Latest / Frightmares / Ep. 155 - Flatliners (1990)

Transcript

Ep. 155 - Flatliners (1990) · Frightmares

• 0:43
  Speaker 1: I am recording, so you can just kick rocks, dude,
• 0:50
  Speaker 1: okay or not.
• 0:52
  Speaker 2: That is hard plastic, and I'm not gonna throw the
• 0:54
  Speaker 2: thing with hard plastic.
• 0:55
  Speaker 1: Yeah, please please don't. That would be extremely rude. Don't
• 1:00
  Speaker 1: know why you'd be throwing it at me.
• 1:03
  Speaker 2: I don't know why would I I don't know.
• 1:05
  Speaker 1: I'm not inside your head, lady, that's for sure and all.
• 1:08
  Speaker 1: Thank god for that. Ooh burping. Oh. We also have
• 1:12
  Speaker 1: to talk about the predator alien thing. Oh yeah, oh yeah,
• 1:17
  Speaker 1: that is hopefully you can't hear that on the recording,
• 1:19
  Speaker 1: because that fucking tryer is loud.
• 1:22
  Speaker 2: I don't hear anything that.
• 1:25
  Speaker 1: You don't hear that. It's super loud. I don't have
• 1:30
  Speaker 1: dead air on the show. We'll stop talking, okay. Did
• 1:33
  Speaker 1: not talking on a podcast is not how things work.
• 1:35
  Speaker 2: You can give me five seconds.
• 1:36
  Speaker 1: Oh my god, it just it's fine, like, holy crap,
• 1:39
  Speaker 1: good grief. Anyways, geez, you're sassy today. Oh my god,
• 1:46
  Speaker 1: I had that has to Can you go turn that
• 1:48
  Speaker 1: off please?
• 1:50
  Speaker 2: I'm comfortable.
• 1:51
  Speaker 1: Come on, wait did it just do there goes? I
• 1:57
  Speaker 1: hear the jingling.
• 1:57
  Speaker 2: Okay, anyway, let's actually do the podcast.
• 2:01
  Speaker 1: That was pretty cool though, like, hey, can you turn
• 2:03
  Speaker 1: that off? And then it goes off. Okay, this is
• 2:06
  Speaker 1: episode that's wrong. This is episode one fifty five, isn't it?
• 2:10
  Speaker 1: Or did I shit? No, I'm not in charge of
• 2:12
  Speaker 1: the numbers man. You make the sign it says it
• 2:15
  Speaker 1: says flat lit it says flat liners. But I don't
• 2:18
  Speaker 1: think it's one fifty four. No, it's one fifty five. Jesus,
• 2:21
  Speaker 1: I didn't even change it, awkward. I actually changed flat
• 2:25
  Speaker 1: liners and the date. Let me put the let me
• 2:28
  Speaker 1: put the five on there. Welcome to episode one fifty five.
• 2:31
  Speaker 1: I'm your host, Austin Procter. That is your other host,
• 2:33
  Speaker 1: Gabrielle Proctor. Hello, Hello, okay, one fifty five. There we go. Sweet,
• 2:39
  Speaker 1: Uh what would you? What are those called that you
• 2:42
  Speaker 1: got me? It's like felt and you can stick It's the.
• 2:44
  Speaker 2: Little letter boards with the little felt pieces that you
• 2:49
  Speaker 2: can just stick the letters into. It's coffin shaped.
• 2:51
  Speaker 1: It's pretty cool. So, uh, Episode one fifty five flat Liners.
• 2:55
  Speaker 1: This is a movie. For some reason, I thought was vampires.
• 2:57
  Speaker 1: I don't know why.
• 2:59
  Speaker 2: I don't know why.
• 3:00
  Speaker 1: Well, I think because I said this last week. I
• 3:01
  Speaker 1: think I was getting confused with Daybreakers.
• 3:03
  Speaker 2: Maybe yeah, the title's pretty literal.
• 3:07
  Speaker 1: Yeah, so it's not about vampires. It's about Yeah. So
• 3:11
  Speaker 1: we'll get to that. We have many much things to
• 3:14
  Speaker 1: talk about before we go down that road. What would
• 3:16
  Speaker 1: you want? What do you want to do first? You
• 3:17
  Speaker 1: want to do Predator Alien? Or do you want to
• 3:19
  Speaker 1: do JH.
• 3:20
  Speaker 2: Yeah, let's do that. Then let's do it all right.
• 3:22
  Speaker 1: So it's official. We've watched every Predator movie, every Alien movie,
• 3:28
  Speaker 1: and both AVP movies. I'm going to refresh you on
• 3:33
  Speaker 1: my ranking of Predator real quick. Actually, I don't know
• 3:37
  Speaker 1: if I if I mentioned everything because I think we
• 3:40
  Speaker 1: were still watching stuff. So all the way at the top,
• 3:42
  Speaker 1: Prey that's my favorite one so far. It's just way good.
• 3:47
  Speaker 1: Then Predator the original, then Predators the twenty ten one,
• 3:54
  Speaker 1: then Predator two AVP, Requiem AVP, and then the Predator
• 4:00
  Speaker 1: all the way at the bottom. Yeah, so I liked better.
• 4:05
  Speaker 1: I don't know, I'm I'm definitely in the minority of
• 4:09
  Speaker 1: liking Requiem better than the first one. I just it's
• 4:12
  Speaker 1: it's just so silly and campy and fun like I
• 4:15
  Speaker 1: don't know, I just have a plus. The ending scene
• 4:18
  Speaker 1: in the rain is awesome. It's so bad but it's
• 4:21
  Speaker 1: like also so much fun. So you didn't rank these,
• 4:25
  Speaker 1: did you?
• 4:26
  Speaker 3: I was on board up until.
• 4:30
  Speaker 1: The second one the end.
• 4:31
  Speaker 2: Uh huh yeah, because Alien Versus Predator was definitely higher
• 4:39
  Speaker 2: than the second Alien Versus Predator, And but Alien Versus
• 4:44
  Speaker 2: Predator requiems hanging out right there with the Predator in
• 4:49
  Speaker 2: terms of you could have changed this to something else
• 4:53
  Speaker 2: and it would not have affected the plot at all.
• 4:55
  Speaker 1: Okay, And like I said, I know, I don't like that.
• 5:00
  Speaker 1: I'm in the minority with liking and yeah, with liking
• 5:03
  Speaker 1: requiem whatever, I don't care. It happens sometimes, so yeah,
• 5:07
  Speaker 1: but not saying it's a good movie by any means,
• 5:09
  Speaker 1: I know it's bad.
• 5:10
  Speaker 2: But The Predator was deeply stupid.
• 5:13
  Speaker 1: Oh it was so dumb.
• 5:14
  Speaker 2: I feel like people don't appreciate Predators enough because there
• 5:17
  Speaker 2: was a lot of fun action in there and a
• 5:20
  Speaker 2: lot of extra elements that totally make sense for Predators.
• 5:25
  Speaker 1: They just didn't didn't stick. The landing.
• 5:30
  Speaker 2: Tof for Grace's character could have been like interesting idea,
• 5:36
  Speaker 2: could have been fleshed out a little earlier on not
• 5:40
  Speaker 2: wait till the end. Yeah, so it didn't really stick
• 5:44
  Speaker 2: the landing, But uh, The Predator was so stupid.
• 5:48
  Speaker 3: I mean, I think we both agreed.
• 5:51
  Speaker 2: The part where we were just like because at first
• 5:53
  Speaker 2: we're just kind of like trying to figure out what's happening,
• 5:55
  Speaker 2: And the part we're like, this is extremely stupid was
• 5:58
  Speaker 2: when they get into the hairyl environment. First off, we
• 6:01
  Speaker 2: can't keep track of who knows who in this film
• 6:04
  Speaker 2: at all. But then you've got Olivia Mun's character going
• 6:11
  Speaker 2: into the quarantined area where they've got a predator, the predator,
• 6:18
  Speaker 2: and she has to take off all of her clothes
• 6:22
  Speaker 2: with Gary Busey's son whose name I can't think of,
• 6:26
  Speaker 2: Jake buy Yeah, Jake Bucy, they both have to get
• 6:29
  Speaker 2: sterilized and sprayed, where they then put on these clear suits,
• 6:33
  Speaker 2: no gloves, no masks, no hair, nothing, nothing remotely that
• 6:39
  Speaker 2: you would wear in a science lab setting or in
• 6:44
  Speaker 2: interacting with an alien of any kind. And then they've
• 6:48
  Speaker 2: just got guys in military uniforms with guns in there's
• 6:50
  Speaker 2: like so wide did we make them get hosed down
• 6:53
  Speaker 2: and wear rubber suits? And you weren't even gonna make
• 6:56
  Speaker 2: them wear gloves while touching the alien?
• 6:59
  Speaker 1: And then there's point where they're just like running through
• 7:01
  Speaker 1: the decontamination zone wildly throughout the movie, and you're like,
• 7:06
  Speaker 1: I just I don't I don't know.
• 7:07
  Speaker 2: Yeah, and like she can't leave till she gets sprayed
• 7:10
  Speaker 2: down again. You're like, okay, so she has to get
• 7:12
  Speaker 2: sprayed down, but she doesn't need to wear a mask
• 7:15
  Speaker 2: or anything.
• 7:16
  Speaker 1: All right, positive notes on that one though. Jacob Tremblay
• 7:20
  Speaker 1: is fucking National Treasure and he's like fifteen years old.
• 7:24
  Speaker 1: He's awesome in that movie. And you have Keegan Michael
• 7:26
  Speaker 1: Key who's also great as well, and then Olivia Munt
• 7:30
  Speaker 1: so it's kind of like a pretty decent cast. And
• 7:31
  Speaker 1: then Thomas Jane uh is h that's the dude, main
• 7:35
  Speaker 1: dude from the Mist that Yeah, so like the cast
• 7:40
  Speaker 1: is there. I do kind of like the premise. You know,
• 7:43
  Speaker 1: Jacob Tremblay's character kind of calls Predator to Earth because
• 7:49
  Speaker 1: he receives that package from his dad, I think by
• 7:51
  Speaker 1: accident or something. Yeah, because he sends off that piece
• 7:54
  Speaker 1: of alien equipment and it gets his son and he
• 7:57
  Speaker 1: accidentally calls Predator you know too.
• 8:00
  Speaker 2: He starts messing with it. So it's it's like an
• 8:02
  Speaker 2: autistic kid who really likes technology.
• 8:04
  Speaker 1: Yeah, and yeah, and it's pretty cool. Uh, it's a
• 8:07
  Speaker 1: pretty cool setup. And I remember being like, I don't
• 8:10
  Speaker 1: get the hate for this, but then it just slowly
• 8:12
  Speaker 1: goes downhill, like you're like, oh this is this is good.
• 8:14
  Speaker 1: I don't understand why this has a low rating. And
• 8:17
  Speaker 1: then it just keeps going and then stupid decisions happen.
• 8:19
  Speaker 1: Here's like, oh, yeah, okay, I get it.
• 8:21
  Speaker 2: Yeah. The poble is if you you could take the
• 8:23
  Speaker 2: Predator outswhich it with a different alien would not have
• 8:26
  Speaker 2: affected the plot. Yeah, what the hell's the point of
• 8:30
  Speaker 2: having a Predator movie if the Predator is interchangeable with
• 8:33
  Speaker 2: any other alien.
• 8:34
  Speaker 1: It just felt more like a movie with the Predator
• 8:36
  Speaker 1: in it. Yeah, didn't feel like a movie about the Predator.
• 8:39
  Speaker 1: It was like here, there's a sci fi movie and
• 8:41
  Speaker 1: he's just like it felt more side. He was not
• 8:44
  Speaker 1: the main character of the story.
• 8:45
  Speaker 2: Yeah, like Pray obviously mostly focuses on the girl in it,
• 8:50
  Speaker 2: but you feel like she would have to be going
• 8:53
  Speaker 2: against the predator. Yeah, there is nothing else she could
• 8:56
  Speaker 2: be going against. You feel his presence throughout the film.
• 9:01
  Speaker 2: It made sense this was just like action movie. We
• 9:04
  Speaker 2: slapped a predator on it so that way we could
• 9:06
  Speaker 2: call it a Predator call it.
• 9:08
  Speaker 1: Yeah, so we could do another movie. But yeah, it's
• 9:11
  Speaker 1: like paranorm paranormal activity next. I ken if you would
• 9:14
  Speaker 1: have just named it something else and chaged the alien,
• 9:17
  Speaker 1: it might have been a better movie. But the fact
• 9:19
  Speaker 1: that it was linked to the Predator universe, you're like,
• 9:21
  Speaker 1: this doesn't really feel like a Predator movie.
• 9:23
  Speaker 2: Yeah.
• 9:23
  Speaker 1: So yeah, so you would go Prey, Predator, Predators, Predator
• 9:28
  Speaker 1: to a VP.
• 9:30
  Speaker 2: And then what and then tie the other one t
• 9:33
  Speaker 2: the other ones?
• 9:34
  Speaker 1: Okay, yeah, okay.
• 9:36
  Speaker 3: But for alien movies.
• 9:41
  Speaker 1: Am I going? I was, okay, So, yeah, predator movies,
• 9:45
  Speaker 1: there's a few. Yeah, there's a couple that I hadn't seen.
• 9:48
  Speaker 1: I don't know about you. I hadn't seen Predators or
• 9:51
  Speaker 1: The Predator before.
• 9:52
  Speaker 2: I hadn't seen The Predator.
• 9:54
  Speaker 1: Okay, so there's a couple of new ones in there
• 9:55
  Speaker 1: for me. But yeah, that's my definitive list.
• 9:58
  Speaker 2: I hadn't seen this second AVP Oh. I kind of
• 10:02
  Speaker 2: wish I still hadn't seen it.
• 10:04
  Speaker 1: I'll be sure to watch that one without you.
• 10:06
  Speaker 2: Yeah, please.
• 10:07
  Speaker 1: So that's the seven films in the Predator universe, and
• 10:11
  Speaker 1: then we go over to the Alien universe, and here
• 10:16
  Speaker 1: is my definitive ranking on those. I had didn't give
• 10:19
  Speaker 1: you my ratings on the Predator movies because I need
• 10:21
  Speaker 1: to go back and watch Prey because I think I'm
• 10:26
  Speaker 1: gonna alter some things here because I don't like the
• 10:28
  Speaker 1: way it looks with my ratings. So I'll give you
• 10:30
  Speaker 1: the ratings for Alien. The Alien Franchisors eight movies. Number
• 10:34
  Speaker 1: one on my list would be Aliens James Cameron nineteen
• 10:38
  Speaker 1: eighty six four and a half stars. Then right below
• 10:41
  Speaker 1: that would be the Original Alien four and a half
• 10:43
  Speaker 1: stars as well. I think they're both masterpieces in their
• 10:45
  Speaker 1: own way. Aliens is like a sci fi epic with
• 10:48
  Speaker 1: the whole gaggle of amazing stars and celebrities just killing
• 10:53
  Speaker 1: the fuck out of like all these Aliens. And then
• 10:55
  Speaker 1: the first Alien is much more contained, one on one
• 10:58
  Speaker 1: situation with Sigourney Weaver and the one alien on board.
