Latest / The Real Report with Tony Yayo and Uncle Murda / Rich The Kid on $800K QC Exit, working on Kanye’s 'Carnival', giving the Migos the 'Versace' beat, & Justin Bieber Collab

Transcript

Rich The Kid on $800K QC Exit, working on Kanye’s 'Carnival', giving the Migos the 'Versace' beat, & Justin Bieber Collab · The Real Report with Tony Yayo and Uncle Murda

• 0:00
  Speaker 1: I moved to l A and then p h QC
• 0:06
  Speaker 1: won like five hundred thousand for me to get out
• 0:08
  Speaker 1: the deal.
• 0:12
  Speaker 2: Did you even make them five hundred thousand at this song?
• 0:15
  Speaker 1: Oh no, I never dropped any music on any streaming
• 0:18
  Speaker 1: platforms like that. I think I dropped like two songs.
• 0:22
  Speaker 1: I ain't dropped nothing. Oh my ship was on SoundCloud.
• 0:26
  Speaker 1: But when he asked you for the five hundred thousand,
• 0:28
  Speaker 1: now I think I had like forty five hundred dollars
• 0:30
  Speaker 1: in my pocket.
• 0:32
  Speaker 2: He didn't get stabbed bruising frock.
• 0:45
  Speaker 3: Out.
• 0:50
  Speaker 4: Yeah, it's Talk New York and it's the Boy Uncle
• 0:53
  Speaker 4: Murder a k A leg Jet Lenny.
• 0:55
  Speaker 5: And it's a rich episode out real rich big from
• 0:59
  Speaker 5: Low on Time Rich. Yeah, got a lot of diamonds
• 1:08
  Speaker 5: on man, what's that watch looking like?
• 1:09
  Speaker 3: Man?
• 1:10
  Speaker 5: You know I got to ask you about the fashion
• 1:12
  Speaker 5: and the jury before we start anything.
• 1:13
  Speaker 3: This is a collab with i W.
• 1:16
  Speaker 5: Oh yeah, you have a collabor with protect like that?
• 1:22
  Speaker 3: Man? Uh? What their company?
• 1:24
  Speaker 1: D I W they do like customs watching.
• 1:29
  Speaker 5: They reach out to me, so like brother, A lot
• 1:34
  Speaker 5: of diamonds on your neck, A lot of diamonds on
• 1:37
  Speaker 5: the wrisk? What you're wearing man, you got the Vans on.
• 1:39
  Speaker 5: You got to deal with Vans or something.
• 1:42
  Speaker 3: Advance. I think O three two C jeans. I don't
• 1:50
  Speaker 3: know what it is.
• 1:52
  Speaker 5: How do you start going into fashion? Because I see
• 1:54
  Speaker 5: you at Paris Fashion Week? How so you know these
• 1:58
  Speaker 5: big celebrity fashion shows that you know with the biggest people.
• 2:01
  Speaker 5: So how'd you get into fashion?
• 2:04
  Speaker 1: I mean I feel like I always loved fashion, Like
• 2:08
  Speaker 1: coming up, I always loved fashion. So as I started
• 2:12
  Speaker 1: progressing and music, I just started reaching out to different
• 2:16
  Speaker 1: fashion houses and different brands and trying to collaborate.
• 2:20
  Speaker 3: You know what I'm saying.
• 2:21
  Speaker 5: Put that on with some of your favorite brands.
• 2:22
  Speaker 3: We go now brand prototypes.
• 2:31
  Speaker 1: My boy James Smith just did the collection with Christian Littleton.
• 2:36
  Speaker 3: So I like that collection definitely.
• 2:39
  Speaker 5: Yeah, you got some stuff going on.
• 2:41
  Speaker 1: Yeah, I got a lot of brands that I like,
• 2:44
  Speaker 1: So it's kind of hard for Oh yeah that's my
• 2:47
  Speaker 1: favorite one, but.
• 2:50
  Speaker 3: Yeah, total Belia to Celen Selene.
• 2:57
  Speaker 5: It's a million brands you like, all right? Cool? We
• 2:59
  Speaker 5: got plugg Walk three times Platinum.
• 3:02
  Speaker 1: Yeah that's they ain't updated. They got to updated first
• 3:05
  Speaker 1: before you.
• 3:06
  Speaker 4: Then the numbers is that's never is man?
• 3:12
  Speaker 5: I don't write this ship. I know you. I know
• 3:15
  Speaker 5: you went double plat because I know you was on
• 3:17
  Speaker 5: so it's probably what what you say, eight times platinum,
• 3:20
  Speaker 5: it was three times you look at it.
• 3:22
  Speaker 2: My joint right there.
• 3:24
  Speaker 5: Plug Walk Plug Plug Walk was a very big record.
• 3:27
  Speaker 5: Freezer What freezer do?
• 3:29
  Speaker 2: Man?
• 3:30
  Speaker 3: It's not updated either in the scope.
• 3:32
  Speaker 1: Come on numbers right man, It ain't even updated in
• 3:36
  Speaker 1: like since twenty nineteen.
• 3:38
  Speaker 3: Dang, so they got some updated.
• 3:41
  Speaker 5: So tell us, tell us what it was like making
• 3:44
  Speaker 5: these two big records, because you got plenty of big records.
• 3:46
  Speaker 5: One thing we know you known for is making hits.
• 3:49
  Speaker 5: Your new single about Now is crazy to appreciate it,
• 3:51
  Speaker 5: but to talk about what's the process in the studio
• 3:54
  Speaker 5: when you started making music at what age? Because I
• 3:57
  Speaker 5: know you blew up at like eighteen nineteen.
• 4:00
  Speaker 2: Yeah, you got to.
• 4:01
  Speaker 4: Go from the beginning because a lot of people don't
• 4:02
  Speaker 4: even know you was with QC first, right, And did
• 4:06
  Speaker 4: you kind of like bridgetoff and really kind of did
• 4:08
  Speaker 4: your own thing? No, it was successful because lots of
• 4:11
  Speaker 4: that don't happen sometimes, like you being down with a
• 4:13
  Speaker 4: label that's that big, and did the artists go do
• 4:15
  Speaker 4: their own thing? They don't always end the way you
• 4:18
  Speaker 4: might wanted to end. But you know, it wasn't too
• 4:20
  Speaker 4: crazy like that, but you went and did your own thing.
• 4:23
  Speaker 4: It was successful really like turned that ship up. Man,
• 4:25
  Speaker 4: talk about that on QC. QC got away from them, and.
• 4:30
  Speaker 5: So I started assume what the migos come from.
• 4:32
  Speaker 1: Nogos before QC was like a thing type of thing.
• 4:38
  Speaker 1: You know, it was collaborating on a couple of projects
• 4:42
  Speaker 1: like some make Stakes were doing. But yeah, I signed
• 4:47
  Speaker 1: with QC, Like, well, actually Migos signed with QC first,
• 4:53
  Speaker 1: and they like they got an idea, but I was
• 4:56
  Speaker 1: at the career with them, like in the process, so
• 5:01
  Speaker 1: I was kind of like, I was kind of hurt.
• 5:02
  Speaker 3: I was like, y'all, I they got a deal. Y'all
• 5:04
  Speaker 3: left me at the house that up.
• 5:09
  Speaker 1: But a couple like like a week later, I got
• 5:13
  Speaker 1: a call from P like, Yo, I'm trying to sign you,
• 5:16
  Speaker 1: but I hear you be finessing and ship. Yeah you
• 5:23
  Speaker 1: saw you be finishing ship. They told me to be
• 5:25
  Speaker 1: finian ship. But I'm trying to give you a deal.
• 5:28
  Speaker 1: Oh yeah, I need two things I need to check
• 5:32
  Speaker 1: right now, and I need my engineer to pull up
• 5:35
  Speaker 1: with me, so shout out to Tilly.
• 5:38
  Speaker 2: Look at that. Okay.
• 5:39
  Speaker 1: So that's that's how that went. So I signed with QC.
• 5:45
  Speaker 1: I was probably signed with that for like two years
• 5:48
  Speaker 1: or something like that. But you know, I feel like
• 5:50
  Speaker 1: at the time, their main priority was the Migos.
• 5:55
  Speaker 3: So I was like, I want to get the same looks.
• 5:58
  Speaker 3: That can't time.
• 5:59
  Speaker 1: I'm so so me and people we kind of bump heads,
• 6:04
  Speaker 1: and I was like, you know, I just I want
• 6:06
  Speaker 1: to do my own thing, you know what I'm saying.
• 6:08
  Speaker 1: So I packed up on my clothes from Atlanta and
• 6:12
  Speaker 1: I got on a plane and I moved to l A.
• 6:14
  Speaker 5: So what makes you give you this thought process as
• 6:16
  Speaker 5: a young age like, yo, cool, I want to be
• 6:18
  Speaker 5: the main priority on the sleep.
• 6:20
  Speaker 4: Right though, because not even the main product, because most
• 6:23
  Speaker 4: artists just stay like damn, I'm gonna just wait my turns.
• 6:26
  Speaker 2: But exactly so young to be like you're not same.
• 6:30
  Speaker 5: Yeah, I would have just wait, my.
• 6:34
  Speaker 2: Man.
• 6:34
  Speaker 1: I feel like, honestly, it was like, okay, so before
• 6:38
  Speaker 1: I signed to to QC, or before QC came in
• 6:42
  Speaker 1: the picture with a Migos anything, it was like a
• 6:45
  Speaker 1: team thing, like we were working together. I had I
• 6:48
  Speaker 1: had a count on live mixtapes, and I would our,
• 6:51
  Speaker 1: I would like act as a DJ, and I put
• 6:54
  Speaker 1: all my songs on the mixtape with Migo songs and
• 6:58
  Speaker 1: future fucking whoever's the hottest artists. And I kept on
• 7:02
  Speaker 1: dropping tapes like that and all the DJs.
• 7:05
  Speaker 3: You know what I'm saying. The world tapped in with
• 7:06
  Speaker 3: me and shit like that, so I already knew. I
• 7:09
  Speaker 3: knew what it would take to get there. You know
• 7:12
  Speaker 3: what I'm saying. I already knew.
• 7:13
  Speaker 1: I know what it takes. So the process is not
• 7:17
  Speaker 1: moving with me. I was signing and I was like, Okay,
• 7:19
  Speaker 1: I see they should take it off, but you know,
• 7:22
  Speaker 1: I needn't do my things. So I moved to LA
• 7:25
  Speaker 1: and shit, and then p QC won like five hundred
• 7:32
  Speaker 1: thousand for me to get out the deal.
