Latest / The Breakfast Club / Sevyn Streeter Interview

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Sevyn Streeter Interview · The Breakfast Club

0:01
Speaker 1: Real people, real celebrity joined the Breakfast Morning Everybody's DJ
0:08
Speaker 1: en Vi Angela yee shawl. Mean to god, we are
0:11
Speaker 1: the Breakfast Club. We got a friend, we have a
0:13
Speaker 1: very special gas. Don't you start with me? Today? Seventh
0:17
Speaker 1: Street got what up? Y'all? What's you got another album
0:20
Speaker 1: coming out? That? It was an EP that just came out. Yes, now,
0:25
Speaker 1: I work myself off. This is what I do. Not.
0:27
Speaker 1: I have a project it's called should have been Their
0:29
Speaker 1: Part One? And um, I just I wrote the songs
0:32
Speaker 1: when I was in like a different space in my
0:34
Speaker 1: life and I didn't want to carry that energy over
0:36
Speaker 1: to my album. So I was like, well, look here,
0:38
Speaker 1: went to the label. I was like, I want to
0:39
Speaker 1: put these songs out. So we did. We put them out.
0:42
Speaker 1: It should have been their Part one And yeah, even
0:45
Speaker 1: though I'm not necessarily in that space because it wasn't
0:47
Speaker 1: a really good one, but some great songs came out
0:49
Speaker 1: of it. And did your ex get publishing? Hell no,
0:51
Speaker 1: I ain't get no publishing, absolutely not. It's not Atlantic
0:55
Speaker 1: on your ass, Like, look, we're not tied awaiting on
0:57
Speaker 1: this album right now? You know what it is. That's
1:00
Speaker 1: why I love them because we were able to have
1:02
Speaker 1: conversations about it, and you know, they trust me and
1:05
Speaker 1: they listen to me. And I was just like, look,
1:06
Speaker 1: I don't want these songs sitting on my laptop, you
1:09
Speaker 1: know what I mean, even though I'm not going through
1:10
Speaker 1: as somebody's going through it, And let's put them out,
1:13
Speaker 1: get the energy out the way, and then we'll put
1:14
Speaker 1: out that you cutting people off and stuff like. You know,
1:18
Speaker 1: I can't say that. What I say? First of all,
1:22
Speaker 1: how do we start this interview without taking a shot
1:24
Speaker 1: though already? Um? Oh, so you well, how are you
1:28
Speaker 1: gonna leave us here? I have nothing. I thought about it,
1:31
Speaker 1: but I ain't see nobody pouringhing, you know, so you
1:35
Speaker 1: just took it yourself before y'all go. That's a big shot. Shot,
1:39
Speaker 1: y'all do that every time. I swear to God, y'all
1:42
Speaker 1: do this to me. Every time you where's your shot?
1:45
Speaker 1: I'm doing a thing, Hennessey? Were you fancy? And so
1:49
Speaker 1: you so fancy? We all have our things that we
1:51
Speaker 1: do up here. Okay, So again you're talking about cutting
1:53
Speaker 1: the penis off. Now, ain't nobody cutting He said he
1:56
Speaker 1: was hating some dude and you wanted to kill them?
1:58
Speaker 1: Cut I was just, you know, was going through some
2:00
Speaker 1: situations and I had to you know, like I say,
2:02
Speaker 1: all the song like I write about how I feel,
2:04
Speaker 1: and I didn't want that. I didn't want that to
2:06
Speaker 1: carry over into my album. In the same thing is
2:08
Speaker 1: that you do a song cause should have been there
2:10
Speaker 1: and then you put your boyfriend on it. I did,
2:12
Speaker 1: like the song about your X man, I mean, oh yeah,
2:18
Speaker 1: I mean guilty, I did. What It's about my life,
2:22
Speaker 1: So that's my life at the current moment, you know,
2:24
Speaker 1: So yeah, I did that and the songs how to
2:27
Speaker 1: who have what conversation? I want you to get on
2:30
Speaker 1: the song about my old bue. What I mean, This
2:32
Speaker 1: is the thing when it comes to like work, I
2:35
Speaker 1: don't tell him how to do his business. He don't
2:36
Speaker 1: tell me how to do mine. So I got this record,
2:39
Speaker 1: I want you to get on. You get on it,
2:40
Speaker 1: you get on it. We cut so he got should
2:43
Speaker 1: have been there? Well exactly, he listen here. That's it's
2:46
Speaker 1: like Baylor, basically, it's like, kudos to you because you
2:49
Speaker 1: was there and you got it right. So did he
2:50
Speaker 1: do a verse this and your old boyfriend? I mean,
2:53
Speaker 1: you know, he went in a little bit, but you know,
2:55
Speaker 1: it won nothing crazy. But so what happens when you
2:58
Speaker 1: put this epl cause should have been there songs like boomerang,
3:01
Speaker 1: which I think is my favorite thing, one of my
3:02
Speaker 1: favorite songs on him too, Um boomerangs about what you
3:07
Speaker 1: think boomerang is about? But you tell me what do
3:09
Speaker 1: you think boomerang is about? About throwing something out there
3:12
Speaker 1: but to keep coming back to you? I mean you're
3:14
Speaker 1: not far boomerang, Um sweat him boy. Boomerang is just
3:18
Speaker 1: basically talking about um, you know, going through with somebody.
