Latest / Meine Liebe zu Hörspielen / Sherlock Holmes Radio The Tell-tale Pigeon Feathers Basil Rathbone, Nigel B

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Sherlock Holmes Radio The Tell-tale Pigeon Feathers Basil Rathbone, Nigel B · Meine Liebe zu Hörspielen

• 0:00
  Speaker 1: And now I'm sure our old friend doctor Watson's ready
• 0:02
  Speaker 1: for us, so let's go in and join it.
• 0:05
  Speaker 2: Come good evenings.
• 0:09
  Speaker 1: But aiding doctor, all the puppies seemed very happy to tonight.
• 0:13
  Speaker 3: Yes, but you should have seen him this afternoon. I
• 0:16
  Speaker 3: doctreferre two more frightened little dogs in the whole of California.
• 0:20
  Speaker 1: You could what happened, actor, well, I took him.
• 0:22
  Speaker 4: For a walk on the beach.
• 0:24
  Speaker 3: As we were scrambling around the rocky Point, a seal
• 0:27
  Speaker 3: popped his head.
• 0:27
  Speaker 4: Up the water quite close to us.
• 0:29
  Speaker 1: What the puppies did.
• 0:30
  Speaker 4: Both of them bucked at it furiously.
• 0:32
  Speaker 3: And the seal blew a few bubbles and then barked
• 0:35
  Speaker 3: right back. Don't know what the world speed record is
• 0:37
  Speaker 3: for short late dogs. I'm sure they broke you know.
• 0:42
  Speaker 1: Actually, I'll have to join you on one of those
• 0:43
  Speaker 1: afternoon strolls of yours. You always seem to be having
• 0:46
  Speaker 1: such exciting adventures. Oh and talking of that, that's about
• 0:50
  Speaker 1: tonight's new show.
• 0:50
  Speaker 5: I coms.
• 0:51
  Speaker 4: I'm already for you, my boy.
• 0:52
  Speaker 3: In fact, I was looking over my notes on the
• 0:54
  Speaker 3: case before you arrived. This is another story in with
• 0:56
  Speaker 3: Shollock Holmbs's elder brother, Microft important Microft Homes was seven
• 1:01
  Speaker 3: years older than shell Uck, and some said that his
• 1:05
  Speaker 3: superior in fires of observation and deduction.
• 1:08
  Speaker 1: That sounds like heresy, doctor.
• 1:09
  Speaker 4: No, no, no, young woman. Holmes himself was the first
• 1:12
  Speaker 4: to admit it.
• 1:13
  Speaker 3: In fact, if it hadn't been for a securable laziness,
• 1:16
  Speaker 3: Microft could have been a formidable rival to his younger brother. However,
• 1:20
  Speaker 3: Microft behold a position of considerable importance at the Foreign Office,
• 1:23
  Speaker 3: and it was there that the Night's story begins. It
• 1:26
  Speaker 3: in the winter of eighteen hundred and ninety nine, and
• 1:30
  Speaker 3: Microft Homes, after gourmet's lunch, was reclining full length on
• 1:33
  Speaker 3: a levi sattee. His eyes were closed, his hands were
• 1:37
  Speaker 3: folded across his stomach, and his breath came rhythmically. The
• 1:40
  Speaker 3: cynic would have declared that Microft Holmes was taking it
• 1:43
  Speaker 3: after lunch and snooze, but mister Holmes, Secretary, jentleman by
• 1:47
  Speaker 3: the name of God No, was the realist. He tapped
• 1:50
  Speaker 3: on the door discreetly, then he raped on it, and
• 1:55
  Speaker 3: still there was no response. So he opened the door
• 1:57
  Speaker 3: and entered. Moment he gave what he thought was a
• 2:01
  Speaker 3: discreet column microft Homes opened his eyes and holded.
• 2:10
  Speaker 6: His hands, said, must you come in here and dark
• 2:16
  Speaker 6: at me?
• 2:16
  Speaker 5: So soon after lunch.
• 2:18
  Speaker 7: I'm sorry, mister Holmes.
• 2:20
  Speaker 6: You thought that, as I was lying down with my
• 2:22
  Speaker 6: eyes closed, that I must be.
• 2:23
  Speaker 5: Bored, and soon you came galloping. Oh well, what do
• 2:28
  Speaker 5: you want?
• 2:29
  Speaker 8: There's no lady outside, sir, She insists onthing you personally.
• 2:32
  Speaker 2: I'd tried to get rid of her. But what's her name,
• 2:35
  Speaker 2: Missus Hudson, Sir, Missus Hudson.
• 2:38
  Speaker 5: Show her in, gardener, show her in.
• 2:40
  Speaker 6: Very good, sir, Undoubtedly a message from young Sherlock.
• 2:45
  Speaker 5: How are you, missus Hudson.
