Latest / 4biddenknowledge Podcast / Billy Carson & Robert Grant - Exploring Ancient Knowledge, Science & Consciousness

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Billy Carson & Robert Grant - Exploring Ancient Knowledge, Science & Consciousness · 4biddenknowledge Podcast

• 1:05
  SPEAKER_04: Okay, what's going on, everybody?
• 1:06
  SPEAKER_04: We're gonna have a great one tonight.
• 1:08
  SPEAKER_04: It's Billy Carson, aka Forbidden Knowledge.
• 1:12
  SPEAKER_04: I have the famous living legend, Robert Edward Grant, on tonight.
• 1:17
  SPEAKER_04: So make sure you click that like button.
• 1:19
  SPEAKER_04: Make sure you share this video.
• 1:22
  SPEAKER_04: Okay.
• 1:23
  SPEAKER_04: Click the like button and share the video.
• 1:25
  SPEAKER_04: We're gonna be talking about the Great Pyramid and the pyramids, really, pretty much this connectedness of these pyramids all around the world.
• 1:33
  SPEAKER_04: And we're gonna ask the question: what if the Great Pyramid was not merely built using mathematics, but was actually built as mathematics?
• 1:42
  SPEAKER_04: We know that it has a slope angle approximately 51.84 degrees.
• 1:47
  SPEAKER_04: Its proportions appear to unite the geometry of the circle within pi, the golden ratio, uh phi.
• 1:55
  SPEAKER_04: And according to Robert Edward Grant, relationships involving the Euler number, 432 hertz mathematics and harmonic resonance.
• 2:05
  SPEAKER_04: But what if those numbers were never intended to remain silent?
• 2:09
  SPEAKER_04: What if the chambers were resonant cavities?
• 2:13
  SPEAKER_04: What if the passages were waveguides and the entire pyramid was a massive stone instrument capable of translating geometry into sound, into energy, and then energy into altered states of what?
• 2:29
  SPEAKER_04: Consciousness.
• 2:31
  SPEAKER_04: So today I'm sitting down with Robert Edward Grant, and we're gonna ask a question that could completely transform the way we understand the ancient world.
• 2:41
  SPEAKER_04: So without further ado, let's bring up Robert Edward Grant live to the stage.
• 2:55
  SPEAKER_04: Yes, sir.
• 2:56
  SPEAKER_04: Good to have you on.
• 2:57
  SPEAKER_04: I see that you're in a very nice, tranquil place.
• 3:00
  SPEAKER_01: I am in Bali, right next to a rice field at uh at a really epic spot called Akasha that's owned by our mutual friend um Sasha Stone.
• 3:10
  SPEAKER_04: Beautiful, beautiful.
• 3:11
  SPEAKER_04: Tell Shasha I said what's up.
• 3:13
  SPEAKER_04: He's a great human being.
• 3:14
  SPEAKER_04: I had a great time working with him recently in uh California.
• 3:19
  SPEAKER_04: Yeah, man.
• 3:21
  SPEAKER_04: So I think you just froze a little bit there.
• 3:27
  SPEAKER_04: Yo, we may have he may be frozen.
• 3:30
  SPEAKER_04: There you go.
• 3:31
  SPEAKER_04: Okay, you're back now.
• 3:32
  SPEAKER_04: All right.
• 3:35
  SPEAKER_04: All right, cool.
• 3:36
  SPEAKER_04: Yeah, you know how the the the uh international internet connection sometimes.
• 3:42
  SPEAKER_04: I know, man.
• 3:43
  SPEAKER_04: You know, we're we're in the 21st century, and uh, and still with all the stuff we've got, this connection should be it should be just a piece of cake, but you know, it is what it is.
• 3:53
  SPEAKER_04: We're gonna make the best of it, and we will uh continue on no matter what.
• 3:57
  SPEAKER_04: And so we know that the pyramids were built, you know.
• 4:01
  SPEAKER_04: Um, well, the the mainstream said that the pyramids were built to preserve dead people, which we we we now know in our opinions that that's uh an absolute falsehood, and it's laugh.
• 4:12
  SPEAKER_04: Uh and you've been really working on the geometry, the sacred geometry uh of the pyramids for so many years.
• 4:21
  SPEAKER_04: Tell us a little bit more about how the slope angle plays into your theory with the uh with the mathematics, the geometry, and even the musical notes.
• 4:32
  SPEAKER_01: Well, so I looked at the slope angles of each of the pyramids, and I didn't really just accept that you know it was built by this guy, Khufu, for the Great Pyramid, whose son, uh Cafre basically built another pyramid that had a different slope angle.
• 4:48
  SPEAKER_01: And the slope angle for the Great Pyramid is um 51.85397, actually.
• 4:55
  SPEAKER_01: Uh, and that's a a Petri measurement, but it's also the the reason I'll come back to the 50 51.84 uh degree in just a second, because that's also an important aspect of this, and and then Cafre pyramid is 53.13 degrees, and then the Menkari pyramid is 51.34 degrees.
• 5:13
  SPEAKER_01: So, why so exacting on the degrees?
• 5:16
  SPEAKER_01: And I mean, if it's really been built over time, and these are you know different generations of the same family, dynastic Egypt, then you would think that you know it never made sense to me.
• 5:28
  SPEAKER_01: Like, why would the grandson make a smaller pyramid than than the grandfather, right?
• 5:34
  SPEAKER_01: It's kind of like saying, Oh, I I lost my fortune, or I I really sort of sort of screwed up here somehow.
• 5:39
  SPEAKER_01: And that's not the way it goes with history, usually.
• 5:42
  SPEAKER_01: So I've been told by many people that the slope angles were somewhat arbitrary and and sort of tied to the height of how how much they wanted to build a pyramid and how much it costs, and all this.
• 5:53
  SPEAKER_01: And and clearly, um, that wasn't satisfying for me.
• 5:56
  SPEAKER_01: So I started looking at it, and I wanted to understand what are the mathematical intervals that would relate to those slope angles because you've got basically the run and the rise, run and the rise, or the half base of a pyramid versus its height, and that determines how much material you're gonna have to basically bring into it, you know, from the quarry, etc.
• 6:18
  SPEAKER_01: So that's gonna tell you how long it's gonna take for you to build it, very likely as well.
• 6:22
  SPEAKER_01: It's be a major factor in it.
• 6:24
  SPEAKER_01: So I looked at each of these angles and I found that the only thing that could make those precise angles would be for starting with Menkari, the smallest pyramid, a run of four and a rise of five.
• 6:38
  SPEAKER_01: Okay, so basically, five over four is the proportion that gives you exactly the 51.34 degree angle.
• 6:44
  SPEAKER_01: So then I looked at the Cafre pyramid and I said, Okay, looking at it the same way, what would be the run and what would be the rise?
• 6:51
  SPEAKER_01: It would be three for the base and four for the height.
• 6:56
  SPEAKER_01: So you've got five over four, then four over three.
• 7:01
  SPEAKER_01: I was like, Well, that's interesting.
• 7:03
  SPEAKER_01: And then if I looked at it next, you would think, okay, what's the next pattern on this?
• 7:06
  SPEAKER_01: You would say, probably Robert, three over two, right?
• 7:08
  SPEAKER_01: Three over two would be next.
• 7:10
  SPEAKER_01: Well, three over two is already built in to the four over three, because if we take its inverse interval, you take six, which is its base over four, and six over four, the height, would basically be the inverse interval.
• 7:24
  SPEAKER_01: So in music, that would tell us that it's a perfect fourth with with run, uh right rather rise over run would be a perfect fourth, and then the perfect fifth would be the full base right over the height.
• 7:40
  SPEAKER_01: So the full base over the height or the full run or run times two, right, over the height would be the the inverse interval, and that's going to be a perfect fifth in music.
• 7:50
  SPEAKER_01: So I thought, well, geez, it's already got embedded within it the the three over two proportion because six over four reduces down to three over two.
• 7:59
  SPEAKER_01: So then that would mean the great pyramid should be something like two over one, right?
• 8:05
  SPEAKER_01: When it wasn't, it's two over one pi.
• 8:08
  SPEAKER_01: So you got the three pyramids five over four, four over three, three over two, and two over one pi.
• 8:15
  SPEAKER_01: And if you know any of the history of the place, there was a very famous mathematician and geometer by the name of Pythagoras who lived in Egypt for 30 years, who studied and wrote a lot about the Tetractus, which is five, four, three, two, one.
• 8:31
  SPEAKER_03: Yeah, yeah.
• 8:32
  SPEAKER_01: So this starts to look more like a music, a musical uh proportion, and each one of these pyramids are somehow related.
• 8:42
  SPEAKER_01: Because obviously, if you have a if you have a um two over one pi relationship, then where does the one come from?
• 8:49
  SPEAKER_01: The one comes from the diameter of a circle with circumference of one pi, right?
• 8:56
  SPEAKER_01: So it's it's basically looking at it just from a different angle.
• 8:59
  SPEAKER_01: So 54321, and I started looking to see, well, geez, are the other pyramids around the world matching this as well?
• 9:06
  SPEAKER_01: Is it part of the same scale?
• 9:07
  SPEAKER_01: Are these just simply musical intervals that are basically giving us the diminished fifth in music, which is cutting the scale right in half with the square root of two, and then and then looking at each of the other major chord intervals?
• 9:19
  SPEAKER_01: So da da da da.
• 9:21
  SPEAKER_04: Right.
