Latest / Vanity Farah with Chris Farah / 90 Day The Single Life Season 5, Episode Episode 16 Tell All Part 2

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90 Day The Single Life Season 5, Episode Episode 16 Tell All Part 2 · Vanity Farah with Chris Farah

• 0:04
  Speaker 1: Hey, baby Booze, Welcome back to Vanity Farrah. My name
• 0:07
  Speaker 1: is Chris Farah and we are ending the season of
• 0:11
  Speaker 1: ninety Day This Single Life. This is season five and
• 0:15
  Speaker 1: we are in the tell All Part two. Can you
• 0:18
  Speaker 1: believe it? I mean, hooray and hazzah. It has been
• 0:23
  Speaker 1: a turbulent season and this tell all is so super interesting.
• 0:28
  Speaker 1: It feels very different in so many ways, and I
• 0:31
  Speaker 1: really enjoyed watching Ross host it. So it was an
• 0:34
  Speaker 1: honor for him to host, as he says at the end,
• 0:37
  Speaker 1: and it's an honor to watch, and it's an honor
• 0:40
  Speaker 1: to talk about it with you. Thank you so much
• 0:42
  Speaker 1: for joining in. If you haven't yet, please give this
• 0:45
  Speaker 1: podcast five stars and a review if you don't mind.
• 0:48
  Speaker 1: If you haven't yet followed me, I am at Chris
• 0:51
  Speaker 1: Elfara on Instagram, TikTok. I have a Patreon where you
• 0:55
  Speaker 1: get all the visual with no commercials, twenty four hours
• 0:58
  Speaker 1: before anyone else, and that's Patreon, dot com, slash Chris Farah,
• 1:02
  Speaker 1: as well as a Facebook page Chris Farah and a
• 1:05
  Speaker 1: private group Vanity Farah. There's just so much happening and
• 1:10
  Speaker 1: on YouTube. I will be coming back in June with
• 1:13
  Speaker 1: my lives where we can actually talk in real time
• 1:16
  Speaker 1: about things, and I'm super excited about that. So get
• 1:20
  Speaker 1: in now, make sure you're subscribed and follow, and let's
• 1:23
  Speaker 1: kiky okay, my loves We pick up And unfortunately, kim
• 1:29
  Speaker 1: Bali just found out that her ninety day bestie Liz
• 1:34
  Speaker 1: and Jamal Bill Jamal cracked Liz. He cracked her, Honey,
• 1:39
  Speaker 1: she cracked him. I'm not quite sure how the kids
• 1:41
  Speaker 1: were saying it, but they've been cracking more than their knuckles, honey,
• 1:44
  Speaker 1: just other things. And it happened for Liz, she said
• 1:47
  Speaker 1: a long long time ago when she was single gal
• 1:51
  Speaker 1: coming to San Diego before, she says, kim bully told
• 1:56
  Speaker 1: her about the adoptions. So as you pick up, colt asks, hey,
• 2:01
  Speaker 1: why'd you fuck your friend's son? And coltie his defense
• 2:07
  Speaker 1: for all of his horrible actions is to be wildly
• 2:10
  Speaker 1: offensive to other people and ask them, you know, once
• 2:15
  Speaker 1: he gets his like broken leg into a situation that
• 2:20
  Speaker 1: they feel bad about, making sure that they feel worse
• 2:25
  Speaker 1: or having done worser things. That's a word than he is.
• 2:29
  Speaker 1: So he's like a little troll really on this tell all.
• 2:33
  Speaker 1: And it's so interesting because he's whining the entire time
• 2:37
  Speaker 1: that people are like not giving him grace or people
• 2:40
  Speaker 1: are coming for him. And the weird thing is Gino's
• 2:42
  Speaker 1: just there, really getting the brind of a lot of things.
• 2:45
  Speaker 1: But and Colte and you know, don't like each other.
• 2:47
  Speaker 1: And the weird and to me, it's because they're basically
• 2:50
  Speaker 1: the same person. I mean, over and over again, these
• 2:53
  Speaker 1: women are like, he's fucked up, he's manipulative, he lies,
• 2:57
  Speaker 1: he just wants to play a victim. Mean while, of
• 3:00
  Speaker 1: course the Nine to Day fandom is sliding into both
• 3:03
  Speaker 1: of these assholes dms all the time, throwing their coucies
• 3:06
  Speaker 1: at him, both of them them, and that is well disheartening, disappointing, disheartening.
• 3:15
  Speaker 1: If these two men weren't on this series, I mean,
• 3:18
  Speaker 1: there'd be a lot less dms. I'll tell you that
• 3:21
  Speaker 1: right now. I just I it really does shock me
• 3:28
  Speaker 1: how some people operate in this world to think that
• 3:34
  Speaker 1: there are so many women that are going to DM
• 3:37
  Speaker 1: someone like Colti or Gino with the thought of that's
• 3:41
  Speaker 1: an attractive person that I want to get to know,
• 3:44
  Speaker 1: or that person is pseudo famous and I'd like a piece.
• 3:51
  Speaker 1: It's well, yeah, it's like so sad that there is
• 3:54
  Speaker 1: not enough fulfillment in these people's lives in order to
• 3:57
  Speaker 1: make them feel like they don't need that, like they
• 4:01
  Speaker 1: have things that are better than that. But no, that's
• 4:03
  Speaker 1: not the case. And I mean, why is there so
• 4:07
  Speaker 1: much pain in this world? Why is there so much
• 4:10
  Speaker 1: traumah Anyway, so as Liz is, you know, having to
• 4:15
  Speaker 1: defend the fact that her and Jamal hooked up, and
• 4:19
  Speaker 1: for some reason, Jamal, who already came on the set,
• 4:24
  Speaker 1: is I don't know no longer on set. Did he
• 4:28
  Speaker 1: just take the Uber black back to the hotel. I
• 4:31
  Speaker 1: have no idea why this tell All's not cutting to
• 4:34
  Speaker 1: him in the backstage area or trying to get him back.
• 4:37
  Speaker 1: I can't imagine that he was so booked that day
• 4:40
  Speaker 1: that he was like, I only have an hour on
• 4:41
  Speaker 1: this set and then I'm gonna jet I got a
• 4:43
  Speaker 1: bad Boys shoot. You know, it really puzzles me. But
• 4:48
  Speaker 1: here we are, so as Liz is talking about this situation,
• 4:55
  Speaker 1: we really get this hilarious shot of Alec, you know,
• 4:58
  Speaker 1: the gentleman that bought her the ring and she's betrothed to,
• 5:03
  Speaker 1: just having to stomach all of it, and he already
• 5:05
  Speaker 1: stomached the whole villa situation be a situation, so you know,
• 5:09
  Speaker 1: he's just there, he's just chilling. We find out that
• 5:16
  Speaker 1: Kim Bully says that she expected Liz not to tell
• 5:20
  Speaker 1: Jamal things. So finding out that Liz fucked Jamal, she's
• 5:24
  Speaker 1: wondering if she in fact did tell Jamal things. I
• 5:28
  Speaker 1: found this shocking because to me, I would assume that
• 5:32
  Speaker 1: Kim Bully and Jamal well, A, we're best friends, and
• 5:36
  Speaker 1: b would be closer than her relationship with Liz. So
• 5:42
  Speaker 1: to think that she told Liz things that she didn't
• 5:45
  Speaker 1: tell her own son is just is interesting to me. Anyway.
• 5:51
  Speaker 1: So we do find out that she told Liz about
• 5:56
  Speaker 1: the adoptions before she told Jamal about his siblings. I
• 6:04
  Speaker 1: wonder how many other people she told in her life,
• 6:08
  Speaker 1: because she, like, you know, she's been living on God's
• 6:11
  Speaker 1: green earth for so long. But I'm assuming that she
• 6:13
  Speaker 1: told other people besides Liz. I can't believe none of
• 6:16
  Speaker 1: it ever got back to Jamal anyway. Liz was like, no, no, no, no,
• 6:20
  Speaker 1: I never told Jamal, and you know I slept with
• 6:24
  Speaker 1: him before you told me the adoptions, And Liz sort
• 6:28
  Speaker 1: of tries to maintain that at one point, kim Bully
• 6:30
  Speaker 1: and her were in a car and kimberly said, don't
• 6:33
  Speaker 1: tell me things about Jamal. I know I know about
• 6:36
  Speaker 1: you and Jamal, and Liz took that to be like, oh,
• 6:39
  Speaker 1: you guys, you know that we boned. Oh okay, good,
• 6:42
  Speaker 1: I don't have to talk about it. Then now Alec
• 6:46
  Speaker 1: is sitting there hearing about all of this, and Via
• 6:48
  Speaker 1: still sitting there. And then we find out also that
• 6:52
  Speaker 1: even though he's sitting there pretty passive, he actually asked
• 6:56
  Speaker 1: Liz to unfollow Via, and he Via comes back with
• 7:02
  Speaker 1: do I come up that often? Which I thought was
• 7:06
  Speaker 1: brilliant because it really goes to show that there was
• 7:13
  Speaker 1: some insecurity and jealousy there, and for what reason, you know,
• 7:17
  Speaker 1: Via doesn't live close to them. It isn't like Liz
• 7:21
  Speaker 1: can lie to Alec and you know, be like I'm
• 7:25
  Speaker 1: working but really be hanging out with Via, you know,
• 7:27
  Speaker 1: unless she lies about the whole ass trip. You know.
• 7:32
  Speaker 1: So Alec is like, well, I didn't know you, buddy,
• 7:36
  Speaker 1: so and then they ask her, well, does that mean
• 7:40
  Speaker 1: that you're gonna have to unfollow Jamal? And you know,
• 7:43
  Speaker 1: there is no comment there. Basically, Ross is like, well,
• 7:49
  Speaker 1: I guess this is the last time you'll ever see
• 7:51
  Speaker 1: via then, you know, And Liz is like, like really
• 7:56
  Speaker 1: upset about it, and Ross is like, what you liked,
• 8:00
  Speaker 1: say anything to him one last time? And Liz is worn.
• 8:07
  Speaker 1: I mean, Liz is like being left out on a cliff,
• 8:11
  Speaker 1: like with one hand, you know, because really, probably she
• 8:16
  Speaker 1: should just be like, yeah, I would love to say
• 8:18
  Speaker 1: thank you so much for the time that we spent together.
