Latest / The Breakfast Club / Bada$$ Race Wars

Transcript

Bada$$ Race Wars · The Breakfast Club

• 0:01
  Speaker 1: This is your weak call. Breakfast Club. They show you
• 0:05
  Speaker 1: Love to Hate from the East to the West, Coat
• 0:08
  Speaker 1: DJ and De Angela Yee, Charlomagne, the really show on
• 0:11
  Speaker 1: the planet. This is why I respect this show, because
• 0:14
  Speaker 1: this is a voice of society. Sames in the game,
• 0:16
  Speaker 1: guys are the coveted morning show. What y'all earn it
• 0:20
  Speaker 1: in bacting the coach sure up in the morning and
• 0:22
  Speaker 1: as they want to hear that breakfastcript the World's most
• 0:25
  Speaker 1: Dangerous morning show. And good morning Usa. Hey yo yo
• 0:44
  Speaker 1: yo yo yo, this morning, Good morning Angela, yee, good morning.
• 0:48
  Speaker 1: It's Friday. I kept thinking, yesterday was Friday? Really why?
• 0:53
  Speaker 1: I don't know why I felt like Friday. Yesterday. I
• 0:55
  Speaker 1: was out and about, I was running a bunch of
• 0:58
  Speaker 1: different errands, and then I went to go eat lunch.
• 1:01
  Speaker 1: It was like a late lunch around three, and I
• 1:03
  Speaker 1: kept thinking to his Friday, oh the whole time. And
• 1:05
  Speaker 1: then I was like, oh, man, it's really not Friday. Now,
• 1:08
  Speaker 1: today is Friday. Now I spent the night last night. Well,
• 1:10
  Speaker 1: today's right. Yeah. I spent the night last night and
• 1:12
  Speaker 1: the whole day yesterday at the hospital. My wife just
• 1:14
  Speaker 1: of course a few Uh, it's her. We just had
• 1:16
  Speaker 1: our baby, our fifth baby, a fifth and final baby.
• 1:19
  Speaker 1: So I was all there at the hospital. So all
• 1:20
  Speaker 1: I did was play with the baby. That's nice, and
• 1:23
  Speaker 1: watched the Olympics. I'm an Olympic fanatic. I I like
• 1:26
  Speaker 1: watching anything competitive, especially the swimming. Shout to Michael Phelps.
• 1:30
  Speaker 1: He does his damn thing. That boy is just amazing.
• 1:32
  Speaker 1: He's got thirty one thirty two years old. He has
• 1:34
  Speaker 1: the most medals ever. He is amazing. Now. Fun fact,
• 1:38
  Speaker 1: I thought that I was going to be an Olympic
• 1:40
  Speaker 1: swimman when I was younger. I was nice. I was
• 1:43
  Speaker 1: actually I was just going to swim on the varsity
• 1:47
  Speaker 1: team as far as swimming is concerned, and I was nice.
• 1:49
  Speaker 1: See what happened back then? They used to make us
• 1:51
  Speaker 1: with a little skimpy, tiny tiny underwear thing. Anyway, that's
• 1:56
  Speaker 1: the episode. You wearing that with some stocks. No it's
• 1:58
  Speaker 1: shut up, no, no, no, but and it was. It's
• 2:00
  Speaker 1: just uncomfortable because people come to the meet and you
• 2:02
  Speaker 1: got these like halfway bikini box of briefs on and
• 2:07
  Speaker 1: your stuff is just all out, and you're like a
• 2:08
  Speaker 1: little I was what fifteen years old at the time.
• 2:11
  Speaker 1: I just couldn't do it. I was like, this is enough,
• 2:13
  Speaker 1: this is embarrassing, and I stopped. And I shouldn't have stopped.
• 2:16
  Speaker 1: That's one of the things. My parents shouldn't have made
• 2:18
  Speaker 1: me stop. They should have made me continue to swim,
• 2:19
  Speaker 1: because I could have been an Olympic swimmer. So they
• 2:21
  Speaker 1: should push you. They should have pushed me to continue
• 2:23
  Speaker 1: to swim. And sometimes parents don't want to push their
• 2:26
  Speaker 1: kids too much, but they should have pushed me to
• 2:27
  Speaker 1: swim because I could have been I don't know if
• 2:29
  Speaker 1: you could have been an Olympics That great story. And
• 2:32
  Speaker 1: I'm lengthy and I'm long pause and I would have
• 2:34
  Speaker 1: been I would have been good. I'm what six foot six?
• 2:36
  Speaker 1: And you shave your legs. I don't shave my legs,
• 2:39
  Speaker 1: but I save my private areas and it makes you
• 2:41
  Speaker 1: go even faster. You don't believe me. I do believe
• 2:46
  Speaker 1: you shave your private areas. Okay, all right, and that
• 2:48
  Speaker 1: whole story, that's the only thing that all right. Well,
• 2:52
  Speaker 1: we got a bunch of people joining us this morning.
• 2:54
  Speaker 1: We have Joey Badass, he'll be in there, and we
• 2:58
  Speaker 1: also have some comedians joining us. What's the name community
• 3:00
  Speaker 1: Chard and Christian Finnigan and Christian Finnigan. They have a
• 3:04
  Speaker 1: new show. No, Christian Finnigan was the one that was
• 3:06
  Speaker 1: on the Chappelle show, The Mad Real World, the one
• 3:09
  Speaker 1: white guy that was in the house. Okay, they who
• 3:12
  Speaker 1: got stabbed. I think he got stabbed. I remember he
• 3:14
  Speaker 1: was in the room with Charlie Murform and he was
• 3:18
  Speaker 1: masturbating while Christian Finnigan was in the room with his girlfriend.
• 3:21
  Speaker 1: And then the next thing you know, he was sleeping
• 3:22
  Speaker 1: with his girlfriend. Got you, got you, got you. So
• 3:24
  Speaker 1: they'll be joining us this morning. So let's get the
• 3:26
  Speaker 1: show cracking front page news. What we're talking about. Imagine
• 3:28
  Speaker 1: being on a plane and all of a sudden, the
• 3:30
  Speaker 1: turbulence is so bad that you end up having to
• 3:32
  Speaker 1: go to the hospital. We'll tell you what. Airline put
• 3:34
  Speaker 1: twenty four people in the hospital because of turbulence. I
• 3:37
  Speaker 1: was on a plane like that, and the lady caught
• 3:38
  Speaker 1: a heart attack. It was so much turbulence. She had
• 3:40
  Speaker 1: a heart attack. And then when the plane landed, everybody
• 3:43
  Speaker 1: wanted to run off, but they couldn't because the medical
• 3:45
  Speaker 1: medical staff had to come on and get him. And
• 3:47
  Speaker 1: everybody was just scared, and we got storry about everything
• 3:50
  Speaker 1: to anything. We said, do anything. Let me tell you
• 3:52
  Speaker 1: one time, one time the Big page, who was next
• 3:56
  Speaker 1: keeping locice to breakfast logal morning in Sportson's night be
• 4:00
  Speaker 1: a Rod's last game at Yankee Stadium. He is retiring,
• 4:03
  Speaker 1: He's being forced to retire. Today. Is going to play. Yeah,
• 4:06
  Speaker 1: he's gonna play. He's gonna start. He's flying his family in,
• 4:09
  Speaker 1: He's a lot of friends coming in. So he will
• 4:10
  Speaker 1: play tonight. He's seven home runs away from hitting seven hundred.
• 4:14
  Speaker 1: But even if it hits eight tonight, he's definitely not
• 4:16
  Speaker 1: gonna get that tonight. Definitely not gonna get that to
• 4:18
  Speaker 1: Tonight's his last game. Also, Simon Bios too man for
• 4:23
  Speaker 1: Simon Bios. I think he's getting to it right now.
• 4:26
  Speaker 1: We'll congratulations to her. The USA is let me get
• 4:30
  Speaker 1: to that story now. Thirty eight medals, sixteen goal, twelve silver,
• 4:35
  Speaker 1: and ten bronze. That's her first medal, right, first African
• 4:40
  Speaker 1: American woman. Explain story. Oh I'm I was looking at you.
• 4:44
  Speaker 1: Oh yeah, she's the first African American woman to win
• 4:47
  Speaker 1: a hundred freestyle. Now you don't do anybody Anybody swim here,
• 4:51
  Speaker 1: nobody swim I don't know how to swim and write swim.
• 4:53
  Speaker 1: But she was far behind. She was about five strokes behind,
• 4:55
  Speaker 1: and she came back to win some small small swims.
• 4:59
  Speaker 1: Simone Bios, Oh no, what I was like, She's talk
• 5:07
  Speaker 1: about Simone Bios, but we were talking about Emanuel did
• 5:10
  Speaker 1: a great job. She was the first African American. UH
• 5:14
  Speaker 1: saw her. She was the one crying. I'll talk about
• 5:16
  Speaker 1: Simon Bio the gym. You just made me have a
• 5:18
  Speaker 1: whole new respect for from what I was like, when
• 5:19
  Speaker 1: did I go to sleep and miss our swimming too?
• 5:23
  Speaker 1: She was on the balance beam and jumped in the pool.
• 5:25
  Speaker 1: Simone Manual was the first African American. Simons are really
• 5:28
  Speaker 1: big in the Olympics yesterday, basically from the USA. And
• 5:31
  Speaker 1: congratulations to Michael Phelps. Phelps, he caught twenty two gold medals.
• 5:35
  Speaker 1: He's he's a he's he's dead nice for that swimming.
• 5:38
  Speaker 1: He's thirty one years old, thirty two years old. He
• 5:40
  Speaker 1: is dead nice with the swimming. He's a good case
• 5:42
  Speaker 1: that Baron wanted. You know, isn't as bad as people
• 5:44
  Speaker 1: make it out to be. All right, that's true. Michael
• 5:47
  Speaker 1: Phelps gets busy in that pool. Absolutely now Lebron. Lebron
• 5:50
  Speaker 1: resigned for thirty one million ballars here, but he did
• 5:53
  Speaker 1: it three year. He did a three year, one hundred
• 5:56
  Speaker 1: million dollar contract with the NBA, and the salary in
• 5:59
  Speaker 1: his first years gonna be thirty one million. He's gonna
• 6:01
  Speaker 1: be the highest play paid player in the NBA for
• 6:03
  Speaker 1: the first time in his career ever. And then for
• 6:06
  Speaker 1: the next year his salary will be above thirty three million,
• 6:08
  Speaker 1: which will make him the highest paid player in a
• 6:10
  Speaker 1: single season in league history. That's even more than Michael
• 6:13
  Speaker 1: Jordan made with the Bulls in the nineteen ninety seven
• 6:16
  Speaker 1: ninety eight season. But the money is different. But I'm
• 6:18
  Speaker 1: not going front. I think they over paid Lebron just
• 6:19
  Speaker 1: a little bit. What are you talking about. That's our guy,
• 6:24
  Speaker 1: Rich Paul, that's Lebron's agent. How much is aging it?
• 6:28
  Speaker 1: You have to ask him enough to enough to want
• 6:30
  Speaker 1: to get pregnant by him? Come on, no, if he
• 6:35
  Speaker 1: was a guy, he can get pregnant by back, Ain't
• 6:37
  Speaker 1: no doubt, yes, but enough to want to get pregnant
• 6:39
  Speaker 1: by him? Goodness gracious? All right, Now, let's talk about Macy's.
• 6:43
  Speaker 1: Macy's is actually closing down one hundred of its stores.
• 6:45
  Speaker 1: That's about fifteen percent of all of their department store locations.
• 6:49
  Speaker 1: They didn't say which stores it's going to be yet,
• 6:51
  Speaker 1: but they said most of them will be shut down
• 6:52
  Speaker 1: early next year. You know. Walmart also had announced earlier
• 6:56
  Speaker 1: this year they're shutting down two hundred and sixty nine
• 6:58
  Speaker 1: stores this year, and Sports a thirty has shut down
• 7:02
  Speaker 1: all four hundred and fifty of its stores after they
• 7:04
  Speaker 1: filed for bankruptcy. So I cannot believe y'all letting that
• 7:07
  Speaker 1: great institution called Walmart shutdown. I am from the country.
• 7:10
  Speaker 1: I am from Monks Corner, South Carolina. Late at night
• 7:12
  Speaker 1: when there was nothing else to do, you go walk
• 7:15
  Speaker 1: around a twenty four hour Walmart, okay, and you get
• 7:18
  Speaker 1: a new type of inspiration for the world. Cannot believe
• 7:21
  Speaker 1: y'all letting that institution shut down. It's like shutting down
• 7:23
  Speaker 1: a rec center or shutting down a church. It's not
• 7:26
  Speaker 1: the same thing last time you've been to Walmart. Oh,
• 7:28
  Speaker 1: I'm more of a targ target. All right, then that's
• 7:30
  Speaker 1: why the target. You're part of the problem. You're part
• 7:32
  Speaker 1: of the problem, more of a target. But it's I
• 7:34
  Speaker 1: see more targets now, I don't see a lot, but
• 7:35
  Speaker 1: they actually shut down some Target stores of yea, yeah,
• 7:38
  Speaker 1: they had. Let me tell it's like Target, jac Penny,
• 7:41
  Speaker 1: Kmart series and Colds. They've also gotten rid of hundreds
• 7:43
  Speaker 1: of stories. I'm just more of a Target, guys. I
• 7:45
  Speaker 1: mean there's more Targets, and Target got mostly more white.
• 7:47
  Speaker 1: They look nicer. Target. Just look, they do look nice.
• 7:51
  Speaker 1: You can go use the bathroom and Target and get pizza.
• 7:53
  Speaker 1: I don't know about all that, but they got mostly
• 7:55
  Speaker 1: more white T shirt. Your Target has pizza. They have pizza.
• 7:58
  Speaker 1: Target pizza. They got Starbucks too. The last let's talk
• 8:01
  Speaker 1: about this Jet Blue turbulence. Well, Jet Blue turbulence has
• 8:04
  Speaker 1: put twenty four people in the hospital, at least twenty
• 8:06
  Speaker 1: two customers and two crew members after experiencing rough turbulences
• 8:11
  Speaker 1: to the flight attendant was assisted off the plane by
• 8:13
  Speaker 1: a medical personnel. It was from Buston to Sacramento, and
• 8:15
  Speaker 1: that flight actually had to be diverted to rapid City,
• 8:18
  Speaker 1: South Dakota. They said, the weather obviously is what caused
• 8:22
  Speaker 1: some of the bumby flying conditions. Ah, y'all, weak man,
• 8:24
  Speaker 1: If you ever did the Hallmn shake, you survive a
• 8:26
  Speaker 1: little rough turbulence, man, Yeah, that's why every nighting you
• 8:28
  Speaker 1: to do the Halem shake, just because because you get
• 8:31
  Speaker 1: on a plane. If you ever did the Halem shake
• 8:34
  Speaker 1: and you get on a plane and you feel turbulence,
• 8:35
  Speaker 1: you won't even feel it's nothing plane. Do a little
• 8:37
  Speaker 1: hallm shake, you'd be all right. Y'all gotta go to
• 8:39
  Speaker 1: the hopital because y'all did a little hallm shake in
• 8:41
  Speaker 1: the plane topic and that's front page news. Now tell
• 8:44
  Speaker 1: them why you're mad. Eight on drip five eight five
• 8:46
  Speaker 1: one o five one. If you're upsets, you need to
• 8:47
  Speaker 1: vent callers right now. Maybe you are late, maybe you
• 8:51
  Speaker 1: had a bad night, maybe you had a bad morning.
