Latest / Drama, Darling: A Real Housewives Comedy Podcast / 💂 Ladies of London Finale: Elizabethan Chic, Don’t Yell in the Garden (and Please Cook the Omelet)

Transcript

💂 Ladies of London Finale: Elizabethan Chic, Don’t Yell in the Garden (and Please Cook the Omelet) · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama, Darling, Drama, Darling, Drama, Darling.
• 0:19
  Speaker 2: Hey, everybody, welcome back in. It's drama Darling, and today
• 0:24
  Speaker 2: we're going to be talking about Ladies of London. It's
• 0:27
  Speaker 2: a gorgeous drama after Dark. Right now, Emily Theresa's is
• 0:32
  Speaker 2: joining me on this fine evening. Emily, welcome to Drama
• 0:37
  Speaker 2: after Dark.
• 0:39
  Speaker 3: Well, thank you, anyho.
• 0:42
  Speaker 2: Very excited to get it started because we haven't talked
• 0:45
  Speaker 2: about Ladies of London in such a time and it
• 0:48
  Speaker 2: is indeed ended. So welcome in, Welcome in, Thank you.
• 0:55
  Speaker 2: Go back to America. Don't belong here out. I tried
• 1:01
  Speaker 2: to bring you into my circle, your garden.
• 1:05
  Speaker 3: How dare you yell across a garden?
• 1:09
  Speaker 2: Meanwhile, Kimmy's yelling across the garden. Marks yelling across the garden.
• 1:14
  Speaker 2: Everyone's just yelling across the garden. Oh, I just didn't
• 1:20
  Speaker 2: want to leave long lead, did you?
• 1:24
  Speaker 3: No? I didn't even after.
• 1:25
  Speaker 4: I'm pretty sure that they all got food poisoning from
• 1:28
  Speaker 4: Kimmy's omelet.
• 1:29
  Speaker 2: That made that was not cooked. It is not cooked.
• 1:34
  Speaker 2: And you know, I am a fan of a soft scramble,
• 1:36
  Speaker 2: so I don't like an overdone egg, you know, I
• 1:40
  Speaker 2: I am the eggman personally, and I true, I can't
• 1:44
  Speaker 2: sign off on that. You gotta at least fold you
• 1:47
  Speaker 2: gotta fold it over and get the other side, you know,
• 1:51
  Speaker 2: or the middle omelet. It's like if a host could
• 2:06
  Speaker 2: laugh you know, No, I'm kidding, No, she would love
• 2:10
  Speaker 2: that joke because she's British and she would just laugh
• 2:12
  Speaker 2: at off. You know. I love how Kimmy's just like, Ugh,
• 2:17
  Speaker 2: Margo's getting upset because we make fun of every single
• 2:20
  Speaker 2: thing she's wearing. Please, that's the British way. It's like, no,
• 2:26
  Speaker 2: you guys are kind of all assholes, like pretty mean,
• 2:30
  Speaker 2: actually pretty mean.
• 2:32
  Speaker 4: Yeah, and really, like I'm not necessarily I can't really
• 2:36
  Speaker 4: defend Margo by the end of this, but I will
• 2:39
  Speaker 4: say the heart of all of this, Yes, is Margo
• 2:43
  Speaker 4: sticking up for Missy when Kimmy said something terrible about
• 2:49
  Speaker 4: Missy's brother dying.
• 2:51
  Speaker 3: Yeah, that really is why I kicked this whole thing off.
• 2:55
  Speaker 2: Kicked it right off, kicked off a polo match.
• 2:58
  Speaker 4: Yeah, and Marco was one hundred per sent right, and
• 3:00
  Speaker 4: it's lasted on that, and it lasted till now that
• 3:05
  Speaker 4: like everybody's like has Kimmy's back and Margo's out of luck.
• 3:12
  Speaker 2: Margo lost the match. She just it was like they
• 3:16
  Speaker 2: all fell down because of one fell swoop in a
• 3:21
  Speaker 2: garden party, and she said a lot of things that
• 3:25
  Speaker 2: we must discuss. Unfortunately, these were what I feel like
• 3:30
  Speaker 2: were homopho mix lurs.
• 3:34
  Speaker 3: Yeah, I thought so. I mean I I was surprised.
• 3:38
  Speaker 2: Yeah, no, I was shocked. I was like totally shocked,
• 3:41
  Speaker 2: And I thought, you're saying this in broad daylight on
• 3:44
  Speaker 2: camera multiple times, Like first of all, it was the
• 3:48
  Speaker 2: you're weird, you're a freak, and then it was prance Away.
• 3:54
  Speaker 4: That was the part that I was like, whoa, And
• 3:57
  Speaker 4: I get I guess like at the end of the day,
• 4:00
  Speaker 4: Mark's the one that matters on this, not me. But
• 4:03
  Speaker 4: like I thought that when he came up to her
• 4:07
  Speaker 4: and his face changed and he started to be very gentle,
• 4:12
  Speaker 4: but not in a sincere way, I felt that that
• 4:16
  Speaker 4: was a little bit like a serial killer in that moment.
• 4:20
  Speaker 4: But I didn't I wasn't thinking what she was saying,
• 4:25
  Speaker 4: but I got the vibe of like like he all
• 4:29
  Speaker 4: of a sudden switched into this, like he was gaslighting
• 4:33
  Speaker 4: her because he was being over the top fake, like right,
• 4:38
  Speaker 4: sincere and it wasn't and yeah, and so I got
• 4:43
  Speaker 4: like that was frustrating.
• 4:44
  Speaker 3: I didn't get the next part.
• 4:46
  Speaker 2: She went to the lowest common denominator, which is insulting
• 4:52
  Speaker 2: someone in the worst possible way. Yeah, which was the
• 4:57
  Speaker 2: wrong move. She had every reason to be offended by him,
• 5:01
  Speaker 2: feel that he did her wrong. She really had the
• 5:05
  Speaker 2: upper hand, and then threw it all away by just
• 5:08
  Speaker 2: like name calling him in such a way that she
• 5:12
  Speaker 2: just just gutted him. It was just such a strange move.
• 5:18
  Speaker 2: I suppose maybe she just felt like so belittled by
• 5:23
  Speaker 2: him that she wanted to do the same to him.