• 11:01
  Speaker 1: So I think they're both equal. They're just like you know,
• 11:04
  Speaker 1: they're I like them for different, completely different reasons, but
• 11:07
  Speaker 1: I feel they're the same. Ratings, So four nap stars
• 11:10
  Speaker 1: are both of those. Then third would be Prometheus four stars.
• 11:14
  Speaker 1: I really enjoy this. A lot of people were upset
• 11:16
  Speaker 1: with this one because there weren't any Aliens in it,
• 11:19
  Speaker 1: but this was how Aliens came about, which is why
• 11:22
  Speaker 1: AVP gets the rating it does because it kind of
• 11:24
  Speaker 1: shits all over Prometheus, even though AVP did come first,
• 11:30
  Speaker 1: so they weren't really playing. They weren't really I think.
• 11:33
  Speaker 1: I guess technically Prometheus is shitting on AVP because it
• 11:36
  Speaker 1: came out after, you know what I mean.
• 11:38
  Speaker 2: I think the problem was because they had a versus
• 11:40
  Speaker 2: film that you know, AVP decided Predators. We kind of
• 11:46
  Speaker 2: established where they're from. AVP decided we will we will
• 11:52
  Speaker 2: make aliens backstory, and we will decide that, and it
• 11:56
  Speaker 2: could create so many plot holes with the already exist
• 12:00
  Speaker 2: alien Oh yeah for sure, Like why in God's name
• 12:04
  Speaker 2: are we calling them aliens if they've been on this
• 12:07
  Speaker 2: planet the whole time, and if all of this happened,
• 12:12
  Speaker 2: this would not be the first mentioned. They should not
• 12:14
  Speaker 2: be shocked that aliens exist, these particular aliens by the
• 12:19
  Speaker 2: time we get to the first alien film, like, the
• 12:22
  Speaker 2: AVP backstory doesn't make any sense.
• 12:25
  Speaker 1: Yeah, it doesn't. And I'm gonna say that Prometheus is
• 12:31
  Speaker 1: gonna be the you know, like the actual how the
• 12:33
  Speaker 1: Aliens came about because that was done by Ridley Scott.
• 12:35
  Speaker 1: Prometheus and Alien Covenant were done by Ridley Scott, the
• 12:38
  Speaker 1: same guy who did the original Alien. Because, like I said,
• 12:41
  Speaker 1: James Cameron did Aliens, so I'm gonna I'm gonna take that.
• 12:44
  Speaker 1: Prometheus and Alien Covenant are gonna be you know it.
• 12:48
  Speaker 1: They're in the same universe as Alien, Aliens, Alien three,
• 12:51
  Speaker 1: and Alien four, because yeah, AVP just kind of does
• 12:54
  Speaker 1: its own thing. So that's number three for me because
• 12:58
  Speaker 1: I really enjoy it. I think it's got a fantastic cast.
• 13:00
  Speaker 1: It's just it's just really it's a really good story
• 13:02
  Speaker 1: to how the alien came about, and of course you
• 13:04
  Speaker 1: do see one in the movie obviously at the very
• 13:07
  Speaker 1: end after it got created. So that's a four star
• 13:09
  Speaker 1: for me. Then right after that we have Alien Covenant
• 13:12
  Speaker 1: three and a half. It's not the greatest one obviously,
• 13:15
  Speaker 1: but it's a lot of fun. It's very gory, which
• 13:17
  Speaker 1: is something that I mean, I'd say Aliens is pretty gory.
• 13:21
  Speaker 1: This was just I'd say this was definitely the bloodiest
• 13:23
  Speaker 1: one and like the most like primitive alien because they
• 13:27
  Speaker 1: were just like just being born stuff like that, and
• 13:30
  Speaker 1: they were just ripping people apart. The CG. However, it's
• 13:32
  Speaker 1: not that great, and that's probably why it doesn't get
• 13:35
  Speaker 1: the four is because it was very wonky, especially for
• 13:39
  Speaker 1: five years ago. Yeah, so that's a three and a half.
• 13:43
  Speaker 1: Below that, we've got Alien three at a three star,
• 13:47
  Speaker 1: and then we've got AVP Requiem AVP at two and
• 13:51
  Speaker 1: a half, and then we have Alien Resurrection down at
• 13:53
  Speaker 1: a two because that one is just not good. It's
• 13:57
  Speaker 1: just not good. It's the only one I don't like.
• 14:00
  Speaker 1: It is Alien four or Alien Resurrection. Sorry, did you
• 14:05
  Speaker 1: make a list or could we get down to a
• 14:08
  Speaker 1: list here for you?
• 14:09
  Speaker 2: Yeah? Okay, so I would agree Alien to Alien.
• 14:14
  Speaker 1: Okay, so Aliens Alien, yep.
• 14:16
  Speaker 2: Aliens Alien. Then I would say Alien Covenant. Yeah, okay,
• 14:22
  Speaker 2: because I told you that David was giving villain energy
• 14:25
  Speaker 2: all of Prometheus, and it always bothered me that that
• 14:28
  Speaker 2: never came to anything. So having a whole film where
• 14:32
  Speaker 2: you finally get to see that come to fruition, like
• 14:37
  Speaker 2: this is exactly what I wanted.
• 14:39
  Speaker 1: I love Unhinged David.
• 14:40
  Speaker 2: It's amazing action.
• 14:42
  Speaker 1: It's Michael Fassbender too, and there's even one scene in
• 14:46
  Speaker 1: that movie where he makes out with himself. It is wild.
• 14:49
  Speaker 2: Yeah, I really like him in the newer version of
• 14:51
  Speaker 2: Jane Eyre.
• 14:52
  Speaker 1: I've never seen that, but okay, so I figured Covenant
• 14:55
  Speaker 1: was next, and then Prometheus.
• 14:56
  Speaker 2: Yeah, the Promethe. Yeah, I'm gonna have to say say,
• 15:03
  Speaker 2: it's really hard to put three and four next to
• 15:05
  Speaker 2: each other because.
• 15:06
  Speaker 1: I three is I like three.
• 15:08
  Speaker 2: Three has some better points, but there's a whole rape
• 15:13
  Speaker 2: ye undertone that goes the whole film that is just
• 15:17
  Speaker 2: mentally exhausting. I don't know, maybe it's just because I'm
• 15:20
  Speaker 2: a woman, but knowing that at some point that the
• 15:24
  Speaker 2: number of times the insinuated she was gonna get raped,
• 15:27
  Speaker 2: and then the attempted rape on her arms, like, holy crap.
• 15:30
  Speaker 3: Guys, we got it. It is a planet full of men.
• 15:34
  Speaker 2: We yeah.
• 15:35
  Speaker 3: And then the way she.
• 15:38
  Speaker 2: Off herself was just hilariously bad effect work.
• 15:44
  Speaker 1: Well yeah, it's fucking.
• 15:46
  Speaker 2: But she fell for a good five minutes for the
• 15:49
  Speaker 2: distance she fell, and all they did was take the
• 15:52
  Speaker 2: image of her falling and just shrink it out, and
• 15:55
  Speaker 2: it was so sad. Ninety two how many stories up?
• 15:58
  Speaker 2: Do you think she's right above it? Why is why
• 16:01
  Speaker 2: is she falling for so long?
• 16:03
  Speaker 1: Second dramatic effect?
• 16:04
  Speaker 2: Okay, yeah, well they should have dramatic effect measured the hype.
• 16:09
  Speaker 1: Listen, I don't want to hear you talk shit about sorry,
• 16:12
  Speaker 1: excuse me, not that David Fncher. I know he's like
• 16:15
  Speaker 1: disowned this film, but I do like him.
• 16:18
  Speaker 2: But the other one was just silly.
• 16:21
  Speaker 1: It's a clone of like of Ripley of This clone
• 16:25
  Speaker 1: is such a like hardcore bitch.
• 16:28
  Speaker 2: I kind of enjoyed that. She was just like, I'm
• 16:30
  Speaker 2: a little crazy. I have no feeling.
• 16:32
  Speaker 1: Oh no, yeah. And it was the amount of money
• 16:35
  Speaker 1: that they like dump trucked at her.
• 16:37
  Speaker 2: She said, they brought a truckload of money to the
• 16:41
  Speaker 2: house and that's why she did it.
• 16:43
  Speaker 1: Because I was wondering, I'm like, oh man, I get
• 16:46
  Speaker 1: the first two, three, all right, but four?
• 16:48
  Speaker 3: How did you owe my chaotic pace of that one?
• 16:50
  Speaker 2: I just enjoyed. I did tell you, I didn't. I did.
• 16:55
  Speaker 1: Well.
• 16:55
  Speaker 2: It's funny because we had talked about the guy in
• 16:57
  Speaker 2: the wheelchair and that and how I remembered him from
• 17:00
  Speaker 2: Tessen and I was like, guysair, yeah, the guy in
• 17:03
  Speaker 2: the wheelchair, the French guy, a little squashy face in Resurrection.
• 17:09
  Speaker 1: In Resurrection, yeah, yeah, yeah, sorry.
• 17:11
  Speaker 2: The chaotic energy of Resurrection, the French guy in that.
• 17:16
  Speaker 2: I was like, oh, he's from Delicate Tessen and I
• 17:18
  Speaker 2: was like, oh, the guy that directed Delicate Tests and
• 17:22
  Speaker 2: directed this, I see now, and yeah that I totally
• 17:29
  Speaker 2: could see how the directors like touch on stamp on,
• 17:33
  Speaker 2: that one like his vibe. Well, that one's which is
• 17:36
  Speaker 2: probably why I enjoyed it a little more because I
• 17:40
  Speaker 2: actually really liked.
• 17:40
  Speaker 1: Del All right, well, Aliens, Alien, Alien Covenant, Prometheus, Alien
• 17:45
  Speaker 1: three and then or no, no, you didn't say Alien three,
• 17:48
  Speaker 1: So what's after Prometheus for you.
• 17:51
  Speaker 2: Gonna go? Resurrection?
• 17:54
  Speaker 1: Whoa resurrection?
• 17:56
  Speaker 2: Irection? Sheer number of times they insinuated she was gonna
• 18:02
  Speaker 2: get raped was just too like.
• 18:05
  Speaker 1: So, uh, resurrection and then what you got two a
• 18:10
  Speaker 1: vps and Alien three?
• 18:11
  Speaker 2: Oh god, yeah, come on three a VP A VP
• 18:15
  Speaker 2: two in the trash can next to the list.
• 18:18
  Speaker 1: Shut up all right now? The old it was so stupid.
• 18:22
  Speaker 2: Yeah, and I'm sorry, I know you like it, but like,
• 18:26
  Speaker 2: I don't care that they killed a kid. Whatever, cool,
• 18:30
  Speaker 2: you killed the kid. There was just such an unnecessary
• 18:34
  Speaker 2: number of we killed these people for shock value, like
• 18:38
  Speaker 2: not we killed them for the plot. We just killed
• 18:41
  Speaker 2: them so you'd be like, oh my god, I can't
• 18:43
  Speaker 2: believe they did that in a movie like Yeah by
• 18:45
  Speaker 2: kill six or seven of that, it's like, oh my god,
• 18:49
  Speaker 2: I can't believe you're just killing all these people to
• 18:52
  Speaker 2: make me say, oh my god, like yikes, all those
• 18:56
  Speaker 2: kills don't make up for bad writing.
• 18:58
  Speaker 1: Hey, uh was trained? Wilderness is the dumpster shit movie
• 19:02
  Speaker 1: and it's hilarious. So I watch it all. I love
• 19:06
  Speaker 1: that movie, but it's fucking stupid, makes no sense, story sucks,
• 19:09
  Speaker 1: but it's so goddamn hilarious.
• 19:11
  Speaker 2: Can I spoil the avp? Okay? Well, fine, the way
• 19:16
  Speaker 2: it ends it's so fucking bleak, and the fact that
• 19:20
  Speaker 2: it takes about ten seconds to resolve that and be like,
• 19:23
  Speaker 2: all right, happy things are gonna get better ending.
• 19:27
  Speaker 3: Music, I'm like, I'm I'm sorry.
• 19:29
  Speaker 2: Based on how the events that just transpired ten seconds ago?
• 19:33
  Speaker 2: How are we just fine now?
• 19:36
  Speaker 1: I don't know. I can just look past shit and
• 19:37
  Speaker 1: just have fun with a movie and no matter how
• 19:39
  Speaker 1: stupid it is. Guilty pleasure movies.
• 19:41
  Speaker 2: Also, where the hell were the eggs that they were
• 19:43
  Speaker 2: carrying all those face snatchers in just fucking face Huggers?
• 19:48
  Speaker 2: Whatever weird face Huggers was the alien? Just like carrying
• 19:54
  Speaker 2: the that shit in his.
• 19:55
  Speaker 1: Arms in her arms. We get it. You don't like
• 19:58
  Speaker 1: it all right, geez when you sh all over it rude?
• 20:02
  Speaker 2: I mean I could go.
• 20:03
  Speaker 1: On, great, maybe go on to yourself or to someone else,
• 20:08
  Speaker 1: go off to yourself. That sounded weird. Anyways, Now we
• 20:11
  Speaker 1: have to have the ultimate discussion who would win in
• 20:13
  Speaker 1: a fight Alien versus Predator? And I'm going Alien all
• 20:17
  Speaker 1: fucking day. And you want to know why, people of Earth.
• 20:20
  Speaker 1: And that's because if you watch these movies back to
• 20:22
  Speaker 1: back like we did, fucking Alien is a goddamn survivor.
• 20:26
  Speaker 1: It will not say no to being extinct as a species.
• 20:29
  Speaker 1: It will do whatever the fucking can to possibly continue.
• 20:33
  Speaker 1: And Predator kind of just gave off some you know,
• 20:35
  Speaker 1: it's kind of like kind of gave off I don't know,
• 20:37
  Speaker 1: lazy vibes. Maybe, I don't know, I don't know what
• 20:40
  Speaker 1: it was. But Alien, for sure.
• 20:44
  Speaker 2: Yeah, the motivation is on being the best.
• 20:47
  Speaker 3: They're a warrior race.
• 20:48
  Speaker 1: Yeah, they want to dominate the aliens and such and such.
• 20:52
  Speaker 3: Aliens. However, are the xenomorphs.
• 20:55
  Speaker 1: Let's oh yeah, sorry, sorry enomorphs.
• 20:57
  Speaker 2: The xenomorphs are focused purely on survival and consumption. They
• 21:03
  Speaker 2: only need one to survive to continue forward. And there's
• 21:07
  Speaker 2: that bid in the second film where they are being
• 21:10
  Speaker 2: cut off from what they know is a food supply
• 21:14
  Speaker 2: down that like utility shaft where they've put turrets to
• 21:18
  Speaker 2: stop the Yeah, and they send alien after alien after
• 21:24
  Speaker 2: alien down that tunnel until it's depleted because they are
• 21:28
  Speaker 2: determined to survive no matter how many they after sacrifice,
• 21:31
  Speaker 2: whereas predators, like one dude, one predator fails, he's like,
• 21:35
  Speaker 2: well fuck you guys, I'm blowing myself up.