• 8:53
  Speaker 1: Eight on drip five one o five one in Charlemagne,
• 8:56
  Speaker 1: what thank you for putting me on to the jerk
• 8:59
  Speaker 1: shat Grill. I want to close bonds with the jerk
• 9:01
  Speaker 1: shot Grill. Damn it. I know people out of town
• 9:03
  Speaker 1: don't know what the hell we talk about. The jerk
• 9:05
  Speaker 1: Shot Grill is the Jamaican restaurant in New Jersey. If
• 9:07
  Speaker 1: you ever just happened to be from Houston, a South
• 9:09
  Speaker 1: Caroline of driving up route for and uh Inglewood, New Jersey,
• 9:13
  Speaker 1: go by the jerks. It's part of a gas station.
• 9:15
  Speaker 1: So it looks like a mobile gas station. Yes it is,
• 9:17
  Speaker 1: but half of it is a jerk shat grill. They
• 9:20
  Speaker 1: opened late last night. My wife wanted something at the
• 9:22
  Speaker 1: hospital and I went through and oh my god, you're
• 9:24
  Speaker 1: talking about jerks. Take jerky chicken everything, jerk Sam. Oh
• 9:29
  Speaker 1: my god, that was amazing. They even got ladies in
• 9:32
  Speaker 1: the back. That a jerk you. I don't know about that.
• 9:34
  Speaker 1: But eight hundred five eight five one O five one.
• 9:37
  Speaker 1: Tell them why you're mad? It's the breakfast club. God morning,
• 9:39
  Speaker 1: Hey Yox, you know what makes you mad? But truth
• 9:43
  Speaker 1: can't handle the truth. I tell them why you mad?
• 9:46
  Speaker 1: Want to breakfast club? Hey, Chris, tell them why you're mad. Okay,
• 9:50
  Speaker 1: So I've been going to school and trying to enjoy it.
• 9:53
  Speaker 1: But I already got five ten tens already. I'm trying
• 9:55
  Speaker 1: to enjoy myself. You got five ten what tests last? Yes,
• 10:01
  Speaker 1: it's a lot, and it's already the beginning of school
• 10:04
  Speaker 1: and nobody else already got none of them. Well, you listen,
• 10:08
  Speaker 1: you go on to school. You're paying to learn, so
• 10:10
  Speaker 1: take advantage of that. Okay, what's cool? You go to UM?
• 10:14
  Speaker 1: I go to school Columbus Columbicas on school. That's like
• 10:17
  Speaker 1: showing up to your job every day and complaining because
• 10:19
  Speaker 1: they give you work. Oh my god, they give me
• 10:21
  Speaker 1: so much work today. It's your job school. He goes
• 10:23
  Speaker 1: to Hello, who's this? Yeah you're doing listen, Kevin w
• 10:27
  Speaker 1: from both for a long island. Hey, you tell them
• 10:28
  Speaker 1: how you man? I'm mad because Charlomagne Necard is always
• 10:32
  Speaker 1: playing walk back. Think he's got to be late for
• 10:34
  Speaker 1: time I missed. Just talk about that. I've been doing
• 10:38
  Speaker 1: good this week though, Oh my god, you weren't even
• 10:40
  Speaker 1: here this week for one day this week stopping knock
• 10:44
  Speaker 1: it off. But I've been here every day this week
• 10:45
  Speaker 1: except for the day, so three days. It was late
• 10:49
  Speaker 1: yesterday too, No I wasn't. Yeah, yeah, I just didn't.
• 10:52
  Speaker 1: Y'all just started over your yesterday. Yeah, we started over.
• 10:55
  Speaker 1: We did it. Hello, who's this? You not going to part?
• 11:00
  Speaker 1: Let's up? Bro? Tell him more? You mad because the
• 11:03
  Speaker 1: day frien w Oh my gosh, we're all that work
• 11:07
  Speaker 1: this morn. Hey, Hey, hey, Charolette, yo, hey man right here,
• 11:13
  Speaker 1: Oh man, I did hear samming? Something said you really?
• 11:17
  Speaker 1: Because I hear this water? Okay, all right, all right,
• 11:22
  Speaker 1: all right, really little from it. Yo yo yo yo
• 11:24
  Speaker 1: yo ya ya ya ya yo yo yo yo yo
• 11:26
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 11:27
  Speaker 1: yo Yo's not the same? Are you turned off? Are
• 11:30
  Speaker 1: you turned on the same? I didn't feel it. You
• 11:32
  Speaker 1: turned on? I didn't feel it. Hello, who's this? Hey?
• 11:35
  Speaker 1: What's up? This is Mark for Rock and County Man Mark.
• 11:37
  Speaker 1: How you guys? How are you guys doing today? Good? Yeah?
• 11:40
  Speaker 1: I just wanted to say, man, I got this. I'm
• 11:42
  Speaker 1: mad because I got this friend. Yet we played Fantasy
• 11:44
  Speaker 1: Football of the Year. This guy don't never pay and
• 11:46
  Speaker 1: he's still begging to get in the league. Well, why
• 11:48
  Speaker 1: do you guys let him in? Well, he's a really
• 11:51
  Speaker 1: good friend, and I try to give him the benefit
• 11:52
  Speaker 1: of doubt. But my thing is, I want to leave
• 11:54
  Speaker 1: it up to you guys. Do you think I have
• 11:55
  Speaker 1: to let him in this year? I think you should
• 11:57
  Speaker 1: tell him he got to put his money up. Friend,
• 11:58
  Speaker 1: he gotta pay first. You gotta stop letting you gotta
• 12:01
  Speaker 1: play his money in a scrow. Now, our boys wants
• 12:03
  Speaker 1: us to play in Fantasy Football league, and it's expensive.
• 12:06
  Speaker 1: I said, if Charlomagne goes half, I'll pay in Charlomagne
• 12:09
  Speaker 1: ain't paying, so I ain't playing listening to I ain't
• 12:11
  Speaker 1: playing twenty five hundred dollars to get into I got
• 12:14
  Speaker 1: five kids. Ain't playing crazy. I'm a Dallas cowboy fans
• 12:17
  Speaker 1: for every year is fantasy football for me. Okay, because
• 12:19
  Speaker 1: every year I think we're going to the super Bowl. Yeah,
• 12:21
  Speaker 1: never do Hello, who's this man? Steph far and Steve
• 12:26
  Speaker 1: tell them how you're mad? I'm magic because win. I
• 12:29
  Speaker 1: watched album for vote, y'all close? Magic change when Jeff
• 12:32
  Speaker 1: Comerton like what we try to get fresh and changes. Yeah,
• 12:38
  Speaker 1: when you watch the war shows, you'd be seeing when
• 12:40
  Speaker 1: you go to concert, you see people do wardrobe changes.
• 12:42
  Speaker 1: Right there, we do wardrobe. You see people hosting war shows,
• 12:45
  Speaker 1: you see them chat. We'll be changing. Like Joey Back
• 12:52
  Speaker 1: was coming in here today. I'm gonna change change. Then
• 12:55
  Speaker 1: we got Sharad Small and Christian I'm gonna change it.
• 12:58
  Speaker 1: I'm definitely changing. Shut up to vote to her like
• 13:01
  Speaker 1: and also let the record show voters not give us
• 13:04
  Speaker 1: a wardrobe budget. That's why it's always just T shirts. Hello,
• 13:07
  Speaker 1: who's this? This is Joe? Joe? What up? Man? Did
• 13:12
  Speaker 1: you try that? Jerk? Chat? Grilling Inglewood the jerk sh no, no, yeah,
• 13:17
  Speaker 1: I heard about it. You gotta try. Why are you mad? Bro?
• 13:20
  Speaker 1: All right? So I gave my girl my car yesterday
• 13:23
  Speaker 1: to take my little sister to the dentist, right right.
• 13:25
  Speaker 1: And I told her like, yo, it's a new car.
• 13:29
  Speaker 1: Don't up the car. She's like, yeah, yeah, I gotta
• 13:32
  Speaker 1: I got it. I got it. So she taking her
• 13:36
  Speaker 1: to the dentist. I'll come back to find that the
• 13:39
  Speaker 1: biggest bit in the bumper. So I walked inside the curve,
• 13:43
  Speaker 1: I'm like, yo, fab, what happened to the car? She's like, oh, um,
• 13:49
  Speaker 1: I don't know what are you talking about. I was like,
• 13:56
  Speaker 1: your wife didn't tell your girl didn't tell you? That
• 13:57
  Speaker 1: was the most That was the most boringest way to
• 14:00
  Speaker 1: say you gotta diet in your car. Ever, you could
• 14:02
  Speaker 1: have did that in ten seconds. Got that debt. Yeah,
• 14:05
  Speaker 1: you have a good storytelling ability, sir. I met you.
• 14:07
  Speaker 1: The story about your wife being at the dennist was better.
• 14:09
  Speaker 1: Who was in your wife's mouth? Oh tell them why
• 14:16
  Speaker 1: you're mad? Eight hundred five eight five one oh five one.
• 14:19
  Speaker 1: When we come back, we're gonna tell you who's joining
• 14:21
  Speaker 1: us this morning. They both have a lot to talk about.
• 14:23
  Speaker 1: We got two special guests, we'll actually three keep a lot.
• 14:25
  Speaker 1: It's the breakfast club Good Morning. That was Bryson Tiller
• 14:28
  Speaker 1: with Dope Morning. Everybody is DJ M, v Angela, Yee,
• 14:31
  Speaker 1: Charlemagne and God. Now we got a lot of special
• 14:34
  Speaker 1: guests joining us this morning. The first Joey Badass will
• 14:36
  Speaker 1: be here. Young Joey Badass, Brooklyn's own underground artist who
• 14:40
  Speaker 1: has a record that is actually playing on radio right now.
• 14:43
  Speaker 1: It's devastated love. Yeah, guys like Jolia Interer, I thin
• 14:46
  Speaker 1: because I don't even know if you call him underground,
• 14:47
  Speaker 1: because they'll dropping an album and sells seventy thousand record
• 14:50
  Speaker 1: of the first week, sells out, mad shows, mad festivals.
• 14:53
  Speaker 1: It's almost like what we used to call underground is
• 14:56
  Speaker 1: the way to do things now. Yeah, but it seems
• 14:58
  Speaker 1: like he just has a cult following. And I think
• 15:00
  Speaker 1: performances are really great for artists like Joey Badass. You
• 15:03
  Speaker 1: go out, you do a lot of shows. That's how
• 15:05
  Speaker 1: people really know your music. You put out a lot
• 15:07
  Speaker 1: of stuff online and the internet. Yeah, but those undergrounding
• 15:09
  Speaker 1: artists when they make a radio record, does his call
• 15:11
  Speaker 1: follow and be like, oh you sold out there? I
• 15:15
  Speaker 1: mean like guys like Chance the Rabbit could be considered
• 15:17
  Speaker 1: underground with them. Dude. It's on SNL radio record right now,
• 15:23
  Speaker 1: the third album. Yeah, it's a great you know, this
• 15:26
  Speaker 1: third full length project. And also we got a bunch
• 15:29
  Speaker 1: of comedian joining us this morning. Sue is too too. Yeah.
• 15:32
  Speaker 1: My man sharag Smalls has got a podcast called Race
• 15:35
  Speaker 1: Wars Um Finnigan. They got a shown and he called
• 15:38
  Speaker 1: Black and White. I was actually one of the was
• 15:40
  Speaker 1: their first guest, Me and me and the white dude
• 15:42
  Speaker 1: Jim what is Jim's last name? Jim Gannigan, Jim Gafferganafanafrigan,
• 15:46
  Speaker 1: Why white? Who always gotta have a gang a cannon
• 15:48
  Speaker 1: their name? Dammit? Finnegan, Cannigan, Gaffgan. But yeah, but to
• 15:53
  Speaker 1: be here this morning, we'll kicking with both of them
• 15:54
  Speaker 1: in a little bit. All so don't go anywhere. We
• 15:56
  Speaker 1: got rumors on the way what we're talking about. Yes,
• 15:58
  Speaker 1: but tell you what, artists now has a new record
• 16:01
  Speaker 1: deal and he's telling all these rappers they better watch
• 16:03
  Speaker 1: out for him. Oh boy, all right, we'll get into
• 16:06
  Speaker 1: that when we tell keep it locked. It's the Breakfast Club.
• 16:08
  Speaker 1: Come on to get your ass up. The Breakfast Club.
• 16:15
  Speaker 1: Oh my goodness, this with Angela on the Breakfast Club
• 16:26
  Speaker 1: work that we're gonna work on. I can't with that.
• 16:29
  Speaker 1: I love that intro. Maybe cut it just to cut
• 16:34
  Speaker 1: the instrument off a little bit. We're gonna work on that,
• 16:38
  Speaker 1: all right. Kevin Hart is signing a record deal. He
• 16:41
  Speaker 1: already has signed with Motown. Now we all know his alias,
• 16:44
  Speaker 1: Chocolate Droppa. That's his alter ego. I'm a track dropping
• 16:48
  Speaker 1: and getting no record deal. That's Chocolate Dropper has signed
• 16:50
  Speaker 1: the Motown Records, and now he put out it's the
• 16:52
  Speaker 1: return of Droppa. Bitches, you've been worn. I just got
• 16:55
  Speaker 1: signed by Motown Records, Capital Music Group. It's just got real.
• 16:59
  Speaker 1: I'm dropping the mixtape on you, bitches. It's war. Y'all
• 17:01
  Speaker 1: can't run from this lyrical ass whipping. Well, even though
• 17:04
  Speaker 1: I feel like lyricism has come back to the forefront
• 17:06
  Speaker 1: in a big way in the past couple of years
• 17:08
  Speaker 1: in hip hop, it's still a lot of melodic mumbling
• 17:11
  Speaker 1: out here. So Chocolate Dropper can have a lane. All right. Well,
• 17:13
  Speaker 1: if you guys never heard Kevin Hart rap, or should
• 17:16
  Speaker 1: I say Chocolate Dropper, here's a little snippet of what
• 17:19
  Speaker 1: you can expect a liar. You won't fire. You won't
• 17:23
  Speaker 1: believe me to. Don't try to deny you. What's your name?
• 17:28
  Speaker 1: Mariah car not lad read, I'm harr reading daddy in
• 17:33
  Speaker 1: a gym on the weight lifting machine. I'm liking. What
• 17:36
  Speaker 1: got a gun in my hand? What you see a
• 17:39
  Speaker 1: bullet in your face? Now? What we back from track
• 17:45
  Speaker 1: track two is the one that we thought we were
• 17:47
  Speaker 1: gonna do. I see you do either? You get it?
