Latest / The Occult Rejects / Rustic gods EP. 6: Priapus/Fascinus w/ Greypilled & Headless Giant

Transcript

Rustic gods EP. 6: Priapus/Fascinus w/ Greypilled & Headless Giant · The Occult Rejects

• 0:02
  Speaker 1: You see, something's going to happen.
• 0:06
  Speaker 2: What's gonna happen?
• 0:25
  Speaker 1: And founder well, let's see, I got I got all
• 0:30
  Speaker 1: sorts of shows you can watch on my YouTube channel.
• 0:32
  Speaker 1: But you gotta hit the bell. That's the that's the
• 0:34
  Speaker 1: trade off. So I'm not gonna go through them anymore.
• 0:37
  Speaker 1: You're just gonna hit the bell and show up. Good night.
• 0:41
  Speaker 1: It's gonna get weird.
• 0:42
  Speaker 2: Yeah, it's a big dick energy tonight.
• 0:46
  Speaker 3: Yeah, guys, we're finally Uh. This is episode six. If
• 0:51
  Speaker 3: you all have been keeping up, then you would know
• 0:53
  Speaker 3: that we uh. We started off uh talking about pan
• 0:57
  Speaker 3: and then the second episode was about the nation your spirits.
• 1:00
  Speaker 3: Third episode was on Aristaeus and the Pogonia ritual. The
• 1:06
  Speaker 3: fourth one Artemis. We talked about Cairn. And now Priapus
• 1:12
  Speaker 3: or Fastinus, the phallic god, the god of many things.
• 1:18
  Speaker 3: I'm sure he has many attributes to him, but there
• 1:21
  Speaker 3: is one that is I'm trying to to see. Do
• 1:25
  Speaker 3: you have a picture headless Sarah?
• 1:27
  Speaker 1: Okay, yes I do.
• 1:29
  Speaker 3: All right, he's packing man, he's.
• 1:32
  Speaker 2: Swinging a hamlet.
• 1:34
  Speaker 1: So this is primpis. Yeah. Well, sometimes a couple of
• 1:38
  Speaker 1: the time he was a god of vegetable gardens. He
• 1:41
  Speaker 1: was also the protector of beehives, blocks and vineyards. He's
• 1:45
  Speaker 1: got quite a stinger. Pripis was depicted as a dwarfish
• 1:49
  Speaker 1: man with a huge member symbolizing garden fertility, peaked fridgie
• 1:55
  Speaker 1: and cap indicating his origin as a Mician god, and
• 1:59
  Speaker 1: a basket weighing down with fruit. His cult was introduced
• 2:04
  Speaker 1: from Greece Limpskis in Asia Minor. His mythology subsequently reinterpreted.
• 2:12
  Speaker 1: Primitive statues of the god were set up in vegetable
• 2:15
  Speaker 1: gardens to promote fertility. These also doubled the scarecrows, keeping
• 2:19
  Speaker 1: the birds away, and also, interestingly enough, that phallic was detachable.
• 2:25
  Speaker 1: So they have these stone statues with a massive fallus,
• 2:29
  Speaker 1: and that fallus you could pull out of the holster
• 2:31
  Speaker 1: and actually uses a baseball bat. So they would use
• 2:34
  Speaker 1: these things to beat up intruders. I'm not kidding. Wait,
• 2:38
  Speaker 1: so was it detachable right on the stone statues? The
• 2:43
  Speaker 1: stone statues?
• 2:44
  Speaker 4: Okay, okay, all right, I think they're getting beat with
• 2:46
  Speaker 4: stone dicks.
• 2:50
  Speaker 1: Yes, they're gonna be with stone dicks. If they come
• 2:52
  Speaker 1: into your land, you are perfectly able and justified to
• 2:56
  Speaker 1: pull out the stone penis and beat your intruders to
• 2:59
  Speaker 1: death with it.
• 2:59
  Speaker 4: You'll just hearing that you're not even gonna go like
• 3:01
  Speaker 4: like I'm like a fuck you go there, You're gonna
• 3:03
  Speaker 4: get hit with fucking dicks like we don't want with death, dude, please, that's.
• 3:11
  Speaker 1: This is the worst, most undignified way to die, right.
• 3:19
  Speaker 2: There's like a long line of women though, showing up
• 3:21
  Speaker 2: like what the.
• 3:21
  Speaker 1: Fuck you turn that measure?
• 3:25
  Speaker 3: Oh?
• 3:26
  Speaker 1: This guy was. This guy was a good luck charm
• 3:29
  Speaker 1: and much like the Japanese culture where they have these
• 3:32
  Speaker 1: massive fertility festivals where they're marching these dicks down the
• 3:35
  Speaker 1: street rubbing the fashion news or rubbing the priapis was
• 3:38
  Speaker 1: actually good for your fertility. So this is what would
• 3:41
  Speaker 1: you know, bring on the fertility within people nearby. So
• 3:46
  Speaker 1: it was a multi use, uh, you know, a dick
• 3:48
  Speaker 1: down beat thing. Of course, PAPIs was identified with a
• 3:53
  Speaker 1: number of phallic Greek deity deities, including Dionysus, Hermes and
• 3:58
  Speaker 1: the Satyrs or Theonis and Taiko Taikon In a well
• 4:05
  Speaker 1: known Pompeian Walfresco, this is where this is from. This
• 4:08
  Speaker 1: is what they uncovered and Pompey imagine you're taking all
• 4:11
  Speaker 1: the soot off the walls, and then you see this guy.
• 4:19
  Speaker 3: All right.
• 4:19
  Speaker 1: So in a well known Pompey and wallfresco right or above,
• 4:22
  Speaker 1: the god is shown weighing his phallus against the produce
• 4:26
  Speaker 1: of the garden. He is crowned and peaked with a
• 4:29
  Speaker 1: Frygian cap, wears Phrygian boots, and has a bocket cone
• 4:33
  Speaker 1: tipped thrystus in his hand. You don't know where that is,
• 4:37
  Speaker 1: but I just got the weight right there.
• 4:39
  Speaker 4: I got to keep it real with this guy, all right.
• 4:43
  Speaker 4: Obviously he's got a huge dick, which you know, I
• 4:45
  Speaker 4: mean you're talking about like fertility, but I mean, looking
• 4:47
  Speaker 4: at him, if you want to be like realistic, the
• 4:49
  Speaker 4: guy looks like he ain't got no coming his bulls
• 4:51
  Speaker 4: though he ain't got no fighting. You only got a
• 4:53
  Speaker 4: fucking pair of bulls. I match that dick. I find
• 4:57
  Speaker 4: that weird. That looks like bus Oh. I mean, the
• 5:02
  Speaker 4: testicles are the ones that actually fertilize.
• 5:04
  Speaker 1: The chronology, right, So what he's doing, what he's doing
• 5:11
  Speaker 1: is he's actually curse, right, so his mythology.
• 5:15
  Speaker 5: Let me see, uh a donkey, let me see the
• 5:21
  Speaker 5: cause of ship. Nobody suits a god right, so there
• 5:26
  Speaker 5: was a let me see where is it?
• 5:28
  Speaker 1: But his mythology should be here? Oh, here we go?
• 5:32
  Speaker 1: Should I omit or recount your shame red priapus? It
• 5:36
  Speaker 1: is a very playful, tiny tale coronated Kaybli. Raya, with
• 5:40
  Speaker 1: her crown of turrets, invites the Did you guys know
• 5:44
  Speaker 1: that Kaybali Israea? Yes, because that's that's pretty important to
• 5:50
  Speaker 1: the whole cosmology, and right uh invites the eternal gods
• 5:57
  Speaker 1: to her feast. She invites two sets and nymphae rural
• 6:02
  Speaker 1: spirit Sillinus as present. Uninvited is not allowed and is
• 6:07
  Speaker 1: too long to narrate. The god's banquet. Night was consumed
• 6:11
  Speaker 1: with much wine. Some blindly stroll shadowy IDAs dells, or
• 6:16
  Speaker 1: lie down in the rest of the bodies in the
• 6:18
  Speaker 1: soft grass. Others play or are clasped by sleep, or
• 6:22
  Speaker 1: link their arms and thump the green earth in triple
• 6:25
  Speaker 1: quick step. Again they're describing rituals.
• 6:27
  Speaker 2: Here.
• 6:28
  Speaker 1: Vesta lies down and takes a quiet, carefree nap, just
• 6:32
  Speaker 1: as she was her head pillowed by turf Hesta goddess
• 6:35
  Speaker 1: of the hearth right, keeping the hearth fires burning, But
• 6:39
  Speaker 1: the red Savior of the gardens Priapus prowls for nymphae
• 6:43
  Speaker 1: and goddesses and wanders back and forth. He spots Vesta.
• 6:47
  Speaker 1: It is unclear if he thought she was a nympha
• 6:51
  Speaker 1: or knew it was Vesta. He claims ignorance. Of course,
• 6:55
  Speaker 1: he conceives a vile hope and tries to steal upon her,
• 6:58
  Speaker 1: walking on tiptoe as his heart flutters. By chance, Old
• 7:03
  Speaker 1: Sullinus had left the donkey. He came on by gently burbling.
• 7:07
  Speaker 1: By a gently burbling stream, the long hell spots God
• 7:12
  Speaker 1: was getting started when it bellowed and untimely bray. The
• 7:16
  Speaker 1: goddess starts up. Frightened by the noise, the whole crowd
• 7:20
  Speaker 1: fly to her. The god flees through hostile lands. Lympicuitus
• 7:26
  Speaker 1: slays the beast the donkey for preapus chanting we rightly
• 7:29
  Speaker 1: gives flames to the informant's guts. You remember, goddess, and
• 7:34
  Speaker 1: necklace it with beard with bread work ceases. The idle
• 7:39
  Speaker 1: mills are silent, so essentially he tries to sneak up
• 7:45
  Speaker 1: on her and have his way with her, but he
• 7:47
  Speaker 1: is rebuffed, and he runs off into the ancient lands,
• 7:51
  Speaker 1: but for fear of the rustic force. She the Latin
• 7:55
  Speaker 1: Hydronus Promia, walled her orchid orchard to keep away the
• 8:01
  Speaker 1: sex she shunned. What tricks did they not try? The
• 8:04
  Speaker 1: young lightfooted satyr in the painties he priapis the god
• 8:10
  Speaker 1: who scythe or lusty loins, scare away thieves again, back
• 8:15
  Speaker 1: to the garden statue, he scares away thieves. What did
• 8:20
  Speaker 1: they all try to win her love? Well? Anyways, what
• 8:24
  Speaker 1: are these stories? He is trying to get with a
• 8:27
  Speaker 1: woman and then she rebuffs his approaches and he gets
• 8:30
  Speaker 1: cursed to go soft as soon as he's around a woman.
• 8:35
  Speaker 1: Oh so it's hard all of the other times. This
• 8:38
  Speaker 1: is where we get the term priapis or a parapism,
• 8:42
  Speaker 1: where they say, if it's been hard for more than
• 8:44
  Speaker 1: four hours, you need to go to the doctor. We
• 8:46
  Speaker 1: get that from priapis interesting.
• 8:51
  Speaker 3: And this is in Rome, who is known as fashionists.
• 8:54
  Speaker 1: Right, he is fashionists We can pull up.
• 9:01
  Speaker 3: Whenever.
• 9:03
  Speaker 1: But these were most likely the fashion news were like
• 9:08
  Speaker 1: little trinkets. They would have as well as uh, you know,
• 9:13
  Speaker 1: murals and stuff like that.
• 9:14
  Speaker 3: Fashions sole images, Right, you're.
• 9:21
  Speaker 1: Going to see some weird stuff when it comes to
• 9:24
  Speaker 1: fashion news right. So here, uh, you've got an eyeball
• 9:30
  Speaker 1: right here in the bottom corner. You've got one fallus,
• 9:33
  Speaker 1: two fallases. This is Fashion News right here, and he's
• 9:37
  Speaker 1: he has right, he's putting an end to the evil eye.
• 9:43
  Speaker 1: You can imagine how that is. So this is how
• 9:46
  Speaker 1: they kept away bad luck. This is how they kept
• 9:49
  Speaker 1: away evil by giving people this symbol right here right.
• 9:54
  Speaker 1: This goes back to fashion News. This goes back to Rome.
• 9:58
  Speaker 1: You're flashing something to some that's going to stop the
• 10:01
  Speaker 1: evil eye. That's where we get it from. Now we
• 10:05
  Speaker 1: lost this there you go.
• 10:08
  Speaker 3: Wow, guys, so literally you you know means fuck you.
• 10:16
  Speaker 1: Right, So we're missing the other half of this curse.
• 10:20
  Speaker 1: We're missing the other half of this curse. Now you
• 10:21
  Speaker 1: could see the other half on the left hand side
• 10:24
  Speaker 1: here What is that?
• 10:29
  Speaker 2: Whoa dude?
• 10:32
  Speaker 1: So these are trinkets that they would wear to keep
• 10:34
  Speaker 1: away the evil eye. Wow, this is exactly what you
• 10:40
  Speaker 1: think it is. It's the glitterist. So you've got the
• 10:42
  Speaker 1: fig and the fashions, big fashioness, that's where they come for.
• 10:47
  Speaker 1: We've completely lost this one because I guess it was
• 10:49
  Speaker 1: a lady like to flash the fig.
• 10:51
  Speaker 3: I was going to say I have this one statue headless.
• 10:54
  Speaker 3: If y'all want to pull it up, I have it
• 10:56
  Speaker 3: down there. I think it's a pretty good representation of
• 11:03
  Speaker 3: the uh it's like, I don't know, it's a I mean,
• 11:09
  Speaker 3: this was a symbol for fertility too, right, I'm sorry.
• 11:14
  Speaker 1: Yep again, this is what you want in your forest,
• 11:18
  Speaker 1: this is what you want in your grove. But you've
• 11:20
  Speaker 1: got both symbols put together into one right there, right right.
• 11:25
  Speaker 1: This is a later representation, but you've got the Yoni
• 11:27
  Speaker 1: and the lingam all together standing up as this fashion
• 11:31
  Speaker 1: news character. Now fashion News gets really weird, like sometimes
• 11:34
  Speaker 1: he has wings, he doesn't, right, go ahead, yeah.
• 11:40
  Speaker 3: No, I keep keep talking and I'll just keep pulling
• 11:42
  Speaker 3: them up.
• 11:43
  Speaker 1: Right. Sometimes he's part lion, like if you if you
• 11:46
  Speaker 1: remember that last one that I showed you, he had
• 11:48
  Speaker 1: lion legs, right, so he was part lion. Now this
• 11:53
  Speaker 1: is actually Mercury or Hermes. Really, Hermes is one of
• 11:57
  Speaker 1: these other phallus gods. Yeah, you think about it. He
• 12:00
  Speaker 1: breaks every barrier, and they're talking about like fertility colds
• 12:05
  Speaker 1: breaking every barrier. So he's he's kind of a thief
• 12:08
  Speaker 1: in the night as well. So you can kind of
• 12:09
  Speaker 1: put all these pieces together.
• 12:11
  Speaker 3: If this is like Pazuzu, No, I that's a completely
• 12:18
  Speaker 3: different uh. I think, uh pantheon of Gods. I don't
• 12:25
  Speaker 3: think these uh.
• 12:29
  Speaker 1: Metal sculptures were called tintinabulum, and the tintinabulum were like
• 12:34
  Speaker 1: these wind chimes. So they would have little trinkets hanging
• 12:38
  Speaker 1: from these things. And again, like the fashion news, you
• 12:40
  Speaker 1: would keep this out in the front of your home
• 12:42
  Speaker 1: to keep the evil eye away, right, because that is
• 12:46
  Speaker 1: part of this fertility ritual. Like if you think of
• 12:49
  Speaker 1: the evil eye as withering plants, you think of the
• 12:53
  Speaker 1: phallus as bringing nutrients into the plants, right, bringing fertility,
• 12:58
  Speaker 1: bringing growth, and all the rest of that. So it
• 13:00
  Speaker 1: was a simple say there you go. Right, So fertility
• 13:05
  Speaker 1: became this primary magical energy for the Greeks, and they
• 13:10
  Speaker 1: had to keep this fertility levels high. And that's what
• 13:13
  Speaker 1: would lead to all this production, all this creativity, all
• 13:16
  Speaker 1: these different things. Is because they had their eye on
• 13:19
  Speaker 1: sort of like increasing the fertility levels in their society
• 13:24
  Speaker 1: to such a degree that you know, the energy was
• 13:27
  Speaker 1: incredibly you know, rampant. And this is where we kind
• 13:32
  Speaker 1: of find uh circumcisions. Right, you don't see a lot
• 13:41
  Speaker 1: of the fallus worship within the circumcision cults. Right, there's
• 13:44
  Speaker 1: not a lot of fallus worship going on in Egypt,
• 13:48
  Speaker 1: not a lot of Fallus worship going on in Canaan,
• 13:51
  Speaker 1: not a lot of fallous worship going on in Jerusalem. There,
• 13:56
  Speaker 1: it is, right, these weren't places that were really well.