• 8:22
  Speaker 1: You really helped me and it was an weird trip
• 8:26
  Speaker 1: in a lot of ways, and I felt so comfortable
• 8:28
  Speaker 1: with you. I wish you the best. Like how diplomatic.
• 8:32
  Speaker 1: But Liz opens her whole ass heart honey and is like, well,
• 8:37
  Speaker 1: you're one of my best friends, okay, And she says
• 8:43
  Speaker 1: and I was falling in love with you, and I
• 8:46
  Speaker 1: don't know what would have happened if I knew at
• 8:51
  Speaker 1: that time that you loved me, which is, to me
• 8:57
  Speaker 1: not great to say, because what you're basically saying is
• 9:02
  Speaker 1: someone that you met and you haven't seen you met,
• 9:05
  Speaker 1: you know, once on a trip and you spent four
• 9:08
  Speaker 1: or five days with them and you haven't seen them since,
• 9:10
  Speaker 1: is your best friend period. Kim Bully is like, I
• 9:14
  Speaker 1: thought I was your best friend. Liz is like, no anyway,
• 9:17
  Speaker 1: which is okay, that's one thing, and then you certainly
• 9:20
  Speaker 1: didn't have to say that you were falling in love
• 9:22
  Speaker 1: with him, and then you certainly didn't have to say
• 9:25
  Speaker 1: And I don't know what would have happened if I
• 9:27
  Speaker 1: knew you loved me, because that makes me feel like
• 9:31
  Speaker 1: what would have happened is you would have been like, fuck, Alec,
• 9:37
  Speaker 1: I'm going to try and make this work. And if
• 9:41
  Speaker 1: I did do that, I would almost guarantee myself a
• 9:45
  Speaker 1: place in the ninety Day Fiance universe because then we
• 9:49
  Speaker 1: could have seen either Love in Paradise or Regular ninety
• 9:54
  Speaker 1: day or the other way, or something where Liz would
• 9:56
  Speaker 1: be a cast member in that vicinity, because of course
• 10:00
  Speaker 1: is an American who dated Ed, who dated a foreigner.
• 10:06
  Speaker 1: But you know what I'm saying, like her relationship to
• 10:08
  Speaker 1: this world, although it's pretty much cemented now that she's
• 10:11
  Speaker 1: on Single Life, she would have access to the OG
• 10:16
  Speaker 1: the OG show, so we kind of brush away from that.
• 10:23
  Speaker 1: Alec is just sitting there taking it all and then
• 10:26
  Speaker 1: they're like, well, you guys, are you know getting married?
• 10:29
  Speaker 1: On's that happening. There's no formal date, but they are
• 10:33
  Speaker 1: looking for homes to move in together, and they talk
• 10:36
  Speaker 1: about her daughter, Riley, and basically she's like, yeah, Riley
• 10:42
  Speaker 1: told me that she's never seen me not cry in
• 10:45
  Speaker 1: a relationship. So it does feel like Liz almost is
• 10:52
  Speaker 1: settling with someone who provides stability and comfort and a
• 10:57
  Speaker 1: certain ease. And maybe the passion isn't, as you know,
• 11:06
  Speaker 1: palpable as other relationships. But with that kind of passion
• 11:12
  Speaker 1: comes toxicity, and this one feels free of that. They
• 11:19
  Speaker 1: talk about whether they're going to have kids, and Liz
• 11:22
  Speaker 1: says that if they are going to have kids, they
• 11:24
  Speaker 1: would have to like have them now because she's going
• 11:26
  Speaker 1: to have to have a hysterectomy, which is really sad.
• 11:29
  Speaker 1: So they go on a little mini break, and on
• 11:31
  Speaker 1: the little mini break, Liz and kim talk and it's
• 11:34
  Speaker 1: basically Kimberly being like, look, everything's going to be fine,
• 11:36
  Speaker 1: but I need a moment and you know, I'm going
• 11:38
  Speaker 1: to have some space in between this right now. So
• 11:42
  Speaker 1: we move on, and we move on to Gino, and
• 11:46
  Speaker 1: trying to get Gino to answer a question either truthfully
• 11:52
  Speaker 1: or really at all, is like pulling teeth. He is
• 11:57
  Speaker 1: an inept person. He he's constantly on guard, and he
• 12:03
  Speaker 1: won't ever really give a genuine, sincere, truthful answer. He
• 12:08
  Speaker 1: sort of puts on his tap dancing shoes and tries
• 12:11
  Speaker 1: to give us a show. But he's dumb, and it
• 12:15
  Speaker 1: feels like he thinks we're dumb, and so he will
• 12:21
  Speaker 1: say something vague and then when asked to specify, he'll
• 12:26
  Speaker 1: get back into a corner until maybe he does, and
• 12:29
  Speaker 1: even if he does actually give the truth in one
• 12:32
  Speaker 1: second later he'll pretend it didn't happen. It's weird. No,
• 12:37
  Speaker 1: it's weird, it's uncomfortable, it feels yeah, it feels definitely manipulative,
• 12:45
  Speaker 1: and it definitely feels like he can't hear himself, like
• 12:50
  Speaker 1: he has no awareness of how he's coming off. I
• 12:54
  Speaker 1: wonder if he sits in bed at night after these
• 12:57
  Speaker 1: tell alls and after well, I mean, every moment of
• 13:00
  Speaker 1: his life slash interaction with people, replaying things in his mind,
• 13:06
  Speaker 1: or if he has like some sort of Memento style
• 13:09
  Speaker 1: memory where he just forgets how awkward interactions are and
• 13:12
  Speaker 1: keeps going on with his life. Basically, he says that
• 13:17
  Speaker 1: Lexi and him don't really have dates. They have meetups
• 13:20
  Speaker 1: as friends where they thrift shop together, and then we
• 13:25
  Speaker 1: move on to the Natalie situation again. We had talked
• 13:28
  Speaker 1: about it before, but we touch upon it again and
• 13:31
  Speaker 1: they're like, GINO, Now, Natalie tried to get you to
• 13:36
  Speaker 1: answer the question of whether you were talking to other women,
• 13:39
  Speaker 1: and then you you didn't want to answer that, and
• 13:42
  Speaker 1: when she realized that you were not going to answer
• 13:45
  Speaker 1: it straightly or truthfully, you didn't respect her or the
• 13:48
  Speaker 1: relationship enough to give an honest answer. And because you
• 13:52
  Speaker 1: didn't respect the relationship enough nor her to stop talking
• 13:55
  Speaker 1: to women, because you didn't think she was good enough
• 13:58
  Speaker 1: to like, settle with or be with, he of course
• 14:05
  Speaker 1: didn't answer the question. Natalie got up and left. Now
• 14:07
  Speaker 1: Natalie comes back and they end up dating after that,
• 14:10
  Speaker 1: which is bananas, but anyway, they basically pin him on
• 14:14
  Speaker 1: that for having that, for having not been able to
• 14:16
  Speaker 1: answer that question, and then when he finally breaks up
• 14:20
  Speaker 1: with Natalie, they ask him, well, did you break up
• 14:25
  Speaker 1: with Natalie because had you already started talking to Lexi?
• 14:29
  Speaker 1: And he tries to lie. He's like, no, well I
• 14:34
  Speaker 1: don't think I don't think so, and saying it that
• 14:42
  Speaker 1: way is shouting yes. I mean, like there's no one
• 14:49
  Speaker 1: that watches Gino try to be like I don't think
• 14:54
  Speaker 1: I did. That doesn't in their head here, I say yes,
• 15:00
  Speaker 1: my Lord, through all the good times, through all the
• 15:04
  Speaker 1: bad times. I'm sorry Asia anyway, Basically that's what's interesting
• 15:11
  Speaker 1: to me, Like does Ginos sort of sit there being
• 15:14
  Speaker 1: like I don't think so, And does he think that works?
• 15:18
  Speaker 1: Like does he think we're gonna be like, oh, okay,
• 15:20
  Speaker 1: he doesn't think so. Probably not. It's just so awkward.
• 15:26
  Speaker 1: It's so uncomfortable, it's so cringey, and he just sort
• 15:29
  Speaker 1: of like shuts his mouth. I don't think so. It's
• 15:31
  Speaker 1: just if I guess I find there to be like
• 15:36
  Speaker 1: no dignity in the way that he presents himself. He
• 15:42
  Speaker 1: doesn't seem to care about how shitty he looks, which
• 15:45
  Speaker 1: is weird because when people call him out on how
• 15:48
  Speaker 1: shitty he is, he seems to like live in denial
• 15:51
  Speaker 1: about it. If you're gonna lie to people, if you
• 15:55
  Speaker 1: don't even have the strength or respect for yourself or
• 15:58
  Speaker 1: the way that you move through this world to be
• 16:01
  Speaker 1: someone who can stand ten toes in their choices, why
• 16:06
  Speaker 1: do you think you're a good guy. It's like major Dick,
• 16:10
  Speaker 1: I truly don't get it. So. The thing about Lexi, though,
• 16:16
  Speaker 1: is that she's still living with her baby daddy, and
• 16:21
  Speaker 1: Gino can't really answer if there if she's still in
• 16:26
  Speaker 1: a relationship with her baby daddy. And the thing about
• 16:29
  Speaker 1: Lexi is that nor can she. It's like Gino finally
• 16:35
  Speaker 1: found someone who also doesn't really want to say the truth,
• 16:39
  Speaker 1: or who also lives in some sort of mushy limbo
• 16:44
  Speaker 1: world where the truth and a question that's like specific
• 16:51
  Speaker 1: about what's happening in her life seems too hard to answer.
• 16:57
  Speaker 1: I don't know what their conversations can possibly be, like
• 17:00
  Speaker 1: this on me? Should I buy this hat? Oh? God?
• 17:06
  Speaker 1: So we get a clip and the clip is of
• 17:08
  Speaker 1: Natalie who is with Courtney on between the sheets, and
• 17:13
  Speaker 1: this whole time do you know? Is like, well, you know,
• 17:16
  Speaker 1: Natalie and I are still friends, and this clip of
• 17:18
  Speaker 1: Natalie with Courtney is like Helen Brimstone, Natalie damning Gino
• 17:25
  Speaker 1: to hell. She's just like He's manipulative and conniving. He
• 17:32
  Speaker 1: loves to play a victim and get people to feel
• 17:35
  Speaker 1: bad for him. At the same time, he can't wait
• 17:39
  Speaker 1: to go through his dms on social media and get
• 17:41
  Speaker 1: a little boost of confidence because he gets attention online, like,
• 17:48
  Speaker 1: I have to assume that any rational person would be like, oh,
• 17:53
  Speaker 1: Colti too, and Colti likes having sit there. I wish
• 17:56
  Speaker 1: that someone would be like, Colty, does that sound familiar?
