Latest / Aaron Mahnke's Cabinet of Curiosities / Oh, the Humanity
Transcript
- 0:04Speaker 1: Welcomed Aaron Mankey's Cabinet of Curiosities, a production of I
- 0:07Speaker 1: Heart Radio and Grim and Mild. Our world is full
- 0:14Speaker 1: of the unexplainable, and if history is an open book,
- 0:18Speaker 1: all of these amazing tales are right there on display,
- 0:22Speaker 1: just waiting for us to explore. Welcome to the Cabinet
- 0:27Speaker 1: of Curiosities. Ah Paris, the City of Light, the City
- 0:39Speaker 1: of Love, and the city of unnecessary challenges of violence
- 0:44Speaker 1: in the name of romance. That's what it was like
- 0:46Speaker 1: in France in the eighteenth and nineteen centuries. In those days,
- 0:50Speaker 1: if someone offended you, or you were competing for the
- 0:53Speaker 1: love of a particular woman, you could challenge the other
- 0:56Speaker 1: person to a duel. Before the late eighteenth century, words
- 1:00Speaker 1: were the weapon of choice. In eighteen forty one The
- 1:03Speaker 1: History of Dueling, the author outlined dozens of rules to
- 1:06Speaker 1: be followed for a successful duel. For example, rule forty
- 1:10Speaker 1: three dictated what moves a fighter could make with the sword,
- 1:14Speaker 1: stating combatants are allowed to raise themselves, to stoop, to
- 1:18Speaker 1: vault to the right or to the left, and to
- 1:20Speaker 1: turn around each other. Rule forty four allowed combat to
- 1:24Speaker 1: stop if one party declared themselves wounded, or if one
- 1:27Speaker 1: of the witnesses noticed that someone had been hurt. And
- 1:30Speaker 1: just how common was it? Well, King Louis the Thirteen
- 1:34Speaker 1: pardoned more than eight thousand people for committing murder during
- 1:38Speaker 1: a duel, So yeah, a lot pistols only made the
- 1:42Speaker 1: practice more deadly too. A puncture or a cut from
- 1:45Speaker 1: a blade was not necessarily a death sentence back then,
- 1:49Speaker 1: but a bullet in a crucial part of the body
- 1:51Speaker 1: could be the end of someone immediately or worse days later.
- 1:56Speaker 1: Alexander Hamilton's famously died thirty one hours after are being
- 2:00Speaker 1: shot by Aaron Burr in eighteen o four. Dueling was
- 2:03Speaker 1: an act that was both barbaric and pointless, yet some
- 2:07Speaker 1: people saw no other way to settle their differences, especially
- 2:11Speaker 1: two Frenchmen in the early nineteenth century who really escalated
- 2:15Speaker 1: the situation. Their duel took place only four years after
- 2:19Speaker 1: Hamilton's fateful trip to we Hawk in New Jersey, a
- 2:22Speaker 1: young dancer with the Paris Opera known as Mademoiselle tira
- 2:26Speaker 1: Vette had been in a relationship with one Monsieur du
- 2:29Speaker 1: Grand Prey. It seemed like things were going pretty well
- 2:32Speaker 1: for them, but it seems that she was also seen
- 2:34Speaker 1: Monsieur Lapique on the side. So when Grand Prix found
- 2:37Speaker 1: out that he was not the only person in his
- 2:40Speaker 1: beloved life, he did what all men in his situation
- 2:43Speaker 1: did in eighteen o eight France, he challenged the other
- 2:46Speaker 1: man to a duel. Of course, these were macho, testosterone
- 2:51Speaker 1: fueled gents who refused to settle for a standoff with
- 2:54Speaker 1: pistols in the middle of a field. No, in order
- 2:56Speaker 1: to win the hearts and hand of Mademoiselle Tiravet, they
- 3:00Speaker 1: needed to face off in a spectacular way, high above
- 3:03Speaker 1: the ground in hot air balloons. They met on May three,
- 3:08Speaker 1: still in the middle of a field, mind you, but
- 3:10Speaker 1: on this occasion they stood by as two large balloons
- 3:13Speaker 1: were heated up and inflated. Each man had also brought
- 3:17Speaker 1: a second, a witness, to be responsible for making sure
- 3:20Speaker 1: that the duel was carried out as expected. Now, in
- 3:23Speaker 1: a normal duel, the second would walk away afterward and
- 3:26Speaker 1: go home to their families. In this instance, however, each
- 3:30Speaker 1: second had resigned himself to dine in the event the
- 3:32Speaker 1: other balloons occupants succeeded. Because the goal here was not
- 3:36Speaker 1: for the doelers to shoot one another. Grand Prix and
- 3:40Speaker 1: the peak. Each man armed with the blunderbuss would fly
- 3:43Speaker 1: high into the air with their seconds and fire at
- 3:46Speaker 1: their opponent's balloon. Whoever managed to pop the other man's
- 3:50Speaker 1: balloon would receive Mademoiselle tear of its hand. The other well,
- 3:55Speaker 1: he and his second would plummet to their deaths below.
