5: wasn't enough, she takes a pistol and after he's dead.
- 27:04Speaker 5: And I still hold that this was a postmortem shot,
- 27:07Speaker 5: because there's no hemorrhage in the wound track, she shot
- 27:10Speaker 5: him in the head and then drags him back to
- 27:14Speaker 5: the shower and leaves like the coward.
- 27:17Speaker 11: That she was.
- 27:18Speaker 1: I started to comment on one of the aspects of
- 27:22Speaker 1: your answer, but just the brutality, the brutality that she
- 27:28Speaker 1: inflicted upon him, and now she wants us to buy
- 27:33Speaker 1: her art and line her pockets. I don't know what
- 27:37Speaker 1: she's Susan Hendricks joining US investigative journalist and author. What
- 27:41Speaker 1: does she spend it on?
- 27:43Speaker 6: I know I was wondering that too. At first I
- 27:46Speaker 6: thought it maybe would fall under the son of Sam law,
- 27:48Speaker 6: but maybe because it's not directly connected to the crime.
- 27:54Speaker 1: But it's just horrific.
- 27:55Speaker 6: I wonder if she has that money and has extra
- 27:58Speaker 6: I don't know, commissary some money in prison to do
- 28:02Speaker 6: what she wants to do. And I did hear that
- 28:04Speaker 6: one of the guards even bought one of them of
- 28:07Speaker 6: the cow I believe.
- 28:08Speaker 8: So it's just it's.
- 28:10Speaker 1: Yes, I was reading about that. I think one of
- 28:13Speaker 1: the guards quote inspired it because under her prince she
- 28:17Speaker 1: explains what inspired the art. Okay, everybody get your barf
- 28:23Speaker 1: bag ready, because not only is she quite the artiste
- 28:26Speaker 1: making a lot of money, she's also a singer. Now
- 28:31Speaker 1: hold on, let's see if she hits the high note. Listen, oh.
- 28:36Speaker 8: Angels, oh no.
- 28:42Speaker 1: Dee bite.
- 28:48Speaker 6: When Christ was.
- 28:51Speaker 8: Oh no.
- 28:54Speaker 9: Dee.
- 28:57Speaker 1: I guess she hit it in a way. To you,
- 29:00Speaker 1: Andy Kahn, this woman, this woman think about it, Andy,
- 29:08Speaker 1: looks are deceiving. Have you seen that string of photos
- 29:11Speaker 1: that are being shown of her looking really pretty? She's
- 29:16Speaker 1: not really pretty because the way I imagine her, the
- 29:20Speaker 1: way I envisioned her, is the truth of her leaving
- 29:25Speaker 1: the scene of the murder literally dripping and blood, and
- 29:30Speaker 1: then hopping in a car as the blood dried under
- 29:34Speaker 1: her fingernails, and driving to the next lover where she
- 29:39Speaker 1: literally hopped on him and straddled him, which is evocative
- 29:43Speaker 1: of one of her photo one of her paintings so called.
- 29:48Speaker 1: I mean, just.
- 29:49Speaker 9: What, Here's what's missing from this, Travis Alexander. This is
- 29:54Speaker 9: all about Jody Arius. Can you imagine what family members
- 29:59Speaker 9: friends of Rabs Alexander are now going through. It is
- 30:03Speaker 9: probably one of the most nauseating and disgusting feelings in
- 30:06Speaker 9: the world when you find out the person who murdered
- 30:09Speaker 9: your loved one now has items being hot on the
- 30:13Speaker 9: world Wide Web for pure profit, simply because she murdered him.
- 30:18Speaker 9: That is the only reason why she is relevant. And
- 30:21Speaker 9: all this does is feeds into her insatiable ego for
- 30:26Speaker 9: the life of me Arizona Department of Corrections and I
- 30:29Speaker 9: hope you hear me loudly and clearly. You have powers.
- 30:33Speaker 9: She is an inmate in your prison. How in that
- 30:36Speaker 9: hell can you allow her to ship out artwork and
- 30:40Speaker 9: have prison guards also coming abye for visits, commenting and
- 30:45Speaker 9: buying her artwork. Shame on you, Arizona Department of Corrections,
- 30:49Speaker 9: because you're the one that's allowing her to continue to
- 30:53Speaker 9: feel relevant by having her name in the public. And
- 30:56Speaker 9: why we're doing this show, I don't care. You just
- 30:59Speaker 9: shouldn't be able to rob, rape and murder and turn
- 31:01Speaker 9: around and make a buck off. It's that simplistic. And
- 31:04Speaker 9: Jodi eras this should be the last time we talk
- 31:07Speaker 9: about her.