• 17:50
  Speaker 1: A dope that sucks? Yeah, you won't. Well, he is
• 17:55
  Speaker 1: taking shots at everybody, apparently on this new album. He said,
• 17:57
  Speaker 1: if you're a rapper, I suggest you run. I'm about
• 17:59
  Speaker 1: to come for all you suckers. Y'all just knocked on
• 18:02
  Speaker 1: the door of a small giant that loves chicken nuggets
• 18:05
  Speaker 1: and love walks in the park in the summer, which
• 18:06
  Speaker 1: basically means I would kill everybody. You get metro booming
• 18:09
  Speaker 1: of Michael who made it to provide the soundtrack for
• 18:11
  Speaker 1: them trash balls, and you got something. It might work,
• 18:14
  Speaker 1: It could listen. We're gonna see what happens. All right. Now,
• 18:17
  Speaker 1: let's discuss a Rod We talked about his retirement. Well,
• 18:20
  Speaker 1: Jamie Fox is hosting a big party for him tonight
• 18:22
  Speaker 1: after a Rod's final game as a Yankee, So that
• 18:26
  Speaker 1: should be a big dealing. Speaking of Jamie Fox, we
• 18:28
  Speaker 1: told you about Jay Farrell getting let go from Saturday
• 18:31
  Speaker 1: Night Live, getting fired based after six he wasn't here.
• 18:35
  Speaker 1: We reported that two. Yeah, he's not doing it anymore.
• 18:38
  Speaker 1: Let him go, Oh yeah, you weren't here really after
• 18:41
  Speaker 1: six seasons? Oh, let me text my guy. I didn't
• 18:44
  Speaker 1: know that. Well, it's all right. He's got a new
• 18:46
  Speaker 1: job already. That's the door, all right. He's going to
• 18:48
  Speaker 1: be on a new show executive produced by Jamie Fox
• 18:50
  Speaker 1: on Showtime. It's called White Famous. So it's a pilot basically,
• 18:54
  Speaker 1: but you know, it is what it is, and that
• 18:57
  Speaker 1: doesn't sound like a bad situation. It's a show that's
• 19:00
  Speaker 1: focused on a talented young African American comedian played by
• 19:03
  Speaker 1: Jay Farrell who start is rising, forcing him to navigate
• 19:07
  Speaker 1: the treacherous borders of maintaining his credibility as he begins
• 19:10
  Speaker 1: to cruss over towards becoming White Famous. I'm texting him
• 19:13
  Speaker 1: right now. I'm sitting them to generic. When one door closes,
• 19:16
  Speaker 1: another one open. It's already open. Did he get fired?
• 19:19
  Speaker 1: He quit. I think he quit. They said, they said
• 19:22
  Speaker 1: he they said he left, because that don't apply if
• 19:24
  Speaker 1: he quit. When one door closes, another one sending anyway,
• 19:27
  Speaker 1: You're a little late, though, but you can said it. Yeah,
• 19:29
  Speaker 1: just should have been like four days ago. You know
• 19:31
  Speaker 1: what I'm gonna say. Just found out. Damn, my nigga
• 19:34
  Speaker 1: said almost. But the good news already. Congrats on the show.
• 19:38
  Speaker 1: There you go, Yeah, you go congratulate the congrats on
• 19:41
  Speaker 1: the new show. All right, And Tiger, he was all
• 19:43
  Speaker 1: set to get arrested when he got back from texting
• 19:45
  Speaker 1: Caicos in the airport because of the arrest warrant because
• 19:48
  Speaker 1: of the four hundred and eighty thousand dollars judgment from
• 19:50
  Speaker 1: his former landlord. Well, it turns out that he has
• 19:54
  Speaker 1: settled with that Larlard. We don't know what kind of
• 19:57
  Speaker 1: check that he's cut, but I guess they have revoked
• 20:00
  Speaker 1: that warrant because of that. The settlement is less than
• 20:02
  Speaker 1: the four hundred and eighty thousand dollars. But we don't
• 20:04
  Speaker 1: know exactly how much he has to pay to getting
• 20:06
  Speaker 1: some bread out there, shoulder or Kylie. You're right, all right,
• 20:11
  Speaker 1: so that's good news. You don't got to worry about
• 20:12
  Speaker 1: getting arrested in the airport. And that is your rumor report.
• 20:15
  Speaker 1: I'm Angela yee. All right, thank you, miss eating. Now
• 20:17
  Speaker 1: when we come back, Joey Badass will be joining us.
• 20:21
  Speaker 1: He was an underground artist, but now he has a
• 20:23
  Speaker 1: record that's playing on the radio, so he's crossed over
• 20:25
  Speaker 1: a little bit. Terms no more though he's just a
• 20:30
  Speaker 1: successful ain't a successful artist. He's a successful artist who's
• 20:33
  Speaker 1: not doing it the traditional way. Oh, we'll talk to
• 20:35
  Speaker 1: him about that and more to keep it locked, Joey Badass.
• 20:38
  Speaker 1: When we return, it's the Breakfast Club, Go Morning. That
• 20:40
  Speaker 1: was reread wneeded me Morning. Everybody is dj mv Angela yee,
• 20:45
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. We got
• 20:47
  Speaker 1: a special guest in the building, Joey Badass. Joey came
• 20:52
  Speaker 1: in here and went right to the books. Most guys
• 20:53
  Speaker 1: come in here and go right for the liquor. Went
• 20:56
  Speaker 1: for the book show. That's right. I was looking at
• 20:58
  Speaker 1: you guys. Book collection. We have a library every in here. Yeah,
• 21:00
  Speaker 1: I've been taking this one conversations with God. I think
• 21:03
  Speaker 1: it's gonna do me some justice. You read heavy, Yeah,
• 21:05
  Speaker 1: I do. I like reading a lot what you read
• 21:07
  Speaker 1: right now, you said, Marcus Garry, Right, yeah, philosophy and opinions.
• 21:11
  Speaker 1: So you like like self help books and your sir
• 21:14
  Speaker 1: self motivation books, you know, yeah, history, especially mind history. Dope. Well,
• 21:18
  Speaker 1: congratulations of success so far of the new single Devastated.
• 21:22
  Speaker 1: I really liked that song. It's a very hopeful song
• 21:24
  Speaker 1: for people so out man, That's what I'm saying. I
• 21:30
  Speaker 1: saw Joey outside a couple months ago doing a program
• 21:34
  Speaker 1: director meeting, and I said, what the hell is Joey
• 21:36
  Speaker 1: Badass doing here? A few months later, the great song
• 21:42
  Speaker 1: is a great song, and I think it's good for
• 21:44
  Speaker 1: people that you know, have been through a lot of
• 21:46
  Speaker 1: stuff and they can see you know clearly you have.
• 21:49
  Speaker 1: I just had one mission in mind, Like I wasn't
• 21:51
  Speaker 1: even trying to make a his song, you know. I
• 21:54
  Speaker 1: was just like, I wanted to make an uplifting song
• 21:57
  Speaker 1: because a lot of my catalog is really like manditative,
• 22:00
  Speaker 1: thought provoking type of music or a really aggressive rap
• 22:03
  Speaker 1: style stuff. So I was like, Yo, I'm gonna challenge
• 22:06
  Speaker 1: myself today. I told my producers, Yo, let's make something
• 22:08
  Speaker 1: up lifting and let's speed totember. We Yeah, it don't
• 22:10
  Speaker 1: sound like a reach. Like you know what I'm saying,
• 22:12
  Speaker 1: I hit on the radio, It don't sound like you. Honestly,
• 22:14
  Speaker 1: I was just having fun in the boof. Like I
• 22:16
  Speaker 1: didn't even write that song. I'm saying somebody wrote for me.
• 22:18
  Speaker 1: I just freestyle it, you know what I'm saying, Like
• 22:21
  Speaker 1: it was just a vibe. I went in that boof
• 22:23
  Speaker 1: and I just blacked out, and I came out and
• 22:25
  Speaker 1: it was a song. You know, we're surprised at the
• 22:27
  Speaker 1: success because you don't ever hear Joey Badass music. I mean,
• 22:30
  Speaker 1: when they said it to me, I'm like, well, you know,
• 22:32
  Speaker 1: I can't play Joey Badass in the morning. It's just
• 22:34
  Speaker 1: two us. Yeah, street, well you could you guys just
• 22:37
  Speaker 1: choose not to you know what I'm saying, that's a
• 22:40
  Speaker 1: bad Jello may knows. But now with this record, were
• 22:44
  Speaker 1: you surprised at the success and how well it did
• 22:45
  Speaker 1: and how well it code? Also fast? I mean, you know,
• 22:48
  Speaker 1: so the first time I made the record, you know,
• 22:50
  Speaker 1: I had a couple of people in the studio, but
• 22:51
  Speaker 1: there was in the other room. So as soon as
• 22:53
  Speaker 1: I laid it down, we like gave a little mix.
• 22:55
  Speaker 1: My homies came in the room and I was like, oh, yeah,
• 22:58
  Speaker 1: you got one, bro. And when he's said that, my
• 23:00
  Speaker 1: homie dal I was like, yeah, you think so. It's
• 23:02
  Speaker 1: like I didn't really think about it like that. But
• 23:05
  Speaker 1: when I they beauted it for the first time I
• 23:07
  Speaker 1: Coachella and I see how crazy that crowd one, I
• 23:10
  Speaker 1: was like, wow, I really do have one. Like it
• 23:12
  Speaker 1: was the first time I performed it. Nobody even heard
• 23:14
  Speaker 1: it before, and by the time the second hook came around,
• 23:17
  Speaker 1: everybody in the crowd was screaming the words to the hook.
• 23:19
  Speaker 1: Now I know you have a background in acting, Yeah,
• 23:22
  Speaker 1: you know, And clearly we know you've been on Mister Robot.
• 23:25
  Speaker 1: How is that for you? I feel like acting is
• 23:27
  Speaker 1: such a scary thing, Joel. You're just selling all the
• 23:29
  Speaker 1: way out. You acting like we're selling out every seat
• 23:34
  Speaker 1: at the shows. That's what we're doing. But um, yeah,
• 23:37
  Speaker 1: I do have a background and acting. I actually went
• 23:39
  Speaker 1: to high school for screen theater. That's when I met
• 23:42
  Speaker 1: all the guys for my crew, like Steve C. J. Nick.
• 23:46
  Speaker 1: That's when we just linked up on music and I
• 23:47
  Speaker 1: just realized, you know, music, it's my corner for right now.
• 23:49
  Speaker 1: But I always looked at it, like if I pursue
• 23:52
  Speaker 1: music and it became successful, I could use it as
• 23:54
  Speaker 1: leverage in the future for acting. And here I am.
• 23:57
  Speaker 1: Do you see how your your fans don't want you
• 24:00
  Speaker 1: to grow like the like they like you when you
• 24:02
  Speaker 1: underground as soon as you start getting the radio playing,
• 24:04
  Speaker 1: pop it up on TV. Yeah, you know, fans are
• 24:06
  Speaker 1: very fickle. You know. It's like they just want to
• 24:08
  Speaker 1: keep you for themselves. It's like at a point in life,
• 24:11
  Speaker 1: I was one of those type of fans, Like y'all
• 24:13
  Speaker 1: know about this artists first, Like, nah, everybody finding out
• 24:16
  Speaker 1: a bottom eye. I don't care about them no more.
• 24:17
  Speaker 1: You know what I'm saying. But you just gotta go
• 24:19
  Speaker 1: past it and just be happy for your favorite artists.
• 24:22
  Speaker 1: Like you know, at the end of the day, artists
• 24:24
  Speaker 1: they all want to grow and they want to expand it.
• 24:27
  Speaker 1: They want to be hurt. We don't do this just
• 24:28
  Speaker 1: so hurt by a little small community of people, at
• 24:31
  Speaker 1: least not me. Like when I'm doing something, I do
• 24:33
  Speaker 1: it to the fullest capacity, to the fullest potential, Like
• 24:35
  Speaker 1: I want to be one of the greatest autists of
• 24:38
  Speaker 1: all time. I don't just rap to be an underground rapper.
• 24:40
  Speaker 1: I rap because I want to be one of the biggest,
• 24:42
  Speaker 1: one of the greatest ever, one of the greatest influences
• 24:45
  Speaker 1: in the world when it comes to music. You know
• 24:46
  Speaker 1: what I'm saying. So that's my mission, that's my goal.
• 24:49
  Speaker 1: And you need hit records. Absolutely, what does this need
• 24:52
  Speaker 1: for the new album? It's a song of feature something
• 24:56
  Speaker 1: young thug and I'm just kidding. There's actually no features
• 24:59
  Speaker 1: on right now. You really went all the way left? No, no, no, no.
• 25:06
  Speaker 1: This new album is, well what a new album? I
• 25:10
  Speaker 1: figured it has. What I'm saying talking about it, I
• 25:13
  Speaker 1: don't know what you're talking about. You you see, that's
• 25:15
  Speaker 1: what y'all do, y'all love you know what I'm saying't
• 25:17
  Speaker 1: even though new album, ain't working on nothing. I'm just
• 25:20
  Speaker 1: acting right now, working on my next movie. You know
• 25:22
  Speaker 1: what I'm saying. That's sick. Are you a big Steinfeld
• 25:24
  Speaker 1: fan now after having to watch the first seas? No,
• 25:26
  Speaker 1: I'm not. I'm staying on. You're not a fan after
• 25:29
  Speaker 1: watching it? Yeah, it's cool, it's dope. It's just that,
• 25:32
  Speaker 1: like you know, being a young black kid growing up,
• 25:34
  Speaker 1: that just wasn't my sick. I'm a choice. You have
• 25:36
  Speaker 1: to watch it for mister Robot. Oh yeah, yeah, my
• 25:40
  Speaker 1: character loves since felt that I was just acting. It
• 25:43
  Speaker 1: was cool, it was pretty funny. I feel like I
• 25:45
  Speaker 1: don't necessarily relate to it, but I still feel like
• 25:47
  Speaker 1: it's a funny show. No, it is funny. It's funny.
• 25:49
  Speaker 1: I just totally missed out exactly. You see, we was
• 25:55
  Speaker 1: too busy watching coffee Show, Law and Fresh, Princeip Belair.
• 25:58
  Speaker 1: You know what I'm saying. It's like, yeah, the president's
• 26:02
  Speaker 1: daughter loves your music. No, especially now we seek ye.
• 26:09
  Speaker 1: I mean, you know, Malay Obama, she's a lady of color.
• 26:12
  Speaker 1: But even if it was, you know, George Busher's daughter,
• 26:14
  Speaker 1: I still wouldn't be surprised if she loved my music.
• 26:16
  Speaker 1: You know what I'm saying. White people actually really love
• 26:18
  Speaker 1: my music. Has she ever reached out Obama? Nah, not
• 26:23
  Speaker 1: directly to me. You can't even talk to her though,
• 26:26
  Speaker 1: because you'll shut it down the secret Service. It's something,
• 26:29
  Speaker 1: it's something did happen. I wouldn't even talk about it.