• 2:47
  Speaker 7: Good day, mister Hums.
• 2:49
  Speaker 8: I'm sorry to interrupt you, but I want to cut
• 2:51
  Speaker 8: much of your time.
• 2:52
  Speaker 5: Sit down.
• 2:53
  Speaker 6: Won't you don't leave us gardner? I may need you
• 2:55
  Speaker 6: in a few minutes.
• 2:57
  Speaker 2: Very good, sir.
• 2:58
  Speaker 5: Now, missus Hudson. What's the message?
• 3:00
  Speaker 7: Message?
• 3:00
  Speaker 5: Sir?
• 3:01
  Speaker 6: My brother sends you with some message that he was
• 3:03
  Speaker 6: in afraid to infusperate the ordinary channels.
• 3:05
  Speaker 5: He's always so confounded and dramatic.
• 3:08
  Speaker 7: O'll bless your heart.
• 3:09
  Speaker 8: No, sir, I've come to you with a little problem
• 3:13
  Speaker 8: of my own.
• 3:14
  Speaker 7: I didn't like to bother. Mister Shellock homes with it.
• 3:16
  Speaker 7: He's been so busy.
• 3:17
  Speaker 8: Lately, and and he's looking very tired.
• 3:20
  Speaker 5: And so you came to me. I'm delightful.
• 3:23
  Speaker 7: I thought you wouldn't mind, sir.
• 3:24
  Speaker 8: You've always been so nice and friendly to me.
• 3:27
  Speaker 5: Pure laziness.
• 3:28
  Speaker 6: It is less effort to keep an old friend than
• 3:30
  Speaker 6: to make a new enemy.
• 3:31
  Speaker 5: But tell me your problem.
• 3:33
  Speaker 8: Well, it's really my sister's problem, said. She's a boarding
• 3:37
  Speaker 8: house at fourteen Kensington Garden Square in these butchers, and
• 3:41
  Speaker 8: she's convinced one of her boarders, a man who has
• 3:45
  Speaker 8: a room and of first floor back.
• 3:47
  Speaker 7: She's convinced that he's a birdman.
• 3:49
  Speaker 5: And what in Heaven's name is a bird man? Do
• 3:51
  Speaker 5: you know, gardener?
• 3:53
  Speaker 2: No, sir, I can imagine.
• 3:54
  Speaker 8: Oh, it's like a wedwolf gentleman, except that the man
• 3:57
  Speaker 8: turns into a bird.
• 3:58
  Speaker 5: Oh come now, this is Oh.
• 4:00
  Speaker 8: I know it sounds draft, but my sister's in a
• 4:03
  Speaker 8: dreadful state. Of course, I've been with your brother long enough,
• 4:06
  Speaker 8: sir to know that such things are nonsense.
• 4:08
  Speaker 7: But how can I prove it to her?
• 4:11
  Speaker 6: What reason does your sister give for holding a strange belief?
• 4:13
  Speaker 8: She keeps finding pigeon feathers in the room. Now the
• 4:16
  Speaker 8: man doesn't he keep pigeons, Sir? My sister knows that.
• 4:19
  Speaker 7: For a fact.
• 4:20
  Speaker 6: Has she found any traces of scattered food on the
• 4:23
  Speaker 6: window ledge?
• 4:23
  Speaker 8: Nonswir, no signs of any pigeons except the feathers.
• 4:28
  Speaker 7: My sister's a wee bit fae, mister Holmes.
• 4:30
  Speaker 8: She's the seventh daughter of a seventh daughter. And you
• 4:32
  Speaker 8: know what that means.
• 4:34
  Speaker 7: It's the same. She's not imagining things, sir. She's shown
• 4:37
  Speaker 7: me the feathers herself.
• 4:39
  Speaker 8: Where were they, Missus Hudson, somewhere on the floor at
• 4:41
  Speaker 8: the end of the bedstead, Sir. I brought some along
• 4:44
  Speaker 8: with me here, sir, and we've found some more in
• 4:47
  Speaker 8: the gentleman's cover where.
• 4:48
  Speaker 5: He keeps his clothes by George.
• 4:51
  Speaker 2: I wonder what is it, sir.
• 4:53
  Speaker 6: I'll tell you in a moment, Gardner, Missus Hudson, this
• 4:56
  Speaker 6: matter will require a little private investigation.
• 4:58
  Speaker 5: They return to your sister, Tell her not to worry.
• 5:01
  Speaker 6: I shall get in touch with you as soon as
• 5:02
  Speaker 6: my inquirers are completed. Good day to you, good and
• 5:05
  Speaker 6: you're very much obliged to you well, Gardener, what do
• 5:09
  Speaker 6: you make of it.
• 5:10
  Speaker 2: An old wives tale?
• 5:11
  Speaker 7: Sir?
