Latest / Children of the 80s / 80s Hits: From TV to Top 40

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80s Hits: From TV to Top 40 · Children of the 80s

• 0:03
  Speaker 1: Dearly beloved.
• 0:04
  Speaker 2: We are gathered here today to celebrate Death.
• 0:06
  Speaker 3: Daves nineteen eighty four, a video podcast that will take
• 0:10
  Speaker 3: you through the greatest pop culture year we have ever seen.
• 0:12
  Speaker 4: Blacks on my fellow Americans, flacks, Oh.
• 0:18
  Speaker 2: Diama, candidates, and we'll seek.
• 0:20
  Speaker 3: Reelection from movies, music, sports, comics, television and more. This
• 0:28
  Speaker 3: show will be a chronological journey through every aspect of
• 0:31
  Speaker 3: the year.
• 0:34
  Speaker 2: So Who's gonna drive you home? And not let the
• 0:36
  Speaker 2: glory days pass you by? Death Daves nineteen eighty four.
• 0:41
  Speaker 2: It's a hard habit to break.
• 0:42
  Speaker 3: But time after time I'll show you why nineteen eighty.
• 0:45
  Speaker 2: Four was the best year ever. So who you gonna call?
• 0:49
  Speaker 1: Available now?
• 0:49
  Speaker 3: Subscribe and follow today I'll be back.
• 0:59
  Speaker 2: Children of the Eighties is brought to you by Q
• 1:01
  Speaker 2: one O six point five Internet Radio. You can find
• 1:05
  Speaker 2: it online at Q one o six five dot com
• 1:08
  Speaker 2: or download the app.
• 1:28
  Speaker 1: Welcome back to Children of the Eighties. I am one
• 1:30
  Speaker 1: of your hosts, Jim, and I am joined as always
• 1:33
  Speaker 1: by the lady who thinks that the Blues Brothers are
• 1:37
  Speaker 1: members of the Saint Louis hockey team. It's my co
• 1:41
  Speaker 1: host Lindsay.
• 1:43
  Speaker 2: That's giving me way too much credit there on on
• 1:46
  Speaker 2: the hockey Saint Louis sports teams.
• 1:49
  Speaker 1: Yeah, well yeah, I mean, you don't have a hockey
• 1:51
  Speaker 1: team down here, so you got to adopt one, so
• 1:52
  Speaker 1: it may as well be the Blues, right, I mean?
• 1:55
  Speaker 1: And also you like the phrase nobody leaves here without
• 1:58
  Speaker 1: singing the Blues.
• 1:59
  Speaker 2: Nobody leaves here without singing to Blues. I guess it's
• 2:03
  Speaker 2: because I grew up in Atlanta, but hockey was just
• 2:06
  Speaker 2: not anything I was ever exposed to. And then you
• 2:10
  Speaker 2: came into my life and suddenly hockey's a thing, and
• 2:14
  Speaker 2: then Emmy loves hockey.
• 2:17
  Speaker 1: Yes, and you enjoyed actually watching it when your nephew
• 2:20
  Speaker 1: was playing.
• 2:21
  Speaker 2: Yes, it's easy to follow, and for that I'm appreciatives.
• 2:26
  Speaker 1: All you do is follow the puck, right, Yeah, I
• 2:28
  Speaker 1: score a goal?
• 2:29
  Speaker 2: It's easy. Yes, So I got that. But uh so,
• 2:33
  Speaker 2: what's going on with Okay? Okay? So do you have
• 2:36
  Speaker 2: the kid for this weekend? Can you handle her?
• 2:39
  Speaker 1: The kid?
• 2:40
  Speaker 2: The kid, our kid, our child? Can you handle her
• 2:43
  Speaker 2: this weekend? Because I've packed a bag and clearly I
• 2:47
  Speaker 2: need to go find Nancy Guthrie. So somebody needs to
• 2:52
  Speaker 2: and I've decided that obviously the men can't get it done,
• 2:56
  Speaker 2: and so I'm going I've got a group of ladies.
• 2:58
  Speaker 2: We're all gonna go. We're gonna find her, We're gonna
• 3:00
  Speaker 2: bring her home. Savannah.
• 3:02
  Speaker 1: You don't think that they have lady detectives on the scene.
• 3:07
  Speaker 2: I mean, clearly they don't, or they would have found
• 3:10
  Speaker 2: her by now. I mean I feel like so at
• 3:13
  Speaker 2: one point a couple of days ago, they put a
• 3:16
  Speaker 2: big white tent up around the front door. I think
• 3:20
  Speaker 2: probably in hindsight, they were going to do something to
• 3:23
  Speaker 2: the ring cam or the nest camera, and they didn't
• 3:26
  Speaker 2: want lookie loose to be able to see what they
• 3:29
  Speaker 2: were doing. But at that moment, I went, oh my god,
• 3:33
  Speaker 2: she's been in the attic the entire time and they're
• 3:35
  Speaker 2: about to bring her poor little body out.
• 3:39
  Speaker 1: No, what you don't know is that white tent thing
• 3:42
  Speaker 1: was over there. Huh So Walton Jesse could cook a
• 3:45
  Speaker 1: meth inside her house while she was gone.
• 3:47
  Speaker 2: I mean that makes sense. This dude on this ring
• 3:50
  Speaker 2: cam footage looks like he would have something to do
• 3:53
  Speaker 2: with them.
• 3:54
  Speaker 1: Yeah, yeah, for sure, got anything less depressing.
• 3:59
  Speaker 2: I'm sorry, so yes, let me pull it up here.
• 4:02
  Speaker 2: I talked to Chris Weber and basketball player. I don't
• 4:10
  Speaker 2: think so. I think it might be another Chris Weber
• 4:12
  Speaker 2: okay on Instagram, and he and I felt about the
• 4:17
  Speaker 2: same way about last week's episode. And he said, Okay.
• 4:22
  Speaker 1: Hold on, hold on, hold on, hold on, wait a minute.
• 4:26
  Speaker 1: I picked out the music for last week's episode. I
• 4:29
  Speaker 1: know I got a lot of flack. Yes you did,
• 4:33
  Speaker 1: and you deserved it.
• 4:34
  Speaker 2: I got. So listen listen to what he said. Just
• 4:37
  Speaker 2: started the podcast on my way to work. So I
• 4:39
  Speaker 2: got this at seven fifty two in the morning on Wednesday.
• 4:42
  Speaker 2: I was not prepared for Babs and Bet at six
• 4:46
  Speaker 2: thirty in the morning.
• 4:47
  Speaker 1: No, nobody was prepared for the baby.
• 4:49
  Speaker 2: And I said, I'm sorry. This episode should have come
• 4:52
  Speaker 2: with the warning. And then later, a couple of days later,
• 4:56
  Speaker 2: he sent another message. He said, I never recovered from
• 4:59
  Speaker 2: those first.
• 5:02
  Speaker 1: Hold on, hold on before you keep going, Chris, I'm
• 5:04
  Speaker 1: sorry that you never recovered, but we really do appreciate
• 5:07
  Speaker 1: you listening.
• 5:08
  Speaker 2: But now listen to this. He said he was tasked
• 5:14
  Speaker 2: with sappy. Perhaps he misheard it and thought crappy. That
• 5:22
  Speaker 2: is really the only explanation that makes sense.
• 5:26
  Speaker 1: Well, okay, so I will say this.
• 5:30
  Speaker 2: No babies were made while listening to that music.
• 5:34
  Speaker 1: No, I disagree, because I got two messages from our
• 5:38
  Speaker 1: podcast buddies.
• 5:40
  Speaker 2: Oh I may not want to know.
• 5:42
  Speaker 1: I mean one one was from our buddy Dave Totally
• 5:46
  Speaker 1: eighties and nineties Recall, and he basically said, you went
• 5:52
  Speaker 1: zero for five on the first five, but he said
• 5:56
  Speaker 1: when I got deeper into the show, the next three
• 5:58
  Speaker 1: were good. The top four we're awesome, Eternal Flame is elite,
• 6:03
  Speaker 1: and Start a Fall is amazing.
• 6:05
  Speaker 2: Okay, I don't disagree.
• 6:07
  Speaker 1: And then our buddy Jason Colvin from the Surely You
• 6:13
  Speaker 1: Can't Be Serious podcasts said that we were irresponsible and
• 6:17
  Speaker 1: that we should have put out a warning label because
• 6:21
  Speaker 1: who is going to pay for all the babies that
• 6:24
  Speaker 1: will be made after listening to that podcast?
• 6:26
  Speaker 2: I don't know, Jason. We'll send them your way.
• 6:31
  Speaker 1: Listen, skip the babies, Bet and Babs, and just move
• 6:38
  Speaker 1: on with the rest.
• 6:39
  Speaker 2: I mean, we don't have to skip be, but we
• 6:42
  Speaker 2: do need to skip Babs.
• 6:44
  Speaker 1: You got to skip both of them. I mean, both
• 6:46
  Speaker 1: of them were bad. But I did that on purpose.
• 6:48
  Speaker 2: So you know what, did you or did you really
• 6:51
  Speaker 2: think that was a good idea?
• 6:52
  Speaker 1: No? No, no, no, sometimes you've just got to bring stuff
• 6:55
  Speaker 1: to the masses, even if they don't like them. Because
• 6:59
  Speaker 1: not all of the eighties were good. We like to
• 7:02
  Speaker 1: look back and pretend like the eighties were perfect and
• 7:05
  Speaker 1: they worked.
• 7:06
  Speaker 2: Okay, they were awesome, but they weren't perfect. This is
• 7:09
  Speaker 2: what I think that you did. Now, this just came
• 7:11
  Speaker 2: to me in hindsight. This is what I think that
• 7:13
  Speaker 2: you did. You thought if you would start the show
• 7:17
  Speaker 2: off with such horrible songs that we would be so
• 7:22
  Speaker 2: relieved when we made it through that half of the countdown,
• 7:26
  Speaker 2: that it would make the second half look that much better.