3:22
Speaker 1: It's like how many times you think you're gonna be
3:24
Speaker 1: able to come back? So that's a Boomerang's like, okay,
3:26
Speaker 1: no more boomerang, you know what I mean? Like that
3:28
Speaker 1: should have brought your ass home, Like basically, so I'm done.
3:32
Speaker 1: It's over with. Treat you like a brick, not a boomerang,
3:34
Speaker 1: you know, kind of it as far as you can,
3:37
Speaker 1: as as you can and get the hell away. So,
3:38
Speaker 1: now what happens when you put out this EP and
3:40
Speaker 1: obviously your ex boy for notion about him, does he
3:42
Speaker 1: hit you up and say bitch, no we don't, no, no,
3:49
Speaker 1: we don't, we don't talk no more. I'm over that
3:51
Speaker 1: that's over with that. I'm just saying he might have
3:54
Speaker 1: just any like that. He might have sent out a
3:58
Speaker 1: tweet like you know what, now he ain't stupid, or
4:01
Speaker 1: maybe you didn't, or maybe maybe you didn't know you
4:04
Speaker 1: felt the way that you felt, because a lot of
4:06
Speaker 1: times y'all go deeper in your music than you actually
4:08
Speaker 1: do in a conversation with a person. No, I don't.
4:10
Speaker 1: It's it's how I feel. It's out there. But I'm
4:13
Speaker 1: trying to talk about him. We're not talking about him.
4:14
Speaker 1: No more about it. I will listen here. There's also
4:21
Speaker 1: should have been there, should have been there as featuring Bob.
4:24
Speaker 1: There's songs on there called just being honest. It's just
4:27
Speaker 1: a bunch of great songs on there, and I just
4:28
Speaker 1: want people to get into it. How much do you
4:30
Speaker 1: have to pay vibe to get on that? You don't
4:33
Speaker 1: take these shots? Hey, Bob, ain't charging I pay him
4:38
Speaker 1: in other ways. I take this shot. I need that
4:42
Speaker 1: shots in the eyes, cheers in the eyes. Where's your shot?
4:46
Speaker 1: I drink that v right, I get white vibe. So
4:49
Speaker 1: why are you not taking that? You do just take
4:54
Speaker 1: it to the head. You don't even cut you don't
4:55
Speaker 1: even need to calls been here and take a step.
5:01
Speaker 1: Oh that's that's my clear yeurin and there you go.
5:03
Speaker 1: I hate you? Oh my god? We cut We're good?
5:12
Speaker 1: All right? You ready? Did you say sorry? I'm talking?
5:18
Speaker 1: There you go like that? That's big. I'm gonna save
5:23
Speaker 1: the rest of the later okay by you? I hain't man. Now.
5:30
Speaker 1: You also did the Furious seven soundtrack. You had a
5:32
Speaker 1: song on there too. How did you manage to get
5:34
Speaker 1: your song? I'm sure a lot of people wanted to
5:36
Speaker 1: be on that. Um, you know what? Excuse me? Um?
5:39
Speaker 1: The Furious seven was. That was just such a blessing,
5:42
Speaker 1: you know what I mean. Being a singer songwriter, I
5:43
Speaker 1: get approach a lot of times about writing songs for projects,
5:46
Speaker 1: and it just worked out that I was able to
5:48
Speaker 1: write the record. I wrote it with my friend Jado,
5:50
Speaker 1: and I was featured on it. I performed on Revolte.