• 9:22
  SPEAKER_01: And that's the music of the great pyramids.
• 9:24
  SPEAKER_01: Yeah, pyramids of music.
• 9:25
  SPEAKER_04: This is reminding me of a movie.
• 9:29
  SPEAKER_04: I don't know if it's Spielberg, but it's Close Encounters.
• 9:32
  SPEAKER_01: Yeah, yeah.
• 9:32
  SPEAKER_01: I was I was kind of thinking for a moment, I was gonna get punked by the universe.
• 9:36
  SPEAKER_01: It was gonna be da da da da da.
• 9:39
  SPEAKER_04: Right, right, yeah.
• 9:41
  SPEAKER_04: That would have been that would have been scary.
• 9:43
  SPEAKER_01: That would have been scary.
• 9:44
  SPEAKER_01: It would have been scary because you start realizing, well, you know, this universe already is so bizarre.
• 9:50
  SPEAKER_01: And when you start getting deeper and deeper into it, you start finding these kinds of hidden encryptions, and so you know, and it shows up in artwork, it shows up all over the place, and so now I wouldn't have been so surprised had I heard that, you know, that music being the sound of the pyramids.
• 10:04
  SPEAKER_01: But I am curious to know what is the music and what is the song of all the pyramids around the world, because that's what I've been looking for.
• 10:12
  SPEAKER_01: Because now I realize that every pyramid around the world has a different slope angle, and with every different slope angle, you're basically giving it two signatures.
• 10:22
  SPEAKER_01: One signature, and I think whoa, I'm just kidding, something right now that's coming into me.
• 10:27
  SPEAKER_01: The two signatures are frequency modulation, and the other is temporal modulation, which is giving us the length of time of a breath cycle, right?
• 10:38
  SPEAKER_01: So I think I just figured out something else because I just learned out, I've I just figured out and got a download this week about something called music of shimmer.
• 10:48
  unknown: Okay.
• 10:48
  SPEAKER_01: So when you when you play a song or when you when you're singing a song as a choir and you have a unison note and everybody sings in almost perfect pitch, but you have this very slightly, you know, small differentials, which are basically what we would call uh you know micro dissonance.
• 11:04
  SPEAKER_01: If they sing a chord or they could sing a unison note, la like this, you will hear as an audience if they do it exactly perfectly something that is very unique in music, and it's called the overtone series.
• 11:18
  SPEAKER_01: Even though they're only singing one note, they'll hear da da da da da da da.
• 11:24
  SPEAKER_01: You'll hear all of those notes in the major chord going up.
• 11:28
  SPEAKER_01: Now, what causes this mathematically until today?
• 11:32
  SPEAKER_01: The world has not known, and I just figured out how to do it, and it turns out to be exactly related to the number 47.
• 11:40
  SPEAKER_01: Wow, so 25,047 divided by 25,000 is the exact ratio necessary in order for this differential to show up as shimmer and to hear this entire band of music.
• 11:55
  SPEAKER_01: Now, the same thing happens in light when we start seeing iridescent colors of light, like iridescent rainbow colors, golden shimmery light.
• 12:04
  SPEAKER_01: Sometimes you'll see light hit the waves of the ocean and it starts to create this shimmer, and it you'll start seeing, like you know, these almost like mushroom-style rainbows that people basically talk about, right?
• 12:16
  SPEAKER_01: The same thing happens there.
• 12:17
  SPEAKER_01: And what I realized is that the way this shimmer works is it's based on a temporal breadth of a note.
• 12:25
  SPEAKER_01: So once you have this very small micro dissonance, the decimal extensions allow it to have great consonances, sounds wonderful, yeah.
• 12:33
  SPEAKER_01: But the small distance in in the interval values is creating this 47 over 25,000 is creating this scenario whereby the breath is causing noise cancellation of a singular note.
• 12:47
  SPEAKER_01: So I could play it for you, you could listen to it, and you'll it'll blow your mind because this new music is, I think, gonna change a lot of things in the world.
• 12:56
  SPEAKER_01: I actually think now I've been wondering what's the temporal condition for the great pyramid and for the other two pyramids on Giza and the other pyramids around the world because they're all part of the same scale, just different slope angles defining different interval ratios.
• 13:10
  SPEAKER_01: Right.
• 13:10
  SPEAKER_01: But now I'm gonna be able to figure out the length of the note based on its breadth, which is an important part of knowing what the music is of these pyramids because I believe it's a song.
• 13:22
  SPEAKER_04: What yeah, definitely it's definitely a song, an interconnected song that activates, obviously, activates something consciousness, higher levels of awareness, a dimensional shift.
• 13:31
  SPEAKER_04: Also, what now that you're talking to me about this, I'm wondering because I'm seeing it now in my mind as you're explaining it, could these temporal rifts be also how the ripples go out in space-time?
• 13:44
  SPEAKER_04: In other words, in the space-time continuum, could it be the ripples that move out away and alter the future realities?
• 13:52
  SPEAKER_04: In other words, we know that if we have a conscious thought, which is a wave of sensors, and we take action against that thought, we create a ripple in space-time that changes the reality that's falling towards us.
• 14:06
  SPEAKER_04: And so I'm wondering if the activation of these of these notes, this, these, these etherical notes from these structures, in some way alter the future realities, maybe isolated future realities that they they meaning the builders specifically wanted to see unfold.
• 14:24
  SPEAKER_04: In other words, collapsing timelines.
• 14:27
  SPEAKER_01: You are giving me uh some some chills on my back.
• 14:30
  SPEAKER_01: And by the way, that's what shimmer music does.
• 14:33
  SPEAKER_01: So I'm gonna play this for you if I could share screen.
• 14:36
  SPEAKER_04: Yeah, yeah.
• 14:37
  SPEAKER_04: You can share your screen.
• 14:38
  SPEAKER_04: Uh present uh or invite.
• 14:40
  SPEAKER_04: Uh yeah, present.
• 14:42
  SPEAKER_01: There we go, present, and then uh oh, I guess it's gonna have to be share screen because it's a slides or PDF video file, image file.
• 14:51
  SPEAKER_01: That's okay.
• 14:51
  SPEAKER_01: There we go.
• 14:52
  SPEAKER_01: Share screen is easy too moderate.
• 14:54
  SPEAKER_01: Add audio to it.
• 14:56
  SPEAKER_01: Okay.
• 15:00
  SPEAKER_01: Allow to share window.
• 15:02
  SPEAKER_01: Okay, share this window.
• 15:03
  SPEAKER_01: There we go.
• 15:05
  SPEAKER_01: All right, hopefully, we'll get sound on this.
• 15:07
  SPEAKER_01: Let me test it to see if it's working.
• 15:09
  SPEAKER_01: You could see it.
• 15:10
  SPEAKER_01: I could see that.
• 15:11
  SPEAKER_04: Yeah, can you hear that?
• 15:14
  SPEAKER_04: I couldn't hear it, but there was a a uh uh a selection for audio, adding audio when you were uploading when you were getting ready to attach it.
• 15:22
  SPEAKER_04: Did you see a little checkbox?
• 15:23
  SPEAKER_01: Let me let me stop share then.
• 15:24
  SPEAKER_04: Okay, okay, yeah, one more time, and there's a little little tiny check box that should be there, but that says uh audio as well.
• 15:33
  SPEAKER_01: Okay, okay, it says present share screen.
• 15:38
  SPEAKER_01: Okay, computer, don't show me this tips again.
• 15:44
  SPEAKER_01: Allow to share window, allow share screen.
• 15:48
  SPEAKER_01: Um it's not giving me a it's not giving me a share audio.
• 15:55
  SPEAKER_04: So when you first click share, at the bottom it says also share tab audio before you connect to the actual window you want to open.
• 16:04
  SPEAKER_04: Like as soon as you click that screen, as soon as you click that button on the on our uh share screen, and when you click the word share screen, there should be one that says also share tab audio at the very bottom.
• 16:15
  SPEAKER_04: Okay, it's not showing me beneath the tabs.
• 16:19
  SPEAKER_01: Okay, so beneath the tabs, I see where it says FaceTime camera.
• 16:25
  SPEAKER_01: Um, I'm not seeing anything like that.
• 16:28
  SPEAKER_01: It's not showing me share audio.
• 16:30
  SPEAKER_04: Yeah, click present or invite, and then click on the screen.
• 16:33
  SPEAKER_04: I'm hitting present.
• 16:34
  SPEAKER_04: I'm hitting present.
• 16:35
  SPEAKER_04: Share screen and then share screen.
• 16:38
  SPEAKER_04: You'll see tab windows.
• 16:39
  SPEAKER_01: Share screen.
• 16:40
  SPEAKER_01: Yeah, it says it says um share screen, screen sharing tips.
• 16:45
  SPEAKER_01: Screen sharing is easy as two monitors.
• 16:46
  SPEAKER_01: Screen sharing works best on good computer.
• 16:48
  SPEAKER_01: Use Chrome if you'd like to share audio with your screen.
• 16:51
  SPEAKER_01: Okay, so that means there should be a Chrome option tab, which I'm not seeing that.
• 16:58
  SPEAKER_01: That's what I'm saying.
• 16:58
  SPEAKER_01: It's not giving me a Chrome option tab.
• 17:01
  SPEAKER_01: And and normally there would be, right?
• 17:03
  SPEAKER_01: It says, let me see slides or PDF, Google Slides, your computer.