• 7:29
  Speaker 1: Yes, no, that is that is one true. I started
• 7:31
  Speaker 1: off with the bad songs on on purpose.
• 7:35
  Speaker 2: First Gosh, Jim Chure, the Bebes.
• 7:39
  Speaker 1: So after the Bbes, it wasn't that bad. You can
• 7:43
  Speaker 1: hate on air supply all you want. Air supplies awesome.
• 7:46
  Speaker 2: So I listened to a husband and wife podcast team today.
• 7:51
  Speaker 2: I found them.
• 7:52
  Speaker 1: I'm kind of like, we're not the only ones.
• 7:54
  Speaker 2: Oh, apparently only ones in this genre. This was a
• 7:57
  Speaker 2: different genre. And so I tried to listen to like
• 8:02
  Speaker 2: two different episodes and they just kept talking about making dinner.
• 8:08
  Speaker 2: And it was weird because there it was supposed to
• 8:10
  Speaker 2: be true crime. Yeah, it was, or the lack of
• 8:14
  Speaker 2: dinner making really weird. And that just made me think
• 8:18
  Speaker 2: about I wonder what cringe stuff we say and do
• 8:21
  Speaker 2: that people wish that we didn't do, you know, really
• 8:27
  Speaker 2: put it in perspective for me.
• 8:29
  Speaker 1: I really hope we're not cringey.
• 8:30
  Speaker 2: I know, I hope that we're not. That we're not either.
• 8:33
  Speaker 2: I have a question for you. Yeah, something that I've
• 8:35
  Speaker 2: been kind of storing back for a rainy day. Do
• 8:39
  Speaker 2: you remember magic sand from when you were growing up?
• 8:45
  Speaker 1: Was that the sand that was in the bottle that
• 8:48
  Speaker 1: was that had all the different colors and stuff.
• 8:50
  Speaker 2: So I don't think it was different colors. I think
• 8:54
  Speaker 2: you could get a bottle like the bottles were colored.
• 8:58
  Speaker 2: But I want to say this sand was all silver.
• 9:01
  Speaker 1: What made it magic?
• 9:03
  Speaker 2: Okay? So Magic Sand was released in nineteen eighty one,
• 9:08
  Speaker 2: and it was what they called the sand that refused
• 9:12
  Speaker 2: to get wet. So it looked and acted much like
• 9:16
  Speaker 2: regular beach sand, with a granular and free flowing texture,
• 9:21
  Speaker 2: but in water. If you poured it in water, which
• 9:24
  Speaker 2: was the purpose of magic Sand, it repelled water. So
• 9:30
  Speaker 2: it was sand that stayed.
• 9:32
  Speaker 1: Dry, never heard of such a thing.
• 9:36
  Speaker 2: It was really cool. I'm going to hold up the
• 9:38
  Speaker 2: bottle is weird looking, so if you if you had
• 9:41
  Speaker 2: any memories the bottle would bring it back.
• 9:44
  Speaker 1: Nope, that bottle looks perverted.
• 9:52
  Speaker 2: It is What in the world this is one of
• 9:57
  Speaker 2: those I can't now it's over. Yeah, I know, move on.
• 10:03
  Speaker 2: I think it was like the first uh what is
• 10:06
  Speaker 2: it called now that kids play with kinetic sand? But
• 10:09
  Speaker 2: it's just something that lives in the back of my
• 10:12
  Speaker 2: mind and I wonder, Well, first off, I wondered did
• 10:17
  Speaker 2: they still make it? So I had to google, you know,
• 10:19
  Speaker 2: to find out is it something that even is still
• 10:21
  Speaker 2: out there? Was it even real or was it a
• 10:23
  Speaker 2: fever dream? But then I also wonder how much carcinogenic is.
• 10:28
  Speaker 1: Well that's why I was gonna say, they probably still
• 10:29
  Speaker 1: don't make it, because it caused everybody to get cancer.
• 10:32
  Speaker 2: Yeah, that's what's wrong with us all that it's hydrophobic sand.
• 10:38
  Speaker 2: Hydrophobic sand. Yeah, I'm going to post a picture up
• 10:41
  Speaker 2: on social media sure and see if anybody else remembers
• 10:46
  Speaker 2: this stuff. Look, I could buy some on on eBay,
• 10:52
  Speaker 2: on Etsy, Etsy my new favorite site. Can I buy
• 10:54
  Speaker 2: fifteen bucks? No buy, no, please, please please thirty six
• 10:59
  Speaker 2: dollars on eBay and they'll give me ten percent off.
• 11:02
  Speaker 1: Oh so that's a better deal than what's on Etsy
• 11:06
  Speaker 1: for the fifteen dollars.
• 11:07
  Speaker 2: Goodness, that's something that we I think we had in
• 11:11
  Speaker 2: TAG when they were also trying to figure out if
• 11:13
  Speaker 2: we were going to be able to be in the CIA.
• 11:17
  Speaker 1: Yeah, and we weren't.
• 11:18
  Speaker 2: Yeah, no, no, no.
• 11:22
  Speaker 1: All right, are you ready to get to today's episode?
• 11:25
  Speaker 1: I think so, let's get to it.
• 11:35
  Speaker 2: This is a podcast that looks back on the decade
• 11:38
  Speaker 2: of the nineteen eighties. We talk about things that were
• 11:41
  Speaker 2: important to us as children and what we look back
• 11:44
  Speaker 2: on with fond memories as adults. Ultimately, this is a
• 11:49
  Speaker 2: nostalgia podcast.
• 11:51
  Speaker 1: Yes, and as I mentioned earlier, not all of the
• 11:54
  Speaker 1: eighties were good, and I feel like some of the
• 11:57
  Speaker 1: songs on this list oh yeah, are not good as well.
• 12:01
  Speaker 2: Okay, so I felt so bad about the hit you
• 12:08
  Speaker 2: took for last week's episode that I wanted to take
• 12:11
  Speaker 2: a hit for this week. Yes, so this week's episode
• 12:14
  Speaker 2: was my idea. So when it all crashes and burns,
• 12:18
  Speaker 2: it's my fault.
• 12:18
  Speaker 1: Yes, it is your fault. But before we get to that,
• 12:22
  Speaker 1: We've got another nominee for the Middle aged Man. Wow
• 12:27
  Speaker 1: Hall of Fame.
• 12:28
  Speaker 2: They're coming in fast, all right, right, So.
• 12:32
  Speaker 1: Just to go through Gene Hackman, Morgan Freeman, Wilfred Brimley,
• 12:38
  Speaker 1: and Tommy Lee Jones, they're all in. I have a
• 12:41
  Speaker 1: new nominee this week. You get to decide whether or
• 12:45
  Speaker 1: not he gets into the Hall of Fame or it's
• 12:48
  Speaker 1: banished forever. My nomination this week is one of the
• 12:55
  Speaker 1: stars of the sitcom Soap and the star of the
• 13:01
  Speaker 1: sitcom Empty Nest, mister Richard Mulligan. Yes, does Richard Mulligan
• 13:09
  Speaker 1: get into the Middle Aged Man Hall of Fame?
• 13:11
  Speaker 2: Whatn't a unique looking gentleman? Yes, cannot imagine him any
• 13:15
  Speaker 2: younger than fifty five. Correct, Absolutely let him in. He's in. Yay.
• 13:28
  Speaker 1: Our live studio audience is really excited about Richard Mulligan
• 13:32
  Speaker 1: getting in.
• 13:32
  Speaker 2: They got a little worked up there, didn't they. Yeah,
• 13:34
  Speaker 2: they did.
• 13:35
  Speaker 1: Okay. So today's episode is another music episode. Like you said,
• 13:39
  Speaker 1: you thought of this one and you brought it to me.
• 13:42
  Speaker 1: What I did not tell you, though, was that even
• 13:45
  Speaker 1: though this is your idea last year or about a
• 13:49
  Speaker 1: year and a half ago. On Twitter, my buddy Jason
• 13:51
  Speaker 1: Colvin that I previously mentioned. We had a discussion about
• 13:56
  Speaker 1: actors who had hits in the nineteen eighties and I said,
• 14:00
  Speaker 1: gested that this would be a good episode to do,
• 14:02
  Speaker 1: and he agreed. But this isn't really their style, right.
• 14:06
  Speaker 1: Their style is to pit movies or albums against each other,
• 14:10
  Speaker 1: not just to talk about, you know, one kind of
• 14:12
  Speaker 1: genre of things. So we're gonna take it.
• 14:15
  Speaker 2: Let's do it.
• 14:16
  Speaker 1: So this one's for you, Jason.
• 14:18
  Speaker 2: So really, what you're saying is this idea is not
• 14:22
  Speaker 2: unique to me.
• 14:25
  Speaker 1: No, but I never mentioned it to you, So I
• 14:27
  Speaker 1: mean you came up with it organically for sure. So
• 14:30
  Speaker 1: this list does not include those who had already hit
• 14:33
  Speaker 1: it big in music and then went on to star
• 14:36
  Speaker 1: in movies. So lucky for Chris Webber, no Bet Midler,
• 14:42
  Speaker 1: no Babs unlucky for most of us guys who grew
• 14:47
  Speaker 1: up in the eighties, No Olivia, Newton, John all of
• 14:50
  Speaker 1: them had music careers before they got into acting. How
• 14:54
  Speaker 1: did you come up with this?
• 14:55
  Speaker 2: I know that people like our music episodes. Obviously, coming
• 15:01
  Speaker 2: right off of Valentine's Day, that's a no brainer music episode.
• 15:04
  Speaker 2: I love to think outside of the box, and so
• 15:07
  Speaker 2: just kind of sat down and I'm like, Okay, what
• 15:09
  Speaker 2: is what is something that's not typical that we could
• 15:13
  Speaker 2: do that's also a music episode? And that's how I
• 15:16
  Speaker 2: came up with this.
• 15:18
  Speaker 1: All right, well, let's move on to it. What do
• 15:21
  Speaker 1: you say?
• 15:21
  Speaker 2: I love it, Let's do it.
