Latest / Get Into Gate: A Stargate Podcast / Episode 332: 'Awakening' (SG-U 2.03)

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Episode 332: 'Awakening' (SG-U 2.03) · Get Into Gate: A Stargate Podcast

• 0:00
  Speaker 1: Eli, Eli, Eli, Eli. That's you. What are we doing?
• 0:09
  Speaker 1: This is you. Eli, Eli, Eli, Eli. You know what?
• 0:16
  Speaker 1: That is you. I was off you for the Riley.
• 0:19
  Speaker 1: I'm back on for the Eli train.
• 0:21
  Speaker 2: Why are we even pretending anymore that this isn't?
• 0:25
  Speaker 3: Play Chloe back to back with Eli. Try and convince
• 0:28
  Speaker 3: me it's not you.
• 0:29
  Speaker 2: Yeah. He has this desk at home now. He just
• 0:32
  Speaker 2: sits in his garage by himself.
• 0:34
  Speaker 1: He bought a little keyboard just to do it. Yeah.
• 0:37
  Speaker 1: Like a crazy person. That's obviously you. Yeah. Yeah.
• 0:42
  Speaker 4: Yeah.
• 0:43
  Speaker 1: Chloe, Chloe, Chloe. Yeah. I mean, silly duffer. You need
• 0:49
  Speaker 1: to do one for people at home. TG, TG, TG. Oh,
• 0:53
  Speaker 1: now we're talking. Oh, mate, on top of everything else,
• 0:56
  Speaker 1: I think she's got four kids too. Oh, stop it.
• 0:59
  Speaker 3: Yeah.
• 0:59
  Speaker 1: Were you recording?
• 1:00
  Speaker 4: Yeah.
• 1:01
  Speaker 1: I hope so. Because you guys just said to me, like,
• 1:03
  Speaker 1: what are you saying?
• 1:04
  Speaker 3: I'm like, I've had a real thing for TJ lately.
• 1:09
  Speaker 1: Good for you.
• 1:10
  Speaker 3: And I said, I realised that I'm most attracted to
• 1:13
  Speaker 3: the woman on the show that is quite tall, has
• 1:16
  Speaker 3: blonde hair with some curl in it and big eyes
• 1:21
  Speaker 3: and is a healthcare professional. And as you just said,
• 1:24
  Speaker 3: in real life, she has four children. Alina Huffman slash
• 1:28
  Speaker 3: TJ is my wife.
• 1:31
  Speaker 1: Oh, actually. Black Canary.
• 1:34
  Speaker 2: Well, don't say that because I was just about to
• 1:36
  Speaker 2: say her four of her kids are black because her
• 1:38
  Speaker 2: ex-husband is black.
• 1:39
  Speaker 1: Ex. Yeah. You're in for a chance, Mitch. Yeah. I mean,
• 1:43
  Speaker 1: I don't know. She's been satisfied enough in her life. Yeah.
• 1:46
  Speaker 1: She's now got an opening. Get into Gate episode 332.
• 2:04
  Speaker 3: Talking Stargate universe.
• 2:09
  Speaker 1: What's happened? What have I done? Adam Gilchrist coming into
• 2:13
  Speaker 1: the mold.
• 2:16
  Speaker 3: I went to do the reference. I couldn't remember what
• 2:18
  Speaker 3: it was. I'm like, I know there's an Indian cricket
• 2:20
  Speaker 3: one in there somewhere. We're talking SGU. We're talking episode
• 2:23
  Speaker 3: three of season two, Awakening.
• 2:27
  Speaker 1: She's Croatian, Mitch. Or of Croatian descent. Okay. But born
• 2:33
  Speaker 1: in Canada. Canada, eh?
• 2:35
  Speaker 2: Yeah.
• 2:36
  Speaker 1: Good stocks up there, eh?
• 2:38
  Speaker 2: Oh, you're not going to believe this. First of all,
• 2:41
  Speaker 2: that picture, apparently she's got two sons and two daughters.
• 2:44
  Speaker 2: So that's unfortunate.
• 2:46
  Speaker 1: Sons, Elijah. Yeah. Named after the one ring bearer. Obviously.
• 2:50
  Speaker 1: And her other son. Don't you reckon from the Bible? No. No, because. No,
• 2:55
  Speaker 1: obviously not. No, no. She's from Croatia. She's from Croatia.
• 2:58
  Speaker 1: She's not that white. The good, good book. Yeah. The
• 3:00
  Speaker 1: best book. Her sons, Elijah and Lincoln. Huh.
• 3:03
  Speaker 2: Yeah.
• 3:05
  Speaker 1: Daughters, Hannah and Charlie Jane. Charlie. Charlie Jane was the
• 3:09
  Speaker 1: one that she was pregnant with on Stargate Universe. Hey.
• 3:12
  Speaker 1: All right.
• 3:12
  Speaker 2: Yeah. So yeah, you're literally seeing Elena Huffman right after
• 3:17
  Speaker 2: she's given birth to her fourth child. And you're suddenly
• 3:20
  Speaker 2: much more attracted to her than you were in the
• 3:21
  Speaker 2: first season.
• 3:23
  Speaker 1: It all checks out. Yeah. It all checks out. I mean, yeah,
• 3:26
  Speaker 1: that shirt that she wears now. I like it.
• 3:29
  Speaker 2: Who do you reckon that is? Is that just like
• 3:31
  Speaker 2: one of the dead scientist civilians?
• 3:34
  Speaker 1: Wait. Do you reckon it's Chloe's dad's shirt? This guy
• 3:38
  Speaker 1: has bad memory. Darkness running through you, Matthew. Hello, darkness.
• 3:42
  Speaker 1: We spoke about it like five weeks ago. I've smoked
• 3:46
  Speaker 1: a lot of weed since then. You're a sick little puppy.
• 3:48
  Speaker 1: I've smoked a lot of weed since five episodes ago. Wow.
• 3:52
  Speaker 1: That's a lot of weed. That's a lot. Did you
• 3:55
  Speaker 1: say a lot? That's a lot.
• 3:57
  Speaker 2: Once a week I have about, I have a little,
• 3:59
  Speaker 2: probably about the size of an M & M.
• 4:02
  Speaker 1: So, you know, that's a lot. Do you smoke it
• 4:05
  Speaker 1: or just chew it? Yeah, like tobacco. I chew it
• 4:07
  Speaker 1: like tobacco. What the fuck are you talking about? Obviously,
• 4:09
  Speaker 1: Matthew coming to us live from the American state of
• 4:13
  Speaker 1: California where such things are legal. We're legal, absolutely. We're
• 4:16
  Speaker 1: only speaking in hypotheticals. No, mine's medicinal. Hey, you've got a...
• 4:19
  Speaker 1: I've got glaucoma. Sorry, I forgot. You are here in Brisbane,
• 4:22
  Speaker 1: but it's medicinal. Yes.
• 4:23
  Speaker 2: Great people at... What are they called? Glaucoma Foundation.
• 4:28
  Speaker 1: Great people. If they do want to sponsor the show,
• 4:30
  Speaker 1: they'd be... Great. Oh, some medicinal marijuana. Just in product. Yeah.
• 4:35
  Speaker 1: Don't worry. It's only an audio podcast.
• 4:37
  Speaker 2: I have always wanted to try an edible. So like
• 4:39
  Speaker 2: a gummy. Yeah.
• 4:41
  Speaker 1: Yeah. They're good.
• 4:42
  Speaker 2: I was too chicken to do it last time I
• 4:44
  Speaker 2: was in LA because I was like, oh. You don't
• 4:46
  Speaker 2: want to do it overseas, do you?
• 4:47
  Speaker 1: Yeah, exactly. I was like, what if I freak out?
• 4:49
  Speaker 1: Do it in your land room.
• 4:49
  Speaker 2: What if the beagles in the airport can smell.
• 4:53
  Speaker 1: It on me or something? Smell the menstruation.
• 4:57
  Speaker 2: No, that's Mitchell. Mitchell can smell menstruation. That's his kink.
• 5:02
  Speaker 1: Sick.
• 5:03
  Speaker 2: Why do you think his dog had 11 puppies? I'm
• 5:06
  Speaker 2: not sure what string I'm drawing there.
• 5:09
  Speaker 3: I want to say finish that thought, but I also
• 5:11
  Speaker 3: want to say please wrap that thought up.
• 5:13
  Speaker 1: Everyone in Mitchell's house is fertile?
• 5:15
  Speaker 2: I don't know. You just gather fertile people around you.
• 5:18
  Speaker 1: Moving on. Synopsis for Awakening. Destiny docks. Oh, that doesn't. Oh,
• 5:25
  Speaker 1: four skin shots. Here we go. Four skin shots, then
• 5:29
  Speaker 1: we can dock, Mitch.
