Latest / The World of Phil Hendrie / Episode #3535 The New Phil Hendrie Show

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Episode #3535 The New Phil Hendrie Show · The World of Phil Hendrie

• 0:00
  Speaker 1: Hey, it's j Jo Bell.
• 0:01
  Speaker 2: You know I've had my ass kicked and beat by
• 0:03
  Speaker 2: some of the great names in country music.
• 0:05
  Speaker 1: Coming up?
• 0:06
  Speaker 2: Are you gonna hear the best of Ginge Bell getting
• 0:08
  Speaker 2: his ass kicked, beat thrown out of windows and run
• 0:12
  Speaker 2: over by guys? But right now I want to tell
• 0:14
  Speaker 2: you the backstage pass to the world Famous Phil Henry Show. Yeah,
• 0:17
  Speaker 2: the world Famous Phil Henry Show. Because this show is
• 0:21
  Speaker 2: unlike any other. It is the most unique podcast I
• 0:23
  Speaker 2: think out there today. And that's coming from Gen Jobel,
• 0:26
  Speaker 2: Gingo Bell, who wants everybody to be focused on him,
• 0:30
  Speaker 2: Ginge Bell, who wants everyone to be thinking about him,
• 0:31
  Speaker 2: Ginge Bell, who wants everybody to be hiring him. I'm
• 0:34
  Speaker 2: putting the focus off of me, and I'm putting it
• 0:36
  Speaker 2: on Phil Henry.
• 0:36
  Speaker 1: What are my nuts? You bet? But Phil Henry? Is
• 0:38
  Speaker 1: that good?
• 0:39
  Speaker 2: Get a backstage pass the world Famous Phil Henry Show podcast,
• 0:43
  Speaker 2: the net cast, the website with all of the great
• 0:46
  Speaker 2: archived radio shows, all of the great you know, video casts,
• 0:50
  Speaker 2: And my mind is just all right, Gene, keep your
• 0:53
  Speaker 2: mind focused. I'm just thinking about all the country artists.
• 0:55
  Speaker 1: That you kick my assy.
• 0:57
  Speaker 2: It's the world famous Phil Henry show where Gene Jabelle
• 1:00
  Speaker 2: gets his.
• 1:00
  Speaker 1: Ass beat regularly.
• 1:02
  Speaker 2: Yeah, get a backstage pass and get all of the
• 1:05
  Speaker 2: great sounds, the great archives, the great podcasts, video casts,
• 1:10
  Speaker 2: and home movies at Phil evryshow dot com, the greatest
• 1:13
  Speaker 2: value online other than poorn Yih. Hey, it's Phil, and
• 1:19
  Speaker 2: we want to thank our great friend and curator and
• 1:21
  Speaker 2: archivist and all around cool guy. Yeah, Rory McLoud for
• 1:27
  Speaker 2: another best of this from Jean Jabbell. Rory is he's
• 1:30
  Speaker 2: really good at just finding these You want to do
• 1:33
  Speaker 2: this again? Why because you went Rory's you know, no, no, no,
• 1:37
  Speaker 2: Now that you mentioned no, I don't want to do
• 1:38
  Speaker 2: it again, fine, Rory's did.
• 1:41
  Speaker 3: The Okay, Phil, we get the call.
• 1:45
  Speaker 2: Rory's great at finding these great, great clips, these great
• 1:49
  Speaker 2: actual you know, collections of characters, character bits and moments
• 1:53
  Speaker 2: and environments and things like that. He's done the best
• 1:55
  Speaker 2: of Bathtub and yeah, the best of Bathtub was was
• 1:58
  Speaker 2: great because it's a lot of different people.
• 2:00
  Speaker 1: Yeah, a lot of different people in a bathtub.
• 2:02
  Speaker 2: Yeah, now that you guys bring it up that way,
• 2:04
  Speaker 2: it's not that interesting, No, it isn't. However, today we
• 2:08
  Speaker 2: have the best of Ginga Bell Ginge Bell.
• 2:10
  Speaker 1: Just so you know. No, I don't want to go
• 2:12
  Speaker 1: back and redo it, but I said.
• 2:15
  Speaker 2: Ginge Bell is a country disc jockey who is reflective
• 2:18
  Speaker 2: of a phenomenon that I noticed when I was in radio,
• 2:21
  Speaker 2: and it's kind of a one that I was jealous of.
• 2:24
  Speaker 2: Country artists and country disc jockeys get along pretty good.
• 2:28
  Speaker 2: I mean these cats, actually some of them actually hang
• 2:30
  Speaker 2: out together. Some of the country disc jockeys go into management,
• 2:34
  Speaker 2: they manage some of these artists that they find, and
• 2:36
  Speaker 2: they have a kind of a good working relationship. I
• 2:38
  Speaker 2: was in rock radio just about my entire life, and
• 2:40
  Speaker 2: that was never the case with uh, with rock artists,
• 2:45
  Speaker 2: rock and roll artists. I'm not complaining about that. But
• 2:48
  Speaker 2: while I love their music, a lot of them were
• 2:50
  Speaker 2: major assholes. Yeah, that's a way to talk about it.
• 2:55
  Speaker 1: Nice Cohen, Phil, What do white care? Anyway?
• 2:57
  Speaker 2: Today we have the best of Jinga Bell, Ginga Bell,
• 3:00
  Speaker 2: who's had his ass kicked by some of the great
• 3:02
  Speaker 2: names in country music.
• 3:03
  Speaker 1: The following is a collection of Phil Henry Show encore
• 3:07
  Speaker 1: presentations by those.
• 3:10
  Speaker 2: Hey Gingebell here, you know, I've had my ass kicked
• 3:11
  Speaker 2: by some of the great names in country music. I
• 3:13
  Speaker 2: have had my ass kicked, I've had my head stoved in,
• 3:16
  Speaker 2: I've had my eyeballs punched black, I've had my nose
• 3:18
  Speaker 2: broken six seven times. But you know what that is
• 3:22
  Speaker 2: the price of doing business. The country artists love and
• 3:24
  Speaker 2: respect me. You know. I just have to get by
• 3:26
  Speaker 2: their their bouncers and their security, and I hand them
• 3:29
  Speaker 2: some of the great management deals of all time. As
• 3:31
  Speaker 2: Ginge Bell gets beat up, repeatedly, beat up, almost to
• 3:35
  Speaker 2: the point of being crippled. Weekly on country music usay
• 3:40
  Speaker 2: is Willie Hickson. Willi Hickson's Blues Parlor is opened twenty
• 3:43
  Speaker 2: four hours a day, seven days a week. I don't
• 3:46
  Speaker 2: even mess around, i'd because I like my music. I
• 3:48
  Speaker 2: know you like your music, and yeah, having a blues
• 3:50
  Speaker 2: let me tell you some I'm having a blues bar
• 3:52
  Speaker 2: and a city like Nashel, everybody want to hear country music.
• 3:54
  Speaker 2: I'm going to keep this thing open twenty four seven,
• 3:56
  Speaker 2: seven days a week to say I am blues, blues, blues, blues, No, no, no,
• 4:01
  Speaker 2: I won't.
• 4:01
  Speaker 1: Play no country music.
• 4:02
  Speaker 2: Come on into Willie Hickson Blues Bar twenty four hours
• 4:05
  Speaker 2: a day, seven days a week, Listen to blues, see
• 4:08
  Speaker 2: eat some good food. I don't know what kind of
• 4:09
  Speaker 2: fits jelly hamburgers. We actually have beef borgan. You know,
• 4:12
  Speaker 2: there's no such thing.
• 4:12
  Speaker 1: As blues food. Okay, we'll just.
• 4:14
  Speaker 2: Get that out of your mind, all right. We serve
• 4:16
  Speaker 2: up regular food, good food. We got pot roast. You know,
• 4:19
  Speaker 2: we were all kind of I think I think we
• 4:21
  Speaker 2: even have kish but Willie Hickson's Blues Parlor, Real Blues,
• 4:27
  Speaker 2: Willie Hickson's Bruze Parlor, fifty Main in downtown Dufuffity. We're
• 4:33
  Speaker 2: in the Fuffity. That's about five miles outside of Coopton,
• 4:36
  Speaker 2: which is in Central City Nashville.
• 4:45
  Speaker 1: I mean, whatdy ginger Bell here.
• 4:46
  Speaker 2: I get my ass kicked by the great names in
• 4:48
  Speaker 2: country music every single week right here on Country Music USA.
• 4:51
  Speaker 1: You know, Hank Williams is no longer.
• 4:53
  Speaker 2: With us, as I was mentioning that long. And Hank Williams,
• 4:55
  Speaker 2: of course was on our great stars. But when he
• 4:57
  Speaker 2: was making music, I was barely born, and when I
• 4:59
  Speaker 2: finally was born, I was I've.
• 5:00
  Speaker 1: Listened to Disney Records.
• 5:01
  Speaker 2: If I'd had to actually listen to this kind of
• 5:03
  Speaker 2: music as a little tiny kid, I probably wouldn't have
• 5:05
  Speaker 2: stopped projectile vomiting week after week. But overtheless, this is music,
• 5:09
  Speaker 2: country music. It's very Important's Hank Williams and it's important,
• 5:12
  Speaker 2: and it's Tank Williams.
• 5:13
  Speaker 1: That's about all I know about that. But I can
• 5:14
  Speaker 1: tell you this much.
• 5:15
  Speaker 2: I do know this, ladies and gentlemen. I do know
• 5:16
  Speaker 2: that Hank Williams drank himself to death. And the other
• 5:20
  Speaker 2: day I was am seeing a charity event for a
• 5:21
  Speaker 2: drunk driving sponsored by Hank Williams Foundation, and so I
• 5:24
  Speaker 2: was up there.
• 5:25
  Speaker 1: I'm trying to loosen people. One of the things I
• 5:26
  Speaker 1: like to do is gen Ja.
• 5:27
  Speaker 2: Belle when I'm doing am seeing events or in my
• 5:29
  Speaker 2: management carreras of this jockey'd like a loosen people up.
• 5:31
  Speaker 2: I like to get people just kind of yeah, you know,
• 5:34
  Speaker 2: loosen it up. Man, don't tell you everything so serious.
• 5:35
  Speaker 2: So I started making you know, I started making jokes
• 5:37
  Speaker 2: about drunk driving, talking about being thrown through a windshield
• 5:40
  Speaker 2: and things like that.
• 5:41
  Speaker 1: I know it sounds gruesome.
• 5:42
  Speaker 2: I know it sounds bad, but hey, you know what,
• 5:43
  Speaker 2: when you learn to loosen up, when you learn to
• 5:45
  Speaker 2: say just hey, you know what, the guy's are drunk,
• 5:47
  Speaker 2: he drives drunk, he drives over top of old people.
• 5:50
  Speaker 1: At bus stops. Big deal.
• 5:52
  Speaker 2: That's when we can begin to talk to each other.
• 5:54
  Speaker 2: That's what we bridge the gaps between each other. Well,
• 5:57
  Speaker 2: so I'm making all these jokes about drunk driving at
• 5:59
  Speaker 2: this event, and the PA there, I guess, for whatever reason.
• 6:02
  Speaker 1: They didn't like it. And they don't have a sense
• 6:04
  Speaker 1: of humor.
• 6:04
  Speaker 2: And one of the things about country music fans especially
• 6:06
  Speaker 2: and the artists, no sense of humor at all. So
• 6:08
  Speaker 2: they rolled me up in a large rug, just like
• 6:10
  Speaker 2: that management team there, I think Patsy Klimb.
• 6:13
  Speaker 1: I mean, they rolled me up.
• 6:14
  Speaker 2: In this rug and they beat me with chairs and tables,
• 6:18
  Speaker 2: lead pipes, baseball bats, sledgehammers. The reason why I know
• 6:20
  Speaker 2: is because I would peek out from under the rug
• 6:21
  Speaker 2: and take a look and say, what are they hitting.
• 6:23
  Speaker 1: Me with now? And I kept the metal notes, I
• 6:25
  Speaker 1: kept the middle note.
• 6:25
  Speaker 2: I was being hit with lead pipes. I wasn't sure
• 6:27
  Speaker 2: it was lead. I actually asked somebody, I said, is.
• 6:29
  Speaker 1: That a lead pipe? And they went, wouldn't you like
• 6:30
  Speaker 1: to know? Bang?
• 6:31
  Speaker 2: Hit me again, sledgehammer's standing lamps on a snowshovel. Well,
• 6:36
  Speaker 2: with all of my teeth shattered and my jaw unhinged.
• 6:38
  Speaker 2: I tried to explain myself, but I came off talking
• 6:41
  Speaker 2: more like a zombie or a ghoul, because you know,
• 6:44
  Speaker 2: I'd had my face kicked in, and this is what
• 6:45
  Speaker 2: I saided, like a fog ye, I'll plog ye.
• 6:50
  Speaker 1: Well. The people screamed, they were fighting, They didn't know
• 6:52
  Speaker 1: what to do.
• 6:53
  Speaker 2: Some of them doused me with whiskey, another hard liquor
• 6:55
  Speaker 2: from the cash bar, you know, and I probably made
• 6:57
  Speaker 2: a bunch of jokes about.
• 6:58
  Speaker 1: The cash board. How stupid these people are.
• 7:00
  Speaker 2: I mean, you know, go to a host bar, man,
• 7:02
  Speaker 2: go to a host bar, you get it for free,
• 7:04
  Speaker 2: and you can still get your drunk driving rap going.
• 7:06
  Speaker 1: That's when they lit me on fire.
• 7:08
  Speaker 2: Scott Well, I staggered to the ballroom on fire, boning
• 7:11
  Speaker 2: and scaring everyone. You've seen it happen in all CODs
• 7:14
  Speaker 2: of movies, all kinds of horror movies, and guy just
• 7:15
  Speaker 2: going ah, and I was a flaming guy. I staggered
• 7:19
  Speaker 2: through the ballroom, smashed through, yes you're right, some glass
• 7:23
  Speaker 2: sliding glass doors, and then a priest using a cross
• 7:26
  Speaker 2: tried to turn me like a vampire. Cops and fire
• 7:29
  Speaker 2: departments showed up and I fell in a hail of
• 7:31
  Speaker 2: rubber bullets. I'm Jean Jabell, but nobody has kicked my
• 7:35
  Speaker 2: ass quite as thoroughly. No one has kicked my ass
• 7:37
  Speaker 2: in a manner that is so humiliating to me. No
• 7:39
  Speaker 2: one has kicked my ass to the point where, you
• 7:42
  Speaker 2: know what, I know, I want to come back and
• 7:43
  Speaker 2: get my ass kicked again because I think I might
• 7:45
  Speaker 2: just like it.
