Latest / Michelle Explains Anime, Poorly / Dorodedoro Ep. 6- The Mushrooms are Ready/The First Smoke/Manhole Elegy
Transcript
- 0:00Speaker 1: Hey, it's your person, Michelle. I guess, how are you doing?
- 0:05Speaker 1: Oh okay, that's a little strange, but I totally understand.
- 0:10Speaker 1: I'm doing at least a little bit better than last week.
- 0:13Speaker 1: So I guess that that is an improvement because I
- 0:16Speaker 1: was really sad last week. So, yeah, you know what
- 0:20Speaker 1: we do. I guess we were gonna talk about Dorjadoro.
- 0:24Speaker 1: I just wanted to before we start say that I
- 0:26Speaker 1: started rereading the manga because it's been a really long
- 0:30Speaker 1: time since I've read it, and while I've been rewatching
- 0:33Speaker 1: the anime and talking about it, I just feel like
- 0:36Speaker 1: something is missing. And so I was like, I remember
- 0:39Speaker 1: this being like really really good, and I'm just not
- 0:43Speaker 1: totally feeling that and I don't know why. So picking
- 0:46Speaker 1: up the manga kind of reminded me why I liked
- 0:48Speaker 1: it so much. There's something going on that the you know,
- 0:52Speaker 1: the team behind the anime isn't getting and I don't
- 0:57Speaker 1: know what exactly is the problem, but there's like an
- 1:00Speaker 1: element of charm that is so present in the manga
- 1:05Speaker 1: that isn't present in the anime. Again, not really sure
- 1:08Speaker 1: what it is because all of the same things are happening.
- 1:10Speaker 1: I mean, there is a lot that's been cut, but
- 1:13Speaker 1: you know, the plot points are all basically the same,
- 1:16Speaker 1: removing the same direction, but something about it doesn't come
- 1:20Speaker 1: off as like adorable and I don't know how to
- 1:23Speaker 1: explain it because they're murdering people, but there's something like
- 1:26Speaker 1: real nice about the manga, like I guess there's a
- 1:31Speaker 1: lightheartedness about it that's in the anime too, but it
- 1:34Speaker 1: doesn't really translate as well as it did in the manga,
- 1:38Speaker 1: and I don't know again why that is. It might
- 1:41Speaker 1: be the animation style for me, or the music, which
- 1:45Speaker 1: honestly I don't love. Actually we haven't talked about this,
- 1:51Speaker 1: but the music has kind of got a little bit
- 1:53Speaker 1: of a French vibe to it, and sometimes I just
- 1:56Speaker 1: don't feel like it works with the scenes that it's in.
- 1:59Speaker 1: And I don't mean because it's French. I mean because
- 2:00Speaker 1: it's too light. And there's like a really comedic song
- 2:05Speaker 1: that gets used a lot in areas that I think
- 2:08Speaker 1: would be better off if didn't have it, because you know,
- 2:13Speaker 1: it's saying like, oh, this scene is supposed to be funny.
- 2:16Speaker 1: Don't tell me that the scene is supposed to be funny.
- 2:18Speaker 1: If it's funny, I'm gonna know. So actually I have
- 2:21Speaker 1: a big problem with like the kind of this is
- 2:24Speaker 1: a light, funny scene song choices in a lot of
- 2:28Speaker 1: shows and anime. It's the only type of music for
- 2:31Speaker 1: me that I will like catch it and listen and
- 2:34Speaker 1: go like, ah, man, this is ruining the scene for me.
- 2:36Speaker 1: So that happens a lot in the anime, and of
- 2:39Speaker 1: course it doesn't happen in the manga because there's no music.
- 2:41Speaker 1: So yeah, there's just an element of charm in the
- 2:44Speaker 1: characters and in their interactions that I miss, and it
- 2:48Speaker 1: really kind of carries the series for me. And I
- 2:53Speaker 1: know I've been talking a lot about exposition these last
- 2:57Speaker 1: I guess two shows, because we were talking about it
- 2:59Speaker 1: a lot in eighty six and now in Dora Hey
- 3:02Speaker 1: Dooro in eighty six. I think it's a problem between
- 3:05Speaker 1: translating two very different styles of media, you know, between
- 3:08Speaker 1: a book, a light novel that is, and anime. In
- 3:12Speaker 1: Dora Hedoro, it's a manga problem that isn't fixed in
- 3:15Speaker 1: the anime. And I kinda don't want to put this
- 3:19Speaker 1: on the animation team honestly, because they would have to
- 3:25Speaker 1: change like all of the dialogue to make this go away,
- 3:28Speaker 1: because a lot, a lot of dialogue in the manga
- 3:31Speaker 1: is just the characters explaining things that they don't need
- 3:33Speaker 1: to explain, like there's no one in this room and
- 3:36Speaker 1: shit like that. It works a little bit better in
- 3:38Speaker 1: the manga because it's only panels, so what they're saying
- 3:42Speaker 1: is filling in, you know, things a little bit. I mean,
- 3:45Speaker 1: if you're just seeing like one like sketchy image of
- 3:48Speaker 1: a room and the kaido says, I guess this is
- 3:50Speaker 1: the kitchen or something, makes a little bit more sense
- 3:53Speaker 1: than in the anime when you have fully rendered backgrounds
- 3:56Speaker 1: that it's clearly a kitchen. But I do really notice
- 4:00Speaker 1: it in quay A Sheeta's work in the manga, and
- 4:05Speaker 1: it does piss me off just a little bit a lot.
- 4:09Speaker 1: I don't want people to talk like they have to
- 4:11Speaker 1: explain shit to me all the time, Like, let the work,
- 4:14Speaker 1: Let the drawings and the pictures do some of the
- 4:17Speaker 1: heavy lifting. You shouldn't need to tell me exactly what's
- 4:21Speaker 1: going on all the time. So that's a gripe that
- 4:24Speaker 1: I have with the manga. It's probably the only gripe
- 4:26Speaker 1: that I have with the manga consistently. And then it
- 4:29Speaker 1: translates to the anime, and honestly, I think it makes
- 4:31Speaker 1: it worse. But yeah, I'm not really sure how they
- 4:34Speaker 1: could have fixed it without just like changing all of
- 4:37Speaker 1: the dialogue. So now that I've talked about that for
- 4:40Speaker 1: a while and made it sound like I don't really
- 4:43Speaker 1: like the anime, which honestly I'm now, I'm like, do
- 4:45Speaker 1: I like the anime? And I'm really sorry if like
- 4:49Speaker 1: you're like, oh my god, I love it or oh
- 4:51Speaker 1: my god, I hate it. Either way, you probably are
- 4:53Speaker 1: angry at me for some reason for having this opinion. Maybe,
- 4:57Speaker 1: So let's just talk about Door or Hey Doo episode six,
- 5:02Speaker 1: which has three titles again because why the fuck not.
- 5:06Speaker 1: The mushrooms are ready the first smoke and Manhole Elegy.
- 5:11Speaker 1: I wish we just called the whole thing manhole Elegy
- 5:15Speaker 1: because that's a fucking cool title. And also, what's happening
- 5:18Speaker 1: with these titles is it's just whatever chapters they're doing
- 5:23Speaker 1: out of the manga, which is a little weird, like
- 5:25Speaker 1: because it makes everything a little bit too disjointed for me.
- 5:28Speaker 1: Just pick one title for everything, guys. And also it
- 5:32Speaker 1: tells me how many chapters are the manga or and
- 5:34Speaker 1: it's worse three in this I guess, which is a
- 5:39Speaker 1: lot of chapters to adapt for one episode.
- 5:42Speaker 2: So maybe that's why I feel like everything.
- 5:43Speaker 1: Goes so fast, or maybe the chapters aren't very long.
- 5:46Speaker 1: I should I should look anyway. Wait wait stop, I
- 5:50Speaker 1: did look, actually, just this exact second. So on average,
- 5:54Speaker 1: door Heydoro chapters have about twenty five pages to them,
- 5:57Speaker 1: and according to the Internet, that is within the range
- 6:01Speaker 1: of normal for a monthly published manga, which I think
- 6:05Speaker 1: it is usually twenty five to forty five says my
- 6:08Speaker 1: random Google search. And I just also looked at Windbreaker
- 6:13Speaker 1: to see how many pages that has per chapter, and
- 6:16Speaker 1: most of the pages in Windbreaker don't have numbers on them,
- 6:19Speaker 1: so I had to count them by hand. Yay, and
- 6:21Speaker 1: they have about forty five pages per chapter. I always
- 6:24Speaker 1: knew win Breaker had a lot of pages, but yeah,
- 6:27Speaker 1: at least at the beginning it did. I just looked
- 6:29Speaker 1: in volume one, so they're on the shorter side, I guess,
- 6:33Speaker 1: But still seems like a lot of chapters to adapt
- 6:37Speaker 1: for one episode. Anyway, let's get on with it. If
- 6:41Speaker 1: you remember, at the end of last episode, Nikaido was
- 6:45Speaker 1: in the middle of a fight with noy in End's
- 6:48Speaker 1: mansion and Kiman was just waiting for her to get
- 6:52Speaker 1: back to that guy's house, the one that they killed
- 6:54Speaker 1: when they didn't have money for the taxi. So that's
- 6:58Speaker 1: where we start off, I believe. Anyway, we start with
- 7:02Speaker 1: a close up off the top of a soda can,
- 7:04Speaker 1: and we hear Kimon like coming along as he flips
- 7:07Speaker 1: the little thing up to open it and he chuckles,
- 7:11Speaker 1: and we hear like a sound of him pouring it,
- 7:14Speaker 1: I guess, and this screen slowly fills with beer. It
- 7:18Speaker 1: looks like it's a real beer, by the way, and
- 7:20Speaker 1: we get the title card over it a mountain of
- 7:23Speaker 1: in seasoned mushrooms, which I guess is their translation of
- 7:27Speaker 1: the mushrooms are ready. Oh okay, Netflix, thank you. We
- 7:30Speaker 1: now see him pouring some soup into a bowl and
- 7:33Speaker 1: he claps his hands together and is like, okay, our
- 7:36Speaker 1: dinner is ready. He's sitting at a table like on
- 7:39Speaker 1: the floor, which is pretty normal. But what isn't very
- 7:42Speaker 1: normal is that we can see his arms because he's
- 7:44Speaker 1: not wearing like his like jacket.