• 18:00
  Speaker 1: It's crazy how they're really two peas in a pod
• 18:03
  Speaker 1: and they hate each other for it. Chh okay. So
• 18:09
  Speaker 1: Gino won't take that to be that Natalie doesn't like him.
• 18:16
  Speaker 1: Gina's like, no, she's just being emotional. That's not real. Natalie, however,
• 18:24
  Speaker 1: paid actress or not, they didn't pay her enough to
• 18:26
  Speaker 1: go to this tell all. I don't know if her
• 18:28
  Speaker 1: daughter was like, oh my goddamn dead body, I got
• 18:30
  Speaker 1: you out of there. You won't go back. I have
• 18:32
  Speaker 1: no idea what's real or what's not. So at this point,
• 18:38
  Speaker 1: kim Bally has heard all this and hates Colt, hates Gino,
• 18:43
  Speaker 1: hates pretty much every man except for Wayne right now
• 18:46
  Speaker 1: and Jamal and Larry and comes at Gino and it's
• 18:52
  Speaker 1: just I guess with the ire that I am. But
• 18:54
  Speaker 1: instead of like being specific about his life, she starts
• 18:58
  Speaker 1: being like you and all men and when with usman
• 19:01
  Speaker 1: did this too? You all do this thing, you all
• 19:04
  Speaker 1: harm people, you all harmed me. And it's like, okay,
• 19:07
  Speaker 1: well girl, you know, keep it straight. Don't add in
• 19:13
  Speaker 1: yourself because it devalues your argument. It makes people feel
• 19:18
  Speaker 1: like you are And unfortunately Culty picks up on this
• 19:20
  Speaker 1: because Colti is mild is smarter than Geno. Coulti says,
• 19:24
  Speaker 1: you're projecting on Geno things about yourself, and surely she is.
• 19:29
  Speaker 1: Even if what she's saying is true. It's unfortunate. It
• 19:36
  Speaker 1: takes a minute and I'm not saying I'm great at
• 19:39
  Speaker 1: it on how to debate or argue someone or get
• 19:44
  Speaker 1: your point across in a way that doesn't belie your
• 19:49
  Speaker 1: own insecurity. It's like, you can't bring up things from
• 19:55
  Speaker 1: your life and you can't bring up like past things
• 19:59
  Speaker 1: that have no relevance to what the issue is at hand,
• 20:03
  Speaker 1: because even if you're right, the minute you do that,
• 20:07
  Speaker 1: it just takes away from your position, which is unfortunate.
• 20:12
  Speaker 1: I don't know if this stuff is like taught in debate,
• 20:15
  Speaker 1: like speech and debate. It feels like it's taught in
• 20:18
  Speaker 1: effective communication like therapy kind of things. But if that
• 20:24
  Speaker 1: is someone that if something that you do is that
• 20:26
  Speaker 1: when you get upset, you try and bring up things
• 20:30
  Speaker 1: from the past, or things that have no relatives to
• 20:33
  Speaker 1: the situation, or sort of broad brushstroke someone's behavior, and
• 20:40
  Speaker 1: then all of a certain type of person's behavior. Don't
• 20:44
  Speaker 1: do it. Yeah it, don't do it. You're wasting your
• 20:48
  Speaker 1: breath because you will give the other person or any
• 20:50
  Speaker 1: other person listening to this do cause to question you anyway,
• 20:57
  Speaker 1: So uh G courses like no, I don't, No, I don't.
• 21:02
  Speaker 1: He's just like deflecting, deflecting, deflecting, and it's like, yes
• 21:05
  Speaker 1: you do, Yes, you do. And then they bring out
• 21:08
  Speaker 1: a course Jasmine, who's so happy to come out. Jasmine
• 21:12
  Speaker 1: comes out and one of her pageant dresses. I cannot
• 21:16
  Speaker 1: understand why so many women on the show, Vanya, Liz,
• 21:22
  Speaker 1: Jasmine decide that a tell All outfit should be a
• 21:28
  Speaker 1: pageant dress with Ryan stones and cutouts and some weird
• 21:39
  Speaker 1: top that maybe looks good full length when you're watching
• 21:46
  Speaker 1: them on stage, but like sitting is just a lot. Also,
• 21:50
  Speaker 1: it looks so overdressed for this tell All. That is
• 21:53
  Speaker 1: why again, why I'm like Courtney is the best dressed anyway.
• 21:57
  Speaker 1: It's weird how simplicity is key, But like you you
• 22:00
  Speaker 1: really need a beautiful top, you need like a color
• 22:03
  Speaker 1: that really makes you pop, Like that is what looks
• 22:06
  Speaker 1: good on camera for this kind of situation. It really
• 22:10
  Speaker 1: also goes to show that no one gets stylists ever,
• 22:13
  Speaker 1: no one even has a friend that will do them
• 22:15
  Speaker 1: a favor or whatever. Anyway, Now, Jasmine Gina likes to
• 22:21
  Speaker 1: make a joke like, oh, Jasmine, we have the same
• 22:24
  Speaker 1: haircut now, and Jasmine still looks better than you, geno.
• 22:29
  Speaker 1: They ask Jasmine if she has watched his journey. She's like, yep,
• 22:33
  Speaker 1: every moment of it, every minute I watched every twice.
• 22:36
  Speaker 1: I watched it twice. And they're like, well, what's one
• 22:38
  Speaker 1: word to describe it? She's like pathetic. Jasmine is a
• 22:45
  Speaker 1: good communicator. Her verbiage is high, Like Jasmine has probably
• 22:53
  Speaker 1: the biggest she has the most words you for any
• 23:00
  Speaker 1: cast member. Her vocabulary is larger and I'm just saying
• 23:06
  Speaker 1: in English than any other cast member on the show.
• 23:12
  Speaker 1: She's just very good at communicating. Like I don't know
• 23:15
  Speaker 1: if I know that she was a teacher. I don't
• 23:16
  Speaker 1: know if it was like English or like English in
• 23:19
  Speaker 1: high school like she really does like she I mean,
• 23:23
  Speaker 1: she's just a smart, astute person. When she wants to
• 23:29
  Speaker 1: say something. Now, whether she's emotionally intelligent, No, it's a
• 23:33
  Speaker 1: different conversation. And how much she puts on I'm not
• 23:36
  Speaker 1: quite sure because a lot of Jasmine we've seen has
• 23:39
  Speaker 1: been truly toxic. Now, at the same time, Gino is
• 23:42
  Speaker 1: no saint and none of a fiance loves Jasmine. She's
• 23:47
  Speaker 1: on diaries now. To me, she's a little bit unwatchable.
• 23:51
  Speaker 1: I don't like her sort of constant drama and chaos
• 23:58
  Speaker 1: and how mad she gets. So it's a little hard
• 24:02
  Speaker 1: because I know she has kids in Panama, and it
• 24:06
  Speaker 1: does feel like she's just chosen not to say those
• 24:10
  Speaker 1: kids anymore. She's not the only cast member I think
• 24:14
  Speaker 1: Larissa has kids, and like I think Larissa has kids.
• 24:18
  Speaker 1: It is hard when people come to America with children
• 24:24
  Speaker 1: back home and they're just like, well I made it,
• 24:26
  Speaker 1: you guys have fun. I'm trying to think. I don't
• 24:29
  Speaker 1: want to just put this on women. I can't remember
• 24:31
  Speaker 1: the men that have done this. Well, Joshua will we'll
• 24:34
  Speaker 1: do this soon. But yeah, it's any children on the
• 24:39
  Speaker 1: show is hard for me to deal with. The show
• 24:42
  Speaker 1: would be a lot better of casting was like, no
• 24:44
  Speaker 1: kids allowed to me anyway. Now, Jasmine, who is being
• 24:52
  Speaker 1: asked questions. Really can't get a word in edgeways because
• 24:56
  Speaker 1: Gino is so argument he's cutting her off left and right.
• 25:02
  Speaker 1: I almost wish someone'd be like, shut up, Gino. I
• 25:04
  Speaker 1: asked her a question. I didn't ask you a question.
• 25:08
  Speaker 1: Gino certainly will yell at Jasmine more now than we've
• 25:13
  Speaker 1: ever seen him when he was married to her, And
• 25:15
  Speaker 1: I wonder if we just didn't see it that much
• 25:17
  Speaker 1: because he is so maybe he is angry now. He
• 25:21
  Speaker 1: really does feel like he was used for a green card.
• 25:29
  Speaker 1: And I don't quite understand how the green card visa
• 25:32
  Speaker 1: thing works in that once you get married to someone,
• 25:42
  Speaker 1: is it really hard to get that revoked if the
• 25:44
  Speaker 1: marriage doesn't work out, or if the process already starts,
• 25:49
  Speaker 1: is it really hard to stop it? Because certainly Jasmine
• 25:53
  Speaker 1: is still here and Gino doesn't seem to have a
• 25:55
  Speaker 1: recourse to send her back. Michael's still here, and Angela
• 25:58
  Speaker 1: probably would have tried to send him back if she could.
• 26:02
  Speaker 1: Larissa's still here and there was like, you know, issues
• 26:05
  Speaker 1: with her where she you know, had gotten arrested or
• 26:07
  Speaker 1: had like dB chargers against her. So I'm not quite
• 26:10
  Speaker 1: sure like what that's like if it just costs a
• 26:14
  Speaker 1: bunch of money to do that, or or how people
• 26:16
  Speaker 1: are allowed to stay here. I'm not saying they shouldn't
• 26:19
  Speaker 1: be allowed to stay here, but I'm just wondering how.