• 21:37
  Speaker 1: You're like, well, yeah, I remember what an AVP too.
• 21:42
  Speaker 1: When they you know, they would constantly show their dominance
• 21:45
  Speaker 1: by breeding aliens and killing them. And then if aliens
• 21:49
  Speaker 1: started to like they're like, oh fuck, they're starting to win,
• 21:52
  Speaker 1: they would just blow the planet up or whatever. And
• 21:53
  Speaker 1: you're like what they would.
• 21:56
  Speaker 2: Do before dishonor apparently, So.
• 21:58
  Speaker 1: You're like, okay, so what happens if you don't realize
• 22:01
  Speaker 1: all the predators on the planet when you blow it up,
• 22:03
  Speaker 1: then there goes your entire species, you know what I mean?
• 22:06
  Speaker 1: It was so weird. So yeah, the aliens will to
• 22:09
  Speaker 1: survive is unmatched. We don't even know, you know, They
• 22:12
  Speaker 1: don't even go into where these predators come from their
• 22:15
  Speaker 1: home planet, how they are created. We have no idea
• 22:19
  Speaker 1: about that. I know how aliens are creator, and they
• 22:21
  Speaker 1: ain't never gonna stop me so and honestly, it no
• 22:25
  Speaker 1: disrespect predator. Of course I love the movies.
• 22:28
  Speaker 2: Did you start thinking about it and asking questions?
• 22:32
  Speaker 3: AVP makes absolutely no sense.
• 22:35
  Speaker 2: So you're like, okay, so they've enslaved them. But they've
• 22:37
  Speaker 2: been doing this for thousands of years. The only difference
• 22:42
  Speaker 2: is is this time people are in there that don't
• 22:45
  Speaker 2: belong in there. They've only marginally affected the events of
• 22:49
  Speaker 2: the film.
• 22:50
  Speaker 3: Like between the.
• 22:52
  Speaker 2: Aliens versus the or sorry, the predators versus the xenomores,
• 22:56
  Speaker 2: But the xenomores have no problem getting in everywhere.
• 23:01
  Speaker 3: The predators are.
• 23:02
  Speaker 2: Literally destroying the supposed pyramid that they built, Yeah, to
• 23:07
  Speaker 2: do this, Like who's rebuilding that afterwards?
• 23:09
  Speaker 1: Also? Who are they showing their dominance to the aliens?
• 23:12
  Speaker 1: I don't understand what?
• 23:13
  Speaker 2: Like what like if you've got three guys, but you've
• 23:16
  Speaker 2: got this queen on a fucking conveyor belt system to
• 23:20
  Speaker 2: create new aliens? Like how many of these are the
• 23:25
  Speaker 2: are these predators supposed to kill And also, why are
• 23:28
  Speaker 2: you making so fucking many of them and you're destroying
• 23:32
  Speaker 2: the place you built to do this?
• 23:34
  Speaker 3: Like, what are we doing?
• 23:36
  Speaker 2: What is the point of this, at least the motivation,
• 23:39
  Speaker 2: Like it doesn't make any sense. What's the mechanics, because
• 23:42
  Speaker 2: apparently it only took one smart zenomorph to shut that
• 23:46
  Speaker 2: whole system down and break the queen out. And you're
• 23:50
  Speaker 2: telling me in thousands of years, it took thousands of
• 23:53
  Speaker 2: years for one alien to get the other aliens moving
• 23:57
  Speaker 2: on that.
• 23:58
  Speaker 1: Yeah, yeah, oh wait, sorry I mis spoke. I'm thinking
• 24:03
  Speaker 1: I just thought about it. I remember the predators came
• 24:04
  Speaker 1: down to the people on Earth already that were there
• 24:07
  Speaker 1: and gave them like their technology and helped them build shit,
• 24:09
  Speaker 1: So they were showing their dominance to them. But like,
• 24:11
  Speaker 1: no one fucking asked you to do that. We get
• 24:13
  Speaker 1: your dominant. You came down from the fucking sky and
• 24:15
  Speaker 1: we lived here on Earth have no idea of your technology.
• 24:17
  Speaker 1: I don't think you need to assert your dominance by
• 24:19
  Speaker 1: killing things that you brought to Earth and are creating.
• 24:22
  Speaker 2: Also, I think we've established as a primitive race. They
• 24:25
  Speaker 2: would have just totally annihilated whoever was the warrior that
• 24:29
  Speaker 2: fought them, and they wouldn't have enslaved anybody, right, They've
• 24:33
  Speaker 2: never done that in any other film except this film.
• 24:36
  Speaker 3: They're like, well they've enslaved people.
• 24:39
  Speaker 2: When not even on their own fucking uh hunting planet
• 24:44
  Speaker 2: do they ever do that? They have their their weird
• 24:48
  Speaker 2: dogs and the predator. Oh god, they have their completely
• 24:53
  Speaker 2: different type of dog and the predator.
• 24:56
  Speaker 1: Predators they didn't have dogs and.
• 24:59
  Speaker 2: Ye remember those things that were like chasing them around.
• 25:02
  Speaker 1: Yeah, but they didn't look like predators. They didn't look
• 25:04
  Speaker 1: they didn't have the predator on the dog.
• 25:06
  Speaker 3: Like I said, the different kind of dog.
• 25:08
  Speaker 1: Yeah, did we talk about that at all? The dreadlock dogs,
• 25:11
  Speaker 1: the dreadlock dogs. Yeah, that like would go do the
• 25:14
  Speaker 1: fucking predators bidding? Like, since when do you need a
• 25:17
  Speaker 1: dog to go do your ship? They just they've always
• 25:19
  Speaker 1: just handled it themselves. I thought that was a very
• 25:21
  Speaker 1: That's why I was like, this doesn't feel like predator.
• 25:23
  Speaker 1: Why would he have a little dog going like he's
• 25:26
  Speaker 1: the fucking high text to cause other instances.
• 25:32
  Speaker 2: It's literally just to make more room for action without
• 25:35
  Speaker 2: actually having to engage the predator.
• 25:37
  Speaker 1: No, I know, I get for movie purposes, but you's like,
• 25:39
  Speaker 1: this makes no sense.
• 25:40
  Speaker 2: It doesn't make any sense.
• 25:41
  Speaker 1: Doesn't make any sense. So yeah, if I if you
• 25:44
  Speaker 1: had to pick a franchise, Okay, one franchise stays, the
• 25:48
  Speaker 1: other franchise is wiped off the map.
• 25:51
  Speaker 2: Alien. Yeah there's more variety.
• 25:53
  Speaker 1: Yeah, a lot more high high caliber movies too. I
• 25:57
  Speaker 1: have a lot of higher rated Alien movies than I
• 25:59
  Speaker 1: do Predators.
• 26:00
  Speaker 3: One film out of all of them probably be Preying.
• 26:03
  Speaker 1: So yeah, okay, we're on the same boat with that.
• 26:06
  Speaker 1: So yes, there you go, there you have it. We
• 26:08
  Speaker 1: believe Alien would win out of AVP. Keep Alien, But
• 26:12
  Speaker 1: if it came down to one movie, keep Prey. Should
• 26:15
  Speaker 1: we get to HHN then real quick before Yeah, all right, Well,
• 26:19
  Speaker 1: as you may or may not know, HHN Orlando started
• 26:22
  Speaker 1: this past weekend. Yes, Halloween hornites for Yes, Hollywood starts
• 26:27
  Speaker 1: this week I believe. So we went to opening night
• 26:31
  Speaker 1: on Friday and skip Saturday because we forgot how much
• 26:34
  Speaker 1: it can like take out of you, like, oh my god.
• 26:36
  Speaker 1: And then we went Sunday. So we you know, we
• 26:39
  Speaker 1: have frequent Fear Express passes, so we were able to
• 26:41
  Speaker 1: hit all ten houses both nights, and we've come up
• 26:45
  Speaker 1: with some like like, we're kind of raiding the houses
• 26:48
  Speaker 1: and we're gonna tell you our thoughts and feelings on them,
• 26:51
  Speaker 1: and we'll have to do this quickly.
• 26:52
  Speaker 2: Yeah, they extended the lines this year just to heads up.
• 26:55
  Speaker 1: Wooh did they?
• 26:57
  Speaker 2: I personally had about fifteen thousand steps by the end
• 27:00
  Speaker 2: of the night. And yeah, I think Sunday nights when
• 27:03
  Speaker 2: I took off my sock and there was blood on
• 27:06
  Speaker 2: my feet, we were like, oh, my feet hurt more,
• 27:10
  Speaker 2: My feet hurt more, like well, my feet were apparently bleeding.
• 27:13
  Speaker 1: So yeah, I guess you win. It's fine. So, yes,
• 27:18
  Speaker 1: we have. So there's ten houses. I came up with
• 27:22
  Speaker 1: ten different rankings. We were going to try to do
• 27:25
  Speaker 1: one per but it's kind of hard to do that.
• 27:28
  Speaker 1: So the ones we don't mention that we listed we
• 27:30
  Speaker 1: will talk about separately. So let's go here, all right.
• 27:35
  Speaker 1: So there's four ips. There are six original houses. Like
• 27:39
  Speaker 1: I said, I have ten little lines here that we're
• 27:42
  Speaker 1: going to go down, and we'll start with you. What
• 27:46
  Speaker 1: was your scariest house over the weekend?
• 27:51
  Speaker 3: Was it Descendants of destruction?
• 27:53
  Speaker 1: Descendants of Destruction?
• 27:54
  Speaker 2: Yeah, yeah, that one, okay, yeah, I got there were
• 27:57
  Speaker 2: some scares in there. Where I was like, oh, open space,
• 28:00
  Speaker 2: and then someone jumped at me and I'm.
• 28:02
  Speaker 1: Like, holy shit.
• 28:03
  Speaker 2: Okay, yeah, yeah, there had some fun scares. I really
• 28:07
  Speaker 2: enjoyed that.
• 28:08
  Speaker 1: Okay, well, I actually keep track, had I keep a
• 28:12
  Speaker 1: lot of track of stuff like how many times we've
• 28:14
  Speaker 1: gone through each house, the scare factor, wow factor. I
• 28:17
  Speaker 1: keep track of everything, and I also keep track of
• 28:19
  Speaker 1: how many scares I get per house. So I am
• 28:22
  Speaker 1: literally just going off of the scares I got in
• 28:25
  Speaker 1: each house. So that's actually a tie between Legends Collide
• 28:29
  Speaker 1: and Halloween. So those two I got the most scares
• 28:31
  Speaker 1: and so therefore scariest to me because I'd either jumped
• 28:35
  Speaker 1: the most or exclaimed something. So least scariest house yours
• 28:42
  Speaker 1: hell Block, really hell Block, Okay, I told you I was,
• 28:45
  Speaker 1: so I think you got some bad run throughs on
• 28:47
  Speaker 1: both of those are at both times.
• 28:49
  Speaker 2: So, but also I was so distracted by the fact
• 28:52
  Speaker 2: that there was so because it's supposed to be. I
• 28:55
  Speaker 2: looked it up. It's an a it's a creature prison.
• 28:59
  Speaker 2: That's why there's so many different creatures.
• 29:01
  Speaker 1: Yeah, I know, I told you that.
• 29:02
  Speaker 2: No, you just said I think they're invading the prison
• 29:05
  Speaker 2: or something.
• 29:06
  Speaker 1: So it's a bunch I said, it's a bunch of
• 29:07
  Speaker 1: monsters that have invaded the cell block.
• 29:10
  Speaker 2: Yeah, except it's their cell block. They are the prisoners. Yeah.
• 29:14
  Speaker 2: The fact that that doesn't really read well, it was
• 29:18
  Speaker 2: so distracting and I just couldn't focus because there were
• 29:23
  Speaker 2: just every every character had a different mask. There was
• 29:26
  Speaker 2: no really cohesive design and that really bugged the shit
• 29:31
  Speaker 2: out of me.
• 29:31
  Speaker 1: Well, speaking of being bugged, my least scariest house was
• 29:34
  Speaker 1: Bugs because I got the least amount of scares in
• 29:36
  Speaker 1: that one. Over to run throughs, I only got six
• 29:40
  Speaker 1: total scares.
• 29:41
  Speaker 2: Between That was going to be my second.
• 29:43
  Speaker 1: It's not really that scary though.
• 29:46
  Speaker 2: I really don't like having to walk through the room
• 29:48
  Speaker 2: with all the fake roaches.
• 29:49
  Speaker 1: Yeah, it's not fun. Me out really good, Yeah, a
• 29:52
  Speaker 1: little bit. Best set design for the IPS, what was
• 29:57
  Speaker 1: your favorite? Like, uh fa saw or no way? I
• 30:00
  Speaker 1: think I have that and I already have that, just kidding,
• 30:02
  Speaker 1: So yeah, best set design overall.
• 30:04
  Speaker 2: The weekend was IP Right, Yes, okay, so I said
• 30:07
  Speaker 2: the weekend?
• 30:08
  Speaker 1: Okay, I said Legend because it has a fucking amazing facade.
• 30:14
  Speaker 1: It's got like an Egyptian stuff.
• 30:16
  Speaker 3: It's a facade category.
• 30:18
  Speaker 1: And that's not my favorite? Is that yours? So then
• 30:22
  Speaker 1: fucking let me talk about it. Weirdo, it's got our Yeah,
• 30:26
  Speaker 1: it has like one of those Egyptian kind of style statues.
• 30:29
  Speaker 1: It's not it's I thought it was a sphinx, but
• 30:31
  Speaker 1: it's got the face of a fox or something or cat,
• 30:34
  Speaker 1: so it's not a sphinx. I don't know what it
• 30:35
  Speaker 1: is whatever Anubis that and it's just it's just very
• 30:39
  Speaker 1: it's just very good. So I like that one the
• 30:42
  Speaker 1: Weekend you liked. I mean it is very very bright,
• 30:46
  Speaker 1: very shiny, and I just.
• 30:47
  Speaker 2: Love the sheer number of light effects in there. It's
• 30:50
  Speaker 2: just like absolutely wild.
• 30:52
  Speaker 1: That's fair. That's fair, Okay, best set design for original.
• 30:56
  Speaker 1: I think we're probably gonna have the same one here. No,
• 30:59
  Speaker 1: you go ahead, you're up.
• 31:00
  Speaker 2: Descendants of Destruction really yeah.
• 31:02
  Speaker 1: Oh I went dead Man's see.
• 31:04
  Speaker 2: I almost put that on here. I have it in
• 31:06
  Speaker 2: other places. But I only said that because to fit
• 31:11
  Speaker 2: that many fake train cars, because it's a New York
• 31:16
  Speaker 2: subway system, and to really get that underground like under
• 31:20
  Speaker 2: the subway vibe. I thought they did a great job
• 31:22
  Speaker 2: and like great use of mirrors to make you feel
• 31:25
  Speaker 2: like you were walking through crashed subway cars. And that's
• 31:28
  Speaker 2: really hard to fit that many pieces that would have
• 31:31
  Speaker 2: to be that big in such a small tent.