• 5:30
  Speaker 3: Destiny docks with a seed ship, and a team is
• 5:32
  Speaker 3: dispatched to search it. They discover the ship may have
• 5:36
  Speaker 3: enough power to dial the gate back home. However, the
• 5:39
  Speaker 3: team is not the only presence on the ship. Written
• 5:45
  Speaker 3: by Joe and Paul, directed by Andy Makita.
• 5:50
  Speaker 1: What do you think, Mitchie? Should we use the Stargate, guys? Nah.
• 5:53
  Speaker 1: Do we just want to put a whole bunch in there, though,
• 5:56
  Speaker 1: and tease us with it? Yeah. Yeah.
• 5:58
  Speaker 3: Okay, just continuing on what we said a little bit
• 6:01
  Speaker 3: of last week. Rush, I'm shooting ahead here.
• 6:04
  Speaker 1: What a dick. Yeah, dickhead.
• 6:05
  Speaker 3: Bro, come and check this shit out. I honestly think
• 6:08
  Speaker 3: that was a dick move by Joe and Paul. what
• 6:11
  Speaker 3: to write him as a dick, like for.
• 6:13
  Speaker 1: Us to see. No big deal. It's like literally this
• 6:15
  Speaker 1: is the very first time we've ever seen a Stargate
• 6:18
  Speaker 1: constructed unless you're talking about the Tolan, but we didn't
• 6:21
  Speaker 1: even see that. Yeah. But we understand the process of
• 6:24
  Speaker 1: how Stargates were built and we haven't seen it. We're
• 6:27
  Speaker 1: looking at a Stargate conveyor belt right now. It's huge.
• 6:29
  Speaker 1: We've always dreamed of what this could be and 17
• 6:32
  Speaker 1: seasons later, here we finally get to see it. It's
• 6:35
  Speaker 1: bloody exciting stuff. Yeah. Meaning of life stuff. That's gorgeous.
• 6:40
  Speaker 2: Well, look, I have a little bit of an issue
• 6:44
  Speaker 2: with this. Now, I was actually texting Jacob this week
• 6:47
  Speaker 2: about this episode. We were sort of trying to figure
• 6:49
  Speaker 2: it out.
• 6:50
  Speaker 1: What did we call Jacob last week? Caco. Was it?
• 6:52
  Speaker 1: The Cakes. The Cakes. Cakes. That's actually more Australian.
• 6:59
  Speaker 2: He does love the whole Shanksy thing that happened when
• 7:02
  Speaker 2: you guys got on the Safe Stargate pod.
• 7:04
  Speaker 1: Oh, yeah. Did we talk about that? Pretty sure. You
• 7:08
  Speaker 1: told the Shanksy story? Yeah. Yeah. How else will Jacob
• 7:12
  Speaker 1: have heard it? I'm pretty sure he heard it on
• 7:14
  Speaker 1: the pod. No, I think he heard it. I wouldn't
• 7:15
  Speaker 1: have told that story, mate. Come on, mate. I couldn't
• 7:18
  Speaker 1: have thought of anything more boring than sitting on... I
• 7:21
  Speaker 1: wouldn't have told that story. I wasn't part of it. No,
• 7:24
  Speaker 1: just sitting.
• 7:25
  Speaker 2: I didn't want to be a part of it because
• 7:26
  Speaker 2: I was like, what else is boring about sitting on
• 7:28
  Speaker 2: a video chat? So, yeah, I have a little bit
• 7:31
  Speaker 2: of a disconnect and it's something I've never actually really
• 7:34
  Speaker 2: thought about before until.
• 7:35
  Speaker 1: You know what? And it's okay, mate. You're allowed to...
• 7:40
  Speaker 1: All right. First step is admitting it. Yeah. First cut
• 7:43
  Speaker 1: is the deepest. So I'm trying to, and I guess
• 7:46
  Speaker 1: it's something.
• 7:46
  Speaker 2: That we probably would have got a little more context
• 7:49
  Speaker 2: to had the show gone on past season two.
• 7:52
  Speaker 1: Spoiler image. Literally, that's the only thing he knows.
• 7:58
  Speaker 3: I thought my complete box set was a little thin.
• 8:00
  Speaker 1: A little thin. A little thin. We're season three, guys.
• 8:03
  Speaker 1: Have you played a prank on me? It's Blu-ray only.
• 8:05
  Speaker 1: That's why. Are you trying to hide it from me? Yeah.
• 8:08
  Speaker 1: Has the cover got spoilers on it? It's sold out.
• 8:10
  Speaker 1: It's so popular. It's sold out. Okay. So I'm the ancients, right?
• 8:17
  Speaker 1: Millions of years ago. Is this a premise? Yeah.
• 8:20
  Speaker 2: Well, this is the premise of the show. I'm an
• 8:23
  Speaker 2: ancient millions of years ago.
• 8:25
  Speaker 1: Millions. I build destiny.
• 8:29
  Speaker 2: Now, as far as we're aware, the Stargate networks don't
• 8:31
  Speaker 2: exist yet. The earliest Stargate we've ever seen is the
• 8:34
  Speaker 2: one that's on Destiny, right? We send that ship off
• 8:40
  Speaker 2: because we want to find something. It's going in one line,
• 8:43
  Speaker 2: galaxies and galaxies and galaxies away.
• 8:46
  Speaker 1: Well, no, we saw it in the first episode, remember?
• 8:47
  Speaker 1: We know that Destiny's going that way.
• 8:49
  Speaker 2: Yes.
• 8:49
  Speaker 1: But is Destiny the only one of its type?
• 8:53
  Speaker 4: True.
• 8:54
  Speaker 2: Doesn't Rush say at the end of this episode, or
• 8:57
  Speaker 2: the end of last week's episode, the reason it's called
• 9:00
  Speaker 2: the Destiny is not perchance, or whatever it is. But
• 9:03
  Speaker 2: my point is, right, we have the Destiny. Like, I'm
• 9:08
  Speaker 2: an Ancient, I create the Destiny. But for the Destiny
• 9:10
  Speaker 2: to work, I'm going to send out multiple seed ships
• 9:13
  Speaker 2: ahead of it to seed Stargates through the galaxy, presumably
• 9:19
  Speaker 2: so that whoever is living on Destiny is going to
• 9:23
  Speaker 2: have an easy way to get to planets... To get
• 9:26
  Speaker 2: resources and stuff like that. But the gates that the
• 9:30
  Speaker 2: seed ships are building only have a very small range.
• 9:35
  Speaker 2: They can't... They're not like the Milky Way gates that
• 9:38
  Speaker 2: came later that could be... You know, you could travel
• 9:41
  Speaker 2: from one side of the Milky Way to the other instantaneously.
• 9:43
  Speaker 1: Yeah. That's what I've always had a problem with.
• 9:45
  Speaker 2: So in this, we have these gates that are only
• 9:50
  Speaker 2: within a short range of destiny. But....
• 9:57
  Speaker 1: The Stargate on Destiny.
• 10:00
  Speaker 2: Can dial all the way back to the Milky Way multiple, multiple,
• 10:03
  Speaker 2: multiple galaxies away. So why do we need Destiny? Why
• 10:07
  Speaker 2: don't we just send the Seed Ship and then when
• 10:10
  Speaker 2: it gets to where it needs to be, we gate
• 10:12
  Speaker 2: to it? And why are the gates that we're depositing
• 10:16
  Speaker 2: on these planets with the Seed Ships so why are
• 10:19
  Speaker 2: they not full blown stargates that can go across the
• 10:23
  Speaker 2: entire galaxy? Because as an ancient, I already have the
• 10:26
  Speaker 2: nine Chevron address because I need a nine Chevron address
• 10:29
  Speaker 2: to get to the destiny in the first place when
• 10:31
  Speaker 2: I'm ready to go there. So why are the stargates
• 10:34
  Speaker 2: on the seed ships only having these small ranges? I
• 10:38
  Speaker 2: always thought prior to this watch, I always thought it
• 10:40
  Speaker 2: was because these were proto stargates and they hadn't developed
• 10:43
  Speaker 2: the technology yet to be able to do it. But
• 10:45
  Speaker 2: obviously in this episode, um, If we have enough power,
• 10:48
  Speaker 2: if we have the power of two of these ships,
• 10:51
  Speaker 2: we can dial back home.
• 10:53
  Speaker 1: Yeah.
• 10:54
  Speaker 2: Now, as a ancient in several million years after this,
• 11:00
  Speaker 2: I'm going to have a ZZPM and I'm going to
• 11:02
  Speaker 2: have infinite ZZPMs. But from what we're led to believe,
• 11:06
  Speaker 2: one single ZZPM can't dial a nine Chevron address. We
• 11:13
  Speaker 2: as humans had to find a Nacwood-rich planet twice and
• 11:18
  Speaker 2: blow it up.