- 31:08Speaker 1: I know for a fact, Andy that the jail, the prison,
- 31:12Speaker 1: the CI Correctional Institute in which she's being held does
- 31:15Speaker 1: know about her artwork. I mean, if you can believe
- 31:18Speaker 1: anything she says, and I guess you got to take
- 31:21Speaker 1: it with a box assault because she writes underneath the
- 31:25Speaker 1: cow painting, an officer interested in the painting's progress kept
- 31:30Speaker 1: asking how it was coming along. She said it several
- 31:35Speaker 1: times and it.
- 31:37Speaker 9: Years ago when jeff Years ago, when Jeffrey Dahmer was
- 31:41Speaker 9: killed in prison, a prison guard cleaned out his prison
- 31:44Speaker 9: well and then sold his shaving kit online. That prison
- 31:48Speaker 9: guard was fired.
- 31:49Speaker 1: You know, we're looking at so called artwork. I think
- 31:54Speaker 1: what she does is gets stock photos and then traces them.
- 31:58Speaker 1: But that said, what more do we know, Sysan Hendricks.
- 32:02Speaker 1: I know that she also stated that she gets hungry
- 32:05Speaker 1: behind bars and wants more commissary money. I know that
- 32:10Speaker 1: she has a long list of lonely hearts that write
- 32:15Speaker 1: her and she strings them along. They also send her money.
- 32:19Speaker 6: Yeah, who cares most about Jody is Jody Arius And
- 32:23Speaker 6: she's able, maybe because of the way she looks. Her
- 32:25Speaker 6: demeanor very different than the monstrous crime scene that we saw,
- 32:29Speaker 6: and she's able, it appears to get what she wants,
- 32:33Speaker 6: saying please. I remember during the trial she didn't want
- 32:36Speaker 6: the death sentence. At first she did, then she didn't
- 32:38Speaker 6: say please, don't do this. My family will hurt, projecting
- 32:41Speaker 6: onto them. Meanwhile, all she cares about is herself and benefiting.
- 32:45Speaker 6: She's hungry in prison, eat prison food. I'm sorry, that's
- 32:48Speaker 6: what a convicted murderer should eat, not benefiting and having
- 32:52Speaker 6: the families hurt. Once again, she seems to get away
- 32:56Speaker 6: with a whole lot even in prison.
- 33:04Speaker 2: A WorldWind Romance between aspiring photographer Jody Arius and salesman
- 33:11Speaker 2: Travis Alexander turns sour. The explosive pair is on and
- 33:17Speaker 2: off again, but this time Travis swears they're done for good.
- 33:23Speaker 1: Joining me renown psychoanalyst doctor Bethany Marshall joining us from
- 33:27Speaker 1: La not only author but also appears regularly in Paris
- 33:34Speaker 1: in Love on Peacock. Doctor Bethany listened to this.
- 33:37Speaker 7: You would complain about her, you know, little things here
- 33:40Speaker 7: and there. He never told me about the big things.
- 33:43Speaker 7: Because if he told me about the big things, like
- 33:45Speaker 7: flashing his tires and stealing things from his house, you know,
- 33:50Speaker 7: I would have been like I told you, did I
- 33:51Speaker 7: tell you?
- 33:52Speaker 6: Didn't?
- 33:52Speaker 7: I tell you? She was nuts? So he wouldn't. He
- 33:54Speaker 7: would never tell me about the big like really violating
- 33:58Speaker 7: psychotic things.
- 33:59Speaker 11: That she was.
- 34:00Speaker 1: Now you're hearing Travis's roommate Chris Hugh speaking to me.
- 34:04Speaker 1: Listen to more.
- 34:05Speaker 7: He was saying things to her like, you hurt me
- 34:07Speaker 7: worse than the passing of my own father. You're a
- 34:09Speaker 7: terrible person, You're despicable, You're the devil daughter. I mean,
- 34:13Speaker 7: he was so angry about something and we don't know
- 34:16Speaker 7: what exactie what that was. She just sat there and
- 34:20Speaker 7: took it. And later she comes back online and says
- 34:24Speaker 7: two things that you're wrong about. I didn't steal your
- 34:27Speaker 7: journals and I didn't slash your tires. She didn't defend
- 34:30Speaker 7: herself against all the other things that he said about her.
