Latest / Drama, Darling: A Real Housewives Comedy Podcast / 💂🛳️ Ladies of London (A New Reign) Premiere Recap + Below Deck Down Under Recap

Transcript

💂🛳️ Ladies of London (A New Reign) Premiere Recap + Below Deck Down Under Recap · Drama, Darling: A Real Housewives Comedy Podcast

• 0:06
  Speaker 1: Drama, Darling.
• 0:10
  Speaker 2: Drama, Darling Drama, Darling. Hello, Hello, darlings, Welcome into the
• 0:24
  Speaker 2: Ladies of London and below Deck down Under recaps. I
• 0:29
  Speaker 2: am your PBS host Amy Phillips, and joining me as
• 0:34
  Speaker 2: always is Emila Deresis. Hello, Emila, Hello.
• 0:39
  Speaker 1: I didn't we're part of PBS. Now.
• 0:41
  Speaker 2: This is amazing, congratulations.
• 0:44
  Speaker 3: How perfect that we have a crossover between one British
• 0:53
  Speaker 3: chief stew saying your name while we are also covering
• 0:58
  Speaker 3: the Ladies of London.
• 1:00
  Speaker 1: I mean, what are the chances.
• 1:02
  Speaker 2: I mean they're pretty good, actually pretty good. There's a
• 1:05
  Speaker 2: lot of different times several people across the globe are
• 1:09
  Speaker 2: usually cast on down Under anyway, Okay, Emily, Wow, we
• 1:14
  Speaker 2: have so much to discuss. First of all, we are
• 1:16
  Speaker 2: going to take on Ladies of London the first two
• 1:18
  Speaker 2: episodes as they dropped last Friday, and so why don't we, like,
• 1:25
  Speaker 2: why don't we just find out what happened, what happened,
• 1:29
  Speaker 2: who we're dealing with, and just welcome ourselves in. Welcome in,
• 1:32
  Speaker 2: Welcome in, Hi, Yeah, welcome in, Hi. Hello, Hello, Hello Hello. Well,
• 1:39
  Speaker 2: so we have two episodes that dropped, and they were
• 1:44
  Speaker 2: so smart to give us these two episodes, because here
• 1:48
  Speaker 2: we have now been immersed in the world of the
• 1:52
  Speaker 2: New Rain The Ladies of London, in which at the
• 1:56
  Speaker 2: end of the second episode spoiler alert if you haven't
• 1:58
  Speaker 2: watched it, a lot of spoilers. We have a woman
• 2:03
  Speaker 2: named Dara who has quit the show already. It is
• 2:08
  Speaker 2: the second episode, and she walked to the back where
• 2:11
  Speaker 2: the producers were staked out in the restaurant. She denied
• 2:15
  Speaker 2: at the front of the house that she said those
• 2:17
  Speaker 2: things about her quote unquote best friend, but then went
• 2:21
  Speaker 2: to the back of the house and said, yes, I
• 2:23
  Speaker 2: did say those things, and I don't think this show
• 2:26
  Speaker 2: is for me. M bye bye.
• 2:30
  Speaker 1: She was showing her ass the whole time, like I
• 2:33
  Speaker 1: don't understand what she's Yeah, this was gonna be.
• 2:36
  Speaker 2: I don't know, Emily, And it's not like reality television
• 2:40
  Speaker 2: doesn't exist in the UK. In fact, they probably just
• 2:44
  Speaker 2: very well started it.
• 2:45
  Speaker 4: Now.
• 2:45
  Speaker 2: I know she's American, but she's living now.
• 2:48
  Speaker 1: But how do you not know what this is going
• 2:50
  Speaker 1: to be? And also just like it was also weird
• 2:55
  Speaker 1: when she would she was weird about the Madam accusation,
• 2:59
  Speaker 1: just like like the bad glazed over, like I don't
• 3:03
  Speaker 1: know that I don't. It's not true.
• 3:06
  Speaker 2: It doesn't bother me, you see, like her so her
• 3:11
  Speaker 2: closest friend Micah debatable.
• 3:14
  Speaker 1: Also, oh, not.
• 3:17
  Speaker 2: Her closest friend. Mika thinks that that's her best friend. Yes,
• 3:23
  Speaker 2: but Dara, on the other hand, does not. Now, Mika
• 3:27
  Speaker 2: did do some press. She was on Watch What Happens Live,
• 3:30
  Speaker 2: she was on Page six Radio, and she basically said,
• 3:34
  Speaker 2: like that that last night when they did speak at
• 3:38
  Speaker 2: the restaurant, they did have other conversations after that. I
• 3:41
  Speaker 2: think we're either text exchanges. I don't know if they
• 3:44
  Speaker 2: actually spoke. Maybe they did. I'm not sure. It doesn't
• 3:46
  Speaker 2: matter because Mika, as we all know, is an etiquette
• 3:51
  Speaker 2: coach and she is not gonna say anything about what
• 3:56
  Speaker 2: transpired between them. She did not expose their text messages
• 4:00
  Speaker 2: and said that she won't because she wants to take
• 4:02
  Speaker 2: the high ground, and that she's devastated because she doesn't
• 4:06
  Speaker 2: know who this person is or was, and that she
• 4:11
  Speaker 2: was completely different on the show than she was in
• 4:13
  Speaker 2: real life. Like as we saw, she called her bunny
• 4:16
  Speaker 2: all the time, and then on the show she was like,
• 4:19
  Speaker 2: don't call me bunny.
• 4:22
  Speaker 1: Yeah. I didn't get that though, because if you're now
• 4:25
  Speaker 1: filming a show, and your friend has this name that
• 4:27
  Speaker 1: has annoyed you, but you've dealt with behind closed doors,
• 4:30
  Speaker 1: and then you're.
• 4:31
  Speaker 2: Just you dealt with it. Yeah, well that's what it
• 4:32
  Speaker 2: sounds like. She's dealt with her for all these years,
• 4:35
  Speaker 2: and she was ready to shed her Florida friend, her
• 4:39
  Speaker 2: college pal. She was done with it. And I think,
• 4:42
  Speaker 2: you know, the questions she was asked was why did
• 4:44
  Speaker 2: she do this? Mika doesn't understand. She thinks that. In
• 4:49
  Speaker 2: her words, she said, I think that she thought that
• 4:52
  Speaker 2: two people couldn't wear a crown at the same time, essentially,
• 4:57
  Speaker 2: so I think that's perhaps where it was going. But
• 5:00
  Speaker 2: their scene when Mika comes over to tell Dara that
• 5:06
  Speaker 2: you know, there's a rumor about her being a madam
• 5:09
  Speaker 2: was the most uncomfortable scene I've ever seen in my life.
• 5:13
  Speaker 2: Well not the most, but it was incredibly uncomfortable because
• 5:16
  Speaker 2: here you have Mika's like, Okay, I'm ready to play ball.
• 5:18
  Speaker 2: We're on this reality show. Here I am, I'm sitting
• 5:21
  Speaker 2: on this couch and I'm here to spill some tea
• 5:24
  Speaker 2: about what's going on with you. And then we have
• 5:27
  Speaker 2: Dara who's like, doesn't bother me.
• 5:32
  Speaker 1: And actually, I know you've asked for hot gossip and
• 5:36
  Speaker 1: she hadn't.
• 5:37
  Speaker 2: Yeah, I love the flashback. It's like I didn't you
• 5:40
  Speaker 2: said you had some real gossip for me. You said that.
• 5:44
  Speaker 2: You know. The way that that scene was cut just
• 5:48
  Speaker 2: told me everything I needed to know about how poor
• 5:52
  Speaker 2: I'm now I know Dara is at reality television because
• 5:57
  Speaker 2: nothing about that scene was smooth. They it was so choppy.
• 6:00
  Speaker 2: They had to like, you know, cut it all up
• 6:03
  Speaker 2: to make it look like they were having this conversation
• 6:06
  Speaker 2: when they probably had to stop and start and stop
• 6:08
  Speaker 2: and start, you know. I mean it was basically like
• 6:11
  Speaker 2: Denise Richards, Bravo, Bravo, fucking bravo. The way that she
• 6:14
  Speaker 2: was in the kitchen like cut cut or at the
• 6:16
  Speaker 2: table cut. I mean, yeah, this was like I thought, Wow,
• 6:20
  Speaker 2: Denise Richards walked, so you could run across the pond
• 6:24
  Speaker 2: and do this because here we are cut it.
• 6:27
  Speaker 1: That was just it. Denise didn't cut, or they didn't
• 6:30
  Speaker 1: cut for Dara because Dara didn't know. You can't just
• 6:35
  Speaker 1: break the fourth wall. Don't say cut, start talking about
• 6:38
  Speaker 1: the networking producers. That's when they actually cut. If you
• 6:42
  Speaker 1: yell cut, they're gonna keep rolling. They don't listen to you, Dara.
• 6:46
  Speaker 2: Well, they kept rolling with Bravo. Bravo, fucking Bravo too.
• 6:49
  Speaker 1: That's true.
• 6:49
  Speaker 2: That's true in all of the uh in the Bravo universe.
• 6:54
  Speaker 2: I think that they've decided to just keep on a rolling. Yeah,
• 7:00
  Speaker 2: But like in that scene when it was so choppy,
• 7:02
  Speaker 2: I thought, like, one of you isn't playing this game
• 7:05
  Speaker 2: right and won't last because we can't really endure this
• 7:07
  Speaker 2: for very long. And it's Darra, you know, and she
• 7:09
  Speaker 2: shouldn't be on the show. She's trying to paint some
• 7:12
  Speaker 2: sort of picture, and it was such a strange vibe.
• 7:15
  Speaker 2: She wasn't really, she wasn't ever didn't seem like she
• 7:18
  Speaker 2: was being herself, and I thought, well, okay, maybe she'll
• 7:21
  Speaker 2: warm up. But this is just awkward as hell. Everyone
• 7:23
  Speaker 2: else seems to be doing okay, despite the fact that
• 7:27
  Speaker 2: this is all new for most of them, with the
• 7:30
  Speaker 2: exception of Mark, who, by the way, was on this
• 7:33
  Speaker 2: hugely successful show called Maiden. Chelsea, did you know that?
• 7:38
  Speaker 1: I didn't know that.
• 7:39
  Speaker 2: Yeah I didn't either, but yeah, so he already was
• 7:43
  Speaker 2: on like a reality show before. For many, many years,
• 7:48
  Speaker 2: I watched.
• 7:49
  Speaker 1: Ladies of London briefly when it was on. I didn't
• 7:52
  Speaker 1: stick with it before, not for any reason. I don't
• 7:56
  Speaker 1: know why I stopped, but it's definitely a little bit
• 7:59
  Speaker 1: of a different format. I can kind of see Dara
• 8:03
  Speaker 1: thinking like, oh, well, it's not Housewives, so I can
• 8:05
  Speaker 1: kind of control.
• 8:06
  Speaker 2: This, right, right, It's different. It is different. I mean, yeah,
• 8:11
  Speaker 2: one look at Martha Sitwell's house and I thought, okay,
• 8:15
  Speaker 2: this is definitely not Housewives. They're not leaning into We
• 8:18
  Speaker 2: have to find people who have money, or at least
• 8:20
  Speaker 2: are pretending to have money. Cut to By the way,
• 8:25
  Speaker 2: did you see that Dur's house is in foreclosure?
• 8:29
  Speaker 3: No?
• 8:30
  Speaker 2: Yes, today today it broke that she owes a ton
• 8:33
  Speaker 2: of money on the last Yeah, she hasn't made a
• 8:35
  Speaker 2: payment since September twenty twenty five, so foreclosure. Yeah. Okay.
• 8:40
  Speaker 2: But anyway, so they're looking, you know, they're finding people.