• 14:00
  Speaker 1: I mean, there might have been some in Egypt. I
• 14:02
  Speaker 1: think like there was a lot of symbols. But this
• 14:04
  Speaker 1: is a good example for one of these garden priapus. Right,
• 14:09
  Speaker 1: So this guy is but I don't know if that
• 14:13
  Speaker 1: one's detachable or not. Some of them are. And again
• 14:17
  Speaker 1: he scares away thieves. And one of the ideas of
• 14:24
  Speaker 1: you know, Hermes being another pallid god is he's he
• 14:27
  Speaker 1: sort of is a thief, right, so he's he's like
• 14:30
  Speaker 1: the god of thieves. So both the god of thieves
• 14:33
  Speaker 1: and the god who protects against thieves are phallic gods.
• 14:38
  Speaker 1: It's just kind of interesting, like you've got manliness to
• 14:42
  Speaker 1: beat up the thieves, and then you've got the you know,
• 14:44
  Speaker 1: I guess you would say that the hutsba to become
• 14:47
  Speaker 1: a thief. Both require big members. Not a lot of this.
• 14:55
  Speaker 1: So one of the things that you notice over and
• 14:57
  Speaker 1: over again and all these art motifs is that their
• 15:00
  Speaker 1: heroes have really tiny penises. That's because they equate really
• 15:08
  Speaker 1: good fashions right there. But he's kind of holding the caduces.
• 15:11
  Speaker 3: He has a you just mentioned Hermes, so that's it's
• 15:15
  Speaker 3: kind of like a depiction of both the fashionists and
• 15:19
  Speaker 3: Hermes and one right huge hog all the same.
• 15:28
  Speaker 1: But he was he was a caricature. Oh he also
• 15:32
  Speaker 1: had wings on his feet, as if anybody was looking
• 15:34
  Speaker 1: at his feet, there you go. But he was a caricature,
• 15:40
  Speaker 1: Like this was the comic relief. You put this out
• 15:42
  Speaker 1: there in front of people so that they laugh and
• 15:44
  Speaker 1: they know what they were doing with that. You know,
• 15:46
  Speaker 1: there's nothing that diffuses a tent situation with them with laughter, right,
• 15:51
  Speaker 1: and so you've got kind of that understanding of the
• 15:54
  Speaker 1: fertility energy there is, like if everybody is just laughing,
• 15:58
  Speaker 1: there's very little chance of them actually getting into a
• 16:00
  Speaker 1: fight or anything like that. So the idea of fertility
• 16:03
  Speaker 1: is it crosses all boundaries. It's not just taken seriously.
• 16:07
  Speaker 1: It's also something to laugh at that, you.
• 16:09
  Speaker 3: Know, right, Well, yeah, you've mentioned how these gods have
• 16:14
  Speaker 3: a sense of humor.
• 16:15
  Speaker 1: Yeah, right right, And so a lot of people are like, well,
• 16:20
  Speaker 1: this is just dick worship, but it's like yeah, because
• 16:22
  Speaker 1: they're they're trying to be funny about it. They're taking
• 16:25
  Speaker 1: stuff from their lived experience knowing about the fertility cycles,
• 16:30
  Speaker 1: like they were experts at knowing that fertility cycle stuff,
• 16:33
  Speaker 1: and then they turn it on its head. It's like
• 16:35
  Speaker 1: a you know, it's an inversion of sorts because on
• 16:38
  Speaker 1: one hand they take this stuff super deadly seriously, and
• 16:42
  Speaker 1: on the other they're making fun of it with fashion
• 16:44
  Speaker 1: noos and Priapus. Yeah, a lot of people miss that.
• 16:49
  Speaker 3: You see the phallix stuff in other cultures. You see
• 16:53
  Speaker 3: it with Osiris, you know what I mean, His his
• 16:56
  Speaker 3: fallus was cast into the Nile and in the Mythology
• 17:02
  Speaker 3: of Thoth had to fashion him this new one which
• 17:06
  Speaker 3: my other co host Adrian from one of my other shows,
• 17:08
  Speaker 3: he basically he thinks that uh Horace came from both
• 17:14
  Speaker 3: and not not Osyrus as seed. Yeah, because uh Horace
• 17:19
  Speaker 3: was also raised and this is in the Sumerian stuff,
• 17:23
  Speaker 3: you know, by his uncle Gibble, the god of fire,
• 17:27
  Speaker 3: who made Horace's staff for him. But they refer to
• 17:30
  Speaker 3: him as Horn and stuff. You know, I'm sure y'all
• 17:33
  Speaker 3: have heard that name before, but uh yeah, yeah, yeah.
• 17:39
  Speaker 3: So you see this in other cultures as well, with
• 17:44
  Speaker 3: the phallus and uh, I mean you see it in
• 17:47
  Speaker 3: culture right as far as uh mainstream culture with I
• 17:52
  Speaker 3: mean our buildings for instance. You know our architecture is
• 17:59
  Speaker 3: very reminiscent of a penis.
• 18:03
  Speaker 1: Now this is a fashion word.
• 18:05
  Speaker 3: Sorry, you go ahead.
• 18:07
  Speaker 1: Well, this is the fashion news that is fashioned into
• 18:10
  Speaker 1: one of the little danglies from a tintinabulum. You've got
• 18:13
  Speaker 1: the this looks like he's got bull legs back here,
• 18:17
  Speaker 1: but he's also got one right there. He's got wings
• 18:20
  Speaker 1: that are backwards backwards facing wings, and his tail is
• 18:25
  Speaker 1: a phallus as well, a lot of symbolism there. Here's
• 18:31
  Speaker 1: another tintinabulum and the oh here you go. Did you
• 18:34
  Speaker 1: know this? The English word fashion fascinate is derived from
• 18:38
  Speaker 1: the Latin term fashion news.
• 18:40
  Speaker 3: Sol for the day.
• 18:42
  Speaker 1: Guys, when you're saying you're fascinated by something, you're literally
• 18:48
  Speaker 1: you're literally saying you're dignatized.
• 18:51
  Speaker 3: I got to write that down.
• 18:58
  Speaker 1: So this is here's the backwards face wings. I'm not
• 19:00
  Speaker 1: sure why that is, but you've got the same sort
• 19:03
  Speaker 1: of bowl slash uh lion back into.
• 19:08
  Speaker 3: It, dude.
• 19:12
  Speaker 1: Yeah, And there were just so many different things that
• 19:14
  Speaker 1: they made out of it, like what the hell is this?
• 19:21
  Speaker 1: And so you know, these things aren't you know, very
• 19:26
  Speaker 1: well studied because people want to just forget about this part.
• 19:29
  Speaker 1: But it looks like fashion news. Here is actually his
• 19:32
  Speaker 1: fallus is a lion coming out of him, and I
• 19:35
  Speaker 1: guess it's trying to eat him alive. But these these
• 19:37
  Speaker 1: are symbols for something that they're saying can happen to you,
• 19:41
  Speaker 1: Like if this number is too big, then you don't
• 19:44
  Speaker 1: have any brains. You are a moron. And so the bigger,
• 19:49
  Speaker 1: the wider, the dumber the person. So this kind of
• 19:53
  Speaker 1: fashion news idea is all meant to be like a
• 19:57
  Speaker 1: big joke.
• 19:57
  Speaker 2: On some a small dick came up with that that's all.
• 20:02
  Speaker 3: Well, hey, I was gonna say, that's why some people
• 20:03
  Speaker 3: absolutely getting head as getting brain right, like hey, dude,
• 20:08
  Speaker 3: like what the fun? That's wild? Damn. So they were
• 20:12
  Speaker 3: doing they they were referring to it as that back
• 20:14
  Speaker 3: in the day, like now shall I shall give us brain?
• 20:24
  Speaker 1: They had a thousand other ways of saying it, as
• 20:26
  Speaker 1: you can tell from the mythology of fashion news like
• 20:29
  Speaker 1: they were just sort of bouncing around the topic and
• 20:32
  Speaker 1: not really you know, saying exactly what he's doing. It's
• 20:35
  Speaker 1: all heavy implication. Start as fun.
• 20:40
  Speaker 3: Okay, mee cavern, Joey, what's up boys? My audience loves
• 20:44
  Speaker 3: this subject. We're talking about Priapus or fashionists, the phallic god,
• 20:50
  Speaker 3: the phallic rustic god in grace in Rome.
• 20:55
  Speaker 1: Well, fashion news is you know, plays right alongside Priapus,
• 20:59
  Speaker 1: but is much more Roman in that the Romans loved
• 21:05
  Speaker 1: to put Priapis on their structures, right, So anytime they
• 21:10
  Speaker 1: had a brothel, they'd put a fashion news there. Anytime
• 21:14
  Speaker 1: they would write if you needed directions to a brothel,
• 21:18
  Speaker 1: they would have the fashion news there.
• 21:20
  Speaker 2: You know.
• 21:20
  Speaker 1: It was basically this is this way to have some fun,
• 21:24
  Speaker 1: right and uh yeah, so it's it's been lost over
• 21:28
  Speaker 1: the years obviously.
• 21:29
  Speaker 3: Yeah. I was gonna say, not only that, but it
• 21:31
  Speaker 3: seems like everything in ancient society was kind of represented
• 21:37
  Speaker 3: by symbols, you know, even like giving somebody directions to
• 21:40
  Speaker 3: something or you know, like a lot less writing and more,
• 21:45
  Speaker 3: you know, just representing it with one image, you know,
• 21:48
  Speaker 3: and people understood.
• 21:49
  Speaker 1: It right, because you know, for her, literacy was so
• 21:55
  Speaker 1: low back then, you had to have a common set
• 21:58
  Speaker 1: of symbols so that everybody can sort of be on
• 22:01
  Speaker 1: the same page and public life well at the same
• 22:04
  Speaker 1: time not writing anything down. And it's funny. Plato even
• 22:07
  Speaker 1: said that writing things down was ruining society because it
• 22:12
  Speaker 1: made everybody's memory shit. Normally, when they're not writing everything down,
• 22:16
  Speaker 1: they actually have a lot better memory. So he's lamenting
• 22:20
  Speaker 1: the fact that writing is taking off because he thinks
• 22:24
  Speaker 1: it was better when a lot fewer people knew how
• 22:26
  Speaker 1: to read and write another fig so these would often
• 22:32
  Speaker 1: go under the Roman chariots. Yeah, so you got to
• 22:36
  Speaker 1: figure one out the fouls on the other.
• 22:40
  Speaker 3: To look at the I can't do that I got
• 22:42
  Speaker 3: your nose to my daughter anymore because that now it's weird. Definitely, yeah,
• 22:48
  Speaker 3: it's ruined, but it's good to know that this is,
• 22:51
  Speaker 3: you know, guys on the symbol for your moose knuckle
• 22:55
  Speaker 3: or for your cameltoe whatever you got.
• 22:57
  Speaker 1: Hey cambleto and boos knuckles. So what's also interesting is that,
• 23:02
  Speaker 1: you know, like I was saying, this is is what
• 23:04
  Speaker 1: keeps the evil eye away. So what they would do
• 23:07
  Speaker 1: is they would hang these from the bottom of a chariot,
• 23:10
  Speaker 1: all of these fashion news and figs. Right, it was
• 23:13
  Speaker 1: the world's first truck nuts.
• 23:19
  Speaker 3: Let's see so many of those basically in Mississippi obviously, right,
• 23:26
  Speaker 3: because that's a big truck. It makes up for their
• 23:29
  Speaker 3: small dick, you know what I mean saying as well,
• 23:32
  Speaker 3: So that's kind of where that originates from.
• 23:35
  Speaker 1: Okay, right, we haven't gone too far from the past.
• 23:38
  Speaker 1: In fact, there's a lot of ancestral memory wrapped up
• 23:41
  Speaker 1: in this and we just don't even realize it. The
• 23:43
  Speaker 1: fasci comes from fashion news, Chassin eate comes from fashion news. Right.
• 23:54
  Speaker 1: It used to be that we understood this stuff is
• 23:57
  Speaker 1: kind of magical, but instead we've all just sort of
• 24:00
  Speaker 1: replaced it for these mundane things. Right, So a lot
• 24:03
  Speaker 1: of these would be used as uh, you know again
• 24:05
  Speaker 1: the red light district. You've got your red light right here.
• 24:09
  Speaker 1: You know they call him pre the red What do
• 24:13
  Speaker 1: you think they're talking about there? This is a modern
• 24:16
  Speaker 1: recreation dog, a red.
• 24:19
  Speaker 3: Rocket, it's all right.
• 24:24
  Speaker 1: And so yeah, these would be all over you know,
• 24:28
  Speaker 1: prostitution districts. So it was pretty common. Look at that.
• 24:34
  Speaker 1: Now this again, you don't want to be on the
• 24:36
  Speaker 1: beach with these flying around?
• 24:40
  Speaker 3: Why is that?
• 24:43
  Speaker 1: Well, I mean it's bad enough getting bird poop in
• 24:45
  Speaker 1: your hair, but what are these things dropping?
• 24:47
  Speaker 3: Oh? Like just uh, fashion news comes up, flying out
• 24:51
  Speaker 3: the sky.
• 24:52
  Speaker 2: Get spark to the face, with the dick out of
• 24:53
  Speaker 2: the way.
• 24:56
  Speaker 1: You've alive, vanquished.
• 24:59
  Speaker 2: We had a bag of fish.
• 25:01
  Speaker 3: You're gonna have this guy?
• 25:03
  Speaker 1: Hey is this?
• 25:04
  Speaker 3: Let me pull this guy up headless. This is another
• 25:06
  Speaker 3: image that I saw. Well, there's a couple of them.
• 25:13
  Speaker 3: If you can't tell this guy he's got a piercing,
• 25:16
  Speaker 3: he's got a Prince Albert Jesus fuck, he's gauged up.
• 25:22
  Speaker 1: Dude has a fish in his hand. What's going looks
• 25:25
  Speaker 1: like a fish head? Look at his What is the
• 25:27
  Speaker 1: thing about this? Is that jowls or something? Let's kind
• 25:30
  Speaker 1: of hanging down from his face?
• 25:32
  Speaker 3: Dudeish he looks like he has Yeah, dude, that's wild.
• 25:40
  Speaker 2: He's missing a part of his leg. I'm sure that's
• 25:42
  Speaker 2: a sculpture problem.
• 25:46
  Speaker 3: Maybe, man, I don't know, Nick, Some of this stuff
• 25:49
  Speaker 3: you gotta wonder.
• 25:52
  Speaker 2: Yeah, what is that it is? What is he carrying
• 25:54
  Speaker 2: a fish?
• 25:55
  Speaker 3: Oh? That one is a I don't know, a bag.
• 26:00
  Speaker 3: It's like the Aninachi all have the bags. It looks like,
• 26:04
  Speaker 3: I don't know, man headless we think about this guy.
• 26:08
  Speaker 1: Definitely looks like a preapist type character. He's got the scale.
• 26:11
  Speaker 3: It's like a makes sense Artemis right that uh what
• 26:18
  Speaker 3: what was it at the capitol broxis a braxis Yeah, sorry,
• 26:27
  Speaker 3: and it would make sense, as I was saying, whenever
• 26:31
  Speaker 3: we had we were doing the episode on on Artemis.
• 26:34
  Speaker 3: She had a hat on that was a symbolic of
• 26:36
  Speaker 3: like a phoenix or like a rooster or something. I
• 26:41
  Speaker 3: don't know, but it kind of had the same shape
• 26:42
  Speaker 3: to it like that guy's hat, you know, you know
• 26:45
  Speaker 3: it's more like.