5:53
Speaker 1: We did the um premiere and I performed it on
5:55
Speaker 1: Revolte and it was just bomb. I just had such
5:57
Speaker 1: a great, great time with that. What's that money? Like, Um,
6:01
Speaker 1: it's nice they pay you once for the song? Like, well,
6:05
Speaker 1: you get your publishing, you know what I mean? Like,
6:07
Speaker 1: so you have a certain percentage of that and whatever
6:09
Speaker 1: the song makes, that's how you get you published pockets
6:12
Speaker 1: her pockets. But it's good, especially like international. Yeah, the
6:15
Speaker 1: song is really really big overseas, so that was great.
6:18
Speaker 1: What happened with those big seven Teddy Bears? That Bob
6:21
Speaker 1: got you? He got you to all those huge teddy bears.
6:23
Speaker 1: It was real cute in the house, and I was like,
6:25
Speaker 1: what are she gonna do with they? They're still cute
6:27
Speaker 1: with the cute and storage stories. They cute and start
6:30
Speaker 1: not Actually I want to donate them. I want to
6:31
Speaker 1: I want to donate them. Well, they I tried. They
6:34
Speaker 1: don't you know, for sanitariasons, they don't let you donate
6:36
Speaker 1: them to hospitals. But you know, I'm trying about you
6:38
Speaker 1: was grinding on them and you're like, no, I'm gonna
6:40
Speaker 1: hurt you. You know you can have fun on those.
6:43
Speaker 1: I'm just saying that. No boy thinking that God Chae,
6:52
Speaker 1: Oh my god. So what are we getting an album out? Man? Um?
6:55
Speaker 1: You know what with the album? You'll get the album
6:58
Speaker 1: soon enough. I'm really my fans know what, my label
7:01
Speaker 1: knows it. I'm so strategic and I'm a perfectionist and
7:05
Speaker 1: I just like to take my time with that, and
7:06
Speaker 1: I have to put music out according to where I
7:09
Speaker 1: am and how it feels. So it's gonna come. It's
7:11
Speaker 1: definitely gonna come. I'm still working on it a little bit,
7:13
Speaker 1: but it's definitely on the way. But isn't it though,
7:15
Speaker 1: because you know you say you being certain, Uh, I
7:17
Speaker 1: guess spaces. Yeah, so, but once you're out of that space,
7:20
Speaker 1: do you I don't like that record no more. Yeah,
7:23
Speaker 1: that happens, Like that's real life. You don't wake up
7:25
Speaker 1: in the same way every day. So it's the same
7:27
Speaker 1: thing with writing records and things like that. Would you
7:30
Speaker 1: Nbob do a tour together like Nikki and meet? I'm open, absolutely,
7:35
Speaker 1: I would. I would do a tour because I heard
7:36
Speaker 1: you don't write your own stuff and heard Bob right,
7:40
Speaker 1: is that what you heard? You know? I could write
7:44
Speaker 1: a little verse, you know, I'm like, could write one
7:45
Speaker 1: of his verses while you play them. But it's differ
7:48
Speaker 1: for R and B artists. I mean, clearly you write
7:50
Speaker 1: for other people. That's never an issue, right, we don't
7:52
Speaker 1: expect you. It is a little it's a little different.
7:55
Speaker 1: It's definitely different for R and B artists, But um,
7:57
Speaker 1: you know, yeah, but I definitely I can write some
7:59
Speaker 1: rappers though, don't get it. Don't so you write Bob stuff.
8:02
Speaker 1: Don't get it twisted. I've said I've joked him about
8:04
Speaker 1: that before. I'm like, you know, I could write you
8:05
Speaker 1: a verse if you need that, I need it. Yeah,
8:08
Speaker 1: I could do that. But you know, I do your
8:10
Speaker 1: real baby hairs that you put active, now, these are
8:14
Speaker 1: my real baby hairs. That's it's real life activated. I
8:17
Speaker 1: don't know what that is. Girls put activated on the
8:20
Speaker 1: edges to give the illusion to that. How do you
8:22
Speaker 1: know about that? Because he used to do that back here.
8:28
Speaker 1: That's why I asked you, like, hmm, make sure to
8:30
Speaker 1: me your real baby head. Yeah, you see his eyebrows.
8:34
Speaker 1: I think his eyebrows got activated. It's real. Now. Did
8:40
Speaker 1: you see a big difference? And I know when you guys,
8:42
Speaker 1: first everybody was like, oh, it's seven and Bob dating.
