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The Procedure of Procedural Acting · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to artists on Artists on Artists on artists.
• 0:07
  Speaker 1: Zang Zang Zong, We've got another one.
• 0:10
  Speaker 2: America runs on Duncan, but also American TV runs on procedurals.
• 0:16
  Speaker 2: That's right, we're talking procedural TV.
• 0:19
  Speaker 3: Procedural television shows are the types of shows that you
• 0:22
  Speaker 3: can see frequently on CBS, NBC, Fox, and ABC, shows
• 0:27
  Speaker 3: like Law and Order CSI, and of course any show
• 0:31
  Speaker 3: that has Chicago in the first word. These actors are lawyers,
• 0:36
  Speaker 3: they're doctors, they are all sorts of important roles.
• 0:41
  Speaker 4: So prepare to run for eight seasons and listen in nice.
• 0:48
  Speaker 4: Everyone looks great. Yeah, everyone looks fantastic.
• 0:52
  Speaker 5: It look good.
• 0:52
  Speaker 3: You guys all look really good.
• 0:53
  Speaker 6: Yeah, body looks really really good.
• 0:56
  Speaker 4: And then it's part of our job to look good, isn't.
• 0:58
  Speaker 3: It a couple a couple of things do one of
• 1:01
  Speaker 3: them is look pretty good?
• 1:02
  Speaker 6: Yeah?
• 1:02
  Speaker 1: Can I just say I love all y'all shows, Absolutely
• 1:05
  Speaker 1: amazing shows.
• 1:06
  Speaker 3: You guys likewise, thank you.
• 1:08
  Speaker 6: Yeah, they're so great.
• 1:09
  Speaker 3: I'm really excited that we get to just speak and
• 1:12
  Speaker 3: speak off top of our heads.
• 1:14
  Speaker 6: You know.
• 1:15
  Speaker 3: Sometimes you know, my show is very word perfect. The
• 1:18
  Speaker 3: script has to be very specific so it's nice to
• 1:21
  Speaker 3: be able to speak without them.
• 1:23
  Speaker 6: You go ahead and introduce yourself, buddy, that'd be great.
• 1:27
  Speaker 3: All right. My name is My name is uh Writer Silver,
• 1:35
  Speaker 3: and I am an actor. You guys might know me
• 1:39
  Speaker 3: as the young hotshot lawyer on the brand new show
• 1:45
  Speaker 3: DC Rules and uh, I'm part of a d C
• 1:49
  Speaker 3: law firm where we get caught up in a lot
• 1:52
  Speaker 3: of political scandals and things run a little hot in
• 1:56
  Speaker 3: the office.
• 1:57
  Speaker 4: And I can tell you on season one wrecked because
• 2:01
  Speaker 4: you've got that glow about.
• 2:02
  Speaker 3: You and you have a.
• 2:05
  Speaker 4: Clocking in clock and you know, I.
• 2:07
  Speaker 2: Think I also could tell because on your off season
• 2:11
  Speaker 2: I saw you in too Brazil.
• 2:12
  Speaker 3: Is that yes?
• 2:13
  Speaker 2: Is that you had energy?
• 2:15
  Speaker 3: Let me answer the four questions that give away that
• 2:17
  Speaker 3: I'm on season one?
• 2:19
  Speaker 4: Yes?
• 2:19
  Speaker 3: One, Yes, I'm happy I went to Brazil.
• 2:25
  Speaker 2: You have taught you have energy on your Yeah.
• 2:27
  Speaker 3: Three, my wife is pregnant.
• 2:29
  Speaker 4: Yeah.
• 2:30
  Speaker 3: And for I UH am thinking a lot about other
• 2:37
  Speaker 3: ways that I can spread my voice.
• 2:40
  Speaker 6: You think you're going to do another gig besides.
• 2:43
  Speaker 3: I mean Raando, So yeah, I mean I I have
• 2:44
  Speaker 3: I have a movie that I've been working on. Uh,
• 2:46
  Speaker 3: But I mean I'm talking about that. I was just
• 2:48
  Speaker 3: thinking creatively, creatively, Yeah, just creatively, just in different capacities.
• 2:52
  Speaker 3: And and I actually have some ideas that I think
• 2:54
  Speaker 3: I've been pitching the show runner, and I think they're
• 2:56
  Speaker 3: gonna they're gonna work out.
• 2:57
  Speaker 2: Pretty That sounds like a good point.
• 3:00
  Speaker 4: It seems like you have some power there.
• 3:01
  Speaker 3: But I'm really Stokes. I'm really Stokes. My character's name
• 3:04
  Speaker 3: is Poor Crind and he's so fun. And I'm sorry
• 3:06
  Speaker 3: what My character's name is poor Crind And you're.
• 3:08
  Speaker 6: A doctor, young hot, I'm a lawyer.
• 3:11
  Speaker 4: You're a lawyer, right right?
• 3:12
  Speaker 3: Well, the kid, the nickname is poor Crind, but his
• 3:16
  Speaker 3: real name is Davis So but everyone calls him pork
• 3:19
  Speaker 3: Crime because he's kind of like.
• 3:20
  Speaker 4: Uh, does the judge call him poor Crind?
• 3:23
  Speaker 3: No, not yet, but that's kind of one of the
• 3:25
  Speaker 3: pitches I have for the next season. Uh, what do
• 3:28
  Speaker 3: you guys? What about you guys? I mean, I feel
• 3:30
  Speaker 3: like I am in my literal television with you guys
• 3:33
  Speaker 3: right now.
• 3:34
  Speaker 2: Well, well now I mean with you missus.
• 3:39
  Speaker 4: With well with me, of course. I am Claire Peters
• 3:44
  Speaker 4: and I play play Claire Borne, Saint Claire Thomas, Claire
• 3:50
  Speaker 4: Borne Thomas on the CBS show Doctor Hospital. The year
• 3:56
  Speaker 4: is eighteen forty nine, and I a procedural that takes
• 4:02
  Speaker 4: place in, of course, the nineteenth century, with authentic nineteenth
• 4:06
  Speaker 4: century medicine. We've been on screen for about fifteen seasons now,
• 4:12
  Speaker 4: and it's hard to tell where I be, where I end,
• 4:16
  Speaker 4: and the character begins.
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  Speaker 1: Yeah, well, it's great that they use the name Claire
• 4:20
  Speaker 1: just in your name too, Claire and claireborn.
• 4:22
  Speaker 4: That's they wanted to make it easier for me the transition.
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  Speaker 6: Also, that's doctor Hospital. We're in the ninth what was
• 4:29
  Speaker 6: it called?
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  Speaker 4: And doctor Hospital we're in eighteen forty nine.
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  Speaker 1: Right, So that's a spin off of just regular doctor hospital, right.
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  Speaker 4: Yes, And Doctor Hospital takes place in the current day,
• 4:40
  Speaker 4: which back when it was created it was two thousand
• 4:44
  Speaker 4: and four. Now they've been going strong. It's the twenty
• 4:47
  Speaker 4: twenty three, of course, not for me, but for everybody else.
• 4:51
  Speaker 4: It is, of course the twenty twenty three.
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  Speaker 2: But you've been on network television for I don't know
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  Speaker 2: how long.
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  Speaker 4: Oh gosh, I don't know either. It's it's been. It's
• 5:02
  Speaker 4: been difficult to recount how many shows I've been jumping
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  Speaker 4: from procedural to procedural, from CSI to a FBI to
• 5:11
  Speaker 4: a CSI Miami to cops.
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  Speaker 6: I've been jumping from show show cuffs.
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  Speaker 4: Yeah, that's that's a WHI I played one of the
• 5:22
  Speaker 4: people who got arrested by the cops in real life.
• 5:25
  Speaker 2: I think I saw a YouTube compilation of Oh, it
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  Speaker 2: was a show.
• 5:29
  Speaker 4: We worked that out. We worked it out. It doesn't
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  Speaker 4: count on the record if it's for a show.
• 5:33
  Speaker 2: I think I saw a YouTube compilation of you, Claire.
• 5:36
  Speaker 2: Every time you had played the coroner in an FBI
• 5:40
  Speaker 2: or Law and Order episode.
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  Speaker 4: They loved me as the coroner because they said I
• 5:44
  Speaker 4: had the energy that I would be around dead bodies
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  Speaker 4: quite frequently.
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  Speaker 2: But it was you and you were much younger.
• 5:51
  Speaker 4: Oh yes, I was a smoke show then.
• 5:53
  Speaker 2: Oh my god, what an inspiration.
• 5:55
  Speaker 4: Not anymore, of course, these old bones are still beautiful.
• 5:58
  Speaker 4: Oh stops, come on there, you're really stopping. You'll better
• 6:03
  Speaker 4: stop it now.
• 6:04
  Speaker 1: So.
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  Speaker 3: I used to watch you on FBI with my mom
• 6:09
  Speaker 3: when I was homesick from school. Oh did you yeah,
• 6:12
  Speaker 3: so she It was.
• 6:13
  Speaker 4: So Oh gosh, it's such a it's just ancient history. No.
• 6:17
  Speaker 3: I used to watch it four years ago when I
• 6:19
  Speaker 3: was sixteen. I'm twenty.
• 6:20
  Speaker 4: So it was it was you're twenty years old.
• 6:23
  Speaker 3: Yeah, I'm twenty.
• 6:24
  Speaker 4: Oh how the time?
• 6:25
  Speaker 2: What a shild you are?
• 6:27
  Speaker 4: Oh?
• 6:28
  Speaker 6: You gotta you gotta like it.
• 6:30
  Speaker 3: Stop it. Look I feel like I'm I feel kind
• 6:33
  Speaker 3: of old for my age. They call me an old soul.
• 6:36
  Speaker 4: Oh stop it, stop it.
