Latest / Suspense | Old Time Radio / Suspense - "If the Dead Could Talk" (Old Time Radio, 1949)
Transcript
- 0:00Speaker 1: On a traveling circus train, flying trapeze partners Joe, Fran,
- 0:04Speaker 1: and Tommy find their personal lives dangerously entangled. Suspense brings
- 0:10Speaker 1: us If the Dead Could Talk, Episode Zero, originally broadcast
- 0:14Speaker 1: January 2, 1949. Dana Andrews plays Joe, with Peggy Weber
- 0:21Speaker 1: as Fran and Tony Barrett as Tommy, in Larry Marcus's
- 0:24Speaker 1: adaptation of a Cornell Woolrich story, first published under Woolrich's pseudonym,
- 0:30Speaker 1: William Irish. Fran's engagement to Tommy changes the balance within
- 0:35Speaker 1: the three-person act, and the cramped routine of circus travel
- 0:39Speaker 1: leads toward the precision and danger of the flying trapeze.
- 0:44Speaker 1: Produced by Anton M. Leder for CBS and sponsored by Autolite,
- 0:49Speaker 1: the program runs 30 minutes. Here is the original broadcast.
- 1:00Speaker 2: And now, Autolite and its 60,000 dealers and service stations present... Suspense.
- 1:06Speaker 3: Suspense.
- 1:13Speaker 4: Tonight, Autolight brings you Mr. Dana Andrews in If the
- 1:18Speaker 4: Dead Could Talk, a suspense play produced and directed by
- 1:23Speaker 4: Anton M.
- 1:24Speaker 5: Leder.
- 1:29Speaker 3: Friends, you know what happens when you take a fish
- 1:32Speaker 3: out of water? Sure, it dies.
- 1:34Speaker 2: Well, by Cornelius, the same thing happens when your car's
- 1:37Speaker 2: battery runs out of water. It lies right down and quits.
- 1:41Speaker 2: No water, no life. So what did the Autolite people do?
- 1:44Speaker 2: They made the Autolite stay full battery with an extra
- 1:47Speaker 2: large liquid reserve.
- 1:48Speaker 3: Gave it more room for more water.
- 1:50Speaker 2: Result, the Autolite stay-full battery needs water only three times
- 1:54Speaker 2: a year in normal car use.
- 1:56Speaker 3: Think of it.
- 1:57Speaker 2: Autolite stay-full batteries need water only three times a year
- 2:01Speaker 2: in normal car use. Just like that, Autolite practically eliminates
- 2:05Speaker 2: one of your major battery bothers. So, friends, be right
- 2:08Speaker 2: with Autolite. Switch to an Autolite stay-full battery tomorrow.
- 2:14Speaker 4: And now, Autolite presents Dana Andrews in a tale well
- 2:19Speaker 4: calculated to keep you in suspense.
- 2:27Speaker 3: They'll never know how it happened. No one will ever know.
- 2:33Speaker 6: I knew I was going to have to kill him
- 2:35Speaker 6: almost from the first. That's how I am. That's what
- 2:38Speaker 6: my blood is. I couldn't change it even if I tried.
- 2:45Speaker 6: We were on a circus train, the three of us
- 2:47Speaker 6: in the trapeze act, going from Tulsa to St. Louis.
- 2:51Speaker 6: Fran had asked me to come and sit with her,
- 2:53Speaker 6: but she had something to tell me. When I went over,
- 2:56Speaker 6: she was staring out the window into the night, and
- 2:58Speaker 6: the dim train lights made her features kind of soft
- 3:02Speaker 6: and blurred. And I stood watching her, getting all choked
- 3:06Speaker 6: up like I always did, wanting to freeze this picture
- 3:09Speaker 6: of her in my brain with all the other pictures.
- 3:12Speaker 6: Then she saw my reflection on the window glass and
- 3:14Speaker 6: she turned.
- 3:15Speaker 7: Oh, Joe.
- 3:16Speaker 3: Hi.
- 3:17Speaker 7: Sit down, Joe.
- 3:18Speaker 3: Sure. What's the secret?
- 3:20Speaker 7: Joe, I can't keep it inside me a second longer.
- 3:24Speaker 7: If I do, I'll bust.
- 3:25Speaker 1: Hmm?
- 3:26Speaker 7: Tommy and me been talking about getting married.
- 3:28Speaker 3: Are you kidding? Well, honey, did you tell him? As
- 3:32Speaker 3: she told me. Congratulations. That's all? Just congratulations?
- 3:37Speaker 7: Well, you know Joe's a man of few words.
- 3:41Speaker 3: So what do you think, joy boy? At least we'll
- 3:43Speaker 3: be able to keep her in the act now, huh? Yeah.
- 3:45Speaker 8: That's probably the only reason he's marrying me.
- 3:48Speaker 3: The way I figured it had to be one of us. Joe,
- 3:52Speaker 3: you're my pal. I couldn't let it happen to you. Well... And.
