Latest / The Bootleg Kev Podcast / #484 - Juvenile & Mannie Fresh

Transcript

#484 - Juvenile & Mannie Fresh · The Bootleg Kev Podcast

• 0:00
  Speaker 1: What's up. This is your boy DJ Manny Fresh and right.
• 0:03
  Speaker 2: Here it's your boy juven is great. You know, four
• 0:05
  Speaker 2: hundred degrees man, right here on the number one podcast
• 0:09
  Speaker 2: of My dog Bootleg Cab.
• 0:11
  Speaker 3: You're yo Boutlet CAV Podcast. Man, special guests in here.
• 0:18
  Speaker 3: It's not every day we get two living legends walking
• 0:20
  Speaker 3: into the Boutlet CAV podcast. But we got to right now, Man,
• 0:25
  Speaker 3: A lot of people see, these guys are the soundtrack
• 0:27
  Speaker 3: to my childhood. A lot of people meaning me Manny Freshman, Juvenile.
• 0:30
  Speaker 1: Yes, thank you, brother, thank you, thank you, thank you.
• 0:33
  Speaker 4: Finally I'm over here.
• 0:34
  Speaker 1: Hey.
• 0:34
  Speaker 3: I just want you all to know if you told,
• 0:36
  Speaker 3: like the twelve year old me that this was happening,
• 0:39
  Speaker 3: I would be fucking tripping balls for sure.
• 0:42
  Speaker 5: So this is a man, I mean, bro in meeting you.
• 0:45
  Speaker 5: You know, I appreciate when just the warm hello you came.
• 0:49
  Speaker 5: You know, you was like, bro, like I'll fuck with you.
• 0:52
  Speaker 5: You just like, dude, you don't even understand, you know,
• 0:54
  Speaker 5: And that's the ship that you know, you know your
• 0:56
  Speaker 5: mission is complete.
• 0:57
  Speaker 1: When yeah, I.
• 0:58
  Speaker 3: Felt like it's funny too. I think I told you
• 1:00
  Speaker 3: on the first I was like, Bro, you don't understand
• 1:02
  Speaker 3: how much of a big deal it was recently because
• 1:04
  Speaker 3: for for whatever reason, I got that work was not
• 1:07
  Speaker 3: on Spotify yea forever, and I was like tired of
• 1:11
  Speaker 3: going on YouTube and pulling up the bullshit like YouTube
• 1:14
  Speaker 3: uploads of yeah and so yeah. I mean that it
• 1:18
  Speaker 3: wasn't for.
• 1:21
  Speaker 2: Yeah, that's kind of like Project English m Yeah yeah,
• 1:26
  Speaker 2: because you can't you can't find.
• 1:29
  Speaker 3: So the twenty fifth anniversary of Back That Ass Up is,
• 1:35
  Speaker 3: first of all, I always say this. I'm on video
• 1:37
  Speaker 3: saying this a lot. It could go down as the
• 1:41
  Speaker 3: greatest hip hop song of all time. And I say
• 1:43
  Speaker 3: that with full confidence. I'm not saying it is or
• 1:46
  Speaker 3: it isn't, but it very much well could be because
• 1:49
  Speaker 3: I don't I can't think of the other song that
• 1:51
  Speaker 3: you could play in peak hours of a nightclub for
• 1:54
  Speaker 3: any crowd, and it just goes the fuck off to
• 1:56
  Speaker 3: this day, like.
• 1:57
  Speaker 1: Yeah, yeah, yeah.
• 2:00
  Speaker 3: It's like to me, like you're gonna get a bigger
• 2:02
  Speaker 3: reaction than if you play like an usher, yeah, or
• 2:04
  Speaker 3: you play too short blow the whistle, like these are
• 2:05
  Speaker 3: other records about this record, like like back that Ass
• 2:08
  Speaker 3: Up is like it's timeless forever.
• 2:10
  Speaker 1: Yeah, I'm all right, to your name.
• 2:12
  Speaker 2: Two more songs. You're right, bro, that blow the whistle.
• 2:15
  Speaker 5: Man, Yeah, blow the whistle is gonna be It's gonna
• 2:18
  Speaker 5: be right there with you.
• 2:19
  Speaker 3: But if you played at a bar Mitzvah, yeah, yeah,
• 2:24
  Speaker 3: good club.
• 2:24
  Speaker 2: It has happened.
• 2:25
  Speaker 5: Yeah, wherever transleas with with anybody, like you know what
• 2:30
  Speaker 5: I'm saying, klu Klux playing raby.
• 2:33
  Speaker 2: K Yo.
• 2:36
  Speaker 3: You can play back that ass up at a Cobblo
• 2:38
  Speaker 3: rally or a Trump rally. You know what I'm saying.
• 2:47
  Speaker 4: I've heard it all man.
• 2:51
  Speaker 3: It's crazy though, because, like uh, I mean twenty five
• 2:53
  Speaker 3: years later, I mean I've been seeing the tour stuff
• 2:55
  Speaker 3: with the live band and just just the moment you
• 2:57
  Speaker 3: guys have been creating with this. How does it feel
• 2:59
  Speaker 3: to sell a ready with the fans in this manner?
• 3:01
  Speaker 2: It's been fun, man, it's been real fun. It's been
• 3:04
  Speaker 2: a blessing, you know, especially working with my big brother
• 3:06
  Speaker 2: Man and we sanging songs that we've been singing for
• 3:09
  Speaker 2: twenty five plus years and seeing the reaction from not
• 3:13
  Speaker 2: only you know, the fans from back in the nine
• 3:16
  Speaker 2: nine to two thousands, the new fans, like the fans
• 3:19
  Speaker 2: that's been taught by their parents like bag them. You know,
• 3:21
  Speaker 2: when mama was young, this was my song right here,
• 3:24
  Speaker 2: that's what I used to listen to. This what we
• 3:25
  Speaker 2: went out to. So man, just to be living it
• 3:28
  Speaker 2: out right now in real time, is this crazy for us?
• 3:31
  Speaker 3: Yeah? It's interesting too because when we think of four
• 3:35
  Speaker 3: hundred Degrees, it's an album that has like stood the
• 3:39
  Speaker 3: test of time. But it's also an album that, for
• 3:43
  Speaker 3: whatever reason, I don't know why, we always will hear
• 3:46
  Speaker 3: about like the Illmatics and the Reasonable Doubts and to
• 3:49
  Speaker 3: get richard Ie Tryan's but I feel like four hundred
• 3:52
  Speaker 3: Degrees has to be in that conversation more. I know
• 3:54
  Speaker 3: it is certain people, but it's like it's one of
• 3:56
  Speaker 3: those albums that's like up on the wall with like
• 3:58
  Speaker 3: good Kid, Mad City, you know what I mean, Like one.
• 4:00
  Speaker 1: Of the ones I think a lot of it was.
• 4:03
  Speaker 5: We kind of took the nice guy approach, you know,
• 4:05
  Speaker 5: were just like, we know what, We're gonna let the
• 4:07
  Speaker 5: music speak for it. But it's obvious that we definitely
• 4:11
  Speaker 5: got to be a voice about it and say it
• 4:13
  Speaker 5: because it's like you said, you don't say nobody else
• 4:17
  Speaker 5: because it's it's definitely like you said it should be
• 4:19
  Speaker 5: in more conversations, you know, and because it is not
• 4:23
  Speaker 5: only to the South the world like you know this,
• 4:25
  Speaker 5: this this introduced a lot of people to Southern rap.
• 4:28
  Speaker 5: You know this, This was like and it was a
• 4:30
  Speaker 5: big deal for us to win the East Coast and
• 4:33
  Speaker 5: the West Coast because that was always a dream as
• 4:35
  Speaker 5: a kid. You know, we like we we I love
• 4:38
  Speaker 5: New Orleans, but we like we want our records to
• 4:40
  Speaker 5: be played everywhere, you know.
• 4:42
  Speaker 1: And the dream was, you know, us growing up.
• 4:45
  Speaker 5: We grew up on in w A, we grew up
• 4:47
  Speaker 5: on you know what was with jay Z or whatever,
• 4:50
  Speaker 5: and we accepted all of that New Orleans, but they
• 4:53
  Speaker 5: wasn't accepting to us, like you know. So the big
• 4:56
  Speaker 5: thing was, we want to hit these records in New York.
• 5:00
  Speaker 5: We want to hear these records in California, you know
• 5:02
  Speaker 5: what I'm saying. So that getting that accomplished was kind
• 5:06
  Speaker 5: of it was more important than making money, you know what.
• 5:09
  Speaker 2: I'm saying, and not just that doing it and being
• 5:13
  Speaker 2: who we are doing it, you know, at the same time,
• 5:15
  Speaker 2: not changing who we are to get the attention from
• 5:18
  Speaker 2: New York or the West Coast, just doing our music
• 5:22
  Speaker 2: and being who we are, staying authentic in that. I
• 5:24
  Speaker 2: think that was the main thing with us, and then
• 5:26
  Speaker 2: introducing people to to the whole New Orleans culture, you know.
• 5:30
  Speaker 4: The way we act, the way we talk, the way
• 5:32
  Speaker 4: we dress.
• 5:33
  Speaker 2: I think that played a big role too, because we
• 5:35
  Speaker 2: not only changed I feel like we not only changed
• 5:39
  Speaker 2: the way people talk, we changed the way people dress.
• 5:42
  Speaker 2: You know a lot of people started wearing T shirts
• 5:44
  Speaker 2: and JA.
• 5:44
  Speaker 3: Bowls, and I mean I was wearing a X because
• 5:46
  Speaker 3: you guys, Yeah see you know what I'm saying. I
• 5:48
  Speaker 3: had a fucking aver X leather I got from a
• 5:50
  Speaker 3: Burlington co Factory and I wore that bitch during the
• 5:53
  Speaker 3: summer in Arizona and it was like a four X.
• 5:57
  Speaker 3: Imagine me, I'm in the eighth grade.
• 6:00
  Speaker 2: Women. He had to get it way bigger than when
• 6:03
  Speaker 2: it was closet.
• 6:05
  Speaker 1: Well, I'm like, damn, I could make a sofa man
• 6:08
  Speaker 1: money Now.
• 6:09
  Speaker 3: Yeah, they're coming back. But you guys put those actions
• 6:12
  Speaker 3: on the map. Yeah, I forget what photo shoot It
• 6:14
  Speaker 3: was all us?
• 6:16
  Speaker 2: Yeah, yeah, that was Yeah, that was a cash money
• 6:19
  Speaker 2: Poto shop with everybody hot boys who was on the
• 6:21
  Speaker 2: handleballs and stuff.
• 6:23
  Speaker 4: Yeah.
• 6:23
  Speaker 3: Uh, you talked about kind of like when everyone's acceptance.
• 6:26
  Speaker 3: You and jay Z have this like cool little run
• 6:29
  Speaker 3: because he hopped on the Hot remix and then we
• 6:31
  Speaker 3: were on volume three. How important was getting Hove to
• 6:35
  Speaker 3: kind of because listen to be fair, when Hot came out,
• 6:38
  Speaker 3: Hove wasn't quite Hove. Yeah, I mean, but he was
• 6:40
  Speaker 3: still jay Z.
• 6:41
  Speaker 1: Yeah.
• 6:41
  Speaker 2: Yeah in the South man in that time when when
• 6:44
  Speaker 2: jay Z, you know, when he jumped on the song,
• 6:47
  Speaker 2: it was a great move for both of us.
• 6:49
  Speaker 3: And I'm a kidding, I say you were probably hotter
• 6:51
  Speaker 3: than Hoe at that time.
• 6:52
  Speaker 2: I wanted to break the ice in New York, and
• 6:54
  Speaker 2: I'm pretty sure it was some grounds that he needed
• 6:56
  Speaker 2: to cover in the South because a lot of people
• 6:58
  Speaker 2: are we from.
• 6:59
  Speaker 4: We wasn't really on ya.
• 7:00
  Speaker 5: I was a fan of the crazy thing is me
• 7:02
  Speaker 5: and Jew was the only two in cash Money who.
• 7:05
  Speaker 2: We jumped on the song. We was our money.
• 7:08
  Speaker 5: We was like, bro, man, that's it, you know in
• 7:11
  Speaker 5: New York, you know, yeah, everybody was like, man, who
• 7:15
  Speaker 5: is Who's.
• 7:18
  Speaker 2: Like? What is it like? Rock?
• 7:22
  Speaker 5: But that was important to even how we did songs.
• 7:26
  Speaker 5: There was really no outside influence, you know what I'm saying.
• 7:29
  Speaker 5: And that was more so because baby wanted to keep
• 7:33
  Speaker 5: it all cash money if you if you, if you
• 7:35
  Speaker 5: really think about it, the only features we probably ever
• 7:37
  Speaker 5: had was bun be you know what I'm saying. Before
• 7:42
  Speaker 5: I got yeah, you know what I'm saying. So that
• 7:44
  Speaker 5: was the only feature that that is true.
• 7:45
  Speaker 3: It was only you guys on everything.
• 7:47
  Speaker 5: Yeah, yeah, and so. But they didn't listen to outside music.