• 6:37
  Speaker 3: No, it's true. Went to a psychic. I went to
• 6:39
  Speaker 3: a psychic. He said, I went to a psychic. I
• 6:41
  Speaker 3: went to a psychic. He said, I went to a psychic.
• 6:43
  Speaker 3: He said, oh you again, you're talking to my old soul.
• 6:46
  Speaker 2: Wow.
• 6:46
  Speaker 4: Oh he was talking to your soul.
• 6:48
  Speaker 2: Sure wasn't just like a turn of phrase like Hi,
• 6:51
  Speaker 2: I had been there before. Okay, oh it seems like
• 6:54
  Speaker 2: a pretty You.
• 6:55
  Speaker 6: Really gotta cut that shit out.
• 6:57
  Speaker 3: Okay, well you used to stay this now you got.
• 7:03
  Speaker 6: Right, Yeah, you got a lot of a lot more years.
• 7:05
  Speaker 1: Hey, guys, I'm Clive sand I'm on the show Fire City.
• 7:12
  Speaker 4: Mister Sands from Fire City.
• 7:14
  Speaker 6: You don't say my character's name is general.
• 7:19
  Speaker 4: Uh, I didn't know they had general.
• 7:23
  Speaker 2: No, he's a vet right, Well, yeah, I was.
• 7:25
  Speaker 1: A veteran turned firefighter. So they call me a general.
• 7:30
  Speaker 1: Stan and you know. I'm just I play a dad
• 7:33
  Speaker 1: who loves his kid and he loves fishing.
• 7:36
  Speaker 4: But you love to take your shirt off on that show.
• 7:39
  Speaker 6: I love, I don't love to they make me.
• 7:43
  Speaker 1: I imagine these old bones still, you know, can bump
• 7:46
  Speaker 1: a couple irons here and there, I imagine. But yeah,
• 7:49
  Speaker 1: I played general stand you're a tired vet now turned
• 7:52
  Speaker 1: firefighter and love my kids love fishing. But man, in
• 7:56
  Speaker 1: fire City, there's always another fire I.
• 8:00
  Speaker 4: Mean, what American city does fire City take place in?
• 8:03
  Speaker 1: This is in fire City takes place in Detroit, Michigan. Yeah,
• 8:10
  Speaker 1: so it's fun fun. We shoot in Detroit nine months
• 8:14
  Speaker 1: out of the year. I'm kind of based out of there.
• 8:16
  Speaker 6: Now. It's great. I love it.
• 8:18
  Speaker 1: We've been on nine seasons now. Fire City is getting
• 8:22
  Speaker 1: a couple spinoffs. There's fire City, Oakland, fire City, San Diego,
• 8:27
  Speaker 1: fire City, San Dimas, fire City, Oakland, fire City, Water
• 8:32
  Speaker 1: fire City, Ice, fire City, sand There's a bunch of
• 8:36
  Speaker 1: different Fire City Desert.
• 8:38
  Speaker 4: Are you the star of each one?
• 8:40
  Speaker 3: Yeah?
• 8:40
  Speaker 1: The spinoffs have me as the star of each one,
• 8:43
  Speaker 1: or one of my sons wows and fire City. I
• 8:47
  Speaker 1: have four teen sons and one daughter, Abigail.
• 8:52
  Speaker 6: She Rocks.
• 8:54
  Speaker 1: She's a great actress. She's basically like my own daughter. Now,
• 8:58
  Speaker 1: so we love Abigail. That's played by a lovely young
• 9:03
  Speaker 1: Peach Comet.
• 9:06
  Speaker 2: I love Peach. Actually, Peach and I go out all
• 9:09
  Speaker 2: the time.
• 9:10
  Speaker 6: Yeah, her name is Peach Comed.
• 9:12
  Speaker 4: It's so funny that she she played Peach Comed in
• 9:15
  Speaker 4: the Hello Kitty series, and then she decided I want
• 9:17
  Speaker 4: that name for myself, So.
• 9:21
  Speaker 2: Mary Beth, very Beth.
• 9:23
  Speaker 6: Or something I've named I've named.
• 9:26
  Speaker 2: It was such a good move for her career.
• 9:29
  Speaker 4: I remember that I was tracking a career. I thought,
• 9:31
  Speaker 4: what a good move. I should have done that when
• 9:33
  Speaker 4: I played Borfi.
• 9:36
  Speaker 2: You should have renamed yourself, Claire. You really should have
• 9:40
  Speaker 2: been Barfi.
• 9:41
  Speaker 6: So yeah, that's me. Uh what about you? Why don't
• 9:43
  Speaker 6: you introduce yourself?
• 9:45
  Speaker 2: Hey, guys, what's up? I am Molly Tang. I am
• 9:52
  Speaker 2: on Uh. I'm on Helicopter Ambulance. I've been on there
• 9:58
  Speaker 2: for about four years now. I play Cisine and Cecine.
• 10:06
  Speaker 6: Is like Cistine Chapel.
• 10:08
  Speaker 2: Yeah, and she is a a helicopter pilot who is
• 10:15
  Speaker 2: riddled with anxiety and is one of the best helicopter
• 10:19
  Speaker 2: pilots in the world. And she can also do open
• 10:23
  Speaker 2: heart surgery, is what she's learning she can do.
• 10:26
  Speaker 1: I love the pilot when yeah, when they when she
• 10:29
  Speaker 1: uses the helicopter is the first time it's the ambulance
• 10:32
  Speaker 1: and performs open ur searchering goes, wait a second, I
• 10:35
  Speaker 1: know how to do this, but she's so nervous the
• 10:37
  Speaker 1: whole time.
• 10:38
  Speaker 2: Oh, thank you so much.
• 10:40
  Speaker 4: And so I love that storyline. I think I popped
• 10:42
  Speaker 4: this episode on the television when I was in town
• 10:47
  Speaker 4: on I was staying in a hotel. I was staying
• 10:49
  Speaker 4: in a.
• 10:49
  Speaker 2: Marriott, and I Marriott loves us.
• 10:51
  Speaker 4: Hey, Marriott loves you. Guys. They put you on the
• 10:54
  Speaker 4: center of the You know, when a hotel has the
• 10:55
  Speaker 4: TV station, that's just stuff that's going on in the
• 10:58
  Speaker 4: hotel's Yes, they put on a helicopter ambulance, you know,
• 11:02
  Speaker 4: even if it's.
• 11:02
  Speaker 2: A picture of the hotel room on that picture. In
• 11:06
  Speaker 2: that picture, we're on that TV in a way.
• 11:09
  Speaker 4: Like a Roku City type of thing when they have
• 11:11
  Speaker 4: little sponsorships. But I watched the episode where she realized
• 11:16
  Speaker 4: that she could do open heart surgery, and it was
• 11:19
  Speaker 4: that in a dream, she was talking to a woman
• 11:23
  Speaker 4: that she couldn't recognize who was a doctor of open
• 11:27
  Speaker 4: heart surgery. And that woman was later it was her mother,
• 11:30
  Speaker 4: her deceased mother. Right, yeah, God, I love. It's just
• 11:34
  Speaker 4: so great when procedurals have all the information laid out
• 11:38
  Speaker 4: and then seven seasons go by and they got a
• 11:40
  Speaker 4: dig for more.
• 11:42
  Speaker 3: I'm really excited to get to that point in my
• 11:44
  Speaker 3: career as well. I mean, I feel like your character
• 11:46
  Speaker 3: right now is just being uncovered.
• 11:48
  Speaker 2: Yeah, and that's that's when you know they need more.
• 11:51
  Speaker 3: Yeah, exactly.
• 11:52
  Speaker 2: I can't believe you're how I wild.
• 11:54
  Speaker 3: You say you're twenty years old.
• 11:55
  Speaker 2: Yeah, I feel like you have so much to learn
• 11:59
  Speaker 2: because I am twenty four and I feel so old. Yeah,
• 12:05
  Speaker 2: I feel like.
• 12:07
  Speaker 4: No, you too, better come on, I just I just
• 12:12
  Speaker 4: feel like i've been You guys are young.
• 12:16
  Speaker 6: You guys are very young.
• 12:17
  Speaker 3: I feel old too. My knees the other day made
• 12:20
  Speaker 3: a noise that I'd never experienced.
• 12:21
  Speaker 4: Oh they didn't bullshit?
• 12:22
  Speaker 6: Yeah, come on, buddy, cut that shit out.
• 12:25
  Speaker 2: No, I had. I had a sip of wine and
• 12:27
  Speaker 2: I spinned around really fast, and and it like made
• 12:30
  Speaker 2: me dizzy.
• 12:30
  Speaker 3: Oh No, are you okay now?
• 12:31
  Speaker 2: No, I'm okay now. But I was like, I guess
• 12:33
  Speaker 2: I'm edging thirty.
• 12:34
  Speaker 1: Yeah, yeah, no, no, no, no, no, it's really scary anyway.
• 12:39
  Speaker 2: I just it's really special that all of our cycles could,
• 12:44
  Speaker 2: all of our shooting cycles could like stop at a
• 12:47
  Speaker 2: certain point for us to do these press like totally.
• 12:49
  Speaker 2: I mean, with the Emmy's coming up and all this stuff,
• 12:51
  Speaker 2: it is really special.
• 12:52
  Speaker 1: Notoriously, none of our shows are ever going to be
• 12:54
  Speaker 1: nominated for Emmys.
• 12:55
  Speaker 3: When it's the first season. I mean, I think I
• 12:56
  Speaker 3: think I have a chance, you know, I think I
• 12:58
  Speaker 3: think our show is okay, Okay, Well we have we
• 13:02
  Speaker 3: have some some really cool veteran actors who are bringing
• 13:05
  Speaker 3: a very interesting energy. Well, I have brought bout Bridges
• 13:09
  Speaker 3: Bridges in our show. Yeah, Boat Bridges is in our show,
• 13:12
  Speaker 3: and I'm we're really excited about that. And Rita Wilson
• 13:15
  Speaker 3: is in our show.
