Latest / Luke's English Podcast / MC CABELINHO _ TZ DA CORONEL - Podpah _1006
Transcript
- 3:10Speaker 1: Peter, one moment, please. English online, live, it's Wizard On.
- 3:15Speaker 2: We learn English anywhere.
- 3:17Speaker 3: It's Wizard. It's wow.
- 3:20Speaker 1: Don't study English jumping off a parachute.
- 3:23Speaker 4: You don't wait for the future in the fan, you
- 3:25Speaker 4: live it in practice.
- 3:26Speaker 1: Here you have maximum grade courses at MEC. And students'
- 3:30Speaker 1: employability is priority.
- 3:32Speaker 4: You have partnerships with big companies, mandatory internships and technical
- 3:36Speaker 4: visits that bring you closer to the job market.
- 3:39Speaker 1: Here you have exclusive opportunities.
- 3:43Speaker 4: E falando em oportunidades, quem é aluno fã pode estagiar
- 3:46Speaker 4: até no maior podcast do Brasil.
- 3:48Speaker 1: E aí, pronto para viver no novo? Inscreva-se já.
- 3:51Speaker 3: Fã, seu futuro na prática.
- 3:54Speaker 1: Fã, seu futuro na prática.
- 4:10Speaker 4: Let's do this, let's start this thing here. Welcome to
- 4:13Speaker 4: another Podpar. It's going to be relaxing because I promise
- 4:16Speaker 4: this is going to be really cool, okay?
- 4:18Speaker 3: How are you, Taigão?
- 4:19Speaker 5: I'm fine, and you, young mythic? Legend of Pará?
- 4:21Speaker 3: I'm fine, legend of Osasco.
- 4:23Speaker 1: Joelma asks permission for the mythic to enter the state.
- 4:26Speaker 3: Joelma, Fafá de Belém, Murilo Couto. And.
- 4:29Speaker 6: Ximbinha.
- 4:30Speaker 3: Great Ximbinha.
- 4:31Speaker 1: Who else? There's a lot of people there.
- 4:35Speaker 4: There's a lot of people there. Oh, and another thing.
- 4:38Speaker 4: I'm going to tell you right away.
- 4:39Speaker 7: What?
- 4:39Speaker 5: We're in the 10 billion subscriber campaign.
- 4:41Speaker 1: Please, man.
- 4:42Speaker 8: Please.
- 4:42Speaker 3: Subscribe, tell me, share the channel.
- 4:44Speaker 1: There's a little left.
- 4:45Speaker 4: Look, before we start, there was the Brino show, that
- 4:47Speaker 4: you don't know. The thing here is like... There was
- 4:49Speaker 4: a total conflict today, before we started.
- 4:52Speaker 9: Really?
- 4:53Speaker 3: Uh-huh. And the broken UFC is also live. Respect this here.
- 4:56Speaker 5: This is going to be a show, right, Mítico Jovem?
- 4:57Speaker 5: You're just kidding.
- 4:59Speaker 1: Silvio Santos. Who are you?
- 5:00Speaker 3: Santos. Santos.
- 5:03Speaker 1: That's what I wanted to be. Oh, let me tell
- 5:06Speaker 1: you something. Before we introduce our wonderful guests who are
- 5:09Speaker 1: already here in our studio, I need to talk about
- 5:11Speaker 1: the sponsors of the house. Starting with the dear one
- 5:15Speaker 1: of all of us, who will debut soon. That's right,
- 5:19Speaker 1: Podpah Records, the house of music here at Podpah. So
- 5:23Speaker 1: it's already running, there's a beautiful QR code for you
- 5:26Speaker 1: to scan, which goes directly to the Podpah Records Instagram.
- 5:30Speaker 4: But what is Podpah Records? Is it a seal, is
- 5:31Speaker 4: it a bank? Man, there will be music programs.
- 5:34Speaker 1: There will be VJs.
- 5:35Speaker 3: There will be VJs, man.
- 5:37Speaker 1: If you remember MTV, we will have music programs.
- 5:39Speaker 5: It's a music program, there will be a presenter just
- 5:41Speaker 5: to talk about music.
- 5:42Speaker 3: You know what I wanted too?
- 5:43Speaker 2: Music.
- 5:43Speaker 3: Do you remember the MTV album?
- 5:45Speaker 1: It's crazy.
- 5:45Speaker 3: Imagine top 10 clips of the week. Then the guys....
- 5:51Speaker 4: Mano, put our video on Podpah Records, I'm going to
- 5:53Speaker 4: debut there too.
- 5:54Speaker 3: That's the idea, you know?
- 5:55Speaker 1: Yeah, let's break this MC Cabelinho's lyrics, for example. What
- 6:00Speaker 1: do you want to say with this? Do you know
- 6:02Speaker 1: how to talk about music? That's what Podpah Records is
- 6:05Speaker 1: going to bring, okay? So, follow us, subscribe, scan the
- 6:11Speaker 1: QR code and follow the Instagram, okay?
- 6:13Speaker 2: Soon, news.
- 6:14Speaker 5: This week, there's more news, right?
- 6:15Speaker 1: There is.
- 6:15Speaker 6: Good thing.
- 6:16Speaker 1: And look.
- 6:19Speaker 5: Talk about FAN, talk about education.
- 6:21Speaker 1: Something that no one takes away from you, okay? And
- 6:24Speaker 1: these are the last days of registration. Guarantee your spot
- 6:27Speaker 1: in the first semester of the FAN EAD in 2026.
- 6:30Speaker 5: Study at your.
- 6:31Speaker 1: Own pace, with flexibility and autonomy. And remembering that the
- 6:34Speaker 1: quality of the courses is the highest.
- 6:37Speaker 5: Grade on Mac.
- 6:37Speaker 3: Can I talk about the monthly fee? Of course, Mítico Jovem.
- 6:40Speaker 3: From R $ 99,00.
- 6:40Speaker 1: For me, for the love of God. It fits in
- 6:41Speaker 1: your pocket for you to have your diploma and study.
- 6:45Speaker 3: You spend R $ 100,00 on other things that I know, man.
- 6:47Speaker 4: Imagine R $ 99,00 a monthly fee for you to graduate.
- 6:50Speaker 3: For the love of God. Let's study.
- 6:52Speaker 5: Let's study, guys.
- 6:53Speaker 1: And speaking of study, Mítico Jovem, our sponsor, Amaster, who,
- 6:56Speaker 1: my God, trusted us so much and said, I'm going
- 6:58Speaker 1: to sponsor you. E eu vou ensinar inglês pra vocês.
- 7:02Speaker 3: E a gente topou.
- 7:03Speaker 1: Estamos com o Wizard e agora eu vou falar de
- 7:05Speaker 1: Wizard On. Igor, o que é o Wizard On? É
- 7:09Speaker 1: Wizard Online. Você vai fazer todo o curso online. 100% online. É,
- 7:14Speaker 1: mas aí o curso é igualzinho. Online.
- 7:18Speaker 7: Online.
- 7:19Speaker 1: Pra saber como funciona o Wizard On e aprender inglês
- 7:22Speaker 1: de verdade, é só apontar o celular pro QR Code
- 7:25Speaker 1: que tá aí, que você já vai pro cadastro, pras
- 7:27Speaker 1: inscrições lá. Remember, if you sign up now for this link,
- 7:31Speaker 1: you get 100 free conversations classes. I hope that's what
- 7:36Speaker 1: you want, right? To speak English. So, start the classes.
- 7:39Speaker 1: Me and Mítico have already started.
- 7:41Speaker 3: We're already speaking, right?
- 7:42Speaker 1: You know, right? We're already enjoying it a lot. Including
- 7:46Speaker 1: enrolling until the 28th, in addition to the 100 conversations classes.
- 7:51Speaker 4: You'll get this one. Yesterday I posted this, and people
- 7:54Speaker 4: are going crazy about it.
- 7:55Speaker 5: It's the dream of many children.
- 7:56Speaker 1: Brother, what is this? The Wizard has apostilles, and in
- 7:59Speaker 1: the apostilles there are written things. Oh my God, I
- 8:02Speaker 1: forgot the pronunciation of such a thing. You touch the apostille,
- 8:05Speaker 1: it says there, Breakfast. And it teaches you the pronunciation.
- 8:09Speaker 3: You know? That's very cool, man. It's very cool.
- 8:11Speaker 1: Brother, you can put Fone on the pen, come with us.
- 8:14Speaker 1: Sign up there. And remembering that English is great to
- 8:17Speaker 1: improve your curriculum, to improve your development, for you to
- 8:21Speaker 1: be a person, as I say, international. and another also.
- 8:25Speaker 5: The link of.
- 8:50Speaker 4: Eita porra, o link pra você se inscrever na plateia
- 8:54Speaker 4: do programa do Brino. Lembrando, a plateia do programa do
- 8:56Speaker 4: Brino é só de idosas, 60 a mais.
- 8:58Speaker 1: 60 a mais, só mulheres.
- 8:59Speaker 3: Tem sua tia, sua vovó, quer participar?
- 9:02Speaker 1: Traz, ainda mais se ela for pra frente.
- 9:04Speaker 3: Nossa, eu adoro idosa pra frente, você gosta?
- 9:06Speaker 2: Eu gosto.
- 9:07Speaker 3: I really like old people.
- 9:09Speaker 4: So, the program's audience is just old people.
- 9:12Speaker 3: It's really good, really.
- 9:13Speaker 1: Receive with a lot of affection, make a lot of noise,
- 9:15Speaker 1: knock down this studio. There are a lot of people here,
- 9:17Speaker 1: so I want to see if you will represent now.
- 9:19Speaker 3: Damn, they came in a big bus because they said, man, I.
- 9:21Speaker 5: Want the whole crew.
- 9:22Speaker 1: Receive with a lot of affection our guest today, MC
- 9:25Speaker 1: Cabelinho and TZ da Coronel.
- 9:27Speaker 2: Let's go! Let's go! Let's go!
- 9:32Speaker 1: Let's go!
- 9:34Speaker 2: Let's go!
- 9:36Speaker 1: How are you doing, bro? I'm good, bro. I'm good.
- 9:40Speaker 1: This pen is the one of the moment, bro.
- 9:45Speaker 2: Yeah, man. Do you have one of these left over?
- 9:48Speaker 1: Where?
- 9:48Speaker 5: Do you want to see?
- 9:49Speaker 2: No, Wizard will have to send it to you now, bro.
- 9:50Speaker 2: I'm going to want a cool one. Me too.
- 9:53Speaker 1: Just post the thing.
- 9:53Speaker 2: You saw, bro? A lot of keys.
- 9:55Speaker 3: I found a lot. Oh, is this one from Shark?
- 9:57Speaker 2: This is from my transist, Cintia. She asked me to
- 9:58Speaker 2: do it for me. It's a cross. I like Shrek,
- 10:00Speaker 2: do you like Shrek?
- 10:01Speaker 1: I like it.
- 10:02Speaker 3: If I could, all my birthdays are from Shrek.
- 10:04Speaker 2: Really, bro?
- 10:04Speaker 3: I'm a big fan of him.
- 10:06Speaker 2: I watch two of them.
- 10:07Speaker 3: It's the best movie. I don't get sick of it.
- 10:20Speaker 1: He's a gangster.
- 10:21Speaker 3: He is.
- 10:21Speaker 1: He's a good guy.
- 10:23Speaker 5: Yeah, right?
- 10:24Speaker 1: He's a good guy.
- 10:25Speaker 2: He talks a lot.
- 10:26Speaker 5: He talks a lot, man.
- 10:28Speaker 1: Do you have a friend that talks a lot?
- 10:30Speaker 3: There's always one that talks a lot.
- 10:32Speaker 1: There's always one that talks a lot. He asks everything. Yes.
- 10:37Speaker 3: He's coming. Yeah. Hey, you came here because they brought
- 10:39Speaker 3: the squad.
- 10:41Speaker 1: Of course. We had to bring the whole squad, you know? Like,
- 10:44Speaker 1: Cabelinho is in the connection there. Man, we bring our squad.
- 10:47Speaker 1: You take yours, I take mine. We go by bus.
- 10:50Speaker 4: But what is this connection between you guys? I know
- 10:53Speaker 4: it's going to be a mess, but how long has
- 10:55Speaker 4: this connection been going on?
- 10:57Speaker 1: This connection has been going on for a long time, since.
- 11:01Speaker 3: The first time we... Where did you guys meet.
- 11:03Speaker 2: For the first time? I was thinking about that, because
- 11:05Speaker 2: I already knew you.
- 11:06Speaker 3: Were going to ask that.
- 11:07Speaker 1: That's the question.
- 11:08Speaker 2: But it was at the studio of UAU, of Long,
- 11:12Speaker 2: at the time. I met TZ. When I saw TZ
- 11:15Speaker 2: for the first time, he was lying on the sofa, sleeping.
- 11:18Speaker 1: Tired of the studio.
- 11:20Speaker 2: Yeah. Yeah.
- 11:50Speaker 3: And now you're saying, let's do something together.
- 11:52Speaker 1: It's not just a song, it's a complete trampa, a
- 11:55Speaker 1: whole trampa. So you have to be in a good intimacy,
- 11:58Speaker 1: you have to be in a great exchange, you know?
- 12:00Speaker 1: Why did you decide to do this trampa together?
- 12:04Speaker 3: Who gave the idea, who pulled it?
- 12:06Speaker 1: Yeah, you were like, let's show how Barata does it.
- 12:10Speaker 2: I think since we recorded Poesia 13 together, And we
- 12:15Speaker 2: saw that he made that duet, you know? It's the
- 12:18Speaker 2: same there, it was a first, but it was fucking good.
- 12:22Speaker 2: And TZ had also called me for a participation in
- 12:25Speaker 2: his EP that he released, that we recorded. Do you
- 12:29Speaker 2: know what I am and what is the name of
- 12:31Speaker 2: this TZ?
- 12:32Speaker 1: Febre Blindada.
- 12:33Speaker 2: Febre Blindada, we recorded. And we kept seeing each other
- 12:37Speaker 2: in the studio. There came a time when there was
- 12:39Speaker 2: a lot of music, you know? We said, man, let's
- 12:41Speaker 2: release an album, you know?
- 12:43Speaker 3: Oh, it was like that.
- 12:44Speaker 2: Being that we've been promising an album for a long time.
- 12:45Speaker 5: For years and years.
- 12:47Speaker 1: The fans are already.
- 12:48Speaker 5: The.
- 12:48Speaker 2: Fans, you get it?
- 12:49Speaker 1: The fans are already good.
- 12:51Speaker 3: Or felt.
- 12:51Speaker 1: Without hope.
- 12:52Speaker 5: The guys just played with our dream.
- 12:53Speaker 2: Selling dreams.
- 12:54Speaker 1: Selling fucking dreams.
- 12:55Speaker 4: But it was at the end of the year now
- 12:57Speaker 4: that you said, man, let's put together these songs.
- 12:59Speaker 3: They created new ones. How was it?
- 13:01Speaker 1: Since we talked about the idea of the album. We've
- 13:04Speaker 1: been working on the album. But we weren't taking it
- 13:06Speaker 1: so seriously, right? Yeah.
- 13:08Speaker 3: Then after we.
- 13:10Speaker 1: Man, now the thing is to focus, bro.
- 13:12Speaker 3: Let's go, let's go.
- 13:12Speaker 5: Then we focus cool, you know?
- 13:13Speaker 2: Always when we said we were going to release the album,
- 13:17Speaker 2: he had a project to launch. Then when he could,
- 13:19Speaker 2: I couldn't.
- 13:19Speaker 5: You were also tangled.
- 13:20Speaker 1: I was tangled, you know?
- 13:21Speaker 2: Until one time came when the schedule hit. But I
- 13:23Speaker 2: think it was the right time, you know? Everything flowed
- 13:26Speaker 2: and we also managed to bring Romiano from our record
- 13:29Speaker 2: company to be with us on the album, you know?
- 13:34Speaker 2: He brought Rafa Lou, I brought Vinicin, and we did
- 13:38Speaker 2: two tracks with them, you know? So they'll be on
- 13:40Speaker 2: our album twice, not to mention Posey, Oruan, and Hatch.
- 13:43Speaker 2: Wasn't it on a trip you guys did, that this
- 13:45Speaker 2: album came out, that.
- 13:48Speaker 5: You guys were all together? You, TZ, Oruan... What? That
- 13:51Speaker 5: you guys were traveling? Did you guys do that?
- 13:56Speaker 2: No, that was at Pose's house. We were at PZ's house.
- 13:59Speaker 1: Oh, ok.
- 13:59Speaker 2: No, TZ wasn't there that day. I think he was
- 14:01Speaker 2: recording the video. He was playing soccer. He was playing soccer.
- 14:05Speaker 7: He was?
- 14:06Speaker 1: He's kidding. Man, the real talk. Soccer starts at 8 o'clock.
- 14:09Speaker 1: 9 o'clock, man.
- 14:10Speaker 5: It's already hot and rolling. It's morning or night?
- 14:12Speaker 3: It's night.
- 14:13Speaker 1: Man, bro, I'm here to record a song. Man, real talk.
- 14:17Speaker 1: I'm recording something here, bro.
- 14:19Speaker 5: You said you were recording.
- 14:20Speaker 1: He was playing the ball. If he said he was
- 14:23Speaker 1: playing the ball, you wouldn't be mad.
- 14:25Speaker 2: No, you have to give it to Eto. But I
- 14:28Speaker 2: thought he was recording the clip, you know? He wasn't,
- 14:29Speaker 2: he was playing the ball.
- 14:31Speaker 3: The guy plays so well that it looks like a clip.
- 14:33Speaker 1: You know?
- 14:34Speaker 2: I was happy.
- 14:35Speaker 1: I recorded the cuts, man. I'll play it on Instagram later.
- 14:39Speaker 1: Did you see? Leão Sousão de la Cruz took it
- 14:41Speaker 1: from me on a little football. You didn't even see it.
- 14:43Speaker 2: I don't play the ball, man.
- 14:44Speaker 11: No?
- 14:44Speaker 1: I don't play the ball.
- 14:45Speaker 5: But you play the ball, do you mean you play half?
- 14:47Speaker 1: I'm a natural player. Attack? Expensive. And bad. Put the X1, bro.
- 14:51Speaker 2: Put the X1!
- 14:51Speaker 1: Put the X1, bro. Oh, and the thing about these
- 14:54Speaker 1: challenges there.
- 14:56Speaker 5: We do the X1 stuff here.
- 14:58Speaker 4: You go to the box and someone challenges you on
- 15:01Speaker 4: the X1.
- 15:02Speaker 5: Box, football, culinary.
- 15:05Speaker 3: Caralho!
- 15:06Speaker 1: It's culinary too?
- 15:07Speaker 2: It's culinary, Prito. Ah, so say it. It's just your favorite.
- 15:10Speaker 1: Say your favorite seasoning, Prito. Go. What's your dish?
- 15:11Speaker 2: You say, this one I know how to make.
- 15:12Speaker 1: No, dude, let's change this idea.
- 15:14Speaker 2: The TZ's dish.
- 15:15Speaker 3: I know how to make anything you say, bro.
- 15:17Speaker 1: You want to eat rice with beans?
- 15:19Speaker 3: Nadia Cria.
- 15:19Speaker 1: Rice with beans, bar. Stroganoff, you order. Stroganoff, just play.
- 15:28Speaker 3: Do you add mushrooms or not?
- 15:30Speaker 1: No, I don't do that. Mushrooms are too much, you know?
- 15:32Speaker 1: Do you like it?
- 15:33Speaker 3: No, no, no.
- 15:33Speaker 1: It's when there's a lot of chef stuff.
- 15:36Speaker 2: Mushrooms are champions, right? It's the same thing, right? Yeah, horrible.
- 15:40Speaker 2: If you want to add corn too, you can't. Is
- 15:42Speaker 2: there a way to add corn?
- 15:44Speaker 1: There is.
- 15:44Speaker 3: You can't say anything about food, right?
- 15:49Speaker 2: You're going to start? You're going to talk about the
- 15:52Speaker 2: hot dog again?
- 15:53Speaker 1: Yes, put mashed potatoes in the hot dog. Bro, you
- 15:54Speaker 1: put codon's egg in the olive, a pigeon.
- 15:57Speaker 3: Uva Passa. Uva Passas.
- 16:00Speaker 1: Man, I'm going to tell you, mashed potatoes are delicious.
- 16:03Speaker 1: It's good.
- 16:03Speaker 3: Look at your kid.
- 16:04Speaker 1: It's good, it's good. I already want a marola, right?
- 16:07Speaker 5: It's better than Uva Passa.
- 16:08Speaker 1: Uva Passa is not possible, it's crazy. I don't like
- 16:11Speaker 1: Uva Passa. I like Uva Passa.
- 16:12Speaker 2: It's good. But what else do you know how to cook?
- 16:15Speaker 3: I like it a little.
- 16:16Speaker 1: Man, you have to do everything a little bit, you know?
- 16:21Speaker 2: Lasagna, bread, and padão.
- 16:22Speaker 1: Damn, padão?
- 16:23Speaker 2: Padão?
- 16:24Speaker 1: When you were from Sobrevive na Selva, you learned everything.
- 16:27Speaker 1: That's true.
- 16:28Speaker 3: Cabelinho also knows.
- 16:30Speaker 1: How to cook, right? Of course, he knows what he
- 16:31Speaker 1: wants to say.
- 16:32Speaker 2: I don't know, man. Like, make rice, fry a hamburger.
- 16:35Speaker 5: You're not going to die of laughter.
- 16:38Speaker 1: Put a macaroni to cook.
- 16:39Speaker 2: You know how to cook?
- 16:41Speaker 1: No.
- 16:41Speaker 2: Make a hot misto, a coffee, a good coffee, lettuce,
- 16:43Speaker 2: you know how to make coffee?
- 16:45Speaker 1: Coffee. Coffee.
- 16:46Speaker 2: Coffee. Tea. You can make tea. Miojo.
- 16:49Speaker 1: Fuck.
- 16:50Speaker 2: Fuck.
- 16:50Speaker 1: Miojo with poca água.
- 16:51Speaker 2: Look how many options I already said.
- 16:53Speaker 5: True.
- 16:53Speaker 2: See if you can't survive.
- 16:55Speaker 3: And you can make a rice.
- 16:56Speaker 5: A different meal per day.
- 16:57Speaker 2: Rice I know, man.
- 16:58Speaker 3: Rice I know.
- 16:58Speaker 1: Macarrão.
- 16:59Speaker 2: Feijão que é foda. Medo da panela explodir, eu não consigo.
- 17:02Speaker 5: Mas tem panela elétrica de feijão hoje já.
- 17:05Speaker 2: Tudo explode, viado.
- 17:06Speaker 5: Confia em mim. Sei fazer um feijão da hora.
- 17:11Speaker 2: But when you.
- 17:12Speaker 5: I was afraid of these guys.
- 17:13Speaker 2: When you make beans, do you put the stuff inside? Like, beetroot?
- 17:17Speaker 1: Beetroot in the beans? Damn, you've never eaten beetroot in
- 17:20Speaker 1: the beans?
- 17:20Speaker 2: The beetroot is cooked.
- 17:21Speaker 1: The beetroot is cooked, man. You put it inside the beans,
- 17:24Speaker 1: cooking together. The beetroot is already at that peak. When
- 17:26Speaker 1: you want to take the beans out, you make the salad.
- 17:28Speaker 2: You've never eaten beans with beetroot? Never.
- 17:30Speaker 5: I swear to God.
- 17:31Speaker 2: My mom and my grandma do this all their lives, man.
- 17:33Speaker 3: Is it just there in Rio, man?
- 17:35Speaker 2: It's because here you eat white beans, right? Not black
- 17:38Speaker 2: beans like there in Rio. Yeah, and look at the name.
- 17:40Speaker 5: Our beans are carioca beans.
- 17:42Speaker 3: And it's not.
- 17:43Speaker 1: And it's not the black one. I don't know if
- 17:45Speaker 1: it fits what he's saying. It's inside the beans. But
- 17:47Speaker 1: the way I see it, it's just beetroot. It's just
- 17:49Speaker 1: cooked with the beans, you know? Ah, it's cooked with
- 17:52Speaker 1: the beans, but not in the broth. I don't know
- 17:53Speaker 1: if it fits. It looks like that. I don't know.
- 17:55Speaker 1: I never paid attention, but it looks like that.
- 17:57Speaker 2: I think it's like that. But what about it?
- 18:03Speaker 1: That's okay, but I'll eat it together, like you said.
- 18:06Speaker 3: What about the beetroot?
- 18:08Speaker 1: No, but I never went to the bean pan and
- 18:11Speaker 1: found beetroot. That's what I'm trying to say. Now, I'll
- 18:13Speaker 1: eat it together, I like beetroot. But I'll make a good...
- 18:15Speaker 1: I won't say that.
- 18:21Speaker 3: What were you going to say?
- 18:22Speaker 1: Man, I was going to say.
- 18:24Speaker 5: I like to put things in the beans.
- 18:26Speaker 2: I knew you were going to say that, man.
- 18:32Speaker 9: Bacon.
- 18:33Speaker 2: Bacon.
- 18:33Speaker 3: But it's good, man.
- 18:36Speaker 2: Of course it's good. The bacon is cool, man. I
- 18:38Speaker 2: like it.
- 18:39Speaker 4: What's your favorite food? You're already talking about food.
- 18:43Speaker 1: This one I like.
- 18:43Speaker 2: That one is awesome.
- 18:45Speaker 1: My barbecue, man. The barbecue is... Ah, zero zero of
- 18:49Speaker 1: the barbecue. Lorde Roflore. F * * *, what's the
- 18:52Speaker 1: name of the man? Is he there?
- 18:53Speaker 5: Lord Ralph Lauren, he's there.
- 18:54Speaker 1: Raise your hand, Lord Ralph Lauren. F * * *!
- 18:56Speaker 3: 0-0 for the barbecue.
- 18:57Speaker 1: Come here. No, come here.
- 18:58Speaker 3: Come here.
- 18:59Speaker 1: What is this?
- 19:00Speaker 3: Come here.
- 19:01Speaker 1: He took what he couldn't put there. Come here. F
- 19:05Speaker 1: * * *, what's the name.
- 19:06Speaker 2: Of the man?
- 19:07Speaker 1: Lord Ralph Lauren. F * * *, applause for Lord
- 19:09Speaker 1: Ralph Lauren.
- 19:10Speaker 4: F * * *.
- 19:12Speaker 1: Come here, bro, to appear. How are you, monstral? Thank you.
- 19:14Speaker 3: Good evening.