• 7:34
  Speaker 2: Damn, did you even make them five hundred thousand.
• 7:39
  Speaker 3: At this song? Oh?
• 7:41
  Speaker 1: I never dropped any music on any streaming platforms that
• 7:44
  Speaker 1: I think I dropped like two songs. I ain't dropped nothing.
• 7:48
  Speaker 1: All my shit was on SoundCloud and shit. But when
• 7:51
  Speaker 1: he asked you for the five hundred thousand, now I
• 7:53
  Speaker 1: think I had like forty five hundred dollars in my plucket.
• 7:56
  Speaker 2: Man, did you feel a little fucked up? Like? Then
• 7:58
  Speaker 2: that's what you want?
• 7:59
  Speaker 5: That you mean a little up? You said you have
• 8:02
  Speaker 5: forty five hundred one a half a million? Yeah, I was,
• 8:07
  Speaker 5: So what the fuck did you do?
• 8:08
  Speaker 3: Oh? Crazy story? Man, it's crazy story.
• 8:12
  Speaker 2: Who did you nigga? Who did you? Fineesh? They called
• 8:15
  Speaker 2: you the finessa nigga? So who did you finesse to
• 8:18
  Speaker 2: get this fire? That was it?
• 8:21
  Speaker 1: That's the crazy story. So somehow right in my phone,
• 8:29
  Speaker 1: I have the context I had, Like I don't know
• 8:35
  Speaker 1: what happened, but I got locked up one time and
• 8:37
  Speaker 1: I think I plugged my phone somewhere or something, and
• 8:40
  Speaker 1: I got somebody else contact in my phone.
• 8:44
  Speaker 2: Mm hmm.
• 8:45
  Speaker 1: So if you look at my phone, I got Miley
• 8:48
  Speaker 1: Cyrus number, Frank Ocean, Kanye number before I even man,
• 8:52
  Speaker 1: I had I don't know how to fuck.
• 8:54
  Speaker 2: That's fucking crazy, crazy story.
• 8:58
  Speaker 3: Somebody you had.
• 8:59
  Speaker 4: All these people numbers in your phone in my phone
• 9:03
  Speaker 4: at the time.
• 9:04
  Speaker 2: Action what happened?
• 9:06
  Speaker 5: So what happened next?
• 9:08
  Speaker 3: But I don't know.
• 9:09
  Speaker 1: I don't know how I got the content context. But
• 9:13
  Speaker 1: like last year, I found out it was Quartes Bryant context.
• 9:19
  Speaker 1: But So at the time, I ain't had no money.
• 9:23
  Speaker 1: So I got on the context and I just started
• 9:25
  Speaker 1: calling labels. I'm like, Capitol Records, Yeah, it's rich the kid,
• 9:29
  Speaker 1: I'm trying to get a deal.
• 9:31
  Speaker 3: Called Damn Universal, Yo, it's richal Kid. I'm trying to
• 9:34
  Speaker 3: get a deal.
• 9:35
  Speaker 1: Just calling everybody's crazy until shout out to many Smith.
• 9:39
  Speaker 3: Many Smith answered my call. He's like, he's like, are
• 9:42
  Speaker 3: you trying to get a deal?
• 9:43
  Speaker 1: Come down to end it Scope office. I was like, damn,
• 9:48
  Speaker 1: I got a meeting. Look at that, you know what
• 9:50
  Speaker 1: I'm saying. So I went down to the office. I
• 9:53
  Speaker 1: played the album for somebody who I thought I was meeting,
• 9:56
  Speaker 1: but it was like, actually somebody else, like his assistant
• 9:58
  Speaker 1: or something. So he come in the room and I'm like, yeah,
• 10:02
  Speaker 1: I need I need half a million dollars. This is
• 10:04
  Speaker 1: These are the songs I got I played on the project.
• 10:07
  Speaker 1: He was like, all right, I'm gonna give me two weeks.
• 10:10
  Speaker 1: All right, so damn two weeks. Two weeks went by
• 10:15
  Speaker 1: and he was like, I got you to them.
• 10:19
  Speaker 3: Oh, I got you.
• 10:21
  Speaker 4: And all you wanted was the half a million dollars
• 10:23
  Speaker 4: to get out the contract.
• 10:24
  Speaker 1: No, No, that was that was initially what that's what
• 10:29
  Speaker 1: I was like, I'm stuck in the contract for half
• 10:31
  Speaker 1: a million dollars.
• 10:32
  Speaker 2: Okay.
• 10:32
  Speaker 1: So when he when he came and drew up the
• 10:37
  Speaker 1: contract and I told him, actually, I don't have any
• 10:40
  Speaker 1: money either, so yoh, buddy, I ain't got no money either.
• 10:45
  Speaker 3: So half things have changed.
• 10:52
  Speaker 1: So so I'm like, yeah, I ain't got no bread.
• 10:56
  Speaker 1: And so when he did some research, he said, I
• 10:59
  Speaker 1: hope you know that you're actually signed to three hundred. Also,
• 11:02
  Speaker 1: so I was signed to three hundred. I didn't know
• 11:06
  Speaker 1: about it.
• 11:06
  Speaker 2: Look at that.
• 11:07
  Speaker 1: So and they wanted three hundred thousand dollars to get God.
• 11:11
  Speaker 5: Now we go from five hundred to eight hundred thousand. Damn,
• 11:15
  Speaker 5: this is a story. Go ahead.
• 11:16
  Speaker 2: Yeah.
• 11:16
  Speaker 1: So then plus I had to get paid, so they
• 11:19
  Speaker 1: threw a little song extra for me. They put me
• 11:24
  Speaker 1: in a career by l A. And then I recorded
• 11:29
  Speaker 1: New Freezer like the first week you ma being signed? Yeah,
• 11:34
  Speaker 1: first week?
• 11:35
  Speaker 2: Look at that. Okay, now I know that.
• 11:38
  Speaker 5: So it's probably probably seven eight million freezers, a monster
• 11:45
  Speaker 5: record check.
• 11:46
  Speaker 4: It's it's a crazy journey just to have to get
• 11:49
  Speaker 4: some yeah, to get some contacts and all that ship by.
• 11:53
  Speaker 2: Accident and just the call and for it the workout
• 11:56
  Speaker 2: like that. That was God's work.
• 11:57
  Speaker 3: Man. Yeah, that's crazy about crazy story.
• 12:00
  Speaker 1: I don't I still to this day don't know how
• 12:03
  Speaker 1: I got the context. But I was trying to figure
• 12:05
  Speaker 1: out whose context they were. So I was like one
• 12:08
  Speaker 1: day I was actually out here and I'm like, damn,
• 12:10
  Speaker 1: how I find out? I typed in mom and called
• 12:14
  Speaker 1: the person's mom and then she was like, I was like, yo,
• 12:18
  Speaker 1: you got somebody in the music industry, your son or something.
• 12:22
  Speaker 1: She was like, yeah's courtes Briant, he managed Little Wayne.
• 12:27
  Speaker 1: Oh that's how I got it. Well, I don't know
• 12:31
  Speaker 1: how because I never I never met him.
• 12:33
  Speaker 5: So I've never heard of somebody get a deal like that.
• 12:35
  Speaker 2: That's crazy. That meant to be is meant to be?
• 12:39
  Speaker 2: You can't. It was just meant man.
• 12:41
  Speaker 5: So when you drop Freezer hit brecking on in the school,
• 12:44
  Speaker 5: was obviously excited because oh how did you feel? Man?
• 12:49
  Speaker 3: I was the static. It was crazy. It was that
• 12:53
  Speaker 3: was damn.
• 12:53
  Speaker 1: I think that was like the second song I dropped
• 12:55
  Speaker 1: with with in the scope and uh, like four weeks
• 13:01
  Speaker 1: after I had the song out, I recorded plug Walk Walk.
• 13:05
  Speaker 1: I came to them I was like, yo, I got
• 13:06
  Speaker 1: the song plug Walk, and I would like to drop it.
• 13:09
  Speaker 1: They're like, no, no, slow down. You just dropped the
• 13:13
  Speaker 1: song a hit record last month. I was like, yo,
• 13:17
  Speaker 1: I felt strong about this record, like I fuck with
• 13:19
  Speaker 1: this one, and they didn't want to drop it. So
• 13:22
  Speaker 1: I kind of argue them down, like yo, let's drop it.
• 13:25
  Speaker 3: And then.
• 13:27
  Speaker 1: They dropped it, and then I think it went platinum,
• 13:29
  Speaker 1: like twenty seven days.
• 13:31
  Speaker 2: Graduation on that.
• 13:32
  Speaker 5: Yeah, definitely plugg It's crazy, got some bookers in it,
• 13:36
  Speaker 5: showing that show that that murdered that diamond in the
• 13:38
  Speaker 5: NC man. I got Nigga, you got one another one too, man,
• 13:45
  Speaker 5: Nigga blinded me with that motherfucker. How many carriacter is that? Bitch?
• 13:48
  Speaker 6: Man?
• 13:49
  Speaker 5: I have no idea what the fucking money man shout
• 13:52
  Speaker 5: out to Terscoping and Platinum Records. So you it seemed
• 13:55
  Speaker 5: like you was business minded starting the game because you
• 13:59
  Speaker 5: had your own label there. You talk about Thatch and
• 14:02
  Speaker 5: Famous Stacks.
• 14:03
  Speaker 1: Right, Yeah, So actually before I signed to en Scope,
• 14:09
  Speaker 1: I signed Famous Decks and I.
• 14:13
  Speaker 3: Got with three hundred and I did like a level
• 14:15
  Speaker 3: deal with them.
• 14:16
  Speaker 5: Wow.
• 14:17
  Speaker 4: Yeah, talk about that a little bit, like where you
• 14:20
  Speaker 4: want up going back to three hundred.
• 14:22
  Speaker 1: Yeah, I ended up going back there because because I
• 14:24
  Speaker 1: ended up, I met Leor so that I'm calling you,
• 14:28
  Speaker 1: I'm like the deal.
• 14:32
  Speaker 3: And I'm trying to think.
• 14:34
  Speaker 1: I'm not sure if it was before or after I
• 14:36
  Speaker 1: signed in the scope, but I know I called Leor
• 14:40
  Speaker 1: and I was like, yo, I got an artist on
• 14:41
  Speaker 1: the sign.
• 14:43
  Speaker 3: And then the instantly it was like there was down
• 14:46
  Speaker 3: to it. Mm hmm.