• 13:16
  Speaker 2: Wow, Wilson is my favorite actor.
• 13:20
  Speaker 3: She's awesome. Rita is and and and I'll tell you what.
• 13:26
  Speaker 3: She is so fun on set, and I would I
• 13:30
  Speaker 3: would go on on record as saying she's the most
• 13:33
  Speaker 3: prepared actor I've ever worked with, and probably that exists
• 13:36
  Speaker 3: in the industry. She knows every line, she knows every
• 13:38
  Speaker 3: stage direction, she knows everything, and you can just tell
• 13:40
  Speaker 3: she's working hard on the script because she wants to
• 13:42
  Speaker 3: do well.
• 13:43
  Speaker 6: That's great, that's incredible, that's amazing.
• 13:46
  Speaker 1: So here's a question, you know, I've been pondering, you know,
• 13:49
  Speaker 1: how do you kind of keep you know, the the
• 13:51
  Speaker 1: energy alive because it's.
• 13:53
  Speaker 6: Day in, day out. A lot of people don't know this,
• 13:54
  Speaker 6: but it's a nine to five.
• 13:55
  Speaker 3: It is basically nine to five show up.
• 13:57
  Speaker 1: But I show up for makeup around seven and get
• 14:00
  Speaker 1: out around five, you know, so it's a little longer
• 14:02
  Speaker 1: than a ninety five sometimes, but a lot of the
• 14:04
  Speaker 1: times in my trailer bronze in my chest.
• 14:07
  Speaker 4: So you know, Well, for me, it's primarily the wealth
• 14:12
  Speaker 4: generated from the experience of shooting this thing.
• 14:16
  Speaker 6: How much have you been paid?
• 14:18
  Speaker 4: Well, I started out when I first started out on
• 14:22
  Speaker 4: Doctor Hospital, we were in eighteen forty nine, I was
• 14:26
  Speaker 4: paid in ten thousand an episode. I was getting ten
• 14:31
  Speaker 4: thousand an episode. We're on season twenty twenty six now
• 14:35
  Speaker 4: now I'm up to a million an episode, So I
• 14:38
  Speaker 4: have generated quite a fair share for myself.
• 14:41
  Speaker 6: And you guys shoot a hundred episodes a season, right.
• 14:43
  Speaker 4: And we shoot one hundred episodes of season, so to
• 14:47
  Speaker 4: be frank. Every time I get a little tired or
• 14:50
  Speaker 4: a little sick of pulling leeches out of a character actor,
• 14:54
  Speaker 4: I remember how much money I got sending in my
• 14:57
  Speaker 4: bank account. I just bought a house. I just bought
• 15:00
  Speaker 4: a house in North Carolina.
• 15:01
  Speaker 2: That's so funny.
• 15:02
  Speaker 6: That really matches your accent. Now, that's great.
• 15:04
  Speaker 4: It's really great because I didn't sound like this before
• 15:07
  Speaker 4: I started.
• 15:07
  Speaker 6: The show where you're originally from.
• 15:10
  Speaker 4: I was from Malibu. I grew up in Malibu. My
• 15:13
  Speaker 4: dad was in the industry. And then I once I
• 15:16
  Speaker 4: got this show, my voice sort of gradually changed to
• 15:20
  Speaker 4: adapt to my surrounding.
• 15:21
  Speaker 6: Because you've been in eighteen forty nine for so long.
• 15:23
  Speaker 4: Exactly because we you know, we shoot this show eleven
• 15:27
  Speaker 4: months out of the year, and so I found it's
• 15:29
  Speaker 4: much more efficient and easier for me to stay in
• 15:32
  Speaker 4: character and get out when I have to, as opposed
• 15:36
  Speaker 4: to trying to find the character over and over and
• 15:38
  Speaker 4: over again. It's exhausting.
• 15:40
  Speaker 3: I can't imagine.
• 15:41
  Speaker 6: I feel that.
• 15:42
  Speaker 3: Yeah, can we all be kind of okay to talk
• 15:44
  Speaker 3: about money? I think it's important to.
• 15:47
  Speaker 6: Just absolutely, I mean, it makes us stronger.
• 15:49
  Speaker 4: Yes, let's go around how much money does everybody have?
• 15:52
  Speaker 3: Well, so I'm on the first season on my show,
• 15:55
  Speaker 3: and as many people know in the industry, the first
• 15:58
  Speaker 3: season is a specific gray and then if we get
• 16:00
  Speaker 3: into a second season, my rates double. So I'm starting
• 16:05
  Speaker 3: at eight hundred thousand an episode, and I was given
• 16:07
  Speaker 3: a three million dollars signing bonus, and they agreed to
• 16:11
  Speaker 3: pay off my parents' house, which was awesome.
• 16:13
  Speaker 1: So they gave you a three million dollars signing both
• 16:15
  Speaker 1: bonus like a baseball player.
• 16:17
  Speaker 3: Yeah, like I sign it, yes, because well, I don't
• 16:19
  Speaker 3: know if you are a free agent. Well, yeah, did
• 16:21
  Speaker 3: you guys? I don't know if you guys knew about
• 16:23
  Speaker 3: the new procedural draft that's been.
• 16:25
  Speaker 2: Happening, So we should talk about the draft.
• 16:27
  Speaker 3: Yeah, which is it? It is kind of frustrating because
• 16:30
  Speaker 3: it is mandatory, and I do see actors protesting. Uh,
• 16:33
  Speaker 3: you have to serve your country and you have to
• 16:35
  Speaker 3: apply to be at a procedural and it's controversial.
• 16:40
  Speaker 2: Yeah, if you can say words fast off a piece
• 16:42
  Speaker 2: of paper and you're a certain level of attractiveness, you
• 16:46
  Speaker 2: are drafted into this.
• 16:50
  Speaker 3: And for artists, it's like one of the worst things
• 16:51
  Speaker 3: that could happen to you, right, like you have to
• 16:53
  Speaker 3: say goodbye to your career because like, just.
• 16:55
  Speaker 2: Like I remember, I have a friend that just fell
• 16:58
  Speaker 2: in love with checkof Yeah, and it was so sad
• 17:01
  Speaker 2: because she started reading check off and she was just
• 17:05
  Speaker 2: about to do three Sisters.
• 17:07
  Speaker 4: It's just a great tragedy.
• 17:08
  Speaker 2: And then what and I went, when the country finds
• 17:10
  Speaker 2: out that you can read big words fast, I would
• 17:14
  Speaker 2: lay low a little bit.
• 17:15
  Speaker 3: But she's out there, right, what's she on? Is she?
• 17:17
  Speaker 2: Is she?
• 17:17
  Speaker 3: What? Is she? A doctor or teacher? Lawyer? What is she?
• 17:19
  Speaker 2: She's on CSI Jupiter Florida.
• 17:22
  Speaker 3: Yeah, she's serving her country on CSI Jupiter Florida, which.
• 17:25
  Speaker 1: Is a great show that takes place on the planet Jupiter.
• 17:28
  Speaker 1: If Jupiter had a Florida.
• 17:29
  Speaker 2: No, there's a Jupiter in Florida.
• 17:32
  Speaker 6: Okay, never mind, buddy, you gotta cut that shit out. Okay,
• 17:39
  Speaker 6: what nothing? All right? Hope.
• 17:42
  Speaker 4: The draft is such a great tragedy. It's such a
• 17:45
  Speaker 4: great tragedy. I wish because I as a as a
• 17:49
  Speaker 4: person who is a who is an eight on the
• 17:52
  Speaker 4: scale of hotness. Of course, when I was nineteen years
• 17:55
  Speaker 4: old and I was an eight, No, don't cook don't
• 17:58
  Speaker 4: put me any higher because I might have to be
• 17:59
  Speaker 4: a and I'd be out of a job.
• 18:01
  Speaker 1: So shot, I would say eight point five, eight point four, Maybe.
• 18:06
  Speaker 3: You're a smoke show to me.
• 18:07
  Speaker 4: No, on a scale of one that Oh my god,
• 18:10
  Speaker 4: I just got what you're doing. You better stop it now. Married,
• 18:16
  Speaker 4: I am sorry, married to an oil baron.
• 18:19
  Speaker 3: Okay, okay, so you don't even need the money.
• 18:21
  Speaker 1: How much money is in your bag if you're married
• 18:24
  Speaker 1: doing an oil baron? How much money is in your
• 18:26
  Speaker 1: bake account?
• 18:27
  Speaker 4: Ten trillion dollars?
• 18:28
  Speaker 6: Okay, Yeah, that's a serious cash flow.
• 18:33
  Speaker 3: Wow, Molly, how much money you got?
• 18:36
  Speaker 2: Okay. So we've done four seasons and that's great.
• 18:40
  Speaker 1: That syndication level almost there there, Joel.
• 18:44
  Speaker 2: So, we've done four seasons, but Helicopter Ambulance is one
• 18:48
  Speaker 2: of the longest episode orders I think in CBS history.
• 18:51
  Speaker 6: Yeah. How many episodes each four in each.
• 18:54
  Speaker 2: Of our four seasons with five thousand episodes?
• 18:58
  Speaker 3: And how long is each?
• 19:00
  Speaker 2: Thirty minutes?
• 19:01
  Speaker 6: Oh? Okay, great, that's a fun drama.
• 19:04
  Speaker 2: Yeah, I mean, helicopter rides are notorisy short.
• 19:08
  Speaker 3: That's why you.