• 26:31
  Speaker 1: So did they press you a little bit? Like? Who
• 26:34
  Speaker 1: was this joy badass? I mean they did a lot
• 26:36
  Speaker 1: of things. They did a couple of things, you know,
• 26:38
  Speaker 1: I fust clicks in my phone and all that. They
• 26:42
  Speaker 1: cut down this treeing from my cryps so they could
• 26:44
  Speaker 1: take better photos. You know, the fads and all that. Man,
• 26:46
  Speaker 1: it's crazy right now, they're listening right now. Man, Hey, Charlomagne,
• 26:49
  Speaker 1: you the fairs, Man, I am yet I knew. Oh
• 26:55
  Speaker 1: they really cut down a tree in front of the house. Hey, man, allegedly,
• 26:58
  Speaker 1: I think so. Man. I mean, my third eye is
• 27:01
  Speaker 1: very overreacted, so I could just be mean. I don't
• 27:04
  Speaker 1: see the problem. She's a young girl. She listened to
• 27:06
  Speaker 1: hip hop like I'm like. But the problem is I'm
• 27:10
  Speaker 1: a young with Sia. I'm revolutionary leader with that mindset,
• 27:13
  Speaker 1: you know, the secret service that you gotta change the
• 27:15
  Speaker 1: direction of your music and making more out. That's right,
• 27:20
  Speaker 1: you know what I'm saying. All right, we got more
• 27:22
  Speaker 1: with Joey Badass when we come back, and we got
• 27:24
  Speaker 1: to talk to him about his best friend killing himself.
• 27:26
  Speaker 1: Keeping lock this to Breakfast Club. Good Morning, the breakfast
• 27:29
  Speaker 1: club that was ot Genesis with cut It Morning. Everybody
• 27:35
  Speaker 1: is DJ m vy Angela Yee, Charlemagne, the guy we
• 27:38
  Speaker 1: are the Breakfast Club. Joey Badass is in the building
• 27:42
  Speaker 1: now going to your shows. You're starting to see a
• 27:44
  Speaker 1: lot of white people let the show. I think I
• 27:45
  Speaker 1: wanted to Shore maybe a couple of years ago, and
• 27:48
  Speaker 1: it was majority of white people. Yeah, did that surprise you?
• 27:51
  Speaker 1: You know what, I started realizing the white people, they
• 27:54
  Speaker 1: could afford them tickets festivals, you know what I'm saying.
• 27:57
  Speaker 1: And I really started keeping that in mind. Now for
• 28:00
  Speaker 1: my upcoming shows and tours, I'm really trying to lower
• 28:02
  Speaker 1: the ticket prices because I've never really thought about it
• 28:04
  Speaker 1: like that. Like, YO, low income kids can't afford these tickets.
• 28:08
  Speaker 1: They can't afford to drop twenty five thirty dollars on
• 28:10
  Speaker 1: a weekend just for a show, you know what I'm saying.
• 28:13
  Speaker 1: They gotta eat, they gotta do all types of things.
• 28:15
  Speaker 1: Sometimes the shows might be way far from their neighborhood,
• 28:18
  Speaker 1: you know. So I'm taking all those things into consideration now.
• 28:21
  Speaker 1: But no, I'm not. I'm not surprised to see white
• 28:23
  Speaker 1: people out the shows. They're in love with the culture,
• 28:25
  Speaker 1: they're in love with the music. You know. If anything,
• 28:27
  Speaker 1: I'm surprised I don't see as much black people out
• 28:29
  Speaker 1: of my shows. But like I said, that's one of
• 28:31
  Speaker 1: the factors right there. You know, That's so funny because
• 28:34
  Speaker 1: when I used to work with Wu Tang, I remember
• 28:35
  Speaker 1: there was a shift in their audience. They went onto
• 28:38
  Speaker 1: a rage against the machine and then after that it
• 28:40
  Speaker 1: was really a lot of white people at all their shows,
• 28:42
  Speaker 1: and they were like, where's all the black people. But
• 28:44
  Speaker 1: the truth of the matter is when you do do
• 28:45
  Speaker 1: a lot of those stadium and those tours, and everything
• 28:48
  Speaker 1: goes to the people that go because especially festivals, being
• 28:52
  Speaker 1: like a festival artist and you're in like you know,
• 28:54
  Speaker 1: West Bubble wherever, those people that come out to the forest,
• 28:58
  Speaker 1: then you know, do psychedelics and before Schoolboy Q. Now right, yes,
• 29:02
  Speaker 1: I am the blank face to a shot out the
• 29:04
  Speaker 1: Schoolboy Q Show. Told the TV homies, that's a nice
• 29:07
  Speaker 1: match up. The best toy you're gonna catch this fall man,
• 29:10
  Speaker 1: So make sure you'll copy your tickets right now. Man,
• 29:12
  Speaker 1: we're gonna shut that down. Oh you see this not
• 29:14
  Speaker 1: my toy. So you know what I'm saying. I had
• 29:16
  Speaker 1: said the ticket sales on this one, so oh my,
• 29:18
  Speaker 1: you know you know what I'm saying, coming out to
• 29:20
  Speaker 1: support if you can, let's do it, free show every nothing.
• 29:22
  Speaker 1: And then you'd be like, oh yeah, for sure, for
• 29:24
  Speaker 1: show definitely. I mean I was doing the free shows
• 29:27
  Speaker 1: all over the city like two days ago. Even the
• 29:29
  Speaker 1: police is letting us rock at a certain points, certain locations.
• 29:32
  Speaker 1: So it was really though, why would you raised as
• 29:34
  Speaker 1: a kid because you grew up in the same neighborhood
• 29:36
  Speaker 1: as Bobby's murdering gs not Yeah, And obviously they went
• 29:39
  Speaker 1: one way and you went another way. Yeah, why was
• 29:41
  Speaker 1: the difference is how you were raised? Because it was
• 29:43
  Speaker 1: still Brooklyn. I lived in Flatbush my like basically my
• 29:46
  Speaker 1: whole teenage years, my childhood years. But I grew up
• 29:50
  Speaker 1: in Best Style, Like best Style was my hood, Like
• 29:53
  Speaker 1: that was my neighborhood. That's where I walked around, That's
• 29:55
  Speaker 1: where all my friends was at. I just lived in Flatbush.
• 29:58
  Speaker 1: But um, you know, for me growing up, it's like
• 30:00
  Speaker 1: I was never a follower, always a leader. I always
• 30:03
  Speaker 1: like that kid. I was in the smartest class, but
• 30:05
  Speaker 1: I wore the coolest clothes, so like I got the girls.
• 30:08
  Speaker 1: I was the cool kid. Plus I was cool with
• 30:10
  Speaker 1: the nerves. I was like the kid who I could
• 30:12
  Speaker 1: say at any lunch table. I was a lunch table hopper,
• 30:15
  Speaker 1: you know what I'm I can say anywhere. People would
• 30:17
  Speaker 1: just you know, presence and whatnot. I was just always
• 30:21
  Speaker 1: that neutral kid like I just always grew up with,
• 30:23
  Speaker 1: you know, like a solid head on my shoulders. Thanks
• 30:26
  Speaker 1: to my mom and my dad. You know, they always
• 30:27
  Speaker 1: kept me in line. I never had to, you know,
• 30:30
  Speaker 1: succumb or go down a negative path. You know what
• 30:33
  Speaker 1: I'm saying. Came up. It was low income living. You know,
• 30:37
  Speaker 1: my mom was struggling. My mom worked two jobs. When
• 30:40
  Speaker 1: that recession hit. You know what I'm saying. They started
• 30:42
  Speaker 1: locking our doors up coming home from school, not being
• 30:45
  Speaker 1: able to get into my crib. You know what I'm saying.
• 30:46
  Speaker 1: Real devastation, real devastation. You still got that hooding. You
• 30:49
  Speaker 1: know you punched the camera man, I signed MSG. I mean,
• 30:52
  Speaker 1: you know what I'm saying. Well, I forgot what was that? Yeah,
• 30:59
  Speaker 1: he did something something like that. He was just rolling me.
• 31:03
  Speaker 1: I seen, I'm rolling stones. Oh yeah, I'm mad they
• 31:06
  Speaker 1: did that. They brought the ninth grade Joe. Yeah, man,
• 31:11
  Speaker 1: that's crazy. I want to talk about was Alice after
• 31:15
  Speaker 1: she shrunk when I was one of the tweetles, the
• 31:17
  Speaker 1: tweetle drums stuff. When you when you put the caraman,
• 31:22
  Speaker 1: Why was him calling you a sap? Such an insult. Nah,
• 31:25
  Speaker 1: that wasn't the insult. What was the insult was that
• 31:28
  Speaker 1: everybody was like Joe Joe, Joe Joe, that he came
• 31:30
  Speaker 1: my face. I say, you're just showing me. I was like, yo, bro,
• 31:35
  Speaker 1: stopped playing. I smacked. You know what I'm saying. He's like,
• 31:38
  Speaker 1: why ain't gonna do that? You hit me in the
• 31:40
  Speaker 1: back of my hands. So I was like, oh, word
• 31:42
  Speaker 1: like it was just snap. Like I didn't even think
• 31:44
  Speaker 1: about nothing, that didn't try to sue you. I was surprised,
• 31:49
  Speaker 1: that's true. But exactly he hit me first with your
• 31:51
  Speaker 1: man passing. How did that affect how your career went,
• 31:54
  Speaker 1: as far as rapping and everything. It affected everything, you know,
• 31:57
  Speaker 1: because capital steeds for ever. You know, he was the architect.
• 32:02
  Speaker 1: I say, like this, every group, every community of friends,
• 32:06
  Speaker 1: we all have what this is called conductors in life.
• 32:11
  Speaker 1: Everybody is on like a train. You know what I'm saying,
• 32:13
  Speaker 1: on a train. Card Steves was our conductor, you know
• 32:17
  Speaker 1: what I'm saying. So we all followed him. He all
• 32:19
  Speaker 1: paved the road, and you know what I'm saying, he
• 32:22
  Speaker 1: paved our mindsets, like our ideologies and who. He influenced everything.
• 32:26
  Speaker 1: So when we lost him. It's like we really lost
• 32:29
  Speaker 1: a part of ourselves bad. What happened that made him
• 32:32
  Speaker 1: do that? Like what got too deep? It was a
• 32:34
  Speaker 1: lot going on, and honestly, I don't want to get
• 32:37
  Speaker 1: into it that much right now. You know what I'm saying,
• 32:39
  Speaker 1: it's really personal to me. Is not anything I'm comfortable
• 32:41
  Speaker 1: really speaking on, like you know, mainstream publications. But it
• 32:45
  Speaker 1: was just a lot depression. You know, a lot of
• 32:47
  Speaker 1: things that happened in his life in the past, a
• 32:50
  Speaker 1: lot of changes that was going on, like a lot
• 32:52
  Speaker 1: of things that just nobody knew about. There's a lot
• 32:55
  Speaker 1: of people that have friends that are going through it,
• 32:57
  Speaker 1: and sometimes they don't want to say nothing because they
• 32:59
  Speaker 1: feel like they don't want to put that personal life.
• 33:01
  Speaker 1: And I feel like I went through a situation where
• 33:03
  Speaker 1: I was I was fed up. And there's certain friends
• 33:06
  Speaker 1: like Charlomage who makes fun of it, but that's him,
• 33:08
  Speaker 1: you know what I mean. I mean, I make fun
• 33:09
  Speaker 1: of it. Finish friends like Charlomagne that'll make funny think
• 33:12
  Speaker 1: it's funny because you never think it's gonna happen. And
• 33:14
  Speaker 1: there there's certain people yeah, okay, yeah, I don't think
• 33:16
  Speaker 1: that you would kill yourself. Yeah, but you don't know
• 33:19
  Speaker 1: how hard or how deep a person situation is, you know,
• 33:22
  Speaker 1: I mean, so to talk about how it affected you
• 33:25
  Speaker 1: and what you've seeing, you know, because somebody else might
• 33:27
  Speaker 1: have a friend of the same way, but like, nah,
• 33:28
  Speaker 1: they ain't gonna do it. Then you never know that.
• 33:30
  Speaker 1: I mean, I ain't gonna lie, I ain't gonna was
• 33:32
  Speaker 1: definitely the case, Like I would have never thought, like
• 33:34
  Speaker 1: he was one of the strongest people that I know,
• 33:36
  Speaker 1: you know what I'm saying. I would have never thought
• 33:37
  Speaker 1: for a second that he would bring himself to do
• 33:39
  Speaker 1: something like that. So it was really just so unbelievable
• 33:42
  Speaker 1: when that happened. It was just like I couldn't believe it.
• 33:44
  Speaker 1: I was just had a lust for us. I was
• 33:46
  Speaker 1: so shocked. And when he says make fun of people,
• 33:48
  Speaker 1: he means me telling him, man up. No, No, I
• 33:51
  Speaker 1: know exactly trip, I know exactly what it. Yeah, I know,
• 33:54
  Speaker 1: making fun of the whole situation. I know what you mean.
• 33:57
  Speaker 1: Like I said, I was never following my life, but
• 34:00
  Speaker 1: he was the one person who I followed who I
• 34:02
  Speaker 1: knew if I followed this person wouldn't leave me to
• 34:05
  Speaker 1: no wrong. You know what I'm saying he was on
• 34:06
  Speaker 1: the strongest people that I knew. So when that happened,
• 34:09
  Speaker 1: it's just like I said, I couldn't believe it. I know,
• 34:11
  Speaker 1: you believe in the law of energy because you read
• 34:13
  Speaker 1: a lot, right, everything comes back to you what you
• 34:16
  Speaker 1: put out. So when Troy av used capital stege passing
• 34:21
  Speaker 1: of the disc then you see what happened to his
• 34:23
  Speaker 1: man later. How did you feel about that? Carmen got
• 34:26
  Speaker 1: cousin a big way. And I'm such at a positive
• 34:30
  Speaker 1: point in my life right now. We haven't got to
• 34:31
  Speaker 1: really discuss the negative, but you know, it is what
• 34:34
  Speaker 1: it is. Wish that man the best of luck with
• 34:36
  Speaker 1: his situation. Yeah, it still is. Unfortunately, you know another
• 34:40
  Speaker 1: mom is left without a sun, so like that's and
• 34:43
  Speaker 1: it's a black man, So it's nothing like you know
• 34:45
  Speaker 1: what I'm saying, I ain't. I ain't the type to
• 34:47
  Speaker 1: breathe a man while he down, so I won't do that.
• 34:50
  Speaker 1: We got more with Joey Badass when we come back.
• 34:51
  Speaker 1: Matter of fact, let's get into a single right now.
• 34:53
  Speaker 1: This is devastated. This is Joey Badass. It's a breakfast
• 34:56
  Speaker 1: clogal morning. That was Joey. That ass devastated. That's a
• 35:02
  Speaker 1: great record, man, I love that record. He's in the building.
• 35:05
  Speaker 1: You still live with your mom? I read that somewhere. Yeah,
• 35:07
  Speaker 1: I do, du say, I'm going I'm selling too much
• 35:10
  Speaker 1: record and making too much money. Different, I don't care.
• 35:13
  Speaker 1: I'll tell her every shot. Still, No, I ain't the best.