- 3:57Speaker 6: Then Tommy threw his arm across my shoulder. I felt
- 4:01Speaker 6: every nerve in my body tighten up... like somebody was
- 4:04Speaker 6: turning a screw. And I thought, so this is how
- 4:08Speaker 6: your life goes smash. Rattling through the night on a
- 4:11Speaker 6: dinky train... with a circus fat lady sitting across the
- 4:14Speaker 6: aisle munching chocolates.
- 4:17Speaker 3: I didn't know what I was going to do. Not then.
- 4:26Speaker 3: At first, I tried to go on just like before.
- 4:29Speaker 3: When we got to St.
- 4:30Speaker 6: Louis, Tommy and me shared a room in a theatrical
- 4:32Speaker 6: hotel like always. And the three of us went on
- 4:35Speaker 6: through our routines on the high trapeze like always. Yeah,
- 4:42Speaker 6: that part was the same. That part was as natural
- 4:45Speaker 6: as breathing. But the other things, like the looks they
- 4:49Speaker 6: gave each other, they're long walks together. And nothing worked
- 4:54Speaker 6: for me. Drinking myself blind, taking out a different girl
- 4:58Speaker 6: in the show every night of the week.
- 4:59Speaker 3: Nothing worked.
- 5:01Speaker 6: I still woke up in the middle of the night shivering,
- 5:04Speaker 6: my heart pounding and crying her name.
- 5:05Speaker 3: Fran!
- 5:06Speaker 7: Fran!
- 5:07Speaker 3: Fran! Joe, Joe, what's wrong? Huh? Oh, nothing's wrong. You
- 5:15Speaker 3: were yelling in your sleep. I'm okay. You sure? Yeah. Yeah,
- 5:20Speaker 3: I'm okay. What are you getting dressed for? It's the
- 5:24Speaker 3: middle of the night. I'm going for a walk. But Joe.
- 5:26Speaker 6: Look, I want to go for a walk, so I'm
- 5:27Speaker 6: going for a walk.
- 5:29Speaker 3: Joe, Fran and I were noticing. Noticing what? You've been
- 5:34Speaker 3: going at this nightlight pretty hard and heavy lately.
- 5:37Speaker 6: A fellow who works on a trapeze 60 feet up
- 5:40Speaker 6: and without a net, ladies and gentlemen.
- 5:44Speaker 3: Well, that's not so good, Joe. What's the matter? You
- 5:47Speaker 3: afraid someday I won't catch you, Tommy? Look, why don't
- 5:50Speaker 3: you take it a little easier, kid? It's all right
- 5:52Speaker 3: to have a good time. Good time? So that's what
- 5:55Speaker 3: I'm having. What do you know?
- 6:07Speaker 6: I walked the dark, empty streets for hours. I didn't
- 6:10Speaker 6: know where I went or why. Why did it have
- 6:14Speaker 6: to be him and Fran over and over again? Why
- 6:16Speaker 6: did it have to be him and not me?
- 6:19Speaker 3: And then it was like coming out of a sleep almost.
- 6:23Speaker 6: I realized that for a long time I'd been looking
- 6:25Speaker 6: through the lighted window of an all-night pawn shop, looking
- 6:29Speaker 6: at a gun.
- 6:30Speaker 3: At first I started walking away fast.
- 6:33Speaker 9: Then I turned back and went into the shop.
- 6:39Speaker 3: Yes, sir. What can I do for you?
- 6:42Speaker 6: That revolver in the window there, the black one next
- 6:44Speaker 6: to the binoculars.
- 6:45Speaker 3: Oh, yes, that's a beauty, ain't it? I want it.
- 6:48Speaker 3: Good enough. Can't go wrong on that one. You got
- 6:52Speaker 3: your permit, of course. No, I'm just passing through town.
- 6:56Speaker 3: I didn't have time to get one. Well, I'm sorry, mister,
- 6:59Speaker 3: but I can't help you.
- 7:02Speaker 6: I've got a hundred dollar bill that says you can.
- 7:05Speaker 3: You just bought yourself a gun. It was after three
- 7:13Speaker 3: in the morning when I got back to the hotel.
- 7:15Speaker 3: The gun was in my top coat pocket.
- 7:17Speaker 6: As I walked through the lobby, the circus fat lady
- 7:19Speaker 6: was sitting on the big sofa, counting the faces that
- 7:21Speaker 6: went through the revolving door.
- 7:23Speaker 3: She stopped me as I went past her.
- 7:24Speaker 7: Turning in, Joe?
- 7:26Speaker 3: Yeah.
- 7:27Speaker 7: Lucky you can sleep. Wish I could sleep.
- 7:31Speaker 3: I started for the elevator and then it hit me.
- 7:33Speaker 6: How dumb can a guy be walking into the lobby
- 7:36Speaker 6: like that, being seen going up to the room?
- 7:38Speaker 3: Is that all you want, Joe? That he should be dead,
- 7:41Speaker 3: no matter what happened to you? Don't you want friends?