• 19:08
  Speaker 6: Take a helicopter.
• 19:11
  Speaker 2: So the writers were just like, there's no way around.
• 19:13
  Speaker 1: This people, I got a question for you. What do
• 19:14
  Speaker 1: you guys do about sound? What do you do with
• 19:17
  Speaker 1: that sound? How do you how do you guys play
• 19:20
  Speaker 1: to the fact that helicopter is one of the loudest
• 19:22
  Speaker 1: things you can be here or around.
• 19:24
  Speaker 2: Yeah, it's just like some of our the disaster like
• 19:28
  Speaker 2: procedurals where it's just like, oh whoa like I mean,
• 19:32
  Speaker 2: watch the Titanic. I mean some of our big some
• 19:35
  Speaker 2: of the big people that have gone before us, that
• 19:37
  Speaker 2: have done war movies have made sounds and made stories
• 19:41
  Speaker 2: within fire.
• 19:43
  Speaker 4: They only shoot your scenes while you're in the helicopter,
• 19:47
  Speaker 4: all your sex scenes, all your personal life scene, that
• 19:50
  Speaker 4: scene where you got friends in the helicopter.
• 19:53
  Speaker 6: You had that ten thousand episode arc with that guy.
• 19:58
  Speaker 2: It was a two season Yeah.
• 20:00
  Speaker 1: Ten thousand each and finally you guys kissed and hooked
• 20:03
  Speaker 1: up in the cockpit of your health.
• 20:05
  Speaker 2: Yeah. And that was so fun because the director wanted
• 20:11
  Speaker 2: to reclaim Wind as sexy, and we used like, because
• 20:17
  Speaker 2: the water is sexy, fire is sexy. Wind is not.
• 20:24
  Speaker 3: This is something we talk about a lot in my
• 20:26
  Speaker 3: acting class. Everyone's treating Wind like a best friend. It's
• 20:29
  Speaker 3: like really hard for me. To see we need.
• 20:32
  Speaker 6: It's like, all right there, it's.
• 20:33
  Speaker 3: Crazy, yeah, so crazy.
• 20:35
  Speaker 2: It was really fun to do that because, I mean,
• 20:37
  Speaker 2: the second helicopter ambulance joined the procedural families. I think
• 20:42
  Speaker 2: it was fun to just see what a helicopter can do,
• 20:45
  Speaker 2: just like a fire truck, just like an ambulance, just
• 20:47
  Speaker 2: like a cop car. It's like, how does this join
• 20:51
  Speaker 2: the family of transportation devices that tell these stories. But
• 20:56
  Speaker 2: this thing's loud, this thing is really really I know.
• 21:04
  Speaker 2: So we're doing a lot of m os.
• 21:07
  Speaker 4: I cannot tell you. It's really loud to watch Lou.
• 21:10
  Speaker 6: I have to turn my TV down almost to silent.
• 21:12
  Speaker 2: Yeah, well that's why we do so much music. We
• 21:16
  Speaker 2: have like a deal almost exclusively with the Fray. They
• 21:19
  Speaker 2: do so much of our mind exclusive.
• 21:25
  Speaker 6: Well, a couple of times they need like a different
• 21:28
  Speaker 6: type of music. That makes sense to me.
• 21:31
  Speaker 4: What is done for procedurals, So they are drafted way
• 21:38
  Speaker 4: before anybody it.
• 21:39
  Speaker 2: And and Coplay walks of the Fray could run. That's
• 21:41
  Speaker 2: what I say. And a lot of people, a lot
• 21:43
  Speaker 2: of people come for me in the comments about it.
• 21:44
  Speaker 3: Yeah, a lot of them say Copplay came way before
• 21:46
  Speaker 3: the Yeah, you know what.
• 21:48
  Speaker 2: Roast me in the comments, I don't really care. But
• 21:50
  Speaker 2: I'll say, in terms of procedural montages.
• 21:53
  Speaker 6: How are they roasting you? Can we just focus on
• 21:55
  Speaker 6: that house.
• 21:55
  Speaker 2: Saying that Coldplay walks of the Frey could run.
• 21:57
  Speaker 6: What would they say in response to that.
• 21:59
  Speaker 2: That it the opposite way around, or that the colpe
• 22:02
  Speaker 2: was way here before the fray, or that they shouldn't
• 22:05
  Speaker 2: even be in the same lane lane.
• 22:09
  Speaker 6: Level are.
• 22:16
  Speaker 2: Double playing field, that they shouldn't even be in the
• 22:18
  Speaker 2: same level playing field. But in terms of procedurals, guys
• 22:22
  Speaker 2: we're talking about Music is different, like storytelling is different.
• 22:25
  Speaker 2: Sounds are different. So I will say the fray we
• 22:28
  Speaker 2: are using almost exclusively because it's the sound of this helicopter,
• 22:32
  Speaker 2: and it's the sound of my helicopter, my character.
• 22:35
  Speaker 1: I got a question, is your helicopter? Is the show
• 22:37
  Speaker 1: a little bit like Midnight Rider where the helicopter can speak.
• 22:41
  Speaker 2: No but it has sorry no, Because I mean, we
• 22:45
  Speaker 2: were really grounded in reality.
• 22:47
  Speaker 6: And I'll say, like I was just trying to give
• 22:50
  Speaker 6: you an idea. Maybe that's oh no.
• 22:51
  Speaker 2: I would love the writer's notoriously this fireman's board.
• 22:55
  Speaker 4: I can tell that's why he's pitching on other shows.
• 23:00
  Speaker 2: I could tell my writers hate when I pitched, they say.
• 23:04
  Speaker 1: Go back my pitches. They always say, hey, great idea,
• 23:07
  Speaker 1: we love that.
• 23:07
  Speaker 4: Wee really and do they implements? Do they just say
• 23:10
  Speaker 4: great idea, patch you on the back and give you.
• 23:12
  Speaker 1: A love I think one that you're really accurate that.
• 23:15
  Speaker 1: I have received a lot of lollipops. Well, I also
• 23:19
  Speaker 1: read they know my favorite flavor.
• 23:21
  Speaker 4: I love when they give the actors a good idea.
• 23:25
  Speaker 3: Did you direct an episode this year?
• 23:27
  Speaker 4: I did?
• 23:28
  Speaker 6: I did direct an episode. How was that? Do you
• 23:30
  Speaker 6: feel like a direct island? I felt great?
• 23:32
  Speaker 1: So basically, I just it was so much easier than
• 23:35
  Speaker 1: I thought. I show up maybe thirty minutes a day
• 23:39
  Speaker 1: and the camera results said, and they've already shot half
• 23:42
  Speaker 1: of the day.
• 23:42
  Speaker 6: It's great.
• 23:43
  Speaker 2: How much you get paid directing versus acting in an episode?
• 23:46
  Speaker 1: So directing is different because I'm kind of new to
• 23:48
  Speaker 1: the game of directing. So they but it kind of
• 23:51
  Speaker 1: falls into my contract. So I got for directing that
• 23:54
  Speaker 1: one episode, I got four houses in Malibu and then
• 23:58
  Speaker 1: one house in a Tahoe and a hotel complex in Reno.
• 24:03
  Speaker 4: Do you think it is bogaining?
• 24:06
  Speaker 1: Yeah, it's a big that's why we pick it. You know,
• 24:08
  Speaker 1: I should have gotten five? Should have gotten five?
• 24:10
  Speaker 2: Do you think it's weird these studios use land so
• 24:13
  Speaker 2: often in paying us so.
• 24:15
  Speaker 3: Because I think, aren't we going to run out of it?
• 24:18
  Speaker 4: Well?
• 24:18
  Speaker 1: I don't know. I don't know. I don't think so.
• 24:22
  Speaker 1: I own most of Ohio now, so that's great. Wow, Yeah,
• 24:26
  Speaker 1: locals love me.
• 24:28
  Speaker 3: Did you guys do any research, like kind of doing
• 24:31
  Speaker 3: ride alongs or working with people that are in your
• 24:34
  Speaker 3: fields when you started?
• 24:36
  Speaker 2: That's a great question, like did we do co stars?
• 24:38
  Speaker 6: No?
• 24:39
  Speaker 3: Like did you do research?
• 24:41
  Speaker 4: Like did you get in a helicopter?
• 24:44
  Speaker 2: Sorry, it's okay.
• 24:45
  Speaker 3: I I had a meeting with the lawyer and I
• 24:48
  Speaker 3: actually I sat in on a couple of cases at
• 24:50
  Speaker 3: the local court.
• 24:51
  Speaker 2: No way.
• 24:52
  Speaker 3: I watched Like how long did you take doing that?
• 24:54
  Speaker 3: I did it for a month and a half that
• 24:57
  Speaker 3: I got that when I was auditioning. I just went
• 24:59
  Speaker 3: and I started, and then I kept doing it after
• 25:01
  Speaker 3: I got the word of the case. Did you watch
• 25:03
  Speaker 3: I watched all sorts. I watched civil and I watched criminal.
• 25:06
  Speaker 3: I watched this one case of this this woman who
• 25:08
  Speaker 3: was suing her neighbors because she fell down her stairs
• 25:12
  Speaker 3: her fault.
• 25:16
  Speaker 2: I mean, I don't disagree with you, because why would
• 25:19
  Speaker 2: it be her neighbor's fault.
• 25:21
  Speaker 3: Well, it actually was her neighbor's fault because her neighbors
• 25:25
  Speaker 3: didn't tell her that they were building stairs there. So
• 25:28
  Speaker 3: what it is in her house not in her house
• 25:31
  Speaker 3: on the hill. It used to be a haill, so
• 25:32
  Speaker 3: she was used to walking down a hill. And then
• 25:33
  Speaker 3: she tipped on the stairs.