• 15:32
  Speaker 1: We have ten songs that were hits by actors or
• 15:40
  Speaker 1: actresses that were actors or actresses first. The last one
• 15:46
  Speaker 1: could be argued, but I think us here in America
• 15:49
  Speaker 1: got to know him as an actor before we knew
• 15:51
  Speaker 1: him as a musician. But I think these ten are
• 15:56
  Speaker 1: a good variety. Some of them are really good, some
• 15:59
  Speaker 1: of them are really bad. What do you think of
• 16:02
  Speaker 1: this list?
• 16:03
  Speaker 2: So? I am of the thought that if you're an actor,
• 16:07
  Speaker 2: just act, If you're a singer, just sing. I know
• 16:11
  Speaker 2: that probably if you're an artist, you think of yourself
• 16:15
  Speaker 2: as doing art, and that could be all sorts of things, music, painting, acting.
• 16:20
  Speaker 2: I think you have to have somewhat of a big
• 16:24
  Speaker 2: ego probably to make it in Hollywood. But boy, what
• 16:27
  Speaker 2: size ego do you have to have to be an
• 16:30
  Speaker 2: actor and go ahead and be like, oh yeah, I
• 16:33
  Speaker 2: can make a hit album. Watch me?
• 16:35
  Speaker 1: Well, I will say that some of these knocked it
• 16:37
  Speaker 1: out of the park and then other ones.
• 16:39
  Speaker 2: Yeah, I know.
• 16:41
  Speaker 1: They only got to the top twenty because of who
• 16:44
  Speaker 1: they were and not because they could sing.
• 16:46
  Speaker 2: But they all agreed to do it, so they thought
• 16:49
  Speaker 2: they had a chance.
• 16:50
  Speaker 1: Yes, they thought that they had a chance. All right,
• 16:53
  Speaker 1: So you ready for I'm not really counting them down,
• 16:56
  Speaker 1: but we're gonna caut them down just so folks know
• 16:58
  Speaker 1: where they are. But it's not an order of preference
• 17:01
  Speaker 1: or anything, because otherwise this first song would probably be
• 17:04
  Speaker 1: near the top. You ready, Here is number ten that
• 17:34
  Speaker 1: is Party all the Time by Eddie Murphy. This song
• 17:37
  Speaker 1: debuted in the top forty on November ninth, nineteen eighty five.
• 17:41
  Speaker 1: It was on the chart for fourteen weeks. It peaked
• 17:44
  Speaker 1: at number two on the Billboard Hot one hundred for
• 17:47
  Speaker 1: three weeks. That usually only happens when something strong's hold
• 17:50
  Speaker 1: it off. You don't want to know what song held
• 17:52
  Speaker 1: it off? Yeah, say You Say Me by Lionel Riches.
• 17:58
  Speaker 1: This would actually finish night teen eighty six is the
• 18:01
  Speaker 1: seventh biggest song in the land.
• 18:02
  Speaker 2: It's not a bad song. I'll give him that.
• 18:05
  Speaker 1: Yeah, I think it's a good song. Probably some auto
• 18:10
  Speaker 1: tune maybe in there. But it's not like Eddie's got
• 18:12
  Speaker 1: a bad voice. We heard him sing his Donkey and Shrek. Yeah,
• 18:17
  Speaker 1: he's got a good voice. So why don't you give
• 18:20
  Speaker 1: us some background on the okay?
• 18:21
  Speaker 2: So, Party All the Time was written and produced by
• 18:25
  Speaker 2: the one and only Rick James. Yes, now here's where
• 18:29
  Speaker 2: the story gets good. When Eddie Murphy told fellow comedian
• 18:33
  Speaker 2: Richard Pryor that he was making a music album, Prior
• 18:37
  Speaker 2: famously had a reaction similar to mine that I just
• 18:41
  Speaker 2: had a minute ago. Bror famously bet him one hundred
• 18:45
  Speaker 2: grand that he couldn't do a serious album, so no jokes,
• 18:49
  Speaker 2: no comedy, only music. Years later, though, Eddie Murphy revealed
• 18:53
  Speaker 2: on Jimmy Kimmel Live that Prior never actually paid up
• 18:57
  Speaker 2: before he passed away in two thousand.
• 18:59
  Speaker 1: Why wouldn't he get a chocolate bar? You said, one
• 19:04
  Speaker 1: hundred grand chocolate bar?
• 19:06
  Speaker 3: So.
• 19:06
  Speaker 2: The single itself was recorded at Rick James's home studio
• 19:10
  Speaker 2: in Buffalo, New York, during what became known as Buffalo's
• 19:14
  Speaker 2: legendary six pack snowstorm. The city was absolutely buried over
• 19:19
  Speaker 2: thirty inches of snow and everything was shut down. So
• 19:24
  Speaker 2: Murphy originally planned to stay for just a weekend, but
• 19:27
  Speaker 2: instead ended up snowed in with Rick James for nearly
• 19:33
  Speaker 2: two weeks.
• 19:34
  Speaker 1: Yeah, I'm going to say that thirty inches of snow
• 19:37
  Speaker 1: isn't unusual for Buffalo.
• 19:39
  Speaker 2: I don't know, it sounds insane to me. Full circle
• 19:42
  Speaker 2: moment in a in a very sad way, Eddie Murphy
• 19:46
  Speaker 2: actually paid for Rick James's funeral in two thousand and four.
• 19:50
  Speaker 1: Really because Rick James was I'm assuming was broken or
• 19:53
  Speaker 1: his family was broken. That's sad, all right, anything else
• 19:59
  Speaker 1: on Eddie, if he Rick James or Richard pryor.
• 20:02
  Speaker 2: I mean, it's got some The song's got some good vibes.
• 20:05
  Speaker 2: It's classic Rick James.
• 20:07
  Speaker 1: Oh for sure. Yeah, it's absolutely a Rick a Rick
• 20:10
  Speaker 1: James jam.
• 20:11
  Speaker 2: Do you know what I can't quite ever get over
• 20:14
  Speaker 2: when anybody talks about Rick James. What's it? His bangs?
• 20:19
  Speaker 1: Rick James bangs? That should be a that should be
• 20:22
  Speaker 1: a Twitter handle. Rick James bangs.
• 20:26
  Speaker 2: Yes, yeah, boy, those were some bangs.
• 20:29
  Speaker 5: Yea.
• 20:30
  Speaker 1: Yeah, that's probably why Emmy gave up her bangs after kindergarten.
• 20:34
  Speaker 1: She probably saw Rick James.
• 20:36
  Speaker 2: They deserve a moment.
• 20:38
  Speaker 1: A moment of silence. Yeah, all right, moving on, thank you,
• 20:43
  Speaker 1: here we go our number nine song. Are only female
• 20:46
  Speaker 1: in the uh in the list? Shit that is, they
• 21:17
  Speaker 1: don't know? By Tracy Olmen. This debuted in the top
• 21:21
  Speaker 1: forty on March seventeenth, nineteen eighty four. It was on
• 21:25
  Speaker 1: the shart for eleven weeks. It peaked at number eight
• 21:27
  Speaker 1: on the Billboard Hot one hundred. It was number one
• 21:30
  Speaker 1: in Norway and Ireland.
• 21:32
  Speaker 2: Okay, Norway, thank you.
• 21:35
  Speaker 1: And this finished nineteen eighty four as the seventy first
• 21:38
  Speaker 1: biggest song. I believe this is a cover, but I'm
• 21:40
  Speaker 1: sure you've got information on that. I do, but that
• 21:43
  Speaker 1: was better than I thought it was going to be.
• 21:44
  Speaker 1: I do not remember this song from nineteen eighty four,
• 21:47
  Speaker 1: if I'm being one hundred percent honest. But it hit
• 21:49
  Speaker 1: number eight, So I don't know why I don't remember
• 21:51
  Speaker 1: this song, And maybe I do, and I didn't know
• 21:53
  Speaker 1: it was Tracy Oulmen.
• 21:54
  Speaker 2: I don't know.
• 21:55
  Speaker 1: I just think of Tracy Oulmen as the strange English
• 21:59
  Speaker 1: comedian who debuted us the Simpsons on her show.
• 22:03
  Speaker 2: Yeah, that's right.
• 22:04
  Speaker 1: But other than that, I didn't really know about the
• 22:07
  Speaker 1: song and I heard it. You would ask me when
• 22:08
  Speaker 1: I was putting this together, what do you think about
• 22:11
  Speaker 1: this list? And I'm like, you actually like any of
• 22:13
  Speaker 1: these songs on this list? I'm like very few, And
• 22:16
  Speaker 1: this was one of the ones that I was thinking
• 22:17
  Speaker 1: very few of, but I.
• 22:19
  Speaker 2: Actually like it. Do you know what this song sounds
• 22:21
  Speaker 2: like to me? A very classic eighties sitcom opening? Okay, yeah,
• 22:30
  Speaker 2: I hear that right, like Charles in Charge or something.
• 22:33
  Speaker 1: I was thinking it was more like the beginning of
• 22:38
  Speaker 1: Adventures and babysitting. When she was singing then he kissed me.
• 22:41
  Speaker 1: That's what I was thinking. It sounded blake.
• 22:42
  Speaker 2: That's a good point, all right.
• 22:47
  Speaker 1: So what do you got on this song?
• 22:49
  Speaker 2: This song actually started life way back forty six years ago,
• 22:54
  Speaker 2: in the year nineteen seventy nine.
• 22:56
  Speaker 1: Oh wow, it sounds sixty.
• 22:58
  Speaker 2: Ish to me. It was written and first recorded by
• 23:01
  Speaker 2: Kirsty McCall. I'm not exactly sure who that is, but
• 23:06
  Speaker 2: when the song was later recorded by Tracy Ullman, she
• 23:10
  Speaker 2: was already well known in the UK as an actress
• 23:13
  Speaker 2: and comedian, and had even scored a top ten hit
• 23:16
  Speaker 2: with her debut single Breakaway. Do you happen to know
• 23:19
  Speaker 2: that I do not?