• 5:12
  Speaker 2: You're not treating it sidiously, are you?
• 5:14
  Speaker 5: Yes, I am.
• 5:15
  Speaker 6: One of these feathers shows evidence of having had string
• 5:18
  Speaker 6: titaned rounded. That suggests a captive bird. Now, a captive
• 5:22
  Speaker 6: bird smuggled into an obscure boarding house, will point to
• 5:25
  Speaker 6: something of the greatest importance to us.
• 5:27
  Speaker 9: Gardener by George, sir, you mean petty your pigeons exactly.
• 5:31
  Speaker 5: And remember that we're at war under the Boers.
• 5:33
  Speaker 6: Have obtained several important and highly confidential suitars lately.
• 5:37
  Speaker 5: We know there's a leak somewhere.
• 5:39
  Speaker 6: This requires an active investigator who could work with discretion.
• 5:43
  Speaker 6: Now I could work with discretion, but I don't feel
• 5:45
  Speaker 6: too active at the moment. Ah, I have it.
• 5:50
  Speaker 5: I want you to write this letter to my brother.
• 5:52
  Speaker 6: This guy's your hand used playing cheap notepaper, and don't
• 5:55
  Speaker 6: sign the letter. He won't be able to resist that combination.
• 5:59
  Speaker 6: Are you ready, God, yes, very well, then, my dear
• 6:03
  Speaker 6: mister Sherlock Holmes, we know of your proposed investigation of
• 6:08
  Speaker 6: the tenant and the first floor back at fourteen Kensington
• 6:11
  Speaker 6: Gardens Square. We warn you, as you value your life,
• 6:14
  Speaker 6: keep away.
• 6:26
  Speaker 9: We warn you as you value your life to keep
• 6:30
  Speaker 9: away from the case, and that, my dear watsmith is whie.
• 6:33
  Speaker 9: We are driving towards fourteen Kensington Gardens Square disguised just
• 6:36
  Speaker 9: building Inspectors of the London County Council.
• 6:38
  Speaker 4: I must say it's a very challenging.
• 6:40
  Speaker 9: Letter, Homes, I'm tied, written on cheap notepaper and in
• 6:45
  Speaker 9: a disguised hand, no clue that I'm afraid we're entering
• 6:49
  Speaker 9: the square Homelet'll stop the cap here.
• 6:52
  Speaker 2: You can drop us here, Kebby, rock you up cap here.
• 6:55
  Speaker 9: It seems looking congruous in these costumes supposed to arrive
• 6:58
  Speaker 9: at a cab.
• 7:02
  Speaker 2: Hey or Kebby, Oh thank you Governor.
• 7:07
  Speaker 3: Supposing this mysterious turne to the first draw back should
• 7:10
  Speaker 3: be in his room when we get there.
• 7:11
  Speaker 9: And we must hope about his guys as a convincing
• 7:14
  Speaker 9: about this and this may be a trap.
• 7:16
  Speaker 4: It's just what I was.
• 7:17
  Speaker 9: Going to say.
• 7:17
  Speaker 4: After all, you've never heard of fucking.
• 7:18
  Speaker 3: Kensington guns until you received an unsigned letter two hours ago.
• 7:21
  Speaker 4: Wanting you to keep away from it. I don't like
• 7:24
  Speaker 4: to look of it.
• 7:24
  Speaker 9: We are a number fourteen. I suggest that you let
• 7:32
  Speaker 9: me do most of the talking.
• 7:33
  Speaker 5: Good gord ess, my cut me accent doesn't compare with you.
• 7:37
  Speaker 5: Who do you want to say?
• 7:38
  Speaker 9: That way? From the London County Council, we are we've
• 7:41
  Speaker 9: had complaints about a legal guess jet in the first
• 7:44
  Speaker 9: gold back.
• 7:44
  Speaker 2: Oh that's mister Green's room, ain't.
• 7:47
  Speaker 6: That don't madam?
• 7:47
  Speaker 9: My dear, we'll come out and take a look.
• 7:49
  Speaker 5: Come on, Bertie right.
• 7:50
  Speaker 4: You are elf. We want me to show you the way.
• 7:55
  Speaker 2: Now, thanks deary.
• 7:56
  Speaker 6: If Bertie can't, can we, buddy?
• 7:59
  Speaker 5: Of course we tell look at him laughing.
• 8:04
  Speaker 9: Come on, Bertie, I do love to babyside the sea
• 8:09
  Speaker 9: side there. Oh, I do lots of babyside. Say nice
• 8:17
  Speaker 9: as Bertie.
• 8:17
  Speaker 4: And yourself nice that can pay this?
• 8:20
  Speaker 9: Do lock the bit beside the same side there? I
• 8:23
  Speaker 9: do lock the baby beside us. Yeah, first of all, beck,
• 8:28
  Speaker 9: that'll make sure the blow came down. Oh I do
• 8:32
  Speaker 9: lovey down Malfy. Now all right that's going.