• 26:23
  Speaker 1: So basically, we bring Lexi to talk and she again
• 26:31
  Speaker 1: can't really answer if her and her baby daddy or
• 26:34
  Speaker 1: in a relationship. She's like, I should ask him, which
• 26:37
  Speaker 1: is a crazy thing to say. And when they're like, well,
• 26:40
  Speaker 1: are you sleeping with him, She's like, no, we're in
• 26:45
  Speaker 1: separate bedrooms. Like she almost like, did Gino coach her
• 26:49
  Speaker 1: on how to like not answer a question or how
• 26:52
  Speaker 1: to dodge a question? Maybe they are perfect together. LuxI
• 26:56
  Speaker 1: then also says you can't judge someone in a toxic relationship,
• 27:02
  Speaker 1: which I beg to differ, but also it seems like
• 27:07
  Speaker 1: Lexi's like, don't judge me. I was in one, I'm
• 27:09
  Speaker 1: in one now I'm about to get in one with you, know, hahaha.
• 27:14
  Speaker 1: We all go through lessons in life, and I'm not
• 27:16
  Speaker 1: saying you should judge someone totally, but if we are
• 27:18
  Speaker 1: watching someone's behavior in a relationship that one can consider toxic,
• 27:24
  Speaker 1: you can sort of tell if someone is aiding and
• 27:29
  Speaker 1: abedding into the toxicity and growth happens and evolution happens.
• 27:39
  Speaker 1: At the same time, you can comment and make, as
• 27:43
  Speaker 1: you know, assertions on whether this person moves well in
• 27:47
  Speaker 1: a relationship having watched them, especially if they're on a
• 27:52
  Speaker 1: reality show, because that's you know, kind of like the
• 27:55
  Speaker 1: contract they give, which is you can talk about us,
• 27:58
  Speaker 1: you can comment on this because we're you a story
• 28:01
  Speaker 1: to do. So personally, that's what I think, and that's
• 28:05
  Speaker 1: how I sleep at night. Anyway. Jasmine straight up looks
• 28:10
  Speaker 1: well kind of at the screen that Lexi's on and
• 28:14
  Speaker 1: is like, do you have daddy issues? And we're like, hell, yeah,
• 28:18
  Speaker 1: that's funny, and Lexi can't really answer, almost shakes her
• 28:22
  Speaker 1: head yes, and Jasmine's like, because I did, I did.
• 28:26
  Speaker 1: I did. That's why I see myself in you, and
• 28:28
  Speaker 1: that's why I was with Gina, like I have daddy
• 28:30
  Speaker 1: issues and that's interesting, Yeah, like wanting to play out
• 28:38
  Speaker 1: with an older man what you didn't get from your parent.
• 28:50
  Speaker 1: So if you're a female and you're like heterosexual and
• 28:53
  Speaker 1: you have mommy issues, is does that more happen? And
• 28:55
  Speaker 1: then in like your girlfriend that are like friends, or
• 29:02
  Speaker 1: if you have mommy issues and you're a lesbian. Does
• 29:05
  Speaker 1: that affect your relationships with women anyway? Or does all
• 29:11
  Speaker 1: the parent issues affect everything all the time? You guys,
• 29:14
  Speaker 1: you tell me what you think. Lexi seems like every
• 29:19
  Speaker 1: time we see Lexi it looks like she is like nineteen,
• 29:22
  Speaker 1: Lexi looks she's a high schooler, I mean, which makes
• 29:26
  Speaker 1: the Geno and her relationship eve and grosser, wildly gross.
• 29:34
  Speaker 1: And to top off that, like to add a little
• 29:36
  Speaker 1: cherry on the absolutely not. Gino is just so happy
• 29:39
  Speaker 1: that he's dating someone who can give him the one
• 29:41
  Speaker 1: thing that he wants, which is a child. To give
• 29:45
  Speaker 1: that child daddy issues. God, I hope Geno's barren. I
• 29:54
  Speaker 1: really do. There's just so much I've already said, there's
• 29:57
  Speaker 1: like so much pain and trauma in this world, and
• 30:00
  Speaker 1: I just don't want more people to have to deal
• 30:02
  Speaker 1: with it. And he is not someone who should have
• 30:05
  Speaker 1: a child like at all. I wonder if he has
• 30:14
  Speaker 1: any pets anyway. Lexi is like again that she doesn't
• 30:22
  Speaker 1: have sex with her baby daddy. I would really like
• 30:25
  Speaker 1: them to be like, Oh, it seems like if you're
• 30:27
  Speaker 1: probably living with him, that he's in the room or
• 30:30
  Speaker 1: in a different room of the house. Can we talk
• 30:31
  Speaker 1: to him. I'd love to hear his view, Like if
• 30:34
  Speaker 1: she doesn't know if they're in a relationship, it seems
• 30:36
  Speaker 1: like we should ask him. Does that guy know about
• 30:39
  Speaker 1: Gino anyway? So Jasmine you know, pretty much warns Lexi
• 30:46
  Speaker 1: to run, run, run to get away, you know, like
• 30:48
  Speaker 1: get out.
• 30:49
  Speaker 2: You know.
• 30:49
  Speaker 1: She's like, absolutely not. And we also find out that
• 30:55
  Speaker 1: Gino is talking to the woman right now, and he's like, yeah, Lexi,
• 30:59
  Speaker 1: lets me talk about a poly situation. I'm in one now.
• 31:04
  Speaker 1: I get to like feel a spark with Lexi and
• 31:06
  Speaker 1: go on thrift shores. But like I come home every
• 31:09
  Speaker 1: night and go through my DMS and like see what
• 31:11
  Speaker 1: women are like throwing my way. I I would like
• 31:21
  Speaker 1: him to be catfished by someone or scammed by someone.
• 31:30
  Speaker 1: I just think that it would be interesting, and of course,
• 31:35
  Speaker 1: like give me some semblance of justice. So they're like,
• 31:40
  Speaker 1: you know, ross the whole day is I cannot understand
• 31:43
  Speaker 1: why what Lexi's doing there, And so they're like, Lexi,
• 31:46
  Speaker 1: do you do you feel a spark when your lips
• 31:49
  Speaker 1: touch Genos? And she's like yeah. We're like and he's like,
• 31:55
  Speaker 1: I'm starting to get feelings. Meanwhile, they've been hanging out
• 31:57
  Speaker 1: for like eight months. That's a slow to warm person.
• 32:03
  Speaker 1: And Ross is like, okay, well does it give you
• 32:05
  Speaker 1: pause Lexi to understand how many women he's wronged that
• 32:10
  Speaker 1: we've filmed. And she says there are no red flags,
• 32:19
  Speaker 1: which makes me feel like she doesn't understand what a
• 32:22
  Speaker 1: red flag is, because if I was being warned and
• 32:30
  Speaker 1: yelled at by someone's ex wife alone, that's a red flag.
• 32:37
  Speaker 1: It's red flag. That is the definition of a red flag.
• 32:42
  Speaker 1: Someone being on any fiance is like another red flag.
• 32:44
  Speaker 1: I could name two right right now, right there, you know.
• 32:50
  Speaker 1: So basically at this point, it's like talking to stone walls.
• 32:55
  Speaker 1: It's like two bricks on stage. And so they're like, well,
• 32:59
  Speaker 1: let's take a break. Let's give everyone a break, and
• 33:01
  Speaker 1: everyone's really happy. Kimberly Vanya Courtney are eating their lunch.
• 33:05
  Speaker 1: Kimberly is like, I got the black and salmon. I'm like, oh,
• 33:08
  Speaker 1: Pedro's like, give me some juice, and I'm like, yeah,
• 33:11
  Speaker 1: I love like a little sugar pickup. I love juice.
• 33:14
  Speaker 1: I really do anyway, like guava juice. Oh my god.
• 33:18
  Speaker 1: There was this long time I was really into, like
• 33:20
  Speaker 1: the ocean spray cran mango. That shit is so yummy,
• 33:24
  Speaker 1: wildly good. Ugh apple juice like the Martinelli's in the
• 33:28
  Speaker 1: actual apple glass Apple. I mean, please bring me back
• 33:34
  Speaker 1: to like second grade. I got a fruit punch. If
• 33:38
  Speaker 1: it's fruit punch, say less, say less. I love fruit
• 33:41
  Speaker 1: punch so much. Oh, honey, you don't even know what
• 33:44
  Speaker 1: I would do to a squeeze it. What I did
• 33:46
  Speaker 1: to like the Capri Sons Pacific coolers. I shot them
• 33:52
  Speaker 1: down my throat, honey, without swallowing. I mean really, I like,
• 33:57
  Speaker 1: I really love like a sugary yums. So here's the thing.
• 34:02
  Speaker 1: All the women are hanging out. Jasmine's like my baby.
• 34:05
  Speaker 1: She comes out, and you know this tell All is
• 34:08
  Speaker 1: ruled by women. Pedro won't say shit. Colt and Gino
• 34:14
  Speaker 1: hate each other, and that's really the only men there.
• 34:16
  Speaker 1: And then we have like a bunch of strong women
• 34:18
  Speaker 1: who are like banning together, you know, and Sophie's there too,
• 34:23
  Speaker 1: and they immediately talk shit about Gino because how would
• 34:28
  Speaker 1: you not. He is so super gross and the way
• 34:31
  Speaker 1: he behaves, in the way that he presents himself is
• 34:35
  Speaker 1: like I would say nothing to write home about, but
• 34:40
  Speaker 1: you would absolutely write home and tell them how shitty
• 34:42
  Speaker 1: he is. You would write a negative letter being like,
• 34:45
  Speaker 1: oh my god, then he did this, Then he did this.
• 34:50
  Speaker 1: He's hearing all this and then just has to swallow
• 34:53
  Speaker 1: his like you know, dry salmon. He is someone who
• 34:58
  Speaker 1: will dodge a the truth coming out of his own
• 35:02
  Speaker 1: lips and any opinion coming his way from anyone that
• 35:08
  Speaker 1: doesn't further the narrative that he's a good guy. And
• 35:15
  Speaker 1: that's interesting because even his whole his own family hates him.
• 35:21
  Speaker 1: So that's a lot of dodging. But at the same time,
• 35:25
  Speaker 1: I guess with a morsel of fame, if you start to,
• 35:28
  Speaker 1: you know, waiver in your self confidence, I guess you
• 35:32
  Speaker 1: can just go to your social media and get a
• 35:33
  Speaker 1: bunch of sad people to be like, do you know
• 35:36
  Speaker 1: we like you, here's my panties. Yeah, yeah, yeah, yeah,
• 35:41
  Speaker 1: yah yah ya ya okay, So he really is like
• 35:49
  Speaker 1: Natalie liked me. Natalie liked me. In fact, Natalie came
• 35:54
  Speaker 1: back and hung out with me after I humiliated her
• 35:58
  Speaker 1: on national television in the last season. That's how much
• 36:01
  Speaker 1: she liked me. Natalie liked me, and Natalie liked me
• 36:04
  Speaker 1: once then she still likes me. When we heard Natalie
• 36:07
  Speaker 1: be like, fuck that asshole, Like that's crazy to me.