• 23:20
  Speaker 1: I know? Breakout? By the Swingout Sisters.
• 23:23
  Speaker 2: So the song's big break in the US came thanks
• 23:27
  Speaker 2: to MTV. She had zero exposure in America at the time,
• 23:32
  Speaker 2: but they invited her to be a guest VJ in
• 23:35
  Speaker 2: February of eighty four, and the response was so positive
• 23:39
  Speaker 2: that MCA Records rushed the song out as her debut
• 23:44
  Speaker 2: US single. So despite that success, they don't know, ended
• 23:49
  Speaker 2: up being her only top forty hit in the US unfortunately.
• 23:55
  Speaker 2: So in a full circle moment, you know, I always
• 23:58
  Speaker 2: bring it back to death. Do you notice that Allman
• 24:03
  Speaker 2: performed the song in two thousand and two at a
• 24:06
  Speaker 2: memorial concert honoring Kirsty McCall, who had tragically died in
• 24:10
  Speaker 2: a boating accident a couple of years before. So, oh,
• 24:14
  Speaker 2: fun detail. I got one more thing. If you look
• 24:17
  Speaker 2: closely at the music video, that really is Paul McCartney
• 24:21
  Speaker 2: making a cameo. Really, He and Olman had recently worked
• 24:24
  Speaker 2: together on Give My Regards to broad Street, So there's
• 24:28
  Speaker 2: a little friendly crossover moment there.
• 24:30
  Speaker 1: Oh wow, sir Paul. Yeah, he was in that video
• 24:34
  Speaker 1: right after being in say Sayce, We're probably against better judgment.
• 24:39
  Speaker 1: He dressed in blackface.
• 24:41
  Speaker 2: That oh, I don't even know where to go with that.
• 24:44
  Speaker 1: I know, you know what. I don't even know where
• 24:46
  Speaker 1: to go with this next song. But I put this
• 24:48
  Speaker 1: in strictly for our friend def Dave.
• 24:51
  Speaker 5: Well.
• 25:12
  Speaker 1: That was give Me Some Loving by the Blues Brothers.
• 25:17
  Speaker 2: I don't really got much to say here, but okay,
• 25:19
  Speaker 2: I'm gonna hold off. I'll let you talk.
• 25:21
  Speaker 1: First, all right. This debuted in the top forty on
• 25:23
  Speaker 1: June twenty first, nineteen eighty. It was on the chart
• 25:26
  Speaker 1: for eighteen weeks. I'm sorry. It was on the shart
• 25:29
  Speaker 1: for eight weeks but peaked at number eighteen. I was like, eighteen, yeah, no, no, no, only.
• 25:34
  Speaker 2: For eight oh wait to start a rumor.
• 25:35
  Speaker 1: Peaked at number eighteen on the Billboard Hot one hundred.
• 25:38
  Speaker 1: It is a cover of a Spencer Davis group song
• 25:41
  Speaker 1: from nineteen sixty six, and that version actually hit number
• 25:45
  Speaker 1: seven on the Billboard Hot one hundred fourteen years earlier.
• 25:51
  Speaker 2: Okay, so I had our time finding anything that I
• 25:54
  Speaker 2: really wanted to talk about related to the Blues Brothers
• 25:58
  Speaker 2: version of this song, so I'm branched out a little bit.
• 26:02
  Speaker 2: Just squinch your eyes and bear with me. So give
• 26:06
  Speaker 2: Me some lovin. Originally, it was a hit back in
• 26:08
  Speaker 2: nineteen sixty six by the Spencer Davis Group. Do you
• 26:12
  Speaker 2: know anything about them? I do not.
• 26:14
  Speaker 1: I know that they're called the Spencer Davis Group, okay,
• 26:17
  Speaker 1: and that they had a number seven hit called Gimme
• 26:19
  Speaker 1: Some Lovin.
• 26:20
  Speaker 2: There were three gentlemen in this group. They were a trio.
• 26:24
  Speaker 2: I guess a trio Spencer Davis, Okay, that makes sense,
• 26:28
  Speaker 2: Muff win Wood and a seventeen year old Steve Winwood.
• 26:33
  Speaker 2: The Steve Winwood.
• 26:35
  Speaker 1: That's what I was going to ask. When you said
• 26:37
  Speaker 1: muff Winwood, I was like, any relation to Steve Winwood.
• 26:40
  Speaker 2: He wrote this song, Jim, Steve Winwood wrote this song,
• 26:43
  Speaker 2: wrote this song in about half an hour in the
• 26:47
  Speaker 2: year nineteen sixty seven.
• 26:49
  Speaker 1: Well, that just goes to prove his musical genius.
• 26:53
  Speaker 2: Yeah, this song not the Blues Brothers. The song is
• 26:58
  Speaker 2: ranked number two hundred and forty seven on Rolling Stones
• 27:02
  Speaker 2: list of the five hundred Greatest Songs of All Time. Wow,
• 27:07
  Speaker 2: I mean I didn't know any of this. I feel
• 27:09
  Speaker 2: totally enlightened.
• 27:10
  Speaker 1: So I have to ask, what do you think of
• 27:12
  Speaker 1: the Blues Brothers.
• 27:16
  Speaker 2: I feel like it's they were not I'm not their audience.
• 27:21
  Speaker 2: So I don't care for them, but I don't think
• 27:25
  Speaker 2: I was meant to care for them. What do you
• 27:28
  Speaker 2: How do you feel about the Blues Brothers. I don't
• 27:30
  Speaker 2: get it, really, yeah, I don't get it. I mean,
• 27:33
  Speaker 2: I love dan Aykroyd. I I'd never thought John Belushi
• 27:38
  Speaker 2: was that great. I know I didn't either.
• 27:39
  Speaker 1: I know that the people who watched the early things
• 27:42
  Speaker 1: of Saturday Night Life just thought he was brilliant and
• 27:44
  Speaker 1: Chris Farley like, but I never thought he was that great.
• 27:47
  Speaker 1: He was great when he did the Joe Cocker in person,
• 27:50
  Speaker 1: yes he was. It was fantastic, and he was great
• 27:52
  Speaker 1: at some things that I saw, But overall, I just
• 27:56
  Speaker 1: I just didn't get it. So maybe maybe it's yeah,
• 27:59
  Speaker 1: maybe it was just before my time. But I love
• 28:01
  Speaker 1: dan Aykroyd, but I also didn't get them just dressing
• 28:05
  Speaker 1: up in suits and singing blue songs.
• 28:07
  Speaker 2: It wasn't funny, No, not not in the least. So
• 28:12
  Speaker 2: someone out there believes that they are so iconic that
• 28:19
  Speaker 2: they are still something to go and see. At Universal
• 28:23
  Speaker 2: Studios in Florida, the Blues Brothers perform and drive up
• 28:29
  Speaker 2: in a Cadillac. I guess, yeah, can get out and
• 28:31
  Speaker 2: do things in and around universal you have to carry
• 28:35
  Speaker 2: some kind of generational interest. I don't know, you have
• 28:38
  Speaker 2: to have on a different level. Listen, I don't get it.
• 28:41
  Speaker 1: I am not denying that people love them. I'm just like,
• 28:45
  Speaker 1: I don't understand why. Yeah, I'm just saying I don't
• 28:47
  Speaker 1: get it. But I'm not denying that that they are
• 28:49
  Speaker 1: big and that people love them. And that's fine, that's great.
• 28:52
  Speaker 1: You know love with you went to love, but you
• 28:54
  Speaker 1: know it's not for me. I don't get it. Yeah,
• 28:58
  Speaker 1: all right, let's move on to number seven. And I'm
• 29:00
  Speaker 1: not sure we're getting any better here.
• 29:01
  Speaker 2: It gets worse before it gets better.
• 29:29
  Speaker 1: Looking at me, So what do you think that song's called?
• 29:36
  Speaker 1: That is Heartbeat by Don Josh No. It debuted in
• 29:41
  Speaker 1: the top forty on November sixth, nineteen eighty six. It
• 29:44
  Speaker 1: was on the chart for ten weeks. It peaked at
• 29:46
  Speaker 1: number five on the Billboard Hot one hundred. It not
• 29:50
  Speaker 1: surprisingly did not make the year end Hot one hundred.
• 29:53
  Speaker 1: It was number three in Austria, which is the highest
• 29:57
  Speaker 1: charting country that I could find. I will say that
• 30:02
  Speaker 1: the chorus there he does not sound terrible, but he's
• 30:05
  Speaker 1: got great backup singers, maybe making him sound better. Oh yeah,
• 30:08
  Speaker 1: when he sings zech verse, it's just not good.
• 30:10
  Speaker 2: It's the same thing over and over again.
• 30:12
  Speaker 1: It's just not good.
• 30:13
  Speaker 2: And you listen.
• 30:15
  Speaker 1: Don Johnson, great looking man, yeah, great actor. Love almost
• 30:21
  Speaker 1: everything he has done. Not a singer. I think he
• 30:24
  Speaker 1: was hanging out with Glenn Fry too much on the
• 30:27
  Speaker 1: set and Glenn was like, oh yeah, singing's easy, and
• 30:31
  Speaker 1: Don proved that it's not so.
• 30:33
  Speaker 2: In a nineteen eighty seven interview with The La Times,
• 30:36
  Speaker 2: Don Johnson was very clear that he wasn't messing around
• 30:40
  Speaker 2: when it came to his music, so he said time
• 30:43
  Speaker 2: and time again that he wanted the music to sound
• 30:47
  Speaker 2: modern and tough. He wanted it to be real rock
• 30:50
  Speaker 2: Jim and not like something other people had cooked up
• 30:54
  Speaker 2: while he just popped in and sang a few vocals.
• 30:56
  Speaker 2: He even told the president of CBS Records at the
• 31:00
  Speaker 2: time that if the album didn't feel credible, he'd just
• 31:02
  Speaker 2: walk away.
• 31:04
  Speaker 1: You you paused, president, I thought he was talking to Ronnie.