- 7:44Speaker 3: Don't you want to live?
- 7:46Speaker 6: I turned back and started out again. No, Patsy, I
- 7:49Speaker 6: guess I won't go upstairs after all.
- 7:51Speaker 9: Oh?
- 7:52Speaker 3: Nothing to do till tomorrow afternoon, anyhow. Maybe I'll take
- 7:55Speaker 3: in an all-night show.
- 7:56Speaker 7: I haven't seen a show since I was a little girl.
- 8:01Speaker 7: Can't fit in the seat.
- 8:09Speaker 3: I went around to the back of the hotel. Tommy
- 8:11Speaker 3: and me roomed three stories up next to the rusty
- 8:13Speaker 3: fire escape.
- 8:14Speaker 9: It was so quiet there I could hear the pounding
- 8:17Speaker 9: inside my head.
- 8:19Speaker 3: The first rung of the fire escape was a good
- 8:21Speaker 3: ten feet off the ground. I jumped for it and
- 8:24Speaker 3: pulled it down. It made enough noise to wake up
- 8:28Speaker 3: half the building. I scrambled up into the shadows.
- 8:29Speaker 9: I expected the lights to start going on in every window.
- 8:34Speaker 6: But nothing happened. So I started up the fire escape.
- 8:41Speaker 6: I started up Fatami. I reached the landing. The room
- 8:51Speaker 6: was dark. The window was closed. I tried raising it,
- 8:56Speaker 6: but it was locked. Why did everything have to go
- 8:59Speaker 6: bad for me?
- 9:01Speaker 3: Wait a minute.
- 9:02Speaker 6: He never locked the window before. Why did he lock
- 9:04Speaker 6: it now? What was he afraid of? How could he
- 9:07Speaker 6: know what was inside me? Well, suddenly I had to
- 9:09Speaker 6: do something, so I smashed the window with my fist.
- 9:12Speaker 3: I didn't care. Let him know it was me. Let
- 9:14Speaker 3: him know what was coming. I reached in, unlocked the window,
- 9:18Speaker 3: went over the sill. I took the gun out of
- 9:21Speaker 3: my pocket.
- 9:22Speaker 9: I could feel the blood running warm down my arm.
- 9:26Speaker 3: And then I saw that he was gone. The room
- 9:28Speaker 3: was empty.
- 9:29Speaker 6: I sat down on the bed. I felt weak in
- 9:32Speaker 6: my knees. I sat there a long time, numb. Then
- 9:37Speaker 6: I heard a key in the door.
- 9:39Speaker 3: It was him. He'd come back. I put the gun
- 9:42Speaker 3: back in my pocket. I held it there. The door
- 9:46Speaker 3: swung open. I saw him framed in the light from
- 9:49Speaker 3: the hall. And I thought, now, do it now.
- 10:01Speaker 4: For Suspense, Autolite is bringing you Mr. Dana Andrews in
- 10:05Speaker 4: radio's outstanding theater of thrills, Suspense.
- 10:17Speaker 2: Amp, you know this spell of freezing weather that drifted
- 10:20Speaker 2: over sunny California by mistake last week?
- 10:23Speaker 3: I'll see. Well, bye, Cornelius.
- 10:25Speaker 2: I haven't had so much fun since my Autolite Stay
- 10:27Speaker 2: Full battery.
- 10:27Speaker 3: Last needed water, and that's a mighty long time ago.
- 10:30Speaker 3: You mean you enjoyed the cold, huh? You bet.
- 10:33Speaker 2: Listen, I was purring along up in the mountains in
- 10:35Speaker 2: my Autolite-equipped car, you see, when I spied a stricken
- 10:37Speaker 2: stranger stuck in the snow. He had on a raccoon
- 10:40Speaker 2: coat and a coonskin cap, and he was looking under
- 10:43Speaker 2: the hood of his car, muttering... Water, water everywhere, not
- 10:46Speaker 2: a drop in my battery. Friend, I said to this
- 10:49Speaker 2: shivering shambles, if you had an Autolite stay-full battery in
- 10:52Speaker 2: that thirst-starved convertible, you'd be singing How Deep is the
- 10:55Speaker 2: Ocean instead of How Dry I Am.
- 10:58Speaker 3: What do you mean, asks he.
- 10:59Speaker 2: So, of course, I told this chap that Autolite stay-full
- 11:01Speaker 2: batteries have an extra-large liquid reserve. Autolite stay-full batteries, I said,
- 11:06Speaker 2: need water only three times a year in normal driving.
- 11:09Speaker 3: You get that, pal? Only three times a year.
- 11:11Speaker 2: And then I explained that thanks to extra plates and
- 11:14Speaker 2: special fiberglass insulation, Autolite stay-full batteries have extra power and
- 11:18Speaker 2: extra long life, too.
- 11:20Speaker 6: But, Harlow, did you get the poor fellow unstuck?
- 11:22Speaker 3: Sure did.