- 7:46Speaker 2: And shit and stuff. It's real weird.
- 7:48Speaker 1: Because remember, his head is green because he's a big
- 7:51Speaker 1: lizard head person, but the rest of his body that
- 7:54Speaker 1: we don't see a lot is like pretty light skinned,
- 7:58Speaker 1: like tan colored, and it's just really it throws me
- 8:01Speaker 1: off whenever I see it because I just expect him
- 8:04Speaker 1: to be green for some reason. So anyway, sitting at
- 8:07Speaker 1: the table, we see his like real tan arms and
- 8:11Speaker 1: he's like, now I just need to wait for Nikido
- 8:13Speaker 1: to get back. His stomach growls where.
- 8:16Speaker 2: The hell is She.
- 8:18Speaker 1: Cut to a black screen and then Nikido getting punched
- 8:21Speaker 1: in the face, then black, then Nikido getting kicked in
- 8:24Speaker 1: the side, then black, then we see Nikaido kicking Noi,
- 8:27Speaker 1: than black, then to noy headbutting Nikaido. Then we cut
- 8:32Speaker 1: back to black. It's a lot of cutskies, and one
- 8:35Speaker 1: more time. Now we see Noi kicking Nikido across the room.
- 8:39Speaker 1: She lands and kind of like slides across the floor.
- 8:42Speaker 1: Noi walks over to her and kind of wipes her
- 8:44Speaker 1: face off and chuckles. Nikaido is on the ground breathing hard,
- 8:48Speaker 1: and she's like, calm down, I don't need to win
- 8:51Speaker 1: this fight. Noi, who is now standing over her, says,
- 8:54Speaker 1: what's wrong.
- 8:55Speaker 2: Let's have some more fun.
- 8:56Speaker 1: She tries to like shop I think at Nikaido with
- 9:00Speaker 1: like both of her hands, but Nikaido grabs her arms
- 9:03Speaker 1: instead and pulls her in and then kicks her away.
- 9:07Speaker 1: Blood spurts from NOI's mouth, and while she's kind of
- 9:10Speaker 1: off guard, Nikaido slices the lens of noise like left
- 9:15Speaker 1: eye part of her mask in half, and also gets
- 9:18Speaker 1: her eye. I don't know what she sliced it with, guys,
- 9:20Speaker 1: I was having trouble figuring this out. Her nails a knife.
- 9:24Speaker 1: I didn't really see it anyway, This is not great.
- 9:27Speaker 1: NOI's eye just like spurts blood as it might, and
- 9:31Speaker 1: she covers her eye and drops to her knees and
- 9:33Speaker 1: she's like, my eye, damn it. She pulls off her mask.
- 9:36Speaker 1: Come on, I can still fight. And then she's like
- 9:40Speaker 1: huh what and looks around. Nikida is gone. She is
- 9:44Speaker 1: all alone. Noi says, where'd she go? Then we go
- 9:48Speaker 1: the opening theme yay back from the opening, Smoke is
- 9:54Speaker 1: pouring out of something wood. I thought maybe it was
- 9:57Speaker 1: a crate, but no, it is a door that's dissolving
- 10:01Speaker 1: like a wood door into you know, black smoke. N
- 10:04Speaker 1: shin Ebisu Fujita a guard and also kikar Rage, who
- 10:08Speaker 1: is in EN's arms, are looking at this door, and
- 10:11Speaker 1: I think that they're like in a wine cellar maybe
- 10:14Speaker 1: because there's like arch ceilings and stuff and it looks
- 10:17Speaker 1: like a wine cellar, and also there's like a lot
- 10:19Speaker 1: of wine on the walls and stuff. And Shin says,
- 10:22Speaker 1: someone made a door into the mansion. Impressive, and it's like, look,
- 10:28Speaker 1: we see like a gold plate kind of on the
- 10:31Speaker 1: door towards the bottom the area that has not turned
- 10:33Speaker 1: into smoke yet, and on it it has the little
- 10:36Speaker 1: symbol of a pitchfork, and then says it was made
- 10:40Speaker 1: by the devil. I don't know if the is accurate
- 10:44Speaker 1: or if there's I think there's a lot of devils,
- 10:46Speaker 1: so I assume that it's made by a devil. But
- 10:49Speaker 1: I'm not gonna change it because I'm not really sure.
- 10:52Speaker 1: The guard's like they were obviously looking for Risu n
- 10:55Speaker 1: and Shin looks shocked for some reason and it's like,
- 10:58Speaker 1: what that can't be. He turns to Shin. Shin says
- 11:02Speaker 1: the cross Eyes boss. We get to Risu, who is
- 11:05Speaker 1: pulling on a door handle, and he's like it's no good.
- 11:08Speaker 1: All the doors are locked. He kicks the door. Shit.
- 11:11Speaker 1: The guy that's in the fish tank. Miyamoto is like, Risou,
- 11:15Speaker 1: don't ever talk about that person. Risu turns back and
- 11:18Speaker 1: scoffs the person. Huh. He walks over to Miyamoto's tank.
- 11:22Speaker 1: By the way, he leans right up to the glass.
- 11:25Speaker 1: I need to ask you something. Who killed me? Oh?
- 11:29Speaker 1: Now we see guards like running past the door in
- 11:31Speaker 1: a hallway, and once they're gone, Nikaido cracks the door open,
- 11:35Speaker 1: and she looks around and makes a run for it.
- 11:37Speaker 1: She's walking down a hallway and she thinks, I managed
- 11:39Speaker 1: to get away from that big guy. But this place
- 11:41Speaker 1: is huge. There's not a single person around. We just
- 11:45Speaker 1: saw guards, so yeah, there are. She looks out a
- 11:48Speaker 1: window in the hallway and gasps, it's Resou. I guess
- 11:52Speaker 1: this building has multiple areas that face each other, kind
- 11:56Speaker 1: of like my house faces my neighbor's house. But if
- 12:00Speaker 1: they were connected somehow, which could happen if it was
- 12:03Speaker 1: like a row home, But it's not, and this isn't either,
- 12:08Speaker 1: so I don't know. But he's obviously in a different
- 12:10Speaker 1: wing or area of the building. Anyway, Nikido's like crossmarks
- 12:15Speaker 1: on his eyes. I finally found him. She backs up
- 12:18Speaker 1: to the wall and is like, and then she just
- 12:20Speaker 1: fucking jumps through the window.
- 12:23Speaker 2: Maybe open it.
- 12:24Speaker 1: Like could you open it? Because that would make more
- 12:27Speaker 1: sense and there'd be less resistance. Anyway, she jumps through
- 12:31Speaker 1: the window and she's sailing through the air in slow motion,
- 12:33Speaker 1: and we cut to En opening the door like frantically,
- 12:36Speaker 1: and he's like, reso, are you okay? Risu is obviously there,
- 12:39Speaker 1: and he's like, oh, welcome back, and son behind Risu
- 12:43Speaker 1: is the window obviously because Nikito saw him from it,
- 12:47Speaker 1: and in the background we can see Nikido sailing through
- 12:49Speaker 1: the air coming right at the window. En and Chin
- 12:52Speaker 1: also see it, and Risu, who is facing them, is
- 12:55Speaker 1: like huh.
- 12:56Speaker 2: And then the window shatters.
- 12:58Speaker 1: Resu falls over and soda is the tank that's holding
- 13:01Speaker 1: me a moto and it just spills all over the floor.
- 13:04Speaker 1: Nikido lands and grabs Risou's arm and grabs his other
- 13:07Speaker 1: arms so they're like pulling on both sides of him,
- 13:09Speaker 1: and is quiet for a second and he says, who
- 13:12Speaker 1: are you. Nikaido just punches him like right in the
- 13:16Speaker 1: mouth part of the mask, and it looks like it
- 13:19Speaker 1: shatters the mask's teeth so like opens a hole in
- 13:23Speaker 1: it kind of, and En is like knocked back to
- 13:25Speaker 1: the ground. Chin runs over and swings at Nikido with
- 13:28Speaker 1: his hammer, but she evades and jumps onto a chair
- 13:31Speaker 1: and then jumps onto a chandelier and swings for some reason,
- 13:34Speaker 1: and Shin's like, ends on, are you okay? We see
- 13:37Speaker 1: blood dripping into a pool on the floor, maybe from
- 13:41Speaker 1: End's mouth, and there's like little black smoke pieces coming
- 13:46Speaker 1: out of the blood. Puddles and mushrooms just begin to
- 13:49Speaker 1: rise out of the blood, and we hear En say,
- 13:52Speaker 1: I will not He is on his knees, covering his face.
- 13:56Speaker 1: I will not accept this getting punched in the I mean,
- 14:00Speaker 1: it's not nice. Is like kind of clenching his teeth maybe,
- 14:04Speaker 1: But then he opens his mouth and blood just spurts
- 14:07Speaker 1: out violently, and then just a ton of black smoke everywhere,
- 14:11Speaker 1: just filling the room and he Kido's like no, and
- 14:14Speaker 1: she says don't and son. We cut to outside of
- 14:17Speaker 1: the mansion, which is just this massive red building with
- 14:21Speaker 1: like pipes and shit, and all these like domed roofs
- 14:25Speaker 1: and like giant church like windows and shit. I don't know,
- 14:29Speaker 1: I don't think places really look like this.
- 14:30Speaker 2: It's pretty cool though. Anyway.
- 14:32Speaker 1: There's an explosion and mushrooms just burst out of that
- 14:35Speaker 1: part of the mansion, which is obviously where they are,
- 14:38Speaker 1: and it is a lot of mushrooms, by the way,
- 14:40Speaker 1: and they're growing like really really fast and kind of
- 14:42Speaker 1: just overtaking the structure. I wish I could make mushrooms.