8:45
Speaker 1: At first, it seemed like people was hating on you all,
8:47
Speaker 1: but then it seemed like people got adjusted and was like, Okay,
8:49
Speaker 1: stay cute together. I mean, people are always gonna have opinions. Um,
8:53
Speaker 1: your personal life is your personal life, and I like
8:56
Speaker 1: to you know, we we just live our lives the
8:58
Speaker 1: other day. We were in our relationship and then we
9:01
Speaker 1: do our music. Like for me right now, I'm just
9:03
Speaker 1: in a music head space. It's all about music. It's
9:06
Speaker 1: all about you know, my form of R and B. Like,
9:09
Speaker 1: it's just all about that for me. So that's where
9:11
Speaker 1: my head is. Are you experimenting with a different sound
9:14
Speaker 1: on a new album? Um? You know what? That's why
9:16
Speaker 1: I wanted to put out the should Have Been There
9:18
Speaker 1: Part one because it kind of gives you a taste
9:20
Speaker 1: of what my album is gonna feel like, you know
9:22
Speaker 1: what I mean. It's not too far off. I may
9:24
Speaker 1: experiment with a few more sounds, but it's definitely not
9:27
Speaker 1: too far off. But I just I just have to
9:29
Speaker 1: get music outs. That's very important to me. Isn't it
9:31
Speaker 1: hard dating another artist because y'all might have little fights
9:34
Speaker 1: and might end up in a song just because I mean,
9:37
Speaker 1: if if it happens, it happens, you know what I mean?
9:40
Speaker 1: That that's real life at the end of the day. Like,
9:42
Speaker 1: if if we get into a fight, he can write
9:44
Speaker 1: a record about it, I don't care, because I'm definitely
9:46
Speaker 1: gonna write one yard Jesus Christ, No, I'm serious. It
9:50
Speaker 1: might be it should have been there part two. But
9:51
Speaker 1: if you write about other chicks he smashing and stuff,
9:53
Speaker 1: and then you like, hold on, you can't put that.
9:56
Speaker 1: He's like, now it's just a song. Um, see, then
9:58
Speaker 1: we might have I'm not anymore. So what you said
10:04
Speaker 1: in that verse really, oh word, okay, we're gonna have nah. Honestly, Um,
10:08
Speaker 1: artists art man like that, yeah, because you know some
10:11
Speaker 1: of the things is old and us oh they better
10:14
Speaker 1: be old. Listen. You know, as a woman who writes,
10:18
Speaker 1: do you respect artists less when they want help? No,
10:22
Speaker 1: I don't. I don't respect artists less at all. Because
10:25
Speaker 1: you know what a lot of people don't realize is
10:26
Speaker 1: that with you know, artists who do righte Um, sometimes
10:31
Speaker 1: you get so busy it's impossible for you to write
10:34
Speaker 1: everything right. You can't write everything like even I'll be
10:37
Speaker 1: all the way honest, even when people are like, you know,
10:39
Speaker 1: getting on seeing about Drake, you know, having ghostwriters and
10:42
Speaker 1: stuff like that. It's really hard sometimes, Like at the
10:45
Speaker 1: end of the day, when Drake first came out, Drake
10:48
Speaker 1: didn't have a ghostwriter, and we thought he was amazing.
10:50
Speaker 1: So if he has one now, it would be okay,
10:53
Speaker 1: Like I feel like you know what I mean, but
10:54
Speaker 1: you never really a ghostwriter if you get credited, because
10:57
Speaker 1: that ghostwriter is like a ghost. Is that you know,
11:00
Speaker 1: you don't even get a credit on the album. You
11:02
Speaker 1: get paid, You get paid, no one knows, it's a secret.
11:04
Speaker 1: But when you get somebody credit, is that really a
11:07
Speaker 1: ghost right now, when you give somebody credit, they're they're
11:10
Speaker 1: a co writer, you know what I mean, Like they're
11:11
Speaker 1: a co writer with you. But in the case where
11:13
Speaker 1: there is a co writer, I mean a um, you know,
11:15
Speaker 1: ghostwriter for whatever. Artists I think that I understand it.