• 8:44
  Speaker 2: This is the most eccentric cast of characters that we've
• 8:47
  Speaker 2: seen in a long time. And with Martha Sitwell, you know,
• 8:50
  Speaker 2: one look at her house, you know that she's certainly
• 8:53
  Speaker 2: someone who's story is way more interesting than anyone's money
• 8:57
  Speaker 2: could ever be, which I love, and I don't think
• 9:01
  Speaker 2: that everyone has money, with the exception of, of course,
• 9:06
  Speaker 2: Lady Emma, who was the first black woman to marry
• 9:11
  Speaker 2: into the aristocracy, not Megan Markle, which obviously they were
• 9:17
  Speaker 2: like making a big deal about that. It was to
• 9:19
  Speaker 2: be made very clear that she, in fact is that girl,
• 9:24
  Speaker 2: yeah yeah, which I thought was really really interesting, super fascinating,
• 9:29
  Speaker 2: and to see that they have such such a high
• 9:33
  Speaker 2: ranking gal in this cast is unbelievable. Her. So she's
• 9:40
  Speaker 2: she's a lady.
• 9:41
  Speaker 1: Correct, Yes, Lady Emma, Lady Emma, great fide that Martha
• 9:47
  Speaker 1: is the only one that doesn't have money. I think
• 9:49
  Speaker 1: everybody else seems to be doing pretty well somehow, Lottie
• 9:55
  Speaker 1: have is Lottie.
• 9:56
  Speaker 2: She's the one that has like the kids with the
• 10:00
  Speaker 2: estranged husband or whatever.
• 10:02
  Speaker 1: That's Emmy or Kimmy, Kimmy, oh, Kimmy.
• 10:06
  Speaker 2: Yeah. So yeah, she comes from money. But then we
• 10:09
  Speaker 2: were at her place and it seemed very very modest.
• 10:12
  Speaker 2: So I don't know what to think, dear. I know,
• 10:15
  Speaker 2: I know, well you know what I mean, like I
• 10:17
  Speaker 2: mean the kitchen, but I don't know, like these are
• 10:20
  Speaker 2: flats right in probably like downtown London. I don't know,
• 10:24
  Speaker 2: it's probably really expensive, like New York or what.
• 10:26
  Speaker 1: Well, yeah, I mean it's like Manhattan, but to me
• 10:30
  Speaker 1: it seems even more expensive sometimes, like when Margot was
• 10:33
  Speaker 1: looking at apartments, I was like, and they were like
• 10:37
  Speaker 1: insane amounts of money per month, you know. I just
• 10:40
  Speaker 1: I don't know. I feel like I love. When Martha
• 10:44
  Speaker 1: was like, I'm a rags to riches, Riches to rags story,
• 10:47
  Speaker 1: I was like, I'm on board for this.
• 10:49
  Speaker 2: She is like, doesn't she remind you of like Betty Davis?
• 10:53
  Speaker 1: Yes, because she is Betty Davis's hair and and yeah,
• 10:58
  Speaker 1: her hair is perfect.
• 11:00
  Speaker 2: But even the way that she her voice is very
• 11:03
  Speaker 2: Betty Davis. I mean, but there he.
• 11:05
  Speaker 1: Because she smokes ten billions a day boxes.
• 11:12
  Speaker 2: Yeah, she is a wild like her whole thing of
• 11:16
  Speaker 2: like being like she said, she's like I started the ruma.
• 11:21
  Speaker 2: She's almost like a countess, a British countess in voice,
• 11:25
  Speaker 2: but with a lot more with less cabaret, you know,
• 11:29
  Speaker 2: and more patches that need to be fixed on her walls.
• 11:32
  Speaker 2: A fucking bird, of course she does. I mean that's
• 11:37
  Speaker 2: you cannot write characters.
• 11:39
  Speaker 1: Yeah, she's great gardens, I know she is.
• 11:43
  Speaker 2: She's great gardens.
• 11:45
  Speaker 1: Yeah. Oh wow, I'm gonna be watching this is just
• 11:49
  Speaker 1: for her because I know she's going to figure it
• 11:52
  Speaker 1: out again, and then she's gonna like the fact that
• 11:55
  Speaker 1: she's just like whatever, this is what I am, what
• 11:57
  Speaker 1: Time's happy Hour?
• 11:59
  Speaker 2: Like all of these she may not figure it out,
• 12:02
  Speaker 2: but she's going to make money and it's going to
• 12:05
  Speaker 2: be great because you know when she sat down with
• 12:08
  Speaker 2: Margo and was like, I gave a pain tell like
• 12:13
  Speaker 2: fifteen hundred dollars just because you had to get his
• 12:16
  Speaker 2: supplies and like before he did the work, and she's
• 12:19
  Speaker 2: like that doesn't sound right, and she's like, oh really,
• 12:23
  Speaker 2: I'm like.
• 12:23
  Speaker 1: Oh no.
• 12:25
  Speaker 2: She's like just one of those people where she just
• 12:27
  Speaker 2: is a little bit too naive over and over and
• 12:29
  Speaker 2: over again. And so you can feel the fragility with
• 12:34
  Speaker 2: her when you watch her. You can feel that she
• 12:37
  Speaker 2: is on the edge at all times, and I feel
• 12:42
  Speaker 2: very uneasy actually watching her. It's fascinating, but I'm also like,
• 12:47
  Speaker 2: oh my god, like the needle is starting to shake
• 12:52
  Speaker 2: a little bit. Okay, it's balancing out. It's it's a
• 12:55
  Speaker 2: fascinating little journey here.
• 12:58
  Speaker 1: Yeah, she's one of my favorite So, I mean I've
• 13:01
  Speaker 1: watched two episodes, but so.
• 13:03
  Speaker 2: She's a standout. Yeah, and her relationship with Margo and
• 13:08
  Speaker 2: like how far they go back and now that Margot.
• 13:11
  Speaker 2: What's interesting here is that the way that they've assembled this,
• 13:14
  Speaker 2: they're basically like, Okay, this is our cast. Go I
• 13:17
  Speaker 2: don't care where you are in the world, get your
• 13:19
  Speaker 2: ass to London. Get a place immediately. We're picking up
• 13:22
  Speaker 2: cameras on Tuesday, and it's like Sunday. She has a title.
• 13:27
  Speaker 2: Is it Ladies Sitwell or baronet.
• 13:30
  Speaker 1: Something like that. She was married to the lowest rung
• 13:33
  Speaker 1: of what you can in royalty.
• 13:36
  Speaker 2: I think it's baronet. I think it's a baronet. Yeah, okay,
• 13:39
  Speaker 2: So she's running from wherever she is to get because
• 13:43
  Speaker 2: it seems like she's like, was just living at a hostel.
• 13:46
  Speaker 2: I mean, honestly, you know what I mean. She was like,
• 13:48
  Speaker 2: all right, magpie, let's pack all bags and like just
• 13:52
  Speaker 2: finds this place and then brings her amazing decorator in
• 13:58
  Speaker 2: Who's gonna This is what I love? Didn't you love
• 14:00
  Speaker 2: the part when she was like, I have two two
• 14:03
  Speaker 2: quid or whatever, two pounds of quid. I don't know,
• 14:07
  Speaker 2: two dollars.
• 14:08
  Speaker 1: That would be like two dollars.
• 14:13
  Speaker 2: All bad? It Toppens that's all I go. It's a
• 14:16
  Speaker 2: decorating apartment. You know.
• 14:19
  Speaker 1: The bird toppens?
• 14:21
  Speaker 2: Is that the money topends?
• 14:24
  Speaker 1: I don't need the boot toppens a day. I don't know.
• 14:28
  Speaker 2: Toppens toppens toppens the birds. I think it's either you.
• 14:35
  Speaker 2: It's either tuppens or is the money that you can
• 14:38
  Speaker 2: spend on bird food or it's bird food? Should I
• 14:42
  Speaker 2: google it?
• 14:43
  Speaker 5: Yes?
• 14:44
  Speaker 2: We have to know what is tuppens? What is a toppence? Okay?
• 14:49
  Speaker 2: A toppence is twopence? Okay, so two pennies, So two
• 14:56
  Speaker 2: pennies worth of bird food. Den By Water apartment is
• 15:03
  Speaker 2: listening in the UK right now and is cringing? Talk about,
• 15:08
  Speaker 2: you know, someone being embarrassed of listening to me right now?
• 15:12
  Speaker 2: I'm cringe. You know. Dara, you know said that what's
• 15:15
  Speaker 2: her name was cringe? I am Emily.
• 15:21
  Speaker 1: Oh no, I was just thinking about that about the
• 15:23
  Speaker 1: whole like reveal. That was the way that Dara's card
• 15:27
  Speaker 1: was shown because she said the word cringe, and Mika
• 15:31
  Speaker 1: was like, oh, only an American idiot would say that word.
• 15:39
  Speaker 2: Yeah, you're right, she did say that, you would. It
• 15:42
  Speaker 2: was here like this side of the pond and a
• 15:45
  Speaker 2: housewife said that it could have been anyone who said
• 15:47
  Speaker 2: it was cringe. Yeah, yeah, but there but the fact
• 15:51
  Speaker 2: that it was like, oh yeah, they don't. They don't
• 15:55
  Speaker 2: say that here. Have you ever seen her on the
• 15:59
  Speaker 2: Today Show? You know how they show that Today Show clip?
• 16:01
  Speaker 2: I have. I have totally seen her on the Today Show.
• 16:06
  Speaker 2: When I saw her on the show, I was like,
• 16:07
  Speaker 2: she looks so familiar and I couldn't figure it out.
• 16:11
  Speaker 2: And I was like, oh, probably because she looks like
• 16:12
  Speaker 2: Lacey Shabert, you know, from like all of the Lifetime movies.
• 16:17
  Speaker 2: You know, I'm talking about Lacey Shabert or from like
• 16:19
  Speaker 2: Party of Five.
• 16:20
  Speaker 1: Oh yeah, yeah, yeah, gosh, yes she does. I didn't
• 16:24
  Speaker 1: even think about that well, and I totally forgot I
• 16:28
  Speaker 1: needed the Party of Five reference.
• 16:30
  Speaker 2: I can't believe I had it, to be honest with you.
• 16:34
  Speaker 2: Shocked for everything, but like, that's what I was thinking
• 16:38
  Speaker 2: she looked like. And then I was like, is it
• 16:39
  Speaker 2: that she looks like a friend of mine? Like she
• 16:41
  Speaker 2: has that such a familiar look. But I think, is
• 16:43
  Speaker 2: she on a lot?
• 16:45
  Speaker 1: Is she on the Today Show that much?
• 16:47
  Speaker 2: I don't know. I just know I've seen her. I've
• 16:49
  Speaker 2: seen her a couple times. Yeah, okay, I mean, and
• 16:52
  Speaker 2: I don't even watch the Today Show that often. But
• 16:54
  Speaker 2: also part of it is that like whenever I'm with
• 16:56
  Speaker 2: my parents, they my mom always has it on, so
• 17:01
  Speaker 2: that's when I get the most exposure.
• 17:05
  Speaker 1: Yeah, I never saw her before.
• 17:10
  Speaker 2: Well you don't know her, do you.
• 17:15
  Speaker 1: She's cringe toppings the bus.
• 17:19
  Speaker 2: So she's got tuppens to decorate her new apartment. And
• 17:24
  Speaker 2: here's the thing, Martha, Yes, Martha, thank you for helping
• 17:28
  Speaker 2: with the names. What I loved that she was like,
• 17:32
  Speaker 2: I only have two thousand, two thousand, and I loved
• 17:36
  Speaker 2: that she was being so honest because it's like poor,
• 17:39
  Speaker 2: you know, this is what we want out of our
• 17:41
  Speaker 2: reality show lives that are shared with.