- 19:15Speaker 1: We're together, guys.
- 19:16Speaker 5: Is that the 0-1 of the barbecue?
- 19:18Speaker 1: 0-0. I'm learning. What's the cut that you send the best?
- 19:22Speaker 1: Cut the butterfly! Butterfly? What is the butterfly cut?
- 19:25Speaker 3: I don't understand!
- 19:27Speaker 1: I'm just showing it.
- 19:28Speaker 3: Cut it in half and it looks like a butterfly.
- 19:30Speaker 2: It's simple, right?
- 19:31Speaker 1: It's simple! What's the name? Lord Ralph Lauren.
- 19:33Speaker 3: Now this.
- 19:33Speaker 1: I'll even.
- 19:33Speaker 3: The guys are more creative than the vultures. Which one
- 19:41Speaker 3: is the vulgar? Lord Ralph Lauren.
- 19:44Speaker 8: Now this.
- 19:44Speaker 1: I'll even.
- 19:44Speaker 3: The guys are more creative than the vulgar ones.
- 19:48Speaker 5: Let's see the vulgar ones.
- 19:50Speaker 3: Because vulgar carioca is very good.
- 19:52Speaker 5: From the bottom to the top, vulgar, fast.
- 19:56Speaker 1: Liluca.
- 19:57Speaker 2: De Luca.
- 19:57Speaker 1: De Luca, sorry. HG. HG. Bucorola. Bucorola.
- 20:02Speaker 8: Fuck.
- 20:02Speaker 2: Marcos. Marcos.
- 20:04Speaker 1: He doesn't want to talk because.
- 20:05Speaker 5: Eric is calm.
- 20:10Speaker 1: Lang?
- 20:10Speaker 5: It's all good. Tell me, my brother.
- 20:14Speaker 3: Juninho? Safira?
- 20:16Speaker 1: Foda. L or R?
- 20:20Speaker 5: R7?
- 20:20Speaker 2: Let him explain because he's R7. Come on, R7! You
- 20:23Speaker 2: didn't go to the website, did you? Let him explain.
- 20:25Speaker 2: Explain why you became R7. Your father's story, many children.
- 20:29Speaker 2: Tell us. Take the mic. My father has 10 children,
- 20:31Speaker 2: 11 in this case. Give him a TV.
- 20:32Speaker 1: My father is the seventh son of my grandfather.
- 20:35Speaker 2: I'm the seventh son of my father.
- 20:37Speaker 1: R for Ribas, you know?
- 20:38Speaker 7: You're an R.
- 20:47Speaker 2: Seventh, because I'm the seventh son.
- 20:49Speaker 5: Holy shit, that's awesome.
- 20:50Speaker 1: Applause for R7. Holy shit, man. Man, there's a kid here.
- 20:54Speaker 1: He's the seventh son, who's the.
- 20:55Speaker 3: Seventh father's son.
- 20:56Speaker 1: There's a kid.
- 20:56Speaker 3: You're so lucky. What's up, man?
- 20:58Speaker 5: He's a monster, he's very Seventh.
- 21:00Speaker 2: He's going to turn into two Lobisomans.
- 21:03Speaker 1: There's a kid here, whose nickname is R7 too. But
- 21:06Speaker 1: it's because he took a gun to school and stopped
- 21:08Speaker 1: being R7. That's a bad thing, right? Next to R7.
- 21:17Speaker 5: Mascotin.
- 21:19Speaker 1: Raflo, the monster. Vinicin. Amorim.
- 21:24Speaker 7: Brutus.
- 21:25Speaker 8: AR.
- 21:26Speaker 5: But sorry, my brother.
- 21:27Speaker 2: RG?
- 21:28Speaker 10: Fuck.
- 21:28Speaker 1: But sorry, guys. It doesn't reach the feet of Lord
- 21:33Speaker 1: Ralf Lauer.
- 21:33Speaker 5: It's the name of the emperor, you know? My brothers
- 21:36Speaker 5: from the filming.
- 21:37Speaker 2: Alain.
- 21:37Speaker 1: Reis.
- 21:45Speaker 2: Samuel?
- 21:45Speaker 1: Samuel was born at dawn. Nobody calls him that! Nobody
- 21:48Speaker 1: calls him that!
- 21:49Speaker 2: You saw the mark he made! Nobody calls him that!
- 21:52Speaker 1: What's your name? Birdman. What?
- 21:53Speaker 8: What?
- 21:53Speaker 2: Nobody calls him that, man!
- 21:54Speaker 5: How do they call you?
- 21:56Speaker 2: Listen to me.
- 21:59Speaker 1: Now tell me how they call you.
- 22:00Speaker 2: Repeat your name. Birdman.
- 22:02Speaker 5: Now tell me how they call you.
- 22:03Speaker 2: When I met Vitor.
- 22:04Speaker 6: Cabelinho, He asked my name in the van. I said, Birdman.
- 22:15Speaker 1: He got it?
- 22:15Speaker 2: Panic. Fuck! It's panic, man! Now, people call me Panic.
- 22:19Speaker 1: Now, people call me Panic.
- 22:21Speaker 5: But it's much cooler, Panic, man!
- 22:22Speaker 2: Birdman!
- 22:23Speaker 1: Birdman!
- 22:23Speaker 2: Birdman is my dick, man!
- 22:23Speaker 7: Birdman!
- 22:23Speaker 2: Birdman is my dick! Birdman is my dick!
- 22:25Speaker 1: Birdman is my dick!
- 22:25Speaker 2: Birdman is my dick! Birdman is my dick! Birdman is
- 22:27Speaker 2: my dick! Birdman is my dick! Birdman is my dick!
- 22:29Speaker 2: Birdman is my dick!
- 22:30Speaker 1: Birdman is my dick!
- 22:31Speaker 2: Birdman is my dick! Birdman is my dick!
- 22:32Speaker 1: Birdman is my dick!
- 22:33Speaker 3: Birdman is my dick!
- 22:34Speaker 1: Birdman is my dick!
- 22:34Speaker 2: Birdman is my dick!
- 22:35Speaker 1: Birdman is my dick! Birdman is my dick!
- 22:36Speaker 2: Birdman is my dick! Birdman is my dick! Birdman is
- 22:38Speaker 2: my dick! Birdman is my dick! Birdman is my dick!
- 22:39Speaker 2: Birdman is my dick! Birdman is my dick! Bird He
- 22:44Speaker 2: was back there, I was panicking. I started calling him panicking,
- 22:48Speaker 2: he didn't change his mind, he didn't say anything, I said, oh,
- 22:50Speaker 2: thank God. He wanted a job, he wanted a job.
- 22:51Speaker 5: He became panicking, usually I call him panicking, man.
- 22:54Speaker 2: Panicking is much better, man.
- 22:55Speaker 1: No, he became panicking, man.
- 22:56Speaker 4: Do you call yourself more panicking or Birdman? Do you
- 22:58Speaker 4: call yourself panicking or do you call yourself more panicking?
- 23:00Speaker 2: But straight talk. But also him getting in trouble. Birdman.
- 23:03Speaker 1: Birdman, man.
- 23:04Speaker 5: No, if you come to me and say, what am I, Hugo?
- 23:06Speaker 1: Panicking. I say, damn it.
- 23:07Speaker 3: That's it.
- 23:08Speaker 1: I left it there, you know? Fuck, but.
- 23:10Speaker 3: Birdman is also very good, ok? I won't, man. I'm smooth, man.
- 23:13Speaker 2: You're not drinking.
- 23:14Speaker 3: You want to keep.
- 23:15Speaker 2: Calling me to drink, man.
- 23:16Speaker 1: Yeah?
- 23:17Speaker 3: Are you ok?
- 23:18Speaker 2: Now, yes. I stopped drinking yesterday, man. I stopped drinking yesterday. Hey, man,
- 23:24Speaker 2: I'm going to tell you something.
- 23:25Speaker 1: Man, you're a meme, man.
- 23:26Speaker 3: I'm a meme.
- 23:26Speaker 2: You're a meme, that's it. Man, I'm ok.
- 23:29Speaker 3: I'm not, I'm not a meme, I'm ok.
- 23:30Speaker 2: Man, December, December started. When I started drinking. I was
- 23:34Speaker 2: not drinking because I was recording the Netflix series. You
- 23:37Speaker 2: know what I mean? I told you how I was
- 23:39Speaker 2: waking up early, sleeping early, and all that.
- 23:41Speaker 5: God bless you.
- 23:42Speaker 11: Yeah.
- 23:42Speaker 2: I said, it's December, I'm going to kick the bucket.
- 23:45Speaker 3: You deserve it, right?
- 23:47Speaker 2: Man, yeah, because the first time you drank, I started
- 23:49Speaker 2: kicking the bucket in December, man. I started drinking a lot.
- 23:53Speaker 2: Then comes Christmas, New Year, January, my birthday.
- 23:55Speaker 3: Carnival.
- 23:56Speaker 5: Carnival.
- 23:57Speaker 2: Like this, let's suppose, December, January, February. I have 90 days, right?
- 24:01Speaker 2: I'm going to put it on the pencil. I drank 80.
- 24:05Speaker 2: Do you think it's fair? I don't think so. I
- 24:08Speaker 2: don't think so. With my body?
- 24:10Speaker 1: With my mind?
- 24:12Speaker 2: It's not cool. And yesterday? Altezia got a beer, how
- 24:14Speaker 2: do you say it? Light. Light, that doesn't have.
- 24:17Speaker 5: Carbohydrates?
- 24:18Speaker 2: I don't know, what is it?
- 24:21Speaker 1: Without gluten, 27 calories. He thinks he can do it.
- 24:26Speaker 2: He jokes a lot, man. It's just 26, man. You
- 24:28Speaker 2: can drink a lot and stay calm, man.
- 24:30Speaker 1: The next day, you'll fix it.
- 24:31Speaker 11: It'll be quick.
- 24:31Speaker 1: The box is over. It's okay.
- 24:33Speaker 3: One or two.
- 24:34Speaker 1: You can't extrapolate. But why did you decide to stop yesterday?
- 24:38Speaker 1: What happened yesterday? No, he stopped today.
- 24:39Speaker 5: No, he said he stopped yesterday. I stopped yesterday, man.
- 24:43Speaker 1: Yesterday was Monday.
- 24:43Speaker 3: It's the day to stop.
- 24:50Speaker 5: Okay, so Sunday was the last day.
- 24:51Speaker 2: I drank from Sunday to Monday. I slept all day,
- 24:54Speaker 2: I didn't train.
- 24:56Speaker 5: Carnival too.
- 24:56Speaker 2: Yeah, I went all day to Sapucaí, you know? It's great, man.
- 25:00Speaker 1: It's good, right?
- 25:01Speaker 2: It's good.
- 25:02Speaker 1: Do you like it?
- 25:03Speaker 2: I like it, brother.
- 25:04Speaker 1: And really, I think the carnival that I liked the
- 25:06Speaker 1: most until the end was in Sapucaí.
- 25:08Speaker 5: It has a different energy there, bro. I left at
- 25:11Speaker 5: 7 in the morning.
- 25:12Speaker 3: It was very cool. And the same people enjoyed it
- 25:14Speaker 3: on Saturday too.
- 25:15Speaker 1: Exactly.
- 25:16Speaker 2: Was it this year?
- 25:17Speaker 1: No. Nothing, it was 2021. 24, man.
- 25:20Speaker 3: 23.
- 25:21Speaker 2: I was enjoying Salvador, crazy. The guys took my string.
- 25:26Speaker 1: So, man... But they tried to take it.
- 25:28Speaker 2: They tried to take my string. I invented the Olodum.
- 25:32Speaker 2: It was there in Pelourinho. But I wanted to go
- 25:34Speaker 2: to Povona that day. I wanted to stay.
- 25:37Speaker 5: I don't know, man.
- 25:37Speaker 2: At ease.
- 25:38Speaker 1: At ease.
- 25:38Speaker 3: You should live the thing.
- 25:39Speaker 2: Yeah, then we stayed there in... In the house where
- 25:42Speaker 2: Michael Jackson recorded his video.
- 25:44Speaker 1: Very cool.
- 25:44Speaker 2: We stayed there for a long time. I said, man,
- 25:47Speaker 2: I have a show soon. I have to go. I
- 25:50Speaker 2: left at the time of the storm, but I had
- 25:51Speaker 2: to go, you know? It was that time. And I
- 25:52Speaker 2: thought I would be calm because I was on the balcony. Fuck!
- 25:55Speaker 2: I drank a lot of water. No, I didn't stop.
- 25:57Speaker 2: I stopped yesterday. I was on the balcony and the
- 26:00Speaker 2: guys were all like, come here, let's dance. Let's dance here.
- 26:17Speaker 6: I was imagining the guys saying, come.
- 26:20Speaker 2: On, let's dance.
- 26:21Speaker 1: Come on, let's dance.
- 26:22Speaker 2: Bahia, Salvador. It's very lively there, isn't it? It really is.
- 26:26Speaker 2: I said, I'm going to take advantage of the guys' sympathy.
- 26:32Speaker 2: I'm going to go down, you know? I'm going to
- 26:34Speaker 2: dance a little bit and I'm going to go there.
- 26:35Speaker 2: Then a lot of people came around me. I wanted
- 26:42Speaker 2: to take a picture with the crowd, but I couldn't.
- 26:44Speaker 2: At the same time, I was taking pictures and hugging them.
- 26:46Speaker 2: When I went to see them, the guys were like, wow!
- 26:50Speaker 2: They pulled this cord here.
- 26:51Speaker 1: You were only with this one?
- 26:53Speaker 2: I was only with this one. They pulled this one here,
- 26:55Speaker 2: you know? It burst. It burst. Then Miguel, my security,
- 27:00Speaker 2: went and put it in my pocket. Our luck, do
- 27:03Speaker 2: you know how we got out of there? Because I
- 27:05Speaker 2: was with Chuga, who is my boxing teacher, and there
- 27:09Speaker 2: were other boxing teachers there that he knew. Because I
- 27:11Speaker 2: fought with him at the time, you know? The fight stalled. No,
- 27:15Speaker 2: the guys were like that, they were crazy, they just
- 27:17Speaker 2: did the circus and I passed, son. You know? And
- 27:20Speaker 2: I passed. But I'm going to tell you something, I almost.
- 27:23Speaker 5: Have no neck.
- 27:23Speaker 1: I saw you, you were beaten.
- 27:25Speaker 5: Did you see?
- 27:25Speaker 1: I saw, I saw.
- 27:26Speaker 2: But it was cool, man.
- 27:27Speaker 1: No, I thought it was very cool what you said, like, man,
- 27:29Speaker 1: it was almost a mess, but it was fucking cool.
- 27:31Speaker 1: But it was cool, it was, like, I wasn't crazy, man.
- 27:32Speaker 2: But did you see what it was? I didn't see anything.
- 27:35Speaker 2: Did you see what it was? Because in the video
- 27:40Speaker 2: you can see it, but I didn't want to see it.
- 27:43Speaker 1: Did you let it go? I let it go.
- 27:44Speaker 2: It was a good moment, man. It was smooth. Then
- 27:47Speaker 2: I did a show. Salvador was very good.
- 27:48Speaker 3: I think he regretted it. Who did it regretted it?
- 27:50Speaker 3: I don't think so.
- 27:51Speaker 2: He didn't regret it.
- 27:53Speaker 1: I don't think so.
- 27:54Speaker 2: He takes the bus and he takes it.
- 27:56Speaker 1: I think he's regretting not having a ticket.
- 27:58Speaker 2: He was like, fuck!
- 28:00Speaker 3: He escaped. And you, how was the carnival?
- 28:02Speaker 1: I had a quiet time, you know? I had a
- 28:04Speaker 1: good time in Sapucaí too. But most of the days
- 28:07Speaker 1: I stay at home.
- 28:08Speaker 3: You're not a big fan of the mess, of the blocks?
- 28:10Speaker 1: I'm not a big fan of the track, you know?
- 28:12Speaker 1: The guys who try to drag me in any way.
- 28:14Speaker 1: You never managed?
- 28:16Speaker 6: He's the one who calls me, man.
- 28:18Speaker 2: The hypocrite guy.
- 28:19Speaker 1: I'm the one who calls, man.
- 28:21Speaker 2: He's crazy.
- 28:22Speaker 1: Who's lying now? Who's lying now? Cabelinho. Man, brother here
- 28:27Speaker 1: at home. It's all right here.
- 28:28Speaker 2: Just the script.
- 28:29Speaker 1: Bring your script. Monday, Tuesday... 4th, 5th, 6th. I'll tell
- 28:33Speaker 1: you something.
- 28:34Speaker 2: The process of this album was cool. Because we made
- 28:38Speaker 2: the album enjoying it. It's the best thing.
- 28:41Speaker 3: It's the best sound.
- 28:42Speaker 1: He took his kids to his house.
- 28:44Speaker 2: My kids were at B13. We drank and made the music.
- 28:46Speaker 2: We couldn't even put all the songs we recorded on
- 28:49Speaker 2: the album. There are a lot of songs. So it's deluxe.
- 28:52Speaker 2: You want to leave a hint. I don't think so.
- 29:00Speaker 7: Man.
- 29:00Speaker 1: I don't know. It depends on how the fans received
- 29:03Speaker 1: this first trap. Man, if he says Sapo, we'll jump.
- 29:06Speaker 5: Yeah, right?
- 29:06Speaker 2: Damn.
- 29:07Speaker 3: And how many tracks will there be on this album?
- 29:09Speaker 1: 11. 11?
- 29:09Speaker 7: Some.
- 29:09Speaker 2: Why? 11. Or not?
- 29:15Speaker 1: Because 11 is the number of perfection, aligning with the stars.
- 29:18Speaker 2: Stop joking, Tezinho. If we choose 11 in the band,
- 29:20Speaker 2: it's because of this that there will be 11, man.
- 29:22Speaker 5: He's making fun of me.
- 29:23Speaker 3: His story makes the album fuller. Why does he joke
- 29:26Speaker 3: so much? Now I can't believe it anymore.
- 29:29Speaker 5: I don't know, man.
- 29:30Speaker 1: He told a lie without shaking the muscle.
- 29:33Speaker 5: 11 is the number of perfection, and then we aligned.
- 29:36Speaker 3: If you leave it there, it's too much of a joke.
- 29:41Speaker 1: I'm not going to tell you until today.
- 29:43Speaker 3: For you to see how good we are.
- 29:44Speaker 1: Like this. You owe 50% more. How much was the PIX?
- 29:59Speaker 5: It was 50, now it's 100.
- 30:01Speaker 1: He owed 100.
- 30:01Speaker 5: He paid 50.
- 30:02Speaker 1: You owe 50 because you spent more than 5 months.
- 30:04Speaker 1: Now it's 100 again. It's 10k each. I only have 25.
- 30:06Speaker 1: You don't accept? You're paying as much as you can.
- 30:09Speaker 1: You have a cell phone, a TV. A motorcycle. You
- 30:11Speaker 1: can come with a motorcycle. A sofa.
- 30:14Speaker 2: A sofa.
- 30:28Speaker 1: HB20, bro.
- 30:29Speaker 3: I'm gonna tell.
- 30:30Speaker 2: You something, bro.
- 30:31Speaker 1: It's crazy.
- 30:31Speaker 2: You don't have the guts? What?
- 30:33Speaker 1: To go to the ring?
- 30:35Speaker 4: I thought it was very gangster.
- 30:39Speaker 1: Bro, it's awesome, bro.
- 30:40Speaker 2: But TZ was with a response, I told him. He
- 30:43Speaker 2: was with a sinister response. He was, bro. I'm glad
- 30:46Speaker 2: he got there. Daniel is my partner. He recorded a
- 30:48Speaker 2: movie with me. You know? It's not normal, but TZ
- 30:50Speaker 2: is also my partner, you know? And, like, wanting it
- 30:54Speaker 2: or not, to be honest, I was rooting for Menor,
- 30:56Speaker 2: you know? But I was like, do you want to see, bro?
- 30:59Speaker 2: I was like, damn, bro, I can't believe there's Zepierde, bro.
- 31:02Speaker 2: It's a sport, right?
- 31:02Speaker 1: You always say, go here.
- 31:03Speaker 2: Go here. Yeah, you know?
- 31:05Speaker 3: Go here, he'll trip.
- 31:06Speaker 2: But thankfully he already arrived.
- 31:08Speaker 1: Bro, it was the first punch, it's over.
- 31:10Speaker 2: Yeah, bro. I was nervous that day. I saw his fight.
- 31:12Speaker 2: I was doing a show in Brasília, wasn't it? Brasília?
- 31:15Speaker 2: I think it was Brasília. It was Brasília. I put
- 31:17Speaker 2: my cell phone in the bathroom, like this, to be
- 31:20Speaker 2: able to see, because there was no TV there in
- 31:22Speaker 2: the dressing room. And Geraldo was cheering for him there.
- 31:25Speaker 2: It was fucking cool, I got nervous.
- 31:27Speaker 1: It didn't last long. I asked you that.
- 31:31Speaker 4: Day, you said, no, man, the idea was from the
- 31:33Speaker 4: beginning to knock him down and fuck it.
- 31:35Speaker 1: I don't worry about anything, there will be Nego do
- 31:37Speaker 1: Borel and Biel. I'm going to buy all the Camarote.
- 31:41Speaker 3: In the front.
- 31:42Speaker 1: In the front, and whoever is there, I pay double.
- 31:44Speaker 1: I say, okay, I pay double, I want to see.
- 31:45Speaker 3: Who do you think will win, Biel or Nego do Borel?
- 31:48Speaker 1: Nego do Borel. Nego do Borel will win.
- 31:52Speaker 3: Who do you think is going to win the NBA?
- 31:54Speaker 1: Nego do Mourão. Nego do Mourão is serious. He lost twice,
- 31:56Speaker 1: but now he's better. He's training hard.
- 31:58Speaker 2: It's going to be Floyd's fight, man. It's going to
- 32:01Speaker 2: be Floyd and Pacquiao's fight.
- 32:02Speaker 1: You saw that before there was going to be Floyd
- 32:04Speaker 1: and Exhibição. But he and Mike Tyson. Is it going
- 32:06Speaker 1: to be Exhibição?
- 32:08Speaker 3: It's going to be.
- 32:09Speaker 2: Floyd is the best, man. Floyd and Pacquiao. I think
- 32:12Speaker 2: it's going to be in September. I was watching the
- 32:14Speaker 2: show yesterday. I thought it was awesome.
- 32:15Speaker 3: What if someone calls you to trade?
- 32:17Speaker 2: They already called me. I'm not going, man. Why not?
- 32:20Speaker 2: Because I think... I'm not saying I deserve it, but
- 32:22Speaker 2: I think it's the biggest thing about sub-celebrities, man. I
- 32:25Speaker 2: respect it. I don't like it, you know?
- 32:27Speaker 1: But because of the adrenaline.
- 32:28Speaker 2: No, but he was.
- 32:29Speaker 1: No, but you can see.
- 32:29Speaker 2: That he was for it. But he was for it. Adrenaline, bro, playboy, fangirl,
- 32:32Speaker 2: but like... I don't like it, you know? I don't agree,
- 32:35Speaker 2: you know?
- 32:36Speaker 1: I got it. But if it's some gringo.
- 32:38Speaker 2: Like Justin Bieber, then it's that peak, man. If you
- 32:41Speaker 2: want to enter, Yogi Thug. If the guys want to enter, man,
- 32:44Speaker 2: you can come. I'll get ready for that.
- 32:46Speaker 1: If you call me again... I'll call you again. I'll
- 32:50Speaker 1: fight with another one. I like that. I like it too.
- 32:57Speaker 1: I like it too. I agree with both of you.
- 33:00Speaker 1: I agree with both opinions. I wouldn't go out of
- 33:02Speaker 1: my way in a thing like that. But I'm crazy
- 33:08Speaker 1: enough to go out on my own. If you go
- 33:10Speaker 1: out on your own, you'll want to go out on
- 33:12Speaker 1: your own forever. It's a fight.
- 33:14Speaker 3: It must be an adrenaline rush.
- 33:15Speaker 1: You'll say, I have to fight again. Did you only
- 33:17Speaker 1: do that or did you do something else? I only
- 33:19Speaker 1: did that in my life.
- 33:20Speaker 5: And I have a fight too. You have it on YouTube.
- 33:21Speaker 1: When I was little, I had a fight on YouTube.
- 33:23Speaker 2: I fought.
- 33:24Speaker 1: How many fights did you do? I only did one.
- 33:26Speaker 2: At the time I was training boxing. It was training, right?
- 33:36Speaker 1: Wow, you have to separate the stuff I saw today
- 33:38Speaker 1: and I said, wow, I'll show it to the guys,
- 33:39Speaker 1: the guys will want to buy it. What?
- 33:41Speaker 5: I'll show you. Where are the saved stuff? But you're training.
- 33:45Speaker 2: There was something there that I wanted to show you.
- 33:47Speaker 5: I'm training directly, man.
- 33:48Speaker 3: But as if you were fighting or are you training normally?
- 33:51Speaker 3: How is your training?
- 33:52Speaker 1: Like this, man.
- 33:53Speaker 3: I'm training there.
- 33:55Speaker 1: Let's say the middleweight, you know? If the fight comes up,
- 33:58Speaker 1: I'll go up. It's already in the bag.
- 34:00Speaker 2: Supreme ring.
- 34:00Speaker 1: You saw? I saw it today. There were a lot
- 34:03Speaker 1: of stuff together, right? A lot of Supreme stuff. Even
- 34:07Speaker 1: Supreme's box had.
- 34:08Speaker 2: You know, man?
- 34:08Speaker 5: And the t-shirts had sometimes.
- 34:10Speaker 1: Badarosca, I'll go there.
- 34:13Speaker 5: 200 dollars.
- 34:14Speaker 3: Supreme ring.
- 34:15Speaker 2: But, man... I think it's the best fight there is,
- 34:19Speaker 2: you know? Congratulations to everyone. Like, I think Livinho Brabham...
- 34:23Speaker 2: Livinho Brabham... But who fought there? Chamal also represented.
- 34:28Speaker 5: Damn, Chamal.
- 34:29Speaker 2: Chamal also represented. I thought it was cool. I like
- 34:32Speaker 2: to follow like this.
- 34:33Speaker 1: Me too. Me too.
- 34:34Speaker 5: But Livinho seems to have challenged the Brazilian Boxing Champion, man.
- 34:37Speaker 1: Really?
- 34:37Speaker 5: He and Fight Nerds, who are training him. I said,
- 34:40Speaker 5: calm down, Livinho.
- 34:42Speaker 3: But Livinho is.