• 17:07
  SPEAKER_01: It's not giving you image file, video file.
• 17:10
  SPEAKER_01: Yeah, I'm on the I'm on Chrome too.
• 17:14
  SPEAKER_01: I'm on Chrome.
• 17:15
  SPEAKER_04: Oh wow, yeah, I'm on Chrome.
• 17:17
  SPEAKER_04: So I don't understand this.
• 17:19
  SPEAKER_03: Yeah, yeah.
• 17:20
  SPEAKER_04: Okay.
• 17:20
  SPEAKER_04: Well, that's interesting.
• 17:22
  SPEAKER_04: Maybe we'll uh we'll do a part two with the with the audios, maybe.
• 17:25
  SPEAKER_01: Yeah, well, I tell you what I could do.
• 17:27
  SPEAKER_01: I could uh I could send you the link because yeah, I could give you the link right here, yeah, yeah.
• 17:33
  SPEAKER_01: And you could go on there, okay, and then you could share screen.
• 17:37
  SPEAKER_01: I could tell you exactly what to do.
• 17:38
  SPEAKER_01: Perfect, yeah.
• 17:39
  SPEAKER_01: So if I can uh send studio chat right here, I'm sending you the link right now.
• 17:46
  SPEAKER_01: Okay, I sent you the link.
• 17:48
  SPEAKER_04: Got it.
• 17:49
  SPEAKER_04: Okay, beautiful.
• 17:50
  SPEAKER_04: I'm opening it and now I'll go to share screen.
• 18:00
  SPEAKER_03: Okay.
• 18:01
  SPEAKER_03: All right.
• 18:02
  SPEAKER_01: This is uh this is polymath calculator.
• 18:04
  SPEAKER_01: I created this calculator, it's like the the the craziest calculator on earth.
• 18:09
  SPEAKER_01: Okay, wow.
• 18:10
  SPEAKER_01: This thing basically has all unified theory, everything in it, and it's uh it's connected now into my Orion architect, and it also has this thing where it takes every astrology system and it can it creates this combination.
• 18:24
  SPEAKER_01: So if you go to where it says uh personality, uh profile personality, the second tab line down.
• 18:30
  SPEAKER_01: Okay, see where it says overview over to the right, profile personality, the second row.
• 18:37
  SPEAKER_01: No, no, right over profile personality.
• 18:39
  SPEAKER_01: There it is, right there.
• 18:40
  SPEAKER_01: Oh, right, yeah, yeah.
• 18:41
  SPEAKER_04: Okay, you mean up here?
• 18:42
  SPEAKER_01: Yeah, so basically, what I've found is that every astrology system, there's 24 of them, all combined to form you in your life story.
• 18:51
  SPEAKER_01: It's wild.
• 18:52
  SPEAKER_01: So basically, you're you're compressed into your name, your location of birth, and and uh and your grammatry of your name, and then it gets separated out and it all comes back to one cube octahedron.
• 19:04
  SPEAKER_01: So you input this stuff in there, and all of a sudden it's a dynamic knowledge graph, so it knows pretty much everything about your entire story.
• 19:13
  SPEAKER_01: But uh, that's really interesting because it's just uncanny.
• 19:16
  SPEAKER_01: But then if you go to where it says music up on the top row, okay, okay.
• 19:22
  SPEAKER_01: See where it says music, music tab right after chemistry biology.
• 19:26
  SPEAKER_01: Okay, now underneath that it says shimmer on the second row down, it says shimmer up on the top tabs, top tabs there.
• 19:35
  SPEAKER_01: Second row down, it says shimmer, click shimmer, not shimmer factorization, the one next to it to the left.
• 19:41
  SPEAKER_01: There you go.
• 19:41
  SPEAKER_01: Yep, okay.
• 19:42
  SPEAKER_01: Oh okay.
• 19:43
  SPEAKER_01: Now scroll down a bit.
• 19:45
  SPEAKER_01: Just scroll down.
• 19:47
  SPEAKER_01: Okay.
• 19:47
  SPEAKER_01: So what I want you to do is I want you to put on where it says uh sustain.
• 19:52
  SPEAKER_01: So right above the keyboard, it says sustain off.
• 19:59
  SPEAKER_00: Yep.
• 19:59
  SPEAKER_01: Click on that.
• 20:00
  SPEAKER_01: Okay.
• 20:01
  SPEAKER_01: Now you're going to uh you're gonna play a C note in music.
• 20:05
  SPEAKER_01: First thing, first I want you to look up where it says 12 tet, no shimmer.
• 20:10
  SPEAKER_01: You see where the tab that says 12 tet no shimmer?
• 20:13
  SPEAKER_01: Yep, click on that.
• 20:14
  SPEAKER_01: Now I want you to play a C note on the keyboard.
• 20:21
  SPEAKER_01: Okay, scroll down a little bit so you can see that line that's coming on the bottom right.
• 20:25
  SPEAKER_01: There you go.
• 20:26
  SPEAKER_01: So you see a sign cosine wave.
• 20:28
  SPEAKER_01: This is a standard C note, right?
• 20:30
  SPEAKER_01: Middle C.
• 20:32
  SPEAKER_01: Now we're gonna stop that.
• 20:35
  SPEAKER_01: So just click on the middle C again.
• 20:37
  SPEAKER_01: There you go.
• 20:38
  SPEAKER_01: And now you're going to go scroll up a little bit, just a little bit, so you can see the tab up, upwards towards the top.
• 20:46
  SPEAKER_01: There you go.
• 20:47
  SPEAKER_01: And now you're gonna see where it says PTT with shimmer on the right.
• 20:53
  SPEAKER_01: There you go.
• 20:54
  SPEAKER_01: Now play the same note, the C note again.
• 21:02
  SPEAKER_01: Oh yeah.
• 21:04
  SPEAKER_01: Now notice what happens.
• 21:06
  SPEAKER_01: It starts to noise cancel itself.
• 21:09
  SPEAKER_01: So you're gonna keep going, it'll come back.
• 21:15
  SPEAKER_01: So the note is starting to breathe.
• 21:17
  SPEAKER_01: It's the same one note, yeah, but the shimmer is causing it to cancel itself and have a breath cycle, right?
• 21:27
  SPEAKER_04: Like this is like what I'm thinking is like part of the ripple.
• 21:31
  SPEAKER_01: That's right.
• 21:33
  SPEAKER_01: Yes, so I think you're on the same note.
• 21:36
  SPEAKER_01: Yeah, so now what I want you to do, okay, is and if you listen real close, you can hear other notes.
• 21:43
  SPEAKER_01: Listen, yes, do you hear like the high notes?
• 21:46
  SPEAKER_01: There's like a high pitch in the background.
• 21:48
  SPEAKER_04: I hear a high note behind it.
• 21:50
  SPEAKER_01: Yeah, how is that happening when there's only one note being played?
• 21:54
  SPEAKER_01: There's like super all the different notes are being played in between there.
• 21:58
  SPEAKER_01: Now, so let's do something else.
• 22:00
  SPEAKER_01: Now let's listen to see what this sounds like.
• 22:03
  SPEAKER_01: Go back to uh 12 tet no shimmer, so hit the C note again to make it stop, okay?
• 22:11
  SPEAKER_01: And then hit 12 tet no shimmer that that tab on the left, and now you're gonna hit a C note, okay.
• 22:18
  SPEAKER_01: C note and hold it.
• 22:20
  SPEAKER_01: There you go.
• 22:21
  SPEAKER_01: Now hit E note.
• 22:22
  SPEAKER_01: E note is right next to it, two over to the right, that one.
• 22:25
  SPEAKER_01: Now you're gonna hit at the G note.
• 22:31
  SPEAKER_02: Okay, now hit C note at the next octave, so it's just over to the right.
• 22:35
  SPEAKER_02: There you go.
• 22:37
  SPEAKER_02: So notice it starts to make this.
• 22:44
  SPEAKER_02: Can you hear that?
• 22:52
  SPEAKER_02: Okay, stop it, Billy.
• 22:54
  SPEAKER_02: Go ahead and it says where it says clear cord, you can clear the cord.
• 22:58
  SPEAKER_03: Gotcha, okay.
• 23:00
  SPEAKER_01: Did you hear?
• 23:00
  SPEAKER_01: Did you hear it go whoa whoa whoa whoa whoa whoa whoa whoa like that?
• 23:05
  SPEAKER_04: Whoa, whoa, whoa, whoa, whoa.
• 23:06
  SPEAKER_01: Yeah.
• 23:07
  SPEAKER_01: Yes.
• 23:08
  SPEAKER_01: Now we're gonna say we're gonna play the same three notes and we're gonna play it with PTT and shimmer, so plus shimmer.
• 23:16
  SPEAKER_03: Okay.
• 23:16
  SPEAKER_01: So you're gonna click that over to the right, and now you're gonna play the same three notes that you just played.
• 23:27
  SPEAKER_01: C note, high note.
• 23:30
  SPEAKER_01: Play the C note, the next note.
• 23:40
  SPEAKER_02: If you listen, you can hear the high note.
• 23:55
  SPEAKER_02: Look at this wave it's making.
• 24:04
  SPEAKER_02: So these are the same notes you're playing, and you're you're hearing a whole bunch of other notes, aren't you?
• 24:13
  SPEAKER_02: Go ahead and stop it.
• 24:17
  SPEAKER_02: Clear chord.