• 8:39
  Speaker 5: Yeah mm hmm.
• 8:42
  Speaker 9: So this is a mysterious romm looks perfectly ordinary suppressing
• 8:46
  Speaker 9: example of the square recording house, like hello, what's this
• 8:48
  Speaker 9: on the bedspread?
• 8:50
  Speaker 4: To come out of?
• 8:52
  Speaker 9: Here's a bidgeon stepper's whole chap look at Watson attached.
• 8:56
  Speaker 5: To the bedroom piece of straight.
• 8:58
  Speaker 9: Yes, but that's metal ring on the end, rings such
• 9:02
  Speaker 9: as is used to place around the homing pigeons lakes.
• 9:04
  Speaker 3: Why should someone keep carrying pigeons and an obscure boiling
• 9:07
  Speaker 3: house like this, whydeed?
• 9:08
  Speaker 9: Why? Indeed, the answer could be that the tenant of
• 9:10
  Speaker 9: this room is engaged in some sinister activity that requires
• 9:13
  Speaker 9: the use of carrier pigeons and sending messages.
• 9:15
  Speaker 3: There's no evidence of the birds being kept here.
• 9:17
  Speaker 9: That's true, a lot of that true. And possibly the
• 9:19
  Speaker 9: owner of this room is given to they're given a
• 9:22
  Speaker 9: pigeon by one of his superiors. But is it here
• 9:24
  Speaker 9: that fixes his message and releases the bird?
• 9:26
  Speaker 3: Why couldn't we just take the message to where they
• 9:28
  Speaker 3: keep the birds?
• 9:29
  Speaker 9: In that way, he would run the risk of being
• 9:31
  Speaker 9: picked up with the dangerous and incriminate, incriminating messages on
• 9:34
  Speaker 9: what kind of.
• 9:35
  Speaker 3: Skultially involves the use of carrier pigeons?
• 9:37
  Speaker 9: You spirth where at war with the boys in South Africa? Watson?
• 9:40
  Speaker 9: What could be more logical than that the spy in
• 9:42
  Speaker 9: their pay should be using this smuggle important information out
• 9:45
  Speaker 9: of the country.
• 9:46
  Speaker 5: Cure of yourselves?
• 9:47
  Speaker 4: I wouldn't mind somebody coming. Who are you?
• 9:52
  Speaker 2: What the devil do you think are doing in my room?
• 9:54
  Speaker 4: Well, my name's come here to look at your guest part.
• 9:57
  Speaker 4: Don't lie to me.
• 9:58
  Speaker 5: Who are you? It's not my name's women.
• 10:01
  Speaker 4: I came from the landing Carl.
• 10:02
  Speaker 10: Cats very well, then you won't tell me the truth.
• 10:05
  Speaker 9: Perhaps this revolve wi and make you change.
• 10:11
  Speaker 2: His bather?
• 10:12
  Speaker 4: What's right, Holmes?
• 10:14
  Speaker 5: Where were you?
• 10:14
  Speaker 9: And I sliped behind the doors? This gentleman opened it? Yeah,
• 10:16
  Speaker 9: you say, your overcoat coat seems extraordinarily well filled with chest,
• 10:20
  Speaker 9: doesn't it. Why not slip it off? It's a bit
• 10:21
  Speaker 9: warm in here.
• 10:22
  Speaker 4: Let me alone?
• 10:24
  Speaker 9: So you were right, Homes? He had a pigeon under
• 10:27
  Speaker 9: his coat. Yes, if you can catch their right here?
• 10:29
  Speaker 4: Come on, come on, come on, come along. Pity he comes,
• 10:34
  Speaker 4: that's it.
• 10:35
  Speaker 3: Look at the little fellow smuggled up on my arm.
• 10:38
  Speaker 4: Bring the little fellow's knee.
• 10:39
  Speaker 9: Yes, I took out Watson. The gentleman's going on when
• 10:42
  Speaker 9: I get it up, a beautiful uppercut home. I'm uh,
• 10:50
  Speaker 9: I'm afraid he'll be unable to talk to us for
• 10:51
  Speaker 9: some time. Fortunate he told us where the mess was
• 10:55
  Speaker 9: hidden before we indulged in this little said to me
• 10:57
  Speaker 9: anything about a message? No, not verbally that I was
• 11:00
  Speaker 9: watching his reflection in the mirrors. Entered the room. His
• 11:02
  Speaker 9: eyes first glanced at this top draor on the dresser
• 11:05
  Speaker 9: here to see if we touched it. It was obviously
• 11:08
  Speaker 9: the most important spot in the room. Let's see. Ah,
• 11:12
  Speaker 9: here we are a message already rolled up and in
• 11:15
  Speaker 9: its container.