• 7:47
  Speaker 1: Then, Kenny Rodgers, it's the dark, that's right.
• 7:49
  Speaker 2: I'm gen Jebel and oh, I stuttered over the name.
• 7:51
  Speaker 2: You heard me kind of hesitate, he Ben Rogers. He
• 7:54
  Speaker 2: because remembering the beating I took at the hands of
• 7:57
  Speaker 2: Kenny Rodgers, reading, Oh man, what the carcares the hell
• 8:02
  Speaker 2: out of you? Well, it turns out I appeared to
• 8:06
  Speaker 2: the Horseshoe Casino in Robinson, Mississippi.
• 8:07
  Speaker 1: One day. There was Kenny.
• 8:08
  Speaker 2: Rodgers, Kenny Rodgers look alike, singing a duet with a
• 8:11
  Speaker 2: lookalike Dolly Parton. That's right, who, of course had these big, huge,
• 8:15
  Speaker 2: and I mean gigantic fake boobs.
• 8:17
  Speaker 4: Wow.
• 8:18
  Speaker 1: So I remarked on how I'd like to have those
• 8:19
  Speaker 1: boobs in my mouth, just something to kind of break
• 8:21
  Speaker 1: the ice.
• 8:22
  Speaker 2: The fake Kenny Rodgers grabbed me by my ear nearly
• 8:24
  Speaker 2: wrenching it free of my skull, dragged me across the
• 8:26
  Speaker 2: casino floor, across multible craps and roulette tables. I got
• 8:29
  Speaker 2: then this is Kenny Rodger. There's fake Kenny Rodgers. By
• 8:31
  Speaker 2: the way, imagine a fake Kenny Rodgers treating me. Not
• 8:33
  Speaker 2: even the real Kenny Rodgers did. This was a fake
• 8:35
  Speaker 2: Kenny Rodgers. I'll get to the story about the real
• 8:37
  Speaker 2: Kenny Rodgers kicking.
• 8:38
  Speaker 1: My ass just a second. The fake Kenny Rodgers threw
• 8:40
  Speaker 1: me into.
• 8:40
  Speaker 2: An ATM machine head first, and then he dumped a
• 8:43
  Speaker 2: video slot machine onto my head, my bloodied head. Various
• 8:46
  Speaker 2: casino customers took turns kicking me while I was on
• 8:49
  Speaker 2: the floor, and some old lady poured whiskey sour.
• 8:51
  Speaker 1: On me and then kicked me in the nutsack. When
• 8:53
  Speaker 1: you how about that?
• 8:54
  Speaker 2: And along comes that Dolly Parton with the big fake boobs,
• 8:56
  Speaker 2: and I still said to her, good, I'll call boob,
• 8:59
  Speaker 2: but the ball.
• 9:00
  Speaker 1: That's the way I sat it. Well. The last person
• 9:02
  Speaker 1: to stand over me is I looked up.
• 9:03
  Speaker 2: I opened my eyes about six hours later, and I
• 9:06
  Speaker 2: was laying there in a pool of spit and blood
• 9:08
  Speaker 2: and whiskey.
• 9:09
  Speaker 1: And it was the actual Kenny Rodgers. He said, are
• 9:11
  Speaker 1: you all right?
• 9:12
  Speaker 2: I said, mister Rogers, I wanted to come here to
• 9:14
  Speaker 2: tell you I like your song The Gambler.
• 9:17
  Speaker 1: He said, you mean the Gambler. I said, oh, oh,
• 9:20
  Speaker 1: and that's what I felt.
• 9:21
  Speaker 2: Yet another man ATM machine drop on my head. See
• 9:27
  Speaker 2: and with Kenny Rogers drops an ATM machine on the
• 9:30
  Speaker 2: factory Gabelle crush tat cigarette. Yeah, Willie Hickson's Gut Bucket Festival.
• 9:37
  Speaker 2: This is an announcement that Gene Gabelle has been uninvited
• 9:40
  Speaker 2: as the MC because insurance will not cover the event
• 9:43
  Speaker 2: if Jean Jabell is seen anywhere near the place. All right,
• 9:46
  Speaker 2: we will have the Sweet Willy Hickson Gut Bucket Festival.
• 9:48
  Speaker 2: But I do not want, I do not care to have,
• 9:51
  Speaker 2: I do not wish to have. I do not want
• 9:53
  Speaker 2: and will not want and will not want to have
• 9:55
  Speaker 2: Ginge Bell anywhere near me, my festival, members of my family,
• 9:59
  Speaker 2: even in my date, which is Tennessee, sometimes Arizona and
• 10:03
  Speaker 2: most of the time California. The Sweet Willie Hickson Gut
• 10:05
  Speaker 2: Bucket Festival not featuring Jean Jabell.
• 10:08
  Speaker 1: Well, here's a song.
• 10:09
  Speaker 2: I thought for sure I was really gonna be I
• 10:11
  Speaker 2: thought I was really picking it right here. He says
• 10:13
  Speaker 2: to me, I got a song, mister Jabell, I hope
• 10:15
  Speaker 2: you managed me.
• 10:15
  Speaker 1: I said, what it's called? I said, Okie from Muskoge?
• 10:17
  Speaker 1: I said, are you kidding me? Sco Are you kidding me?
• 10:21
  Speaker 2: He said, well, well, come on, it's about being here
• 10:24
  Speaker 2: about you nuts. So I said, I'm not going to
• 10:26
  Speaker 2: take some hay seed act like you. Man, get out
• 10:29
  Speaker 2: of here. Three weeks later, it was a smash hit
• 10:32
  Speaker 2: all over the world. I called him up and I said, hey,
• 10:34
  Speaker 2: maryl remember that song Oki from Muscoge. He said, yeah,
• 10:36
  Speaker 2: you didn't want to manage me because you thought the
• 10:38
  Speaker 2: thing was just you thought the thing.
• 10:39
  Speaker 1: Was strictly from Hungary.
• 10:40
  Speaker 2: Said, well, yes, I did, but I also understand the
• 10:43
  Speaker 2: appeal that it can have for the hay seed and
• 10:45
  Speaker 2: the hillbilly and the real you know, the real backward
• 10:48
  Speaker 2: clowns like you. He said, oh really. I said, yeah,
• 10:50
  Speaker 2: So why didn't you sign a management deal with me?
• 10:52
  Speaker 2: And let's hit it big baby.
• 10:53
  Speaker 1: You know, we'll we'll touch this guy, we'll reach for
• 10:56
  Speaker 1: the stars. He said, that just gave.
• 10:58
  Speaker 2: Me an idea he went into the other room and
• 10:59
  Speaker 2: came out up with one of those skyrockets for the
• 11:01
  Speaker 2: fourth of July, watered it right up my ass and
• 11:03
  Speaker 2: lid it is that San Francisco dude, And this.
• 11:08
  Speaker 1: Is what I sounded like.
• 11:09
  Speaker 2: And I'm proud me from that bad Jean Jebel, I
• 11:17
  Speaker 2: swear event squares.
• 11:21
  Speaker 1: I'll tell you no right now. We played some of
• 11:22
  Speaker 1: the great country hits of all time.
• 11:24
  Speaker 2: But what would we be if we didn't have this
• 11:26
  Speaker 2: lovely little lady here, Donna Fargo, the happiest girl in
• 11:28
  Speaker 2: the USA. Doesn't this sound like a bunch of simple
• 11:31
  Speaker 2: minded garbage?
• 11:32
  Speaker 1: And that's exactly what I thought.
• 11:33
  Speaker 2: It was a bunch of simpled and simple minded trash.
• 11:36
  Speaker 2: And her husband came out of her boyfriend some guy
• 11:38
  Speaker 2: was there. He said, hey, Jane Bell, would you mind
• 11:39
  Speaker 2: managing Dona Fargo? He's got a great hit record. I said,
• 11:42
  Speaker 2: what's it called? He said, happiest girl in the USA?
• 11:44
  Speaker 2: I said, I would Are you kidding me with that?
• 11:46
  Speaker 2: I said, are you kidding me with that? I asked
• 11:48
  Speaker 2: it three times? Are you kidding me with that? And
• 11:50
  Speaker 2: he stared at me and I said, get out of
• 11:51
  Speaker 2: my office and never darkened my toilet paper again left me.
• 11:55
  Speaker 2: Five months later, the songs a hit. I went over
• 11:57
  Speaker 2: to her house. She wasn't normal. In her office, she wasn't.
• 12:00
  Speaker 2: They said she was on vacation in Switzerland. So I
• 12:01
  Speaker 2: booked a jet. I flew all the way to Switzerland.
• 12:03
  Speaker 2: I found her in a villa over there, some sort
• 12:05
  Speaker 2: of a lakeside retreat. I said, Hi, Donna, it's change
• 12:08
  Speaker 2: a bell.
• 12:08
  Speaker 1: And I was the one that.
• 12:09
  Speaker 2: Said happiest girl in the whole USA was something that
• 12:11
  Speaker 2: would drop out of a cow's ass.
• 12:13
  Speaker 1: She said, that's right, I do remember you.
• 12:15
  Speaker 2: That's when she snapped her fingers and two guys came
• 12:17
  Speaker 2: in wearing SS uniforms.
• 12:19
  Speaker 1: That's right, Nazi uniforms.
• 12:20
  Speaker 2: They had the lightning bolt collars, they had the swastikas.
• 12:23
  Speaker 1: On the armbands.
• 12:24
  Speaker 2: And they lifted me up and carried me outside, and
• 12:26
  Speaker 2: then they dropped me off the edge of a cliff.
• 12:28
  Speaker 2: I bounded down about three four hundred feet, and I
• 12:30
  Speaker 2: rolled out into a.
• 12:31
  Speaker 1: Highway where there were troop transports.
• 12:33
  Speaker 2: Some of the most armored personnel carriers with those heavy
• 12:35
  Speaker 2: tracks rolled right over top of my ass.
• 12:39
  Speaker 5: Skip pretty thank you, oh thank you, Oh soup minded shit.
• 12:46
  Speaker 2: Thank you Jane a bell pain in the ass, Jane
• 12:52
  Speaker 2: of Bells in Barol Country, USA. All listened to the
• 12:57
  Speaker 2: children while they play Yeah yeah, yeah yeah, I ain't
• 13:02
  Speaker 2: kind of funny?
• 13:03
  Speaker 1: What the children? And see Skipper.
• 13:05
  Speaker 2: Borough, he's a cargill there, Skipper up, y'all. It's a
• 13:08
  Speaker 2: song about divorce.
• 13:09
  Speaker 1: Daddy hates mommy, Mommy hates dad. I guess who's gonna
• 13:13
  Speaker 1: win that fight? Dad would be. I should have heard
• 13:16
  Speaker 1: the fight they had. I bet they did. Mat gay
• 13:20
  Speaker 1: little sister, another bad dream.
• 13:22
  Speaker 2: I'll tell you what if you know a country song
• 13:24
  Speaker 2: about divorce. The best divorced song I heard was tell
• 13:26
  Speaker 2: me why not?
• 13:26
  Speaker 1: D I v old art? Well, I can't spell Skipper Row,
• 13:33
  Speaker 1: you know divorce is terrible.
• 13:34
  Speaker 2: He's gentlemen, all this to the children while it sings.
• 13:39
  Speaker 1: Ever it plays, it is hey doing, buddy.
• 13:43
  Speaker 2: See. I wish you'd got a hole under your nose
• 13:46
  Speaker 2: so I can hear the music that you're playing, because
• 13:48
  Speaker 2: I'm I'm getting very angry.
• 13:51
  Speaker 1: Thanks so much for colleags. Is dog you food?
• 13:57
  Speaker 2: You know?
• 13:57
  Speaker 1: What's that to say about the Golden room? Skip a rope? Yeah?
• 14:02
  Speaker 2: I tell you something. I was entertaining our great veterans.
• 14:05
  Speaker 2: And you know, there's nobody in this country that has love,
• 14:07
  Speaker 2: is more loving and more appreciative of our veterans than
• 14:11
  Speaker 2: Jean Javell here in country USA. And we go out
• 14:14
  Speaker 2: once a year to our big veterans picnic and Henson
• 14:16
  Speaker 2: Cargill of course, had come out the year before, and
• 14:19
  Speaker 2: I remember that song Skip a Rope. I was out
• 14:21
  Speaker 2: there and I saw a couple of our vets who were,
• 14:23
  Speaker 2: you know, missing their legs, and I said, hey, you
• 14:25
  Speaker 2: heard that song by Henson Cargill Skip a Rope?
• 14:28
  Speaker 3: Right?
• 14:28
  Speaker 2: So I said, I thought it'd be funny if we
• 14:30
  Speaker 2: had a rope skipping contest with some of the vets
• 14:32
  Speaker 2: that don't have legs. I didn't mean any offense by that.
• 14:35
  Speaker 2: I certainly didn't mean to insult them, or to embarrass
• 14:38
  Speaker 2: them or anything. But one of the veterans that was
• 14:40
  Speaker 2: there helping out came over and said, you know, did
• 14:43
  Speaker 2: you really just asked those guys to skip rope and
• 14:46
  Speaker 2: they only have you know, no leg and maybe one
• 14:48
  Speaker 2: guy got a leg in one arm and everything. I said, yeah,
• 14:50
  Speaker 2: I did. I said you got a problem with that?
• 14:54
  Speaker 2: I said, I'm sure these men have a good sense
• 14:56
  Speaker 2: of humor, and I'm sure, well, while I'm trying to
• 14:58
  Speaker 2: explain it and make sense to this guy, he was
• 15:01
  Speaker 2: wiggling his finger like once, you come on over here
• 15:03
  Speaker 2: for a second.