• 24:19
  SPEAKER_04: Yeah.
• 24:20
  SPEAKER_04: Wow.
• 24:21
  SPEAKER_01: How does that sound to you?
• 24:24
  SPEAKER_04: Oh man, that really resonates.
• 24:26
  SPEAKER_04: It feels like it's vibrating the pineal gland.
• 24:28
  SPEAKER_04: And what I also yeah, what I also feel like is um this is a this is a musical um uh archetype of wave particle duality in quantum physics.
• 24:42
  SPEAKER_04: Yep.
• 24:43
  SPEAKER_01: So if you go back, I want to show you one more thing.
• 24:45
  SPEAKER_01: Go back, I want to show you one more thing related to this.
• 24:49
  SPEAKER_04: Let's go back one again, share screen.
• 24:55
  SPEAKER_01: Okay, okay.
• 24:56
  SPEAKER_01: So I want you to change it to the where it says music voice instrument.
• 25:00
  SPEAKER_01: I want you to change it to um or it says sign right now, pure shimmer.
• 25:04
  SPEAKER_01: I want you to change it the instrument.
• 25:07
  SPEAKER_01: No, not that one, not that one, down the next rope on the right.
• 25:10
  SPEAKER_01: It says shine sign pure shimmer.
• 25:12
  SPEAKER_01: No, no.
• 25:14
  SPEAKER_01: It's another tab.
• 25:15
  SPEAKER_01: That one, yes, that one.
• 25:16
  SPEAKER_01: So click on that.
• 25:18
  SPEAKER_01: It's gonna give you a drop-down menu.
• 25:20
  SPEAKER_01: Click on the drop-down menu.
• 25:21
  SPEAKER_01: You need to move the tab over sign, pure shimmer.
• 25:26
  SPEAKER_01: It says voice instrument, and then to the right, it says sign pure shimmer.
• 25:30
  SPEAKER_01: Do you see it?
• 25:31
  SPEAKER_01: There you go.
• 25:32
  SPEAKER_01: Yes, yeah, go to the left, move your tab to the left on that line right there to the right.
• 25:39
  SPEAKER_01: It says sign pure shimmer.
• 25:41
  SPEAKER_01: Click the dump drop down menu.
• 25:43
  SPEAKER_01: Click the drop down.
• 25:44
  SPEAKER_04: Concert piano, electric piano, acoustic.
• 25:46
  SPEAKER_01: Yes, perfect.
• 25:47
  SPEAKER_01: So I want you to click on that to organ.
• 25:51
  SPEAKER_04: Organ.
• 25:51
  SPEAKER_04: Okay, gotcha.
• 25:52
  SPEAKER_04: Pipe organ.
• 25:53
  SPEAKER_04: Pipe organ, yep.
• 25:55
  SPEAKER_04: Yeah.
• 25:55
  SPEAKER_04: Okay.
• 25:56
  SPEAKER_01: And now I want you to do the same thing again with those same three notes.
• 26:00
  SPEAKER_03: Okay.
• 26:02
  SPEAKER_01: So starting with C note.
• 26:35
  SPEAKER_01: This is a new discovery on how to do this.
• 26:41
  SPEAKER_02: Okay, you can stop it so we can hear you.
• 26:45
  SPEAKER_02: Clear chord, clear chord.
• 26:48
  SPEAKER_04: I feel like the music's inside of me.
• 26:50
  SPEAKER_04: That was crazy.
• 26:52
  unknown: Right?
• 26:53
  SPEAKER_04: I feel like it's coming from the speaker.
• 26:54
  SPEAKER_04: I feel like it's coming from inside of my head.
• 26:57
  SPEAKER_01: Yes, yes.
• 26:58
  SPEAKER_01: This is like completely a new thing.
• 27:00
  SPEAKER_01: I just discovered it, and now I've got music theorists going nuts over this.
• 27:04
  SPEAKER_01: Wow.
• 27:04
  SPEAKER_01: And I'm gonna publish a paper in music theory related to this.
• 27:08
  SPEAKER_01: Yeah, but I I believe that the pyramids are related to this.
• 27:13
  SPEAKER_01: So there's a and and so once it turns on, and I think the reason why we haven't understood this or we forgot it is because this shimmer is actually like the trident of Shiva.
• 27:24
  SPEAKER_01: If you think about the the trident of Shiva, you've got three prongs, right?
• 27:27
  SPEAKER_01: Coming out.
• 27:28
  SPEAKER_01: So these are two notes that are played right next to each other in micro dissonance.
• 27:32
  SPEAKER_01: The central note is the mean value.
• 27:45
  SPEAKER_04: I think we lost in poor split second there.
• 27:47
  SPEAKER_01: Yep.
• 27:47
  SPEAKER_01: Are you there?
• 27:47
  SPEAKER_01: Okay, yeah.
• 27:48
  SPEAKER_04: You said the central note is a mean value.
• 27:50
  SPEAKER_01: The central note is the main value.
• 27:52
  SPEAKER_01: Now, what is this?
• 27:53
  SPEAKER_01: Okay, how does this relate to Giza Plateau?
• 27:56
  SPEAKER_01: This part's gonna blow your freaking mind, dude.
• 27:59
  SPEAKER_01: Okay, are you ready?
• 28:01
  SPEAKER_01: Because this is gonna this is gonna be a mind blower.
• 28:03
  SPEAKER_01: All right, you know Filippo Biondi, he's a good friend of mine.
• 28:06
  SPEAKER_01: I'm sure he knows you too.
• 28:08
  SPEAKER_01: Oh, yeah, and I know you did a podcast with him.
• 28:10
  SPEAKER_01: That's right.
• 28:10
  SPEAKER_01: You did a podcast with him.
• 28:11
  SPEAKER_01: I was I spent uh a few days with him in Portugal uh for that event that uh you couldn't make it to.
• 28:18
  SPEAKER_01: Yeah, so Filippo Filippo found another Sphinx.
• 28:23
  SPEAKER_01: Yes, right now, the other Sphinx is sitting across the plateau from the Great Sphinx.
• 28:31
  SPEAKER_01: Now, the original Great Sphinx has the face of a man on it right now, but it anciently did not.
• 28:37
  SPEAKER_01: We know that the head is way too small for the body, right?
• 28:40
  SPEAKER_01: Yeah, it's recarved.
• 28:41
  SPEAKER_01: That's been recarved.
• 28:43
  SPEAKER_01: The original head was a lion's head.
• 28:44
  SPEAKER_01: Some people think it was a nubis, a dog.
• 28:46
  SPEAKER_01: I don't think so because the tail and the paws and none of that other stuff or the body doesn't match a dog, it matches a lion.
• 28:53
  SPEAKER_01: Okay, now if you go across the Giza Plateau to where the other Sphinx is in the embankment, right?
• 29:00
  SPEAKER_01: Yeah, what you'll find is that it's not a perfect straight across, right?
• 29:04
  SPEAKER_01: So it's like if if the Sphinx is pointing exactly towards the east, then and you would have this thing pointing exactly towards the west, right?
• 29:13
  SPEAKER_01: Yeah, and that has a face of a man, then the sphinx, if you believe the theory that it was pointing towards Leo at one time, right, then this would be pointing towards Aquarius.
• 29:22
  SPEAKER_01: You follow me so far?
• 29:24
  SPEAKER_01: Yes, yeah, okay.
• 29:25
  SPEAKER_01: Now, maybe the Great Pyramids and maybe the Giza Plateau is actually a clock and it has a fixed stationary hand, and the face moves, right?
• 29:36
  SPEAKER_01: Yeah, and the face is space-time, right?
• 29:38
  SPEAKER_01: The face is space-time, yeah.
• 29:40
  SPEAKER_01: Okay, now you have this line that's going across between the two sphinxes, and it's interesting because the sphinx has an angle that it's off by.
• 29:49
  SPEAKER_01: Now, what do you think that angle that it's off by actually turns out to be?
• 29:55
  SPEAKER_04: I don't know what is it, what is it?
• 29:57
  SPEAKER_01: 23.45 degrees by my measurement so far.
• 30:00
  SPEAKER_04: Okay, all right.
• 30:01
  SPEAKER_04: I was gonna say 19.5.
• 30:02
  SPEAKER_01: Does that number sound familiar to you?
• 30:05
  SPEAKER_04: 23.45 degrees.
• 30:07
  SPEAKER_01: Yeah, that is the slow, that is the actual axial tilt of Earth.
• 30:13
  SPEAKER_04: Oh goodness, that's the that's Earth tilt on its axis.
• 30:16
  SPEAKER_01: That's right.
• 30:17
  SPEAKER_04: You put the pole straight down and coming straight up, you're gonna get that angle.
• 30:21
  SPEAKER_01: That's right.
• 30:22
  SPEAKER_01: Wow, and if you and if you double that degree, because if you've got it level like this and you move it 23.45 degrees this way, right?
• 30:31
  SPEAKER_01: Then the total is gonna be 23.45 degrees times two.
• 30:36
  SPEAKER_01: Oh man, which comes out to 47 degrees.
• 30:40
  SPEAKER_01: There's the 47 again, yeah, yeah, 47 degrees.
• 30:45
  SPEAKER_01: So the tilt makes it off by 47 degrees.
• 30:49
  SPEAKER_01: Now, this is the part that's like truly mind-blowing because once I realize there's a there's only one geometric form that's close to 47 degrees for its angles of incidence, and that would be the octagon.