• 5:26
  Speaker 2: I would feel that way as well, if someone was
• 5:30
  Speaker 2: just basically laughing in my face. That's sort of what
• 5:33
  Speaker 2: it felt like in a way. I mean, you said gaslighting,
• 5:36
  Speaker 2: and I think that's a perfect way to explain it,
• 5:38
  Speaker 2: because it's like, wait, you're putting on this show and
• 5:42
  Speaker 2: I'm right here. She was the one that was really
• 5:45
  Speaker 2: locked in and trying to like figure this out. She
• 5:49
  Speaker 2: her face is just in a constant like what emoji
• 5:53
  Speaker 2: and like a what confused emoji, Like there's definitely a
• 5:58
  Speaker 2: Margo emoji that exists, because because that was her from
• 6:01
  Speaker 2: like episode five till the end.
• 6:03
  Speaker 3: Yeah, like a guppy, like a little guppyfish.
• 6:06
  Speaker 2: A guppy, a shocked guppy and also kind of disgusted.
• 6:10
  Speaker 2: It was constantly that face and it's hard to so
• 6:16
  Speaker 2: when she's trying to like talk to Mark about it.
• 6:19
  Speaker 2: I did appreciate that she wanted to talk to him
• 6:21
  Speaker 2: at that garden party. He wouldn't come over. That's annoying,
• 6:24
  Speaker 2: but he was doing it maybe for the show. Then
• 6:27
  Speaker 2: it got too real, and that's when things switched into Okay,
• 6:30
  Speaker 2: now this isn't the show anymore. You played games, and
• 6:33
  Speaker 2: now you've really hurt my feelings. I'm saying this on
• 6:36
  Speaker 2: behalf of Margo. And then and then it was just
• 6:40
  Speaker 2: like she couldn't handle the confrontation. She just went low, right, And.
• 6:47
  Speaker 4: We don't know in terms of Mark doesn't have any
• 6:52
  Speaker 4: rank over her in terms of the show. Right, he
• 6:55
  Speaker 4: seems to have more control than a lot of other
• 6:57
  Speaker 4: people on the show.
• 6:58
  Speaker 3: Is what I'm wondering. And I have thought, is he
• 7:00
  Speaker 3: is he for real? Right now? This all felt very
• 7:03
  Speaker 3: real and he definitely wanted to leave. And I think again.
• 7:08
  Speaker 4: We go back to this thing of like you can
• 7:10
  Speaker 4: tell when he's in control and when he's not, and
• 7:12
  Speaker 4: he was not in control of this at all. Anytime
• 7:15
  Speaker 4: he's in a scene with Marco, I think that he
• 7:17
  Speaker 4: doesn't have any control over it.
• 7:18
  Speaker 2: He may have some of an upper hand because he's
• 7:21
  Speaker 2: been on a reality show before for a very long time.
• 7:24
  Speaker 2: Maybe he has more clout than she does, especially obviously
• 7:29
  Speaker 2: in England and on this show. Also she's kind of
• 7:33
  Speaker 2: odd man out. She's the American, well one of the Americans.
• 7:36
  Speaker 2: But Nika is like in the British mold and making
• 7:40
  Speaker 2: it quite perfect. She doesn't want to come out of that.
• 7:42
  Speaker 2: She's too terrified. She's like going to be the perfect
• 7:46
  Speaker 2: American brit that's like her goal in life. So but
• 7:51
  Speaker 2: Margot probably does feel or at least Mark made her
• 7:55
  Speaker 2: feel less than on the cast. He could be making
• 7:58
  Speaker 2: more money. I would think.
• 8:00
  Speaker 4: I did love this whole season, and I don't know
• 8:02
  Speaker 4: what it would have been without Margo.
• 8:04
  Speaker 2: Yeah, because that's the villain. Yeah, you're right. I agree.
• 8:07
  Speaker 2: At the end, I was thinking the same thing. I
• 8:09
  Speaker 2: was like, well, we wouldn't have had much if they
• 8:11
  Speaker 2: didn't all turn on somebody, and unfortunately it had to
• 8:14
  Speaker 2: be her. But she also made her bed.
• 8:17
  Speaker 4: Yeah, it is a good argument for a ten episode
• 8:20
  Speaker 4: season for some of these shows.
• 8:22
  Speaker 2: Do you think Margo is going to come back if
• 8:25
  Speaker 2: they renew this show? Because she's like, I love my life,
• 8:27
  Speaker 2: I'm American, Like, I'm not coming back. I'm willing. I'm
• 8:30
  Speaker 2: not willing to bend for anyone, and that's that, you know.
• 8:33
  Speaker 2: Do you think that she would come back to the show.
• 8:36
  Speaker 5: Absolutely, because she's the villain, because like, what else is
• 8:41
  Speaker 5: she doing in terms of I mean, I know that
• 8:44
  Speaker 5: she has other things going on what she doing, but
• 8:48
  Speaker 5: I'm like, she's.
• 8:49
  Speaker 3: Got a great platform for her.
• 8:51
  Speaker 2: So you think if she's offered the job, she'll come back, yes,
• 8:54
  Speaker 2: And if she isn't, do you think they will offer
• 8:57
  Speaker 2: her the job?
• 8:58
  Speaker 3: Absolutely?
• 9:00
  Speaker 2: I think that they will offer her the job, and
• 9:05
  Speaker 2: I don't know if she would take it. She does
• 9:07
  Speaker 2: need the money, that's for sure.
• 9:10
  Speaker 3: But she doesn't need the money.
• 9:12
  Speaker 4: And yet they're living in London so she can get
• 9:16
  Speaker 4: the you know, so she can.
• 9:17
  Speaker 3: I think she likes to.
• 9:18
  Speaker 2: Be back in the light. Yeah, but this destroyed her
• 9:24
  Speaker 2: and like her kind of her reputation, so in a way,
• 9:27
  Speaker 2: she's probably like I don't want to risk that again.
• 9:28
  Speaker 2: I'm curious. Yeah, although Mark's like narcissistic tendenciesst I won't
• 9:36
  Speaker 2: be hearing this from someone it was narcissistic traits. I
• 9:41
  Speaker 2: was like, whoa, Okay, but like, I mean, Margo does
• 9:46
  Speaker 2: need to live in each one of those pastel colored rooms,
• 9:49
  Speaker 2: she does need to do that. Yeah, so for that
• 9:53
  Speaker 2: she'll come back.
• 9:55
  Speaker 3: Yeah.