• 15:03
  Speaker 1: And I walked over.
• 15:04
  Speaker 2: He had the trunk of his car open, and there
• 15:07
  Speaker 2: was rope and there was a bag in there, and
• 15:09
  Speaker 2: I think I saw a saw, and I felt a
• 15:12
  Speaker 2: baseball bat hit me in the back of my head,
• 15:13
  Speaker 2: and I was out. Everything blacked out, and I woke
• 15:15
  Speaker 2: up and I was inside a bag and tied at
• 15:18
  Speaker 2: both ends with this rope, and the car stopped and
• 15:22
  Speaker 2: they opened it. I felt myself getting rolled out of
• 15:24
  Speaker 2: the back of his trunk. I was still inside the bag,
• 15:26
  Speaker 2: and I felt baseball bats hitting me all it must
• 15:28
  Speaker 2: have been one hundred, two hundred.
• 15:30
  Speaker 1: Hits, this baseball bat. And I died.
• 15:31
  Speaker 2: I was dead, and then they cut me up and
• 15:33
  Speaker 2: they threw me into a river. And that's why he
• 15:35
  Speaker 2: listened to this program here, this is the Jim Jim
• 15:37
  Speaker 2: Jabell Show here in Country USA. You're listening to this
• 15:40
  Speaker 2: program mostly in a dream. You're in a sleeping state.
• 15:42
  Speaker 2: You're in some kind of a state where this isn't reality.
• 15:45
  Speaker 2: I'm dead I'm dead. You understand I'm dead. If I'm
• 15:48
  Speaker 2: not dead, I ought to be half the things that
• 15:51
  Speaker 2: have happened to me.
• 15:52
  Speaker 1: Blake Shelton I could have.
• 15:53
  Speaker 2: Managed had I been a little bit kinder, had I
• 15:54
  Speaker 2: been a little bit had I been conscious, I could
• 15:57
  Speaker 2: have managed him. But I fell asleep. And the reason
• 15:59
  Speaker 2: why I sleep with Blake with skin concert, he said,
• 16:02
  Speaker 2: would you please come out and watch me, mister Jabel,
• 16:04
  Speaker 2: I said, sure. Well, I got so blind, stink and
• 16:06
  Speaker 2: drunk that I passed out in the middle of the
• 16:07
  Speaker 2: first song, and I was laying on the floor underneath
• 16:11
  Speaker 2: the table in the bar that I was watching Blake Sheldon,
• 16:13
  Speaker 2: but while he was signing with another manager, I was
• 16:15
  Speaker 2: laying on the floor throwing up. And finally my girlfriend
• 16:18
  Speaker 2: picked me up, dragged me up my cross and Rea
• 16:19
  Speaker 2: and I went to sleep in the front seat. When
• 16:21
  Speaker 2: I woke up, I was at an empty parking lot.
• 16:23
  Speaker 2: The bar was closed, it was five am. Nobody was there.
• 16:25
  Speaker 2: Blake wasn't there. I said, where's Blake, where's Blake. I've
• 16:27
  Speaker 2: got to know, I must know. There was nobody there
• 16:30
  Speaker 2: to tell me Bill. I did see a guy sweeping
• 16:32
  Speaker 2: up out back. I said, you know who Blake Shelton is.
• 16:34
  Speaker 2: He said, yes, say do. I said, you're gonna tell
• 16:35
  Speaker 2: me where he is, aren't you. He said, I don't know,
• 16:37
  Speaker 2: but I'll make a place up. I said fine. So
• 16:39
  Speaker 2: he made up a place. I went there. It turned
• 16:40
  Speaker 2: out to be the clubhouse of a notorious outlaw motorcycle gang.
• 16:43
  Speaker 2: I got my ass kicked. I was hung by one
• 16:45
  Speaker 2: arm from the ceiling, and I was left there to
• 16:47
  Speaker 2: just kind of twist in the wind.
• 16:48
  Speaker 1: And I never did meet Blake Shelton. I got my
• 16:50
  Speaker 1: ass kicked. Buy a motorcycle club. Jean Jabell gets his
• 16:55
  Speaker 1: ass kicked by one percent.
• 16:59
  Speaker 2: That's Country USA, the great great country artists of all time.
• 17:03
  Speaker 2: Kick my ass, Throw me out of the backs of cars,
• 17:06
  Speaker 2: throw my head into a into a brick wall, kick
• 17:09
  Speaker 2: me downstairs. I'll tell you it's a great, great life.
• 17:12
  Speaker 2: It's a great great music. Country. Roscoe's Country Cooking at
• 17:15
  Speaker 2: the corner of fifteenth in Uber in downtown Nashville.
• 17:18
  Speaker 1: They got chicken in the rough. They got chicken. They
• 17:20
  Speaker 1: got chicken, catcha tory. They got broiled chicken. Boiled chicken, brothers,
• 17:24
  Speaker 1: they got barbecued chicken.
• 17:25
  Speaker 2: And guess what unless you're chicken, so you've got to
• 17:27
  Speaker 2: really enjoy their chicken tequila.
• 17:30
  Speaker 1: That's right.
• 17:31
  Speaker 2: Roscoe's Roscoe's Country Cooking in downtown Nashville, and I'm Roscoe,
• 17:35
  Speaker 2: and I'll there isn't anything that's ever been done with
• 17:38
  Speaker 2: or two a chicken that I haven't tried. And sorry, folks,
• 17:41
  Speaker 2: we didn't mean that. That is Roscoe and the restaurant
• 17:44
  Speaker 2: is named after him, but he hasn't been allowed out.
• 17:46
  Speaker 2: That's wow, that's a big mistake there. Who's too did that?
• 17:50
  Speaker 2: Roscoe's Country Cooking in Nashville? Chicken and more memory great
• 17:56
  Speaker 2: country disc jockey and knowing out of the great stars
• 18:00
  Speaker 2: of times, they're going to come over to your house,
• 18:01
  Speaker 2: They're going to break bread with you, they over, I
• 18:02
  Speaker 2: have a drink, maybe they'll have dinner with you. A
• 18:04
  Speaker 2: lot of times we're out and we're hanging out with
• 18:06
  Speaker 2: a lot of the great country stars, and fans will
• 18:08
  Speaker 2: come up and say, hey, can we get an autograph?
• 18:10
  Speaker 2: And I realized that it's very exciting for a lot
• 18:12
  Speaker 2: of you fans to get the autographs of Jeane Bell
• 18:14
  Speaker 2: and any of the country artists that I'm with. But
• 18:17
  Speaker 2: so many times it just is not possible, So we
• 18:20
  Speaker 2: do ask you to stop and don't bother us while
• 18:22
  Speaker 2: we're eating and while we're having drinks and while we're
• 18:25
  Speaker 2: laughing and enjoying our lives. Is very, very wealthy and
• 18:27
  Speaker 2: important people. Now, one time that happened. I was with
• 18:31
  Speaker 2: a country artist by the name of Chris Young. And
• 18:33
  Speaker 2: Chris Young, as you know, as a brand new star.
• 18:35
  Speaker 2: He's got a brand new song ad. It's called Think
• 18:37
  Speaker 2: of You and it's a duet with I believe it's
• 18:40
  Speaker 2: Cassidy Pope. Well, anyway, it was Chris Young that evening
• 18:44
  Speaker 2: and some kid came over and said, can I get
• 18:46
  Speaker 2: your autograph? And I said no, you may not quit
• 18:48
  Speaker 2: bothering me. And the kids said, mister Young, and Chris
• 18:51
  Speaker 2: kind of looked at me and laughed, and I said, well,
• 18:53
  Speaker 2: you just embarrassed me.
• 18:54
  Speaker 1: Kid.
• 18:55
  Speaker 2: Do you want my autograph or don't you? And the
• 18:57
  Speaker 2: kids said, I don't even know who you are. And
• 18:58
  Speaker 2: I said, okay, that does. I grabbed the kid and
• 19:01
  Speaker 2: I ran him right out the door. I mean I
• 19:02
  Speaker 2: grabbed him by the belt, I had him by the
• 19:04
  Speaker 2: collar and ran him right out into the street. And unfortunately, yes,
• 19:08
  Speaker 2: he was hit by a bus. But that was on him,
• 19:10
  Speaker 2: not me. That was on him, not me, because he
• 19:12
  Speaker 2: was bothering me. Jeanj of Bell and Chris Young in
• 19:15
  Speaker 2: the middle of dinner.
• 19:15
  Speaker 1: Chris said, why did you do that.
• 19:16
  Speaker 2: I like signing autographs and I said autografts.
• 19:19
  Speaker 1: He said, no autographs.
• 19:21
  Speaker 2: I said, don't lie to me, Young, You lie in
• 19:23
  Speaker 2: sack a crap you don't like signing. And before I
• 19:26
  Speaker 2: got the word autograph out, he'd hit me with a
• 19:28
  Speaker 2: straight left shot right into the teeth. I lost one, two, three, four,
• 19:32
  Speaker 2: five teeth from the upper jaw and I said, that's
• 19:35
  Speaker 2: amazing shot.
• 19:36
  Speaker 1: I remember. I said that.
• 19:38
  Speaker 2: I was really it hurt, but I was also very impressed,
• 19:40
  Speaker 2: and he said, thank yousjeez. Well, there was blood spewing everywhere,
• 19:45
  Speaker 2: and meanwhile there were people lining up to have their
• 19:46
  Speaker 2: autograph sign. I said, excuse me, I can't sign it. Actually,
• 19:49
  Speaker 2: I said I can't thank you as they gassed and
• 19:52
  Speaker 2: they said, we don't want your autograph, you freak on wheels.
• 19:54
  Speaker 1: I said, that's the hit.
• 19:56
  Speaker 2: Well, and Chris started signing all these autographs. I said, hey, Chris,
• 19:59
  Speaker 2: tell you what, man, how about signing with me? And
• 20:01
  Speaker 2: of course was sounding like this, how about he said,
• 20:04
  Speaker 2: I'm not going to sign with you. You're spitting blood
• 20:06
  Speaker 2: all over the place. You look like you look like
• 20:09
  Speaker 2: Dracula with no teeth in the middle of your head.
• 20:11
  Speaker 1: Get out of here, that's what.
• 20:13
  Speaker 2: He grabbed me by the collar, grabbed me by my belt,
• 20:15
  Speaker 2: and ran me right out in the same street that
• 20:17
  Speaker 2: I just run that young fan out into.
• 20:19
  Speaker 1: And you got it, the same bus came by. No, man,
• 20:23
  Speaker 1: he didn't do it. I know a lot of you
• 20:25
  Speaker 1: were thinking right now or and you're asking, well, did
• 20:26
  Speaker 1: it hit you?
• 20:28
  Speaker 2: No, it didn't because I had a skillful side step
• 20:31
  Speaker 2: that I used. I was quicker, a lot quicker than
• 20:33
  Speaker 2: that fans. No, the bus didn't hit me, right, the
• 20:36
  Speaker 2: bus didn't hit me.
• 20:37
  Speaker 1: But I did.
• 20:38
  Speaker 2: Continue across the street into the other oncoming traffic, and
• 20:41
  Speaker 2: that bus hit me.
• 20:42
  Speaker 1: It was a bus that was going the other way.
• 20:43
  Speaker 2: But I really like to think that I did way
• 20:46
  Speaker 2: way better than that fan he got hit by the
• 20:48
  Speaker 2: first bus.
• 20:48
  Speaker 1: I was able to avoid the first bus.
• 20:50
  Speaker 2: Yes, I did run into the path of the second
• 20:52
  Speaker 2: bus and it did hit me. And I was in
• 20:55
  Speaker 2: the hospital for four months. And I will tell you
• 20:58
  Speaker 2: this right now, I don't really remember any thing for
• 21:00
  Speaker 2: about a week or two weeks after I got out
• 21:02
  Speaker 2: of the hospital, and I don't really remember anything about
• 21:05
  Speaker 2: what Chris Young looks like, but he's one of the
• 21:08
  Speaker 2: great stars of all times.
• 21:16
  Speaker 1: In the space manories came.
• 21:21
  Speaker 2: Je Ja bills Country hits them all time for us,
• 21:27
  Speaker 2: saying Maren Morris said a song called My Church. When
• 21:29
  Speaker 2: I first heard it, I thought, no, I'm not going
• 21:31
  Speaker 2: that round. I'm gonna do that country music spiritual round. Yeah.
• 21:33
  Speaker 2: I know you got you got gut when you stopped
• 21:35
  Speaker 2: drinking stut' using bills. But I can't do that. I
• 21:37
  Speaker 2: can't play that. I can't go there. I'm a honkey
• 21:39
  Speaker 2: talk kind of a guy. So when Maren Morries said
• 21:41
  Speaker 2: to me, I got this beautiful song, mister Jabel, I said, yeah,
• 21:43
  Speaker 2: let me guess it's called my Church? And you found
• 21:44
  Speaker 2: Jesus said sort of. I said, why don't you get
• 21:47
  Speaker 2: your country ass the hell out of my office? We
• 21:50
  Speaker 2: had About six months later, I saw it was churning,
• 21:52
  Speaker 2: so I went over to Mara's house. And by that
• 21:54
  Speaker 2: time she was married to a very big, strong, muscular guy,
• 21:56
  Speaker 2: and he said, what do you want. I said, I
• 21:58
  Speaker 2: want to talk to Marion. I don't want to talk
• 21:59
  Speaker 2: to you. I'll tell you what. When I want to
• 22:01
  Speaker 2: talk to you, I'll come around with a bar of soap.
• 22:03
  Speaker 2: And that's when he picked me up and kind of
• 22:05
  Speaker 2: put me under his arm, almost as if he was
• 22:07
  Speaker 2: carrying like a big sack of something, and he rammed
• 22:10
  Speaker 2: my head I would say a good half a dozen
• 22:12
  Speaker 2: to a dozen times, rammed my head into a concrete
• 22:15
  Speaker 2: wall that they had around back here. They're building a
• 22:17
  Speaker 2: swimming pool, I say, around here, I'm just imagining her backyard.