- 14:46Speaker 1: Then we see below all of this, and we're by
- 14:50Speaker 1: like some gold trimmed like church like windows and debris
- 14:53Speaker 1: falling down and ni Kido lands looks back and makes
- 14:56Speaker 1: a run for it. Okay, so it looked like it
- 14:58Speaker 1: was outside for a second, but where Nikato landed was
- 15:01Speaker 1: also still inside. It's like, again, I guess there's just
- 15:04Speaker 1: lots of different areas and she just jumped into a
- 15:06Speaker 1: different one or something. So anyway, from there, we cut
- 15:10Speaker 1: back to the room where and and everybody is in,
- 15:12Speaker 1: and it is just filled with all kinds of like
- 15:14Speaker 1: really large mushrooms. They're kind of giving off this like
- 15:18Speaker 1: really eerie bluish glow to them, like there's a bit
- 15:21Speaker 1: of a missed haze in the room, which is pretty cool. Again,
- 15:24Speaker 1: this would be a fun power to have. Reesu stands
- 15:27Speaker 1: we see him like rise out of the mushrooms and
- 15:29Speaker 1: he looks at his arms and just chuckles, and he's like,
- 15:32Speaker 1: looks like I came out unharmed because I already soaked
- 15:34Speaker 1: up some end smoke. He hears someone gasping and looks
- 15:37Speaker 1: over and it's Miamoto's head on the ground, obviously, with
- 15:40Speaker 1: mushrooms just growing out from his left eye and his
- 15:43Speaker 1: ear and just places in his head in general, and
- 15:46Speaker 1: he's like, Resu helped me. He sounds really scared. I
- 15:49Speaker 1: would be scared too. Reesu's like it was one of
- 15:52Speaker 1: the cross eyes that killed me, right, I saw it
- 15:55Speaker 1: right before I was murdered. Miomoto says, well, that's Reese's like,
- 16:00Speaker 1: now turn into a mushroom gracefully starts to walk away. Geez,
- 16:03Speaker 1: resou cold. Miamoto is like, wait, wait, wait, rissou, and
- 16:08Speaker 1: then the rest of his head just sprouts into mushrooms,
- 16:11Speaker 1: So I guess that's over. We got a black and
- 16:14Speaker 1: then to resue running away and Noi comes in and
- 16:18Speaker 1: sees him like leaving basically, and it's like, huh, isn't
- 16:21Speaker 1: that And then she looks behind her and she's like, oh, no, Fujita,
- 16:25Speaker 1: is I mean in the midst of the mushrooms shaking Ebisu,
- 16:28Speaker 1: whose body is just a mushroom completely below the waist
- 16:31Speaker 1: and looks pretty passed out, and he's like, ebi su
- 16:35Speaker 1: Ebi Su just says sob NOI starts to walk through
- 16:39Speaker 1: the mushrooms and she's like sendpi and she sees Shin,
- 16:42Speaker 1: who's lower half of his body is just eoki mushrooms,
- 16:46Speaker 1: like a bunch of them, and he's like, NOI Noi gasps.
- 16:50Speaker 1: Shin says, stop ends rampage, otherwise we'll all turn into mushrooms.
- 16:55Speaker 1: NOI's like, got it en? During all this has just
- 16:58Speaker 1: been standing there, I guess just youing out a continuous
- 17:01Speaker 1: stream of black smoke. And I don't know what's going
- 17:04Speaker 1: on with him. I actually didn't totally understand this in
- 17:07Speaker 1: the manga or in the anime. He looks like maybe
- 17:10Speaker 1: he's not totally conscious, Like I don't see his pupils.
- 17:13Speaker 1: I don't know that he has any control of himself.
- 17:15Speaker 2: Anymore, which is a problem.
- 17:17Speaker 1: You should be able to control your power, and you
- 17:19Speaker 1: shouldn't get so upset about being punched in the face
- 17:22Speaker 1: that you just turn everybody to mushrooms uncontrollably, Like you
- 17:25Speaker 1: gotta figure out what's going on with your head, so
- 17:28Speaker 1: you don't do that. It sucks to be hurt, but
- 17:31Speaker 1: we don't take that out on people we love, or
- 17:35Speaker 1: people who are in our gang or whatever. This is anyway,
- 17:38Speaker 1: noise like stop that, you idiot, and just like pushes
- 17:42Speaker 1: him over, and it's like, for goodness sake, now we
- 17:45Speaker 1: see a Nikido's stumbling through like a city yellow alley
- 17:48Speaker 1: and breathing really shakily. There are some really cool posters
- 17:51Speaker 1: in the alley. There's one that says DHD I guess
- 17:52Speaker 1: for door Hidoro, and then there's a Q taxi service
- 17:55Speaker 1: for qu Hyashida, and then there's graffiti that says yellow
- 17:59Speaker 1: in red paint, which yeah, yeah, I like that. She
- 18:03Speaker 1: stops and like doubles over in pain, and her back
- 18:07Speaker 1: like under her jacket just starts to bulge, and then
- 18:09Speaker 1: this large mushroom just bursts through her jacket. Kaimen is
- 18:13Speaker 1: about to put some sort of thing from the soup
- 18:16Speaker 1: in his mouth, and then he hears a crash. He
- 18:19Speaker 1: walks into the next room and he's like, Nikido, what
- 18:23Speaker 1: took you so long? And his eyes widen as he
- 18:25Speaker 1: sees the mushroom. Nikido is on the ground sweating. Kaimen,
- 18:31Speaker 1: please Kymon's like, Nikaido, Nikido says, use a knife to
- 18:36Speaker 1: cut off this mushroom before the spell spreads to the
- 18:39Speaker 1: rest of my body. Kimon looks up and maybe just
- 18:42Speaker 1: realizes what is going on for the first time and
- 18:45Speaker 1: is like, what back to Noy. She has her hand
- 18:49Speaker 1: kind of at the back of Shin's necks of porting
- 18:51Speaker 1: his head, and he looks like he's passed out, which
- 18:53Speaker 1: makes sense because he's partially mushroom, and she's like, he's
- 18:58Speaker 1: turning into a mushroom. No, lots of mushrooms, if you'll
- 19:01Speaker 1: excuse me. She turns her face towards his and leans
- 19:06Speaker 1: in and blows smoke directly into his mouth. It's almost
- 19:10Speaker 1: like a kiss. It's almost, but not exactly. Now we
- 19:13Speaker 1: see En standing up rubbing his neck, and he's like,
- 19:17Speaker 1: where's that woman Noi who is holding Shin? And Shin
- 19:21Speaker 1: has legs again, so that's good.
- 19:23Speaker 2: Is like, who knows?
- 19:25Speaker 1: She's probably one of these mushrooms, poor Noi and starts
- 19:29Speaker 1: like looking around all frantically, and he's like, where's Kikarag?
- 19:32Speaker 2: Did he turn into a mushroom too?
- 19:34Speaker 1: Kikarag emerges from behind some mushrooms, and he looks really terrified,
- 19:38Speaker 1: and he's crying like softly, and I love Kikarage and
- 19:42Speaker 1: En picks him up and he's like Kikoage and like
- 19:45Speaker 1: rocks him in his arms. I'm so glad you're okay.
- 19:48Speaker 1: I'm glad he likes this little whatever the hell it is,
- 19:52Speaker 1: kat demon thing. But Ebi Sue is mostly a mushroom
- 19:56Speaker 1: now except for like above her chest, and Fujita's got
- 19:59Speaker 1: mushrooms coming out of his head and Ebisu's like I
- 20:02Speaker 1: missed the damp. We cut to fluorescent ceiling lights kind
- 20:09Speaker 1: of like looking up, and someone blows smoke, like regular
- 20:13Speaker 1: smoke in front of the camera, and it's Fox. I
- 20:17Speaker 1: think his name is actually supposed to be French, I
- 20:19Speaker 1: would assume, so it's probably pronounced something more like Vaux.
- 20:22Speaker 1: So I'm gonna start calling the doctor Vaux now. I
- 20:25Speaker 1: hope that that doesn't upset you in some way anyway.
- 20:28Speaker 1: He leans back and he's like, I'm glad that's done.
- 20:31Speaker 1: Kastu Kave, who is also there, sits down next to
- 20:34Speaker 1: him and is also smoking, and he says, we did
- 20:37Speaker 1: what we could. Kaimon walks up with a tray. He's like,
- 20:40Speaker 1: excellent work. Have some tea in diaifuku. If you're wondering,
- 20:44Speaker 1: daifuku is like mochi stuff with red bean paste, which
- 20:47Speaker 1: is very very good. Actually, Kasukabe is like thanks, and
- 20:51Speaker 1: he takes a daifuku. The surgery went well, but it
- 20:53Speaker 1: was close call. Good job bringing her to the hospital
- 20:56Speaker 1: so fast he eats it. Kaimon's like, when I stepped
- 21:00Speaker 1: the mushroom, blood started gushing out, so I rushed to
- 21:02Speaker 1: use the spray you gave me. He like holds up
- 21:04Speaker 1: the can, but for some reason he's just been carrying.
- 21:06Speaker 1: Costa Kabe says, the spray contained smoke that makes any
- 21:09Speaker 1: magic door visible.
- 21:11Speaker 2: That's pretty cool.
- 21:12Speaker 1: We see Nikaido now in a hospital bed with like
- 21:15Speaker 1: ivs in her and stuff and an oxygen mask on,
- 21:19Speaker 1: and kaimen Va and Costa Kabe are walking and Costa
- 21:23Speaker 1: Kabe says, by the way, I heard the patch where
- 21:26Speaker 1: a kid came back to the hole. Is that who
- 21:29Speaker 1: I think it is? Voe's like, that's right, he chopped
- 21:32Speaker 1: off the lizard's head the other day. He was wearing
- 21:34Speaker 1: the stupid hard mask. We see a bunch of pairs
- 21:37Speaker 1: of shoes on the floor like they had just been
- 21:39Speaker 1: taken off to go into a house or a room
- 21:41Speaker 1: or something. There's like sandals and fred and white sneakers,
- 21:44Speaker 1: and we hear Kimon say what the hell was he
- 21:46Speaker 1: doing in the hole? They're in like a padded room now,
- 21:49Speaker 1: like a white padded room, and Kimon and Kasu Kabe
- 21:52Speaker 1: are sitting at a quotats while Vo is like kind
- 21:56Speaker 1: of across the room, like looking through like a cabinet
- 21:59Speaker 1: or something, and he says that guy in this hospital
- 22:02Speaker 1: have quite a history. He stands and he's holding something
- 22:05Speaker 1: that's like maybe a notebook or paper, and he puts
- 22:07Speaker 1: it down in front of kaymen. Look it's open to
- 22:10Speaker 1: like a sheet of line paper with like a news
- 22:12Speaker 1: article taped to it, and it says sixty five murdered
- 22:16Speaker 1: perpetrator is the patchwork kid and has a picture of
- 22:19Speaker 1: this kind of young dude with like longish light colored
- 22:23Speaker 1: hair because it's in black and white in like a ponytail.