• 11:19
  Speaker 1: Or a Quadra-rich. But I don't think it's ever been
• 11:21
  Speaker 1: established that ZPM can't get you there.
• 11:24
  Speaker 2: But didn't they say they need levels of energy beyond
• 11:27
  Speaker 2: anything we could ever fathom?
• 11:29
  Speaker 1: Yeah, well, we don't have a full ZPM.
• 11:32
  Speaker 2: I understand that, but we've spent the last, prior to
• 11:35
  Speaker 2: a brighter universe, we've spent the last like five years
• 11:38
  Speaker 2: searching for ZZPMs and we have found them here and
• 11:40
  Speaker 2: there and that kind of stuff.
• 11:41
  Speaker 5: Yeah.
• 11:42
  Speaker 2: So why are we not just still searching for CZPMs
• 11:44
  Speaker 2: instead of destroying entire planets rich with Nequadria?
• 11:48
  Speaker 1: Great point.
• 11:49
  Speaker 2: So I'm just a little confused in terms of the
• 11:53
  Speaker 2: point or the series of events. Because obviously back in
• 11:59
  Speaker 2: Ark of Truth, when the ancients or the Asurans left
• 12:03
  Speaker 2: the Ori galaxy, we see the little, you know, the
• 12:06
  Speaker 2: idea for the Stargate. So they only had the idea
• 12:09
  Speaker 2: for the Stargate once they got to, like, the Milky
• 12:11
  Speaker 2: Way galaxy millions and millions of years ago. Yeah, so
• 12:17
  Speaker 2: they would have shipped there, right? They would have used
• 12:21
  Speaker 2: ship travel, FTL maybe, to get to Milky Way.
• 12:25
  Speaker 1: Yeah.
• 12:26
  Speaker 2: Yeah, but I'm saying, like, okay, well then, like, obviously
• 12:31
  Speaker 2: then there must have been, well, not obviously, but potentially
• 12:34
  Speaker 2: there were also seed ships that seeded the Milky Way
• 12:37
  Speaker 2: with Milky Way gates.
• 12:40
  Speaker 1: Yes.
• 12:41
  Speaker 2: So was there a version of Destiny that just went
• 12:46
  Speaker 2: around the Milky Way and then at a certain point
• 12:48
  Speaker 2: it was retired?
• 12:51
  Speaker 1: I imagine so.
• 12:52
  Speaker 4: Yeah.
• 12:52
  Speaker 2: It's just one of the things that I think we
• 12:54
  Speaker 2: would have got more information about this had this series
• 12:56
  Speaker 2: gone on. But, yeah, in this episode, finding out that
• 13:01
  Speaker 2: all we need is one and a half Destinies and
• 13:04
  Speaker 2: we can dial home potentially. I mean, obviously, you know,
• 13:08
  Speaker 2: Rush fucked it up or whatever. And then the whole
• 13:10
  Speaker 2: power transfer thing happened so we couldn't, you know. But, yeah,
• 13:15
  Speaker 2: I just, it was odd. Yeah, look, and I've always had,
• 13:21
  Speaker 2: this has been my biggest problem with this show is
• 13:24
  Speaker 2: just the whole gate technology is completely different and for
• 13:28
  Speaker 2: no real purpose apart from.
• 13:31
  Speaker 1: Plot. Plot.
• 13:32
  Speaker 2: Well, not just that, it's like you could still have
• 13:35
  Speaker 2: it where the gate's can dial each other throughout the galaxy.
• 13:39
  Speaker 2: But Destiny, when Destiny's in FTL, you can't contact it,
• 13:43
  Speaker 2: which is, I think that would be enough. That would
• 13:45
  Speaker 2: be better, yeah, because up until this point, up until,
• 13:49
  Speaker 2: you know, Rush finds the control room, yeah, we haven't
• 13:51
  Speaker 2: really been in control of when it jumps in and
• 13:53
  Speaker 2: out of FTL.
• 13:55
  Speaker 1: So, yeah, you're right.
• 13:56
  Speaker 2: It could have just been, you know, we don't know
• 13:58
  Speaker 2: when Destiny's going to drop out of FTL again. And, yeah,
• 14:02
  Speaker 2: I would be happy with, you know, if it leaves
• 14:04
  Speaker 2: the galaxy, then we can't. You know, you can only
• 14:07
  Speaker 2: dial within the galaxy or whatever. But, yeah, it just,
• 14:11
  Speaker 2: I don't know. There's just something that my brain's just
• 14:14
  Speaker 2: bumping up against that I can't quite understand the point.
• 14:18
  Speaker 2: And obviously there's other things we learn about Destiny that
• 14:21
  Speaker 2: I'm not going to spoil for Mitch.
• 14:22
  Speaker 1: So maybe we can just. Yeah, why would you send.
• 14:25
  Speaker 1: I understand why you would send out seed chips.
• 14:28
  Speaker 4: Yes.
• 14:28
  Speaker 1: If they're all Milky Way capable. Yeah. Gates.
• 14:32
  Speaker 4: Yeah.
• 14:32
  Speaker 2: But if they're limited range, it's like, well, you actually
• 14:35
  Speaker 2: literally have to drop one off within range of each
• 14:40
  Speaker 2: other for it to be worth it.
• 14:41
  Speaker 1: Yeah.
• 14:42
  Speaker 2: Because what's the point of having, like, you drop it
• 14:44
  Speaker 2: on the planet. The people on the planet can't use
• 14:46
  Speaker 2: the Stargates.
• 14:47
  Speaker 1: Yeah. Because they don't have a DHD. Yeah. So, like,
• 14:50
  Speaker 1: what's the point? Like, how long does it take for
• 14:52
  Speaker 1: Destiny to travel an entire planet? Galaxy, right? A whole season. Yeah.
• 15:00
  Speaker 2: But why wouldn't a seed ship, right, just fly to,
• 15:05
  Speaker 2: say the galaxy that we found destiny in, why wouldn't
• 15:08
  Speaker 2: the seed ship just drop a stargate at the start
• 15:11
  Speaker 2: of that galaxy, drop a stargate at the other side
• 15:16
  Speaker 2: of that galaxy, and then head off to the next one?
• 15:18
  Speaker 2: And then as an ancient, I can just gate from
• 15:22
  Speaker 2: Earth to that particular stargate, And then drove from that
• 15:27
  Speaker 2: stargate to the one to the other side of the
• 15:28
  Speaker 2: galaxy and then jumped to the next galaxy.
• 15:31
  Speaker 1: You know what I mean?
• 15:31
  Speaker 2: Like I'm struggling to figure out what destiny's actual purpose is.
• 15:40
  Speaker 2: I always thought it was because, like I was saying before,
• 15:44
  Speaker 2: these were proto-gates and the ancients hadn't figured out– intergalactic,
• 15:51
  Speaker 2: you know, gate travel, but clearly they have. You know,
• 15:54
  Speaker 2: it's hardwired into everything. So, yeah, I just don't know. Yeah,
• 15:56
  Speaker 2: because they have the nine Chevron address to get to Destiny.
• 16:00
  Speaker 1: Yeah. So, yeah, why bother even having the Stargates?
• 16:03
  Speaker 2: Yes. Or why have the ship? Why not just have
• 16:05
  Speaker 2: the– why have Destiny? Well, have the ship, but the
• 16:08
  Speaker 2: ship– Why does– The code only goes to Destiny and
• 16:13
  Speaker 2: then Destiny is trying to find– its mission.
• 16:18
  Speaker 1: Yeah.
• 16:19
  Speaker 2: But I mean, obviously you could argue like there's the whole,
• 16:23
  Speaker 2: they do. Oh, is this a spoiler Brennan where it's like, um, uh,
• 16:28
  Speaker 2: the ancients discovered Ascension. So that's why they kind of
• 16:32
  Speaker 2: abandoned the whole destiny. Yeah, I think so. I think
• 16:35
  Speaker 2: that's what I take it as.
• 16:37
  Speaker 1: Right. It's like, all right, the ancients had this grand idea. Let's,
• 16:40
  Speaker 1: let's make this seed ships. Let's put these Stargate things
• 16:44
  Speaker 1: that we made. Like imagine the first one that they made.
• 16:47
  Speaker 1: They'll be like, dude, we can make it halfway across
• 16:50
  Speaker 1: a galaxy. Do you know how amazing that is?
• 16:52
  Speaker 2: Yeah.
• 16:52
  Speaker 1: And they didn't, I don't know. It's strange because the
• 16:56
  Speaker 1: ninth Chevron gets them to destiny. So maybe that is
• 17:00
  Speaker 1: a code, that the code thing works well in that scenario. Correct. Yeah.