• 22:20
  Speaker 2: They're putting in a swimming pool, and they were also
• 22:22
  Speaker 2: putting into a barbecue pit, and there was going to
• 22:24
  Speaker 2: be a gas pit there as well, a fire pit.
• 22:26
  Speaker 1: And he began ramming my head into.
• 22:28
  Speaker 2: What would be the bar for the barbecue, and there
• 22:30
  Speaker 2: would be chairs there. I said, this is very nice.
• 22:32
  Speaker 2: He said, you're still conscious? I said yeah. And then
• 22:35
  Speaker 2: one final ram of my head into this bar, he
• 22:38
  Speaker 2: just let gold me, just kind of put his arms
• 22:39
  Speaker 2: out to his side, and I dropped like.
• 22:41
  Speaker 1: A well, just like a sega shit.
• 22:44
  Speaker 2: Right out of the cement there. And when I finally
• 22:48
  Speaker 2: did wake up, the sun had gone down. I saw
• 22:50
  Speaker 2: people partying and having fun in the house, I realized
• 22:52
  Speaker 2: I was still a Meren Morris's house, and I finally
• 22:54
  Speaker 2: kind of picked myself up and dusted myself off and
• 22:57
  Speaker 2: went around the side of the house so no one
• 22:59
  Speaker 2: saw me, and got out to the front of the
• 23:00
  Speaker 2: street there and just walked all the way down through
• 23:02
  Speaker 2: the gates and out out of the boulevard and hitchhiked
• 23:04
  Speaker 2: because there wasn't any way to get a cab, and
• 23:06
  Speaker 2: there wasn't any way to get a bus, and my
• 23:08
  Speaker 2: cell phone had been smashed to pieces, frank and I
• 23:12
  Speaker 2: don't know how, but it was I think somebody pulled
• 23:14
  Speaker 2: it out of my pocket and stepped on it. So
• 23:16
  Speaker 2: when I finally got to a pay phone, I was
• 23:17
  Speaker 2: able to call up a cab, and then I had
• 23:19
  Speaker 2: to get over to a cash machine. I got mugged there.
• 23:22
  Speaker 2: I was mugged by one of barn morses as a buddyguards.
• 23:24
  Speaker 2: He said, I'm only kidding and gave me the money back.
• 23:26
  Speaker 2: And then I finally got to the hotel, but since
• 23:28
  Speaker 2: I couldn't pay my bill, I had to go down
• 23:30
  Speaker 2: here to a Super eight and I went to sleep,
• 23:32
  Speaker 2: and I believe there was fecal matter in the bed.
• 23:37
  Speaker 2: I've had my ass beat kicked. I have had rocks
• 23:40
  Speaker 2: dropped on my head. I've had lead pipes hit across
• 23:43
  Speaker 2: my face. I've had all kinds of manner of beatings,
• 23:47
  Speaker 2: and I take them like a man. And you know what,
• 23:49
  Speaker 2: I consider a very, very, a wonderful aspect of my
• 23:52
  Speaker 2: life careers that I've had my ass kicked by similar greats.
• 23:55
  Speaker 2: I've met my ass kick by Merle Haggard. I've had
• 23:57
  Speaker 2: my ass kicked by Marty Robbins. I've had my ass
• 23:59
  Speaker 2: kick by Yet That's right, Loretta Lynn, I had my
• 24:01
  Speaker 2: ass kicked by Minnie Pearl.
• 24:02
  Speaker 1: When I went how Dee and I made fit. I
• 24:05
  Speaker 1: pointed and I laughed at her.
• 24:07
  Speaker 2: She came over and she had what was I don't
• 24:09
  Speaker 2: know if you're familiar with those big old stand ashtrays.
• 24:12
  Speaker 1: She had an ashtray. It was on a.
• 24:14
  Speaker 2: Stand and she took it and she hit me beautiful
• 24:16
  Speaker 2: flush right in the side, right up around the orbital
• 24:18
  Speaker 2: bone of the eye socket with the ashtray itself, using
• 24:21
  Speaker 2: the stand as a sort of the baseball bat. Hit
• 24:24
  Speaker 2: me full with this ashtray, kind of stunned me. I
• 24:26
  Speaker 2: saw little lights and I said, try to be very
• 24:29
  Speaker 2: very cool. I said, Minnie, wow, you know what the
• 24:32
  Speaker 2: get the license plate of that truck. Sorry, man, it
• 24:34
  Speaker 2: didn't mean to say, you've got a big ass, but
• 24:36
  Speaker 2: ha ha ha. And that's when one of her people
• 24:39
  Speaker 2: picked me up, turned me upside down and pile drived me,
• 24:42
  Speaker 2: or pile drove me. And I was saying, is that
• 24:44
  Speaker 2: a pile? Did you just pile drive me? He said no,
• 24:46
  Speaker 2: I piled drove you. I piled drove you. And I said,
• 24:49
  Speaker 2: thank you, thank you for making that.
• 24:51
  Speaker 1: Very very clear.
• 24:53
  Speaker 3: Many little way hits in here and then when it
• 24:55
  Speaker 3: hits some on me out the Willie Hickson Blue Pond.
• 24:58
  Speaker 1: I played a band Joe. I played a stand up
• 24:59
  Speaker 1: bas the.
• 25:00
  Speaker 3: Gut bucket and I get up there and I've got
• 25:01
  Speaker 3: a monkey to hop around on the end of a leash.
• 25:04
  Speaker 1: That's right.
• 25:04
  Speaker 3: I played an organ grind. I'm the only organ grinde
• 25:06
  Speaker 3: in Nashville, Tennessee. I do a country organ grind act.
• 25:09
  Speaker 3: If you will, I hope you come out there to
• 25:10
  Speaker 3: the Willie Hickson Blues Parlot. I'll be out there. Jean Jabelle,
• 25:13
  Speaker 3: I'll be hosting a couple of the shows. She gonna
• 25:15
  Speaker 3: be bringing out mostly the Monkey Act. I want y'all
• 25:18
  Speaker 3: to know that I respect that I love Gene, but
• 25:20
  Speaker 3: I will only trust them. Introing a monkey act, all
• 25:23
  Speaker 3: the heavyweight blues and all the heavy country stuff. I
• 25:25
  Speaker 3: intro myself, Jane, I hope you don't mind that anyway.
• 25:28
  Speaker 3: Willie Hitson hamby the Willy Hickson. I'll be at the
• 25:30
  Speaker 3: Lily Willie Hitson Blues part of Willy Lily and Lily
• 25:32
  Speaker 3: Willy and I'm Lily Willey the Willie Hickson Blues Parlor
• 25:35
  Speaker 3: here in Nashville, Tennessee.
• 25:37
  Speaker 1: Y'all say, well.
• 25:42
  Speaker 2: I went back the next week. This is the story.
• 25:43
  Speaker 2: The part of the story didn't tell you. Went about
• 25:44
  Speaker 2: the next week. They say, hey, Florida Georgia line, how
• 25:46
  Speaker 2: about giving Geen Jabell another chance. Okay, I know that
• 25:48
  Speaker 2: you bust at the garage door down.
• 25:50
  Speaker 1: On top of my head. They said, sure, Jane, Sure,
• 25:52
  Speaker 1: we'll give you another chance. What would you like?
• 25:53
  Speaker 2: I said, I'd like you to sign this contract my
• 25:55
  Speaker 2: management company. It'll be a management deal with Jean Jebel
• 25:59
  Speaker 2: who play some of the great country hits and gets
• 26:01
  Speaker 2: his ass kicked by some of the great country outis
• 26:03
  Speaker 2: I think this ought to be the first time that
• 26:04
  Speaker 2: I'm actually able to sign a management deal. You guys,
• 26:06
  Speaker 2: don't kick my ass. They said, do you mind if
• 26:08
  Speaker 2: we go outside and talk about it.
• 26:09
  Speaker 1: I said not at all.
• 26:10
  Speaker 2: So they went outside, and that's when they had already
• 26:12
  Speaker 2: placed some charges around the house. Unbeknownst to me, they
• 26:16
  Speaker 2: were all set to go, and when they went outside,
• 26:18
  Speaker 2: they went ahead and detonated those charges. So there were
• 26:21
  Speaker 2: explosions in the back of the house, in the kitchen
• 26:23
  Speaker 2: and in the quarters of the living room where I was.
• 26:25
  Speaker 2: That set the entire house on fire, and the home
• 26:28
  Speaker 2: was burning down around me. I couldn't get out either
• 26:30
  Speaker 2: of the doors. I couldn't get out to the sliding
• 26:32
  Speaker 2: glass door because that was broken, and the house had
• 26:35
  Speaker 2: caved in on that side. So the house began to
• 26:37
  Speaker 2: burn down around me after they had detonated these strategically
• 26:41
  Speaker 2: placed charges, and I squear to god, I was in
• 26:44
  Speaker 2: that house up until the very last minute when I
• 26:46
  Speaker 2: finally just walked through a wall of flame with a
• 26:48
  Speaker 2: wet towel over my head.
• 26:50
  Speaker 1: Now, this wall of flame could have melt steel.
• 26:52
  Speaker 2: This wall of flame probably could have melted steel, and
• 26:55
  Speaker 2: probably could have it probably could have brought down the
• 26:57
  Speaker 2: World Trade Center, and yet I put a wet towel
• 26:59
  Speaker 2: over my head and I proudly walked through it. Now,
• 27:01
  Speaker 2: when I got outside, they said that my entire suit
• 27:04
  Speaker 2: of clothes was on fire. They put it out with
• 27:06
  Speaker 2: a hose. They put it out with a fire extinguisher.
• 27:08
  Speaker 2: I got up and began staggering toward Florida, Georgia line, saying, okay,
• 27:12
  Speaker 2: you guys are signed a contract. And they're like, and
• 27:16
  Speaker 2: they dove into their limousine and they raced off down
• 27:18
  Speaker 2: and I don't know what the hell happened to them,
• 27:20
  Speaker 2: but I hear they read a gig the following night.
• 27:22
  Speaker 2: I tried to get into that gig the following night,
• 27:23
  Speaker 2: but I was still wearing the suit that I was
• 27:25
  Speaker 2: wearing with a house burned down, and they said, oh
• 27:27
  Speaker 2: my god, you're in What happened to you? I set
• 27:29
  Speaker 2: a house burned down around me and I said, you
• 27:31
  Speaker 2: got to get to a hospital, man. I said, no,
• 27:33
  Speaker 2: I gotta sign a manage back contact. And that's when
• 27:36
  Speaker 2: they basically bundled me off onto a stretcher, put me
• 27:39
  Speaker 2: in the hospital, and I just laid there for a
• 27:41
  Speaker 2: few weeks. I wasn't burned all that badly. I'd had
• 27:44
  Speaker 2: that wet towel over me, But boy did I need
• 27:45
  Speaker 2: a new suit of clothes. I got singed on the
• 27:47
  Speaker 2: ass a little bit, but I got up out of
• 27:49
  Speaker 2: the hospital. I determined that I would sign Florida Georgia
• 27:52
  Speaker 2: Line to a management contract.
• 27:53
  Speaker 1: So I went back to their house.
• 27:54
  Speaker 2: And as I got there, I went and I said
• 27:56
  Speaker 2: to the here, They said, no, get out of here,
• 27:58
  Speaker 2: Geinge Bell. So I got back to my car. Will
• 28:00
  Speaker 2: so I'm going to put an explosive in the engine block.
• 28:02
  Speaker 1: That's right.
• 28:02
  Speaker 2: When I turned the ignition, the car blew to Helen
• 28:04
  Speaker 2: back Florda Georgia Line. Here, I'm Ginge Bell.
• 28:15
  Speaker 1: This is Country USA.
• 28:17
  Speaker 2: The top country hits of all time, played here by
• 28:20
  Speaker 2: one of the top country jocks of all time.
• 28:21
  Speaker 1: Let me tell us some right now here on a
• 28:23
  Speaker 1: Ginge Bell show.
• 28:25
  Speaker 2: I'm always having myself a good time playing the hits
• 28:28
  Speaker 2: that you want to hear and getting my ass beat,
• 28:31
  Speaker 2: and I mean beat bloody by your favorite artists. Let's
• 28:35
  Speaker 2: go back in time now to a time when a
• 28:37
  Speaker 2: man named Marty Robbins I didn't think would amount to
• 28:40
  Speaker 2: a hill of shit.
• 28:41
  Speaker 1: I told Mary about it. I told her about a beats.
• 28:47
  Speaker 2: Well, he did, you know the song the Devil Woman?
• 28:49
  Speaker 2: You know the song He'll Pass. So you know a
• 28:51
  Speaker 2: lot of those great Marty Robbins hits. Jane Bell didn't
• 28:54
  Speaker 2: think Marty Robins would amount to a pinch of shit
• 28:56
  Speaker 2: readA but he did. And so I knocked on his
• 28:59
  Speaker 2: door there and Nashville. His offices now very palatial, with
• 29:02
  Speaker 2: all kinds of assistants and all kinds of producers and
• 29:04
  Speaker 2: all kinds of agents.
• 29:05
  Speaker 1: I said, Marty, this is your lucky day. It's Jean Jabell.
• 29:09
  Speaker 2: I was the one that called you a washed up
• 29:11
  Speaker 2: grease monkey about two years ago. Remember when you thought
• 29:13
  Speaker 2: you're a big nasscarse, you know, speed driver, all that
• 29:16
  Speaker 2: stuff he goes, it's called a race car driver, Gene.
• 29:18
  Speaker 2: I said, ha ha, I know that it's not called
• 29:21
  Speaker 2: a speed driver. Said, I'm just talking about my hobby,
• 29:24
  Speaker 2: which is popping that speed.
• 29:25
  Speaker 1: You know I'm kidding. You know I'm kidding, Marty.
• 29:27
  Speaker 2: He said, Well, one of the reasons I didn't go
• 29:28
  Speaker 2: with you as a manager because I know you're heavily
• 29:30
  Speaker 2: involved in drug dealing. I said, pullshit, I said, Marty,
• 29:34
  Speaker 2: even a hillbilly like you can't be that's stupid. And
• 29:37
  Speaker 2: I'm here to pull your life out of the sewer
• 29:39
  Speaker 2: that it's in with all that stock car racing, and
• 29:41
  Speaker 2: I want to make some real hits. Devil Woman's fine,
• 29:43
  Speaker 2: El Paso's fine. Why don't you pull your head out
• 29:46
  Speaker 2: of your ass, take the corn cob out.