- 22:25Speaker 1: And I guess it's probably Shin because it kind of
- 22:28Speaker 1: looks like him. Boast its down with them. It was
- 22:31Speaker 1: about ten years ago. Ooh story. He takes a puff
- 22:34Speaker 1: of his cigarette and blows the screen fills with smoke.
- 22:37Speaker 1: I like the title cards in this episode, title card says,
- 22:40Speaker 1: the first smoke in like white, bubblish smoke looking letters.
- 22:44Speaker 1: We see a guy wearing like a yellow I don't
- 22:48Speaker 1: know how to describe it, except maybe a hazmat suit.
- 22:50Speaker 1: They're like yellow overalls over it, I guess, and they
- 22:54Speaker 1: have like a one painted on them. And he's got
- 22:57Speaker 1: like a full face respirator mask but like a helmet's
- 23:01Speaker 1: and he is getting blasted by smoke and he falls back.
- 23:05Speaker 1: There's a sorcerer that almost has like a night mask,
- 23:08Speaker 1: like a not great looking night mask, and another guy
- 23:11Speaker 1: with the same yellow hasma uniform but a number eight
- 23:14Speaker 1: painted on him, slashes the guy in the back with
- 23:16Speaker 1: an axe, and he's like dead on the ground with
- 23:18Speaker 1: blood spilling out into the street under him. We hear
- 23:21Speaker 1: FO say, until that incident, the residents of the whole
- 23:24Speaker 1: weren't mere passive labrats. They resisted the sorcerers. Two more
- 23:29Speaker 1: guys in yellow start gathering around the body, and then
- 23:33Speaker 1: we see a lot of those guys and they all
- 23:35Speaker 1: look super angry, or at least their eyes do, because
- 23:37Speaker 1: that's all we can see through their masks. Voe continues.
- 23:40Speaker 1: The neighborhood association led the movement. Huh. We see the
- 23:44Speaker 1: neighborhood Association now walking down the street carrying sorcerers heads
- 23:48Speaker 1: on steaks like seem like great people. Vau continues, The
- 23:51Speaker 1: sorcerer hunt was pretty brutal until that guy showed up.
- 23:54Speaker 1: There are some crows eating a dead guy that's just
- 23:56Speaker 1: lying on the ground. And then we see Shin sort
- 23:59Speaker 1: of in three coarders backview wish profile, wearing his mask
- 24:05Speaker 1: with industrial smoke stacks in the background and black and white,
- 24:09Speaker 1: and Vague continues his name is Shin.
- 24:12Speaker 2: Hey.
- 24:12Speaker 1: We fade into a younger, ponytailed version of Shin and
- 24:16Speaker 1: Vo says his father was human, his mother was a sorcerer.
- 24:20Speaker 1: She was killed by the local association right after his birth.
- 24:23Speaker 2: Fuck dude.
- 24:24Speaker 1: We see what is probably Shin's mother, her bloody arm
- 24:29Speaker 1: and part of her blonde hair and just blood laying
- 24:32Speaker 1: all around her on the ground. Apples spilled around her
- 24:35Speaker 1: as well from a plastic bag that she was carrying.
- 24:37Speaker 1: That' says Central Supermarket. Then we see a work belt
- 24:40Speaker 1: with like a hammer and scissors, screwdriver's wire, some other stuff,
- 24:45Speaker 1: and Vogue continues, Shin hit his mixed parentage. He lives
- 24:49Speaker 1: quietly with his father. Looks like they're doing some sort
- 24:52Speaker 1: of woodworking, Like his father's like hitting things for the hammer,
- 24:54Speaker 1: and Gin's like carrying some.
- 24:55Speaker 2: Wood or whatever.
- 24:57Speaker 1: His father also has blonde hair and teal eye and
- 25:00Speaker 1: is really really big. So I guess that's where Shin
- 25:02Speaker 1: gets it from, and Vo says, until Shin is like
- 25:07Speaker 1: moving some like wood boards and he, I guess, slices
- 25:10Speaker 1: his finger open on them. He stares at it pretty
- 25:13Speaker 1: worried as blood drips out of it onto the table.
- 25:16Speaker 1: I think it's the table. We hear Vo say his
- 25:19Speaker 1: blood contained black particles, which proved he was a sorcerer. Yeah,
- 25:23Speaker 1: we can see them too, thanks some older guys in
- 25:26Speaker 1: the room too. When he looks over at Shinn like
- 25:29Speaker 1: wide eyed, and Vo says, the factory manager didn't let
- 25:33Speaker 1: it slide. Now we see his dad like bandaging his
- 25:35Speaker 1: finger and they're like talking, and in the foreground, out
- 25:39Speaker 1: of focus, the manager is there talking to someone on
- 25:43Speaker 1: the phone. And then slowly we switch perspectives, so Shin
- 25:47Speaker 1: is out of focus and the manager in the foreground
- 25:49Speaker 1: is in focus as he's clearly reporting it, and Vo
- 25:53Speaker 1: says he reported him right away. A reward was paid
- 25:56Speaker 1: for reporting sorcerers. Fuck that. We see now a bunch
- 26:00Speaker 1: of guys in yellow with oxygen tanks maybe on their backs,
- 26:04Speaker 1: entering the building, and Voe says, the neighborhood Association arrived
- 26:08Speaker 1: in less than ten minutes. I mean, at least they're fast.
- 26:12Speaker 1: Somebody says, that's the kid. Kill him. Shin looks up
- 26:15Speaker 1: from his work to see one of the guys coming
- 26:17Speaker 1: at him with a knife, and I guess maybe he
- 26:19Speaker 1: somehow gets knocked back against the wall into like a
- 26:22Speaker 1: sitting position. I think maybe he was trying to avoid
- 26:24Speaker 1: him and the guy is now standing over him, and
- 26:27Speaker 1: then he gets hit in the head with a box
- 26:28Speaker 1: of nails. It's Shin's dad, Yay, save your son. He's
- 26:33Speaker 1: like Shin, run. Shin's like dad, He gets up. The
- 26:37Speaker 1: manager is like you're finished. Shin's like, move you snitch,
- 26:41Speaker 1: and flying kicks him right in the face and runs off.
- 26:44Speaker 1: I'm pretty sure the guy's dead now, but I'm not
- 26:46Speaker 1: one hundred percent. He might just be knocked out. Yeay.
- 26:51Speaker 1: One of the guys with an eleven on him says,
- 26:53Speaker 1: get him, and they start to follow. Shin jumps out
- 26:57Speaker 1: a window and then onto like a lower section of
- 27:00Speaker 1: roof which is tin and green, which is nice. And
- 27:03Speaker 1: he runs to the edge and jumps off the roof,
- 27:05Speaker 1: landing in a dumpster. And he's like, ouch, yeah, wait,
- 27:09Speaker 1: let's stop here for a second. You should not jump
- 27:12Speaker 1: into dumpsters from tops of buildings. It is really, really dangerous.
- 27:15Speaker 1: It's not a good idea. Don't do it. I know
- 27:18Speaker 1: it looks like it would be soft, because maybe trash
- 27:21Speaker 1: is soft, but not all trash is soft, actually, and
- 27:24Speaker 1: I know that it's like in movies a lot like oh,
- 27:26Speaker 1: they jumped into a dumpster, so or they're fine. No,
- 27:29Speaker 1: you don't know what's in that dumpster. There could be
- 27:31Speaker 1: like rebar, there could be anything, lots of broken glass.
- 27:37Speaker 2: You could die.
- 27:38Speaker 1: Don't do it. But I guess if your only other
- 27:41Speaker 1: choice is the pavement, I'm not really sure what's better.
- 27:44Speaker 1: I'm just saying, I guess, be careful if you're gonna
- 27:47Speaker 1: jump into a dumpster, because you're probably gonna get very,
- 27:50Speaker 1: very hurt. Anyway, Shin got hurt, but I guess not
- 27:52Speaker 1: that bad. And Guy seven and twelve start running down
- 27:56Speaker 1: the stairs towards him, and it's worth noting that this
- 27:59Speaker 1: building is basically made out of scraps of cargated like Tin,
- 28:02Speaker 1: I guess, and one of the guys says out back, hurry,
- 28:06Speaker 1: and a guy with an eight on him is like,
- 28:08Speaker 1: circulate his wanted posters. They already have wanted posters. It's
- 28:12Speaker 1: been like fifteen minutes since they found out. Shin's dad
- 28:15Speaker 1: puts his hand on Guy ATE's shoulder and it's like, stop,
- 28:18Speaker 1: my son's not a sorcerer. His mother was, but Shin
- 28:21Speaker 1: can't use magic. The guy stares at him for a
- 28:23Speaker 1: second and then lifts his hand off of his shoulder.
- 28:27Speaker 1: His mother was a sorcerer. Oh fuck, why did you
- 28:31Speaker 1: say that? Shin's dad gasps, what ole guy ates? Eyes
- 28:36Speaker 1: narrow clean the neighborhood.
- 28:38Speaker 2: Fuck.
- 28:39Speaker 1: We go to black We see Shin running down nally.
- 28:43Speaker 1: He stops and turns back and gets to make sure
- 28:45Speaker 1: no one is still chasing him and is really out
- 28:47Speaker 1: of breath and he's like that pig sold me out.
- 28:50Speaker 1: He sees a wanted poster of himself on the wall,
- 28:52Speaker 1: which again like this is a really fast guys, and
- 28:56Speaker 1: it says wanted. This man is a sorcerer. Shin like
- 28:59Speaker 1: rips it down in and is like, I'll leave this town.
- 29:01Speaker 1: Tonight with dad, and he starts to walk away. We
- 29:04Speaker 1: cut to a green door in a dark room. Shin
- 29:07Speaker 1: opens the door and walks inside, closing it behind him.