• 25:34
  Speaker 6: Freaking open your eyes, old lady.
• 25:39
  Speaker 4: I don't.
• 25:40
  Speaker 3: I didn't tell the story to take a side that's personal.
• 25:44
  Speaker 1: One of my arcs on my show is, you know,
• 25:46
  Speaker 1: I get a lot of trouble because I actually nudged
• 25:48
  Speaker 1: the old lady downstairs. And well, I'm trying to save
• 25:51
  Speaker 1: a fire. There's a bunch of buildings and this woman
• 25:53
  Speaker 1: is pestering, pestering, pestering me to save her, and I go,
• 25:57
  Speaker 1: I've got to save these kids first. I've got to
• 25:58
  Speaker 1: save these kids first, in the full school children of kids.
• 26:01
  Speaker 1: And she's asking me, hey, can you bring me down
• 26:03
  Speaker 1: these stairs?
• 26:04
  Speaker 6: I'm like walk. So my character goes through this whole
• 26:07
  Speaker 6: legal bat.
• 26:07
  Speaker 3: That's pretty unlikable for your character to do.
• 26:09
  Speaker 6: That is it's an accidental nudge. I mean people. People
• 26:12
  Speaker 6: really liked the arc. Actually people really.
• 26:14
  Speaker 4: I didn't see that season. Was that a full season
• 26:16
  Speaker 4: of legal not what what have you?
• 26:19
  Speaker 6: That was a full season?
• 26:20
  Speaker 1: Well, what happened was I wasn't I was running for
• 26:24
  Speaker 1: governor of Ohio at that point, so they couldn't use
• 26:27
  Speaker 1: me in the fire scenes, so they had me do
• 26:28
  Speaker 1: a lot of like exterior political stuff. We shot out
• 26:31
  Speaker 1: most of my scenes in a day and it was
• 26:32
  Speaker 1: mostly in a courtroom.
• 26:34
  Speaker 6: Yeah, that was pretty great.
• 26:35
  Speaker 2: Yeah, that sounds a lot like I've heard of the
• 26:38
  Speaker 2: acting guy Stun Skolovsky, Sanislovsky, Sanskovski, Stanislavsky. That's cool, So.
• 26:47
  Speaker 6: You've heard of him.
• 26:48
  Speaker 4: So you've heard of him now, I think so. Well.
• 26:53
  Speaker 4: I had to do a few ride alongs with some
• 26:57
  Speaker 4: very weird historical rhinna. I don't like them very much
• 27:02
  Speaker 4: and I can't relate to them in a single way.
• 27:04
  Speaker 2: Did you learn anything?
• 27:06
  Speaker 4: I learned that there were four humors that we believed
• 27:09
  Speaker 4: in in the human body, and medicine was done by
• 27:13
  Speaker 4: removing or supplementing different levels of humors to balance them out.
• 27:19
  Speaker 4: So yellow, green, black, and red were the four humors.
• 27:23
  Speaker 4: I believe this is all coming from one guy, and
• 27:27
  Speaker 4: he was a Civil War reinactor who knew a lot
• 27:30
  Speaker 4: about the medical side, and so I hung out with
• 27:32
  Speaker 4: him at a bar for a couple of hours and
• 27:35
  Speaker 4: I got a lot of information on sort of the
• 27:38
  Speaker 4: mindset of that. Because I also have to play a
• 27:40
  Speaker 4: man in the show, I have to play a woman
• 27:43
  Speaker 4: disguising herself as a man, as sort of a Moulan situation,
• 27:46
  Speaker 4: because of course women couldn't be doctors in eighteen forty nine.
• 27:49
  Speaker 4: So the whole show. It's shocking that it's quite as
• 27:53
  Speaker 4: as much of a hit as it is, because I
• 27:55
  Speaker 4: would say it's unrelatable subject matter, and I'll say that
• 27:58
  Speaker 4: to their face, to the show's space.
• 28:04
  Speaker 6: Yeah, I did a guy.
• 28:05
  Speaker 1: I did a lot of research. I looked at a
• 28:07
  Speaker 1: lot of videos about fires for a couple months, and
• 28:10
  Speaker 1: then I had to sit down with a general, a
• 28:12
  Speaker 1: retired general. And I also had to sit down with
• 28:14
  Speaker 1: a guy who loves to fish, and that was kind
• 28:17
  Speaker 1: of thing you had to sit down with the guy
• 28:20
  Speaker 1: who loves to fish was a boring ass.
• 28:23
  Speaker 4: How did they find that man?
• 28:25
  Speaker 6: They did a big call, you know.
• 28:27
  Speaker 1: Apparently a producer had a friend who knows a fishing community,
• 28:30
  Speaker 1: and so they kind of called in a guy who
• 28:32
  Speaker 1: just is a retire he loves to fish, and just
• 28:35
  Speaker 1: you know, as an actor at that time, to get
• 28:37
  Speaker 1: into the mind of somebody who loves to fish, it's
• 28:39
  Speaker 1: so interesting, it's so intriguing. You know, what is the
• 28:41
  Speaker 1: pain behind somebody that loves to fish?
• 28:43
  Speaker 6: What are they escaping?
• 28:44
  Speaker 1: What are they running from? It was something that really
• 28:46
  Speaker 1: drove a lot of the fire scenes forward.
• 28:48
  Speaker 3: And what did you find? He was running from that guy.
• 28:51
  Speaker 1: He was running from a lot, he was running from
• 28:53
  Speaker 1: the cops, he was running from casinos, he was running
• 28:56
  Speaker 1: from a lot. Okay, wow, So it was interesting, I
• 28:59
  Speaker 1: honestly really interesting.
• 29:00
  Speaker 2: Guy, wat make it feels the work?
• 29:02
  Speaker 6: Yeah? Absolutely?
• 29:03
  Speaker 3: Can I ask you us a question because I think
• 29:05
  Speaker 3: one of the things I'm running into, since you know,
• 29:07
  Speaker 3: I'm the nubie here, one of the things I'm running
• 29:10
  Speaker 3: into is it's sometimes hard for me to memorize all
• 29:12
  Speaker 3: those lines. I'll walk in and there'll be eight pages
• 29:16
  Speaker 3: that were doing that I didn't know existed. Yeah, and
• 29:18
  Speaker 3: I don't even know when they wrote them, and I'm
• 29:21
  Speaker 3: trying to work on them, and it feels like it's
• 29:23
  Speaker 3: not right, and it feels like a pressure because everyone
• 29:25
  Speaker 3: wants to get out, because it seems like everybody has
• 29:28
  Speaker 3: a kid, and every kid has a recital, so it
• 29:30
  Speaker 3: feels like we're getting out so fast. So I guess
• 29:33
  Speaker 3: I'm just wondering if you guys have any advice for me.
• 29:36
  Speaker 4: I've got you a piece of advice. Now, okay, I
• 29:39
  Speaker 4: would say, forget all the other thoughts in your brain.
• 29:43
  Speaker 4: Just get rid of them. They are of no use
• 29:45
  Speaker 4: to you now. You don't need to do hobbies, you
• 29:48
  Speaker 4: don't need to do stuff outside of this, you don't
• 29:50
  Speaker 4: need to have political opinions. Just remove all that space.
• 29:53
  Speaker 4: Free up some storage space in the main for the
• 29:56
  Speaker 4: lines now real.
• 29:57
  Speaker 3: But I think my problem with some of the line
• 30:00
  Speaker 3: even if I were to empty my brain, I don't
• 30:03
  Speaker 3: know what a lot of these words mean, and I
• 30:05
  Speaker 3: don't know what a lot of these things are. It
• 30:07
  Speaker 3: feels complicated. It feels like I'm talking about legal stuff.
• 30:09
  Speaker 6: I don't know anything about it.
• 30:10
  Speaker 3: So how do I attach to that? How do I
• 30:11
  Speaker 3: keep that in my brain?
• 30:12
  Speaker 2: So that's what I think the research trip was for.
• 30:16
  Speaker 2: Oh is like learning the words I.
• 30:19
  Speaker 3: Was supposed to learn what it was like to be
• 30:20
  Speaker 3: a full lawyer on my one reason, not like.
• 30:22
  Speaker 2: A full lawyer. But I think like a little bit
• 30:25
  Speaker 2: of like the research is like to learn a little bit.
• 30:28
  Speaker 3: Oh so, like everything you guys say on your procedurals,
• 30:30
  Speaker 3: you guys like like fully know everything you're saying.
• 30:32
  Speaker 6: I had to know deeply.
• 30:33
  Speaker 1: I had to become one with fire Man, and I
• 30:35
  Speaker 1: had the same problem when I started. I didn't know
• 30:37
  Speaker 1: half of the words about fire.
• 30:38
  Speaker 3: Well, I don't know. I think that makes sense to me.
• 30:40
  Speaker 3: I think you would know like that plank is on fire?
• 30:43
  Speaker 6: Did that not know that? I didn't know what a
• 30:45
  Speaker 6: plank of wood was? What the heck is that?
• 30:48
  Speaker 2: I had to say, Thank god you sat down with
• 30:49
  Speaker 2: that fisherman.
• 30:50
  Speaker 6: Yeah, he taught me a lot.
• 30:52
  Speaker 4: He said fire good, fire bad, fire hot fire not no,
• 30:56
  Speaker 4: but when it's out, that's exactly what he That sounds.
• 31:01
  Speaker 2: So hard now, believe it or not.
• 31:03
  Speaker 4: I actually know everything I'm talking about on the show
• 31:06
  Speaker 4: because I know exactly as much as doctors did in
• 31:09
  Speaker 4: the eighteen forties.