• 7:52
  Speaker 5: They really did not listen to outside music, Like you
• 7:55
  Speaker 5: know what I'm saying, And I'm just like, dude, there's
• 7:57
  Speaker 5: a whole world outside of this.
• 7:59
  Speaker 1: They like, nah, this gonna stay us.
• 8:01
  Speaker 3: Yeah, Yo, I think obviously you know, uh blink blink
• 8:07
  Speaker 3: is kind of what kicked off I guess the uh
• 8:12
  Speaker 3: the money ship that you guys became so known for.
• 8:15
  Speaker 3: But floss in season and then like the Big Timers albums,
• 8:19
  Speaker 3: there was like.
• 8:19
  Speaker 2: The Time albums I think really said the tone listen.
• 8:22
  Speaker 3: But I would just have these visuals of like these
• 8:25
  Speaker 3: cars that didn't exist and like all this jewelry and
• 8:31
  Speaker 3: just like like I was like, yo, this these are
• 8:33
  Speaker 3: the richest motherfuckers on the plane. Like where do they
• 8:38
  Speaker 3: get the car with the steering wheel in the middle?
• 8:41
  Speaker 3: But like, were you guys would y'all just be in
• 8:43
  Speaker 3: the studio with like a dart board and be like
• 8:46
  Speaker 3: like yo, yo, you know'd be crazy if we had
• 8:48
  Speaker 3: this ship, let's put it away.
• 8:49
  Speaker 2: We had this thing about we're gonna speak it into
• 8:52
  Speaker 2: being the truth, you know, speaking into fruition. So you know,
• 8:56
  Speaker 2: in the beginning, a lot of stuff we talked about
• 8:58
  Speaker 2: we didn't have it, but it started. You know, it's
• 9:01
  Speaker 2: you know, so then you know, things that we our
• 9:05
  Speaker 2: imagination became our reality. Right, So then we were like,
• 9:09
  Speaker 2: now we've got we got to take it to another level.
• 9:11
  Speaker 1: Now.
• 9:11
  Speaker 5: We even had some arguments about it because because you
• 9:15
  Speaker 5: think early on what we was trying to do and
• 9:18
  Speaker 5: it did work, you know, and I think boosting them
• 9:20
  Speaker 5: even followed this. The way we did it, we did
• 9:24
  Speaker 5: stuff that was for the average dude. We just showed
• 9:27
  Speaker 5: you how to fix it. You know, we had like
• 9:28
  Speaker 5: PT cruises, We had Chrysler three hundred.
• 9:31
  Speaker 3: I was gonna say, you guys single handedly probably responsible
• 9:34
  Speaker 3: for PT cruisers having a longer run.
• 9:36
  Speaker 2: Than you know what I'm saying, Well, I forgot I
• 9:39
  Speaker 2: got how I got that damn PC cruiser.
• 9:41
  Speaker 5: But yeah, but we was you know, we figured out
• 9:43
  Speaker 5: that it was more people like that than that lamb
• 9:46
  Speaker 5: bow thing, you know what I'm saying.
• 9:48
  Speaker 1: And then baby turned into a monster.
• 9:50
  Speaker 3: Of course, I remember when there was what was that
• 9:53
  Speaker 3: Birdman song that came a little later with the they
• 9:56
  Speaker 3: keep spinning about the.
• 10:01
  Speaker 2: He started buying calls. He went crazy. Yeah, but man
• 10:05
  Speaker 2: and being man and being you know, he being light
• 10:09
  Speaker 2: on it for himself because many got I don't know
• 10:11
  Speaker 2: how many calls we got. Man got over a hundred calls.
• 10:14
  Speaker 3: It's funny because you're being manny fresh and you're like yo'
• 10:17
  Speaker 3: he's like this. You're like you're very like unassuming, like
• 10:19
  Speaker 3: you know, like you're not from the big timers, like
• 10:21
  Speaker 3: you weren't all these records talking that man, you're.
• 10:24
  Speaker 2: Talking about a lot of them call. Yeah, man, he
• 10:26
  Speaker 2: got a lot of their calls. I'm gonna be honest
• 10:28
  Speaker 2: with you. If you hear him say somethbody call, he
• 10:30
  Speaker 2: got it. He got it, bro. He just built my
• 10:33
  Speaker 2: lads car like.
• 10:34
  Speaker 4: He got it.
• 10:35
  Speaker 3: Are you you're still heavily messing with heavy old schools?
• 10:38
  Speaker 1: Yeah? Yeah, yeah, what car did you schools? Wait?
• 10:41
  Speaker 3: Wait wait the warehouse? Yeah yeah, I'm telling you, Jay Leno,
• 10:48
  Speaker 3: like that card you own, I.
• 10:51
  Speaker 5: Don't know, bro, don't clips you got. I don't even
• 10:54
  Speaker 5: want to. I don't even want to count him. You
• 10:55
  Speaker 5: know how you feel like that would be crazy?
• 10:57
  Speaker 3: What's the over under?
• 11:00
  Speaker 1: Yeah? Yeah?
• 11:01
  Speaker 3: Wow, so you got a fucking collection?
• 11:04
  Speaker 2: Yeah, my son and bought a call from him. My
• 11:06
  Speaker 2: first call from told me another call.
• 11:09
  Speaker 3: You got to the other ship?
• 11:10
  Speaker 1: What are you?
• 11:12
  Speaker 2: When he said I sold juve the Beama, that's the
• 11:15
  Speaker 2: truth he did.
• 11:18
  Speaker 1: I don't.
• 11:19
  Speaker 5: I don't send his son nothing because when I send it,
• 11:21
  Speaker 5: I know he's gonna go mess with him about it,
• 11:23
  Speaker 5: like Brian sending you no more calls because you be
• 11:25
  Speaker 5: bother your daddy by Like, man, I need.
• 11:26
  Speaker 2: To get this, And I'm like, no, you know me
• 11:29
  Speaker 2: right now about something you got? He got fress got
• 11:32
  Speaker 2: a call with the ball in the back.
• 11:33
  Speaker 5: Of it and Honda actors the little small little Honda
• 11:38
  Speaker 5: trucks like they like little bitty little tiny trucks, you
• 11:42
  Speaker 5: know what I'm saying. And I made mine into like
• 11:44
  Speaker 5: a bar or whatever and where you can put bottles
• 11:47
  Speaker 5: and all of that and it I'll show it till
• 11:48
  Speaker 5: you have to, you know, before we get.
• 11:50
  Speaker 4: You know, that's crazy, It's fantastic.
• 11:52
  Speaker 3: You're like you know what, straight out the plastic.
• 11:54
  Speaker 4: Still yeah, he's still stantastic.
• 11:57
  Speaker 3: Like I'm bored, let me just trick out a Honda.
• 11:59
  Speaker 1: Yeah, that shit's crazy.
• 12:01
  Speaker 3: You need a fucking reality show. Somebody needs to put
• 12:04
  Speaker 3: you on some sort of network. Jay Leno has a show,
• 12:07
  Speaker 3: Manny Fresh needs to show.
• 12:08
  Speaker 2: Isn't the words?
• 12:12
  Speaker 3: Yo? I always wondered this because as a kid, I
• 12:16
  Speaker 3: was a big No Limit fan, right, and then it
• 12:19
  Speaker 3: felt like there was like a switch that happened when
• 12:22
  Speaker 3: you guys came, and like I was like a big
• 12:25
  Speaker 3: cash Money fan, and all my friends were big Cash
• 12:27
  Speaker 3: Money fans. Obviously, Ghetto Dope is one of my favorite,
• 12:30
  Speaker 3: you know albums. Ever shouts at master P. But how
• 12:32
  Speaker 3: like what the rivalry was like a real thing, you.
• 12:34
  Speaker 4: Know, let me be truthful about everything.
• 12:36
  Speaker 2: Before I got with Cash Money, right, I was a
• 12:39
  Speaker 2: master P fan. I used to listen to master P
• 12:41
  Speaker 2: a lot him, though not not the whole No Limit.
• 12:44
  Speaker 2: You didn't have all those groups yet. It was just
• 12:47
  Speaker 2: him when he was out there and Richmond doing his thing.
• 12:49
  Speaker 2: I actually like that that, you know. I actually listened
• 12:53
  Speaker 2: a little bit before that too, Like before that, like
• 12:55
  Speaker 2: nine and nine Ways to Die and all that stuff, like,
• 12:58
  Speaker 2: you know, I was on him then. So when he
• 13:01
  Speaker 2: when he came out and started doing this thing and no, lemme,
• 13:04
  Speaker 2: I kind of like, you know me, I thought he wasn't.
• 13:06
  Speaker 2: I didn't know he was from New Orleans or not.
• 13:08
  Speaker 2: So it was a confusion with me and them. And
• 13:10
  Speaker 2: then my pops, my pop's knew him though. My pops like,
• 13:14
  Speaker 2: nah he went to Booker t I know him, like
• 13:16
  Speaker 2: I know his people and everything, like oh damn. So
• 13:19
  Speaker 2: you know, then come to find out I know all
• 13:21
  Speaker 2: these people poking and everybody, and so that changed everything
• 13:24
  Speaker 2: for me. When I got the cash, money and stuff.
• 13:26
  Speaker 2: When people was trying to make the friction, it was like, nah,
• 13:28
  Speaker 2: they got on and we got on. They we they
• 13:31
  Speaker 2: had the opportunity to do their thing and we do.
• 13:33
  Speaker 2: We're doing our things. But there's no hatred between us.
• 13:36
  Speaker 2: The fans is creating that.
• 13:37
  Speaker 3: I was gonna say, can you imagine if you guys
• 13:39
  Speaker 3: if this was happening.
• 13:40
  Speaker 1: Oh yeah, right, and with the Internet, it would.
• 13:42
  Speaker 3: Be fans would have created this crazy The.
• 13:44
  Speaker 4: Fans was doing it.
• 13:45
  Speaker 1: Man.
• 13:45
  Speaker 2: The fans was like trying to pit us against each other.
• 13:47
  Speaker 2: I'm like, man, I just went to the club with mystical,
• 13:50
  Speaker 2: like y'all tripping because.
• 13:52
  Speaker 3: There was like the five or four Boys and then
• 13:53
  Speaker 3: the Hot Boys.
• 13:55
  Speaker 2: Me and Mysical was in three nine Posita together back
• 13:57
  Speaker 2: in the day, so he been my party. So when
• 14:00
  Speaker 2: he went to No Limit and stuff, I was like, congratulations,
• 14:02
  Speaker 2: didn't no Limit?
• 14:03
  Speaker 4: Then? Uh, Magnoya Slim.
• 14:06
  Speaker 2: You know. I kind of like brought him to the
• 14:08
  Speaker 2: whole rap world because he said he wanted the rap.
• 14:10
  Speaker 2: Was like, nah, be serious and start writing, and you know,
• 14:13
  Speaker 2: I kind of like paid for his first demo. So
• 14:14
  Speaker 2: when he went to Know Limit, I was like, all right,
• 14:16
  Speaker 2: my brother over there now, So how hate? It's gonna
• 14:19
  Speaker 2: be hate.
• 14:20
  Speaker 1: A lot of people don't know the stories DJ do
• 14:24
  Speaker 1: in the same.
• 14:24
  Speaker 4: Came Kel was three nine positive, right, So that was
• 14:27
  Speaker 4: my fam.
• 14:28
  Speaker 2: That was the first person to make a beat for me.
• 14:30
  Speaker 2: Besides Harvey R. Was the first one to make one
• 14:32
  Speaker 2: for me for Talent Show. But then cal was the
• 14:34
  Speaker 2: first one to make me something and put it on
• 14:36
  Speaker 2: the track and record for it.
• 14:37
  Speaker 4: So it's like that.
• 14:39
  Speaker 3: So it was like an overstated rivalry. It was weird,
• 14:41
  Speaker 3: fan created weird.
• 14:43
  Speaker 1: It was weird.
• 14:44
  Speaker 3: Yeah, now that's ours. Was like, damn if the five
• 14:46
  Speaker 3: or Four Boys and the How Boys did a record together.
• 14:48
  Speaker 1: But you got to think about it. It worked.
• 14:50
  Speaker 5: So that's why it was like, you know what, if
• 14:52
  Speaker 5: that's the way it is, that's the way.
• 14:54
  Speaker 2: For sure, because because we sold a lot of records
• 14:56
  Speaker 2: at the same time, so sure, I got to give
• 14:58
  Speaker 2: him credit for that date. We didn't stop. They sales
• 15:00
  Speaker 2: and they damn sure weren't gonna stop. Hours we was
• 15:02
  Speaker 2: at it, we felt like the world was ours.
• 15:05
  Speaker 3: Yeah, Uh, Juvie, how often you go back? Obviously you
• 15:09
  Speaker 3: have to perform four hundred degrees at this point, but
• 15:11
  Speaker 3: prior to this anniversary run, how often would you go
• 15:14
  Speaker 3: back and like listen to that album and just like
• 15:17
  Speaker 3: just from just reminisce or just revisit it.