• 14:49
  Speaker 5: And where did you find from Brooklyn?
• 14:51
  Speaker 3: Yeah? Brooklyn shout them on boy Graham's right.
• 14:58
  Speaker 2: On Brooklyn. That's why Brooklyn Fielding, Baby, we're famous.
• 15:04
  Speaker 4: Surprised my boy thug in the Buckingey with you man,
• 15:06
  Speaker 4: my boy Viking the Queen's name to the queens rockside
• 15:11
  Speaker 4: to my guy Biking.
• 15:14
  Speaker 5: So we're famous in famous stack from somewhere else.
• 15:16
  Speaker 3: We from Chicago.
• 15:17
  Speaker 1: Yeah, yeah, I've just been seeing him online. I see
• 15:23
  Speaker 1: him online everywhere. At one point I was like, man,
• 15:27
  Speaker 1: this as I didn't remember the FaceTime I flew him out.
• 15:35
  Speaker 2: You had the whole project with and be a young boy,
• 15:37
  Speaker 2: right man? How that came about? Man?
• 15:41
  Speaker 3: Uh Man? Just working a lot, you know what I'm saying.
• 15:46
  Speaker 1: We just we're doing a lot of Records, and then
• 15:51
  Speaker 1: I think I already he was locked up.
• 15:54
  Speaker 3: He called. He called me. It was like that. He
• 15:58
  Speaker 3: called me. He's like, yo, bro, when I get out,
• 16:00
  Speaker 3: we gotta drop this album. It was like fire. So
• 16:04
  Speaker 3: when he got out, I flew the band rugs and
• 16:06
  Speaker 3: then I said that the couple weeks damn cooked up.
• 16:11
  Speaker 3: Got we cooked up out there in bad Rugs.
• 16:13
  Speaker 1: Then when he was able to move, I think we
• 16:17
  Speaker 1: finished the project in Lane and Lee. I think it
• 16:21
  Speaker 1: was that Jason Derul got a studio that he had
• 16:23
  Speaker 1: booked out to us. Okay, so we finished it over there. Okay, Okay, Yeah,
• 16:28
  Speaker 1: that's my brother.
• 16:29
  Speaker 5: How do you be business minded at such a young age?
• 16:31
  Speaker 5: Usually when all this are getting the money, they getting
• 16:33
  Speaker 5: the females, they driving the cars, You're not thinking about
• 16:36
  Speaker 5: starting your own label like Rich Travel you did in
• 16:38
  Speaker 5: twenty sixteen, Like you was ahead of the game to
• 16:41
  Speaker 5: being CEO not just an artists. But where does that
• 16:44
  Speaker 5: come from?
• 16:46
  Speaker 1: Definitely from being a hustler, you know. But I also
• 16:50
  Speaker 1: think seeing what Pe was doing signing artists, you know
• 16:55
  Speaker 1: what I'm saying, how I just left it like I
• 16:56
  Speaker 1: just had to get a nigga five hundred thousand.
• 16:58
  Speaker 5: You know, like, so you was soaking that game from
• 17:03
  Speaker 5: from pump Man.
• 17:06
  Speaker 1: Would you ever do that to artist? You never knows.
• 17:13
  Speaker 4: Watch this nigga man, This nigga man, Christ business, business man.
• 17:19
  Speaker 5: Here's a genius for that man. He's sitting up me, sitting.
• 17:23
  Speaker 2: Up good with the Watch this nigga.
• 17:27
  Speaker 5: No, because so you soaked in that game from p
• 17:30
  Speaker 5: q C. I never knew you sounded q You know
• 17:35
  Speaker 5: he's a genius. He had fucking migos, city girls, little baby,
• 17:40
  Speaker 5: the list goes on and all, you know what I mean,
• 17:44
  Speaker 5: staying so then you just started learning everything what you
• 17:46
  Speaker 5: was watching them? You want of them niggas. That's soaking
• 17:48
  Speaker 5: that game. That's what you're telling me, because you was
• 17:52
  Speaker 5: young to have your mind rich.
• 17:54
  Speaker 1: Probably like you know, inspired of course watching when he
• 17:58
  Speaker 1: was doing you know what I'm saying. Even though even
• 18:00
  Speaker 1: though we were bumping ass, I was still you know
• 18:01
  Speaker 1: what I'm saying, like nigga getting your niggas out the
• 18:05
  Speaker 1: hood and making it happen.
• 18:06
  Speaker 5: So I was dope, No gotta respect that. How was
• 18:10
  Speaker 5: it like from artists to CEO? Why was that like transitioning?
• 18:17
  Speaker 1: I feel like just having a good team with my
• 18:19
  Speaker 1: boys around me, Graham's, Ralph Marshall, It's all my people.
• 18:25
  Speaker 1: I think we just had to learn and adapt to
• 18:28
  Speaker 1: the changes as it went, you know what I'm saying.
• 18:30
  Speaker 1: Not like it was not like we sat there and
• 18:33
  Speaker 1: were playing, Okay, this is we're gonna do it. We're
• 18:35
  Speaker 1: gonna get a big label. You know what I'm saying.
• 18:37
  Speaker 1: I fe like we just had to like sign the nigga,
• 18:40
  Speaker 1: let's do it.
• 18:42
  Speaker 3: So yeah, I.
• 18:44
  Speaker 2: Wasn't working with Lil Wayne man. You know, he considered
• 18:46
  Speaker 2: one of the go to this hip hop.
• 18:49
  Speaker 5: Man.
• 18:51
  Speaker 3: Amazing.
• 18:52
  Speaker 1: I never thought I would like we doing an album
• 18:55
  Speaker 1: with Little Wayne and I was young listening to his
• 18:58
  Speaker 1: music and listening to.
• 19:01
  Speaker 3: The mix tapes is albums. I was like that number
• 19:06
  Speaker 3: one of you're working together on a lot of it
• 19:07
  Speaker 3: is yeah, to get a lot of ship.
• 19:11
  Speaker 5: So yeah, that's crazy because you're not just doing like
• 19:14
  Speaker 5: one off songs. You're doing whole albums. That's how you
• 19:17
  Speaker 5: know they respect and young Boy album. When Wayne, like,
• 19:21
  Speaker 5: where the fuck does that come from? I know you
• 19:23
  Speaker 5: got hits, but you know, like, what the fuck? Like
• 19:26
  Speaker 5: you just hear you never really hear artists doing that
• 19:28
  Speaker 5: too much. But I know you had the one with
• 19:30
  Speaker 5: NBA young Boy, but I didn't realize you had one
• 19:32
  Speaker 5: Wayne too.
• 19:33
  Speaker 1: Yeah, yeah, man, I don't know, just you know, having
• 19:38
  Speaker 1: good relationships.
• 19:39
  Speaker 3: You know, So Wayne, that's like big bro. You know
• 19:43
  Speaker 3: what I'm saying. He's skateboard. I skateboard. You know. It
• 19:47
  Speaker 3: just made sense definitely what you.
• 19:49
  Speaker 5: Do when you made your first million dollars and how
• 19:51
  Speaker 5: old was you?
• 19:52
  Speaker 3: I did a backflip.
• 20:00
  Speaker 5: Back, What the fuck? What did you do? Man? What
• 20:05
  Speaker 5: did you spend?
• 20:08
  Speaker 2: I did a backflip, nigga back flip. I believe that nigga.
• 20:12
  Speaker 5: After that, you was what twenty one twenty trucking? You
• 20:18
  Speaker 5: had to pay peeback five hundred? You had to pay
• 20:20
  Speaker 5: fucking three hundred back three hundred. I was that's eight
• 20:23
  Speaker 5: hundred right there. But I know you was like you
• 20:25
  Speaker 5: was playing with money at that time.
• 20:27
  Speaker 1: But I think my first man was like what I
• 20:30
  Speaker 1: did like a purple deal. It was like right after
• 20:33
  Speaker 1: I signed in the Scope, then I dropped New Freezer.
• 20:37
  Speaker 1: Then I dropped plug Walk twenty seven like a month after.
• 20:40
  Speaker 1: So they're like, oh yeah, this nigga playing.
• 20:47
  Speaker 5: She was like, you know you heard plug Walking Freezer
• 20:49
  Speaker 5: on the radio. Constantly, constantly, constantly, constantly, and that in
• 20:55
  Speaker 5: the scope machine is a good machine to be behind it.
• 20:58
  Speaker 5: Then you came with your own label, So I always
• 21:01
  Speaker 5: looked at you as like, Yo, he's smart, he's getting
• 21:03
  Speaker 5: a lot of fucking money, and he's keeping himself relevant
• 21:06
  Speaker 5: for fucking what over fifteen years now, because you started
• 21:09
  Speaker 5: your label on twenty sixteen.
• 21:11
  Speaker 3: Damn fifteen years yeah, yeah, well.
• 21:14
  Speaker 5: Ten years whatever. Yeah, but he still had records for that,
• 21:18
  Speaker 5: So we're talking about to be full. Like he said,
• 21:21
  Speaker 5: he was creative. He was a fucking DJ on the app.
• 21:25
  Speaker 5: They didn't even know who he was, and he was
• 21:26
  Speaker 5: pulling out records. But for him to be nineteen twenty
• 21:31
  Speaker 5: to fucking get them contexts. I don't know how he
• 21:33
  Speaker 5: got that.
• 21:34
  Speaker 2: I still still Misschie.
• 21:36
  Speaker 5: He can't tell us everything.
• 21:37
  Speaker 4: That's why said he did Vanessa, you got you gotta
• 21:39
  Speaker 4: pay attention. Niggas said he caught him a Fanessa. He
• 21:42
  Speaker 4: just happened to get a nigga contact.
• 21:46
  Speaker 5: Nigga said, I was calling Miley cyrus Hey Capital Record.
• 21:50
  Speaker 2: Don't know how I did this. That's the Fanessa talking.
• 21:55
  Speaker 2: That's what I'm saying.
• 21:57
  Speaker 5: He's looks like Yo, I had to follow out Miley
• 21:59
  Speaker 5: Cyrus Capitol Records in the what the that's how you
• 22:04
  Speaker 5: got your deal? That's crazy, bro, that's why.
• 22:14
  Speaker 1: Bro, I still got all the context still, Miley Cyrus All.
• 22:26
  Speaker 5: That's crazy.
• 22:27
  Speaker 2: That's a bigga.