• 31:09
  Speaker 2: Music reviewer J. D. Considine famously said that Don Johnson
• 31:14
  Speaker 2: sings about as well as Glenn Fry acts, which is
• 31:19
  Speaker 2: either a compliment or a.
• 31:21
  Speaker 1: No that probably right on, probably right on. And you
• 31:27
  Speaker 1: know I love Glenn Fry, but I'm not you know,
• 31:29
  Speaker 1: he's not getting nominated or anything. No, so what did
• 31:32
  Speaker 1: Don Johnson say, He's not gonna what just jump in
• 31:35
  Speaker 1: and sing a few lines or whatever.
• 31:37
  Speaker 2: Yeah, no, he was all in. He wanted the record
• 31:40
  Speaker 2: to sound modern and tough. He wanted it to be
• 31:43
  Speaker 2: real rock.
• 31:44
  Speaker 1: Right, But then what was the what was the line about?
• 31:47
  Speaker 2: And not like something other people had cooked up while
• 31:50
  Speaker 2: he just popped in to sing of you vocals?
• 31:52
  Speaker 1: Well, I think, uh, that describes this next song that
• 31:55
  Speaker 1: we're going to number six.
• 32:24
  Speaker 2: I have lots of questions.
• 32:26
  Speaker 1: Well, I've got lots of answers. That's Respect Yourself by
• 32:32
  Speaker 1: Bruce Willis this debuted?
• 32:36
  Speaker 2: Yeah?
• 32:36
  Speaker 1: Oh no, it's got talking in it. Oh yeah, it's
• 32:38
  Speaker 1: got talking in the song. This debuted in the top
• 32:44
  Speaker 1: forty on January thirty first, nineteen eighty seven. It was
• 32:47
  Speaker 1: on the chart for ten weeks. How the heck get
• 32:50
  Speaker 1: peaked at number five on the Billboard Hot one hundred
• 32:53
  Speaker 1: I will never know, And it would also finish nineteen
• 32:56
  Speaker 1: eighty seven. Is the eighty ninth biggest.
• 32:58
  Speaker 2: Song That's insane.
• 33:00
  Speaker 1: Apparently this was huge with the Italians because this hit
• 33:04
  Speaker 1: number one in Italy. This is a cover of the
• 33:08
  Speaker 1: Staples Sisters song Respect Yourself and all I'm gonna say
• 33:13
  Speaker 1: is this debuted in January thirty first, nineteen eighty seven.
• 33:20
  Speaker 1: He's lucky that he got the lead and diehard after
• 33:26
  Speaker 1: making this.
• 33:28
  Speaker 2: He's a trash I know, I know. So I did
• 33:31
  Speaker 2: not realize that Bruce Willis was the eighties version of
• 33:38
  Speaker 2: Chris Gaines in Garth Brooks. Did you know this? No,
• 33:42
  Speaker 2: he didn't sing as Bruce Willis, he sang as Bruno RATTLINI.
• 33:47
  Speaker 1: Yes, yes, because in the video they say, hey, Bruno
• 33:50
  Speaker 1: blah blah blah blah.
• 33:51
  Speaker 2: So that's why that's why it charted and did so
• 33:54
  Speaker 2: well in Italy. They all thought he was this like
• 33:56
  Speaker 2: Italian guy. Okay, so the name of the album the
• 34:01
  Speaker 2: Return of Bruno.
• 34:03
  Speaker 1: Okay, we don't talk about Bruno?
• 34:05
  Speaker 2: Well, can we never talk about Bruno again? Because this
• 34:09
  Speaker 2: served as a companion to the HBO special of the
• 34:13
  Speaker 2: same name that aired shortly after the album's release. The
• 34:18
  Speaker 2: special was presented as a mockumentary and leaned fully into
• 34:23
  Speaker 2: the joke, featuring appearance from real music legends Elton John Ringo, Starr,
• 34:30
  Speaker 2: Brian Wilson, all speaking very seriously about Bruno so called
• 34:36
  Speaker 2: influence on their music careers.
• 34:38
  Speaker 1: Oh my gosh, that I.
• 34:42
  Speaker 2: Am so offended and I don't even know what else
• 34:46
  Speaker 2: to say.
• 34:48
  Speaker 1: That's awful. That's about as bad as this song is.
• 34:52
  Speaker 1: I mean, listen, no, it's just bad. Look, you guys
• 34:59
  Speaker 1: can make on to Babs and bet all you want.
• 35:02
  Speaker 1: This is worse. I'm sorry.
• 35:04
  Speaker 2: Okay, the Pointer Sisters are singing backup though on the stoe.
• 35:07
  Speaker 1: I was gonna ask if that was the Pointers really is.
• 35:10
  Speaker 1: It's the only reason why the song sounds halfway decent.
• 35:13
  Speaker 1: It is literally the only reason why the song sounds
• 35:14
  Speaker 1: halfway decent, because it's my favorite sisters. Yeah, the Pointer Sisters.
• 35:19
  Speaker 1: Not the Sisters of the Poor or the Sisters of
• 35:21
  Speaker 1: the Blind. It's the Pointer Sisters. It's not the Staple
• 35:25
  Speaker 1: Sisters either. It's not Sister's Sledge, it's not Twisted Sister. No,
• 35:30
  Speaker 1: it's the Pointer Sisters.
• 35:33
  Speaker 2: Listen. Thank god die Hard came along.
• 35:37
  Speaker 1: Yeah, because if we would have had to live through
• 35:38
  Speaker 1: there's there's a there's a universe where Bruce Willis's music
• 35:42
  Speaker 1: is popular, like the Wild Stallions, with Bill and Ted.
• 35:45
  Speaker 1: Oh absolutely, and uh, I don't want to live or
• 35:48
  Speaker 1: even think about that universe.
• 35:50
  Speaker 2: We're not happy there.
• 35:51
  Speaker 1: No, no, it's it's pure misery. All right, let's move on.
• 35:57
  Speaker 1: This one's better. I'm not a big fan of this song,
• 36:00
  Speaker 1: but at least this person can really sing.
• 36:05
  Speaker 2: Can't upgain rise she's on.
• 36:13
  Speaker 4: Just the fool to believe I haven't anything. She's not
• 36:20
  Speaker 4: the way.
• 36:26
  Speaker 1: You know, you can't have a good love song without
• 36:28
  Speaker 1: a great saxophone in the eighties, right, Oh yeah, that is.
• 36:32
  Speaker 1: She's like the win by Patrick Swayzee. I've written and
• 36:35
  Speaker 1: performed by Patrick Swayzee. I believe this debut in the
• 36:38
  Speaker 1: top forty on January sixteenth, nineteen eighty eight, so we
• 36:41
  Speaker 1: had a year to recover from Bruce Willis before Patrick
• 36:43
  Speaker 1: Swayzey came on us. It was on the chart for
• 36:46
  Speaker 1: thirteen weeks. It peaked at number three on the Billboard
• 36:49
  Speaker 1: Hot one hundred, but it was number one on the
• 36:51
  Speaker 1: Adult Contemporary chart for two weeks, so mister Swayzee has
• 36:55
  Speaker 1: himself a number one hit.
• 36:56
  Speaker 2: I love this song.
• 36:57
  Speaker 1: It finished nineteen eighty eight as the forty the biggest
• 37:00
  Speaker 1: song in the land, so you would have heard Casey
• 37:02
  Speaker 1: Kasem Yeah doing his final countdown and this would have
• 37:06
  Speaker 1: let off. This was also a top ten hit in
• 37:08
  Speaker 1: nine other countries. So when I said, I don't like
• 37:11
  Speaker 1: this song, it's just it's not really my style. But
• 37:14
  Speaker 1: it's not that it's a bad song. And like I said,
• 37:17
  Speaker 1: he can actually sing. He's not like Bruce Willis or
• 37:19
  Speaker 1: Don Johnson. Patrick Swayze could actually sing. You know. Put
• 37:22
  Speaker 1: him in the Eddie Murphy category here. So you know,
• 37:26
  Speaker 1: that's all I got. I know you've got more information
• 37:29
  Speaker 1: on it. I know what movie it's from. You probably
• 37:31
  Speaker 1: have that information, but you go right okay, So.
• 37:33
  Speaker 2: She's like The win was recorded for the sound track
• 37:37
  Speaker 2: to the film Dirty Dancing, which obviously Patrick Swayzee also started,
• 37:41
  Speaker 2: but the story of how the song came to be
• 37:45
  Speaker 2: actually goes back a few years earlier. He co wrote
• 37:49
  Speaker 2: the song back in nineteen eighty four, Really Yes. While
• 37:53
  Speaker 2: Dirty Dancing was in production, Swayzey played the demo for
• 37:58
  Speaker 2: producer Linda got Gottlieb and director emil Ardolino. I'm sorry
• 38:04
  Speaker 2: I'm butchering their names. They immediately loved it and passed
• 38:07
  Speaker 2: it along to the soundtrack executive producers, and the song
• 38:11
  Speaker 2: was officially recorded for the soundtrack in November of eighty six.
• 38:15
  Speaker 2: But listen to this, I'm listening. Here's a great near
• 38:22
  Speaker 2: miss moment. During a twenty twenty episode of The Joe
• 38:25
  Speaker 2: Rogan Experience, actor Rob Lowe revealed that Patrick Swayzey had
• 38:30
  Speaker 2: originally tried to place the song on the soundtrack Young Blood.
• 38:35
  Speaker 1: Yes, you know what, It's funny because you said and
• 38:38
  Speaker 1: he wrote it in nineteen eighty four, and I was
• 38:39
  Speaker 1: gonna say, did he write it for Young Blood? I'm
• 38:41
  Speaker 1: glad I didn't like spoil it.
• 38:43
  Speaker 2: Because then I would have been like, well, never mind.
• 38:45
  Speaker 1: If that song doesn't go with Young Blood, what's Patrick
• 38:48
  Speaker 1: Swayzey think thinking.