• 15:21
  Speaker 2: When I listened to the songs that I don't perform
• 15:23
  Speaker 2: right when I listen to those, you know, and I'd
• 15:25
  Speaker 2: be like, damn, man, listen to this one, you know,
• 15:27
  Speaker 2: like like uh me and Wayne me and Wayne on
• 15:32
  Speaker 2: uh when when uh.
• 15:35
  Speaker 4: The run for It.
• 15:36
  Speaker 2: I think that was one of the songs that we
• 15:39
  Speaker 2: could have shot a video.
• 15:40
  Speaker 1: To, you know.
• 15:41
  Speaker 2: I just I have one of the songs I'm like, man,
• 15:43
  Speaker 2: I wish we me and my little bro could have
• 15:44
  Speaker 2: shot a video to that song because people was really
• 15:46
  Speaker 2: trying to do the dance and stuff.
• 15:48
  Speaker 4: I think could have been a big situation.
• 15:49
  Speaker 3: I don't think it's too late because you just dropped
• 15:51
  Speaker 3: the video like twenty five.
• 15:52
  Speaker 4: Yes later, Wayne, and I gotta get Wayne.
• 15:54
  Speaker 3: I mean, you got Louisiana coming.
• 15:56
  Speaker 2: He's a busy man. He's a busy man. He's you know,
• 15:59
  Speaker 2: it's hard to be the great rapper on the world,
• 16:01
  Speaker 2: you know, in the world, and uh and find time
• 16:04
  Speaker 2: for your big bro.
• 16:06
  Speaker 3: Are you guys excited? I hope you sees this? Yehoot
• 16:10
  Speaker 3: a video?
• 16:10
  Speaker 1: Why not?
• 16:12
  Speaker 3: I was gonna say, uh, I know, I know you
• 16:14
  Speaker 3: guys were trying to pull off the reunion ad. I
• 16:17
  Speaker 3: think it was Essence Fest. Yeah, but it looks like
• 16:20
  Speaker 3: it's gonna happen.
• 16:21
  Speaker 1: Yeah.
• 16:21
  Speaker 5: I mean that's another thing the internet turned into. There
• 16:25
  Speaker 5: was never the Hot Boys for Essence Fest. The internet
• 16:28
  Speaker 5: made it that it was baby in French.
• 16:30
  Speaker 1: It was very man.
• 16:32
  Speaker 5: It was here start titling it the Hot Boys reunion,
• 16:36
  Speaker 5: you know what I'm saying.
• 16:37
  Speaker 1: It was like it was never a Hot Boys reunion.
• 16:39
  Speaker 2: When we when we was doing Essence Festival, I was
• 16:41
  Speaker 2: already booked for Louisiana Fest before they even booked me
• 16:44
  Speaker 2: for the Essence. Yeah, so I was already on it,
• 16:47
  Speaker 2: but I didn't know it was going to be all
• 16:48
  Speaker 2: of us. But that was the plan, you know, that
• 16:50
  Speaker 2: was the plan. That's what they told me. Like, man,
• 16:52
  Speaker 2: the plan is that we got you, We're gonna get
• 16:53
  Speaker 2: everybody else, Like, oh cool, everybody everybody, Like.
• 16:57
  Speaker 3: That's gotta be exciting. How many have you guys figured
• 17:00
  Speaker 3: how many songs you guys are doing?
• 17:01
  Speaker 2: I don't think we're gonna figure that out.
• 17:03
  Speaker 1: Yeah.
• 17:04
  Speaker 2: Yeah, there's gonna be a lot of minds in the room.
• 17:07
  Speaker 3: Yeah, that's dope, man, Julie, I always wondered because you
• 17:10
  Speaker 3: were the guy who broke this whole ship down, and
• 17:14
  Speaker 3: and you were kind of like the big homie for
• 17:16
  Speaker 3: everybody else in the crew, Like how much of like
• 17:18
  Speaker 3: what were you like did you feel like for him?
• 17:21
  Speaker 2: No?
• 17:21
  Speaker 3: No, I mean I mean for everybody in the Hotboys, right, Yeah?
• 17:24
  Speaker 3: But like, did you ever feel like a babysitter ever?
• 17:26
  Speaker 3: Low key being around like Wayne and turking those guys
• 17:28
  Speaker 3: when they were like younger.
• 17:29
  Speaker 2: No, not really, man, I'm talking about Well he was listen.
• 17:33
  Speaker 3: Because you were like you were the get around on
• 17:36
  Speaker 3: the artists.
• 17:37
  Speaker 2: I'm gonna tell you, they picked it like they are.
• 17:39
  Speaker 2: They're Wayne Wayne waa. Wayne was slick boy. Wayne had
• 17:45
  Speaker 2: to watch Wayne because Wayne and Wayne in trouble. Wayne
• 17:47
  Speaker 2: to say something, Wayne have a whole situation. Wane was
• 17:50
  Speaker 2: way beyond and way smarter than any kid his age, right,
• 17:55
  Speaker 2: way smart. I always try to tell people Wayne went
• 17:57
  Speaker 2: to one of the best schools in New Orleans. He's real,
• 18:00
  Speaker 2: real BookSmart. Wayne knew some things that you wouldn't expect
• 18:03
  Speaker 2: a kid to know. You know, in the scenes, I did,
• 18:07
  Speaker 2: but not when it came to the studio. That's the thing, Like, nah,
• 18:10
  Speaker 2: my little bros. It was body in the studio, but
• 18:13
  Speaker 2: anything else.
• 18:13
  Speaker 3: Once you got on the road, you're like what you
• 18:15
  Speaker 3: oh yeah, oh.
• 18:16
  Speaker 2: Yeah, we gotta watch him a little yeah yeah, oh yeah.
• 18:18
  Speaker 1: They got in trouble a lot.
• 18:20
  Speaker 2: Yeah.
• 18:21
  Speaker 3: Imagine, like I just think back to like imagine like
• 18:25
  Speaker 3: being like their age and then going on the Cash
• 18:27
  Speaker 3: Money Rough Riders tour.
• 18:28
  Speaker 1: Yeah, oh man.
• 18:29
  Speaker 4: We used to have so much fun though, man.
• 18:31
  Speaker 3: Like how crazy was that tour? Like you guys in
• 18:33
  Speaker 3: DMX on the road at the same time as Oh yeah.
• 18:37
  Speaker 5: I mean we were just talking about this earlier, and
• 18:39
  Speaker 5: I let him say his part, But we was talking
• 18:40
  Speaker 5: about this earlier.
• 18:41
  Speaker 1: How DMX fired us.
• 18:43
  Speaker 5: You know, just on the way he performed, you know
• 18:46
  Speaker 5: what I'm saying, our first two times performed. It kind
• 18:49
  Speaker 5: of changed the whole outlook on how we was going
• 18:52
  Speaker 5: at it, you know, how our approach towards performing. Yeah,
• 18:56
  Speaker 5: because he was just so emotional the way he put then,
• 19:00
  Speaker 5: you know, and Julee said jokingly, you know what I'm saying,
• 19:03
  Speaker 5: but it was the real He was like, man, do
• 19:05
  Speaker 5: you Mexican climb on a speaker? He gonna cry, he
• 19:10
  Speaker 5: gonna do all of that, and you don't have a chance.
• 19:12
  Speaker 4: You don't have a chance. They talking about man juve.
• 19:15
  Speaker 2: You gotta go on after what I'm not going on
• 19:17
  Speaker 2: after I'm going after anybody except Team makes B.
• 19:20
  Speaker 4: I'm like, and I'm known to be.
• 19:23
  Speaker 2: A close I'm known to be one of them artists
• 19:25
  Speaker 2: that you know what I'm saying, I'm a performer, you
• 19:27
  Speaker 2: know what I'm saying.
• 19:27
  Speaker 4: And that dude he scared me.
• 19:30
  Speaker 2: I just thought day I think he was the greatest
• 19:32
  Speaker 2: rap performer out there, hands down.
• 19:35
  Speaker 3: I was just with John Minnelli, who was Jay Z's
• 19:37
  Speaker 3: old manager, and we're talking about the Hard Knock Life
• 19:40
  Speaker 3: tour and he was like, yeah, the first date when better?
• 19:44
  Speaker 3: Well because because DMX went on before jay Z on
• 19:47
  Speaker 3: the Hard Knocked Life. Yes, He's like, we knew we
• 19:50
  Speaker 3: were in trouble because all this dude, all the lights
• 19:53
  Speaker 3: were out and he growled on the mic and the
• 19:54
  Speaker 3: whole fucking place just lost their fucking out. Man, how
• 19:59
  Speaker 3: are we supposed top that?
• 20:00
  Speaker 1: Great?
• 20:01
  Speaker 3: And made the whole crowd cry.
• 20:03
  Speaker 5: It's like it's like saying he'll bring you through so
• 20:05
  Speaker 5: many emotions.
• 20:06
  Speaker 4: It's like Dowie Cocks.
• 20:07
  Speaker 2: Man. My office went up there, like, how supposed to
• 20:10
  Speaker 2: top that?
• 20:11
  Speaker 1: Man?
• 20:13
  Speaker 2: I'm m king, I'm great, I'm king Like hell no, man,
• 20:17
  Speaker 2: I'm sitting back there, nervous as hell. They telling us
• 20:20
  Speaker 2: because we're in the South man, we're gonna go on
• 20:23
  Speaker 2: last after Rough Riders.
• 20:24
  Speaker 4: I'm like, yeah, so.
• 20:27
  Speaker 2: Damn X made the show. I'm asking, Yeah, he going on?
• 20:31
  Speaker 2: I said, so who going on stage first? Like I
• 20:35
  Speaker 2: don't want to be the first.
• 20:37
  Speaker 3: Like sending kids up there.
• 20:41
  Speaker 4: No, they go out there and baby Bird go out first.
• 20:43
  Speaker 5: But see what what what a lot of us, well
• 20:47
  Speaker 5: me and him had already been doing shows, you know,
• 20:50
  Speaker 5: even even younger than me. You know, I had records
• 20:53
  Speaker 5: out and he had some stuff, so he had stage presence.
• 20:56
  Speaker 5: So what we was kind of messing up on Wayne
• 21:00
  Speaker 5: Turk and Beg would just go out there and yell.
• 21:03
  Speaker 5: They would be excited, like, you know, just hit the
• 21:05
  Speaker 5: stage and just talk over everything. Jewelry was like, listen, bro,
• 21:10
  Speaker 5: that's gotta be some kind of way that you know,
• 21:12
  Speaker 5: like when you're saying your thing, I'm gonna shut up.
• 21:14
  Speaker 5: Everybody shut up. And He's like when I'm saying me,
• 21:16
  Speaker 5: just shut up. I know my parts, I know all
• 21:18
  Speaker 5: of them. I don't really need you to help me
• 21:20
  Speaker 5: because y'all yelling at all my parts y'all just random
• 21:23
  Speaker 5: word screen, you know what I'm saying. So there was
• 21:27
  Speaker 5: a lot of stuff we learned on the on the
• 21:29
  Speaker 5: you know, the Rough Riders tour, like one of them
• 21:32
  Speaker 5: was from DMX.
• 21:34
  Speaker 1: Yeah. It was always man with him, you know what
• 21:37
  Speaker 1: I'm saying.
• 21:37
  Speaker 5: It would be like a meeting when he wasn't in there, man,
• 21:40
  Speaker 5: motherfucker telling me what the dude man.
• 21:42
  Speaker 1: He think he running the group.
• 21:44
  Speaker 3: That's funny, yo, speaking a lot of stuff man. How
• 21:49
  Speaker 3: cool was it because I think you kind of reminded
• 21:51
  Speaker 3: a lot of people all the hits you got, you
• 21:54
  Speaker 3: know with the tiny dest performance.
• 21:56
  Speaker 2: Oh yeah, man, we loaded man, y'all trust me, we
• 22:00
  Speaker 2: didn't even we didn't even.
• 22:03
  Speaker 4: We didn't even do them all. Man, that's the other part.
• 22:05
  Speaker 3: Yeah, No, how cool was that to because obviously like
• 22:07
  Speaker 3: the tidy dest thing is like it either like will
• 22:10
  Speaker 3: show everybody out dope you are, could expose you for
• 22:13
  Speaker 3: you know.
• 22:13
  Speaker 2: Yes, it could make you, will break you, and you
• 22:17
  Speaker 2: know what it ain't mean for everybody, and not trying
• 22:20
  Speaker 2: to be critical. I watched other artists went on, and
• 22:22
  Speaker 2: I watched artists before me, and I kind of like
• 22:25
  Speaker 2: studied the artist before me once I once I knew
• 22:27
  Speaker 2: I was about to be on there, I like, I
• 22:28
  Speaker 2: gotta go start watching people, you know what I'm saying.
• 22:31
  Speaker 2: I watched Usher, and I'm like, damn us should have
• 22:34
  Speaker 2: said raised the damn bar. I gotta I gotta get USh.
• 22:37
  Speaker 2: I gotta I gotta at least come somewhere near where
• 22:39
  Speaker 2: Usher at. So you know, I gotta get the big homie.
• 22:43
  Speaker 2: As you know this, this man gonna cut up you
• 22:45
  Speaker 2: know what I'm saying, He's gonna clown, so.