• 26:46
  Speaker 1: Uh, that was more of like a mohawk on the
• 26:49
  Speaker 1: on the Capitol building, right, but he kind of wanted
• 26:52
  Speaker 1: to Yeah, they put an eagle up there, but she
• 26:55
  Speaker 1: was supposed to have the Fashion News cap because again
• 26:58
  Speaker 1: you know it's the cap okay, but the fringi and
• 27:02
  Speaker 1: capricaa does look like a rooster as well. I have
• 27:07
  Speaker 1: pulled up here again, like you can kind of imagine
• 27:11
  Speaker 1: ancient Greece to be a lot like ancient Japan or
• 27:14
  Speaker 1: you know, modern Japan. Really they still have fallist festivals.
• 27:21
  Speaker 1: People dressed up like this.
• 27:24
  Speaker 3: Well, now I think they call them gay pride festivals.
• 27:27
  Speaker 1: Now, no, not all this has been going on for
• 27:30
  Speaker 1: hundreds of years.
• 27:31
  Speaker 3: I know that as a joke. Yeah, you're kind of.
• 27:36
  Speaker 1: Right though, Well, I mean leave it on an expression.
• 27:40
  Speaker 3: These people to subvert and you know, perverted. I mean
• 27:44
  Speaker 3: I just, uh wow, they're really having a good time,
• 27:48
  Speaker 3: huh yeah.
• 27:50
  Speaker 1: Yeah. The whole idea is that if everybody's having fun,
• 27:53
  Speaker 1: everybody's having a laugh, that it's going to boost fertility
• 27:56
  Speaker 1: and then you're going to have more kids. And so
• 27:58
  Speaker 1: all of these festivals would be all about boosting the population.
• 28:04
  Speaker 3: However, I don't know if I would want Yeah, yeah,
• 28:07
  Speaker 3: see wow, I mean, hey, look it's hilarious.
• 28:14
  Speaker 1: And again they all got to touch these things so
• 28:17
  Speaker 1: that they get pregnant and have babies.
• 28:19
  Speaker 3: Where is this You said this is in Turkey.
• 28:22
  Speaker 1: This is in Japan.
• 28:23
  Speaker 3: Japan? Okay.
• 28:25
  Speaker 1: All of the polytheistic societies had at least like some
• 28:28
  Speaker 1: kind of connection to the phallus because it was seen
• 28:31
  Speaker 1: as such a powerful, potent symbol. You know, we've kind
• 28:34
  Speaker 1: of completely gotten rid of the phallus as a potent
• 28:37
  Speaker 1: symbol and we just go with the laughter angle. Right,
• 28:43
  Speaker 1: that's a pretty well venerated pallast there.
• 28:49
  Speaker 3: That's crazy they do that in Japan. Dude, I don't know.
• 28:52
  Speaker 3: I mean i'd probably go to one of those, see
• 28:53
  Speaker 3: what is about it. I probably wouldn't take my kid.
• 28:55
  Speaker 1: To it, but yeah, I know what you could do.
• 28:59
  Speaker 1: But this is how they come about. This is how
• 29:02
  Speaker 1: you get the children because the idea is like fertility
• 29:07
  Speaker 1: now becomes a community thing, like everybody's sort of you know, good,
• 29:11
  Speaker 1: let's all have babies, let's all make sure that we're
• 29:14
  Speaker 1: all doing this together. It's it's like a communal thing
• 29:17
  Speaker 1: about it, whereas you know, everything's so individualistic in a
• 29:22
  Speaker 1: much more you know, monotheistic society and shame based.
• 29:29
  Speaker 3: Well yeah, I mean they'll try to shame me. Never mind,
• 29:32
  Speaker 3: I want to get into it. But porn essentially porn,
• 29:37
  Speaker 3: early porn, I mean yeah, but I don't think it
• 29:40
  Speaker 3: was pushed on pushed on us, you know, through propaganda
• 29:46
  Speaker 3: and pop up ads and stuff.
• 29:49
  Speaker 1: It was ritualistically applied to certain areas of life, right
• 29:53
  Speaker 1: to push people in the direction of having more babies
• 29:56
  Speaker 1: and having more replacement population because that's what they need.
• 30:00
  Speaker 1: They needed more soldiers, so the more polytheistic, the society
• 30:04
  Speaker 1: the more focused on creating and maintaining the cycles that
• 30:08
  Speaker 1: came before it. Like, for instance, in like these are
• 30:15
  Speaker 1: Shinto festivals, right right, But the Buddhists didn't come there
• 30:20
  Speaker 1: and say, all right, you got to stop doing this now.
• 30:22
  Speaker 1: They're just like, okay, well, we have to preserve Shittuism.
• 30:25
  Speaker 1: And when you're you know, born, or when you get
• 30:30
  Speaker 1: married or when you die, you become a Buddhist. In Japan,
• 30:33
  Speaker 1: so they have Buddhist birth rituals, Buddhist marriage rituals, and
• 30:37
  Speaker 1: Buddhist death rituals, but everything else is shitto.
• 30:42
  Speaker 2: Okay.
• 30:43
  Speaker 3: Yeah, I would never would have guessed that they would
• 30:45
  Speaker 3: do that in Japan, but seeing that it's there, it's
• 30:48
  Speaker 3: probably actually pretty organized and probably not as degenerate as
• 30:53
  Speaker 3: you would think, you know what I mean. I mean
• 30:57
  Speaker 3: compared to if you were to just let one of
• 31:00
  Speaker 3: those happened in like downtown Portland or something, you know
• 31:02
  Speaker 3: what I mean, Like it would turn into a total
• 31:04
  Speaker 3: just like degenerate shit show.
• 31:08
  Speaker 1: But again, like this is about straight stuff. What they
• 31:13
  Speaker 1: had to do is infart it and make it all
• 31:15
  Speaker 1: about not having babies, which is the exact opposite of
• 31:18
  Speaker 1: a fertility festival.
• 31:20
  Speaker 3: Yeah, open your butthole portal and do all that stuff.
• 31:24
  Speaker 3: Yeah we uh you know, no, you should should have kids. Definitely.
• 31:31
  Speaker 3: It's funny because that's you know, that's obviously a big
• 31:33
  Speaker 3: thing being pushed on a lot of women nowadays, is
• 31:36
  Speaker 3: you know, you don't need to have kids. You know,
• 31:38
  Speaker 3: your strong woman, go and live your life and you
• 31:42
  Speaker 3: travel the world and all this stuff and then I
• 31:46
  Speaker 3: don't know, man, I just think, uh, having kids can
• 31:51
  Speaker 3: change you for the better. It can also ground you more,
• 31:55
  Speaker 3: you know, into a community and having it what we
• 32:00
  Speaker 3: were just talking about.
• 32:03
  Speaker 1: So in the Roman context, when it comes to these
• 32:07
  Speaker 1: fertility rituals, oh, come on, when it comes to these
• 32:11
  Speaker 1: fertility rituals, they would have lupercalia, right, So this was
• 32:16
  Speaker 1: a very popular Roman fertility ritual where they would all
• 32:20
  Speaker 1: the priests would go into this cave and just start
• 32:25
  Speaker 1: drinking all day long, and they slaughtered a goat and
• 32:28
  Speaker 1: they would take the throat the thongs of flesh from
• 32:33
  Speaker 1: that goat and run through the streets beating women with it.
• 32:36
  Speaker 1: And the women would be begging for that because that
• 32:39
  Speaker 1: was how they would have fertility. So these strange fertility
• 32:44
  Speaker 1: rights in Rome would be carried out every year, right,
• 32:48
  Speaker 1: and yeah, this is again what they're trying to do
• 32:53
  Speaker 1: is boost the population of babies. And they believe that
• 32:57
  Speaker 1: by reliving these events the past that they could achieve
• 33:01
  Speaker 1: similar ends. So this lupercolliat was made in honor of
• 33:08
  Speaker 1: Romulus and Remiss, right, So this was at the center
• 33:11
  Speaker 1: of all of Roman life. And so these these naked
• 33:15
  Speaker 1: dudes would come around. As you could see, he's thrashing
• 33:18
  Speaker 1: these women who are kind of into it because this
• 33:20
  Speaker 1: means that they're probably going to get pregnant pretty soon.
• 33:27
  Speaker 1: It's fun. But here's the thing. The women had to
• 33:31
  Speaker 1: pretend like they didn't like it. Because if you were
• 33:34
  Speaker 1: there and you were getting whipped with these the bloody
• 33:37
  Speaker 1: goat flesh and you pretended like you liked it, then
• 33:41
  Speaker 1: everybody would get upset at you and call you a whore.
• 33:43
  Speaker 1: But if you got to run away from the guy
• 33:46
  Speaker 1: who's got the leather thong, even though you really do
• 33:49
  Speaker 1: want to get pregnant, want to have babies, So kind
• 33:53
  Speaker 1: of a reverse play there, I'm not sure, yeah, man,
• 33:57
  Speaker 1: I mean multiple.
• 33:59
  Speaker 3: I mean that'd be the same is wearing one of
• 34:00
  Speaker 3: those fashion news like around your neck, right, like some
• 34:03
  Speaker 3: of those were kind of look like necklaces or even
• 34:06
  Speaker 3: a bracelet. Maybe. Yeah, let's see.
• 34:11
  Speaker 1: Let me tell you specifically, it's more about the idea
• 34:16
  Speaker 1: that this wolf is sort of the mother of all
• 34:19
  Speaker 1: of Rome. So you also have you know, the eagle
• 34:23
  Speaker 1: is the symbol of Rome, but really the city itself
• 34:27
  Speaker 1: was depicted by the wolf. And you see this in
• 34:29
  Speaker 1: the statues they have of Romulus and Remus sucking from
• 34:33
  Speaker 1: this wolf. She wolf, Right, that's the founding mythology behind Rome.
• 34:39
  Speaker 1: It's you know, Romulus and Remus are a lot like
• 34:42
  Speaker 1: Anki and Endleal, Like I think they just work perfectly
• 34:45
  Speaker 1: with that. So something really ancient there. And Romulus killed
• 34:52
  Speaker 1: his brother too. Remis got killed by Romulus as well,
• 34:57
  Speaker 1: which is really interesting. And the book the Enid, what's
• 35:02
  Speaker 1: that he did? Probably where we get that from too
• 35:11
  Speaker 1: much big dig energy. But you know that this is
• 35:14
  Speaker 1: the thing too, It's like all of this stuff we
• 35:17
  Speaker 1: sort of looked back on. What did he say? Yo?
• 35:23
  Speaker 2: People got to remember that ship forever?
• 35:26
  Speaker 3: Is that dude enchanted Wiggers. He's taking his time with
• 35:29
  Speaker 3: enchanted Wiggers. He said, he's making it like truly, he's
• 35:34
  Speaker 3: going to be like is this real? You know, like
• 35:37
  Speaker 3: that's how he's yo.
• 35:38
  Speaker 2: You gotta let me know when he does that, dude,
• 35:40
  Speaker 2: I got you.
• 35:41
  Speaker 3: Yeah, I love it.
• 35:44
  Speaker 1: I thought Wolf Bitches was real. I thought I thought
• 35:47
  Speaker 1: he was reading some form of ancient party, because again,
• 35:50
  Speaker 1: you've got the wolf is the consistent symbol in Rome.
• 35:53
  Speaker 1: So I'm like, oh, this must be some sort.
• 35:54
  Speaker 3: Of he read through some of the some of the
• 35:58
  Speaker 3: you know, he had read through the Enneads and stuff,
• 36:00
  Speaker 3: and uh, you know, all this other Greek literature and
• 36:04
  Speaker 3: uh and and he kind of took some of those
• 36:07
  Speaker 3: stories and then put his uh what he had what
• 36:11
  Speaker 3: he had written into a prompt and then got it
• 36:13
  Speaker 3: in a script basically, so it like into more of
• 36:17
  Speaker 3: a story than just uh, you know, And I mean
• 36:20
  Speaker 3: I think he did a pretty good job with it. However, this,
• 36:24
  Speaker 3: this next one is is going to be more fiction, probably,
• 36:28
  Speaker 3: but it's going to have aspects of the of certain
• 36:30
  Speaker 3: mystery schools in it. A Gartha, Hyperborea and all that stuff.
• 36:36
  Speaker 3: And that's what I was asking about Hyperborea earlier, right,
• 36:40
  Speaker 3: But yeah, man shout out Subliminal Messenger guys, y'all should
• 36:45
  Speaker 3: go check out his channel. Uh. He streams during the
• 36:48
  Speaker 3: day mostly, but he's our co host on Esotery book Review.
• 36:55
  Speaker 1: But if you want to get into Hyperborea a little bit,
• 36:57
  Speaker 1: I could comment him because that's a Greek you know,
• 37:01
  Speaker 1: that comes from. So every year when Lyra and another
• 37:08
  Speaker 1: signus are seen in the sky right coming up off
• 37:11
  Speaker 1: of the north horizon, that's the time that Apollo retreats
• 37:17
  Speaker 1: to Hyperborea. Hyperborea is the land beyond the Boreous Mountains.
• 37:22
  Speaker 1: The Boreous Mountains named after Boreus, the god of the
• 37:26
  Speaker 1: North Wind. Right, so it's beyond the mountains of the
• 37:30
  Speaker 1: North Wind. That would be a pretty good indicator of
• 37:35
  Speaker 1: like some sort of mythic North Pole type place. But
• 37:39
  Speaker 1: really the Boreous Mountains are actually kind of close to Greece,
• 37:44
  Speaker 1: so it's not that far away like Hyperborea would just
• 37:47
  Speaker 1: be like on the other side of the hill over there.
• 37:48
  Speaker 1: You know. It was less about a garth that to
• 37:51
  Speaker 1: the Greeks than it was about yeah, that place, that's
• 37:54
  Speaker 1: where he goes, so they can actually point to it.
• 37:57
  Speaker 1: It kind of reminds me of the Superstition Mountains for
• 37:59
  Speaker 1: the the Hope. So the Hope he believed that their
• 38:03
  Speaker 1: Kachinas come from the Superstition Mountains, which is like, uh,
• 38:08
  Speaker 1: maybe three hundred miles away from the old Riebei settlement,
• 38:14
  Speaker 1: And so you know, if they wanted to, they could
• 38:17
  Speaker 1: just hop in a car and go and see their
• 38:19
  Speaker 1: their gods in a single afternoon, right yeah, yeah, But
• 38:24
  Speaker 1: to them, I guess it was a lot further back
• 38:26
  Speaker 1: when there wasn't that kind of transportation. So the idea
• 38:29
  Speaker 1: of going over to the Superstition Mountains would be like
• 38:31
  Speaker 1: a huge thing for the Hopee way back in the day.
• 38:35
  Speaker 1: But nowadays it's.
• 38:37
  Speaker 3: Yeah, I say, you brought up to you brought up
• 38:41
  Speaker 3: borious dude. Look at him as he's kind of depicted
• 38:44
  Speaker 3: as I think when when we talked about the Naiads
• 38:48
  Speaker 3: and stuff, he's depicted with the you know, kind of
• 38:52
  Speaker 3: catching his wind. Right.
• 38:55
  Speaker 1: They all had that all of these wing beaties would
• 38:58
  Speaker 1: carry this, right, and so this is also what we
• 39:02
  Speaker 1: see in the Odyssey, right, So what's his name? Alias?
• 39:09
  Speaker 1: Now it's not Elias, what's his name? Anyways, the god
• 39:13
  Speaker 1: of the winds takes all of all four winds and
• 39:16
  Speaker 1: puts them into a sack and hands it to I
• 39:22
  Speaker 1: can't believe I'm blanking to Odysseus. To go across the sea, right,
• 39:29
  Speaker 1: and so Odysseus releases the bag and ends up losing
• 39:33
  Speaker 1: his place and then takes years to sail back to
• 39:35
  Speaker 1: where he's got to go. But the idea there is
• 39:39
  Speaker 1: that these these gods of the wind were kind of
• 39:44
  Speaker 1: really central to a lot of what their magic practices were, right,
• 39:49
  Speaker 1: And we were talking about that with the guy from
• 39:53
  Speaker 1: what was that Saturday Night?
• 39:55
  Speaker 3: Yeah, dude, this depiction right here of him. He looks
• 39:59
  Speaker 3: like an angel. He's even got wings on his feet.
• 40:03
  Speaker 1: So that's where we get our depictions of the the
• 40:05
  Speaker 1: messengers of of.
• 40:10
  Speaker 3: In Okay, so they had they all had wings on
• 40:12
  Speaker 3: their feet too.
• 40:14
  Speaker 1: That's so cool, right, So the all of the winds.
• 40:19
  Speaker 3: Were I thought it was just Hermie.