- 11:23Speaker 2: I just happened to have an extra Autolite stay-full battery
- 11:26Speaker 2: in my trunk. So I lent it to him until
- 11:28Speaker 2: he could get one of his own at his nearest
- 11:29Speaker 2: Autolite dealers. I'll sure switch to Autolite, he said as
- 11:33Speaker 2: he zoomed off. And I answered, you're right with Autolite.
- 11:37Speaker 3: Right, Harlow. But right now, suspense.
- 11:41Speaker 4: And now, Autolite brings back to a Hollywood soundstage Mr.
- 11:46Speaker 4: Dana Andrews as Joe in a tale well calculated to
- 11:51Speaker 4: keep you in suspense.
- 11:57Speaker 3: I held the gun in my pocket. The door swung
- 12:00Speaker 3: open and I saw him framed in the light from
- 12:02Speaker 3: the hall. And I thought, now! Do it now! When'd
- 12:06Speaker 3: you come back, Joe? A while ago.
- 12:08Speaker 9: Where's that light switch?
- 12:11Speaker 3: Don't turn the lights on, Tommy. What's the matter with you?
- 12:13Speaker 3: I said... What do you got against lights? How can
- 12:16Speaker 3: you just sit there in the dark?
- 12:18Speaker 6: You know, Fran and I wondered what happened to you.
- 12:20Speaker 3: We were out looking for you.
- 12:23Speaker 6: I held tight to the gun in my pocket. I
- 12:27Speaker 6: followed him with it as he moved around the room.
- 12:30Speaker 6: stopping at the dresser to comb his hair whistling because
- 12:33Speaker 6: he was getting frowned and it was such a good
- 12:35Speaker 6: feeling and all i had to do was just squeeze
- 12:39Speaker 6: the trigger come.
- 12:40Speaker 5: On in say honey that tells me that oh you got.
- 12:45Speaker 7: Back joe yeah yeah what did you do to yourself
- 12:48Speaker 7: look at that arm tell me His arm, it's bleeding.
- 12:51Speaker 3: I didn't notice that.
- 12:52Speaker 7: Joe, you take your coat off. I'll get some towels
- 12:54Speaker 7: and Mercurochrome from the bathroom.
- 12:57Speaker 3: What'd you do, get yourself in a bra? Oh, not exactly.
- 12:59Speaker 7: Tommy, where's the Mercurochrome?
- 13:00Speaker 3: Hurry up. I'll show you where it is.
- 13:02Speaker 7: Get your coat off, Joey.
- 13:04Speaker 10: Here.
- 13:06Speaker 6: I hurried to the dresser, dug the gun out of
- 13:08Speaker 6: my pocket and put it in the drawer. Fran came
- 13:12Speaker 6: back with an armful of stuff. Her fingers started to
- 13:15Speaker 6: probe my arm while she was rolling up my sleeve.
- 13:18Speaker 5: Look what this guy did to himself. Joey, you big,
- 13:21Speaker 5: silly kid, you. What are you fighting for?
- 13:25Speaker 7: Tommy, get enough.
- 13:26Speaker 3: Hey, what happened to this window? Oh, that's how I
- 13:29Speaker 3: cut myself just now. I thought it was stuck. You
- 13:31Speaker 3: know me, long on muscles and short on brains.
- 13:35Speaker 7: It's all right. Just a little cut. Our boy's going
- 13:39Speaker 7: to be all right, Tommy. The show goes on, doesn't it, Joey?
- 13:42Speaker 3: Sure, sure.
- 13:44Speaker 7: Such a sweet, helpless guy this is. We got to
- 13:48Speaker 7: take better care of our boy, Tommy.
- 13:49Speaker 11: Yeah.
- 13:49Speaker 5: You know, our Joey's just a great big kid. He
- 13:53Speaker 5: likes to go on adventures with silly blondes, but there's
- 13:57Speaker 5: nobody got wrists like this man to catch my Tommy
- 14:01Speaker 5: when he flies through the air with the greatest of ease.
- 14:04Speaker 5: You know, Joe, I wouldn't trust Tommy's life in anybody's
- 14:08Speaker 5: hands but yours.
- 14:11Speaker 3: And she leaned over me and I could smell her hair.
- 14:15Speaker 3: And her warm breath danced around my eyes. And him
- 14:18Speaker 3: and that whistling. Why shouldn't he whistle? He had the world.
- 14:22Speaker 3: He had Fran. There.
- 14:24Speaker 7: How's that feel, Joey?
- 14:26Speaker 3: Her talking into my face. Smoothing my hair.
- 14:30Speaker 7: Now don't you punch any more windows in the nose,
- 14:32Speaker 7: you understand?
- 14:34Speaker 3: Didn't she see what she was doing to me? Didn't
- 14:37Speaker 3: they see what was happening to me? How could two
- 14:39Speaker 3: people be so blind? Couldn't they see?
- 14:42Speaker 7: Feel better, Joey?
- 14:44Speaker 3: I asked you. Leave me alone. Leave me alone!
