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The Aesthetic Escalator and the Melancholy of the Balcony

A listener answered an earlier deep dive on judgment with a single line from Joseph Brodsky's 1987 Nobel Lecture: the richer one's aesthetic experience, the sounder the taste, the sharper the moral focus, the freer, though not necessarily the happier. This conversation takes that sentence on its own terms. It first asks what a signed quotation does when it is offered in place of an argument. It then finds where Brodsky's claim held: against the uniform language and kitsch of Soviet state propaganda, private aesthetic discrimination was real resistance. From there it follows the sentence as a…

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