• 11:16
  Speaker 5: Oh what is it?
• 11:18
  Speaker 9: It's in code, which is not surprising, and I don't
• 11:20
  Speaker 9: think it will be very difficult to decipher.
• 11:22
  Speaker 5: Yes.
• 11:23
  Speaker 9: And when you've done that, then, my dear fellow, I
• 11:25
  Speaker 9: shall compose a code message of my own and persuade
• 11:27
  Speaker 9: this pigeon to read.
• 11:28
  Speaker 4: Us to its master.
• 11:50
  Speaker 9: I can see your puzzled expression, Watson, that you're wondering
• 11:53
  Speaker 9: why I brought you to Dexter's Music Hall.
• 11:55
  Speaker 4: Well, I must confess. I confuse homes. First of all,
• 11:58
  Speaker 4: we go to Baker Street.
• 11:59
  Speaker 3: And you spend hours poring over some obscure.
• 12:01
  Speaker 4: Book, and you write out a message, attach it to
• 12:03
  Speaker 4: a pigeon.
• 12:03
  Speaker 5: Let it loose.
• 12:04
  Speaker 4: Now you bring me here. I hate to question you
• 12:06
  Speaker 4: when you're working, but i'd begad if you'd give miss
• 12:09
  Speaker 4: some idea.
• 12:09
  Speaker 9: What's going on, I've got it, old Chap. At times
• 12:11
  Speaker 9: I'm seem confunded and mysterious. I'm sure here's the situation.
• 12:15
  Speaker 9: The obscure book I've be studying was the table of ciphers.
• 12:18
  Speaker 9: I was trying to decode the message we found in
• 12:19
  Speaker 9: the room on the first floor.
• 12:21
  Speaker 4: So you succeeded or we wouldn't be here.
• 12:23
  Speaker 9: Yes, the key word was Louis Botha, the name of
• 12:28
  Speaker 9: the poor leader. A message was at the pot on
• 12:30
  Speaker 9: the number of troops now in training at all the
• 12:32
  Speaker 9: shot and then you were right.
• 12:33
  Speaker 4: They mixed up with the ring of Anima agents.
• 12:35
  Speaker 9: Obviously old Chab, so I kept the original message and
• 12:38
  Speaker 9: composed another using the same code and dispatched it by
• 12:41
  Speaker 9: carrier pigeon.
• 12:42
  Speaker 4: Well, what did you say in your message?
• 12:43
  Speaker 9: Meet me at tonight eight o'clock till number three at
• 12:46
  Speaker 9: Dexter's Music Hall.
• 12:47
  Speaker 4: What made you choose this place?
• 12:49
  Speaker 9: As arondozvoll, I happen to know that it's a common
• 12:51
  Speaker 9: meeting place for our world characters.
• 13:01
  Speaker 4: And which is table number three?
• 13:03
  Speaker 9: I went over there in the corner, I reserved it, and.
• 13:05
  Speaker 4: Why don't we go and sit down there instead of
• 13:07
  Speaker 4: standing at here?
• 13:07
  Speaker 3: Back?
• 13:08
  Speaker 9: And I thought to give our visitor the opportunity of
• 13:10
  Speaker 9: showing his hand first. He won't be expecting. Sherlock Combs
• 13:13
  Speaker 9: and Dr Watson, I answering.
• 13:25
  Speaker 3: Good lord, look at this woman coming on the sing.
• 13:28
  Speaker 3: You haven't see so many troubles you.
• 13:35
  Speaker 5: Yesterday?
• 13:41
  Speaker 9: A man just sitting down at table number phrase, said Trimble.
• 13:45
  Speaker 4: Said Trimble, who's here?
• 13:47
  Speaker 9: Dangerous criminal who once worked for the Mariotic gang. We've
• 13:50
  Speaker 9: caught the price pigeon. Watson, have you a handy old
• 13:53
  Speaker 9: Japan undoubtedly recognize tomorrow and.
• 14:09
  Speaker 2: I'm hoping you're able to keep your appointment. Save Sherlock Holmes.
• 14:14
  Speaker 4: This is the trap I'm trying to pick. Jog on
• 14:16
  Speaker 4: Amola Heiston, how do.
• 14:17
  Speaker 2: You like this time on your basis? Watch him?
• 14:23
  Speaker 5: He didn't shut him to do no, no.
• 14:25
  Speaker 4: He knocked my hands and revolve and went on. But
• 14:27
  Speaker 4: the shot was well, I've heard it as.
• 14:29
  Speaker 9: Cross of the woman. I don't know. Powder burns shot
• 14:32
  Speaker 9: with fire from some distance home.
• 14:35
  Speaker 6: Homesees, he's dead, out of the way, out of the way,
• 14:40
  Speaker 6: please now, then, what's going on here?