• 31:10
  Speaker 2: That's a good point, which is just yeah, I mean,
• 31:12
  Speaker 2: I think, don't be that hard on yourself. This is
• 31:14
  Speaker 2: season one. I think like there's a lot of room
• 31:17
  Speaker 2: to learn. You learn as you go. You kind of
• 31:20
  Speaker 2: learn on your feet because you are faking it to
• 31:23
  Speaker 2: make it, making it to do like I because I
• 31:26
  Speaker 2: grew up writing helicopters, and I'll get on that later.
• 31:30
  Speaker 3: But yeah, which I wish I knew that.
• 31:33
  Speaker 2: Okay, so I grew up writing helicopters. But I but
• 31:37
  Speaker 2: I didn't need research on getting into helicopters and writing those.
• 31:41
  Speaker 2: I needed research on kissing and making out kissing. No,
• 31:47
  Speaker 2: I'm and I know I'm just a smoke show.
• 31:49
  Speaker 1: So I'm sorry you asked your producers to help you
• 31:51
  Speaker 1: research kissing. No.
• 31:52
  Speaker 2: I no, I just knew that going into this, Like
• 31:55
  Speaker 2: just like you knew that being a lawyer was out
• 31:57
  Speaker 2: of your depth. I knew that having really hot sex
• 31:59
  Speaker 2: with out of my depth. I didn't know where to
• 32:02
  Speaker 2: put my hands. I just and if we're being vulnerable here,
• 32:05
  Speaker 2: I have really beige boring sex really and being on
• 32:10
  Speaker 2: these procedurals I watched. I mean, I grew up watching
• 32:13
  Speaker 2: Gray's Anatomy. I was like, who's creative enough to put
• 32:16
  Speaker 2: their hand there?
• 32:18
  Speaker 3: Interesting?
• 32:19
  Speaker 2: I put my hands behind my back and do the
• 32:21
  Speaker 2: thing and then I'm done.
• 32:22
  Speaker 3: It sounds like your writers are really sexually active, I
• 32:25
  Speaker 3: have to.
• 32:27
  Speaker 6: Put your hands behind your back.
• 32:30
  Speaker 2: Yeah, just because it's polite, I.
• 32:32
  Speaker 3: Would say this mine. Okay, mine know a lot more
• 32:36
  Speaker 3: about law than they do about sex, and so the
• 32:39
  Speaker 3: sex scenes feel very well. I'll say, dialogue heavy, very talky.
• 32:45
  Speaker 6: You're over talking the sex.
• 32:47
  Speaker 3: I object, yeah, object, I object? On what grounds would
• 32:50
  Speaker 3: you like to enter that? Absolutely?
• 32:53
  Speaker 1: I feel like it's a similar thing with mine. Mine
• 32:55
  Speaker 1: are too fire oriented, you know.
• 32:57
  Speaker 2: But all to say, I learned, like I had to
• 32:59
  Speaker 2: learn and memorizing kissing choreography, and like learning.
• 33:04
  Speaker 6: Did you have who is your kissing choreographer?
• 33:06
  Speaker 2: Linda Jones?
• 33:07
  Speaker 6: Oh, my gosh, legendary Linda Jones. She's incredibleographer.
• 33:10
  Speaker 2: She's incredible.
• 33:12
  Speaker 6: Jeffs X with her, I had we hooked up.
• 33:14
  Speaker 2: I love her.
• 33:14
  Speaker 4: She's I could tell her by the way you said, Oh,
• 33:17
  Speaker 4: Linda Jones.
• 33:19
  Speaker 6: The fact that I know here inside and out?
• 33:21
  Speaker 1: Okay, okay, yucky yucky fire man, Hey, yucky for fower City.
• 33:28
  Speaker 4: Get me out of fire City right away. I'm calling
• 33:30
  Speaker 4: an uber, get me home.
• 33:32
  Speaker 2: Oh someone called me a helicopter yuck city over here.
• 33:35
  Speaker 3: Do you ever have to deal with any sticky situations
• 33:37
  Speaker 3: with HR or anything like that.
• 33:39
  Speaker 1: Not once once. Yeah, I think it's because me and
• 33:43
  Speaker 1: the HR person hooked up.
• 33:45
  Speaker 3: I don't think that's.
• 33:48
  Speaker 6: About that. Then we're free. We're free men and women.
• 33:51
  Speaker 6: It's just free, free love. You know.
• 33:53
  Speaker 4: I want to know something, and that is what do
• 33:56
  Speaker 4: you guys have aspirations beyond the procedural you're currently on
• 34:01
  Speaker 4: or do you desire to sort of kick up your
• 34:04
  Speaker 4: feet and do this forever?
• 34:06
  Speaker 6: Well?
• 34:07
  Speaker 1: I did a couple movies in my past. You know,
• 34:10
  Speaker 1: we've been nine seasons now. Around season four or five,
• 34:13
  Speaker 1: when we were taking off, I did a couple movies.
• 34:16
  Speaker 1: They never really went anywhere. I mean, I don't know
• 34:18
  Speaker 1: if you guys have seen my movies? Have you have
• 34:20
  Speaker 1: you by chance seen the movies I started Horror Factory
• 34:24
  Speaker 1: Air Bud, Yeah, Horror Factory and Air There was Horror Factory,
• 34:34
  Speaker 1: which was kind of a murder mystery type thing, try
• 34:37
  Speaker 1: to get to the bottom. I played a detective of
• 34:39
  Speaker 1: trying to figure out what was going on?
• 34:40
  Speaker 4: Now did the factory make horrors or was there was
• 34:44
  Speaker 4: there a horror happening in a regular factor?
• 34:46
  Speaker 6: So you haven't seen it?
• 34:51
  Speaker 4: Long?
• 34:52
  Speaker 1: I am you haven't seen my movie? Is that you
• 34:54
  Speaker 1: don't know anything about it. That was I was a detective.
• 34:58
  Speaker 1: Somebody called in a complain about a factory. Turns out
• 35:00
  Speaker 1: there's a bunch of horrors happening at a factory that
• 35:03
  Speaker 1: you know has a bunch of that's one.
• 35:05
  Speaker 4: Of the worst things that could happen to a factory
• 35:08
  Speaker 4: horrors in it.
• 35:09
  Speaker 3: Yeah, certainly gets in the way I work.
• 35:11
  Speaker 1: Yeah, absolutely. And Airbud was a sweet movie about a dog.
• 35:15
  Speaker 1: What was that about? So you haven't seen it, So
• 35:19
  Speaker 1: you haven't seen it, So.
• 35:20
  Speaker 4: Airbody, I'm upset all the time.
• 35:23
  Speaker 1: Everybody is a sweet movie about a boy and a dog,
• 35:25
  Speaker 1: and I play the connection between the two of them.
• 35:28
  Speaker 6: I kind of narrated it.
• 35:31
  Speaker 1: And then I also played geeked Out Samurai, which was
• 35:33
  Speaker 1: a great fun action movie, kind of a mix of everything.
• 35:38
  Speaker 1: It was Jumanji meets the Last, Samurai meets Last Mohicans
• 35:42
  Speaker 1: meets Death on the Nile meets a speed racer meets
• 35:50
  Speaker 1: a Cosmopolitan is what I was told.
• 35:52
  Speaker 6: And that was a really fun movie. Got fourteen dollars
• 35:55
  Speaker 6: at the box office when it came out.
• 35:57
  Speaker 4: Wow, what a shame.
• 35:58
  Speaker 6: So I kind of had my thing.
• 36:00
  Speaker 1: I tried it out, didn't work, so you know, I'm
• 36:02
  Speaker 1: just a guy who loves his dad.
• 36:07
  Speaker 6: Yucky about that.
• 36:10
  Speaker 3: Tell so about your dad a little bit.
• 36:11
  Speaker 6: If that's it.
• 36:13
  Speaker 4: Smammy about the way you love your father, I don't trust.
• 36:16
  Speaker 2: It for some reason. I know it isn't inherent, but yucky,
• 36:20
  Speaker 2: but the way you said it, and what you did
• 36:21
  Speaker 2: with your foot when you said it is just Yucky's wrong.
• 36:25
  Speaker 6: I love my dad. He's a good guy.
• 36:27
  Speaker 1: He's retired now, you know, and parents got divorced early on.
• 36:31
  Speaker 6: My mom's with.
• 36:32
  Speaker 1: Some idiot, so I gotta look out for him. I
• 36:35
  Speaker 1: gotta look out for him. We go, we go on trips.
• 36:37
  Speaker 6: Now, we hang out, we hug, you know, very touchy feeling.
• 36:41
  Speaker 6: It's great.
• 36:42
  Speaker 3: I'm hoping to renegotiate my contract for three years. I'm
• 36:47
  Speaker 3: I think I'm gonna take what I make and uh
• 36:50
  Speaker 3: plumt for a little from DC rules. I'm gonna I'm
• 36:53
  Speaker 3: gonna do that, get a little bit of reputation, get
• 36:56
  Speaker 3: some meetings, and I'm gonna use it to make a
• 36:57
  Speaker 3: lot of my independent projects. And I'm really excited about that.
• 37:00
  Speaker 3: I have a coming of age movie I wrote about
• 37:03
  Speaker 3: a little boy like a teenager who finds his first
• 37:06
  Speaker 3: love at a boy Scout camp. But I can't make
• 37:09
  Speaker 3: it yet because CBS told me I'm not allowed to
• 37:11
  Speaker 3: come out of the closet yet, so it's gonna cut
• 37:14
  Speaker 3: out soon. But I'm really excited about you.
• 37:15
  Speaker 2: So how did that meeting look like? What did that
• 37:17
  Speaker 2: look like?
• 37:18
  Speaker 3: Well, they said it was it was a It was
• 37:20
  Speaker 3: a dummy production company where they they they set up
• 37:23
  Speaker 3: a fake.