• 22:47
  Speaker 4: I gotta get him.
• 22:48
  Speaker 2: I gotta get him first, and let me see if
• 22:50
  Speaker 2: I can put you know, a few a couple more
• 22:52
  Speaker 2: cats from you all is on and just so happened.
• 22:54
  Speaker 2: John Baptiste was down for it and Trombone Shardy was
• 22:57
  Speaker 2: down for it.
• 22:58
  Speaker 4: So it came out.
• 22:58
  Speaker 2: It was It was one of those things when New
• 23:00
  Speaker 2: Orleans stood up together and man, it was a great thing,
• 23:03
  Speaker 2: especially when he did the encore was the part.
• 23:07
  Speaker 4: Because we was already over time.
• 23:09
  Speaker 2: We went way over time and we did a hardcore
• 23:12
  Speaker 2: and then people was like.
• 23:13
  Speaker 4: Keep it going.
• 23:14
  Speaker 2: He was like, keep going, keep going.
• 23:17
  Speaker 1: So yo.
• 23:19
  Speaker 3: I always wondered this because you guys have some of
• 23:23
  Speaker 3: the most just random outlandish album covers covers of all time,
• 23:27
  Speaker 3: Like how you love that and like you know, Chopper
• 23:30
  Speaker 3: City and the like.
• 23:31
  Speaker 4: That's what I have nothing to do with that.
• 23:32
  Speaker 3: I just wondered, like when you guys put these album
• 23:34
  Speaker 3: covers together and there were it was just like the
• 23:37
  Speaker 3: craziest like Microsoft, like you was.
• 23:41
  Speaker 5: This company Penn and Pixel Pixel that's what did Penn
• 23:44
  Speaker 5: and Pixel did it and and those album covers actually
• 23:47
  Speaker 5: made Penn and Pixel you know, the company because people
• 23:50
  Speaker 5: was looking forward to It was wow.
• 23:53
  Speaker 1: Crazy. It was like, what's going to be the next
• 23:55
  Speaker 1: album cover?
• 23:55
  Speaker 3: Like there's fucking helicopters and around animals.
• 24:01
  Speaker 4: There was like no limit cash money.
• 24:03
  Speaker 2: And swave House like you just had to crew wash
• 24:06
  Speaker 2: the album covers up the I forget.
• 24:07
  Speaker 3: I don't know whose artist it was, but I remember
• 24:09
  Speaker 3: Pinning Pixel did one with like a big old grizzly
• 24:11
  Speaker 3: bear on the cover. I think it was a swave
• 24:13
  Speaker 3: House artist. But it was just like but just that
• 24:15
  Speaker 3: whole era of art.
• 24:16
  Speaker 2: Man.
• 24:16
  Speaker 1: Yeah. Yeah.
• 24:17
  Speaker 3: It also is like you know, it's like a like
• 24:19
  Speaker 3: you see it now on T shirts and ship people
• 24:21
  Speaker 3: are redoing that for like they really do.
• 24:23
  Speaker 4: They really do redo it.
• 24:25
  Speaker 2: And the crazy part about it, they just say what
• 24:27
  Speaker 2: you want on your album cover. And the first thing
• 24:29
  Speaker 2: I said was, man, I just want something big, Like.
• 24:35
  Speaker 4: I said, I want something. I wanted like one of
• 24:36
  Speaker 4: them swave House covers.
• 24:38
  Speaker 2: So I'm like, we know the He said, oh yeah,
• 24:40
  Speaker 2: we already going to Penny Pics. We already got something
• 24:43
  Speaker 2: in places. I was like, all right, hook it up
• 24:44
  Speaker 2: because I ain't no, I wasn't good with that type
• 24:46
  Speaker 2: of stuff. They always what you input is, but look
• 24:49
  Speaker 2: the name of the album. I used to always tell
• 24:51
  Speaker 2: you they look the name of the album and how
• 24:53
  Speaker 2: the pictures going looking on it to leave me out
• 24:55
  Speaker 2: that part, Just leave me out that part. Everything ain't
• 25:00
  Speaker 2: shot the message. Well that's it right there.
• 25:03
  Speaker 1: Yeah. Chris Rock got a yeah, bigger and black.
• 25:06
  Speaker 5: Yeah, you know, and he was like, who is the
• 25:08
  Speaker 5: company that did cash money? You know, and there's no
• 25:11
  Speaker 5: limits stuff, you know. Yeah, it looks it's a pending
• 25:14
  Speaker 5: pixel covered because it's big.
• 25:16
  Speaker 3: It's big like the iced out.
• 25:18
  Speaker 2: Oh you know what I did see that. I did
• 25:20
  Speaker 2: see that.
• 25:21
  Speaker 3: Yeah, No, that was yeah, you guys, I mean very
• 25:23
  Speaker 3: influential with that too. Uh. There's obviously a lot of
• 25:26
  Speaker 3: talk about the Super Bowl being in New Orleans and
• 25:28
  Speaker 3: the halftime show. What were your guys' thoughts about you know,
• 25:31
  Speaker 3: a lot of people think Wayne should have had it.
• 25:33
  Speaker 2: My quarrel, I had one thing. Now, I feel like
• 25:35
  Speaker 2: Wayne should have had it a lot of people do,
• 25:37
  Speaker 2: because he was out there actually campaigning to have the spot.
• 25:40
  Speaker 2: You know, it ain't too many artists of his statute
• 25:42
  Speaker 2: that's out there asking to do the halftime, So I
• 25:44
  Speaker 2: don't that's the first time I ever see that, seeing that,
• 25:47
  Speaker 2: and it's you know, we so culture driven. I thought
• 25:49
  Speaker 2: it was a good look also for you know, for
• 25:51
  Speaker 2: the city. But my real quarrel was now with jay Z,
• 25:54
  Speaker 2: not with the Kendrick Lamar because Kendrick Lamar is a
• 25:56
  Speaker 2: great artist, and I'm pretty sure you're gonna do a
• 25:58
  Speaker 2: great job and time show. And I'm not even counting
• 26:01
  Speaker 2: out the fact that he probably would have put somebody
• 26:04
  Speaker 2: from New Orleans on and it still might do well.
• 26:06
  Speaker 2: I'm not overlooking that. But at the same time, the
• 26:11
  Speaker 2: NFL and did like ten So this is like the
• 26:13
  Speaker 2: eleven super Bowl in New Orleans and they keep on.
• 26:16
  Speaker 4: Excluding anything new. Yeah, that's my point.
• 26:19
  Speaker 2: So I'm like, you know, you know, a lot of
• 26:22
  Speaker 2: I feel like a lot of people are mad for
• 26:23
  Speaker 2: the wrong, you know, mad at the wrong people like,
• 26:26
  Speaker 2: don't get mad at jay Z. Don't get mad at
• 26:28
  Speaker 2: it's the people that's hiding the hand that's behind all
• 26:31
  Speaker 2: of this that I feel like should be stepping up
• 26:34
  Speaker 2: and being responsible and saying because this is the first time,
• 26:37
  Speaker 2: and do business with the local businesses. I don't care
• 26:39
  Speaker 2: what city you bring the Super Bowl to, you should
• 26:41
  Speaker 2: be doing business with the local businesses and not bringing
• 26:44
  Speaker 2: these big corporations in and just just counting us out
• 26:47
  Speaker 2: because it ain't just about the artist being in the
• 26:49
  Speaker 2: super Bowl. It's about all other things that's going on
• 26:51
  Speaker 2: around the Super Bowl, the money that's being made in
• 26:54
  Speaker 2: my city. Don't see none of being a city of privaty,
• 26:56
  Speaker 2: stricten city that went through something like a training that's
• 26:59
  Speaker 2: been through COVID like everywhere else. I feel like we're
• 27:03
  Speaker 2: being overlooked again with another major, another major sports corporation,
• 27:09
  Speaker 2: just like the n C Double A with the with
• 27:11
  Speaker 2: the Final Fours, they do the same thing. So it's
• 27:14
  Speaker 2: a lot of it's a lot of things going on
• 27:16
  Speaker 2: on there that we don't like that we're trying to
• 27:18
  Speaker 2: fix because laws will be in place so very soon. Yeah.
• 27:22
  Speaker 3: Now I think I think like at the end of
• 27:23
  Speaker 3: the day, like with the Super Bowl thing, it's like,
• 27:26
  Speaker 3: man like, at least there's a rapper, you know what
• 27:29
  Speaker 3: I mean, because I feel like for so many years
• 27:31
  Speaker 3: it was like we get like Maroon five or yeah,
• 27:34
  Speaker 3: you know what I'm saying, Like, you.
• 27:36
  Speaker 2: Know, it'll be cool with that. They got somebody from
• 27:39
  Speaker 2: the Maroon five from New Walkans anyway, Yeah we'll yeah,
• 27:45
  Speaker 2: so we'll be cool with that.
• 27:49
  Speaker 3: How do you feel about your Saints? Man, I've lost
• 27:51
  Speaker 3: a lot of money, Spencer Ler.
• 27:57
  Speaker 1: Last night, everybody our team, right, everybody is out.
• 28:01
  Speaker 2: Everybody heard Nicky Loomis or he don't play on the team.
• 28:05
  Speaker 2: That's yeah, he heard too.
• 28:07
  Speaker 1: He's our own of Gail Benson. Everybody pockets hurt.
• 28:16
  Speaker 3: I was gonna say, is it is it a Saints town?
• 28:18
  Speaker 3: Or has the Pelicans ever even gotten close to Yeah?
• 28:22
  Speaker 5: They messed with the Peals. But believe it or not,
• 28:24
  Speaker 5: we love our teams.
• 28:26
  Speaker 1: Yeah, we win, lose, we do.
• 28:27
  Speaker 5: Yeah, we win unlose. You know what I'm saying. We
• 28:30
  Speaker 5: could have a loser season and we just got to.
• 28:33
  Speaker 2: So I think I think we got our Pelicans. We've
• 28:35
  Speaker 2: made some good moves and off season. I think the
• 28:38
  Speaker 2: Pelicans gonna have a great season and came back.
• 28:41
  Speaker 3: Body right, he's he's he's gonna clown.
• 28:43
  Speaker 2: Manna, We're gonna clown man because I don't I don't
• 28:45
  Speaker 2: see nothing happening with my Saints right now. So I
• 28:47
  Speaker 2: gotta turn my head a little bit and see.
• 28:49
  Speaker 4: You know, basketball season is getting ready to start.
• 28:52
  Speaker 3: So I want to ask you guys a question. I
• 28:56
  Speaker 3: want to let's start it let's say let's start in
• 28:57
  Speaker 3: two thousand and one and back or you know what,
• 28:59
  Speaker 3: let's you like from the Carter one backwards. Let's rank
• 29:04
  Speaker 3: the best cash money albums of all time. Damn, give
• 29:07
  Speaker 3: me the top four, because I think four under Degrees
• 29:09
  Speaker 3: is under number one.
• 29:11
  Speaker 5: I would say the Carter one, the Carter one definitely is.
• 29:15
  Speaker 5: You know, it's a great album from like, you know.
• 29:18
  Speaker 3: I Missed My Dogs was so special when you heard
• 29:20
  Speaker 3: that for the first time over here like thoughts on hearing.
• 29:23
  Speaker 2: Oh, I was touched. I was touched, you know, I
• 29:26
  Speaker 2: was touched. I reached out to.
• 29:27
  Speaker 3: Him because I feel like all the fans are like, damn, yeah,
• 29:31
  Speaker 3: you hear I missed my dog.
• 29:32
  Speaker 4: I felt bad.
• 29:33
  Speaker 2: I'm like, damn yeah, Well, maybe I shouldn't want my money.
• 29:39
  Speaker 5: Cleaned it up real good boy, clean up good.
• 29:47
  Speaker 3: Maybe I should Maybe I should let that go.
• 29:48
  Speaker 2: It was the time of this song, like I loved
• 29:50
  Speaker 2: the song, but it was like, man, you know, we
• 29:52
  Speaker 2: was in court battles and stuff at the time, so
• 29:54
  Speaker 2: it was like it was hard for me to feel
• 29:56
  Speaker 2: a certain way.
• 29:56
  Speaker 1: You know.
• 29:57
  Speaker 2: It was like it was it was I had mixed
• 30:00
  Speaker 2: for sure.
• 30:01
  Speaker 3: So Carter would be number two, I I gotta put Uh.
• 30:05
  Speaker 3: I don't know, man, I.
• 30:06
  Speaker 5: Would even say the first volume of I Got That work,
• 30:09
  Speaker 5: Like you know, it was so different from anything that
• 30:11
  Speaker 5: anybody done, Like you know what I'm saying, because what
• 30:14
  Speaker 5: we was laying down, you know, like everybody was like, man,
• 30:17
  Speaker 5: this dude just said he got a space shuttle.
• 30:19
  Speaker 1: You know what I'm saying, Like, yeah, how you love that? Well?
• 30:23
  Speaker 1: How you love that Volume one? Volume one?
• 30:26
  Speaker 3: How I Got That works?
• 30:28
  Speaker 2: My ship me the first hot boys out and get
• 30:31
  Speaker 2: how You Live?