- 14:57Speaker 6: So I went walking in the streets again, burning inside
- 15:00Speaker 6: like a guy with a 105 fever, still smelling the
- 15:03Speaker 6: perfume in her hair, still hearing her voice in my head.
- 15:08Speaker 3: It was after four in the morning when I got
- 15:10Speaker 3: back to the hotel. Nobody in the lobby.
- 15:14Speaker 6: Nobody but the room clerk, taking a snooze at the desk.
- 15:17Speaker 6: This time, Tommy was in bed, asleep. I sat on
- 15:21Speaker 6: the edge of the bed for a long time, listening
- 15:23Speaker 6: to his breathing. Then I went to the drawer and
- 15:30Speaker 6: got the gun. I laid it aside for a moment,
- 15:33Speaker 6: and I scattered the stuff on the drawer like a
- 15:35Speaker 6: burglar would if he was looking for something.
- 15:38Speaker 9: Then I went over to where his pants were hanging
- 15:40Speaker 9: on a chair.
- 15:41Speaker 6: I guess I got a little excited as I grabbed
- 15:42Speaker 6: for the pants the chair fell over.
- 15:51Speaker 9: I waited, my heart hammering away like it was trying
- 15:54Speaker 9: to break loose.
- 15:56Speaker 6: But he didn't wake up. I found his wallet and
- 16:00Speaker 6: his pants. Then his watch on the nightstand. Then I
- 16:04Speaker 6: went over to the broken window and looked down.
- 16:06Speaker 3: The dark... Not a sound.
- 16:09Speaker 6: Tomorrow, all the cops in the city would be looking
- 16:11Speaker 6: for the burglar who came up the fire escape and
- 16:14Speaker 6: killed his victim when caught in the act.
- 16:17Speaker 3: I went back to the dresser for the gun. I
- 16:20Speaker 3: went over to the bed. I wouldn't let him take
- 16:23Speaker 3: her away from me. Simple as that. I raised the
- 16:27Speaker 3: gun barrel level with his head.
- 16:29Speaker 6: My finger curled around the trigger. I felt a tiny
- 16:32Speaker 6: nerve start throbbing in my wrist.
- 16:34Speaker 3: I squeezed the trigger. What is this?
- 16:38Speaker 10: You, Joe.
- 16:39Speaker 3: Yeah, yeah. Go to bed, Joe.
- 16:42Speaker 1: Okay.
- 16:49Speaker 9: When Tommy had gone back to sleep, I broke open
- 16:51Speaker 9: the gun.
- 16:52Speaker 3: It was empty.
- 16:53Speaker 6: But it had been loaded before. They must have found
- 16:56Speaker 6: the gun after I left. But why had they taken
- 16:58Speaker 6: the bullets?
- 16:59Speaker 3: I didn't understand.
- 17:01Speaker 6: How could they know anything? All of a sudden, I
- 17:03Speaker 6: was afraid... I put the wallet and the wristwatch back.
- 17:07Speaker 6: I put the gun back in the drawer. What was
- 17:09Speaker 6: I going to do? I flopped down on the bed
- 17:13Speaker 6: and tried to think. But somewhere along the line, I
- 17:18Speaker 6: fell asleep. I slept until almost noon. When I woke up,
- 17:31Speaker 6: Tommy was gone. I dressed and went down the hall
- 17:34Speaker 6: to Fran's room.
- 17:35Speaker 3: She was gone.
- 17:36Speaker 6: At the desk, they didn't know what had happened to them.
- 17:39Speaker 6: I went down to the armory where we were playing
- 17:41Speaker 6: and went around there. It was getting close to the matinee.
- 17:45Speaker 6: I went to the dressing room. No sign of either
- 17:47Speaker 6: of them. Then, just a few minutes before we'd go on,
- 17:51Speaker 6: the door burst open.
- 17:52Speaker 3: And they were standing there. We thought we were going
- 17:56Speaker 3: to make it.
- 17:56Speaker 7: That's no kidding.
- 17:57Speaker 3: Where were you?
- 17:58Speaker 8: Just feast your eyes on the little gold object third
- 18:02Speaker 8: finger left hand, sometimes called a wedding ring.
- 18:08Speaker 3: Well, aren't you at least going to say bon voyage, partner?
- 18:12Speaker 8: Sure, sure.
- 18:13Speaker 3: Best of everything.
- 18:18Speaker 6: Fran left the change into her costume and Tommy started
- 18:20Speaker 6: getting ready.
- 18:21Speaker 3: Happy as a lark.
- 18:27Speaker 9: And I felt the hate choking me until I couldn't breathe.
- 18:30Speaker 3: Burning in me like fire.
- 18:33Speaker 9: Then I realized something that sent the cold shivers through me.
- 18:36Speaker 3: If I went up on that.
- 18:37Speaker 6: Trapeze today, and if his life depended upon my catching him,
- 18:40Speaker 6: he would die. It made me sick thinking about it.