• 40:23
  Speaker 1: Oh No, They use that motif a lot, like that's
• 40:26
  Speaker 1: a very common motif. So a lot of different characters
• 40:29
  Speaker 1: have the hermetic feet, a lot of different characters have
• 40:32
  Speaker 1: the canducers like Briapist did. But they all kind of
• 40:36
  Speaker 1: matrix into each other when you know that they have
• 40:38
  Speaker 1: these other relationships, right, So that's why they sort of
• 40:42
  Speaker 1: carry each other's equipment. And the equipment I think was
• 40:45
  Speaker 1: far more important than people give it credit. For because
• 40:48
  Speaker 1: you know, you've got the aegis, which is the shield
• 40:50
  Speaker 1: of Athena, and you find that same ageis motif repeating
• 40:54
  Speaker 1: again and again and again with the head of Medusa
• 40:57
  Speaker 1: on it, right, and then that goes back to Perseus,
• 41:00
  Speaker 1: and then you've got this whole string of other associations
• 41:03
  Speaker 1: which are right there president the mythology that actually ties
• 41:07
  Speaker 1: a different or esoteric picture of what's going on in
• 41:09
  Speaker 1: the background. You know, you've also got.
• 41:13
  Speaker 3: I'm sorry, man, I say when when I went to
• 41:15
  Speaker 3: VMI and saw those cool Greek statues and stuff, they
• 41:19
  Speaker 3: had one of the ages shield with the head of
• 41:23
  Speaker 3: Medusa do so sick? I was like, dude, they had
• 41:25
  Speaker 3: Athena statue. Just made the campus look, uh, look awesome.
• 41:31
  Speaker 1: Right, Oh, have you seen the Athena in Athens, Tennessee.
• 41:36
  Speaker 1: They've got the list, they've got the acropolis, and they've
• 41:41
  Speaker 1: got the life size of Athena inside there. I saw one
• 41:45
  Speaker 1: of these CI guys. His girlfriend goes inside of it
• 41:48
  Speaker 1: and she starts feeling ill and nauseous that she's in
• 41:52
  Speaker 1: the presence of such a payment, Like, are you kidding me?
• 41:56
  Speaker 3: Dude? I don't know about that. I think that's people's
• 42:01
  Speaker 3: fear attacking them. I think people have been programmed to
• 42:04
  Speaker 3: uh you know, I mean they don't understand. You know.
• 42:10
  Speaker 3: I had this tweet that I posted the other nights.
• 42:12
  Speaker 3: You know, if you don't understand what, or if you
• 42:16
  Speaker 3: fear what you don't understand, how can you understand what
• 42:18
  Speaker 3: it is you actually fear. And people, you know whatever
• 42:22
  Speaker 3: say that that makes no sense. But I think it
• 42:24
  Speaker 3: makes perfect sense. And it's a great question. And I
• 42:26
  Speaker 3: think a lot of people that you know, dive into
• 42:28
  Speaker 3: all this conspiracy stuff, you know, what have you. It's
• 42:32
  Speaker 3: all just like it's a huge rush to them. You know,
• 42:35
  Speaker 3: it's like fear porn or whatever. I've been talking about
• 42:38
  Speaker 3: this a lot lately, and so it's just like, you know,
• 42:40
  Speaker 3: try to understand this stuff from other you know, from
• 42:43
  Speaker 3: other angles, from like you headless. That's why I like
• 42:46
  Speaker 3: doing stuff with you, because you know you this is
• 42:48
  Speaker 3: part of your culture, you know, And I think that's
• 42:51
  Speaker 3: the best way to understand something that, you know, because
• 42:54
  Speaker 3: who's to say these other people won't try to subvert it.
• 42:56
  Speaker 3: It's been done with everything else.
• 42:59
  Speaker 1: You Uh right, Well, I think I think the Greeks
• 43:03
  Speaker 1: really have a really tight deco what's happened. I just
• 43:10
  Speaker 1: want to see if I can zoom in.
• 43:12
  Speaker 3: I can actually pulled up a pretty good uh you
• 43:17
  Speaker 3: got it there? Yeah, that's beautiful man.
• 43:22
  Speaker 1: Right. So again, like this is a lot of what
• 43:25
  Speaker 1: the description of you know, these sort of revelations deities are, right,
• 43:30
  Speaker 1: so this would be like close to what they call
• 43:33
  Speaker 1: the uh you know, the scarlet woman, right, and so
• 43:38
  Speaker 1: it's similar enough to actually induce fear and panic at people.
• 43:42
  Speaker 1: So when they see something like this and it's and
• 43:44
  Speaker 1: it's gigantic at the end of this hallway, they're like,
• 43:47
  Speaker 1: that's got to be evil. But really, I think it's
• 43:51
  Speaker 1: just the format that they they're not used to, because
• 43:54
  Speaker 1: we haven't made anything that even rivals anything like the
• 43:58
  Speaker 1: Greeks and of years, right, so they were building stuff
• 44:02
  Speaker 1: like this and uh these are all open to the
• 44:06
  Speaker 1: public again, right, very well maintained, like all this was
• 44:10
  Speaker 1: a symbol of pride for the ancient world.
• 44:12
  Speaker 3: Yeah, I have I have a close up picture of it.
• 44:15
  Speaker 3: Uh you want to, Yeah, here it's the uh yeah,
• 44:26
  Speaker 3: it kind of the dude a little bit like it
• 44:29
  Speaker 3: kind of looks like, uh, the Hindu.
• 44:34
  Speaker 1: Yeah, it's not my favorite artists, right, but It kind
• 44:38
  Speaker 1: of looks like Collie there, we got there. It's definitely
• 44:46
  Speaker 1: not like the Greek style that they would do for
• 44:49
  Speaker 1: a theena, because first and foremost, Athena kind of looks
• 44:52
  Speaker 1: like an alien in all of their statues, right, because
• 44:56
  Speaker 1: she doesn't have that crowd on her head. She's got
• 44:59
  Speaker 1: the helmet that sticks off the back of her head.
• 45:03
  Speaker 3: You know, the press serpent down there on on the agis.
• 45:07
  Speaker 1: Right, but the motif that they're using is not very
• 45:13
  Speaker 1: Athena like. Right, She's not wearing armor. She doesn't have
• 45:16
  Speaker 1: the breastplate with the head of Medusa on it, right,
• 45:20
  Speaker 1: which is very very common, and all the other ones.
• 45:22
  Speaker 1: She's wearing this glisteny dress, which is not something that
• 45:26
  Speaker 1: Athena was known for. She was the goddess of sewing,
• 45:29
  Speaker 1: but she never gussied herself up like that.
• 45:31
  Speaker 3: Right.
• 45:32
  Speaker 1: She was always thinking warlike and it was always focused
• 45:35
  Speaker 1: on like basic practical wisdom.
• 45:39
  Speaker 3: Who's that on her hand?
• 45:42
  Speaker 1: It looks like one of the other angels. I'm not
• 45:48
  Speaker 1: sure it could be one of the winds, because you
• 45:51
  Speaker 1: know she did have half the year she spent in Delphi, right,
• 45:56
  Speaker 1: so she would fill in for Apollo when he would
• 45:58
  Speaker 1: go up to the Boreous mountains and then Athena or
• 46:02
  Speaker 1: Poseidon would usually jump in and deliver the oracles during
• 46:05
  Speaker 1: the off season. Interesting, So these were gods that they
• 46:12
  Speaker 1: were talking to at places like Delphi and they you know,
• 46:15
  Speaker 1: actually got the conversation going on, right, Nike, Nike, Sambatha
• 46:21
  Speaker 1: is again, what's the The Roman equivalent of Athena is Minerva, right.
• 46:29
  Speaker 3: Minerva represented by the.
• 46:33
  Speaker 1: Al right, Yeah, also Athena symbol.
• 46:39
  Speaker 3: People think it's Moloch Moloch, and it's like, okay, you know,
• 46:44
  Speaker 3: go and read about mulk right the MLK. And like
• 46:49
  Speaker 3: I said, when I had Eddie on dude, he explained
• 46:52
  Speaker 3: it perfectly. It is a type of sacrifice two ball
• 46:58
  Speaker 3: maybe baham on balls of fawn whoever whatever, a canaanite
• 47:04
  Speaker 3: and a deity you want to worship. But uh, yeah,
• 47:07
  Speaker 3: it is a child. It is a certain type of
• 47:09
  Speaker 3: child sacrifice they were conducting at Bohemian Grove in the video.
• 47:15
  Speaker 3: It was a mulk sacrifice to Minerva. That's why the
• 47:20
  Speaker 3: awl is there. If you hear them they say, they say,
• 47:25
  Speaker 3: wake up in Moloch. Right, So they're even referring to
• 47:29
  Speaker 3: it in the ritual as a place no one here,
• 47:31
  Speaker 3: No one gets that when when they when they watched
• 47:33
  Speaker 3: the video. Also, it could be like the belly, like
• 47:36
  Speaker 3: like the womb of the mysteries or whatever, and they
• 47:39
  Speaker 3: would burn people down in the belly of you know,
• 47:42
  Speaker 3: during this Molok sacrifice ritual. They would either have the
• 47:47
  Speaker 3: hands right that they would get real hot and then
• 47:51
  Speaker 3: put whoever in the hands, or they would have the
• 47:54
  Speaker 3: furnace inside that was usually the bull. They would have
• 47:59
  Speaker 3: a bull, and I think they would have an alf sometimes.
• 48:03
  Speaker 3: But yeah, the deity mol that's another I think another
• 48:07
  Speaker 3: agrigor dude or like some kind of tulpa that has
• 48:10
  Speaker 3: been created.
• 48:12
  Speaker 1: It is Canaanite Phoenician. That's the type of sacrifice it
• 48:16
  Speaker 1: was is Canaanite Phoenician. That's what the MLK root comes from, right, right,
• 48:22
  Speaker 1: So it's a very specific group. Like they spread ball
• 48:25
  Speaker 1: worship up to Ireland and it was called Beltane right,
• 48:31
  Speaker 1: you know McCarthy in Irish names that means son of Carthage. Right,
• 48:38
  Speaker 1: So these are very Canaanite peoples that get transferred around
• 48:42
  Speaker 1: on all these shipping lanes. Right. This is where they
• 48:44
  Speaker 1: got all of their tin during the Bronze Age is
• 48:47
  Speaker 1: up in the British Isles. So this goes back a
• 48:50
  Speaker 1: long time with Canaanite Phoenician influence in northern Europe.
• 48:54
  Speaker 3: Beltane, yeah, Bell being in the storm god and then
• 48:58
  Speaker 3: Beltane was that May First, the day of the Illuminati
• 49:02
  Speaker 3: was founded, you know, I mean that's.
• 49:04
  Speaker 1: When they would that's when they would do their Moloch
• 49:06
  Speaker 1: sacrifices right on May first. It's all in that way
• 49:10
  Speaker 1: May Day.
• 49:11
  Speaker 3: So Adam wiseap was definitely h doing some some sacrificing
• 49:17
  Speaker 3: on that and what was it, seventeen seventy six?
• 49:21
  Speaker 1: Yeah, Yeah, This is why I always point to the
• 49:24
  Speaker 1: Caddie Phoenicians, because you could see that thread of communism
• 49:28
  Speaker 1: and human sacrifice and all the rest of that stuff
• 49:31
  Speaker 1: going back thousands of years and stopping right at their doorstep.
• 49:35
  Speaker 1: They had that they understood how to use slavery to
• 49:39
  Speaker 1: overthrow societies.
• 49:41
  Speaker 3: They're still doing it thousands of exactly.
• 49:45
  Speaker 1: Nobody pays any attention to it. Nobody pays any attention
• 49:49
  Speaker 1: because they're supposedly gone. Right when you rebrand your empire
• 49:53
  Speaker 1: as this invisible mystery school empire, who's going to know
• 49:58
  Speaker 1: the difference?
• 50:00
  Speaker 3: Right? Yeah? Yeah, I mean, you know, they write the
• 50:04
  Speaker 3: history you know, unless you go and do your own
• 50:07
  Speaker 3: research and get into this stuff, and then I don't
• 50:12
  Speaker 3: know what to tell you. That's it's really simple when
• 50:17
  Speaker 3: when you look when you look at it from that perspective,
• 50:21
  Speaker 3: it's like, hey, man, these people hate you. They've been
• 50:24
  Speaker 3: trying to poison you over your entire life, through your food,
• 50:28
  Speaker 3: your water, the air you breathe. Like you really think
• 50:31
  Speaker 3: that they're going to give you anything that's one hundred
• 50:33
  Speaker 3: percent absolutely not, absolutely not. Even some of the smallest
• 50:40
  Speaker 3: things could be changed here and there, man, And we'll
• 50:43
  Speaker 3: never know unless we can find these synchronicities sometimes and
• 50:49
  Speaker 3: connect the dots ourselves. And I think I trust some
• 50:54
  Speaker 3: schizo podcaster more than I trust a lot of the
• 50:57
  Speaker 3: mainstream news sources and what we for taught in school.
• 51:01
  Speaker 3: You know, it's just is what it is. Call me crazy, Hey,
• 51:04
  Speaker 3: don't care.
• 51:06
  Speaker 1: Well, I mean, how long have we had to deal
• 51:08
  Speaker 1: with the type of mind control that we see as
• 51:11
  Speaker 1: MK ulture today? How many times have they been updating
• 51:14
  Speaker 1: the same system? You know, You've got these different forms,
• 51:17
  Speaker 1: but it basically takes the same shape every single time.
• 51:24
  Speaker 3: Words eye power, Yes, Christina, it's a great picture. Christina.
• 51:29
  Speaker 3: By the way, love that portrait of you, like the
• 51:33
  Speaker 3: double double exposure. You should do that headless with beans.
• 51:40
  Speaker 3: Human beings should do like the little sweaters and the
• 51:42
  Speaker 3: you know, a little picture. That'd be great, man, that'd
• 51:45
  Speaker 3: be great. I would wear Yeah, I would hang that.
• 51:50
  Speaker 3: Sh also wear the Ai picture of Beans as Crowley shirt. Dude,
• 51:57
  Speaker 3: I will wear that on a shirt just because it's Beans.
• 52:00
  Speaker 2: I might. I might go out of the wall and
• 52:01
  Speaker 2: get that one. Great.
• 52:03
  Speaker 1: Great, that's funny, man, that'd be so weird wearing that
• 52:09
  Speaker 1: while also holding the cat.
• 52:13
  Speaker 3: That's the best part.
• 52:14
  Speaker 2: I fucking beans man.
• 52:19
  Speaker 3: But but so fashion is is do you see this
• 52:23
  Speaker 3: in any other cultures by like any other deities? Well,
• 52:29
  Speaker 3: since maybe in Hindu culture or you know, I don't.
• 52:33
  Speaker 1: Know, big time they call it the Shiva lingom, right,
• 52:36
  Speaker 1: so they have entire festivals around the Shiva's lingom. And
• 52:40
  Speaker 1: they've got this, uh the lamp I was showing you
• 52:44
  Speaker 1: with the Fashion news on it. They have lamps like
• 52:47
  Speaker 1: that with Shiva's lingam sticking out the top of it,
• 52:50
  Speaker 1: the exact same motif. I think a lot of this
• 52:54
  Speaker 1: fashion new stuff came through the same kind of proto
• 52:57
  Speaker 1: Indo European roots that brought the culture down into India,
• 53:02
  Speaker 1: you know, I mean.
• 53:03
  Speaker 3: All the Vedic mysteries and stuff.
• 53:06
  Speaker 1: Exactly, the Vedic mysteries were Arian mysteries. And if you
• 53:08
  Speaker 1: think about right, you think about Buddha. Right, he was
• 53:13
  Speaker 1: said to have blue eyes and light skin, like he
• 53:16
  Speaker 1: was an Aryan. That was five hundred years before Jesus. Wow,
• 53:21
  Speaker 1: so that goes way back in history.
• 53:23
  Speaker 3: Wait, so he wasn't some fat like monk looking dude
• 53:26
  Speaker 3: with that's a much.
• 53:28
  Speaker 1: Further East Asian thing, Like that's like, uh, well.
• 53:32
  Speaker 3: There were different times, were there different Buddhas, Like there
• 53:36
  Speaker 3: was an abbie Buddha and like all this stuff. Adrian
• 53:40
  Speaker 3: my my co host on elohem Etomology, he equates Anu
• 53:44
  Speaker 3: to one of the early Buddhas. Very interesting. When heat Man,
• 53:48
  Speaker 3: I got to get him on this show. We gotta
• 53:51
  Speaker 3: get him on a cult rejects. You guys would love him. Great, dude.