• 17:45
  Speaker 1: I mean, some people for their Housewives needed to be aspirational,
• 17:49
  Speaker 1: because that's what we got at the beginning with the
• 17:51
  Speaker 1: Behind the Gates. And I know that, like there's the
• 17:54
  Speaker 1: argument of like what are we doing here? These people
• 17:56
  Speaker 1: are broke on Housewives, and I I don't see it
• 18:00
  Speaker 1: that way. I'm kind of like, I like, I like
• 18:06
  Speaker 1: on an arc that maybe isn't as perfect as we
• 18:09
  Speaker 1: think it might be, but I get it. Ladies of
• 18:12
  Speaker 1: London is kind of a clean slate. You can kind
• 18:15
  Speaker 1: of be whatever it needs to be.
• 18:17
  Speaker 2: Yeah, have you don't have those restraints?
• 18:20
  Speaker 1: Yeah, I mean the I think that. And this is
• 18:23
  Speaker 1: definitely like they've been pretty clear about pushing this as
• 18:27
  Speaker 1: like a whole new deal. We're just still calling it
• 18:30
  Speaker 1: Ladies of London.
• 18:30
  Speaker 2: Right, a new range.
• 18:33
  Speaker 1: Yeah, so I'm in it.
• 18:36
  Speaker 2: You're in it. I knew you'd love it. And but
• 18:40
  Speaker 2: speaking of like them picking up cameras so fast after casting,
• 18:43
  Speaker 2: everyone's like in a new place. Margo is looking for
• 18:46
  Speaker 2: a new place.
• 18:47
  Speaker 1: Yeah. Yeah, Like I was just gonna say, there have
• 18:52
  Speaker 1: been some other reimagining reboots of late that I haven't
• 18:56
  Speaker 1: been as on board with.
• 18:59
  Speaker 2: This is not that, No, it's that. And it is
• 19:02
  Speaker 2: interesting because you don't have to have watched Ladies of
• 19:06
  Speaker 2: London to even obviously like even understand anything, you know,
• 19:10
  Speaker 2: because there's clearly no crossover, there's no connection, and it
• 19:15
  Speaker 2: is wildly different. Everything is different about it. I mean clearly,
• 19:18
  Speaker 2: it's just so many years later.
• 19:21
  Speaker 3: Ye.
• 19:22
  Speaker 2: And honestly, I would say The Real Housewives of London
• 19:25
  Speaker 2: is probably more similar to what Ladies of London the
• 19:29
  Speaker 2: original version was, you know, So this really has its
• 19:34
  Speaker 2: own style. I like how they kind of like they
• 19:36
  Speaker 2: have to explain to us what certain things mean when
• 19:39
  Speaker 2: they're using the British accents and language and stuff like that.
• 19:44
  Speaker 2: I definitely need the subtitles on.
• 19:47
  Speaker 1: Yeah, Peacock, please correct because are you having the same
• 19:50
  Speaker 1: issues with your subtitles.
• 19:51
  Speaker 2: Well, it bounces from the bottom to the top every
• 19:54
  Speaker 2: once in.
• 19:54
  Speaker 1: A while, middle of the screen is driving me nuts.
• 19:57
  Speaker 1: Oh to the middle okay, y, well mine is driving
• 20:01
  Speaker 1: me insane. I mean it has to be the same thing,
• 20:03
  Speaker 1: but mine will go like it'll be on the bottom
• 20:07
  Speaker 1: until they're doing like their own little lower third, and
• 20:11
  Speaker 1: then it'll bounce up and then it's on their faces.
• 20:13
  Speaker 1: Is that what you're talking about? Yes, but it often
• 20:16
  Speaker 1: stays right there on their face for like another three scenes,
• 20:20
  Speaker 1: and it makes We talked about it before. Yeah, some
• 20:25
  Speaker 1: of the darlings said that they agreed that that peacock
• 20:29
  Speaker 1: just figure it out.
• 20:30
  Speaker 2: Figure peacock.
• 20:31
  Speaker 1: It's messing up traders for me. Also traders non celebrity,
• 20:36
  Speaker 1: which is beautiful.
• 20:38
  Speaker 2: I've heard I won't I will so, I've heard so
• 20:42
  Speaker 2: I've heard it's.
• 20:45
  Speaker 1: My love island. When I I'll talk about love Island
• 20:48
  Speaker 1: when I'm not supposed to, and I'll talk about traders
• 20:50
  Speaker 1: when I'm not supposed to.
• 20:52
  Speaker 2: That's all right, it's all good, it's all good.
• 20:54
  Speaker 1: That's not what you say when the cameras are off, darl.
• 21:00
  Speaker 2: I quit this podcast. That was fucking wild, Like that
• 21:05
  Speaker 2: was wild.
• 21:08
  Speaker 1: Yeah, And we don't know, do we write. We don't
• 21:11
  Speaker 1: know that she's not coming.
• 21:12
  Speaker 2: She's dead, right, No, I'm kidding. Yeah, okay, we don't
• 21:14
  Speaker 2: know if she survived that. We don't know if she's okay.
• 21:19
  Speaker 1: Yeah, she's still at that restaurant. Did they go to
• 21:22
  Speaker 1: that restaurant during Housewives of London? It looked really familiar.
• 21:26
  Speaker 2: I don't know.
• 21:28
  Speaker 1: Okay.
• 21:29
  Speaker 2: I love it though, and I was really disappointed that
• 21:32
  Speaker 2: they ended their dinner.
• 21:34
  Speaker 1: Yeah or oh see when they went to London.
• 21:40
  Speaker 2: Oh maybe they have. I mean, there's only so many
• 21:43
  Speaker 2: places that you can film, so I mean, I you
• 21:46
  Speaker 2: that's yeah, I bet you. Bravo has like a relationship
• 21:49
  Speaker 2: with them.
• 21:50
  Speaker 1: Yeah. Yeah, it was cool.
• 21:53
  Speaker 2: Oh man, it was cool for her to be like,
• 21:55
  Speaker 2: I just want to have a nice dinner. And and
• 21:59
  Speaker 2: then when etiquette came over, I'm sorry, I'll get the
• 22:02
  Speaker 2: names next week. When Etiquette came over, and she was like,
• 22:06
  Speaker 2: can we like have a conversation about no, babe, no babe,
• 22:12
  Speaker 2: it's over. It's done. It's done, it's done. We're done.
• 22:17
  Speaker 2: Oh my god. I felt so bad for her. You
• 22:20
  Speaker 2: could see in her face that she was gutted.
• 22:25
  Speaker 1: I just wonder if, like the next day or whenever
• 22:27
  Speaker 1: they were both in that building, if like she turned
• 22:29
  Speaker 1: her walkie talkie on, if either one of them turned
• 22:32
  Speaker 1: it on the walkie talkies and the other one's just like,
• 22:37
  Speaker 1: no signal.
• 22:39
  Speaker 2: Bunny, come in, come in, bunny man. Oh yeah, behind
• 22:44
  Speaker 2: the door. Okay, don't call me bunny.
• 22:54
  Speaker 6: Oh.
• 22:55
  Speaker 2: It started with don't call me yeah, started with don't
• 22:59
  Speaker 2: call me bunny, and it ended with no babe, no. Oh,
• 23:05
  Speaker 2: poor etiquette. And she's got such a cute face, so
• 23:08
  Speaker 2: she kind of has like like she's beautiful. So when
• 23:11
  Speaker 2: I say this, I'm not trying to be like mean,
• 23:13
  Speaker 2: but she has kind of mousey features, so she has
• 23:15
  Speaker 2: like cute sea features where it's like you kind of
• 23:18
  Speaker 2: see like a cute mouse character and you're like, oh, no,
• 23:21
  Speaker 2: the little mouse. That's so weird to say, do you
• 23:26
  Speaker 2: know what I mean?
• 23:27
  Speaker 1: Yes? Yes. But also she was so good about Dara
• 23:33
  Speaker 1: at that party that you couldn't believe how hard she
• 23:36
  Speaker 1: went for this person that does not like her. When
• 23:41
  Speaker 1: she was like she's not a man, she just starts
• 23:43
  Speaker 1: she's an architect. She's the greatest architect. She's so great.
• 23:46
  Speaker 1: I work under her and the same building and we
• 23:48
  Speaker 1: went to school. And then they cut her, and Dara's like,
• 23:51
  Speaker 1: I don't know, Like I think I got She had
• 23:54
  Speaker 1: a pencil one day and I borrowed it.
• 23:56
  Speaker 2: Aha, It's like, how did you end up in the
• 23:59
  Speaker 2: same building? Come on, like you're yeah, you're lying.
• 24:04
  Speaker 1: Yeah. And also they were probably like Mika probably got
• 24:08
  Speaker 1: Dara on. I'm assuming guessing because Mika seems to have
• 24:12
  Speaker 1: the relationship with people on this show, and so I'm
• 24:16
  Speaker 1: sure she was like, my friend Dara would be great
• 24:20
  Speaker 1: for the show. The vibe I get, but maybe I'm wrong.
• 24:23
  Speaker 2: Interesting no facts, but you know, Dara is the one
• 24:29
  Speaker 2: that's the connector. I mean, that's what we all kept hearing.
• 24:32
  Speaker 2: She's the connector. She's a connector. And then like just
• 24:34
  Speaker 2: when you're trying to like squash the Madam rules, you
• 24:37
  Speaker 2: show up to her party and it's like, how do
• 24:39
  Speaker 2: you know her from around the night town the night,
• 24:42
  Speaker 2: the town from she connects of connectors, of men, getting
• 24:47
  Speaker 2: connecting people with sextual night to night nights in the day,
• 24:53
  Speaker 2: we have teeth. It's like wait what It was just
• 24:56
  Speaker 2: more confusing. And then when Dara was like I have
• 25:00
  Speaker 2: two businesses and I'm like, well, what's the other. You
• 25:05
  Speaker 2: told us you're an architect, what's the other?
• 25:08
  Speaker 1: Yeah, and also like the gal's kind of being like, no,
• 25:13
  Speaker 1: she runs a successful bit. I'm like, being a madam
• 25:16
  Speaker 1: is legit must be very difficult.
• 25:21
  Speaker 2: Wait, oh my god. Who is the gal who's like,
• 25:25
  Speaker 2: get Heidi flies in here? You know, a madam the
• 25:29
  Speaker 2: one that was making muscles? Okay, Kimmy, Kimmy, yeah, oh yeah.
• 25:35
  Speaker 2: She's a Haitian American antique dealer and shipping heiress. That's right. Okay,
• 25:40
  Speaker 2: she is a wild piece of work, that gal. Holy shit.
• 25:45
  Speaker 7: Yeah.
• 25:46
  Speaker 2: The look her look in general is enough to just
• 25:50
  Speaker 2: get you captivated. I'm like, what, She's amazing. And then
• 25:54
  Speaker 2: like she made me belly laugh, like belly laughed twice.
• 26:00
  Speaker 1: Really, yes, belly laugh. Okay, you probably went okay.
• 26:04
  Speaker 2: Let me yeah yeah yeah, it was like this okay,
• 26:06
  Speaker 2: let me all recreate it. Ah.
• 26:10
  Speaker 1: It was like, Wow, we have different definitions, but we're
• 26:13
  Speaker 1: gonna put on this screen what Amy's definition of belly laughing.
• 26:17
  Speaker 2: I'll tell you what, because here's what it is like
• 26:19
  Speaker 2: normally in our regular world. Belly laugh is like ha okay.
• 26:25
  Speaker 2: But like when I'm watching a show, I you know,
• 26:29
  Speaker 2: I'm never gonna like actually laugh out loud at a
• 26:32
  Speaker 2: Housewives show, okay, typically or a Bravo show. I might
• 26:35
  Speaker 2: think something's funny, but it takes a lot to ever
• 26:40
  Speaker 2: get me yes to laugh out loud.
• 26:42
  Speaker 1: Oh I laugh out loud by myself at the shows.
• 26:46
  Speaker 2: Okay, Well, I don't that often, but when I do,
• 26:50
  Speaker 2: it's a big deal at the airport.
• 26:52
  Speaker 1: So someone at the airport and the inflatable costumes didn't
• 26:55
  Speaker 1: get you.