• 38:49
  Speaker 2: He's just trying to get it out there. Jimmy had
• 38:51
  Speaker 2: to do what he had to do.
• 38:52
  Speaker 1: I feel like it would have ruined the movie Young
• 38:54
  Speaker 1: Blood had it been in there. There you go, Patrick Swayzey,
• 39:00
  Speaker 1: Rob low Hockey Players, hockey movie.
• 39:03
  Speaker 2: I think Patrick swayze what what a special person And
• 39:09
  Speaker 2: it's absolutely heartbreaking to stop and think about. And what
• 39:13
  Speaker 2: a good guy.
• 39:14
  Speaker 1: Yeah, he was a great and that point break yep.
• 39:19
  Speaker 1: All right, probably getting to your favorite song.
• 39:22
  Speaker 2: Here we go, it's no never, come home me.
• 39:32
  Speaker 4: Time, kiss me my darg be mind tonight tomorrow to.
• 39:50
  Speaker 1: It's no never, that is it's now We're never. And
• 39:56
  Speaker 1: know that is not the king of rock and roll.
• 39:58
  Speaker 1: That is the king of the general Lee. It's mister
• 40:01
  Speaker 1: John Schneider. And he can actually sing too. He's actually
• 40:04
  Speaker 1: got a good voice.
• 40:05
  Speaker 2: He has a fantastic voice. Let me just point that out.
• 40:08
  Speaker 1: So obviously this is the cover of an Elvis song.
• 40:10
  Speaker 1: A debut in the top forty on June twenty seventh,
• 40:13
  Speaker 1: nineteen eighty one. It was on the chart for eleven weeks.
• 40:17
  Speaker 1: It peaked at number fourteen on the Billboard Hot one hundred,
• 40:20
  Speaker 1: but was number five on the Adult Contemporary chart and
• 40:23
  Speaker 1: number four on the Country chart, and it would finish
• 40:26
  Speaker 1: nineteen eighty one as the eighty second biggest song. Now,
• 40:32
  Speaker 1: as I was putting this song on to the roadcaster
• 40:35
  Speaker 1: so I could play it in real time, taking it
• 40:39
  Speaker 1: off a YouTube, they got a picture there of John Snider.
• 40:42
  Speaker 1: He's got a head on like a cowboy, had on
• 40:45
  Speaker 1: his blonde locks. But then he's got some pork shops
• 40:48
  Speaker 1: coming down.
• 40:49
  Speaker 2: Why they were glued on Jim.
• 40:51
  Speaker 1: He was growing that they weren't George Jones pork shops.
• 40:56
  Speaker 1: But yeah, he's got someone. He looks like he's about fourteen.
• 41:00
  Speaker 2: Well there you go. So who is this.
• 41:03
  Speaker 1: John Schneider Bo Duke?
• 41:06
  Speaker 2: Or is it mister Paul Sorvino.
• 41:11
  Speaker 1: I thought you were gonna say, mister Lindsey Helton.
• 41:13
  Speaker 2: No, no, no, no, okay. So many people assumed the
• 41:16
  Speaker 2: song was chosen because it was an Elvis classic, But
• 41:19
  Speaker 2: mister Servino has said many times he gravitated toward material
• 41:25
  Speaker 2: that already felt timeless and romantic, so which fit the
• 41:30
  Speaker 2: early like nineteen eighties country crossover moment perfectly. Here's a
• 41:34
  Speaker 2: subtle but cool little nugget of info. By covering It's
• 41:38
  Speaker 2: Now or Never, mister Sorvino became one of the very
• 41:43
  Speaker 2: few artists to score a major country hit with the
• 41:46
  Speaker 2: song that originally topped the pop charts more in than
• 41:48
  Speaker 2: twenty years earlier.
• 41:49
  Speaker 1: Will you stop calling him, mister Sorvino. It is John Schneider,
• 41:53
  Speaker 1: it is Bo Duke.
• 41:54
  Speaker 2: He's spending mister Paul Sorvino's money, and I feel a
• 41:59
  Speaker 2: little bad about that.
• 42:01
  Speaker 1: What is Paul Servino care?
• 42:03
  Speaker 2: I'm also a little bitter he's taking a nap dirt.
• 42:08
  Speaker 1: Naw, yeah, the eternal dirt.
• 42:09
  Speaker 2: Now, okay, so did you did you hear me?
• 42:11
  Speaker 5: Though? What?
• 42:12
  Speaker 2: Did you hear what I said? Though?
• 42:14
  Speaker 1: I got distracted by you saying mister No, I heard you.
• 42:17
  Speaker 1: Of course I heard you, But I wish you'd quit
• 42:19
  Speaker 1: calling a mister Sorvino. You know this, it's now or
• 42:25
  Speaker 1: never when it comes to this song. I'll take never
• 42:27
  Speaker 1: rather than now. But he could sing, but I'm not.
• 42:33
  Speaker 2: He's got a really good voice. He's an extremely talented artist.
• 42:39
  Speaker 2: But I'm just salty because I lost out to Paul
• 42:42
  Speaker 2: Sorvino's widow. What you were gonna kick me to the curve?
• 42:46
  Speaker 2: I even left the bathroom door unlock.
• 42:48
  Speaker 1: Oh my goodness. All right, this next one? I like
• 42:51
  Speaker 1: this next one.
• 43:07
  Speaker 2: Jimmy, Jimmy Dean Sausage. He's just saying words. He's talking
• 43:21
  Speaker 2: about the King of sausage.
• 43:22
  Speaker 1: He's just saying words.
• 43:24
  Speaker 2: What do they do?
• 43:26
  Speaker 1: What do they doing?
• 43:27
  Speaker 2: Music?
• 43:28
  Speaker 1: Do they not say words?
• 43:29
  Speaker 2: They don't. He's just saying words, but they don't necessarily
• 43:32
  Speaker 2: go together to form a sentence or a stanza.
• 43:36
  Speaker 1: Stanza custanza.
• 43:39
  Speaker 2: You were going there?
• 43:41
  Speaker 5: Uh?
• 43:41
  Speaker 1: This is rock on by Young and the Restless star
• 43:44
  Speaker 1: Michael Damien. This debut in the top forty on April eighth,
• 43:49
  Speaker 1: nineteen eighty nine. It was on the chart for thirteen weeks.
• 43:52
  Speaker 1: It peaked a number one on the Billboard Hot one
• 43:55
  Speaker 1: hundred and number one on the Airplay chart. It finished
• 43:59
  Speaker 1: nineteen eighty nine the forty fifth biggest song, and it
• 44:03
  Speaker 1: is in the movie Dream a Little Dream, which stars
• 44:06
  Speaker 1: the corys. Oh.
• 44:08
  Speaker 2: That's right, So here's the thing I made fun of it.
• 44:12
  Speaker 2: I actually really liked this song, but it is just
• 44:14
  Speaker 2: kind of ironic that he's just like shouting out words.
• 44:19
  Speaker 2: They don't all go together. Okay, So Damon was best Damien.
• 44:23
  Speaker 1: Damien, Sorry, fat Damon Williams.
• 44:30
  Speaker 2: I drag out names that should be shorter, and then
• 44:33
  Speaker 2: I shortened names that should be longer. Yes, okay. So
• 44:37
  Speaker 2: he was best known for playing Danny Ramilotti on The
• 44:41
  Speaker 2: Young and the Restless. Let's just stop for a moment
• 44:45
  Speaker 2: and talk about the importance that soap operas played to
• 44:50
  Speaker 2: our moms and our grandma's in the eighties and therefore
• 44:53
  Speaker 2: in our lives.
• 44:54
  Speaker 1: Oh yeah, yeah, no, there was something always on. It was,
• 44:59
  Speaker 1: whether it was The Young and the Restless or days
• 45:01
  Speaker 1: of our lives. I don't really remember people watching General
• 45:05
  Speaker 1: Husse now my house, but I do remember the bold
• 45:09
  Speaker 1: and the beautiful days of our lives, the young and
• 45:11
  Speaker 1: the restless.
• 45:12
  Speaker 2: As the world turns.
• 45:13
  Speaker 1: I guess the world turns maybe a little. All my
• 45:15
  Speaker 1: children with Susan Luchi.
• 45:18
  Speaker 3: So.
• 45:20
  Speaker 2: In the house with Nanny, Lunch was served promptly at
• 45:24
  Speaker 2: eleven o'clock. Whether you were hungry or not made no
• 45:28
  Speaker 2: difference because Papa had worked super early hours at General Motors,
• 45:33
  Speaker 2: so every meal they did, they did super early. Okay,
• 45:38
  Speaker 2: so eleven o'clock was lunch. Made no difference if you
• 45:41
  Speaker 2: were hungry or not, but you wanted to eat and
• 45:43
  Speaker 2: be done, and the table cleaned up in time for
• 45:46
  Speaker 2: the twelve o'clock news. The news goes off at twelve thirty.
• 45:50
  Speaker 2: That's when the Young and the Restless comes on twelve
• 45:53
  Speaker 2: thirty to one thirty. You get a break from one
• 45:55
  Speaker 2: thirty to two for a snack, because from two to
• 45:59
  Speaker 2: three is going to be as the world turns. Three
• 46:03
  Speaker 2: o'clock school got out, and that's if I've been to
• 46:06
  Speaker 2: school that day, that's when I'm coming in the door,
• 46:08
  Speaker 2: or if I've been home sick. That's when friends are
• 46:11
  Speaker 2: coming home, you know. Anyways, it's so funny life like
• 46:15
  Speaker 2: when the two soaps were on that nanny watched. Shut
• 46:19
  Speaker 2: it quiet. You better not need anything. You cut your
• 46:23
  Speaker 2: arm off, then don't bleed to dad. I'll be with
• 46:25
  Speaker 2: you at three o'clock. Yeah.
• 46:28
  Speaker 1: So, my mem she when I was a kid, she
• 46:33
  Speaker 1: were so and we actually lived with her for four years.