11:20
Speaker 1: People ya don't. It's hard to explain, but people get
11:22
Speaker 1: really busy. Artists get busy, and you gotta do a
11:25
Speaker 1: verse for this person, a verse for this person. You
11:26
Speaker 1: gotta be on this TV show, you gotta be on
11:27
Speaker 1: this tour, and a lot of times, you know, you
11:30
Speaker 1: still oversee everything, you know what I mean, Like it
11:33
Speaker 1: can't sit down and sometimes you honestly sometimes you can't.
11:36
Speaker 1: Like it's it gets really busy. So I don't have
11:39
Speaker 1: an issue with that. And people don't make it easier
11:41
Speaker 1: too though, Like when somebody gives you a I guess
11:43
Speaker 1: a reference track and they got the Cadence down. Well,
11:48
Speaker 1: I don't just yeah, exactly add your own, because I
11:51
Speaker 1: you know, I have writers give me verses and things
11:53
Speaker 1: all the time, and I literally I go through weed
11:56
Speaker 1: out what I don't like, putting what I do, like
11:58
Speaker 1: chains of Cada's taints, the melody, like that whole type
12:00
Speaker 1: of thing. People ever ask you to write for them,
12:02
Speaker 1: but don't but want you to just not get your
12:05
Speaker 1: credit and just give you some money. No, they ain't stupid,
12:08
Speaker 1: They ain't stupid. No I would, Yeah, I would never
12:11
Speaker 1: do that. But what about starting out? You know, sometimes
12:13
Speaker 1: like to get aren't even producers. You work under somebody
12:16
Speaker 1: and they get kind of the credit for it, but
12:18
Speaker 1: you get I mean, you know I started out pretty
12:20
Speaker 1: much under Chris, and Chris never did that to me. You,
12:23
Speaker 1: I mean, he never did that to me whatever I
12:25
Speaker 1: was a part of, even if if I only wrote
12:27
Speaker 1: a couple of lines, he still made sure that I
12:29
Speaker 1: got my name was in the credits, and I got
12:32
Speaker 1: the publisher that I deserved. So I've never gone through that.
12:34
Speaker 1: It was the biggest song you've written. The biggest song
12:38
Speaker 1: is probably The Way by Ariana Grande, Right, oh yeah, well,
12:43
Speaker 1: or wait, maybe yet? Three times is either YEA three
12:46
Speaker 1: times or the way because YEA three Times had like
12:48
Speaker 1: a lot of licensing, like we got it was it
12:51
Speaker 1: was yeah, and it was played on like a lot
12:53
Speaker 1: of you know, TV shows, commercials things like that. Don't
12:56
Speaker 1: remember it's Chris's Chris's record. Yeah. No, that's like a
13:02
Speaker 1: double man speriment thing you are, No, No, that's that's
13:07
Speaker 1: the polo record. Yes, no, it's a pop record. Yeah,
13:11
Speaker 1: it's right. Is that? Oh? That was good? Are you
13:16
Speaker 1: still right? Are you still writing for other people now?
13:18
Speaker 1: Are just only focused on yourself? No, I'm definitely still
13:20
Speaker 1: writing for other people. I just got back into it,
13:22
Speaker 1: you know, pretty much because i've been working on you know,
13:25
Speaker 1: I should have been there part one. I've been working
13:27
Speaker 1: on my album and things like that. But I actually
13:29
Speaker 1: I've been having sessions with Diddy that have been absolutely amazing.
13:32
Speaker 1: When I tell you, I didn't I didn't think that
13:35
Speaker 1: I could learn so much in a session. My god,
13:38
Speaker 1: like what like literally like, I, um, I'll throw out
13:42
Speaker 1: a melody and he was like no, no, no like that.
13:45
Speaker 1: I need I need to feel it. I gotta feel it.
13:47
Speaker 1: I need I need to feel like you know that.
13:49
Speaker 1: That's just like some new wage like cadency type stuff.
13:51
Speaker 1: And I didn't realize that I wrote that wrote that
13:53
Speaker 1: way sometimes, which has been a learning lesson for me. Like,
13:56
Speaker 1: you know, sometimes we get caught up in a gotta
13:59
Speaker 1: center like that type of you know, like that rap
14:02
Speaker 1: catus and we do that a lot these days. And
14:04
Speaker 1: he was just like, I don't want that, like I
14:06
Speaker 1: needed to feel. I need people to feel you can
14:09
Speaker 1: you sing to the chords? Like can you put give
14:11
Speaker 1: me a melody to the chords? And that was a
14:14
Speaker 1: lesson for me because I didn't realize that I was
14:16
Speaker 1: writing that way. So those sessions have been absolutely amazing.