• 26:55
  Speaker 2: No, h I thought it was great, and I think
• 26:58
  Speaker 2: it's hilarious. Okay, So it takes a lot to get
• 27:02
  Speaker 2: me to actually verbally laugh. And she made me do it.
• 27:07
  Speaker 1: Laugh laugh, laugh.
• 27:09
  Speaker 2: I say laugh, I go laugh out loud, laugh out loud,
• 27:13
  Speaker 2: That's what I say. I say, l u l u
• 27:16
  Speaker 2: l u l lu lu lu lu. And it made me.
• 27:26
  Speaker 2: It was when she was clearly already drunk and showed
• 27:30
  Speaker 2: up to tea with Mark and Lady Emma Tyman and
• 27:36
  Speaker 2: came in like wobbling and then sat down and then
• 27:41
  Speaker 2: was like there's a room about her being a madam,
• 27:45
  Speaker 2: and then Lady Emma was like, oh please, and she's like, oh,
• 27:48
  Speaker 2: shot top, it's funny, and then she said something again.
• 27:53
  Speaker 2: But like the two of them, between Mark and and
• 27:59
  Speaker 2: Kimmy so beach Queen Mark and Kimmy, their antics have me.
• 28:05
  Speaker 1: Yeah, l U ling I and Martha too. I mean,
• 28:12
  Speaker 1: there's a dynamic going on there that I could watch.
• 28:15
  Speaker 1: It's also like kind of Kimmy and Martha have a
• 28:19
  Speaker 1: little absolutely Fabulous happening. There's just a little bit of
• 28:22
  Speaker 1: that guy.
• 28:23
  Speaker 2: Yeah, yeah, yeah, yeah, yeah. That's a good point. And
• 28:25
  Speaker 2: I never watched that show, but I mean I obviously
• 28:28
  Speaker 2: know enough to appreciate it. Did you were you a
• 28:31
  Speaker 2: watcher of Absolutely Fabulous?
• 28:33
  Speaker 1: I was, because remember there was a minute there where
• 28:35
  Speaker 1: it was running on Comedy Central all the time, like
• 28:39
  Speaker 1: you couldn't not watch it. Luckily, Yeah, like it was
• 28:43
  Speaker 1: on that it was on always.
• 28:46
  Speaker 2: Now we have a gal who is the stylist, Lottie,
• 28:52
  Speaker 2: who's she's married to the man with the mustache, and
• 28:56
  Speaker 2: they're like stylists. Their presence is just perfect, you know,
• 29:00
  Speaker 2: just them entering the scene in slow motion and their
• 29:03
  Speaker 2: outfits looking the way that they look with their stoic looks,
• 29:06
  Speaker 2: like just walking up. You know, it's just classic. And
• 29:10
  Speaker 2: then I had another like laugh out loud moment when
• 29:14
  Speaker 2: she's they're doing her pregnancy shoot without like a pregnancy
• 29:18
  Speaker 2: I'm sorry, there's no belly. There was no belly, and
• 29:21
  Speaker 2: I was like, are you kidding me? Right now? This
• 29:24
  Speaker 2: is ridiculous? What are you doing? But oh here it
• 29:29
  Speaker 2: comes it all.
• 29:30
  Speaker 1: No, the announcement was I have a feeling we're going
• 29:33
  Speaker 1: to get more pregnancy picks because this feels like it
• 29:36
  Speaker 1: was just the fun announcement, but it was.
• 29:38
  Speaker 2: They were doing it as though announcement. Right.
• 29:42
  Speaker 1: It was the pregnancy pick.
• 29:45
  Speaker 2: Right, But it's like, you know what makes a pregnancy
• 29:48
  Speaker 2: pick a pregnancy pick? When you have am.
• 29:54
  Speaker 1: No, what is it?
• 29:55
  Speaker 2: Well, it's it's like, okay, let's just think about how
• 29:58
  Speaker 2: Kim Zulciac did it, okay, because that's where it's at.
• 30:01
  Speaker 2: You know, you get your chest painted with your husband's jersey, right,
• 30:07
  Speaker 2: naked bust paint with your husband's jersey, hair and makeup
• 30:11
  Speaker 2: done to the gods and then you know, and then
• 30:15
  Speaker 2: like you know with Phaedra's you feed each other pickles.
• 30:19
  Speaker 2: You know, that's that's what you want, and you have
• 30:21
  Speaker 2: a big ass belly in front of you. Okay, So
• 30:26
  Speaker 2: when you're doing like a pregnancy announcement, maybe like first looks,
• 30:30
  Speaker 2: not last looks, it's usually like the picture of the
• 30:34
  Speaker 2: ultrasound or like, oh my gosh, like the pregnancy test,
• 30:38
  Speaker 2: you know what I'm saying. Like, so they're right, I
• 30:41
  Speaker 2: don't know if this is what they do and it's
• 30:43
  Speaker 2: sponsored by like clear Blue, but now I don't know
• 30:47
  Speaker 2: if this is how they do it over there. But
• 30:48
  Speaker 2: like when you're showcasing a full on like her belly pregnant,
• 30:54
  Speaker 2: it looks like my belly on my best day, you know.
• 30:58
  Speaker 1: Yeah, yeah, for sure.
• 31:00
  Speaker 2: I'm like, I could have done this for you. You could
• 31:03
  Speaker 2: have put mine in there. And they're like oh and
• 31:08
  Speaker 2: then she unbuttons her pants and they're all like whoa, Okay,
• 31:15
  Speaker 2: So that got me. That totally got me. And I
• 31:17
  Speaker 2: was laughing because.
• 31:18
  Speaker 1: They could hide her entire belly behind the sonogram PI,
• 31:22
  Speaker 1: which is not what he would do an index card.
• 31:32
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  Speaker 2: I sent you experience the new standard and comfort and
• 40:01
  Speaker 2: support with Honeylove. Okay, Missy who is like really you know,
• 40:11
  Speaker 2: she what a hot number coming in here with these looks.
• 40:14
  Speaker 2: You know, boom boom boom. You know she's a model.
• 40:18
  Speaker 2: She's like, oh my god, I've lived nine lives. This
• 40:22
  Speaker 2: baby daddy, that baby daddy, this child, that child. Now
• 40:25
  Speaker 2: I'm just gonna slow my role and take do some
• 40:28
  Speaker 2: therapy and get ready for this fucking show because this
• 40:31
  Speaker 2: is chapter twenty two. Let's go. And then she like
• 40:35
  Speaker 2: gets all geared up, like she's basically having a therapy
• 40:38
  Speaker 2: session to be like, how can I tell the table
• 40:43
  Speaker 2: what Dara told me about Mika, like, how should I
• 40:48
  Speaker 2: do that? I'm the therapist, is I mean, that's not
• 40:51
  Speaker 2: what she did, but you know what I'm saying.
• 40:52
  Speaker 1: I was reading she basically had a session on camera
• 40:55
  Speaker 1: to like learn how to be you know, any housewife.
• 41:00
  Speaker 2: Okay, so that's the vibe I got. You got that vibe, Okay,
• 41:03
  Speaker 2: absolutely got Okay, thank you, thank you, thank you, thank you.
• 41:09
  Speaker 2: And I love the fact that a therapist who's like
• 41:12
  Speaker 2: on the couch and he's got a little pad like
• 41:14
  Speaker 2: this and he's just jotting down like it looked like
• 41:17
  Speaker 2: little you know, tally marks, Like how many times that
• 41:20
  Speaker 2: my client's gonna cut me off? Because I'm like, she's
• 41:23
  Speaker 2: he's not really doing anything all. Every time he'd try
• 41:27
  Speaker 2: to sort of say something advice or whatever, she'd be like,
• 41:30
  Speaker 2: and then I think that just being yourself is just
• 41:33
  Speaker 2: like really and he's like, yeah, that's it, that's it.
• 41:36
  Speaker 2: If you could just because I feel like I need
• 41:39
  Speaker 2: to speak, I'm like, you're doing a great fucking job.
• 41:42
  Speaker 2: Now you're doing a great you don't need.
• 41:44
  Speaker 1: To be here, Yeah, I you know, you know how
• 41:49
  Speaker 1: I feel about therapy on Cameron these This was not therapy,
• 41:54
  Speaker 1: can this was her talking at a professional and then
• 41:57
  Speaker 1: a professional being like, oh my gosh, you're so smart.
• 42:00
  Speaker 2: That's right, it's so awkward. I always feel bad for
• 42:04
  Speaker 2: the therapist.
• 42:06
  Speaker 1: I do not feel bad for the therapist. I never
• 42:09
  Speaker 1: felt bad once for them.
• 42:10
  Speaker 2: I felt bad for him kind of good, Okay, all right,
• 42:14
  Speaker 2: fair enough, he is there.
• 42:17
  Speaker 1: Like he it what it irks me? And then I'm
• 42:21
  Speaker 1: just like, well, fine, he's gonna be using this as
• 42:24
  Speaker 1: a credit like it's good for him.
• 42:26
  Speaker 2: Okay, good for him, good for him, good for him.
• 42:31
  Speaker 2: Margo who was in like some scandalous movie, and then we.
• 42:39
  Speaker 1: Don't know the movie.
• 42:40
  Speaker 2: I mean, yeah, nine song. I think she said it
• 42:43
  Speaker 2: was called nine Songs.
• 42:44
  Speaker 1: You're right, you're right.
• 42:46
  Speaker 2: Yeah, I didn't look it up. I meant to.
• 42:50
  Speaker 1: Yeah, But she's also on the trip with the Steve
• 42:54
  Speaker 1: Coogan and Rob.
• 42:58
  Speaker 2: Rob Rob froms No No. Well, this is the one
• 43:04
  Speaker 2: that she said she moved she was moving there and
• 43:06
  Speaker 2: she's going to be working on that that. Yeah, they
• 43:09
  Speaker 2: didn't she say the trip then they shall picture.
• 43:12
  Speaker 1: Okay, it's yeah.
• 43:14
  Speaker 2: All right, well you know here she is moving back.
• 43:17
  Speaker 2: And I just found it interesting that she's like she's
• 43:20
  Speaker 2: been living in Beverly Hills. Right, So now she's cast
• 43:25
  Speaker 2: on this show. It's kind of amazing that she got
• 43:28
  Speaker 2: a gig on the trip simultaneously while she got cast
• 43:33
  Speaker 2: on this show. It was like she is like she's
• 43:35
  Speaker 2: hitting it.
• 43:36
  Speaker 1: But she she also said like she doesn't ever get
• 43:39
  Speaker 1: jobs in the US, like she's only ever got it
• 43:42
  Speaker 1: works there, so she must have somebody, she must have
• 43:45
  Speaker 1: great representation. Yeah, there they do that. Yeah, and it
• 43:52
  Speaker 1: does not work. Oh, I used to be working for her, but.
• 43:56
  Speaker 2: Because she probably was in on the ground floor a
• 43:59
  Speaker 2: long time ago, I would imagine, and then you know
• 44:02
  Speaker 2: with her. Yeah, it's amazing how the casting worked. I
• 44:05
  Speaker 2: think that she really got lucky being able to go
• 44:09
  Speaker 2: back to London and get those two big gigs. Those
• 44:12
  Speaker 2: are huge gigs, I would imagine. I don't even know
• 44:14
  Speaker 2: what the trip is, but it sounds like, you know
• 44:16
  Speaker 2: what it is.
• 44:17
  Speaker 1: If it's what I'm thinking of, that's that would be
• 44:20
  Speaker 1: a big deal. Yeah, I thought what it was was
• 44:23
  Speaker 1: what I was thinking of. I was like that what
• 44:26
  Speaker 1: and I didn't look further. If it's what I'm thinking of.
• 44:32
  Speaker 2: Yeah, we haven't met her husband. Yeah, we haven't met
• 44:36
  Speaker 2: any of the husbands except for the husband that showed
• 44:40
  Speaker 2: up eating muscles at the.