• 53:56
  Speaker 1: Have you guys, have you guys ever seen Hellenic Buddhism.
• 54:04
  Speaker 3: No, I'm not.
• 54:12
  Speaker 1: Hellenic Buddhism.
• 54:14
  Speaker 3: Is I.
• 54:17
  Speaker 1: Hellaus society and Buddhism during the time of Alexander, well
• 54:21
  Speaker 1: after Alexander the Great.
• 54:25
  Speaker 3: Mm hmm.
• 54:26
  Speaker 1: This is fucking crazy. Sou Greco Buddhism. That's what it's called.
• 54:32
  Speaker 1: These are Greek gods that are presented in the Buddhist style. Right,
• 54:41
  Speaker 1: So we're talking about Prometheus and all of the rest
• 54:44
  Speaker 1: of these gods as Buddhist gods because oh, who's that Hercules.
• 54:51
  Speaker 3: It's a different for its Mommy, I think there's a
• 54:57
  Speaker 3: and Buddha. I like, so fomo.
• 55:03
  Speaker 1: Right. So again, now Shiva is Dionysus, right, it's a
• 55:08
  Speaker 1: very close one to one ratio, and Dionysus is Osiris,
• 55:13
  Speaker 1: and Osiris's phallis is found at the capitol of Washington,
• 55:17
  Speaker 1: d C. So it's not that rare to think that
• 55:20
  Speaker 1: these secretisms could exist across all of these different cultures.
• 55:28
  Speaker 3: Yep.
• 55:29
  Speaker 1: Yeah, I'm telling Reco Buddhism to write that down. That's
• 55:34
  Speaker 1: only in a specific region. I think it's in the
• 55:37
  Speaker 1: Himalaya Mountains because it was practice to tell about two
• 55:41
  Speaker 1: hundred a d. No contact with the Romans whatsoever.
• 55:48
  Speaker 3: Yeah. I don't know if you heard me a few
• 55:50
  Speaker 3: minutes ago, but yeah, I didn't know there was a
• 55:53
  Speaker 3: Greek kabbala either, you know.
• 55:55
  Speaker 1: So they're the ones who made it.
• 56:00
  Speaker 3: Yeah, you see, you're you're not taught that, right, So
• 56:05
  Speaker 3: we got it. Yeah, we got to get into that sometime. Man.
• 56:09
  Speaker 3: I love learning about this stuff.
• 56:12
  Speaker 1: Right well, I mean I think that a lot of
• 56:14
  Speaker 1: this stuff has kind of swept under the rug because
• 56:17
  Speaker 1: they didn't want to for a long time, they just
• 56:19
  Speaker 1: didn't want to say anything about it. But it's like
• 56:21
  Speaker 1: a right, guys, we got to face it at some point.
• 56:23
  Speaker 1: There's there's a problem here. All of our history is
• 56:26
  Speaker 1: being mixed up by a certain group of people, and
• 56:30
  Speaker 1: we kind of know why to their book. So what
• 56:35
  Speaker 1: are we gonna do about that? All of the ancient
• 56:38
  Speaker 1: world's all fucked up now, we don't know what, where
• 56:40
  Speaker 1: anything belongs because for the longest time, they were following
• 56:43
  Speaker 1: this book as if it was you know, reality, And
• 56:46
  Speaker 1: so we're making discoveries like Hellenic Buddhism all the time
• 56:50
  Speaker 1: because you know, Noah's Ark must have changed everything, you know,
• 56:56
  Speaker 1: completely different way of looking at the world.
• 56:58
  Speaker 3: Yeah, yeah, man, I mean that's that's what I said earlier.
• 57:04
  Speaker 3: You know, you have a priest class who who hates
• 57:07
  Speaker 3: you and wants to see the destruction of your people
• 57:10
  Speaker 3: and has this vendetta against you for thousands of years,
• 57:15
  Speaker 3: you know, and it's wild, dude, wild, and people can't
• 57:20
  Speaker 3: see it. People can't see it, well, why.
• 57:26
  Speaker 1: Would they, you know. I mean at a certain point,
• 57:29
  Speaker 1: you kind of have to just go along to get along.
• 57:31
  Speaker 1: And I think that's we haven't really been facing what's
• 57:34
  Speaker 1: been happening in the background too long. I mean, think
• 57:36
  Speaker 1: about it, when when the Federal Reserve Act passed, nobody
• 57:41
  Speaker 1: took to the streets and burned anything down because none
• 57:43
  Speaker 1: of them knew what money was in the first place.
• 57:47
  Speaker 1: You know, it was just I guess that's the thing
• 57:50
  Speaker 1: we trade with. But they had no idea that it
• 57:52
  Speaker 1: was being handed over to an international syndicate or else.
• 57:55
  Speaker 1: They probably would have been more upset. But apparently we've
• 58:00
  Speaker 1: been kept dumbed down for a lot longer than we realize.
• 58:05
  Speaker 3: Well that's why, I mean, that's why it's I don't know,
• 58:09
  Speaker 3: it seems like now it's kind of time to uh
• 58:14
  Speaker 3: wait people up. And it's what We're at a point
• 58:18
  Speaker 3: in time now where you go one or two ways.
• 58:21
  Speaker 3: It's like, you know, you go back to sleep, or
• 58:25
  Speaker 3: you can, you know, start to fight back against what's
• 58:29
  Speaker 3: what's happening, start talking about it, you know, get get
• 58:32
  Speaker 3: the word out out out there to people that, and
• 58:36
  Speaker 3: I think we do a lot of that. I think
• 58:38
  Speaker 3: that's mainly what we do with the podcasting. You know,
• 58:42
  Speaker 3: we're trying to warn people like, hey, you know this,
• 58:45
  Speaker 3: this ship is real, this magic is real, and even
• 58:48
  Speaker 3: if you don't believe it, these people do, and they're
• 58:50
  Speaker 3: doing it every day, and you're participating in it unwilling,
• 58:55
  Speaker 3: like unwillingly. Sometimes willingly you give consent without knowing because
• 58:59
  Speaker 3: you want to be part of the club or part
• 59:01
  Speaker 3: you know, you want to be uh yeah, hit with
• 59:05
  Speaker 3: the times or whatever they say, you know, it's just
• 59:08
  Speaker 3: it's it's.
• 59:08
  Speaker 1: Uh most of the time, they don't know any better.
• 59:11
  Speaker 3: We're gonna separate from society, dude, We're gonna have to
• 59:15
  Speaker 3: like completely. I don't know. There has to be like
• 59:20
  Speaker 3: a great awakening, But I don't know if everyone can awaken,
• 59:24
  Speaker 3: does that make sense? I know, you can try to
• 59:30
  Speaker 3: force people to wake up. At that point, it's kind
• 59:32
  Speaker 3: of like futile.
• 59:34
  Speaker 2: I don't know.
• 59:36
  Speaker 1: Well, I think finding out about your roots is vitally
• 59:40
  Speaker 1: important because the only way you can make sense of
• 59:42
  Speaker 1: any of this stuff is by getting, you know, into
• 59:45
  Speaker 1: the stuff that made your ancestors tick back when there
• 59:49
  Speaker 1: was very little to go around. Somehow they made it bye.
• 59:53
  Speaker 1: So there has to be some real power and energy
• 59:56
  Speaker 1: in the type of beliefs that they had back then
• 59:59
  Speaker 1: that we don't have today. It might be.
• 1:00:02
  Speaker 3: Important, not even like with the spirituality even, but the
• 1:00:07
  Speaker 3: culture and the customs and stuff. Dude, Like, what was
• 1:00:13
  Speaker 3: I watching? I think I mentioned this on a show already,
• 1:00:16
  Speaker 3: The New Frankenstein.
• 1:00:18
  Speaker 2: Oh yeah, I sort of watching that, Dude.
• 1:00:21
  Speaker 3: I loved it. But he goes when he goes in, uh,
• 1:00:27
  Speaker 3: when he leaves the castle, when it gets destroyed or whatever,
• 1:00:31
  Speaker 3: the doctor burns it down or tries to kill him.
• 1:00:34
  Speaker 3: He goes to the family who is u You think
• 1:00:38
  Speaker 3: at first they're a pagan family, but they're wearing crosses,
• 1:00:43
  Speaker 3: but they're also venerating the Green Man. The grandpa is
• 1:00:46
  Speaker 3: teaching his granddaughter about their traditions and stuff through these
• 1:00:50
  Speaker 3: like little cards. He's like, who's this and he's shown
• 1:00:52
  Speaker 3: her and and I was like, yeah, I think they
• 1:00:55
  Speaker 3: may be pagan. And my wife was like, I don't know.
• 1:00:56
  Speaker 3: And then it's like the green Man, you know, and
• 1:00:59
  Speaker 3: I was like to see. But then they're they're praying
• 1:01:02
  Speaker 3: to you know, Christ and wearing crosses and stuff. But
• 1:01:05
  Speaker 3: I don't know, man, it's like they want you to
• 1:01:08
  Speaker 3: forget all of your culture, not just like the religious stuff.
• 1:01:12
  Speaker 3: Like if you have a relationship with Christ, you know,
• 1:01:15
  Speaker 3: like you know, I don't know why you can't still
• 1:01:19
  Speaker 3: explore what, you know, what you come from.
• 1:01:25
  Speaker 1: Well, until the eighteen fifties, the dominant religion in the
• 1:01:28
  Speaker 1: United States was folk magic, right, because that's that's what
• 1:01:33
  Speaker 1: you had to heal people with. That's what you had
• 1:01:35
  Speaker 1: to relate to the land.
• 1:01:37
  Speaker 3: Right.
• 1:01:38
  Speaker 1: You had to go by these cycles, and this was
• 1:01:40
  Speaker 1: how they passed on traditions from one generation to the next.
• 1:01:44
  Speaker 1: It wasn't until the eighteen fifties that they really got
• 1:01:46
  Speaker 1: rid of that tradition entirely and then pushed everybody into
• 1:01:49
  Speaker 1: these you know, megachurches because that was the start of
• 1:01:52
  Speaker 1: this new industrialized age that they had to put these
• 1:01:55
  Speaker 1: people into factories. You know, they took them off of
• 1:01:57
  Speaker 1: the land, they took them away from their ancestors, jubbed
• 1:02:00
  Speaker 1: them in factories, and then all of the rest of
• 1:02:02
  Speaker 1: that stuff went along with it. You know, you had
• 1:02:05
  Speaker 1: to have industrialized Christianity, which was like the Protestant Anglo
• 1:02:10
  Speaker 1: Protestant aesthetic right, All of these things were kind of
• 1:02:13
  Speaker 1: programmed into us with public schooling and all the rest
• 1:02:17
  Speaker 1: of these things that erased our memory of our ancestors
• 1:02:21
  Speaker 1: that used to be a very present thing until the
• 1:02:23
  Speaker 1: eighteen fifties of all times. And then we got the
• 1:02:26
  Speaker 1: Civil War, which you know, there we go. The Civil
• 1:02:31
  Speaker 1: War erased our memory too, you know, so at some
• 1:02:34
  Speaker 1: point we got to say we're going to stop with
• 1:02:37
  Speaker 1: the memory eraser and go back to something that we
• 1:02:39
  Speaker 1: really understand because all the rest of that stuff in
• 1:02:41
  Speaker 1: the eighteen hundreds, that's all propagandized. They're the ones who
• 1:02:44
  Speaker 1: wrote the history books. They're not paying attention to our
• 1:02:48
  Speaker 1: ancient past because nobody is. And once you get into
• 1:02:51
  Speaker 1: those myths and you start understanding their magic, that's when
• 1:02:54
  Speaker 1: I think you could start to repeat a little something
• 1:02:57
  Speaker 1: of it in today's society.
• 1:02:58
  Speaker 3: You know, people don't understand is that a lot of
• 1:03:01
  Speaker 3: the magic being carried out in this realm is you know,
• 1:03:08
  Speaker 3: Jewish magic, it is it's ancient Cabala magic from the
• 1:03:15
  Speaker 3: Zohar as well, you know a lot of mid mid
• 1:03:19
  Speaker 3: Rushiic stuff. And like a lot of people, especially a
• 1:03:22
  Speaker 3: lot of Christians, don't know those texts even exist, and
• 1:03:25
  Speaker 3: that it was a death sentence to show any of
• 1:03:28
  Speaker 3: them to a gentile up until a certain point, a
• 1:03:31
  Speaker 3: literal death sentence like beheading. Why is it because if
• 1:03:36
  Speaker 3: we found out all the mysteries y'all know about, then
• 1:03:39
  Speaker 3: we could use them, you know, to improve the world
• 1:03:43
  Speaker 3: into ourselves. Yeah, you have to free ourselves from bondage.
• 1:03:47
  Speaker 3: But you all, y'all don't want that, so you want
• 1:03:49
  Speaker 3: to you know everything, And that's that's what's really funny,
• 1:03:52
  Speaker 3: is like, yeah, these people who you know, they practice
• 1:03:55
  Speaker 3: mysticism out in public. I was talking about this recently, Like, dude,
• 1:03:59
  Speaker 3: they're on the side of the street in New York
• 1:04:00
  Speaker 3: with the chicken, you know, like that it's a ritual
• 1:04:05
  Speaker 3: and not a you know, animals suffering.
• 1:04:12
  Speaker 1: So right, they tie fishing line around their neighborhoods, which
• 1:04:17
  Speaker 1: indicates that somehow they haven't left their home, right, so
• 1:04:20
  Speaker 1: they can do certain things on the Sabbath that they
• 1:04:23
  Speaker 1: could normally do because they've wrapped the entire neighborhood a
• 1:04:26
  Speaker 1: lot of other people living in that neighborhood with a
• 1:04:28
  Speaker 1: fishing line, which indicates some sort of a magical circle,
• 1:04:31
  Speaker 1: Like are we going to pretend like that's not what's
• 1:04:34
  Speaker 1: going on here. I mean, that's they're creating the ritual space.
• 1:04:39
  Speaker 1: That's exactly what they're saying with this kosher thing. They're
• 1:04:42
  Speaker 1: creating a ritual space that they can go into.
• 1:04:44
  Speaker 3: Oh yeah, I was talking about with Doc the other night.
• 1:04:46
  Speaker 3: We're talking about the shakina, you know, the flame, the
• 1:04:50
  Speaker 3: humping that they need to do with the wall, that
• 1:04:52
  Speaker 3: is to conjure up an energy, a sexual energy. There's
• 1:04:56
  Speaker 3: nothing wholly about that as far as I'm concerned, as
• 1:04:59
  Speaker 3: far if you're okay for what they tell us they're
• 1:05:03
  Speaker 3: connecting with God. No, you're connecting with the feminine energy
• 1:05:07
  Speaker 3: of God. But you're not telling anyone that. So that's deception, right,
• 1:05:12
  Speaker 3: I mean, that's my understanding of what's you know, you're
• 1:05:16
  Speaker 3: you're portraying this and you're saying it's one thing. We
• 1:05:20
  Speaker 3: know it's not that, but yet you still sit there
• 1:05:23
  Speaker 3: and you say no, no, don't believe you're lying eyes
• 1:05:25
  Speaker 3: or you know whatever.
• 1:05:26
  Speaker 4: Oh yeah, they play it off as like some broad
• 1:05:28
  Speaker 4: leg nonchalant, no big deal thing that you're doing, and
• 1:05:31
  Speaker 4: it's very specific for a reason.
• 1:05:33
  Speaker 3: Well, they can do it. They're chosen, right, that's why
• 1:05:37
  Speaker 3: they're excused from the all the rituals that they participate in,
• 1:05:40
  Speaker 3: because they're chosen. They're they they want to bring God here,
• 1:05:45
  Speaker 3: they want to bring God down to here. They want
• 1:05:48
  Speaker 3: to bring Yahweh down to here. And that and I
• 1:05:52
  Speaker 3: mean those those those Third Temple cultists. Man, that that
• 1:05:55
  Speaker 3: shit's scary. That's actual. That's scary to me. You'll hear
• 1:05:59
  Speaker 3: the rabbis talking about oh well, you know it says
• 1:06:02
  Speaker 3: they'll be destroyed in twelve seconds. That sounds like a
• 1:06:04
  Speaker 3: nuclear bomb. And you're just like, what the fuck? Like
• 1:06:08
  Speaker 3: this is like you're threatening people. You're like, this is
• 1:06:12
  Speaker 3: being portrayed as a like a cement, like a like
• 1:06:16
  Speaker 3: a seminary school for young men to become rabbis, you know,
• 1:06:21
  Speaker 3: in the Yeshiva class or whatever. And when you watch it,
• 1:06:25
  Speaker 3: it is a literal just like confession of this like
• 1:06:30
  Speaker 3: sick fantasy to just dominate the entire world, dude.