• 31:34
  Speaker 1: Okay, well, yeah we'll get there because that's down on
• 31:36
  Speaker 1: my list, So yours. Okay, so you're supposed to decendants.
• 31:39
  Speaker 1: Mine was dead Man's because I went through that entire
• 31:43
  Speaker 1: house mouth agape, just wide eyed, like holy shit, the
• 31:48
  Speaker 1: attention to detail and dead Man's Pier is it is
• 31:52
  Speaker 1: literally probably the most I think it's the most gorgeous
• 31:55
  Speaker 1: house I've ever seen, next to like Dead Waters, because
• 31:57
  Speaker 1: dead Waters had a beautiful facade as well, with a
• 32:00
  Speaker 1: giant paddle boat. I think they're called from like Louisiana.
• 32:04
  Speaker 1: But dead Man's Piers it's like winter themed and everything's frozen.
• 32:08
  Speaker 2: Winters Tales, dead Man's Peer Winter.
• 32:10
  Speaker 1: Okay, yeah, it's everything's like frozen and icy and it's
• 32:13
  Speaker 1: just like the Scare Zone from twenty sixteen, I believe.
• 32:15
  Speaker 1: But it's just so goddamn pretty. So that's mine, your face,
• 32:20
  Speaker 1: your best facade.
• 32:22
  Speaker 2: Dead Man's Peers, Okay, because that all entrance to that
• 32:25
  Speaker 2: little village, you immediately know what you're getting into. Like
• 32:29
  Speaker 2: they did a great job nailing that concept because it's
• 32:32
  Speaker 2: really easy to go simple in the front, and they
• 32:35
  Speaker 2: did not do that.
• 32:36
  Speaker 1: Yeah, they went business up front, party in the back.
• 32:39
  Speaker 1: U My best, My favorite facade was Cheapicabra, just because
• 32:43
  Speaker 1: you walked in and it literally looks like you're looking
• 32:46
  Speaker 1: down onto a small little Mexican village. There's so much
• 32:49
  Speaker 1: height going on, there's all these uh colors because it's
• 32:53
  Speaker 1: the you know, the festival that Chupkaara, they're lighting off fireworks.
• 32:56
  Speaker 1: It is so I walked in, I was like, holy,
• 32:59
  Speaker 1: like dude, they they pulled out all the stops this year,
• 33:01
  Speaker 1: and then they have a couple of really shit facades.
• 33:03
  Speaker 1: I want to talk about that. I'm not impressed with,
• 33:06
  Speaker 1: Uh do you want me to say it Halloween? Like,
• 33:10
  Speaker 1: oh my god. It's like I understand that when you
• 33:13
  Speaker 1: go through the house, then you do you you know,
• 33:15
  Speaker 1: you get the like the facade of the house. And
• 33:18
  Speaker 1: they already did the facade of the house when they
• 33:19
  Speaker 1: did it way back when in twenty four I think,
• 33:22
  Speaker 1: but like, you just walk in, it's like this room,
• 33:24
  Speaker 1: I'm like.
• 33:24
  Speaker 2: It's actually part of a hallway.
• 33:27
  Speaker 1: I'm like, this is really kind of lame.
• 33:29
  Speaker 2: Guys, and I thought that too, and I get that
• 33:32
  Speaker 2: they're doing this is the.
• 33:33
  Speaker 3: Intro to the movie before it catchs.
• 33:34
  Speaker 1: Fine.
• 33:35
  Speaker 2: I thought that was a fun concept, but the facade
• 33:39
  Speaker 2: should have been a lot stronger, and it's really weak
• 33:42
  Speaker 2: compared to the others.
• 33:43
  Speaker 1: That's what I'm saying. Like, not that, not that I'm
• 33:45
  Speaker 1: complaining about it. It's just like after like after dead
• 33:48
  Speaker 1: Man's Descendants, like all these houses, even Bugs has a
• 33:51
  Speaker 1: really fun one. You just kind of like have this
• 33:53
  Speaker 1: little like it's just like two walls and it's like
• 33:56
  Speaker 1: a hallway and just like, okay, I mean, and.
• 33:59
  Speaker 2: They're small walls. It was like a really small interest.
• 34:02
  Speaker 1: I would have rather them just re put the like
• 34:04
  Speaker 1: because you eventually walk up to the Myers I think
• 34:06
  Speaker 1: it's the Meyers House pretty sure. Yeah, I wish they
• 34:08
  Speaker 1: would have just put that up front, because that's what
• 34:10
  Speaker 1: they did when it was in the tent location. I
• 34:12
  Speaker 1: think it was twenty four or twenty five. They had
• 34:15
  Speaker 1: it all the way back at one of the whe
• 34:16
  Speaker 1: where Bugs was, and they had I think it was
• 34:18
  Speaker 1: that same or very something very similar, and I was like,
• 34:21
  Speaker 1: I figured, you just walk into that, and you walk
• 34:23
  Speaker 1: in and it's in a fucking sound stage too. Halloween
• 34:25
  Speaker 1: is in a sound stage for the first time. Well,
• 34:28
  Speaker 1: I guess Shrek Theater is kind of because that's where
• 34:30
  Speaker 1: Halloween four was so kind of but it was in
• 34:33
  Speaker 1: the It was in a tent, and then it was
• 34:35
  Speaker 1: in the parade warehouse, and then it was in Shrek Theater.
• 34:37
  Speaker 1: So this is the first time in a big sound
• 34:38
  Speaker 1: stage and I was I just was expecting a huge,
• 34:41
  Speaker 1: beautiful facade, and.
• 34:42
  Speaker 2: Especially considering some of the other like, uh facades, most
• 34:46
  Speaker 2: of the other one so much stronger ones, like so
• 34:49
  Speaker 2: many hell Block is.
• 34:50
  Speaker 1: A great one. Chupercabra dead Man's. Uh. Blumhouse isn't like strong,
• 34:54
  Speaker 1: but it's fun. Like it's they used to say, sleek, sleek.
• 34:57
  Speaker 1: They use the space very well.
• 34:59
  Speaker 2: And like even Spirits of the Coven, like you you
• 35:02
  Speaker 2: get a nice like building entrance. This was just like seriously,
• 35:05
  Speaker 2: it was two pieces of a short haulway with some
• 35:08
  Speaker 2: decor and then you walk into a bedroom you're like
• 35:10
  Speaker 2: and it's black curtain on either side.
• 35:12
  Speaker 1: Yeah, So it's not that great. Uh favorite ip overall
• 35:16
  Speaker 1: just overall, not scare wise or set wise, just overall
• 35:19
  Speaker 1: favorite IP weekend. Okay, mine Blumhouse I felt like I
• 35:24
  Speaker 1: was literally in the movie for Freaky and Black Phone.
• 35:28
  Speaker 1: It was very well told, So I just I thought
• 35:31
  Speaker 1: they did a perfect job with that favorite original.
• 35:36
  Speaker 2: Wait, well, you got to say what you like yours.
• 35:38
  Speaker 1: And I didn't even see it's okay, sorry, we already
• 35:40
  Speaker 1: talked about the weekend.
• 35:41
  Speaker 2: I've had no yeah, no, again, it's just because they
• 35:44
  Speaker 2: had so much going on, a lot of energy. This
• 35:47
  Speaker 2: was an instance where the whole monster situation kind of
• 35:52
  Speaker 2: keeps shifting, but it feels like a progression, which was
• 35:55
  Speaker 2: really cool. And I thought they did a great job,
• 35:58
  Speaker 2: like working in the music music videos, you know, it
• 36:01
  Speaker 2: was just a really strong house and I think people
• 36:04
  Speaker 2: did not give it enough credit before it came.
• 36:07
  Speaker 3: People are thinking now.
• 36:08
  Speaker 1: I've actually heard a couple of people. One guy that
• 36:11
  Speaker 1: came up in line behind us and was talking how
• 36:12
  Speaker 1: you liked the weekend, and then some random guy I
• 36:14
  Speaker 1: just overheard it's like, yeah, I thought the weekend was
• 36:16
  Speaker 1: gonna suck, but it was a lot of fun. I'm like, yes,
• 36:18
  Speaker 1: I heard that guy too. I can don't not shit
• 36:20
  Speaker 1: everyone like do it and then have an opinion, because
• 36:24
  Speaker 1: you can't talk shit about something you've never done. Come
• 36:26
  Speaker 1: on man, Yeah, come on. So yeah, I really liked
• 36:28
  Speaker 1: the Weekend. I thought it was a lot of fun.
• 36:30
  Speaker 1: Plus the music is thumping, so uh, favorite ip we
• 36:33
  Speaker 1: just did Favorite original. Yeah, that's a really good one.
• 36:39
  Speaker 2: It was so much like I was honestly winning when
• 36:42
  Speaker 2: I was like, I can't. I don't know what they're
• 36:44
  Speaker 2: gonna do with this, like honestly that it sounds a
• 36:46
  Speaker 2: little silly, but you know, I don't know what it's
• 36:48
  Speaker 2: gonna be, so I'm just gonna see what happens. And
• 36:51
  Speaker 2: then the way they worked that out, it's like the
• 36:54
  Speaker 2: chup of Copper's there, but it's the other people.
• 36:58
  Speaker 3: People who are attacking you because of it.
• 37:01
  Speaker 2: The Fiesta did Chopercabra like that was great, got a
• 37:05
  Speaker 2: lot of scares. The sets were beautiful. The fact that
• 37:07
  Speaker 2: you like walk into that city and then at one
• 37:09
  Speaker 2: point you end up in the square of the city
• 37:12
  Speaker 2: just like so cool. And the cheaper cobbra was a
• 37:16
  Speaker 2: big rat dog.
• 37:17
  Speaker 1: Yeah. And on top of that, usually you know houses
• 37:21
  Speaker 1: are dark and hard to see. In this one was
• 37:24
  Speaker 1: like lit up and bright. There was so many colors
• 37:27
  Speaker 1: and so many color Yeah, fireworks effect, firework effects, so
• 37:31
  Speaker 1: many colorful masks and they have like puppets in that
• 37:33
  Speaker 1: house with that that you know as the Chuoper Cabra.
• 37:36
  Speaker 1: It's just way good. Yeah, way good. My favorite original
• 37:40
  Speaker 1: is definitely Descendants, just because of pretty much what you
• 37:42
  Speaker 1: said about how it's in a tent location and I
• 37:46
  Speaker 1: would swear it was a sound stage with how they
• 37:48
  Speaker 1: were able to pull off the height. Like there's one
• 37:50
  Speaker 1: that one scene where there is literally a subway car
• 37:53
  Speaker 1: that is above you and it is crash and it's
• 37:55
  Speaker 1: like on top of another. It's so well done, and
• 37:59
  Speaker 1: I thought it was gonna be kind of a rip off
• 38:01
  Speaker 1: of Dead Exposure, but it couldn't be anything different. It's, yeah,
• 38:03
  Speaker 1: there's a subway scene, but it's completely different, but.
• 38:06
  Speaker 2: It's more like mad Ball people.
• 38:08
  Speaker 1: Yeah. I really like that one. It's it's just a
• 38:10
  Speaker 1: lot of fun. Pretty much like every house this year
• 38:13
  Speaker 1: is just very well done. Even if they don't have
• 38:16
  Speaker 1: like a great facade or it's not that scary, it's
• 38:18
  Speaker 1: it's still they're still all solid.
• 38:20
  Speaker 2: Uh.
• 38:20
  Speaker 1: So favorite oh no, sorry, one that surprised.
• 38:22
  Speaker 3: You in a good way.
• 38:24
  Speaker 2: It was Fiesta.
• 38:25
  Speaker 1: Oh okay, fair.
• 38:26
  Speaker 2: I mean, like I said, I didn't know what to
• 38:28
  Speaker 2: expect from that, and I was blown away. Though on
• 38:31
  Speaker 2: the opposite end of the one that surprised me in
• 38:34
  Speaker 2: a bad way was Covin.
• 38:36
  Speaker 1: Yeah, that one was nice.
• 38:38
  Speaker 2: I wanted so much more, especially after all the other
• 38:41
  Speaker 2: houses we went through. Uh.
• 38:43
  Speaker 1: One that surprised me was Legends the Universal Monsters one
• 38:47
  Speaker 1: because they've had They've done two Universal Monsters houses before,
• 38:52
  Speaker 1: and they've been very well themed and the set designs
• 38:55
  Speaker 1: are great. They just haven't really been my favorite. But
• 38:57
  Speaker 1: this one was so much fucking fun for me at least,
• 39:00
  Speaker 1: and they have a great set and the scares are
• 39:02
  Speaker 1: really good. They've got a lot of good triggers and
• 39:04
  Speaker 1: cues and sound effects going on. So that one surprised
• 39:07
  Speaker 1: me the most, just because it's the third iteration of it,
• 39:10
  Speaker 1: and I was expecting to be like, all right, yeah,
• 39:12
  Speaker 1: let's let's wrap these up because I'm getting tired of them.
• 39:15
  Speaker 1: But this is probably my favorite Legend or Universal Monster's.
• 39:19
  Speaker 2: House, so I need to give it some more time.
• 39:22
  Speaker 2: Because the first time I went through, didn't see any
• 39:25
  Speaker 2: were wolves or any vampires are supposed to be mummy
• 39:27
  Speaker 2: werewolf vampire didn't see anyone, so all I saw was
• 39:30
  Speaker 2: mummies and I'm literally thinking, Oh, this is gonna be
• 39:33
  Speaker 2: like those other houses where it's cut into sections. Yeah,
• 39:37
  Speaker 2: because I keep waiting for something else, and then we
• 39:39
  Speaker 2: get to the end and then I'm out of the
• 39:42
  Speaker 2: house and I'm like, oh oh, I'm like I'm charting around.
• 39:46
  Speaker 2: I'm like, oh, okay, they were supposed to be in
• 39:48
  Speaker 2: the house second time, so two were wolves, one vampire,
• 39:53
  Speaker 2: and a fuck ton of mummies and I was like,
• 39:56
  Speaker 2: I okay, you guys got to pepper them in. You're
• 39:59
  Speaker 2: a skos more because the fact that I didn't see
• 40:02
  Speaker 2: Dracula till nine tenths of the way through the house, like, damn,
• 40:08
  Speaker 2: he's late to the game. Does it really count if
• 40:11
  Speaker 2: he shows up at the end?
• 40:12
  Speaker 1: I think you're just getting bad timing on some of
• 40:14
  Speaker 1: these houses.
• 40:15
  Speaker 2: Yeah, I'd like to try that one again because I
• 40:17
  Speaker 2: think my favorite for Yeah, well, my favorite moment of
• 40:21
  Speaker 2: that was the one the first time we went through
• 40:22
  Speaker 2: and the werewolf was holding up the head at the
• 40:25
  Speaker 2: end of the house and he just held it up
• 40:28
  Speaker 2: and looked at me and I did finger guns at him.
• 40:30
  Speaker 2: So he did a finger gun with the hand that
• 40:32
  Speaker 2: wasn't holding the head, and that was my favorite moment.