• 22:30
  Speaker 5: Damn that's crazy, bro the Fanessa, Man, So what's it
• 22:37
  Speaker 5: like working in the studio with NB A Young Boy
• 22:40
  Speaker 5: and Little Wayne? What's that like? You to be a
• 22:43
  Speaker 5: young boy kind of crazy and Wayne crazy to man?
• 22:46
  Speaker 5: But you in there with goat both of them, but
• 22:49
  Speaker 5: you in there with with with with with Wayne is
• 22:52
  Speaker 5: an old g goat and right now NB A Young
• 22:54
  Speaker 5: Boy is considered a goat for now one of the
• 22:56
  Speaker 5: greatest as well as you. What it's like being in
• 23:00
  Speaker 5: the studio like that.
• 23:02
  Speaker 3: Oh, bros? Both of them is like my brothers, you
• 23:05
  Speaker 3: know what I'm saying.
• 23:06
  Speaker 1: So the energy is like we just vibing off of
• 23:09
  Speaker 1: each other like you It's like, yeah, it's not you
• 23:11
  Speaker 1: know what I'm saying, Like, it's like that's my brother
• 23:14
  Speaker 1: Like basically, you know what I'm saying. So it's like
• 23:17
  Speaker 1: just like if I'm in a studio with any one
• 23:19
  Speaker 1: of my other brothers, you know what I'm saying, We're
• 23:21
  Speaker 1: just chilling me, smoking, we chopping it up, laughing, we're
• 23:24
  Speaker 1: telling jokes.
• 23:25
  Speaker 2: Throw a beat on. Catchup.
• 23:28
  Speaker 5: You tell us what you spent on that first Minione
• 23:31
  Speaker 5: called the jewelry? Was it the house?
• 23:34
  Speaker 1: I mean I went to Sex fifth and I spent
• 23:36
  Speaker 1: thirty thousand dollars by my friends, every close for everybody
• 23:40
  Speaker 1: spent thirty thousands. Everybody closed about a chain like two fifty.
• 23:48
  Speaker 5: Hey you hate right, you got yeah? I know your
• 23:52
  Speaker 5: mom's like, he's boy a chain for two fifty by Oh.
• 23:54
  Speaker 1: Yeah, she didn't know about that two miles.
• 24:00
  Speaker 5: Man, I don't even know you.
• 24:01
  Speaker 2: Be man, because he ain't even I never been hated
• 24:04
  Speaker 2: you neither.
• 24:05
  Speaker 4: Man.
• 24:05
  Speaker 3: They told me not to go over there.
• 24:07
  Speaker 5: Man, I told you I was gonna super asked fifty
• 24:12
  Speaker 5: or anybody. I was gonna go watch the president. Why
• 24:16
  Speaker 5: Cliff was gonna bring us?
• 24:18
  Speaker 2: Oh? They told you don't go rich.
• 24:20
  Speaker 3: Yeah. My mother and my grandmother said, I like you.
• 24:25
  Speaker 4: At least you know how to speak against hear him
• 24:26
  Speaker 4: not to speaking like that. I understand how to call
• 24:28
  Speaker 4: me a piece of what he just said.
• 24:30
  Speaker 5: He said, we don't want to talk about it now. Man,
• 24:38
  Speaker 5: I'm living man strict parents, right, you could get parts.
• 24:41
  Speaker 5: Back in the days. I couldn't get a fade or
• 24:43
  Speaker 5: high top nothing.
• 24:44
  Speaker 3: I was. I was not even in the house. I
• 24:48
  Speaker 3: was he and my story and like what the hell?
• 24:51
  Speaker 3: I was not even at home. I was in the streets,
• 24:54
  Speaker 3: trying hustle.
• 24:55
  Speaker 2: Make it happen, making it happen.
• 24:58
  Speaker 5: Age was in the streets, probably like.
• 25:04
  Speaker 3: Fourteen thirteen.
• 25:07
  Speaker 5: Where you're from New York, Queens, Queens get the money, motherfuckers.
• 25:12
  Speaker 2: You're happy to hear that, right, Queens.
• 25:16
  Speaker 5: Get the money, man, Queens get the money. See another
• 25:19
  Speaker 5: successful Queen's artists Platinum not no, no bullshit, platinum, not
• 25:28
  Speaker 5: none of that bullshit because it's always the Queens Brooklyn thing.
• 25:32
  Speaker 2: You know what I'm saying. Where you moved from Queens,
• 25:34
  Speaker 2: man that.
• 25:36
  Speaker 3: First m nigga, I was like, uh eleven or twelve?
• 25:41
  Speaker 3: Mm hmm, you love a twelve. I moved to Atlanta.
• 25:45
  Speaker 1: Moved to Atlanta to College Park, so I ain't know
• 25:50
  Speaker 1: what the College Park was.
• 25:52
  Speaker 2: I was. That was crazy, moving from New York to
• 25:55
  Speaker 2: the A.
• 25:55
  Speaker 5: I guess because it's different. New York is a faster vibe.
• 25:59
  Speaker 5: In Atlanta, it seemed like more of a black Hollywood vibe,
• 26:02
  Speaker 5: like it's just partying and wilding. And I always loved Atlanta.
• 26:06
  Speaker 1: Yeah, I went to I moved to Hershel Road. I
• 26:13
  Speaker 1: was living in some projects with my uncle, so I
• 26:15
  Speaker 1: was like, what the fun is going on?
• 26:18
  Speaker 5: It was a crazy life, man, you just crazy motherfucker.
• 26:20
  Speaker 2: Man.
• 26:21
  Speaker 3: I don't know what that was.
• 26:23
  Speaker 2: Trying to get to it, man.
• 26:26
  Speaker 5: I see he was at Monica, he was he was
• 26:27
  Speaker 5: at Monica.
• 26:28
  Speaker 1: Oh yeah, I had a show out there one Yeah,
• 26:32
  Speaker 1: I know, I'm performing Jimmy's with with Ray Shimmer.
• 26:44
  Speaker 3: Okay, I think you had to show the same night. Yeah.
• 26:48
  Speaker 3: I was trying to put up.
• 26:49
  Speaker 1: To look at that, look at that, okay, saying that
• 26:53
  Speaker 1: what's up?
• 26:53
  Speaker 2: Yeah?
• 26:53
  Speaker 1: I think it was called Twigs Twigger, you know about Yeah, So.
• 27:00
  Speaker 5: How was that? For real? Believe Tom show Man making
• 27:03
  Speaker 5: some dope ship man.
• 27:05
  Speaker 1: That was dope. That was dope. My boy Cuavo got
• 27:08
  Speaker 1: me in there. I never went to a lover show.
• 27:12
  Speaker 2: That's how like this, man, that was the first time
• 27:15
  Speaker 2: you pulled up to that?
• 27:15
  Speaker 3: Yeah, to a living show? Yeah, I never went to one.
• 27:18
  Speaker 5: How'd you like it?
• 27:19
  Speaker 3: Honestly? I don't know for real, So I ain't got
• 27:22
  Speaker 3: no relationship. But cuevo.
• 27:26
  Speaker 5: How'd you like?
• 27:26
  Speaker 2: You like that?
• 27:27
  Speaker 5: Oh, we have some dope ship.
• 27:29
  Speaker 3: I think the show itself was a maculate.
• 27:34
  Speaker 1: They had a wave, had a wave that nigga surfing,
• 27:38
  Speaker 1: that had seeing on the floor.
• 27:39
  Speaker 5: It was Tom Presentation surf inspired production Spring and Summer
• 27:46
  Speaker 5: twenty twenty seven minutes.
• 27:48
  Speaker 1: Yeah, yeah, fucking they have mother fucking sin im Like, damn,
• 27:53
  Speaker 1: I should have bought my sandals.
• 27:57
  Speaker 5: Yeah, it's the Talking New York and it's.
• 27:58
  Speaker 2: The boy Uncle murder a ka le jed Lenny.
• 28:01
  Speaker 5: Today we're here to talk about bask and lather out.
• 28:05
  Speaker 5: What I'm saying one of the best products out there,
• 28:07
  Speaker 5: Black owned definitely Man East New York. I'm telling you,
• 28:10
  Speaker 5: I'm trying to grow this bid now right mm hm.
• 28:13
  Speaker 5: So my thing now is to get the basket lad bid.
• 28:16
  Speaker 4: Growth magic definitely better for the skin man. So I
• 28:19
  Speaker 4: think the people need to get with the movement. Get
• 28:21
  Speaker 4: definitely a new wave out there. And this is what
• 28:23
  Speaker 4: people got to understand. When you travel, right and we
• 28:25
  Speaker 4: go to all these places. We're in the bees a
• 28:27
  Speaker 4: Monaco and you jump in the shower, the water is
• 28:29
  Speaker 4: totally different.
• 28:30
  Speaker 5: The water is different on the skin. It's harder on
• 28:33
  Speaker 5: the skin. So when I jump out the shower and
• 28:34
  Speaker 5: we're in the bees are somewhere. You know how that
• 28:36
  Speaker 5: water be different certain places. You use that basket lava
• 28:40
  Speaker 5: on your skin and it's.
• 28:41
  Speaker 2: The best thing. Yeah, it feels good, man.
• 28:42
  Speaker 5: You feel like you're right back at home.
• 28:44
  Speaker 2: Man.
• 28:44
  Speaker 5: Explore viral best sellers and products for healthier hair of
• 28:48
  Speaker 5: all types at basket laver Cole dot com.
• 28:52
  Speaker 4: That's basket Lather ceo dot com.
• 28:55
  Speaker 5: Well, yeah, yo, bro, we gotta talk about the next project.
• 29:01
  Speaker 5: Cool about to say that how do I put it?
• 29:03
  Speaker 5: Sounds real fancy cells Like.
• 29:05
  Speaker 3: I said, right, I pronounce you right, and then you
• 29:08
  Speaker 3: got it right.
• 29:11
  Speaker 5: Inspired from worldwide travel because this man, see he's not
• 29:14
  Speaker 5: local ladies and gentlemen, is worldwide talk all over. Talk
• 29:19
  Speaker 5: about how the world inspired you for this album and
• 29:23
  Speaker 5: what kind of singles you got on because I know
• 29:25
  Speaker 5: over here in the first single you got some ship.
• 29:27
  Speaker 3: No for sure, man.
• 29:31
  Speaker 1: Just traveling the French Riviera just inspired me completely, you
• 29:37
  Speaker 1: know what I'm saying, Like being in Paris through my
• 29:41
  Speaker 1: throughout my career. My first tour I was on tour,
• 29:45
  Speaker 1: I think it was I think I was going to
• 29:46
  Speaker 1: the future, So future future, my first tour and being
• 29:51
  Speaker 1: in Paris, I was I fell in love with Paris
• 29:54
  Speaker 1: the first time I was there.