• 36:13
  Speaker 1: But I also feel like I'm so sensitive that Like again,
• 36:16
  Speaker 1: that's why I bring up. I wonder if he sits
• 36:19
  Speaker 1: out in bed at night replying things and be like,
• 36:21
  Speaker 1: I think that person hates me. He doesn't though, anyway, Colti,
• 36:32
  Speaker 1: who I mean would be again the only person on
• 36:36
  Speaker 1: Gino's side if Gino had an an ounce of something
• 36:40
  Speaker 1: to hold on to, is like she hates you, bro
• 36:43
  Speaker 1: get over it, meaning Natalie, because we just watched her
• 36:45
  Speaker 1: say that. Gino just won't admit what he did was
• 36:51
  Speaker 1: bad to anyone. He will take no accountability across the way,
• 36:57
  Speaker 1: even when he's like coming at Jasmine like you hit Natalie.
• 37:00
  Speaker 1: Jasmine has no problem to me, like yeah, and I
• 37:03
  Speaker 1: did it and I was wrong. I should never have
• 37:05
  Speaker 1: done that, and I apologize to her I did it. Yeah,
• 37:07
  Speaker 1: you're right, I did it and I wish I didn't,
• 37:11
  Speaker 1: which only makes Jasmine look better. It only makes Geno
• 37:13
  Speaker 1: look coarse, so interesting that he can't see that. It's
• 37:17
  Speaker 1: always interesting when people don't get that if they give
• 37:21
  Speaker 1: us a little accountability or responsibility, it will ease the
• 37:25
  Speaker 1: tension and let us like believe in you more. But
• 37:27
  Speaker 1: if you are really going to try and stand on
• 37:29
  Speaker 1: some sort of mountain looking down on people when you
• 37:32
  Speaker 1: are scum, it's just it's like incredibly hard to swallow.
• 37:39
  Speaker 1: So at this point we move on to Colt and Courtney.
• 37:45
  Speaker 1: Now Coulty thinks that court and phil won't be a
• 37:48
  Speaker 1: good couple, and it's because he saw them fight, and
• 37:51
  Speaker 1: they're like, well, we fought because of you, and without
• 37:53
  Speaker 1: you in the equation, it's all really really great for us.
• 37:58
  Speaker 1: We get a clip also of Jessica Jess who was
• 38:03
  Speaker 1: Colti's girlfriend after Larissa and kind of in between his
• 38:08
  Speaker 1: like marriage to I think her name was Veronica, and
• 38:12
  Speaker 1: Jess calls him out by being like, you know, when
• 38:15
  Speaker 1: Colty lies, when he moves his eyebrows in a certain
• 38:18
  Speaker 1: way and touches his glasses and sula. They have a
• 38:22
  Speaker 1: clip with him doing that to Courtney when he's trying
• 38:25
  Speaker 1: to say that he's not talking to women, and Courtney agrees,
• 38:30
  Speaker 1: and then Philip comes out and she walks over to
• 38:35
  Speaker 1: greet him, like you know, with her arms out, which
• 38:37
  Speaker 1: is nice. And they ask Courtney what her favorite thing
• 38:41
  Speaker 1: about phil is, and she doesn't say, like you know
• 38:43
  Speaker 1: how much money he has or how he'll do whatever
• 38:45
  Speaker 1: I want. She says that he's he won't cheat on her,
• 38:50
  Speaker 1: which is also something I think that, you know, there
• 38:53
  Speaker 1: is something to be said, and I think that even
• 38:55
  Speaker 1: Courtney maybe have posted this at one point that like
• 38:59
  Speaker 1: getting with an older man who you know doesn't have
• 39:02
  Speaker 1: a lot of energy to like fuck around with bitches,
• 39:05
  Speaker 1: hopefully you know, like means that she feels more stable
• 39:10
  Speaker 1: and lesson secure in a relationship. I wonder how true
• 39:13
  Speaker 1: that is. Though. She also says that he's generous, and
• 39:17
  Speaker 1: every time I hear that, I'm like, well, yeah, he
• 39:19
  Speaker 1: pays for things. That's what I That's what generous means
• 39:21
  Speaker 1: to me. They have a thirty three year age gap,
• 39:27
  Speaker 1: and it's because she said she thought he was in
• 39:30
  Speaker 1: his fifties, which seems suspect, and that he thought she
• 39:34
  Speaker 1: was in her forties or fifties. Now Courtney does not
• 39:37
  Speaker 1: look fifty. That's crazy. Courtney to me looks like late
• 39:43
  Speaker 1: thirties anyway, godless so. In regards to the sugar baby accusations,
• 39:51
  Speaker 1: Phil says that Courtney actually paid for the furniture herself
• 39:56
  Speaker 1: in their house and also half the house, which I
• 39:59
  Speaker 1: was really proud for Courtney. For Courtney's like, yeah, we're
• 40:02
  Speaker 1: you know, in the house flip and business. Now Courtney
• 40:06
  Speaker 1: has been I think a license realtor for a minute now,
• 40:10
  Speaker 1: and I like the idea of they're just you know,
• 40:12
  Speaker 1: doing their own flip and flip and flop, you know,
• 40:14
  Speaker 1: flip and flop the to read Christina situation. They can
• 40:19
  Speaker 1: kind of like use her to buy a house and
• 40:22
  Speaker 1: then flip it and then sell it for more money.
• 40:24
  Speaker 1: Good for them. I think it'd be a fun that's
• 40:28
  Speaker 1: a fun career. Now it's also super stressful, you know,
• 40:32
  Speaker 1: if you're in a weird market, if you don't understand
• 40:34
  Speaker 1: how things work, if houses don't sell. But if you
• 40:36
  Speaker 1: get really good aout what is a sellable house and
• 40:40
  Speaker 1: what materials would be good to use in a house
• 40:43
  Speaker 1: that doesn't cost you too much money but also looks
• 40:46
  Speaker 1: good enough so that people think they're going into a
• 40:48
  Speaker 1: completely redesigned home, than good for them. Now. I watched
• 40:52
  Speaker 1: so much early flip and flop, flip or flop, I
• 40:55
  Speaker 1: don't know, it's flip or flop, Okay, that's what it is.
• 40:59
  Speaker 1: And after a while would see how repetitive some of
• 41:02
  Speaker 1: the design choices were the subway tiles, the grays, the
• 41:06
  Speaker 1: you know, the fake wooden floors, you know all of that.
• 41:11
  Speaker 1: And you know that was happening in Orange County and
• 41:14
  Speaker 1: they're in Florida, which kind of feels a little bit
• 41:16
  Speaker 1: similar anyway. So in that also, I think that you know,
• 41:22
  Speaker 1: Florida has like less taxes and stuff like that. I mean,
• 41:24
  Speaker 1: California has taxes, you know what I mean. But that's
• 41:27
  Speaker 1: all I'm saying. Courtney also says this, which is like
• 41:33
  Speaker 1: a dagger to me for Colt. You know, Colty goes
• 41:37
  Speaker 1: back and forth on what he did being bad. You know,
• 41:40
  Speaker 1: he likes to be like, well, you know, I was
• 41:42
  Speaker 1: also treated like I didn't really matter and I was
• 41:45
  Speaker 1: not really a man, you know, And they're like, you
• 41:48
  Speaker 1: fucking had everything given to you and then you cheated
• 41:52
  Speaker 1: on her. And he's like, well, I didn't have everything
• 41:54
  Speaker 1: given to me. I also totally paid for things, like
• 41:57
  Speaker 1: when I took you to the dentist and Corney's like,
• 41:59
  Speaker 1: that was fifty dollars. He's like, yeah, why couldn't I
• 42:02
  Speaker 1: just have saved that money? She's like, because my family
• 42:07
  Speaker 1: and I were housing and feeding you, stupid asshole, She's like,
• 42:11
  Speaker 1: but you know what, if he didn't cheat on me,
• 42:14
  Speaker 1: then I would have been stuck with him for the
• 42:15
  Speaker 1: rest of my life, which is the power move. So
• 42:20
  Speaker 1: I'm actually happy it happened because now I have Phil.
• 42:24
  Speaker 1: I mean that is revenge, you know, like that is
• 42:28
  Speaker 1: it is revenge because you know what does Colti have?
• 42:32
  Speaker 1: Coulti has a string of broken relationships with usually the
• 42:38
  Speaker 1: same kind of woman, which is a foreign woman from Brazil. Anyway,
• 42:44
  Speaker 1: we get this little tidbit, which is that Phil and
• 42:47
  Speaker 1: Courtney actually broke up for six months over jealousy because
• 42:52
  Speaker 1: of cult and during that time, during the time they
• 42:55
  Speaker 1: were broken up, Courtney had a birthday party. I'm sorry,
• 43:00
  Speaker 1: she had a birthday and she decided, she said, to
• 43:03
  Speaker 1: invite the cast of Hunt for Love. And I was like,
• 43:06
  Speaker 1: what do you mean the whole cap You invited like Tiffany,
• 43:09
  Speaker 1: you invited like Cole and Carlo, you invited Rob. But
• 43:14
  Speaker 1: I think she just meant Elise. Alisa has also said
• 43:16
  Speaker 1: that she's like, you know, best friends with a courting
• 43:19
  Speaker 1: and then also during that time, she invited Colt to come,
• 43:24
  Speaker 1: which I found shocking because I'm like, how does he
• 43:27
  Speaker 1: have money to come? Does he have money to come? Also,
• 43:33
  Speaker 1: why why would you want to invite him? Why wouldn't
• 43:35
  Speaker 1: you want to go with your like best girly to
• 43:38
  Speaker 1: Mexico and like live the fuck up, like maybe hook
• 43:41
  Speaker 1: up with someone or I don't know whatever you're gonna do.