- 34:43Speaker 5: No, man, it's okay. Livinho is a monster, a monster.
- 34:46Speaker 1: But the guy did this all his life. So I
- 34:48Speaker 1: tend to believe that he will win.
- 34:49Speaker 3: It's the probability.
- 34:51Speaker 1: I want Livinho to win. Damn, Livinho would be awesome.
- 34:52Speaker 1: But the guy who does this all his life is
- 34:54Speaker 1: the same thing. I don't know, man. I won't even
- 34:58Speaker 1: say the comparison. Okay.
- 34:59Speaker 4: So if today a MC from São Paulo, Rio de Janeiro,
- 35:02Speaker 4: called you to the pole, would.
- 35:06Speaker 2: You say... No, man. Ask him to come fight with
- 35:08Speaker 2: me in the hill there.
- 35:10Speaker 1: Fight?
- 35:10Speaker 2: In the ring of the hill, in the Nobre Arte.
- 35:12Speaker 1: Without anyone filming, it doesn't work. I see.
- 35:14Speaker 5: You saw, right? You said you'd call the pole, 20
- 35:17Speaker 5: guys said... What was it, man?
- 35:19Speaker 1: When I said it, I stayed quiet to.
- 35:25Speaker 3: But, Igão and you, do you have any... Oh.
- 35:29Speaker 5: Bro, who called me to do the Bambam? I said, fuck,
- 35:32Speaker 5: it's awesome.
- 35:34Speaker 1: You know, I say like this, the Bambam can simply
- 35:38Speaker 1: go there, do normal, but he can be, I don't know,
- 35:41Speaker 1: with a machadinha on his bermuda.
- 35:43Speaker 5: You know, it's a thing that I don't know what
- 35:44Speaker 5: to expect from him, you know?
- 35:46Speaker 1: Got it.
- 35:46Speaker 3: Is there anyone you want to get, then?
- 35:49Speaker 2: Oh, man.
- 35:49Speaker 3: Is there anyone you want to change punches? In the box,
- 35:54Speaker 3: on top of the ring? In the fight, yes, man.
- 35:55Speaker 1: There's no one to lie to, but the occasion makes
- 35:58Speaker 1: the thief, you know?
- 36:02Speaker 3: Damn, he's prepared.
- 36:04Speaker 1: You know, right? The thing is with... The guy is wanting, man.
- 36:11Speaker 1: Kai Black and Veigar also fight, right? Fight. They're good too.
- 36:16Speaker 4: You, MC, singer, artist, if you want to call the TZ,
- 36:19Speaker 4: say hi. No, but I talked to Veigar.
- 36:21Speaker 1: And he said he doesn't like it either. He didn't
- 36:23Speaker 1: want it. I don't think Kai Black does either.
- 36:25Speaker 2: Veigar doesn't like it either.
- 36:27Speaker 5: But Kai Black is going to MMA, man.
- 36:28Speaker 3: He's in Jiu-Jitsu, he's doing several other things.
- 36:31Speaker 1: I said, damn, man.
- 36:31Speaker 3: I think it's cool, right bro?
- 36:33Speaker 5: Bro, no, it's really cool.
- 36:34Speaker 1: I started a year and a half ago.
- 36:37Speaker 2: Do it, bro.
- 36:38Speaker 1: What?
- 36:38Speaker 2: Boxing?
- 36:39Speaker 1: Boxing.
- 36:39Speaker 2: Boxing. Boxing.
- 36:40Speaker 1: You're addicted, aren't you? Addictive, bro.
- 36:41Speaker 2: I like it.
- 36:42Speaker 1: Then I looked... Damn, I was even telling this to
- 36:44Speaker 1: the master. Today.
- 36:46Speaker 5: I said like, damn, we are men, right?
- 36:48Speaker 1: We grow up like.
- 36:48Speaker 5: You know what? I'm good. Fuck it.
- 36:50Speaker 1: I went to see the first video of Manopla, man. Horrible.
- 36:55Speaker 3: All crooked.
- 36:56Speaker 1: What is this?
- 36:57Speaker 5: It was just like this.
- 36:57Speaker 2: The arms flying.
- 36:58Speaker 1: Yeah. Fuck. That's the way it is. That's the way
- 37:02Speaker 1: it is. That's the way it is. That's the way
- 37:04Speaker 1: it is. That's the way it is. That's the way
- 37:08Speaker 1: it is.
- 37:08Speaker 5: That's the way it is. There's more boxing time than.
- 37:26Speaker 2: I fought in the federation that was there, in the
- 37:28Speaker 2: Delphine Academy, in Tijuca, in Rio.
- 37:30Speaker 4: Have you never thought about being a professional?
- 37:34Speaker 2: At that time, yes, when I was a little boy.
- 37:36Speaker 2: But when the music came into my life, I.
- 37:40Speaker 5: You liked it more, right?
- 37:42Speaker 2: Yeah, and.
- 37:44Speaker 1: Also.
- 37:44Speaker 2: I think that... Athletes don't win well, man. Unfortunately, man.
- 37:49Speaker 2: I think that... Athletes in Brazil... You know? I think
- 37:54Speaker 2: it deserves more recognition in the financial part. There are
- 37:56Speaker 2: few incentives, right?
- 37:56Speaker 1: Only sponsorships.
- 37:57Speaker 2: I think that... I've seen many athletes say, man, it
- 37:58Speaker 2: sucks that I don't earn much. I'm kind of crazy
- 38:05Speaker 2: about this stuff, you know? These guys are good, they
- 38:08Speaker 2: work like hell.
- 38:08Speaker 5: The guys have to make a motorbike mic.
- 38:10Speaker 2: Yeah, you know?
- 38:11Speaker 1: Uber, you know?
- 38:11Speaker 5: You'll see a guy fighting, he fights like hell. If
- 38:13Speaker 5: he had a mic, he'd be on fire.
- 38:15Speaker 2: Yeah, there are a lot of brave guys, man. Very good,
- 38:16Speaker 2: but sometimes a guy is not well paid, you know?
- 38:19Speaker 2: And sometimes, because of.
- 38:20Speaker 3: Work, you don't have time to train hard, to dedicate
- 38:22Speaker 3: yourself to that, right? Exactly.
- 38:23Speaker 1: There are a lot.
- 38:24Speaker 2: Of good guys who train with me, because sometimes they
- 38:25Speaker 2: don't train because they didn't go. Man, I was working,
- 38:28Speaker 2: I had to work, you know? This guy is missing
- 38:30Speaker 2: a bag, man. For the athletes. A real incentive, right?
- 38:36Speaker 1: Yeah, you know? My brothers, I mean, I want to
- 38:39Speaker 1: know about you two, but starting with you, my brother.
- 38:41Speaker 1: How is it for you, bro, young people, you know?
- 38:44Speaker 1: And I imagine that you were in a agony before
- 38:49Speaker 1: this all worked out, of what will happen, will it happen?
- 38:52Speaker 1: And then I think that agony of when it happens,
- 38:55Speaker 1: of I'm going to do a show wherever they want,
- 38:57Speaker 1: I'm going, as far as they want, I'm going to show.
- 39:00Speaker 1: And now, years later, everything is calmer. You have your company,
- 39:04Speaker 1: Cabelinho Olho has his company, the recording company. Everyone is fine,
- 39:08Speaker 1: you know? With time to think, I want to do this.
- 39:11Speaker 1: How is that for you today? Because I think that
- 39:15Speaker 1: thinking about it years ago, when you were teenagers, like,
- 39:19Speaker 1: what are the plans? You say, you know, I don't know.
- 39:22Speaker 1: But now, how do you feel with all this, calmness?
- 39:23Speaker 1: And what are the plans that you think about? I
- 39:26Speaker 1: feel fulfilled, you know?
- 39:27Speaker 5: Since the beginning, I've been dreaming about it, running after it.
- 39:31Speaker 1: When it really happens, you see it in front of
- 39:34Speaker 1: your eyes, it happens, you're like, damn, my mind is
- 39:37Speaker 1: like a movie, you know? You see the situation you lived,
- 39:39Speaker 1: the situation you live today. I also imagine how, man,
- 39:42Speaker 1: Varus Menor looks at us today. That's why we can't
- 39:50Speaker 1: leave it like that, you know? Was there a day
- 39:52Speaker 1: that was memorable for you? When you said, like, damn,
- 39:55Speaker 1: the record dropped?
- 39:56Speaker 5: Do you remember?
- 39:57Speaker 1: Man, the day that was the most memorable for me, bro,
- 39:59Speaker 1: was when the guys started, Geral da Sena 5, which
- 40:02Speaker 1: was already famous, started posting my song and marking me.
- 40:05Speaker 5: First came Red, boom.
- 40:07Speaker 3: What was the song, the noteboard?
- 40:08Speaker 1: The noteboard, yeah. Red already posted it and marked me, boom.
- 40:11Speaker 1: Then came Cabelinho, then Geral, I saw Geral, the guy,
- 40:13Speaker 1: I was happy. I was like, look at these guys,
- 40:16Speaker 1: they're marking me, look, the thing turned, the thing turned.
- 40:19Speaker 5: You were already with some people following you.
- 40:21Speaker 4: You already had an audience there at that time.
- 40:24Speaker 1: Man, I had, what, 7,000, 9,000 followers there already, you know? Yeah,
- 40:26Speaker 1: because I sang some funk there, some rap too. Then,
- 40:30Speaker 1: I remember that I had released a preview, I already
- 40:33Speaker 1: had the score on the track, but I had released
- 40:36Speaker 1: a preview, the cut of Jaca, that the thing already,
- 40:39Speaker 1: in general, you tied, the guy in general, you tied
- 40:41Speaker 1: in this one, the thing already gave a bomb. Robô
- 40:42Speaker 1: no TikTok. Yeah, you know, it was a big hit
- 40:46Speaker 1: that never happened before. Man, it's cool. After that, the
- 40:49Speaker 1: guys from GTA RP came. The guys from GTA RP
- 40:52Speaker 1: also made it strong, you know? In the beginning, doing.
- 40:54Speaker 2: Edit?
- 40:55Speaker 1: Highlight. Highlight. Doing highlights, several videos like that, you know? Then, damn,
- 41:00Speaker 1: the thing started to viralize around there. Then it went up,
- 41:02Speaker 1: it got to the guys, it got to Cabellin, it
- 41:04Speaker 1: got to Hatch.
- 41:05Speaker 5: The guys are awesome.
- 41:07Speaker 1: I remember until today, Cabellin was there on the hill.
- 41:09Speaker 2: Marco TZ!
- 41:11Speaker 1: Marco TZ! He said it like that, man. He's a
- 41:15Speaker 1: good guy. Is your area close to you?
- 41:16Speaker 5: No, it's far, bro.
- 41:17Speaker 1: Like, I was in Coronel. Coronel is the region of
- 41:20Speaker 1: the lakes. Cabo Frio is on the side of Búzios.
- 41:23Speaker 2: It's far.
- 41:23Speaker 1: And Cabelinha is on the side of the river, on
- 41:25Speaker 1: the BPG.
- 41:25Speaker 4: Do you remember when was the first time you heard
- 41:28Speaker 4: his sound?
- 41:28Speaker 3: When you posted it, it was because you liked it
- 41:31Speaker 3: a lot.
- 41:32Speaker 2: Right, bro? Because it was good, you know? I was
- 41:35Speaker 2: also posting in general. Different, you know?
- 41:39Speaker 3: I don't remember when I posted it, you know?
- 41:41Speaker 2: But I remember seeing a teaser and I said, man,
- 41:46Speaker 2: it's different. His voice is different, you know? Like the
- 41:48Speaker 2: one from MD. When he arrived too. I always tell
- 41:49Speaker 2: you this when I talk to you publicly again.
- 41:52Speaker 3: You, together with your technical team, bro. Damn, what a delivery, bro.
- 41:55Speaker 5: It's the same voice, man.
- 42:06Speaker 1: I think your presentation at the Multishow that went viral
- 42:09Speaker 1: a lot.
- 42:09Speaker 5: I was with my hair on that day. Your hair
- 42:11Speaker 5: called me, didn't it?
- 42:12Speaker 1: That day when I was there... When you were presenting? Yeah.
- 42:15Speaker 1: That's bizarre, because sometimes those who have a more serious voice,
- 42:20Speaker 1: at the time of recording, they can implement it. But, damn,
- 42:22Speaker 1: it's really cool, man. It's really cool, congratulations. Of course,
- 42:26Speaker 1: you have to do the preparation. If you don't do
- 42:27Speaker 1: the preparation, you can't do it. Because I remember that
- 42:30Speaker 1: in the beginning, when I started singing, because I had
- 42:33Speaker 1: no idea of anything, I started to do the show,
- 42:34Speaker 1: I couldn't sing, man. They said it was too serious
- 42:38Speaker 1: to sing, I think there's no way to sing. They said, man,
- 42:41Speaker 1: you have to have a singing teacher, something to do
- 42:43Speaker 1: and you'll get it. That's how it is, I found
- 42:45Speaker 1: the teacher, I found another one, it wasn't Neyra yet,
- 42:48Speaker 1: it was another one. Then I met Neyra, and Neyra
- 42:51Speaker 1: already made me stay on another level. Neyra is the.
- 42:53Speaker 2: Same, Tese's teacher is the same as mine too.
- 42:57Speaker 1: Man, I really like that about you, you are interested
- 43:00Speaker 1: in improving the show. to improve the quality of the clip.
- 43:04Speaker 1: You can see all of this. And you can already
- 43:07Speaker 1: see the fruits, you can be sure, because... For sure,
- 43:10Speaker 1: a globo, a renegade archangel, will look and say... This guy,
- 43:13Speaker 1: he invests in his stuff, he's not kidding, you know? So,
- 43:17Speaker 1: the clips that you and Cabelinho are making... Man, the
- 43:19Speaker 1: clip that you released after the fight... Fuck, man. The
- 43:22Speaker 1: guy from there was insane, right?
- 43:23Speaker 5: He was very angry, man.
- 43:25Speaker 1: But you get lost, what are you going to do
- 43:26Speaker 1: with the clip? No, I wasn't going to lose, I
- 43:28Speaker 1: wasn't going to lose.
- 43:28Speaker 9: So.
- 43:29Speaker 1: You guys are not afraid to improve, to invest and
- 43:32Speaker 1: say that you are improving. Look, I'm with a teacher
- 43:34Speaker 1: here that I'm looking for. Sometimes we get a lot
- 43:37Speaker 1: of this.
- 43:37Speaker 4: No, I remember that this is a video clip thing,
- 43:38Speaker 4: you also saying, no, man, this is making some clips
- 43:40Speaker 4: and investing.
- 43:41Speaker 3: Because there was a time.
- 43:42Speaker 4: When everyone said, man, it's not worth it to invest
- 43:45Speaker 4: and you were going against it.
- 43:46Speaker 1: But it's not worth it if the guys think only
- 43:48Speaker 1: about the financial return. Now in the artistic return.
- 43:52Speaker 3: I'm a fan of Cabelinho, let me see how he
- 43:54Speaker 3: was in 2018.
- 43:55Speaker 5: There's a clip there that he did for you. I
- 43:58Speaker 5: think this is cool.
- 43:59Speaker 1: The guys will say, man, we were bravo in 2018.
- 44:01Speaker 1: Because sometimes, who will see this clip up front, didn't
- 44:06Speaker 1: even follow this time. For sure. Sometimes they follow and
- 44:09Speaker 1: don't even know what is a bravo thing or not.
- 44:11Speaker 1: Like it happened to me. Sometimes, looking at the clips
- 44:14Speaker 1: of the guys that I like so much, I look
- 44:16Speaker 1: where I'm going. The guys were already doing crazy stuff
- 44:18Speaker 1: for a long time.
- 44:19Speaker 5: I did this with Soja Boy these days. I was like,
- 44:21Speaker 5: who is this Soja Boy 2009?
- 44:22Speaker 1: It was already like that.
- 44:23Speaker 3: With little steps.
- 44:25Speaker 1: Rolled up and we had no idea.
- 44:25Speaker 5: Today we have no idea what the.
- 44:27Speaker 1: Market is, man. True. And you, the business man of music?
- 44:30Speaker 5: How do you feel about all this?
- 44:32Speaker 2: No, but it's not, man.
- 44:33Speaker 1: Man, I feel happy, man.
- 44:34Speaker 2: I am the youngest to come from funk. I managed
- 44:41Speaker 2: to have my space there in trap, you know? I
- 44:44Speaker 2: do funk, I do trap. I do Pagode, Se Deixar... Reggae.
- 44:48Speaker 2: Reggae too.
- 44:49Speaker 1: Foda.
- 44:49Speaker 2: You know? I was even talking to TZ yesterday, that
- 44:53Speaker 2: after we release this album, I want to release.
- 44:56Speaker 3: An Afrobeat album. Wow, Afrobeat is really good.
- 44:59Speaker 2: I've heard a lot of Afrobeat, but I'm still studying,
- 45:02Speaker 2: I need to structure myself better. Get to know more
- 45:04Speaker 2: about the stuff, the culture of the guys. I think
- 45:07Speaker 2: it's also like that, getting out and doing the stuff.
- 45:09Speaker 5: Just because I'm KBN.
- 45:10Speaker 2: Yeah, you know?
- 45:11Speaker 1: And.
- 45:12Speaker 2: Nowadays... You know, thank God there are a lot of
- 45:17Speaker 2: shows every weekend. I travel all over Brazil and abroad
- 45:21Speaker 2: as well. Very cool. I was able to give a
- 45:26Speaker 2: space to a guy from Barra 13, who is my
- 45:29Speaker 2: recording company, you know?
- 45:31Speaker 1: Nowadays they have a studio there to record. What I
- 45:34Speaker 1: like the most is that you can take... You two, right?
- 45:37Speaker 5: TZ debuted now.
- 45:38Speaker 1: Narcanjo Renegado, very cool. But you, who have been here
- 45:41Speaker 1: for a while, Novelo and all, I think, like, damn, man.
- 45:44Speaker 1: Cabelinho is holding a leading role in the soap opera.
- 45:47Speaker 1: It must be very difficult, it's an absurd dedication. And
- 45:52Speaker 1: he's also holding his stuff in the song very well.
- 45:56Speaker 5: All the albums are very cool.
- 45:57Speaker 1: I was like.
- 45:58Speaker 5: Damn, what a cool management, you know?
- 46:00Speaker 1: Because normally we will talk to one boy or another,
- 46:02Speaker 1: one girl or another. Why don't you try... Damn, this
- 46:05Speaker 1: part sucks me a lot.
- 46:07Speaker 3: You know?
- 46:07Speaker 1: You arrived at the moment... You arrived at the moment that...
- 46:10Speaker 1: It's all organized, man. How did you manage to organize it?
- 46:13Speaker 2: We organize ourselves, but we also have to want to,
- 46:15Speaker 2: you know? It's hard, man. There were times when I
- 46:17Speaker 2: arrived at the recording, like this, and there was a show,
- 46:20Speaker 2: I slept for two hours, man. You know? I think
- 46:23Speaker 2: it's also... How did the routine work for us to
- 46:25Speaker 2: have an idea?
- 46:26Speaker 3: Man, there were days when it was smooth.
- 46:28Speaker 2: There were days when I arrived at the recording, I
- 46:31Speaker 2: recorded a scene and left. So I spent, I don't know,
- 46:34Speaker 2: about two hours. But there were days, man, that I
- 46:37Speaker 2: recorded all the scenes. So you imagine... I used to
- 46:40Speaker 2: get there at 3pm and leave at 2am.
- 46:43Speaker 8: Wow.
- 46:44Speaker 7: 3am.
- 46:44Speaker 2: This can happen, bro. Did you get the idea? So imagine,
- 46:46Speaker 2: if this happened sometimes, when I was doing a show
- 46:50Speaker 2: the day before, you know? So I was like this, soaked, bro.
- 46:53Speaker 2: So it's something you have to want, bro. Show the
- 46:58Speaker 2: universe that this is what you want. And of course,
- 47:00Speaker 2: I don't go anywhere alone. My team, you know, always about...
- 47:10Speaker 2: Take care of him. Help him to manage me.
- 47:12Speaker 4: But how was this construction to become an actor? We
- 47:14Speaker 4: once exchanged ideas. You said you wanted to do it.
- 47:17Speaker 4: I want to know about you. But you've been in
- 47:20Speaker 4: this scene for a while. But how was it? You
- 47:22Speaker 4: came from nowhere. You said, no, man, since I was
- 47:24Speaker 4: little I want to act too. Who put this in
- 47:26Speaker 4: your head?
- 47:26Speaker 2: Man, I remember one day I took advantage of the universe.
- 47:29Speaker 3: One day I was making a soap opera. You saw
- 47:31Speaker 3: the guys at Globo. You said, I want to be
- 47:33Speaker 3: one of them.
- 47:33Speaker 2: I said, man, imagine making a soap opera. One day
- 47:35Speaker 2: a movie. I thought like this. Then a test came
- 47:38Speaker 2: to me from Globo. At the time. It was even
- 47:42Speaker 2: Maria who talked to me. And she said, look, we
- 47:47Speaker 2: need someone in the club with your profile. Then I
- 47:49Speaker 2: went and did the test there and did the first
- 47:50Speaker 2: soap opera, Amor de Mãe. I recorded it with Regina Cazé,
- 47:53Speaker 2: with Douglas Silva.
- 47:54Speaker 3: That legendary scene of you jumping, right?
- 47:58Speaker 2: Yeah. I broke my arm. I broke my arm.
- 47:59Speaker 1: You know?
- 48:01Speaker 2: That part was awesome. So, after that, I was like... Anyway,
- 48:04Speaker 2: I never did theater, man. But I tried to do
- 48:10Speaker 2: it to improve it.
- 48:11Speaker 3: You never did theater, bro.
- 48:12Speaker 2: Never did theater.
- 48:14Speaker 1: Never did theater.
- 48:15Speaker 2: Then I did Amor de Mãe and then I did
- 48:17Speaker 2: Vai na Fé, right? Which was the historical hit.
- 48:20Speaker 3: Wow, bro. How long was Amor de Mãe for this one?
- 48:23Speaker 1: Vai na Fé? Yeah, Vai na Fé.
- 48:23Speaker 3: Man, I think.
- 48:24Speaker 2: Two years, if it's... Is it short? Yeah.
- 48:28Speaker 1: Fuck. Normally, when a guy makes a soap opera, he
- 48:32Speaker 1: leaves it to rest for 5 years, so people don't
- 48:34Speaker 1: remember the character's name anymore.
- 48:35Speaker 4: Because the soap opera recordings are very intense.
- 48:38Speaker 2: Yes, Vanafell was more intense, it was more intense. After Vanafell,
- 48:41Speaker 2: I made the movie, you know? Because I was the
- 48:44Speaker 2: main character, I was on Globoplay, with Fiação de Cria.
- 48:49Speaker 1: And now M.D., Lennon, isn't it?
- 48:51Speaker 7: Yes.
- 48:51Speaker 4: How long did it take to make a movie? This
- 48:53Speaker 4: movie took a month and 15 days.
- 48:54Speaker 2: With daily recordings? Yes, every day.
- 49:00Speaker 1: It was 12 o'clock.
- 49:01Speaker 2: Because I was a protagonist. Almost every scene I was.
- 49:04Speaker 2: So I had to record almost every day. Did you
- 49:06Speaker 2: have to close.
- 49:07Speaker 3: The concert schedule at that time? I didn't close the.
- 49:10Speaker 2: Concert schedule at that time. So I was like....
- 49:14Speaker 1: 24-48. Damn, man.
- 49:14Speaker 2: There was a day when I arrived with the set
- 49:16Speaker 2: with the director, I couldn't take it anymore. He said,
- 49:19Speaker 2: calm down, I know, I know. But he helped me
- 49:22Speaker 2: a lot, he gave me a lot of help, a
- 49:25Speaker 2: lot of moral. And, finally, now I recorded the Netflix series,
- 49:29Speaker 2: you know? It's going to be released this year, I
- 49:31Speaker 2: don't know when, but it's going to be released.
- 49:33Speaker 1: I was very happy too.
- 49:34Speaker 3: Can you talk about it, what you did?
- 49:37Speaker 5: I don't think so, right?
- 49:38Speaker 2: No, the guys have already posted it. You can say
- 49:41Speaker 2: it's the Fury series, you know? The Fury series talks
- 49:46Speaker 2: about a fighting series, you know? What a crazy, man.
- 49:48Speaker 2: It's a fighter's role. It was really cool, man, this experience.
- 49:52Speaker 2: Because I had to become an MMA fighter, man. I
- 49:54Speaker 2: had to learn how to kick. Sometimes I had to
- 49:57Speaker 2: do some jiu-jitsu blows, you know? Because my thing is
- 49:59Speaker 2: more boxing, right? So I dedicated myself to that, man. Anyway.
- 50:05Speaker 5: Very cool.
- 50:07Speaker 2: I always have to manage my time, my personal life,
- 50:11Speaker 2: because I also have my personal life. You have to
- 50:13Speaker 2: have it, otherwise you'll go crazy. I like to spend more,
- 50:16Speaker 2: you know? You have to, right?
- 50:18Speaker 5: And you, TZ?
- 50:19Speaker 1: To start acting, my brother, how was this invitation from
- 50:24Speaker 1: the Renegade Archangel for you to participate in all this?
- 50:27Speaker 1: It's a very big series in our country, right? When
- 50:32Speaker 1: I participated in the Arcangelo, it was already over a
- 50:36Speaker 1: long time ago. Then I met Diogo Mistry. He works
- 50:41Speaker 1: at Arcangelo with JJ. JJ is the boss, you know?
- 50:43Speaker 3: José Júnior.
- 50:44Speaker 1: Then I said, what is Mistry? The thing was playing
- 50:49Speaker 1: in the series. Every time I saw him, man, what
- 50:50Speaker 1: is Mistry? Put me to act there in the series, man.
- 50:53Speaker 1: They put me to act there in the series.
- 50:54Speaker 2: Man, I'm going to talk to JJ.
- 50:56Speaker 1: And why this series?
- 50:57Speaker 2: Were you fans?
- 50:57Speaker 3: Did you already like it?
- 50:59Speaker 1: Yeah, because I already... I already thought it was cool,
- 51:02Speaker 1: I saw the show, and I was like, dude, this
- 51:03Speaker 1: show is awesome. It's a cool reality show, you know
- 51:06Speaker 1: what I mean? Like, these shows that talk about the
- 51:09Speaker 1: reality of life, sometimes they don't show it the way
- 51:12Speaker 1: it really is. There, the guys show it the way
- 51:13Speaker 1: it really is, you know what I mean? I was like, dude,
- 51:17Speaker 1: if I appeared in this show.