• 31:03
  SPEAKER_01: The octagon is at 45 degree offset, so you add one for each side of this line, right?
• 31:10
  SPEAKER_01: To bring it back into the regular tilt.
• 31:13
  SPEAKER_01: What it will show you then, that I could show you this.
• 31:16
  SPEAKER_01: I should be because I don't need sound to do this.
• 31:18
  SPEAKER_04: Yeah, this is this is pretty interesting because I just got done doing an interview on um uh for TV series uh Ed Gaia for Ancient Civilization season eight, talking about the original equator line.
• 31:34
  SPEAKER_04: Uh, and what the what you're telling me now is that they understood that the earth at some point tilted and they even knew the tilt angle, which is just insane.
• 31:44
  SPEAKER_04: You you can't get that from putting a stick in the ground.
• 31:47
  SPEAKER_04: You have to have some really advanced technology to understand the tilt of the equator itself.
• 31:54
  SPEAKER_04: All right, look at this.
• 31:56
  SPEAKER_04: Okay, let me pull it up now.
• 31:59
  SPEAKER_04: Boom, got it.
• 32:02
  SPEAKER_01: So this is Giza Plateau.
• 32:05
  SPEAKER_01: Yeah.
• 32:06
  SPEAKER_01: Now, I've talked to you about this before, the philosopher's stone pyramid.
• 32:24
  SPEAKER_04: Are we back, Billy?
• 32:25
  SPEAKER_04: You're back, you're back, you're back.
• 32:27
  SPEAKER_04: Yeah, go ahead.
• 32:27
  SPEAKER_04: Philosopher's stone pyramid.
• 32:29
  SPEAKER_01: The 51213 triangle is the only one whose perimeter is equal to its area.
• 32:36
  SPEAKER_01: Okay, and it's the closest relationship it has is to the octagonal inner triangle, which is making these these shapes right here, which look like uh you know the Star Trek design uh type of thing, right?
• 32:49
  SPEAKER_01: Galactic Federation type deal, right?
• 32:52
  SPEAKER_01: So, so if you look at it, you've got the Giza Plateau, and you've got on the one axis where the yellow dot is where the Sphinx is, where the gray dot is is where the uh the new Sphinx is.
• 33:06
  SPEAKER_01: That would then beg the question if there's a face of a man, and I actually saw the face on Philippo's uh uh images, if there's a face of a man on that one and it is Aquarius, that would match the face of the man.
• 33:18
  SPEAKER_01: We're now talking about the the four faces from Ezekiel: the face of the lion, the face of the bull, the face of the eagle, and the face of a man, and they represent the four faces uh uh that were surrounding the tabernacle and that are also on the Ark of the Covenant.
• 33:33
  SPEAKER_01: Right, okay, that's called the tetramorph, right?
• 33:37
  SPEAKER_01: This is called the tetramorph.
• 33:39
  SPEAKER_01: Well, yeah, the the 12 tribes of Israel were basically the zodiac signs, so each one of their flags were matching the 12 zodiac signs, and those are all zodiac signs.
• 33:49
  SPEAKER_01: So the eagle was a reference to Scorpio, and the lion was a reference to Leo and Judah, right?
• 33:54
  SPEAKER_01: The eagle was Dan, the tribe of Dan.
• 33:57
  SPEAKER_01: And then you've got the other tribes, uh, which were obviously the the the Scorpio, uh, which is the eagle, excuse me, and and the the face of the bull is Taurus, and that was Manasseh, the tribe of Manasseh.
• 34:09
  SPEAKER_01: Okay, and these are all mentioned in the Bible with very exacting values of how much how many people were in each tribe.
• 34:16
  SPEAKER_01: And so the tribe of Judah had 186,400 people, which is exactly almost perfectly the speed of light.
• 34:24
  SPEAKER_05: Yeah, yeah.
• 34:25
  SPEAKER_01: Like, how did they figure that out?
• 34:27
  SPEAKER_01: Like, what what the hell, right?
• 34:29
  SPEAKER_01: So now when you start looking at this, you start realizing, well, if there's two sphinxes and one has the face of a lion and the other has the face of a man, might there also be two other ones where the gray and red dots are?
• 34:42
  SPEAKER_01: Gotcha, which would be the tetramorph.
• 34:45
  SPEAKER_04: Yes, they would.
• 34:46
  SPEAKER_04: You even see the up in the uh in Ezekiel's in Ezekiel's wheel.
• 34:51
  SPEAKER_04: He's got the human face, the ox face, uh, the lion face, and the eagle face, I believe, on the Ezekiel.
• 35:00
  SPEAKER_01: Precisely, yeah, precisely.
• 35:03
  SPEAKER_01: So, what does this mean?
• 35:05
  SPEAKER_01: Okay, and obviously, this is very exciting stuff, and this you're seeing the cutting edge of it right now.
• 35:11
  SPEAKER_01: So, does the Giza plateau align to this somehow?
• 35:14
  SPEAKER_01: And so, look at this.
• 35:16
  SPEAKER_01: I simply took a circle and put within it an octagon that was off kilter by the Earth's tilt.
• 35:24
  SPEAKER_04: Gotcha.
• 35:25
  SPEAKER_01: And now you've got this sigil of Melchizedek that shows up, and it has a line that goes straight through the center of the Great Pyramid.
• 35:36
  SPEAKER_01: Yeah, it has another line, right, that goes through the center of Cafre Pyramid.
• 35:42
  SPEAKER_01: That's weird, right?
• 35:44
  SPEAKER_01: You see the blue line that's diagonal for Cafre, you see the vertical line that's going through the Great Pyramid, and then look, the pyramid's footprint fits perfectly inside of the same 512-13 proportion triangle that I just told you is Philosopher's Stone Triangle.
• 36:02
  SPEAKER_01: And then look, the same thing, but on a different perspective, it's fitting inside the same triangle, but from a different angular perspective for Cafre Pyramid, a little too coincidental, and the lines are also matching where the locations are.
• 36:18
  SPEAKER_01: So the the the horizontal line marking the north boundary of Cafre Pyramid is also matching.
• 36:24
  SPEAKER_01: Yeah, interesting, right?
• 36:26
  SPEAKER_01: I literally just discovered this this week.
• 36:29
  SPEAKER_01: Now, the whole eye, it's creating an eye too, because once you draw this using sacred geometry, you realize there's a freaking eye that shows up on Giza Plateau as well, around it.
• 36:39
  SPEAKER_01: And and what we're looking at is the iris and the pupil.
• 36:42
  SPEAKER_04: Yeah, I can see it.
• 36:44
  SPEAKER_04: I was waiting for you to break because I was gonna say this is the iris, and then the pupil's right in the middle.
• 36:48
  SPEAKER_04: That's right.
• 36:49
  SPEAKER_01: And so if we correct the earth's tilt by the 23.45 degrees, the whole thing moves to its side, and I'll show you what it looks like.
• 37:01
  SPEAKER_01: Wow, this is amazing, man.
• 37:05
  SPEAKER_01: This is like, like I said, it's like super, you know, brand new.
• 37:09
  SPEAKER_01: Nobody's even seen this yet.
• 37:11
  SPEAKER_04: Yeah, yeah.
• 37:12
  SPEAKER_01: So now look at what we have.
• 37:16
  SPEAKER_01: So you can place the zodiac on top of this.
• 37:25
  SPEAKER_04: Okay.
• 37:26
  SPEAKER_04: All right, there we go.
• 37:27
  SPEAKER_04: I'm adding it to stage.
• 37:29
  SPEAKER_04: Boom.
• 37:31
  SPEAKER_04: Yeah.
• 37:33
  SPEAKER_01: Now you can see here that you've got Scorpio.
• 37:39
  SPEAKER_01: So, what would the other sphinxes look like then if they're if there are four sphinxes of matching the tetramorph?
• 37:44
  SPEAKER_05: Right.
• 37:44
  SPEAKER_01: And again, this is just a theory.
• 37:46
  SPEAKER_01: I have no evidence of this whatsoever.
• 37:48
  SPEAKER_01: I this is you're watching, you're watching how the sausage is getting made, right?
• 37:51
  SPEAKER_05: Right.
• 37:52
  SPEAKER_01: So so basically the red dot and the blue dot would be the location of Scorpio and Taurus.
• 38:03
  SPEAKER_01: Now it's interesting because this would be where the sun sign is.
• 38:07
  SPEAKER_01: You know, when we're in Taurus, you don't actually see Taurus, right?
• 38:12
  SPEAKER_01: Because you're you're gonna see Scorpio exactly in the sky because it's it's sort of the opposite of how we are, right?
• 38:18
  SPEAKER_01: It's like it's it's the part we can't see that we're in, and we're looking at the world from that perspective.
• 38:24
  SPEAKER_01: So it's like the last upper painting is painted from the perspective of being in the age of Aquarius, right?
• 38:29
  SPEAKER_01: Because the backdrop, the east wall, would be exactly Aquarius in the King's Chamber.
• 38:34
  SPEAKER_01: Now, I remember I found all the constellations on the walls inside the king's chamber, so it's kind of pointing to this clock, right?
• 38:41
  SPEAKER_01: That maybe it truly is a clock.
• 38:44
  SPEAKER_01: Now, the first thing that I notice is that if we right-sized and we rotate exactly the 23 degrees, then this eye on the Giza Plateau becomes perfectly straight and vertical, yeah, with north, right, and that would also tell us, by my estimation, that the equator would have been exactly on the NASCA line, which would unite.