• 43:45
  Speaker 1: Now this becomes a point of contention because it's thrown
• 43:51
  Speaker 1: back in her face that when she invited him, she
• 43:55
  Speaker 1: possibly was like, we can stay together or you can
• 44:00
  Speaker 1: in my room, and that's gonna be a problem. We
• 44:05
  Speaker 1: get Diana, whose actually name is Gianna I guess even
• 44:08
  Speaker 1: though there's a D in front of it, okay from Brazil,
• 44:10
  Speaker 1: who is you know, face timed in she's got a
• 44:14
  Speaker 1: arm in her cast honey, And we find out that
• 44:19
  Speaker 1: Courtney says that Colt has even been cheating on her
• 44:24
  Speaker 1: and brings up this text message. She's like, I got
• 44:28
  Speaker 1: this DM, and the DM says Colt was literally dming
• 44:32
  Speaker 1: me weeks ago, practically begging for me to go to
• 44:35
  Speaker 1: Canada to sleep with him. And I seen the clip
• 44:37
  Speaker 1: of us, So this is this person talking. This is
• 44:42
  Speaker 1: what Okay, I see the clip of us, So thought
• 44:46
  Speaker 1: you should know, girl, you deserve so much better than that.
• 44:51
  Speaker 1: And I want to be like, who are you? Why
• 44:55
  Speaker 1: did you have a relationship enough for him to be
• 44:57
  Speaker 1: dming you? What did you to open that relationship? Who
• 45:02
  Speaker 1: are you? Also? Was he staying with Debbie his mom? Also,
• 45:08
  Speaker 1: can we talk to Debbie? Why is a Debbie being
• 45:10
  Speaker 1: phoned in? Why can't I wish we could. I wish
• 45:12
  Speaker 1: that Debbie would listen to all of this, and then
• 45:15
  Speaker 1: we can ask Debbie, why is your son so shitty?
• 45:19
  Speaker 1: Where do you think you failed in the raising of him?
• 45:22
  Speaker 1: Or conversely, was he always this way you could have done?
• 45:25
  Speaker 1: You could have done nothing to write the ship. I
• 45:29
  Speaker 1: would love Debbie to be like cult, you're horrible to women,
• 45:33
  Speaker 1: like I would love Gino's mom. I don't think that
• 45:37
  Speaker 1: Geno's mama still alive, but like, like, I need someone
• 45:40
  Speaker 1: in Gino's life that he looks up to, like that
• 45:41
  Speaker 1: older uncle. And I need Debbie to tell these men
• 45:45
  Speaker 1: to their face that they are wrong, that the way
• 45:50
  Speaker 1: that they move in this world is shitty, manipulative, dumb,
• 45:54
  Speaker 1: makes them look bad and makes the family look bad,
• 45:57
  Speaker 1: that they are stains on the name. Okaykind I feel
• 46:03
  Speaker 1: like that would give me what I need, because it's
• 46:08
  Speaker 1: unfortunate that these dudes are just like, ah, fuck those people.
• 46:13
  Speaker 1: They don't you know, they don't mean anything to me.
• 46:16
  Speaker 1: They can say whatever they want. They're just dumb, or
• 46:18
  Speaker 1: they'll have their own problems. Like I get that, but
• 46:20
  Speaker 1: like I would love someone in their lives that has
• 46:23
  Speaker 1: authority over them or has known them their whole lives
• 46:26
  Speaker 1: to fucking tell them off or you know, in a
• 46:31
  Speaker 1: way that they can hear, which is that they need
• 46:34
  Speaker 1: to go to therapy and look in a mirror and
• 46:37
  Speaker 1: be like, I'm gross and if I want to live
• 46:43
  Speaker 1: any sort of valuable life that contributes to this world,
• 46:48
  Speaker 1: I have to change my ways and I vow to
• 46:50
  Speaker 1: do so. That would be healing for me. It like literally,
• 46:53
  Speaker 1: would I think, like resurrect some part of the faith
• 46:58
  Speaker 1: I have in humanity? No easy task? Okay, So basically
• 47:08
  Speaker 1: Gianna is like Courtney's no Saint Courtney try to get
• 47:12
  Speaker 1: Colty to go to Mexico and stay with her, and
• 47:16
  Speaker 1: Courtney at first says now, and then we see the
• 47:18
  Speaker 1: text and it's basically like, if you want to come,
• 47:21
  Speaker 1: you can stay in a room with all of us.
• 47:23
  Speaker 1: You can share a room. And they're trying to make
• 47:26
  Speaker 1: it seem like it was just Courtney, and Courtney was like, no,
• 47:28
  Speaker 1: it would be a lease too. And you know what,
• 47:30
  Speaker 1: as much as I love Courtney, I found that hard
• 47:32
  Speaker 1: to believe because why would Elise want to stay in
• 47:37
  Speaker 1: a room with Colty? Why I wouldn't. I don't want
• 47:46
  Speaker 1: to stay in a hotel room with more than two people.
• 47:50
  Speaker 1: Of Course, I want my own hotel room. I want
• 47:52
  Speaker 1: my own hotel room, period. But I'm not a crazy person.
• 47:55
  Speaker 1: I know there's situations, you know, and there's two beds,
• 47:57
  Speaker 1: you know, where you can stay, especially with like you know,
• 47:59
  Speaker 1: someone you know easy, but like, there's never a time
• 48:04
  Speaker 1: where I want to stay with more than two people,
• 48:07
  Speaker 1: and certainly not some If I'm staying with a girl,
• 48:10
  Speaker 1: certainly not her ex, that's some dude, I'd be like, nah, girl.
• 48:15
  Speaker 1: Also Elise, as we know, there's a rolling in money,
• 48:20
  Speaker 1: So I don't understand why Elise would ever say yes
• 48:22
  Speaker 1: to that. She wouldn't like Alise would only say yes
• 48:27
  Speaker 1: to that if the person she was staying with was
• 48:31
  Speaker 1: a dude and the dude was inviting his hot friend,
• 48:33
  Speaker 1: then maybe Aluci'd be like, oh, okay, I can't wait
• 48:37
  Speaker 1: to wear my booty shorts every night in front of
• 48:38
  Speaker 1: them and show them my butt, you know, like that,
• 48:40
  Speaker 1: you know, come on. So now Gianna doesn't have a
• 48:45
  Speaker 1: friend on this diist because she doesn't like Courtney, but
• 48:47
  Speaker 1: she also like can't trust Culty. She's also upset about
• 48:50
  Speaker 1: that because you know, she knows that he's not shit.
• 48:56
  Speaker 1: She's no Lexi. She's not like I think it's fine.
• 49:00
  Speaker 1: She knows that this looks really bad for her. You know,
• 49:02
  Speaker 1: she like can feel and sendse pain because she has
• 49:04
  Speaker 1: a broken arm. Anyway, I just I yeah, it's just
• 49:16
  Speaker 1: so hard to deal with. So basically everyone is talking
• 49:24
  Speaker 1: and Gianna is sort of saying how she can't trust
• 49:28
  Speaker 1: Colt and she feels bad, and then it's called out
• 49:31
  Speaker 1: that she definitely looks sad, and Liz just out of
• 49:34
  Speaker 1: the blue is like, I don't feel bad for Gianna
• 49:37
  Speaker 1: because you know, she chose this life, and I want
• 49:40
  Speaker 1: to be like Liz, you got with big Ed after
• 49:42
  Speaker 1: he was already on TV. Oh I mean you got
• 49:50
  Speaker 1: with big Ed after he had a season. Okay, just
• 49:58
  Speaker 1: that happened and he kept going back to him after,
• 50:01
  Speaker 1: you know, over and over again. So girl, Okay, we
• 50:09
  Speaker 1: get Julia to come back, which is you know, still
• 50:12
  Speaker 1: interesting for me because she's been there the whole time.
• 50:14
  Speaker 1: And again, why Jamal never was brought back. I don't
• 50:17
  Speaker 1: know Jamal. I'm like, where did he go? Anyway, and
• 50:22
  Speaker 1: they talk about the Sophie slash Pedro slash Liz communication,
• 50:29
  Speaker 1: which we see in real time, well not so not.
• 50:33
  Speaker 1: We see clips of not real time where Liz tells,
• 50:36
  Speaker 1: you know, Pedro that Sophie needs some time she just
• 50:40
  Speaker 1: got out of a relationship and you know, Pedro's divorce
• 50:43
  Speaker 1: had happened, you know, much longer, and that she needs
• 50:47
  Speaker 1: some time to heal. And then we see Pedro like
• 50:50
  Speaker 1: bad telephone game, tell Sophie Liz told me, you know,
• 50:54
  Speaker 1: to back away from you and you know you're not
• 50:57
  Speaker 1: into it, which is not at all what she said.
• 51:00
  Speaker 1: And then Pedro realizes that it makes him look shitty,
• 51:02
  Speaker 1: so he's like, so I'm the problem. I'm the problem.
• 51:04
  Speaker 1: Now it's my turn to be loved the problem. And
• 51:06
  Speaker 1: It's like, well, yeah, it is a problematic anyway. So
• 51:13
  Speaker 1: Liz is also like, after this, you see me talking
• 51:15
  Speaker 1: of the phone. I was talking to Kimberly and I cried, cried, cried,
• 51:18
  Speaker 1: and Kimberly's like yep, and I've never seen her cry
• 51:22
  Speaker 1: over any man as much as you cried that night,
• 51:25
  Speaker 1: which I actually did like because I like making. I
• 51:29
  Speaker 1: do like it because it makes me feel like Kimberly
• 51:31
  Speaker 1: is back on Liz's side. And Julia admits that it
• 51:35
  Speaker 1: made them look like mean girls, which it did. Yes,
• 51:40
  Speaker 1: that's true, and also specifically that Sophie is the Regina
• 51:46
  Speaker 1: George and Julia is like some conglomeration of the other two.
• 51:54
  Speaker 1: So they ask Pedro if he is familiar with Sophie's
• 52:01
  Speaker 1: new boyfriend. He's like, yeah, his name is Jay or
• 52:02
  Speaker 1: Jordan or something, and Sophie can't wait to be like
• 52:05
  Speaker 1: he's a model. He's actually in Milan right now.
• 52:07
  Speaker 2: He's on a runway right now, and a one tour
• 52:10
  Speaker 2: is looking at his body right now and being like,
• 52:13
  Speaker 2: I am happy for Sophie. That's what's happening now at
• 52:17
  Speaker 2: this moment. I pause and I was like, Oh, yeah,
• 52:20
  Speaker 2: that dude, I remember seeing him on social media.