• 35:17
  Speaker 1: I don't worry where I'm at. Your mom and knew
• 35:21
  Speaker 1: crib at Hey, don't, don't worry about it. And then
• 35:23
  Speaker 1: my mom is straight. Be My mom is good, my
• 35:25
  Speaker 1: mom is happy. That's not a bad place to be
• 35:28
  Speaker 1: right now. Place, But why is Joey living with his mom? Listen, listen, listen.
• 35:35
  Speaker 1: Me and my mom been just me and my mom
• 35:38
  Speaker 1: since I was five years old. We got a really
• 35:40
  Speaker 1: intimate relationship. I actually, yeah, what do you mean? Bro?
• 35:53
  Speaker 1: Let me look up to that. You're sick. You're sick.
• 35:56
  Speaker 1: He's sick. Still sick, bey, I know what I mean. No,
• 36:00
  Speaker 1: she did not my mom my mom. Sometimes. Hey, yo,
• 36:12
  Speaker 1: this some thirty five year old men out there right
• 36:15
  Speaker 1: now still living with their moms. I'm twenty one. B
• 36:18
  Speaker 1: Let me got money. They live with their I know, well,
• 36:21
  Speaker 1: then my mom lived with me. In that case, it's
• 36:26
  Speaker 1: a nice beautiful house and you're probably always on the road,
• 36:29
  Speaker 1: so yeah, easier. Can you do you bring girls home?
• 36:32
  Speaker 1: But it's funny because I just had the conversation with
• 36:35
  Speaker 1: my mom recently, like, you know, Mom, I think you
• 36:37
  Speaker 1: know what I'm saying, I think it's time. None of that.
• 36:41
  Speaker 1: I'm move out. I gotta go. I told her, like
• 36:48
  Speaker 1: I think I think it's time, you know, I moved out.
• 36:50
  Speaker 1: I do my own thing. She started crying. You know.
• 36:55
  Speaker 1: It made me so sad. So it's just like room
• 36:57
  Speaker 1: there and place seem like you still there? Yeah that
• 37:00
  Speaker 1: extended you know, my time for like three more years.
• 37:02
  Speaker 1: Can you bring Can you bring girls home? And everything? Yeah?
• 37:05
  Speaker 1: I could. I don't like doing it though, Like, yeah,
• 37:07
  Speaker 1: I don't like introducing new girls to my mom's in
• 37:10
  Speaker 1: the other room. You gotta keeping na like nah, I
• 37:13
  Speaker 1: don't like. That's hard on your chicks, oh my mom. Lah.
• 37:17
  Speaker 1: But he just don't want to make it seem serious,
• 37:19
  Speaker 1: because once you bring a girl to meet your mom,
• 37:21
  Speaker 1: she thinks it's serious. Yeah, he's like, yeah, man, I've
• 37:23
  Speaker 1: never met his mom. Yeah, I'd be having a maneuver
• 37:25
  Speaker 1: like hold on my way here, five sugars? Mom pass?
• 37:30
  Speaker 1: How you get the name Joey badasscause your first name
• 37:32
  Speaker 1: was was Jov. Yeah, Jov. That's the first three letters
• 37:35
  Speaker 1: of my first name. My name is Joe Vaughn. I
• 37:37
  Speaker 1: got Joey Badass from when I used to be skater life.
• 37:41
  Speaker 1: You know, I used to skate a lot, but certain
• 37:43
  Speaker 1: people used to make the mistake and be like Joey
• 37:45
  Speaker 1: because they just say it so fast, they thought it
• 37:47
  Speaker 1: was Joey when they see me. One day, I was
• 37:49
  Speaker 1: skating and my homie he was like, Yo, you just
• 37:53
  Speaker 1: feel so badass right now? Yeah, man, I actually really do.
• 37:56
  Speaker 1: And that moment just resonated with me so much that
• 37:59
  Speaker 1: like Joey Badass, those white dude didn't hit named Steve,
• 38:02
  Speaker 1: he goes Joey Badass and he related to Boosey. That's funny.
• 38:09
  Speaker 1: That's funny. Now, what do you think your responsibility is
• 38:11
  Speaker 1: as a young artist with the police killings and all
• 38:14
  Speaker 1: the stuff that's happened in the whole Black Lives Matter
• 38:16
  Speaker 1: movement because you're a militant brother, Yeah, your sir, I mean,
• 38:19
  Speaker 1: I think I hold a big responsibility. I think a
• 38:21
  Speaker 1: lot of artists too, They just you know, don't accept
• 38:24
  Speaker 1: the responsibility. You know, with great power comes great responsibility.
• 38:27
  Speaker 1: You heard it in all the Spider Man movies. You
• 38:29
  Speaker 1: know what it is. But I really think that because
• 38:33
  Speaker 1: I have this platform and because I have this voice,
• 38:36
  Speaker 1: that it should be utilized for positivity, should be utilized
• 38:39
  Speaker 1: to uplift people when I can't because I have that power.
• 38:42
  Speaker 1: And for me, I just think it's something that I
• 38:44
  Speaker 1: have to do. I feel like this is my sole purpose.
• 38:47
  Speaker 1: To inspire children, to inspire the world. I'm gonna use
• 38:50
  Speaker 1: my vessel too, you know, promote positivity, to promote peace,
• 38:55
  Speaker 1: to promote knowledge, understanding, wisdom, love. Most importantly is that
• 38:59
  Speaker 1: when the reasons you want to grow as an artist,
• 39:02
  Speaker 1: you want to be bigger exactly. Yeah, I want to expand,
• 39:05
  Speaker 1: you know, so the whole universe can understand why I'm
• 39:07
  Speaker 1: coming from me getting my message, you know. So do
• 39:10
  Speaker 1: you have other things in the works besides mister Robot
• 39:12
  Speaker 1: since that's on now? Yeah, I do. I. Actually it's funny.
• 39:16
  Speaker 1: I landed the role for the Obama movie called Barry,
• 39:19
  Speaker 1: and then they shut you down a secret service. No no, no,
• 39:22
  Speaker 1: they didn't shut me down. What happened? So I landed
• 39:26
  Speaker 1: the role as one of his best friends in college.
• 39:28
  Speaker 1: So the movie the guy introduced him the week No,
• 39:31
  Speaker 1: well possibly, but the guy who introduced him to the projects. Okay,
• 39:35
  Speaker 1: the guy who the guy who showed him like what
• 39:37
  Speaker 1: was really going on in America? That's who I was
• 39:39
  Speaker 1: in the movie. But because of Coachella, they were shooting
• 39:43
  Speaker 1: the same week as Coachella. So it was either Coachella
• 39:47
  Speaker 1: or the Obama. That's a huge movie. But you gotta
• 39:53
  Speaker 1: think about it, like this, music is my first thing.
• 39:55
  Speaker 1: It is my main source of income. It is my
• 39:58
  Speaker 1: number one thing. Resident No, for sure, But if I
• 40:02
  Speaker 1: didn't do Coachella that one time, I'm doing to never
• 40:04
  Speaker 1: let me do Coachella that you got. You gotta take
• 40:06
  Speaker 1: care of the home shooting. They couldn't. I told them
• 40:11
  Speaker 1: I wanted it so bad. I wanted it so bad
• 40:13
  Speaker 1: I'd have been like, how can we make this? Where
• 40:14
  Speaker 1: can I film on this day? Yeah, it's crazy because
• 40:17
  Speaker 1: they ended up going with Because from Straight out of Compton,
• 40:20
  Speaker 1: who play Easy A shout out to Homie Man. That's
• 40:23
  Speaker 1: crazy because that movie didn't look like it was gonna
• 40:25
  Speaker 1: be like a big theater release at first. It looked
• 40:28
  Speaker 1: like it was going to like Lifetime or something. At first,
• 40:31
  Speaker 1: How long did it take you to make the decision.
• 40:33
  Speaker 1: It took me like at least a week. Like I
• 40:35
  Speaker 1: asked so many people like people like, yo, I don't know, man,
• 40:39
  Speaker 1: You're never gonna be able to do a problem movie again.
• 40:41
  Speaker 1: I'm like you right, but I just don't know. Man,
• 40:45
  Speaker 1: down about it, you still look like, yeah, I'm devastated.
• 40:49
  Speaker 1: I'm devastating, man, I really I really wanted that road.
• 40:54
  Speaker 1: You've always said you want to bring lyrical hip hop
• 40:56
  Speaker 1: back to the forefront. You think it's come back. Oh,
• 40:58
  Speaker 1: it's come back. Absolutely. You know. It's like myself, Kendrick Glamar,
• 41:02
  Speaker 1: J Cole, push your t you know it's come back.
• 41:05
  Speaker 1: You know, even got whole jumping out and every now
• 41:09
  Speaker 1: like everybody like for sure, Yeah, everybody's rapping into everybody.
• 41:12
  Speaker 1: You know, it's getting, you know, more serious by it.
• 41:15
  Speaker 1: It's it's just a balance man, that we got to
• 41:17
  Speaker 1: keep in this game. Like I'm not mad at old
• 41:20
  Speaker 1: of the fun stuff that happens, like the club music
• 41:22
  Speaker 1: and whatnot. We need that sometimes we need to just
• 41:25
  Speaker 1: not think about stuff too deep and just let it
• 41:28
  Speaker 1: loose in you know what I'm saying, Just catching is
• 41:32
  Speaker 1: what I call melodic mumbling. Yeah. I mean we're on
• 41:34
  Speaker 1: a certainly that all the time, but you know the
• 41:37
  Speaker 1: fun stuff. I'm not mad at it at all, like
• 41:40
  Speaker 1: as at least as much as I used to be.
• 41:42
  Speaker 1: We appreciate you joining us, man, and I got some
• 41:47
  Speaker 1: good books too, you know what I'm saying. Good day, Yeah, Joey,
• 41:50
  Speaker 1: badass Peace the Breakfast Club Older Gosh reports it's a
• 42:04
  Speaker 1: rumal report. Well, but I saw the story yesterday, but
• 42:08
  Speaker 1: I only saw it on one website on Rhymes a snitch,
• 42:10
  Speaker 1: so I was like, let me verify this. But it
• 42:12
  Speaker 1: turns out it is true. Tis restaurant in Atlanta Skills
• 42:15
  Speaker 1: nine twenty five. They are going to be shutting down.
• 42:18
  Speaker 1: Just open, yeah, just opened last year in April. Damn.
• 42:21
  Speaker 1: We should have took him up on that free mill
• 42:22
  Speaker 1: when we was in Atlanta. I know, listen, I really
• 42:24
  Speaker 1: wanted to go, but I had to go do a
• 42:26
  Speaker 1: podcast and then it was just too late. We had
• 42:29
  Speaker 1: the morning show. I heard it's really nice too, but
• 42:31
  Speaker 1: apparently there was some issues with his business partner. Now
• 42:35
  Speaker 1: there's been issues with this restaurant for quite some time.
• 42:39
  Speaker 1: One guy, a Relee, he had gotten hired as a bartender.
• 42:42
  Speaker 1: He said it was a dream job. He put one
• 42:43
  Speaker 1: hundred percent into it. He stayed late nearly every shift,
• 42:46
  Speaker 1: and he said he did not end up getting paid
• 42:50
  Speaker 1: for his overtime. They stopped paying him when he became
• 42:52
  Speaker 1: a bar manager, so they owed him twenty eight thousand dollars.
• 42:55
  Speaker 1: A judge did rule in his favor, and then thirteen
• 42:58
  Speaker 1: other former Skills nine twenty five employees filed lawsuits that
• 43:01
  Speaker 1: said they were not paid for wages. That told it
• 43:03
  Speaker 1: about one hundred and ten thousand dollars altogether. All right, well,
• 43:10
  Speaker 1: it turns out they owe over a million dollars because
• 43:13
  Speaker 1: they just haven't been paying rent and they now have
• 43:15
  Speaker 1: an eviction notice for over a million dollars because of
• 43:17
  Speaker 1: back rent that's old to the landlord. Now the landlord
• 43:20
  Speaker 1: says that TI hasn't paid his rent in months. But
• 43:25
  Speaker 1: TI did respond to these allegations. He went on his
• 43:28
  Speaker 1: Instagram page to set attention attention to everybody. This is Charles.
• 43:31
  Speaker 1: He is not associated with me or my company in
• 43:33
  Speaker 1: any capacity. He has not authorized to book anything on
• 43:36
  Speaker 1: me or my companies. Be have to put up his picture.
• 43:38
  Speaker 1: We have no dealings nor partnerships outside of my restaurant
• 43:41
  Speaker 1: Skills nine twenty five, which was a huge mistake in hindsight.
• 43:44
  Speaker 1: Do not call him about any of my business. If
• 43:47
  Speaker 1: it ain't Clay, Doug, Kat Hannah, See Rod Gilly or
• 43:50
  Speaker 1: g Roberson, it ain't legit. This message has been written by,
• 43:53
  Speaker 1: endorsed and approved by the King. Bitch, Hey man, you
• 43:55
  Speaker 1: always gotta have somebody to blame it on. Bro. You
• 43:59
  Speaker 1: want to cluse bamb for Ta having somebody to blame
• 44:01
  Speaker 1: it all? It's partner, all right. Damn sure. I'm just
• 44:04
  Speaker 1: mad we missed that free milk. That's the same name
• 44:06
  Speaker 1: we got drunk with Keith Sweat that night. But I
• 44:11
  Speaker 1: shout out to Ta. I'm sure he's gonna work this
• 44:13
  Speaker 1: out and fix it somehow. But I guess they're saying
• 44:15
  Speaker 1: it's gonna close down unless they can write that check,
• 44:19
  Speaker 1: all right. Ven Diesel had some words about what's going
• 44:22
  Speaker 1: on with this Fast and Furious eight behind the scenes
• 44:25
  Speaker 1: as they're filming the Beef of Him and the Rock.
• 44:28
  Speaker 1: You know, he said, people now. Tyrese also posted a picture.
• 44:32
  Speaker 1: He said, I've always said that if only people knew
• 44:34
  Speaker 1: how hard you work to protect this franchise and characters
• 44:37
  Speaker 1: of minds were blown. I'm so effing proud to call
• 44:40
  Speaker 1: you my family and my brother. That's Tyrese talking about
• 44:42
  Speaker 1: Vin Diesel and they are super cool. Actually, when we
• 44:45
  Speaker 1: went to a house party at Tyrese's house, Vin Diesel
• 44:47
  Speaker 1: was standing outside. I remember rapping. So anyway, here is
• 44:51
  Speaker 1: what Ven Diesel has to say. What's a new word
• 44:57
  Speaker 1: kind of describes my spirit and my soul and super
• 45:00
  Speaker 1: who's still positive. The new word is happy. When I
• 45:03
  Speaker 1: heard her stay happy, I just lit up. And as
• 45:06
  Speaker 1: I can't even describe, I will tell you everything everything.
• 45:14
  Speaker 1: Let me say some Diesel voice sound good. He can
• 45:17
  Speaker 1: sit there and sound like group all he wants. The
• 45:20
  Speaker 1: rock will wash him in a fight. Okay, So he
• 45:23
  Speaker 1: captured this video. So much has gone on in this year.