• 17:05
  Speaker 2: Because we put these, that's why there's nine Chevrons on
• 17:08
  Speaker 2: the gate. So we can get to the destiny. Well,
• 17:10
  Speaker 2: and that's something that Jacob brought up as well.
• 17:12
  Speaker 1: Cause he's like, he's like, yeah, well.
• 17:16
  Speaker 2: A nine Chevron address doesn't work in what we know
• 17:19
  Speaker 2: about stargates of it being six points in space, creating a,
• 17:24
  Speaker 2: a triangulation. And then the seventh being the point of origin.
• 17:28
  Speaker 2: And then, you know, they did say the eight Chevron
• 17:29
  Speaker 2: is a new distance calculation. So nine, Can do code.
• 17:34
  Speaker 2: I have my own theory on that one. And the
• 17:35
  Speaker 2: fact that destiny is also always moving.
• 17:37
  Speaker 1: That was something else Jacob said. Well, you have to
• 17:39
  Speaker 1: have some kind of temporal calculation as well. Interesting. I
• 17:44
  Speaker 1: think one of those glyphs for time purposes.
• 17:48
  Speaker 2: I do like that you said temporal because I've noticed
• 17:50
  Speaker 2: a lot lately people are saying temporal.
• 17:52
  Speaker 1: And I hate that. You know, ZZ, tomato, tomato, whatever
• 17:55
  Speaker 1: you want, mate. I don't know.
• 17:57
  Speaker 2: It's kind of like when people say advertisement instead of advertisement.
• 18:02
  Speaker 2: Although one I will point out that I find is interesting,
• 18:04
  Speaker 2: it's like if something's to do with your brain, it's
• 18:06
  Speaker 2: very cerebral, but then it's cerebral palsy.
• 18:10
  Speaker 1: I say cerebral palsy all the time. Oh, do you?
• 18:13
  Speaker 1: Is that because you've got it? Is that what you've
• 18:14
  Speaker 1: got to say to your doctor? Full-blown. Full-blown? Full-blown cerebral palsy? Oh,
• 18:20
  Speaker 1: my middle name's... Yeah, but I just think it was
• 18:22
  Speaker 1: like an old plan that they had and as soon
• 18:25
  Speaker 1: as they figured out, actually, we can quickly.
• 18:27
  Speaker 2: No, we can actually... easily get to the end of
• 18:30
  Speaker 2: our galaxy. And then if we just tag on another
• 18:33
  Speaker 2: area code and we can get to the next galaxy.
• 18:36
  Speaker 2: So it's, I think they've just sent it on the
• 18:38
  Speaker 2: way and forgotten about it. But they, but they had
• 18:40
  Speaker 2: that from the beginning, obviously, because how else would they
• 18:42
  Speaker 2: have gotten to, to destiny? It's because they knew they
• 18:46
  Speaker 2: could travel these immense distances.
• 18:47
  Speaker 1: So. Yeah, I don't know.
• 18:49
  Speaker 2: I did just realize though, I've thought my whole life,
• 18:52
  Speaker 2: my middle name was Paul, but maybe that was my
• 18:54
  Speaker 2: way of my parents telling me that I've got cerebral palsy.
• 18:57
  Speaker 1: I think you mean pal.
• 19:00
  Speaker 3: I mean, they're just the great colonizers, aren't they, the ancients? Like,
• 19:03
  Speaker 3: just going galaxy to galaxy.
• 19:04
  Speaker 1: Have a gate. White people. Have a gate. Did anyone ask?
• 19:08
  Speaker 1: Just some people. They've gone Oprah. You can have a gate.
• 19:12
  Speaker 1: You can have a gate. Well, no, she's not a colonizer.
• 19:14
  Speaker 1: It's a great movie. You've been struck by a smooth criminal.
• 19:18
  Speaker 2: Who'd have thought that'd get a run two episodes in
• 19:22
  Speaker 2: a row?
• 19:24
  Speaker 1: Making bank on Spotify this week on Alien Ant Farm. Hey,
• 19:29
  Speaker 1: back to Stargate. Just for a minute. Yeah, but we
• 19:31
  Speaker 1: were talking about it the whole time. Have we finished it, Mitch?
• 19:34
  Speaker 1: I think we've kind of come to the end of
• 19:36
  Speaker 1: that thought process.
• 19:38
  Speaker 4: Oh, yeah.
• 19:38
  Speaker 1: Sorry, did you have anything to add? I was going
• 19:39
  Speaker 1: to move on. Stargate in general. We've covered it. I mean,
• 19:43
  Speaker 1: like the seed ships and the... Yeah, did you have
• 19:45
  Speaker 1: anything you wanted to add there? I was about to
• 19:46
  Speaker 1: move on, Why didn't the seed ship have a working
• 19:48
  Speaker 1: Stargate on it? Yeah.
• 19:50
  Speaker 3: Well, I mean, I was more probably into another conversation
• 19:54
  Speaker 3: for mine.
• 19:54
  Speaker 1: It was like, hey, we've docked and it's like, oh,
• 19:57
  Speaker 1: they're draining our power. And I'm like, hang on.
• 19:59
  Speaker 3: Hey, Mitch, Mitch, give me a wink when you say that. No,
• 20:01
  Speaker 3: thank you. They've got enough power. This ship's got enough
• 20:07
  Speaker 3: power to dial home.
• 20:09
  Speaker 2: Yeah.
• 20:10
  Speaker 1: So why do they need to take ours? Why are
• 20:12
  Speaker 1: they going to drain our power? You know what I mean? Oh,
• 20:15
  Speaker 1: the aliens, the little grey guys.
• 20:17
  Speaker 2: They were cute aliens though as far as aliens go.
• 20:19
  Speaker 1: Oh, did that freak you out the first time? That
• 20:22
  Speaker 1: camera angle, the way that it shot, I think Telford
• 20:25
  Speaker 1: was looking at it or Rush, I can't remember now,
• 20:27
  Speaker 1: and it pans across. And you see the alien.
• 20:29
  Speaker 2: And he's just standing there kind of half-crouched. I remember
• 20:33
  Speaker 2: the first time.
• 20:34
  Speaker 1: Very signs. Yeah, I remember the first time seeing it going,
• 20:36
  Speaker 1: what am I looking at? Oh, fuck, it's alive.
• 20:39
  Speaker 3: Well, when old mate in the, which is the doctor guy,
• 20:45
  Speaker 3: and he's sitting there.
• 20:46
  Speaker 1: There's Brody and Volker? Volker.
• 20:48
  Speaker 2: Volker's the guy with the lighter hair and Brody's the
• 20:51
  Speaker 2: one that went upstairs.
• 20:52
  Speaker 1: Yeah. Volker turns around. And the alien's just standing there.
• 20:56
  Speaker 1: He's like, shit.
• 20:57
  Speaker 3: And I kind of was the same because we're so
• 21:00
  Speaker 3: used to hostile aliens.
• 21:01
  Speaker 1: And he puts his hand up to say, oh, please, please. Well,
• 21:03
  Speaker 1: he actually did say please. That's the one. Yeah, that's
• 21:05
  Speaker 1: the one I was talking about. Bruteless, yeah. And then
• 21:07
  Speaker 1: the thing just falls over. I'm like, oh, that's different.
• 21:11
  Speaker 3: I think it got me more when TJ goes to
• 21:13
  Speaker 3: tend to it and like its head was laying down
• 21:16
  Speaker 3: so it was sideways in the shot and just It's
• 21:18
  Speaker 3: eyeball over design.
• 21:20
  Speaker 1: Oh, shit. Good design. I actually like the design.
• 21:22
  Speaker 2: Yeah, for a split second, I thought it was the
• 21:26
  Speaker 2: veneer or whatever it was, you know, the ancients from Atlantis?
• 21:28
  Speaker 1: Yeah. I thought it was them.
• 21:29
  Speaker 3: Yeah, it's a touch better because it looked like it
• 21:30
  Speaker 3: had that sort of- Had a little mech suit. Big
• 21:31
  Speaker 3: mech suit, yeah, yeah. And then the, like, very skeletal hands. Like,
• 21:37
  Speaker 3: it wasn't this big bulky thing anyway, but then when
• 21:39
  Speaker 3: it took the dried fruit and it was this, it
• 21:42
  Speaker 3: just looked like.
• 21:42
  Speaker 1: Bone hands that were coming out. So, yeah, kind of
• 21:45
  Speaker 1: cool design.
• 21:46
  Speaker 2: I actually really liked that scene when they were giving
• 21:48
  Speaker 2: it food because it reminded me of the Stargate movie.