• 9:55
  Speaker 4: Well, and if we should raise maybe start to GoFundMe
• 9:58
  Speaker 4: if they need to make their just so she gets
• 10:01
  Speaker 4: that opportunity.
• 10:03
  Speaker 2: I mean, because we've lost Dara obviously out of the gates.
• 10:07
  Speaker 2: She was the villain for like two episodes, right.
• 10:11
  Speaker 4: One she was gone episode one it was one. Yeah,
• 10:16
  Speaker 4: and even then I'm like, how much should they film
• 10:18
  Speaker 4: with her? And then they were like, well, that's it, right,
• 10:23
  Speaker 4: she was gone.
• 10:25
  Speaker 2: That she was gone. She was gone. Did you notice
• 10:30
  Speaker 2: that she was a model in Joshua Kane's runway show?
• 10:35
  Speaker 2: She was No, I'm just joking.
• 10:37
  Speaker 3: Oh, that was a good prank, thank you.
• 10:40
  Speaker 2: I didn't intend for it to be a great frank.
• 10:42
  Speaker 2: I actually thought it was a pretty bad joke. But hey,
• 10:45
  Speaker 2: it was a good prank for you.
• 10:46
  Speaker 3: You believed it.
• 10:48
  Speaker 2: Wait, we have to talk about Joshua Kine's fashions. Yeah,
• 10:53
  Speaker 2: I would love to just be in London town walking
• 10:57
  Speaker 2: around in those suits.
• 10:59
  Speaker 3: I do like what they're doing, and I like a little.
• 11:03
  Speaker 2: Bit cute is it? Micah? I got ten episodes and
• 11:08
  Speaker 2: I'm still ain't got it. I loved what they put
• 11:12
  Speaker 2: her in for her a little not little that sounds
• 11:17
  Speaker 2: so trite, for her noxious, for her showing up event,
• 11:23
  Speaker 2: the art of showing up.
• 11:25
  Speaker 3: Her ted talker, her tetiquette.
• 11:28
  Speaker 2: Oh cute. But what were you going to say about
• 11:32
  Speaker 2: the fashions? Oh?
• 11:34
  Speaker 4: I was gonna say Micah's was very Freddie Mercury nineteen
• 11:38
  Speaker 4: eighty six Magic Tour with the yellow jacket.
• 11:43
  Speaker 2: Oh yeah, but it didn't. But his was like cut
• 11:47
  Speaker 2: at the at the ribs. I was gonna say, the
• 11:51
  Speaker 2: comp gun you were because I saw your hands go
• 11:54
  Speaker 2: down there.
• 11:55
  Speaker 4: I was like, yeah, could the com gutters getters?
• 12:03
  Speaker 2: You know what? I thought, like real quick during the
• 12:06
  Speaker 2: reunion of Beverly Hills, I thought that they said when
• 12:10
  Speaker 2: they were kept saying cum gutters, I was like, are
• 12:12
  Speaker 2: they saying cum getters like come getters? I'm like, Oh,
• 12:16
  Speaker 2: maybe that's what it is, and it's not as bad
• 12:18
  Speaker 2: as I thought. And then I really started thinking like,
• 12:21
  Speaker 2: oh no, those really are like coum gutters Like that
• 12:24
  Speaker 2: does make sense if you really do paint the picture,
• 12:26
  Speaker 2: you're like, oh yeah, if a man has very sculpted
• 12:29
  Speaker 2: abs and pelvis, like, it's good, you know what I mean,
• 12:32
  Speaker 2: Like things are gonna work their way down. And I
• 12:34
  Speaker 2: thought that is a it's a brilliant name. I'm not
• 12:37
  Speaker 2: gonna lie. I'm not gonna lie. I got to hand
• 12:40
  Speaker 2: it to him. It sounds really crass, but it actually
• 12:43
  Speaker 2: really explains it perfectly.
• 12:45
  Speaker 3: Yeah, who are you handing it to?
• 12:48
  Speaker 2: Whoever made it up?
• 12:49
  Speaker 3: Okay?
• 12:50
  Speaker 2: And I don't have that one.
• 12:51
  Speaker 3: I was like, who did that?
• 12:53
  Speaker 2: But I've heard that you have.
• 12:56
  Speaker 3: Yeah for a long time. But yeah for a long time.
• 13:01
  Speaker 3: I like it's been in my head.
• 13:03
  Speaker 2: Not for a good time, but for a long time,
• 13:05
  Speaker 2: long time, long time, a long time. I've seen the
• 13:11
  Speaker 2: longest dumb gutters night day. Okay, back to the British
• 13:19
  Speaker 2: power suits and just.
• 13:21
  Speaker 3: This the collars, because did you notice that a.
• 13:24
  Speaker 4: Lot of the collars were detached and then they'd have
• 13:27
  Speaker 4: just a long like ribbon down.
• 13:29
  Speaker 3: The back that looked really.
• 13:30
  Speaker 2: Cool like dud like you don't even know, Like when
• 13:34
  Speaker 2: Lottie like walked out that runway and she was like
• 13:37
  Speaker 2: freaking out over the tail and she was like, I
• 13:39
  Speaker 2: don't know if I can do this, and I'm having
• 13:41
  Speaker 2: your baby. I'm like dad. And then she comes out
• 13:45
  Speaker 2: and there's like this like tull collar like Queen Elizabeth era,
• 13:48
  Speaker 2: but then it stops and then it's like a diamond collar.
• 13:52
  Speaker 2: And I was like, but not nice, like I die
• 14:03
  Speaker 2: for Elizabeth En suits, Like what's up?
• 14:07
  Speaker 4: There's yeah, Like you know, I know with fashion shows
• 14:10
  Speaker 4: are supposed to be like you're not gonna wear this,
• 14:13
  Speaker 4: but like you're gonna wear something that's gonna inspire you.
• 14:16
  Speaker 4: It's gonna inspire spring to be high collars and sharp
• 14:20
  Speaker 4: edges or whatever it's gonna be. But I was like,
• 14:23
  Speaker 4: I'd wear that.
• 14:24
  Speaker 3: I wear that that. Yeah, thank you?
• 14:27
  Speaker 2: Yeah, I know. It's so great. Isn't it fun?
• 14:31
  Speaker 3: Yes, it's fun.
• 14:32
  Speaker 2: Isn't it fun? It's so fun.
• 14:35
  Speaker 3: It's fun.