• 1:06:35
  Speaker 1: But here's the thing. Luckily, their symbolism actually passes over.
• 1:06:40
  Speaker 1: So if you know the ancient symbolism around it, you
• 1:06:44
  Speaker 1: can understand things like Jacob and Esau. Right, you've got
• 1:06:47
  Speaker 1: castor and Pollux, you've got romulus and remiss. You've got
• 1:06:50
  Speaker 1: a key, and you know edily like this is the
• 1:06:54
  Speaker 1: dichotomy that they're actually using the same You're using the
• 1:06:59
  Speaker 1: same set piece, so you can understand which way things
• 1:07:02
  Speaker 1: are going if you can understand the symbolism. The problem
• 1:07:05
  Speaker 1: is we've all been kind of cut off from that symbolism,
• 1:07:07
  Speaker 1: and until you start applying your knowledge of that symbolism
• 1:07:10
  Speaker 1: to these books, you're not going to really understand what's
• 1:07:13
  Speaker 1: going on.
• 1:07:15
  Speaker 3: Yeah, I mean, people need to do their own research
• 1:07:18
  Speaker 3: as far as I'm concerned, because I mean, if they're
• 1:07:22
  Speaker 3: providing you with the definition of something, then is they
• 1:07:26
  Speaker 3: can you trust that? Can you trust these people who
• 1:07:29
  Speaker 3: hate you, who want to kill you? You know, not only
• 1:07:35
  Speaker 3: you though they I mean anything. Look, it's I don't
• 1:07:40
  Speaker 3: want to go off on a tangent. We're talking about
• 1:07:43
  Speaker 3: priapus tonight, guys. I guess the phallic energy got us
• 1:07:48
  Speaker 3: going on into a JQ kind of topic. But it's good.
• 1:07:56
  Speaker 3: You know that this stuff has to be talked about, man,
• 1:07:58
  Speaker 3: this stuff has to be fucking talked about. I don't
• 1:08:00
  Speaker 3: care if people you know.
• 1:08:03
  Speaker 1: Well, everybody loved a new curse motion, right, so I
• 1:08:08
  Speaker 1: expect this to come up and make a big comeback.
• 1:08:11
  Speaker 1: So if if anybody cuts you off in traffic, throw
• 1:08:14
  Speaker 1: them the fig.
• 1:08:16
  Speaker 4: You know I used to draw my I used to
• 1:08:18
  Speaker 4: draw my ship with that instead of using my finger
• 1:08:20
  Speaker 4: like that I used to whenever I drew my pentagrams
• 1:08:22
  Speaker 4: and extagrams or anything. I actually always didn't like that
• 1:08:25
  Speaker 4: because I've seen seeing it done by other people. Did
• 1:08:29
  Speaker 4: not know what it meant that though it's interesting.
• 1:08:32
  Speaker 1: Right, Well, it's like the again, it's female energy, so
• 1:08:36
  Speaker 1: you're using the female wand instead of the male wand,
• 1:08:39
  Speaker 1: which you know that could have different properties.
• 1:08:42
  Speaker 3: What's the female wand snail trails? Wait, I'm drawing snail
• 1:08:49
  Speaker 3: trails in the like discharge?
• 1:08:52
  Speaker 1: What do you what?
• 1:08:54
  Speaker 3: Sorry guys, hey wait, so like what's the out trill?
• 1:09:02
  Speaker 2: Leave it alone?
• 1:09:02
  Speaker 4: Man, I'm losing I'm losing listeners.
• 1:09:06
  Speaker 3: Man get their period blood.
• 1:09:10
  Speaker 2: And it's just like whatever, why do I have to
• 1:09:14
  Speaker 2: explain this?
• 1:09:14
  Speaker 3: You no forget about of course Mommy will explain it.
• 1:09:21
  Speaker 1: Have you ever been at the club and there's a
• 1:09:22
  Speaker 1: girl with a really short.
• 1:09:24
  Speaker 2: Skirt on laughing at him? All right, yeah, all right,
• 1:09:39
  Speaker 2: people like you said, what's the steel trip?
• 1:09:43
  Speaker 3: Oh? Man, big clu.
• 1:09:48
  Speaker 1: Right when you're drawing the lesser banishing ritual of the pedagram.
• 1:09:51
  Speaker 1: You're basically holding up the male right, So if you're
• 1:09:57
  Speaker 1: doing that, you're doing the female version, which I guess
• 1:09:59
  Speaker 1: would be this tail.
• 1:10:04
  Speaker 4: Well, then you should be doing the sign of the
• 1:10:06
  Speaker 4: Internet at that point too, right, should be set it
• 1:10:12
  Speaker 4: around the fucking circle, diving into it.
• 1:10:17
  Speaker 1: So hopefully we brought back a uh a uh, you know,
• 1:10:21
  Speaker 1: a dirty hand signal that people didn't know about, you know,
• 1:10:25
  Speaker 1: I think to bring a different change and energy.
• 1:10:28
  Speaker 3: Hey, so this image, okay, well, I have a few images,
• 1:10:32
  Speaker 3: a few more that I want to ask you about. Headless.
• 1:10:34
  Speaker 3: This is priapis too right, let me see.
• 1:10:41
  Speaker 1: Yeah, oh, take the thing off the top of What
• 1:10:43
  Speaker 1: do you think of it?
• 1:10:44
  Speaker 3: It's a penis underneath? Okay, okay, dude, why didn't he
• 1:10:49
  Speaker 3: have arms?
• 1:10:51
  Speaker 1: It's like that other one that you had. It was
• 1:10:52
  Speaker 1: just the legs with the phoulus in the middle and
• 1:10:55
  Speaker 1: the oval on the outside. That's another form of preampis.
• 1:11:01
  Speaker 3: Nick, I see what you did there. That's awesome. Shout
• 1:11:04
  Speaker 3: out beans. It looks we need it on a shirt.
• 1:11:09
  Speaker 2: Yeah, shirt, I like that.
• 1:11:11
  Speaker 3: Yeah. Then then there's this one right here. We're going
• 1:11:17
  Speaker 3: to share a couple other images. What there's a lot
• 1:11:21
  Speaker 3: of penises in this one. This is some artwork from
• 1:11:27
  Speaker 3: the seventeen hundreds. Is this preapus?
• 1:11:33
  Speaker 1: Well, again, in the seventeen hundreds, they were rediscovering all
• 1:11:37
  Speaker 1: of the kind of body stuff in ancient Greece and
• 1:11:40
  Speaker 1: they wanted to copy it because you know that was
• 1:11:42
  Speaker 1: in style. So yeah, that would be a much later interpretation.
• 1:11:47
  Speaker 1: They did the same thing with pant, right, So pant
• 1:11:49
  Speaker 1: has used a lot in the seventeen hundreds. It's sort
• 1:11:51
  Speaker 1: of like an re emerging motif. Yeah.
• 1:11:54
  Speaker 3: My next picture, I'm pretty sure is also god Ham
• 1:12:00
  Speaker 3: was hanging out in this picture. Look, we got all
• 1:12:02
  Speaker 3: our boys and we got you.
• 1:12:04
  Speaker 2: Look at that guy in the back.
• 1:12:06
  Speaker 4: I know that's Pan, right, he's just like watch it,
• 1:12:11
  Speaker 4: he's watching beating his dick off.
• 1:12:13
  Speaker 1: What the.
• 1:12:15
  Speaker 2: Look at his Look at these got the creep Look
• 1:12:17
  Speaker 2: at his smile.
• 1:12:18
  Speaker 3: Okay, but look at these guys, dude, I mean look
• 1:12:22
  Speaker 3: at you.
• 1:12:23
  Speaker 2: You've got an old man back then, the old man
• 1:12:26
  Speaker 2: of the tree.
• 1:12:27
  Speaker 3: That's like some druid guy. It's probably Merlin creeping yo.
• 1:12:33
  Speaker 1: Right, But these are the satyrs, right, the horny goats.
• 1:12:37
  Speaker 1: This is where you get the concept of the horny goat.
• 1:12:40
  Speaker 1: You know, well, again, goats are horny. So the whole
• 1:12:44
  Speaker 1: idea is this fertility energy and they're always again pant
• 1:12:47
  Speaker 1: is always looking to get some of these nibs pregnant.
• 1:12:51
  Speaker 1: So his idea is like, he's this god, a fertility
• 1:12:54
  Speaker 1: of the woods. You got a screak cap, Yeah, what
• 1:13:04
  Speaker 1: does that look like, Bapha Bet? What does Bapha Bet
• 1:13:06
  Speaker 1: have sitting right up in the middle.
• 1:13:10
  Speaker 3: Huge? Yeah, anyway, totally.
• 1:13:14
  Speaker 1: A baphromat thing, because Baha Bet has the cadusis right
• 1:13:18
  Speaker 1: there in the center, but it's shaped like a phallus. Yeah.
• 1:13:22
  Speaker 3: Wait really, yeah, I'm gonna hold on. Let's pull that up.
• 1:13:27
  Speaker 1: I'm gonna pull it up.
• 1:13:28
  Speaker 3: You pull it up, You pull it up. I pull
• 1:13:30
  Speaker 3: it up, you pull it up. Oh there, we got close.
• 1:13:41
  Speaker 1: You see it? Boy?
• 1:13:45
  Speaker 3: Oh that is a vallas.
• 1:13:50
  Speaker 1: It is a vallas. Oh yes, sir, come on, Bapha
• 1:13:57
  Speaker 1: Bet again, Like that's that's part of the elephis Levi thing.
• 1:14:02
  Speaker 1: But you could see that in all the ancient motifs
• 1:14:04
  Speaker 1: as well.
• 1:14:05
  Speaker 3: Yeah, he's just portraying duality in that picture, guys. But
• 1:14:08
  Speaker 3: now Baphomet does exist as some aggrigoric monster that lurks
• 1:14:18
  Speaker 3: the forests.
• 1:14:20
  Speaker 1: Well, it's okay, So you've got the light of intuition
• 1:14:24
  Speaker 1: or the light of Prometheus up here, right, You've got
• 1:14:28
  Speaker 1: these big old horns again going back to the satyrs
• 1:14:32
  Speaker 1: and all the rest of that stuff. You've got the
• 1:14:34
  Speaker 1: head which is in an upside down pentacle, and the
• 1:14:37
  Speaker 1: pentacle on his forehead being the right side up one.
• 1:14:41
  Speaker 1: And then you know, solve that coagula again, like you're
• 1:14:44
  Speaker 1: talking about all of these different dualities, and he's sitting
• 1:14:47
  Speaker 1: on the block of the world like this is kind
• 1:14:50
  Speaker 1: of the image of would you say a cube, yeah,
• 1:14:54
  Speaker 1: because there's a cube under him, and he's also on
• 1:14:57
  Speaker 1: top of the planet. So there's globust cruiser type idea
• 1:15:01
  Speaker 1: of his throne, right, so it's sort of like the
• 1:15:03
  Speaker 1: cross on the top of the world. We've got a
• 1:15:06
  Speaker 1: light moon and a dark moon, right, so are there
• 1:15:11
  Speaker 1: different energies to the moon. Probably You've got you know,
• 1:15:14
  Speaker 1: kind of a mercurial thing going on with that. And
• 1:15:17
  Speaker 1: then I'm not sure what's up with these pants though,
• 1:15:21
  Speaker 1: I'm not sure about that symbolism. And then he's got
• 1:15:23
  Speaker 1: the titties. You know, you got the titties out, which
• 1:15:25
  Speaker 1: also you've got the dick. So is that what you
• 1:15:30
  Speaker 1: see in all of this ancient phallic worship? No, it's different, right,
• 1:15:36
  Speaker 1: yea more of a male energy, right, it's not this
• 1:15:41
  Speaker 1: male female stuff. That's not what you wanted to in
• 1:15:44
  Speaker 1: the ritual, right, So it's not exactly a fertility ritual
• 1:15:49
  Speaker 1: when you're only talking about all of this hermaphroditic stuff.
• 1:15:53
  Speaker 1: So there is difference is that if you know what
• 1:15:54
  Speaker 1: you're looking for, you're going to see the changes. But
• 1:15:57
  Speaker 1: that's not exactly even in Japan.
• 1:16:00
  Speaker 3: Well, but that's what they're promoting now, you know, telling
• 1:16:04
  Speaker 3: days to adopt kids and stuff, and it's just like,
• 1:16:07
  Speaker 3: you know, why why do they want?
• 1:16:12
  Speaker 1: They want to reduce the population, so they give you
• 1:16:14
  Speaker 1: fake symbols of fertility. Right, instead of getting these ideas
• 1:16:20
  Speaker 1: about going out there making more babies, you now have
• 1:16:22
  Speaker 1: ideas about yourself, about your transgender and how you want
• 1:16:26
  Speaker 1: to have everything snipped off down there, and that's how
• 1:16:30
  Speaker 1: you fulfill the sort of fertility that you're being presented.
• 1:16:34
  Speaker 1: But there is no fertility in that, so it's it's
• 1:16:37
  Speaker 1: again it's another spell. But once you know the difference
• 1:16:40
  Speaker 1: is between pan and all of these other ancient fertility
• 1:16:44
  Speaker 1: things and what they're pushing today. You kind of get, hey,
• 1:16:47
  Speaker 1: there is a material difference in the spell that's being
• 1:16:50
  Speaker 1: cast here. But if all you think is it's all
• 1:16:55
  Speaker 1: the same thing, then how are you going to know
• 1:16:56
  Speaker 1: the difference?
• 1:16:59
  Speaker 3: Absolutely? Then let's see.
• 1:17:06
  Speaker 2: Oh yeah, I want to share something for you.
• 1:17:07
  Speaker 3: Yeah, what's up?
• 1:17:08
  Speaker 1: Nick?
• 1:17:11
  Speaker 3: Now I was gonna say, guys, I think we've talked
• 1:17:13
  Speaker 3: a good bit about priapist fashionists. So if y'all want
• 1:17:16
  Speaker 3: to just riff for a little bit, or you know,
• 1:17:18
  Speaker 3: if y'all got to go, but talking about the hands
• 1:17:21
  Speaker 3: of talking about the hand of the mysteries. I love it.
• 1:17:27
  Speaker 3: Oh dude, y'all showed this to me when I first
• 1:17:30
  Speaker 3: I think when I first met Headless. Headless showed this
• 1:17:32
  Speaker 3: to me, and I was fascinated by it, and I
• 1:17:35
  Speaker 3: saved it on my computer. It was one of these.
• 1:17:37
  Speaker 2: Yeah I can.
• 1:17:38
  Speaker 4: Unfortunately it's on the website actually a cold Research Institute.
• 1:17:43
  Speaker 4: In the description, yeah, uh there you will see. Uh
• 1:17:46
  Speaker 4: it's the hand isn't isn't up? But you will have
• 1:17:49
  Speaker 4: a Sylva and coagula prior to Bofhamet right here, and
• 1:17:52
  Speaker 4: you have the man, woman, I mean.
• 1:17:57
  Speaker 2: So even like this, you know that idea existed before
• 1:18:00
  Speaker 2: that picture of my opinion and you.
• 1:18:02
  Speaker 3: Got the peacock up there. Yeah, what was.
• 1:18:11
  Speaker 1: Let me pull that up. Do you remember what Israel
• 1:18:13
  Speaker 1: regarded was saying about who's the guy who made the
• 1:18:18
  Speaker 1: bathroo mat? Oh? Yeah he was. He was ship talking
• 1:18:24
  Speaker 1: him in the introduction, wasn't.
• 1:18:25
  Speaker 2: He might have?
• 1:18:27
  Speaker 1: Yeah?
• 1:18:29
  Speaker 2: See if I have.
• 1:18:29
  Speaker 3: Another listen, we need to get some cult reject branded
• 1:18:34
  Speaker 3: Fridgian caps. Dude, Oh, ship straight up.
• 1:18:37
  Speaker 1: They never look good. I've seen so many people try
• 1:18:40
  Speaker 1: to pull them off. They never look good. I don't know.
• 1:18:43
  Speaker 1: I don't know how they did it.
• 1:18:44
  Speaker 3: Bet you I could pull it off.
• 1:18:46
  Speaker 1: They can't even look similar to what they look like
• 1:18:49
  Speaker 1: in these statues, Like there's a different quality to the
• 1:18:52
  Speaker 1: fabric they were using or something.