• 40:36
  Speaker 1: Oh, that house. Uh, overall favorite of all you know,
• 40:40
  Speaker 1: all all houses Ip's originals, overall favorite. Wow, I'm gonna
• 40:45
  Speaker 1: go Halloween. It's just that it's it just makes it
• 40:48
  Speaker 1: the best haunted house. I'm it just it just it's
• 40:51
  Speaker 1: such a good haunted house. I don't care.
• 40:53
  Speaker 2: I have wanted to say this because I've liked the
• 40:56
  Speaker 2: other Halloweens, but this one felt some par next to
• 40:59
  Speaker 2: some of the other ones. And frankly, everyone who's playing
• 41:03
  Speaker 2: Michael is a very tiny man. And some of.
• 41:07
  Speaker 3: Those guys that they put those uh and.
• 41:10
  Speaker 2: And as Michael looked like they're swimming in their coveralls.
• 41:15
  Speaker 1: I don't know. I just it's just a perfect haunted house.
• 41:17
  Speaker 1: It's just like it translates so well to haunted houses.
• 41:20
  Speaker 1: And I love the the cues they use with like
• 41:22
  Speaker 1: the blades, like the sh and I don't know, it's
• 41:25
  Speaker 1: just great.
• 41:25
  Speaker 2: I liked for the one with the with Jamie. Yes, okay,
• 41:30
  Speaker 2: I like that house better.
• 41:31
  Speaker 1: Halloween two was definitely the best Halloween house they've done.
• 41:35
  Speaker 1: But I still, I don't know. I just I love
• 41:36
  Speaker 1: Halloween as a house. It's just so iconic. Least favorite
• 41:41
  Speaker 1: coven Oh wow, bugs for me, I just spirits.
• 41:44
  Speaker 2: So the Coven was so well and I think it's.
• 41:46
  Speaker 1: Well, you were hyped for that one, so I think
• 41:48
  Speaker 1: it was so excited.
• 41:49
  Speaker 2: It was witches and to speak easy, and I get
• 41:53
  Speaker 2: that they were like, we're gonna take you down into
• 41:56
  Speaker 2: the tunnels where you'll see what really happens behind this.
• 41:59
  Speaker 3: Witch runs speak easy.
• 42:01
  Speaker 2: But for being witch speak easy, there was about ten
• 42:05
  Speaker 2: seconds you were one tiny room with a bar, and
• 42:10
  Speaker 2: then there were random people who were like are they
• 42:13
  Speaker 2: witches or they just like crazy? And then there's like
• 42:16
  Speaker 2: a lady eating another guy's face. They're like, oh okay,
• 42:19
  Speaker 2: the cannibal witches and the facade they were like. The
• 42:23
  Speaker 2: sets really didn't start getting good till the very end
• 42:26
  Speaker 2: of the house. Yeah, and you're just like, hmm, I
• 42:30
  Speaker 2: kind of wanted more from this because by the end
• 42:32
  Speaker 2: it's just a bunch of people in scary old witch
• 42:34
  Speaker 2: masks popping.
• 42:35
  Speaker 1: Out at you. Yeah. It just kind of, like I
• 42:37
  Speaker 1: told you, it felt like the witch section of Scary
• 42:41
  Speaker 1: Tales just into a whole house.
• 42:42
  Speaker 2: Yeah, it was really lackluster considering all of the other
• 42:48
  Speaker 2: houses like dead Man's and Fiesta and Descendants, like those
• 42:52
  Speaker 2: sets were so cool. The ideas were really fleshed out.
• 42:56
  Speaker 2: That's the other reason I didn't like Hell Block is
• 42:58
  Speaker 2: because well, you had strong other houses like these two
• 43:03
  Speaker 2: felt like they didn't quite have a full plan in motion,
• 43:07
  Speaker 2: like hell even Bugs is that one? Not that scary yet,
• 43:10
  Speaker 2: But it's very campy, it's very silly, and you one
• 43:13
  Speaker 2: hundred percent cannot miss the vibe of the house.
• 43:16
  Speaker 1: I mean, yeah, you're not wrong.
• 43:18
  Speaker 2: Yeah, like you totally get what's happening, totally get the aesthetic,
• 43:23
  Speaker 2: and it's a strong aesthetic. It just was it's more
• 43:27
  Speaker 2: cheesy than anything.
• 43:28
  Speaker 1: Yeah, I think the only one we didn't really mention anything. Well,
• 43:30
  Speaker 1: now we mentioned Helbok Helbok covin Fiesta, dead Man's Halloween,
• 43:34
  Speaker 1: Blumhouse Descendants, Bugs, the Weekend Legends, Clyde. All right, yeah
• 43:39
  Speaker 1: we mentioned all of them. Perfect cool. So yeah, that's
• 43:41
  Speaker 1: happening now until August until October thirty first, and then
• 43:46
  Speaker 1: Universal HHN and Hollywood starts this weekend, I believe. So
• 43:50
  Speaker 1: go check that out while you can. Let's get onto
• 43:52
  Speaker 1: this movie. It is time to talk about flat Liners
• 43:56
  Speaker 1: from nineteen ninety, released on August tenth of that year.
• 43:59
  Speaker 1: You weren't even born yet. I was like six months.
• 44:01
  Speaker 3: Old, Will was two days old.
• 44:02
  Speaker 2: He was two days old, and Heather was negative thirteen
• 44:04
  Speaker 2: days old.
• 44:05
  Speaker 1: There you go. This movie is rated R for moderate
• 44:08
  Speaker 1: sex and nudity, moderate violent and gore, moderate profanity, fourteen focks,
• 44:13
  Speaker 1: mild alcohol, drugs and smoking, and moderate frightening and intense scenes.
• 44:17
  Speaker 1: Runtime of an hour and fifty five minutes. Listed as
• 44:20
  Speaker 1: a drama horror, I I thriller.
• 44:24
  Speaker 2: Sorry, I was just thinking the moderate nudy is really
• 44:27
  Speaker 2: just because of the occasional boob that pops up in
• 44:29
  Speaker 2: one sequence.
• 44:30
  Speaker 1: Yeah, moderate, Just you're like, is that a boob? Yeah?
• 44:36
  Speaker 1: Random boobs? Uh? Drama horse I FI thriller directed by
• 44:39
  Speaker 1: Joel Schumacher, who has thirty seven directing credits. Also did
• 44:43
  Speaker 1: Phantom of the Opera two thousand and four, Batman and Robin,
• 44:47
  Speaker 1: and Phone Booth.
• 44:48
  Speaker 2: I like when it started, I said, this reminds me
• 44:51
  Speaker 2: of like Lost Boys Meet Sane, Elmo's Fire, And then
• 44:54
  Speaker 2: it turned out he directed.
• 44:55
  Speaker 3: Both of those, and I was like, good both of those.
• 44:57
  Speaker 2: Yeah, I am in fact picking up what he's putting down.
• 45:00
  Speaker 1: Yeah, And if you haven't fucking seen Phone Booth is
• 45:03
  Speaker 1: so good. Colin Farrell and uh, key for Sutherland.
• 45:09
  Speaker 2: Whoa, and I'm show you say Almo's fire. Oh, let's
• 45:14
  Speaker 2: check that ship? Go ahead?
• 45:17
  Speaker 1: What? Oh? I'm sure it has a better rating, but
• 45:20
  Speaker 1: is it better to me? Lost Boys? Overrated? I'm sorry
• 45:23
  Speaker 1: I've said this.
• 45:24
  Speaker 2: It is not.
• 45:25
  Speaker 1: I've said this. Are you looking up Lost Boys?
• 45:27
  Speaker 2: Stupid? Yeah? Obviously?
• 45:29
  Speaker 1: All right? What does it have?
• 45:31
  Speaker 2: It's taking longer to take than I thought.
• 45:35
  Speaker 1: Phone Booth three point two. I told you, I knew
• 45:38
  Speaker 1: it was going to be better rated. I'm just not
• 45:39
  Speaker 1: a fan of it. Moving on, I'll watch it again
• 45:42
  Speaker 1: at some point. Moving on and a half and half.
• 45:48
  Speaker 1: I told you it was okay, Fine, it was okay.
• 45:51
  Speaker 1: I'm sorry it was mediocre at best. Joel Schumacher, Yeah,
• 45:55
  Speaker 1: did that already? Written by Peter Fulardi, who has eleven
• 45:58
  Speaker 1: writing credits. Also did the Craft Salem's Lot two thousand
• 46:01
  Speaker 1: and four mini series and ten episodes of Chapel Weight
• 46:05
  Speaker 1: whatever the fuck that is composed by James Newton Howard,
• 46:08
  Speaker 1: who has one hundred and seventy seven composer credits, so
• 46:11
  Speaker 1: he's done a thing or two. Also did King Kong
• 46:13
  Speaker 1: from two thousand and five, The Sixth Sense, and Nightcrawler
• 46:16
  Speaker 1: which I recently showed you and you liked. Cinematography by
• 46:20
  Speaker 1: Jan Debal. I believe he is French with that last name.
• 46:23
  Speaker 1: I think who has sixty seven cinematographer credits. Also did
• 46:26
  Speaker 1: Ku Joe die Hard and Basic Instinct. So these guys
• 46:30
  Speaker 1: have done some awesome things. Starring Kiever Sutherland is Nelson
• 46:34
  Speaker 1: right one hundred and four acting credits. Also in a
• 46:35
  Speaker 1: little movie called The Lost Boys as David phone Booth
• 46:38
  Speaker 1: as the Callers or as the Caller and Mirrors as
• 46:42
  Speaker 1: Ben Carson.
• 46:43
  Speaker 2: Well, you're not gonna name his most popular thing ever.
• 46:46
  Speaker 1: No, I'm doing horror movies. And also the movie that
• 46:49
  Speaker 1: phone Booth that fucking what's his face directed, So I'm
• 46:51
  Speaker 1: trying to keep it like on on point, on topic.
• 46:56
  Speaker 1: Oh my god, what geez?
• 46:59
  Speaker 2: Sorry?
• 47:00
  Speaker 1: Twenty four Holy shit, great, great for fucking Jack Bauer.
• 47:04
  Speaker 1: Julia Roberts as doctor Rachel manis sassy pants over there
• 47:09
  Speaker 1: sixty eight. I thought she had more acting credits than that.
• 47:11
  Speaker 1: She only has sixty eight.
• 47:12
  Speaker 2: She's picky.
• 47:13
  Speaker 1: Also been in a movie called Pretty Woman as Vivian Ward,
• 47:16
  Speaker 1: Aaron Brockovich as Aaron Brockovich, and Closer as Anna got
• 47:20
  Speaker 1: Kevin Bacon David Labraccio one hundred and three acting credits.
• 47:23
  Speaker 1: Also in Footloose's Wren Friday the Thirteenth as Jack and
• 47:27
  Speaker 1: Trimmers as Valentine and McKee. And we've got William Baldwin, Yes,
• 47:32
  Speaker 1: that Baldwin related to Alec and Steven and Joe one
• 47:36
  Speaker 1: of the lesser Bob He is Joe Hurley ninety four
• 47:39
  Speaker 1: acting credits. Also in Backdraft as Brian McCaffrey. Virus is
• 47:43
  Speaker 1: Steve Baker, and Sliver or Silver Sliver as Zeke Hawkins.
• 47:47
  Speaker 1: And we've got one of my favorite actors, underrated actor,
• 47:50
  Speaker 1: Oliver Platt is Randy Steckel ninety eight acting credits. Also
• 47:53
  Speaker 1: in The Three Musketeers as Porthos Lake Placid as Hector
• 47:57
  Speaker 1: Sire and Bison tenniel Man as Rupert. Did you want
• 48:00
  Speaker 1: me to say Keith for Sullerland was in the Three Musketeers?
• 48:03
  Speaker 2: I really do?
• 48:04
  Speaker 1: Okay? Well, he was in the Three Musketeers.
• 48:05
  Speaker 2: With all of her plant that's right.
• 48:06
  Speaker 1: He was as like Borthos or Borthos Porthos. No, no, no,
• 48:11
  Speaker 1: Oliver platform there you go. And then we've got Kimberly
• 48:15
  Speaker 1: Scott as win he Hicks seventy seven acting credits, also
• 48:18
  Speaker 1: in the Abyss as Lisa One night Standing. Wait, what
• 48:24
  Speaker 1: the fuck? One night Standing? I don't know what I'm saying.
• 48:27
  Speaker 1: Guess who is Kimberon falling down as Detective Jones. Don't
• 48:30
  Speaker 1: know what that all that shit is? Oh oh sorry, sorry,
• 48:33
  Speaker 1: her name in the Abyss is Lisa One night Standing.
• 48:37
  Speaker 1: My bad, Simny Colon really fucked me up there because
• 48:39
  Speaker 1: it wasn't necessary. Wow. Estimated budget of twenty six million
• 48:43
  Speaker 1: dollars worldwide, a box office gross of sixty four point
• 48:47
  Speaker 1: five million dollars. Filmed in various parts of Chicago, Illinois,
• 48:51
  Speaker 1: and Los Angeles, California. This is currently on Peacock Premium
• 48:55
  Speaker 1: or a three ninety nine rental or twelve ninety nine
• 48:57
  Speaker 1: purchase on Amazon. You can get the Aero video Blue
• 48:59
  Speaker 1: Rats from Amazon for like twenty seven bucks. As well.
• 49:03
  Speaker 1: Movies that came out around the same time. We've got
• 49:05
  Speaker 1: Ghost or Rachnophobia, Maniac Cop two, Presumed Innocent, The Exorcist three,
• 49:11
  Speaker 1: My Blue Heaven fantastic movie, and Dark Man. Yeah it
• 49:15
  Speaker 1: is such a great movie. Did you have a specific
• 49:18
  Speaker 1: horror moment? I don't really think. I mean, maybe you
• 49:21
  Speaker 1: did let me see if I wrote one down. No,
• 49:24
  Speaker 1: oh yeah, the pickax scene that was, but like even then,
• 49:26
  Speaker 1: it wasn't like, oh, it was just kind of I
• 49:28
  Speaker 1: was trying to like grasp it something to to put
• 49:32
  Speaker 1: on this favorite kill. There's not I mean there's technically
• 49:36
  Speaker 1: like five.
• 49:36
  Speaker 2: Kills technically yeah, like but like but that so.
• 49:41
  Speaker 1: I can't really say that. A favorite character for me
• 49:44
  Speaker 1: is Randy played by Oliver Platt. He's just the modes logical,
• 49:48
  Speaker 1: the only one that did not kill himself in this movie.
• 49:52
  Speaker 1: So that's my favorite. Plus Dolliver Platt, he's like super sassy.
• 49:56
  Speaker 2: I know, I always love holler Platt in anything. I
• 49:58
  Speaker 2: see him in U and we just watched him and
• 50:01
  Speaker 2: ready to rumble.
• 50:03
  Speaker 1: Well, yeah, that's right.
• 50:04
  Speaker 3: I liked Rachel Julia Roberts' character.