• 14:39
  Speaker 2: Okay, reminds me of like Chris Jenner. It's so fun.
• 14:44
  Speaker 2: It's so pretty. Kim loves suits. Yeah, Like just them
• 14:54
  Speaker 2: as a couple is just so fun to see. And
• 14:56
  Speaker 2: I love that they were in the restaurant and she's
• 14:58
  Speaker 2: ordering for him and it's not put on. No, that's
• 15:04
  Speaker 2: the thing.
• 15:05
  Speaker 4: No, they are accidentally like just quirky and interesting.
• 15:11
  Speaker 2: Like Christopher Guest, you know.
• 15:15
  Speaker 3: And Alex McCord done right.
• 15:23
  Speaker 2: Wouldn't this be like, wouldn't they just be a perfect
• 15:26
  Speaker 2: couple to parody in a Christopher Guest movie.
• 15:29
  Speaker 4: Yeah, it's like it would be like Parker Posey playing
• 15:34
  Speaker 4: Lottie and I don't even know who, maybe but not really,
• 15:40
  Speaker 4: neither one playing Joshua.
• 15:43
  Speaker 2: No, m chal May can go fuck off, okay, he
• 15:48
  Speaker 2: can go get some opera right.
• 15:49
  Speaker 3: Off to Marty Supreme and and then tell.
• 15:52
  Speaker 2: Me as he was he in I don't care because
• 15:56
  Speaker 2: of what he said about the opera Girl Bye.
• 16:01
  Speaker 3: He's he was in character.
• 16:04
  Speaker 2: That's what I think about.
• 16:05
  Speaker 4: That he had fifty times the amount of estrogen in
• 16:10
  Speaker 4: his system that he was and no progesterone and no testosterone.
• 16:14
  Speaker 3: That was why he said that.
• 16:16
  Speaker 2: That's you got to tell the people what you're referring to,
• 16:19
  Speaker 2: because they're.
• 16:20
  Speaker 4: That's also what Margo said after the fact after they wrapped.
• 16:25
  Speaker 4: Margo has said that she got her hormone panel checked
• 16:30
  Speaker 4: and she had fifty times a level of estrogen in
• 16:34
  Speaker 4: her pumping through her body and no progesterone and not
• 16:41
  Speaker 4: enough testosterone, and that is why we got the Margo
• 16:44
  Speaker 4: end of season that we got.
• 16:46
  Speaker 3: According to her interview with People Magazine, well.
• 16:49
  Speaker 2: I don't I don't have blood in my veins, and
• 16:52
  Speaker 2: I have a hormone called homophobia and it's yep.
• 16:56
  Speaker 4: I was gonna say, what you're saying is adding up
• 16:58
  Speaker 4: to like some homophobic rants.
• 17:01
  Speaker 3: It's gonna happen.
• 17:02
  Speaker 2: Well, you know, get your hormones checked, ladies. So that's
• 17:07
  Speaker 2: what this is really a great reminder as to what
• 17:11
  Speaker 2: we need to do as women.
• 17:13
  Speaker 3: Here, I am pumpin progesterone.
• 17:16
  Speaker 2: Hey listen, just go to Costco. Fill up your progesterone
• 17:20
  Speaker 2: there and you're good.
• 17:23
  Speaker 3: Go to the Gingham pantry, get your testosterone. The Ginga punetry.
• 17:31
  Speaker 2: You love that, Oh my god, I can't wait for
• 17:33
  Speaker 2: it to come back.
• 17:34
  Speaker 3: The Bacof Yeah, I know, Bakof there's gonna be the
• 17:37
  Speaker 3: US one, but I just love the British one.
• 17:44
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• 17:57
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• 18:00
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• 18:03
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• 18:06
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• 18:09
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• 18:13
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• 20:01
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• 21:28
  Speaker 3: Speaking of food, yes, I did not know.
• 21:32
  Speaker 4: I didn't know that Cheddar cheese was from the UK originally.
• 21:37
  Speaker 3: Isn't that crazy?
• 21:38
  Speaker 2: That is crazy? I thought it was from Wisconsin.
• 21:41
  Speaker 4: Cheddar originally cheddarheads, Yeah, UK, that's where they went, the
• 21:46
  Speaker 4: Cheddar ghoulge.
• 21:47
  Speaker 2: If anyone from Wisconsin is listening and watch that episode,
• 21:52
  Speaker 2: you gotta be pissed. I would be. Are you just like,
• 21:55
  Speaker 2: oh my god, these Brits think that the discovered Cheddar.
• 21:59
  Speaker 4: Well, it is like they're British ancestors that came over
• 22:03
  Speaker 4: and settled in Wisconsin.
• 22:05
  Speaker 3: We're like, we're going to try to get this gorge going.
• 22:08
  Speaker 2: Well, that could be true, but as far as I'm concerned,
• 22:11
  Speaker 2: it's Patty's great great grandmother's grandma who is Yeah, No,
• 22:18
  Speaker 2: it was. It's called England, Wisconsin. It's a little city, right,
• 22:22
  Speaker 2: Isn't that what I was told? It was England, Wisconsin.
• 22:25
  Speaker 2: I just assume is it different?
• 22:27
  Speaker 3: No, I think you're right. Nope, Now that I'm thinking
• 22:29
  Speaker 3: about it, I think you're right.
• 22:31
  Speaker 2: Grandma, she's heads over here. No, but that does make sense,
• 22:39
  Speaker 2: all right, No, that is wild.
• 22:41
  Speaker 3: Yeah. I also, by the way, I like that Emma's
• 22:44
  Speaker 3: really down to earth, But when she's at long Leave and.
• 22:48
  Speaker 4: She's over at the Cheddar Gorge, I need people to
• 22:51
  Speaker 4: be using her royal name. They're like giving her like
• 22:55
  Speaker 4: the the thumb on the nose thing and just.
• 22:58
  Speaker 2: Hey, Emma practically slapped her on the ass and said,
• 23:01
  Speaker 2: you know, text me later for a booty call.
• 23:05
  Speaker 3: Like, yeah, I like that.
• 23:08
  Speaker 2: I didn't either. Let's look alive over there and have
• 23:12
  Speaker 2: a little respect, just like.
• 23:13
  Speaker 3: Give us we are part of.
• 23:15
  Speaker 4: This is about the royalty, especially if you're on those properties.
• 23:20
  Speaker 3: I just feel like it's.