• 21:51
  Speaker 1: Yeah. When they're giving Daniel, oh, it tastes like chicken.
• 21:55
  Speaker 1: I'm like, this is kind of a fun thing for
• 21:59
  Speaker 1: Stargate fans.
• 22:00
  Speaker 2: Yeah.
• 22:00
  Speaker 1: It's a shame they didn't have any like Three Musketeers
• 22:02
  Speaker 1: bars or anything.
• 22:04
  Speaker 3: Yeah, I was waiting when they're like, anyone got any food?
• 22:06
  Speaker 3: He's like, I've got a, and I was waiting for
• 22:08
  Speaker 3: him to say something like half decent. He goes, I
• 22:10
  Speaker 3: got a piece of dried fruit. I was saving it
• 22:12
  Speaker 3: for later.
• 22:13
  Speaker 1: Like, oh God. In your pocket, mate. What a state. Wow.
• 22:18
  Speaker 1: He's a scientist, but he's not sanitary.
• 22:21
  Speaker 3: And I wore a suit in the weekend and I'm like, geez,
• 22:23
  Speaker 3: it's very bulky in the jacket pocket.
• 22:25
  Speaker 1: There were two like biscuits in there. Like shortbreads.
• 22:28
  Speaker 3: You know where like you go to like an event
• 22:30
  Speaker 3: and they have like printed on like a little edible
• 22:33
  Speaker 3: sticker sort of thing. And so I hosted this event
• 22:35
  Speaker 3: in like October last year.
• 22:38
  Speaker 2: One point in this episode where the aliens were coming
• 22:40
  Speaker 2: out of the box- And for like a split second
• 22:42
  Speaker 2: I'm like, if Cooper's writing this episode, it's a f
• 22:45
  Speaker 2: * * * ing replicator.
• 22:46
  Speaker 1: 100%. Oh, shit.
• 22:49
  Speaker 2: Those little pods actually looked like Farscape. They looked something
• 22:52
  Speaker 2: out of Farscape to me, the way they kind of
• 22:54
  Speaker 2: opened up. Remember those, the ingots, when Moya had to
• 22:57
  Speaker 2: be burned and stuff? Actually, the new bridge reminds me
• 23:02
  Speaker 2: a little bit of Talon from Farscape.
• 23:03
  Speaker 1: With the ring on the top. Oh, I didn't notice that.
• 23:07
  Speaker 1: It's pretty cool. Yeah, nice. No, God, yeah. I was waiting.
• 23:12
  Speaker 2: As soon as I saw Cooper's name last week, I
• 23:16
  Speaker 2: was like, oh, we're going to get some bugs.
• 23:17
  Speaker 3: Yeah, well, you're right, actually. Yeah, when that arm came out.
• 23:20
  Speaker 3: And they were a little bit buggish. They were humanoid,
• 23:26
  Speaker 3: but by way of, it's like, they were humanoid to
• 23:30
  Speaker 3: bug a few generations ago.
• 23:31
  Speaker 1: You know what I mean? Like, yeah. I didn't fuck
• 23:33
  Speaker 1: a prawn, eh? Maybe a wraith.
• 23:36
  Speaker 2: An Asgard and that's how these things were created. Sorry,
• 23:40
  Speaker 2: not to make demands of Baal, who just sits there
• 23:42
  Speaker 2: idly in the corner. Could he actually quote that line
• 23:45
  Speaker 2: from District 9, please, Baal?
• 23:49
  Speaker 1: I didn't fuck up Rune. It was Eli's mum. Spoiler alert, Mitch.
• 23:55
  Speaker 1: Better than I could have hoped for. That was great.
• 23:57
  Speaker 2: Spoiler alert for episode 8 of this season, Malice, written
• 24:03
  Speaker 2: by Robert C.
• 24:04
  Speaker 1: Cooper, directed by Robert C. Cooper. Oh, okay.
• 24:09
  Speaker 4: Yeah.
• 24:09
  Speaker 1: No need to overstep, Robert. Best we could do.
• 24:15
  Speaker 3: Does he take it so far as the director? I mean,
• 24:19
  Speaker 3: we know as a director he's criticised the writing of
• 24:21
  Speaker 3: the episode.
• 24:22
  Speaker 1: Yeah. Does he go the opposite direction?
• 24:24
  Speaker 3: Does he, as a writer in hindsight, critique the direction
• 24:27
  Speaker 3: of the script that he wrote?
• 24:28
  Speaker 1: Like, has he ever gone that far? No, because he's–
• 24:31
  Speaker 1: what's the guy that– Directed that Vietnam movie. Oh, yes, Kubrick.
• 24:39
  Speaker 2: Kubrick, yeah, he's Stanley Kubrick. He's the Stanley Kubrick and the,
• 24:42
  Speaker 2: I was about to say Woody Harrelson, but that's not right.
• 24:44
  Speaker 1: The Woody Allen.
• 24:44
  Speaker 2: The Woody Allen of the Stargate universe. So he would
• 24:48
  Speaker 2: never critique his direction, I'm sure.
• 24:52
  Speaker 1: Yeah. He's a director that's criticized the writing, though. His
• 24:57
  Speaker 1: own writing, yes. Yeah, that's what I mean. Like, I
• 24:59
  Speaker 1: just don't know why we had to do this. Well,
• 25:01
  Speaker 1: you fucking wrote it, mate. You wrote it, mate. Dickhead.
• 25:03
  Speaker 2: Yeah.
• 25:03
  Speaker 1: Okay, cool.
• 25:04
  Speaker 3: So we've only got to wait another, what, five episodes
• 25:06
  Speaker 3: to get to a double team RCC.
• 25:09
  Speaker 1: Yeah.
• 25:10
  Speaker 2: Speaking of unearned whinging, Telford, at the start of the
• 25:15
  Speaker 2: episode when they find the seed ship, Telford comes and
• 25:19
  Speaker 2: finds Camille and says, oh, no, was it Young he approaches?
• 25:24
  Speaker 2: And he was like, oh, I was on the stones
• 25:26
  Speaker 2: reporting to Homeworld Command. Why did nobody tell me that
• 25:30
  Speaker 2: we'd found the seed ship?
• 25:32
  Speaker 1: Mate, you weren't there.
• 25:35
  Speaker 2: There's literally someone in your body walking around the ship
• 25:38
  Speaker 2: that knows all about what's happening on the seed ship.
• 25:41
  Speaker 1: We did tell you. Yeah, so what would have happened
• 25:43
  Speaker 1: is if- Do we know it's not you?
• 25:44
  Speaker 2: Because he wasn't allowed to, he wasn't given permission to
• 25:46
  Speaker 2: go on the stones either. If they take him off
• 25:49
  Speaker 2: the stones, right, then the person who was on Destiny
• 25:53
  Speaker 2: in Telford's body would be instantaneously transported back to Earth
• 25:57
  Speaker 2: and said, hey, they just found a seed ship. So
• 26:01
  Speaker 2: that we can then tell Telford, Hey, we just found
• 26:04
  Speaker 2: a seed ship. So that he can then get back
• 26:06
  Speaker 2: on the stones to travel back to Earth to tell them, hey,
• 26:10
  Speaker 2: we just found a seed ship.
• 26:12
  Speaker 1: That's a lot. Yeah. Come on. Come on, David. Like,
• 26:15
  Speaker 1: what the fuck are you doing? David. I completely forgot
• 26:17
  Speaker 1: his name was David. Oh, that's what we need. They
• 26:19
  Speaker 1: said it a lot this episode. David, David, David. Yeah,
• 26:21
  Speaker 1: there was a lot going on. David, David, David. I
• 26:24
  Speaker 1: don't know. Brendan, did you just a little bit.
• 26:27
  Speaker 3: Of, like, he was a cautious husband trying to talk
• 26:34
  Speaker 3: to his wife.
• 26:35
  Speaker 1: Like recently really pissed off wife in young. Like he
• 26:39
  Speaker 1: kept going on, hey, hey, what's going on here? And
• 26:43
  Speaker 1: do you want to maybe let me know? I don't
• 26:44
  Speaker 1: want to let you do that. It's all right.
• 26:46
  Speaker 4: Cool.
• 26:46
  Speaker 3: I'm just, I mean, I'm here to help. Maybe just,
• 26:48
  Speaker 3: maybe just use me if you can. I'm just, how about, no, no, no.
• 26:52
  Speaker 3: He's like, hey, hey, hey, it's me.
• 26:54
  Speaker 1: He's like, okay, fine. Yeah, he didn't handle it well.
• 26:57
  Speaker 1: I'll tell you. Tell me how you want me to feel.
• 27:00
  Speaker 2: Yeah.
• 27:00
  Speaker 1: You sent a team over?