• 29:55
  Speaker 2: And then so like, yeah, he loved Paris, started.
• 30:00
  Speaker 1: Going out there all the time. Like so now I
• 30:02
  Speaker 1: just started going to all the fashion weeks and ship
• 30:05
  Speaker 1: like that, you know, tapping in with the fashion houses
• 30:07
  Speaker 1: and ship. But then like as I was there some more,
• 30:13
  Speaker 1: I'm like, damn, some real creative people out here. I
• 30:16
  Speaker 1: gotta tap in with the directors. Like my last video
• 30:20
  Speaker 1: it was shot in Paris. The directors are from France
• 30:23
  Speaker 1: and stuff. So I was just like, I need to
• 30:25
  Speaker 1: tap in with these people out here in France and
• 30:29
  Speaker 1: you know, work with them. So I started working with them,
• 30:32
  Speaker 1: and the more I was out there, I was like,
• 30:35
  Speaker 1: the album needs to be like French inspired, like Moulin
• 30:39
  Speaker 1: Rouge just is it means that's life. So you know,
• 30:45
  Speaker 1: anything you do is like you know what I'm saying
• 30:48
  Speaker 1: that I like that, you know what I'm saying.
• 30:50
  Speaker 5: So, what's some big features you got on there?
• 30:54
  Speaker 1: I got Rema you know, remember, Yeah, of course remem
• 30:58
  Speaker 1: on there. I got gonna on there.
• 31:02
  Speaker 5: I'm gonna shout the gunn man, I know you're gonna
• 31:05
  Speaker 5: gonna be crazy. I fucking even I already know that
• 31:08
  Speaker 5: your future.
• 31:10
  Speaker 3: She's just down there.
• 31:14
  Speaker 5: That j Balvin, Jay Alven, What what the fuck you
• 31:22
  Speaker 5: got a record with Jake Balmy.
• 31:24
  Speaker 2: It's crazy, that's great.
• 31:28
  Speaker 5: Justin Beaber get out of Here, Get out of Here
• 31:32
  Speaker 5: album to how you make moves like this man?
• 31:36
  Speaker 4: How you so fucking quiet and humble about this and
• 31:40
  Speaker 4: there like like you you got that.
• 31:42
  Speaker 5: Like JN Justin Bieble like it was nothing. Crazy crazy, bro,
• 31:50
  Speaker 5: that's you're feeling the takeover.
• 31:54
  Speaker 2: A few, he said a few.
• 32:00
  Speaker 5: Listen. You know why, I'm like, I'm glad we had
• 32:03
  Speaker 5: in the show because you wanted an artists. That's definitely
• 32:05
  Speaker 5: a gold a legend. You became a CEO. You know
• 32:09
  Speaker 5: what I'm saying. I'm learning stuff I didn't know. I
• 32:10
  Speaker 5: didn't even know. You learned from uc him genius in
• 32:14
  Speaker 5: the game, you know what I'm saying. And you always
• 32:17
  Speaker 5: had like platinum records, been on Billboard charts, you know,
• 32:21
  Speaker 5: signed in the scope and I'm hearing your story. This
• 32:23
  Speaker 5: is off a fucking phone, Shi It is crazy. Yeah,
• 32:31
  Speaker 5: and you young.
• 32:32
  Speaker 3: Might be the name of my movie.
• 32:36
  Speaker 2: Movie.
• 32:38
  Speaker 5: J wasn't even look Jenny wasn't the movie. And then
• 32:44
  Speaker 5: it's like every time we know what we're gonna get
• 32:46
  Speaker 5: from you. It's certified hits, bro, and like, you've been
• 32:49
  Speaker 5: relevant for over ten years now. You know a lot
• 32:52
  Speaker 5: of a lot of these artists and Mike Away music.
• 32:55
  Speaker 5: Let's keep it real. You can hear we can. You
• 32:58
  Speaker 5: can go overseas and still make on you of a
• 33:00
  Speaker 5: plug walk. You can go overseas and make money off
• 33:02
  Speaker 5: a freezer. You got way more hits, but off of
• 33:05
  Speaker 5: them too soon to long. He can go anywhere around
• 33:08
  Speaker 5: the world. It's not Mike a wave music. You're making
• 33:11
  Speaker 5: music that's lasting forever. Now you're telling me you got
• 33:14
  Speaker 5: to sell a v album, which I'm excited about because
• 33:17
  Speaker 5: music ain't been a little dry now, you know what
• 33:19
  Speaker 5: I'm saying. But you said Justin Beaver, J Balvin and Gunner.
• 33:23
  Speaker 5: That's right there.
• 33:24
  Speaker 3: I'm buying the album.
• 33:27
  Speaker 5: I'm straight up I'm gonna buy the album, not just
• 33:30
  Speaker 5: because of the features, because I know he's gonna fucking
• 33:32
  Speaker 5: have hit records, definite.
• 33:34
  Speaker 2: I appreciate this did top it off? Man, that tapped
• 33:37
  Speaker 2: it off?
• 33:37
  Speaker 5: I mean you, I mean he didn't work with NBA.
• 33:39
  Speaker 5: Young boy. Listen, think about this He's not gonna have
• 33:45
  Speaker 5: a problem with features ever in his life.
• 33:48
  Speaker 4: Robert, Right, you know the New York is the grab
• 33:51
  Speaker 4: a wave now, alright, cool, it's.
• 33:53
  Speaker 5: Your favoritation this you with the Haitian potato salad.
• 33:57
  Speaker 3: Yeah, I like on be.
• 34:02
  Speaker 5: G spe of course, right.
• 34:06
  Speaker 2: I was just you know how you know I was
• 34:07
  Speaker 2: about to check you? What the I was?
• 34:10
  Speaker 5: You gotta do so love the Miami Yeah I didn't.
• 34:17
  Speaker 5: I don't even know. I forgot. I know they love
• 34:20
  Speaker 5: him in Miami. Damn man, blessed Man. So how you like?
• 34:25
  Speaker 5: How does it feel like, yo, I'm dropping this album?
• 34:27
  Speaker 2: When is the album dropping? Though? Rich, you ain't got
• 34:31
  Speaker 2: the exact d question. That's a good question.
• 34:34
  Speaker 5: It don't even matter. You got Jake Balvin on that
• 34:36
  Speaker 5: bitch to get features like that, you know, I'm for
• 34:43
  Speaker 5: sire man. I appreciate blessed Man.
• 34:45
  Speaker 4: You even get those relationships with a J. Balvin and
• 34:49
  Speaker 4: Justin bieber Man. Man was that the Fanessa Finessa? Let
• 34:55
  Speaker 4: me see the lights? That light right now?
• 34:58
  Speaker 2: Nigga caught now, But y'all this mystic.
• 35:02
  Speaker 3: Bro me brought the song. Me and Jay Bave we
• 35:04
  Speaker 3: did it like four years ago.
• 35:06
  Speaker 2: Okay, look at that So me.
• 35:08
  Speaker 3: And Jay b Avem was in the studios.
• 35:10
  Speaker 1: I think it was at Quad actually was called we
• 35:12
  Speaker 1: did like three three songs one day.
• 35:15
  Speaker 2: Okay, look at that shout out in Quad studios.
• 35:20
  Speaker 3: And Bieber.
• 35:22
  Speaker 1: I've been cool with Biber, like m hm cool for
• 35:26
  Speaker 1: like five six years. I seen him at Coacheller one day.
• 35:29
  Speaker 1: He came up to me said, Yo, Rich, you're looking
• 35:32
  Speaker 1: fresher than a degree stick. I said. He said, yeah, man,
• 35:39
  Speaker 1: we got to work. I said, yeah, cool, but we didn't.
• 35:42
  Speaker 1: We didn't work right away, but we did up working.
• 35:45
  Speaker 2: That's dope. That's dope. Yeah.
• 35:47
  Speaker 5: So you're excited for this album that's coming.
• 35:49
  Speaker 3: Yeah for sure. I got a lot of hits on that. Wow.
• 35:56
  Speaker 5: So, so you shot your new video on patns single.
• 35:59
  Speaker 5: Let's talk out the single?
• 36:00
  Speaker 3: Yeah, calling my line.
• 36:03
  Speaker 5: Which was dope. I like how you had jack and
• 36:06
  Speaker 5: crazy visions in your video.
• 36:08
  Speaker 2: He said, we got saw earlier before.
• 36:12
  Speaker 5: They did. But when seen early I watched on YouTube.
• 36:16
  Speaker 2: Yeah we saw early. Damn.
• 36:18
  Speaker 1: I heard that ship. Yeah man, I shot bro. You
• 36:24
  Speaker 1: know the crazy thing about So I was I was
• 36:27
  Speaker 1: planning to go to Paris to shoot my album cover
• 36:30
  Speaker 1: and I had somebody else that was going to shoot
• 36:32
  Speaker 1: the video initially, but it like it didn't. It kind
• 36:37
  Speaker 1: of fall through with them. So when I got to Paris,
• 36:41
  Speaker 1: I was kind of like scrambling to find somebody else
• 36:43
  Speaker 1: to shoot the video. But like I said, there's a
• 36:46
  Speaker 1: lot of a lot of talented people in France and Paris.
• 36:53
  Speaker 1: So man, I just started searching. Sometime, I just searching
• 36:56
  Speaker 1: my phone and I might go to some somebody that
• 36:59
  Speaker 1: somebody following.
• 37:00
  Speaker 3: I just go through all the follow.
• 37:01
  Speaker 1: Us and looked up the creatives. Like I spent a
• 37:05
  Speaker 1: couple of hours doing that. So I founded this one
• 37:08
  Speaker 1: page and I was like, I was like, these people
• 37:11
  Speaker 1: are six I reached out to them and shure we
• 37:15
  Speaker 1: got We shot the video on twenty forty eight hours
• 37:18
  Speaker 1: after I send them too many treatment us.
• 37:21
  Speaker 2: They put together that it was crazy this it was crazy.
• 37:24
  Speaker 2: It was crazy.
• 37:26
  Speaker 5: Do you ever think about buying some real estate and Paris?
• 37:29
  Speaker 5: I love it me.
• 37:32
  Speaker 1: I think I would actually know Paris for sure. Definitely
• 37:36
  Speaker 1: like Europe. I just love I love Europe for sure.
• 37:39
  Speaker 3: I love you. I know you.