• 39:09
  SPEAKER_01: So that would have been the equatorial line, which would take from Peru to Giza, from Giza to Mahenjo Doro, Menjohe, Mahenjo Doro to Angkor Wat, from Ancor Wat to Easter Island, then back to Cusco.
• 39:23
  SPEAKER_04: Man, I just got done talking about that alignment that you just talked about in terms of the old equator.
• 39:29
  SPEAKER_04: Yeah, I just got I just got filmed talking about that old equator with those specific locations, not understanding the correlation between this at all, but just a hypothesis.
• 39:42
  SPEAKER_04: And wow, this is wow, this is amazing, man.
• 39:45
  SPEAKER_04: Really amazing.
• 39:46
  SPEAKER_01: So wait, and this is the part the the the money shot you know image that I want to show you that I don't even have on my computer yet, uh, because it's only on my iPhone, but I'll give it to you.
• 39:57
  SPEAKER_01: And um, there's a few that I'm gonna basically do here and and show to you.
• 40:06
  SPEAKER_01: Interesting stuff.
• 40:07
  SPEAKER_01: Wow, this is so epic.
• 40:09
  SPEAKER_01: I'm like I'm really stunned that uh that what this is all now coming in, right?
• 40:13
  SPEAKER_01: It's literally all now coming in.
• 40:15
  SPEAKER_04: It's it's all a remembrance, it's all a download, man.
• 40:17
  SPEAKER_04: It's all a remembrance, and you know, along with, of course, all the research, and I can see now how this would be a giant clock, uh the great year, you know, moving on the outside, obviously, a space, a spatial clock, um, and the procession happens.
• 40:32
  SPEAKER_01: Yeah.
• 40:33
  SPEAKER_01: Oh, absolutely.
• 40:34
  SPEAKER_01: I think that's exactly what we are dealing with, by the way.
• 40:38
  SPEAKER_01: And um, it is a giant spatial clock, but now we understand the temporal aspect of it as well.
• 40:45
  SPEAKER_01: And I think we're gonna be able to figure out the music now.
• 40:47
  SPEAKER_01: I literally just talking to you made me think about that.
• 40:50
  SPEAKER_01: I hadn't been thinking about it, and and now it's it's gonna it's gonna be front and center, obviously, right?
• 40:56
  SPEAKER_01: So let me pull this up for you.
• 40:58
  SPEAKER_01: There's one more thing here.
• 41:03
  SPEAKER_01: There's an eye of Shiva.
• 41:05
  SPEAKER_01: Of course, I'm in Bali.
• 41:07
  SPEAKER_04: Thank you for hanging out tonight.
• 41:09
  SPEAKER_04: Please click that like button and make sure y'all share this video.
• 41:11
  SPEAKER_04: If you're not subscribed to this channel, please subscribe to the channel.
• 41:14
  SPEAKER_04: I've been dropping also in the live chat a link to my next Egypt tour.
• 41:18
  SPEAKER_04: Make sure you click that link if you want to come hang out with me in Egypt for a couple of weeks and explore these amazing sacred sites.
• 41:25
  SPEAKER_04: Uh, click that link and register ASAP because space is limited.
• 41:29
  SPEAKER_04: I think we only have right now, as of today, only six spots left for that Egypt tour.
• 41:33
  SPEAKER_04: So click that link, ASAP.
• 41:37
  SPEAKER_01: Okay, all right.
• 41:40
  SPEAKER_01: So here we go.
• 41:41
  SPEAKER_01: Yeah, I added some more stuff to this.
• 41:43
  SPEAKER_01: Okay, so um, let's see here.
• 41:51
  SPEAKER_01: All right, so you probably recognize this is Freemasonry.
• 41:56
  SPEAKER_01: Oh, yeah, right.
• 41:57
  SPEAKER_01: There's this thing called the 47th problem of Euclid, and the number 47 showing up again, right?
• 42:02
  SPEAKER_01: Which has always been this mystery for me because I'm like, and that's the that's the number that was the shimmer ratio against 25,000, right?
• 42:10
  SPEAKER_01: Yeah, and the signet of Melchizedek, this is the signature of Melchizedek, the king of righteousness, the priest of the most high, king of Salem, right?
• 42:19
  SPEAKER_01: And and that's like the new Jerusalem would be Salem relational, yeah.
• 42:25
  SPEAKER_01: And it's called the Octapha, but it has nothing to do with the 47th problem of Euclid.
• 42:30
  SPEAKER_01: The funny thing about it, I'm not a Freemason, but those that are they would say, Hey, well, it's just teaching you a squared plus b squared equals c squared, and that's this beautiful trinity of the right triangle.
• 42:41
  SPEAKER_01: But what has it got to do with Melchizedek?
• 42:43
  SPEAKER_01: Why is Melchizedek on here?
• 42:44
  SPEAKER_01: And the shimmer is relational to this, and this angle, you know, plus one comes out to this earth tilt problem as well.
• 42:52
  SPEAKER_01: Are you kidding me?
• 42:54
  SPEAKER_01: Wow, so I start looking at it and saying, okay, I'm here in Bali, and this is the eye of Shiva, right?
• 43:02
  SPEAKER_01: Or the third eye of Shiva.
• 43:04
  SPEAKER_01: Yeah, the third eye of Shiva is this vertical orientation eye.
• 43:09
  SPEAKER_01: If we if we account for the earth's tilt, we have a vertical eye, yeah.
• 43:15
  SPEAKER_04: On Giza Plateau, and it makes it makes sense that the eye is there too, you know why?
• 43:22
  SPEAKER_04: Because that is the dead center of the land mass on earth, just like the third eye is in the center of your head.
• 43:30
  SPEAKER_04: I mean, it's deep in here, right?
• 43:31
  SPEAKER_04: So we know the third eye is inside, it's in the center of the brain, and that's the center of the land mass on earth.
• 43:37
  SPEAKER_04: Not the center of the center of land mass on earth is exactly where that's located.
• 43:41
  SPEAKER_04: So you take the land to the east and the land to the west, you have an equal amount of land on both sides.
• 43:46
  SPEAKER_01: Yep, and and the eye of Shiva, the third eye of Shiva is the third eye of Horus.
• 43:52
  SPEAKER_01: Remember, the reason why Shiva, the reason why Shiva is carrying all the monomyth relationships are all there.
• 43:58
  SPEAKER_01: I mean, why Shiva?
• 44:00
  SPEAKER_01: Well, first of all, Shiva, I just realized yesterday, Shiva is the relates to the crown chakra, right?
• 44:06
  SPEAKER_01: You you go into this Shiva eye is open, and that relates to the crown chakra.
• 44:11
  SPEAKER_01: The crown chakra is the seventh chakra, and the word for the Hebrew word for seven is Shiva, like Shiva, same thing, right?
• 44:23
  SPEAKER_01: It's the seventh, right?
• 44:25
  SPEAKER_01: Now he's always holding a trident, and and what is the constellation that represents Shiva?
• 44:30
  SPEAKER_01: It is the Orion constellation.
• 44:33
  SPEAKER_01: Orion was the son of Neptune who held the trident.
• 44:36
  SPEAKER_01: That was his birthright to hold the trident.
• 44:39
  SPEAKER_01: The trident was representing also the three stars of Orion's belt.
• 44:42
  SPEAKER_01: So Shiva and Shakti are those.
• 44:45
  SPEAKER_01: It's the same as Osiris and Isis.
• 44:48
  SPEAKER_01: So this is the same story, just told in different languages and different cultures.
• 44:52
  SPEAKER_01: So, what's happened now is that masculine and feminine has not been reconciled.
• 44:58
  SPEAKER_01: And so, is that what actually?
• 45:00
  SPEAKER_01: Causes our earth to be tilted off kilter.
• 45:03
  SPEAKER_03: Wow.
• 45:05
  SPEAKER_01: Wow.
• 45:06
  SPEAKER_03: Wow.
• 45:07
  SPEAKER_01: Wow.
• 45:08
  SPEAKER_03: So wait a minute.
• 45:09
  SPEAKER_01: Does that mean that somehow, if we can find the way to bring our masculine, divine, masculine, divine feminine into balance, does that bring the earth back into balance to bring on the full verticalized eye of Shiva or the eye of Horus, right?
• 45:26
  SPEAKER_01: Which is basically this mono myth story.
• 45:29
  SPEAKER_01: And and all of this, you know, of course, relates back to uh what we know on Giza Plateau.
• 45:37
  SPEAKER_01: And what we know already from, and you can find it on my show on Codex as follows, right?
• 45:43
  SPEAKER_01: This is um this is this is this is on Codex, you can find all of this stuff.
• 45:49
  SPEAKER_04: Yeah, and while you're looking that up, the 47 Ronin.
• 45:53
  SPEAKER_04: The 47 Ronan was a 47 Ronin Samurai in the 18th century who avenge the death of their lord, right?
• 46:02
  SPEAKER_04: And so yeah, we have it's it's crazy.
• 46:04
  SPEAKER_04: The 47 Ronin, I think it's a symbolic story, a metaphorical story, connecting all this together, it's a global story, it's not just an isolated story.
• 46:14
  SPEAKER_04: Exactly.
• 46:14
  SPEAKER_01: So now look at this.
• 46:16
  SPEAKER_01: So this is from this is from my show Codex.