- 51:18Speaker 5: It would be cool.
- 51:19Speaker 1: I always wanted to act, you know what I mean?
- 51:22Speaker 1: I had never acted before. Then, when there was the fight,
- 51:25Speaker 1: the guys even told me, When we had the fight,
- 51:28Speaker 1: JJ saw the fight, JJ was like, man, I liked
- 51:30Speaker 1: your fighting posture. I liked your fighting posture.
- 51:32Speaker 2: You're good.
- 51:34Speaker 1: I'm going back to you to record. You prepared in
- 51:36Speaker 1: the same place as me. Yeah, man, in the center.
- 51:39Speaker 1: You know? Then I went and did some preparations. To
- 51:43Speaker 1: let myself go. To stay in that... Were you more nervous? Man,
- 51:48Speaker 1: on the first day I came here, I went to
- 51:50Speaker 1: do a test too. I was nervous.
- 51:51Speaker 3: How was the test? Tell us.
- 51:53Speaker 1: The test was like you were doing a scenario. They
- 51:56Speaker 1: would record it for the guys to see how.
- 51:58Speaker 3: I was doing.
- 51:59Speaker 1: I already did the test, they sent the video to
- 52:02Speaker 1: the guys. JJJ called me and said, bro, are you serious?
- 52:05Speaker 1: I was like, fuck! I was like, bro, are you serious?
- 52:09Speaker 5: I'm going to put everything.
- 52:10Speaker 1: You're good, I liked your fight.
- 52:12Speaker 5: You're good, I liked your test too.
- 52:13Speaker 1: Then I already did the preparation. After that, the recording started.
- 52:17Speaker 1: What was the hardest for you from the beginning?
- 52:19Speaker 3: You never acted. Decorating, what was the hardest?
- 52:22Speaker 1: What was the hardest for me? I'm going to tell
- 52:24Speaker 1: you the truth. It was like, when you're doing the preparation,
- 52:29Speaker 1: you have to do something, because you have to lose
- 52:32Speaker 1: the shame, you know? You have to do something like that,
- 52:35Speaker 1: very crazy.
- 52:35Speaker 3: That normally you wouldn't do, but there you have to
- 52:38Speaker 3: do it.
- 52:38Speaker 1: Then, like, the preparer, like, saying, do this, and I'm like, fuck,
- 52:42Speaker 1: I can't believe it.
- 52:43Speaker 3: Like what, David?
- 52:44Speaker 1: Man, like, something like that. She gave me something like that.
- 52:48Speaker 1: Breathe deeply, look at a place. It was like a preparation, like,
- 52:54Speaker 1: breathe deeply. look at a fixed place, I don't know what,
- 52:58Speaker 1: that the character, you have to come, you have to come.
- 53:00Speaker 1: I'm feeling that you're very cold, I don't know what.
- 53:03Speaker 1: Then he gave me a thing like this.
- 53:05Speaker 6: Like a.
- 53:05Speaker 5: You need to transform me here.
- 53:07Speaker 1: Like a cacetete, man. Now, now, you're going to hit,
- 53:11Speaker 1: you're going to imagine everything that you don't like and
- 53:13Speaker 1: you're going to hit it, but it's not to hit things,
- 53:17Speaker 1: hitting there. I don't believe it. It's making simulations that
- 53:21Speaker 1: take the shit. I don't believe I'm going to have
- 53:24Speaker 1: to do this, man. Man, it's smooth.
- 53:26Speaker 2: I'm here too.
- 53:27Speaker 1: The thing I want to do, I'm going to do it.
- 53:30Speaker 1: Many people around you? Yeah, there are people around me.
- 53:34Speaker 1: The first time you do it, I'm like, man, I'm crazy.
- 53:37Speaker 1: But after you do the second time, I'm like, that's it.
- 53:40Speaker 1: Everyone is crazy here. There was a day that I
- 53:44Speaker 1: did it, and everyone was looking at me like that.
- 53:46Speaker 1: It was like I was there. Everyone was looking at
- 53:47Speaker 1: me seriously. The director, the owner of the show, everyone.
- 53:51Speaker 1: The most important people in the show. Everyone was looking
- 53:53Speaker 1: at me. And I was doing things with my hands
- 53:54Speaker 1: like this. That day I was like, fuck it bro!
- 53:58Speaker 1: The biggest response, right? Biggest response, but I managed to
- 54:01Speaker 1: get over it. I was like, no bro, Sarnio, you
- 54:02Speaker 1: can go. And after that, the recording started. The recording
- 54:07Speaker 1: was also good, you know? But the thing is, I
- 54:09Speaker 1: finished it and he said, you have to want it, bro. Because, like,
- 54:12Speaker 1: when I started recording, I had to wake up at
- 54:15Speaker 1: 5 o'clock.
- 54:17Speaker 3: Man.
- 54:17Speaker 1: No, I had to wake up at 4 o'clock, leave
- 54:19Speaker 1: the house at 5, to be there at 6. Done. Done.
- 54:22Speaker 4: And the recordings were until what time?
- 54:24Speaker 1: Until 6, right? Depending on... Then there was the schedule,
- 54:27Speaker 1: you know? You would see the time you were going
- 54:30Speaker 1: to record, see if you recorded from 11 to 12.
- 54:32Speaker 1: Then they would give you from 11 to 12, they
- 54:33Speaker 1: would record from 10 to 12, then they would give
- 54:35Speaker 1: you a wait. They would record again only at 4
- 54:38Speaker 1: in the afternoon, but you had to be there in
- 54:40Speaker 1: the whole diary, you know? The diary was like 6
- 54:42Speaker 1: to 5, depending. There was a scene that was at night,
- 54:45Speaker 1: then you had to be there at night too.
- 54:46Speaker 3: What was the craziest scene you recorded that you.
- 54:48Speaker 1: Said, fuck, that's cool? No spoilers. Yeah, bro, you know?
- 54:51Speaker 3: You can't, right?
- 54:52Speaker 1: You can't. Nobody knows yet. But it was cool, it
- 54:56Speaker 1: was cool. This preparation stuff is awesome.
- 54:58Speaker 2: Was there something that made you think, wow, I'll have
- 55:00Speaker 2: to do this?
- 55:00Speaker 5: My last preparation was a lot more intense.
- 55:03Speaker 2: You know?
- 55:03Speaker 1: It was with Fátima Toledo.
- 55:05Speaker 2: Wow, everyone says she's sinister. Brau also said that he
- 55:07Speaker 2: prepared with her, you know?
- 55:17Speaker 1: What did Braum do to make you think about her? Man,
- 55:20Speaker 1: I don't know. I don't know. He just said he
- 55:23Speaker 1: knew her. And I remember I said.
- 55:24Speaker 2: She said I had to cry, you know? I said,
- 55:28Speaker 2: I can't cry, man. If I keep crying, I can't cry.
- 55:31Speaker 2: Out of nowhere? I can't cry. She said, but you
- 55:34Speaker 2: have to cry, man. She said, tell a sad story
- 55:38Speaker 2: of your life.
- 55:38Speaker 9: Wow.
- 55:46Speaker 2: I started to tell, man. Before I finished the story,
- 55:48Speaker 2: I was already crying.
- 55:48Speaker 1: Crying a lot.
- 55:49Speaker 2: I was like, what is this, man? What a conversation,
- 55:52Speaker 2: what is this, man?
- 55:53Speaker 1: This thing that he's talking about.
- 55:54Speaker 2: Hitting the air too, like, with anger, these things, I
- 55:57Speaker 2: also did that. But they do this, man, to, like,
- 55:59Speaker 2: wake up the character in you, man. Yeah, I know.
- 56:01Speaker 2: It makes you angry, man. Because at the time you
- 56:02Speaker 2: have to deliver the thing.
- 56:03Speaker 1: Got the idea?
- 56:04Speaker 2: If your character is angry there, you have to think
- 56:06Speaker 2: of something that makes you mad. But have you ever
- 56:08Speaker 2: gone to the waiter to the point.
- 56:10Speaker 1: Of saying like this?
- 56:14Speaker 2: Who the fuck am I now?
- 56:14Speaker 1: I'm kind of transformed here. I'm a million.
- 56:17Speaker 2: I remember that when I got home after the preparations,
- 56:20Speaker 2: I felt very... I felt bad, bro. A lot of energy.
- 56:24Speaker 2: Because there were a lot of emotions that I felt there. Anger, sadness, joy,
- 56:28Speaker 2: you know? There was something there that had to be
- 56:31Speaker 2: cursing another person, and the person cursed you back. It's
- 56:35Speaker 2: all to mess with your psychological, you know? Yeah, bro. Like,
- 56:37Speaker 2: I need to extract there from you, bro.
- 56:39Speaker 7: Anger.
- 56:40Speaker 2: All the things, man.
- 56:41Speaker 1: And then you do this.
- 56:42Speaker 2: Now look in the mirror.
- 56:43Speaker 1: See how your eye is different now. It's already different.
- 56:46Speaker 3: It's with blood in the eye, man.
- 56:48Speaker 1: Now you came. Now you came. Damn, that's it.
- 56:50Speaker 2: You're angry.
- 56:51Speaker 3: But now, like this, to cry, every time you cry,
- 56:53Speaker 3: you have to.
- 56:53Speaker 4: Do you remember a sad story or have you already
- 56:56Speaker 4: got another mechanism to cry?
- 56:58Speaker 2: So, I try to remember a sad story, you know?
- 57:01Speaker 3: But if I can't... It's heavy, man.
- 57:03Speaker 1: Ah, but.
- 57:04Speaker 2: Damn, the same story too. I'm not going to cry
- 57:06Speaker 2: every time it's the same story. You're going to say
- 57:08Speaker 2: it again. No, but like this, but there's also a thing.
- 57:11Speaker 1: That I play like this, man. There's a little collar, right?
- 57:15Speaker 3: Cry, cry.
- 57:15Speaker 1: Go, go, go.
- 57:16Speaker 5: Tell your sad story for us to see.
- 57:19Speaker 4: Did you manage to cry like that too?
- 57:21Speaker 1: Man, I didn't have to cry in mine. I didn't
- 57:24Speaker 1: go through this phase yet. I think it must be
- 57:25Speaker 1: one of the most difficult things. I think he makes
- 57:27Speaker 1: the others cry.
- 57:27Speaker 2: I'm going to tell you, I'm just kidding. I swear
- 57:30Speaker 2: to you, man.
- 57:30Speaker 5: Who did you get in shock?
- 57:32Speaker 1: You said, ah, lie, man.
- 57:33Speaker 2: Crying?
- 57:33Speaker 1: Or even acting. You look and say, my God, this
- 57:37Speaker 1: person is a monster, you know?
- 57:40Speaker 2: Man, who I thought was acting a lot that I
- 57:42Speaker 2: saw up close? Adriano Esteves.
- 57:44Speaker 9: Wow.
- 57:45Speaker 2: Only Carminha, man.
- 57:47Speaker 3: You know? Like, easy.
- 57:48Speaker 2: Thaís is also brave. Thaís Araújo is brave.
- 57:51Speaker 1: She must be talking here and recording. Transforms, right?
- 57:54Speaker 5: A very crazy thing. We saw this too.
- 57:55Speaker 2: Sharon is also brave. Sharon Varo is brave, man.
- 57:58Speaker 1: Varo is brave. Man, I think next week Cipaná will
- 58:00Speaker 1: get what Renata Sorra comes here.
- 58:03Speaker 2: He's mad.
- 58:04Speaker 5: Nazaré, man?
- 58:04Speaker 2: He's mad, man. You already played with her? I did
- 58:06Speaker 2: the preparation with her from Vanafel, man.
- 58:09Speaker 7: Man.
- 58:09Speaker 2: He's mad.
- 58:10Speaker 1: He's a monster, right? He is.
- 58:11Speaker 2: There are a lot of mad people. Humberto Carrom is
- 58:13Speaker 2: also mad. A lot of mad people.
- 58:16Speaker 3: I feel like doing it too.
- 58:17Speaker 2: The guys know how to deal with things. It's like
- 58:18Speaker 2: you guys don't listen to us. In music they don't
- 58:20Speaker 2: do things fast. Just the beat is to see if
- 58:21Speaker 2: it doesn't work.
- 58:22Speaker 1: So you'll keep on acting?
- 58:23Speaker 2: Yeah, I'll keep on. I liked it, you know?
- 58:25Speaker 1: I thought it was cool.
- 58:26Speaker 3: What else do you feel like acting?
- 58:27Speaker 1: Say it.
- 58:28Speaker 3: I feel like acting.
- 58:38Speaker 1: In the soap opera, I also think it's cool. In Brazil,
- 58:41Speaker 1: it's the most popular. In the soap opera, I think
- 58:44Speaker 1: it's cool. In Netflix, I also think it's cool.
- 58:48Speaker 3: Netflix is cool.
- 58:49Speaker 4: Do you feel like playing a role that has nothing
- 58:52Speaker 4: to do with you?
- 58:53Speaker 3: Sometimes I do.
- 58:54Speaker 1: To see if I can do it or not.
- 58:57Speaker 3: Imagine you being a nerd, doing a game.
- 58:59Speaker 1: I'm not afraid. I see that there are people who
- 59:01Speaker 1: will do something. Ah, I don't only do it if
- 59:06Speaker 1: it's in your... Nah, I'd even prefer it if it
- 59:07Speaker 1: was something that was similar to me, so I wouldn't
- 59:09Speaker 1: be on the street. something you're used to. Do something
- 59:11Speaker 1: that has nothing to do with you.
- 59:18Speaker 3: This must be cool.
- 59:19Speaker 1: It must be really cool.
- 59:20Speaker 3: Do you want to play a role? I want to
- 59:22Speaker 3: play a crazy guy.
- 59:23Speaker 2: Like Tarso. The pool is full of rats. I want
- 59:25Speaker 2: to be crazy. Where are you?
- 59:27Speaker 1: Where are you?
- 59:33Speaker 3: Where is it?
- 59:34Speaker 1: Where is it, man? Some people say that making people
- 59:38Speaker 1: addicted like that is cool, man. Did you see Grazi
- 59:41Speaker 1: Massafera doing it now?
- 59:43Speaker 5: I don't remember the recipe, but it's cool.
- 59:46Speaker 1: They said that doing some roles like this leaves me 22, right?
- 59:50Speaker 3: Leave it, man.
- 59:50Speaker 1: Leave it.
- 59:52Speaker 3: Like the joker of life.
- 59:53Speaker 2: Yeah, but he's a prick.
- 59:54Speaker 1: Heath Ledger. Yeah. Man, it's the second actor who makes
- 59:57Speaker 1: the joker and kills himself. The character must be very chaotic.
- 1:00:00Speaker 1: It's the second actor who kills himself, right?
- 1:00:02Speaker 3: Man, that's crazy. He must be so immersed in the
- 1:00:05Speaker 3: character that.
- 1:00:06Speaker 1: Then he can't get out of it anymore. The guys
- 1:00:08Speaker 1: said that Heath Ledger was like that. That he turned
- 1:00:12Speaker 1: into the joker. That he was like that, even without makeup.
- 1:00:15Speaker 4: Since it's actor talk, Wagner Moura said that... I asked him,
- 1:00:17Speaker 4: we asked him what role he wanted to play.
- 1:00:19Speaker 3: He said werewolf. Then you said, damn, really? He said, yes, man.
- 1:00:25Speaker 2: In Bahia.
- 1:00:25Speaker 3: In a different place, you know? The guy wanted to
- 1:00:27Speaker 3: make a lobisomem.
- 1:00:27Speaker 2: I've done Vampiro.
- 1:00:29Speaker 1: Damn, 8 keys.
- 1:00:30Speaker 2: I've done Vampiro, man.
- 1:00:31Speaker 1: I went there and watched the Vampiro kiss, man. It
- 1:00:33Speaker 1: was very crazy.
- 1:00:34Speaker 3: Do you remember?
- 1:00:36Speaker 1: Kaique Brito.
- 1:00:37Speaker 2: Of course, man. I did a call for a Globoplay
- 1:00:42Speaker 2: series that was about Vampiro, man. You know? The guys
- 1:00:45Speaker 2: went and stuck their teeth like this. It was cool, man.
- 1:00:48Speaker 2: It was like a vampire. It was cool.
- 1:00:49Speaker 3: Did you talk to someone? Did you bite someone's neck?
- 1:00:53Speaker 2: No, I didn't bite.
- 1:00:55Speaker 3: I was bitten.
- 1:00:56Speaker 2: Oh, damn.
- 1:00:56Speaker 4: Sweet blood.
- 1:00:57Speaker 1: It's funny, man. It's funny.
- 1:00:59Speaker 2: Making a vampire must be like that.
- 1:01:02Speaker 1: But there was a scene where you were being bitten.
- 1:01:04Speaker 1: I was running.
- 1:01:05Speaker 2: I was like... I was scared and I became a vampire.
- 1:01:11Speaker 2: I was the wife.
- 1:01:12Speaker 3: It was a vampire.
- 1:01:14Speaker 5: Arthur, are you still with Felka?
- 1:01:17Speaker 2: Arthur?
- 1:01:18Speaker 1: Yeah.
- 1:01:19Speaker 2: Okay.
- 1:01:20Speaker 1: You're a son of a bitch.
- 1:01:22Speaker 2: You took the website of the Roblox thing, man.
- 1:01:27Speaker 1: Fuck.
- 1:01:27Speaker 3: It ended with the joy of the kid. But did
- 1:01:30Speaker 3: he get pissed? Did he get sad?
- 1:01:32Speaker 2: He got pissed, man. He was calling me here now.
- 1:01:34Speaker 2: He must be calling me now. Is he your son-in-law, brother?
- 1:01:37Speaker 1: I thought your relationship was really cool. Passing the boxes
- 1:01:40Speaker 1: to him. He's my son-in-law. He grew up on.
- 1:01:43Speaker 2: The hill with us, you know? Many years ago, his
- 1:01:48Speaker 2: father passed away and I took that responsibility. So he
- 1:01:50Speaker 2: lives with his mother. Responsibility. But whenever possible, he's there
- 1:01:54Speaker 2: at home, you know? If I leave him, he wants
- 1:01:56Speaker 2: to stay there all day. But now he's back because
- 1:01:58Speaker 2: he went back to school, you know? He went to study.
- 1:02:02Speaker 5: It's because he's at your house for the guy from
- 1:02:04Speaker 5: that age to be with you. It's like being at Disney, man.
- 1:02:06Speaker 2: But he goes to the show with me. I take
- 1:02:07Speaker 2: him everywhere, you know? I get even mad at him.
- 1:02:12Speaker 2: He was there with me in Sapucaí too, you know? Like...
- 1:02:15Speaker 2: He's going.
- 1:02:16Speaker 5: To snore at school.
- 1:02:17Speaker 2: He snores, man. He doesn't like to walk with kids, man.
- 1:02:21Speaker 2: He likes to walk with us, big guys, man. Big guys, man.
- 1:02:25Speaker 2: The kids stay at home. He goes there and he's
- 1:02:27Speaker 2: like this, with his arms up, just looking at the view.
- 1:02:29Speaker 1: He must look at the kids and say, you're not
- 1:02:30Speaker 1: at the same pace as me.
- 1:02:32Speaker 3: You're not, bro. You ask him for a happy snack,
- 1:02:33Speaker 3: he says, what, man?
- 1:02:34Speaker 2: I said, a toy. Like that, you know? I'm a kid. Yeah,
- 1:02:35Speaker 2: you know? It's another rhythm. You're the one who wants
- 1:02:37Speaker 2: to play with the toy.
- 1:02:38Speaker 1: My mom is 10 years old with a mind.
- 1:02:40Speaker 2: Of 20, you know? With your mind.
- 1:02:41Speaker 1: Yeah, man.
- 1:02:41Speaker 3: My mom was a lot of kids, you know?
- 1:02:43Speaker 2: Like, he grew up playing with the kids there. And
- 1:02:54Speaker 2: he learned a lot too, you know, new. On my
- 1:02:57Speaker 2: side too, on our side too, he learns a lot.
- 1:02:59Speaker 2: Then he sees me and wants to sing. Then he
- 1:03:03Speaker 2: puts a voice in the studio too, does some things
- 1:03:05Speaker 2: in the studio. Then he plays ball, then he does boxing.
- 1:03:09Speaker 5: Child, man. Energy for everything.
- 1:03:10Speaker 1: You know?
- 1:03:11Speaker 4: Cool.
- 1:03:11Speaker 1: Ten years.
- 1:03:12Speaker 3: Ten years.
- 1:03:13Speaker 2: And is it already giving work? It's giving work. He
- 1:03:18Speaker 2: stays there in the condo there. He would stay in
- 1:03:21Speaker 2: the condo. What Ferrucci? He would be like, thanks Ferrucci.
- 1:03:23Speaker 2: He would talk to Ferrucci's daughter. I was like, what's.
- 1:03:26Speaker 1: The problem with me?
- 1:03:29Speaker 2: Your dad will come here, bro. But he would play
- 1:03:30Speaker 2: with her there. Because Ferrucci lives in the same condo.
- 1:03:33Speaker 2: That's cool, bro. Very cool. He would play with her there.
- 1:03:35Speaker 2: Ferrucci knows that.
- 1:03:36Speaker 1: He will know it now.
- 1:03:37Speaker 2: He will know it now.
- 1:03:37Speaker 3: Ferrucci, bro.
- 1:03:38Speaker 2: Artuzinho wants to tie his ass to the music, bro.
- 1:03:40Speaker 4: 10 years old is already.
- 1:03:52Speaker 3: No.
- 1:03:52Speaker 4: But I think Carioca, man. Carioca kids are more advanced, man.
- 1:03:57Speaker 3: They're more forward. I don't know how. I think Carioca
- 1:04:00Speaker 3: is more forward, but... Like, the kids.
- 1:04:03Speaker 4: You see the kids from Bala, these new kids there
- 1:04:04Speaker 4: are all much more advanced than here, I think.
- 1:04:07Speaker 3: It's because I think that also.
- 1:04:09Speaker 1: Not the case of Artuzinho, but I'm talking about the kids, man.
- 1:04:12Speaker 1: It's that they see a lot of things before the time.
- 1:04:13Speaker 1: And then it ends up coming a... Not malice on
- 1:04:18Speaker 1: the bad side, okay? But a malice before the time,
- 1:04:21Speaker 1: you know? Because he saw a lot of things. Maybe
- 1:04:23Speaker 1: he's seen people... You guys must have.
- 1:04:26Speaker 3: Been some advanced kids, too. I wasn't advanced, I was scared.
- 1:04:29Speaker 3: Me too.
- 1:04:30Speaker 2: Scared!
- 1:04:30Speaker 1: Like, look, guys. Kids these days, cut on the ruler, reflex,
- 1:04:32Speaker 1: paint in red.
- 1:04:33Speaker 2: What?
- 1:04:33Speaker 1: My dad used.
- 1:04:34Speaker 2: To throw the bald guy in my son. My dad
- 1:04:36Speaker 2: used to shave my head. He used to shave my head.
- 1:04:38Speaker 2: What is this, bro? He used to say, why do
- 1:04:40Speaker 2: you keep shaving my head?
- 1:04:41Speaker 1: Why don't I have the money to cut.
- 1:04:43Speaker 2: My hair all the time? You know? Like, they would
- 1:04:54Speaker 2: just scrape my head. They were all rude.
- 1:04:56Speaker 3: The kids had no style. They were all scraped.
- 1:04:59Speaker 1: Man, at Christmas, I could throw a fart with alizante.
- 1:05:02Speaker 3: Only at Christmas?
- 1:05:03Speaker 1: I could.
- 1:05:04Speaker 3: But when I got to January, I had to scrape?
- 1:05:07Speaker 1: No, when I grew up, I was done. I was done.
- 1:05:09Speaker 1: Machine at home. I was done. Zero that takes longer
- 1:05:12Speaker 1: to grow.
- 1:05:13Speaker 3: I couldn't, I couldn't, I couldn't. I also played when
- 1:05:16Speaker 3: I was a kid, it's crazy.
- 1:05:18Speaker 5: Oh no, my mom was cool.
- 1:05:19Speaker 3: She let you play?
- 1:05:20Speaker 1: She let me play when I was six years old.
- 1:05:22Speaker 1: You know what I used to do, bro? I was
- 1:05:25Speaker 1: crazy to carry a toy.
- 1:05:26Speaker 3: At school time. At school time, a toy.
- 1:05:27Speaker 1: Then I went to the center, the center of the
- 1:05:29Speaker 1: garden where they sell the stuff. I bought a little
- 1:05:31Speaker 1: pressure toy. I left it in touch, because if my
- 1:05:33Speaker 1: mom found out, it was over. I just put the
- 1:05:35Speaker 1: little pressure toy and I went to school with the
- 1:05:37Speaker 1: little toy. The little toy?
- 1:05:38Speaker 3: No, those normal ones. The little magnet.
- 1:05:41Speaker 1: I was stuck there, he pierced my ear, pierced my ear,
- 1:05:43Speaker 1: that's it, that's it. When I was coming back home,
- 1:05:46Speaker 1: I would take the toy, I would take it right away,
- 1:05:47Speaker 1: if my mom took it, that's it. I couldn't pierce
- 1:05:49Speaker 1: my ear, I didn't like.
- 1:05:50Speaker 2: It, it was tilt in me. What? You tried to
- 1:05:52Speaker 2: pierce it yourself?
- 1:05:53Speaker 5: Like, put it on the rubber back, ice and... No,
- 1:05:55Speaker 5: it was a girl.
- 1:05:56Speaker 2: From the mall who pierced it at the time, but
- 1:05:59Speaker 2: it was tilt in me, bro. The toy was tilt
- 1:06:01Speaker 2: in me.
- 1:06:01Speaker 5: Why do you think?
- 1:06:02Speaker 2: Because I looked at the mirror and said, I didn't
- 1:06:04Speaker 2: like it.
- 1:06:05Speaker 3: But it doesn't depend on the play you put on.
- 1:06:08Speaker 2: I put on that big one from Havaianas.
- 1:06:10Speaker 1: Calm down. The first one has to be small to
- 1:06:13Speaker 1: get used to.
- 1:06:14Speaker 5: I put the glasses on both sides.
- 1:06:15Speaker 2: Wait a minute. You put on your little ring.
- 1:06:17Speaker 1: And you're cool, you don't.
- 1:06:18Speaker 2: Have to be cool, but I don't think it's going
- 1:06:20Speaker 2: to work on me.
- 1:06:21Speaker 1: Try it now.