• 30:32
  Speaker 1: Oh yeah, the first hot boy man of commercials.
• 30:37
  Speaker 4: Listen to the commercials? Man clown?
• 30:40
  Speaker 3: What what for you?
• 30:42
  Speaker 1: Juvi and Manny?
• 30:43
  Speaker 3: You guys like, uh, you know we've all seen, like
• 30:46
  Speaker 3: you said, like the court battles and all this, but
• 30:48
  Speaker 3: to be in a place of of of harmony with
• 30:50
  Speaker 3: everybody where you guys, you know, you guys obviously pulled
• 30:53
  Speaker 3: up to the event at the BT Awards earlier this year,
• 30:56
  Speaker 3: uh doing the reunion ship being able to grace the
• 30:58
  Speaker 3: stage with everybody at the same time, Like, uh, is
• 31:02
  Speaker 3: it nice to be in that space?
• 31:04
  Speaker 1: Yeah?
• 31:04
  Speaker 5: Yeah, I mean what we figured out between us, like
• 31:09
  Speaker 5: the way we work it is Juvie will put.
• 31:13
  Speaker 1: The fans and make the fans say it.
• 31:15
  Speaker 5: So so we when when it was a space where
• 31:17
  Speaker 5: it's like, Okay, y'all, we're not getting the loan, the
• 31:20
  Speaker 5: fans gonna tell y'all, you know what I'm saying, Like
• 31:22
  Speaker 5: I'm gonna put it on the fans, and then the
• 31:23
  Speaker 5: fans start reaching out to people like what the fans
• 31:26
  Speaker 5: was telling BG knock it off. Where the fans was
• 31:28
  Speaker 5: telling Turk you need to chill out, bro, Like you
• 31:30
  Speaker 5: know what I'm saying, y'all, y'all homies is out there
• 31:32
  Speaker 5: getting it and they're telling y'all, come on, you know
• 31:35
  Speaker 5: what I'm saying.
• 31:36
  Speaker 1: So that was the cool.
• 31:37
  Speaker 5: Thing about the Internet right now, like the Internet actually
• 31:41
  Speaker 5: actually won that battle for us because we was like, bro,
• 31:43
  Speaker 5: while y'all.
• 31:44
  Speaker 1: Arguing, were getting this, but we're getting this bad.
• 31:46
  Speaker 3: You guys are running the country. Yeah. Yeah, I feel
• 31:51
  Speaker 3: like I feel like there's like the flowers are being
• 31:54
  Speaker 3: given right now at a high level to you, Juvie
• 31:56
  Speaker 3: and Manny. I think it's dope to see this.
• 31:59
  Speaker 2: It's all love is whet my brothers together. I don't
• 32:01
  Speaker 2: I don't want to see that, you know, I don't.
• 32:03
  Speaker 2: I don't want to see that get it.
• 32:05
  Speaker 1: You know.
• 32:06
  Speaker 2: It's like like you say, uh, it's like when a
• 32:08
  Speaker 2: parent take their kid out to something a sports event,
• 32:12
  Speaker 2: and it's just certain things you just don't feel you
• 32:14
  Speaker 2: don't want to see you if you feel like that's
• 32:15
  Speaker 2: how I feel about that, Like I don't, I don't,
• 32:17
  Speaker 2: I don't want to see I don't think that's good
• 32:19
  Speaker 2: for TV, good for nothing.
• 32:21
  Speaker 4: So you know what I mean. And that's why I
• 32:22
  Speaker 4: won't never have nothing negative to say.
• 32:24
  Speaker 2: You know. It's kind of like when my mama, how
• 32:26
  Speaker 2: my mama raised me. You know, we got these great
• 32:28
  Speaker 2: platforms and these big platforms, and everybody got their eyes
• 32:32
  Speaker 2: on you. You know, if you don't have nothing good
• 32:34
  Speaker 2: to see about somebody, just shut up. For sure.
• 32:36
  Speaker 4: Shut up.
• 32:37
  Speaker 2: Keep your opinions to yourself, especially something that you know
• 32:40
  Speaker 2: affect the next person.
• 32:41
  Speaker 1: Fresh.
• 32:42
  Speaker 3: I feel like one of the more slept on projects
• 32:44
  Speaker 3: in the cash Many catalog was the mind of Manny Fresh.
• 32:47
  Speaker 1: Yeah.
• 32:48
  Speaker 3: I feel like it kind of gave you like an
• 32:50
  Speaker 3: opportunity to kind of like spaz out a little on
• 32:53
  Speaker 3: the profection side. It was like your only time like
• 32:55
  Speaker 3: were you really you probably didn't have to bounce anything
• 32:57
  Speaker 3: creatively off anybody. You're like, I'm gonna just do me.
• 33:00
  Speaker 3: You feel like that album is a little slept on.
• 33:02
  Speaker 5: Yeah, But I also think it's kind of, like in
• 33:05
  Speaker 5: a crazy way as a cult classic because it's a
• 33:07
  Speaker 5: lot of people who like, dude, you are the craziest
• 33:11
  Speaker 5: person on the planet. And I'm like, well, that's what
• 33:13
  Speaker 5: happened when you know, when I'm like, I'm not making
• 33:15
  Speaker 5: this for nobody else. I was making this for me,
• 33:17
  Speaker 5: you know what I'm saying. And believe me, when I
• 33:20
  Speaker 5: was doing it, a lot of it was interfered sometimes
• 33:24
  Speaker 5: where they was like, dude, you shouldn't do that. You
• 33:26
  Speaker 5: shouldn't do dah da da dad, And I'm like, bro,
• 33:28
  Speaker 5: this is the only way I know how to do this.
• 33:29
  Speaker 5: Y'all told me to do it, you know what I'm saying.
• 33:31
  Speaker 5: Y'all gave me the green light. Let me do it,
• 33:33
  Speaker 5: you know. And of course everybody wants something to be
• 33:37
  Speaker 5: a top seller or whatever. But I had this thought
• 33:40
  Speaker 5: of like, this one is going to take a while,
• 33:43
  Speaker 5: and it is that now. It became that where people
• 33:47
  Speaker 5: were like, dude, I love this album, you know what
• 33:49
  Speaker 5: I'm saying. And some of the cool things is like
• 33:51
  Speaker 5: even Real Big, Real Big was made a hit off
• 33:54
  Speaker 5: of a video game.
• 33:55
  Speaker 1: You know what I'm saying.
• 33:57
  Speaker 5: That was on a video game, and that's how a
• 33:58
  Speaker 5: lot of people was introduced to and from starting to
• 34:01
  Speaker 5: buy that, they went and got the album, you know
• 34:04
  Speaker 5: what I'm saying. So a lot of stuff can happen,
• 34:06
  Speaker 5: like in a funny way, Like you know what I'm saying.
• 34:08
  Speaker 5: That was on Midnight Club and everybody's like, oh my god,
• 34:11
  Speaker 5: I remember us.
• 34:12
  Speaker 3: Yeah, that was the ship that had the Christ of
• 34:14
  Speaker 3: three hundred on the top.
• 34:16
  Speaker 4: Know what the hell y'all talking about?
• 34:19
  Speaker 2: Looking like what?
• 34:20
  Speaker 3: Maybe want to get a Chrysler? Yeah, shout to the
• 34:24
  Speaker 3: Christ of three hundred. Quite possibly the greatest lower level
• 34:30
  Speaker 3: WE dealer car of all time.
• 34:31
  Speaker 2: Hurricane Katrina took my fixed up through my damn Chris.
• 34:37
  Speaker 3: I went through all levels of like low tier WE
• 34:41
  Speaker 3: dealer cars. I had a Dodge Magnum, Yeah, the three hundred,
• 34:45
  Speaker 3: you know them cars that you felt like, yeah, yeah,
• 34:47
  Speaker 3: you know.
• 34:47
  Speaker 4: That's the hood cars.
• 34:48
  Speaker 1: Yeah, but hey not, but that was the car.
• 34:52
  Speaker 5: I think like even us doing that early on, we
• 34:55
  Speaker 5: want a whole lot of fans because it was something
• 34:57
  Speaker 5: that you can afford. You know what I'm saying, and
• 35:00
  Speaker 5: we would do those in videos like you know about
• 35:02
  Speaker 5: the dozens and you knowing somebody like oh, I could
• 35:04
  Speaker 5: go out and buy one of them. You know what
• 35:05
  Speaker 5: I'm saying. And now rappers, you know your favorite rapper
• 35:09
  Speaker 5: like yours.
• 35:10
  Speaker 1: I can't, Yeah I can't, but got it that you
• 35:14
  Speaker 1: know what I'm saying.
• 35:15
  Speaker 3: It's like almost like the Tesla cyber truck has been
• 35:17
  Speaker 3: the most affordable wrapper wrapper car in years.
• 35:19
  Speaker 1: Yeah it's still.
• 35:19
  Speaker 3: Underd Yeah, exactly, Dude, At Julie, I always wondered you
• 35:25
  Speaker 3: obviously had a dope run with u TP. I actually
• 35:29
  Speaker 3: went to uh your area. I was driving from Phoenix
• 35:32
  Speaker 3: to Tampa and I stopped off and I ate at
• 35:35
  Speaker 3: the hot wing spot Skip Spot. Yeah they had yes,
• 35:40
  Speaker 3: chicken and watermelon. Yeah, they had Obama punch Oprah punch.
• 35:46
  Speaker 2: Right, and the.
• 35:47
  Speaker 3: Wings were smacking. But I always wondered, like I never
• 35:52
  Speaker 3: heard I'm sure you've told the story, but like you know,
• 35:55
  Speaker 3: young young Buck was with you, right and then ended
• 35:58
  Speaker 3: up going with fifty and gun. Yeah, what what ended up?
• 36:01
  Speaker 1: Like?
• 36:01
  Speaker 3: What was kind of the backstory what.
• 36:02
  Speaker 2: Happened with b It was some old backdoor stuff, man,
• 36:05
  Speaker 2: he did, but I don't like to talk of you know, negative.
• 36:07
  Speaker 4: That's why I really speak. Upon't speak on it.
• 36:09
  Speaker 3: Yeah, because you were because ut he was doing ship
• 36:12
  Speaker 3: with g and it on the mixtape circuit.
• 36:14
  Speaker 4: I was, and I was, Uh.
• 36:15
  Speaker 2: I was kind of like giving him somewhere the record
• 36:17
  Speaker 2: to it because, uh, you know, at the time fifty
• 36:19
  Speaker 2: was it was hard for him to record anywhere in
• 36:22
  Speaker 2: New York. It kind of like he was to be
• 36:25
  Speaker 2: number one, kind of like, man, nobody didn't like fifty.
• 36:28
  Speaker 2: But I was in New York and I had the
• 36:30
  Speaker 2: studio bus, so I let him music. I let him
• 36:32
  Speaker 2: record on that. He was coming every other every other day,
• 36:34
  Speaker 2: him and lrd Banks and YAlO Yeah, Yaloe every other
• 36:40
  Speaker 2: day in ever record. Man, it was all of that's interesting.
• 36:43
  Speaker 2: We recall it recorded a couple of mixtapes on a
• 36:46
  Speaker 2: few songs.
• 36:47
  Speaker 3: What happened to Whacko and Skip with those guys?
• 36:49
  Speaker 2: I mean they still doing anything, man, You know Skip
• 36:51
  Speaker 2: a business man now with the with the restaurants. I
• 36:54
  Speaker 2: haven't seen Whacko lately, so I don't really know what
• 36:56
  Speaker 2: he's into, but he's still he's still moving around there.
• 36:58
  Speaker 3: Can you speak to the like importance and like kind
• 37:01
  Speaker 3: of I feel like Soldier Slim is one of those
• 37:02
  Speaker 3: guys that if you're not from your area, you don't
• 37:05
  Speaker 3: really understand, like kind of what he meant to this scene.
• 37:09
  Speaker 2: He was what Tupac is to to to Oakland and California, right.
• 37:13
  Speaker 2: He was our I asked to always tell him this, like, Bro,
• 37:18
  Speaker 2: you you got a whole lot of talent, Bro, and
• 37:21
  Speaker 2: you gotta take time out and just stopping them and
• 37:23
  Speaker 2: let everybody else enjoy the talent that you got. You
• 37:26
  Speaker 2: know what I mean, because ain't nobody out there like
• 37:28
  Speaker 2: You're just that different. Dude just breed hits. Yeah, he
• 37:32
  Speaker 2: come up with the slow motion song. It was meant
• 37:34
  Speaker 2: for me to just be featured on his song. That
• 37:36
  Speaker 2: song was meant for his album, Yeah, and he was.
• 37:40
  Speaker 2: He would grabbed my brother and told my brother like, look,
• 37:42
  Speaker 2: you need to talk to Jude Bro, tell him he
• 37:45
  Speaker 2: in the system. He was universal, I'm not I'm over
• 37:49
  Speaker 2: here with Cosh. Not no disrespect to Cash, but he
• 37:51
  Speaker 2: didn't look at it. He looked at it like with me,
• 37:54
  Speaker 2: it was gonna be could put him where he needed
• 37:56
  Speaker 2: to be, And he was right about that. So I listened.