• 27:05
  Speaker 5: Without bothering to run it by me? Last time I checked,
• 27:08
  Speaker 5: I was the commanding officer of the ship, meaning I
• 27:10
  Speaker 5: don't have to run.
• 27:11
  Speaker 1: Anything by you or anyone else for that matter.
• 27:12
  Speaker 5: Look, I don't have a problem with sending a team over.
• 27:15
  Speaker 5: I just appreciate being kept in the loop.
• 27:17
  Speaker 1: You were on the stones, dude. Nope, I don't need
• 27:19
  Speaker 1: your help.
• 27:21
  Speaker 5: Like hell you don't, David.
• 27:23
  Speaker 1: Damn it.
• 27:23
  Speaker 4: Everett.
• 27:25
  Speaker 1: Oh, first name basis.
• 27:27
  Speaker 5: You've been going this alone since the incursion and it's
• 27:29
  Speaker 5: been taking a toll. When are you going to realize
• 27:32
  Speaker 5: that this isn't just about you? You have a responsibility
• 27:35
  Speaker 5: to the people on board this ship, and lately you
• 27:37
  Speaker 5: haven't been up to the task. Now either shape up
• 27:39
  Speaker 5: or step back. You're tired, I get it.
• 27:45
  Speaker 1: Of course. Let me help. You're tired, I get it.
• 27:49
  Speaker 1: You're a weak bitch. Gives him a little shoulder massage.
• 27:52
  Speaker 2: Babe.
• 27:53
  Speaker 5: I had to kill you to do it, and I'm
• 27:54
  Speaker 5: willing to do the same for you.
• 27:56
  Speaker 1: Okay.
• 27:59
  Speaker 5: They found what looks to be the ship's control center,
• 28:01
  Speaker 5: and they're bringing systems online.
• 28:03
  Speaker 1: That's a game plan. The game plan is just get
• 28:05
  Speaker 1: as much information as we can before our time runs out.
• 28:10
  Speaker 1: Trying to pretend like he's part of the team. What's
• 28:12
  Speaker 1: the game plan? It's a thing where he says, oh,
• 28:16
  Speaker 1: you didn't care to run it by me. It's like
• 28:19
  Speaker 1: that was the wrong wording.
• 28:20
  Speaker 2: Yeah, but can you rewind it back to when he
• 28:23
  Speaker 2: finds Camille?
• 28:25
  Speaker 4: Yeah.
• 28:26
  Speaker 2: Because, yeah, he even says he was on the stones
• 28:28
  Speaker 2: reporting to Homeworld Command. Camille?
• 28:31
  Speaker 1: Camille? I thought you were being debriefed.
• 28:37
  Speaker 4: Homeworld Command can wait.
• 28:38
  Speaker 5: What's going on with the seed ship?
• 28:41
  Speaker 1: Some sort of data transfer has been initiated. In the meantime,
• 28:45
  Speaker 1: Colonel Young is sending a team over to investigate.
• 28:51
  Speaker 2: David.
• 28:52
  Speaker 1: Okay, so all right.
• 28:53
  Speaker 2: Okay, he said Homeworld Command can wait. So maybe he
• 28:55
  Speaker 2: wasn't on the stones. Maybe I overreacted.
• 28:58
  Speaker 1: I thought he was too. Yeah.
• 29:00
  Speaker 2: I thought you were being debriefed. Homeworld Command can wait. Oh,
• 29:04
  Speaker 2: so he didn't end up doing it. So maybe he
• 29:06
  Speaker 2: didn't actually jump on the stones. Maybe he went to
• 29:07
  Speaker 2: the stone room and the person running the stones went.
• 29:10
  Speaker 1: Hey, did you hear about the seed chip? Or dropped
• 29:12
  Speaker 1: out of FTL. Yeah. Oh, yeah, that could have happened too. Oh,
• 29:18
  Speaker 1: maybe that's what happened.
• 29:19
  Speaker 2: Maybe he was on the stones and then when they
• 29:22
  Speaker 2: dropped out of FTL and he got disconnected, he goes,
• 29:24
  Speaker 2: what happened?
• 29:25
  Speaker 1: And the person goes. Put me back. Yeah.
• 29:28
  Speaker 4: Yeah.
• 29:29
  Speaker 1: But either way, it's like, yeah, stop being a whinge
• 29:31
  Speaker 1: little bitch, Telford. Yeah, just fall in line and be like, yeah,
• 29:35
  Speaker 1: I should be ahead of your away team. But he's
• 29:37
  Speaker 1: just getting over the injury. So you can't really... complain
• 29:41
  Speaker 1: too much. Yeah.
• 29:42
  Speaker 2: And isn't the whole point of this episode is, like,
• 29:44
  Speaker 2: he and Camille have been getting as much information as
• 29:47
  Speaker 2: possible out of the Lucian Alliance people and reporting that
• 29:50
  Speaker 2: back to Homeworld Command?
• 29:52
  Speaker 1: So it's like he's got a job. Like, he's the
• 29:55
  Speaker 1: best person to.
• 29:57
  Speaker 2: interview the Lucian Alliance people because he has relationships with
• 30:00
  Speaker 2: some of them.
• 30:03
  Speaker 1: So he can provide context.
• 30:05
  Speaker 3: I forgot to say it last week, but when it
• 30:07
  Speaker 3: started off and he was sort of like chucked back
• 30:09
  Speaker 3: into the room full of the Lucian Alliance people.
• 30:11
  Speaker 1: Yeah, they didn't say why.
• 30:14
  Speaker 3: Yeah, and then what's old, mate?
• 30:17
  Speaker 1: DuPont. Oh, yeah. I don't know his actual name. Whatever
• 30:20
  Speaker 1: his actual name is. Yeah, I've never bothered to learn his.
• 30:23
  Speaker 4: Teabag.
• 30:24
  Speaker 1: Teabag it is. The runner. Oh, the runner. And he
• 30:27
  Speaker 1: says something to Telford. Telford goes... They're never going to
• 30:29
  Speaker 1: tell me anything. I'm a traitor.
• 30:32
  Speaker 3: But then for the rest of the episode and for
• 30:33
  Speaker 3: this episode, he's just casually walking around just talking about it.
• 30:36
  Speaker 3: I'm like, so where did that go? Like, was that
• 30:39
  Speaker 3: going to be a plan? Were we putting you in this?
• 30:42
  Speaker 1: Yeah, exactly. Were you a plant? Were you a mole?
• 30:45
  Speaker 3: But it just like there was a deleted scene where
• 30:48
  Speaker 3: we got you out or something.
• 30:49
  Speaker 1: I don't know.
• 30:49
  Speaker 3: I thought it was going to be like one of those.
• 30:52
  Speaker 3: You'd seen this. You would have seen this. I'm sure Brendan. No,
• 30:55
  Speaker 3: no offense to Matty. Inside Man. with Clive Owen and Denzel.
• 30:59
  Speaker 1: Yeah, I've seen that. There's an episode of Voyager called
• 31:01
  Speaker 1: Inside Man, which is pretty good.
• 31:05
  Speaker 3: But the way that that wraps up, without going into
• 31:09
  Speaker 3: spoilers for a movie that's 20 years old this year,
• 31:13
  Speaker 3: the switch around with the different hostage groups. And I
• 31:18
  Speaker 3: thought maybe that was what they were going to do
• 31:19
  Speaker 3: here with Telford to sort of, keep him as one
• 31:23
  Speaker 3: of the Lucian Alliance, as far as the Lucian Alliance
• 31:25
  Speaker 3: people were concerned, but then still get him to come
• 31:27
  Speaker 3: out freely and, and share any information.
• 31:30
  Speaker 1: But anyway, that wasn't what, what was going on.
• 31:32
  Speaker 2: I still have issues trying to figure out which, which
• 31:35
  Speaker 2: is Clive Owen and which is.
• 31:39
  Speaker 1: The other guy. Oh, Clive. No. Oh God. The guy
• 31:48
  Speaker 1: from 300. Gerard Butler. Yeah, Gerard Butler. You see the
• 31:52
  Speaker 1: difference is Gerard Butler's a pretty good actor. Right, okay.
• 31:56
  Speaker 1: I'm just trying to remember. The main difference.
• 31:59
  Speaker 2: There was a movie that one of them did about, like,
• 32:04
  Speaker 2: what was it called? Like Concerned Citizen or something.
• 32:09
  Speaker 1: Law Abiding Citizen. That's the one. Was that Gerard Butler
• 32:12
  Speaker 1: or Clive Owen?
• 32:13
  Speaker 2: Oh, yeah, he started doing all those stupid movies.