- 1:06:21Speaker 3: When I pierced my ear.
- 1:06:22Speaker 2: I used to play for a long time, then I
- 1:06:24Speaker 2: got sick.
- 1:06:32Speaker 1: I also stayed a long time for you to use.
- 1:06:33Speaker 1: I stayed a long time for you to use. Man,
- 1:06:35Speaker 1: I don't like toys anymore, I'll never use this shit again.
- 1:06:37Speaker 1: Then I got this toy here, I threw it, fuck, man.
- 1:06:40Speaker 2: But then it closed, right?
- 1:06:41Speaker 1: It closed, man, it never closed, man. Man, it closes,
- 1:06:43Speaker 1: but if you give it a little force, it's worse
- 1:06:46Speaker 1: than mine, it closed, but.
- 1:06:47Speaker 2: Not, man.
- 1:06:47Speaker 4: So you were a scared child, a child in school?
- 1:06:49Speaker 3: Man, I was a.
- 1:06:51Speaker 1: Scared child, my mother told me several things, everything my
- 1:06:53Speaker 1: mother told me, I followed at 100%. I loved it.
- 1:06:57Speaker 5: If you go to the beach, you're.
- 1:06:58Speaker 2: Going to die.
- 1:06:59Speaker 3: If you go to the beach, you're going to die.
- 1:07:00Speaker 5: You don't get anything from anyone, you don't drink anything
- 1:07:03Speaker 5: from anyone.
- 1:07:03Speaker 3: If someone offers cookies, you don't accept.
- 1:07:06Speaker 1: You don't go anywhere with anyone.
- 1:07:09Speaker 2: Take the RG.
- 1:07:09Speaker 1: You're not everyone. I remember one time when I was young,
- 1:07:11Speaker 1: I was going to my uncle's house. My house was here,
- 1:07:13Speaker 1: my uncle's house was up there on the hill. I
- 1:07:16Speaker 1: was young, like... I don't even know how old I was,
- 1:07:18Speaker 1: but it was recorded in my mind, you know?
- 1:07:20Speaker 5: I was climbing the hill like this, alone.
- 1:07:22Speaker 1: Then a crazy guy on a bike was climbing too,
- 1:07:25Speaker 1: I don't even know if he was crazy, I've never
- 1:07:27Speaker 1: seen him in my life. Hey, man, do you want
- 1:07:29Speaker 1: a real one? I asked him like this, who was
- 1:07:32Speaker 1: this guy, man? Then I didn't even pretend that I
- 1:07:37Speaker 1: didn't even see him. Hey, man, do you want a
- 1:07:40Speaker 1: real one? Dude, it looks like Corvinho from Pica-Papa. You
- 1:07:43Speaker 1: like popcorn? Then when he said, do you want a
- 1:07:45Speaker 1: real one? I was so scared, man.
- 1:07:48Speaker 2: I disappeared, man.
- 1:07:49Speaker 1: I was crazy. Then I got there. The guy was
- 1:07:52Speaker 1: asking me if I had two reais. I was so scared.
- 1:07:55Speaker 1: You can see.
- 1:07:55Speaker 3: The mother in your head.
- 1:07:56Speaker 2: I have one real here today to see what she's
- 1:07:58Speaker 2: going to say.
- 1:08:00Speaker 5: What is it? Just one real?
- 1:08:02Speaker 2: Two reais?
- 1:08:02Speaker 3: I swear to God.
- 1:08:03Speaker 1: And give it to us?
- 1:08:04Speaker 2: You can't do anything. I swear to God. What is it?
- 1:08:06Speaker 1: Just two reais?
- 1:08:06Speaker 3: The guy complains.
- 1:08:07Speaker 1: At the airport.
- 1:08:08Speaker 9: I passed.
- 1:08:10Speaker 5: The guys threw the bullets up and came.
- 1:08:11Speaker 1: I said, fuck. And then he gave me some strength
- 1:08:15Speaker 1: and I said, I was even with the thing, I
- 1:08:16Speaker 1: gave it without count.
- 1:08:18Speaker 3: Damn, without count, man.
- 1:08:19Speaker 7: You're crazy.
- 1:08:19Speaker 5: I gave it without count, like, out of nowhere. You're
- 1:08:22Speaker 5: not even my son, take it. Without count.
- 1:08:25Speaker 2: Then he.
- 1:08:25Speaker 1: Daniel passed here and left a thousand. I said, ah, man,
- 1:08:28Speaker 1: then go fuck yourself, give it to Daniel. No, come here. Damn,
- 1:08:31Speaker 1: what anger. Hey, Daniel. You have to adopt this boy.
- 1:08:35Speaker 1: This boy is fucked, man.
- 1:08:37Speaker 3: But you were kicked in school, Cabelinho?
- 1:08:39Speaker 2: I was kicked in school. No, like this.
- 1:08:44Speaker 2: At a certain point I was like, man, then I
- 1:08:45Speaker 2: started to let myself go, I kept singing, I kept
- 1:08:47Speaker 2: singing in the living room, I never went to play football,
- 1:08:51Speaker 2: physical education, like that. Boredom? Yeah, you know, I kept
- 1:08:55Speaker 2: singing more there. But, like, if it was a pico,
- 1:08:57Speaker 2: I'd say, like, medrosão, bro, I didn't make up fights
- 1:08:59Speaker 2: with anyone. I always smoked in mine, more calm. I
- 1:09:02Speaker 2: liked to put the battery for the others to fight.
- 1:09:05Speaker 1: But I didn't fight.
- 1:09:06Speaker 2: Look there, talking about you there.
- 1:09:08Speaker 3: Troublemaker, took a good grade.
- 1:09:09Speaker 1: Troublemaker. Troublemaker.
- 1:09:11Speaker 3: Troublemaker.
- 1:09:12Speaker 2: I didn't take a good grade.
- 1:09:13Speaker 1: I don't become a victim, you know? I was not
- 1:09:17Speaker 1: so advanced, but I thought. Man, I'm going to become
- 1:09:20Speaker 1: friends with the guys. At least the guys won't keep
- 1:09:22Speaker 1: making fun of me.
- 1:09:23Speaker 3: Even so, the guys used to make fun of me.
- 1:09:26Speaker 1: Did you have a nickname? Man, I did. There was
- 1:09:28Speaker 1: a time at school, man. When I was young, I
- 1:09:30Speaker 1: was Buchechudinho as fuck. The guys used to call me
- 1:09:32Speaker 1: old Bulldog. Man, I even changed schools because of that.
- 1:09:35Speaker 1: I was full of hatred. I thought he was going
- 1:09:39Speaker 1: to say Kiko, but it's Bulldog Velho. Bulldog Velho turned
- 1:09:44Speaker 1: into my Vugo for a long time. I was in
- 1:09:46Speaker 1: the second series, now I'm in the fourth series. I
- 1:09:50Speaker 1: was full of hatred. Something happened at the school, and
- 1:09:54Speaker 1: I was like, man, I'm going to change schools right away.
- 1:09:57Speaker 1: I don't want to study anymore.
- 1:09:59Speaker 5: It was because of the Vugo.
- 1:10:00Speaker 1: I'm scared, I don't want to study anymore.
- 1:10:02Speaker 3: It's dangerous, man.
- 1:10:03Speaker 2: I changed schools, I went to another school, I was smooth.
- 1:10:07Speaker 1: No one knew about this Vugo.
- 1:10:08Speaker 3: Did you have a nickname at school?
- 1:10:10Speaker 2: Vitinho, people used to call me Vitinho Minhaquei Pique Tiga.
- 1:10:12Speaker 3: You had a nickname?
- 1:10:13Speaker 1: Tiaguinho, Indiozinho.
- 1:10:14Speaker 2: I looked like an indigenous person.
- 1:10:15Speaker 1: You were the little.
- 1:10:17Speaker 3: Head, right? Yes, my dad was the little head. But
- 1:10:22Speaker 3: at school I was the little head. My dad looked
- 1:10:24Speaker 3: like the brown Thanos, so his head was.
- 1:10:37Speaker 1: When I was in school, I was very famous, good company, man,
- 1:10:41Speaker 1: and everything was rat, rat in the tube, football with rat,
- 1:10:43Speaker 1: I don't know what with rat. And then I had
- 1:10:46Speaker 1: the two permanent teeth very early, man, it fell and
- 1:10:49Speaker 1: already grew, so imagine, with the teeth of children and
- 1:10:52Speaker 1: only these two of adults.
- 1:10:54Speaker 3: There are always kids like that, right?
- 1:10:56Speaker 2: Rats in the tube!
- 1:10:56Speaker 5: Soccer?
- 1:10:57Speaker 1: Rats playing soccer! Fuck!
- 1:10:59Speaker 5: Man, I had to punch the kid's face! Rats in
- 1:11:01Speaker 5: the tube is cool!
- 1:11:02Speaker 2: Yeah, man!
- 1:11:03Speaker 7: Fuck it!
- 1:11:04Speaker 3: The nickname Rato in school is also cool!
- 1:11:06Speaker 1: Rato, man!
- 1:11:07Speaker 2: Do you know that Bojinha Companion is talking about Yudi
- 1:11:09Speaker 2: and Priscila?
- 1:11:10Speaker 1: Yudi and Priscila!
- 1:11:11Speaker 2: I called them many times and they never answered!
- 1:11:13Speaker 1: They never answered!
- 1:11:14Speaker 2: 4902... 49... It can't be this time!
- 1:11:16Speaker 1: 4-0-0-2-8-9-2-2!
- 1:11:16Speaker 2: It's Yudi's funk that will give Precision 2! He never
- 1:11:23Speaker 2: answered my calls. He never answered anyone's calls.
- 1:11:24Speaker 3: He never answered my calls.
- 1:11:25Speaker 1: Keep trying, bro. Keep trying, bro. Keep trying, bro. Keep trying, bro.
- 1:11:29Speaker 1: Keep trying, bro.
- 1:11:29Speaker 3: Keep trying, bro.
- 1:11:30Speaker 1: Keep trying, bro. Keep trying, bro. Keep trying, bro. Keep trying, bro.
- 1:11:33Speaker 2: Keep trying, bro. Keep trying, bro. Keep trying, bro.
- 1:11:48Speaker 5: It wasn't this time, but keep trying!
- 1:11:50Speaker 1: Wow, he turned it on a lot! He turned it
- 1:11:54Speaker 1: on a lot! And there were times when this woman
- 1:11:57Speaker 1: didn't even talk. Man, the Play 2 was the biggest
- 1:12:00Speaker 1: fever of our time.
- 1:12:01Speaker 4: No, imagine you being attended and winning the game of
- 1:12:04Speaker 4: your life, you know? You were wanting a Playstation and
- 1:12:06Speaker 4: winning a.
- 1:12:06Speaker 1: Yeah, it was frustrating, but you didn't even have to
- 1:12:08Speaker 1: be attended. Some guys would give you a check, like,
- 1:12:11Speaker 1: 100 reais, I don't know... 100 reais!
- 1:12:14Speaker 2: And when they wanted to play 2, they played the
- 1:12:15Speaker 2: game of life. It was horrible, horrible, horrible. They didn't
- 1:12:18Speaker 2: even say goodbye on the phone. It was horrible, man.
- 1:12:21Speaker 3: I didn't call because I was a little older, but
- 1:12:23Speaker 3: I remember that... Man, my mom... She only spent.
- 1:12:26Speaker 1: Money, man.
- 1:12:26Speaker 3: The TV would call for this show.
- 1:12:27Speaker 4: The longer you stayed there, the more your account would
- 1:12:31Speaker 4: be expensive, man.
- 1:12:33Speaker 3: And at that time, there.
- 1:12:34Speaker 1: Was also a thing of some channels that would be
- 1:12:37Speaker 1: raffling all day like this, look. foreign Polichope, damn it, Polichope.
- 1:13:04Speaker 1: Did you watch MixTV?
- 1:13:05Speaker 5: Damn, he was angry.
- 1:13:06Speaker 1: I think I've never seen MixTV. Man, it was the
- 1:13:09Speaker 1: first time. I had the thing of Fala Mais Joga.
- 1:13:12Speaker 1: But I'm remembering the things I asked my mom. How
- 1:13:14Speaker 1: old are.
- 1:13:16Speaker 3: You, Nigão?
- 1:13:17Speaker 2: 29.
- 1:13:17Speaker 9: 35.
- 1:13:17Speaker 2: Caô.
- 1:13:18Speaker 5: He's very good, man.
- 1:13:19Speaker 1: He's good.
- 1:13:20Speaker 5: Be careful. It's the people from Pará, man.
- 1:13:23Speaker 2: I'm 30.
- 1:13:24Speaker 1: You're 30?
- 1:13:24Speaker 5: You're good too, man.
- 1:13:25Speaker 3: How old are you?
- 1:13:26Speaker 1: Me, man?
- 1:13:26Speaker 3: Almost, I'm 25 this year. Ah, but... He's a kid.
- 1:13:33Speaker 3: He's a kid.
- 1:13:33Speaker 2: He's sad, man.
- 1:13:35Speaker 3: He's 25.
- 1:13:36Speaker 1: He's very young, man. I'm 2001, man. I didn't even
- 1:13:38Speaker 1: see the 2002 COVID.
- 1:13:39Speaker 3: I didn't even know what.
- 1:13:40Speaker 1: Was going on. I was a little kid and there was.
- 1:13:43Speaker 3: An attack there. I think I forgot the name of
- 1:13:46Speaker 3: the place. I was remembering the things I asked my mom.
- 1:13:58Speaker 5: And, man, like, going well at school, everything's fine. Mom,
- 1:14:01Speaker 5: such and such.
- 1:14:02Speaker 1: No.
- 1:14:03Speaker 2: Why?
- 1:14:04Speaker 5: Because I'm just a mother. Because no, it's not no.
- 1:14:07Speaker 3: Because it's not no.
- 1:14:07Speaker 1: You don't know that your mother sometimes said no just
- 1:14:09Speaker 1: to make fun of you? Like, just to make fun
- 1:14:12Speaker 1: of you? Man, it's because, I don't know, man. My
- 1:14:14Speaker 1: mother was really crazy.
- 1:14:15Speaker 5: No, I know it was, but sometimes I realized that
- 1:14:17Speaker 5: my mother was like this, mom.
- 1:14:18Speaker 1: My mother was really crazy.
- 1:14:18Speaker 2: When it's possible, it's possible. When it's possible, it's possible.
- 1:14:22Speaker 5: Wow, my mother, like, sometimes denied... I think it was bad, man.
- 1:14:25Speaker 4: But did you have a lot of fun in your childhood,
- 1:14:28Speaker 4: wanting things, tennis, toys?
- 1:14:29Speaker 1: Man, it came to a certain point that I was
- 1:14:32Speaker 1: already used to it.
- 1:14:33Speaker 3: Man, I won't even ask for it. I already understood.
- 1:14:36Speaker 1: I already understood the thing.
- 1:14:37Speaker 2: No, I didn't even ask for it. I already asked
- 1:14:39Speaker 2: twice and.
- 1:14:40Speaker 1: I saw that... And you know it's not good, right, man?
- 1:14:43Speaker 1: That's right, the thing is to run after it when
- 1:14:46Speaker 1: you have the opportunity. I braked the bike with the
- 1:14:48Speaker 1: tennis to spend, even if it was only one per year.
- 1:14:50Speaker 3: It was one tennis per year.
- 1:14:52Speaker 1: Man, I feel so bad talking about this, but I
- 1:14:54Speaker 1: really wanted to change my shoes.
- 1:14:55Speaker 5: She only gave me booties. Man, when you're new like this,
- 1:14:58Speaker 5: you're really crazy.
- 1:14:59Speaker 2: I went to boot school, man.
- 1:15:00Speaker 3: Me too, man.
- 1:15:00Speaker 1: Give me a print.
- 1:15:01Speaker 7: You know?
- 1:15:02Speaker 2: I went to boot school.
- 1:15:04Speaker 5: Pants, jeans and boot.
- 1:15:05Speaker 3: But the kravo was big.
- 1:15:06Speaker 1: No, no, no.
- 1:15:07Speaker 2: That one from.
- 1:15:07Speaker 9: Salão.
- 1:15:07Speaker 1: Salão?
- 1:15:08Speaker 2: What does it say?
- 1:15:09Speaker 3: But there was a lot of noise on the floor.
- 1:15:12Speaker 2: It was a big mess for the soccer school. It
- 1:15:15Speaker 2: was cool. There was a time when the ones who
- 1:15:16Speaker 2: played soccer were the worst.
- 1:15:18Speaker 3: The most attacked. It was the most annoying. My mom
- 1:15:20Speaker 3: used to say, it's a tennis, choose. And I wanted
- 1:15:22Speaker 3: to play soccer.
- 1:15:23Speaker 1: And also a tennis.
- 1:15:24Speaker 5: I said, I want to play ball. You can't play
- 1:15:27Speaker 5: ball with a red nose.
- 1:15:34Speaker 1: But you can go to a Topper's school, so I
- 1:15:36Speaker 1: want to be a striker. That's always it. My dream
- 1:15:39Speaker 1: was to buy a pair of sneakers to go to school.
- 1:15:42Speaker 1: I bought them at the beginning of the year and
- 1:15:44Speaker 1: it had to last all year.
- 1:15:46Speaker 3: And it was to go out and play football?
- 1:15:47Speaker 1: To go out and.
- 1:15:48Speaker 5: Play football, for everything.
- 1:15:50Speaker 1: I thought, damn, I'll choose Nike when.
- 1:15:53Speaker 3: I get there.
- 1:15:54Speaker 1: And nowadays? When I got there, it was just the Olympics,
- 1:15:56Speaker 1: all black.
- 1:15:56Speaker 2: The Olympics, dry.
- 1:15:58Speaker 1: It can only be all black.
- 1:15:59Speaker 3: That matches everything dirty.
- 1:16:01Speaker 1: It was never Nike.
- 1:16:02Speaker 3: Today you are in a great condition.
- 1:16:04Speaker 4: What do you spend with you? Everyone says, it's my mom,
- 1:16:08Speaker 4: my family. No, when you have money, you say, I
- 1:16:10Speaker 4: want to spend something with me. Tennis, what do you like?
- 1:16:12Speaker 4: I like to buy brand clothes. I think it's cool.
- 1:16:14Speaker 3: It depends on the place.
- 1:16:16Speaker 1: Like this, bro. Pagabundo can say that this is ostentation,
- 1:16:27Speaker 1: this is that, but bro, what else is there?
- 1:16:28Speaker 3: I'm working, bro.
- 1:16:29Speaker 1: I've been through a lot of suffocation, I work a lot, bro,
- 1:16:33Speaker 1: I really like to buy a griffin suit, a Balenciaga,
- 1:16:37Speaker 1: a thing. Now I'm in my relic again, from Lacoste,
- 1:16:40Speaker 1: but I'm maintaining only from Lacoste now. Strategic? Yeah, because
- 1:16:44Speaker 1: of the album, we will be in our relic, in
- 1:16:48Speaker 1: our album, you know?
- 1:16:50Speaker 2: So.
- 1:16:50Speaker 1: Everyone has to come to Sao Henrique. Lacoste, Cabellin, Team T-shirt.
- 1:16:54Speaker 1: I remember the first time I saw Cabellin was at
- 1:16:57Speaker 1: the funk wheel. I watched all the funk wheels. I
- 1:17:00Speaker 1: thought it was cool. Then I saw everything that KondZilla released.
- 1:17:05Speaker 1: At the time there was not so much funk from
- 1:17:08Speaker 1: Rio at KondZilla. I remember you with the Flamengo shirt.
- 1:17:13Speaker 2: I released it in Zona Sul.
- 1:17:14Speaker 5: It was the first time I said, let me see
- 1:17:16Speaker 5: this guy. This song is very good.
- 1:17:19Speaker 4: But when you're in a good mood, what do you
- 1:17:21Speaker 4: like to spend with yourself?
- 1:17:23Speaker 2: Man, I keep my Nike. I stop at Nike, sometimes
- 1:17:25Speaker 2: I go to the website, I even send a guy
- 1:17:27Speaker 2: to the store to get some clothes there, bro. But
- 1:17:29Speaker 2: the thing is that sometimes the guys take too long
- 1:17:32Speaker 2: to update, bro. Because when they go, I already buy
- 1:17:35Speaker 2: everything at once, you know? I buy a lot of
- 1:17:36Speaker 2: stuff at once, you know?
- 1:17:41Speaker 3: And then it stays the same drop for months.
- 1:17:44Speaker 2: I've used it all and the guys haven't updated it yet.
- 1:17:46Speaker 1: This doesn't happen to you. Sometimes you don't update it,
- 1:17:48Speaker 1: you leave it there for a long time. Then when
- 1:17:50Speaker 1: you're going to enter, you've already updated it. And you lost.
- 1:17:53Speaker 2: But I'm wise.
- 1:17:54Speaker 1: Because the guy who works there has contact with my
- 1:17:56Speaker 1: motorcycle taxi.
- 1:17:57Speaker 2: So when the stuff arrives.
- 1:18:06Speaker 2: In the box, he says, look, the stuff arrived here, man,
- 1:18:08Speaker 2: the hair, send it to him, send the stuff to
- 1:18:11Speaker 2: me like this. I go there and just buy, you know?
- 1:18:13Speaker 2: But the griffin ones too, I think the griffin ones
- 1:18:15Speaker 2: are cool, man. It's good to feel good, right, man?
- 1:18:17Speaker 4: Put on a cloth, sometimes you've never seen it before.
- 1:18:21Speaker 5: Man, sometimes the clothes change everything.
- 1:18:23Speaker 1: It changes, man. Sometimes, not all the time, man. And
- 1:18:25Speaker 1: it's cool to be in a key cloth like this, man,
- 1:18:27Speaker 1: when you're feeling good. You mean the model, man. You forgot?
- 1:18:30Speaker 1: It's very good, you know? It's the model, man.
- 1:18:32Speaker 5: You saw Fashion Week, didn't you?
- 1:18:34Speaker 1: I've been there twice. Yeah, where have you been? Did
- 1:18:40Speaker 1: you invite me? I'll have to be there, man. I'll
- 1:18:42Speaker 1: have to be there with the guys from Armarca.
- 1:18:44Speaker 3: If you want to invite me, you can invite me.
- 1:18:47Speaker 3: It's true. Where did you party?
- 1:18:49Speaker 2: It was at Piedra.
- 1:18:51Speaker 3: Wow, Piedra is too good.
- 1:18:52Speaker 1: At Pacaembu? Yeah, at the stadium.
- 1:18:55Speaker 2: We went together.
- 1:18:56Speaker 1: And I went to Dendezero too.
- 1:18:57Speaker 2: I went to Dendezero too. The first one was at
- 1:19:00Speaker 2: Dendezero and then at Piedra too.
- 1:19:01Speaker 1: The second one was at Dendezero. You guys want to
- 1:19:04Speaker 1: be everything, right? Model.
- 1:19:10Speaker 3: singer, actor.
- 1:19:11Speaker 2: We just take advantage of the opportunities.
- 1:19:13Speaker 1: Do you remember us talking about this? Like, you get
- 1:19:16Speaker 1: out there and you say, what is this? Chicken and
- 1:19:19Speaker 1: beer stuff. Dude, calm down, you're just playing Ludacris.
- 1:19:22Speaker 5: This Ludacris thing, you know?
- 1:19:24Speaker 1: The guys have an apprenticeship.
- 1:19:25Speaker 4: Eating Rick and Roy's hamburger there. Anyway, the guys there
- 1:19:28Speaker 4: are much more advanced. And seeing you doing this here
- 1:19:31Speaker 4: in Brazil is very crazy, man. Is there any inspiration
- 1:19:34Speaker 4: from the gringa? Is that what you... What do you
- 1:19:36Speaker 4: think about this, TZ?
- 1:19:56Speaker 5: I'm even scared.
- 1:20:01Speaker 2: It was taking too long.
- 1:20:02Speaker 1: There's a coffee. Wonderful, bro.
- 1:20:04Speaker 3: Wonderful. You're going to fuck this guy.
- 1:20:06Speaker 1: This guy here. He came to the camera.
- 1:20:08Speaker 3: They did a very bad montage.
- 1:20:10Speaker 1: Cabelito, do this mouth right here.
- 1:20:11Speaker 2: Man, the guys got it. You know the one from
- 1:20:12Speaker 2: the raid? I know.
- 1:20:13Speaker 1: The one from Rio?
- 1:20:14Speaker 2: I know.
- 1:20:14Speaker 1: Then they got it.
- 1:20:26Speaker 2: The image of her, my image, they put it on
- 1:20:29Speaker 2: TikTok and said like this, take a galega, mix it
- 1:20:32Speaker 2: with a black guy, that you will see that a
- 1:20:34Speaker 2: sarará will be born, and they put the fuck of
- 1:20:35Speaker 2: Simeon Olívia, you know? Man, Simeon Olívia is already crossing
- 1:20:38Speaker 2: two limits, bro. Bro, you have to meet him, make
- 1:20:41Speaker 2: a clip.
- 1:20:42Speaker 1: I will, bro, I will meet him, bro.
- 1:20:43Speaker 2: Fuck what Arrombado put there on Instagram, Penta e Linho, bro.
- 1:20:50Speaker 3: Man, this guy is really good!
- 1:20:51Speaker 2: No, man, but I'm gonna tell you, I don't get
- 1:20:54Speaker 2: pissed off, man. It's cool, it's cool, it's funny. But
- 1:20:56Speaker 2: I don't do this bikini, it's K.O.
- 1:20:57Speaker 9: K.O. K.O.
- 1:20:57Speaker 1: What is this?
- 1:20:58Speaker 2: What is this? The first time you saw it, Petelinho. Man,
- 1:21:05Speaker 2: the first time I.
- 1:21:07Speaker 3: Saw this video, can I give it to Peto?
- 1:21:09Speaker 2: I was like, fuck, man, I can't believe it, I
- 1:21:11Speaker 2: haven't even seen the whole video. I even looked at
- 1:21:20Speaker 2: the other thing, you know? I even looked at the
- 1:21:22Speaker 2: kid and said, bro, I'm not going to see this shit, bro. Mano,
- 1:21:26Speaker 2: go safely to the mall, stop everything at the mall, bro.
- 1:21:28Speaker 2: He does that? He does, bro. There's a video of him, bro,
- 1:21:30Speaker 2: going to the mall.
- 1:21:31Speaker 1: Ah, bro, oh, Pentelinho.
- 1:21:33Speaker 2: What is it?
- 1:21:34Speaker 5: He goes to the mall.