• 37:59
  Speaker 2: I heard him out in I put that I put
• 38:01
  Speaker 2: this song on my album.
• 38:03
  Speaker 4: You know.
• 38:04
  Speaker 2: The bad part about it was he wasn't He didn't
• 38:06
  Speaker 2: live to see the success of the song. But he
• 38:08
  Speaker 2: saw the beginning, but he didn't he didn't see the
• 38:10
  Speaker 2: end this whole smash it was. Yeah, it's It's one
• 38:14
  Speaker 2: of these situations every time I think of my dude, man,
• 38:17
  Speaker 2: you know, yea sure she was here to be able
• 38:19
  Speaker 2: to you know, enjoy it. I'm pretty sure that was
• 38:22
  Speaker 2: just the beginning of his hit run because dude just
• 38:24
  Speaker 2: me a lot of songs, bro.
• 38:25
  Speaker 3: For sure, a lot of songs manny how because you know,
• 38:29
  Speaker 3: I think what was dope about the pandemic is we
• 38:31
  Speaker 3: had all these verses and you were one of the
• 38:33
  Speaker 3: earlier verses.
• 38:34
  Speaker 1: Yeah, and we got to.
• 38:35
  Speaker 3: Kind of I feel like, I feel like a lot
• 38:37
  Speaker 3: of people like we had to like kind of be like,
• 38:39
  Speaker 3: oh ship, like I forgot you know what I mean?
• 38:41
  Speaker 3: Like yeah, yeah him, yeah, you in storage, that's right,
• 38:46
  Speaker 3: that's right.
• 38:46
  Speaker 2: Thinking about the concerts.
• 38:47
  Speaker 3: You and KM, but like how cool was that like
• 38:51
  Speaker 3: and for you, like, like I wonder like because because
• 38:54
  Speaker 3: there was like a versus stimulus package, it felt like
• 38:57
  Speaker 3: I was chiming in. Everybody was in the comments. I'm like, man,
• 39:04
  Speaker 3: kill him, kill him.
• 39:06
  Speaker 1: They like people were choosing up in the cot playing
• 39:10
  Speaker 1: the song.
• 39:12
  Speaker 5: Dude, you know what I'm saying. That's what a lot
• 39:13
  Speaker 5: of people don't know. You know what I'm saying. And
• 39:16
  Speaker 5: it was scripted, you know what I'm saying. And the
• 39:19
  Speaker 5: thing was, they couldn't get nobody to go against me,
• 39:22
  Speaker 5: Like they asked t Paine. He was like, nah, man,
• 39:24
  Speaker 5: he got too many songs, you know what I'm saying.
• 39:26
  Speaker 5: They asked Lil John. John was like, nah, man, he
• 39:28
  Speaker 5: got too many songs. Blah blah blah. And so Scott
• 39:31
  Speaker 5: was like, yeah, I'll do it, you know, and we're good.
• 39:34
  Speaker 5: But they was just like, bro, you can't come out
• 39:37
  Speaker 5: like swinging, you know what I'm saying. And Scott went
• 39:40
  Speaker 5: a little bit off, you know, he went, I'm like, bro,
• 39:43
  Speaker 5: you know, and I'm texting why this is going on?
• 39:45
  Speaker 1: And I'm like, bro, you're not sticking to what was
• 39:48
  Speaker 1: supposed to happen, Like you know what what I'm saying?
• 39:51
  Speaker 1: What what? What?
• 39:51
  Speaker 3: What were there?
• 39:52
  Speaker 1: Like?
• 39:53
  Speaker 3: What songs didn't you play? You wish you would have
• 39:54
  Speaker 3: got off? Was there anything that was.
• 39:55
  Speaker 5: That was a lot of songs. There was a whole
• 39:58
  Speaker 5: lot of songs I didn't play. But but the thing was,
• 40:02
  Speaker 5: you know, it's like saying something that you know and
• 40:06
  Speaker 5: I'm thinking somebody gonna change it, you know, cause I'm like, Bro,
• 40:10
  Speaker 5: you didn't do that song. That's not that's not a
• 40:12
  Speaker 5: song that you did. You played on that song. You
• 40:14
  Speaker 5: know what I'm saying, which is different? That's different. Yeah,
• 40:16
  Speaker 5: Like you know what I'm saying. And I'm like, you
• 40:18
  Speaker 5: play like four songs that wasn't your songs. So you know,
• 40:22
  Speaker 5: I'm going, Okay, so what do we do here?
• 40:25
  Speaker 3: Because when you do a beat, you're doing the whole Yeah. Yeah,
• 40:29
  Speaker 3: story jobs. He's played keys on a lot of big records.
• 40:31
  Speaker 5: Yeah, Doctor Dre like that exactly right, you know what
• 40:34
  Speaker 5: I'm saying. And I'm just like, you know, like I'm
• 40:37
  Speaker 5: like this, this is not going like what y'all said,
• 40:40
  Speaker 5: you know. And the one thing I'm gonna tell you
• 40:42
  Speaker 5: what I learned right in that that we are different
• 40:46
  Speaker 5: now because this was the beginning of a whole different
• 40:49
  Speaker 5: way how people operate. I'm very competitive. I'm very competitive.
• 40:53
  Speaker 5: I'm like we good, Scott, I'm like you are You're
• 40:55
  Speaker 5: my dude, but when we're doing this, I don't mess
• 40:59
  Speaker 5: with you until this over, you know what I'm saying.
• 41:03
  Speaker 5: And there was a lot of people who was like, bro,
• 41:04
  Speaker 5: you're going too hard. You're doing da da da da
• 41:06
  Speaker 5: and the skits and all of that, like bro, you
• 41:08
  Speaker 5: know wherever I'm from, And I'm like, I am not
• 41:10
  Speaker 5: the new guy.
• 41:12
  Speaker 1: You know what I'm saying. I'm not the new guy,
• 41:14
  Speaker 1: you know.
• 41:14
  Speaker 5: And and what a lot of people don't know, this
• 41:17
  Speaker 5: idea was tooken from me.
• 41:19
  Speaker 1: I was doing this before they.
• 41:21
  Speaker 5: Was doing me kl on just blaze, you know, so
• 41:27
  Speaker 5: you know, tim them just took the idea and turned
• 41:30
  Speaker 5: it into something, you know, into anything.
• 41:32
  Speaker 1: But we was doing this already.
• 41:33
  Speaker 5: We was doing the producer battles, you know what I'm saying,
• 41:36
  Speaker 5: and all of that went in it, all of whatever.
• 41:39
  Speaker 1: You know what I'm saying.
• 41:40
  Speaker 5: If you came out, you know what I'm saying, and
• 41:43
  Speaker 5: you did whatever you wanted to do.
• 41:44
  Speaker 1: I remember, like even.
• 41:46
  Speaker 2: I wasn't playing certain so I remember that there.
• 41:48
  Speaker 1: Yeah, you know what I'm saying.
• 41:49
  Speaker 5: So I was just like, okay if this because this
• 41:52
  Speaker 5: was they was like, bro, we gotta have this one
• 41:54
  Speaker 5: schedule it's got to happen because blah blah blah. So
• 41:57
  Speaker 5: we kind of just gonna you know, we're gonna script
• 41:59
  Speaker 5: it is gonna be cool. And I'm like, okay, cool,
• 42:02
  Speaker 5: but you know, shout out to Swiss for trying to
• 42:06
  Speaker 5: make it right because after that, he was like, bro,
• 42:08
  Speaker 5: I understand all of your you know, dah da da da,
• 42:10
  Speaker 5: but I could tell you this was the great thing
• 42:13
  Speaker 5: about it is I felt like I lost something and
• 42:17
  Speaker 5: it made me dangerous, you know what I'm saying. I
• 42:20
  Speaker 5: was like, Okay, if y'all took that from me, now,
• 42:24
  Speaker 5: everybody gotta pay for it. You know what I'm saying.
• 42:26
  Speaker 5: Everybody gotta pay for it, you know what I'm saying.
• 42:29
  Speaker 5: And it turned me into super DJ, super beats everything,
• 42:32
  Speaker 5: and I'm like, I'm going to rule the Internet until
• 42:35
  Speaker 5: this pandemic is over with.
• 42:37
  Speaker 1: Yo.
• 42:37
  Speaker 3: There's a specific record I wanted to can you walk
• 42:40
  Speaker 3: me through? Because you're a DJ for people who are
• 42:44
  Speaker 3: ignorant at that, but you're a DJ, right yeah? And
• 42:48
  Speaker 3: I feel like kind of one of those like new
• 42:50
  Speaker 3: cash money records past kind of like what we consider
• 42:52
  Speaker 3: the Golden Age was like go DJ, which was very
• 42:55
  Speaker 3: much like I felt like your brainchild, like, can you
• 42:58
  Speaker 3: walk me through like how go DJ was was made?
• 43:02
  Speaker 5: So we were having a meeting because that's Carter Won, right,
• 43:06
  Speaker 5: and I'm telling Wayne, you know, I'm like, bro, at
• 43:09
  Speaker 5: this point, cash money is on your back.
• 43:12
  Speaker 3: Because look five Degrees came out and kind of came
• 43:15
  Speaker 3: and went yeah.
• 43:16
  Speaker 5: So I was like, cash money is on your back, bro,
• 43:18
  Speaker 5: like you know what I'm saying. And I'm just like,
• 43:20
  Speaker 5: so this one gotta be like it's gotta be the one.
• 43:25
  Speaker 2: You know.
• 43:25
  Speaker 5: I'm like, you could stop with the sound effects and
• 43:28
  Speaker 5: all of that, you know, like you're not you know,
• 43:30
  Speaker 5: young Wayne no more. You got to step up your game.
• 43:33
  Speaker 5: And you know, he was just like, Bro, I'm I'm ready.
• 43:35
  Speaker 5: I'm ready. But he asked because go DJ was actually
• 43:39
  Speaker 5: a song from this group you in LV, just the.
• 43:42
  Speaker 3: Part which is the Bounce group whole ship.
• 43:46
  Speaker 1: Yeah.
• 43:47
  Speaker 5: Yeah, So he was like, man, is it any way
• 43:50
  Speaker 5: I could do go dj?
• 43:51
  Speaker 1: Oh?
• 43:52
  Speaker 5: So I'm like yeah, and I'm like I actually got
• 43:55
  Speaker 5: a visual for it. I'm like, this is what we're
• 43:56
  Speaker 5: gonna do. I'm like, we can send all the radio
• 43:59
  Speaker 5: DJ like cam carters and let them film them, you know,
• 44:03
  Speaker 5: doing their whatever they're doing on air and then send
• 44:06
  Speaker 5: it back to us and we're gonna and we're gonna
• 44:08
  Speaker 5: edit all of that into into the music video. Right,
• 44:11
  Speaker 5: So we hadn't recorded the song yet, we talking about it,
• 44:14
  Speaker 5: so all right. So I get the beat done and
• 44:17
  Speaker 5: he come in there. He do the hook first, so
• 44:19
  Speaker 5: I in my mind, I know this song is about
• 44:22
  Speaker 5: to be about DJ's right, and he do the first
• 44:26
  Speaker 5: verse and it ain't got ship to do with DJs,
• 44:29
  Speaker 5: and I'm just like, but fuck, I'm like, it's so
• 44:31
  Speaker 5: fucking hard.
• 44:32
  Speaker 1: I'm like, it's so hard. Bro. I'm like, you know what.
• 44:35
  Speaker 5: I'm just like, bro, what the fuck? Like, you know
• 44:37
  Speaker 5: what I'm saying? And he was like, yeah, I know, bro,
• 44:39
  Speaker 5: but this is what I was feeling. And I'm like,
• 44:42
  Speaker 5: so I'm like, okay, the second verse gotta have a
• 44:44
  Speaker 5: reference to a DJ.
• 44:45
  Speaker 1: And he do the second I'm like, you know what
• 44:49
  Speaker 1: I'm saying.
• 44:50
  Speaker 5: But by the time he finished the song, the vibe
• 44:54
  Speaker 5: was so like in there in the studio it was
• 44:57
  Speaker 5: motherfucker's going. Bro, you heard what he said, you just
• 45:00
  Speaker 5: here with the fun And I was like, bro, we
• 45:01
  Speaker 5: just got to leave it alone. I'm like, this one's
• 45:03
  Speaker 5: gonna be something that the world ain't gonna understand unless
• 45:06
  Speaker 5: we explain, and nobody said nothing like you know what
• 45:09
  Speaker 5: I'm saying, Well this she ain't got no references to,
• 45:11
  Speaker 5: no DJs.
• 45:12
  Speaker 3: Like it was just a hit. Yeah, No, it's crazy
• 45:15
  Speaker 3: because it felt like that was kind of like his
• 45:17
  Speaker 3: I think about like the first song on the Carter
• 45:20
  Speaker 3: was well, like like Birdman Junior was so hard, like
• 45:23
  Speaker 3: it felt like he was just on a mission from
• 45:24
  Speaker 3: the writ to kind of change whatever narrative people had.