• 46:37
  Speaker 1: So I don't know how she did this because I'm
• 46:39
  Speaker 1: fifty two and I think she was fifty two when
• 46:41
  Speaker 1: I was born. Oh wow, right, So from the time
• 46:44
  Speaker 1: I was like four or five, we lived with her
• 46:46
  Speaker 1: until I was like eight, me and my brother and
• 46:49
  Speaker 1: my sister. And so she would wake us up in
• 46:54
  Speaker 1: the morning, give us breakfast, drive us to the babysitter
• 46:57
  Speaker 1: before school, go to work, work all day yep, come back,
• 47:03
  Speaker 1: pick us up from the babysitters, go home, yeap, cook
• 47:07
  Speaker 1: us dinner, get us a bath, get us to bed,
• 47:12
  Speaker 1: and then wake up and do the next thing. And
• 47:14
  Speaker 1: she was in her late fifties or early sixties. I
• 47:18
  Speaker 1: go to work and I come home and I'm done.
• 47:20
  Speaker 2: I know she was a special breed.
• 47:23
  Speaker 1: But I will say this when she retired, because she
• 47:27
  Speaker 1: never watched soaps, right, But when she retired, I would
• 47:31
  Speaker 1: come over there during the day because by that time
• 47:32
  Speaker 1: I was a college student, right, so I may get
• 47:34
  Speaker 1: done at eleven and go over there for lunch or whatever,
• 47:38
  Speaker 1: and she'd be like, I'm watching my story.
• 47:40
  Speaker 2: That's what they called it.
• 47:41
  Speaker 1: Yeah, my story. My story's on yes, and so Guiding Light, Yeah,
• 47:46
  Speaker 1: Guiding Light anyone? Ye, Santa Barbara with a Martine?
• 47:50
  Speaker 2: Oh a Martine.
• 47:52
  Speaker 1: You know how he got that name? Right, his friend
• 47:55
  Speaker 1: saw him. They just call him by his last name,
• 47:56
  Speaker 1: and they'd be like, a Martinez.
• 48:00
  Speaker 2: So bad. But seriously, when you would go over there
• 48:04
  Speaker 2: as a college student and she's watching her stories, did
• 48:07
  Speaker 2: you not find yourself getting invested in the storyline?
• 48:09
  Speaker 1: They will draw you in like that. I know like
• 48:12
  Speaker 1: that and it's stupid and it's ridiculous, but they will
• 48:16
  Speaker 1: draw you in, like.
• 48:17
  Speaker 2: Like eight year old little Lens would be sitting on
• 48:19
  Speaker 2: the couch like trying to figure out how Marlena on
• 48:23
  Speaker 2: Days of Our Lives was going to do whatever. It's crazy.
• 48:25
  Speaker 1: Oh, there was one that you watched and you were
• 48:28
  Speaker 1: surprised that I knew what it was too, And I
• 48:30
  Speaker 1: can't think of that another world Another World.
• 48:33
  Speaker 2: I was obsessed with another I was in.
• 48:35
  Speaker 1: College and I would come home early and I would
• 48:39
  Speaker 1: watch Another World.
• 48:40
  Speaker 2: I was obsessed with it.
• 48:41
  Speaker 1: Yes, So Young and the Restless. Michael Damien, he's there.
• 48:47
  Speaker 1: Guess what? What got another soap operactor for you?
• 49:00
  Speaker 2: It's just a little time to sure? Is it all
• 49:07
  Speaker 2: in my mind? Jaws it saying so.
• 49:17
  Speaker 1: So that is all I need? By Jack Wagner from
• 49:22
  Speaker 1: General Hospital. This song debuted in the top forty on
• 49:27
  Speaker 1: November twenty fourth, nineteen eighty four. It was on the
• 49:30
  Speaker 1: chart for twelve weeks. It peaked at number two on
• 49:33
  Speaker 1: the Billboard Hot one hundred for two weeks. It was
• 49:36
  Speaker 1: held off by Madonna's Like a Virgin. It was also
• 49:40
  Speaker 1: number two on the sales and airplay charts, but it
• 49:42
  Speaker 1: did hit number one on the Adult Contemporary chart for
• 49:45
  Speaker 1: two weeks, and this would finish nineteen eighty five as
• 49:49
  Speaker 1: the forty second biggest song. Now before we get to you,
• 49:53
  Speaker 1: all I'm gonna say is whether you like that song
• 49:55
  Speaker 1: or not, it doesn't matter to me.
• 49:57
  Speaker 2: He can sing. You got a good voice, Yes, absolutely,
• 50:00
  Speaker 2: you had a very good voice. Okay, So I have
• 50:03
  Speaker 2: something controversial to say. Controversial, he to me. Sounds just
• 50:10
  Speaker 2: a little bit if you squint, I'm squinting like Elton John.
• 50:17
  Speaker 1: Okay, I can I can hear it when when he
• 50:20
  Speaker 1: hits the high note, right when he hits the high note. Yeah,
• 50:23
  Speaker 1: I can hear it.
• 50:23
  Speaker 2: So he was. He played Frisco Jones on General Hospital.
• 50:27
  Speaker 1: Frisco.
• 50:28
  Speaker 2: They couldn't have come up with a better name than
• 50:30
  Speaker 2: Frisco Jones.
• 50:31
  Speaker 1: I used to eat a Frisco Burger at Harties in
• 50:33
  Speaker 1: my college days.
• 50:35
  Speaker 2: The song was written by listen to this David Foster
• 50:40
  Speaker 2: and Richard Marx. Oh wow, yes, so that tells you
• 50:45
  Speaker 2: right there. It was a quality song.
• 50:47
  Speaker 1: David Foster for Chicago.
• 50:50
  Speaker 2: He did, That's what I thought. So All I Need
• 50:53
  Speaker 2: first appeared on General Hospital as part of a romantic
• 50:56
  Speaker 2: storyline between Frisco and Felicia Oh, played by Christina Wagner.
• 51:03
  Speaker 2: The audience's response was so strong that the song was
• 51:06
  Speaker 2: released commercially.
• 51:08
  Speaker 1: Really so this started there, yep, But it was made
• 51:12
  Speaker 1: just for the show. It wasn't made for commercial release.
• 51:16
  Speaker 2: Oh wow, I.
• 51:16
  Speaker 1: Did not know that. It's funny that you mentioned Richard
• 51:19
  Speaker 1: Marx because I had to ask you. I was like,
• 51:21
  Speaker 1: was Richard Marx in a soap because he just looks
• 51:23
  Speaker 1: like he would have been in a cell.
• 51:24
  Speaker 2: Yes he does, but he was not. No, he was not.
• 51:28
  Speaker 2: Is that all you got? That's all I got?
• 51:29
  Speaker 1: Oh man, you can do a whole lot of homework
• 51:31
  Speaker 1: on that one, you know, slack and all.
• 51:33
  Speaker 2: Be thankful that I did anything.
• 51:35
  Speaker 1: All right, we did. We did save the best for last,
• 51:38
  Speaker 1: and we're going. We're going from General Hospital Star to
• 51:41
  Speaker 1: general Hospital Star. That is Don't Talk to Strangers by
• 52:13
  Speaker 1: Little Ricky Springfield. The song debut in the top forty
• 52:18
  Speaker 1: on March thirteenth, nineteen eighty two. It was on the
• 52:21
  Speaker 1: chart for sixteen weeks. It peaked at number two on
• 52:24
  Speaker 1: Billboard on the Billboard Hot one hundred for four weeks.
• 52:29
  Speaker 1: It should have been number one. However, it was held
• 52:32
  Speaker 1: off by the second worst number one of the nineteen eighties,
• 52:36
  Speaker 1: Ebony and Ivory, Oh by Stevie Wonder and Paul McCartney.
• 52:41
  Speaker 1: What's the worst number one long running number one of
• 52:44
  Speaker 1: the nineteen eighties? What Diana Ross and Lionel Ritchie and
• 52:48
  Speaker 1: Less Love?
• 52:49
  Speaker 2: I should have known that?
• 52:50
  Speaker 1: That's where you should have known. This would finish nineteen
• 52:53
  Speaker 1: eighty two as the twentieth biggest song in the land,
• 52:58
  Speaker 1: mister Rick.
• 52:59
  Speaker 2: Spring that's kind of impressive.
• 53:01
  Speaker 1: Hit after hit after hit after hit after hit.
• 53:04
  Speaker 2: Okay. So, the music for this song was based on
• 53:09
  Speaker 2: an earlier Springfield song titled Spanish Eyes. The song lyrics
• 53:14
  Speaker 2: were changed and were written to Springfield's then girlfriend, Barbara Porter,
• 53:19
  Speaker 2: who later on became his wife, whom he was worried
• 53:22
  Speaker 2: might be running around on him when he was out
• 53:25
  Speaker 2: on the road. Later on, he said, back then, I
• 53:28
  Speaker 2: was scared that she was screwing around because I was
• 53:31
  Speaker 2: doing the same thing.
• 53:32
  Speaker 1: Oh, I was gonna say, wouldn't he doing that? Yeah,
• 53:35
  Speaker 1: he can't. You can't be a hypocrite.
• 53:37
  Speaker 2: Rick. So he originally didn't want the song released as
• 53:40
  Speaker 2: a single. He felt it was too dark and aggressive
• 53:43
  Speaker 2: compared to Jesse's Girl, and he worried that radio wouldn't
• 53:45
  Speaker 2: go for it.
• 53:46
  Speaker 1: But obviously they did. Yeah, and I feel like this
• 53:49
  Speaker 1: is a good life lesson for kids.
• 53:53
  Speaker 2: Keep your pants sipped.
• 53:54
  Speaker 1: No, don't talk to stranger. Never tell a kid to
• 53:59
  Speaker 1: keep a pants what's.
• 54:00
  Speaker 5: Wrong with that?
• 54:03
  Speaker 2: I didn't know where we were going.
• 54:06
  Speaker 1: Don't talk to strangers. I mean, I don't know stranger danger.