• 46:19
  SPEAKER_01: We already know that each of the the apostles, right, in the Last Supper painting by Leonardo da Vinci, where Jesus is sitting high in the back, right, right up here above the pediment.
• 46:29
  SPEAKER_01: And if you look closely, the letters that are made in the windowsill here are Yodhe Vav.
• 46:35
  SPEAKER_01: Those are Hebrew Hebrew letters that mean God.
• 46:38
  SPEAKER_01: Yod Hei Vav.
• 46:39
  SPEAKER_01: You see the windowsills, the shape of the windowsills is giving us Yodhei Vav.
• 46:43
  SPEAKER_01: And I found Yod Hei Vav He on the on the pillars right at Gobekli Tepi.
• 46:50
  SPEAKER_01: Literally Yod He Vav He.
• 46:51
  SPEAKER_01: It freaked people out when they saw it because they were like, What?
• 46:55
  SPEAKER_01: I mean, this is the we don't want Israel coming into to to uh Turkey now and trying to claim the land.
• 47:01
  SPEAKER_01: But you know, Abraham went there for a reason.
• 47:03
  SPEAKER_01: So this this painting by Da Vinci is encrypted all over the place, and also if you look at the door underneath Jesus, it's exactly the shape of the sarcophagus, and it fits exactly in the same spot when you orient it that way.
• 47:16
  SPEAKER_01: So let's put the sarcophagus in the king's chamber exactly over it, and look at the lines of the blocks on the walls, and they're matching the tapestries and the tables and everything.
• 47:28
  SPEAKER_03: Wow, yeah, this is incredible.
• 47:30
  SPEAKER_03: Yeah, I can see it.
• 47:31
  SPEAKER_01: What the what the hell?
• 47:32
  SPEAKER_01: And look at the sarcophagus right there as well, in that place.
• 47:36
  SPEAKER_01: It doesn't make any sense that they always say, Oh, yeah, well, there was a door put there later on.
• 47:40
  SPEAKER_01: Yeah, it was a portal because Da Vinci was trying to tell us the sarcophagus is also a portal, right?
• 47:45
  SPEAKER_04: Right, and then you see that triptych, those three windows, the triptych design that we see across the the world in different temples, pyramid temples.
• 47:53
  SPEAKER_04: We see that, and then of course the Catholic Church implemented it into their church structures.
• 47:57
  SPEAKER_04: That triptych window, three-window design is very ancient.
• 48:07
  SPEAKER_04: You back?
• 48:08
  SPEAKER_01: I lost you for a second.
• 48:09
  SPEAKER_01: Yeah.
• 48:10
  SPEAKER_01: Oh, yeah.
• 48:11
  SPEAKER_04: The triptych window design in the back, the three windows, they call the triptych window design, which we see in all the temples, the ancient temples, not all of them but most of them.
• 48:19
  SPEAKER_04: And then we see that the modern church, like the Catholic church, took that same triptych design, which has a specific meaning, um, and and brought it into now what we call our modern idiom, and you know, with these um with these churches and so forth, and these structures, trying to bring that ancient wisdom into this current era.
• 48:37
  SPEAKER_01: Past, present, and future.
• 48:38
  SPEAKER_01: Absolutely.
• 48:40
  SPEAKER_01: And and and also we've got this here, which is basically showing us this is the king's chamber and all the designs on the walls that are oriented exactly around the zodiac.
• 48:51
  SPEAKER_01: So it is like a clock, and the original position of the sarcophagus was right where the belt belt stars are when we place Orion on the floor.
• 48:58
  SPEAKER_01: It perfectly frames the belt stars.
• 49:01
  SPEAKER_01: So if you want to learn more about that, you can learn about it.
• 49:03
  SPEAKER_01: And I believe that this is also showing us exactly in time where each of the cataclysms have been.
• 49:10
  SPEAKER_01: Yeah, where we've been out of balance.
• 49:12
  SPEAKER_01: Now, the tetramorph is relational to this.
• 49:16
  SPEAKER_01: Now, if you look at the the four stars, the four stars of of the north star positions are actually making a uh Metatron's cube rectangle, which is a square root of three to one relationship and relates to the king's chamber, which is two to one.
• 49:34
  SPEAKER_01: But if you inscribe a circle within it, that would be the the inscription point, right?
• 49:38
  SPEAKER_01: Of the of that square root of three to one relationship.
• 49:41
  SPEAKER_01: And you can see here that that at the center of this is this red star, and that is right next to Draco's constellation.
• 49:49
  SPEAKER_01: And this red star is actually the cat's eye nebula, the cat's eye nebula, it looks like a gigantic eye in the sky.
• 49:56
  SPEAKER_03: Yeah, right.
• 49:58
  SPEAKER_03: Yeah, yeah.
• 49:59
  SPEAKER_01: That sits right in the center of Deneb, Polaris, Thuban, and Vega, and that's making the King's Chamber shape exactly right there, right?
• 50:06
  SPEAKER_01: It is going through each of the the 25,920-year cycle.
• 50:11
  SPEAKER_01: Okay, yeah, and it makes me wonder about the 47.
• 50:14
  SPEAKER_01: Is it just relational to uh you know this 25,920?
• 50:18
  SPEAKER_01: Because it's strange that it's 25,000 and 47, right?
• 50:22
  SPEAKER_01: And maybe it's this average because they took an average relational to the 25,920.
• 50:27
  SPEAKER_01: It could be the mean, it could be the mean number, it's the mean number between 25,920 and and 24,000, which comes out to 25,000.
• 50:37
  SPEAKER_01: The reason for 24,000 Shriyuk Teshwa and others say that uh the the processional cycle is actually 24,000 years when you equate all of the years equally and account for mass time dilation going around the cycle.
• 50:49
  SPEAKER_01: Okay, yeah, so I think that's actually probably what it is.
• 50:54
  SPEAKER_01: And just like you can see here on the king's chamber, this is the north wall of the king's chamber.
• 50:58
  SPEAKER_01: I discovered all of these uh these these petroglyphs that were etched into the walls, and you can see one of them the bull right here, right, with its horns matching uh the what I've drawn out, so you can see on the base of it here.
• 51:12
  SPEAKER_01: All of the walls are covered like this.
• 51:14
  SPEAKER_01: Again, you can learn more about this on my show, but I believe all of this is pointing to some sort of new balance, yeah, that we're getting.
• 51:23
  SPEAKER_01: And this new balance comes out of this particular geometric form, which I'm gonna show you the last thing I show you.
• 51:30
  SPEAKER_04: Make sure y'all watch uh Robert's Robert Grant's uh show on Gaia Codex on Gaia.
• 51:38
  SPEAKER_04: You have season two uh out now, right?
• 51:40
  SPEAKER_04: Season two is already out, yeah.
• 51:42
  SPEAKER_04: It's been out season two, season one and two, full season one and two on Gaia Codex by Robert Edward Grant.
• 51:48
  SPEAKER_04: Make sure y'all go and watch that.
• 51:51
  SPEAKER_04: We got about four more minutes.
• 51:53
  SPEAKER_01: So, this is this is what I got in a download was coming in, which is this eternal knot, right?
• 52:00
  SPEAKER_01: Related to the square in the form of the sigil of Melchizedek.
• 52:04
  SPEAKER_01: This somehow brings with it some new knowledge.
• 52:08
  SPEAKER_01: It directly relates to the shimmer.
• 52:10
  SPEAKER_01: And I've never I looked all over the internet to see if anyone had ever made this design before.
• 52:15
  SPEAKER_01: And what it represents is you could imagine an eye sitting inside here as well, because a Vesica would also sit inside here, and it could have a north-south relationship, and you got a black octagon in the center, but what's coming out from each of the corners, it looks like arrows.
• 52:31
  SPEAKER_01: Yeah, arrows are pointing out in all directions because this is not a prison, it is freedom.
• 52:38
  SPEAKER_01: Yeah, it is the understanding that you can move interdimensionally, you can move and go anywhere once you achieve this level of consciousness.
• 52:47
  SPEAKER_01: Yeah, and I believe that this is this is the design that uh actually shows us that the structure of the matrix actually allows us the freedom.
• 52:58
  SPEAKER_01: It's not a prison.
• 53:00
  SPEAKER_01: If you look at it as a prison, you're looking at your life as if a prison.
• 53:03
  SPEAKER_01: And you know, we don't see the world as it is, we see it as we are.
• 53:07
  SPEAKER_01: So I believe that all of this is coming in.
• 53:09
  SPEAKER_01: I'm gonna be presenting this at all of it in detail at the upcoming um uh event in Colorado for the you know ancient civilizations conference for Gaia.
• 53:20
  SPEAKER_04: Oh, yeah, see you there in a couple weeks.
• 53:22
  SPEAKER_04: That's right.
• 53:22
  SPEAKER_04: We'll be there together.
• 53:23
  SPEAKER_04: Yep, mm-hmm.
• 53:24
  SPEAKER_04: Yeah, we'll be there together.
• 53:25
  SPEAKER_04: And uh, this is great stuff, man.
• 53:27
  SPEAKER_04: Um, you know, that that symbol you just showed me, it kind of uh reminds me of you know, this idea that Thope talks about in the Emerald Tablets, where he's talking about moving through these particular angles to get to different dimensions, and that he has a capability because he received a certain level of consciousness that he can incarnate at will.
• 53:49
  SPEAKER_04: He says, on and in any plane that he desires.