- 3:59Speaker 1: A large crowd eathered on the morning of the event,
- 4:01Speaker 1: excited to watch four grown men get into a couple
- 4:04Speaker 1: of hot air balloons and shoot each other down. Rather
- 4:06Speaker 1: than talk through their feelings like adults, they climbed inside
- 4:10Speaker 1: and each balloon began to rise up, up, up. They
- 4:14Speaker 1: went to a half mile over the crowd. When they
- 4:17Speaker 1: reached the appropriate height, both men got into position. Lapique
- 4:22Speaker 1: shot first. He fired wide and missed Grand prix balloon entirely.
- 4:26Speaker 1: Grand Prix returned fire, and it was his success. He
- 4:30Speaker 1: managed to shoot a hole in Lapique's balloon, sending careening
- 4:33Speaker 1: into a terrace below. Lapique and his second were killed
- 4:37Speaker 1: instantly in the crash, while Grand Prix climbed even higher
- 4:40Speaker 1: in triumph before floating down gently to the woman below
- 4:44Speaker 1: that he loved. The whole ordeal was over quickly, but
- 4:48Speaker 1: it left a lasting impression on dueling history, and it
- 4:51Speaker 1: reminds us today of that age old cliche what goes
- 4:56Speaker 1: up must come down. Historians and scholars have spent decades
- 5:14Speaker 1: working with the world's most mysterious documents and artifacts. For example,
- 5:18Speaker 1: there's the Voyanage manuscript and illustrated codex, written during the
- 5:21Speaker 1: fifteenth century in an unknown language. It first showed up
- 5:25Speaker 1: in nineteen twelve and was believed to have been decoded
- 5:27Speaker 1: as recently as two thousand seventeen. However, those translations were
- 5:31Speaker 1: quickly debunked, and so the manuscript is still considered uncracked.
- 5:36Speaker 1: Then there's also the shug Burrow Inscription, a ten letter
- 5:39Speaker 1: sequence carved into a monument in England, and although the
- 5:42Speaker 1: inscription has existed since the mid seventeen hundreds, we are
- 5:46Speaker 1: no closer to understanding its meaning than we were two
- 5:49Speaker 1: and a half centuries ago. But one particular historical object
- 5:53Speaker 1: didn't require extensive study to understand. In fact, researchers seemed
- 5:57Speaker 1: to have figured out exactly what it was pretty quickly,
- 6:00Speaker 1: or so they thought. It was called the Shapira Scroll,
- 6:03Speaker 1: named for the man who revealed it to the world,
- 6:05Speaker 1: Moses Wilhelm Shapira. He was born in eighteen thirty in
- 6:09Speaker 1: what is now Ukraine and worked as an antiques dealer
- 6:12Speaker 1: in Jerusalem. Shapira first brought the scroll to Paul Schroeder,
- 6:16Speaker 1: a German scholar and interpreter who specialized in Semitic languages.
- 6:21Speaker 1: Schroeder asked about its origins, to which Shapira replied that
- 6:23Speaker 1: it had been discovered in a cave near the Dead Sea. However,
- 6:27Speaker 1: when University of Berlin professor Hermann Strach asked Shapira about
- 6:32Speaker 1: the scrolls provenance, he was told the fantastical story about
- 6:35Speaker 1: how a group of people had accidentally found them rolled
- 6:38Speaker 1: up in a bundle of rugs in a mountain cave.