• 52:22
  Speaker 1: Is she still with that dude? And then I went
• 52:24
  Speaker 1: to her Instagram and like, I can't find one post
• 52:27
  Speaker 1: of her with that guy, not one, but in this
• 52:32
  Speaker 1: moment she's like yep, and guess what he has opportunities
• 52:35
  Speaker 1: to go to New York or LA. But he picked LA,
• 52:38
  Speaker 1: where I live, and he's going to move into my
• 52:40
  Speaker 1: house for a month. And they're like, oh, it's gonna
• 52:42
  Speaker 1: move into your house for a month. She's like yeah,
• 52:43
  Speaker 1: and pay all my rent, pay all of it. And
• 52:45
  Speaker 1: we're like, okay, from his Milan modeling, okay. You know
• 52:49
  Speaker 1: what's interesting about that is that I don't know for
• 52:55
  Speaker 1: sures he's sure, but I think that if you're a
• 52:57
  Speaker 1: working model, you can't be in LA full time. If
• 53:03
  Speaker 1: you're a working runway couture model, I feel like you
• 53:07
  Speaker 1: have to live in New York, just like if you
• 53:13
  Speaker 1: this is back in the day, we don't have an
• 53:15
  Speaker 1: entertainment industry like we used to. Like it used to
• 53:17
  Speaker 1: be like, if you're an actor and you want to
• 53:20
  Speaker 1: do TV, you should probably live in LA like TV shows.
• 53:25
  Speaker 1: Now who knows because this is before all, like you know,
• 53:28
  Speaker 1: productions moved to Atlanta and moved to Vancouver, and of
• 53:31
  Speaker 1: course at the same juncture, if you wanted to do
• 53:33
  Speaker 1: theater or definitely obviously Broadway, you have to be in
• 53:36
  Speaker 1: New York. But it's the same, like there's not enough modeling,
• 53:40
  Speaker 1: runway work in La to warrant you living on the
• 53:44
  Speaker 1: entire side of the country, on the opposite side of
• 53:48
  Speaker 1: the country, is what I mean. Because I also just
• 53:53
  Speaker 1: don't know if male models make enough money because of
• 53:57
  Speaker 1: course it's like a female dominated industry to warrant you
• 54:02
  Speaker 1: being like, yeah, if you want me in New York,
• 54:04
  Speaker 1: you pay for me every time to fly there, because
• 54:06
  Speaker 1: I feel like they'll just hire men that work there. Now,
• 54:10
  Speaker 1: I'm not a model, even though I should be. But
• 54:13
  Speaker 1: that's my two cents. So at this point, you know,
• 54:19
  Speaker 1: we've sort of wrapped up a situation. But night a
• 54:23
  Speaker 1: fiance loves a last hurrah. They love it. I can't
• 54:28
  Speaker 1: imagine a tail all ending the minute the cameras for
• 54:33
  Speaker 1: the teil all on stage end. So of course Ross
• 54:37
  Speaker 1: is like, well that's not for me, you know, it's
• 54:38
  Speaker 1: been an honor, and they cut and they all go
• 54:41
  Speaker 1: backstage and all the girls sit down in their dresses,
• 54:44
  Speaker 1: which is not real because when you're doing production, like
• 54:48
  Speaker 1: the minute that something's done, you would go to your
• 54:51
  Speaker 1: room and you would change out of your clothes like
• 54:54
  Speaker 1: that was like you get to leave, you know, but
• 54:56
  Speaker 1: they know they're not done. That's so interesting to me,
• 55:00
  Speaker 1: Like The other thing is that for production, you kind
• 55:05
  Speaker 1: of have everything like set out like and this is
• 55:08
  Speaker 1: definitely I haven't worked in reality television, right, but I
• 55:11
  Speaker 1: definitely have worked in scripted television. So when you're working
• 55:14
  Speaker 1: in scripted television, you have like the day's agenda and
• 55:17
  Speaker 1: you see like what scenes you're doing. You know, it's
• 55:20
  Speaker 1: almost like yeah, the whole itineraryan schedule, and you know
• 55:23
  Speaker 1: like after we're doing you know these pages, then you
• 55:28
  Speaker 1: were going to be done for the day and you
• 55:29
  Speaker 1: would go back to your trailer. You have to get undressed,
• 55:32
  Speaker 1: you know, almost immediately, you have to sign on your
• 55:34
  Speaker 1: paperwork because the hair and costume people are going to
• 55:37
  Speaker 1: take care of your clothes or whatever, God bless. Like
• 55:39
  Speaker 1: you wouldn't just sit around on set talking to the
• 55:41
  Speaker 1: grips or something. It'd be weird. Plus the grips are busy,
• 55:44
  Speaker 1: you know, undoing things, and like no cast members sit
• 55:47
  Speaker 1: around in their clothes because they're working actors and may
• 55:50
  Speaker 1: want to leave. So anyway, so all of this is
• 55:53
  Speaker 1: so fun. Like I wonder if in the production schedule,
• 55:57
  Speaker 1: like of the day, if it actually says like fake
• 56:00
  Speaker 1: end of tell All, but then other final scene behind stage,
• 56:04
  Speaker 1: you know, anyway, Because I also wonder if they actually
• 56:08
  Speaker 1: do ever get breaks that are not filmed, like we
• 56:12
  Speaker 1: see we have two breaks on the tell All Part two,
• 56:15
  Speaker 1: the one that happens first and then the like lunch break,
• 56:18
  Speaker 1: and they surely are eating their lunch. But I wonder
• 56:20
  Speaker 1: if there also are like hidden breaks where they're like, okay, here,
• 56:26
  Speaker 1: we're gonna take off your mic go pee, do whatever anyway,
• 56:29
  Speaker 1: because the other thing is I'm assuming there has to
• 56:32
  Speaker 1: be for legal reasons or I don't know truly, I
• 56:37
  Speaker 1: don't know. I would love to know that though. Anyway,
• 56:40
  Speaker 1: questions okay, and I feel like, but the thing about
• 56:43
  Speaker 1: it is like if I ever talked to Ross about it,
• 56:45
  Speaker 1: I don't think you'd be able to tell me, because
• 56:48
  Speaker 1: it's like lifting the veil. Now he's in the veil.
• 56:52
  Speaker 1: Now he's like, you know, a veiled person. Anyway, So
• 56:57
  Speaker 1: all the women sit down, as I said, and we
• 57:00
  Speaker 1: get Coltie being very upset because he feels like, you know,
• 57:04
  Speaker 1: Gianna's over him, and he's tried to FaceTime her, and
• 57:06
  Speaker 1: then she finally picks up and she's crying and she
• 57:09
  Speaker 1: says she wants to break up with him. And at
• 57:12
  Speaker 1: this point, Courtney hears this and is like, I'm gonna
• 57:15
  Speaker 1: go talk to him, and some girls are like no,
• 57:17
  Speaker 1: and Vonnie's like me too because I have something to
• 57:19
  Speaker 1: say about it, and it's like Vanya, come on. And
• 57:21
  Speaker 1: then when she goes over there, Colts is like, haven't
• 57:24
  Speaker 1: you done enough? You're breaking up my relationship? Do I
• 57:27
  Speaker 1: not deserve any happiness? I didn't say anything about your relationship,
• 57:31
  Speaker 1: and he kind of did. He just didn't go for
• 57:37
  Speaker 1: Phil like he never was, like, Phil, don't date Courtney
• 57:41
  Speaker 1: because she's going to make you feel like less than
• 57:43
  Speaker 1: a man, and you know, you don't really get to
• 57:45
  Speaker 1: have sex, and you know, blah blah blah, mostly because
• 57:48
  Speaker 1: he can't because it seems like Phil and Courtney bang
• 57:51
  Speaker 1: all the time. Now, the Courtney is already one because
• 57:58
  Speaker 1: she's in a relationship that you know, solid, and she's
• 58:01
  Speaker 1: like the better person. So it's interesting that she would
• 58:04
  Speaker 1: allow this thing because it does make her look like
• 58:07
  Speaker 1: she cares too much, But also texting him in between
• 58:13
  Speaker 1: their breakup to come to Mexico also makes me feel
• 58:15
  Speaker 1: like she cares too much. I wonder if it's one
• 58:20
  Speaker 1: of those like Sophie things that she wants to feel
• 58:26
  Speaker 1: like Coltie still wants to be with her for some
• 58:29
  Speaker 1: sort of personal satisfaction slash validation, right, because it's like you,
• 58:40
  Speaker 1: I mean, this is a toxic trait, but I get
• 58:43
  Speaker 1: this that, like anyone that you've been with, or shared
• 58:48
  Speaker 1: romantic interest with, or had sex with, it's a nice
• 58:51
  Speaker 1: feeling to think that in the back of their minds
• 58:55
  Speaker 1: they wish it worked out or would always want to
• 58:58
  Speaker 1: be with you if you gave them the option to
• 59:01
  Speaker 1: right to feel like that's a good feeling, you know.
• 59:03
  Speaker 1: It's a worse feeling to be like this person hates
• 59:06
  Speaker 1: my guts, which is probably why Gino can't, you know,
• 59:09
  Speaker 1: wrap his mind around the fact that Natalie hates his guts, right,
• 59:13
  Speaker 1: Like Gino must be like in the back of Jasmine's mind,
• 59:16
  Speaker 1: she still wants to be with me, and Natalie, I
• 59:18
  Speaker 1: know she wants to be with me because I'm the
• 59:19
  Speaker 1: one that broke up with her, you know. Anyway, how
• 59:25
  Speaker 1: that's what's interesting about toxicity is that it's such a
• 59:28
  Speaker 1: big word that we throw around all the time, but
• 59:31
  Speaker 1: humans are toxic. Human behavior is toxic because when you
• 59:36
  Speaker 1: put in things like insecurity or want or trauma or
• 59:39
  Speaker 1: pain or all of that, Like there are subtle and
• 59:46
  Speaker 1: or avert ways that avert. No, maybe it's true. Okay,
• 59:52
  Speaker 1: I'm gonna move on. You know what I'm saying, Like
• 59:54
  Speaker 1: people maneuver in ways to get a hit of validation.