• 50:07
  Speaker 2: I appreciated that literally every guy's hitting on her and
• 50:11
  Speaker 2: she's like, big mistake, huge, No, you ruined my setup
• 50:16
  Speaker 2: the thing I was gonna say, go ahead, She's like, no,
• 50:21
  Speaker 2: fuck off. Like every guy makes like winky little faces
• 50:25
  Speaker 2: like so, do you want to go out sometime?
• 50:26
  Speaker 1: And she's like, eh, leaves, yeah, I mean she does.
• 50:30
  Speaker 1: She pretty much is not interested in anybody except for
• 50:33
  Speaker 1: Kevin Bacon apparently spoilers. Uh, this movie's fucking thirty two
• 50:37
  Speaker 1: years old. It's not even really a spoiler. That's not
• 50:41
  Speaker 1: a spoiler. My your uh rror hold on. Lee's favorite
• 50:45
  Speaker 1: character for me was definitely we make sure. Oh wait,
• 50:50
  Speaker 1: did I put the wrong person? Oh no, no, I tried.
• 50:53
  Speaker 1: I changed mine. I had I had Joe Hurley down
• 50:56
  Speaker 1: because he's kind of a shit bag sleeping with all
• 50:59
  Speaker 1: those women, and then they changed it to Nelson because
• 51:01
  Speaker 1: he was kind of a content at the end. Just yeah,
• 51:04
  Speaker 1: I'm just gonna say it. He kind of like had
• 51:06
  Speaker 1: villain energy towards the end, and I'm like, you're kind
• 51:09
  Speaker 1: of being a dick right now. I don't like you,
• 51:10
  Speaker 1: So I switched it from Joe to Nelson.
• 51:12
  Speaker 2: Yeah. It's funny because it's like you could have a
• 51:14
  Speaker 2: character like Joe who's gross as a person, just like
• 51:18
  Speaker 2: gross shit bag. Yeah, and then you bring someone in
• 51:22
  Speaker 2: like Nelson Keith for Sutherland's character, who really steps it
• 51:27
  Speaker 2: up a notch by not only being egotistical, selfish, paranoid,
• 51:33
  Speaker 2: but then really letting you know how he really only
• 51:37
  Speaker 2: cares about himself and uh not what he's doing to
• 51:41
  Speaker 2: other people. He's really only interested in what he can
• 51:45
  Speaker 2: do no matter what it costs. Somebody else's a different
• 51:48
  Speaker 2: level of.
• 51:51
  Speaker 1: Yeah, his character art kind of went downhill, as opposed
• 51:53
  Speaker 1: to other people who kind of went, you know, the
• 51:55
  Speaker 1: other way.
• 51:56
  Speaker 2: Yeah, so.
• 51:58
  Speaker 1: Let me see here do do? Oh? Did you have
• 52:02
  Speaker 1: a favorite line?
• 52:05
  Speaker 2: I can think of off the top of my head.
• 52:06
  Speaker 1: My favorite one. I think it was Joe that said it.
• 52:09
  Speaker 1: He was like, yeah, they'll build monuments to do monuments
• 52:12
  Speaker 1: to you, little stone stone towers about this high that
• 52:15
  Speaker 1: say rest in peace. I thought that was funny. I
• 52:18
  Speaker 1: think that was Joe's character. That was a really funny moment.
• 52:21
  Speaker 1: I AMDB. Summary is five medical students experiment with near
• 52:25
  Speaker 1: death experiences until the dark consequences of past strategies tragedy
• 52:30
  Speaker 1: as I can speak, begin to jeopardize their lives. So
• 52:33
  Speaker 1: we've got like twenty minutes go yeah, okay, so oh
• 52:38
  Speaker 1: I was I was trying to jinx you.
• 52:39
  Speaker 2: Sorry, I'm going to do this to the best of
• 52:44
  Speaker 2: my ability.
• 52:45
  Speaker 1: Oh God, I don't like hearing that. Here my rock man,
• 52:48
  Speaker 1: come on, okay.
• 52:52
  Speaker 2: Starts with a sweeping view of water as we zoom
• 52:56
  Speaker 2: in on land. Joel Schumacher horror. Uh Staple apparently, so
• 53:06
  Speaker 2: you did mess me up.
• 53:07
  Speaker 1: Sorry.
• 53:09
  Speaker 2: So it starts, it zooms in on Nelson keeper Sutherland.
• 53:12
  Speaker 2: I'm gonna call them by their actor names because the
• 53:14
  Speaker 2: names get confusing. There's so many people. Starts with keep
• 53:18
  Speaker 2: for Sutherland's character saying today is a good day to
• 53:20
  Speaker 2: die and smiling and then walking off.
• 53:23
  Speaker 3: It's a very crisp fall day.
• 53:25
  Speaker 2: If you if you've ever seen sat Almo's Fire, just
• 53:28
  Speaker 2: put it in a spooky or serious atmosphere. I mean,
• 53:31
  Speaker 2: different kind of series, you know what I'm saying. And
• 53:35
  Speaker 2: it's like the same kind of vibe cinematography wise up
• 53:41
  Speaker 2: to this point. So we then get introduced to David,
• 53:47
  Speaker 2: who is Kevin Bacon, and he is running around in
• 53:51
  Speaker 2: a hospital. He is trying to help a woman, uh
• 53:54
  Speaker 2: stay alive. They are trying to run down to the
• 54:00
  Speaker 2: down to the O R but they can't get there
• 54:02
  Speaker 2: fast enough. So he's like, Okay, we're just gonna do
• 54:04
  Speaker 2: it here, and the nurse ses who's going to perform
• 54:05
  Speaker 2: this surgery?
• 54:06
  Speaker 3: And he's like I am, and uh, She's like.
• 54:10
  Speaker 2: You can't do that and he's like, well, I'm already
• 54:12
  Speaker 2: doing it, which is totally what you want to hear
• 54:15
  Speaker 2: the doctor say while you're bleeding.
• 54:18
  Speaker 1: Out, And I was telling you when they were bringing
• 54:20
  Speaker 1: them in, I'm like, could you imagine being in a
• 54:21
  Speaker 1: hospital where you know you're on like the verge of
• 54:24
  Speaker 1: life or death and people are just screaming all around you.
• 54:26
  Speaker 1: That is not going to help my anxiety if I'm
• 54:28
  Speaker 1: about to die. Yeah, fucking everyone wants a whisper, please.
• 54:31
  Speaker 2: So then we meet Rachel, Joe and Randy, Julia Roberts,
• 54:36
  Speaker 2: William Baldwin, and Oliver Platt, who are all in the
• 54:40
  Speaker 2: gross anatomy class where there are working and also for
• 54:45
  Speaker 2: some reason key for Sutherland's characters there, like some of
• 54:49
  Speaker 2: these characters are ping ponging all over the place in
• 54:51
  Speaker 2: the beginning of this film, like how many hours are
• 54:55
  Speaker 2: in a day in this world? And they're all kind
• 54:59
  Speaker 2: of to talking. Joe is creepily hitting on Rachel, asking
• 55:04
  Speaker 2: if she has a man, and she's like, why the
• 55:07
  Speaker 2: She's like, why the fuck does it even matter? And
• 55:10
  Speaker 2: so he shows her the UH Corps's penis, which is
• 55:15
  Speaker 2: extremely respectful to the dead person, and she he says,
• 55:20
  Speaker 2: what's this and she goes your brain hilarious. Yeah. So
• 55:27
  Speaker 2: then Nelson is talking to all of them, trying to
• 55:30
  Speaker 2: like say, hey, are you in are you out? And
• 55:32
  Speaker 2: they're all like, Nope, we're out. We're not doing this.
• 55:35
  Speaker 2: Not it's a stupid idea. We're not doing this. And
• 55:39
  Speaker 2: then and then.
• 55:43
  Speaker 3: We cut to Rachel who is.
• 55:46
  Speaker 2: She's like sitting with people talking to them about near
• 55:49
  Speaker 2: death experiences, like she's in this hospital, she's in gross anatomy,
• 55:53
  Speaker 2: she's back in this hospital. Like, I don't know what
• 55:55
  Speaker 2: this woman's doing all day, just kind of discussing near
• 55:59
  Speaker 2: death experience is with these three random people. And then
• 56:04
  Speaker 2: we see Nelson talking to David, who is for some reason,
• 56:09
  Speaker 2: oh jaysum is a setup for having that climbing axe
• 56:12
  Speaker 2: in the back of his uh like truck which is
• 56:15
  Speaker 2: a fly is a literal like military truck with the
• 56:19
  Speaker 2: flat back fabric top thing.
• 56:22
  Speaker 1: Yeah, it's it's like fucking not even it's like a tarp. Yeah.
• 56:25
  Speaker 2: Like did you go to the Army surplus and they
• 56:27
  Speaker 2: were selling their trucks.
• 56:29
  Speaker 1: Like right, like we're going out of business here, do
• 56:30
  Speaker 1: you want our truck fifty? Yeah?
• 56:32
  Speaker 2: So for some reason he is throwing his stuff out
• 56:36
  Speaker 2: of a window and scales like rock climbing rope, tie
• 56:40
  Speaker 2: scales down the buildingsary like, how extra do you need
• 56:45
  Speaker 2: to be very dramatic because they are suspending him from
• 56:49
  Speaker 2: school for performing the surgery earlier in the day.
• 56:52
  Speaker 1: Oh man, And.
• 56:54
  Speaker 2: He also says, fuck no, I'm not doing this. I'm
• 56:58
  Speaker 2: not helping you with this whole crazy.
• 57:01
  Speaker 3: Scheme and a bunch of.
• 57:06
  Speaker 2: And then we cut over to Joe, who is banging
• 57:10
  Speaker 2: some woman in his apartment, and we see that he
• 57:14
  Speaker 2: is He's the only one, I think who is agreed
• 57:17
  Speaker 2: to help even though he thinks the idea is crazy.
• 57:20
  Speaker 1: And yeah, yeah, so uh, which we.
• 57:25
  Speaker 2: Haven't gotten to the idea, but we'll get there in
• 57:26
  Speaker 2: a second, and key for Sutherland's character calls over the uh,
• 57:34
  Speaker 2: oh my god, I forgot the word telephone, not the telephone, voicemail.
• 57:41
  Speaker 1: Word.
• 57:41
  Speaker 2: I can't think of the word.
• 57:43
  Speaker 3: Answering machine.
• 57:46
  Speaker 2: What are you answering machines? So the answering machine goes off, Well,
• 57:53
  Speaker 2: he Joe's banging this girl, and you can hear Keifer
• 57:58
  Speaker 2: saying something about like, don't forget your camera tonight and
• 58:01
  Speaker 2: she says, what camera? And I that's I don't know
• 58:04
  Speaker 2: why I didn't process till now that was them insinuating
• 58:07
  Speaker 2: that she had no idea she's being filmed.
• 58:09
  Speaker 1: Yeah, but it's like she wouldn't know that because he
• 58:13
  Speaker 1: was just saying like, don't forget the camera. She's like,
• 58:15
  Speaker 1: what camera? Like, what does it matter to you? What camera?
• 58:17
  Speaker 1: It's not this has nothing to do with what you
• 58:20
  Speaker 1: know what I mean. So it was weird.
• 58:20
  Speaker 2: It's legit only a setup for Joe's arc.
• 58:23
  Speaker 1: Oh no, I know, because well you can see he
• 58:25
  Speaker 1: he's like looking into the camera while he's having sex
• 58:28
  Speaker 1: with his chick like, yeah, look at me, I'm gonna
• 58:30
  Speaker 1: watch this later, and fucking you know. Yeah, that's that's
• 58:34
  Speaker 1: not weird at all.
• 58:36
  Speaker 2: He has a whole collection of these, So it's.
• 58:39
  Speaker 1: It's essentially what it reminds me of. It's a crossover
• 58:41
  Speaker 1: between Robin Scherbotsky and Dennis from Sunny and Philly, because
• 58:46
  Speaker 1: Dennis does the same thing with women where he records
• 58:49
  Speaker 1: them and keeps them in this whole archive, and then
• 58:51
  Speaker 1: Robin Scherbotsky on how much your mother would do that thing,
• 58:53
  Speaker 1: which she would wink to herself in the future while
• 58:55
  Speaker 1: she was doing it with someone, And you're like, what
• 58:58
  Speaker 1: is the what's the I don't understand this is this
• 59:01
  Speaker 1: just like, is that something that works for people? I
• 59:04
  Speaker 1: don't know.
• 59:05
  Speaker 2: That feels really weird.
• 59:06
  Speaker 1: It's super weird. So I just I thought that was funny,
• 59:08
  Speaker 1: though I'm like, I don't, I don't know who enjoys this,
• 59:10
  Speaker 1: but it's weird. So he's a shit bag right off
• 59:12
  Speaker 1: the start. I did not like him.
• 59:14
  Speaker 2: Yeah. Yeah, So, despite everyone saying we're not doing this shockingly,
• 59:20
  Speaker 2: one by one they all show up to what is
• 59:23
  Speaker 2: a It looks like a church that's been abandoned, but
• 59:26
  Speaker 2: it's like under renovation. Yeah, and notice the guy's renovating
• 59:32
  Speaker 2: it in the beginning of the film.
• 59:33
  Speaker 1: Oh no, I must have missed they were.
• 59:34
  Speaker 2: That's why there's all that construction.
• 59:36
  Speaker 1: So where the fuck were they the entire movie?
• 59:39
  Speaker 2: They were only doing this at night.
• 59:40
  Speaker 1: Yeah, I guess that's true.
• 59:42
  Speaker 3: So what they've discussed.
• 59:44
  Speaker 2: Is Nelson has a brilliant, fucking brilliant idea that they
• 59:50
  Speaker 2: are going to uh stop his heart for thirty seconds
• 59:55
  Speaker 2: and then wait or stop his heart wait thirty seconds
• 59:58
  Speaker 2: bring him back. I think in total it the process
• 1:00:02
  Speaker 2: should take a minute before they bring him back to life.
• 1:00:06
  Speaker 1: Something like that. He goes to these very detailed instructions.
• 1:00:09
  Speaker 3: But you're not going to repeat it because that was
• 1:00:10
  Speaker 3: a lot.
• 1:00:11
  Speaker 1: No no, but it's it sounds great like on paper.
• 1:00:14
  Speaker 2: Yeah, because he believes that they're if he can have
• 1:00:17
  Speaker 2: a near death experience, he's gonna see things on the
• 1:00:20
  Speaker 2: other side.
• 1:00:20
  Speaker 1: Well, they're they're doing this is you know, to know
• 1:00:22
  Speaker 1: to answer the question like what is what is a
• 1:00:25
  Speaker 1: what's out there? Man?
• 1:00:26
  Speaker 2: It's fucking It's like English majors go to medical school,
• 1:00:31
  Speaker 2: like what is the meaning of life? Like, shut up
• 1:00:35
  Speaker 2: and do your homework. Yeah, it's no portentious, but they
• 1:00:41
  Speaker 2: do it.
• 1:00:41
  Speaker 3: They bring him back.