14:20
Speaker 1: I tell him every time I work with him, you're
14:21
Speaker 1: gonna be in dirty money now. I didn't need me
14:25
Speaker 1: to do I'm for I always wonder about that, you
14:31
Speaker 1: know what, But I don't when I when I do
14:32
Speaker 1: write for men, I make sure to have a male
14:34
Speaker 1: writer with me, you know what I mean? Because I
14:36
Speaker 1: as much as we feel like we do understand, a
14:39
Speaker 1: lot of times we don't know what the hell going
14:41
Speaker 1: aside y'all, head y'all a little off. I'm just saying, God,
14:45
Speaker 1: guys are definitely more often than women, right, get a
14:48
Speaker 1: little bit sometimes, So no, I make sure to write
14:50
Speaker 1: like you know, like I'll write with Jado or all
14:52
Speaker 1: right with Mike and me and Roda won't stop together.
14:54
Speaker 1: So I make sure to write with male writers. A
14:56
Speaker 1: lot is did he paying you? You know? He's notorious
14:58
Speaker 1: for nothing? Thank you when it when or if the
15:01
Speaker 1: record gets placed. I'm absolutely you think I'm I am
15:06
Speaker 1: absolutely positive about that. Right, we're good pay for being
15:12
Speaker 1: a revolt? God, who's that crazier one in the relationship?
15:19
Speaker 1: You were? Bob? Would you say? Oh me, hands down?
15:22
Speaker 1: What you mean? All day? He'll tell you like, because
15:25
Speaker 1: I'm I'm so like hard on my sleep. If I
15:29
Speaker 1: feel it, I'm gonna have a conversation with you about it.
15:31
Speaker 1: But I think that's how it should be. I don't
15:32
Speaker 1: think you should let you know. Fester. He'd probably be like,
15:35
Speaker 1: oh god, here, I don't care if he fe like that,
15:37
Speaker 1: that's fine. He'll be all right because at least he knows,
15:41
Speaker 1: like at least he knows he ain't got to guess
15:43
Speaker 1: about how his girl feeling at any point of time.
15:46
Speaker 1: Listen here, I'm gonna be what kind of thing about
15:48
Speaker 1: I don't That's the thing he'll tell you. I don't
15:50
Speaker 1: really be beefing a lot, but when I do have
15:53
Speaker 1: something that I have an issue with, I'm like, yeah,
15:55
Speaker 1: it looks as I have to no genre on the
15:57
Speaker 1: back of it. Hey now, hey, baby left the toilet
16:00
Speaker 1: seat up again about not dealing with this no more. No,
16:03
Speaker 1: it's just I just I have to let it be known.
16:06
Speaker 1: Like you know, a lot of times y'all feel like
16:07
Speaker 1: you know men. I've heard men say all the time, Oh,
16:09
Speaker 1: we can't read your minds. We don't know what you're thinking.
16:12
Speaker 1: So he ain't got to never worry about seven yea. Ever,
16:18
Speaker 1: the album is out right now to ep ya should
16:22
Speaker 1: have been their part one a record, right? Would you
16:27
Speaker 1: charge you? Absolutely? That's it's a business. Nobody you would
16:30
Speaker 1: do a record for for free, but you got you
16:32
Speaker 1: do that was if that was a trade off, you
16:35
Speaker 1: know what I mean. Like if it's like, oh, you
16:36
Speaker 1: give me a feature, I get you a feature, or
16:38
Speaker 1: you give me a record, I get your record. That's
16:40
Speaker 1: that's when things are like, okay, that's kind of negotiable.
16:43
Speaker 1: But as a writer, no, I think that. Honestly, I'm
16:46
Speaker 1: all about people being fair in terms of you know,
16:50
Speaker 1: business publishing, whether it's um like honestly, even to go
16:54
Speaker 1: all the way into like you know, Tyrese talking about
16:57
Speaker 1: how you know the state of R and B and
16:58
Speaker 1: things like that, I think that you should let give
17:01
Speaker 1: people what they'll do. And I think that that's really
17:04
Speaker 1: really important, you know what I mean, even in terms
17:06
Speaker 1: of like this whole just R and B period, Like,
17:09
Speaker 1: I just think that that's very, very, very important. What
17:11
Speaker 1: if you got a call from Michael Jackson right on
17:13
Speaker 1: his new product, That's impossible, that would be impossible. You
17:19
Speaker 1: get your publishing, you get paid through publishing. What heaven
17:24
Speaker 1: would you still charge him? Now? I want seven to
17:27
Speaker 1: clisle any seven to class something up because you cast
17:30
Speaker 1: some issues last time you were here. Hi, Okay, shut
17:34
Speaker 1: up now, you're absolutely not. You had said, I think
17:39
Speaker 1: when you commit to somebody and you take them off
17:40
Speaker 1: the market, I think it's your job as a woman.