• 45:25
  Speaker 1: I can't believe I wrapped two back to back pictures
• 45:28
  Speaker 1: I both started and produced. Now I get to return
• 45:30
  Speaker 1: to my family, my life to me. So I don't
• 45:34
  Speaker 1: know what's going on, but they have a mad drama.
• 45:36
  Speaker 1: And speaking of drama, Janee Aiko has filed for divorce.
• 45:40
  Speaker 1: She is getting divorced after being married to doctor Genius
• 45:43
  Speaker 1: for only eleven months. Don't want to close ball for
• 45:45
  Speaker 1: Big Sean's pets causing divorces dot him. So yes, it's
• 45:51
  Speaker 1: only been a few months. In early June, there was
• 45:53
  Speaker 1: footage of Big Sean and Janee Ico together. A lot
• 45:56
  Speaker 1: of people thought it was just pr for her album,
• 45:59
  Speaker 1: but they do seem like they really have a thing
• 46:01
  Speaker 1: going on. Sean gonna play more games and apparently, yes,
• 46:07
  Speaker 1: she is now gonna, you know, be not married anymore.
• 46:11
  Speaker 1: A lot of people were saying, oh, she's not even
• 46:12
  Speaker 1: married for real. But he had posted Doctor Genius had
• 46:15
  Speaker 1: posted a picture of their wedding day and everything. So yes,
• 46:17
  Speaker 1: they were definitely married, and yes they are now getting divorced.
• 46:20
  Speaker 1: She went to deny Doctor Genius any spousal support. Also,
• 46:24
  Speaker 1: I live by Cashley through Big Sean. He'd just be
• 46:26
  Speaker 1: out here running through all these R and B singers,
• 46:28
  Speaker 1: all these pop stars. He'd just be moving and grooving.
• 46:31
  Speaker 1: Trap want the clues bumps for Big Sean, one more
• 46:33
  Speaker 1: damn time flew to Detroit? What up? Though? I love
• 46:37
  Speaker 1: it all? Right? Well, I guess some great music came
• 46:40
  Speaker 1: out of it, and I'm sure it will continue to
• 46:41
  Speaker 1: come out of Sean got a whole album full of features.
• 46:46
  Speaker 1: Sean will be playing and do not be playing. He
• 46:53
  Speaker 1: didn't get a guest role on gletough. They did a
• 46:56
  Speaker 1: song on the Glee sound track either, but she wasn't
• 46:58
  Speaker 1: even on Glee anymore. After they shouted dating, oh you
• 47:01
  Speaker 1: want no Oh, but you a bird yo, you got
• 47:04
  Speaker 1: a bird mental. I just like to see people winning, man,
• 47:07
  Speaker 1: Big Sean's out here winning man. Shoot that guy? All right,
• 47:10
  Speaker 1: Well that is your rumor report. I'm angela ye, all right,
• 47:13
  Speaker 1: thank you, missee Schlemint. Yes, who were giving that donkey
• 47:15
  Speaker 1: to on this Friday? Well, we were just talking about
• 47:17
  Speaker 1: rappers that are winning. Let's talk about the rapper that's losing.
• 47:19
  Speaker 1: You never heard of him, but his name is Kevin Murder.
• 47:21
  Speaker 1: He needs to come to the front of the congregation.
• 47:22
  Speaker 1: Would like to have a word with him. His name
• 47:23
  Speaker 1: is actually Kevin Simmons. And Kevin Simmons all right, and
• 47:27
  Speaker 1: try to encourage him to turn himself in to day.
• 47:28
  Speaker 1: But we'll talk about it. keV Murder, let me come back.
• 47:30
  Speaker 1: Keep it locked it to breakfast club. Come onring scharlm
• 47:34
  Speaker 1: Maine say that gang. Don't get the shape man, you
• 47:38
  Speaker 1: are a donkey today. Just not discriminate. I might not
• 47:45
  Speaker 1: have the song of today but I got to donkey
• 47:47
  Speaker 1: that day. So if you ever feel I need to
• 47:48
  Speaker 1: be a donkey man, give it with the breakfast club bitches.
• 47:53
  Speaker 1: They just don't kive to day today Wow, and sharing
• 47:58
  Speaker 1: Donkey Today for Friday, August twelve goes to a young
• 48:00
  Speaker 1: man named Kevin Simmons aka Kevin Murder. Kevin Murder is
• 48:03
  Speaker 1: his rap name, Ladies and gentlemen, And the problem with
• 48:05
  Speaker 1: most rappers nowadays is that they are really too real.
• 48:09
  Speaker 1: Let me rephrase that. It's a lot of rappers nowadays
• 48:11
  Speaker 1: that are really too criminal. Okay, it's a difference between
• 48:14
  Speaker 1: real versus criminal, and our culture we tend to confuse
• 48:17
  Speaker 1: the two. But Kevin Simmons is one of these new
• 48:19
  Speaker 1: negroes who is actually living the crimes he raps about.
• 48:23
  Speaker 1: I don't know if it's art imitating life or life
• 48:25
  Speaker 1: imitating art. Either way, Kevin Murder is a damn fool.
• 48:28
  Speaker 1: See Kevin Murders from Cincinnati, and like many a lost
• 48:31
  Speaker 1: negro before him, he decided to move to Atlanta to
• 48:34
  Speaker 1: further his rap career. Well, I guess his money got
• 48:36
  Speaker 1: law in Atlantis, so he decided to do the logical
• 48:38
  Speaker 1: thing to get some paper and that's the rob that
• 48:41
  Speaker 1: great institution called Wells Fargo Bank. Okay, surveillance video shows
• 48:46
  Speaker 1: and passing a note to the bank teller, and less
• 48:48
  Speaker 1: than a half minute later he has handed a pocket
• 48:50
  Speaker 1: of cash. I ain't a whole packet of cash, Okay,
• 48:53
  Speaker 1: a whole load of cash, A lot of cash. Now,
• 48:55
  Speaker 1: this isn't the only video that exists of Kevin Simmons
• 48:58
  Speaker 1: in a bank robbing, because Kevin Murder has a video
• 49:01
  Speaker 1: on YouTube which also feeds him guess what, guess what,
• 49:04
  Speaker 1: doing what? Guess what? Robbing a bank, simulating a bank robbery.
• 49:08
  Speaker 1: I can't make this kind of stuff up. People go
• 49:10
  Speaker 1: to wsbtv dot com for the report rap artists known
• 49:14
  Speaker 1: as keV Murder. A detective say on his rap sheet
• 49:17
  Speaker 1: he's known as Kevin Simmons. Cops say this is Simmons
• 49:21
  Speaker 1: holding up the Wells Fargo bank along Georgia one thirty
• 49:24
  Speaker 1: eight last week. Detectives believe Simmons has done this before.
• 49:27
  Speaker 1: Police say when Simmons left the bank, he ran across
• 49:30
  Speaker 1: the highway toward this drug store and into the trees
• 49:33
  Speaker 1: behind the building, where a police dog found loads of evidence.
• 49:36
  Speaker 1: The pants that he was wearing a pair of unique
• 49:39
  Speaker 1: sunglasses that he was wearing Hall inside the bank. We
• 49:42
  Speaker 1: also located the demand note that he provided to the
• 49:45
  Speaker 1: teller and forty caliber smith and Weston handgun. And police
• 49:48
  Speaker 1: say half an hour after the robbery, Simmons sent his
• 49:51
  Speaker 1: girlfriend back to the spot where he dropped the pistol
• 49:55
  Speaker 1: to pick it up. Problem for her, as detectives were
• 49:57
  Speaker 1: already there looking for it, and they arrest a twenty
• 50:00
  Speaker 1: one year old Elsa Williams. The I think Simmons is
• 50:02
  Speaker 1: around the metro somewhere, all right, They didn't find him yet. No,
• 50:07
  Speaker 1: When will you guys learn that things you do online
• 50:09
  Speaker 1: can affect your ass offline. I don't understand you cyber criminals.
• 50:12
  Speaker 1: All these screet dudes don't condone snitching, but you snitch
• 50:15
  Speaker 1: on yourselves online every day. You pose with your guns,
• 50:18
  Speaker 1: you pose with your drugs, you're threatened to kill people,
• 50:20
  Speaker 1: and you do music videos simulating crimes that you actually
• 50:23
  Speaker 1: do in real life. What was the music video practice? keV?
• 50:26
  Speaker 1: Murder practice makes perfect great? Do a couple of takes
• 50:29
  Speaker 1: that you robbing the bank of the music video to
• 50:30
  Speaker 1: ensure that you get it done correctly in real life. Huh?
• 50:33
  Speaker 1: Measure twice to cut once. I understand keV Murder. You know,
• 50:37
  Speaker 1: but the worst thing that ever happened to hip hop
• 50:39
  Speaker 1: was when rappers started going platinum for talking about criminal activity,
• 50:43
  Speaker 1: not only rapping about criminal activity, but getting props for
• 50:46
  Speaker 1: really doing criminal activity. That is why lines are so
• 50:49
  Speaker 1: blurred when it comes to what's real and what's criminal.
• 50:52
  Speaker 1: Real is just being yourself, being who you are doing
• 50:54
  Speaker 1: you Okay, like the Joy Badasses of the world, the Chance,
• 50:57
  Speaker 1: the rappers, the Race Murmurs, those guys aren't trying to
• 51:00
  Speaker 1: be criminal. They're just real cool kids having a great time.
• 51:02
  Speaker 1: You cav Murder, are criminal. You didn't just playing criminal
• 51:05
  Speaker 1: in a music video. You are a real life criminal now, okay,
• 51:09
  Speaker 1: And when you're a real criminal, it's consequences and there's
• 51:11
  Speaker 1: a jail cell in your future, sir. And I know
• 51:14
  Speaker 1: you might be out there listening to Kevin Simmons because
• 51:16
  Speaker 1: police said you're hiding out in Atlanta. Suit to everybody
• 51:18
  Speaker 1: listening to us on Screech ninety four five in Atlanta,
• 51:21
  Speaker 1: just turn yourself in, Okay. You're going to jail, bro,
• 51:24
  Speaker 1: No need to prolong the process. They got you, and
• 51:27
  Speaker 1: you're already been snitched on, and the person that stitched
• 51:30
  Speaker 1: on you will be staring back at you in the
• 51:31
  Speaker 1: mirror for the rest of your life. Okay, please give
• 51:34
  Speaker 1: Kevin Simmons the ka keV Murder the biggest he hull.
• 51:41
  Speaker 1: It is definitely like a key and pills kit. It's
• 51:43
  Speaker 1: definitely like a Way in Brothers movie. Is just all
• 51:47
  Speaker 1: out ridiculous. The fact that the young lady went back
• 51:49
  Speaker 1: to look for the gun and the bank robbery not
• 51:52
  Speaker 1: why wouldn't you rip the bank robbery note up? Why
• 51:55
  Speaker 1: would you keep the bank robbery? Not like it's a receipt.
• 51:58
  Speaker 1: I don't know. It's just like First forty eight, which
• 52:00
  Speaker 1: I was watching last night too, just turn yourself in.
• 52:03
  Speaker 1: Very similar happened. He did a song where he talked
• 52:04
  Speaker 1: about I think killing three people. Everybody everybody music, everybody's
• 52:09
  Speaker 1: on the u keV murder. It's not just music when
• 52:11
  Speaker 1: you actually do the crime in real life, right, Okay,
• 52:14
  Speaker 1: it could be just music. It could be just the
• 52:16
  Speaker 1: video until you actually go through the crime in real life.
• 52:19
  Speaker 1: All right, Well, thank you for that. Donk here today, sir,
• 52:22
  Speaker 1: when we come back, we have Charad Small and Christian
• 52:24
  Speaker 1: finnigin now. They're from the new A and E show
• 52:27
  Speaker 1: like Black and White. Now about the show. They're both
• 52:30
  Speaker 1: comedians in Black and White. I was on the Black
• 52:32
  Speaker 1: and White Show. Is just a show that explores race
• 52:34
  Speaker 1: relations here in America. Race here in America comes on
• 52:38
  Speaker 1: A and E. I was on there one night. I
• 52:39
  Speaker 1: was on the first episode. Actually, Okay, so we'll kick
• 52:42
  Speaker 1: with them when we come back. Keep a lock, don't
• 52:43
  Speaker 1: go anywhere. It's the Breakfast Club. Good Morning, The Breakfast Club.
• 52:50
  Speaker 1: That was Jay Z with un Core Morning Everybody. It's
• 52:53
  Speaker 1: DJ Envy Angela Ye, Charlomagne the guy. We are the
• 52:56
  Speaker 1: Breakfast Club. We got some special guests in the building.
• 53:00
  Speaker 1: Host on the show Black and White. Yeahs, yes, it's
• 53:04
  Speaker 1: in the house man, Yes, say me. I want to
• 53:09
  Speaker 1: guys having us from the show Black and White on
• 53:12
  Speaker 1: any to me and Jim Jim really white, yeah, and
• 53:20
  Speaker 1: I'm really black white guy. Okay, pretty much shown for
• 53:23
  Speaker 1: Christian Well, you know it's a Sharrod and I are
• 53:25
  Speaker 1: friends and we kind of would always have these sort
• 53:29
  Speaker 1: of conversations. Anyway. Usually when you see like a white
• 53:31
  Speaker 1: guy and a black guy talking about race, either the
• 53:34
  Speaker 1: white guy is like a hip hop white guy, or
• 53:37
  Speaker 1: the black dude is like a Harvard black dude, like
• 53:39
  Speaker 1: usually black. There's nothing wrong with that, but you know
• 53:43
  Speaker 1: what I mean, like like you know, you know what
• 53:44
  Speaker 1: I'm saying. Though it's like a prep school, like you know,
• 53:47
  Speaker 1: an opposite, opposite white guy. I don't even tell black
• 53:51
  Speaker 1: people what hip hop artists I like because I'm afraid
• 53:54
  Speaker 1: that I'll ruin their careers. Why has raised such a
• 53:56
  Speaker 1: hot commodity right now? It's always been. It's always been
• 53:58
  Speaker 1: a hot commodity because there's always on people's minds, but
• 54:00
  Speaker 1: not always on the lips. And sometimes the conversation I
• 54:03
  Speaker 1: wish I was about trying to keep the conversation going.
• 54:05
  Speaker 1: After wad, a conversation usually stops and we try to
• 54:07
  Speaker 1: bring some human too it because the comedians. You have
• 54:09
  Speaker 1: dated the black woomakers? Uh date? Yeah? Yeah, not not
• 54:13
  Speaker 1: long term. But you know I'm the nyud. You have
• 54:17
  Speaker 1: sexual one? Yes? I have, Yes, I have had sexual
• 54:20
  Speaker 1: She's still crying. She's still crying about it too. It
• 54:23
  Speaker 1: was better with Gina white and black. I don't know
• 54:26
  Speaker 1: that I have as a large cross section to really
• 54:29
  Speaker 1: make U. I can answer that question, yeah, please answer Yeah, yeah,
• 54:36
  Speaker 1: I'm talking about like two women that I'm judging on.