- 34:34Speaker 7: And when I saw that, I just said to myself,
- 34:36Speaker 7: you know what, that's her trying to cover up for
- 34:39Speaker 7: what she's about.
- 34:40Speaker 1: To do to doctor Bethany. Apparently the roommates noticed that
- 34:44Speaker 1: she would follow him to the bathroom, that she would
- 34:49Speaker 1: then when he would go to the restroom, she would
- 34:52Speaker 1: follow him out of the room and then go and
- 34:55Speaker 1: rifle through his stuff in his bedroom. Eves drop on
- 34:59Speaker 1: his car conversations. I mean, it never ended with this woman.
- 35:03Speaker 8: You know, Nancy. She was pathologically jealous. That's why she
- 35:06Speaker 8: killed him because she knew he was about to go
- 35:08Speaker 8: on the vacation with another woman. So she was rifling
- 35:12Speaker 8: through all of his journals because she wanted to get intel.
- 35:14Speaker 8: She wanted to get information. You know, she may have
- 35:17Speaker 8: stopped or even contacted the other women. You know, she
- 35:21Speaker 8: manipulated him with sex before she killed him. And I
- 35:24Speaker 8: see this artwork as one big manipulation to the public.
- 35:29Speaker 8: She minimizes the painous nature of what she did. The
- 35:33Speaker 8: cow is in a pastoral scene. She looks like she's
- 35:36Speaker 8: on vacation behind prison bars with this cute little bucket
- 35:40Speaker 8: cap and you know, madging orange shirt. In one scene
- 35:44Speaker 8: she's walking into like almost like a Mendeala type setting
- 35:47Speaker 8: that's very spiritual. She looks like Barbie in another picture.
- 35:52Speaker 8: And she also cares skulls with flowers. Now I know
- 35:55Speaker 8: that sort of.
- 35:56Speaker 14: View of Del Martees, which is very typical if that
- 35:59Speaker 14: selebration in Latin America.
- 36:01Speaker 8: However, when you pair flowers.
- 36:06Speaker 14: With a skull, it's like your favorite phrase, my favorite
- 36:09Speaker 14: phrase that you always say, dancing putting perfume on the pig.
- 36:13Speaker 14: It's really minimizing what a skull looks like and what
- 36:17Speaker 14: gets a person to the point where their flesh has
- 36:20Speaker 14: decomposed and they are nothing on a skull.
- 36:23Speaker 8: So she's turning the heinous nature of the crime into
- 36:27Speaker 8: its opposite, like it's just rainbows and unicorns. And I
- 36:31Speaker 8: think that even seeing a Christmas ham, which happens to
- 36:34Speaker 8: be one of my favorites, that's really manipulative, as she's
- 36:38Speaker 8: like choir girl. So look at that picture right there,
- 36:42Speaker 8: doesn't that have a spiritual quality? Like she's just the
- 36:45Speaker 8: most spiritual person on the baby plant.
- 36:47Speaker 1: You know what's really crazy is everybody seemed to know
- 36:52Speaker 1: what Areas was up to, including Travis Alexander.
- 36:55Speaker 7: Listen, guy, passionately, you're saying, Travis, you'll understand, I think
- 37:00Speaker 7: she's dangerous, and he was saying dangerously kidding she wouldn't
- 37:03Speaker 7: hurt a fly, You guys, she's so sweet, she's so nice,
- 37:07Speaker 7: and right as he's defending her, Sky put her finger
- 37:11Speaker 7: to her lips just to tell us to be quiet,
- 37:13Speaker 7: and then she pointed at the door and she lips
- 37:16Speaker 7: she's out there, and Travis rips the door open, and
- 37:20Speaker 7: there's Jodyarius with her face to the door, listening to
- 37:23Speaker 7: our conversation at midnight upstairs on the opposite end of
- 37:26Speaker 7: the house.
- 37:28Speaker 11: Where he is.
- 37:29Speaker 2: Travis Alexander friends haven't heard from him for days. They're
- 37:33Speaker 2: supposed to take off for Cancun in only a matter
- 37:36Speaker 2: of hours, but Travis is nowhere to be found.