• 23:21
  Speaker 2: About the classes, not the masses. It's about who's better
• 23:26
  Speaker 2: than who, and rank and royalties. That's what we're here for.
• 23:33
  Speaker 3: We can't do that other places we have. We want
• 23:35
  Speaker 3: to see it here.
• 23:37
  Speaker 2: Yeah, because they have titles, use them. People here in
• 23:41
  Speaker 2: the United States are using titles that they shouldn't be
• 23:45
  Speaker 2: using and asked to be treated and they're asking to
• 23:51
  Speaker 2: be treated like royalty. I'm not going to say who
• 23:53
  Speaker 2: it is.
• 23:58
  Speaker 3: Yeah, she's like wearing it out.
• 24:02
  Speaker 4: Like it's not even you. It should not be used anymore.
• 24:08
  Speaker 4: She's wearing you like a souvenir. So that's my note.
• 24:15
  Speaker 3: For speaking of.
• 24:18
  Speaker 2: Speaking of souvenir. Someone has got to get a Tiera
• 24:21
  Speaker 2: from that gift shop. And in fact, I did Mary
• 24:26
  Speaker 2: Payne's podcast last week, the Pink Shade podcast. It did
• 24:30
  Speaker 2: like the Bravo Round Up with her, and she said
• 24:34
  Speaker 2: that producer Ingrid is over there, and I said, you
• 24:40
  Speaker 2: better tell her to get a Tiara make it too,
• 24:45
  Speaker 2: because I want one. Oh yeah, I don't know if
• 24:48
  Speaker 2: she's going to do it. I don't know. Okay, okay,
• 24:53
  Speaker 2: how about finding out at Micah's event the Art of
• 24:57
  Speaker 2: showing up? How great she was. I thought she was fantastic.
• 25:01
  Speaker 2: I love being able to see it, you know, actual
• 25:06
  Speaker 2: teachings within the body of the event.
• 25:10
  Speaker 4: I still am unclear about it, like, yeah, yeah, we
• 25:17
  Speaker 4: got into the launch.
• 25:19
  Speaker 3: What were we doing? What was the what?
• 25:21
  Speaker 4: We were just gathering in a room. But it was
• 25:23
  Speaker 4: like launching something. I'm not Look, this is not a
• 25:27
  Speaker 4: manifestation things launch.
• 25:30
  Speaker 2: That wasn't a launch event. What was just the art
• 25:33
  Speaker 2: of showing up? Oh oh oh oh oh, I'm sorry.
• 25:36
  Speaker 2: I'm sorry. I'm sorry. You're right, Emily, You're always right.
• 25:41
  Speaker 3: Okay, are thank you?
• 25:44
  Speaker 4: That is a proper way you handle humility.
• 25:49
  Speaker 2: I'm sorry, milady, you all right, I'm staying corrected. So
• 25:55
  Speaker 2: the art of showing up, it's the first time that
• 25:58
  Speaker 2: she's done that in the UK. And it's also I believe,
• 26:04
  Speaker 2: a new version of like her lesson kit that instead
• 26:10
  Speaker 2: of doing etiquette for Brits, she's making it more like
• 26:14
  Speaker 2: britt friendly because she's not gonna teach Brits etiquette. She's like,
• 26:18
  Speaker 2: they all know it, right, So she's making it the
• 26:21
  Speaker 2: art of showing up. So I think it was the
• 26:22
  Speaker 2: launch of this platform.
• 26:25
  Speaker 3: Like is it classes? Is it like courses?
• 26:28
  Speaker 2: Oh well, it's just one, which is what they did
• 26:32
  Speaker 2: just then, right.
• 26:33
  Speaker 4: I thought this was like the beginning of a whole
• 26:36
  Speaker 4: new thing. And I was like, wait a second, Mika,
• 26:38
  Speaker 4: you already got your Muppet show happening, and then now
• 26:41
  Speaker 4: you're doing that, Like I just was wondering, like, how
• 26:46
  Speaker 4: many things are we launching in ten episodes?
• 26:50
  Speaker 2: Oh? Are you saying that she can't do more than
• 26:53
  Speaker 2: just puppets? How do you know that puppets will be
• 26:56
  Speaker 2: helping her?
• 26:57
  Speaker 3: They seem to be doing great. Everybody's doing great over there.
• 27:03
  Speaker 3: I do you didn't understand if it's like a thing
• 27:05
  Speaker 3: online we can all do. Is it just in that
• 27:09
  Speaker 3: room you're.
• 27:09
  Speaker 2: Doing it online, You're you're not making money, You're losing money. Okay,
• 27:16
  Speaker 2: I'm just saying that I make eight times more than
• 27:19
  Speaker 2: you in one day than you do in two years.
• 27:24
  Speaker 2: So like you can have your little puppets and your
• 27:26
  Speaker 2: muppets and your etiquette, but like you're not manifesting money
• 27:31
  Speaker 2: for your future and investing in yourself and making yourself
• 27:35
  Speaker 2: be the woman in the relationship that's not a man, Amanda.
• 27:40
  Speaker 3: I have a really hard time with you.
• 27:41
  Speaker 2: Am I outsourcing my puppets? Okay you are No, you
• 27:48
  Speaker 2: are asking a great question something that I did not
• 27:52
  Speaker 2: stop and think about. I just thought it was like
• 27:54
  Speaker 2: a day where she was just giving us a presentation. Yeah.
• 27:59
  Speaker 4: No, it felt like there was some larger launch happening
• 28:02
  Speaker 4: because I mean, she's wearing the Freddie Mercury coat. She's
• 28:05
  Speaker 4: up there with like her husband's there, like so many people.
• 28:08
  Speaker 2: Are there, A lot of people.
• 28:10
  Speaker 3: And so that's why I was like, well, what else
• 28:12
  Speaker 3: is going.
• 28:14
  Speaker 2: Is it like a let's just talk it through all right.
• 28:18
  Speaker 2: Emily took to the screen. She's gonna tell us what
• 28:22
  Speaker 2: she found.
• 28:24
  Speaker 4: It's a private courses and online courses. How many courses
• 28:28
  Speaker 4: I think you can choose dining etiquette, private course, social etiquette,
• 28:33
  Speaker 4: private course, business etiquette, children's etiquette.
• 28:37
  Speaker 3: That's probably where those dark crystals.