• 37:42
  Speaker 5: Did you go see the moda Lisa More, Lisa Na,
• 37:45
  Speaker 5: come on as much as you be out there fashion
• 37:48
  Speaker 5: Week and all that. You don't go see the mod Lisa.
• 37:49
  Speaker 5: You gotta go somebody see.
• 37:52
  Speaker 2: It's a good experience. Man.
• 37:54
  Speaker 5: You should shoot a video in the Eiffel Tower your
• 37:56
  Speaker 5: next video.
• 37:57
  Speaker 3: That would be sick.
• 37:58
  Speaker 5: That's a good you can pay for it. Thanks, you
• 38:05
  Speaker 5: got it. You think you think you being like in
• 38:10
  Speaker 5: New York, Atlanta and Cali, because it seems like you
• 38:14
  Speaker 5: can make every kind of record, Like you can make
• 38:16
  Speaker 5: a record with the Migos where it's gonna bump in
• 38:19
  Speaker 5: Atlanta or you know, plug Walk it does have like
• 38:23
  Speaker 5: a Southern field a Cali feel. I mean plug Walk
• 38:26
  Speaker 5: feels like it got a Cali feel, and then Freezer
• 38:29
  Speaker 5: feels like it kind of got a New York feel.
• 38:32
  Speaker 5: Me like all your musicic I don't know. So you
• 38:34
  Speaker 5: it's like you could sound like you just switching staff.
• 38:37
  Speaker 3: No record sounds anything anywhere. You know what I'm saying.
• 38:41
  Speaker 2: M h.
• 38:42
  Speaker 5: Because you was one of the first artists to work
• 38:44
  Speaker 5: with the Migos, you and Drake, I believe.
• 38:47
  Speaker 3: Yeah. So that's the funny thing.
• 38:49
  Speaker 1: Like so the pack that the song with Drake and Migos,
• 38:54
  Speaker 1: I gave Migos the Beasts from zay tol Him I
• 38:58
  Speaker 1: gave Migos the Beast Jay Tovein and then they did
• 39:02
  Speaker 1: the song with Drake Damn.
• 39:04
  Speaker 5: I know he was tight rest peace takeof I was.
• 39:07
  Speaker 5: I wasn't tight getting that beat, like damn, I felt
• 39:11
  Speaker 5: like that was crazy the time.
• 39:13
  Speaker 2: He was happy for your day. I was happy for
• 39:14
  Speaker 2: the fact.
• 39:16
  Speaker 3: I was just like, you know, it's a team.
• 39:18
  Speaker 5: Like you just said at the beginning, it was the priority. Yeah,
• 39:21
  Speaker 5: you said you wanted to beat hold on. You said
• 39:24
  Speaker 5: you wanted to be priority, and you felt like the
• 39:25
  Speaker 5: Migos getting over the shine. But this is why you
• 39:27
  Speaker 5: get on the heat.
• 39:28
  Speaker 3: This was before even came in. There was no QC. Man.
• 39:35
  Speaker 1: I was like, yo, let's work. I just got like
• 39:38
  Speaker 1: seven to ten beats from Jay Tovein, like we got
• 39:45
  Speaker 1: the studio and then ship like the beat. They had it,
• 39:52
  Speaker 1: they had it and they did it by themselves. So yeah,
• 39:55
  Speaker 1: I was not there.
• 39:56
  Speaker 2: Look at that, Okay, Peace take.
• 40:01
  Speaker 5: That's a tough loss, man. How you talking about that?
• 40:03
  Speaker 2: When that happened?
• 40:04
  Speaker 3: That was crazy, man, that's crazy.
• 40:05
  Speaker 5: Legend legendary group. Migos is definitely legendary.
• 40:09
  Speaker 3: Group man for sure. Migos Damn broke records when that ship.
• 40:13
  Speaker 5: Came out with Drake. These niggas got it right now. Yeah,
• 40:18
  Speaker 5: the whole label Little Yachty too. You work with Little
• 40:21
  Speaker 5: Yachty before too.
• 40:23
  Speaker 3: Yeah, yeah, we got like two songs.
• 40:28
  Speaker 5: Yeah, y'ata be on his fashion ship. I know he'd
• 40:30
  Speaker 5: be like you, better than niggas in New York.
• 40:31
  Speaker 2: He do be.
• 40:34
  Speaker 5: A nigga. Got a lot of money though. You see
• 40:35
  Speaker 5: nigga he got some ship. Man, he's doing this thing.
• 40:39
  Speaker 5: I can't fro on Little Yachty.
• 40:40
  Speaker 3: I just seen that. Nigga and Hamptons like yesterday, just
• 40:45
  Speaker 3: better than niggas in New York.
• 40:46
  Speaker 5: Yeah, but he could dress though. I ain't gonna hold you.
• 40:48
  Speaker 5: But you know New York. You know how we do
• 40:50
  Speaker 5: our head, you know what I'm saying. But not Little
• 40:53
  Speaker 5: He coul dress though.
• 40:54
  Speaker 2: He be saying. I ain't.
• 41:04
  Speaker 4: Yeah, we gotta find that for you gotta find that.
• 41:08
  Speaker 3: I know.
• 41:08
  Speaker 5: I never seen my rich like that like that. How
• 41:12
  Speaker 5: are you getting to the skateboard with Wayne?
• 41:14
  Speaker 2: Right?
• 41:15
  Speaker 5: You like to command?
• 41:15
  Speaker 4: You get you get money skateboarding tour?
• 41:23
  Speaker 5: You heard you fas for real? That's why they call
• 41:25
  Speaker 5: you that, bro. Are you getting a skateboard? Wayne?
• 41:28
  Speaker 1: Or just when I was when I when I was
• 41:30
  Speaker 1: living in Georgia, I kept getting in troubled to find
• 41:35
  Speaker 1: some ship to do. So that's the skateboard and yeah,
• 41:44
  Speaker 1: it's don't getting good at over time. You know it's
• 41:48
  Speaker 1: not an easy swirk man skateboarders. I don't know.
• 41:54
  Speaker 5: I'm surprised Wayne is a skateboarder like that. Niggas actually good.
• 41:57
  Speaker 5: You're good too, though. There's a couple of niggas that's
• 41:59
  Speaker 5: good at that skateboar and ship.
• 42:01
  Speaker 3: Yeah, Tyler created I think time.
• 42:04
  Speaker 5: Yeah, I think Tyler. Tyler get busy too.
• 42:06
  Speaker 3: I don't know.
• 42:07
  Speaker 2: You don't like me, don't this time? Yo?
• 42:14
  Speaker 5: So let me ask you. You know, I'm a car guy.
• 42:16
  Speaker 5: What's your favorite call? Know you got the bed claren
• 42:20
  Speaker 5: color in? What is it? What's the favorite? What's on
• 42:23
  Speaker 5: the what'st of calls? You know?
• 42:24
  Speaker 3: I ask you about my favorite car?
• 42:28
  Speaker 5: You give me two or three McLaren because I think
• 42:32
  Speaker 5: I know you got one.
• 42:35
  Speaker 6: Car lam BORKINNI I like, no, you know what, I
• 42:40
  Speaker 6: got a Mansory g waggon mans So I got like
• 42:45
  Speaker 6: a partnership with them career.
• 42:48
  Speaker 5: You got a partnership man Suri telling them we need
• 42:50
  Speaker 5: an interview. Bro that's crazy. We was in London at
• 42:54
  Speaker 5: the hotel, and you know he don't know nothing about calls.
• 42:57
  Speaker 5: So it was a fandom out there with the manzoor
• 43:00
  Speaker 5: It and I'm like, yo, that kick of course like
• 43:03
  Speaker 5: an extra five hundred six hundred, you know the price.
• 43:06
  Speaker 5: I'm just looking at some on YouTube. They had all
• 43:08
  Speaker 5: the men sorry calls in Dubai, like the kid alone
• 43:11
  Speaker 5: of course, you you know said the call was a
• 43:13
  Speaker 5: million dollars.
• 43:14
  Speaker 2: He said he bought the call.
• 43:16
  Speaker 5: Yeah. The guy from London was like, he bought the
• 43:17
  Speaker 5: whole call from Mansori just for a million damn.
• 43:21
  Speaker 3: Yeah. I bought my g wagging and I built it,
• 43:24
  Speaker 3: built it with minsis.
• 43:26
  Speaker 5: That's so crazy, bro, How you thought of that? You
• 43:28
  Speaker 5: creative motherfucker?
• 43:30
  Speaker 3: H man uh.
• 43:33
  Speaker 5: We would thinker like you just don't want a regular
• 43:36
  Speaker 5: g wagon went to Mansory and I know that course
• 43:39
  Speaker 5: you worked three four hundred to do that.
• 43:41
  Speaker 1: Maybe fas no, so I think. So I met I
• 43:48
  Speaker 1: met with the ARBs, I met the Arbist people.
• 43:53
  Speaker 5: So my, that's another kid company murder. You don't know
• 43:57
  Speaker 5: about calls, Robert, I'll anover kid of course, a lot
• 44:01
  Speaker 5: of money you don't know nothing about calls put me
• 44:03
  Speaker 5: on Scott. He's still learn how to drive, I am.
• 44:08
  Speaker 3: And.
• 44:10
  Speaker 1: So I was telling them. I was telling brothers like
• 44:13
  Speaker 1: I needn't give me a deal because I want to
• 44:15
  Speaker 1: turn you out up and they they were like, okay,
• 44:22
  Speaker 1: I'm talking to him, and then like it kind of
• 44:26
  Speaker 1: fell through.
• 44:27
  Speaker 3: So I went to I think it was.
• 44:30
  Speaker 5: You get this ego and confidence from you're telling the
• 44:33
  Speaker 5: multi million dollar company y'all need to do this deal
• 44:35
  Speaker 5: with me. I'll turn you up. It's promise everybody's gonna
• 44:38
  Speaker 5: buy every like it's established. Ready, Where the fun does
• 44:41
  Speaker 5: that come from?
• 44:43
  Speaker 3: From turning up other brands?
• 44:44
  Speaker 2: You know?
• 44:44
  Speaker 3: I feel like turned now.
• 44:47
  Speaker 2: I know my value and I know what I could
• 44:48
  Speaker 2: do for y'all.
• 44:49
  Speaker 3: Ship right, like go yard stuff like that.
• 44:53
  Speaker 2: That's true.
• 44:57
  Speaker 5: Back to me and ahead.
• 44:58
  Speaker 2: But yeah, I was.