- 29:11Speaker 1: He starts to walk through the house and he looks
- 29:13Speaker 1: around and he's like, Dad, it doesn't look like anyone's home, honestly.
- 29:18Speaker 1: But then he sees their ceiling lamp, you know when
- 29:21Speaker 1: the hanging ones swinging back and forth, and he narrows
- 29:25Speaker 1: his eyes and we get a close up on his
- 29:27Speaker 1: dad's leg. He's clearly seated in a chair. Blood drips
- 29:32Speaker 1: on his pants and on the little bit of his
- 29:34Speaker 1: shirt we can see. We cut back to the lights swinging.
- 29:37Speaker 1: Shin gasps. His dad is slumped forward, hands probably tied
- 29:42Speaker 1: behind him in the chair, just covered in blood like
- 29:45Speaker 1: streaming down from his forehead and nose and everywhere, and
- 29:50Speaker 1: we get a close up on his eye and it's
- 29:53Speaker 1: he's not alive anymore. He's not there. Shin looks horrified, obviously,
- 29:58Speaker 1: and he's shaking. And hear someone say I knew you'd
- 30:01Speaker 1: come back. Shin gasps, In turns sweating, and we hear
- 30:07Speaker 1: the voice say, kids are so predictable. There are three
- 30:11Speaker 1: neighborhood association guys sitting at their kitchen table. I guess
- 30:15Speaker 1: like right next to all this, and Shin just hadn't
- 30:17Speaker 1: processed them being there yet because of how horrible this
- 30:20Speaker 1: all is. One of the guys says, we took out
- 30:23Speaker 1: the trash for you.
- 30:25Speaker 2: Fuck.
- 30:26Speaker 1: They start to get up. A guy with twelve painted
- 30:29Speaker 1: on him says, now it's just you, sorcerer. We get
- 30:33Speaker 1: a quick flash of Shin's heart beating. It's a little
- 30:36Speaker 1: bit too close. They should have backed up a little
- 30:38Speaker 1: bit so we could clearly see that this was a heart.
- 30:40Speaker 1: But it is absolutely a heart. Despite his heart beating, obviously,
- 30:44Speaker 1: He's just standing there in total shock, and we hear
- 30:49Speaker 1: one of the guys say, Okay, we'll have a barbecue
- 30:52Speaker 1: with a department store plaza tonight. Another quick flash to
- 30:56Speaker 1: Shin's hearts, and then back to Shin standing motionless, just
- 31:00Speaker 1: staring forward. One of the guys says, we'll need a
- 31:03Speaker 1: lot of beer. Another guy says, we'll take his family's money.
- 31:07Speaker 1: We see his heart again. Two of the guys walk
- 31:11Speaker 1: over to Shin and one of them says, take the
- 31:13Speaker 1: kid away. A guy with eighteen painted on him grabs
- 31:17Speaker 1: Shin by the arm, and pulls him hard move it.
- 31:20Speaker 1: We cut again to Shin's heart, but this time it's
- 31:23Speaker 1: beating very rapidly, and then to the guy getting the
- 31:27Speaker 1: back of Shin's hammer like right to his face. Guy
- 31:30Speaker 1: number twelve is like you and raises his knife. Shin
- 31:34Speaker 1: just glares at him like the best fucking glare, and
- 31:37Speaker 1: the guy slashes him across the face with his knife
- 31:40Speaker 1: and blood splatters across the wall.
- 31:42Speaker 2: Shin is just.
- 31:43Speaker 1: Silent for minutes after this happens, you know, his face
- 31:47Speaker 1: kind of knocked to the side by the slash, and
- 31:50Speaker 1: then he looks back at him and his face contorts
- 31:53Speaker 1: into a very malicious smile and he's like, I'll kill you.
- 31:57Speaker 1: The guy's like you wish and punch him in the face,
- 32:00Speaker 1: knocking Shin to the ground. This was not actually a
- 32:03Speaker 1: good move for the guy because now Shin on the
- 32:05Speaker 1: floor is able to stab him in the ankle with
- 32:09Speaker 1: the back of his hammer. The guy falls to his
- 32:11Speaker 1: knees in pain, and then before he can do anything,
- 32:14Speaker 1: Shin gets up and just fucking gets him in the
- 32:17Speaker 1: side of the head. Shin pulls the hammer out and
- 32:20Speaker 1: the guy drops to the ground because he is dead
- 32:23Speaker 1: now and the other guy, Guy eleven, starts to shake
- 32:27Speaker 1: and whimper and fear. Really, dude, Shin laughs and he's like,
- 32:32Speaker 1: I'm beginning to enjoy this. Fuck dude. We cut to black,
- 32:37Speaker 1: then to Shin running down an alley and Vo says,
- 32:41Speaker 1: Shin killed three association members and fled. We see there
- 32:45Speaker 1: are bloody bodies in the kitchen. Two of the guys
- 32:48Speaker 1: are split out on the floor and one of them's
- 32:49Speaker 1: on the table. Then we see a bunch of his
- 32:51Speaker 1: wanted posters on a wall, and Vo says, the neighborhood
- 32:55Speaker 1: Association went after Shin, I mean, obviously. We now see
- 32:58Speaker 1: flies flying around the bloody corpses of five neighborhood Association
- 33:03Speaker 1: members who were propped up against a wall, and Voe continues,
- 33:06Speaker 1: but the death toll roses its members were slaughtered. This
- 33:10Speaker 1: continued for three months.
- 33:11Speaker 2: Fuck dude. Now we see the.
- 33:13Speaker 1: Exterior of the hospital and there is lightning and thunder simultaneously,
- 33:18Speaker 1: which is really fucking annoying because lightning and thunder do
- 33:21Speaker 1: not happen at the same time usually, because that's not
- 33:25Speaker 1: how that works. Sound is much slower than light, so no,
- 33:31Speaker 1: they wouldn't happen at the same time, get your shit
- 33:34Speaker 1: right anyway, Vo continues. One evening, the doctor and I
- 33:38Speaker 1: were on night duty. We hear someone in the background groaning,
- 33:43Speaker 1: and Vau, who has like a little orange mohawk, which
- 33:46Speaker 1: is pretty cool and is a little bit thinner. It's like,
- 33:48Speaker 1: what the hell whose voice is that? Kasukabe, he looks
- 33:52Speaker 1: exactly the same, walks over and is like it's coming
- 33:54Speaker 1: from the operating room. We cut to a close up
- 33:58Speaker 1: of Shin, kind of part of the bottom of his
- 34:00Speaker 1: face where you can just see his mouth and his
- 34:02Speaker 1: upper torso, and it's like he's tightening a rope around
- 34:07Speaker 1: his right upper arm, you know, by grabbing it in
- 34:10Speaker 1: his teeth and pulling. Then we see fingers or pieces
- 34:14Speaker 1: of them on the floor, just all bloody because they
- 34:17Speaker 1: would be. VO and kasu Kabe walk to the doorway
- 34:21Speaker 1: and are like, huh, now we see exactly what's happening
- 34:25Speaker 1: with Shin. He's sitting on the floor speckled with his
- 34:28Speaker 1: own blood, fingers and pieces of his flesh just scattered
- 34:32Speaker 1: around him, and he's missing both of his arms, like
- 34:35Speaker 1: just under his shoulders, and he's trying to tie off
- 34:38Speaker 1: his right one with this rope using his mouth. Yeah.
- 34:42Speaker 1: He gives them like the most sinister smile and is
- 34:45Speaker 1: breathing very slowly and controlled, and he chuckles. I kind
- 34:50Speaker 1: of love him. He says, I'm using your tools. Kasu
- 34:55Speaker 1: Kabe picks up one of his fingers and says, you've
- 34:58Speaker 1: cut off your own arms to the look for your
- 35:00Speaker 1: smoke pipes. Sorcerers with low smoke output do that a
- 35:03Speaker 1: lot shit. Shin scoffs. Notify the neighborhood association and get
- 35:08Speaker 1: your reward. Kasu Kabe walks closer to him and says,
- 35:11Speaker 1: I don't want to call those disgusting people. He bends down.
- 35:15Speaker 1: I'm rather interested in your magic. Shin's like what kasu
- 35:20Speaker 1: Kabe smiles, Actually, he's basically always smiling in case I
- 35:24Speaker 1: haven't said that, which I don't think I have, and
- 35:26Speaker 1: he's like, I do research on sorcerers. Let me find
- 35:30Speaker 1: your magic pipe. Now. We see kasu Kabe digging around
- 35:34Speaker 1: in Shin's armhole with like what looks like maybe is
- 35:38Speaker 1: a tweezer or something, and he says stay still and
- 35:42Speaker 1: kind of laughs, Wow, I'm actually working on a living sorcerer.
- 35:46Speaker 1: Shin's like, try anything and I'll punch you. You don't
- 35:49Speaker 1: have arms. Shin vo is holding a syringe and he says, doctor,
- 35:54Speaker 1: if the Association finds out, they'll kill you. He's like
- 35:57Speaker 1: flicking the syringe to get out air, and then he says,
- 36:00Speaker 1: let's get you some antibiotics. Costa Kabe says, you sure
- 36:03Speaker 1: you don't need an anesthetic. Shin's like, it's a little
- 36:06Speaker 1: too late. Now. Foe puts his hand on chin shoulder
- 36:09Speaker 1: and says, I get how you feel, but you need
- 36:11Speaker 1: to stop killing people, and then he injects him with
- 36:14Speaker 1: the antibiotics. Your father must be heartbroken up in heaven.
- 36:18Speaker 1: Shin scoffs. You thought you could talk to me how
- 36:20Speaker 1: to killing people. Our family's motto is eye for an eye.
- 36:23Speaker 1: Faux kind of gulps and sighs, and we hear Kasta
- 36:26Speaker 1: Kabe say, there it is. I found it. He has
- 36:29Speaker 1: a little vein in between his tweezers that has smoke
- 36:34Speaker 1: coming out of it. Huh. I'm wonder what it's just
- 36:37Speaker 1: doing inside the body. Maybe it's like kinked or something,
- 36:40Speaker 1: you know, so like a like a garden house or whatever. Anyway,
- 36:44Speaker 1: he continues, I found one in each arm. Now you
- 36:47Speaker 1: can use magic, Shin looks pretty impressed by this. Outside
- 36:50Speaker 1: the window, it's raining, and we see the chin now
- 36:54Speaker 1: is laying in a hospital bed like looking out at it,
- 36:57Speaker 1: and we hear Vo say, hey kid, what are you
- 36:59Speaker 1: gonna do with these amputated arms?