• 54:39
  Speaker 1: So I can't really, I can't really say. I remember
• 54:41
  Speaker 1: once night I was tempting at a job and in
• 54:43
  Speaker 1: this dude worked with me, and he every once in
• 54:45
  Speaker 1: a while he just turned over. He's like, there's only
• 54:47
  Speaker 1: two things in this life to matter, man, pink and green.
• 54:50
  Speaker 1: That's true. That's like an aka. By the way, I
• 54:57
  Speaker 1: thought I was saying a joke, and you guys looked
• 54:59
  Speaker 1: at it like I just dropped me. You know, that's
• 55:02
  Speaker 1: a good point. That's a very good point, family. But
• 55:05
  Speaker 1: I mean, it's like God comes behind pink though. It's
• 55:10
  Speaker 1: like it's like pin grain and then you know God, sure,
• 55:13
  Speaker 1: God created the pink. Can can' black people be racist?
• 55:16
  Speaker 1: Of course you're looking at one right now, the racist?
• 55:19
  Speaker 1: Are you racist? Are you just angry based off the
• 55:22
  Speaker 1: way we've been Some people feel like black people some
• 55:25
  Speaker 1: people who argue that black people cannot be racist, So
• 55:27
  Speaker 1: black people in America can't be racist, or black people
• 55:30
  Speaker 1: anywhere in the world can't be racist. Who was saying that?
• 55:32
  Speaker 1: Was it? Mark la mount Hill. A lot of people
• 55:34
  Speaker 1: say that to stat people from getting certain jobs, and
• 55:38
  Speaker 1: because they're more white people are more in a position
• 55:40
  Speaker 1: of power about in Jamaica. Can't be Saint Thomas. Black
• 55:44
  Speaker 1: people in charge. They can keep a white man from
• 55:46
  Speaker 1: getting a job. That's true. I think it's all Yeah,
• 55:49
  Speaker 1: it's very very small context. Anybody can be like racially
• 55:52
  Speaker 1: bigoted or prejudiced, but racism, I think is a power thing.
• 55:56
  Speaker 1: One of the reasons that they kind of hate Obama
• 55:58
  Speaker 1: so much is because they never been condescended to by
• 56:01
  Speaker 1: a black guy before. Like they know black people as
• 56:04
  Speaker 1: being either like the sweet guy who works at the
• 56:06
  Speaker 1: front desk of their office building or like angry Chuck D.
• 56:09
  Speaker 1: You know, like they you know, eighties Chuck D. Like
• 56:11
  Speaker 1: they've never had like a black guy like like pat
• 56:14
  Speaker 1: them on the head and you know, be better than
• 56:16
  Speaker 1: them in a way that they don't have to at
• 56:17
  Speaker 1: the front desk. Why he can't be the boss though?
• 56:23
  Speaker 1: The world too sensitive, like, you know, because you can
• 56:25
  Speaker 1: make a white Joe, no problem, everybody, lad, But if
• 56:27
  Speaker 1: you make a black Joe, it might not have black privilege, baby,
• 56:30
  Speaker 1: where they oppressed you know what though it honestly, you know,
• 56:33
  Speaker 1: because I know this from doing stand up for twenty
• 56:35
  Speaker 1: years and generally speaking, when I'm doing racial material, the
• 56:38
  Speaker 1: club it's always the white people have a problem with it,
• 56:41
  Speaker 1: Like the black I mean uncomfortable when you say something
• 56:43
  Speaker 1: of black people don't agree with. They'll let you know,
• 56:46
  Speaker 1: but they're way more willing to sort of go down
• 56:48
  Speaker 1: the road with you if it's funny, whereas white people
• 56:50
  Speaker 1: it's just like we're not supposed to talk about this,
• 56:54
  Speaker 1: you know, like they all look around and they look
• 56:55
  Speaker 1: at the black guy in the audience to make sure
• 56:57
  Speaker 1: it's okay. And you know, I'm not gonnae I wanted
• 56:59
  Speaker 1: to act more black in my life than in this
• 57:01
  Speaker 1: very moment. Like these times right here make me want
• 57:04
  Speaker 1: to very black, just because I know everybody's so sensitive
• 57:06
  Speaker 1: to race. Yeah, that's why you want to act up,
• 57:08
  Speaker 1: but you know what, you want to do it in
• 57:09
  Speaker 1: the right way so you can keep doing it. That's
• 57:10
  Speaker 1: why we feel there's a lot of people that have
• 57:12
  Speaker 1: commented on the show, you know, the people who happen
• 57:15
  Speaker 1: to just flip to black and white after watching something
• 57:17
  Speaker 1: else on A and E or whatever, and they're like,
• 57:19
  Speaker 1: this is a double standard and white people. You know,
• 57:22
  Speaker 1: black people can say racist things and white people aren't
• 57:24
  Speaker 1: allowed to. And they're right, you know, it's a double
• 57:26
  Speaker 1: standard because I allow black people to say things that
• 57:29
  Speaker 1: I can't say, and in exchange, I get to keep
• 57:32
  Speaker 1: my money in power. That's that's a black privilege. Trying
• 57:36
  Speaker 1: to tell Jim on the show, when you're an oppressed person,
• 57:39
  Speaker 1: you can make jokes the oppressed you can't make Christian.
• 57:42
  Speaker 1: Have you ever just said Nick, no, no, no, you
• 57:45
  Speaker 1: got black friends? So what if your black friends walk
• 57:47
  Speaker 1: upon you like Chris Day and my Nick, I say hello,
• 57:50
  Speaker 1: good sir, Yeah, my friends. The other day I show
• 57:58
  Speaker 1: and the trap and weird song came on. There was
• 58:00
  Speaker 1: a white woman, Yeah, and she was definitely singing it
• 58:02
  Speaker 1: all that. I looked just to see if she was
• 58:04
  Speaker 1: gonna really sing it, and she really did. Good for
• 58:07
  Speaker 1: her for singing it she had. I mean, that's a
• 58:08
  Speaker 1: little bit of a trap. There's that no in situation there,
• 58:11
  Speaker 1: you know, like how you was looking at it like
• 58:13
  Speaker 1: four three looking. I just wanted to see what she
• 58:17
  Speaker 1: was gonna do. I do think we're nick the generational
• 58:19
  Speaker 1: thing though, yeah, young kids say they all singing and
• 58:21
  Speaker 1: say it all together. They don't even know the historical
• 58:22
  Speaker 1: context though. They don't look at it. But anything happened
• 58:24
  Speaker 1: two weeks ago. Young kids don't know about it. So,
• 58:26
  Speaker 1: I mean, I'll see Asian kids in my neighborhood say
• 58:29
  Speaker 1: it to each other all the time, and they're not
• 58:30
  Speaker 1: saying it to be provocative. It's just they're saying, like, dude,
• 58:32
  Speaker 1: It's like, dude, it's to me. You people are also
• 58:35
  Speaker 1: people of color too. For the old Asian called me
• 58:40
  Speaker 1: the r at the end, but Latinos can right, yeah,
• 58:45
  Speaker 1: where's the where's the line? Like? When are you? Like?
• 58:47
  Speaker 1: What is the I always looked at how many degrees
• 58:50
  Speaker 1: from black are you allowed to say? Says I don't
• 58:54
  Speaker 1: have people said it was a huge deal. I don't
• 58:56
  Speaker 1: think you can mad at Jaylo for saying it. If
• 59:00
  Speaker 1: you have sex to the black guy, you can say it.
• 59:01
  Speaker 1: But it honkey ball the white people does it? No, No, no,
• 59:04
  Speaker 1: it's a cracker, any of those things like oh that's
• 59:09
  Speaker 1: I see what you're trying to do. What about white devil? Nah?
• 59:13
  Speaker 1: I mean because I got a little pink penis that
• 59:18
  Speaker 1: that's a little closer. That one cuts a little deeper.
• 59:22
  Speaker 1: I'm not gonna lie to have you learned anything new
• 59:25
  Speaker 1: about white people into making it this show? Sharp? Uh? Yeah,
• 59:29
  Speaker 1: Actually I found if you bring a white partner on
• 59:31
  Speaker 1: executive produced a show with you you get white money.
• 59:35
  Speaker 1: That's why you gotta have a white friend to use
• 59:36
  Speaker 1: the white privilege like Wi Fi, Yes, you learned anything
• 59:40
  Speaker 1: new about black people making it? I found out that
• 59:44
  Speaker 1: apparently in my mind growing up Eddie Murphy, like you know,
• 59:47
  Speaker 1: Beverly Hills Cop, that's like the quincential Eddie Murphy movie.
• 59:50
  Speaker 1: And then every time I talked to a black person,
• 59:51
  Speaker 1: they always say, coming to America, that's what I'm literally
• 59:56
  Speaker 1: like our first conversation. I kind of started this show
• 59:58
  Speaker 1: so folly for the person first I came not even
• 1:00:00
  Speaker 1: close close you know what. I come to America, of course,
• 1:00:04
  Speaker 1: but I think that is the second tier any Murphy movie, No,
• 1:00:07
  Speaker 1: I know, see to me. To me, they think Beverly
• 1:00:10
  Speaker 1: Hills Cop is in the cop and in trading places,
• 1:00:15
  Speaker 1: nah and kind of trash compared to like the Golden
• 1:00:18
  Speaker 1: Child coming to a marriage house, third tier, Golden Shower gold.
• 1:00:28
  Speaker 1: I love that that high. Yes, that was a little
• 1:00:32
  Speaker 1: cheesy compared to tradewin trading places after coming to America,
• 1:00:36
  Speaker 1: I think coming to America's top, but I love trading
• 1:00:38
  Speaker 1: places though. That was nights. What about Doctor Dolittle profession
• 1:00:49
  Speaker 1: the first one Washings Doctor Dolttle, that was the never
• 1:00:52
  Speaker 1: professional good. Yeah, that's what I'm talking about. Yeah, y'all,
• 1:00:55
  Speaker 1: don't think Golden Child is up there. I Love you
• 1:00:59
  Speaker 1: again and Hills Cop Tom Eddie Murphy Movies tells a
• 1:01:07
  Speaker 1: lot about you and Shaw does and when we come
• 1:01:09
  Speaker 1: back we'll talk more about that. Don't go anywhere, Sharad's Malls,
• 1:01:12
  Speaker 1: Christian Finnigan. It's the breakfast Club God Morning. That was
• 1:01:15
  Speaker 1: bryceon Tilla Don't Morning. Everybody's DJ m vy angela Ye,
• 1:01:19
  Speaker 1: Charlomagne the guy. We are the breakfast Club. Now we
• 1:01:22
  Speaker 1: got two special guests joining us this morning. Now Charlomagne
• 1:01:24
  Speaker 1: there on the new show. What's naming this show? It's
• 1:01:25
  Speaker 1: called Black and White. On any Black and White on
• 1:01:28
  Speaker 1: eight and eight we have Sharad's Malls and Christian Finnigan.
• 1:01:32
  Speaker 1: There's some stereotypes about white people that you have found
• 1:01:34
  Speaker 1: to be true after doing the show. They sting, what
• 1:01:39
  Speaker 1: kind of white people business? What kind of white people?
• 1:01:43
  Speaker 1: With just men, white men, white women. I got no
• 1:01:46
  Speaker 1: problem with no specific white man. He's going to specific
• 1:01:50
  Speaker 1: white He's sitting a trap for You'll never work in entertainment,
• 1:01:59
  Speaker 1: go back, run Away that we talk about stereotized late
• 1:02:04
  Speaker 1: for shooting yeah when yes, yes, all the time. Sh
• 1:02:08
  Speaker 1: loves it. Sharad loves it. When he shows up before
• 1:02:11
  Speaker 1: I do somewhere, he like he acts like he won
• 1:02:14
  Speaker 1: some just like this, because Christian is so white, being
• 1:02:20
  Speaker 1: on time is his thing. So sometimes when I get
• 1:02:22
  Speaker 1: to places earlier, I see his face and he's defeated.
• 1:02:24
  Speaker 1: He's like sometimes yeah yeah no, And but here's the
• 1:02:30
  Speaker 1: thing yeah yeah, well, I mean not not broadly, but
• 1:02:32
  Speaker 1: it is certainly something I've noticed. Here's the thing about.
• 1:02:35
  Speaker 1: You know, there's a little game I play sometimes the
• 1:02:38
  Speaker 1: office is called black thing or Sharad thing, where I
• 1:02:40
  Speaker 1: sometimes I have to wonder, is this like a black
• 1:02:42
  Speaker 1: cultural thing that I need to respect or is this
• 1:02:44
  Speaker 1: Sharad just being a jackass, like you know what, like
• 1:02:46
  Speaker 1: being late, Like it's not even just being late. It's
• 1:02:48
  Speaker 1: like I'm late sometimes, but when I'm late, I'm like,
• 1:02:51
  Speaker 1: I'm sorry, guys, I got to hear with Sharado shop
• 1:02:53
  Speaker 1: an hour late and just be like, hey, what's going on? Everybody?
• 1:02:55
  Speaker 1: Like it's just completely that is that is a black thing? Right? Yeah?
• 1:02:58
  Speaker 1: Never Russian, I'm not gonna see him rush it. So
• 1:03:00
  Speaker 1: it's not okay. How come if all black people can
• 1:03:04
  Speaker 1: run faster than me, they all walk slower because God damn,
• 1:03:08
  Speaker 1: when I get stuck on the street behind like two
• 1:03:11
  Speaker 1: black guys having conversations, Oh my God, would you please
• 1:03:13
  Speaker 1: just move because God, trust me, crazy Sam were strolling.
• 1:03:18
  Speaker 1: You know, I'm saying, we're talking about this new no
• 1:03:20
  Speaker 1: fetty whop was something's new, jay z w. I'm trying
• 1:03:24
  Speaker 1: to get to work, gentlemen. Now here's one thing that
• 1:03:27
  Speaker 1: bothers me. When black women get weaves. People act like
• 1:03:31
  Speaker 1: it's only black women to get weaves, saying, why are
• 1:03:33
  Speaker 1: you trying to act like you? Why don't you embrace
• 1:03:35
  Speaker 1: your true self? But white women get weaves all the
• 1:03:38
  Speaker 1: time too. I didn't know. I remember when I you know,
• 1:03:41
  Speaker 1: I've been in New York since the nineties, and I
• 1:03:43
  Speaker 1: remember standing on the subway platform before the age of
• 1:03:45
  Speaker 1: cell phones and you have something to look at, and
• 1:03:47
  Speaker 1: just staring at the magazine Kiosk and just marveling at
• 1:03:50
  Speaker 1: all the black hair magazines, you know, black dresses and bah, yeah,
• 1:03:56
  Speaker 1: there's so many. It's like, is this really that big
• 1:03:58
  Speaker 1: of a deal. And now I know enough to be Yeah,
• 1:04:00
  Speaker 1: it's a big it's a lot. There's a lot. Yeah. Yeah.