• 14:41
  Speaker 9: I'm comfortable this medicine killed, yes, and it's easy to
• 14:44
  Speaker 9: see who did it.
• 14:45
  Speaker 4: Well. I didn't be comfortable.
• 14:46
  Speaker 6: If that's what you're thinking, Oh why are you standing
• 14:48
  Speaker 6: here with the smoking revolver in your hands?
• 14:51
  Speaker 5: Come on you, you're under arrest if.
• 14:52
  Speaker 4: You've got the rest now, and if you're watching them,
• 14:54
  Speaker 4: this is mister.
• 14:54
  Speaker 6: Sherlock holmb I don't care if you're the King of
• 14:56
  Speaker 6: Siam and the Bishop of London himself, you're under arrest
• 15:00
  Speaker 6: and I'm taking you both to Scotland Yard.
• 15:15
  Speaker 1: You hear the rest of doctor Watson's story in just
• 15:17
  Speaker 1: a second, and if you don't mind, I'll take that
• 15:19
  Speaker 1: second to say just one word to the ladies, and
• 15:22
  Speaker 1: that word is muscatel, Petrie California muscatel. I want you
• 15:28
  Speaker 1: women to know about it because Petrie Musktel is one
• 15:31
  Speaker 1: wine that practically every woman likes. Maybe because it's such
• 15:34
  Speaker 1: a beautiful color, like well, like pale gold, but I
• 15:39
  Speaker 1: guess really because Petrie Musketel brings you the wonderful flavor
• 15:42
  Speaker 1: of luscious sun ripen muscat grapes. And that's a flavor
• 15:47
  Speaker 1: fried Petrie muscatel after dinner or anytimes a change from
• 15:51
  Speaker 1: Petri port have a bottle of each on hand when
• 15:54
  Speaker 1: you buy Petri wine. Don't buy one by two. Remember
• 15:58
  Speaker 1: if it's a petri wine you, oh, it's a good wine,
• 16:02
  Speaker 1: doctor Watson. That was really one of the books. So
• 16:05
  Speaker 1: you got yourself arrested on a murder charge.
• 16:07
  Speaker 3: Yes, the humiliating experience I was taking off to Scottland,
• 16:11
  Speaker 3: the yard and the black mirale.
• 16:13
  Speaker 5: It's like in a common criminal.
• 16:15
  Speaker 9: That it constable wouldn't listen to a word that I've
• 16:18
  Speaker 9: gotta say, well, show our cons up with you.
• 16:20
  Speaker 4: Of course we arrived at Scottland Yard.
• 16:23
  Speaker 3: My mortification was complete, and I found that I was
• 16:26
  Speaker 3: let into the presence of our old friend inspect of
• 16:28
  Speaker 3: Stard Holmes.
• 16:30
  Speaker 4: Spoke to him at some length. But I could see
• 16:32
  Speaker 4: from the scharge expression my position.
• 16:39
  Speaker 2: I can see what it is mister Jones. You see,
• 16:42
  Speaker 2: I know you both. But I must say there are
• 16:44
  Speaker 2: lots of a mirror at the Yarders don't like what
• 16:47
  Speaker 2: they called your eye and it methods.
• 16:49
  Speaker 9: Must our personal likes or dislikes have nothing to do
• 16:51
  Speaker 9: with it.
• 16:51
  Speaker 4: And of course I haven't got.
• 16:52
  Speaker 2: Amount of evidence, and I know that, doctor Watson, and
• 16:56
  Speaker 2: the comfortable evidence was as clear as the nose on
• 16:59
  Speaker 2: your face. The dead man was shot through the aid
• 17:02
  Speaker 2: and you were standing in front of the body with
• 17:04
  Speaker 2: a drawn revolver.
• 17:05
  Speaker 9: My yellows, my dearest Dard, there were no powder burns
• 17:08
  Speaker 9: on the wound.
• 17:08
  Speaker 2: Yeah, that's what you tells me, mister Elmes. But I'll
• 17:11
  Speaker 2: have to wait for the official report on that. The
• 17:14
  Speaker 2: police surgeon's examining the body. Now you understand, gentlemen, I'm
• 17:19
  Speaker 2: not saying I'm sorry that Sid Trimble is dead. He's
• 17:23
  Speaker 2: been a thorn in our side for a good many
• 17:25
  Speaker 2: years in Ferret h He is the police surgeon. Now,
• 17:29
  Speaker 2: doctor Hendicks, this is mister Sherlock Holmes and doctor Watson.
• 17:33
  Speaker 9: How do you do, gentlemen.
• 17:35
  Speaker 10: I'm a great admirer of you both, and I'm sorry
• 17:38
  Speaker 10: to see you in such a very unfortunate plight.