- 37:01Speaker 2: What?
- 37:02Speaker 1: He brings a tray of all of Shin's arm pieces
- 37:06Speaker 1: to him. What are you what Shin's like? Sew him
- 37:09Speaker 1: back on. Bo says they'll never return to their original estate.
- 37:12Speaker 1: You get that right, They'll just rot off Shin's Like
- 37:17Speaker 1: in the world of sorcerers, there are some that can
- 37:19Speaker 1: heal injuries and illnesses. I'll ask them. We cut to
- 37:22Speaker 1: the exterior, like at the street, kind of looking up
- 37:25Speaker 1: between the buildings with wires criss crossing, and we hear
- 37:28Speaker 1: a voice say, Kiosa, who wants Gioza. We pan down
- 37:32Speaker 1: and there's someone standing kind of walking away from the
- 37:34Speaker 1: camera with short blonde hair and a large sign tied
- 37:38Speaker 1: to their back that says hungry bug Yosa Yay, it's
- 37:41Speaker 1: probably Ni Kaido Shin's body, like part of his body
- 37:45Speaker 1: we can see kind of walk into frame and his
- 37:47Speaker 1: arms are all sewn together now, and we hear Kasa
- 37:50Speaker 1: Kabe say, what are you gonna do now? They're standing
- 37:53Speaker 1: in front of the hospital by the way, and Shin says,
- 37:56Speaker 1: I'll finish my business, then I'll go to the world
- 37:58Speaker 1: of the sorcerers. Kabe's like, I see, I'd love to
- 38:02Speaker 1: see what kind of magic you use. Shin silent for
- 38:05Speaker 1: a second. All right, it's a deal. Kasu Kabe waves
- 38:09Speaker 1: and Shin starts to walk away, and then he stops
- 38:12Speaker 1: and turns back. See you, Casu Kabe waves again, and
- 38:16Speaker 1: he starts to walk off again. Now we see tiny
- 38:19Speaker 1: Nikaido walking towards the hospital carrying boxes of giosa, and
- 38:23Speaker 1: she's like, who wants giosa? Shin approaches her, leans down,
- 38:28Speaker 1: grabs one with his teeth and takes off running and
- 38:31Speaker 1: he Kito's like, hey, thief and chases after him. We
- 38:35Speaker 1: hear Vo say a few hours later, forty six neighborhood
- 38:39Speaker 1: Association members were rushed into the hospital. We see them
- 38:42Speaker 1: on gurney's being rushed down a hallway. It looks like
- 38:45Speaker 1: they just animated one and then did it over and
- 38:47Speaker 1: over again, which is fine, I guess, cost saving measure.
- 38:51Speaker 1: And then we see one of the guys and he's
- 38:54Speaker 1: just in slices basically, and he seems like he's probably
- 38:58Speaker 1: really upset too, which who wouldn't be right? Wo jumps
- 39:02Speaker 1: back what they're completely mutilated but still alive. Kastu Kabe
- 39:06Speaker 1: is like, this is magic, and he smiles.
- 39:09Speaker 2: That kid did this.
- 39:10Speaker 1: Geez, Kasu Kave, why are you so happy? Voe's like,
- 39:14Speaker 1: so that was his business. All of the forty six
- 39:17Speaker 1: association members have been chopped up, by the way. Kasu
- 39:21Speaker 1: Kabe is kind of sweating, and he's like, well, he
- 39:24Speaker 1: kept his promise. They both laugh a little bit, really nervously,
- 39:29Speaker 1: and then we hear Voe say an emergency ward for
- 39:32Speaker 1: sorcery victims was hastily set up to treat those mutilated humans.
- 39:36Speaker 1: We cut back to now and Vo continues the association
- 39:40Speaker 1: broke up after that, and people stopped resisting the sorcerers. Anyway,
- 39:44Speaker 1: it looks like that kid didn't add up too much.
- 39:46Speaker 1: Kostu Kabe is like, that's understandable considering what he's gone through.
- 39:50Speaker 1: We see Shin driving with NOI now in the passenger seat,
- 39:53Speaker 1: and Chin sneezes, yeah, because that's what happens in Japan.
- 39:58Speaker 1: That's the thing. When somebody talks talks about you, you sneeze yay.
- 40:02Speaker 1: To the next title card. White letter is over a
- 40:04Speaker 1: city scape and it's raining. Manhole elegy. We see that
- 40:09Speaker 1: Ali in the rain, and we hear Costu Kabe say,
- 40:13Speaker 1: you know what kaime In. We see an open man
- 40:16Speaker 1: hole on the ground. He continues, sorcerers don't like rain
- 40:19Speaker 1: in the hole. A hand reaches out from the open
- 40:22Speaker 1: man hole and grasps the side. Nikaido is looking out
- 40:27Speaker 1: at the rain from her hospital bed and she says,
- 40:30Speaker 1: it's raining. Yep. She lays down on her side and sighs.
- 40:36Speaker 1: Asu didn't know the sorcerer who gave kaim In a
- 40:38Speaker 1: lizard's head. Yeah, I think there was a problem with
- 40:41Speaker 1: the translation. Last episode. She didn't ask to be called Asu.
- 40:45Speaker 1: She wanted to talk to Asu. So Asu is the
- 40:47Speaker 1: big demon that she kissed his hand last episode. Anyway,
- 40:51Speaker 1: she continues, so looking for the guy who casts the
- 40:54Speaker 1: spell on him isn't enough. She puts her hands on
- 40:58Speaker 1: the back of her head and kind of curls up.
- 41:00Speaker 1: I don't understand anything, and we kind of flashed back
- 41:04Speaker 1: to Asu and he says, why worry? Using your magic
- 41:08Speaker 1: is the best shortcut. Nikido rolls to her back and
- 41:11Speaker 1: puts her arm over her face if it's the only way, huh.
- 41:15Speaker 1: She looks over at the window. We see a shadow
- 41:18Speaker 1: of a figure standing right in front of it with
- 41:21Speaker 1: like a brimmed hat. She sits up. What.
- 41:24Speaker 2: Kimon kicks open.
- 41:25Speaker 1: The door and he's like, Nikaido's on time to eat.
- 41:29Speaker 1: Kasukabe and Voe are also there, and Foe says, don't
- 41:32Speaker 1: kick the door. They all look at Nikaido confused, I
- 41:36Speaker 1: guess because of how scared she looks, and Kimon's like,
- 41:39Speaker 1: what's wrong. Nikido is sweating now, and she says, there
- 41:43Speaker 1: was someone outside my window. Kimon walks over and is like,
- 41:46Speaker 1: don't worry about that.
- 41:47Speaker 2: Eat the goza I made.
- 41:49Speaker 1: We get a shot of the rain and the exterior
- 41:51Speaker 1: of the hospital, and then we cut to Nikaido chewing
- 41:54Speaker 1: what appears to be a very burnt gyoza because it's
- 41:57Speaker 1: like all black and she looks fair already disgusted, and
- 42:01Speaker 1: Kymon's like, well. Nikaido spits it out and says the
- 42:06Speaker 1: skin's overcooked. There's hardly any filling and the meat is
- 42:09Speaker 1: tasteless and raw gross. Kymon's like, are you saying it's bad?
- 42:15Speaker 1: Nikido turns to Voe and says, I thought this hospital
- 42:18Speaker 1: had its food delivered. When did you guys start making it?
- 42:21Speaker 1: Voe's like patient number suddenly started decreasing last month. We
- 42:25Speaker 1: see Kimon, who is on the phone holding a pizza
- 42:28Speaker 1: menu and he says, one large deluxe mixed pizza. Don't
- 42:32Speaker 1: know what that would mean. Vau continues, You're the only
- 42:35Speaker 1: patient right now, so we stopped ordering food. We're basically
- 42:39Speaker 1: focusing on kymen in this and this is until I
- 42:42Speaker 1: tell you all one continuous shot. As he moves around
- 42:44Speaker 1: the room anyway, he's done being on the phone. He
- 42:47Speaker 1: tosses the menu and starts to walk to the door.
- 42:49Speaker 1: As he gets to the door, the delivery guy is
- 42:51Speaker 1: there with the pizza and he's like, hello, that'll be
- 42:53Speaker 1: thirty five hundred yen, which is about twenty two dollars,
- 42:56Speaker 1: so sounds about right for a pizza, and Vau continues
- 43:00Speaker 1: a lot of our practice victims are also disappearing lately.
- 43:03Speaker 1: Kaimen takes the pizza and we hear Nikido say disappearing
- 43:07Speaker 1: does magic have something to do with it. Kimen is
- 43:09Speaker 1: now walking over to Nikaido and Vo and he's like,
- 43:13Speaker 1: it means the hospital struggling to make ends meet. FO
- 43:15Speaker 1: is like shut up. Kimon chuckles, here you go, and
- 43:18Speaker 1: he puts the pizza on the bed and that ends
- 43:21Speaker 1: kind of the continuous shot that we were doing, which
- 43:23Speaker 1: was pretty cool, honestly, and the good way to do
- 43:26Speaker 1: like a time lapse is I guess what they were
- 43:27Speaker 1: trying to do. Anyway, We cut to the exterior and
- 43:31Speaker 1: we see the rain again. Kaimen, Kastu Kabe and Vo.
- 43:34Speaker 1: Now we're just walking down the hallway. Costu Kabe says, oh, yeah, Kimen.
- 43:38Speaker 1: He lifts something towards him. Kimon's like, huh, and it
- 43:42Speaker 1: is that car that Nikaido got from that devil with
- 43:46Speaker 1: the little blood dots on it. Costu Kabe says.
- 43:49Speaker 2: Have you ever seen this before?
- 43:51Speaker 1: Kimon's like huh and takes it. No, what is it?