- 1:21:35Speaker 2: Mano, do shit around there, don't record with your name, bro.
- 1:21:38Speaker 2: For the love of God, bro. Mano, when he gets
- 1:21:40Speaker 2: close to the.
- 1:21:41Speaker 5: Camera, he says to me, wow, he fucks me, man.
- 1:21:43Speaker 5: He's very good, bro.
- 1:21:47Speaker 3: Man, this guy doesn't look like me.
- 1:21:49Speaker 2: I'll tell you something here. You see how the internet was?
- 1:21:54Speaker 2: That's not what I commented. Man, but today the internet
- 1:21:58Speaker 2: is like this.
- 1:21:58Speaker 5: That's not what I commented.
- 1:22:00Speaker 1: Just to make it very clear. Any fake profile that
- 1:22:04Speaker 1: puts there, Wow, did you see that? And they post
- 1:22:06Speaker 1: as if it were news. We know, the Instagrams that
- 1:22:09Speaker 1: you keep doing this.
- 1:22:10Speaker 3: Invent the comment.
- 1:22:11Speaker 1: Invent the comment.
- 1:22:12Speaker 2: It's also cool, there are 300 million people in Brazil, right?
- 1:22:16Speaker 2: There's no way. There's not one. Everyone agrees with you,
- 1:22:18Speaker 2: believes in you. I can prove to 300 million people
- 1:22:21Speaker 2: now that I wrote this.
- 1:22:22Speaker 3: No.
- 1:22:23Speaker 1: No.
- 1:22:23Speaker 2: But now I want your answer. Do you think it
- 1:22:24Speaker 2: looks like you? He put on the same shirt, man.
- 1:22:26Speaker 3: Now that I saw it, man. The same shirt.
- 1:22:29Speaker 4: It looks like you because you want to spend me.
- 1:22:32Speaker 5: But it's in God.
- 1:22:33Speaker 1: To support what?
- 1:22:33Speaker 5: Like this, man.
- 1:22:45Speaker 1: It doesn't look like it, but if you stare at
- 1:22:47Speaker 1: it too much, it starts to look.
- 1:22:48Speaker 3: Like it, you know? It doesn't look like it, but
- 1:22:51Speaker 3: it does look like it, man.
- 1:22:53Speaker 1: It's something like.
- 1:22:54Speaker 2: What's up, chat?
- 1:22:55Speaker 3: Does it look like it or not?
- 1:22:56Speaker 5: Everyone has that cousin, but Judiada is him.
- 1:22:59Speaker 1: Yeah, you say like that.
- 1:23:00Speaker 3: It's the hair at the beginning of the career.
- 1:23:02Speaker 2: It's smooth, you can keep imitating.
- 1:23:04Speaker 1: It, it's good.
- 1:23:06Speaker 2: I'm going to change it. You can continue. Wonderful, bro.
- 1:23:10Speaker 2: I'll take you to my show.
- 1:23:11Speaker 5: Please, bro, there has to be a moment.
- 1:23:14Speaker 2: You go to my show, you know? I'll call you
- 1:23:16Speaker 2: on Instagram.
- 1:23:17Speaker 5: Mítico, this for me is success.
- 1:23:20Speaker 7: What?
- 1:23:20Speaker 1: It's the thing that's being... To the point of a
- 1:23:23Speaker 1: person saying like this, stop my life... I'm Pentelinho.
- 1:23:50Speaker 2: I want to know how he feels about this.
- 1:23:51Speaker 9: Him?
- 1:23:51Speaker 1: Yeah.
- 1:23:51Speaker 2: So, you have to do an interview with him.
- 1:23:55Speaker 5: We wanted him here.
- 1:23:56Speaker 3: We wanted Pantelinho here.
- 1:23:57Speaker 1: I'm kidding.
- 1:23:58Speaker 2: He's coming in now?
- 1:23:58Speaker 1: He came, but they didn't do it. They didn't do it.
- 1:24:01Speaker 2: He's coming in now?
- 1:24:02Speaker 1: No neurosis. No, I know. But he didn't bring it.
- 1:24:04Speaker 1: But it would be cool. It would be a good talk.
- 1:24:06Speaker 2: Please, man.
- 1:24:07Speaker 5: I want a Sosia too.
- 1:24:14Speaker 3: But Gabigol doesn't like it very much.
- 1:24:16Speaker 4: I asked him, do you change your hair all the
- 1:24:18Speaker 4: time just to mess with your cover?
- 1:24:21Speaker 3: He said, kind of yes.
- 1:24:22Speaker 4: When he throws his hair.
- 1:24:25Speaker 1: But the one from Neymar is... It's the same.
- 1:24:28Speaker 2: He's also throwing the ones from TZ, man.
- 1:24:31Speaker 1: There's one there, man. I know that Geraldo... I was
- 1:24:35Speaker 1: thinking about it, it wasn't even for me to talk
- 1:24:38Speaker 1: about it. Geraldo will be talking about this Vogue now
- 1:24:40Speaker 1: for me. It's ok. You just have to get angry. Yeah, yeah.
- 1:24:45Speaker 1: But it's over.
- 1:24:47Speaker 3: It's over when you're a kid. But what if a
- 1:24:49Speaker 3: partner showed up?
- 1:24:50Speaker 1: There's a guy there that seems to be making a
- 1:24:53Speaker 1: lot of videos at this peak. Really? You know who
- 1:24:55Speaker 1: he is? He didn't get a nice view.
- 1:24:57Speaker 2: What if he shows up with you too?
- 1:24:59Speaker 1: Lucas Schultz.
- 1:25:00Speaker 11: No.
- 1:25:02Speaker 1: ZT da Coro is his name. ZT?
- 1:25:04Speaker 3: Yeah.
- 1:25:06Speaker 1: I remembered that one. He jokes a lot.
- 1:25:09Speaker 9: ZT.
- 1:25:09Speaker 1: No, there's a guy who looks like me, bro. And
- 1:25:11Speaker 1: he takes a picture. He's a Coritian. He goes to
- 1:25:12Speaker 1: the Coritian stadium and takes a picture. I just send
- 1:25:14Speaker 1: it to him.
- 1:25:14Speaker 5: I hope you're not doing shit.
- 1:25:16Speaker 1: But I saw this guy on TikTok.
- 1:25:17Speaker 2: Very funny.
- 1:25:18Speaker 1: Which one, bro?
- 1:25:19Speaker 2: My dick.
- 1:25:20Speaker 6: It wasn't me.
- 1:25:24Speaker 2: Today.
- 1:25:24Speaker 5: It wasn't me.
- 1:25:26Speaker 1: I hope it ends well.
- 1:25:27Speaker 5: I asked which one because.
- 1:25:28Speaker 3: He was insisting.
- 1:25:29Speaker 4: He came back to talk, son of a bitch.
- 1:25:33Speaker 1: It must seem.
- 1:25:34Speaker 3: It's just because the guys.
- 1:25:37Speaker 1: Put your hair like this, I think it's enough.
- 1:25:42Speaker 3: Yeah, right?
- 1:25:42Speaker 1: But ZT, does it look like you? ZT is the
- 1:25:45Speaker 1: same thing as hair. Look for ZT. I think it
- 1:25:49Speaker 1: looks like him. ZT from Coronel? It's going to suck.
- 1:25:53Speaker 1: He just released a new song.
- 1:25:54Speaker 2: Where's RG? Is he out there? Man, RG is the
- 1:25:59Speaker 2: face of TZ, man.
- 1:26:01Speaker 9: Yeah, man.
- 1:26:01Speaker 5: I got out there and said, you're his brother, right?
- 1:26:03Speaker 2: He can do a show in your place, man. He can.
- 1:26:05Speaker 1: He's out there.
- 1:26:06Speaker 2: He's the face of TZ, man. Wonderful.
- 1:26:09Speaker 5: Is he older?
- 1:26:10Speaker 3: If you find the ZT, if anyone finds the ZT,
- 1:26:12Speaker 3: send it to us.
- 1:26:13Speaker 1: Please, man. Where? Where? Is TZ's solo there? No, back.
- 1:26:24Speaker 5: Wow, it's very much the same, man.
- 1:26:26Speaker 2: It's the same, man.
- 1:26:27Speaker 9: Fuck.
- 1:26:28Speaker 2: It's the same.
- 1:26:29Speaker 3: It's the same.
- 1:26:29Speaker 1: Stay here, stay here.
- 1:26:31Speaker 3: Sit here, quick.
- 1:26:31Speaker 1: I'm going to the bathroom. And here. Feel free, okay? Damn, man.
- 1:26:37Speaker 1: Pass the vision, okay?
- 1:26:38Speaker 2: Osh, man.
- 1:26:40Speaker 3: Send a salve.
- 1:26:41Speaker 1: What do you think?
- 1:26:41Speaker 2: He doesn't look like TZ, does he? Looks like.
- 1:26:43Speaker 3: Do you think you look like TZ?
- 1:26:46Speaker 1: I look like him. I'm his brother. Normal, right? It
- 1:26:52Speaker 1: wouldn't look like it, it would be weird.
- 1:26:55Speaker 3: Normal, are you older or younger than him?
- 1:26:59Speaker 8: Younger.
- 1:27:00Speaker 2: Younger?
- 1:27:01Speaker 3: How old are you?
- 1:27:02Speaker 2: Twelve. Two years younger.
- 1:27:04Speaker 3: Oh, I got it.
- 1:27:05Speaker 1: Twelve.
- 1:27:05Speaker 2: I got it too.
- 1:27:06Speaker 3: How old are you? Twenty-two. Twenty-two. There you go. Do
- 1:27:10Speaker 3: you sing too?
- 1:27:12Speaker 1: I do.
- 1:27:13Speaker 3: Are you.
- 1:27:13Speaker 1: Are you? We're just launching the.
- 1:27:15Speaker 2: Hot ones, man.
- 1:27:16Speaker 1: Yeah?
- 1:27:16Speaker 3: Yeah, really? Are you part of... What's your band?
- 1:27:19Speaker 2: Cúpula.
- 1:27:19Speaker 3: Cúpula?
- 1:27:20Speaker 1: Cúpula Records.
- 1:27:22Speaker 3: How many people are there in the dome?
- 1:27:24Speaker 1: Man, the dome is there today.
- 1:27:26Speaker 2: Call the guys here, man. Call them, call them.
- 1:27:27Speaker 1: Let's talk, let's talk. Come here, come here, Tio Fro.
- 1:27:30Speaker 3: Come here, mascot.
- 1:27:30Speaker 2: Come here, Lord.
- 1:27:31Speaker 1: Let's talk about the bench.
- 1:27:40Speaker 2: When we were invited.
- 1:27:41Speaker 1: To come here, then....
- 1:28:09Speaker 2: I think it was TZ who gave us the idea
- 1:28:11Speaker 2: to come by bus, you know? Because we wanted to
- 1:28:13Speaker 2: bring our guys to present to you, you know? I've
- 1:28:15Speaker 2: seen it with several podcasts in general, I was here
- 1:28:18Speaker 2: and I thought, we have to take our troops too.
- 1:28:20Speaker 1: The guys like to bring the good ones. Come here.
- 1:28:21Speaker 3: Tell us, tell us, who is.
- 1:28:22Speaker 2: So... Go, start with the dome. The flow of the dome, mascot, RG, there's.
- 1:28:28Speaker 1: The Lorde too, where's the Lorde? There's the Lorde there
- 1:28:34Speaker 1: that you've already met. Stick it, stick it, man. Then
- 1:28:39Speaker 1: they look, kind of they look Mascotin, RG, there's also Lorde,
- 1:28:33Speaker 1: where's Lorde? There's Lorde, you already know him. There's also Deluca,
- 1:28:37Speaker 1: he's also close to us. Come here, behind TZ. From
- 1:28:40Speaker 1: the moment of production, Deluca.
- 1:28:42Speaker 2: He's a monster.
- 1:28:42Speaker 3: He's there for everyone. How old is RG? 22. When
- 1:29:04Speaker 3: was the Cupola born, bro?
- 1:29:07Speaker 1: The Cupola was born in 2023, you know? Then we
- 1:29:10Speaker 1: made a big deal in 2023.
- 1:29:12Speaker 3: What is the Cupola?
- 1:29:13Speaker 4: You had your partners and you said, man, let's grow
- 1:29:16Speaker 4: everyone together.
- 1:29:16Speaker 3: Now that I'm strong, come with me.
- 1:29:18Speaker 1: Just the crew of the kids, who are the kids
- 1:29:20Speaker 1: of the area. We're there close by too, you know?
- 1:29:23Speaker 3: How many people are there?
- 1:29:25Speaker 1: At the moment, there's me, Raflo, Diego is closed with
- 1:29:30Speaker 1: us too. Mascotinho, Lorde, you know? There must be about
- 1:29:36Speaker 1: five people at the moment.
- 1:29:38Speaker 2: Cool.
- 1:29:38Speaker 5: Congratulations, my brother.
- 1:29:39Speaker 1: Did Cabelinho already talk about Bairro 13? No.
- 1:29:43Speaker 2: When is yours too? Man, 2022.
- 1:29:45Speaker 1: A year before.
- 1:29:46Speaker 2: Yeah, right? Because I'm not worth anything. Because of Little Love.
- 1:29:50Speaker 2: Isn't it?
- 1:29:51Speaker 1: But the idea came up before.
- 1:29:53Speaker 2: Not yet either.
- 1:29:53Speaker 1: Yeah.
- 1:29:55Speaker 2: So, it was like this. I... There's a lot of
- 1:29:59Speaker 2: MCs in Morro. So I met Vinicin and Brutus. We
- 1:30:04Speaker 2: recorded on my album too, the song Trembala Sou Eu.
- 1:30:07Speaker 2: And I always wanted to open my own record company.
- 1:30:11Speaker 2: Speaking of which, Matuê and Orochi expected me a lot.
- 1:30:14Speaker 2: Now Viggy has his own too. Felp also has a
- 1:30:23Speaker 2: thing with Indestino.
- 1:30:24Speaker 5: Man, I'm a big fan of Felp.
- 1:30:25Speaker 3: Me too, man. Felp, I love you so much.
- 1:30:27Speaker 1: I love you, Felp.
- 1:30:27Speaker 2: The guys inspired me a lot.
- 1:30:28Speaker 1: Man, when I talk about Felp, I have to stop
- 1:30:30Speaker 1: and say, Felp, I love you. I love you too, Felp.
- 1:30:32Speaker 3: I love you too, because he's.
- 1:30:33Speaker 2: The one who put the name Little Hair. The monster, man.
- 1:30:37Speaker 2: And baptized Little Hair, it was him.
- 1:30:38Speaker 1: Felp, man, Felp, all the stuff, first, he's there, you know?
- 1:30:41Speaker 3: He's a monster, man.
- 1:30:42Speaker 2: Then, man, then, like, I said, man, I want to
- 1:30:46Speaker 2: found my record company, you know? And I put the
- 1:30:48Speaker 2: name of Barrio 13, because Barrio 13 is the name
- 1:30:50Speaker 2: of a hillside. You know?
- 1:30:52Speaker 5: And every favela has neighborhood 13, you know?
- 1:30:54Speaker 2: There are some heavy movies, neighborhood 13, B13. Then.
- 1:30:55Speaker 5: I've already summoned Brutes, Vinicin, then Amorim.
- 1:30:57Speaker 1: Right.
- 1:30:57Speaker 2: I met him through a friend of my father, Santo,
- 1:31:00Speaker 2: you know? Fuck. Then there's R7 too, who is the
- 1:31:04Speaker 2: daughter of Rocinha. R7 was crazy, he had a day
- 1:31:08Speaker 2: at the airport, because I was at the airport. Then
- 1:31:12Speaker 2: I said... Then a guy asked to take a picture
- 1:31:14Speaker 2: with me. He said, man, there's Meneke Brabo from Rocinho.
- 1:31:23Speaker 2: I said, who?
- 1:31:23Speaker 1: R7.
- 1:31:23Speaker 2: He said, I know who he is. And passing by
- 1:31:25Speaker 2: the guys who had already talked about him to me.
- 1:31:28Speaker 2: There's Safira, you know? She's from Complexo Lynch. She's the
- 1:31:32Speaker 2: only woman from Bond. The only woman from Bond. Warrior.
- 1:31:36Speaker 1: She's brave.
- 1:31:37Speaker 2: The AR too, you know?
- 1:31:40Speaker 1: Good, good.
- 1:31:41Speaker 2: That came together.
- 1:31:42Speaker 5: All the MCs?
- 1:31:43Speaker 2: All of them. Here, Brutes, R7, AR, Safira, Vinicin, Amorim.
- 1:31:50Speaker 2: Juninho is already a DJ, you know? A producer. So, like,
- 1:31:53Speaker 2: BIO13 is there, you know?
- 1:31:57Speaker 1: Like.
- 1:31:57Speaker 2: I believe that both me and TZ... I'm very happy
- 1:32:00Speaker 2: to give this support to them, you know? To be
- 1:32:03Speaker 2: here with me. I even thank you for being here
- 1:32:04Speaker 2: presenting them, you know?
- 1:32:05Speaker 1: Of course, man.
- 1:32:06Speaker 2: I thank you guys, you know? I'm sure they'll come
- 1:32:08Speaker 2: here without us, you know? It always happens, man. Without us.
- 1:32:11Speaker 1: And, like.
- 1:32:11Speaker 2: Today, thank God, they have a studio there for them
- 1:32:14Speaker 2: to record whatever they want. If they want to record
- 1:32:15Speaker 2: a normal clip, they record it. And that's it, bro.
- 1:32:21Speaker 1: The gear is there, right, bro? It's all ready, you know?
- 1:32:24Speaker 1: Do you have a physical place, the dome? We have
- 1:32:28Speaker 1: a studio there too, we record a lot, you know?
- 1:32:30Speaker 1: It's not at Coronel? No, it's there in Rio.
- 1:32:33Speaker 2: I think it's very important to say, Mitkigão, that the
- 1:32:36Speaker 2: artist can be in any recording company, the best, the best,
- 1:32:40Speaker 2: you know? And I think it depends on him, you know?
- 1:32:48Speaker 2: The opportunity is there, bro.
- 1:32:50Speaker 1: It depends.
- 1:32:50Speaker 2: Like, it's not because I'm in the TZ's recording studio
- 1:32:54Speaker 2: that I'm going to blow up.
- 1:32:55Speaker 1: No, bro.
- 1:32:55Speaker 2: If you don't leave the house to record, you know?
- 1:32:58Speaker 2: Want the thing?
- 1:32:59Speaker 1: It won't happen.
- 1:33:00Speaker 2: You got my vision?
- 1:33:01Speaker 1: It won't happen, you know? They're giving a structure and like, go, bro.
- 1:33:04Speaker 3: Go there, right? Yeah, you know?
- 1:33:05Speaker 2: Like, I think if Caio Lucas wasn't focused on the hat,
- 1:33:09Speaker 2: he wouldn't do anything wrong. Manoel wouldn't advance.
- 1:33:12Speaker 1: Yeah, but if he was waiting for the hat and
- 1:33:14Speaker 1: the day the hat was going to invite him to stick... Yeah,
- 1:33:16Speaker 1: he would say, I'm going.
- 1:33:17Speaker 2: To wait for the hat to post me, the hat,
- 1:33:19Speaker 2: I don't know, I don't know... To invite me. Since
- 1:33:21Speaker 2: I have access to the studio, the guy goes, you know,
- 1:33:23Speaker 2: the guy who is recording, the guy who is recording
- 1:33:25Speaker 2: the project.
- 1:33:25Speaker 5: In the song, do you feel that it's like that too?
- 1:33:28Speaker 1: Like, the more you go to the studio, the better
- 1:33:30Speaker 1: it is, you speed up more.
- 1:33:31Speaker 5: Man, I think that in the song, it's like this.
- 1:33:38Speaker 1: If you're there at the right time, at the right moment,
- 1:33:40Speaker 1: you'll make a good song. I think that if you
- 1:33:41Speaker 1: made a hit today, if you were tomorrow at the
- 1:33:44Speaker 1: same time, at the same time, you wouldn't make the
- 1:33:47Speaker 1: same hit you did today.
- 1:33:48Speaker 5: That's why you have to go every day.
- 1:33:51Speaker 1: You never know when it's going to be hard.
- 1:33:53Speaker 2: But I understood what you asked, but going constantly to
- 1:33:55Speaker 2: the studio.
- 1:33:56Speaker 1: It's going to be better.
- 1:33:57Speaker 2: Obviously, obviously. Nowadays I don't stop writing, I do everything freestyle.
- 1:34:01Speaker 5: That's very cool.
- 1:34:02Speaker 1: That's absurd.
- 1:34:02Speaker 2: I do everything freestyle. In general, I do everything freestyle.
- 1:34:06Speaker 1: I don't know if TZ also has, but you have
- 1:34:07Speaker 1: some recent documents that were published, you recording there and such.
- 1:34:12Speaker 1: I think it's a thing, and then I saw you recording,
- 1:34:15Speaker 1: kind of in trance there, feeling the song, not looking
- 1:34:17Speaker 1: at anything and like, change, no, let's do another one.
- 1:34:20Speaker 1: I think this is very cool, you know? Because you're
- 1:34:22Speaker 1: in an artistic process there and very intrinsic with the song,
- 1:34:27Speaker 1: you know? You there and the beat turned into one already,
- 1:34:29Speaker 1: so I think this is very cool, bro. This is
- 1:34:31Speaker 1: the same... The preparation to record, that you have to
- 1:34:34Speaker 1: get into the character, same thing, you have to get
- 1:34:36Speaker 1: into the universe of music. When you enter, the noise
- 1:34:38Speaker 1: begins to come. And then, depending on what is being
- 1:34:40Speaker 1: written there, you have to get into the character. And, bro,
- 1:34:42Speaker 1: very important, today is Amorim's birthday. I said, congratulations, but
- 1:34:45Speaker 1: calm down. I said, bro, tomorrow I'm going.
- 1:34:50Speaker 2: To Podpar, TZ will take his troupe, I want you
- 1:34:52Speaker 2: to go with me. He said, but tomorrow is my birthday.
- 1:35:01Speaker 2: So I said, I don't need to go, it's cool,
- 1:35:03Speaker 2: I like it. He said, no, I want to go,
- 1:35:04Speaker 2: I want to go, I want to go.
- 1:35:06Speaker 1: Man, that's very cool.
- 1:35:07Speaker 5: What a great day, man.
- 1:35:09Speaker 1: Parabéns pra você, nessa.
- 1:35:12Speaker 9: Data querida Muitas felicidades, muitos anos de vida Parabéns pra você,
- 1:35:21Speaker 9: nessa data querida Muitas felicidades, muitos anos de vida.
- 1:35:31Speaker 2: It's Big.
- 1:35:32Speaker 1: It's Big. It's Big.
- 1:35:33Speaker 2: It's Big.
- 1:35:34Speaker 1: It's Big. It's Big! Big is there, bro! This is Big!
- 1:35:44Speaker 5: You can't sing these parts, bro!
- 1:35:46Speaker 1: You can't sing these parts, bro!
- 1:35:47Speaker 2: But I said... Obviously!
- 1:35:48Speaker 1: I said yes! Congratulations!
- 1:35:50Speaker 5: This is conspiracy theory!
- 1:35:52Speaker 2: Oh yeah?
- 1:35:53Speaker 1: I thought you were going to say it's wrong, I
- 1:35:55Speaker 1: don't know, you know? No, bro! This guy is because
- 1:35:57Speaker 1: of that! How is it? You believe in ET, right?
- 1:36:00Speaker 5: What do you mean?
- 1:36:02Speaker 1: I believe in ET, bro! What is it, bro? Straight talk!
- 1:36:12Speaker 1: The thing is, everything we thought was theory is happening.
- 1:36:15Speaker 1: It's happening.
- 1:36:15Speaker 3: You see?
- 1:36:16Speaker 1: I see. In a little while, the reptilians, the ETs,
- 1:36:19Speaker 1: these things exist. Today you're going to say, this is crazy.
- 1:36:23Speaker 1: But later you're going to see... Give me 80 years.
- 1:36:27Speaker 1: Not 80, you'll see it in 2030. It's going to
- 1:36:29Speaker 1: be light. If you could talk in a summarized way,
- 1:36:32Speaker 1: what is the presepada of.
- 1:36:37Speaker 1: I don't know, the guys say that this is kind
- 1:36:40Speaker 1: of a negative thing, you know? Yeah, you know?
- 1:36:42Speaker 3: It's true, I didn't hear that, man. Ah, so let's
- 1:36:45Speaker 3: sing the Evangelical.
- 1:36:46Speaker 1: It's blessing, it's blessing over blessing. You know this? I remember,
- 1:36:49Speaker 1: of course I remember.
- 1:36:55Speaker 4: But in your bench, is it open for more people
- 1:36:58Speaker 4: to come in?
- 1:36:59Speaker 3: How does it work? Is it closed for you?
- 1:37:02Speaker 1: How does it work? Man, if you don't fit in
- 1:37:04Speaker 1: with us here, it's closed. To come in with us,
- 1:37:05Speaker 1: you have to make a strong connection.
- 1:37:08Speaker 5: You have to become a brother.
- 1:37:10Speaker 1: It's like family, right?
- 1:37:12Speaker 2: I also think that our squad also deserves attention, you know?
- 1:37:20Speaker 2: If one more comes in, the attention is divided. I
- 1:37:23Speaker 2: think it's important that everyone here, you know, focus on
- 1:37:27Speaker 2: the attention itself, on the work, on the focus, to
- 1:37:29Speaker 2: make the thing flow, because one will come in, one
- 1:37:31Speaker 2: will come in, and it will be overflowing, and it
- 1:37:33Speaker 2: ends up that no one flows, you know?
- 1:37:35Speaker 3: Or doesn't have the right attention, right, man?
- 1:37:37Speaker 2: That's it, you know? So I think that's it, but
- 1:37:39Speaker 2: the question of connection too, I think everyone here is
- 1:37:42Speaker 2: well connected, everyone respects each other, by the way. And
- 1:37:45Speaker 2: that's it.
- 1:37:46Speaker 3: And how is everyone's business? Is there anyone who recently
- 1:37:48Speaker 3: released a song? Let us talk, let us talk.
- 1:37:50Speaker 2: Take the microphone, guys.
- 1:37:51Speaker 1: What are your next steps?
- 1:37:52Speaker 3: Talk to the guys, go to Spotify. I'm going to
- 1:37:55Speaker 3: release a new album, you know?
- 1:37:56Speaker 1: To catch, so you don't get crooked.
- 1:37:59Speaker 5: I'm going to release.