• 28:39
  Speaker 4: The Muppets dark crystal, dark crystal, the dark crystal.
• 28:45
  Speaker 3: You know why I'm thinking about that.
• 28:46
  Speaker 4: Because the woman Diana mostly that designed that Freddie mercury coat,
• 28:53
  Speaker 4: also did the costumes for the dark crystal for the Muppets.
• 28:57
  Speaker 2: Wow, oh my god, I didn't you didn't realize that?
• 29:01
  Speaker 4: Okay, go on, sorry service and household staff. Oh I
• 29:06
  Speaker 4: need that etiquette course.
• 29:07
  Speaker 3: There's so many, like I'm sweet rolling through this thing. Okay,
• 29:11
  Speaker 3: so many.
• 29:12
  Speaker 2: But that's etiquette. That's different than what she did on
• 29:16
  Speaker 2: this on this very day. It was the art of
• 29:19
  Speaker 2: showing up that she was launching. That's different than these
• 29:22
  Speaker 2: etiquette things.
• 29:23
  Speaker 4: So now we're putting it together, Darling, is you're you're
• 29:26
  Speaker 4: hearing us do math in real time? I think it's
• 29:29
  Speaker 4: a new course she was launching in her catalog of courses.
• 29:33
  Speaker 2: But do you see it there? That's what we're wondering.
• 29:35
  Speaker 2: Do you see I was.
• 29:37
  Speaker 3: I was in the etiquette category. So I'm thinking maybe
• 29:40
  Speaker 3: under a different cattle.
• 29:41
  Speaker 2: Well, don't you're there, You better fucking look go go back,
• 29:44
  Speaker 2: and then a right. Emily's just gonna list off all
• 29:48
  Speaker 2: the courses until we come to bok okay.
• 29:51
  Speaker 4: Also, she tricked me, Mica did, because she said we
• 29:55
  Speaker 4: were done talking about etiquette, and then she slid in
• 29:58
  Speaker 4: a bunch of more etiquette courses on online Savant Society Savant,
• 30:03
  Speaker 4: the Finishing Program.
• 30:05
  Speaker 2: Are you saying that the Art of Showing Up is
• 30:07
  Speaker 2: nowhere on that website?
• 30:09
  Speaker 3: I'm saying that, Okay.
• 30:11
  Speaker 2: I'm googling the Art of Showing Up Micah Okay, okay.
• 30:15
  Speaker 2: The Art of Showing Up is a ninety minute modern
• 30:17
  Speaker 2: etiquette course Micah Meyer of Beaumont Etiquette. It focuses on
• 30:22
  Speaker 2: building confidence and polish for business, social, and dining situations.
• 30:27
  Speaker 2: So that's what it is. Everything you listed off, such
• 30:30
  Speaker 2: as networking and first dates through techniques like mastering posture, presence,
• 30:34
  Speaker 2: and conversation. The course aims to teach, as described in
• 30:38
  Speaker 2: This Country in Townhouse Review, how to make a lasting
• 30:41
  Speaker 2: positive impression.
• 30:43
  Speaker 4: Well, she's going to sell a lot of books for
• 30:46
  Speaker 4: Rachel Miller, who has the book The Art of Showing Up, Oh,
• 30:52
  Speaker 4: How to Be There for Yourself and Your People by
• 30:55
  Speaker 4: Rachel wilkerston Miller, which actually sounds like a good book job.
• 31:00
  Speaker 2: Micah, Well, yeah, you know what, that's what happens. Heather
• 31:06
  Speaker 2: Gaye did that with her the cover of her book too.
• 31:08
  Speaker 2: You know what, are you gonna do.
• 31:11
  Speaker 3: The artwork?
• 31:12
  Speaker 2: You know what I'm talking about? Hahah, Heather Gay's new book.
• 31:16
  Speaker 2: She wrote a new book. Yeah, the new book. It's
• 31:18
  Speaker 2: like a fiction I believe it's a fiction novel. And
• 31:22
  Speaker 2: it's the same artwork as another book that already exists,
• 31:27
  Speaker 2: and it's not like the most original artwork anyone's ever seen.
• 31:31
  Speaker 2: It's like basically a woman holding a compact and it's
• 31:35
  Speaker 2: like putting on her lipstick or it's her lips or
• 31:37
  Speaker 2: something like that, and it just kind of looks mysterious.
• 31:40
  Speaker 2: I mean, as far as I'm concerned, they both use Canva,
• 31:43
  Speaker 2: like Canva make Me a Murder Mystery cover that's sexy,
• 31:47
  Speaker 2: seductive and intriguing with hints of thriller and horror, but
• 31:54
  Speaker 2: also plastic surgery, you know. And then it's like a
• 31:58
  Speaker 2: broken mirror compact with a lady with red lips. Like, okay,
• 32:03
  Speaker 2: and now this other person's like, oh my god, I
• 32:05
  Speaker 2: can't believe that she did this a lawsuit and I'm like, babe,
• 32:09
  Speaker 2: did you make that cover anyway? So it's not worth
• 32:14
  Speaker 2: fighting over, trust me?
• 32:16
  Speaker 3: Yeah?
• 32:18
  Speaker 2: All right, Well we didn't really, I mean, we didn't
• 32:21
  Speaker 2: get to the bottom of it, but we kind of
• 32:23
  Speaker 2: did because it sounds like Micah said I'm not going
• 32:26
  Speaker 2: to teach etiquette to these Brits, and then she went
• 32:29
  Speaker 2: ahead and is teaching etiquette to these Brits. That's what
• 32:31
  Speaker 2: I'm finding here.
• 32:33
  Speaker 3: Yeah, okay, yeah, okay, I agree.
• 32:36
  Speaker 2: Great, So while we're at Micah's event, we've got Mark
• 32:43
  Speaker 2: coming in and sitting next to Missy and having a
• 32:45
  Speaker 2: complete meltdown.
• 32:47
  Speaker 3: Yeah, that crying was don't legend say it. I just haven't.
• 32:55
  Speaker 3: I mean, I've just not seen that choices.
• 33:00
  Speaker 2: Listen, I'm not going to say anything mean about him
• 33:03
  Speaker 2: because I don't want him to make fun of my
• 33:04
  Speaker 2: J Crew T shirts.
• 33:06
  Speaker 4: Okay, I don't know what I would look like crying
• 33:14
  Speaker 4: in that room.