• 45:26
  Speaker 5: Yeah, I mean he stepped into his lyrical shoes on,
• 45:29
  Speaker 5: you know.
• 45:29
  Speaker 2: On the first call, like you know, and look, he
• 45:32
  Speaker 2: been like that long before that. We had like a
• 45:34
  Speaker 2: little breaks on him in the beginning, like everybody.
• 45:38
  Speaker 3: Yo, I remember that, Remember that album the Tunnel. You
• 45:40
  Speaker 3: guys had that record on the Tunnel, the Flex, big
• 45:43
  Speaker 3: cap Wayne fucking He.
• 45:45
  Speaker 2: Had a situation when he was younger with you know,
• 45:48
  Speaker 2: with with with a gun and stuff like that. So
• 45:51
  Speaker 2: you know, his moms ain't really want him, ain't want
• 45:53
  Speaker 2: him saying no cursion, she ain't want him around, none
• 45:56
  Speaker 2: of that type of stuff. So you know, we were
• 45:59
  Speaker 2: told were giving straight directions, ain't gonna be rapping cursing,
• 46:04
  Speaker 2: doing them gangs and stuff, none of that. So we
• 46:06
  Speaker 2: had to figure out how to do stuff with him.
• 46:09
  Speaker 2: And every time he rapped, he can curse. Wow, So
• 46:14
  Speaker 2: we was toning him down on a lot. I always
• 46:15
  Speaker 2: tell people that I'm like, I remember back in the day,
• 46:18
  Speaker 2: we was going through interviews and I'm telling people.
• 46:20
  Speaker 4: Way in the future. We used to always say that
• 46:22
  Speaker 4: in the future.
• 46:23
  Speaker 2: They're looking at us like for real, Like I'm like, listen, bro,
• 46:28
  Speaker 2: y'all don't trust me. If y'all hear, we hear the
• 46:32
  Speaker 2: stuff that he ain't even allowed to say. He had
• 46:34
  Speaker 2: all kind of versions that we couldn't put out. They're like, man,
• 46:37
  Speaker 2: you can't say that. He can't say that.
• 46:39
  Speaker 1: Bro, you listen.
• 46:40
  Speaker 5: And a lot of people never even really paid attention
• 46:43
  Speaker 5: to it. But on none of them songs he cursed.
• 46:45
  Speaker 2: He's not cursing.
• 46:46
  Speaker 1: He never cursed on none of.
• 46:48
  Speaker 3: Those wow, because I never even noticed that as much
• 46:49
  Speaker 3: as I and all that stuff that's crazy.
• 46:52
  Speaker 4: Or the moment he could curse.
• 46:53
  Speaker 2: Yeah, he was outside like he broke the chain who
• 46:58
  Speaker 2: with the cutting up.
• 46:59
  Speaker 3: You had such great chemistry with other artists outside of
• 47:02
  Speaker 3: the cash money world, like t I or GZ like,
• 47:05
  Speaker 3: who's your favorite artist that you've worked with outside of
• 47:08
  Speaker 3: the Cash Money roster over the years.
• 47:10
  Speaker 5: Oh shit, it's not even a rapper, would be Tina Marie.
• 47:15
  Speaker 5: You know what I'm saying. Oh, I got a chance
• 47:17
  Speaker 5: to do Tina Marie. And you know, that's one when
• 47:19
  Speaker 5: your parents called. My dad called me and it was like,
• 47:21
  Speaker 5: you're fucking doing the song with Tina Marie. Yeah, you know,
• 47:24
  Speaker 5: because that was big to New Orleans. Tina Marie was
• 47:27
  Speaker 5: so big, huge, huge to us in New Orleans, Like
• 47:30
  Speaker 5: you know what I'm saying, Like an icon, Frankie Beverley,
• 47:34
  Speaker 5: Tina Marie.
• 47:35
  Speaker 3: That's how your parents could be like yeah, shit.
• 47:37
  Speaker 1: Yeah, yeah, you know what I'm saying.
• 47:40
  Speaker 5: And to know that that was a gold record for her,
• 47:43
  Speaker 5: you know what I'm saying. And because when I did
• 47:46
  Speaker 5: the song, she was just like, well I just want
• 47:48
  Speaker 5: something like she was like, you know, like that song
• 47:50
  Speaker 5: still fly that you gotta you know or something, And
• 47:53
  Speaker 5: I was like, no, miss miss Tina Marie, we not
• 47:55
  Speaker 5: doing that.
• 47:55
  Speaker 1: I'm like, we're gonna.
• 47:56
  Speaker 5: Get a real bass player and we're gonna do something
• 47:58
  Speaker 5: real simple and we you know, and and I'm glad
• 48:02
  Speaker 5: she she accepted you know because it's Tina Marie for sure,
• 48:05
  Speaker 5: you know what I'm saying, And I'm geeked out, Like
• 48:07
  Speaker 5: every time I'm doing it, I'm stopping and I'm like,
• 48:09
  Speaker 5: I can't believe this team.
• 48:13
  Speaker 4: Yo.
• 48:13
  Speaker 3: So a new Snoop and Dre album has been announced?
• 48:17
  Speaker 3: Can we get a new Juvian Manny Fresh?
• 48:21
  Speaker 1: Yeah?
• 48:21
  Speaker 3: I feel like I feel like, man, all the artists
• 48:23
  Speaker 3: I grew up listen to for whatever reason, they end
• 48:25
  Speaker 3: up just stop making music together, but they'll still do shows.
• 48:28
  Speaker 5: Like we need a new album. Were working on it, bro.
• 48:31
  Speaker 5: You know what's the hardest thing. You know, we were
• 48:32
  Speaker 5: just talking about this. You you want to evolve. You
• 48:35
  Speaker 5: want to you know you you want to turn into
• 48:37
  Speaker 5: something that you know, like, damn, this is my sound,
• 48:41
  Speaker 5: but I hear it so much. I want to do
• 48:43
  Speaker 5: something new, but there is nothing new for us. It's
• 48:47
  Speaker 5: just really staying on your sound, you know what I'm saying.
• 48:51
  Speaker 3: Yeah, Yeah, it's hard because you guys have evolved this, yes, yeah.
• 48:54
  Speaker 1: And that's a hard thing to do.
• 48:56
  Speaker 5: So it's one of them things that we learning how
• 48:58
  Speaker 5: to do, to step back to say like, you know what,
• 49:00
  Speaker 5: we don't really have to sound like what this what
• 49:03
  Speaker 5: what what you know what hip hop is and and
• 49:05
  Speaker 5: and that's that's it's nothing disrespectful to the new generation.
• 49:10
  Speaker 5: But we're not the new generation. We are who we are.
• 49:13
  Speaker 5: But because we are older, you know what I'm saying,
• 49:16
  Speaker 5: And it's like going like, man, do I want to
• 49:18
  Speaker 5: do that again?
• 49:19
  Speaker 1: Or do I want to leave that?
• 49:20
  Speaker 2: Please?
• 49:21
  Speaker 1: Do see what I'm saying.
• 49:22
  Speaker 5: So, so that's the it was researching, and I think
• 49:25
  Speaker 5: being the DJ has showed me that, like to say, like, hey, bro,
• 49:29
  Speaker 5: you ain't got to go find no new sun.
• 49:31
  Speaker 3: Back that e still going up in the club right now.
• 49:33
  Speaker 1: Yeah.
• 49:34
  Speaker 3: No, It's it's interesting because it's like you'll see artists
• 49:38
  Speaker 3: that you you know, love growing up and then they'll
• 49:40
  Speaker 3: try to chase whatever the young kids are exactly and
• 49:44
  Speaker 3: you'd be like.
• 49:45
  Speaker 1: Man, if you just if you would have just stayed
• 49:47
  Speaker 1: in your lane, did it?
• 49:48
  Speaker 5: Like you know what I'm saying, how you you know,
• 49:50
  Speaker 5: plug up that old drum machine? Yeah, you know what
• 49:53
  Speaker 5: I'm saying. You ain't got to do it on able
• 49:54
  Speaker 5: to you know how I know how to write.
• 49:57
  Speaker 2: You can be real innovative without without out doing what
• 50:01
  Speaker 2: everybody else doing.
• 50:01
  Speaker 3: You don't have to be the fun because you guys
• 50:03
  Speaker 3: got your fans, and you guys, do your fans want
• 50:05
  Speaker 3: to hear them?
• 50:06
  Speaker 5: We got a lot of songs that was just eight sounds,
• 50:08
  Speaker 5: you know, a lot of them was done just on
• 50:10
  Speaker 5: the SP twelve.
• 50:11
  Speaker 2: I personally like songs that don't have a lot of
• 50:14
  Speaker 2: extra shit.
• 50:15
  Speaker 1: Yeah, I was done on it.
• 50:16
  Speaker 2: It gives me to talk my talk.
• 50:19
  Speaker 1: I was done on the Wow the whole song, Yo,
• 50:24
  Speaker 1: what where'd you get the so? What was? What was
• 50:27
  Speaker 1: bling bling made on same thing? SB twelve hundred.
• 50:30
  Speaker 3: What's that like? That sound and bling bling? That real distinct?
• 50:34
  Speaker 3: It almost it sounds it almost sounds like you know
• 50:38
  Speaker 3: the sound I'm talking about that's throughout the whole beat?
• 50:40
  Speaker 1: Oh, the little the Planet rockall thing.
• 50:42
  Speaker 5: Yeah, that was just like a like the little clip,
• 50:45
  Speaker 5: the little clip sound like that was from Planet Rock,
• 50:47
  Speaker 5: Like you know what I'm saying.
• 50:48
  Speaker 1: And I just kind of pitched it down.
• 50:51
  Speaker 3: You know, did you guys have any idea Bling Bling
• 50:54
  Speaker 3: obviously is one of the most important songs to your
• 50:57
  Speaker 3: to your guys story.
• 50:59
  Speaker 2: It is because it winded up being a word, right,
• 51:01
  Speaker 2: you know how her song you could hear something and
• 51:05
  Speaker 2: you know something special about that word.
• 51:07
  Speaker 5: You know, we had a song and Wayne said, tell
• 51:10
  Speaker 5: me what kind of nigga got damage that of bling blind? Yeah,
• 51:14
  Speaker 5: And I was like it was something about that right there.
• 51:17
  Speaker 5: So I remember, like I was, I wrote the hook
• 51:22
  Speaker 5: in my head, so you know how you gotta hurry
• 51:24
  Speaker 5: up and get get to the studio.
• 51:26
  Speaker 1: You know.
• 51:26
  Speaker 5: I'm like, I gotta hurry up and record this before
• 51:29
  Speaker 5: I forget it, you know what I'm saying. And I
• 51:31
  Speaker 5: had done the dummy before they got there. I just
• 51:33
  Speaker 5: done the dummy like bling bling every time I come
• 51:36
  Speaker 5: around the city.
• 51:36
  Speaker 1: And Wayne went right behind me and was like, nah,
• 51:38
  Speaker 1: I got it. Let me do the hook.
• 51:39
  Speaker 5: So it was a lot of shit that Wayne you
• 51:42
  Speaker 5: down first, Yeah, yeah, because because I mean I always, yeah,
• 51:46
  Speaker 5: I would put the hook down with because I knew
• 51:48
  Speaker 5: what to beat how I wanted to beat the sound
• 51:50
  Speaker 5: with the hook, Like you know what I'm saying. I'm like, listen,
• 51:53
  Speaker 5: I want to you know. I'm like, I'm a lady
• 51:55
  Speaker 5: hooking and whoever do it? You know what I'm saying.
• 51:57
  Speaker 5: And the crazy thing was, originally it was a big
• 52:01
  Speaker 5: time or song. It was a big time song. It
• 52:06
  Speaker 5: was a big time and what happened was because we
• 52:09
  Speaker 5: had so many songs. We was we was next all
• 52:12
  Speaker 5: like next up was BG.
• 52:15
  Speaker 2: And he said BG album needed was like I'm listening
• 52:18
  Speaker 2: to the album he needed a.
• 52:19
  Speaker 5: Song like that, Like I'm like, it needs this because
• 52:21
  Speaker 5: his album was you know he the hood Dude out
• 52:24
  Speaker 5: the Crew.
• 52:25
  Speaker 3: I mean there's two. I mean, I think when I
• 52:27
  Speaker 3: think of that album, I think of that and I
• 52:28
  Speaker 3: think cash Money is an army.
• 52:31
  Speaker 2: Cash Money's arm is a gangster the song, right, like,
• 52:34
  Speaker 2: that's who That's who he is. He he always had
• 52:37
  Speaker 2: been the gang style to click right, that's that's his personality, right.
• 52:42
  Speaker 2: So you know that's what I liked about Manny Man.
• 52:45
  Speaker 2: He always created a different sound for each one of us.
• 52:48
  Speaker 2: And you listen to our albums, you would see the difference.
• 52:52
  Speaker 2: You're like, damn, you know what. It's four different artists,
• 52:55
  Speaker 2: but the music ain't the same. Because he had a
• 52:58
  Speaker 2: thing with Bjna have this sound. You were gonna have
• 53:01
  Speaker 2: this sound, Wayne, soone's got to be like it worked.