- 1:38:00Speaker 2: A new album. It's going to stop everything, man.
- 1:38:03Speaker 1: I don't know the name yet.
- 1:38:04Speaker 2: That's why I haven't said the name of.
- 1:38:05Speaker 1: The thing yet.
- 1:38:05Speaker 2: It's true, it's true.
- 1:38:06Speaker 1: The thing is great. But it's cool, there's a lot
- 1:38:09Speaker 1: of cool stuff.
- 1:38:10Speaker 2: You don't lose your breath by the preview.
- 1:38:12Speaker 3: But there's no date of preview?
- 1:38:14Speaker 1: I'm going to start releasing it. I'm already mixing the
- 1:38:15Speaker 1: song that the guy who released it first.
- 1:38:17Speaker 3: And that's it.
- 1:38:18Speaker 2: And the name?
- 1:38:19Speaker 5: I don't know.
- 1:38:20Speaker 1: Oh, the name of the song?
- 1:38:21Speaker 3: No, the name of the album.
- 1:38:22Speaker 2: No, I don't know.
- 1:38:23Speaker 1: And the name of the song? Tell her.
- 1:38:27Speaker 2: I'm here.
- 1:38:27Speaker 5: Oh, what a beautiful name.
- 1:38:29Speaker 3: It's the name of the debut, man.
- 1:38:30Speaker 2: So, there's a new trap coming. Vinicinho and Rafa said
- 1:38:34Speaker 2: it's on our album. Those two there. They're on two
- 1:38:37Speaker 2: tracks on our album. Amorita, man, there's a boom bap thing.
- 1:38:40Speaker 3: Say it, birthday boy. I'm preparing a boom bap album,
- 1:38:42Speaker 3: you know? To bring the roots of hip hop, you know?
- 1:38:44Speaker 1: Pure essence.
- 1:38:45Speaker 7: But in 2026, man.
- 1:38:50Speaker 2: Is it this year? It's this year, but we have.
- 1:38:54Speaker 1: To finish it. It's February, calm down, it's time to normalize.
- 1:38:57Speaker 1: Carnival ended yesterday, calm down, we stopped drinking.
- 1:39:00Speaker 2: Who's next?
- 1:39:01Speaker 1: It's Brutus.
- 1:39:03Speaker 7: Drop, here's the thing, I'm moving, I'm going to release
- 1:39:07Speaker 7: my mixtape, I'm not going to release the album, I'm
- 1:39:09Speaker 7: going to release the mixtape. The name is the money,
- 1:39:11Speaker 7: it's still the money, you know? Basically that's it, regardless
- 1:39:14Speaker 7: of the problem, of the difficulty. Disillusionment, love, everything. The
- 1:39:19Speaker 7: focus is on Malote. Let's go up.
- 1:39:22Speaker 5: The money is still the money.
- 1:39:23Speaker 1: Damn, heavy, heavy.
- 1:39:24Speaker 3: Do you have dates? No date, I'm already mixing. I'm
- 1:39:29Speaker 3: going to record the audiovisual and let's go to work. Man,
- 1:39:32Speaker 3: what a great name for the mixtape.
- 1:39:34Speaker 2: What's up, R7?
- 1:39:34Speaker 5: What's up, what's up?
- 1:39:36Speaker 2: I recently released an album, Coisas Reais, you know? If
- 1:39:39Speaker 2: you want to access it on YouTube there. It's going
- 1:39:42Speaker 2: to make you strong. It's going to make you hot.
- 1:39:44Speaker 5: Do you have it on Spotify too?
- 1:39:45Speaker 1: I have it on Spotify. I just don't have it
- 1:39:51Speaker 1: in the hospital.
- 1:39:53Speaker 2: But the rest you can look for.
- 1:39:55Speaker 1: The only girl has to say it.
- 1:39:58Speaker 3: No, no, you have to say it. Man, say it.
- 1:40:01Speaker 8: Lately I've been more discouraged and I've stopped. But I
- 1:40:04Speaker 8: have a lot of songs to release.
- 1:40:06Speaker 5: I think that a day like today is a great incentive, right?
- 1:40:10Speaker 2: You have to be well with everything, right?
- 1:40:14Speaker 1: To compose, write.
- 1:40:16Speaker 4: But you have some on the ball to let go already?
- 1:40:19Speaker 3: Make her let go right away then, brother.
- 1:40:21Speaker 2: Normally I'm not this guy, I always feel this way,
- 1:40:24Speaker 2: but I don't like to leave people.
- 1:40:33Speaker 1: Contra a parede.
- 1:40:34Speaker 5: Mas já que são todos seus amigos, né?
- 1:40:36Speaker 3: E eles estão falando.
- 1:40:36Speaker 5: E eles estão falando.
- 1:40:38Speaker 3: Não, pega o microfone. É mesmo.
- 1:40:40Speaker 5: Gostaríamos.
- 1:40:42Speaker 3: Sem pressão, tadinho.
- 1:40:43Speaker 2: Solta aí qualquer coisa.
- 1:40:47Speaker 3: Pode pegar o mic.
- 1:40:47Speaker 8: Vou lançar a minha preferida.
- 1:40:48Speaker 1: Tá.
- 1:40:48Speaker 2: A primeira que eu lancei lá no Bairro 13.
- 1:40:50Speaker 1: Toma.
- 1:40:52Speaker 8: I used to dream about that ship. People used to
- 1:40:55Speaker 8: tell me it was nonsense. I saw the little ones
- 1:40:58Speaker 8: in the clutch. I was crazy to look at the
- 1:41:00Speaker 8: centennial of the passage. Today I wonder if this is
- 1:41:03Speaker 8: a mirage. If that rocket is in my garage. Is
- 1:41:08Speaker 8: it a mirage? It's the one from the DVD. It
- 1:41:11Speaker 8: was fashion, it's in the break. I saw it from afar,
- 1:41:14Speaker 8: my heart was already accelerating. Today I have two, three.
- 1:41:18Speaker 8: And I don't even know which one is.
- 1:41:19Speaker 2: The most beautiful of you This is Dom, Dom, Dom
- 1:41:22Speaker 2: This is Dom, Dom.
- 1:41:24Speaker 3: Dom A toy, a toy, a toy It's over, huh?
- 1:41:26Speaker 1: What is this?
- 1:41:27Speaker 2: It's over, huh? Let it go.
- 1:41:30Speaker 3: It's from here to the studio.
- 1:41:33Speaker 2: It's over.
- 1:41:34Speaker 1: My God. You're going to bring her here, it's just her.
- 1:41:37Speaker 1: It's over.
- 1:41:37Speaker 8: Amen.
- 1:41:37Speaker 1: Amen.
- 1:41:37Speaker 2: I'm sure. I trust you, man.
- 1:41:38Speaker 1: I trust the work of all of them.
- 1:41:40Speaker 2: It's wonderful.
- 1:41:41Speaker 1: Amen, brother. And it's really cool, you know? I really like, like.
- 1:41:47Speaker 1: I don't know, the artist that comes, he makes the
- 1:41:50Speaker 1: point of bringing the guys, the point of showing everyone,
- 1:41:53Speaker 1: we can't go to... I've never repressed this, man, you
- 1:41:56Speaker 1: have to show it. Ah, but it's going to get messy.
- 1:41:58Speaker 1: It's all right, man. Pass the microphone and one helps
- 1:42:01Speaker 1: the other. I think that's it, man, what the fuck
- 1:42:03Speaker 1: you guys do, you know? Because I imagine that for
- 1:42:05Speaker 1: the kids, and for Safira too, it's a very big incentive, man.
- 1:42:09Speaker 5: Like, you didn't have that, you know?
- 1:42:10Speaker 1: Yes, we didn't have. So you can provide that. You
- 1:42:14Speaker 1: know how good it is or how important it is
- 1:42:17Speaker 1: at that moment when you were in need, you know?
- 1:42:19Speaker 5: So, damn, it's really cool to take off the hat. Damn,
- 1:42:21Speaker 5: now I said beautiful words, right?
- 1:42:23Speaker 1: Yeah, yeah.
- 1:42:23Speaker 7: Cadê?
- 1:42:24Speaker 1: Who else?
- 1:42:25Speaker 3: Tropinha, thank you so much for today.
- 1:42:27Speaker 2: I'm so happy.
- 1:42:28Speaker 3: Ah, Chave.
- 1:42:29Speaker 1: This guy here is a monster, bro. He's a man.
- 1:42:30Speaker 3: But hey, the projects, let's go. Let's go.
- 1:42:32Speaker 2: Respect.
- 1:42:35Speaker 3: I'm preparing my EP, you know?
- 1:42:37Speaker 11: I already have one of Love Song that I'm finishing it,
- 1:42:41Speaker 11: practically aligning, and I'm going to start another one.
- 1:42:46Speaker 1: You know?
- 1:42:46Speaker 3: I'm the guy of the dates.
- 1:42:48Speaker 8: No, no, no.
- 1:42:49Speaker 2: But the guys already saw it.
- 1:42:51Speaker 1: No, no, I'm going to tell you the date of
- 1:42:54Speaker 1: our album.
- 1:42:54Speaker 2: Good, good.
- 1:42:55Speaker 4: Let the guys talk about it.
- 1:42:58Speaker 11: But I think.
- 1:42:58Speaker 1: If you say it, the guys will release it.
- 1:43:00Speaker 3: I think they don't have the date yet, because they don't.
- 1:43:02Speaker 1: Want to put pressure, because they want to mix it,
- 1:43:04Speaker 1: see what's missing, and lapidate it to the maximum.
- 1:43:07Speaker 5: Exactly, thank you, thank you, Igão.
- 1:43:08Speaker 3: Exactly, thank you. Thank you. Anyway, it's still being prepared, but.
- 1:43:15Speaker 11: This year we have a lot of releases for you guys,
- 1:43:17Speaker 11: family from neighborhood 13, Quespica.
- 1:43:19Speaker 1: That's it, man. Keep calling the guys, please, introduce the squad.
- 1:43:23Speaker 11: Go, Raflo.
- 1:43:23Speaker 1: Hey, guys, I'm Raflo, you know, 23. You can get up,
- 1:43:26Speaker 1: you can get up.
- 1:43:27Speaker 2: I just released an album now, 23, for those who
- 1:43:29Speaker 2: don't know, Deluxe was released too.
- 1:43:32Speaker 1: The music is working, thank God. TZ, man, they made
- 1:43:33Speaker 1: us strong, you know, all the support.
- 1:43:45Speaker 2: He follows us closely. All the process, as he said
- 1:43:48Speaker 2: in the previous podcast. He followed me. The thing is
- 1:43:51Speaker 2: going well. The guys also.
- 1:43:52Speaker 1: How?
- 1:43:52Speaker 2: They let us be part of it. I and Vinicinho
- 1:43:55Speaker 2: are going to be part of the album, you know?
- 1:43:57Speaker 2: And another thing. Album 23 was released. The song Gnance
- 1:44:00Speaker 2: is going well. You will see there. Any kind of controversy,
- 1:44:03Speaker 2: fight that happens, only this one plays. You let Gnance
- 1:44:05Speaker 2: take you because of the feeling of power. That's it.
- 1:44:09Speaker 2: It's going up.
- 1:44:10Speaker 1: Show the satisfaction that is present here.
- 1:44:11Speaker 5: You already saw us edit.
- 1:44:12Speaker 2: Yeah, you know? That's it.
- 1:44:13Speaker 1: It's ours.
- 1:44:14Speaker 2: This album that TZ is going to release is at
- 1:44:18Speaker 2: the peak of his career. I'm sure that everyone in
- 1:44:20Speaker 2: Favela do Iguanó will like it, will identify with it.
- 1:44:22Speaker 2: It doesn't matter the region. And I was also missing
- 1:44:25Speaker 2: to release some dirty stuff to the track. I even
- 1:44:27Speaker 2: thank TZ for his insistence to say that the stuff
- 1:44:29Speaker 2: is cool. Because I was, I don't know, talking... I
- 1:44:32Speaker 2: took a trip there, you know? I think a lot
- 1:44:34Speaker 2: of stuff happened in my life that I ended up
- 1:44:38Speaker 2: saying a lot of personal stuff. And I kind of
- 1:44:44Speaker 2: forgot about this audience, you know? You know, to attend
- 1:44:47Speaker 2: the audience of the favela itself, to give the right
- 1:44:50Speaker 2: talks as a child, like in Relica Lirohé. So this
- 1:44:54Speaker 2: album is bringing this back, you know? This essence, right? Yes,
- 1:44:57Speaker 2: this essence back. But it wasn't something I did on purpose,
- 1:45:01Speaker 2: it just happened, right? You know? So I'm very happy
- 1:45:04Speaker 2: with this album.
- 1:45:05Speaker 5: But Natural is much better, my brother. Yeah.
- 1:45:07Speaker 1: And I think that even this process that you've been
- 1:45:09Speaker 1: going through with several albums and such, man, there's no
- 1:45:12Speaker 1: way to say that it was bad, you know?
- 1:45:15Speaker 5: Very cool, you know?
- 1:45:16Speaker 3: A phase, right?
- 1:45:17Speaker 5: A phase, evolution of all of them, man.
- 1:45:19Speaker 1: You know?
- 1:45:19Speaker 5: It's really cool, it's really fucking cool.
- 1:45:20Speaker 1: That you're talking to an artist that's been progressing, that's
- 1:45:24Speaker 1: been taking care of his career, that's been worrying, that's
- 1:45:26Speaker 1: been structuring himself. It's crazy.
- 1:45:27Speaker 5: You're young, I'm young, Mítico is young. Not so much, right?
- 1:45:29Speaker 1: Just kidding. Everyone here is very young. So we have
- 1:45:31Speaker 1: to talk about it. We have to talk about money too.
- 1:45:33Speaker 1: We have to talk about what it is to buy
- 1:45:35Speaker 1: the kits. The black Zezé was there today, bro. He's hot.
- 1:45:36Speaker 1: He's a monster, bro. He looked at me and said,
- 1:45:39Speaker 1: what's up, bro? You have to talk about Jato, bro.
- 1:45:42Speaker 5: You have to talk.
- 1:45:42Speaker 1: Fuck it.
- 1:45:43Speaker 5: Just let the guys talk.
- 1:45:44Speaker 1: I said, it's true, right? But we sometimes get scared. So, bro,
- 1:45:48Speaker 1: a lot of shit you guys are doing. You have
- 1:45:50Speaker 1: to talk about the tricks, you have to talk about what.
- 1:45:53Speaker 5: You have to talk about.
- 1:45:57Speaker 3: Where are you Tropinho?
- 1:45:58Speaker 1: Please, Cúpula.
- 1:46:00Speaker 10: Hey Tropa, I'm Mascotinho, did you get the news Tropa?
- 1:46:03Speaker 10: The newest artist hired from Cúpula, did you get the news?
- 1:46:07Speaker 10: I just released my EP in collaboration with TZ, you know?
- 1:46:09Speaker 10: On the streets, rocking, did you get the news? And
- 1:46:11Speaker 10: that's it Tropa, let's go to Simenciano, there's a lot
- 1:46:14Speaker 10: of release for Cúpula. And that's it, let's go.
- 1:46:16Speaker 1: Do you have a date?
- 1:46:18Speaker 3: Not new yet, but soon the new ones will come out.
- 1:46:20Speaker 1: I just did it to... Come on. It's RG, man.
- 1:46:22Speaker 3: That peak, man.
- 1:46:25Speaker 1: RG and that peak. Next month there's a release and
- 1:46:29Speaker 1: we're going up.
- 1:46:40Speaker 5: Next month!
- 1:46:40Speaker 1: Next month! Next month! Next month!
- 1:46:42Speaker 9: Next month!
- 1:46:43Speaker 2: Next month!
- 1:46:43Speaker 1: Next month!
- 1:46:44Speaker 2: Next month!
- 1:46:44Speaker 1: Next month! Next month! You were talking about Ralph.
- 1:47:11Speaker 2: Lauren, bro?
- 1:47:12Speaker 3: Yeah, I have a lot of Ralph Lauren songs, I like.
- 1:47:14Speaker 1: Them a lot. It's cool, right?
- 1:47:15Speaker 3: I also like a lot of the old Polo. Who
- 1:47:16Speaker 3: said you are the.
- 1:47:18Speaker 5: Lorde?
- 1:47:18Speaker 3: No, no, no, no. He is the Lorde. It's true.
- 1:47:20Speaker 3: How did this name come up? The name of the
- 1:47:22Speaker 3: brand is Polo Ralph Lauren, right?
- 1:47:24Speaker 1: So, like, I just added the Lorde on the front
- 1:47:26Speaker 1: to look cool.
- 1:47:27Speaker 5: You said you're not a Polo?
- 1:47:28Speaker 1: Yeah, I'm not the brand, I'm the brand. I'm the Lorde, fuck.
- 1:47:31Speaker 1: I added Ralph Lauren just for the sake of it,
- 1:47:33Speaker 1: you know?
- 1:47:34Speaker 3: To look cool, right?
- 1:47:35Speaker 2: Yeah.
- 1:47:36Speaker 1: ETV. Man. And also, after our album.
- 1:47:40Speaker 5: Oh, yeah, it's a long way to go.
- 1:47:43Speaker 1: And also, after our album with Cabelinho, in the middle
- 1:47:47Speaker 1: of the year, we'll also release a mixtape of Cúpula,
- 1:47:50Speaker 1: the album of Cúpula, just the Brabants, ok? The whole
- 1:47:52Speaker 1: team is there, friends and relatives, we'll be breaking everything.
- 1:47:56Speaker 1: There will also be some connections. And here, look.
- 1:47:59Speaker 2: Here, the two of us will release an album too,
- 1:48:01Speaker 2: they didn't say anything.
- 1:48:02Speaker 5: Collaborative, right?
- 1:48:04Speaker 1: Or not?
- 1:48:04Speaker 2: It's collaborative.
- 1:48:06Speaker 1: Really? You know? There are no dates. But they will
- 1:48:11Speaker 1: release an album. Of course they will, bro.
- 1:48:13Speaker 3: Of course they will.
- 1:48:14Speaker 1: For sure, bro. Oh, bro.
- 1:48:16Speaker 2: Papo Neto, thank you. Let Romel not say it. Thank you, bro.
- 1:48:18Speaker 2: You're crazy, bro. Thank you, bro.
- 1:48:20Speaker 1: It's important. You know, bro.
- 1:48:21Speaker 2: If you always had space, you'll have it now. And congratulations, bro.
- 1:48:24Speaker 1: For the new space.
- 1:48:25Speaker 2: It's looking like a mansion.
- 1:48:26Speaker 3: Thank you, bro.
- 1:48:27Speaker 2: Papo Neto.
- 1:48:27Speaker 1: Thank you. It looks like the subway, right?
- 1:48:28Speaker 2: It's looking like the subway, right? It's looking like the subway, right?
- 1:48:30Speaker 1: It's looking like the subway, right?
- 1:48:32Speaker 2: It's looking like the subway, right?
- 1:48:34Speaker 5: It's looking like the subway, right?
- 1:48:35Speaker 3: It's looking like the subway, right?
- 1:48:37Speaker 1: It's looking like the subway, right? It became only one.
- 1:48:42Speaker 1: Bairro Cúpula. Fuck!
- 1:48:45Speaker 2: I told him, I told him. Cúpula 13. Very good, bro.
- 1:48:47Speaker 2: My brothers, forgive me, okay?
- 1:48:49Speaker 1: But I have a gift for the boys.
- 1:48:50Speaker 3: Is it Juliette?
- 1:48:51Speaker 2: Fuck, bro.
- 1:48:51Speaker 1: Nothing for four weeks.
- 1:48:53Speaker 2: Nothing for four weeks.
- 1:48:53Speaker 1: What? When the guys want a gift, it's late, bro.
- 1:49:08Speaker 3: Four weeks, man.
- 1:49:09Speaker 1: Because you can already think that it's his. Four weeks
- 1:49:12Speaker 1: is his, man. I don't want it anymore.
- 1:49:14Speaker 3: I don't have this one, right?
- 1:49:16Speaker 1: And look, this thing that you put here on the nose.
- 1:49:18Speaker 1: Cupola do Bairro? No, Bairro Cupola.
- 1:49:20Speaker 2: Cupola 13. Here in São Paulo, people usually use Juliet, right?
- 1:49:22Speaker 2: They do, but this one is Plantares. What is this? Plantaris?
- 1:49:38Speaker 1: It's the name of the glasses.
- 1:49:39Speaker 3: It's the shape of the glasses.
- 1:49:42Speaker 1: This one is the best, man. I also have the
- 1:49:44Speaker 1: glasses from Oak Brabo. From Oak Brabo with Capier.
- 1:49:47Speaker 3: I saw it. This one is in red.
- 1:49:50Speaker 1: Do you have to throw it like this?
- 1:49:51Speaker 2: I don't know.
- 1:49:52Speaker 5: I don't know either, but it's cool.
- 1:49:53Speaker 1: It's cool.
- 1:49:54Speaker 2: It's cool.
- 1:49:55Speaker 5: It's cool.
- 1:49:56Speaker 1: It's cool.
- 1:49:57Speaker 5: It's cool.
- 1:49:58Speaker 1: It's cool. It's cool. It's cool.
- 1:50:00Speaker 2: It's cool. It's cool. It's cool.
- 1:50:01Speaker 1: It's cool. It's cool.
- 1:50:03Speaker 2: It's cool.
- 1:50:04Speaker 1: It's cool. Where is it? How do you take it out?
- 1:50:07Speaker 1: There's a blue lens too.
- 1:50:08Speaker 2: This is the second model that we launched with the Oclean.
- 1:50:10Speaker 3: There are two lenses.
- 1:50:11Speaker 1: There are two, a blue and a red.
- 1:50:12Speaker 2: There, it was mid.
- 1:50:13Speaker 1: Take it.
- 1:50:13Speaker 4: Is this the connection pod for the Oclean?
- 1:50:17Speaker 1: Yeah, man.
- 1:50:17Speaker 3: Look here in front, it's not written Oclean, it's written
- 1:50:19Speaker 3: Podpac on the nose.
- 1:50:34Speaker 2: I'll use it and I'll be the best.
- 1:50:36Speaker 1: You've already been to Oka's QG, right? Yes. There's a
- 1:50:38Speaker 1: video on the channel. Pedro Scubi introducing us.
- 1:50:41Speaker 3: They even showed the room that.
- 1:50:42Speaker 5: What was the name of the guy who played with
- 1:50:43Speaker 5: Michael Jordan?
- 1:50:44Speaker 1: Dennis Rodman. He made love with people. He took them
- 1:50:46Speaker 1: there to make love. The brand is cool.
- 1:50:49Speaker 5: Our second collab. It's a little blue.
- 1:51:06Speaker 2: And a little red.
- 1:51:08Speaker 3: Do you have lenses?
- 1:51:09Speaker 8: Yes, bro.
- 1:51:09Speaker 1: You have to open everything.
- 1:51:10Speaker 3: You have to open everything.
- 1:51:12Speaker 1: Mítico, Mítico knows how to do the job. Do you
- 1:51:14Speaker 1: want me to change?
- 1:51:15Speaker 5: Mítico can do it.
- 1:51:15Speaker 1: Throw it to me, throw it blue.
- 1:51:17Speaker 5: Ah, because he's blue, man.
- 1:51:19Speaker 1: Ah, man. That smart play, right, man? Here, look.
- 1:51:21Speaker 3: You open here in the middle and you fix it.
- 1:51:23Speaker 1: Film here, dad.
- 1:51:25Speaker 5: Look, Mítico, you give it to a good seller, huh?
- 1:51:28Speaker 1: You open here. We're live, man.
- 1:51:32Speaker 2: We're live, man.
- 1:51:33Speaker 1: Are you crazy?
- 1:51:34Speaker 5: All this time? All this time, man.
- 1:51:36Speaker 2: I thought it was recorded.
- 1:51:38Speaker 5: Don't put that, you liar.
- 1:51:41Speaker 3: It's the fourth time.
- 1:51:42Speaker 1: He must be asking for it, because things were said.
- 1:51:46Speaker 1: We're live, right?
- 1:51:50Speaker 2: No, no, to send the greetings here. My grandma and
- 1:51:52Speaker 2: my grandpa are seeing me.
- 1:51:54Speaker 1: Really?
- 1:51:54Speaker 2: Family, kiss grandma, kiss grandpa.
- 1:51:56Speaker 3: Send a kiss to the family while I change.
- 1:51:58Speaker 5: Damn, my grandma and my grandpa didn't.
- 1:52:01Speaker 1: See me. Send a hello to the family too, thank
- 1:52:06Speaker 1: you mom, we're together. Thanks Dedé, we're together, that he picks.
- 1:52:10Speaker 1: Friends from Coronel too, let's go up. But who? Guys
- 1:52:14Speaker 1: from football from Tuesday, today there was no way to
- 1:52:17Speaker 1: play football.
- 1:52:17Speaker 2: But how?
- 1:52:18Speaker 1: Tuesday came from there.
- 1:52:20Speaker 5: You saw that it was the idol who didn't play today.
- 1:52:22Speaker 7: Yeah, man.
- 1:52:22Speaker 1: You know? Unfortunately, there was someone who came and can't stop, right? No, fortunately, right?
- 1:52:26Speaker 1: Because here, I'm going to score a little football with
- 1:52:30Speaker 1: you later.
- 1:52:32Speaker 5: To form a connection, you know?
- 1:52:33Speaker 1: A barbecue. That's it. Man, the meat can be missing,
- 1:52:36Speaker 1: but the barbecue can't be missing.
- 1:52:38Speaker 3: The Lord.
- 1:52:38Speaker 1: Yeah, man. The meat can be missing, but the Lord
- 1:52:41Speaker 1: can't be missing.
- 1:52:41Speaker 2: I'll even make a barbecue at home, I'll put the Lord.
- 1:52:44Speaker 1: To do it. Please, man. I'm talking, trust me. You
- 1:52:47Speaker 1: won't want me to be alive. I know you guys work,
- 1:52:49Speaker 1: everyone works. Make a birthday on Friday. Saturday. Thank you
- 1:52:52Speaker 1: very much for the invitation, but we were still working.
- 1:52:58Speaker 2: Man, you guys didn't even go on a birthday party.
- 1:53:00Speaker 5: That's not to be cocky. I gave you a gift.
- 1:53:03Speaker 2: No, it's smooth.
- 1:53:03Speaker 1: I don't understand the rush. I was like a child
- 1:53:06Speaker 1: watching the stories. It was cool. TZ was there too.