• 44:44
  Speaker 1: Dinner ex husband.
• 44:45
  Speaker 2: Yeah, of Kimmy, Yeah, we met Kimmy's And then I
• 44:49
  Speaker 2: think that's it, right.
• 44:51
  Speaker 1: And Joshua Caine Taylor to the Stars.
• 44:54
  Speaker 2: How do you remember his name? That's amazing. I wrote
• 44:57
  Speaker 2: it down, Joshua Caine, tailor to the.
• 45:00
  Speaker 1: Stars, celebrity tailor. And then as we sit here, I'm like,
• 45:05
  Speaker 1: celebrity Taylor Swift, what was his And I was like, no, no, no,
• 45:09
  Speaker 1: an actual.
• 45:09
  Speaker 2: Tailor, the actual tailor.
• 45:11
  Speaker 1: Yes, but he did, like Sabrina Carpenter, they showed like
• 45:18
  Speaker 1: an outfit, they did that picture of her with Yeah,
• 45:20
  Speaker 1: so I think he's legit. Yeah, I do.
• 45:25
  Speaker 2: Mm hmmm, he's not.
• 45:27
  Speaker 1: I have a hunch that Sabrina Carpenter could be doing
• 45:30
  Speaker 1: promo and an interviewer could say, have you heard of
• 45:33
  Speaker 1: Joshua Caine, and unlike Ben Affleck will probably be like, yeah, yeah,
• 45:39
  Speaker 1: he just worked with Joshua Kane.
• 45:41
  Speaker 3: Yes. Wait.
• 45:44
  Speaker 2: You know what I thought also was funny was when
• 45:47
  Speaker 2: Mika was doing her etiquette classes and they just had
• 45:51
  Speaker 2: to like show her teaching somebody and she's like and
• 45:54
  Speaker 2: we walk in and we're presenting, and we have a
• 45:56
  Speaker 2: smile and our mouth is open, and I was like,
• 46:00
  Speaker 2: that's so weird. And then I thought about it because
• 46:02
  Speaker 2: then the girl, the woman who was standing there, did
• 46:04
  Speaker 2: and she's like, hello, hello, Hello, welcome. And then she's like,
• 46:07
  Speaker 2: maybe a little bit more, you know, make sure you
• 46:09
  Speaker 2: open your mouth. And I'm like, okay, we don't want
• 46:12
  Speaker 2: to do like you know, Marionette Puppet. It looks so unnatural.
• 46:15
  Speaker 2: But then I thought about the times when I've gone
• 46:19
  Speaker 2: on stage, one hundred percent my mouth was always open.
• 46:23
  Speaker 2: Think about it.
• 46:24
  Speaker 1: Yeah, oh yeah, no, I I and the open for
• 46:27
  Speaker 1: a way. I've certainly drawn dicks on your face that
• 46:32
  Speaker 1: when it was opened, and that's my private.
• 46:39
  Speaker 2: That's all private.
• 46:40
  Speaker 1: Sometimes the two dicks, I'll be honest, depending, Okay.
• 46:44
  Speaker 2: I appreciate it. Thank you for you know, thinking so
• 46:47
  Speaker 2: much of me.
• 46:48
  Speaker 1: Anyway, that's a little etiquette trick I learned.
• 46:52
  Speaker 2: Little edit.
• 46:54
  Speaker 8: Edit dick at a dick, So the way that you
• 47:00
  Speaker 8: want to hold the dick if you have just one,
• 47:04
  Speaker 8: you guys.
• 47:05
  Speaker 2: This is going in it a very naughty direction. Anyway,
• 47:09
  Speaker 2: getting back to you were agreeing with me about going
• 47:12
  Speaker 2: on stage and having your mouth open. Yeah, sounds so weird,
• 47:16
  Speaker 2: but you know.
• 47:17
  Speaker 1: What, Like as awkward as it was when she was teaching,
• 47:20
  Speaker 1: I was like, that woman is going to practice this
• 47:23
  Speaker 1: and it's going to look it's going to look ten
• 47:24
  Speaker 1: times better. Like I was like, that is such a
• 47:26
  Speaker 1: good note.
• 47:27
  Speaker 2: It's such a good note. You would never think of it,
• 47:29
  Speaker 2: Like if you think about people when they are so
• 47:32
  Speaker 2: uncomfortable they come on stage like this and Tier two dramas, Drama,
• 47:35
  Speaker 2: Mamas and Papa's it's like this, hello, everybody, it's so
• 47:42
  Speaker 2: great to be here. You know, mouth tight. You immediately
• 47:46
  Speaker 2: like that person looks fucking scary shit you yeah, yeah,
• 47:50
  Speaker 2: come out.
• 47:50
  Speaker 1: And you're like hey yeah. It's like Cail King says,
• 47:57
  Speaker 1: when you take a picture, say yay. But I feel
• 48:00
  Speaker 1: like that's kind of what you should do now. Like
• 48:02
  Speaker 1: seeing that, I'm like, yeah, walk on stage saying.
• 48:05
  Speaker 9: Like yay, yeah, ay ay, DICKX walk on stage saying dick.
• 48:21
  Speaker 2: Oh yeah yeah but wait, getting back to like Dix
• 48:24
  Speaker 2: and stuff. Margo's movie. The reason why it was such
• 48:27
  Speaker 2: a scandal is because there was ejaculation. Darling apparently that's
• 48:33
  Speaker 2: what mek a scandalous, I know, and it was mainstream.
• 48:40
  Speaker 1: Sure, that was no fun intended. It was a mainstream.
• 48:45
  Speaker 2: Ah, Now that's a belly laugh. In my real life,
• 48:53
  Speaker 2: I get a lot of them when I'm talking amely.
• 48:56
  Speaker 1: For I'm debatable. I got a Carter Darlings with Amy.
• 49:01
  Speaker 1: Now that I know that movie, I would think, just
• 49:07
  Speaker 1: like the timing of it, I would think I would
• 49:09
  Speaker 1: have heard of it.
• 49:10
  Speaker 2: Yeah, was that like tribe to a mainstream for letters?
• 49:19
  Speaker 1: But I mean like, I'm just thinking, like, why was
• 49:21
  Speaker 1: it that seems as big as like basic instinct or
• 49:25
  Speaker 1: like the crying game in terms of something that happened.
• 49:29
  Speaker 2: Speak on it that made the movie.
• 49:31
  Speaker 1: Yeah, I'm surprised.
• 49:34
  Speaker 2: I think that we need to hear from the people
• 49:37
  Speaker 2: of England, like the royal people of England.
• 49:41
  Speaker 1: Yeah, okay, the royals.
• 49:43
  Speaker 2: No, I'm not Andrew.
• 49:45
  Speaker 1: Don't try it, Andrew, You're not a royal anymore.
• 49:47
  Speaker 2: Oh my god, dude, let's talk about this. Okay. Oh wow, okay,
• 49:52
  Speaker 2: Look I am here's the thing, Darra being gone. I
• 49:56
  Speaker 2: am actually quite fine about because the fact there's the
• 50:00
  Speaker 2: connection with Princess Beatrice and then knowing who her parents are,
• 50:06
  Speaker 2: and then the connection with Jeffrey Epstein and how horrific,
• 50:13
  Speaker 2: horror fucking horrific it is and not just Prince Andrew.
• 50:18
  Speaker 2: I'm talking about Sarah Ferguson. She's in the files and
• 50:22
  Speaker 2: her correspondence are in there, and it's disgusting how she
• 50:26
  Speaker 2: is involved or complicit in his doings. And I know
• 50:31
  Speaker 2: that she didn't know everything. Obviously she knew enough. I'm
• 50:35
  Speaker 2: not talking about yeah kids. No, I don't think Beatrice
• 50:38
  Speaker 2: knew either. I just think that I'm glad that we
• 50:40
  Speaker 2: don't have to associate them with this. That's what I'm glad,
• 50:45
  Speaker 2: you know what I mean.
• 50:47
  Speaker 1: Yeah, I think Fergie it's tough. I don't I think
• 50:51
  Speaker 1: that she I'm not saying about the Epstein stuff, but
• 50:54
  Speaker 1: I always kind of felt bad for Fergie because she
• 50:57
  Speaker 1: got so shit on and that was like not equipped
• 51:02
  Speaker 1: mentally to handle any of it, and then.
• 51:06
  Speaker 2: And desperate. Yeah, and that's why she, you know, did
• 51:10
  Speaker 2: what she did with Judge.
• 51:12
  Speaker 1: Yeah, like you need.
• 51:13
  Speaker 2: To have a backbone and yeah, yeah, a sense of morality.
• 51:20
  Speaker 1: I guess I was less surprised that she was in
• 51:23
  Speaker 1: the mix because I was like, oh, she was very
• 51:26
  Speaker 1: desperate at that time, so I was like, of course
• 51:29
  Speaker 1: she would do something desperate.
• 51:31
  Speaker 2: But yeah, it's so gross, it's so so gross and
• 51:36
  Speaker 2: I think it's also because, like now that the files
• 51:39
  Speaker 2: are out and they weren't necessarily at this time when
• 51:42
  Speaker 2: they were filming, should she have stayed on this show?
• 51:45
  Speaker 2: I wonder how it would have been interesting on some level. Actually,
• 51:51
  Speaker 2: she would have to she would have been asked about it.
• 51:54
  Speaker 1: Yeah, But I mean, is she close with Fergie and
• 51:59
  Speaker 1: Andrew or she is close with the girls their daughters.
• 52:03
  Speaker 2: I don't. I have no idea. But even if she
• 52:04
  Speaker 2: doesn't even know them or has never even met them,
• 52:07
  Speaker 2: which I'm assuming she probably never has. You know, I
• 52:10
  Speaker 2: can't imagine that she ever would have, there'd be no reason. Yeah,
• 52:15
  Speaker 2: but because of the connection and because Beatrice and she
• 52:20
  Speaker 2: has a connection with Beatrice, because they have to co
• 52:22
  Speaker 2: parent together, you know.
• 52:24
  Speaker 1: That's what I'm saying, the girls, That's what I mean.
• 52:27
  Speaker 2: Like, yeah, so I would think that she would be
• 52:29
  Speaker 2: asked about it at some point, if if allowed to
• 52:33
  Speaker 2: be asked. Dara's husband like, I'm sorry, Dara wasn't married,
• 52:37
  Speaker 2: it was that was her fiance, and then he cheated
• 52:42
  Speaker 2: on Dara with Beatrice. That's essentially what happened. You know.
• 52:48
  Speaker 2: One of the things that I have a problem with
• 52:50
  Speaker 2: is breaking Daily mail headlines or any any headline that
• 52:56
  Speaker 2: was put up on during this show. We need to like,
• 53:00
  Speaker 2: can we get a little bit more clear on the
• 53:03
  Speaker 2: headlines and in general when it comes to like tabloidy stuff,
• 53:07
  Speaker 2: they literally make no sense, and I think they do
• 53:11
  Speaker 2: it on purpose so that you will actually click on
• 53:13
  Speaker 2: the article to be like, what are you talking about?
• 53:16
  Speaker 2: Because like, even as much as I read over and
• 53:18
  Speaker 2: over again, I paused it. What they were trying to
• 53:20
  Speaker 2: explain about Princess Beatrice and at Duardo I think is
• 53:26
  Speaker 2: what his name was, Dara's fiance. The way that they
• 53:30
  Speaker 2: explained it was so confusing that I couldn't get my
• 53:33
  Speaker 2: head around it. I'm like, I have to google this
• 53:34
  Speaker 2: now because you couldn't even explain it in a headline
• 53:37
  Speaker 2: that you paused on, and then you pulled out parts
• 53:39
  Speaker 2: of the headline to make it more clear, But that
• 53:42
  Speaker 2: actually made it worse because it was less information that
• 53:45
  Speaker 2: it was more difficult to understand. Sorry, I must have
• 53:49
  Speaker 2: a comprehension problem.