17:42
Speaker 1: I don't think you should ever say no. People were
17:44
Speaker 1: upset about that. She said, I'm talking about if you're
17:46
Speaker 1: tired or somebody's like I'm tired. No, because at the
17:49
Speaker 1: end of the day, you took that person off the market,
17:50
Speaker 1: they can't go and be with someone else. So you
17:52
Speaker 1: don't ever say no, clear that up and let people
17:55
Speaker 1: know exactly. People were furious. I mean, I still behind
18:00
Speaker 1: whate like, I don't want I don't know if they
18:03
Speaker 1: expect me to change that or not. It's not gonna
18:06
Speaker 1: people were so mad about that. But the thing is,
18:09
Speaker 1: I don't know, because I definitely I feel like it
18:11
Speaker 1: goes both ways. It's for men and for women. It
18:14
Speaker 1: goes both ways. So I still stand behind that. I
18:18
Speaker 1: ain't Obama. No, But if he has crads, would you
18:20
Speaker 1: tell him no? He say, oh my god, I'm not
18:29
Speaker 1: even getting You're still gonna do it? What? No, that's
18:33
Speaker 1: crazy right that she takes it back. She doesn't stand
18:36
Speaker 1: by its involved. She takes it back. But man, listen. Okay,
18:40
Speaker 1: So back to the music. Back to the music. I
18:43
Speaker 1: fire the new album coming along. Now the EPs out
18:46
Speaker 1: she didn't be in their part one. Make sure you
18:48
Speaker 1: get that. I love it. Yes, So with the actual album. Now,
18:51
Speaker 1: what's the timeline. The timeline is according to my soul clock. No,
18:56
Speaker 1: it's according to how I feel. And I really do
18:58
Speaker 1: mean that. Like I said all the time, I don't
19:01
Speaker 1: apologize for taking my time with my first album. I don't.
19:05
Speaker 1: I think that it's a it's it's not. I don't
19:08
Speaker 1: take it lightly that I have a record deal, right,
19:10
Speaker 1: you know what I mean? Because I've had three before,
19:12
Speaker 1: two before this in girl groups. So I don't take
19:14
Speaker 1: it lightly that I have a deal. I don't take
19:16
Speaker 1: my first album. I take my first album very seriously.
19:19
Speaker 1: So it's gonna come out when I feel like it's right.
19:22
Speaker 1: Don't mean I'm gonna have you waiting years. That's not
19:24
Speaker 1: gonna happen. But it has to feel right, and it
19:26
Speaker 1: has to be right. So when the meantime should have
19:28
Speaker 1: been there, part one, it's here, you know. I just
19:31
Speaker 1: you have to. I don't feel like she don't have
19:33
Speaker 1: an album now yet, though it feels like a lot
19:35
Speaker 1: of a lot of fans say that, and a lot
19:37
Speaker 1: of people say that, but and I'm glad they do,
19:39
Speaker 1: because I don't never want to leave my fans without music,
19:42
Speaker 1: you know what I mean. That's important. I don't want
19:44
Speaker 1: to leave them without music. So I I you know,
19:46
Speaker 1: I make sure I put as much as much music
19:48
Speaker 1: out there as I can. Just don't get pregnant first.
19:51
Speaker 1: What that's not happening. I can see Bill b shooting
19:53
Speaker 1: that club up. I hate you, Oh my god, she's
19:57
Speaker 1: just near. No pregnancies over, no, no time soon, no
20:01
Speaker 1: time soon. Right now. It's it's music, music, music everything.
20:05
Speaker 1: It's all music. There we go, Yes, Seven Street, We
20:08
Speaker 1: appreciate you joining us. Yes. APS in stores right now,
20:11
Speaker 1: go pick it up. You should have been there. And
20:13
Speaker 1: it's the breakfast Loka Bona should have been there.