• 53:53
  SPEAKER_04: Planes are dimensions, and so maybe he's traveling those angles that you just showed.
• 53:58
  SPEAKER_04: Remember, those are the angles to access those particular different dimensions.
• 54:02
  SPEAKER_04: He has the ability, he says, because he received that level of knowledge now to move into those higher realms and those higher dimensions and then return back, which is uh which is insane.
• 54:11
  SPEAKER_04: He even gives the cymatic frequencies to activate the access to uh to those different dimensions, which is pretty cool.
• 54:19
  SPEAKER_04: Yeah, this is incredible stuff, man.
• 54:21
  SPEAKER_04: I gotta go to my mentoring program now, but Robert, tell everybody where they can find you on social media and everything else you have going on.
• 54:29
  SPEAKER_04: Help me frozen froze for a minute there.
• 54:32
  SPEAKER_04: Yep.
• 54:32
  SPEAKER_01: I was just in Gadung Padang, and and they it's like the Petra of Bali.
• 54:37
  SPEAKER_01: If you've never been, I really highly recommend going.
• 54:39
  SPEAKER_01: And there were these uh these residence caves inside of it, they were all carved out, beautifully done.
• 54:45
  SPEAKER_01: And there was one that had water on the floor that had just collected, and so we started to sing the resonance of the chamber, which was right on 81 hertz, exactly 81 hertz.
• 54:57
  SPEAKER_01: And and as we did it, it formed cymatics in the water that had collected on the floor, and then we shined a light and it shimmered on the wall.
• 55:06
  SPEAKER_01: And it was like unbelievable.
• 55:08
  SPEAKER_01: And I could see, I think we're barely scratching the surface on what these sites are actually about.
• 55:13
  SPEAKER_01: I think we've forgotten so much of our history and so much of who we are and what we can do with that as well.
• 55:19
  SPEAKER_01: I think we're on the verge of breaking all this open and fully getting a greater awareness of what the Giza Plateau is.
• 55:27
  SPEAKER_01: To me, I'm starting to realize it, you know, it is a clock, it is a spiritual life ascension device that is allowing us to awaken and remember who we are, and also it's a stargate, it's a stargate for transportation, it's a stargate for higher consciousness, and yeah, yeah, that's what I truly believe.
• 55:46
  SPEAKER_01: Does it create energy?
• 55:47
  SPEAKER_01: Yes, I believe it does create energy because it uses that energy, scale our energy, in order to affect what it needs to do for the the Stargate itself.
• 55:55
  SPEAKER_01: But I believe it's a stargate.
• 55:57
  SPEAKER_04: Yeah, incredible, man.
• 55:59
  SPEAKER_04: Where can everybody find you on social media and everything else we have going on?
• 56:03
  SPEAKER_01: Well, I just got uh kicked off of Instagram.
• 56:06
  SPEAKER_01: I don't even know why.
• 56:07
  SPEAKER_01: I just crossed a million followers, and um, I have no idea why.
• 56:11
  SPEAKER_01: And I've been here in Bali the entire time, so I haven't really had time to to really battle it out.
• 56:16
  SPEAKER_01: There are a bunch of people trying to help me right now to get it back on, but you know, this whole social media thing with Instagram is such a joke, and yeah, the but best place if you want to follow my work is to go on to Orion.
• 56:28
  SPEAKER_01: I post everything on Orionarchitect.io.
• 56:32
  SPEAKER_01: So that it's it's a community on there.
• 56:35
  SPEAKER_01: There's uh you know thousands of communities now on there that you can find that that cover all these types of topics.
• 56:42
  SPEAKER_01: Uh, there's a large growing community.
• 56:44
  SPEAKER_01: We're now crossing 60,000 people on the platform.
• 56:47
  SPEAKER_01: I expect to be at 100,000 by you know during the summer, and it's it's growing very, very rapidly and it's fully encrypted and it's safe.
• 56:55
  SPEAKER_01: And you don't have to worry about it.
• 56:56
  SPEAKER_01: It's not on the app store because it is safe, it is not on a place where anyone can basically have a backdoor into it.
• 57:02
  SPEAKER_01: So if you go to Orion Architect O R I O N A-R-C-H-I-T-E-C T dot io.
• 57:13
  SPEAKER_01: Just go to that web page and then say join, and then you'll join it.
• 57:17
  SPEAKER_01: And um, it's it's really simple.
• 57:19
  SPEAKER_01: You can also download it, install it to your desktop, and install it to your to your home screen on your phone.
• 57:24
  SPEAKER_01: It works on all platforms.
• 57:26
  SPEAKER_01: Uh, it's a wonderful, beautiful community.
• 57:28
  SPEAKER_01: I I encourage you to join me there.
• 57:30
  SPEAKER_01: That'd be the place to join because I'll always be posting there.
• 57:33
  SPEAKER_04: Yep, fantastic.
• 57:34
  SPEAKER_04: And I dropped that in the live chat a few times for everyone to get.
• 57:37
  SPEAKER_04: I'll also put the link in the caption of this video and the caption of this audio as well.
• 57:42
  SPEAKER_04: Robert, man, it's a blessing to have you on.
• 57:44
  SPEAKER_04: Thank you so much, man.
• 57:45
  SPEAKER_04: I'm looking forward to seeing you in a couple of weeks, brother.
• 57:47
  SPEAKER_01: Absolutely, my brother.
• 57:49
  SPEAKER_01: It's great to see you and looking forward to it.
• 57:51
  SPEAKER_01: Can't wait to see what you have to present too, because I think all of this is connected.
• 57:55
  SPEAKER_01: What Filippo's doing, what you're doing, what I'm doing, and you're getting things.
• 57:59
  SPEAKER_01: You, I mean, just what you what you said to me today on this call, it's making me think differently, right?
• 58:05
  SPEAKER_01: And that's really where the value of this is because you know, hopefully, now that you've heard the shimmer as well, you're gonna be like, whoa, this is there's more to this.
• 58:13
  SPEAKER_04: Yeah, it's amazing.
• 58:14
  SPEAKER_04: We just keep when we when we cross-connect like this and collaborate, it just allows the the the energy of the knowledge to grow so that we can come up with more connections.
• 58:24
  SPEAKER_04: This is why collaboration is more important than competition.
• 58:29
  SPEAKER_04: Yeah, absolutely.
• 58:30
  SPEAKER_01: And that's the nice thing about this whole community.
• 58:32
  SPEAKER_01: I never feel any competition with anybody.
• 58:35
  SPEAKER_01: Um, that's the nice thing about it.
• 58:37
  SPEAKER_01: I uh anyone who's uh who's trying to fight for competition or trying to say that we're in a fight against someone or a fight against that or whatever, you know, that's just not the right consciousness.
• 58:47
  SPEAKER_04: Exactly.
• 58:48
  SPEAKER_04: It's not all right, everyone.
• 58:50
  SPEAKER_04: Robert Edward Grant, follow him, the uh OrionArchitect.io.
• 58:55
  SPEAKER_04: I dropped a link in the live chat, it'll be in the caption of this video.
• 58:57
  SPEAKER_04: Thanks, Robert.
• 58:58
  SPEAKER_04: I appreciate you, man.
• 58:59
  SPEAKER_04: I'll see you in a couple of weeks.
• 59:00
  SPEAKER_04: All right, bro.
• 59:01
  SPEAKER_04: See you later.
• 59:01
  SPEAKER_04: All right, peace.
• 59:03
  SPEAKER_04: That was Robert Edward Grant, and everyone, stay tuned.
• 59:06
  SPEAKER_04: I want y'all to join me in Egypt.
• 59:08
  SPEAKER_04: Check this out.
• 59:09
  SPEAKER_04: Everybody, it's Billy Carson, aka Forbidden Knowledge.
• 59:12
  SPEAKER_04: I wanted to talk to you guys today about the 12-day Forbidden Tour of Egypt.
• 59:17
  SPEAKER_04: This is not your average Egypt tour.
• 59:19
  SPEAKER_04: This is a once-in-a-lifetime opportunity hosted by myself, Billy Carson.
• 59:23
  SPEAKER_04: It's gonna go beyond the tourist trap.
• 59:59
  SPEAKER_04: Incredible friends, I guarantee you.
• 1:00:06
  SPEAKER_04: Every single one of them left completely changed forever.
• 1:00:09
  SPEAKER_04: And only a handful of seats remain, so make sure you hurry up and join us on this amazing journey before it settles out.
• 1:00:15
  SPEAKER_04: If you've ever dreamed about walking the path of the ancients, now is your chance.
• 1:00:20
  SPEAKER_04: Make sure you register today to reserve your spot before it's all gone.
• 1:00:24
  SPEAKER_04: I can't wait to see you in Egypt.
• 1:00:26
  SPEAKER_04: It's gonna be amazing.
• 1:00:27
  SPEAKER_04: I guarantee it's gonna change your life.
• 1:00:31
  SPEAKER_04: Alright, everyone.
• 1:00:32
  SPEAKER_04: I'll see y'all next time.
• 1:00:33
  SPEAKER_04: I gotta teach my class tonight, so I'm getting ready to go do my mentoring for the 4BK Inner Circle.
• 1:00:39
  SPEAKER_04: But I'll catch you again this weekend with Timothy Hogan, tonight's Templar.
• 1:00:43
  SPEAKER_04: All right, catch y'all later.
• 1:00:45
  SPEAKER_04: Peace.