- 18:45Speaker 6: Everybody's got to have some kind of belief. I grew
- 18:47Speaker 6: up different, not like most people. The only belief I had.
- 18:51Speaker 3: Was the act. I had to keep the act clean.
- 18:54Speaker 3: I couldn't let it happen that way. But it would happen.
- 18:58Speaker 3: If I went up there, it would happen.
- 19:01Speaker 11: Marine Lewis!
- 19:02Speaker 3: Okay. Well, better be getting out of here, Joey, huh? Well, Joe,
- 19:07Speaker 3: come on, come on. I'm not going.
- 19:09Speaker 9: What?
- 19:09Speaker 3: What are you talking about? I'm not going on. Can't
- 19:12Speaker 3: you understand English?
- 19:13Speaker 7: But, Joey.
- 19:13Speaker 3: I'm not going on! He couldn't do anything with me,
- 19:18Speaker 3: and time was running out.
- 19:20Speaker 6: He left, and I thought, what I'd better do is
- 19:22Speaker 6: just pack and leave and never see either of them again.
- 19:25Speaker 9: Then, just beyond the door, I heard him whispering to somebody.
- 19:28Speaker 3: I knew what it was. He was putting her to
- 19:31Speaker 3: work on me.
- 19:32Speaker 6: I didn't want to see her. I went to close
- 19:33Speaker 6: the door, but she was already standing there, her hand
- 19:36Speaker 6: on the doorknob. But it was the wrong hand. It
- 19:40Speaker 6: was the hand with the ring on it.
- 19:42Speaker 3: His ring.
- 19:44Speaker 7: Is it something to do with the act, Joe?
- 19:46Speaker 3: No, nothing with the act. Well, then... Don't ask me
- 19:48Speaker 3: to go out there, friend.
- 19:50Speaker 7: You know we can't go on without you.
- 19:52Speaker 6: Well, do what you can. Fake those triple plays. Look
- 19:54Speaker 6: pretty and swing hard. Just don't ask me to go
- 19:56Speaker 6: out there.
- 19:57Speaker 8: Joey, what's wrong with you lately? Look, don't... I'm worried
- 20:00Speaker 8: about you. You've been acting so funny the last week
- 20:03Speaker 8: or so. What were you doing with a gun, Joey? I...
- 20:08Speaker 8: We found it in your dresser last night. Scared me
- 20:11Speaker 8: to death. I made Tommy take the bullets out.
- 20:14Speaker 3: I just bought it for protection, that's all.
- 20:16Speaker 7: Protection from what? Joe, you've been so moody, so melancholy.
- 20:22Speaker 7: I'm so afraid you might hurt yourself.
- 20:25Speaker 3: You think that's why I bought the gun, to hurt myself?
- 20:28Speaker 7: Gosh, I hope not.
- 20:29Speaker 3: I could.
- 20:30Speaker 7: It's our cure. Come on, Joe.
- 20:33Speaker 3: She moved up close to me. Her hand touched the
- 20:37Speaker 3: side of my face. Soft and warm.
- 20:40Speaker 7: We'll be waiting for you. We won't go on without you.
- 20:46Speaker 3: She left.
- 20:47Speaker 6: I didn't know what to feel. Inside me, some of
- 20:50Speaker 6: the hate was unwinding. I didn't want to hate him.
- 20:54Speaker 6: I began thinking maybe I could... I could get by
- 20:57Speaker 6: today after all. And after today, I'd just beat it
- 21:00Speaker 6: and never see him again. I began thinking how lucky
- 21:03Speaker 6: it was that everything had gone wrong last night.
- 21:06Speaker 3: I started for the door.
- 21:10Speaker 3: Then I saw.
- 21:10Speaker 9: The two of them behind some props, kissing each other
- 21:14Speaker 9: while they were waiting for me.
- 21:17Speaker 3: I'd never seen him kissing her before.
- 21:20Speaker 6: I felt cold and empty. I went back into the
- 21:24Speaker 6: dressing room. On the table was the tube of Vaseline
- 21:27Speaker 6: I used to hold my hair in place. I stuck
- 21:30Speaker 6: the tube into the waistband of my trunks. I didn't
- 21:33Speaker 6: worry anymore about hurting the act. The act went off
- 21:47Speaker 6: like clockwork.
- 21:48Speaker 3: It always did. It was such second nature to us
- 21:51Speaker 3: by now.
- 21:52Speaker 6: The precision climb up the ladders to the two little
- 21:54Speaker 6: takeoff platforms, me on.
- 21:56Speaker 3: One side of the ring, the two of them on
- 21:58Speaker 3: the other.
- 21:59Speaker 6: I felt good like I always felt up here. I
- 22:02Speaker 6: knew what was going to happen, but I wasn't fighting
- 22:04Speaker 6: it anymore. When it came, it came, that's all. And
- 22:08Speaker 6: then it was time.
- 22:12Speaker 3: All the easy stuff was over. We were ready for
- 22:14Speaker 3: a big specialty. Tommy's triple somersault.