- 37:41Speaker 1: There were so many aerie warnings from friends and family
- 37:47Speaker 1: about what was to come. Listen, and we caught her again.
- 37:51Speaker 7: I said, Travis's case in point bro, Like, that's what
- 37:54Speaker 7: I'm talking about.
- 37:54Speaker 6: Who does that?
- 37:56Speaker 7: Who does that? Normal people don't do that. If you
- 37:58Speaker 7: don't get it, there's nothing I mean, there's nothing more
- 38:00Speaker 7: I can do. But what guy said was she said, Travis,
- 38:04Speaker 7: we're afraid we're going to find you chopped up in
- 38:07Speaker 7: her freezer joining me.
- 38:08Speaker 1: Andy Kahn, director of Victims Services at Crime Stoppers in Houston. Andy,
- 38:13Speaker 1: how many times have we seen murder victims where their
- 38:18Speaker 1: friends and family would say, you got to get out
- 38:21Speaker 1: of this. She he is going to kill you, or
- 38:25Speaker 1: murder victims that before they died said if I go missing, Hey,
- 38:31Speaker 1: she did it.
- 38:32Speaker 10: I just worked on a case where we had a
- 38:34Speaker 10: young woman that ended up getting stuffed and refrigerator by
- 38:38Speaker 10: her then husband who actually put out, if I go missing,
- 38:42Speaker 10: he is the one that is.
- 38:43Speaker 8: Basically going to kill me.
- 38:45Speaker 9: And she sent out so many warning signals on that.
- 38:48Speaker 9: So when other people start to recognize warning signals, I
- 38:52Speaker 9: think you got to pretty start stating taking it seriously
- 38:56Speaker 9: because they're the ones who actually see the truth picture. Unfortunately,
- 39:00Speaker 9: you know, Travis perhaps might have been caught this little
- 39:02Speaker 9: france or whatever with her, but the real story about
- 39:06Speaker 9: this right now is how in the heck can Joey
- 39:11Speaker 9: Areas sit in a prison cell paint, draw, scratch, smith, doodle, whatever,
- 39:19Speaker 9: and then ship items out to be sold on the
- 39:23Speaker 9: open market. And the only reason people buy them is
- 39:28Speaker 9: because she's received some higher proficiency because she is a
- 39:33Speaker 9: high profile killer, without anybody thinking about who she killed,
- 39:39Speaker 9: why she's in prison. And I'm sorry, but you just
- 39:43Speaker 9: you should be able to profit from committing crimes, especially murdered.
- 39:47Speaker 9: It's that simplistic. And why that's the First Amendment allowed
- 39:51Speaker 9: to happen is beyond my comprehension.
- 39:53Speaker 1: To Derek Smith, high profile criminal defense attorney joining us
- 39:56Speaker 1: out of Ohio. Why are inmates criminals allowed to profit
- 40:05Speaker 1: from their crimes?
- 40:06Speaker 13: Well, Nancy, in a lot of states, they're not. This
- 40:09Speaker 13: goes back to something we said earlier, the Son of
- 40:12Speaker 13: Sam law that originated from the David Berkowitz murders in
- 40:16Speaker 13: New York, that was brought up on First Amendment all
- 40:19Speaker 13: the way up to the Supreme Court, and they deemed
- 40:22Speaker 13: that was unconstitutional as a violation of their First Amendment rights,
- 40:26Speaker 13: and then the states, you know, tweaked some of those
- 40:28Speaker 13: laws to make it, you know, applicable for that in
- 40:31Speaker 13: many states, but Arizona is not one of them. So
- 40:33Speaker 13: Arizona does not have any laws against inmates in this
- 40:37Speaker 13: situation being able to profit.
- 40:39Speaker 1: Wow, well, maybe after tonight they will. And you know, Derek,
- 40:44Speaker 1: you mentioned Son of Sam laws regarding Berkowitz. You know,
- 40:47Speaker 1: it goes all the way back to the movie Goodfellows,
- 40:50Speaker 1: where there was a lawsuit that went to the US
- 40:53Speaker 1: Supreme Court over profiting from Goodfellows. I mean, this is
- 40:59Speaker 1: a valiantly fought battle and states have the power to
- 41:05Speaker 1: stop this. We wait as just as unfalls. Goodbye friend,