- 1:53:09Speaker 2: How was your birthday? Ah, bro, it was 19 hours
- 1:53:12Speaker 2: of party. It started at noon and only stopped at
- 1:53:14Speaker 2: 7 in the morning. Did you get the vision?
- 1:53:16Speaker 1: Fuck.
- 1:53:16Speaker 2: Then I put there, eat and drink at will, jump,
- 1:53:19Speaker 2: jump for the children, a lot of stuff, pool, fire,
- 1:53:21Speaker 2: sound equipment.
- 1:53:24Speaker 1: MC Orelha.
- 1:53:26Speaker 2: MC Orelha, MC Rodson, Brutô. Brutô Geral.
- 1:53:29Speaker 3: What can't be missing on Cabelinho's birthday?
- 1:53:31Speaker 2: Whisky.
- 1:53:33Speaker 3: That was fast.
- 1:53:34Speaker 1: Cabelinho's Red Label can't be missing.
- 1:53:37Speaker 2: He only likes Red Label. Red Label, yeah. I only
- 1:53:39Speaker 2: drink Red Label. I'm pissed.
- 1:53:40Speaker 1: Of course, I only drink Red Label.
- 1:53:41Speaker 2: Like, oh, Elsa Lu, Brui Label.
- 1:53:43Speaker 1: Yeah, it's cool, but how?
- 1:53:43Speaker 2: Like, the taste.
- 1:53:51Speaker 2: Red Libo. And MD's whiskey is also good, right? Do
- 1:53:53Speaker 2: the advertisement for the partner there, right?
- 1:53:56Speaker 1: Chucco's.
- 1:53:56Speaker 2: Chucco's. MD's whiskey is also Mr. Lion, bravo too.
- 1:53:58Speaker 1: Mr.
- 1:53:58Speaker 2: Lion.
- 1:53:59Speaker 3: I've never tasted Mr.
- 1:54:00Speaker 2: Lion, bro. There, there, there. MD, it's getting wet.
- 1:54:03Speaker 5: Yeah, Chucco, you have to taste Mr.
- 1:54:04Speaker 2: Lion, Chucco. Mr.
- 1:54:05Speaker 1: Lion.
- 1:54:06Speaker 5: Man, and he's in good posture, man. And his hair
- 1:54:08Speaker 5: is awesome.
- 1:54:09Speaker 2: Man, kiss grandma. Kiss grandma. Kiss cousins who are watching me. Mother, father,
- 1:54:14Speaker 2: my brothers.
- 1:54:16Speaker 1: Damn, now it's top.
- 1:54:16Speaker 2: I love you. The tops.
- 1:54:18Speaker 3: There, look.
- 1:54:21Speaker 1: Fuck!
- 1:54:21Speaker 5: Did you like it?
- 1:54:22Speaker 1: A lot!
- 1:54:23Speaker 3: It's cool!
- 1:54:24Speaker 1: I'm kidding, man! I swear!
- 1:54:26Speaker 2: Don't ask anything to Cabellinho!
- 1:54:29Speaker 1: It's cool!
- 1:54:29Speaker 5: He says the truth! And you said it was beautiful!
- 1:54:33Speaker 5: I'm kidding, man! You've always been beautiful, right?
- 1:54:35Speaker 1: Always!
- 1:54:37Speaker 3: Always been beautiful as fuck!
- 1:54:49Speaker 1: Guys, does Sozi show up?
- 1:54:50Speaker 5: No, I want Sozi.
- 1:54:51Speaker 1: You were looking too much, right?
- 1:54:55Speaker 2: You were looking too much.
- 1:54:56Speaker 1: Ah, again, man. No, it's because I saw that they laughed,
- 1:54:59Speaker 1: then Sozi shows up and they did like this.
- 1:55:02Speaker 2: So.
- 1:55:02Speaker 5: I'm not going to say no. Fuck, you're really cool, man.
- 1:55:07Speaker 1: Sometimes I asked Alex to tell me, like, hey Alex,
- 1:55:09Speaker 1: how's your time there and such place?
- 1:55:11Speaker 2: Oh, my cook got jealous here, look.
- 1:55:13Speaker 1: Your what? My cook, man. Oh, straight talk, no, no,
- 1:55:16Speaker 1: stop everything now, stop, stop, stop, stop. Man, the cook
- 1:55:21Speaker 1: from Caberim made a rice with ribs, with fruit, look,
- 1:55:26Speaker 1: he made two, one with ribs and one with fruit
- 1:55:28Speaker 1: from the sea. My brother, because he was the food
- 1:55:30Speaker 1: that came to the restaurant.
- 1:55:31Speaker 2: Look at the chubby, chubby, the chubby. Oh, I think
- 1:55:33Speaker 2: that one day it will be marola, did you know, bro?
- 1:55:36Speaker 2: You have a cook at home, bro.
- 1:55:37Speaker 1: We have, man.
- 1:55:38Speaker 2: This is a lot of marola, bro. I wake up
- 1:55:40Speaker 2: in the morning.
- 1:55:41Speaker 3: I want to drink coffee.
- 1:55:42Speaker 1: Coffee.
- 1:55:42Speaker 2: Want to have lunch?
- 1:55:42Speaker 3: Lunch, lunch in the afternoon, leave the dinner ready.
- 1:55:44Speaker 2: Then Ingrid came to me the other day and said,
- 1:55:46Speaker 2: can I prepare the risotto? I said, what is this?
- 1:55:49Speaker 2: Of course, man.
- 1:55:49Speaker 1: Make two. Chubby too. There's a goal waiting for us. Thanks, Gordinho.
- 1:55:58Speaker 1: Gordinho is your friend.
- 1:56:00Speaker 5: Send a kiss to Pietro.
- 1:56:01Speaker 1: Send a kiss to Pietro, to all the guys, my brothers.
- 1:56:03Speaker 1: I'll send a kiss to your love. I'll send a
- 1:56:05Speaker 1: kiss to my love too. Kiss, love. Carol, I love you.
- 1:56:08Speaker 2: You have to send, right? Champion, right? Champion, man. Champion,
- 1:56:11Speaker 2: damn it.
- 1:56:12Speaker 1: I love you.
- 1:56:13Speaker 7: Kiss, love.
- 1:56:20Speaker 1: You have to send a kiss, you have to remember everyone,
- 1:56:23Speaker 1: because sometimes you forget and when you get home... But
- 1:56:26Speaker 1: you have those friends, those relatives who say, you didn't
- 1:56:28Speaker 1: talk about me, and say it seriously.
- 1:56:30Speaker 5: You didn't say my name, you're kidding.
- 1:56:32Speaker 1: So send it to the whole family.
- 1:56:33Speaker 2: Are you forgetting someone? Do you want a picture? You
- 1:56:37Speaker 2: know how it is here, right?
- 1:56:38Speaker 1: Send a greeting to Cesario, my master, Detona too, my master,
- 1:56:42Speaker 1: we're together.
- 1:56:43Speaker 2: Thanks to the boxer too! Let's talk about the date
- 1:56:45Speaker 2: of the album. Palácio de Ilona. I want to thank Mítico.
- 1:56:47Speaker 1: Once again for being here and promoting my work.
- 1:56:48Speaker 2: I know that millions of people will see this here,
- 1:56:50Speaker 2: as they keep seeing it.
- 1:56:52Speaker 1: So I want to tell everyone who follows.
- 1:56:54Speaker 2: Cabelinho TZ, it's been years of work. I think all
- 1:57:13Speaker 2: subscribers will identify with this album, you know? I'm very
- 1:57:16Speaker 2: happy that I was able to do this project with TZ.
- 1:57:19Speaker 2: Thank you TZ, thank you Cúpula. We're together up there.
- 1:57:23Speaker 2: Bring Vinicin too, Raflow. We released the album on the day.
- 1:57:30Speaker 1: March 5th now. Is that right? March 5th.
- 1:57:32Speaker 2: At 9pm. Thursday? Yes.
- 1:57:33Speaker 1: And today we will.
- 1:57:35Speaker 2: Post the official cover of the album. Ah, damn!
- 1:57:39Speaker 1: The key! When we get out of here.
- 1:57:41Speaker 7: Thank you.
- 1:57:41Speaker 5: We feel very special, you know, bro?
- 1:57:43Speaker 2: Very, bro.
- 1:57:43Speaker 8: Very cool.
- 1:57:43Speaker 3: No, we didn't even tell anyone, bro.
- 1:57:45Speaker 2: We didn't tell anyone the date. We're telling the first
- 1:57:48Speaker 2: love here for you.
- 1:57:48Speaker 1: First love for you. Thank you. Thank you. And that's it, bro.
- 1:57:51Speaker 1: Especially just to show our love for you. Thank you.
- 1:57:53Speaker 1: So cool. Are you ready?
- 1:57:57Speaker 2: I can't send it to you because of Untitled.
- 1:57:59Speaker 1: Do you want to play one song for them to hear?
- 1:58:01Speaker 1: One song. Which one? For the fans to hear. No commitment.
- 1:58:04Speaker 1: Just a little bit.
- 1:58:05Speaker 5: Just about 20 seconds.
- 1:58:08Speaker 1: A cool thing like that.
- 1:58:09Speaker 2: Play it, play it.
- 1:58:00Speaker 1: But if you want the audience to listen to it
- 1:58:03Speaker 1: cool I advise you to put the microphone of the
- 1:58:32Speaker 1: cell phone on the microphone. Because then it goes fluid. No,
- 1:58:35Speaker 1: this one will flow more. No, it's already rolled up, Ranu.
- 1:58:38Speaker 3: Go on the mic, go on the mic for the guys.
- 1:58:40Speaker 1: Which one do you want, the little hair?
- 1:58:43Speaker 5: Because then for the audience to be at home is better.
- 1:58:47Speaker 1: For us, not so much, but for them, yes. Which one?
- 1:58:50Speaker 1: Here you trust more. You say, wow, this one doesn't have...
- 1:58:53Speaker 1: The worst is that everyone is angry. So put them all.
- 1:58:55Speaker 5: Here, open the album.
- 1:58:58Speaker 2: Here too, I made a EUTZ pose, Oruan. Damn, this
- 1:59:03Speaker 2: one is hot.
- 1:59:04Speaker 1: Is it?
- 1:59:04Speaker 2: From Lobo Mau. Damn. This one is hot.
- 1:59:06Speaker 1: Do you want me to play this one? This one
- 1:59:08Speaker 1: is supreme, man.
- 1:59:09Speaker 3: Was this one that viralized you in the studio?
- 1:59:10Speaker 1: Lobo Mau. But are you going to play the whole song?
- 1:59:12Speaker 2: No.
- 1:59:12Speaker 1: So do this, so it doesn't leak too much. One
- 1:59:15Speaker 1: is you and him, next logo.
- 1:59:17Speaker 2: Yeah, right.
- 1:59:17Speaker 1: If not, you're at the end of the song and
- 1:59:19Speaker 1: he's at the beginning. You know which one, man? That one, correct.
- 1:59:21Speaker 1: This one is quick, our parts arrive at high speed.
- 1:59:28Speaker 1: And there's also a Kibolada.
- 1:59:31Speaker 3: These guys are a lot.
- 1:59:32Speaker 5: But the album is good as fuck.
- 1:59:34Speaker 1: Good and new. This one is brave, man.
- 1:59:37Speaker 2: This one is also brave.
- 1:59:38Speaker 1: Tell me, which one do you want?
- 1:59:40Speaker 2: Man, put any one, man.
- 1:59:41Speaker 1: Good and new.
- 1:59:42Speaker 2: All are brave.
- 1:59:43Speaker 3: Go, good and new.
- 1:59:44Speaker 1: Good and new? Yeah.
- 1:59:45Speaker 5: Feel more confident when you said.
- 1:59:53Speaker 2: Are you listening to it on the phone?
- 1:59:56Speaker 1: I'm listening to it on the phone.
- 1:59:58Speaker 2: I respect you, man. I'm listening to.
- 2:00:05Speaker 1: It on the phone. We're in a fabulous line, I play.
- 2:00:07Speaker 1: I get my money's worth soon. Last night I got
- 2:00:10Speaker 1: lost in the world, I drown out there. Shoot two
- 2:00:13Speaker 1: and wait for the sound signal. I'll have to deal
- 2:00:16Speaker 1: with the foul. Guys, these are personal problems.
- 2:00:19Speaker 2: Again?
- 2:00:20Speaker 5: How do I do it again?
- 2:00:21Speaker 1: I love it. I love it.
- 2:00:49Speaker 5: We'll see you next time.
- 2:01:15Speaker 1: I took the rifle to.
- 2:01:16Speaker 2: The top, the resident didn't record nor take the photo
- 2:01:18Speaker 2: Follow us, always attentive, let's follow in advance The bar
- 2:01:21Speaker 2: was set.
- 2:01:22Speaker 1: As an example, jumped, doesn't come back anymore We like.
- 2:01:27Speaker 2: To do it in a bad way, you know?
- 2:01:29Speaker 1: Because we train.
- 2:01:29Speaker 2: With many lovers, we are kapha, we make gestures Damn!
- 2:01:33Speaker 3: Damn, very good, man!
- 2:01:34Speaker 1: For the rest, man.
- 2:01:36Speaker 2: I can't thank you.
- 2:01:57Speaker 1: We're following the chat here. People are like, fuck, it's hot.
- 2:02:01Speaker 1: I'm addicted. I'm going to smoke one now.
- 2:02:05Speaker 2: Albo is at the peak of the kids. Of the kids,
- 2:02:09Speaker 2: you know? Only the real kids will identify themselves. Did
- 2:02:12Speaker 2: you get the idea? And who is from the track, bro?
- 2:02:14Speaker 2: You know what comes from the favela, you like. You know?
- 2:02:16Speaker 2: In general, you consume. Paper is straight. You know? So
- 2:02:19Speaker 2: that's it, bro.
- 2:02:20Speaker 3: Paper is one.
- 2:02:21Speaker 1: Day five. Day five, nine o'clock at night.
- 2:02:23Speaker 2: Eleven songs.
- 2:02:23Speaker 3: Eleven songs.
- 2:02:26Speaker 2: Cabellin, TZ, Raflo, Vinicin, Pose, Oruan and Felipe Rete.
- 2:02:31Speaker 1: Again?
- 2:02:32Speaker 2: Ah, let's also talk about the beatmaking.
- 2:02:36Speaker 3: Of course.
- 2:02:37Speaker 1: But play smart.
- 2:02:39Speaker 9: Palma.
- 2:02:40Speaker 2: Thank you, Palma. Melo. Juninho too, who's on the album. Juninho.
- 2:02:44Speaker 11: Maurinho.
- 2:02:46Speaker 2: Maurinho.
- 2:02:47Speaker 1: Maurinho.
- 2:02:47Speaker 3: Dallas.
- 2:02:48Speaker 2: Dallas too.
- 2:02:49Speaker 5: The calmest guy in the world.
- 2:02:51Speaker 3: Who else?
- 2:02:52Speaker 2: Mixi Master, Arthur Luna.
- 2:02:53Speaker 3: Luna.
- 2:02:54Speaker 1: Thank you. Luno is the most angry, bro.
- 2:02:56Speaker 3: Straight talk.
- 2:02:56Speaker 1: Mixing stuff, master. Just talk to Luno. Yeah.
- 2:03:00Speaker 2: But who produced it?
- 2:03:02Speaker 1: Fuck, if I don't forget someone, I'm fucked, man.
- 2:03:04Speaker 2: You're really fucked.
- 2:03:05Speaker 5: Who made the cover? Now I'm fucked.
- 2:03:08Speaker 1: Who made the cover? Alan França.
- 2:03:10Speaker 2: Monster.
- 2:03:11Speaker 1: Come here, come here, bro. You can come here, stay calm.
- 2:03:13Speaker 11: Again.
- 2:03:13Speaker 1: I know you want to come here and talk.
- 2:03:14Speaker 2: I'll do it again.
- 2:03:15Speaker 1: This sound got heavy, huh?
- 2:03:18Speaker 5: Then send it there, bro. He made the cover.
- 2:03:20Speaker 3: I'll send you a title.
- 2:03:21Speaker 2: I made the cover. Download the title. There, look.
- 2:03:25Speaker 1: Introduce yourself to the guys. What's up, man? What's up, family?
- 2:03:28Speaker 3: My name is Alan.
- 2:03:28Speaker 2: I'm a photographer, TZ. I'm also creative with him, you know?
- 2:03:32Speaker 5: And you signed the cover of the album?
- 2:03:33Speaker 3: I signed the cover.
- 2:03:34Speaker 1: Fuck, bro.
- 2:03:35Speaker 3: Congratulations, bro.
- 2:03:36Speaker 2: We went to the hill to take the pictures. I
- 2:03:38Speaker 2: panicked and he said, TZ, we have to do the
- 2:03:41Speaker 2: cover of the hillside, you know? But don't talk too much.
- 2:03:43Speaker 1: Huh? We're going to release the cover if you talk
- 2:03:46Speaker 1: too much.
- 2:03:47Speaker 2: I'm not going to talk too much, I'm just going
- 2:03:48Speaker 2: to say that we went to the hill. We took
- 2:03:50Speaker 2: a lot of angry pictures, we got angry, but we
- 2:03:52Speaker 2: liked it more than the other, you know?
- 2:03:54Speaker 7: Yeah.
- 2:03:55Speaker 2: And it's f * * * ed up because.
- 2:03:56Speaker 5: Can't the other one be against the cover?
- 2:03:58Speaker 1: No, bro.
- 2:03:58Speaker 2: It can't. But how do you like the other one more.
- 2:04:00Speaker 5: And you'll post it... Bro, you'll understand when it comes out.
- 2:04:03Speaker 1: Why, bro? You can't say too much when it comes out.
- 2:04:05Speaker 2: Okay, got it.
- 2:04:05Speaker 1: But like... But are you going to post this other
- 2:04:07Speaker 1: one that won't come out? Bro, this other one, this
- 2:04:09Speaker 1: one that will be the cover, we didn't even know
- 2:04:12Speaker 1: about this one yet, you know?
- 2:04:13Speaker 5: It was like a test that we didn't even get
- 2:04:15Speaker 5: to see.
- 2:04:16Speaker 1: We went there to the hill to take the photos
- 2:04:19Speaker 1: of the cover of the album. When we got there
- 2:04:20Speaker 1: at the hill, we did some tests here too, to
- 2:04:23Speaker 1: get the vision. And... It's going to be this one.
- 2:04:27Speaker 1: We're going to take some pictures here, because the cover is.
- 2:04:30Speaker 3: Going to be this one.
- 2:04:31Speaker 1: It's already right, right?
- 2:04:32Speaker 3: So this cover is f * * * ed.
- 2:04:34Speaker 1: Today.
- 2:04:34Speaker 2: We're together, man.
- 2:04:35Speaker 1: We're going to post it today.
- 2:04:36Speaker 2: They already posted it.
- 2:04:37Speaker 1: The date, everything.
- 2:04:38Speaker 2: Yeah, man.
- 2:04:39Speaker 3: Post the date there.
- 2:04:41Speaker 1: 5th of March. It's Thursday, right?
- 2:04:42Speaker 2: Thursday. Thursday, 9 o'clock at night. Without being on this one, right?
- 2:04:45Speaker 2: Without being on this one now, on the other? That's it.
- 2:04:48Speaker 8: No, no.
- 2:04:48Speaker 5: Let me see here. It's already 24.
- 2:04:54Speaker 1: Yeah, next week. Next week, dude. On the 7th, there's
- 2:04:58Speaker 1: Charles do Bronco and Holloway.
- 2:05:00Speaker 5: That's it, on the 5th. Next Thursday, dude.
- 2:05:04Speaker 1: Without being this one or the other. Yeah, without being this.
- 2:05:08Speaker 3: One this week or the other.
- 2:05:10Speaker 2: It's going to explode, man.
- 2:05:11Speaker 1: Palácio de Lona.
- 2:05:12Speaker 3: And why Palácio de Lona?
- 2:05:13Speaker 2: Because in the favela we learn to be king before
- 2:05:15Speaker 2: we have our castle. Got it?
- 2:05:17Speaker 1: I knew there was something like that.
- 2:05:20Speaker 5: Our Palácio de Lona.
- 2:05:21Speaker 1: It's heavy.
- 2:05:22Speaker 3: For real, bro. It's awesome.
- 2:05:23Speaker 5: Did you guys like it here today, my brothers?
- 2:05:25Speaker 1: Man, I'm so happy, bro. For real, I'm so happy.
- 2:05:27Speaker 1: Thank you, bro.
- 2:05:28Speaker 2: Let me introduce you to my barber. Come here, bro. Please,
- 2:05:30Speaker 2: come here.
- 2:05:30Speaker 1: Just say hi.
- 2:05:31Speaker 2: Just say hi. Just say hi. Where's HG? Call HG too.
- 2:05:33Speaker 2: He's my cut-off.
- 2:05:34Speaker 1: Where's HG?
- 2:05:34Speaker 3: My cut-off.
- 2:05:34Speaker 1: Say it, man. Say it, HG. Is that what you're
- 2:05:36Speaker 1: going to say on Podpah?
- 2:05:37Speaker 2: Two Fs?
- 2:05:47Speaker 1: Say it. Say it, HG. Say it, HG.
- 2:05:49Speaker 3: Felipe, HG do corte, paizão, TZ nosso monstro, corte do jaca.
- 2:05:52Speaker 2: Call it, man.
- 2:05:53Speaker 1: This one is good, man.
- 2:05:54Speaker 2: Did you like it, my brother?
- 2:05:55Speaker 1: Thank you, man.
- 2:05:57Speaker 3: Thank you, my fans at home, from TZ.
- 2:05:59Speaker 5: Palácio de Lona is coming on the streets.
- 2:06:01Speaker 2: You got the vision? That's it, man. That's it, you
- 2:06:03Speaker 2: can trust. You got the vision? Palácio de Lona on
- 2:06:05Speaker 2: the streets. Without being on this Thursday, next.
- 2:06:08Speaker 1: Thursday at 5. To all the people who know me,
- 2:06:15Speaker 1: who are close to me, who I forgot to say hi.
- 2:06:17Speaker 1: Forgive me, thank.
- 2:06:19Speaker 2: You, but don't take it to heart.
- 2:06:21Speaker 1: Let me say hello.
- 2:06:22Speaker 2: It was bad, it was bad, thank you.
- 2:06:24Speaker 1: I'm going to send it to my girl, Pietra, I
- 2:06:26Speaker 1: love you, we're together.
- 2:06:27Speaker 2: Again, man?
- 2:06:28Speaker 1: No, you have to send a concentrated one. A real one, right?
- 2:06:31Speaker 2: Yeah, a real one.
- 2:06:32Speaker 1: I want to send a hug to Anderson, my protector,
- 2:06:34Speaker 1: my history teacher.
- 2:06:40Speaker 2: Catiucia Ribeiro.
- 2:06:41Speaker 5: Ela é pica.
- 2:06:41Speaker 2: Ela é pica. A Catiucia é moça. Meu professor de inglês, Miguel.
- 2:06:44Speaker 2: I love you, bro. I love you, my G. Caralho.
- 2:06:48Speaker 3: Oh, my God.
- 2:06:49Speaker 2: E um beijo pro meu amor também de novo, porque
- 2:06:51Speaker 2: o TZ é foda. Cara, um beijo aqui, amor.
- 2:06:53Speaker 1: Um dedicado mesmo.
- 2:06:53Speaker 2: Pra você.
- 2:06:54Speaker 1: Mandar um também, sabe pra quem? Pra mim, Stalist, Dani,
- 2:06:56Speaker 1: tamo junto, Daniela e Fernando.
- 2:06:57Speaker 2: Mandar um pro meu Stalist também, valeu, Vinícius, tamo junto.
- 2:07:00Speaker 2: É isso aí. É.
- 2:07:01Speaker 1: Vai lembrando. Manda mais um. De novo mesmo? Não, não, outro,
- 2:07:06Speaker 1: manda outro. Mais um, deixa eu pensar aqui.
- 2:07:10Speaker 2: Ah, Tia Marcia Gordin, who works there at Mateus's house. Gilberto,
- 2:07:14Speaker 2: my pedreiro, we're together too.
- 2:07:15Speaker 1: Is there anyone who.
- 2:07:16Speaker 5: Can help with the snacks?
- 2:07:17Speaker 1: The snacks, the açaí. You have to think, bro. Someone
- 2:07:21Speaker 1: will come mad.
- 2:07:21Speaker 2: I'm winning you. Rafael Fox, Jay Uri, we're together too.
- 2:07:25Speaker 2: I'm winning.
- 2:07:27Speaker 1: Guys... Guys, talk to TZ! My fans!
- 2:07:32Speaker 3: Thanks, guys!
- 2:07:33Speaker 1: Thanks, Pote Pá!
- 2:07:33Speaker 2: Thanks again! If you liked it, leave your like, subscribe
- 2:07:37Speaker 2: to the channel, follow Cabelinho, TZ da Coronel and all
- 2:07:39Speaker 2: the artists of the Cúpula and the neighborhood.
- 2:07:40Speaker 1: 13, they will be in the description, right? I hope
- 2:07:42Speaker 1: you really enjoyed it! And Mítico Jovem, I'm honored. Remembering
- 2:07:53Speaker 1: that Brino's program came out earlier, Conflito Total. Brino is
- 2:07:57Speaker 1: making family house on the internet Let me send you
- 2:08:00Speaker 1: a shout out. Suarez and Joia, PTZ da Joia, we're together,
- 2:08:05Speaker 1: you guys are good.
- 2:08:06Speaker 2: Thanks Menat and Joia, we're together too, Menat, we're together.
- 2:08:08Speaker 1: Send a shout out, mate.
- 2:08:10Speaker 4: Do the following, ending here, dude, click on the channel
- 2:08:14Speaker 4: and watch the shows that are coming out of Podpato.
- 2:08:16Speaker 3: There's a chance, there's a chance.
- 2:08:18Speaker 4: Subscribe, it's around 10 million. We're working hard to make
- 2:08:21Speaker 4: this happen. New shows, seriously, Podpato TV, okay? Leave a like, subscribe,
- 2:08:27Speaker 4: tomorrow there's more, after tomorrow there's more.
- 2:08:30Speaker 3: That's it. Dignity. Bye.
- 2:08:47Speaker 1: Peter, one moment please.
- 2:08:50Speaker 5: English online live is wizard on.
- 2:08:52Speaker 1: We learn English anywhere.
- 2:08:55Speaker 2: It's wizard.
- 2:08:57Speaker 4: It's wow.
- 2:08:57Speaker 1: Don't study English jumping off a parachute.
- 2:09:00Speaker 3: Fã, seu futuro na prática.