• 32:15
  Speaker 1: That's a little bit of shit. Yeah, right. He was
• 32:18
  Speaker 1: really like. Isn't that just the takeoff of the. The
• 32:20
  Speaker 1: other ones? The president ones? No, no, that was an
• 32:26
  Speaker 1: Armageddon deep impact situation.
• 32:27
  Speaker 2: Yeah, where it was the Clive Oakwood, Gerard Butler, and
• 32:30
  Speaker 2: then Channing Tatum.
• 32:31
  Speaker 1: We had Olympus' Fallen with Gerard Butler, which was diehard
• 32:34
  Speaker 1: the White House. It was excellent. That was great. I
• 32:35
  Speaker 1: loved that.
• 32:36
  Speaker 3: And then we had White House Down with Jamie Foxx
• 32:38
  Speaker 3: and Channing Tatum, and that was not good.
• 32:40
  Speaker 1: Ironically, I think that was Roland Emmerich, guys. Oh, bring
• 32:45
  Speaker 1: it back. Let me just have a look. I'm going
• 32:47
  Speaker 1: to Google that. But yeah, he was really like, good movie,
• 32:51
  Speaker 1: bad movie. Good movie, bad movie. There for a while,
• 32:53
  Speaker 1: the Gerard Butler. And even some of his good ones,
• 32:56
  Speaker 1: people might not think so much. Oh, Inside Man was
• 32:59
  Speaker 1: directed by Spike Lee. Yeah, man. Jodie Foster. Fuck, I'm good.
• 33:02
  Speaker 1: Rowan Emmerich. Jesus, Mitchell. Which one? White House Down.
• 33:08
  Speaker 2: Jeez.
• 33:09
  Speaker 1: This is a stacked cast in Inside Man. Is that
• 33:10
  Speaker 1: the good one or the bad one?
• 33:11
  Speaker 3: I would say it's the bad one. Got great actors
• 33:14
  Speaker 3: in it. Ozzie Jason Clarke. He's fantastic. Maggie Gyllenhaal.
• 33:18
  Speaker 1: It's a shame he has to be called Aussie. Who?
• 33:23
  Speaker 1: Aussie Jason Clarke. Aussie Jason Clarke. As opposed to just
• 33:25
  Speaker 1: Jason Clarke. Just Jason. Yeah, he is just Jason. Why?
• 33:29
  Speaker 1: Who's the non-Aussie Jason Clarke? No, I'm just saying. Who's
• 33:32
  Speaker 1: the equivalent, Mitch? I have to take ownership of him,
• 33:34
  Speaker 1: you know. Yeah, no, it's. Australia's own. Yeah, yeah. Jason Clarke.
• 33:41
  Speaker 1: I would say, though, Olympus has fallen.
• 33:44
  Speaker 2: Remember that Patreon special we did where I did, like,
• 33:47
  Speaker 2: you had to guess the movie by me listing off
• 33:50
  Speaker 2: the actors in it?
• 33:52
  Speaker 1: Oh, yeah. I just got one here for you. I
• 33:54
  Speaker 1: just went, okay, ready? Chiwetel Ejiofor. Don't know who that is. Oh,
• 33:59
  Speaker 1: my God.
• 33:59
  Speaker 2: That's the agent from Serenity.
• 34:03
  Speaker 1: The what? The operative from Serenity. Bad guy from Serenity.
• 34:05
  Speaker 1: The bad guy from Serenity. All right. Which I've always
• 34:07
  Speaker 1: heard is one of the great villains. Oh, he's amazing
• 34:10
  Speaker 1: in that. He was 12 Years a Slave as well.
• 34:12
  Speaker 1: Really should watch that. Yeah, you really should. Chiwetel Ejiofor,
• 34:16
  Speaker 1: Willem Dafoe. He's the 12 Years a Slave guy. Yeah.
• 34:19
  Speaker 1: The Serenity guy. Yeah. Oh, wow.
• 34:21
  Speaker 4: Same guy.
• 34:22
  Speaker 1: He's amazing. So Chiwetel Ejiofor, Willem Dafoe. Are you talking
• 34:26
  Speaker 1: about Inside Man?
• 34:28
  Speaker 2: Christopher Plummer, Jodie Foster. Clive Owen and Denzel Washington. That's
• 34:34
  Speaker 2: the cast for Inside Man.
• 34:35
  Speaker 1: Incredible. That's crazy. Willem Dafoe is like a nothing character.
• 34:38
  Speaker 1: I thought you were doing like a good, like a
• 34:40
  Speaker 1: new one.
• 34:41
  Speaker 3: I thought you picked something else. I mean, like, guess this.
• 34:44
  Speaker 3: Is it one of the ones that we talked about?
• 34:45
  Speaker 1: I could. Yeah, no, that's fine.
• 34:47
  Speaker 2: Are you talking about Serenity, the 2019 film, or 2005?
• 34:50
  Speaker 2: I'm talking about the Joss Whedon film, Serenity.
• 34:53
  Speaker 1: Oh, that black guy, yeah. God. Not to be confused
• 34:57
  Speaker 1: with Early, the black.
• 35:02
  Speaker 2: Agent from Firefly episode Objects in Space, who is incredible.
• 35:09
  Speaker 1: Doctor Strange. Oh, yeah. That's true. That's true. 2012, if
• 35:19
  Speaker 1: anyone's interested. One of the great shit movies. Also, Roland Emmerich.
• 35:25
  Speaker 1: That was Roland.
• 35:26
  Speaker 2: We bought tickets down at Capalabar Event Cinemas, or BCC
• 35:31
  Speaker 2: back in those days.
• 35:33
  Speaker 1: That's what I want. And we only had the first row,
• 35:41
  Speaker 1: the four tickets on the far left and we're like, nah,
• 35:44
  Speaker 1: not worth the sore neck watching this thing.
• 35:46
  Speaker 3: What was that for? 2012 and then we just left.
• 35:49
  Speaker 3: That's where I sat for Lord of the Rings, Fellowship
• 35:51
  Speaker 3: of the Rings. I was going to say, that's where
• 35:53
  Speaker 3: I sat for Return of the King.
• 35:54
  Speaker 1: Did you really?
• 35:56
  Speaker 2: That's why I hated those five fucking endings because my
• 35:57
  Speaker 2: neck was killing me and I just wanted to get
• 36:00
  Speaker 2: out of that fucking cinema.
• 36:01
  Speaker 1: I was actually in Capalaba, like Capalaba, front, left, four seats.
• 36:06
  Speaker 3: Yeah.
• 36:07
  Speaker 1: Good times. I can't do that. No. I was in
• 36:10
  Speaker 1: one of the real steep ones, the real steep. Oh,
• 36:12
  Speaker 1: stadium seating. Stadium seating? Yeah, yeah. Bottom left. Yeah, only
• 36:17
  Speaker 1: if I really have to. Hey, I thought it was
• 36:19
  Speaker 1: weird at the end of the episode. Let's jump to
• 36:22
  Speaker 1: the end. Yeah. Mitch, is there anything you wanted to
• 36:26
  Speaker 1: talk about in this episode?
• 36:27
  Speaker 3: I mean, I've jumped around myself a fair bit and
• 36:30
  Speaker 3: I apologize for it.
• 36:33
  Speaker 2: Well, I just wanted to bring up that I thought
• 36:35
  Speaker 2: it was weird that when everyone's rushing back to get
• 36:39
  Speaker 2: on board Destiny.
• 36:42
  Speaker 2: Rush disappears. Like Young's on the go. Hey, get Rush
• 36:45
  Speaker 2: up here to control him immediately. And Scott's like, he's gone.
• 36:47
  Speaker 2: I don't know where he is.
• 36:49
  Speaker 1: And obviously he goes to the bridge.
• 36:51
  Speaker 3: Was that the second or third time that he disappeared? Like,
• 36:53
  Speaker 3: you know, when they were like, again, discovering something amazing.
• 36:56
  Speaker 1: I'm going to the bathroom. I'm going to take a piss.
• 36:58
  Speaker 1: He didn't say that, but that was kind of his energy.
• 37:00
  Speaker 1: I stopped in at the mess on the way back.
• 37:01
  Speaker 1: I don't know what that exit was.
• 37:02
  Speaker 3: I went to take a piss and then I've come back.
• 37:04
  Speaker 3: Thought I'd go get some of the slop they're serving up.
• 37:06
  Speaker 1: It's like, dude. There's another fucking ship out there. Why
• 37:10
  Speaker 1: are you pretending like you don't give a shit?
• 37:13
  Speaker 2: But at the end of the episode, he disappears in
• 37:16
  Speaker 2: the middle of everything happening. They don't follow up on
• 37:20
  Speaker 2: where he was. And then the ship just magically decouple.
• 37:24
  Speaker 1: Yeah.