- 43:54Speaker 1: Costu Kabe says, seems to be a kind of pass
- 43:57Speaker 1: that high level sorcerers get from the devil. Kimon's like,
- 44:01Speaker 1: why would Nikkaido have this? And he kind of laughs,
- 44:04Speaker 1: are you trying to tell me Nikaido's a sorcerer? Casugave says,
- 44:08Speaker 1: she really is, Kimen. We cut to a mostly eaten
- 44:11Speaker 1: pizza like it's in a box and there's only one
- 44:14Speaker 1: piece left and it kind of looks like it's a
- 44:16Speaker 1: capresse style pizza, like it's marinarusauce with like fresh mozzarella
- 44:21Speaker 1: chunks on it, and then like maybe like a little
- 44:24Speaker 1: bit of basil. It's good stuff anyway. Anyway, we hear
- 44:27Speaker 1: Costa Kabe say we operated on her with her own hands.
- 44:31Speaker 1: Nikido is asleep in her room and there's definitely somebody
- 44:35Speaker 1: standing outside of her window. Definitely. Costa Kabe says, a
- 44:40Speaker 1: sorcerer's body is different than a human's. Lightning and thunder
- 44:44Speaker 1: are occurring both at the same time again makes the
- 44:47Speaker 1: guy like really pop against the background, so he's absolutely there.
- 44:52Speaker 1: And then we cut to outside again and then to
- 44:55Speaker 1: the hallway. Kimon suddenly just gasps and takes off running,
- 44:58Speaker 1: and it's always like, what is it, Kymen? Kymon's like
- 45:01Speaker 1: it just heard a scream. Costo Kabi and Voe kind
- 45:04Speaker 1: of stare at each other, confused, I didn't hear a scream,
- 45:07Speaker 1: And we hear Kymon say as he's running down the hallway.
- 45:09Speaker 2: Nikaido.
- 45:10Speaker 1: Kimon then bursts into her room and says, Nikaido he gasps, yeah,
- 45:15Speaker 1: she's gone, and the windows wide open. And that's what
- 45:17Speaker 1: you get for not listening to her when she said
- 45:19Speaker 1: that there was a guy standing out in front of
- 45:20Speaker 1: her window. Kimon runs over to the window and looks
- 45:23Speaker 1: out and he's like shit. He sees a guy carrying
- 45:26Speaker 1: her down the street. Now he's running to catch up
- 45:28Speaker 1: with her, and he's like stop. The guy is not stopping.
- 45:31Speaker 1: He's running as well. Kimon says stop, hey, yeah, it's
- 45:35Speaker 1: not working. The guy turns a corner and so does Kymen,
- 45:38Speaker 1: and then Kymon stops trying to catch his breath and
- 45:40Speaker 1: looks up and he's like, this is yeah, it's the alley.
- 45:44Speaker 1: Kimon's like that alley, yeah, idiot, this is a dead end. Yay.
- 45:50Speaker 1: He turns that last corner at the end of the
- 45:52Speaker 1: alley and doesn't see anybody, but there is an open manhole.
- 45:57Speaker 1: Now we cut to trash like a can and a
- 46:01Speaker 1: soda can and stuff floating down a green river of sewage. Yay.
- 46:07Speaker 1: Kim In climbs down like a ladder and looks around
- 46:11Speaker 1: and sees a shadow like moving off past, like a
- 46:14Speaker 1: t intersection in the sewer. I should say that this
- 46:17Speaker 1: does look like what you might think a sewer would
- 46:19Speaker 1: look like, even though not all sewers look like this,
- 46:22Speaker 1: but you know, kind of the standard. There's a river
- 46:25Speaker 1: of sewage running down the middle, and then there's like
- 46:28Speaker 1: a walkway on either side, and then there's curved and
- 46:31Speaker 1: tiled walls overhead, and it's you know, kind of gross.
- 46:36Speaker 1: There's like trash and shit everywhere, but also kind of homie,
- 46:39Speaker 1: you know, like sewers are nice and you want to
- 46:41Speaker 1: be in them. Nobody understands this. I really really like
- 46:47Speaker 1: sewers and stuff. And I don't know why, because I
- 46:51Speaker 1: am terrified of germs and I am a hypochondriac, so
- 46:55Speaker 1: I should not like sewers, but they're so fucking cool guys,
- 47:00Speaker 1: So I like anything that's said in a sewer, and
- 47:02Speaker 1: I might have said that before anyway. Kimen is running, obviously,
- 47:06Speaker 1: and he's like I said, stop, he doesn't stop when
- 47:09Speaker 1: you tell him to stop.
- 47:10Speaker 2: Why isn't n Kido fighting back, even if she's still sick.
- 47:13Speaker 1: She could. Then he thinks about what Kasukabe said about
- 47:16Speaker 1: sorcerers not liking rain. Yeah, he scoffs, but then trips
- 47:20Speaker 1: over what looks like maybe a root. It's kind of
- 47:22Speaker 1: gray and it's got maybe spikes on it, I don't know.
- 47:25Speaker 1: He falls and He's like ouch, and then we hear
- 47:28Speaker 1: a voice say, clatter, I guess something is rising up
- 47:33Speaker 1: behind Kimen kind of in our foreground, and he turns
- 47:37Speaker 1: towards the camera to look, and whatever it is just
- 47:41Speaker 1: covers the entire screen because it's fucking giant. And then
- 47:45Speaker 1: we see what it is. It is a very very
- 47:47Speaker 1: large cockroach, like bigger than a human size. Kimon jumps
- 47:51Speaker 1: back and screams, yeah, me too, and we get a
- 47:55Speaker 1: closer look at this thing and it has like almost
- 47:58Speaker 1: people looking teeth and also mandibles on the side, and
- 48:02Speaker 1: then like some sort of black thing over the top
- 48:04Speaker 1: of its head, almost like a helmet or mask, so
- 48:06Speaker 1: we don't see its eyes if it has them, and
- 48:08Speaker 1: it just says clatter, clatter, I think so, yeah, the
- 48:11Speaker 1: thing he tripped over was the thing's leg, one of them,
- 48:14Speaker 1: and the bottom legs because this things standing up have
- 48:18Speaker 1: sneakers on them, So I don't know what this dude
- 48:21Speaker 1: is anyway. Kymon's like, you freak and raises his knife.
- 48:24Speaker 1: Are you a product of magical smoke that got trapped
- 48:27Speaker 1: in the rain? Maybe He lunges at the cockroach thing,
- 48:30Speaker 1: but when his knife connects, it just breaks the point
- 48:33Speaker 1: right off and he's like, it's rock solid. The cockroach
- 48:36Speaker 1: hits him and he just falls into the raw sewage.
- 48:38Speaker 1: And as he is falling to the bottom, which isn't
- 48:41Speaker 1: that far and underwater, he turns and sees a dead guy.
- 48:46Speaker 1: He stands up and kind of bursts out the water, coughing.
- 48:50Speaker 1: For some reason, he's lost his mask, and he looks
- 48:53Speaker 1: down and realizes that the water.
- 48:54Speaker 2: Is just full of dead people.
- 48:56Speaker 1: Because I don't know why not. Kimon's like, are these
- 49:01Speaker 1: the missing practice victims? The concroach thing is not deterred
- 49:05Speaker 1: by any of this, obviously, and just jumps onto him
- 49:07Speaker 1: and bites a chunk out of his arm. Kimon screams
- 49:11Speaker 1: and just starts bleeding everywhere because a chunk of his
- 49:13Speaker 1: arm is just bitten off, and he's like trying to
- 49:15Speaker 1: cover the wound so it stops bleeding, and he's like, oh.
- 49:18Speaker 1: He looks up and sees that the thing is just
- 49:21Speaker 1: contently eating his flesh, and he just screams and just
- 49:25Speaker 1: runs for it. We now see a metal door. Kimon
- 49:29Speaker 1: is standing in front of it, and it's at the
- 49:30Speaker 1: end of a corridor. There's nowhere else to go, and
- 49:33Speaker 1: he's breathing really hard, and then we see Nikkaido passed
- 49:36Speaker 1: out on the floor and some guy standing over her.
- 49:40Speaker 1: We only see his legs at this point, and he says,
- 49:43Speaker 1: what she doesn't have any Now we can see him
- 49:46Speaker 1: at least a little better. He is a top hat
- 49:48Speaker 1: on and kind of shoulder length gray hair, and he's
- 49:51Speaker 1: maybe wearing a suit he's gonna tie at least, and
- 49:53Speaker 1: it looks like a jacket on and he says, my
- 49:56Speaker 1: black gems. Then we hear Kimon say stop it, and
- 49:59Speaker 1: he runs up from out of nowhere and pushes the
- 50:02Speaker 1: guy back into the wall. He's like, I'm going to
- 50:04Speaker 1: kill you. He's holding him to the wall, and the
- 50:06Speaker 1: guy says Johnson. And then the big cockroach comes and
- 50:11Speaker 1: tackles Kim into the ground. The guy's like, hold him still, Johnson.
- 50:16Speaker 1: Kimon is being held down by the giant cockroach that
- 50:19Speaker 1: has a name and says, what.
- 50:21Speaker 2: Are you gonna do to Nakaido.
- 50:23Speaker 1: The guy holds up a glass jar of black like circles.
- 50:27Speaker 1: They live like little black marbles and they sound kind
- 50:30Speaker 1: of like they cling together like their glass, and he says,
- 50:33Speaker 1: I want her black gems. These gems taken from practice
- 50:36Speaker 1: victims will make me a sorcerer. We can now see
- 50:39Speaker 1: the bottom of him because we could only see, you know,
- 50:41Speaker 1: like his feet and then kind of his upper towardsho area,
- 50:45Speaker 1: and he's very clearly a homeless man, like he's got
- 50:47Speaker 1: a code and then another code under it, and he
- 50:49Speaker 1: just looks like he's probably living down there. Yeah, okay,
- 50:54Speaker 1: Kimon's like black gems, that's bodily waste. I'm gonna talk
- 50:58Speaker 1: about this at the end because I'm very confused. And
- 51:01Speaker 1: the guy's like, but you didn't have any. He starts
- 51:04Speaker 1: to walk over, so I'll take them from you, lizard man.