• 33:16
  Speaker 2: We've never seen it before. No, I agree, here's what
• 33:18
  Speaker 2: it was. It was like it was the art of
• 33:21
  Speaker 2: showing up and crying, is what it seemed like because
• 33:24
  Speaker 2: he showed up and he had his posture, and he
• 33:28
  Speaker 2: cried with the best posture and up and out than
• 33:33
  Speaker 2: anyone I've ever seen before.
• 33:34
  Speaker 4: I also think maybe I know for me, when I
• 33:39
  Speaker 4: am trying not to cry, that's when it is not oh,
• 33:44
  Speaker 4: oh god, you know what I mean.
• 33:46
  Speaker 2: Oh, I know what you mean.
• 33:48
  Speaker 3: That's when you're like you're doing things that with your body,
• 33:51
  Speaker 3: your face, it like aren't normal. So I feel like
• 33:55
  Speaker 3: he was trying not to cry.
• 33:57
  Speaker 2: He was trying not to cry. And he says he
• 33:59
  Speaker 2: never cried, and he's like, I never cry in front
• 34:02
  Speaker 2: of anybody. You know, the instinct when you're crying to
• 34:07
  Speaker 2: cover your face. He was like the opposite. That's what
• 34:12
  Speaker 2: was wild about it is that he.
• 34:13
  Speaker 3: Was just like.
• 34:16
  Speaker 2: To the sun, to the moon, to the stars. You know.
• 34:20
  Speaker 2: It was like wow.
• 34:22
  Speaker 3: And what you do when you choke, Like when they're
• 34:25
  Speaker 3: like look up, look up.
• 34:27
  Speaker 4: Don't put your head up when you're like choking on something, No,
• 34:30
  Speaker 4: put your arms up.
• 34:32
  Speaker 3: He's like, look up to like whatever can like go
• 34:35
  Speaker 3: down your throat And he's.
• 34:36
  Speaker 2: Like, oh, emotions down, emotion's down. It's actually not a
• 34:41
  Speaker 2: bad idea. You're probably right that probably was it. Yeah,
• 34:44
  Speaker 2: he's like putting his head back so those tears can
• 34:47
  Speaker 2: go falling back into his Yes, I think you're right. No,
• 34:51
  Speaker 2: I don't know what it was, but I agree it
• 34:53
  Speaker 2: was wild. Missy was so sweet. She is so sweet.
• 34:57
  Speaker 2: Oh my god. She was the perfect person to be
• 35:00
  Speaker 2: there for him, just right up, nuzzled right into his cheek,
• 35:04
  Speaker 2: telling him all these great things.
• 35:07
  Speaker 4: Well, that's just said like Marco had Missy's backs, Marco
• 35:10
  Speaker 4: hard Margo, Oh, Margo, she's a gallery coat, Marco Polo.
• 35:21
  Speaker 2: Somebody slo get me on that holes.
• 35:23
  Speaker 3: Because like, and Mom was like that, I'm like, Missy's
• 35:26
  Speaker 3: like the nicest person.
• 35:27
  Speaker 4: Kimmy, you asked whole why would you ever say the
• 35:29
  Speaker 4: worst thing you could ever say about her deceased brother?
• 35:33
  Speaker 3: And Margo had her back. Yeah. And so then now.
• 35:36
  Speaker 4: We're seeing like the cool kids like Missy again and yeah,
• 35:40
  Speaker 4: so yeah, that's like the vibe I'm getting.
• 35:43
  Speaker 3: They don't like that.
• 35:44
  Speaker 2: Kimmy and Mark are mean girl, mean boy ten times over. Yeah,
• 35:49
  Speaker 2: if we have another season, we're gonna hate him. We're
• 35:51
  Speaker 2: gonna get to a poin where we're gonna hate him.
• 35:53
  Speaker 2: Were gonna be so mad at him, but we love
• 35:54
  Speaker 2: him so much. But like, that's what it is. Yeah,
• 35:57
  Speaker 2: it's just that Margo screwed up so bad that you
• 36:00
  Speaker 2: can't even you can't have her back. And now when
• 36:03
  Speaker 2: Margot and Martha had that talk at the end and
• 36:06
  Speaker 2: basically what we thought they were gonna maybe kind of
• 36:10
  Speaker 2: work it out, which I mean, I don't think they did,
• 36:12
  Speaker 2: because even in their confessionals that was really funny because
• 36:15
  Speaker 2: Margo's like, Martha and I are in it to win it.
• 36:17
  Speaker 2: We'll be together to the end, and Martha's like, I
• 36:20
  Speaker 2: think we're going to need a little break. But it
• 36:23
  Speaker 2: said after a short break, they're talking again, which is good.
• 36:27
  Speaker 2: But Martha saying like you come into my group of
• 36:32
  Speaker 2: friends and caused a huge conflict, and then you see
• 36:35
  Speaker 2: all of the turning points throughout the season that made
• 36:38
  Speaker 2: it an actual season, and you're like, can't really be
• 36:41
  Speaker 2: mad at Margot now, can we?
• 36:44
  Speaker 3: Yeah?
• 36:45
  Speaker 4: Martha definitely like who seems like she's really like needing
• 36:50
  Speaker 4: this show.
• 36:51
  Speaker 3: Should be pretty grateful for Margot that said, like.
• 36:54
  Speaker 4: Yeah, Martha is such a unique being in reality TV,
• 36:59
  Speaker 4: Like I need.
• 37:00
  Speaker 3: Her back for sure.
• 37:02
  Speaker 2: Yeah, I'm so glad that she seems on the up
• 37:04
  Speaker 2: and up.
• 37:06
  Speaker 3: Yeah, because she's like not afraid to.
• 37:09
  Speaker 4: She scolds her friends, and you note she feels it deeply.
• 37:13
  Speaker 4: But that time that Margot cuts out and no one
• 37:17
  Speaker 4: knows where she is, Like Martha is doing like a
• 37:21
  Speaker 4: ten yard stare through that whole dinner, like she really
• 37:24
  Speaker 4: deeply cares.
• 37:25
  Speaker 3: About her friends.
• 37:27
  Speaker 2: She does, she does. That was tough to hear her say,
• 37:31
  Speaker 2: like you, you know, right out of the gates, I
• 37:36
  Speaker 2: don't recognize you. You come back from America with a
• 37:39
  Speaker 2: different character than I knew when we were in our twenties.