• 1:00:44
  Speaker 2: And while he but while he's out, he sees this
• 1:00:48
  Speaker 2: field of flowers. He sees these kids that look like
• 1:00:52
  Speaker 2: they're running and laughing.
• 1:00:54
  Speaker 1: Uh, there's a dog too, cute dog.
• 1:00:56
  Speaker 2: And it turns kind of dark blue like then it
• 1:00:59
  Speaker 2: turns into an and there's this tree and this wind
• 1:01:02
  Speaker 2: and then it's kind of over and then he kind
• 1:01:06
  Speaker 2: of talks about the experience in a positive way and
• 1:01:09
  Speaker 2: how he thought that was really crazy, and you know,
• 1:01:15
  Speaker 2: he he sins there's something else, something more. So while
• 1:01:20
  Speaker 2: they're all kind of celebrating that this worked and talking
• 1:01:22
  Speaker 2: about it and talking about how he's going to be
• 1:01:25
  Speaker 2: famous and whatnot, and they're filming the whole thing for posterity,
• 1:01:32
  Speaker 2: and they all go inside this convenience store. He is
• 1:01:38
  Speaker 2: sitting on the back of the army surplus truck of David's,
• 1:01:42
  Speaker 2: and the whole alleyway turns blue. There's this really amazing
• 1:01:47
  Speaker 2: thing they do with like then the lights churn an
• 1:01:49
  Speaker 2: aggressive color. It's mostly blue. In one instance it's red.
• 1:01:53
  Speaker 2: You know, they're kind of experiencing something otherworldly. So then
• 1:01:57
  Speaker 2: he starts to see this dog crying and dragging its legs,
• 1:02:02
  Speaker 2: like like it can't walk, dragging its legs towards him,
• 1:02:06
  Speaker 2: and he starts to notice it and like sees it,
• 1:02:09
  Speaker 2: and as it comes into focus, he says, champ and
• 1:02:14
  Speaker 2: then his friend yeah, And then his friends come back out. Well,
• 1:02:19
  Speaker 2: Rachel and Joe were inside. They had a discussion about
• 1:02:23
  Speaker 2: who would go next. Rachel is determined she wants to
• 1:02:26
  Speaker 2: go next. She's gonna go for like a minute or something,
• 1:02:29
  Speaker 2: and he says, well, I'm going to go for a
• 1:02:30
  Speaker 2: minute thirty And they pretty much get into a little
• 1:02:35
  Speaker 2: contest till uh she or till she doesn't feel like
• 1:02:40
  Speaker 2: she can go as far as he's going. So he's
• 1:02:42
  Speaker 2: kind of forcing his way in front of her.
• 1:02:45
  Speaker 1: So, which is weird because they did that a few times,
• 1:02:48
  Speaker 1: and I was wondering for what.
• 1:02:50
  Speaker 2: Reason, Because all of those boys had a crush on
• 1:02:53
  Speaker 2: that girl and they didn't want the girl to be
• 1:02:55
  Speaker 2: in danger, so they were all being chivalrous despite nobody
• 1:02:59
  Speaker 2: asking them to be.
• 1:03:01
  Speaker 1: I mean, that's nice of them, chivalry.
• 1:03:05
  Speaker 3: It's not actually that nice.
• 1:03:06
  Speaker 2: Off, she's in thet all of her own decisions and
• 1:03:08
  Speaker 2: you're forcing her out of her control.
• 1:03:10
  Speaker 1: That is kind of like gaslighting, I guess, and a
• 1:03:13
  Speaker 1: weird way it is, you know, like I guess.
• 1:03:16
  Speaker 2: Yeah, it's it's a weird control over that person. Yeah,
• 1:03:23
  Speaker 2: it's it's not letting her have bodily autonomy, is what
• 1:03:25
  Speaker 2: it is?
• 1:03:26
  Speaker 1: There, You go, that's a fancy way to say. I
• 1:03:27
  Speaker 1: like that.
• 1:03:27
  Speaker 2: Yeah, So Joe finally goes, Uh, what's interesting is you
• 1:03:32
  Speaker 2: don't immediately know that Joe's going in the first place. Yeah,
• 1:03:40
  Speaker 2: because what you're getting is and it looks completely different
• 1:03:43
  Speaker 2: from Nelson's point of view what he saw, because you're
• 1:03:49
  Speaker 2: just kind of seeing the stream of images from like
• 1:03:51
  Speaker 2: what looks like a water berth, like from the point
• 1:03:54
  Speaker 2: of view of the kid being picked up by the
• 1:03:56
  Speaker 2: nurse to a boob to.
• 1:03:59
  Speaker 1: Boo just pans across random naked women.
• 1:04:02
  Speaker 2: I was like, okay, but it's this very weird series
• 1:04:06
  Speaker 2: where the at first it's being hell like from the
• 1:04:09
  Speaker 2: point of view of a baby, but then it like
• 1:04:11
  Speaker 2: the people keep getting progressively older, like you're seeing it
• 1:04:15
  Speaker 2: through someone else's perspective as they grow up. But I
• 1:04:17
  Speaker 2: thought was interesting is when this happens, the camera goes
• 1:04:22
  Speaker 2: from being underneath like kind of worms eye view lower
• 1:04:27
  Speaker 2: to when they're old enough to stand and walk. It's
• 1:04:29
  Speaker 2: from Joe's perspective. He's always kind of over the women,
• 1:04:34
  Speaker 2: on top of them, leaning over them, just not quite
• 1:04:38
  Speaker 2: looking at their chest, but looking down at them in
• 1:04:40
  Speaker 2: a very objective kind of way.
• 1:04:42
  Speaker 1: Well, and there was even some camera angles like that
• 1:04:44
  Speaker 1: were like looking at their boove from up top, and
• 1:04:46
  Speaker 1: I was like, this is so unnecessary.
• 1:04:47
  Speaker 3: Yeah, kind of I get it. So he comes back out.
• 1:04:51
  Speaker 3: He says.
• 1:04:54
  Speaker 2: He can't really describe what he experienced, but he explains
• 1:04:58
  Speaker 2: like kind of he's very very vague.
• 1:05:00
  Speaker 3: Everyone's kind of quiet about what they were seeing.
• 1:05:03
  Speaker 1: Yeah, and.
• 1:05:05
  Speaker 3: While this is happening now, so Nelson has.
• 1:05:08
  Speaker 2: Been has experienced the dog, and now he's starting to
• 1:05:11
  Speaker 2: experience this kid coming in, Yeah, billy who's I don't
• 1:05:17
  Speaker 2: know something, who keeps coming in and attacking him. Joe
• 1:05:24
  Speaker 2: starts to notice these women showing up on screens everywhere,
• 1:05:29
  Speaker 2: and there are these clips of these women who are
• 1:05:33
  Speaker 2: from his videos and saying things like I trusted you
• 1:05:38
  Speaker 2: and you said we were something special, basically like the
• 1:05:42
  Speaker 2: bullshit things that guys say to women to sleep with them.
• 1:05:46
  Speaker 2: And then you also find out Joe's actually engaged and
• 1:05:50
  Speaker 2: he has this whole So he's watching his engagement video,
• 1:05:55
  Speaker 2: which is set in with all of his recordings.
• 1:05:58
  Speaker 1: Of women, which is so great, oh sins.
• 1:06:02
  Speaker 2: And he is crying because you can tell that he
• 1:06:08
  Speaker 2: is clearly going through something and starting to really experience
• 1:06:12
  Speaker 2: how he's treated women and starting to feel guilt over
• 1:06:16
  Speaker 2: that treatment because when he'd like, because his near death
• 1:06:19
  Speaker 2: experience was every woman he's ever come into contact with
• 1:06:22
  Speaker 2: in his life.
• 1:06:23
  Speaker 1: Yeah, And I thought I really thought that the engagement
• 1:06:27
  Speaker 1: video was like a prior thing and maybe the wife
• 1:06:30
  Speaker 1: had died at first, until she called him while he
• 1:06:33
  Speaker 1: was watching the engagement video and I was like, oh,
• 1:06:35
  Speaker 1: this is happening currently, because I thought he was like,
• 1:06:38
  Speaker 1: for like a split second, he was like using all
• 1:06:40
  Speaker 1: his women to kind of get over the you know,
• 1:06:43
  Speaker 1: maybe like something. Yeah, that's what I thought until, like
• 1:06:45
  Speaker 1: I said, she called, I was like, oh this is
• 1:06:47
  Speaker 1: happening now, Oh no, this is not good. So yeah,
• 1:06:49
  Speaker 1: he's really feeling guilty about doing what he's done.
• 1:06:53
  Speaker 2: Yeah, so this is what he's been experiencing, and that's
• 1:06:56
  Speaker 2: what Nelson's been experiencing. And they're not saying anything to anyone.
• 1:06:59
  Speaker 2: They're keeping this stuff to themselves. And so then the
• 1:07:03
  Speaker 2: only person who thinks like he continues to think that
• 1:07:07
  Speaker 2: this is bullshit. They're not believing anything. Rachel wants to
• 1:07:11
  Speaker 2: try to go again, and Kevin Bacon David sorry, Kevin
• 1:07:16
  Speaker 2: Bacon does exactly what Joe does. He keeps one upping
• 1:07:23
  Speaker 2: her until she doesn't feel comfortable anymore. Like they're in
• 1:07:28
  Speaker 2: the two to three minute range now, and it's really
• 1:07:33
  Speaker 2: starting to piss her off. So she leaves and he
• 1:07:36
  Speaker 2: kind of chases after her, and she's like, yeah, this
• 1:07:39
  Speaker 2: chivalry bullshit you're all doing because at this point now
• 1:07:42
  Speaker 2: he's hitting on her. Nelson's hit on her at one point,
• 1:07:45
  Speaker 2: Joe's hit on her at one point The only first
• 1:07:47
  Speaker 2: thing doesn't hit on her is Alliver plat Scar Randy.
• 1:07:50
  Speaker 1: Yeah, I don't think he does.
• 1:07:53
  Speaker 2: And uh Randy's like the warrior and the voice of
• 1:07:57
  Speaker 2: reason and he's but he's also super cureis just why
• 1:08:00
  Speaker 2: he stays. But so he one ups her and he's like,
• 1:08:06
  Speaker 2: I'm going next. If anything, I have to go because
• 1:08:10
  Speaker 2: I'm I don't believe in anything, so I don't think
• 1:08:13
  Speaker 2: there's gonna be anything here. So they are going to
• 1:08:18
  Speaker 2: start his test. Neilson comes in looking like he's been
• 1:08:23
  Speaker 2: beat to shit. They're like, what the fuck happened to you?
• 1:08:26
  Speaker 2: And he's like, oh, these big burly guys jumped me.
• 1:08:28
  Speaker 2: Except it's this child who seems to be attached to
• 1:08:33
  Speaker 2: whatever he was imagining or whatever he saw, which.
• 1:08:37
  Speaker 3: Is weird experience.
• 1:08:39
  Speaker 1: It's it's clearly like the kid is a ghost, but
• 1:08:42
  Speaker 1: it's have you know, it's actually interacting and touching him
• 1:08:46
  Speaker 1: and hurting him. So you're like, I don't what is
• 1:08:48
  Speaker 1: is this real?
• 1:08:49
  Speaker 2: Yeah?
• 1:08:50
  Speaker 1: Or is he a ghost? Like you don't really know
• 1:08:51
  Speaker 1: until obviously you find out what happens towards the end.
• 1:08:55
  Speaker 1: But it was just kind of weird. You don't really
• 1:08:56
  Speaker 1: know what's going on?
• 1:08:57
  Speaker 3: Yeah, And then we.
• 1:08:58
  Speaker 2: Get over to David, who goes through his experience. It's
• 1:09:03
  Speaker 2: really interesting because from his perspective, it's mostly like the
• 1:09:07
  Speaker 2: world and seeing the events of his day and seeing
• 1:09:10
  Speaker 2: the events of time. It's all very like literal, it's
• 1:09:12
  Speaker 2: not very spiritual. It's almost like watching a recording of
• 1:09:16
  Speaker 2: what we've just seen. And then it kind of cuts
• 1:09:20
  Speaker 2: to this like girl. We keep seeing this little black girl,
• 1:09:24
  Speaker 2: braids in her hair, dressed in like a school uniform,
• 1:09:28
  Speaker 2: and so we don't know what that's about. But they
• 1:09:32
  Speaker 2: bring him back with some struggle, and then he starts
• 1:09:39
  Speaker 2: to see this small black girl who is just like
• 1:09:44
  Speaker 2: saying all sorts of mean and nasty things, and he's confused.
• 1:09:48
  Speaker 1: And didn't you didn't you just say that? Though?
• 1:09:51
  Speaker 2: Yeah, but I'm saying, like, now he's starting to see
• 1:09:53
  Speaker 2: oh awake, he like he's on the subway, and then
• 1:09:58
  Speaker 2: he sees this girl in this and she starts yelling
• 1:10:01
  Speaker 2: all kinds of obscenities at him, and he's really confused
• 1:10:04
  Speaker 2: and he doesn't know what's going on, and but he
• 1:10:08
  Speaker 2: doesn't again, he doesn't say anything. Everybody's still experiencing all
• 1:10:12
  Speaker 2: this strange stuff. And nobody's saying anything, so we finally
• 1:10:16
  Speaker 2: Rachel refuses because Nelson decides he wants to go again,
• 1:10:22
  Speaker 2: and Rachel says, if she doesn't get to go, she's
• 1:10:24
  Speaker 2: out completely, she's not coming back, and all the other
• 1:10:28
  Speaker 2: guys stand with her. Nelson goes on a full ego trip,
• 1:10:31
  Speaker 2: just like I brought you in on this, and now
• 1:10:33
  Speaker 2: you're trying to horn in on my thing, and you're like, bro,
• 1:10:35
  Speaker 2: you you couldn't have done it without any of us,
• 1:10:37
  Speaker 2: Like what the fuck?
• 1:10:38
  Speaker 1: Right?
• 1:10:40
  Speaker 2: Nice that came out of nowhere? So she gets to go,
• 1:10:49
  Speaker 2: and unlike everybody else's who's been in like this blue,
• 1:10:53
  Speaker 2: hers is in this reddish tent. She's experiencing the day
• 1:10:56
  Speaker 2: her dad came home from war and really, yeah, welcome
• 1:11:02
  Speaker 2: home daddy signs and everything.
• 1:11:04
  Speaker 1: Oh geez, I must have been taking notes or something.
• 1:11:06
  Speaker 2: Yeah, and this party, and then like how happy she
• 1:11:10
  Speaker 2: is to see her father, and then this day that
• 1:11:13
  Speaker 2: she goes up to this room that he's in, she
• 1:11:15
  Speaker 2: sees his back, and then when she tries to go in,
• 1:11:19
  Speaker 2: and as she's trying to go in, her mother stops
• 1:11:21
  Speaker 2: her and is screaming at her.
• 1:11:23
  Speaker 3: And yelling, this is all your fault.