• 17:41
  Speaker 2: What for your all findings, Doctor Hendrix.
• 17:43
  Speaker 10: Well, I've just extracted the bullet, leastrade, and I'm very
• 17:47
  Speaker 10: much afraid it's the same making caliber as the one
• 17:50
  Speaker 10: missing from doctor Watson's revolver.
• 17:51
  Speaker 3: Yes, that doesn't prove that I fired the fatal shot.
• 17:54
  Speaker 9: For if I have cults a very common weapon, Douctor,
• 17:56
  Speaker 9: it proves nothing. And Doctor Hendrickson, as I was just saying,
• 17:59
  Speaker 9: miss peck Lustrabo, you came in the only effect sure
• 18:01
  Speaker 9: my friend guilty, would be powder burns on the wound,
• 18:04
  Speaker 9: thereby giving proven the bullet had been found from close range.
• 18:07
  Speaker 9: I entirely agree with you, mister h then as there
• 18:10
  Speaker 9: were no powder burns, but powder burns mister very distinct
• 18:15
  Speaker 9: ones too, Lord, I just I don't understand.
• 18:19
  Speaker 10: I'm sorry, gentlemen, A bear of bad tidings, but I
• 18:22
  Speaker 10: have my duties to perform.
• 18:24
  Speaker 2: Yes, And I'm sorry too, Dr Watson. I'm afraid I'm
• 18:28
  Speaker 2: not going to be able to let you leave here.
• 18:30
  Speaker 2: Of course, who you misconsider yourself under wrist.
• 18:46
  Speaker 9: Holmes, I never felt more pond in my life your approach.
• 18:49
  Speaker 3: Can I locked up in the prisoner's soul if I
• 18:52
  Speaker 3: might end love the girls.
• 18:54
  Speaker 9: Not wonry watch and you'll be out of here before
• 18:55
  Speaker 9: the night is over.
• 18:56
  Speaker 5: I promise you the fullest as you do.
• 18:58
  Speaker 9: Are you proposed to do it all with the aid
• 19:00
  Speaker 9: of a little hard thinking thinking?
• 19:03
  Speaker 3: I won't unlock in his soul doors thinking.
• 19:05
  Speaker 9: Will know, Fellow, it's obvious someone's deliberately trying to incriminate us,
• 19:10
  Speaker 9: trying to instruct killing. Logically, said Trimble was a member
• 19:14
  Speaker 9: of an espionage ring. I sent him a false message
• 19:18
  Speaker 9: after he'd left keep the appointment, and his colleagues trailed
• 19:21
  Speaker 9: him to the music hall and killed him before he
• 19:23
  Speaker 9: could be betray anything to us. Yes, yes, that's indirectly
• 19:28
  Speaker 9: the way it happened.
• 19:29
  Speaker 3: The powder burned homes, how do you count for them?
• 19:31
  Speaker 9: The ma none just after the shop is fired. We
• 19:33
  Speaker 9: know that, and yet doctor Hendrix assures us that there
• 19:36
  Speaker 9: are very distinct powder burns. Now there we come in, gentlemen, Yes,
• 19:39
  Speaker 9: just of course you can't after Hendrix.
• 19:41
  Speaker 10: Oh god, I.
• 19:43
  Speaker 2: Thought we'd come and check with you.
• 19:45
  Speaker 9: Doctor.
• 19:47
  Speaker 5: That's just very nice of you, gentlemen.
• 19:49
  Speaker 9: Not a bit of it.
• 19:50
  Speaker 2: Doctor. You know it hurts me to see you in here,
• 19:54
  Speaker 2: and that's a fact.
• 19:55
  Speaker 10: And I can't better see a fellow Medica in such
• 19:57
  Speaker 10: flight outcoming inst us what I can the help?
• 20:00
  Speaker 9: Watson? You're very quiet, Misterones, and Manstrada was thinking, you see,
• 20:06
  Speaker 9: what's the chap?
• 20:07
  Speaker 5: Have it?
• 20:08
  Speaker 1: You have?
• 20:08
  Speaker 5: What the answer?
• 20:09
  Speaker 9: You'll sleep in facasy tonight if.
• 20:11
  Speaker 2: Draw mister Jones, what are you talking?
• 20:13
  Speaker 9: In? A murder of said Trumble, incriminating powder burns were
• 20:17
  Speaker 9: obviously faked, Watson, and I know that, whether you and
• 20:20
  Speaker 9: doctor Hendrix believe it or not. The question is how
• 20:23
  Speaker 9: were they faked? I think I have the answer, and
• 20:26
  Speaker 9: doctor Hendrix, Yes, mister Arms, if a blank concert were
• 20:29
  Speaker 9: fired at the wound after death, it would produced powder burns,
• 20:32
  Speaker 9: wouldn't it?