• 53:51
  Speaker 1: Maybe they as they got into it, they were like,
• 53:53
  Speaker 1: we I bet you that they made it more of
• 53:57
  Speaker 1: an explanation and then cut it all out because she's gone,
• 54:02
  Speaker 1: and they're just like we might have done in the headlines.
• 54:07
  Speaker 2: Right right. Wow, And I bet to.
• 54:11
  Speaker 1: People over there they're like, yeah, yeah, yeah, we know
• 54:14
  Speaker 1: all this.
• 54:15
  Speaker 2: I know. Gosh, what a world. Okay, well, anything left
• 54:19
  Speaker 2: to say about our new rain.
• 54:24
  Speaker 1: I love it, I love it.
• 54:26
  Speaker 2: This was your favorite Martha, Yeah, Martha's my favorite too.
• 54:32
  Speaker 2: It's fun to have Mark on there. He's fun, he's
• 54:36
  Speaker 2: so fun. He reminds me of the actor in my
• 54:39
  Speaker 2: best friend's wedding. Oh yeah, love the shoes, love the handbag,
• 54:46
  Speaker 2: love the hell, love everything, love it. You know, yes, yes,
• 54:49
  Speaker 2: for sure. When I saw that movie, I thought he
• 54:52
  Speaker 2: I thought his career was going to explode. I was like,
• 54:54
  Speaker 2: this guy's brilliant. He is so fun, he's so great,
• 54:57
  Speaker 2: Like I loved everything, and then we just never really
• 54:59
  Speaker 2: saw him again, only in a few movies.
• 55:02
  Speaker 1: That's great. I'm trying to think of his name and
• 55:06
  Speaker 1: I can't think of his I can't.
• 55:07
  Speaker 2: Well, then that's the point, I can't think of it.
• 55:10
  Speaker 1: Yeah, okay, oh my gosh. But he is like a
• 55:13
  Speaker 1: real well known actor.
• 55:15
  Speaker 2: Maybe he does really well in England, and that's probably
• 55:18
  Speaker 2: why I don't see him. Why I don't see him
• 55:22
  Speaker 2: no one else. Maybe that's it was his only like mainstream,
• 55:32
  Speaker 2: you know what I mean. He had his main stream.
• 55:35
  Speaker 1: He had a couple of real bangers there in like
• 55:39
  Speaker 1: the early two thousand's, late nineties.
• 55:42
  Speaker 2: Right, I'm like, yeah, right, that's what I'm talking about.
• 55:46
  Speaker 2: Not Dermott Mulrooney. It was uh oh, Rupert.
• 55:53
  Speaker 1: He's been in a lot of stuff, yeah.
• 55:56
  Speaker 2: But not as much as I thought he was going
• 55:58
  Speaker 2: to be in it, like here in the United States
• 56:00
  Speaker 2: of America, like on the silver screen. Mother. On the
• 56:04
  Speaker 2: silver screen, Mother.
• 56:06
  Speaker 1: You did you had him? You were like, this is
• 56:08
  Speaker 1: the guy? Yeah, set it for twenty years.
• 56:11
  Speaker 2: I did. I thought, this is it. You know, we
• 56:14
  Speaker 2: are looking at a star.
• 56:17
  Speaker 1: He kind of is.
• 56:20
  Speaker 2: Don't see him? No, not one Marvel movie. You know
• 56:25
  Speaker 2: what I'm saying.
• 56:26
  Speaker 1: Oh, well, I mean, far be it for Marvel to
• 56:29
  Speaker 1: be the line. Let's see. Maybe he's in DC movies.
• 56:34
  Speaker 2: Yeah, not one DC movie. Where where the hell is
• 56:40
  Speaker 2: Rupert Everett? Where is my pal?
• 56:44
  Speaker 1: He's in Shrek? So he's not.
• 56:49
  Speaker 2: Shrek two two thousand and four, Another Country nineteen eighty four,
• 56:54
  Speaker 2: Shrek the Third two thousand and seven, Cemetery Man To
• 57:00
  Speaker 2: nineteen ninety The Happiest Prince Saint Trinian's inspector. Gadget See that's.
• 57:11
  Speaker 1: Look, I'm looking at a wonderful career.
• 57:15
  Speaker 2: But that's just me, not a wonderful career. I know
• 57:19
  Speaker 2: he has a wonderful career. I just thought I.
• 57:23
  Speaker 1: I forgot about that.
• 57:25
  Speaker 2: That's the last one that I thought. Okay, he's on
• 57:29
  Speaker 2: his way. And then after that, and.
• 57:31
  Speaker 1: Then you stopped your on their way magazine. You're like,
• 57:37
  Speaker 1: we gotta go out of print. Guys A cover boy,
• 57:42
  Speaker 1: Rupert shit the bed and nobody's buying magazines.
• 57:47
  Speaker 2: Listen, I know he has an incredibly successful career. I'm
• 57:51
  Speaker 2: looking at this filmography. It's stunning, it's miraculous. It's something
• 57:55
  Speaker 2: that most actors couldn't. It's gorgeous Britain. But I'm thinking bigger.
• 58:02
  Speaker 2: I'm thinking Tom Cruise level. You know what I'm saying.
• 58:06
  Speaker 2: That's what I'm thinking. And it didn't happen. And that's
• 58:08
  Speaker 2: where I'm at. Okay, Sally, I'm sorry, I'm sorry. This
• 58:13
  Speaker 2: is just it was all white. There wasn't any white people. Okay,
• 58:15
  Speaker 2: I'm sorry.
• 58:21
  Speaker 1: Yeah, this is Jill as an agent, right, be bigger.
• 58:26
  Speaker 2: I only represent white people, all right, and I have
• 58:29
  Speaker 2: to be American. I'm sorry you get British. I'm sorry
• 58:31
  Speaker 2: you can't put you my movies. All right, we have
• 58:36
  Speaker 2: to talk about below Deck down Under because we only
• 58:38
  Speaker 2: have now five minutes to talk about it. Same old,
• 58:46
  Speaker 2: same old. You know what I'm saying, let's welcome in
• 58:48
  Speaker 2: below Deck down Under.
• 58:50
  Speaker 10: Whatever you do is going to have hurdles. Yeah, Alicia,
• 58:56
  Speaker 10: And why are you flitting so much?
• 58:58
  Speaker 2: You've got to boyfriend?
• 59:01
  Speaker 1: Shut up? I mean that's there. Yeah, whatever, go ahead, don't.
• 59:06
  Speaker 2: Care I don't, honestly, I could care less. And also
• 59:09
  Speaker 2: I'm kind of like, yeah, that's kind of like what
• 59:11
  Speaker 2: you do when you're young, if you're like, here's the thing,
• 59:14
  Speaker 2: if you're in a relationship and it's kind of like
• 59:17
  Speaker 2: neither here nor there, you're kind of looking like below
• 59:20
  Speaker 2: there's something better out there.
• 59:23
  Speaker 1: Yeah, on below deck and meanwhile, like or anywhere. But
• 59:28
  Speaker 1: I'm also just like, Mike.
• 59:31
  Speaker 2: Shut up, Oh my god, what a chatty yathy.
• 59:35
  Speaker 1: I know at Guss, I didn't get the vibe that
• 59:39
  Speaker 1: he was like running around filling people in on the
• 59:43
  Speaker 1: Salt Lake City gals. So to know that he's doing
• 59:46
  Speaker 1: it with the crew is I don't know.
• 59:50
  Speaker 2: I do kind of like that, yeah, it is funny.
• 59:53
  Speaker 1: Yeah, respect, I respect the charter guess, but the crew
• 59:56
  Speaker 1: go fuck yourself?
• 59:57
  Speaker 2: Yeah yeah yeah. And Ellie it is like, where is
• 1:00:01
  Speaker 2: I'm good to again? Where's a boyfriend? Blenda team.
• 1:00:06
  Speaker 1: Talk?
• 1:00:07
  Speaker 2: I'm going to send him picture of them kissing? Remember
• 1:00:12
  Speaker 2: when she said that?
• 1:00:13
  Speaker 1: I do, because I was just like, what is this is?
• 1:00:17
  Speaker 1: You talk about a British farce? That's what's happening on
• 1:00:21
  Speaker 1: this below deck. It's like Alicia, It's like Three's Company
• 1:00:25
  Speaker 1: all over, like like Alicia is getting the full miss on,
• 1:00:29
  Speaker 1: like there is not one thing connecting for her that
• 1:00:32
  Speaker 1: is correct. Like they're watching her with ya wow, and
• 1:00:35
  Speaker 1: she's talking about do you shower and let your girlfriend? Yeah?
• 1:00:39
  Speaker 2: And I was like, never what were they talking? I'm sorry,
• 1:00:44
  Speaker 2: I kind of don't really want to know what. I
• 1:00:47
  Speaker 2: had to rewind it because I'm like, did he just
• 1:00:48
  Speaker 2: say when I thought he said? Did she?
• 1:00:52
  Speaker 1: I don't?
• 1:00:52
  Speaker 2: Yeah, if I really want to know what that was
• 1:00:53
  Speaker 2: all about? But are we talking about shitting in a
• 1:00:56
  Speaker 2: bathtub Emily?
• 1:00:57
  Speaker 1: Because oh no, I thought it was like if if
• 1:01:00
  Speaker 1: your partners in the bathroom, would you go to the
• 1:01:03
  Speaker 1: bathroom while they were in up tub? Oh yeah, okay,
• 1:01:07
  Speaker 1: And I would never.
• 1:01:08
  Speaker 2: All right, I'm you told me okay, okay.
• 1:01:12
  Speaker 1: But the point is that like Jua was just trying
• 1:01:14
  Speaker 1: to like help her to feel included because she was
• 1:01:17
  Speaker 1: feeling like shit.
• 1:01:19
  Speaker 2: She was laying on every single part of that ship.
• 1:01:21
  Speaker 2: I was like, where have you not laid down? Like
• 1:01:24
  Speaker 2: what's happening? Look alive got to work.
• 1:01:28
  Speaker 1: And then like I mean, she did pretty much own
• 1:01:31
  Speaker 1: those texts. And then for her to show Jenna like, yeah,
• 1:01:35
  Speaker 1: I did this, I guess I am at learn. Yeah,
• 1:01:39
  Speaker 1: I don't know. I just thought, I don't. I feel
• 1:01:41
  Speaker 1: like Alicia is getting a bad rap. Hey look maybe
• 1:01:45
  Speaker 1: that's me.
• 1:01:46
  Speaker 2: Look if it was a guy and he was doing
• 1:01:49
  Speaker 2: that and he had a girlfriend back home, I'd be like,
• 1:01:51
  Speaker 2: what an asshole? I wouldn't so I would. But with Alicia,
• 1:01:56
  Speaker 2: I'm like, god, do you you do?
• 1:01:57
  Speaker 4: You?
• 1:01:58
  Speaker 2: Girl? So I used to like guys being such dicks
• 1:02:02
  Speaker 2: and I'm like, I don't care, but it's not a
• 1:02:05
  Speaker 2: you know, we should treat people equally and so whatever.
• 1:02:09
  Speaker 1: I mean, it depends on what the relationship is back home,
• 1:02:12
  Speaker 1: but a new relationship that is. And then you get
• 1:02:17
  Speaker 1: on and there's a boat mans I'm pretty easy on
• 1:02:20
  Speaker 1: both of whoever is going that's happening too. What I
• 1:02:23
  Speaker 1: don't like is when you're on the boat trying to
• 1:02:26
  Speaker 1: work ten boat mances. I don't like that and lying
• 1:02:30
  Speaker 1: and deceiving people like in tight quarters that you have
• 1:02:33
  Speaker 1: to work with and then I don't like that.
• 1:02:37
  Speaker 2: Emily doesn't like that.
• 1:02:40
  Speaker 1: Don't like it.