- 22:18Speaker 12: Ladies and gentlemen, your kind attention, please.
- 22:23Speaker 7: It is once.
- 22:24Speaker 12: Again my privilege to present the most breathtaking trapeze stunt
- 22:31Speaker 12: in all the world.
- 22:33Speaker 6: I was already on the lower trapeze, lolling on the crossbar.
- 22:37Speaker 6: It was Tommy's stunt, so no one noticed me. I
- 22:42Speaker 6: reached up into the waistband of my trunks and flicked
- 22:44Speaker 6: the cap off the tube of grease. I pinched the
- 22:47Speaker 6: tube and a call of Vaseline spurted into my palm.
- 22:51Speaker 6: I greased my wrists until they were as slippery as
- 22:54Speaker 6: a pair of eels. That was where he was going
- 22:56Speaker 6: to hang on to. Where he was going to try
- 23:01Speaker 6: to hang on.
- 23:04Speaker 3: The greatest miss will mean instant death. Tommy signaled that
- 23:10Speaker 3: he was ready. I was ready too.
- 23:16Speaker 6: I turned lazily on the bar until my head hung down.
- 23:19Speaker 6: I was dangling by my legs, flexing my arm, my
- 23:24Speaker 6: eyes running over the row upon row of tiny upturned faces.
- 23:28Speaker 9: It was a matter of seconds now. 5,000 pairs of
- 23:32Speaker 9: eyes watching.
- 23:34Speaker 6: 5,000 hearts starting to speed up. Even the peanut and
- 23:37Speaker 6: popcorn boys had stopped. Just the roll of the drums building.
- 23:40Speaker 3: Up louder and louder.
- 23:42Speaker 6: Without looking, I knew Fran was putting on Tommy's blindfold.
- 23:47Speaker 6: In another second, I'd swing around and face them and
- 23:51Speaker 6: begin the count.
- 23:52Speaker 3: I began turning. What happened? I turned quickly.
- 23:58Speaker 6: Fran was alone on the platform. For a split second,
- 24:01Speaker 6: I couldn't figure it out. And then I saw Tommy
- 24:03Speaker 6: falling through the air. He grabbed at a guy wire
- 24:05Speaker 6: as he passed.
- 24:06Speaker 3: And he held on. He slid down the wire, spiraling
- 24:08Speaker 3: down in.
- 24:09Speaker 6: A sickening, crazy corkscrew, down all the way to the bottom,
- 24:11Speaker 6: but never letting go.
- 24:13Speaker 3: He landed in a huddle at the bottom.
- 24:15Speaker 6: But then he picked himself up. So he was all right,
- 24:18Speaker 6: nothing broken. Except the way he held his hand, you
- 24:21Speaker 6: could tell it was as raw as if he'd cut.
- 24:22Speaker 3: It open with a knife. I swung around and looked
- 24:26Speaker 3: up at Fran... She caught my eye and formed the words,
- 24:29Speaker 3: my fault, with her lips. And then, sorry. Then she
- 24:35Speaker 3: had made him slip. She had kept him from swinging
- 24:37Speaker 3: out on that trapeze. But why? I swung back. All
- 24:40Speaker 3: of a sudden, I wanted to get down. I wanted
- 24:43Speaker 3: to get away.
- 24:44Speaker 6: While my back was turned to her, she must have
- 24:46Speaker 6: passed along the signal because.
- 24:47Speaker 3: Suddenly I heard... Ladies and.
- 24:49Speaker 12: Gentlemen, this unforeseen accident will not in any way change
- 24:55Speaker 12: our spectacular triple somersault.
- 24:58Speaker 3: The event will continue with.
- 25:01Speaker 12: The great Thomas's understudy, the lovely Frances.
- 25:14Speaker 3: I guess at first I was just too shocked to think.
- 25:16Speaker 3: This was something I'd never figured out.
- 25:18Speaker 6: Sure, she'd done the trick before, but then there was
- 25:20Speaker 6: a split second in which she signaled me to drop.
- 25:22Speaker 3: My head and begin the count.
- 25:24Speaker 6: And then before I could get my own desperate signal
- 25:26Speaker 6: back to her to stop, not to go.
- 25:27Speaker 3: Ahead, the black mask had.
- 25:29Speaker 6: Dropped over her eyes and I was cut off from her.
- 25:32Speaker 3: Fran, don't do it! Don't do it!
- 25:35Speaker 6: But the drums had already begun that time. My voice
- 25:38Speaker 6: couldn't reach her now. She'd swung the empty trapeze out
- 25:42Speaker 6: into space. The count had begun. One, as she let go. Two,
- 25:50Speaker 6: as the trapeze made its arc. Three, as it returned.
- 25:56Speaker 6: Twice more the empty trapeze would swing out, and then
- 25:59Speaker 6: on its return she.
- 26:00Speaker 3: Would grab it. Friend! Don't do it! Don't do it!
- 26:05Speaker 3: But I knew she could only hear the drums.