• 53:03
  Speaker 3: Turns on the architect, Manny Fresh. I also feel I
• 53:09
  Speaker 3: feel like you were one of the first like producers
• 53:10
  Speaker 3: that really coined like talking your ship before the song
• 53:13
  Speaker 3: would start. Oh yeah, I mean yeah, because like after
• 53:16
  Speaker 3: you like Swiss Swiss came along and then like Jazzy Fay.
• 53:19
  Speaker 3: But I feel like you were like like you were
• 53:22
  Speaker 3: gonna get your ship off before.
• 53:23
  Speaker 1: The song started. I mean, the intro started becoming a
• 53:25
  Speaker 1: big thing. You know.
• 53:26
  Speaker 5: People were like, man, I can't wait just to hear
• 53:29
  Speaker 5: Manny Fresh intro, like you know what I'm saying, to
• 53:31
  Speaker 5: see what the hell he gonna say on there, you know,
• 53:34
  Speaker 5: And it was always something that was kind of seventies musical,
• 53:38
  Speaker 5: like you know what I'm saying and what I had
• 53:41
  Speaker 5: learned like from and I told him this recently. My
• 53:46
  Speaker 5: dad was just like, listen, dude, start putting yourself first
• 53:49
  Speaker 5: on a lot of these songs.
• 53:51
  Speaker 1: You know what I'm saying, and you know.
• 53:52
  Speaker 5: And I was like, well, well, you know, why would
• 53:55
  Speaker 5: you you know, he was like because he was like,
• 53:57
  Speaker 5: you know the dude who first, Because my dad was
• 54:00
  Speaker 5: the DJ before I was a DJ.
• 54:01
  Speaker 4: That's the one.
• 54:02
  Speaker 5: He was like, That's the one who they're gonna hear
• 54:04
  Speaker 5: on the song no matter what, no matter what, you
• 54:06
  Speaker 5: know what I'm saying.
• 54:07
  Speaker 1: So me and him always make sure that you know
• 54:10
  Speaker 1: what I'm saying.
• 54:11
  Speaker 3: Voice was first, I told him.
• 54:13
  Speaker 4: I told him oh you knew.
• 54:16
  Speaker 1: You know.
• 54:21
  Speaker 3: That's so funny, man.
• 54:22
  Speaker 4: Like say the best for the last they got even
• 54:24
  Speaker 4: hit the last one?
• 54:25
  Speaker 3: Yeah yeah, bling Blink's one of the greatest posse records
• 54:28
  Speaker 3: of all time. Yeah, obviously it's now in the dictionary, y'all. Really,
• 54:32
  Speaker 3: I mean, do you guys? I feel like that should
• 54:34
  Speaker 3: have been trademarked.
• 54:35
  Speaker 5: I think it is trademarked. I think it is. You
• 54:38
  Speaker 5: know what, But that's one of those things babying slipped.
• 54:40
  Speaker 2: Yeah, that wasn't That wasn't a juvie thing right there? Yeah,
• 54:43
  Speaker 2: there it is.
• 54:44
  Speaker 1: Man.
• 54:44
  Speaker 3: We'll look you guys. You guys are how many how
• 54:46
  Speaker 3: many dates stuffs on the tour ship?
• 54:48
  Speaker 2: We stop on the thirty first of December New Years
• 54:52
  Speaker 2: the last day?
• 54:53
  Speaker 3: Wow, so that's a lot more. I just saw you
• 54:55
  Speaker 3: pop out of the Russell's house too.
• 54:56
  Speaker 2: Yeah, man, that's I gotta take my dog back to
• 55:00
  Speaker 2: you got to go to l Russell back.
• 55:01
  Speaker 3: It's crazy. I went.
• 55:02
  Speaker 2: And it's like the whole experience with his mom too.
• 55:05
  Speaker 3: Man's barbecuing.
• 55:08
  Speaker 2: He barbecueing it out of space walking in the y'all
• 55:10
  Speaker 2: for the kids. I'm telling you, if you never had
• 55:14
  Speaker 2: an experience like that, they got to check it out,
• 55:16
  Speaker 2: and man, they got that dude with Larrussell.
• 55:18
  Speaker 4: He's different.
• 55:18
  Speaker 3: Is there any besides Russell? Is there any young artists
• 55:20
  Speaker 3: you guys are just fans of.
• 55:22
  Speaker 4: It's a lot of them, you know.
• 55:23
  Speaker 2: I like I like uh uh uh, I like Gorilla,
• 55:28
  Speaker 2: I like uh Sexy Red, you know who else? Sauce
• 55:35
  Speaker 2: Walker Crazy, It's a lot of It's a lot of artists. Man,
• 55:38
  Speaker 2: it's a lot of artists out that I like.
• 55:39
  Speaker 3: And I have respect for anybody you want to produce
• 55:41
  Speaker 3: for many.
• 55:42
  Speaker 1: Anybody, if you if you if you take this serious.
• 55:45
  Speaker 1: You know what I'm saying.
• 55:46
  Speaker 5: Yeah, Because sometimes I hear interviews and the most upsetting
• 55:50
  Speaker 5: thing to me is, you know, you got some people
• 55:52
  Speaker 5: who say I don't really do this, this is not
• 55:54
  Speaker 5: what I really do, and I'm just feeling I don't
• 55:58
  Speaker 5: really wrap, you know what I'm saying, And I'm just like, well,
• 56:01
  Speaker 5: give it to somebody who really want to do it. Yeah,
• 56:03
  Speaker 5: you know what I'm saying. And I'm like, you really
• 56:05
  Speaker 5: do rap? You just think it's cool to say that you.
• 56:07
  Speaker 3: Don't, Yeah, to say that you're nowana bad?
• 56:10
  Speaker 1: Yeah, you know what I'm saying.
• 56:11
  Speaker 5: And I just won't give me a real artist like
• 56:14
  Speaker 5: you know, with somebody who really takes.
• 56:15
  Speaker 2: This, I can't say that. Yeah, I ain't really no rapper.
• 56:19
  Speaker 1: That is crazy.
• 56:22
  Speaker 3: At your job, how you're painting it exactly.
• 56:25
  Speaker 2: Take it to your rapping.
• 56:26
  Speaker 1: It's a lucrative business. I really rap, you know what
• 56:29
  Speaker 1: I'm saying.
• 56:30
  Speaker 3: And you and you and you. You could out rap
• 56:33
  Speaker 3: both of these guys.
• 56:34
  Speaker 2: So look, when the law catch you two three o'clock
• 56:38
  Speaker 2: in the morning, which is you, I ain't really now rapper.
• 56:41
  Speaker 3: Seeing the body can put it.
• 56:43
  Speaker 1: Yeah, you know what, well, man, that's real trouble.
• 56:50
  Speaker 3: Well listen, man, I'm glad to see you guys thriving
• 56:53
  Speaker 3: right now. And uh, I hope we get a new album.
• 56:56
  Speaker 1: From from you.
• 56:57
  Speaker 5: Yeah, dude, believe it or not. Whenever we do songs,
• 56:59
  Speaker 5: we still competitive, you know what I'm saying. And that's
• 57:01
  Speaker 5: that's what makes it a good song.
• 57:03
  Speaker 1: You know.
• 57:04
  Speaker 5: I know I'm not on Julie's level of rapping, but
• 57:07
  Speaker 5: it's still inspired me to be like, man, I gotta
• 57:09
  Speaker 5: have something on this verse that's creative that's gonna make
• 57:13
  Speaker 5: him say, damn, bro, I wasn't expecting you to say that.
• 57:17
  Speaker 1: You know what, I'm.
• 57:18
  Speaker 2: Saying, right, I could be honest with you right now,
• 57:21
  Speaker 2: I'm in my zone as far as rappers considered, Like
• 57:24
  Speaker 2: you know, like people have don't know what I'm up
• 57:26
  Speaker 2: to want to know. Yeah, I'm in my song right
• 57:28
  Speaker 2: now and it don't happen often for me.
• 57:30
  Speaker 3: But you're in your pocket right now. You're inspired.
• 57:33
  Speaker 5: Yeah, there's a lot of songs you know that like
• 57:37
  Speaker 5: where I'm like, bro, I can't tell you tone it down,
• 57:41
  Speaker 5: but you killed everybody on here, Like you know what
• 57:43
  Speaker 5: I'm saying, Well, I'm like, what you want me to
• 57:45
  Speaker 5: do with this? Like you know what I'm saying, Well,
• 57:47
  Speaker 5: I'm like you so far from what this person is
• 57:50
  Speaker 5: doing on it?
• 57:51
  Speaker 1: You know what? It makes the song like damn? You know?
• 57:54
  Speaker 5: And I know right now that might go, but that's
• 57:57
  Speaker 5: not the way we was raised. I'm like, nah, I
• 57:59
  Speaker 5: want the song to be super good. I want whoever
• 58:01
  Speaker 5: the other or the other person rapping. I'm like, bro,
• 58:04
  Speaker 5: you gotta up your game. You gotta want to write
• 58:07
  Speaker 5: it over after you heard you what he just did?
• 58:09
  Speaker 5: You like, you know what I'm.
• 58:10
  Speaker 3: Saying, how many how many songs you got sitting on
• 58:11
  Speaker 3: right now?
• 58:12
  Speaker 2: That you guys got a lot, bro I got a
• 58:14
  Speaker 2: lot of music, man, I recall it. I recall whatever.
• 58:17
  Speaker 2: I really don't like to speak on it.
• 58:19
  Speaker 3: And you know what about you guys though, like we got.
• 58:23
  Speaker 4: A lot and not just that.
• 58:25
  Speaker 2: I just did put some fresh ink too, some paperwork,
• 58:27
  Speaker 2: so be looking looking for it.
• 58:29
  Speaker 5: All the albums that we the older albums, like like
• 58:32
  Speaker 5: like the four hundred Degrees when we when we dropped it,
• 58:35
  Speaker 5: we added two songs that we had old.
• 58:37
  Speaker 1: So we still got a lot of old songs.
• 58:38
  Speaker 5: And every time we dropped one of Julie albums, we're
• 58:41
  Speaker 5: going to give you even some of them that was
• 58:43
  Speaker 5: demos if they'll have songs added to that that that
• 58:46
  Speaker 5: was in our vote. Like you know what I'm saying,
• 58:48
  Speaker 5: where we like you know what, we did this one
• 58:50
  Speaker 5: at the same time we was doing this album. It
• 58:52
  Speaker 5: just didn't make the album. So we we got we
• 58:55
  Speaker 5: got a song at a lot of songs.
• 58:57
  Speaker 3: Dude, there it is.
• 58:58
  Speaker 2: Man.
• 58:58
  Speaker 3: Well, look, you guys are legends. I appreciate you sitting
• 59:00
  Speaker 3: down with me. I was trying to find I have
• 59:01
  Speaker 3: all my double xls and my damn garage, and I
• 59:03
  Speaker 3: was trying to find my bright my bright orange double
• 59:06
  Speaker 3: XCEL car. Yeah, I couldn't find it to bring it
• 59:09
  Speaker 3: in to get it signed. Next time I see you,
• 59:11
  Speaker 3: I'll try to. It was great, yeah, of course, But listen, man,
• 59:14
  Speaker 3: thank you for pulling up, thank you for having having us.
• 59:17
  Speaker 3: And you guys are on the road throughout the rest
• 59:19
  Speaker 3: of the year. Louisiana. Uh, Festus in November, right.
• 59:23
  Speaker 2: Second, Yeah, tomorrow tomorrow night in Atlanaheim. You know, the
• 59:27
  Speaker 2: House of Blues going down. Me and my dog again
• 59:29
  Speaker 2: with the four in the Degrees.
• 59:30
  Speaker 1: Band, big thing next next year, we were getting the Europe.
• 59:35
  Speaker 4: What you're doing, Yeah, we're doing a euro run.
• 59:37
  Speaker 1: Yeah, you know what I'm saying.
• 59:38
  Speaker 5: That's how you get That's how you get yourself fitting.
• 59:40
  Speaker 5: You got to see it while you're here. We in Europe, right,
• 59:43
  Speaker 5: Julie's definitely it's video now speaking fridge already.
• 59:51
  Speaker 3: And there's uh and there's uh, you know, some foreigner
• 59:53
  Speaker 3: degrees uh cannabis out there. And you got rolling papers coming.
• 59:56
  Speaker 3: You've got a lot of stuff happening.
• 59:57
  Speaker 2: I got I got the rolling papers, I got the Juvi,
• 1:00:00
  Speaker 2: I got the fore under degree chips. Me and my
• 1:00:02
  Speaker 2: son got the hot sauce. We call the hot sauce
• 1:00:04
  Speaker 2: y'all be looking. Man, y'all gonna see me drop my products,
• 1:00:06
  Speaker 2: but check out check me out on my platforms at
• 1:00:09
  Speaker 2: juvet the great on on the ground and follow link
• 1:00:12
  Speaker 2: you to everything from there.
• 1:00:13
  Speaker 3: Many Fresh appreciate you coming through too, man, Thank you sir,
• 1:00:15
  Speaker 3: Thank you guys for sucking legends. Ippreciate your time.