Latest / 70 80 / SETTANTAxOTTANTA: Anni 60-70. In tv c’è lo sfortunato Gustavo. Il cartone animato ungherese, che la Rai usa come tappabuchi

Transcript

SETTANTAxOTTANTA: Anni 60-70. In tv c’è lo sfortunato Gustavo. Il cartone animato ungherese, che la Rai usa come tappabuchi · 70 80

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  for the ones who get it done. Settanta Ottanta
• 1:01
  Punto It presenta Settanta per Ottanta. Ti ricordi?
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  Una produzione che è i Vox. Welcome to 70 per
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  80, the 7080 .it section that deepens the topics
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  discussed on the portal. I am with journalist
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  Enzo Mauri, who introduces the current topic.
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  Good morning, today I talk to you about a Hungarian
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  animated cartoon from the 70s. The memories of
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  those who were children 50 years ago are inevitably
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  linked to the rare spaces awaited with trepidation
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  that RAI dedicated to animated cartoons. Gustavo,
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  purely a fixed appointment, often suffered the
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  unfortunate fate of being used also as Tappabuki.
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  In the 70s TV it was not unusual in fact to watch
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  products coming from Eastern Europe of a discrete
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  level and above all at a low cost. Gustavo was
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  one of these, directed by Pannonia Film, the
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  most important Hungarian animation studio, was
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  created by the Atila Dargay, József Nepp and
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  Marcel Jankovic trio. The first series of Gustavo,
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  68 episodes made between 1964 and 1968, originally
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  for the big screen, opened in Italy on February
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  20, 1968 at 13 in the container today Cartoon
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  Animati, then in the 70s with the title Gustavo's
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  Adventures on Friday at 13 on Rai TV 1, then
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  Rai 1 in the space today Design Animati. mcl
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  division economic fiscal www .lexmcl .it Between
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  1975 and 1979, in the oven, there were 52 episodes
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  with different graphic characteristics than the
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  previous ones. The stories of the duration of
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  5 -6 minutes and self -conclusive were focused
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  on the figure of Gustavo, a graceful character
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  with just two hair in his head, protagonist of
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  bizarre and surreal adventures. Each plot was
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  totally independent from the other, so much so
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  that in some episodes Gustavo was married to
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  another scapegoat. Other characteristics and
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  incomprehensible language. used in the stories,
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  a real Grammelot, not being written in any specific
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  territory, which allowed the cardboard to be
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  transmitted all over the world, using the New
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  Zealand included. Gustav's signature is also
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  unique, a sort of improbable swing made by the
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  composer Zolt Peto. The cartoon Gustavo shared
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  in Italy the same fate as in other countries
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  such as then Yugoslavia and Croatia, being used
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  as a gap. The famous out -of -programmed RAI
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  carried the wave of a filling when, for example,
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  a broadcast ended earlier than expected. Gustavo
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  was then broadcast in the 1980s, early 90s, from
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  local networks in the Pegasus Kid container,
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  directed by Pannonia Film for the Eastern European
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  market and also arrived in Italy. See you in
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  the next episode of 70 per 80. all absolutely
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