• 29:48
  Speaker 1: Of your ear?
• 29:49
  Speaker 2: Okay, put up the jaw, drop that butter hog you
• 29:52
  Speaker 2: got off of your lap, and let's get some real brods.
• 29:55
  Speaker 1: And let's get this show.
• 29:57
  Speaker 2: On the And I didn't get the the word rode
• 30:00
  Speaker 2: out because as soon as I tried to say the word,
• 30:03
  Speaker 2: a glass ashtray was smashed right into my face. I mean,
• 30:07
  Speaker 2: someone took it almost like they pommed it like you'd
• 30:09
  Speaker 2: palm a basketball and shoved it into my face. And
• 30:12
  Speaker 2: it smashed across my face, all of the glass just
• 30:16
  Speaker 2: embedding itself in the flesh of my cheeks, some of
• 30:18
  Speaker 2: the glass going right into my gums. And though I
• 30:21
  Speaker 2: talk like this, I said, Navi, Navi Navia, know you
• 30:26
  Speaker 2: thought they Kevin his girlfriend went ah, oh my god,
• 30:29
  Speaker 2: look at it. And Marty said, you're scaring her. Now
• 30:31
  Speaker 2: get out of here. Jean, I don't want to hurt
• 30:32
  Speaker 2: any worse than that.
• 30:33
  Speaker 1: I thought, Bobby, let's that's when he called up a bodyguard. Yeah,
• 30:39
  Speaker 1: you're right.
• 30:39
  Speaker 2: I mean all these guys have got bodyguards everywhere. These
• 30:41
  Speaker 2: two guys were big, two ugly cowboys, and.
• 30:44
  Speaker 1: I said, that's good, that's top. They did get well.
• 30:46
  Speaker 2: These two cowboys tried to throw punches, but I grabbed
• 30:50
  Speaker 2: both of their fists as each approached my head from
• 30:52
  Speaker 2: either side, and I twisted their wrists so far around
• 30:55
  Speaker 2: that both guys dropped to their knees, screaming in agony.
• 30:58
  Speaker 2: And I was saying, look, Bobby, and he was saying,
• 31:03
  Speaker 2: oh my god, look what you've done to my bodyguards.
• 31:06
  Speaker 2: At that point, he went into his desk and he
• 31:08
  Speaker 2: pulled out you got it to Smith and Wesson six shots,
• 31:11
  Speaker 2: and he started pumping bullets at me. I got winged
• 31:14
  Speaker 2: in the shoulder, hitting the other shoulder, hitting the elbow,
• 31:17
  Speaker 2: hitting a knee, hitting the other knee. He never did
• 31:19
  Speaker 2: hit body mass, but oh god, it hurt.
• 31:21
  Speaker 1: But I would self tagle a love and I said
• 31:24
  Speaker 1: the hes a babby, Mobby, And that's when the police arrived.
• 31:27
  Speaker 2: I was tased again, blood pouring out of my face,
• 31:30
  Speaker 2: my knees, my elbows in one.
• 31:32
  Speaker 1: Shoulder, thrown it into the back of a radio car.
• 31:35
  Speaker 2: When I got to the sub station, I escaped and
• 31:37
  Speaker 2: I began running down the street toward Marty's office, and
• 31:40
  Speaker 2: that's when I was approached by another Nashville police officer.
• 31:42
  Speaker 1: I was double tased, hobbled.
• 31:44
  Speaker 2: That's right, and then I was remanded for seventy two
• 31:46
  Speaker 2: hours psychiatric over you know, care oversight, whatever they call it.
• 31:50
  Speaker 2: And as soon as I got out, my mouth wasn't
• 31:52
  Speaker 2: completely healed. I went back to Marty Ba Baba, and
• 31:57
  Speaker 2: that's when somebody came out with a fire extinguisher and
• 32:00
  Speaker 2: busted it clean over my head, bending the fire extinguisher
• 32:03
  Speaker 2: right around my head so it looked like you got
• 32:05
  Speaker 2: it yet again. A fire extinguisher bonnet. See Winston Haley,
• 32:11
  Speaker 2: I've been thirteen years in Nashville. I'll be thirteen more.
• 32:13
  Speaker 2: That's because we cook it up, and we fry it up,
• 32:16
  Speaker 2: We butter it up, and we grease it up. Whatever
• 32:18
  Speaker 2: you want, we'll cook it and we will lay it
• 32:20
  Speaker 2: on thick and hard. Winston's that's the place for breakfast.
• 32:23
  Speaker 2: It's the place for lunch. It's the place for dinner
• 32:26
  Speaker 2: at Winston's in Nashville. We'll cook it up, fry it up,
• 32:28
  Speaker 2: lard it up, we fat it up, and we beef
• 32:30
  Speaker 2: it up. If you don't die from some kind of
• 32:33
  Speaker 2: blood clot then we aren't doing our business right. If
• 32:36
  Speaker 2: you don't die from some sort of blood plot. Winston's
• 32:39
  Speaker 2: in Nashville. Get it on Old Country Door. Here's more
• 32:43
  Speaker 2: from Glenn Campbell, who has Alzheimer's emelan for the county.
• 32:49
  Speaker 2: How we could remember that? I've never known not drive
• 32:52
  Speaker 2: the main road.
• 32:54
  Speaker 1: Not very straight, though I have search in the sun.
• 33:02
  Speaker 1: I took him about three days. The sun had gone
• 33:05
  Speaker 1: down twice. You singing in why Yeah, I'll bet you're
• 33:09
  Speaker 1: hearing something singing in the wires, and I can. I
• 33:13
  Speaker 1: can hear you through the wine.
• 33:14
  Speaker 2: I'll bet you can.
• 33:15
  Speaker 1: There's gen Glenn Campbell. I should say I'm Ginge Bel.
• 33:18
  Speaker 2: This is the Ginge of Bell Country USA show here
• 33:21
  Speaker 2: for this Wednesday, y'all live. Yeah in a country lineman.
• 33:25
  Speaker 2: He's still on the line. How is he still on
• 33:28
  Speaker 2: the He's hanging for the line. Somebody get the clothes
• 33:33
  Speaker 2: pegs off of him so we can take him in
• 33:35
  Speaker 2: off the line.
• 33:35
  Speaker 1: Where the wash is. Oh it don't.
• 33:40
  Speaker 3: This is a ging of bel show. It's gonna be
• 33:42
  Speaker 3: right back when Willie Hickson here. Don't forget the Willy
• 33:46
  Speaker 3: Hits and Blues partter fonted by Ginge of Bells Country,
• 33:48
  Speaker 3: Usay said, I got a Ginge Bell.
• 33:51
  Speaker 2: I'll be the host there at the Monkey Grinder event,
• 33:53
  Speaker 2: the Monkey Grinder event there at.
• 33:54
  Speaker 1: The Willie Hickson Blues Parlor.
• 33:56
  Speaker 2: Then I will be escorted from the club and not
• 33:57
  Speaker 2: allowed to go back in until the show is over with.
• 34:01
  Speaker 2: I can go back in and get dessert and coffee,
• 34:03
  Speaker 2: but they will escort me up to the parking lot.
• 34:05
  Speaker 2: So if you want to talk, come on out to
• 34:06
  Speaker 2: the parking lot. They bring along something that's good to
• 34:08
  Speaker 2: look at. Okay, maybe your old lady, maybe your daughter's something,
• 34:11
  Speaker 2: so I can have something to look at instead of you. Thanks.
• 34:15
  Speaker 3: But he hits an he handed bluth poder. Come on
• 34:17
  Speaker 3: out this Saturday night. Will He hits the louth potet
• 34:19
  Speaker 3: and played the banjo, played the flupper horn. I played
• 34:21
  Speaker 3: a French horn, all kinds of horn, and Lena horn.
• 34:26
  Speaker 3: I did play Lena horn until she found me out.
• 34:29
  Speaker 3: I've been a business manager and I played her for
• 34:31
  Speaker 3: about ten years. That'd be roughly ten million dollar worth.
• 34:36
  Speaker 2: Willie Hickson, former business manager for Lena Horn, now plays
• 34:39
  Speaker 2: the French horn at the Willie Hickson Blues and Country
• 34:42
  Speaker 2: Parlor in Nashville. Call now for reservations. Hi, Ginga Bell here, Willie,
• 34:48
  Speaker 2: thank you so very very much. We continue here on
• 34:50
  Speaker 2: this our Glenn Campbell's section of the show. This is
• 34:53
  Speaker 2: our Glenn Campbell section the show. Ginge Bell is being
• 34:56
  Speaker 2: salute a great artist like Glenn Campbell and ask ourselves,
• 34:59
  Speaker 2: how's this guy still doing it with Alzheimer's?
• 35:01
  Speaker 1: Who he is? I mean, this is a recording stop galvist.
• 35:05
  Speaker 2: I kidd around folks. You know, I'm Gen Jabelle. I'm
• 35:07
  Speaker 2: well known as the country humorist. I'm the country disc
• 35:10
  Speaker 2: jackie who has the great sense of humor. And I
• 35:12
  Speaker 2: remember saying to a good friend of Glenn Campbell's. His
• 35:15
  Speaker 2: name was Dawson. Heinsey and Dawson had been in Glenn's band.
• 35:18
  Speaker 2: I said, you know, Glenn's got Alzheimer's. He said, yeah,
• 35:21
  Speaker 2: it's very very sad. I said, I used a lot
• 35:23
  Speaker 2: of those lines. I said, well, he was the witchital lineman.
• 35:25
  Speaker 2: How do you know he remember which line and that
• 35:28
  Speaker 2: kind of that. I'm going, ha ha ha ha. And
• 35:30
  Speaker 2: that's what I felt, that that fist again, and I
• 35:33
  Speaker 2: saw the fist coming, but I was still laughing because
• 35:36
  Speaker 2: I was laughing at my own line. I said, how
• 35:37
  Speaker 2: does he know which line he's working on? If he's
• 35:40
  Speaker 2: the Wichital lineman or the Omaha lineman, how does he
• 35:42
  Speaker 2: know he's not the des Moines lineman, you know?
• 35:44
  Speaker 1: And I went ha ha, and my teeth were showing.
• 35:48
  Speaker 2: Now I saw Dawson's fist coming toward my teeth, but
• 35:51
  Speaker 2: it was so funny I couldn't stop laughing, even though
• 35:54
  Speaker 2: I knew in about well about two seconds, three seconds,
• 35:57
  Speaker 2: I would be in pain. I'd be in a lot
• 35:58
  Speaker 2: of pain. It would hurt, and it would hurt band
• 36:00
  Speaker 2: and I'd be tasting teeth. I be tasting blood, I
• 36:02
  Speaker 2: be tasting teeth fragments. And yet I stayed with the
• 36:05
  Speaker 2: laugh because that's how funny I think I am.
• 36:08
  Speaker 1: I risked everything just to go ha ha.
• 36:12
  Speaker 2: And when you see a fist traveling at pretty good clip,
• 36:15
  Speaker 2: probably about seventy miles an hour. If that fist was clocked,
• 36:18
  Speaker 2: that fist was doing seventy eighty miles an hour and
• 36:21
  Speaker 2: hit my teeth running at a good seventy five eighty
• 36:23
  Speaker 2: miles an hour. But I could not stop laughing because
• 36:26
  Speaker 2: I said, is it the wichital alignment or the des
• 36:28
  Speaker 2: moin lineman? How does he know he's got the Alsheimers?
• 36:31
  Speaker 2: And I went he he he, And that's when Dawson said,
• 36:35
  Speaker 2: that is that's just too inviting a target, you and
• 36:37
  Speaker 2: those yellow teeth. Everybody's stand back. This is going to
• 36:40
  Speaker 2: be fun. I heard the word fun.
• 36:42
  Speaker 1: I saw the fist.
• 36:44
  Speaker 2: I still couldn't stop laughing, but I did stop laughing
• 36:46
  Speaker 2: when the fist impacted my teeth. I actually heard shattering,
• 36:50
  Speaker 2: I did. I heard the breaking. What I thought were
• 36:52
  Speaker 2: was china rare china rare plates. Nope, it was my teeth.
• 36:56
  Speaker 2: It was my upper bridge. Matt Cambley all here on
• 37:01
  Speaker 2: a Ginger Bell show Country USA.
• 37:03
  Speaker 1: But it's here Wednesday. Yeah, yeah, man.
• 37:06
  Speaker 5: It's knowing that your doors always open, land your pad
• 37:10
  Speaker 5: dis free to.
• 37:11
  Speaker 2: Wolf a good thing because you'll go wandering out in
• 37:13
  Speaker 2: the middle of the night.
• 37:13
  Speaker 1: Somebody gotta go get him.
• 37:15
  Speaker 5: And that makes me tend to leave my sleeping back
• 37:17
  Speaker 5: roll the fences behind your couch.
• 37:20
  Speaker 2: Is that where you left it for sure, because there's
• 37:22
  Speaker 2: one behind my couch, and it's knowing I'm.
• 37:24
  Speaker 5: Not shackled by forgotten words and funds and the eg
• 37:28
  Speaker 5: stains that are dried upon some line because he can't
• 37:32
  Speaker 5: remember them. That keeps you in the back roads, by
• 37:37
  Speaker 5: the rivers of my memory. It keeps you in it
• 37:41
  Speaker 5: belong mind.
• 37:42
  Speaker 1: Can you out here? Country USA?
• 37:43
  Speaker 2: That's the great Glenn Campbell here with Country on my mind.
• 37:45
  Speaker 2: General on my Mind is the name of the song.
• 37:46
  Speaker 2: Got country on my mind? I got Glenn Campbell on
• 37:48
  Speaker 2: my mind because there's a song. And I remember talking
• 37:50
  Speaker 2: to one of the guys, a great songwriter by the
• 37:53
  Speaker 2: name of Stinson Haney. You remember Stinson Haney. Yeah, Stinson
• 37:56
  Speaker 2: was a great country songwriter, and he and I were
• 37:58
  Speaker 2: talking about the great John Stewart. I wrote that song,
• 38:00
  Speaker 2: Jenna on my Mind. Jenna on my Mind is a
• 38:01
  Speaker 2: great song. But it's a song about garbage cans and
• 38:03
  Speaker 2: fields and and you know.