• 45:00
  Speaker 1: I told her, I'm speaking to Robertson. They the deal
• 45:05
  Speaker 1: like fell through. And I was in La at a
• 45:09
  Speaker 1: car shop and I was telling him like, yea, I
• 45:11
  Speaker 1: was talking to fell through. He was like, you really
• 45:14
  Speaker 1: need to tap in with Mansury. I was like, oh, yeah,
• 45:18
  Speaker 1: I didn't know about Man's at that time. He just
• 45:19
  Speaker 1: told me about it. I looked him up and then
• 45:23
  Speaker 1: I reached out to him. It's like, Yo, I'm trying
• 45:25
  Speaker 1: to do something with y'all. Damn, what's good? So hit
• 45:29
  Speaker 1: me back. There was like, yeah, let's do it. What
• 45:32
  Speaker 1: car would you like to do? Got on a call
• 45:34
  Speaker 1: with them, set up a meeting, did a zoom, put
• 45:38
  Speaker 1: something together and then m ship I was a Mansory.
• 45:43
  Speaker 5: Guy deal with so you realized they ca.
• 45:51
  Speaker 1: This was I think this was like a year ago.
• 45:53
  Speaker 1: So I turned Mansory up. You know what I'm saying.
• 45:57
  Speaker 1: I told Rob I could have turned you up. They
• 46:00
  Speaker 1: making it the want that's a shot.
• 46:02
  Speaker 4: He just no.
• 46:03
  Speaker 5: I like Robbins, but manoury, it's Mantory, Like, no, that's
• 46:08
  Speaker 5: a big deal to you.
• 46:09
  Speaker 1: Look at when I started working with them until now,
• 46:13
  Speaker 1: be like.
• 46:14
  Speaker 3: Oh yeah, everybody got a man.
• 46:16
  Speaker 1: Everybody trying to go to Mansery Now y'all was just
• 46:18
  Speaker 1: trying to go Robbins before.
• 46:20
  Speaker 3: So now they see me.
• 46:21
  Speaker 5: Everybody.
• 46:22
  Speaker 1: I had the first Mansorie g wagon in America, I
• 46:24
  Speaker 1: believe because everybody.
• 46:27
  Speaker 4: I'm just saying that I wasn't even as excited about
• 46:29
  Speaker 4: Justin beeB and Jake Bow feature. Nigga niggas start talking
• 46:33
  Speaker 4: about coffee that nigga like I was the first nigga
• 46:36
  Speaker 4: with this ship.
• 46:38
  Speaker 5: It's crazy because a lot of people was doing a
• 46:40
  Speaker 5: lot of rappers and entertainers was doing the brawbits on
• 46:44
  Speaker 5: the g wagon. They wasn't doing the Man. Sorry, I
• 46:47
  Speaker 5: know what he's saying.
• 46:48
  Speaker 1: Nobody knew about the Mansury.
• 46:51
  Speaker 3: I put it on the street in Miami. Everybody's, oh,
• 46:55
  Speaker 3: now they want to go Mansery.
• 46:57
  Speaker 5: I'm telling so you basically saying trends out here. Man,
• 47:01
  Speaker 5: that's crazy. There's a lot I didn't know about you.
• 47:03
  Speaker 5: That's fine. Mysterious about your grass from Queen Shout the
• 47:07
  Speaker 5: south Side, Jamaica, north Side every day.
• 47:10
  Speaker 4: Listen, man, just my man moved to at my Man,
• 47:14
  Speaker 4: my man moved to a t L.
• 47:17
  Speaker 5: We got this mysterious home. God with the Migos before
• 47:20
  Speaker 5: you got with the Migos, before QC God with QC
• 47:25
  Speaker 5: O QC five hundred, three hundred, five hundred got the
• 47:28
  Speaker 5: mysterious phone Capitol Records. Everybody, that ship is crazy. Bro,
• 47:32
  Speaker 5: you got a crazy story. Bro, ain't making nothing but hits.
• 47:36
  Speaker 5: Then turn into a CEO, Famous decks, j Crich, Finesse.
• 47:40
  Speaker 4: In the Scope, fess the Finesses. You made millions in
• 47:47
  Speaker 4: the store, bro Milliams. They I know Rich a problem
• 47:52
  Speaker 4: about hanging out in Europe because life is.
• 47:54
  Speaker 5: Good, Life is good, life is good. You can get
• 48:00
  Speaker 5: that diamond, man.
• 48:04
  Speaker 1: Of course, somebody gave gave me this gift, right, my boy.
• 48:11
  Speaker 2: But then a lot of jud different things different.
• 48:15
  Speaker 1: Yeah, I don't with one Judia not enough money, damn
• 48:20
  Speaker 1: give it out for the good ice.
• 48:23
  Speaker 5: What's your what's some of your favorite places of travel?
• 48:25
  Speaker 5: Because I know you've been all around the world or
• 48:28
  Speaker 5: perform at travel. Well, you said you love Paris.
• 48:31
  Speaker 1: Of course, that's what my parents love, Central pey Mark
• 48:36
  Speaker 1: Bay and Spain, Monaco, Ebiza, Mark.
• 48:43
  Speaker 3: I like, man, I like a lot of places. This
• 48:49
  Speaker 3: is you. I like Europe a lot like Europe.
• 48:53
  Speaker 5: I can see you buying the spot out there.
• 48:57
  Speaker 3: I like Europe.
• 48:58
  Speaker 2: Ain't no place like home, place like, no place like,
• 49:02
  Speaker 2: no place like.
• 49:03
  Speaker 5: Let's talk about Kanye Carnival came in the credit for.
• 49:07
  Speaker 3: Number one Team effort. You know we did.
• 49:10
  Speaker 5: Hornorable featuring Rich the Kid, Playboy, Kardi alongside Ye and
• 49:14
  Speaker 5: Todd downads Side becomes Riches's first Billboard Hot one hit.
• 49:19
  Speaker 5: I don't think it's your first.
• 49:21
  Speaker 2: It was.
• 49:22
  Speaker 3: It was No.
• 49:24
  Speaker 5: One number one man, How do you make that play happen?
• 49:28
  Speaker 5: Because it's like it's like it's it's like you got
• 49:31
  Speaker 5: good music, but you in the good rooms too, like
• 49:34
  Speaker 5: Travis Scott, Playboy, Karate, Kanye, How the fuck do you
• 49:38
  Speaker 5: make deals? Like like how do you even get in
• 49:40
  Speaker 5: a room with these niggash? Everybody obviously fuck with you,
• 49:44
  Speaker 5: your music officer.
• 49:46
  Speaker 1: So around that time, oh, I think I had a show.
• 49:50
  Speaker 1: I had a show in Dubai. I was doing the
• 49:52
  Speaker 1: show in Dubai and then I've seen Todd Dollard sign
• 49:55
  Speaker 1: posts like he was in Saudi Arabia and I had
• 49:58
  Speaker 1: a day off. So I'm like, ship you in Saudi River.
• 50:01
  Speaker 1: You work on the album?
• 50:02
  Speaker 3: Yeah? Album?
• 50:03
  Speaker 1: Them just hop on the flight m hm. So I
• 50:07
  Speaker 1: hopped on a flight. I took a taxi to the resort.
• 50:13
  Speaker 1: When I got there, they put me in the room
• 50:16
  Speaker 1: and it was like, yeah, of course some ship. So
• 50:19
  Speaker 1: I called my producer who made plug Walk, and I
• 50:21
  Speaker 1: was like yore in the studio to pick some up
• 50:25
  Speaker 1: and some beats. I made the song like fifteen twenty minutes,
• 50:32
  Speaker 1: and then Tied Tie got on there and then we
• 50:38
  Speaker 1: actually did two songs that day.
• 50:40
  Speaker 5: You tell your producer, I'm in the studio with Playboy, Karate,
• 50:44
  Speaker 5: Kanye or you just telling him I'm in the studio.
• 50:45
  Speaker 5: He make a beat like that.
• 50:47
  Speaker 2: Now.
• 50:47
  Speaker 1: At first, I was just in the studio by myself,
• 50:49
  Speaker 1: like I wasn't there. Yeah, it was just me just
• 50:53
  Speaker 1: sat up in the room. I was like, yo, you
• 50:55
  Speaker 1: send me a bunch of shit, you know what I'm saying.
• 50:57
  Speaker 1: And the.
• 51:00
  Speaker 3: Connor a beat sounded like some new age like trap rock.
• 51:06
  Speaker 5: Type of ship definitely different.
• 51:08
  Speaker 1: I was like, yeah, this beat sounds like something, you
• 51:11
  Speaker 1: know what I'm saying. So I did it and then
• 51:15
  Speaker 1: Ty came in. He put his part on there, and
• 51:18
  Speaker 1: then we did two songs two weeks later. Three weeks later,
• 51:24
  Speaker 1: Todd called me here like yo, yea said he wants
• 51:27
  Speaker 1: you to be on the project. Which one of the
• 51:29
  Speaker 1: two songs you think you should be on there? And
• 51:32
  Speaker 1: I listened to both of them. I was like, oh, yeah,
• 51:34
  Speaker 1: it should be this one. I told him Connor And
• 51:37
  Speaker 1: then like a week later they sent me a version
• 51:43
  Speaker 1: ya verse damn nigga.
• 51:50
  Speaker 5: Yeah, ship crazy, but you take chances. Though he said
• 51:53
  Speaker 5: he was in Dubai, he could have been like, man,
• 51:55
  Speaker 5: I'm chilling shorty O let me get that flight out
• 52:00
  Speaker 5: of the pull up. This guy is just a small guy.
• 52:01
  Speaker 5: He's a hustler. Yeah, he got the music, he got
• 52:04
  Speaker 5: the hits. But one thing I'm realizing is he's a hustler.
• 52:08
  Speaker 5: That's crazy. He worked with every big artist, but just
• 52:13
  Speaker 5: to be in these rooms and get there, get a
• 52:15
  Speaker 5: record with Kanye, Playboy cardy uh, you know chid dollars high?
• 52:20
  Speaker 5: It's hard, bro. You know what I'm saying, Keep yourself
• 52:23
  Speaker 5: relevant amongst the years. That's crazy.
• 52:26
  Speaker 2: Man.
• 52:26
  Speaker 5: Congratulations, you already we know the album got Jay Balvin
• 52:30
  Speaker 5: on it. Justin Beaver and Glenna I.
• 52:33
  Speaker 4: Said, you got any more features of those?