- 26:08Speaker 6: If there were only some way to stop the drums.
- 26:12Speaker 3: Ah!
- 26:15Speaker 6: I heard the terrified roar of thousands of throats, and
- 26:19Speaker 6: I knew it was death.
- 26:32Speaker 3: And who is the next of kin of the deceased?
- 26:34Speaker 11: Look, officer, I told you I'm only the manager of
- 26:37Speaker 11: this outfit. Why don't you ask those two over near
- 26:39Speaker 11: the body?
- 26:40Speaker 3: They know all about it. They're part of the act.
- 26:41Speaker 10: I told you I'd get to them. Now, how exactly
- 26:45Speaker 10: did the deceased... Listen, officer, why so many questions? It
- 26:48Speaker 10: wasn't murder, you know. It was just an accident. Slipped
- 26:51Speaker 10: and fell off the trapeze. I guess it was the
- 26:54Speaker 10: excitement of seeing Tommy take that bad spill.
- 26:57Speaker 11: Why can't you just put it down as an accident
- 26:59Speaker 11: and let it go at that?
- 27:00Speaker 3: Look, I'm only following the rules, mister. I don't tell
- 27:03Speaker 3: you how to run your circus.
- 27:04Speaker 11: Yeah, yeah, but when you're all finished with your questions,
- 27:06Speaker 11: it'll still add up to the same thing. An aerialist
- 27:10Speaker 11: named Joe Crosby was accidentally killed while giving a performance.
- 27:14Speaker 11: Just as simple as that.
- 27:16Speaker 3: Yeah, poor Joe himself couldn't tell you any more. Even
- 27:20Speaker 3: if the dead could talk. Thank you, Dana Andrews, for
- 27:47Speaker 3: a splendid performance. Mr.
- 27:49Speaker 4: Andrews will return in just a moment.
- 27:52Speaker 3: Hello. Yes, Hap? A question. Shoot. Do you ever run
- 27:56Speaker 3: out of words? Oh, now, Hap, be sensible.
- 27:58Speaker 2: How could any guy run out of words with those
- 28:00Speaker 2: sensational auto lights stay full.
- 28:02Speaker 3: Batteries to talk about? I got my answer.
- 28:05Speaker 2: Why, Hap, those auto lights stay full batteries have the
- 28:07Speaker 2: start of a jackrabbit, the power of a bulldozer, and
- 28:10Speaker 2: the life of a redwood all wrapped up in one.
- 28:13Speaker 2: And to top it all off, they need water only
- 28:16Speaker 2: three times a year in normal car use. So, friends,
- 28:19Speaker 2: when you buy a battery, buy the best. Switch to Autolite,
- 28:23Speaker 2: makers of over 400 automotive, aviation, and marine products in
- 28:27Speaker 2: 27 plants from coast to coast. Autolite, the lifeline of
- 28:31Speaker 2: your car. Always remember, Autolite means batteries.
- 28:35Speaker 3: Stay full, batteries. Autolite means spark plugs. Ignition-engineered resistor spark plugs.
- 28:41Speaker 3: Autolite means ignition systems. The lifeline of your car. And
- 28:53Speaker 3: now here again is Mr. Dana Andrews.
- 28:55Speaker 6: My thanks to Tony Leda for the opportunity of appearing
- 28:58Speaker 6: again on Suspense.
- 28:59Speaker 3: It is always a pleasant and rewarding experience.
- 29:02Speaker 6: And you'll have a pleasant and rewarding experience, I'm sure,
- 29:04Speaker 6: next week when radio's outstanding theater of thrills brings you
- 29:07Speaker 6: Robert Montgomery in another gripping study in Suspense.
- 29:13Speaker 2: Dana Andrews appears through the courtesy of Samuel Goldwyn, producers
- 29:16Speaker 2: of Enchantment. Tonight's suspense play was adapted by Larry Marcus
- 29:19Speaker 2: from the short story by William Irish. Music was composed
- 29:22Speaker 2: by Lucian Morawieck and conducted by Lud Bluskin. The entire
- 29:26Speaker 2: production was under the direction of Anton M.
- 29:28Speaker 3: Leder.
- 29:30Speaker 2: In the coming weeks, suspense will present such stars as
- 29:33Speaker 2: Vibber McGee and Molly, Charles Lawton, James Wyman, James Mason,
- 29:38Speaker 2: and many others. Make it a point to listen each
- 29:40Speaker 2: Thursday to Suspense, radio's outstanding theater of thrills. Next Thursday,
- 29:47Speaker 2: same time, hear Robert Montgomery.
- 29:59Speaker 7: Remember, you're right with Autolite.
- 30:02Speaker 3: So switch to Autolite. Good night.
- 30:05Speaker 2: This is CBS, the Columbia Broadcasting System.
- 30:26Speaker 1: Suspense now lowers the curtain on If the Dead Could
- 30:30Speaker 1: Talk from January 2nd, 1949. Follow Suspense for more classic broadcasts.