• 1:02:41
  Speaker 2: No, Well, I don't know how long their relationship is, Like,
• 1:02:45
  Speaker 2: I don't know what the status is. It seems like
• 1:02:47
  Speaker 2: they've been together for a while because apparently he's got
• 1:02:50
  Speaker 2: a pretty good handle on who she is. That he
• 1:02:53
  Speaker 2: knows that she loves to flirt, but he's fine because
• 1:02:56
  Speaker 2: he knows that she's never going to act on it.
• 1:02:59
  Speaker 1: Well, yeah, but I think she said it was fairly new,
• 1:03:02
  Speaker 1: and it has to be because she was just on
• 1:03:04
  Speaker 1: the last season. Remember she was just on the last
• 1:03:07
  Speaker 1: season with the Greek guy that punched the wall.
• 1:03:10
  Speaker 2: Oh, and that again.
• 1:03:13
  Speaker 1: Was a situation where she was kind of like in
• 1:03:18
  Speaker 1: her Remember she was in the blacked out cabin. Yeah,
• 1:03:22
  Speaker 1: and the other guy came in and like got into bed,
• 1:03:26
  Speaker 1: but she didn't know, like she keeps getting in and
• 1:03:30
  Speaker 1: it is no.
• 1:03:30
  Speaker 2: My god, that's that was her who got into the
• 1:03:33
  Speaker 2: bed with.
• 1:03:35
  Speaker 1: That's what it was with the bosin. Yeah, but I'm
• 1:03:40
  Speaker 1: saying she it's not like it's not like Alicia, how
• 1:03:43
  Speaker 1: do you keep fucking this up? She isn't. She's being
• 1:03:47
  Speaker 1: very real about things, and then shit just happens to her.
• 1:03:52
  Speaker 1: I really do you think that?
• 1:03:53
  Speaker 2: I mean, shit does happen to her. But also she
• 1:03:56
  Speaker 2: is texting a guy saying like I saw you like
• 1:04:01
  Speaker 2: with the you know, I saw you with her?
• 1:04:03
  Speaker 1: That is true. I was like having that.
• 1:04:05
  Speaker 2: Oh, that's like, well, that's what the whole conversation is about,
• 1:04:08
  Speaker 2: you know. With her text to him. It's not even
• 1:04:10
  Speaker 2: like he texted or she texted him.
• 1:04:13
  Speaker 1: She texted him first. One hundred percent. Where I'm like,
• 1:04:16
  Speaker 1: good on you is that she showed Jenna the full
• 1:04:20
  Speaker 1: text thread right there.
• 1:04:21
  Speaker 2: Well, at that point, she had no choice, I mean, like,
• 1:04:24
  Speaker 2: you know, God, but there's.
• 1:04:25
  Speaker 1: Been plenty of people that wouldn't. They'd be like what, no,
• 1:04:28
  Speaker 1: what and then like so she got out in front
• 1:04:31
  Speaker 1: of it, and really she's not denied. Has she denied?
• 1:04:38
  Speaker 2: Not like I mean she I don't know if she
• 1:04:40
  Speaker 2: got out in front of it as much as like
• 1:04:42
  Speaker 2: Jenna knew and was like I'm gonna find out one
• 1:04:45
  Speaker 2: way or the other seam as well, just show me,
• 1:04:47
  Speaker 2: and she's like okay, true. So yeah, getting out in
• 1:04:51
  Speaker 2: front of it would have been like, good morning, Hey,
• 1:04:54
  Speaker 2: here's what happened last night before you hear it from
• 1:04:56
  Speaker 2: anyone else. But also, like Eddie, I kind of also
• 1:05:01
  Speaker 2: feel bad for him because I too, he was the
• 1:05:04
  Speaker 2: one who's really been he really wanted things to work
• 1:05:07
  Speaker 2: with Jenna, and he's so blackout drunk that he's just
• 1:05:10
  Speaker 2: like I didn't drop her because its an alien time.
• 1:05:12
  Speaker 2: I'm like what, you know, Like he's just talking gibberish
• 1:05:16
  Speaker 2: and he's kind of got screwed in the situation and
• 1:05:19
  Speaker 2: it was just so weird. The whole thing is weird.
• 1:05:21
  Speaker 2: I don't blame Jenna for being like ah right and
• 1:05:24
  Speaker 2: I'm out.
• 1:05:25
  Speaker 1: Yeah, you know what. Like Alicia in that situation is
• 1:05:30
  Speaker 1: like she did step in it because she wanted to
• 1:05:32
  Speaker 1: have a hard flirt with Eddie in definite hard flirt. Yes,
• 1:05:37
  Speaker 1: with Eddie's feelings are the expense there, and that was
• 1:05:41
  Speaker 1: not cool because it's not fair. Yeah, I think she
• 1:05:44
  Speaker 1: would have kept that going as long as she could,
• 1:05:46
  Speaker 1: and the fact that Eddie didn't want to play games.
• 1:05:49
  Speaker 1: I was like, okay, well I'm going with this person
• 1:05:51
  Speaker 1: that doesn't have a boyfriend.
• 1:05:52
  Speaker 2: Yeah, right, and then he ended up Timeline.
• 1:05:56
  Speaker 1: Yeah, okay, Alicia, you do I'm deducting points.
• 1:06:02
  Speaker 2: Do you get the idea that these guests are because
• 1:06:05
  Speaker 2: this happens sometimes where I start to think, Okay, they're
• 1:06:08
  Speaker 2: really putting it on for the cameras to make it
• 1:06:10
  Speaker 2: more of a difficult challenge for the crew, you know,
• 1:06:16
  Speaker 2: like we're really hungry. No, where this is not enough? Like,
• 1:06:19
  Speaker 2: where's more like we're really hungry? Is this your best?
• 1:06:22
  Speaker 2: Is this your best? Is this your best?
• 1:06:24
  Speaker 4: Like?
• 1:06:25
  Speaker 2: You can't tell me they're going to these twenty eight
• 1:06:28
  Speaker 2: countries around the world and all these experiences and showing
• 1:06:33
  Speaker 2: up and talking to chef saying is this your best? Like,
• 1:06:35
  Speaker 2: you can't tell me they're doing that. I don't believe
• 1:06:37
  Speaker 2: it for a second.
• 1:06:39
  Speaker 1: I don't either, because I think that they I agree
• 1:06:42
  Speaker 1: with you. I think that the producers have probably said
• 1:06:45
  Speaker 1: they don't have an oven, so, you know, make this
• 1:06:48
  Speaker 1: impossible for Ben. Yeah.
• 1:06:50
  Speaker 2: I see. Then that's the part that I don't like,
• 1:06:53
  Speaker 2: because there's no reason that we should have to have
• 1:06:58
  Speaker 2: them go to that those lines. You know, shit's gonna
• 1:07:01
  Speaker 2: happen no matter what, like the oven is broken, and
• 1:07:05
  Speaker 2: you also have to get to a beach picnic the
• 1:07:07
  Speaker 2: second that they arrive, Like that's insane. So I just
• 1:07:11
  Speaker 2: sort of feel like it's it's sort of unfair, especially
• 1:07:15
  Speaker 2: when you're and then you got the now we're getting
• 1:07:17
  Speaker 2: to know the guests again, It's like, okay, do we
• 1:07:20
  Speaker 2: we don't want, we don't need to know the guests.
• 1:07:23
  Speaker 1: I know, I know, and I do think that this season,
• 1:07:27
  Speaker 1: especially if down Under, I feel well in Below Deck
• 1:07:31
  Speaker 1: in general, the getting to meet the guests before they
• 1:07:34
  Speaker 1: get there, and then it does seem that each of them,
• 1:07:38
  Speaker 1: including Salt Lake City, have had to have a problem
• 1:07:42
  Speaker 1: with something like a big problem with the entire like right,
• 1:07:46
  Speaker 1: you know, like the last charter, like the wife was
• 1:07:49
  Speaker 1: just like there was not going to be any pleasing her.
• 1:07:52
  Speaker 1: It wasn't as bad as Jill's erin I'm not saying that,
• 1:07:55
  Speaker 1: but it was definitely like it seems to be that
• 1:07:59
  Speaker 1: all of them, Yeah, I had issues. Yeah, like Salt
• 1:08:02
  Speaker 1: Lake City, I guess didn't have issues. They didn't well.
• 1:08:06
  Speaker 2: Heather tried, remember, she was like, well, we're not gonna
• 1:08:09
  Speaker 2: have it up here and inside we're gonna do in
• 1:08:12
  Speaker 2: the salon now, now back outside now inside of their rooms.
• 1:08:16
  Speaker 2: She tried, but there was so much drama going on
• 1:08:18
  Speaker 2: with their show she had to focus on that. But
• 1:08:21
  Speaker 2: I also think like there are different producers for each
• 1:08:23
  Speaker 2: below deck, so they are different in terms of like
• 1:08:26
  Speaker 2: what they do. And I do feel like whatever is
• 1:08:30
  Speaker 2: happening on down under, they are They're forcing hands a
• 1:08:34
  Speaker 2: little more than they need to, and I'm just not
• 1:08:36
  Speaker 2: a fan of that. We can smell it, yeah, we
• 1:08:38
  Speaker 2: can thank you. Thoughts on h Ben and Ellie in
• 1:08:44
  Speaker 2: the kitchen, where are we at with those two? Well,
• 1:08:47
  Speaker 2: I know it's not going to go well, so I
• 1:08:51
  Speaker 2: know I'm waiting for it. I'm just waiting because it
• 1:08:54
  Speaker 2: seems to be going so well.
• 1:08:57
  Speaker 1: Yeah. Yeah, I don't know what it's going to be,
• 1:09:00
  Speaker 1: but it's not going to go great for that much longer,
• 1:09:03
  Speaker 1: especially with that oven being down. Oh man, I was
• 1:09:09
  Speaker 1: surprised when he made that cake, or he had Ellie
• 1:09:12
  Speaker 1: make the birthday cake for the charter guests on the
• 1:09:15
  Speaker 1: prior charter. It was his birthday and he and she's like,
• 1:09:18
  Speaker 1: I grew up in the summer bakery and He's like,
• 1:09:23
  Speaker 1: oh great, then you do that. It appeared and then
• 1:09:26
  Speaker 1: she shaped the cake so there would have been cake scraps.
• 1:09:28
  Speaker 1: I'm like, Ben, try some of that cake. What are
• 1:09:32
  Speaker 1: we just going to take this up? And then yeah,
• 1:09:34
  Speaker 1: it appeared that he tried it once it had been delivered.
• 1:09:38
  Speaker 7: But I was like, oh my god, yeah, that's our Ellie.
• 1:09:54
  Speaker 2: Those are Brett's people. Brett is a from Slovenian descent.
• 1:10:01
  Speaker 2: That's right.
• 1:10:01
  Speaker 1: We did talk about that, We discuss this. He's great
• 1:10:04
  Speaker 1: friends with Ellie. Yes, I also noticed that the Jenna
• 1:10:09
  Speaker 1: Ellie thing is a little weird because I don't think
• 1:10:13
  Speaker 1: that Jenna gives two shifts or but Ellie's like already,
• 1:10:18
  Speaker 1: like you know, because Jenna comes in the kitchen, Ellie
• 1:10:22
  Speaker 1: catches a vibe. Ellie's not even into Ben, and I
• 1:10:26
  Speaker 1: take that back. Jenna is a little jealous of Ellie,
• 1:10:30
  Speaker 1: but Ellie is the one that's clocked out. She doesn't
• 1:10:32
  Speaker 1: care about the Jena dynamic. However, she gets really bothered
• 1:10:37
  Speaker 1: that Jenna's trying to pull rank and tell her tell
• 1:10:41
  Speaker 1: Ellie something about food delivery or something right, And that
• 1:10:46
  Speaker 1: is so Ellie. Remember the last time she was like
• 1:10:50
  Speaker 1: not a chief stew but demand or was a chief
• 1:10:53
  Speaker 1: stew Yeah, and I'm like this goes with her need
• 1:10:56
  Speaker 1: to organize, like she's got to have things organized and
• 1:10:59
  Speaker 1: people work and categories and like m hm. So you
• 1:11:03
  Speaker 1: start to get a little disorganized and Ellie is not
• 1:11:06
  Speaker 1: having it in any way.