• 54:10
  Speaker 1: I didn't think his name of the song that there
• 54:12
  Speaker 1: you go, you got anything else?
• 54:14
  Speaker 2: That's all I got.
• 54:15
  Speaker 1: So he was clearly he was clearly a musical artist before.
• 54:19
  Speaker 2: Yeah, so I had I had issue with this one, but.
• 54:23
  Speaker 1: I don't think he had hit it big in the
• 54:25
  Speaker 1: States and he was on General Hospital and then he
• 54:27
  Speaker 1: hit it big.
• 54:28
  Speaker 2: So well, I mean, I'll allow it because I love
• 54:31
  Speaker 2: Rick Springfield, but it just didn't seemed to be quite
• 54:35
  Speaker 2: fair to just lob him in on the top of
• 54:38
  Speaker 2: the pile bad take.
• 54:45
  Speaker 1: All Right, Well, that wraps up our ten. But you
• 54:48
  Speaker 1: know what, it wouldn't be a music episode unless I
• 54:53
  Speaker 1: gave you some statistics bringing on not a lot ten
• 54:59
  Speaker 1: songs all on our list nine years. We covered nine
• 55:04
  Speaker 1: of the ten years in the eighties.
• 55:05
  Speaker 2: That's impressive, good for us.
• 55:07
  Speaker 1: The only year not covered is nineteen eighty three, but
• 55:12
  Speaker 1: Tracy Omen released her song in the UK in nineteen
• 55:15
  Speaker 1: eighty three. Okay, so all other years are represented on
• 55:19
  Speaker 1: the list. Eighty four is technically represented twice, at least
• 55:24
  Speaker 1: here in the US, because that's when Tracy Omen they
• 55:27
  Speaker 1: don't Know was debuted. We had a number one, three,
• 55:31
  Speaker 1: number twos, and number three and two, number five.
• 55:35
  Speaker 2: Okay, I mean their names carried some weight. They do.
• 55:41
  Speaker 1: I would agree with that, and like I said, some
• 55:43
  Speaker 1: of the songs are good. A couple of them are
• 55:46
  Speaker 1: pretty bad. Yeah, But like I said at the beginning
• 55:50
  Speaker 1: of the show, we look back on the eighties with funness,
• 55:53
  Speaker 1: and everybody does and they say it's the best decade ever,
• 55:56
  Speaker 1: and I agree with them. But that doesn't mean it
• 55:59
  Speaker 1: was perfect because it wasn't right. There was some crap music,
• 56:02
  Speaker 1: there were some crap movies, there were some crap TV,
• 56:05
  Speaker 1: and we gave you a couple of crap music.
• 56:09
  Speaker 2: But it was fun. It was fun.
• 56:11
  Speaker 1: Yeah, And this was an idea that it's funny that
• 56:13
  Speaker 1: we both organically had without talking to each other about it.
• 56:16
  Speaker 2: So what do you say? So, speaking of ideas, I
• 56:22
  Speaker 2: have an idea for a possible upcoming episode that I
• 56:26
  Speaker 2: worry might be a little much. I'm not going to
• 56:29
  Speaker 2: share any information about it right now, but I've worried
• 56:33
  Speaker 2: that if I do the episode well, people hate us well.
• 56:42
  Speaker 1: I mean, there are people on the radio that make
• 56:45
  Speaker 1: a living out of people hating them.
• 56:47
  Speaker 2: I don't. I can't handle that. And I'm too much
• 56:49
  Speaker 2: of a people pleaser to people need to like me.
• 56:52
  Speaker 2: But I got something up my sleeve and I'm mulling
• 56:54
  Speaker 2: it over right now.
• 56:55
  Speaker 1: Would you like me to reach out to trusted confidants
• 56:58
  Speaker 1: and ask them if people would hate us?
• 57:00
  Speaker 2: Yeah, you might say, okay, I.
• 57:02
  Speaker 1: Will do that.
• 57:03
  Speaker 2: Okay, So let's talk at just a minute Patreon. Can
• 57:06
  Speaker 2: we talk about Patreon.
• 57:07
  Speaker 1: Let's talk about Patreon.
• 57:09
  Speaker 2: So we're over there on Patreon. We're working it hard
• 57:12
  Speaker 2: over there, and we would love if you would come
• 57:14
  Speaker 2: visit us. You don't have to join, We would appreciate
• 57:17
  Speaker 2: it if you did, but you could also just come
• 57:20
  Speaker 2: and hang out for free. Yeah, but get in on
• 57:22
  Speaker 2: the conversation and what's going on over there, because there's
• 57:26
  Speaker 2: there's some stuff.
• 57:26
  Speaker 1: Happening, posting polls, having conversations, having little chats here and there.
• 57:31
  Speaker 2: And listen. If you join at the second level for
• 57:34
  Speaker 2: ten dollars a month, get some swag.
• 57:38
  Speaker 1: You get some swag. We wouldn't want some children of
• 57:41
  Speaker 1: the eighty swag. We will email or not email you.
• 57:44
  Speaker 1: We will actually physically mail you some stuff.
• 57:47
  Speaker 2: Literally, I will go to the post office and I
• 57:50
  Speaker 2: will drop it in the mailbox, send it directly to you.
• 57:55
  Speaker 1: Absolutely, we will do that. Yeah, come join the fun.
• 57:58
  Speaker 1: We put out monthly episodes. We've released our January episode,
• 58:02
  Speaker 1: we're getting ready to release our February episode.
• 58:04
  Speaker 2: Yep.
• 58:05
  Speaker 1: Right now, we're counting down the top one hundred songs
• 58:08
  Speaker 1: of nineteen.
• 58:09
  Speaker 2: Ninety nineteen eighty ten, that's.
• 58:11
  Speaker 1: What I meant, nineteen eighty ten. And we're doing about
• 58:15
  Speaker 1: five at a time, and we're playing a little game where,
• 58:17
  Speaker 1: you know, I kind of have an idea of what
• 58:19
  Speaker 1: the songs are, and Lindsey gives me some clues and
• 58:23
  Speaker 1: I try to figure out what they are. So it's
• 58:25
  Speaker 1: a little bit different vibe, a little bit more I
• 58:28
  Speaker 1: want to say, less production.
• 58:30
  Speaker 2: I was going to say, I mean what, Oh yeah,
• 58:32
  Speaker 2: I'm on hinged over there, but not over here.
• 58:35
  Speaker 1: No, you're you're completely unhinged all the way. You are.
• 58:37
  Speaker 1: What you are, what you get is what you see,
• 58:39
  Speaker 1: or what you see is what you get, however you
• 58:41
  Speaker 1: want to say it, folks, this is what I have
• 58:42
  Speaker 1: to live with on a daily basis. Yep. But we
• 58:46
  Speaker 1: want to hear from you. What did you think about
• 58:47
  Speaker 1: our list?
• 58:48
  Speaker 2: Yeah, we would love to know. Did you suffer through
• 58:51
  Speaker 2: it with us? Are your ears bleeding? Did you have
• 58:53
  Speaker 2: way enjoy it? Did it bring back a memory.
• 58:55
  Speaker 1: We'd love to know did we miss anybody?
• 58:57
  Speaker 2: I don't.
• 58:57
  Speaker 1: Probably we did, but it's possible have Absolutely, we're not perfect.
• 59:02
  Speaker 1: So as Lindsay mentioned Patreon, but you can also if
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  Speaker 1: you don't want to join Patreon, which boo, but I
• 59:08
  Speaker 1: get it, you can click the subscribe button to make
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  Speaker 1: sure you never miss this regular show that we put
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  Speaker 1: out weekly.
• 59:14
  Speaker 2: Yep, go ahead hit that subscribe button if you haven't already,
• 59:18
  Speaker 2: and also appreciate it. Go ahead and leave us a
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  Speaker 2: five star rating and review.
• 59:22
  Speaker 1: But what else can they do besides leaving us a
• 59:24
  Speaker 1: five star rating and review and clicking the subscribe button.
• 59:27
  Speaker 1: Call a friend to help us out, A phone a friend.
• 59:30
  Speaker 2: Phone a friend, let somebody know that, uh, hey, there's
• 59:33
  Speaker 2: this podcast out there, Children of the Eighties. You should
• 59:36
  Speaker 2: give it a listen.
• 59:36
  Speaker 1: You should listen because the husband and wife fight like
• 59:40
  Speaker 1: cats and dogs on the air, and it makes us
• 59:44
  Speaker 1: feel like maybe we have a better marriage. Yes, if
• 59:49
  Speaker 1: you think you got a bad marriage, come listen to us.
• 59:52
  Speaker 2: Yes, make you feel better about yourself.
• 59:53
  Speaker 1: Absolutely. You can always email us at childrenoth nineteen Eighties
• 59:58
  Speaker 1: at gmail dot com. You can find us on all
• 1:00:01
  Speaker 1: the socials. We are on Facebook, Instagram and x our handle.
• 1:00:07
  Speaker 1: Children of the Underscore Eighties No children Underscore of the
• 1:00:13
  Speaker 1: nineteen eighties.
• 1:00:14
  Speaker 2: No, okay, Underscore children of the.
• 1:00:18
  Speaker 1: Eighties at Children of Underscore Eighties, not the Underscore. If
• 1:00:29
  Speaker 1: I could have had THEE, I wouldn't need the Underscore,
• 1:00:32
  Speaker 1: but I couldn't fit THEE on there, so I had
• 1:00:34
  Speaker 1: to do Children of Underscore Eighties.
• 1:00:39
  Speaker 2: People will never find us now, I've.
• 1:00:40
  Speaker 1: Totally yeah, they're all messed up. I guess you won't
• 1:00:43
  Speaker 1: find us on social media's email list children in the
• 1:00:45
  Speaker 1: nineteen eighties of Gmail, I'm that one's I'm find us
• 1:00:49
  Speaker 1: on patren. Well, until next time, I'm Jim and.
• 1:00:54
  Speaker 2: I'm Lindsay and we are children. I'm the eighties
• 1:00:59
  Speaker 1: Swim