• 38:05
  Speaker 1: Junkyards and all that.
• 38:06
  Speaker 2: And you're talking about a guy who is staggering through
• 38:08
  Speaker 2: a junkyard and he's got Alzheimer's. And I said to Stints,
• 38:11
  Speaker 2: and I said, John Stewart must have seen the future
• 38:13
  Speaker 2: or something when he wrote that song and he gave
• 38:15
  Speaker 2: it a Glenn Campbell. Glenn Campbell, of course made it
• 38:17
  Speaker 2: a great hit. I said, but he must have seen
• 38:19
  Speaker 2: the future, because you can see Glenn singing a song
• 38:21
  Speaker 2: about staggering through a junk yard and stumbling down the
• 38:24
  Speaker 2: side of a ravine and falling into a lady's house,
• 38:26
  Speaker 2: left his sleeping bag there, probably scared the living hell
• 38:28
  Speaker 2: out of herd and her kids. And I said, what
• 38:30
  Speaker 2: about you got Glenn Campbell staggering in. He's got the Alzheimer.
• 38:34
  Speaker 2: And that's when Stinton said, it's called Alzheimer's. Don't be
• 38:36
  Speaker 2: such a smart ass, I said, you know me, I said,
• 38:38
  Speaker 2: I'm kidding you know. I've got nothing but loving my
• 38:39
  Speaker 2: heart Stinton. And he said, so you say, And I said,
• 38:42
  Speaker 2: well I do. I got nothing but love in my heart.
• 38:44
  Speaker 2: Just don't I don't understand how it is some guy's
• 38:47
  Speaker 2: singing a song like that. You're gonna have a man
• 38:49
  Speaker 2: singing a song like that. He suffers from the Alzheimer
• 38:51
  Speaker 2: or Alzheimer, whatever you want to call it. And he
• 38:52
  Speaker 2: goes stumbling down the side of ravine. He rolls out
• 38:54
  Speaker 2: onto a freight train track, or something. The train goes
• 38:57
  Speaker 2: right over top of him, and you've got a mutilated,
• 38:59
  Speaker 2: old dead bump where once you had yourself a country singer.
• 39:02
  Speaker 2: How does that work? How does that play? Who makes
• 39:05
  Speaker 2: the decision to have that kind of thing? And Stinson said,
• 39:08
  Speaker 2: excuse me for a minute. He put down a glass.
• 39:10
  Speaker 2: He had a big, big high ball. He had a
• 39:11
  Speaker 2: G and T a Gin and tonic, and he put
• 39:13
  Speaker 2: it down, and he picked up a big beer mug
• 39:16
  Speaker 2: that I think was Bosley Brewer, right love the beer
• 39:19
  Speaker 2: Bosley Brewer had a big beer stein. He said, pardon me,
• 39:21
  Speaker 2: he put that down. He picked up the beerstein, and
• 39:24
  Speaker 2: he wailed this into my face. That's the right side.
• 39:28
  Speaker 2: He punched me with the left hand, hitting the left
• 39:31
  Speaker 2: of my face. So I was blinded by the shattering
• 39:33
  Speaker 2: glass and the blood pouring down the right side of
• 39:36
  Speaker 2: my face. I also felt my cheekbone get crushed by
• 39:39
  Speaker 2: the left.
• 39:40
  Speaker 1: That Stinson had hit me with.
• 39:42
  Speaker 2: And he grabbed me by the hair, my ponytail again,
• 39:45
  Speaker 2: my much abused ponytail. And that's when he pulled me
• 39:47
  Speaker 2: down into his left knee, and I swear to God,
• 39:51
  Speaker 2: I think I broke my nose in three places.
• 39:53
  Speaker 1: There. I also lost the upper row of teeth.
• 39:55
  Speaker 2: I'd be the second time in as many weeks I
• 39:57
  Speaker 2: lost the top bridge. The that was another bridge that
• 40:00
  Speaker 2: was absolutely destroyed. He took my head, he lifted my
• 40:04
  Speaker 2: head up, and then he drove it into the other knee.
• 40:05
  Speaker 2: Now this was a move I'd never seen a guy make,
• 40:07
  Speaker 2: and frankly, I didn't see the move because my face
• 40:09
  Speaker 2: is getting driven into both knees. But he alternated knees.
• 40:13
  Speaker 2: He went, drove my face into one knee, picked it up,
• 40:16
  Speaker 2: drove my face to the other knee, other knee, other knee,
• 40:18
  Speaker 2: And I guess at some point somebody put down another
• 40:20
  Speaker 2: beer stein and started to play the piano. I think
• 40:22
  Speaker 2: it was Bob Holseley. So he picked up that beer
• 40:25
  Speaker 2: a stein, and he drove my head down into the
• 40:28
  Speaker 2: left knee, drove my head down to the right knee,
• 40:30
  Speaker 2: then lifted my head up, smashed the beer mug across
• 40:32
  Speaker 2: my face, and then drove it down to the other
• 40:34
  Speaker 2: knee and the other knee. And I went back and
• 40:35
  Speaker 2: forth like that. And I'll tell you if ever a
• 40:38
  Speaker 2: guy was going to make a point about not making
• 40:39
  Speaker 2: some crack about Glenn Camill with the Alzheimer or whatever
• 40:42
  Speaker 2: it was, and the guy stumbling down the side of
• 40:45
  Speaker 2: ravine over across a railroad track, turning some mutilaid bum
• 40:48
  Speaker 2: outside thing, and he made that point.
• 40:49
  Speaker 1: I'll tell you that, tell you what.
• 40:51
  Speaker 2: I was invited into his home. I had lunch. I
• 40:53
  Speaker 2: met himself and his wife, and as we talked, and
• 40:56
  Speaker 2: I saw this poor gentleman sitting there on the couch
• 40:58
  Speaker 2: going through a very debilitating time in his life. We
• 41:01
  Speaker 2: were discussing the very things, the challenges that he's up
• 41:05
  Speaker 2: against now, one of the great country artists of all time.
• 41:08
  Speaker 2: And I said to him, hey, listen, are you having
• 41:10
  Speaker 2: any problems like do you mistakenly try to boil your
• 41:13
  Speaker 2: own underwear for lunch? Trying to turn it into soup? Well,
• 41:17
  Speaker 2: he said to me, what do you mean? He looked confused.
• 41:20
  Speaker 2: I said, you know what I'm saying. Do you ever
• 41:22
  Speaker 2: wander outside and almost get hit by trucks? Things like that?
• 41:25
  Speaker 2: And I was laughing a little bit. Well, I looked
• 41:27
  Speaker 2: at him, his eyes at a vacant stare. His wife
• 41:29
  Speaker 2: looked at me, and she got very angry, and she
• 41:32
  Speaker 2: picked up the very heavy lid that she'd had on
• 41:35
  Speaker 2: a pot of lentle soup that she was making for
• 41:37
  Speaker 2: our lunch, and she took the lid and she crashed
• 41:40
  Speaker 2: it down on top of my head, almost as if
• 41:42
  Speaker 2: to turn it into a hat. Well, my head is
• 41:45
  Speaker 2: extra thick. I've got a very thick skull, and so
• 41:48
  Speaker 2: it basically bent the lid around my head and until
• 41:52
  Speaker 2: finally when she brought this thing entirely down on me,
• 41:55
  Speaker 2: the lid was covering my ears almost like a kind
• 41:57
  Speaker 2: of funny looking metal bonnet. Her and looked at her.
• 42:00
  Speaker 2: There was a little trickle of blood now coming down
• 42:02
  Speaker 2: from the top of my split skull. And that's when
• 42:05
  Speaker 2: I said, why did you do that? All I was
• 42:07
  Speaker 2: talking about was mumbles over here? Does he ever walk
• 42:09
  Speaker 2: into traffic? And that's when she took a heavy cast
• 42:12
  Speaker 2: iron skillet and she hit me right across the side
• 42:15
  Speaker 2: of my face with it, fracturing my cheekbone. Well, at
• 42:18
  Speaker 2: that point I couldn't see out of that eye, and
• 42:20
  Speaker 2: I began to lurch toward her to try to explain
• 42:22
  Speaker 2: to her that everything was okay and I didn't mean
• 42:24
  Speaker 2: any offense. By then, the man that we were talking about,
• 42:26
  Speaker 2: this great country artist, also got up and he started
• 42:29
  Speaker 2: coming toward me as well, saying don't you hurt my wife?
• 42:32
  Speaker 2: And I said to him, look, bumbles, why don't you
• 42:34
  Speaker 2: sit down while you still have the ability to stand
• 42:37
  Speaker 2: up so that you could sit down? Otherwise you'd just
• 42:39
  Speaker 2: be sitting all of that. And I didn't get the
• 42:41
  Speaker 2: word time out because I was then hit with a
• 42:44
  Speaker 2: very heavy clock from a mantle that they had. It
• 42:47
  Speaker 2: was a big, heavy, thick, old fashioned clock, and I
• 42:49
  Speaker 2: was hit right in the mouth. I mean, she took this,
• 42:52
  Speaker 2: the wife, this clock, and jammed this thing, almost tried
• 42:55
  Speaker 2: to take this entire, big fifteen twenty pound clock and
• 42:59
  Speaker 2: show it right into my mouth. Well, I couldn't talk,
• 43:02
  Speaker 2: My teeth were coming out of my head, blood was
• 43:05
  Speaker 2: pouring down my face, and I was a little bit
• 43:07
  Speaker 2: disoriented as I began to stagger outside outside where, well
• 43:10
  Speaker 2: outside the home of one of country music's great artists. Whowever,
• 43:14
  Speaker 2: a guy who may be boiling is underwear these days
• 43:17
  Speaker 2: are walking in front of buses. I can tell you
• 43:19
  Speaker 2: that that day I wandered out of his house and
• 43:21
  Speaker 2: I almost was hit by a truck that was aiming
• 43:23
  Speaker 2: for me, driven by his wife. The time.
• 43:27
  Speaker 1: I get to Phoenix, sho be RAZI all right, that's
• 43:32
  Speaker 1: enough of that. That's Glenn Campbell.
• 43:33
  Speaker 2: Hey everybody, this is Jane of Bell and this is
• 43:36
  Speaker 2: the Country USA show guy that beat my ass bloody once,
• 43:40
  Speaker 2: Glenn Campbell.
• 43:41
  Speaker 1: Milan for the County.
• 43:46
  Speaker 2: And drive the main Remember meeting Glenn Campbell in Nashville
• 43:51
  Speaker 2: years ago and I said, really, you are Alignment for
• 43:53
  Speaker 2: the County and you drive the main road? Are you
• 43:55
  Speaker 2: sure you still have a driver's license after similar things
• 43:58
  Speaker 2: I've seen you pull? And he went You could tell
• 44:00
  Speaker 2: that he was just trying to get away from me.
• 44:02
  Speaker 2: It was that a party that was being given by
• 44:03
  Speaker 2: one of the record labels, And I said, Alignment for
• 44:05
  Speaker 2: the Cutty. Are you sure this guy even knows how
• 44:07
  Speaker 2: to climb a tree? Wait, excuse me, I'm sure he
• 44:09
  Speaker 2: knows how to climb a tree because I think a
• 44:12
  Speaker 2: lot of his ancestors did the same thing.
• 44:15
  Speaker 1: Ha ha ha. Well he wasn't none too amused.
• 44:18
  Speaker 2: You know, some guys just don't have a sense of humor,
• 44:20
  Speaker 2: especially when Jean Ja Bell is knocking it out of
• 44:23
  Speaker 2: the park at your expense. Finally, I said to him,
• 44:26
  Speaker 2: you know something, Glenn, I don't think you've ever really
• 44:28
  Speaker 2: done any work harder then string a guitar. What do
• 44:31
  Speaker 2: you think about? And as soon as I got out
• 44:32
  Speaker 2: the word what do you think about? I was about
• 44:34
  Speaker 2: to say, what do you think about that? And I
• 44:36
  Speaker 2: think I might even have started with the word that,
• 44:39
  Speaker 2: but I didn't quite get it out. The fist full fist,
• 44:42
  Speaker 2: and I say, the fist attached to the wrist, attached
• 44:46
  Speaker 2: to the arm, attached to the Glenn Cammel, not me,
• 44:50
  Speaker 2: you more than it was a straight left hand. It
• 44:53
  Speaker 2: caught me flush right in the mouth. It loosened the
• 44:56
  Speaker 2: two front teeth, It knocked out the two bottom teeth.
• 44:59
  Speaker 2: I could taste blood immediately, and I began to spit
• 45:01
  Speaker 2: it on the floor. It was a beautiful rug there
• 45:04
  Speaker 2: at a very very beautiful, beautiful hotel banquet hall that
• 45:08
  Speaker 2: the record label was having this party yet. But I
• 45:11
  Speaker 2: began to stain the rug with blood and it was
• 45:13
  Speaker 2: running down the front of a brand spaking new silk
• 45:15
  Speaker 2: shirt that I was wearing. And I had just had
• 45:18
  Speaker 2: my head shaved, and I said, hey, Glenn, why did
• 45:23
  Speaker 2: you do that? He said, because, Gene, you've always been
• 45:26
  Speaker 2: a swine hunt and a slob. You've always been a
• 45:28
  Speaker 2: real brainless empty head. You are nothing to me, I said,
• 45:32
  Speaker 2: just because I didn't think you'd make it with all
• 45:34
  Speaker 2: of this symphonic crap that you're doing. I realize now
• 45:37
  Speaker 2: going with Jimmy Webb and all that beautiful music was
• 45:39
  Speaker 2: the right move.
• 45:40
  Speaker 1: I know I made fun of it.
• 45:41
  Speaker 2: I know. I said, you went from being a bona
• 45:44
  Speaker 2: fide great session player to some kind of half a fag.