- 6:40Speaker 1: In fact, depending on who he was talking to, Shapira
- 6:43Speaker 1: told a different story. So what was the scroll he found? Well,
- 6:48Speaker 1: it wasn't really a scroll at all, and that it
- 6:50Speaker 1: wasn't a long roll of paper. Instead, the Shapira scroll
- 6:54Speaker 1: was comprised of fifteen separate strips of leather, each with
- 6:57Speaker 1: a modified Bible verse from the Book of duter Ronomy
- 7:00Speaker 1: written across them. What's more, the language written on each
- 7:04Speaker 1: of the strips was Paleo Hebrew, an older version of
- 7:07Speaker 1: the Hebrew language found on stone walls and tablets beginning
- 7:11Speaker 1: in the thirteenth century b c. According to Shapira, his
- 7:15Speaker 1: fragments had been created before the fall of Solomon's temple
- 7:18Speaker 1: in Jerusalem. In other words, they were the oldest known
- 7:22Speaker 1: Biblical documentation in existence. He sent facsimiles of the strips
- 7:27Speaker 1: all over Germany to have them authenticated. Historians, scholars, and
- 7:31Speaker 1: librarians studied them closely. The Royal Library of Berlin wanted
- 7:36Speaker 1: to purchase the originals so that they could be examined
- 7:39Speaker 1: by German students, but Shapira had no interest in having
- 7:43Speaker 1: his scroll put under the microscope for handfuls of students
- 7:46Speaker 1: to study. Instead, he suggested that the British Museum by
- 7:50Speaker 1: the whole collection for one million pounds. The public was
- 7:54Speaker 1: enthralled and flocked to the museum to see two of
- 7:57Speaker 1: the scrolls in person. A Bible scholar named Christian David
- 8:01Speaker 1: Ginsburg took possession of the remaining fragments to analyze them.
- 8:04Speaker 1: It took him a month, but when he was done,
- 8:07Speaker 1: Ginsburg came to a very important conclusion they were forgeries.
- 8:12Speaker 1: Now Shapira wasn't a stranger to fake documents. And antiquities.
- 8:16Speaker 1: In eighteen seventy, he had tried fooling buyers with fabricated
- 8:19Speaker 1: artifacts from the ancient Moabite culture. Why anyone entertained his
- 8:24Speaker 1: latest attempt was a mystery, but many did, especially the public,
- 8:28Speaker 1: who were captivated by the existence of the strips. According
- 8:32Speaker 1: to Ginsburg, it appeared that Shapira had cut up a
- 8:35Speaker 1: Yemenite Torah scroll. These scrolls were very old, possibly hundreds
- 8:39Speaker 1: of years, and quite valuable. Shapira had sold Yemenite scrolls
- 8:43Speaker 1: to the British Museum before, and it was believed that
- 8:45Speaker 1: he had cut strips from the empty bottom margin to
- 8:48Speaker 1: create his own biblical relics. Of course, Shapira wrote a
- 8:52Speaker 1: letter to Ginsburg in which he declared his innocence and
- 8:54Speaker 1: the whole ordeal. He believed the scroll was authentic, but
- 8:58Speaker 1: claimed that if it was fake, someone else had been
- 9:00Speaker 1: responsible for its creation and had duped him. Shapira then
- 9:05Speaker 1: traveled to Amsterdam, where he sent another letter, this time
- 9:08Speaker 1: to Edward Augustus Bond. Bond was the primary librarian for
- 9:11Speaker 1: the British Museum, and Shapira begged him to check the
- 9:15Speaker 1: scrolls again. Sadly, he never got his answer. Six months later,
- 9:20Speaker 1: he took his own life. The Shapira scrolls went up
- 9:22Speaker 1: for auction a few years afterwards, selling for a measly
- 9:25Speaker 1: ten pounds. After eighteen eighty nine, no one saw them again.
- 9:30Speaker 1: Interest in the artifacts all but disappeared until the mid
- 9:35Speaker 1: nineteen hundreds. Between nineteen forty seven and nineteen fifty six,
- 9:39Speaker 1: the first seven Dead Sea Scrolls were found in caves
- 9:42Speaker 1: alongside the Dead Sea discoveries that seemed eerily similar to
- 9:46Speaker 1: what Moses Shapira used to say about his leather fragments.
- 9:50Speaker 1: Scholars to this day are divided on the true providence
- 9:53Speaker 1: of the Shapira Scroll, with some claiming that it could
- 9:56Speaker 1: have been legitimate, while others maintained the original conclusion that
- 10:00Speaker 1: the scroll was a forgery. Moses Shapira might have been
- 10:04Speaker 1: responsible for one of the greatest historical discoveries ever recorded,
- 10:08Speaker 1: but his previous deceptions that ruined his chances for success. Heartbreaking,
- 10:14Speaker 1: for sure, but also oh so curious. I hope you've
- 10:22Speaker 1: enjoyed today's guided tour of the Cabinet of Curiosities. Subscribe
- 10:26Speaker 1: for free on Apple Podcasts, or learn more about the
- 10:29Speaker 1: show by visiting Curiosities podcast dot com. The show was
- 10:34Speaker 1: created by me, Aaron Manky in partnership with how Stuff Works.
- 10:38Speaker 1: I make another award winning show called Lore, which is
- 10:41Speaker 1: a podcast, book series, and television show and you can
- 10:45Speaker 1: learn all about it over at the World of Lore
- 10:47Speaker 1: dot com. And until next time, stay curious.