• 20:32
  Speaker 10: Undoreedly?
• 20:33
  Speaker 2: Yeah, who could have done that?
• 20:35
  Speaker 9: Mister that's the point of start. Who had the opportunity,
• 20:38
  Speaker 9: the comfortable who brought the body here?
• 20:40
  Speaker 3: Channa?
• 20:40
  Speaker 10: Also you, doctor Hendrix, that's perfectly true.
• 20:43
  Speaker 2: Well, I had the opportunity to mister nes I spent
• 20:46
  Speaker 2: off an hour in the morgue alone with the body
• 20:49
  Speaker 2: when it first come in.
• 20:50
  Speaker 3: Well, you narrowed it down to three suspect terms. I
• 20:53
  Speaker 3: hope I don't hang before you find the real killer,
• 20:55
  Speaker 3: I watson why? The answer is simple, Astrid. The power
• 21:00
  Speaker 3: burns were certainly fied by a blank cartridge. Now, if
• 21:02
  Speaker 3: a blank cartridge was fired into a wound, the wadding
• 21:05
  Speaker 3: would have penetrated and destroyed the wound.
• 21:08
  Speaker 2: In the person had removed the wadding from the black
• 21:11
  Speaker 2: mister owns, its.
• 21:12
  Speaker 9: Effect would still be quite a talent to the police
• 21:14
  Speaker 9: surgeon who removed the bullet. Am I correct, doctor Hendrix, entirely.
• 21:18
  Speaker 10: Surgeon couldnot failed to identify the Marksmister exactly, and.
• 21:21
  Speaker 9: That for only one person could have filed that blank
• 21:24
  Speaker 9: cartridge without detection. The same person who made the incision
• 21:27
  Speaker 9: necessary to remove the cartridge would also remove all traces
• 21:30
  Speaker 9: of a shot. You yourself, doctor Hendrix, you hoped.
• 21:34
  Speaker 4: I believe you're right.
• 21:36
  Speaker 5: That's an insenious theory, Holmes. Surely a joking, am I?
• 21:40
  Speaker 9: And how do you account for the pits betters on
• 21:42
  Speaker 9: the cover of your coat? The devil with you?
• 21:46
  Speaker 2: Dear here?
• 21:46
  Speaker 5: Come back here, stable.
• 21:53
  Speaker 3: Got Scott and the yard itself harboring an enemy agent
• 21:57
  Speaker 3: on my soul. You've done it again, and I must
• 22:00
  Speaker 3: say you've got sharp eyes. I didn't see those pigeon
• 22:03
  Speaker 3: feathers on on Hendrick's collar.
• 22:05
  Speaker 9: Confidentially, my dear fellow needed to die, but Hendrick's guilty
• 22:07
  Speaker 9: conscience knew they might be there. It was a shot
• 22:10
  Speaker 9: in the dark, and I had to take it. If
• 22:12
  Speaker 9: you would spend the night in a prison cell, I
• 22:14
  Speaker 9: should never have heard the end of it. I'm sure never.
• 22:27
  Speaker 7: I want to see mister Microft. Holmes, please befollow me,
• 22:30
  Speaker 7: Missus Hudson.
• 22:31
  Speaker 5: He's expecting you. I said, Ah, there you are, Missus Hudson,
• 22:37
  Speaker 5: Come and sit down.
• 22:39
  Speaker 7: We thank you, sir. I got your message, came over
• 22:41
  Speaker 7: right away.
• 22:43
  Speaker 6: In the first place is Hudson. You may tell your
• 22:44
  Speaker 6: sister that she needn't worry anymore. I'm sure she'll find
• 22:48
  Speaker 6: no more pigeon feathers in her room on the first floor.
• 22:50
  Speaker 8: There no, soir, thank you, but she knows the fact
• 22:54
  Speaker 8: because the bird man left her used to be for good.
• 22:57
  Speaker 8: Some strange men came and took him away, and she's
• 23:00
  Speaker 8: led the room to a nice young commercial traveler.
• 23:04
  Speaker 7: I'm really sorry to have bothered you with her trouble, sir.
• 23:07
  Speaker 5: I'm very glad you did, missus. Thanks for your information.
• 23:10
  Speaker 6: An enemy espionage ring has been broken, and the British
• 23:13
  Speaker 6: government is deeply grateful to you.
• 23:16
  Speaker 8: You're always one for a joke, mister Holmes. Well, I'm
• 23:20
  Speaker 8: glad you're not angry with me.
• 23:22
  Speaker 7: I'll be going now, sir.
• 23:24
  Speaker 9: Just one more favor I'll ask before I go through anything.
• 23:28
  Speaker 5: What is it?
• 23:29
  Speaker 8: Please don't tell your brother about this, sir.
• 23:31
  Speaker 7: He'd be so angry with me for wasting your time.