• 45:47
  Speaker 2: Excuse me, I did use those words back when it
• 45:49
  Speaker 2: was okay to use those words. Glenn said, it still
• 45:52
  Speaker 2: isn't okay with me for you to use the phrase
• 45:54
  Speaker 2: half a fag, And with that he grabbed my head.
• 45:57
  Speaker 2: You got it, brought my face right down to his
• 46:00
  Speaker 2: right knee as hard as he possibly could, split my
• 46:03
  Speaker 2: nose right up the middle, and he began walking out.
• 46:06
  Speaker 2: I staggered after him, saying, yes, that's right. I was
• 46:11
  Speaker 2: gagging on my own blood. Change of Bells Country, USA. Hi,
• 46:18
  Speaker 2: Winston Too May here for Winston two May Barbecue. I
• 46:20
  Speaker 2: know what I said in the last commercial. It might
• 46:22
  Speaker 2: have been a completely different name, but I'm here to
• 46:24
  Speaker 2: tell you that no matter what name we go by,
• 46:26
  Speaker 2: Winston Too May, Winston Barrel, or some other made up name,
• 46:30
  Speaker 2: our food is delicious. If only we can settle on
• 46:32
  Speaker 2: the name of our restaurant. We load up the lard,
• 46:34
  Speaker 2: we load up the fat, we load up the cream,
• 46:35
  Speaker 2: We load up the margarine, fat, creamy stuffed.
• 46:39
  Speaker 1: You got it.
• 46:40
  Speaker 2: If we can stuff it with something, we'll stuff it.
• 46:41
  Speaker 2: If we can't stuff it with anything, we'll still stuff it.
• 46:44
  Speaker 2: Is it breakfast? Is it lunch? Is at dinner? Does
• 46:47
  Speaker 2: it really matter anymore? Taking a look at yourself in
• 46:49
  Speaker 2: a mirror, Take a look at yourself, See what size
• 46:51
  Speaker 2: you are. You got it? It doesn't matter, does it.
• 46:55
  Speaker 2: Here's Marl Haggard in the fight inside of me.
• 46:58
  Speaker 1: I hear people talking that about we a jing a
• 47:03
  Speaker 1: bell fleshback in the country. That's right.
• 47:05
  Speaker 2: I told you the story about meeting Gene excuse me,
• 47:07
  Speaker 2: meeting Merle Haggard at his home in Nashville, Tennessee, a
• 47:10
  Speaker 2: number of years ago.
• 47:10
  Speaker 1: And I went in.
• 47:11
  Speaker 2: He was recording, I recording some kind of an interview
• 47:13
  Speaker 2: with a country artist. They said, Hey, Merle, it's me.
• 47:15
  Speaker 2: It's Ginge a Bell. He said, oh, yeah, you're the
• 47:17
  Speaker 2: guy that threw me out of your office back when
• 47:19
  Speaker 2: I just got out of prison.
• 47:20
  Speaker 1: I said, well, can you blame me? You're a jailbird creep,
• 47:23
  Speaker 1: and that's what he said. Listen, honey, you take care
• 47:25
  Speaker 1: of okay.
• 47:26
  Speaker 2: And he sent his eleven year old daughter over to me,
• 47:28
  Speaker 2: and she had a baseball bat and she cracked it.
• 47:30
  Speaker 1: Over the top of my head.
• 47:31
  Speaker 2: Then she grabbed what looked to me a very very
• 47:34
  Speaker 2: expensive bass guitar and cracked that over my skull. Then
• 47:36
  Speaker 2: she picked up what look like a ming vase, very
• 47:39
  Speaker 2: very ancient, very expensive, busted that over the top of
• 47:41
  Speaker 2: my head. Then she picked up an end table, busted
• 47:44
  Speaker 2: that down on the top of my head, picked up
• 47:45
  Speaker 2: a chair and broke that down over the top of
• 47:47
  Speaker 2: my head.
• 47:47
  Speaker 1: And finally that one staggered me when you're running down, And.
• 47:51
  Speaker 2: Haggard came over and said, I got to destroy half
• 47:53
  Speaker 2: the furniture in my house to get your ass out
• 47:55
  Speaker 2: of here. Ging a bell, Oh my god, Jeane a bell,
• 48:05
  Speaker 2: and my name is Jean Jabell.
• 48:07
  Speaker 1: Here he is George Jones. Can't beat white Latin.
• 48:10
  Speaker 5: The barro Lota's back in the hill lee him all
• 48:14
  Speaker 5: pay and it had him a steel.
• 48:15
  Speaker 1: Yeah, he brewed a lot lot until the sun went down.
• 48:19
  Speaker 1: There you can feel him a jug and it passed right.
• 48:22
  Speaker 2: George Jones there ripping off a little Chuck Berry as
• 48:24
  Speaker 2: he's had this call Johnny be Good. You've heard Johnny
• 48:26
  Speaker 2: be Good. Well, that was George Jones stealing that lick
• 48:29
  Speaker 2: from Chuck Berry. You know, I said that to George Jones.
• 48:32
  Speaker 2: It was a fantastic I'll tell you, there's nobody like
• 48:34
  Speaker 2: George Jones the world. George Jones one of the great, great,
• 48:36
  Speaker 2: great country artists. And we were backstage at the Slugo Festival,
• 48:39
  Speaker 2: you know, the Sluggo Country festival there at Arkansas and
• 48:41
  Speaker 2: Little Rock in my hometown, and I said, George, I'll
• 48:43
  Speaker 2: tell you I have I've heard a lot of people
• 48:45
  Speaker 2: lift Chuck Berry licks, but I've never heard anybody so
• 48:47
  Speaker 2: blatantly steal Johnny be Good like the way you just done.
• 48:50
  Speaker 1: Did that, and.
• 48:51
  Speaker 2: Without warning, he cracked his guitar down on top of
• 48:54
  Speaker 2: my head. I mean, he brought the guitar down as
• 48:56
  Speaker 2: hard as he could. It busted down over my head,
• 48:59
  Speaker 2: and the strings of the guitar, which were still attached
• 49:01
  Speaker 2: obviously to the neck and to the body of the guitar,
• 49:05
  Speaker 2: the strings were stretched over the top of my head.
• 49:07
  Speaker 2: So everything had busted down over my head. The sound
• 49:10
  Speaker 2: hole fell apart, and I had the strings that were
• 49:13
  Speaker 2: still attached to the neck and of the body of
• 49:14
  Speaker 2: the guitar.
• 49:15
  Speaker 1: George took both ends of those strings.
• 49:17
  Speaker 2: He snapped them off of the neck, snap muff the
• 49:18
  Speaker 2: body of the guitar, and then he grabbed me around
• 49:21
  Speaker 2: the neck with them and began to strangle me with
• 49:23
  Speaker 2: the guitar strings while he was repeatedly driving his knee
• 49:27
  Speaker 2: into my balls, into my gut, into my balls, into
• 49:29
  Speaker 2: my gut, over and over and over again. I said, man,
• 49:31
  Speaker 2: that is a beautiful thing you're doing there, George, you said,
• 49:34
  Speaker 2: do you think so? That's when he head buttted me.
• 49:36
  Speaker 2: So he used the strings of the guitar to head
• 49:39
  Speaker 2: butt me, and painful. God damn, it was painful. But
• 49:42
  Speaker 2: I'll tell you what I think. I learned my lesson
• 49:44
  Speaker 2: the hard way. And I said, you know what, I
• 49:46
  Speaker 2: will never accuse you of ripping off Jay. He said,
• 49:48
  Speaker 2: I don't mind. You accused me of ripping off another musician,
• 49:51
  Speaker 2: but he's black. You know you're telling me that I
• 49:53
  Speaker 2: ripped off a black guy. I said, well, I know
• 49:55
  Speaker 2: how you feel, and I know you're resistant using the
• 49:57
  Speaker 2: N word. He says, you better believe it because you
• 50:00
  Speaker 2: did do that. And he said, you know what, you
• 50:02
  Speaker 2: still you still don't get it. So we grabbed a
• 50:04
  Speaker 2: frying pan that happened to be there because we were
• 50:06
  Speaker 2: in the at that point, in the mess hall there
• 50:08
  Speaker 2: of the auditorium. He grabbed a frying pan and he
• 50:10
  Speaker 2: hit me a forehand, a backhand, a forehand in a
• 50:13
  Speaker 2: backhand until there were basically no teeth left in the
• 50:17
  Speaker 2: right side of my mouth, and the right side of
• 50:21
  Speaker 2: my jaw had unhinged, so I had no teeth and
• 50:24
  Speaker 2: my jaw hanging off, and the only thing that was
• 50:26
  Speaker 2: holding it there was the skin on my face, you know,
• 50:29
  Speaker 2: And if you've ever seen my face, there is a
• 50:32
  Speaker 2: whole lot my face can do other than maybe hold
• 50:34
  Speaker 2: my jaw in place for about thirty.
• 50:36
  Speaker 1: Seconds, which was the case here with George Jones. Let's
• 50:39
  Speaker 1: take the Grand Tour.
• 50:41
  Speaker 2: I'll tell you something, when you talk about the Grand Tour,
• 50:43
  Speaker 2: reminds me of a very very special guy, a wonderful guy,
• 50:46
  Speaker 2: one of the great country promoters in this in this
• 50:48
  Speaker 2: great land of ours, Bobby Cossack. And Bobby was a
• 50:52
  Speaker 2: guy who he never met anybody did want to do
• 50:55
  Speaker 2: a favor for it, and we were doing a special
• 50:58
  Speaker 2: charity function. We were Albuquerque, New Mexico, and we had
• 51:01
  Speaker 2: just heard that great song, the Grand Tour, as sung
• 51:03
  Speaker 2: by George Jones. And I know that Bobby, if he
• 51:07
  Speaker 2: were here today, he would say the same thing he
• 51:09
  Speaker 2: said to me that night when we heard that song,
• 51:11
  Speaker 2: The Grand Tour. Bobby had a beautiful daughter who had
• 51:15
  Speaker 2: just gotten married to a very, very prestigious politician in Washington,
• 51:19
  Speaker 2: d C. I forget his name, but Bobby's daughter, her
• 51:21
  Speaker 2: name was Bezolene, a beautiful, beautiful girl. And I said, boy,
• 51:25
  Speaker 2: I'd love to take the grand tour of her, of her,
• 51:27
  Speaker 2: I should say, all sixty nine states. And that's when
• 51:30
  Speaker 2: Bobby looked at me. He said, I can't even believe
• 51:32
  Speaker 2: that you said what you said. I said, what did
• 51:34
  Speaker 2: I do?
• 51:35
  Speaker 1: Now? At the time that was bad.
• 51:38
  Speaker 2: I knew it was bad, but at the time I
• 51:40
  Speaker 2: thought it was funny. I always went for funny over bad.
• 51:42
  Speaker 2: I always went for ask for forgiveness, not permission.
• 51:45
  Speaker 1: Huh, isn't that right?
• 51:46
  Speaker 2: So I said, boy, I would love to take the
• 51:48
  Speaker 2: grand tour of your daughter. She was a thirty one
• 51:50
  Speaker 2: year old woman. So let's be honest here and reasonable
• 51:53
  Speaker 2: that it was entirely appropriate, at least was age appropriate.
• 51:55
  Speaker 2: I said, I'd love to take the grand tour of
• 51:57
  Speaker 2: her all sixty nine states, and he said around the world.
• 52:02
  Speaker 2: I said, yeah, as a matter of fact, Bobby, Yeah,
• 52:04
  Speaker 2: he said, that's all I needed to hear.
• 52:05
  Speaker 1: He had a toaster there, and.
• 52:07
  Speaker 2: I remember because we were making English muffins and we'd
• 52:10
  Speaker 2: just gotten up and was a buffet there in the hotel,
• 52:12
  Speaker 2: and he plugged the toaster in and he turned the
• 52:14
  Speaker 2: toaster on basically pushed that little push thing down right,
• 52:17
  Speaker 2: and he took my hand and jammed it into the
• 52:19
  Speaker 2: toaster until I could literally feel my flesh burning and searing,
• 52:24
  Speaker 2: and also there was a low level of electric shot
• 52:27
  Speaker 2: going through my hand. And he held my hand in
• 52:29
  Speaker 2: that toaster. Then he pulled my hand out of the
• 52:31
  Speaker 2: toaster after it had been cooked and seared third degree burns.
• 52:35
  Speaker 2: He began to just slather on butter, put on some
• 52:38
  Speaker 2: I believe was it the strawberry It was that delicious
• 52:42
  Speaker 2: strawberry jam, not the delicious matters. He put on the
• 52:44
  Speaker 2: delicious strawberry jam over that hand. Then he put it
• 52:48
  Speaker 2: between two pieces of the wonderbread too, just white I said, boy,
• 52:52
  Speaker 2: there's no nutrition in that, Bobby, he said, still making
• 52:54
  Speaker 2: the jokes. I said, I go down with the ships.
• 52:57
  Speaker 2: So he said, okay, great. So he lifted up my
• 52:59
  Speaker 2: hand with a two piece pieces of bread wrapped around it,
• 53:01
  Speaker 2: and he took a bite that severed the ends of
• 53:05
  Speaker 2: the two bigger fingers, so I lost both of those fingers.
• 53:08
  Speaker 2: He took a bite, and he chewed my fingers and
• 53:10
  Speaker 2: swallowed them. And then as he was staring me and
• 53:13
  Speaker 2: the blood coming out of his mouth, chewing on my fingers,
• 53:15
  Speaker 2: and I was looking at him with shock and.
• 53:17
  Speaker 1: Horror, he said, okay, perfect, And.
• 53:19
  Speaker 2: He was saying this through a full mouth because he's
• 53:20
  Speaker 2: chewing on my fingers and swelling. He says, okay, perfect,
• 53:22
  Speaker 2: You're in the perfect state of mind. This is exactly
• 53:24
  Speaker 2: what I need. And that's when he took two very
• 53:27
  Speaker 2: very large, heavy, look like shot puts, but I know
• 53:31
  Speaker 2: they couldn't have been shot puts, not the ball bearings.