• 1:18:54
  Speaker 3: I'll pull it off.
• 1:18:57
  Speaker 2: The pictures.
• 1:18:57
  Speaker 3: Let's find out what it is, dude.
• 1:18:59
  Speaker 2: These pictures I took. I had this book in my hand.
• 1:19:02
  Speaker 2: I had two.
• 1:19:02
  Speaker 4: There's only six of them left, and I had two
• 1:19:04
  Speaker 4: of them in my hand at the Binekey Library. And actually, uh,
• 1:19:07
  Speaker 4: they said they suggested that they think it was like
• 1:19:09
  Speaker 4: the Ninth Gate where the emblem these engravings are not
• 1:19:12
  Speaker 4: in order, and I showed it right there.
• 1:19:14
  Speaker 2: Uh, on the on the on the site, they're not
• 1:19:17
  Speaker 2: in order. They're they're not in the order.
• 1:19:19
  Speaker 4: So obviously there might they they they suspect it might
• 1:19:22
  Speaker 4: be something with the engravings almost kind of like the
• 1:19:24
  Speaker 4: Ninth Gate. We had to figure out the order they
• 1:19:27
  Speaker 4: got to go in because then I had all the
• 1:19:28
  Speaker 4: same and in every book.
• 1:19:34
  Speaker 1: But you know, those alchemists were crazy for their coding.
• 1:19:38
  Speaker 4: Yeah, you get the old incoagularly and kind of the
• 1:19:41
  Speaker 4: man and woman right there, two different breasts.
• 1:19:46
  Speaker 1: And the phoenix coming up to the head.
• 1:19:48
  Speaker 3: Absolutely, I was gonna say, pull this up, yeah, old ship.
• 1:19:57
  Speaker 2: Yeah, that's uh.
• 1:19:58
  Speaker 4: If if it is, no, it's Heinrich Komra, that's fine.
• 1:20:04
  Speaker 3: Yeah, you told me about him. I think first episode
• 1:20:07
  Speaker 3: we ever did together, that's when you shared the picture
• 1:20:10
  Speaker 3: with me.
• 1:20:10
  Speaker 2: It was Nick.
• 1:20:11
  Speaker 3: There you go, so dude, headless? What's on? Can can
• 1:20:15
  Speaker 3: you tell me what's on the hand? As far as
• 1:20:18
  Speaker 3: like this is the hand of the mysteries, right, the
• 1:20:21
  Speaker 3: hand of Sabazios Sebasios being the Thracian of sky Daddy,
• 1:20:28
  Speaker 3: you know.
• 1:20:31
  Speaker 1: Very closely related to Dinysis, very closely related to Zeus.
• 1:20:35
  Speaker 1: Very closely related to all these mysteries is Sebasia. And
• 1:20:39
  Speaker 1: you can see this in the hand if you if
• 1:20:42
  Speaker 1: you zoom it on the drawing one, yeah, I think
• 1:20:46
  Speaker 1: that'd be easier to look at this one. Yeah, Just
• 1:20:50
  Speaker 1: you can't zoom that end all right. So you've got
• 1:20:54
  Speaker 1: the snake coming up between the ring finger and the
• 1:20:56
  Speaker 1: middle finger, right, and that would be you know, represented
• 1:20:59
  Speaker 1: by the snake Atli right. This goes all the way
• 1:21:03
  Speaker 1: back around the hand, right. So this, this hand of
• 1:21:06
  Speaker 1: Sebazios is trying to tie together all of the mysterious
• 1:21:10
  Speaker 1: symbols that they would use in Greek and Roman worship.
• 1:21:15
  Speaker 1: And this is the right scales right here, right right,
• 1:21:19
  Speaker 1: the hand of Benediction. That's what they later called it. Now.
• 1:21:23
  Speaker 1: Sabazios is often seated in the palm of the hand,
• 1:21:27
  Speaker 1: and in some versions he's got a big crusset moon
• 1:21:30
  Speaker 1: on his forehead right, exactly like Shiva. And this is
• 1:21:34
  Speaker 1: coming through Anatolia. Anatolia is the place where East, the
• 1:21:39
  Speaker 1: Asian continent meets the European continent. So you've got all
• 1:21:42
  Speaker 1: of these different influences going back to you know, Buddhism
• 1:21:46
  Speaker 1: and Hellenism, they kind of have some sort of a
• 1:21:48
  Speaker 1: thing going on there. So all of these different things
• 1:21:52
  Speaker 1: have to do with constellations, have to do with these
• 1:21:54
  Speaker 1: different stories. So in the in the wrist part, that
• 1:21:57
  Speaker 1: would be the cave at Mount Ida that Zeus was
• 1:22:01
  Speaker 1: nursed to adulthood by a female water goat, right, this
• 1:22:09
  Speaker 1: is where we get the idea of the you know,
• 1:22:12
  Speaker 1: the zodiac sign.
• 1:22:14
  Speaker 3: That's yeah, the constellation right.
• 1:22:18
  Speaker 1: So from there you go up a level and then
• 1:22:22
  Speaker 1: you've got this this table that has some sort of
• 1:22:25
  Speaker 1: an offering on it. Not sure what that is, but
• 1:22:28
  Speaker 1: there's the thumb has the pine cone, right, and the
• 1:22:35
  Speaker 1: pine cone on the thumb is an indicator again like
• 1:22:38
  Speaker 1: the pineal gland. And also Dionysus and everything having to
• 1:22:42
  Speaker 1: do with Dionysus is back to Osiris. There's also a
• 1:22:45
  Speaker 1: lot of pine cone symbolism with Dionysus as well. So
• 1:22:50
  Speaker 1: and you know on the back, we've got the b
• 1:22:53
  Speaker 1: right on the other side of the wrist, you know,
• 1:22:54
  Speaker 1: because the cave the oracle at Delphi was at was
• 1:22:58
  Speaker 1: originally the home of these be priestesses that would eat
• 1:23:02
  Speaker 1: this mad honey and just start prophesying her. So they
• 1:23:05
  Speaker 1: were called the Melisse and uh yeah, I'm not sure.
• 1:23:11
  Speaker 1: M E L E S A I I believe No,
• 1:23:17
  Speaker 1: let me look that up real quick. You're good as
• 1:23:21
  Speaker 1: at the.
• 1:23:22
  Speaker 2: End, you know, seven is z s X is the
• 1:23:30
  Speaker 2: it's like the grand mast is name of the U
• 1:23:32
  Speaker 2: T no ship.
• 1:23:34
  Speaker 3: Hey, headless, what did you say about the risk or yeah,
• 1:23:37
  Speaker 3: right there in the wrist, Yeah, that's the Mount Ida
• 1:23:41
  Speaker 3: where Zeus was nursed by the the goat goat. Yeah,
• 1:23:55
  Speaker 3: all right, so I'm write some of this down.
• 1:24:00
  Speaker 1: That's fun.
• 1:24:01
  Speaker 3: Uh so.
• 1:24:02
  Speaker 1: Yeah, but that's a very pivotal moment in Greek mythology
• 1:24:07
  Speaker 1: because he's running away from Kronos, who wants to eat him, right,
• 1:24:12
  Speaker 1: And so as Cronos is looking for him, Raya picks
• 1:24:15
  Speaker 1: up the stone, which she wraps up in cloth and
• 1:24:20
  Speaker 1: then hands to Kronos, and then Kronos eats it whole
• 1:24:24
  Speaker 1: and he thinks he's eating Zeus, but really he's not.
• 1:24:27
  Speaker 1: And that stone that's inside of the gut of Chronos
• 1:24:30
  Speaker 1: ends up becoming the Omfhullest or the navel of the world,
• 1:24:34
  Speaker 1: and that is that the oracle at Delphi, and so
• 1:24:38
  Speaker 1: the thing that was Zeus in that in that case
• 1:24:41
  Speaker 1: then becomes this symbol of the centrality of Greece to
• 1:24:45
  Speaker 1: the rest of the universe. And so that all started
• 1:24:52
  Speaker 1: with the cave. I'm not sure what flowers those are.
• 1:24:59
  Speaker 1: You want to go to a differ one, because all
• 1:25:00
  Speaker 1: of these hands are different. They all have regional variations
• 1:25:05
  Speaker 1: and everything else.
• 1:25:07
  Speaker 2: I don't know.
• 1:25:08
  Speaker 1: It's like a got to catch them all situation. There's
• 1:25:13
  Speaker 1: so many different types.
• 1:25:14
  Speaker 3: All the hands of Sabasia's got to catch them all, guys,
• 1:25:16
  Speaker 3: and I.
• 1:25:18
  Speaker 1: Now each one of these would be stuck on top
• 1:25:21
  Speaker 1: of a pole. Yeah, raised throughout the town. You see
• 1:25:28
  Speaker 1: the ram I guess that would be aries right. There's
• 1:25:31
  Speaker 1: the cave at the bottom there, so the cave.
• 1:25:34
  Speaker 3: And that's like the womb the mysteries.
• 1:25:37
  Speaker 1: Right exactly. Okay, the underworld yep. So you've got the
• 1:25:43
  Speaker 1: underworld down here, and then you've got the overworld or
• 1:25:46
  Speaker 1: the sky gods up on top. So you've got all
• 1:25:51
  Speaker 1: of this stuff sort of, you know, as above some blowing.
• 1:25:54
  Speaker 3: I see the serpent right there on the ring finger.
• 1:25:59
  Speaker 1: Yep.
• 1:26:01
  Speaker 2: The thumb has the paneal gland on the you know,
• 1:26:06
  Speaker 2: it was something I forgot that we talked about.
• 1:26:09
  Speaker 4: Me and Hellers were talking about this, and I remembered
• 1:26:12
  Speaker 4: after the show that I was saying that, you know,
• 1:26:15
  Speaker 4: the thumb does come up a few times, like even in.
• 1:26:22
  Speaker 2: Ot O initiations, and it was weird.
• 1:26:26
  Speaker 4: How like I remember at one point, you're gonna learn
• 1:26:28
  Speaker 4: a sign and you're gonna take your hand and you're
• 1:26:30
  Speaker 4: actually gonna put your thumb up to you. You're gonna
• 1:26:32
  Speaker 4: put your thumb up right up to your panial gland
• 1:26:34
  Speaker 4: like this, like you kind of got your thumb against
• 1:26:36
  Speaker 4: your head and you're looking out. That's even how they
• 1:26:38
  Speaker 4: explain it to you. Like you're looking out like a
• 1:26:40
  Speaker 4: out into the sea.
• 1:26:41
  Speaker 2: Or the ocean.
• 1:26:42
  Speaker 4: So it's like you're even putting the panial you know,
• 1:26:44
  Speaker 4: it's got the panial glane right there. You're putting it
• 1:26:46
  Speaker 4: right against your head.
• 1:26:47
  Speaker 3: Oh headless, look at this.
• 1:26:51
  Speaker 1: You know there's a conduces in there. You got some frogs.
• 1:26:56
  Speaker 1: Looks like a turtle.
• 1:26:58
  Speaker 3: It's a key.
• 1:27:00
  Speaker 1: All have these variations.
• 1:27:03
  Speaker 3: Scales down there.
• 1:27:08
  Speaker 1: That scales, Yeah, those are the scales normally they're higher
• 1:27:12
  Speaker 1: up on that. Those are much more diminished.
• 1:27:16
  Speaker 3: Let's see let's see the uh now, let's look at
• 1:27:21
  Speaker 3: hand of the mysteries people have probably seen some manly
• 1:27:25
  Speaker 3: p hallbook. So yeah, you made so the key lantern sun?
• 1:27:36
  Speaker 3: Is that h is that Venus? Or is that that's
• 1:27:38
  Speaker 3: a six pointed star?
• 1:27:40
  Speaker 1: Well, look at the thub. Look at the thub, I
• 1:27:42
  Speaker 1: get pineal gland. It's the crown chakra.
• 1:27:45
  Speaker 3: It's right there, right right, yeah, man, but this is.
• 1:27:58
  Speaker 1: Right. There are some other Catholic ones where Jesus is
• 1:28:01
  Speaker 1: always pictured as on the thub as well, so they're
• 1:28:06
  Speaker 1: will saying, like Dionysis Jesus, the crowd chakra. All of
• 1:28:10
  Speaker 1: that stuff is sort of related.
• 1:28:16
  Speaker 3: And here we were going to look at the Yah. Dude,
• 1:28:24
  Speaker 3: I can pull one of these off. Dude, all right,
• 1:28:29
  Speaker 3: look look up a real person wearing one. Well, I
• 1:28:33
  Speaker 3: mean I think this is uh oh jes this guy's real.
• 1:28:39
  Speaker 1: No, that's he's real. That's a that's American. I'm telling you,
• 1:28:46
  Speaker 1: you fight, you find one person who could pull it off.
• 1:28:49
  Speaker 1: I'm telling you, it.
• 1:28:51
  Speaker 3: Around and give me one of these, and I will
• 1:28:53
  Speaker 3: be the most handsome. Yeah, dude, I will be a uh.
• 1:29:02
  Speaker 1: Keep scrolling down, you'll see at least one person. Oh
• 1:29:05
  Speaker 1: there know they've gone.
• 1:29:07
  Speaker 3: You be heard next year or something.
• 1:29:10
  Speaker 1: H oh oh god, yeah, ah, you like it really
• 1:29:16
  Speaker 1: hard to pull these off. Dude.
• 1:29:18
  Speaker 3: Oh that's all right, really dude, I'd wear that. I'd
• 1:29:21
  Speaker 3: wear that. I'd wear that. I'm gonna do it, all right,
• 1:29:24
  Speaker 3: I'm gonna do it. I'm gonna wear it on stream
• 1:29:26
  Speaker 3: and uh yeah, do it. I'm gonna look like this guy.
• 1:29:33
  Speaker 1: Oh that's rough.
• 1:29:37
  Speaker 2: I gotta grow a beard.
• 1:29:38
  Speaker 1: It is rough.
• 1:29:39
  Speaker 3: I'll never look like that guy.
• 1:29:41
  Speaker 2: But off the game, get a beard. You have to
• 1:29:46
  Speaker 2: have like an old dominance.
• 1:29:48
  Speaker 3: You may see me grow a little bit of a
• 1:29:50
  Speaker 3: like a beard this this winter, but never a neck
• 1:29:53
  Speaker 3: beard or any big ship. No. I have too handsome
• 1:29:57
  Speaker 3: of a face.
• 1:29:57
  Speaker 2: I've been told play will the wolkraft a month. You'll
• 1:30:00
  Speaker 2: see what happens.
• 1:30:03
  Speaker 1: There you go.
• 1:30:04
  Speaker 2: I'm gonna work on he's writing it down. It's right.
• 1:30:10
  Speaker 3: Now. Let's say yeah for me e L I A
• 1:30:14
  Speaker 3: s A. Yeah. I appreciate that. Headless yeah, breaking that down.
• 1:30:24
  Speaker 3: Always learned something with you guys. Always let me have
• 1:30:30
  Speaker 3: a good time.
• 1:30:31
  Speaker 2: I always have a good time.
• 1:30:33
  Speaker 3: I was gonna say so. Subliminal will be out in
• 1:30:37
  Speaker 3: the month of December for es So Terry book review
• 1:30:39
  Speaker 3: because his wife her schedule changes and so he'll be
• 1:30:43
  Speaker 3: with her on the weekend hanging out. He won't be
• 1:30:46
  Speaker 3: able to stream on the weekends. So if you guys
• 1:30:50
  Speaker 3: want to, you know.
• 1:30:51
  Speaker 4: I don't think I have anything schedule that will like
• 1:30:54
  Speaker 4: interfere with me coming on this Saturday.
• 1:30:56
  Speaker 2: Yeah, man, so I should be able to make all
• 1:30:57
  Speaker 2: of them.
• 1:30:57
  Speaker 3: Actually, yeah, if you do, you know, our own little
• 1:31:05
  Speaker 3: book wheel on on that wheel site, I'll get him
• 1:31:08
  Speaker 3: to send me the site and we can make our
• 1:31:09
  Speaker 3: own little thing and we can choose that.
• 1:31:11
  Speaker 1: Uh.
• 1:31:11
  Speaker 3: Next week, we are doing a cult symbolism of drum roll,
• 1:31:18
  Speaker 3: no fuck, here we go, accult symbolism of probably uh
• 1:31:26
  Speaker 3: reptiles and fish and birds maybe I don't know, maybe
• 1:31:29
  Speaker 3: not birds, but uh fish definitely because I really like
• 1:31:34
  Speaker 3: what Haul has to say in the fish section, and uh,
• 1:31:41
  Speaker 3: I mean it's it's a pretty it's a pretty uh
• 1:31:43
  Speaker 3: good fucking but I reviewed it early on in great Pield,
• 1:31:47
  Speaker 3: I didn't know near and.