- 51:07Speaker 1: Kimon reaches for his knife that is on the floor,
- 51:10Speaker 1: and he's like, not gonna happen, and he slices the
- 51:13Speaker 1: guy like across his ankles, like he slices his fucking
- 51:17Speaker 1: feet off. The guy screams and falls over because he
- 51:20Speaker 1: doesn't have feet anymore, and the black gems spill out
- 51:23Speaker 1: of the jar all over the floor. They really do
- 51:26Speaker 1: look like marbles. Kimon grabs one of his cutoff feet
- 51:29Speaker 1: and throws it and is like fetch Johnson, and Johnson
- 51:33Speaker 1: just runs for it. It falls into the sewage and
- 51:36Speaker 1: Johnson just goes right after it and dives in. Yay
- 51:40Speaker 1: I guess. Kimon gets his feet, clearly exhausted and upset,
- 51:46Speaker 1: and the guy is, you know, sitting on the ground,
- 51:50Speaker 1: flood pouring out of his legs, and he says, I
- 51:54Speaker 1: saw it that day. I came out of the manhole
- 51:57Speaker 1: and you were there. Kimon starts to walk over to him.
- 52:00Speaker 1: He continues, you had a human face. What Kimon's like,
- 52:06Speaker 1: you saw me before my face changed into this. The
- 52:09Speaker 1: guy is not doing so good because of all the
- 52:11Speaker 1: blood loss, and he says that woman was there too.
- 52:15Speaker 1: Kimon's like, Nikkita was what the guy's like? I wanted
- 52:21Speaker 1: to be a sorcerer. I wanted to leave this dirty town.
- 52:25Speaker 1: Kimon bends down and grabs him by the shoulders. Hey,
- 52:28Speaker 1: what happened? He's like shaking him. Did you see the
- 52:31Speaker 1: guy who cast a spell on me?
- 52:32Speaker 2: Hey?
- 52:33Speaker 1: Yeah. He can't respond now because he's dead, And we
- 52:38Speaker 1: cut to his face, you know, with his totally dead eyes,
- 52:42Speaker 1: devoid of all light, and then to the black gems
- 52:45Speaker 1: on the floor. Then we see a shot of the
- 52:48Speaker 1: city looking up as it continues to rain, and the
- 52:52Speaker 1: guy is lying on the sidewalk or on the street,
- 52:55Speaker 1: I'm not really sure, with a sheet over his face,
- 52:59Speaker 1: and we hear Vosa an increasing number of youth are
- 53:02Speaker 1: believing rumors and wanting to become sorcerers. Kimon is standing
- 53:06Speaker 1: in the rain looking down at the dead guy I think,
- 53:09Speaker 1: and I think he's got like Nikaido over his shoulder
- 53:12Speaker 1: and she's still passed out, but it's hard to tell
- 53:14Speaker 1: because it's a really close shot. And then we hear
- 53:17Speaker 1: Costa Kabe say, one could say he's a victim of
- 53:19Speaker 1: all the distortion that exists in the hole. They are
- 53:22Speaker 1: all standing out in the rain in the dark, I'm
- 53:26Speaker 1: a narrow bridge. Vo and Costa Kabe have umbrellas and
- 53:30Speaker 1: it's just like a really weirdly sad scene that feels
- 53:34Speaker 1: kind of out of place, and Kasu Kabe says junied
- 53:37Speaker 1: an umbrella. Kymon's like yeah, and we fade out, and
- 53:44Speaker 1: then we hear a bunch of weird noises and fade
- 53:46Speaker 1: in again to see Johnson just munching on that foot
- 53:50Speaker 1: and he stops, looks over at the camera and says
- 53:53Speaker 1: clatter yep. Then we go the ending, which is the
- 53:57Speaker 1: same as last week, and then what we learned in
- 54:01Speaker 1: episode six Shin has mixed parentage. The whole once had
- 54:06Speaker 1: a neighborhood association. The hole's currency is the yen. When
- 54:11Speaker 1: did we learn that what we'll learn in episode seven
- 54:13Speaker 1: is still hidden in chaos? And that is doro hidoro.
- 54:17Speaker 2: And that's it. Yay Ah.
- 54:20Speaker 1: That felt like it took a really long time, so
- 54:22Speaker 1: I'll be interested to see how long this is when
- 54:24Speaker 1: I actually cut out all the parts I messed up
- 54:26Speaker 1: in anyway, Yeah, that was a lot again, So I
- 54:32Speaker 1: think kind of the most interesting thing to me was
- 54:35Speaker 1: the last segment because of the tone shift, Like it
- 54:41Speaker 1: was weird how sad everyone was about this dude, this
- 54:44Speaker 1: homeless dude's death. I mean they should be sad. The
- 54:48Speaker 1: guy just wanted to escape. This is not a good
- 54:50Speaker 1: place to live. He's clearly living in the sewers and
- 54:54Speaker 1: his friend is a giant cockroach. Like he doesn't want
- 54:58Speaker 1: to do this anymore, so he's trying to find a
- 55:00Speaker 1: way out. And yeah, he really shouldn't have been killing
- 55:04Speaker 1: lots of people though, but this was all desperation and
- 55:08Speaker 1: it is really really sad because the whole is real
- 55:11Speaker 1: fucked up, and I would think that anyone who doesn't
- 55:14Speaker 1: want to escape from this. Basically prison where they're being
- 55:18Speaker 1: experimented on by sorcerers is kind of crazy. It would
- 55:21Speaker 1: be crazy to want this, So yeah, it's it's tragic.
- 55:27Speaker 1: Where they're living and how they're living is really bad.
- 55:30Speaker 1: And if we look at it from that perspective, the
- 55:33Speaker 1: way that everyone is so flippant about life and death
- 55:37Speaker 1: and killing people might make sense. Because all of this
- 55:40Speaker 1: is happening all the time. There's just no way to
- 55:43Speaker 1: get away from this. And if sorcerers are also constantly
- 55:47Speaker 1: experimenting on and mutilating people, I could understand feeling no
- 55:52Speaker 1: remorse in killing them. So I guess I get it
- 55:56Speaker 1: from the people in the whole's perspective and kind of
- 55:58Speaker 1: and Nikaido's just kind of disregard of source of life.
- 56:03Speaker 1: But I guess it's important to know that they do
- 56:06Speaker 1: care about people. I mean, except for those people that
- 56:09Speaker 1: were trying to rob Nikaido in that second episode or
- 56:11Speaker 1: whatever that was. But it was weird. It was this
- 56:16Speaker 1: part of the episode was totally off putting to me.
- 56:19Speaker 1: I don't want to say that I didn't like it,
- 56:20Speaker 1: because I did like it, It's just I don't know.
- 56:24Speaker 1: Maybe it was needed to ground things a little bit actually,
- 56:27Speaker 1: but uh yeah, just kind of an interesting departure from
- 56:31Speaker 1: what we've been seeing, which is just kind of doesn't
- 56:34Speaker 1: feel very grounded, to something that feels really grounded. So interesting. Also,
- 56:40Speaker 1: when they're talking about the Black Gems being human waste,
- 56:44Speaker 1: I don't know that's said in the manga as well,
- 56:48Speaker 1: and I like don't understand because it doesn't look like
- 56:51Speaker 1: shit to me unless that's how people shit in the hole,
- 56:55Speaker 1: like little circles. I really don't know. Maybe he polished
- 56:59Speaker 1: them because you can polish a turd and it would
- 57:02Speaker 1: look beautiful, I promise, but I just don't I don't understand.
- 57:07Speaker 1: But of course Nikaida wouldn't have whatever those are because
- 57:10Speaker 1: she's a sorcerers or her body's different. But also what, Yeah,
- 57:16Speaker 1: besides that, it was also really interesting to learn about
- 57:18Speaker 1: Shin and the Neighborhood Association and how the whole didn't
- 57:22Speaker 1: used to be like this hopeless place where everybody was
- 57:25Speaker 1: just like cool, we can't even fight back because they'll
- 57:27Speaker 1: just kill us. I mean, the neighborhood Association obviously, Like
- 57:30Speaker 1: the problem is taking things to the extreme like that, right,
- 57:34Speaker 1: you don't want to just kill everyone that you don't like.
- 57:37Speaker 1: Because then people aren't going to trust you or whatever,
- 57:40Speaker 1: and because that's wrong obviously, I guess maybe. But uh yeah,
- 57:45Speaker 1: to their detriment, Shin wasn't causing any problems. He might
- 57:48Speaker 1: have turned out to be a relatively stable human being
- 57:51Speaker 1: who just was.
- 57:52Speaker 2: A carpenter, which would have been cool.
- 57:54Speaker 1: But instead he is just this murderous entity now, and
- 58:00Speaker 1: that's really all their fault sort of. I mean, he
- 58:03Speaker 1: could have stopped himself from just murdering all of them,
- 58:06Speaker 1: and I don't think they said this in the anime,
- 58:08Speaker 1: but in the manga they do tell you that all
- 58:11Speaker 1: those Neighborhood Association members who were split into multiple pieces
- 58:15Speaker 1: by Shin, they did eventually just die because I don't
- 58:18Speaker 1: think you can just live in a chopped up stay
- 58:20Speaker 1: like that, like you wouldn't be able to eat and
- 58:21Speaker 1: stuff and drink, so they probably died very horrible deaths.
- 58:25Speaker 1: So yeah, so I guess Shin goes to the sorcerer
- 58:30Speaker 1: world with his decaying arms. So it'll be interesting to
- 58:33Speaker 1: see how that works out. I'm assuming it's Noi that
- 58:37Speaker 1: makes that work out, because she's a healer, but who knows.
- 58:40Speaker 1: I guess we'll find out. We'll totally find out by
- 58:42Speaker 1: the way, So yeah, that's that was Dora Heydoro episode six.
- 58:48Speaker 2: I'm trying to think if there's anything else I should say.
- 58:50Speaker 1: Okay, I like this episode because the last two sections
- 58:55Speaker 1: added some real gravity to what's going on, just about
- 58:58Speaker 1: how desperate and scary the world of the whole is.
- 59:04Speaker 1: So yeah, I liked it. That's really all I gotta say.
- 59:08Speaker 1: I am gonna go do something. I don't know what,
- 59:11Speaker 1: but I gotta do something else, I guess now because
- 59:14Speaker 1: I'm done with this. So I hope you have a
- 59:17Speaker 1: really good whatever, and I will hopefully see you next time,
- 59:21Speaker 1: unless the world ends later webs