• 1:11:09
  Speaker 2: No. Yeah, their dynamic is really weird.
• 1:11:12
  Speaker 1: But she's always late, Ellie, Yes, don't you remember that, Like, oh.
• 1:11:17
  Speaker 2: Yeah, that's right and stuff because the costumes and the
• 1:11:20
  Speaker 2: makeup and the hair yet. Yeah, but she hasn't been
• 1:11:23
  Speaker 2: laid down in the kitchen so far as we can tell.
• 1:11:26
  Speaker 1: No, but she's been late in some critical moments.
• 1:11:30
  Speaker 2: In the past. Yeah, but we're in the now. This
• 1:11:33
  Speaker 2: is the now. This is the charter. I wonder if
• 1:11:35
  Speaker 2: it's because like she's not going out to no one's
• 1:11:39
  Speaker 2: going to see her, Like the guests aren't going to
• 1:11:41
  Speaker 2: see her, and she doesn't have to change out. But
• 1:11:42
  Speaker 2: it's like chef coat, hairback, that's it.
• 1:11:45
  Speaker 1: But she was late so the deck on the last
• 1:11:47
  Speaker 1: charter to greet the guests, remember she was like down
• 1:11:52
  Speaker 1: there and her and Ben didn't hear the walkie talkie
• 1:11:56
  Speaker 1: and then she was late.
• 1:11:57
  Speaker 2: But both and both she and Ben were late.
• 1:12:00
  Speaker 1: Yeah, I'm actually gonna give her a pass on that.
• 1:12:02
  Speaker 1: Let's give her imagine real yet. Yeah, yeah, it's not like, yeah,
• 1:12:08
  Speaker 1: we need.
• 1:12:09
  Speaker 2: To see her be late to on her own to
• 1:12:12
  Speaker 2: the kitchen, the galley, whatever, or anywhere else.
• 1:12:17
  Speaker 1: Yeah, I agree, she's not to eat.
• 1:12:20
  Speaker 2: No God, all right, I don't know why I said
• 1:12:23
  Speaker 2: no God, I don't know. That's weird. Okay, anything else
• 1:12:27
  Speaker 2: that we need to talk about below deck.
• 1:12:30
  Speaker 1: I do like when Jason listens in on fighting. It
• 1:12:33
  Speaker 1: just makes it. Or any of the captains they like
• 1:12:35
  Speaker 1: stop in the hallways.
• 1:12:37
  Speaker 2: I like it. He gave Daisy props when she's like, yeah, Mike,
• 1:12:41
  Speaker 2: get the hoover and start document, shut your gossipy motherfucking
• 1:12:45
  Speaker 2: move and get to work. And he's like, yeah, sound
• 1:12:49
  Speaker 2: really good when you talk like the.
• 1:12:53
  Speaker 1: I am not looking forward to the jowow Daisy thing.
• 1:12:57
  Speaker 1: I went her just doing. I just want her single
• 1:13:01
  Speaker 1: on this boat, yelling at Mike, taking compliments from the captain.
• 1:13:06
  Speaker 2: Yeah, and just talking to the captain. Any conversation with them,
• 1:13:09
  Speaker 2: going back and forth is always so funny because their
• 1:13:11
  Speaker 2: voices are so different. I was just walking, I was
• 1:13:15
  Speaker 2: figuring out I got.
• 1:13:16
  Speaker 10: You on the Jayson said, that's great. Wait, how about
• 1:13:25
  Speaker 10: the way that Ellie was like.
• 1:13:27
  Speaker 2: And I want to know Joao. I thought Jao and
• 1:13:31
  Speaker 2: I were having dates. I'm not into three girls, Shao.
• 1:13:38
  Speaker 11: It was like when Ben told her, He's like, oh,
• 1:13:41
  Speaker 11: we're down and all we aren't going to have one.
• 1:13:44
  Speaker 11: We gotta every fucking hating sources right right.
• 1:13:52
  Speaker 5: She was like, yeah, it's the worst.
• 1:14:00
  Speaker 2: What's a good man? You have his kid and so
• 1:14:02
  Speaker 2: we're gonna have to use every fucking thing and mescaly.
• 1:14:10
  Speaker 2: We we're gonna have to take polts from ports and
• 1:14:13
  Speaker 2: make polts of parts. We're gonna have to use all
• 1:14:16
  Speaker 2: the girls brazies, go get the fucking tenders. Are gonna
• 1:14:21
  Speaker 2: need to use the life Jack gets off of date.
• 1:14:25
  Speaker 6: Actually yeah, yeah, oh darling, I'm not joking, honey.
• 1:14:43
  Speaker 2: Kind of pays are meant to wear the whistle before
• 1:14:49
  Speaker 2: you get the mail, nag or eight more minutes to
• 1:14:54
  Speaker 2: waste before I can continue. I'm just trying to like it.
• 1:14:58
  Speaker 2: Think you back off of where you go with this impression,
• 1:15:00
  Speaker 2: because I remember last breaking rolls.
• 1:15:02
  Speaker 1: Yeah, we couldn't get that.
• 1:15:03
  Speaker 2: You couldn't get it, but you did. You got it.
• 1:15:06
  Speaker 1: It's just this it's like a sleepy.
• 1:15:09
  Speaker 2: British it's like an up. It's a very big down down.
• 1:15:15
  Speaker 5: Yeah.
• 1:15:15
  Speaker 2: Yeah, it's a down beat, you know.
• 1:15:17
  Speaker 1: Yeah. Also, I'm like, hey, buddy, it sounds like you
• 1:15:21
  Speaker 1: got a charter of snackers. Just get the snacks going
• 1:15:24
  Speaker 1: and then you don't have to work so hard on
• 1:15:26
  Speaker 1: the main meals.
• 1:15:27
  Speaker 2: Sounds like you have a charter of snackers.
• 1:15:31
  Speaker 1: That's my ideal would be just snack my way through
• 1:15:35
  Speaker 1: the seas.
• 1:15:36
  Speaker 5: Okay, okay, it really is the worst.
• 1:15:56
  Speaker 1: We're making it so much worse than it was.
• 1:16:03
  Speaker 2: I didn't I didn't even hear it. I'm just going off.
• 1:16:07
  Speaker 2: I was like, what was that?
• 1:16:10
  Speaker 1: Why she's so happy about that?
• 1:16:11
  Speaker 2: She's probably not even listening to him anymore. He's like,
• 1:16:16
  Speaker 2: what I was in London Town? Oh I got a
• 1:16:20
  Speaker 2: flaming fucking shoe thrown in eye balls And she's like,
• 1:16:28
  Speaker 2: oh no, that would have.
• 1:16:31
  Speaker 1: Even been better. It was like for y Yeah, it
• 1:16:40
  Speaker 1: was just the wrong word, the wrong tone, the wrong
• 1:16:43
  Speaker 1: like laughter.
• 1:16:45
  Speaker 2: Not the time in the place. Yeah yeah, yeah. Ben
• 1:16:53
  Speaker 2: is not looking poised for a successful charter by the
• 1:16:57
  Speaker 2: end of this. He's like a see the going to fail.
• 1:17:02
  Speaker 2: Oh it's gonna ship fail, it's all right, all right.
• 1:17:08
  Speaker 1: Yeah, but just going back to what you said now,
• 1:17:11
  Speaker 1: I'm thinking, like again with the producers, maybe pushing the guests,
• 1:17:15
  Speaker 1: like the gal's comment card, I don't think she really
• 1:17:18
  Speaker 1: wanted to leave a shitty I think that she was like,
• 1:17:21
  Speaker 1: oh yeah, I'm gonna say it was like all these things. Yeah,
• 1:17:23
  Speaker 1: the tip was not great, but right, yeah, I don't know.
• 1:17:28
  Speaker 1: I do think that was forced.
• 1:17:30
  Speaker 2: Yes, forced. Ellie gave Mike a kiss.
• 1:17:36
  Speaker 4: Oh yeah, she was like, right now, what's exactly that
• 1:17:45
  Speaker 4: right now?
• 1:17:46
  Speaker 2: No, she immediately regretted it. I know I felt bad
• 1:17:50
  Speaker 2: for her.
• 1:17:52
  Speaker 1: I did too. Mike just does not do it for
• 1:17:56
  Speaker 1: me on any level. Is just the hair for he
• 1:18:01
  Speaker 1: can't do.
• 1:18:01
  Speaker 2: He cannot see something through. He's gonna get fired. And
• 1:18:06
  Speaker 2: it sounds like he's like I tried. I tried to
• 1:18:10
  Speaker 2: be a tight rope walker at the circus.
• 1:18:13
  Speaker 1: I tried to show.
• 1:18:15
  Speaker 2: Yeah, I know, it's like every single random thing you've
• 1:18:18
  Speaker 2: ever heard of. I can't seem to get anything to stick. Well,
• 1:18:21
  Speaker 2: maybe you should just like fucking try to trade, try
• 1:18:24
  Speaker 2: a trade. I don't know, but make better choices. Yeah,
• 1:18:32
  Speaker 2: I hope this yachting thing works out. It's not going
• 1:18:34
  Speaker 2: to work out.
• 1:18:35
  Speaker 1: Okay, I think he's do you want to take bets?
• 1:18:38
  Speaker 1: I bet he makes it the whole season.
• 1:18:40
  Speaker 2: Yeah, he'll probably make it the whole season.
• 1:18:42
  Speaker 1: Yeah.
• 1:18:42
  Speaker 2: No, you're right, you're right, but I don't think he's
• 1:18:44
  Speaker 2: gonna carry on with the.
• 1:18:45
  Speaker 1: No no, no, the career life.
• 1:18:48
  Speaker 2: Right. You can look at that guy's TV and it's
• 1:18:51
  Speaker 2: just like, huh so is this where you scrap booking?
• 1:18:56
  Speaker 2: Or is this actually your life? I'm just kidding. No.
• 1:19:02
  Speaker 1: Ya, He's not gonna be my favorite, but he's gonna
• 1:19:08
  Speaker 1: do enough. He's going to be fine on this boat.
• 1:19:11
  Speaker 1: I'm gonna probably ignore him for most of it.
• 1:19:15
  Speaker 2: Yeah. I just hope he gets the hoover and just
• 1:19:17
  Speaker 2: keeps on vacuuming. All right, Well we sure had some
• 1:19:25
  Speaker 2: fun today. Mmmmm right, so right, right, right, right right now?
• 1:19:39
  Speaker 2: Are you okay, darling?
• 1:19:45
  Speaker 1: I'm going to send you clip okay so you can
• 1:19:48
  Speaker 1: see exactly, will you? Yes?
• 1:19:51
  Speaker 2: Can you just okay? Yeah, send me the clip. That's fine.
• 1:19:54
  Speaker 2: I was gonna say, I can uh record it onto
• 1:19:57
  Speaker 2: my voice memo and then drop it and to my
• 1:20:01
  Speaker 2: I'm going to say to you so people can hear. Okay, Yeah,
• 1:20:06
  Speaker 2: all right, all right, Well, thanks for listening everybody. If
• 1:20:10
  Speaker 2: you're listening on the public, head on over to patreon
• 1:20:12
  Speaker 2: dot com slash drama Darling for more recaps, add free
• 1:20:16
  Speaker 2: a chat that will knock your socks off, and more
• 1:20:19
  Speaker 2: content like zooms, live streams, you name it. We're over there.
• 1:20:24
  Speaker 2: Bye for now, Bye bye Darling.
• 1:20:29
  Speaker 1: Bye.
• 1:20:31
  Speaker 2: I have to quit this show. It's just not for me,
• 1:20:35
  Speaker 2: got it.