• 37:42
  Speaker 2: And then I'm also like thinking, like, well, I mean, yeah,
• 37:45
  Speaker 2: that was a long time ago. If she didn't she
• 37:47
  Speaker 2: wasn't different, that would be weird. But she read her
• 37:51
  Speaker 2: for filth. You've been awful, Ungracio's vichy, arrogant. She just
• 37:55
  Speaker 2: like named them, she named them, named them. And when
• 38:00
  Speaker 2: Martha said Mark criticized your shoes, and you attacked his
• 38:04
  Speaker 2: and you attacked his character, I thought, there's only so
• 38:08
  Speaker 2: much someone can take when someone is being so superficially
• 38:12
  Speaker 2: rude and mean every chance they get.
• 38:17
  Speaker 4: Yeah, but that doesn't expose what she said. Martha didn't
• 38:22
  Speaker 4: sign up to be a peacemaker. I think she was
• 38:25
  Speaker 4: just thought like, my friend Margot is going to join
• 38:28
  Speaker 4: this and she'll be great, everything will be great. And
• 38:32
  Speaker 4: then I don't think she's I don't think Martha's signed
• 38:35
  Speaker 4: up to be like, hey, everybody has to like my
• 38:38
  Speaker 4: friend Marco.
• 38:40
  Speaker 2: Oh right, right, everybody I'm bringing to some stupid American
• 38:47
  Speaker 2: in the group. You don't have to like her. We
• 38:48
  Speaker 2: can throw under the bus.
• 38:51
  Speaker 4: She's someone that's gonna wipe my ass. I would say
• 38:54
  Speaker 4: other things like our friends that will wipe our asses,
• 38:57
  Speaker 4: and then Martha was like, oh no, my friends will
• 39:00
  Speaker 4: never know.
• 39:01
  Speaker 2: I wouldn't just a lock to do that, you silly pool.
• 39:05
  Speaker 4: Please God, until.
• 39:09
  Speaker 3: I need my my ass wife, and that's why you
• 39:12
  Speaker 3: come in.
• 39:12
  Speaker 2: That's yeah, that was pretty epic. Yeah, well, Mark seemed
• 39:19
  Speaker 2: to be pretty grateful by the end of this that
• 39:22
  Speaker 2: he He's like, I should thank Margo for helping me
• 39:26
  Speaker 2: deal with part of my existence which I wasn't willing
• 39:28
  Speaker 2: to share with people I love the most, because it
• 39:32
  Speaker 2: gave him. It triggered him being back in school when
• 39:36
  Speaker 2: he was the only person that he knew of that
• 39:38
  Speaker 2: was gay, and he was so shunned and he wasn't
• 39:44
  Speaker 2: accepted by his parents and what it's awful. I mean,
• 39:48
  Speaker 2: you can only imagine and so and then also him
• 39:51
  Speaker 2: saying that he'll never be able to, you know, introduce
• 39:55
  Speaker 2: his parents to the person that he's going to spend
• 39:58
  Speaker 2: the rest of his life with. Yeah, it's sad that
• 40:01
  Speaker 2: she used those words and that he had to kind
• 40:04
  Speaker 2: of go down that rabbit hole, you know.
• 40:08
  Speaker 4: Yeah, I am so curious about his home life, not
• 40:13
  Speaker 4: currently I'm talking about his mom and dad back, Like
• 40:16
  Speaker 4: what is that whole thing? Because he's clearly still getting
• 40:20
  Speaker 4: money from them. Because remember at the top of the
• 40:22
  Speaker 4: season where somebody said we're all self made and then
• 40:28
  Speaker 4: they had like the captions under each of them, and like,
• 40:31
  Speaker 4: I forget what his deal was, but he has family
• 40:34
  Speaker 4: money and yeah, so I'm just like, is there a
• 40:38
  Speaker 4: threat of being cut off?
• 40:41
  Speaker 2: Yeah?
• 40:43
  Speaker 3: Because he's out.
• 40:45
  Speaker 4: And he's very out on television. I'm saying, like he's
• 40:48
  Speaker 4: not hiding from who he.
• 40:49
  Speaker 2: Is, right and he he has exposed that his parents
• 40:54
  Speaker 2: don't support it. Yeah, so where does that leave them
• 40:58
  Speaker 2: and their relationship? For some reason, I just didn't think
• 41:01
  Speaker 2: that he talked to them at all, but then like
• 41:04
  Speaker 2: they're fine, was just giving him money? I guess and
• 41:06
  Speaker 2: not talking to him or not talking to each other.
• 41:09
  Speaker 3: Yeah, that's why I want to know a little bit
• 41:11
  Speaker 3: more about that.
• 41:13
  Speaker 2: Yeah, Missy and Kimmy, they you know, turned a corner
• 41:17
  Speaker 2: and they seemed to be besties. Now, so long Margo,
• 41:22
  Speaker 2: I know, seriously, Oh gosh, Well, I think that we've
• 41:28
  Speaker 2: pretty much covered everything and looking forward to seeing it
• 41:31
  Speaker 2: come back, because I mean, I can't imagine that it
• 41:33
  Speaker 2: wouldn't be renewed, although we saw Miami just hit the wayside,
• 41:39
  Speaker 2: so who knows?
• 41:40
  Speaker 4: Is that about contracts and money? Do we think somebody's
• 41:44
  Speaker 4: holding out for money? Just like I only think that
• 41:47
  Speaker 4: because we just so recently heard prior to the Super
• 41:51
  Speaker 4: Bowl about Jill saying like the word gut out that
• 41:54
  Speaker 4: Jill held out.
• 41:54
  Speaker 3: For money, remember on some trip on.
• 41:57
  Speaker 2: Girls dress trip, and it didn't happen.
• 42:00
  Speaker 3: So I'm wondering if if somebody held out.
• 42:03
  Speaker 2: It's Adriana. She's like, it's my song during this show.
• 42:09
  Speaker 2: I want three million dollars for the opening theme song.
• 42:17
  Speaker 3: Okay, we'll do it. Okay, that's fair.
• 42:20
  Speaker 2: All right, sounds good, All right, Thanks for listening, guys,
• 42:24
  Speaker 2: and just have yourself a lovely afternoon or evening or
• 42:27
  Speaker 2: morning or the middle of the night or whatever yell
• 42:32
  Speaker 2: in the garden, drama darling him, leaving
• 42:40
  Speaker 1: Dramas