• 1:11:25
  Speaker 2: Well, her father runs past and kills himself in the
• 1:11:30
  Speaker 2: truck outside their home. Yeah, and so she's clearly very
• 1:11:35
  Speaker 2: shaken by this whole thing. Well, they're all and this
• 1:11:39
  Speaker 2: is when it starts to come out what everybody else
• 1:11:43
  Speaker 2: has been experiencing. And the guy and everyone kind of
• 1:11:46
  Speaker 2: starts to talk to each other except for Nelson, who,
• 1:11:49
  Speaker 2: while he explains this kid who he's not sure like
• 1:11:52
  Speaker 2: he's being really vague about it, keeps beating him up
• 1:11:55
  Speaker 2: in all of her platts like, I'm sorry, these guys
• 1:11:59
  Speaker 2: are seeing things, but you physically experienced this.
• 1:12:04
  Speaker 3: And while.
• 1:12:06
  Speaker 2: David gets really upset he goes about this, he goes
• 1:12:09
  Speaker 2: to check on Rachel, who is in the bathroom and
• 1:12:12
  Speaker 2: suddenly seeing visions of her father. I'm not gonna spoil
• 1:12:16
  Speaker 2: this because I don't know.
• 1:12:17
  Speaker 1: Yeah. Yeah.
• 1:12:19
  Speaker 2: So then David starts to kind of work this out
• 1:12:23
  Speaker 2: that maybe there's something they need to do and these
• 1:12:25
  Speaker 2: aren't these experiences are more like things they regret in
• 1:12:31
  Speaker 2: their lives, and maybe they need to figure out how
• 1:12:33
  Speaker 2: to address those and come to terms with those in
• 1:12:36
  Speaker 2: order to break away from these things that are now
• 1:12:40
  Speaker 2: haunting each of them. Except for all of her plaid,
• 1:12:44
  Speaker 2: who's the only one who did not do it.
• 1:12:46
  Speaker 1: Because smartest guy man, smartest, smartest fucking guy in the
• 1:12:49
  Speaker 1: whole team.
• 1:12:50
  Speaker 2: Yeah, that's why he's my favorite.
• 1:12:52
  Speaker 1: I'd be like, I'd be like, I'll help out. I'm
• 1:12:54
  Speaker 1: not fucking doing that.
• 1:12:55
  Speaker 2: No, Yeah, not happening. And I think my only issue
• 1:13:02
  Speaker 2: was that, like Joe, who's a real son of bitch,
• 1:13:05
  Speaker 2: she's been recording these women, he's clearly haunted by this. Well,
• 1:13:07
  Speaker 2: his fiance does, in fact find out that he's been
• 1:13:11
  Speaker 2: cheating on her.
• 1:13:12
  Speaker 3: This whole time.
• 1:13:13
  Speaker 2: But what I absolutely love in is fucking revolutionary for
• 1:13:18
  Speaker 2: nineteen ninety. She's like, I'm not even breaking up with
• 1:13:21
  Speaker 2: you because you're cheating on me. I'm breaking up with
• 1:13:24
  Speaker 2: you because you did this to so many women. It's
• 1:13:27
  Speaker 2: so disgusting. She's like, if you cheated on me with
• 1:13:30
  Speaker 2: a person who you cared about, that would be one thing,
• 1:13:33
  Speaker 2: but the fact that you grossly filmed all these women
• 1:13:36
  Speaker 2: without their consent is so nasty. I'm leaving weird and
• 1:13:39
  Speaker 2: they're like, Wow, a woman who's not like how could
• 1:13:42
  Speaker 2: you do this to me, but like, how could you
• 1:13:44
  Speaker 2: do this to them? Damn? But I really feel like
• 1:13:50
  Speaker 2: they didn't really wrap off his storyline. I felt like
• 1:13:53
  Speaker 2: they could have done that a little bit more, probably,
• 1:13:55
  Speaker 2: whereas everybody else kind of got a resolution. I would
• 1:13:58
  Speaker 2: have really liked to have more Randy's character are in there,
• 1:14:00
  Speaker 2: like what was going on.
• 1:14:01
  Speaker 3: With his life?
• 1:14:02
  Speaker 2: Yeah, makes sense, but I don't think they had the time.
• 1:14:05
  Speaker 2: I guess it was.
• 1:14:06
  Speaker 1: Already a two hour movie.
• 1:14:08
  Speaker 2: Yeah.
• 1:14:08
  Speaker 1: Yeah, they definitely fed a lot of shit in there.
• 1:14:12
  Speaker 1: I I really enjoyed the because I mean, I you know,
• 1:14:15
  Speaker 1: I didn't really read the synopsis. I just knew it
• 1:14:17
  Speaker 1: was something about you told me the brief thing about
• 1:14:20
  Speaker 1: there's a group of kids kill killing literally killing themselves
• 1:14:23
  Speaker 1: to find out what's after death, but the fact that
• 1:14:26
  Speaker 1: all of them had something come back to from their
• 1:14:28
  Speaker 1: past to kind of haunt them, and it crept into
• 1:14:30
  Speaker 1: the real world and didn't go away until they resolved,
• 1:14:36
  Speaker 1: you know, or like came to terms with it. You know,
• 1:14:38
  Speaker 1: some people had to apologize. One person had to like
• 1:14:42
  Speaker 1: literally you know what I mean, like so they had.
• 1:14:43
  Speaker 3: To face the fear.
• 1:14:45
  Speaker 1: There we go, Jesus, I can't fucking word, so face
• 1:14:47
  Speaker 1: your fear or you know, fess up to what you did.
• 1:14:49
  Speaker 1: So it's just kind of cool. I didn't. I didn't
• 1:14:51
  Speaker 1: see that coming or you know, I didn't really expect that.
• 1:14:54
  Speaker 1: So I thought that was very interesting and it was
• 1:14:56
  Speaker 1: very creepy too, because and how they did it with
• 1:14:59
  Speaker 1: the lighting. You know, when someone to seeing something because
• 1:15:01
  Speaker 1: it you know, it's bright blue. It's it's so gorgeous.
• 1:15:04
  Speaker 1: The blues in this movie are so pretty. So that's
• 1:15:06
  Speaker 1: how you know when something crazy is happening. And then
• 1:15:10
  Speaker 1: except Virgulia Roberts twitch do we just did we discuss
• 1:15:13
  Speaker 1: why we thought hers was red because it wasn't directly her.
• 1:15:17
  Speaker 2: What I told you last night why it was red.
• 1:15:20
  Speaker 1: I mean you speculated, yeah, hers is.
• 1:15:23
  Speaker 2: Everybody else's is blue because they are guilty of something.
• 1:15:27
  Speaker 1: You think that that would be red though it's just
• 1:15:29
  Speaker 1: a menacing color.
• 1:15:32
  Speaker 2: I'm not in charge of the lighting, uh, whereas with her,
• 1:15:38
  Speaker 2: she was not directly responsible for the things that were
• 1:15:41
  Speaker 2: haunting her. Yes, so it was it was a different
• 1:15:46
  Speaker 2: kind of vibe, like you kind of knew with the
• 1:15:48
  Speaker 2: blue light, like it was a nice visual way to
• 1:15:51
  Speaker 2: indicate that what's going on with her is not the
• 1:15:53
  Speaker 2: same as what's going on with everybody else. They had
• 1:15:56
  Speaker 2: to take responsibility. She had to let go of that
• 1:16:00
  Speaker 2: that burden that she'd been holding on to for such
• 1:16:02
  Speaker 2: a long time.
• 1:16:03
  Speaker 1: Yeah, okay, there you go. You said it better you
• 1:16:05
  Speaker 1: usually do. Yeah. And then the progression too, for me,
• 1:16:09
  Speaker 1: was really fun. It kind of just unravels slowly into
• 1:16:12
  Speaker 1: madness until the resolution happens and everything's all you know,
• 1:16:15
  Speaker 1: peach keen or as good as it can be. So
• 1:16:17
  Speaker 1: it's just a very well done movie. Surprised me. I
• 1:16:20
  Speaker 1: feel like the rating on is a little bit lower
• 1:16:21
  Speaker 1: than it should be, but I don't know that it's
• 1:16:23
  Speaker 1: probably just me. So overall, I really enjoy even with
• 1:16:27
  Speaker 1: the two hour Like, you know, time, what am I
• 1:16:30
  Speaker 1: trying to say? Time? Limit? Run? What am I saying?
• 1:16:33
  Speaker 2: Runtime?
• 1:16:34
  Speaker 1: My god, I'm tired? Run time. I didn't really feel
• 1:16:37
  Speaker 1: like two hours. I remember the first time that we
• 1:16:38
  Speaker 1: paused for you top was like an hour and ten
• 1:16:41
  Speaker 1: minutes in.
• 1:16:41
  Speaker 2: And I was like, I gotta tell everybody I had
• 1:16:43
  Speaker 2: to go to the bathroom.
• 1:16:44
  Speaker 1: You go a lot, man, So yeah, I didn't feel
• 1:16:46
  Speaker 1: like two hours. And I mean the Stellar cast. You
• 1:16:49
  Speaker 1: have such an amazing cast in this. Everyone in here
• 1:16:52
  Speaker 1: is awesome and they do very well of a very
• 1:16:53
  Speaker 1: good job. So I quite thoroughly enjoyed this. I heard
• 1:16:56
  Speaker 1: the remake is not great, but I still want to
• 1:16:58
  Speaker 1: watch it just so I can compare. But I've heard
• 1:17:01
  Speaker 1: it's it's just completely shit. So taglines or mid post
• 1:17:06
  Speaker 1: credits scene, I didn't see any taglines. It's beautiful, it's erotic,
• 1:17:10
  Speaker 1: it's terrifying. They know they've crossed the line. It's a
• 1:17:13
  Speaker 1: very long tagline. I like the second one, which just
• 1:17:16
  Speaker 1: says some lines shouldn't be cross I like that a lot. Trivia.
• 1:17:20
  Speaker 1: Julia Roberts and Keifer Sutherland started dating during filming. They
• 1:17:23
  Speaker 1: ended up engaged, but Roberts ultimately broke it off and married.
• 1:17:27
  Speaker 1: You said it was his best friend or some best man.
• 1:17:30
  Speaker 1: The best man. Lyle love it, so that's fun. Keifer
• 1:17:34
  Speaker 1: Sutherland described this movie as the Brits.
• 1:17:36
  Speaker 2: No, it wasn't Lyle love it. They like it was
• 1:17:38
  Speaker 2: a brief thing. She ran off to date the guy
• 1:17:40
  Speaker 2: and then later married Lyle whatever.
• 1:17:44
  Speaker 1: Keifer Sutherland describes this movie as the Breakfast Club Dies
• 1:17:48
  Speaker 1: and Saint Elmo's Funeral jokingly in a Fangoria interview, and
• 1:17:51
  Speaker 1: Val Kilmer turned down the role of Nelson Wright, which
• 1:17:55
  Speaker 1: was Keifer Sutherland's character let's see hyah goofs Yes. Uh,
• 1:18:01
  Speaker 1: we see Nelson take potassium chloride from the bottle and
• 1:18:03
  Speaker 1: injected into his right arm. But the way one does
• 1:18:05
  Speaker 1: it is to draw the blood from the arm into
• 1:18:08
  Speaker 1: the syringe where it mixes with the blood. Then the
• 1:18:10
  Speaker 1: whole mixer is injected back to the body. Medical student
• 1:18:12
  Speaker 1: should know this, just saying when the camera zooms into
• 1:18:16
  Speaker 1: the into the ekg metor you can clearly see the
• 1:18:18
  Speaker 1: camera and clue, my god, camera and crew reflected in
• 1:18:23
  Speaker 1: the glass of the monitor. And there's actually another one too,
• 1:18:26
  Speaker 1: when they're outside of Kevin Bacon's car when you can
• 1:18:30
  Speaker 1: see the camera when it zooms in, So there's a couple. Uh,
• 1:18:33
  Speaker 1: you can see the crew a few times. And then
• 1:18:38
  Speaker 1: there's so many scenes in this movie, like one of
• 1:18:41
  Speaker 1: them is where they're in the cemetery with someone's chasing Nelson.
• 1:18:45
  Speaker 1: The spooky mist is obviously coming from smoke pots located
• 1:18:48
  Speaker 1: around set like every single yep, but every single set
• 1:18:51
  Speaker 1: on this fucking movie was just like on fire. I
• 1:18:53
  Speaker 1: don't get it.
• 1:18:54
  Speaker 2: Okay, Yeah, that's why I need to show you say
• 1:18:57
  Speaker 2: Noble's fire because that is a literal like drama. Whatever
• 1:19:01
  Speaker 2: I don't even know how you described that film, but
• 1:19:03
  Speaker 2: it's like totally different vibe, same shit. He loves doing those,
• 1:19:07
  Speaker 2: especially in Fall because that movie's also set in fall.
• 1:19:10
  Speaker 1: Okay, apparently this is a person who's flat line cannot
• 1:19:14
  Speaker 1: be revived with a defibrillator. I don't know how true
• 1:19:16
  Speaker 1: that is, but that's what the trivia says, but I'm
• 1:19:18
  Speaker 1: not going to trust that. And then, last, but not least,
• 1:19:20
  Speaker 1: in the bathroom. See, there's a bathroom scene with Rachel
• 1:19:22
  Speaker 1: and her father. The walls can be seen sliding back
• 1:19:24
  Speaker 1: in order to make the set bigger for the three
• 1:19:27
  Speaker 1: sixty degree cameras camera sweep. It was really obvious. Was
• 1:19:31
  Speaker 1: literally the walls just start pushing back, and I was like, oh,
• 1:19:33
  Speaker 1: that's remember me. I was like, Oh, that's fun. That's
• 1:19:36
  Speaker 1: a weird effect. Six point five out of ten on IMDb,
• 1:19:39
  Speaker 1: three point one out of five on Letterbox. I gave
• 1:19:41
  Speaker 1: it a four. I quite enjoyed it.
• 1:19:43
  Speaker 2: Yeah, I gave it a half.
• 1:19:45
  Speaker 1: Okay, I figure that's where you'd be. Yeah, so that's
• 1:19:48
  Speaker 1: a that's a really good one. I definitely recommend that one.
• 1:19:51
  Speaker 1: It's got good reviews from both of us. Who you texting?
• 1:19:54
  Speaker 1: Why are you texting me? Oh ajhent oh yeah so yeah.
• 1:19:58
  Speaker 1: That is flat line from nineteen ninety. Go ahead and
• 1:20:01
  Speaker 1: follow us on Facebook if you haven't already, at Fright
• 1:20:04
  Speaker 1: Maar's and slash your app on Instagram at Fright Mayor's podcast,
• 1:20:08
  Speaker 1: and then we have Twitter at Fright Maar's Underscore pod.
• 1:20:10
  Speaker 1: I'm Doctor Procter on Letterbox.
• 1:20:12
  Speaker 2: You are Watson LMP ninety.
• 1:20:15
  Speaker 1: Wat's an LMP ninety. Next week me and Corey are
• 1:20:19
  Speaker 1: going to be back doing another installment of Inanimate Horror,
• 1:20:22
  Speaker 1: so that should be a lot of fun. So until
• 1:20:25
  Speaker 1: next week, I stay tuned and stay spooky.