• 1:31:52
  Speaker 2: When I know now, so appreciate that. Thank you.
• 1:31:55
  Speaker 3: It'll be interesting looking back at it and analyzing it again.
• 1:31:58
  Speaker 3: So if you guys want to Scott you faggot, it's
• 1:32:03
  Speaker 3: good to see you, budd But what Okay, I don't
• 1:32:05
  Speaker 3: want to know what tickles what something tickled. I don't know. Uh,
• 1:32:12
  Speaker 3: they talk about like P and N butts and stuff.
• 1:32:16
  Speaker 3: It's really weird, dude, all these guys. Uh, Scott made
• 1:32:21
  Speaker 3: a site called suckerfish off dot com. Everybody go there.
• 1:32:27
  Speaker 3: You won't regret it. Just as Raven is gay and
• 1:32:31
  Speaker 3: you can send uh you can tell Raven how how
• 1:32:34
  Speaker 3: gay he is on that website. Uh, sucker fish off
• 1:32:38
  Speaker 3: dot com. It's I'm not fucking around. If you all
• 1:32:43
  Speaker 3: go to sucker fish off dot com. Here we'll go
• 1:32:45
  Speaker 3: to it. All right, Well here I'm suck a fish
• 1:32:52
  Speaker 3: off dot com.
• 1:32:55
  Speaker 2: Here we go.
• 1:32:57
  Speaker 3: I'm gonna accept.
• 1:33:13
  Speaker 1: Rave and gay. There we go.
• 1:33:14
  Speaker 3: Yeah, gear up for the catch and then uh, that's
• 1:33:18
  Speaker 3: made by our own Scott Arey Sancho. All right, anyway,
• 1:33:26
  Speaker 3: good job. Yeah, and Raven loves it. He loves it. Uh,
• 1:33:31
  Speaker 3: he's gotten a lot of interesting male from there. I'm sure.
• 1:33:34
  Speaker 2: I don't know.
• 1:33:34
  Speaker 3: I think people forgot that existed, uh Scottie, so.
• 1:33:41
  Speaker 1: Yeah, now they don't.
• 1:33:44
  Speaker 3: Sorry, guys, we we are retarded at times on the
• 1:33:49
  Speaker 3: Gray Pillar podcast. That don't hold it against any anybody
• 1:33:53
  Speaker 3: on a court reject please.
• 1:33:57
  Speaker 1: We just got talking about Dix right.
• 1:33:59
  Speaker 3: Now, and I know, oh dude, Yeah, yeah, meet Cavern.
• 1:34:02
  Speaker 3: Let's fucking go, brother. Yeah yeah, you know, stream Yard
• 1:34:07
  Speaker 3: did good with the soundboard, but it's so like out
• 1:34:11
  Speaker 3: of the.
• 1:34:13
  Speaker 2: I'm gonna comes.
• 1:34:17
  Speaker 1: You gotta get those real quick. They're gonna watch babies
• 1:34:19
  Speaker 1: do and love it because they're good guys.
• 1:34:22
  Speaker 3: The government's good. Six six.
• 1:34:28
  Speaker 1: Yeah, there you go.
• 1:34:29
  Speaker 2: I will eat your ass.
• 1:34:33
  Speaker 3: Alex Jones some good A j sound clips we got
• 1:34:37
  Speaker 3: in there. I don't know if Nick heard it. They're
• 1:34:40
  Speaker 3: gonna watch you got some applause.
• 1:34:47
  Speaker 1: Destroy the child.
• 1:34:49
  Speaker 4: I went in there, I went in there, went there.
• 1:34:51
  Speaker 4: I was like, yo, motherfucking threw a lot of gent
• 1:34:53
  Speaker 4: up idiot. I was like, go this same mike, Yo,
• 1:34:59
  Speaker 4: what the I came in and there was like there
• 1:35:01
  Speaker 4: was like an intro scene like storing on the side,
• 1:35:03
  Speaker 4: and I was like, what the fuck is this?
• 1:35:06
  Speaker 3: Yeah, dude, trying to spice up the show a little bit,
• 1:35:09
  Speaker 3: you know.
• 1:35:09
  Speaker 2: Oh yeah, but it was his music, okay, like no, no,
• 1:35:12
  Speaker 2: it was his intro for his thing.
• 1:35:13
  Speaker 1: I was.
• 1:35:14
  Speaker 2: I was confused because I've never seen that on the
• 1:35:15
  Speaker 2: side before.
• 1:35:16
  Speaker 3: I was like, which one, oh, headless is intro? Yeah?
• 1:35:19
  Speaker 3: It was. He resized it to where it fit the
• 1:35:23
  Speaker 3: frame for the whole thing.
• 1:35:25
  Speaker 2: So, oh yeah, that would be nice, dude.
• 1:35:28
  Speaker 3: I've been doing a one man show for almost two years. Dude.
• 1:35:31
  Speaker 3: My production is like right there. If you're enough, it's
• 1:35:37
  Speaker 3: good enough that people keep coming back and watching, guys.
• 1:35:39
  Speaker 3: If y'all want to support my show, y'all can find
• 1:35:42
  Speaker 3: me on Twitter at gray Pill Pod, Instagram, gray Pill On,
• 1:35:48
  Speaker 3: Underscore Podcast, Rumble YouTube, Spotify, Apple Podcasts, all that good stuff,
• 1:35:54
  Speaker 3: Patreon dot com, Slash, gray Pill Podcast doing a lot
• 1:35:57
  Speaker 3: over there. Probably probably gonna be doing some guest episodes,
• 1:36:01
  Speaker 3: Patreon only guest episode. You know, there's Patreon only content
• 1:36:04
  Speaker 3: that that we do on there.
• 1:36:06
  Speaker 4: Uh.
• 1:36:06
  Speaker 3: The ESO tery book review, you know, does go straight
• 1:36:09
  Speaker 3: to Patreon after we go live doing them.
• 1:36:12
  Speaker 2: If we're going Patreon, I could cover the initiations with you.
• 1:36:15
  Speaker 3: Yeah, dude, definitely. I love to do that. Uh, and
• 1:36:19
  Speaker 3: it's a it's a good way to support the show.
• 1:36:21
  Speaker 4: I mean, I'll cover it on anybody's show. I just
• 1:36:23
  Speaker 4: I hate to say, if the right person hears it,
• 1:36:25
  Speaker 4: they'll take it down.
• 1:36:26
  Speaker 3: Dude. This is the the smaller audience.
• 1:36:28
  Speaker 2: And copyright people.
• 1:36:30
  Speaker 4: If something is copyrighting, you know what that means, huh,
• 1:36:34
  Speaker 4: if a book, if the initiations are copyrighted, you know
• 1:36:36
  Speaker 4: what that means? What did that shit exist somewhere in
• 1:36:40
  Speaker 4: a book that in order to copyright it? Yeah, you
• 1:36:44
  Speaker 4: know that's quite interesting to think about that. If I'm
• 1:36:46
  Speaker 4: going to talk about the initiations and the way you
• 1:36:47
  Speaker 4: could take it down for a copyright infrontment, that means
• 1:36:50
  Speaker 4: it must be somewhere.
• 1:36:52
  Speaker 3: Yeah. Well, like I said, dude, you can come on
• 1:36:55
  Speaker 3: the Patreon whenever we will set something up special episode
• 1:36:59
  Speaker 3: and uh, guys, yeah, I think this week I'm having
• 1:37:01
  Speaker 3: a Tomcat from Strange Brew podcast on at ten or
• 1:37:06
  Speaker 3: ten thirty on Saturday. It's going to be a banger.
• 1:37:09
  Speaker 3: It's his first time. We've done like five swap casts together.
• 1:37:12
  Speaker 3: Did Protocols of Zion Part one and two. We did
• 1:37:16
  Speaker 3: one on the Race War. We did a race War
• 1:37:19
  Speaker 3: where we talked about the stuff or the you know,
• 1:37:23
  Speaker 3: the the upcoming race war they've been. We did one
• 1:37:28
  Speaker 3: on the Andacky Way Back and I think that's it.
• 1:37:33
  Speaker 3: But yeah, so he'll be on and then the Veritas
• 1:37:35
  Speaker 3: Roads coming on on Sunday, so we'll be hanging with
• 1:37:38
  Speaker 3: the homies. Uh, they're always they're they're they're part of
• 1:37:41
  Speaker 3: the Patreon, dude, so uh, they joined the Patreon so
• 1:37:44
  Speaker 3: they they I was like, dude, y'all spoke with me whenever, man,
• 1:37:49
  Speaker 3: So it's good to be having them on. And uh yeah,
• 1:37:54
  Speaker 3: I don't know if I have anything else this week, Robbie,
• 1:37:57
  Speaker 3: if you see this, uh be sure. He dude, he
• 1:38:01
  Speaker 3: booked with me, but I had doc book the same
• 1:38:03
  Speaker 3: night and I don't know if I could have done
• 1:38:06
  Speaker 3: too that night. So he said he'd read books. So
• 1:38:09
  Speaker 3: hopefully be having him on soon. And uh, yep, I
• 1:38:12
  Speaker 3: think that's it for right now. Guys, what y'all got,
• 1:38:17
  Speaker 3: j'all got going? You'll plug.
• 1:38:20
  Speaker 1: No, here's what you gotta do. You've got a diagnostic
• 1:38:22
  Speaker 1: informant and tell him to get a cult reject.
• 1:38:25
  Speaker 2: Yeah, yo, you know what. Yeah, people, people listen to
• 1:38:27
  Speaker 2: the show if you follow.
• 1:38:29
  Speaker 3: Inform diagnostic informant.
• 1:38:31
  Speaker 4: He said yes to me twice. But like I, this
• 1:38:34
  Speaker 4: is so stupid with with Twitter. If someone has a
• 1:38:36
  Speaker 4: check mark and I don't, I can't. I can't hit
• 1:38:38
  Speaker 4: them up unless they follow me back. So unless this
• 1:38:41
  Speaker 4: dude follows me, which of course, you know, these these
• 1:38:43
  Speaker 4: big accounts, you know, thirty million followers and they only
• 1:38:45
  Speaker 4: follow back twenty seven.
• 1:38:46
  Speaker 2: You know, they can't hit that follow back button.
• 1:38:49
  Speaker 4: So go go ball to him and constantly comments, yo,
• 1:38:53
  Speaker 4: go on the occult rejects, man, come on the occult rejects.
• 1:38:56
  Speaker 2: Hey, Nick, yeah, this is just this. This person has
• 1:38:58
  Speaker 2: to be fuck with me. But no one. I just
• 1:39:01
  Speaker 2: I just got divorced.
• 1:39:02
  Speaker 3: Like you, you got a fan, dude? Did you not
• 1:39:05
  Speaker 3: see what she said?
• 1:39:06
  Speaker 1: That?
• 1:39:12
  Speaker 3: Dude?
• 1:39:12
  Speaker 1: I know what it was.
• 1:39:15
  Speaker 2: It's the fucking topic of the show.
• 1:39:16
  Speaker 3: You really don't like me.
• 1:39:17
  Speaker 2: We're just talking about.
• 1:39:20
  Speaker 3: My wife is watching. She's gonna try to jump my
• 1:39:22
  Speaker 3: bones and I go in there. Uh and Fomo said
• 1:39:25
  Speaker 3: it definitely affected her. Shout out forrest mommy.
• 1:39:29
  Speaker 1: Do you what I mean?
• 1:39:31
  Speaker 3: Let's see? Uh well no, no, absolutely, dude, dude. I
• 1:39:37
  Speaker 3: had Stein on to talk about the Nine Realms and
• 1:39:39
  Speaker 3: all that, and like fire Pixie and uh, who else
• 1:39:44
  Speaker 3: was it? Maddie and somebody. They were all in the comments,
• 1:39:47
  Speaker 3: just like, oh my god. Uh like you know, you
• 1:39:54
  Speaker 3: know Viking, Uh uh what are they?
• 1:39:59
  Speaker 1: Y'arel?
• 1:40:00
  Speaker 3: You know what I mean? He's a yarl of his
• 1:40:01
  Speaker 3: own plan. He's he's a good guy. Man. I can't
• 1:40:04
  Speaker 3: wait for him to come back on Great Conversation. We've
• 1:40:07
  Speaker 3: had a lot of good episodes on Great Pill lately, guys,
• 1:40:09
  Speaker 3: tons of fucking bangers only to come.
• 1:40:16
  Speaker 2: I'm I'm about to leave.
• 1:40:21
  Speaker 3: We all got anything else I'll want to plug?
• 1:40:24
  Speaker 1: Well, I'm gonna be posting his number down to the
• 1:40:27
  Speaker 1: comments in touch with him.
• 1:40:29
  Speaker 2: Shut up, shut up.
• 1:40:33
  Speaker 3: The falcon strong media. Yeah, yeah, we got that over
• 1:40:36
  Speaker 3: here at the Occult Rejects, guys, and uh, if you
• 1:40:40
  Speaker 3: get a sticker pack this week, I'm sending a few out.
• 1:40:42
  Speaker 3: You will get in a cult reject sticker in there.
• 1:40:45
  Speaker 3: Your boy sent me some so SEDGD a couple for myself,
• 1:40:48
  Speaker 3: but lucky few people will be getting one.
• 1:40:51
  Speaker 2: Oh you know what, I'll just send you out to
• 1:40:53
  Speaker 2: like another pack. I'll send you like, you know, like
• 1:40:54
  Speaker 2: twenty of them next week.
• 1:40:56
  Speaker 1: Yeah.
• 1:40:56
  Speaker 3: Yeah, no, we know. Yeah, man.
• 1:40:59
  Speaker 2: In your stuff whenever you send them out.
• 1:41:01
  Speaker 3: Okay, okay, all right, headless you good, I'm good.
• 1:41:07
  Speaker 1: I just finished this one today. Yeah, it's beautiful.
• 1:41:11
  Speaker 3: Explain to people what this is.
• 1:41:13
  Speaker 1: I just call it Behold the Escaton. So this is
• 1:41:16
  Speaker 1: my new painting. Hopefully you guys like it. If you
• 1:41:20
  Speaker 1: want to see it, you can go visit my Instagram
• 1:41:22
  Speaker 1: or my Twitter, and I'm gonna I'm gonna make it
• 1:41:26
  Speaker 1: glow in the dark. Actually, I've got this paint that
• 1:41:28
  Speaker 1: I saw on the counter there at Walmart, and I'm like,
• 1:41:31
  Speaker 1: holy fuck, it's glowing the dark. So I gotta i
• 1:41:33
  Speaker 1: gotta do something to make this thing glow. It's gonna
• 1:41:35
  Speaker 1: be awesome. Yeah, that's my painting. You can find me
• 1:41:40
  Speaker 1: on Twitter and Instagram and everything else, and uh, you
• 1:41:45
  Speaker 1: can see my I was gonna say, we got Alchy
• 1:41:47
  Speaker 1: Monday's tomorrow, dude, Alchemy Monday. I don't know if I'm
• 1:41:50
  Speaker 1: gonna be there for that.
• 1:41:51
  Speaker 3: But not dad.
• 1:41:56
  Speaker 4: It was just gonna sit there and make a pot
• 1:41:57
  Speaker 4: of tea by yourself. Oh man, Yo, did she talk
• 1:42:08
  Speaker 4: more on your show?
• 1:42:10
  Speaker 1: Well we switched off reading different stuff. So yeah, nice nice. Alright, guys.
• 1:42:18
  Speaker 1: Well I'll see you later everybody.
• 1:42:20
  Speaker 3: Y'all have a good night. This was fun. We'll see
• 1:42:23
  Speaker 3: y'all next time. Headless, who are gonna talk about next time?
• 1:42:28
  Speaker 1: Hi?
• 1:42:28
  Speaker 2: Fastus is very like a wife vagina chicken.
• 1:42:32
  Speaker 3: Somebody said, uh her Festus Thursday.
• 1:42:35
  Speaker 1: So that's interesting.
• 1:42:38
  Speaker 3: That's interesting, very interesting that Uh all right, So yeah,
• 1:42:42
  Speaker 3: y'all look out for the next rustic gods and uh
• 1:42:47
  Speaker 3: stay greatfull to everybody later