• 37:24
  Speaker 2: Company after you were cast.
• 37:25
  Speaker 5: It was after I was cast, and they said, we
• 37:27
  Speaker 5: like to meet with you. We have the ideas for general.
• 37:30
  Speaker 5: It was a gotcha meeting if you guys had gotcha meeting.
• 37:33
  Speaker 5: They said, thank god, this was a gotcha meeting. Thank god,
• 37:35
  Speaker 5: this hasn't come out. No one can hear about this.
• 37:38
  Speaker 5: You're straight for a little bit. So that's what I'm
• 37:41
  Speaker 5: up to, right, And you're going.
• 37:41
  Speaker 6: To be playing the young boy scout.
• 37:43
  Speaker 3: No, no, no, no, no, I couldn't. I couldn't possibly.
• 37:46
  Speaker 1: No.
• 37:46
  Speaker 3: We're going to get whoever's young and hot at the time,
• 37:49
  Speaker 3: younger than me. Obviously.
• 37:50
  Speaker 2: I think I had a gotcha meeting before I got
• 37:52
  Speaker 2: my chin done.
• 37:53
  Speaker 3: What happened?
• 37:55
  Speaker 2: I think it was a reverse gotcha meeting were they
• 37:58
  Speaker 2: forced me to get my chin done.
• 38:00
  Speaker 3: I got them meeting, I'll say.
• 38:11
  Speaker 2: I'm sorry the studio is making you do that.
• 38:13
  Speaker 3: Oh it's okay. I stated it with it. I'm okay
• 38:17
  Speaker 3: with it.
• 38:17
  Speaker 2: I mean, you know, are you because I miss my
• 38:19
  Speaker 2: old chin do?
• 38:20
  Speaker 3: Yeah? No, I look, I know that I'll be I'll
• 38:23
  Speaker 3: be queer eventually, and I'm really looking forward to that
• 38:26
  Speaker 3: day and I've lined a bunch of stuff up. I'm
• 38:28
  Speaker 3: gonna I reserved a table at High Tops and was
• 38:32
  Speaker 3: Hollywood for twenty twenty seven, So.
• 38:36
  Speaker 6: That's Greatsie.
• 38:38
  Speaker 4: Lets you do it that far, especially on High Top.
• 38:42
  Speaker 3: Yeah, yeah for High Tops. Yeah, Resie is really helping
• 38:45
  Speaker 3: me out. We won't do this for anyone, but we
• 38:48
  Speaker 3: feel so bad for you.
• 38:50
  Speaker 2: That place is just like Bestie you can't get in from.
• 38:55
  Speaker 3: So I just figured I said it and it'll be
• 38:57
  Speaker 3: really nice.
• 38:58
  Speaker 6: That's only forty years ago. That's great.
• 39:00
  Speaker 3: Yeah, yeah, yeah, no, it's only oh it is it
• 39:03
  Speaker 3: is for you. Yeah, I said it off.
• 39:04
  Speaker 1: So it's not talking about your If you guys get
• 39:06
  Speaker 1: a season two yet, I when you guys.
• 39:09
  Speaker 6: Find out there's got to be a deadline, I.
• 39:11
  Speaker 3: Think, yeah, right, I think we're gonna come. I think
• 39:14
  Speaker 3: it's I think it's it's coming any second. Now, I
• 39:16
  Speaker 3: haven't heard anything.
• 39:18
  Speaker 2: You haven't heard to your freedom and your like life
• 39:21
  Speaker 2: path is an episode order? Are you getting numbers?
• 39:25
  Speaker 3: Yes?
• 39:26
  Speaker 6: What are your numbers?
• 39:27
  Speaker 2: How much are they out asking?
• 39:28
  Speaker 5: Uh?
• 39:29
  Speaker 3: What do you mean?
• 39:30
  Speaker 2: How many episodes?
• 39:31
  Speaker 3: How many episodes?
• 39:32
  Speaker 6: Oh? And how much are they asking? Yeah?
• 39:35
  Speaker 3: So this is a lot of stuff.
• 39:37
  Speaker 2: This is a simple question question.
• 39:40
  Speaker 3: So they're asking. So I think the current episode order
• 39:44
  Speaker 3: is question mark. It's like it's it's it's like a
• 39:48
  Speaker 3: sidew No you know what it was. Sorry, I'm confused.
• 39:51
  Speaker 3: It was an eight, but they had it on its side.
• 39:53
  Speaker 2: Oh god, and they won't you stay in the closet?
• 39:56
  Speaker 3: Did they have that until the until the eight that
• 39:59
  Speaker 3: sideways it goes away?
• 40:01
  Speaker 4: Answer? Until the infinity sigdne disappear?
• 40:03
  Speaker 1: Oh?
• 40:04
  Speaker 3: Is that what that is?
• 40:05
  Speaker 4: To unknown laws of the universe that makes infinity disappear.
• 40:08
  Speaker 4: That's when you could be queer.
• 40:10
  Speaker 6: I think so, And that's your season one episode order.
• 40:13
  Speaker 3: Do you think I should call Rezi?
• 40:14
  Speaker 6: I think you got I.
• 40:16
  Speaker 2: Think you gotta move that high tops res till later.
• 40:19
  Speaker 3: Okay, okay, oh shit, because you don't want to lose
• 40:22
  Speaker 3: your reputation with Rezie.
• 40:24
  Speaker 4: Because once you're none, they'll say, well, we can't reserve
• 40:28
  Speaker 4: a table for you in twenty twenty nine because remember
• 40:30
  Speaker 4: what you did in twenty twenty seven, But.
• 40:32
  Speaker 2: Then use a pseudonym because you don't want high tops
• 40:34
  Speaker 2: to know it's you.
• 40:35
  Speaker 3: I got in trouble at the Open Table once because
• 40:37
  Speaker 3: they told me that I had reserved a table but
• 40:39
  Speaker 3: I didn't check in for it.
• 40:40
  Speaker 2: But open Table they're slots. Those women pull their panties
• 40:45
  Speaker 2: down for anybody.
• 40:48
  Speaker 6: You know that twenty four.
• 40:53
  Speaker 2: I've becoming Well, I know it because I went to
• 41:00
  Speaker 2: college with them, okay, with the open They all were
• 41:05
  Speaker 2: in Kay Alpha and they opened Open Table together.
• 41:09
  Speaker 4: And did they bully you?
• 41:10
  Speaker 2: They did because because they would helicopter to my class
• 41:15
  Speaker 2: every morning.
• 41:15
  Speaker 3: Now, can we talk about that?
• 41:18
  Speaker 1: Talking about that hour and I'll get into it later, Okay, okay, okay.
• 41:24
  Speaker 4: You know, after this, after my career is done on
• 41:28
  Speaker 4: Doctor Hospital to Wear in eighteen forty nine, I want
• 41:31
  Speaker 4: to you know, I've taken a fondness to all the
• 41:34
  Speaker 4: leeches on the show, and I've started keeping them in
• 41:38
  Speaker 4: jars in my house, and I'd like to investigate that
• 41:40
  Speaker 4: relationship further.
• 41:44
  Speaker 6: You just want to figure it out.
• 41:47
  Speaker 3: You want to figure out why you like it.
• 41:49
  Speaker 4: I I want to do something, you know, because I'm
• 41:56
  Speaker 4: starting to have these thoughts. You know, maybe I should
• 41:58
  Speaker 4: open up a conservancy, A what do they call that?
• 42:02
  Speaker 4: A conservatory?
• 42:03
  Speaker 3: No, for animal conservatory. I think a conservancy is what
• 42:08
  Speaker 3: celebrities are.
• 42:10
  Speaker 4: Yeah about a ship animal observation, A conservation at.
• 42:17
  Speaker 6: A college that has conservatorship is.
• 42:24
  Speaker 3: So you want to say with the you want to
• 42:25
  Speaker 3: save the leaches.
• 42:26
  Speaker 4: I wanted to save the leeches. And it was actually
• 42:29
  Speaker 4: this precise conversation that was rumbling around in my brain
• 42:32
  Speaker 4: where I couldn't figure out.
• 42:33
  Speaker 6: What the word for it was.
• 42:34
  Speaker 2: Or do you want to.
• 42:35
  Speaker 4: Dissuade me from the process of creating a leech conservatorship?
• 42:39
  Speaker 2: That sounds like a conservativeship, which means you want to
• 42:42
  Speaker 2: put the leeches up.
• 42:43
  Speaker 4: You don't want to be in control of the vegan
• 42:45
  Speaker 4: showcases and their legal affairs, and I don't.
• 42:47
  Speaker 1: Want to profit offful definship's feel about it.
• 42:54
  Speaker 4: So, add the advice of my therapists and my husband,
• 42:57
  Speaker 4: I decided to investigate why I want that.
• 43:00
  Speaker 3: That's great.
• 43:00
  Speaker 4: So I'm doing a lot of inner work, a lot
• 43:02
  Speaker 4: of breath work, a lot of yoga, trying to figure
• 43:05
  Speaker 4: out what's wrong with me and where it all when wrong?
• 43:07
  Speaker 3: Great?
• 43:08
  Speaker 6: Do you guys still like being on your shows?
• 43:09
  Speaker 1: Like? What's the day to day? Are you showing up motivated?
• 43:11
  Speaker 1: Are you showing up depressed?
• 43:13
  Speaker 6: Where you like?
• 43:13
  Speaker 3: I like it?
• 43:14
  Speaker 6: Yeah? What is your day to day?
• 43:15
  Speaker 4: Like?
• 43:16
  Speaker 6: How many lines you got?
• 43:17
  Speaker 3: Well? I like usually eight to nine pages. I'm usually
• 43:20
  Speaker 3: usually I'm doing something that's wrong at the beginning, and
• 43:23
  Speaker 3: then I figure out that it's wrong, and then I
• 43:25
  Speaker 3: do the right thing at the end. Usually every episode.