• 53:33
  Speaker 2: That truck two ball bearings, and he slammed both of
• 53:36
  Speaker 2: them on both sides of my head until, as again
• 53:39
  Speaker 2: witnesses said, my head thinned, it narrowed, that's how hard
• 53:43
  Speaker 2: he slammed these two ball bearings cracking both sides of
• 53:46
  Speaker 2: my skull. Now again, this was about a year after
• 53:48
  Speaker 2: I'd had all of that skull surgery to put my
• 53:51
  Speaker 2: head back into as sort of the shape that it was.
• 53:53
  Speaker 2: It never really was put back into the proper shape
• 53:55
  Speaker 2: because it would throw people off, and this would throw
• 53:58
  Speaker 2: them off even more. After hem the to ball bearings
• 54:01
  Speaker 2: crushing my head, my eyes popped out and my tongue
• 54:04
  Speaker 2: came out. So you can imagine I'm walking around with
• 54:06
  Speaker 2: these two eyeballs hanging out in the tongue and I'm
• 54:08
  Speaker 2: going People screamed, They ran out of the they ran
• 54:13
  Speaker 2: out of the hotel. They were frightened to death. They
• 54:15
  Speaker 2: were they were peeing themselves.
• 54:16
  Speaker 1: It was something.
• 54:17
  Speaker 2: He's kind of a crazy, crazy, crazy crazy. Here's another
• 54:22
  Speaker 2: George Jones. This is called He Stopped Loving Her Today
• 54:24
  Speaker 2: Here at Ginge of Bell. This is the Ginge Bel
• 54:26
  Speaker 2: Country USA show. Yeah, the Ginge Bell here.
• 54:32
  Speaker 1: Hi, how are you doing.
• 54:33
  Speaker 2: I'm doing fine. You're telling stories about having your face
• 54:37
  Speaker 2: crushed and you're singing over top of it. I'm just
• 54:40
  Speaker 2: asking you if you would have the common courtesy they.
• 54:42
  Speaker 1: Shut up, just to shut up while we're hearing it.
• 54:45
  Speaker 1: Thanks so much for calling. Yeah, right, we half crazy.
• 54:52
  Speaker 2: George Jones right there and he stopped loving Today here
• 54:54
  Speaker 2: the ging of bell Country USA show. You know. I
• 54:57
  Speaker 2: went to George one day and I said, George, you
• 54:59
  Speaker 2: know the music that you're singing is good. I said,
• 55:01
  Speaker 2: it's not bad, it's good. It's for what it is,
• 55:04
  Speaker 2: it's good. And he said, well, who are you to
• 55:06
  Speaker 2: tell me that? I said, well, I'm a Jane of
• 55:08
  Speaker 2: Bell Country USA. He said, no, I know who you are,
• 55:10
  Speaker 2: but who are you to tell me something like that.
• 55:11
  Speaker 2: I said, well, a lot of the music that you sing,
• 55:12
  Speaker 2: George is sad. It might have a it might be
• 55:15
  Speaker 2: a product of your alcoholism, it might be a product
• 55:17
  Speaker 2: of whatever drug abuse that you're involved in. And he said,
• 55:20
  Speaker 2: who are you? How dare you say that? He was
• 55:22
  Speaker 2: getting very very young. I said, look at George, I'm
• 55:25
  Speaker 2: you and I have been friends a long time. He said, no,
• 55:26
  Speaker 2: we haven't been friends at all. He says, I just
• 55:28
  Speaker 2: met you. You're a disc jockey at a radio station.
• 55:30
  Speaker 1: I don't know you.
• 55:31
  Speaker 2: I pretend to be friends with you because I want
• 55:33
  Speaker 2: you to play my records, but I don't know you.
• 55:35
  Speaker 2: I wouldn't I don't care to know you, I said,
• 55:38
  Speaker 2: I said, George, there you go again. I said, listen,
• 55:40
  Speaker 2: the music you sing is so drag ass, so derivative.
• 55:43
  Speaker 2: It is so slow and so meaningless and so tedious.
• 55:46
  Speaker 2: I feel it's the product of you drinking heavily and
• 55:50
  Speaker 2: perhaps abusing prescription narcotics, you know. And he said, if
• 55:54
  Speaker 2: you say one more word to me, so help me God,
• 55:57
  Speaker 2: I'm going to stick your head under the the cover
• 56:01
  Speaker 2: of this baby grand piano and I'm gonna slam the
• 56:04
  Speaker 2: hood of that thing down on your skull.
• 56:06
  Speaker 1: Do you want that?
• 56:07
  Speaker 2: I said, George, you know as well as I do,
• 56:09
  Speaker 2: you wouldn't dare do anything like that. I'm Jean Jabelle.
• 56:11
  Speaker 2: I can make or break a punk like you because
• 56:14
  Speaker 2: of the music that I play. It makes her breaks
• 56:17
  Speaker 2: punks like you. Well, it turned out that George didn't.
• 56:20
  Speaker 1: Do it himself.
• 56:20
  Speaker 2: He nodded to a very tall man wearing all leather, sunglasses,
• 56:25
  Speaker 2: a black leather had a black jacket, the whole black
• 56:28
  Speaker 2: cowboy thing. And I said, oh, looks like who's this guy?
• 56:32
  Speaker 2: Man the man with no name? Or he said, wouldn't
• 56:35
  Speaker 2: you like to know? The guy literally grabbed me, folded
• 56:38
  Speaker 2: me over at the waist. He was so strong. I
• 56:41
  Speaker 2: felt like I was just a doll, just a rag doll.
• 56:43
  Speaker 2: I couldn't do anything to resist. I couldn't do anything
• 56:46
  Speaker 2: to help myself. He put my head near the you know,
• 56:48
  Speaker 2: the piano strings, and he slammed the hood of the
• 56:51
  Speaker 2: piano down on my head five times. I counted it.
• 56:54
  Speaker 2: I felt it, but more to the point I counted it.
• 56:57
  Speaker 2: It went one bang, two bang, three bang, And I
• 57:00
  Speaker 2: remember thinking, when will I stop counting? I stopped counting
• 57:03
  Speaker 2: at five. Now later on, what did you say, Jerry,
• 57:06
  Speaker 2: Well ten? I stopped counting at five. But the guys
• 57:09
  Speaker 2: swear up and down, they swear to christ all might
• 57:11
  Speaker 2: excuse my language, that he actually slammed that thing on
• 57:14
  Speaker 2: my head ten times.
• 57:15
  Speaker 1: But when I.
• 57:16
  Speaker 2: Pulled my head out from the from the piano, people
• 57:21
  Speaker 2: screamed and began running because my head had thinned again.
• 57:24
  Speaker 2: Now this was the second time in as many weeks
• 57:26
  Speaker 2: that I got my head slammed so hard that my
• 57:28
  Speaker 2: head was now shaped more what would you say, banana like?
• 57:33
  Speaker 2: My head was almost a banana shape because it had
• 57:36
  Speaker 2: been slammed in, and my tongue and my eyeballs again
• 57:40
  Speaker 2: sticking out. So imagine a man with a banana shaped
• 57:42
  Speaker 2: head walking around the ballroom of a major hotel, a
• 57:46
  Speaker 2: major disc jockey with a ponytail. Because why because I
• 57:50
  Speaker 2: was honest, Because I said to this man what needed
• 57:53
  Speaker 2: to be said. I said to him, George, your music drags, ass,
• 57:56
  Speaker 2: it's derivative. You're ripped off Chuck Berry's Johnny Begod with
• 58:00
  Speaker 2: white lightning. And he said to me, guess what, You're
• 58:03
  Speaker 2: gonna have a banana shaped head before the boat hits Venezuela. Hi,
• 58:07
  Speaker 2: Greig Morton's got something to say to you. Don't lean
• 58:09
  Speaker 2: on that horn, friend, Just say hello to the man
• 58:12
  Speaker 2: there the International Harvester.
• 58:14
  Speaker 1: Y'all.
• 58:15
  Speaker 2: I'm the son of a third generation fo farmer.
• 58:20
  Speaker 1: I've been mad ten years to the farmer's dog.
• 58:24
  Speaker 2: Yeah yeah, I'm a god fearing, hard working combine driver,
• 58:28
  Speaker 2: hugging up to roll them up a pup of flowers.
• 58:32
  Speaker 2: Everybody together now here this morning on the International Harvester.
• 58:37
  Speaker 1: I'll tell you what. I love that music so very
• 58:40
  Speaker 1: very much.
• 58:40
  Speaker 2: There with I was caught. Oh yeah, Craig Morton, their
• 58:42
  Speaker 2: International Harvester. Good morning, how you doing? Hey?
• 58:45
  Speaker 1: Good morning?
• 58:45
  Speaker 2: Gino stated musically. Yeah, I happen to witness what happened
• 58:49
  Speaker 2: between you and Craig Morton. You're gonna tell that story,
• 58:52
  Speaker 2: you better.
• 58:52
  Speaker 1: Be Craig Morgan, not Craig Morton, not the football player.
• 58:55
  Speaker 2: Oh you're right, Greg Morgan. Because I was there, well,
• 59:01
  Speaker 2: I was Tuxedo County, Tuxedo County, Tuxedo County, thank you
• 59:05
  Speaker 2: very much for recall this morning for years, Tuxedo County.
• 59:07
  Speaker 2: I was there and I was again hosting a charity event.
• 59:10
  Speaker 2: Craig Morton came there, and Craig was there with the
• 59:12
  Speaker 2: International Harvester people, and I had made a comment about
• 59:15
  Speaker 2: his wife. She was a very, very fancy looking and
• 59:18
  Speaker 2: good looking woman. It still is as a matter of fact.
• 59:21
  Speaker 2: I hope they're still married. I hope they're very happily married.
• 59:24
  Speaker 2: Or it might have been his girlfriend. I don't know,
• 59:25
  Speaker 2: but I made a comment about her backside. Now, I
• 59:27
  Speaker 2: know it's kind of rude you make a comment about
• 59:29
  Speaker 2: a woman's backside. It's one thing to make a comment
• 59:30
  Speaker 2: about a woman's breasts, but I made a comment about
• 59:33
  Speaker 2: a very I would say, prominent backside. And that's when
• 59:36
  Speaker 2: Craig said to me, would you like to go outside
• 59:39
  Speaker 2: and take a look at my sponsor and I said,
• 59:40
  Speaker 2: you mean the International Harvester people. He said, yeah, just
• 59:42
  Speaker 2: stand there now. He walked down about twenty yards. He
• 59:45
  Speaker 2: got into an International Harvester tractor and drove it straight
• 59:48
  Speaker 2: at me, and I started to run. I didn't know
• 59:50
  Speaker 2: what he was doing. I thought it was drunk. I
• 59:51
  Speaker 2: thought it was crazy. I ran, but he did catch
• 59:53
  Speaker 2: me with the bucket on that thing kind of like
• 59:55
  Speaker 2: a Bobcat bucket lifted me up and then dropped me.
• 59:58
  Speaker 2: I mean, he just let that hydraula go and dropped me.
• 1:00:01
  Speaker 2: And I hit the ground I'd say about thirty miles
• 1:00:04
  Speaker 2: an hour, and fell right on my backside. I started
• 1:00:08
  Speaker 2: to try to get up. I was woozy, and then
• 1:00:09
  Speaker 2: they brought the brought the bucket down on top of
• 1:00:12
  Speaker 2: my head. So it was one to two down, and
• 1:00:14
  Speaker 2: then the bucket came down to my head. He got
• 1:00:16
  Speaker 2: out of the International Harvester. He said, you got anything
• 1:00:18
  Speaker 2: else you want to say about my wife? And at
• 1:00:20
  Speaker 2: that time, or he said, girlfriend, I forget what it was.
• 1:00:22
  Speaker 2: You know what, Bobby, what it was? Well say what
• 1:00:25
  Speaker 2: it was? I mean what she was? I know, I
• 1:00:27
  Speaker 2: don't well, I'd said, well, if you want me to
• 1:00:30
  Speaker 2: say so. I said, she's got a great rear end.
• 1:00:32
  Speaker 2: I said she's got big ones up front. I said
• 1:00:35
  Speaker 2: she looked like she could take it off a trailer hitch,
• 1:00:37
  Speaker 2: a trailer hitch. I should say all the things you
• 1:00:38
  Speaker 2: would say in a golf ball through garden hose. I
• 1:00:41
  Speaker 2: said just about everything a man can say, not knowing
• 1:00:45
  Speaker 2: that Craig does not have the best sense of humor.
• 1:00:48
  Speaker 2: And that's when he went ahead and need me in
• 1:00:50
  Speaker 2: my testicles. You're kidding, no, not, no, he need me
• 1:00:54
  Speaker 2: in my testicles. Then he grabbed me again. He headlocked
• 1:00:57
  Speaker 2: me the same way Brooks and doesn't it. But he
• 1:00:58
  Speaker 2: did a very interesting thing. It was almost like Astler
• 1:01:00
  Speaker 2: move where he had me around the neck and he
• 1:01:01
  Speaker 2: also had the top of my head and he did
• 1:01:04
  Speaker 2: one of those atomic slams. He went up in the air.
• 1:01:08
  Speaker 2: Excuse me, excuse me, I'm coughing.
• 1:01:11
  Speaker 1: A little bit.
• 1:01:11
  Speaker 2: I hope a lot of you folks out there this morning,
• 1:01:13
  Speaker 2: of course, are gonna be driving carefully because we know
• 1:01:17
  Speaker 2: with all this congestion you're gonna have a really bad air.
• 1:01:19
  Speaker 2: But anyway, I'm gonna get back to the music here.
• 1:01:20
  Speaker 2: I just want to say did an atomic slam. He
• 1:01:22
  Speaker 2: went down, landed on his butt, but at the same
• 1:01:24
  Speaker 2: time he had his knee right under my testicles, under
• 1:01:28
  Speaker 2: the scrotum.
• 1:01:29
  Speaker 1: And excuse me as we went down.
• 1:01:32
  Speaker 2: As we went down, and the knee drove right clean
• 1:01:34
  Speaker 2: up into the scrotum.
• 1:01:37
  Speaker 1: So it did it hurt? You better believe it.
• 1:01:38
  Speaker 2: Hi, everybody, this is jean Ja Belle and I am
• 1:01:41
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