• 1:04:02
  Speaker 1: And it's just recently that black people saw making money
• 1:04:04
  Speaker 1: off of it. Y like big money. Yeah, we're talking
• 1:04:07
  Speaker 1: next week going out. So I'm black and white about
• 1:04:09
  Speaker 1: the marijuana industry and why people of color again blocked
• 1:04:12
  Speaker 1: out the legal marijuana part of it. Yeah, that's fascinating stuff. Yeah,
• 1:04:16
  Speaker 1: there's you know, for decades, obviously you know, black people,
• 1:04:20
  Speaker 1: you know, have been put in jail for selling weed,
• 1:04:22
  Speaker 1: and now that you can sell weed legally, all of
• 1:04:23
  Speaker 1: a sudden, it's all white people. And plus you've got convicted,
• 1:04:26
  Speaker 1: you can't sell in some states, you've got convicted back
• 1:04:28
  Speaker 1: in the day, which is Yeah. I think that's the
• 1:04:30
  Speaker 1: informational thing too though, because I got a lot of
• 1:04:33
  Speaker 1: white friends in the weed industry who are trying to
• 1:04:35
  Speaker 1: get me involved in it. So I just think it's
• 1:04:37
  Speaker 1: like an informational thing. I don't people realize, even here
• 1:04:40
  Speaker 1: in New York they got dispensary that you could be
• 1:04:42
  Speaker 1: a part of. People don't know that. People don't information.
• 1:04:45
  Speaker 1: Information is key, that's what brings people together. We an
• 1:04:48
  Speaker 1: alcohol and pokemon and not the same altcom that was
• 1:04:53
  Speaker 1: when I used I used to bar ten years ago
• 1:04:55
  Speaker 1: and I had I was working at a college barl
• 1:04:57
  Speaker 1: Cup near Columbia, and I would have the sort of
• 1:04:59
  Speaker 1: running social experiment where I would just quietly guess what
• 1:05:02
  Speaker 1: someone's gonna drink, because it would break down racially all
• 1:05:05
  Speaker 1: the time. Hennessy, that's more black women, uh, Latino women,
• 1:05:13
  Speaker 1: a lot of vodka, Krans, White girls like babies, sea breeze,
• 1:05:17
  Speaker 1: something like that. White dudes, pictures of beer and Jack Daniels. Yeah,
• 1:05:22
  Speaker 1: well if if that, I mean mostly these are cheap
• 1:05:24
  Speaker 1: college kids. They're just getting pictures of bud or whatever.
• 1:05:26
  Speaker 1: But but yeah, I remember I once bartended at a
• 1:05:29
  Speaker 1: live funk bar and a girl came in in order
• 1:05:32
  Speaker 1: to Hennessy and you who who? You know? We didn't.
• 1:05:36
  Speaker 1: She assumed we did. She was shocked that we didn't.
• 1:05:38
  Speaker 1: Think her boyfriend is so embarrassed, like they don't have
• 1:05:43
  Speaker 1: you who were? But my favorite regular Hanny get me
• 1:05:47
  Speaker 1: to runs. Imagine Hennessey and you. It's like, I want
• 1:05:50
  Speaker 1: to give up, but I want to be in junior
• 1:05:52
  Speaker 1: high school. Body drink. Occasionally occasionally that's pretty you know,
• 1:05:59
  Speaker 1: white women, white women. Um now, still it's usually it's
• 1:06:04
  Speaker 1: I mean, if they're college age, granted I'm talking about
• 1:06:06
  Speaker 1: college girls, it's always got cranberry or orange shoes, or
• 1:06:09
  Speaker 1: it's vodka. Ictions yea cranberry juice. Goodness. We appreciate you
• 1:06:22
  Speaker 1: guys joining us. That is show black and White as
• 1:06:26
  Speaker 1: on what time? When ten thirty on Amy ten thirty
• 1:06:29
  Speaker 1: Eastern and century on Wednesday. Wednesday's right after the Wallburgers,
• 1:06:32
  Speaker 1: right after Donny in him a right. Every time that
• 1:06:35
  Speaker 1: show reruns, I get a lot of tweets, Boy, you're
• 1:06:38
  Speaker 1: a great on him. A lot of white people watch
• 1:06:40
  Speaker 1: any Oh yeah, yes, did You'll ever get into like
• 1:06:43
  Speaker 1: a real argument and him always But that's the thing
• 1:06:46
  Speaker 1: that's like, you know, and this is honestly where I
• 1:06:48
  Speaker 1: give Shot a lot of credit. It's like he doesn't
• 1:06:51
  Speaker 1: hang me out to dry. And it's like like we'll
• 1:06:52
  Speaker 1: argue and stuff and we'll get kind of heated, but
• 1:06:54
  Speaker 1: then we both have that comedian mentality where you just
• 1:06:57
  Speaker 1: bust the tension with a joke or whatever and then
• 1:07:00
  Speaker 1: minutes later it's over. Have you a yung sharade anywhere
• 1:07:02
  Speaker 1: we have you have a hung sharade? Anywhere you said
• 1:07:05
  Speaker 1: he hangs you out to drive you. No, I don't
• 1:07:08
  Speaker 1: think I've ever liked like but I'm saying as a
• 1:07:10
  Speaker 1: black dude, his more opportunity. I get what he's trying
• 1:07:13
  Speaker 1: to do, but I'm not going there. I'm not going there.
• 1:07:15
  Speaker 1: But what mfortable? I'm uncomfortable talking whether Sharad is hung
• 1:07:22
  Speaker 1: or not. But he fills my penis on his leg
• 1:07:25
  Speaker 1: as we speak, crawling out my shorts. That's one way
• 1:07:27
  Speaker 1: to keep racial tension down. To get Christian. Are you
• 1:07:32
  Speaker 1: a boobs? Are a butt man? Boobs? Yeah? Because he
• 1:07:37
  Speaker 1: even gets angry that white dudes acting like they like butts. Now,
• 1:07:40
  Speaker 1: I don't like that white people pretend that they're into
• 1:07:42
  Speaker 1: huge circus butts because they're lying. They're lying. I mean
• 1:07:48
  Speaker 1: maybe maybe young white guys now because it's big, they've
• 1:07:51
  Speaker 1: grown up thinking that they're supposed to like it, so
• 1:07:52
  Speaker 1: they actually do. But there's a generation of white dudes
• 1:07:55
  Speaker 1: they're like, oh, yeah, I love a big ass. Now
• 1:07:57
  Speaker 1: you don't stop it. There's nothing with it. But you
• 1:08:00
  Speaker 1: didn't your your your your phone, and you're trying to
• 1:08:03
  Speaker 1: grab onto a trend that Ben Affleck is the Christopher
• 1:08:08
  Speaker 1: Columbut Jackie Robinson assets let you have it in Charade,
• 1:08:16
  Speaker 1: Small Christian. It's the Breakfast Clamic Morning, the Breakfast Club.
• 1:08:27
  Speaker 1: This is the report with Angela on the Breakfast Club. Yes,
• 1:08:37
  Speaker 1: our President Barack Obama has put up his playlist on Spotify.
• 1:08:41
  Speaker 1: He did a summer playlist songs for the daytime, and
• 1:08:43
  Speaker 1: then he did his songs for the nighttime. Now what
• 1:08:46
  Speaker 1: is on our president's playlist? Well, he has Wallet on
• 1:08:49
  Speaker 1: Their Love Hate Things, My Guy, wal Leon Bridges Moves Sailing.
• 1:08:53
  Speaker 1: He also has jay Z and Farrell so ambitious, I
• 1:08:56
  Speaker 1: mean a lot of times. He has Tom on a
• 1:08:58
  Speaker 1: tight rope that's nice one, Ratha Franklin Rocks Daddy, He's
• 1:09:01
  Speaker 1: all over the place, nas and Damian Marley. As we enter,
• 1:09:05
  Speaker 1: he has Prince You Got the Look? That's my song too,
• 1:09:08
  Speaker 1: all right. As far as the nighttime playlist, he has
• 1:09:10
  Speaker 1: Crissette Michelle if I have my way? What about between
• 1:09:13
  Speaker 1: the Sheets? I didn't see that on this particular list.
• 1:09:16
  Speaker 1: He has Billy Holliday lover Man. He has Lady by DeAngelo.
• 1:09:18
  Speaker 1: I wonder if he likes the remix, so probably he
• 1:09:20
  Speaker 1: had no Jodasi on his nighttime playlist. He does have
• 1:09:23
  Speaker 1: Mary J. Blige and Met the Man. You're all I need.
• 1:09:25
  Speaker 1: There you go, I walk down out of that record listen.
• 1:09:27
  Speaker 1: I feel bad, but he has Janet Jackson. I get lonely.
• 1:09:29
  Speaker 1: I hope our president is not lonely. Doesn't feel lonely.
• 1:09:32
  Speaker 1: I mean that's you're the leader of the free world,
• 1:09:34
  Speaker 1: like nobody can understand what you're going through except for
• 1:09:35
  Speaker 1: other president. So I'm sure he gets lonely. Flowetry say
• 1:09:38
  Speaker 1: yes and Anthony Hamilton. I saw he posted it. Do
• 1:09:40
  Speaker 1: you feel mean? He also has Chance the rapper Acid
• 1:09:43
  Speaker 1: Rain on his nighttime playlist, so you guys should check
• 1:09:46
  Speaker 1: it out. People were very into President Barack Obama's summer playlist. Yeah,
• 1:09:50
  Speaker 1: you can see Wapia smokes a little weed. Hey, you
• 1:09:52
  Speaker 1: know what I'm saying. He probably smokes with her. No,
• 1:09:55
  Speaker 1: you don't do that. He used to, but he don't
• 1:09:57
  Speaker 1: do that with He's a smoke Yeah, but he can
• 1:09:59
  Speaker 1: understand and why she smoked. He don't smoke with or
• 1:10:01
  Speaker 1: I'm sure, but he understands. Week is legal in a
• 1:10:03
  Speaker 1: lot of places, you know, and they ain't legal in
• 1:10:05
  Speaker 1: the White House. It's not legal, but not at that age.
• 1:10:08
  Speaker 1: She's seventeen eighteen, she's about to go four years off.
• 1:10:14
  Speaker 1: Oh all right, Rihanna, congratulations to reach. She's actually going
• 1:10:19
  Speaker 1: to be getting the Michael Jackson video van got award
• 1:10:22
  Speaker 1: at the MTV Video Music Awards this year, and she
• 1:10:24
  Speaker 1: posted about it. She was very honored to receive that awards.
• 1:10:27
  Speaker 1: To congratulations to her. Oh so that means she'll be
• 1:10:29
  Speaker 1: an attendance, yes, okay, hopefully. I mean beyond Ja's gotten it,
• 1:10:33
  Speaker 1: Kanye's gotten it. So I go to the VMA's every year,
• 1:10:36
  Speaker 1: every year, actually in New York this year. Yeah, I've
• 1:10:38
  Speaker 1: been working at MTV for four years and now five years.
• 1:10:40
  Speaker 1: I'm going every year for the past five years, right,
• 1:10:42
  Speaker 1: so this year it's in New York, So people are
• 1:10:44
  Speaker 1: excited because that's where it all started. Last year, actually
• 1:10:47
  Speaker 1: worked the Red carpet pre show. Okay, I see you, yeah,
• 1:10:50
  Speaker 1: all right. Stevie j and Jocelyn they've been having all
• 1:10:53
  Speaker 1: kinds of issues. You know, she's pregnant right now, right,
• 1:10:55
  Speaker 1: and Stevieja saying the baby is not his. He also
• 1:10:58
  Speaker 1: was saying that Joscelyn's been lying about her age. She's
• 1:11:00
  Speaker 1: not twenty nine, she's thirty nine years old. He said,
• 1:11:03
  Speaker 1: she's not even from Puerto Rico. She might still be
• 1:11:05
  Speaker 1: married to somebody else, and he also talks about her
• 1:11:08
  Speaker 1: real name. Well, here is what Stevie Jay had to
• 1:11:11
  Speaker 1: say when he spoke to TMZ. I want to extend
• 1:11:14
  Speaker 1: this order protection. I had, you know what I'm saying
• 1:11:16
  Speaker 1: on Joscelyn and all that, but they didn't extend it
• 1:11:18
  Speaker 1: because they felt that we didn't have any violent and
• 1:11:21
  Speaker 1: conscience in the past year. But I just wanted her
• 1:11:24
  Speaker 1: to you know what I'm saying, Frank, were talking about
• 1:11:26
  Speaker 1: my family, my daughters all no matter what, you know
• 1:11:29
  Speaker 1: what I'm saying, She's frangnant. So I just hope, you
• 1:11:32
  Speaker 1: know what I'm saying, the baby is all right, So
• 1:11:34
  Speaker 1: is the baby yours. We're going DNA to sign. I'm
• 1:11:38
  Speaker 1: as far as speaking to Jocelyn. He hasn't spoken to her.
• 1:11:40
  Speaker 1: And here's the reason why we haven't spoken. You know,
• 1:11:44
  Speaker 1: after you know, you were going so far to bring
• 1:11:47
  Speaker 1: an innocent kid or too something. I don't you know,
• 1:11:49
  Speaker 1: I'm saying, it's no worse for me, Like I said,
• 1:11:51
  Speaker 1: I wish in the fastest. Yeah, you gotta lead a
• 1:11:53
  Speaker 1: kids the side of things like that. Yeah, And if
• 1:11:55
  Speaker 1: Stevie j reveal all Joscelyn's secrets, won't you just go
• 1:11:58
  Speaker 1: ahead and tell us that Jocelyn is really a man?
• 1:12:00
  Speaker 1: Why don't you go ahead and tell us that Jocelyn
• 1:12:02
  Speaker 1: actually used to be Josh. Okay, don't just don't just
• 1:12:05
  Speaker 1: tell us about all the other secrets. Tell us the
• 1:12:07
  Speaker 1: real scoop, okay, And the real scoop is that she
• 1:12:10
  Speaker 1: got her penistry move allegedly and got a scoop and
• 1:12:13
  Speaker 1: her crotch allegedly. Well, and we said, we don't know
• 1:12:16
  Speaker 1: what's going on, but he did try to get a
• 1:12:18
  Speaker 1: restraining order against her. He wanted to have that restraining
• 1:12:21
  Speaker 1: order extended. The judge did say no. So when you
• 1:12:24
  Speaker 1: get a rescreening order against somebody like Jocelyn, do you
• 1:12:26
  Speaker 1: get a rescreening order against the male or female? Does
• 1:12:29
  Speaker 1: it say male named Joshulyn Hernandez or female a female
• 1:12:33
  Speaker 1: man pregnant? Impossible? Okay, she has a surrogate. Okay, my goodness,
• 1:12:41
  Speaker 1: it's impossible. All right, Well that is your rumor report.
• 1:12:44
  Speaker 1: I'm Angela Yane. All right, thank you, miss ye. Now,
• 1:12:46
  Speaker 1: when we come back, we got the people's choice mixed.
• 1:12:48
  Speaker 1: Now shout to our family at Revote. We'll see you
• 1:12:50
  Speaker 1: guys on Monday everybody else. The People's Choice mixes up next.
• 1:12:54
  Speaker 1: We threw it back on a Friday, So let me
• 1:12:55
  Speaker 1: know what you want to hear. I got you, called
• 1:12:57
  Speaker 1: me up at DJ Envy. It's to breakfas love. Good morning,
• 1:13:07
  Speaker 1: mm hmm