• 52:37
  Speaker 5: That's what he needs. We need that. We need that
• 52:42
  Speaker 5: to come out soon. We need to come that that
• 52:45
  Speaker 5: to come out real soon.
• 52:47
  Speaker 2: Bro. Right now, where you with label? You're independent? Rich?
• 52:52
  Speaker 1: I got like a partnership with label called Remus from
• 52:58
  Speaker 1: Puerto Rico. They got bad Buney over there.
• 53:04
  Speaker 2: Okay, you know there was let's with the Fanessa yo. Man,
• 53:09
  Speaker 2: this guy is the Vanessa Man. I'm done. You see
• 53:13
  Speaker 2: how you trying to say that?
• 53:14
  Speaker 4: He's like, I know that niggas might not know this right,
• 53:17
  Speaker 4: So I'm gonna say bad Bunny after this.
• 53:20
  Speaker 5: Guy's the luckiest nigga in hip hop. Give me that.
• 53:22
  Speaker 2: Fucking nigga like light with Bad Bunny it's nothing.
• 53:26
  Speaker 5: Bunny is on my label. You gotta get him on
• 53:29
  Speaker 5: the album.
• 53:29
  Speaker 4: To what the Bad Calm Man's it's the label that
• 53:36
  Speaker 4: Bad Buddy manager started.
• 53:37
  Speaker 3: Okay, So I also got another project.
• 53:41
  Speaker 5: You gotta wrekor with bads money?
• 53:44
  Speaker 3: Do I have regular.
• 53:47
  Speaker 2: Bad You call him babs Man. It's Bad Bunny Man. Yeah,
• 53:51
  Speaker 2: you just want to correct me.
• 53:55
  Speaker 5: Ship did rich Man.
• 53:59
  Speaker 2: Another project? You said you working on? To Man?
• 54:01
  Speaker 1: Yeah, I got another project. So I got the deal
• 54:04
  Speaker 1: with I had a project that I was working on. Well,
• 54:07
  Speaker 1: yeah's working on all Latin artists. So it's like me
• 54:13
  Speaker 1: rapping with Latin artists on every single.
• 54:17
  Speaker 5: Now you're doing the Latin.
• 54:18
  Speaker 4: Just tap into that market. Tapping into that market over there.
• 54:21
  Speaker 4: There's a lot of money over there.
• 54:22
  Speaker 5: You know Spanish because you hate we right next to
• 54:24
  Speaker 5: the you know.
• 54:25
  Speaker 1: No spinish, My my art my artists, my DJ from
• 54:29
  Speaker 1: dr So he's been tapping, like having me tap in
• 54:32
  Speaker 1: with different land artists.
• 54:34
  Speaker 3: Has been doing a lot of songs.
• 54:36
  Speaker 5: Man, once you get naplane, you already know what.
• 54:38
  Speaker 1: It is man right after this. You got it ready
• 54:42
  Speaker 1: for you.
• 54:45
  Speaker 2: That's right, that's right.
• 54:47
  Speaker 5: One thing about him, you know, he's a thinker bro
• 54:50
  Speaker 5: of course. Man, you've seen all the plays he made.
• 54:52
  Speaker 5: I'm just signed on the same labels. Money who you know?
• 54:59
  Speaker 5: So you' justin be it ain't nothing something like it
• 55:03
  Speaker 5: ain't nothing. That's crazy, man, much success to you. Man,
• 55:08
  Speaker 5: You ever think about signing more artists?
• 55:12
  Speaker 3: I thought this album for sure.
• 55:14
  Speaker 2: Yeah, definitely putting niggas and ship go a little left.
• 55:19
  Speaker 2: He gonna want five hundred thousand, get out that car. No,
• 55:23
  Speaker 2: he's not going to do that, gonna do the niggas.
• 55:25
  Speaker 4: How he got the man, I'm telling you, man, that's
• 55:28
  Speaker 4: why he laughing like that.
• 55:29
  Speaker 2: Man, you see that laugh Yet you said he.
• 55:32
  Speaker 5: Didn't want a hundred thousand, maybe a hundred, but I mean,
• 55:37
  Speaker 5: look what he did with Jay Christian famous. Next he
• 55:39
  Speaker 5: put him on the map. Shout to j Chrich Brooklyn,
• 55:42
  Speaker 5: you know, in dex Chicago, two different places. You know
• 55:45
  Speaker 5: what I'm saying, young Ceo, you have to sign more artist,
• 55:49
  Speaker 5: don't I'll get see more artist work on man, because
• 55:53
  Speaker 5: you a fucking small guy.
• 55:55
  Speaker 3: I appreciate that.
• 55:55
  Speaker 5: So do you know when the album wants to drop
• 55:57
  Speaker 5: or we just never worry. Just tell niggas never worry.
• 55:59
  Speaker 1: We got the big the album's gonna drop.
• 56:02
  Speaker 3: Oh this year?
• 56:05
  Speaker 5: What was it like working?
• 56:07
  Speaker 4: He said, definitely this year. He was about to say
• 56:09
  Speaker 4: it said, but the album is gonna drop? Uh, well,
• 56:11
  Speaker 4: definitely this year.
• 56:13
  Speaker 5: You know, I gotta ask shoutut to my man, like
• 56:17
  Speaker 5: the Barber fifty, Gunner is hands down his favorite artist.
• 56:21
  Speaker 5: We used to be on tour, don't front. We used
• 56:24
  Speaker 5: to listen to Gunner every single day. What's in the
• 56:26
  Speaker 5: studio like with with him?
• 56:28
  Speaker 2: Man?
• 56:29
  Speaker 3: Uh?
• 56:30
  Speaker 1: Just vibes, man, Man, I think I was a fan
• 56:34
  Speaker 1: of gun Like early in his career.
• 56:37
  Speaker 3: So I was a gun Like man early.
• 56:42
  Speaker 1: But it's crazy to see his growth and success.
• 56:46
  Speaker 5: Gun to the hottest hordist in the Lanta right now.
• 56:48
  Speaker 3: In my fun with this ship. Yeah yeah, but the
• 56:52
  Speaker 3: studio bro that ship out quick. Yeah.
• 56:55
  Speaker 5: I already know y'all got some ship once you told
• 56:57
  Speaker 5: me you got gun on there, Jake Balvin, but justin Beaver.
• 57:03
  Speaker 5: Much success to you, yeah, much success to you. And
• 57:07
  Speaker 5: you signed on another label and you're getting the back
• 57:09
  Speaker 5: and you have the team with you.
• 57:10
  Speaker 2: Man.
• 57:11
  Speaker 5: Yeah, you know what I'm saying.
• 57:12
  Speaker 3: God is good.
• 57:13
  Speaker 2: That is good? Is good?
• 57:14
  Speaker 1: You ever think about getting to the acting man? I
• 57:17
  Speaker 1: told fifth Man, come on, put me in South.
• 57:21
  Speaker 4: Come on, man, God go let the guy already know
• 57:24
  Speaker 4: you know, you know they're gonna be glazing when that
• 57:26
  Speaker 4: album come out.
• 57:27
  Speaker 3: Put him out there.
• 57:29
  Speaker 5: They're gonna be blazing again.
• 57:31
  Speaker 2: But the game in them acting classes though, Man, motherfuckers
• 57:34
  Speaker 2: will be on again. I can see you doing that. Man.
• 57:36
  Speaker 1: Yeah, I did one movie with Randall Emmett. He's a director.
• 57:44
  Speaker 2: I don't like him no more.
• 57:45
  Speaker 3: Yeah.
• 57:46
  Speaker 5: That was the nigga that fifty seven money by Monday.
• 57:48
  Speaker 5: That's what he said. He's cool. He was a cool guy.
• 57:52
  Speaker 2: I don't know about. But he.
• 57:56
  Speaker 4: Getting the Boo movie too with Fifth If put pressure
• 57:59
  Speaker 4: on him, no more money by Monday.
• 58:01
  Speaker 2: Yeah, you said, but he's what happened.
• 58:06
  Speaker 1: Yeah, in the movie Bust Rhymes and Ship.
• 58:11
  Speaker 5: You think about doing more movies?
• 58:14
  Speaker 3: Ship?
• 58:15
  Speaker 2: What I'm after you finished finessing on these other bags for.
• 58:20
  Speaker 3: That ship man?
• 58:22
  Speaker 5: Stop playing? However, you ever think about your own before
• 58:26
  Speaker 5: you get out of here? Because I know you're busy
• 58:27
  Speaker 5: and you got a lot of media and things to do.
• 58:29
  Speaker 5: You ever think about your own.
• 58:30
  Speaker 1: Clothing line collabing you know, definitely this year, if not
• 58:37
  Speaker 1: this year, next.
• 58:38
  Speaker 5: Year, Yeah, because I look at certain artists that are
• 58:40
  Speaker 5: like in the category, like Asap Rocky. You like a
• 58:44
  Speaker 5: lot of dudes in that fashion world. You know what
• 58:47
  Speaker 5: I'm saying. Wavo you said was definitely there. Like we
• 58:50
  Speaker 5: overseas we see Asap Rocky, Mount Clear Deal, Ray Band Deal,
• 58:55
  Speaker 5: Gucci deal, and then now you're collabing with Ap. You
• 58:59
  Speaker 5: know you're doing it. You're going to Fashion Week with Man.
• 59:02
  Speaker 5: Sorry yeah, man, sorry, collab is come on. You know
• 59:05
  Speaker 5: I know about the calls. That's that's that's crazy, man. Sorry,
• 59:09
  Speaker 5: first rapper with the Man, Sorry g Wagon, not you
• 59:12
  Speaker 5: so joy? I know Soljio Boy is the first not
• 59:16
  Speaker 5: you soldier, but soldier word. Man, you ever think about
• 59:19
  Speaker 5: getting into.
• 59:19
  Speaker 1: The clothing Yeah, for sure, I'm gonna drop a cold
• 59:22
  Speaker 1: line for sure, like next year, next year, after this
• 59:26
  Speaker 1: these album for sure, definitely I'm looking forward to that, definitely.
• 59:33
  Speaker 5: Man, Thanks for coming on the Real Real Show. Make
• 59:36
  Speaker 5: sure y'all like share, subscribe. Rich the Kid was in
• 59:39
  Speaker 5: the building with a lot of coming. He got a
• 59:44
  Speaker 5: lot of diamonds on First Man, Sorry g Wagon. Hatian
• 59:49
  Speaker 5: food in New York City. He's outside man.
• 59:53
  Speaker 3: To rich.
• 59:53
  Speaker 5: The kids see rich forever. Well, let's go