• 43:29
  Speaker 2: Yeah, I usually wake up, I YouTube people kissing. I
• 43:32
  Speaker 2: stare at it for a while, and then I go Okay.
• 43:34
  Speaker 2: Then I show up to set. I read I learned
• 43:36
  Speaker 2: my lines really fast.
• 43:38
  Speaker 6: Yeah, at this point it's so easy.
• 43:39
  Speaker 1: Unfortunately most of my lines, well fortunately most my lines
• 43:42
  Speaker 1: are just reactionary.
• 43:43
  Speaker 6: You know. They don't give me the big stuff anymore.
• 43:45
  Speaker 2: Yeah, I think, I I think, Yeah, that does make sense, Mike.
• 43:48
  Speaker 6: My number one line is there's a fire where.
• 43:53
  Speaker 4: And that's all they really need from you. You're taking
• 43:56
  Speaker 4: off your shirt, your fire equipment, and you're running.
• 43:59
  Speaker 1: In either say here we go or here we go again.
• 44:04
  Speaker 1: It's kind of my I like.
• 44:05
  Speaker 4: When you're sarcastic about the fire.
• 44:07
  Speaker 6: Yeah, yeah, here we go again. So good.
• 44:11
  Speaker 3: Can I ask you guys a question too? So we're
• 44:14
  Speaker 3: coming to the end of the season, and I know
• 44:16
  Speaker 3: a lot of the people are buying kind of trucks
• 44:19
  Speaker 3: for the crew and stuff. Do you guys buy the crew.
• 44:21
  Speaker 6: Gifts or buying trucks for the you like food.
• 44:23
  Speaker 3: Trucks or like Collee truck, you know, like a big
• 44:26
  Speaker 3: crew gift, like a truck.
• 44:27
  Speaker 4: Yeah.
• 44:28
  Speaker 3: No, I wouldn't remember a truck. No, No, one's buying
• 44:31
  Speaker 3: trucks that I know of. But what do you guys
• 44:33
  Speaker 3: do for for your cast?
• 44:34
  Speaker 2: I buy them a truck?
• 44:39
  Speaker 6: Do they share it? It's just one truck?
• 44:44
  Speaker 4: Did say truck?
• 44:46
  Speaker 3: Yeah?
• 44:47
  Speaker 2: So I don't know about you guys. Do you guys
• 44:48
  Speaker 2: do separate trucks? I do a truck?
• 44:51
  Speaker 4: Well, I do a Harry and David's gift basket?
• 44:53
  Speaker 2: Yeah, okay, I do a truck for you a truck.
• 44:55
  Speaker 2: I do a truck, do a big gift basket?
• 44:58
  Speaker 4: Who crew?
• 44:59
  Speaker 6: Yeah?
• 44:59
  Speaker 4: I do a Harry and David's Harry and David's pick
• 45:01
  Speaker 4: gift basket. They can come into my trailer if I
• 45:04
  Speaker 4: let them, and they can pick around for it. They
• 45:06
  Speaker 4: can root around the chocolates and the moose munch. Do
• 45:08
  Speaker 4: you guys have the moose mouth? I love moose munch yummy.
• 45:12
  Speaker 1: Too, I love most I'll do a fun game up,
• 45:15
  Speaker 1: start a fire and let the crew put it out
• 45:17
  Speaker 1: for one time.
• 45:18
  Speaker 6: That's really that.
• 45:19
  Speaker 4: Sucks, A sort of a turning on the tables.
• 45:21
  Speaker 6: That sucks.
• 45:24
  Speaker 2: That's yucky, and that's sucky.
• 45:26
  Speaker 3: That is yucky.
• 45:27
  Speaker 1: Hey, how many pas have you guys yelled at? Be honest,
• 45:31
  Speaker 1: I know I look like the bad guy.
• 45:32
  Speaker 3: None, I mean none. We're all in the same we're
• 45:34
  Speaker 3: all on it together. You guys don't yell dot.
• 45:36
  Speaker 4: None sick leeches on five.
• 45:41
  Speaker 2: I'm so glad you're investigating why you love.
• 45:44
  Speaker 4: Got way too many leeches on that set, and way
• 45:46
  Speaker 4: too many of the leeches are practical. They're alive, they're moving.
• 45:53
  Speaker 2: I think I've I don't think i've spoken to one.
• 45:57
  Speaker 6: No, come on, you've never spoken to a PA.
• 46:03
  Speaker 2: It's so loud. Okay, it's so loud.
• 46:09
  Speaker 4: How could she possibly She's say the helicopter.
• 46:12
  Speaker 2: We don't have action, we have green lights.
• 46:14
  Speaker 3: It's so crazy. My landlord has forbidden every tenant to
• 46:18
  Speaker 3: watch your show.
• 46:24
  Speaker 6: With a kissing.
• 46:25
  Speaker 3: I don't know, he's weird. He reminds me of you, Clive,
• 46:29
  Speaker 3: why because he's.
• 46:30
  Speaker 6: Hey, cut that ship out, man, Okay, cut that ship out.
• 46:34
  Speaker 4: What would you say to a young actor coming into
• 46:36
  Speaker 4: the procedural world like you, but someone even younger than.
• 46:40
  Speaker 2: Yeah, like someone who is I saw my friend has
• 46:44
  Speaker 2: a daughter and she came in and she was in
• 46:48
  Speaker 2: an acting class and she had sides and it was
• 46:51
  Speaker 2: actually from your show No Way, Yeah, And they were
• 46:54
  Speaker 2: playing with the sides and they were reading lines and
• 46:57
  Speaker 2: I was like, this is so funny. And what I
• 47:00
  Speaker 2: will say, as I've seen actors who work on procedurals
• 47:02
  Speaker 2: and they go really slow, and I'm like, read it
• 47:06
  Speaker 2: like there's a like like like read it like it's
• 47:12
  Speaker 2: really like something is going on really fast, right, So
• 47:16
  Speaker 2: I think that would be my advice. I don't know
• 47:17
  Speaker 2: about you, guys.
• 47:18
  Speaker 1: I mean that's such good advice. I mean all these
• 47:20
  Speaker 1: shows there are disaster. I mean, it's it's trauma, it's drama,
• 47:24
  Speaker 1: it's crisis mode the whole time.
• 47:26
  Speaker 6: So you got to read it quick.
• 47:28
  Speaker 3: My advice would be, remember why you're doing it. So
• 47:31
  Speaker 3: if you have somebody that you love that is waiting
• 47:33
  Speaker 3: at home for you. Print a picture of them, put
• 47:36
  Speaker 3: them in your helmet, put them in your locker. You know,
• 47:39
  Speaker 3: so while you're sitting there on that long day saying
• 47:41
  Speaker 3: why did I get listed into this? Why am I
• 47:43
  Speaker 3: stuck here? You know, fulfilling the service to my country,
• 47:47
  Speaker 3: getting really really rich doing these procedurals. You remember why
• 47:50
  Speaker 3: you're doing it.
• 47:51
  Speaker 6: So I got a question.
• 47:52
  Speaker 1: I'm just remembering now at the beginning of this, you
• 47:53
  Speaker 1: have a wife and kid. You said that at the
• 47:55
  Speaker 1: right at the beginning.
• 47:56
  Speaker 3: Oh, I said, I have a partner and kids.
• 47:58
  Speaker 6: Yeah, okay, got it, got it.
• 47:59
  Speaker 3: But it is a man for now, for now. And
• 48:03
  Speaker 3: then the picture I don't have of them, I've drawn
• 48:06
  Speaker 3: what I imagine a queer man to look like.
• 48:15
  Speaker 4: Tell us what the queer man looks.
• 48:17
  Speaker 3: I don't think you guys would get it.
• 48:20
  Speaker 6: No, you're not getting off that easy.
• 48:21
  Speaker 3: Okay, let's just say his haircut is really fun. Okay,
• 48:26
  Speaker 3: that's what I drew.
• 48:28
  Speaker 2: Okay, what about you, madam?
• 48:30
  Speaker 4: Well, I tell a younger version of myself, get that coin, baby,
• 48:35
  Speaker 4: and strap in. It's gonna be one hell of a ride, now,
• 48:39
  Speaker 4: come on.
• 48:40
  Speaker 2: That's maybe the best advice I've ever heard in my life.
• 48:46
  Speaker 2: In my life, if only lots at open table heard
• 48:49
  Speaker 2: that advice, maybe they wouldn't have ruined everyone's lives.
• 48:54
  Speaker 6: My advice, no idea? How to respond to that?
• 49:03
  Speaker 2: What you don't want to respond to the open table?
• 49:08
  Speaker 6: Oh my god?
• 49:08
  Speaker 4: What is that deafening sound? By omer?
• 49:18
  Speaker 6: She took helicopters as ubers.
• 49:21
  Speaker 2: I'll explain it later.
• 49:24
  Speaker 3: This has been artist artist, artists and artists answer the
• 49:26
  Speaker 3: question now. That's why they call it show business. Good Night, Hollywood.
• 49:30
  Speaker 4: Artists on Artists on Artists on Artists is an improvised
• 49:33
  Speaker 4: Hollywood roundtable podcast created, performed, and produced by Kylie Brakeman,
• 49:38
  Speaker 4: Jeremy Colhayne, Angela Giritana, and Patrick McDonald. Both video versions
• 49:42
  Speaker 4: of A O A O A O A are available
• 49:44
  Speaker 4: on YouTube, so please like and subscribe and leave us
• 49:47
  Speaker 4: a five star review wherever you get your podcasts. That's
• 49:50
  Speaker 4: all for now, good Night, Hollywood,