• 1:00:00
  Speaker 1: Some things, some ways, maybe in their minds, are just
• 1:00:03
  Speaker 1: subtle or explainable, but behind is it the intention to
• 1:00:08
  Speaker 1: get a hit of validation. So it's interesting. I yeah,
• 1:00:13
  Speaker 1: Vanya at this point hasn't like, you know, we had
• 1:00:16
  Speaker 1: really put to rest Vanya's whole situation with Tony and
• 1:00:19
  Speaker 1: Act one of this, So Vanya being there like this
• 1:00:22
  Speaker 1: whole time seems a little weird. Vanya did her best though,
• 1:00:26
  Speaker 1: to really like give a lot of opinions at this point, though,
• 1:00:33
  Speaker 1: she does change when they're all packing and she's wearing
• 1:00:37
  Speaker 1: this beautiful cherry ass red shirt and I look at
• 1:00:44
  Speaker 1: it and I'm like, oh my god, wear this color.
• 1:00:49
  Speaker 1: Wear this stop with like the super cold pinks, the
• 1:00:55
  Speaker 1: hyper pinks, like the weird light lavenders that do nothing
• 1:01:00
  Speaker 1: for your skin. Look, if you're watching, if you remember
• 1:01:04
  Speaker 1: how her whole like face and hair pops against this
• 1:01:09
  Speaker 1: like cherry ass red. I was just like, oh my god,
• 1:01:13
  Speaker 1: I love it so much. That's basically the end of
• 1:01:16
  Speaker 1: the episode and thus the season. A lot of drama, though,
• 1:01:21
  Speaker 1: is happening. I don't know if you guys have been
• 1:01:23
  Speaker 1: paying attention, but obviously we're in, you know, about a
• 1:01:31
  Speaker 1: couple of weeks before I think the last resort airs,
• 1:01:34
  Speaker 1: and in that time we have learned that Jenny of
• 1:01:39
  Speaker 1: Jenny and Seuemittt has ALS, and that in itself is
• 1:01:47
  Speaker 1: like incredibly heartbreaking. I did some research and it seems
• 1:01:54
  Speaker 1: to be a well, it is a terminal illness with
• 1:02:00
  Speaker 1: not a lot of recourse, and perhaps there are some
• 1:02:04
  Speaker 1: trial situations that you know, are prolonging people's quality of life,
• 1:02:09
  Speaker 1: but they're very expensive. She's choosing to stay in India
• 1:02:15
  Speaker 1: at this time and is posting things, and she does
• 1:02:19
  Speaker 1: have a GoFundMe. But it's been really really, I mean,
• 1:02:24
  Speaker 1: it's been a really big way on my heart for
• 1:02:28
  Speaker 1: Jenny and Sue Met and her family and their family.
• 1:02:33
  Speaker 1: She's so young, she's only sixty five, I think, and
• 1:02:37
  Speaker 1: I think that her dad unfortunately died of ALS, and God,
• 1:02:41
  Speaker 1: it's just it's like it's just it's hard to talk about,
• 1:02:44
  Speaker 1: you know. I haven't really posted about it because I
• 1:02:48
  Speaker 1: you know, I just like to sort of talk about
• 1:02:51
  Speaker 1: things and have like a discussion in comments that I
• 1:02:56
  Speaker 1: feel like maybe is a little more easy to talk about,
• 1:02:59
  Speaker 1: but I don't. I don't want to post about this
• 1:03:01
  Speaker 1: because I don't want to deal with anyone's opinions. I
• 1:03:03
  Speaker 1: might be negative. It's like incredibly sad, and my heart
• 1:03:06
  Speaker 1: goes out to her. At the same time, I had
• 1:03:10
  Speaker 1: found out one we had found out in one day
• 1:03:13
  Speaker 1: that Patrick and Tayis had filed for divorce, or more specifically,
• 1:03:18
  Speaker 1: the first round of information was that Patrick had filed
• 1:03:22
  Speaker 1: for divorce from Tyise and was asking for soul custody.
• 1:03:27
  Speaker 1: So I made a TikTok about that and real I
• 1:03:31
  Speaker 1: guess is the word talking about that because it was relevant.
• 1:03:34
  Speaker 1: They're going to be on hunt for sorry, They're going
• 1:03:35
  Speaker 1: to be on last resort, and is also truly shocking
• 1:03:38
  Speaker 1: for me. I didn't realize that that was what was
• 1:03:40
  Speaker 1: happening with them, and I don't watch the diaries, but
• 1:03:44
  Speaker 1: I had gone to the holiday party and surely she
• 1:03:46
  Speaker 1: was there and he wasn't, and I just didn't think
• 1:03:49
  Speaker 1: of a thing of that. She had said that he
• 1:03:51
  Speaker 1: was working at the time. Now the next day we
• 1:03:54
  Speaker 1: find out that she actually the day prior when the
• 1:03:59
  Speaker 1: news dropped about him filing for divorce, had also had
• 1:04:02
  Speaker 1: some sort of altercation with him in the household and
• 1:04:06
  Speaker 1: was arrested for DV domestic violence and had bailed out
• 1:04:12
  Speaker 1: for three thousand dollars. And that situation is dark, af
• 1:04:17
  Speaker 1: I mean, that's like some like mom talk talk toxicity.
• 1:04:20
  Speaker 1: That's it is really really dark. They have a beautiful
• 1:04:22
  Speaker 1: daughter together, Alisi. I don't know what this situation is,
• 1:04:26
  Speaker 1: of course, like in its totality, I just know he's
• 1:04:30
  Speaker 1: at you know, I said, asking for primary custody and
• 1:04:34
  Speaker 1: doesn't want to pay child support obviously, and Norah's asking
• 1:04:38
  Speaker 1: for it and is asking for like their car, their Honda,
• 1:04:43
  Speaker 1: their temper pedic mattress. I mean, it's just it's really messy.
• 1:04:49
  Speaker 1: And in the previews for Last Resort, there is like
• 1:04:55
  Speaker 1: a back and forth that Tays has with Chicaya and
• 1:04:59
  Speaker 1: Chakaya and her are yelling at each other at like
• 1:05:02
  Speaker 1: a bar Jakina has like says something like go back
• 1:05:06
  Speaker 1: to your country. And I had, of course found that
• 1:05:08
  Speaker 1: to be a really shitty thing to say, because they're
• 1:05:14
  Speaker 1: literally the whole cast is not in America. They're filming
• 1:05:19
  Speaker 1: in the UK somewhere, so it's like, that's not your
• 1:05:22
  Speaker 1: country either. Chicana makes no sense. Also, it's not a
• 1:05:26
  Speaker 1: good thing to say if you're in a debate or
• 1:05:30
  Speaker 1: arguing with someone. It sort of opens you up to
• 1:05:33
  Speaker 1: ridicule because it shows us that you have a shitty
• 1:05:36
  Speaker 1: opinion and like, don't to me, you don't have logic
• 1:05:40
  Speaker 1: behind your argument. If you have something to say about
• 1:05:46
  Speaker 1: something specific that happened between you two and it being
• 1:05:49
  Speaker 1: bad or whatever, like stick to that. Like you saying
• 1:05:52
  Speaker 1: go back to your country just like sort of brings
• 1:05:54
  Speaker 1: to me an idea that you, you know, have a certain
• 1:05:58
  Speaker 1: nationalistic and or racist, racist side of you, Okay in
• 1:06:05
  Speaker 1: the so me to say this. The domestic violence situation,
• 1:06:09
  Speaker 1: I think was brought to light through an Instagram account
• 1:06:12
  Speaker 1: called Kiki and Kibbitz and maybe Mary Pants at the
• 1:06:15
  Speaker 1: same time, and Chakaina is in those comments saying that
• 1:06:20
  Speaker 1: Tayis is like aggressive and violent. So half of me
• 1:06:27
  Speaker 1: is like, is any of this just like publicity for
• 1:06:30
  Speaker 1: the show, like in a mom talk way or is
• 1:06:32
  Speaker 1: all of this real? It's like really messy. Obviously, it's
• 1:06:35
  Speaker 1: like very dark and very negative and not things I
• 1:06:37
  Speaker 1: like to usually talk about, but that is what's happening
• 1:06:40
  Speaker 1: on the streets. Because now that nine to day single
• 1:06:43
  Speaker 1: life is over, I think that Last Resorts, I think
• 1:06:46
  Speaker 1: that's going to take its place. So it's really dark,
• 1:06:48
  Speaker 1: it's really messy, and uh, you know it's gonna I
• 1:06:52
  Speaker 1: think it's gonna be a really hard now. I'm like
• 1:06:54
  Speaker 1: not looking forward to Last Resort now. I think it's
• 1:06:57
  Speaker 1: gonna be like an awkward hard watch for a lot
• 1:06:59
  Speaker 1: of reasons. Yes, Oh, anyway, my loves, I wanted to
• 1:07:03
  Speaker 1: give you all of the streets and all the gossip.
• 1:07:05
  Speaker 1: Do you know me? However, thank you so much for
• 1:07:08
  Speaker 1: spending time with me, and I appreciate you guys. If
• 1:07:11
  Speaker 1: you haven't yet, give me five stars. I need it,
• 1:07:14
  Speaker 1: I really do. And also follow me again at Chris
• 1:07:18
  Speaker 1: Selfara on all of your social media's, but also join
• 1:07:20
  Speaker 1: my patreons only five dollars a month and we're going
• 1:07:24
  Speaker 1: to have like a special live coming up soon. I'm
• 1:07:28
  Speaker 1: about to be done with this big project that I've
• 1:07:30
  Speaker 1: been working on and we're going to have so much
• 1:07:31
  Speaker 1: more time, which I'm excited about as well. And I'll
• 1:07:33
  Speaker 1: give all of the information in the Patreon about what's
• 1:07:36
  Speaker 1: truly happening in my life. Let's do our two breaths
• 1:07:40
  Speaker 1: and let's be on our merry way. Okay, two breaths,
• 1:07:46
  Speaker 1: just bringing us back to reality from the reality TV.
• 1:07:50
  Speaker 1: We've been talking about our actual reality.
• 1:07:53
  Speaker 3: Okay, Okay, babes, take care of yourselves and one another,
• 1:08:22
  Speaker 3: stand up for what you believe and make art and
• 1:08:24
  Speaker 3: I'll talk to you later.
• 1:08:25
  Speaker 1: Bye.