• 37:25
  Speaker 2: And at no point in this episode, at the end
• 37:27
  Speaker 2: of the episode, does Young, because the whole way through
• 37:29
  Speaker 2: the episode, you can see Young's clocking it. He's being like,
• 37:33
  Speaker 2: this prick's up to something. He's working some angle here.
• 37:37
  Speaker 2: but it just makes like young look even more ineffective
• 37:40
  Speaker 2: because no one got any, I mean, we might get
• 37:44
  Speaker 2: it next week. I don't know, but there was no
• 37:45
  Speaker 2: accountability to, Hey, where did you disappear to when things was,
• 37:49
  Speaker 2: when she was hitting the fan and how did destiny
• 37:51
  Speaker 2: just magically disconnect from the sea chip?
• 37:54
  Speaker 1: Nobody asked those questions. I mean, I'm pretty sure he
• 37:58
  Speaker 1: went to the bar to play pool. I'll do the
• 38:03
  Speaker 1: f * * * ing volley we told me, playing pool.
• 38:05
  Speaker 1: I'm playing like Paul f * * * ing Newman,
• 38:06
  Speaker 1: by the way. Giving a boy here the turn into
• 38:08
  Speaker 1: a lifetime. So it comes to the end, on the
• 38:12
  Speaker 1: last shot, a deciding boy of the whole tournament.
• 38:15
  Speaker 3: I'm in the black, he's sitting in the corner looking
• 38:17
  Speaker 3: off f * * * ing biscuit erst.
• 38:19
  Speaker 1: And this hard c * * * comes out. Obviously
• 38:21
  Speaker 1: f * * * ing fancied himself like. Starts staring
• 38:25
  Speaker 1: at me. Looking at me right and f * *
• 38:27
  Speaker 1: * ing at me as if to say, come ahead,
• 38:28
  Speaker 1: square go. Square go. You can, me. I'm not the
• 38:32
  Speaker 1: type of c * * * that goes looking for
• 38:33
  Speaker 1: f * * * ing bother, like, but at the
• 38:34
  Speaker 1: end of the day.
• 38:35
  Speaker 2: I'm a c * * * with a pool cue
• 38:36
  Speaker 2: and you can have a fat ending and he's p
• 38:38
  Speaker 2: * * * s any.
• 38:38
  Speaker 1: Time he f * * * ing wanted, like. I
• 38:41
  Speaker 1: would have... That's what he said to Young, I'm pretty sure.
• 38:45
  Speaker 1: Just say, who is he talking to, the old woman?
• 38:47
  Speaker 1: Square up, you c * * *. I would have.
• 38:51
  Speaker 2: I would have an easier time decoding what that Highland tablet.
• 38:55
  Speaker 1: Lady said than what just happened then. What's that? That's Trainspotting.
• 39:01
  Speaker 3: Is it really?
• 39:02
  Speaker 1: I heard pool cue, square up and * * * *.
• 39:05
  Speaker 1: That was it. That's basically all you had to hear.
• 39:08
  Speaker 1: That's a good summary of it. What a movie.
• 39:12
  Speaker 2: Well, see, I mean, you were, you know, giving us
• 39:14
  Speaker 2: a little more context on what Russia was up to.
• 39:16
  Speaker 1: Yeah.
• 39:16
  Speaker 2: Obviously, at the end of the episode, Telford is left
• 39:19
  Speaker 2: behind on the seed ship, just him and the aliens.
• 39:23
  Speaker 2: But I feel like he's going to get along with
• 39:25
  Speaker 2: the aliens a little better than he was getting along
• 39:27
  Speaker 2: with Young in this episode.
• 39:30
  Speaker 4: It's always such an odd state of being when you
• 39:32
  Speaker 4: have to work with the special effects. You know, there
• 39:35
  Speaker 4: was a little bit of a language barrier. They came on,
• 39:38
  Speaker 4: they didn't quite get all the jokes, but I tried
• 39:39
  Speaker 4: to make them feel at home. So the patient says
• 39:42
  Speaker 4: to the doctor, I.
• 39:43
  Speaker 1: Said ping pong balls, not King Kong's balls. Up high.
• 39:47
  Speaker 4: That's good.
• 39:55
  Speaker 1: Balls. Balls. We really just needed old Louis Ferreira. How
• 40:01
  Speaker 1: do we say it now? Louis Ferreira. Yeah, Luis Ferreira.
• 40:04
  Speaker 1: Luis Ferreira. We just see his little bit at the
• 40:06
  Speaker 1: end going.
• 40:08
  Speaker 2: So what that was, while they were setting up a
• 40:10
  Speaker 2: shot with the CGI and stuff like that, that was
• 40:12
  Speaker 2: just LDP just making a little joke and just high-five
• 40:17
  Speaker 2: the air.
• 40:17
  Speaker 1: Yeah.
• 40:18
  Speaker 2: And the head of the CGI department liked it so much,
• 40:22
  Speaker 2: he animated that on his own time, on his own budget.
• 40:24
  Speaker 2: So if you go onto the bonus features for this,
• 40:26
  Speaker 2: for this disc, you'll see it. And they've actually animated
• 40:28
  Speaker 2: one of those aliens next to him in the shot
• 40:31
  Speaker 2: and laughs, says that little thing, balls and actually does
• 40:35
  Speaker 2: high five him.
• 40:35
  Speaker 1: Now I know I'm only watching it's on YouTube as well.
• 40:39
  Speaker 3: I know I'm only watching this for the first time,
• 40:42
  Speaker 3: but I am watching it for the first time in 2026.
• 40:43
  Speaker 2: Yeah.
• 40:43
  Speaker 1: After.
• 40:46
  Speaker 3: Project Hail Mary has come out and I've seen it.
• 40:48
  Speaker 3: So I was looking at these aliens and there was.
• 40:50
  Speaker 1: A little bit of Rocky about them. Oh, fist my bump.
• 40:52
  Speaker 4: Yeah.
• 40:52
  Speaker 1: Amaze, amaze, amaze. Amaze, amaze, amaze, yeah. That would be
• 40:55
  Speaker 1: good actually.
• 40:55
  Speaker 2: Don't you reckon there was kind of like a stargatism
• 41:00
  Speaker 2: about that?
• 41:01
  Speaker 1: About what? About the way they communicated in that movie,
• 41:06
  Speaker 1: Hail Mary. It was like bringing it down to the
• 41:09
  Speaker 1: basic elements. Oh, yeah, yeah, yeah, yeah, yeah, yeah.
• 41:12
  Speaker 2: Yeah.
• 41:13
  Speaker 1: I'm like, oh, Daniel Jackson. I always said that the
• 41:17
  Speaker 1: guy who wrote that movie was a hack. Wrote the
• 41:20
  Speaker 1: book or wrote the movie? Both. Andy Weir? Yeah. Remember
• 41:23
  Speaker 1: because he shit on Star Trek a couple of months ago? Oh,
• 41:27
  Speaker 1: I liked him more after that. Surprise, surprise. Didn't he
• 41:32
  Speaker 1: shit on modern Trek? I thought he shat on what modern. Yeah,
• 41:36
  Speaker 1: it could have been. I thought you would have liked
• 41:38
  Speaker 1: it because he said.
• 41:38
  Speaker 2: Well, no, because I was in the middle of my
• 41:40
  Speaker 2: Starfleet Academy phase at that point. And I still maintain
• 41:43
  Speaker 2: Starfleet Academy is actually a really good show.
• 41:45
  Speaker 1: Yeah. But it's a hard * * * * though.
• 41:47
  Speaker 1: A so-called hard.
• 41:49
  Speaker 5: * * * *.
• 41:49
  Speaker 1: Shades it. Pushed on his drink, tons, and gets the *.
• 41:53
  Speaker 2: * * * out of it.
• 41:54
  Speaker 1: Pushed on his drink. And that's all. How do you
• 41:57
  Speaker 1: push on someone's drink? I think I did watch that
• 41:59
  Speaker 1: movie with subtitles, to be fair. Pushed on his drink.
• 42:04
  Speaker 1: Play it again, play it again. I'm going to go full,
• 42:06
  Speaker 1: what do you call it? Around the world here. Wanted like.
• 42:12
  Speaker 1: So it squares up. Casual like. Casual. Casual like. What
• 42:16
  Speaker 1: does a hard * * * * do? What does
• 42:17
  Speaker 1: a hard * * * * do? A so-called hard
• 42:18
  Speaker 1: * * * *. A so-called hard * * *
• 42:19
  Speaker 1: * eats it. Puts it in his drink, comes and
• 42:22
  Speaker 1: gets the * * * * out of it. Gets
• 42:24
  Speaker 1: the * * * * out of here. What again
• 42:27
  Speaker 1: was mine?
• 42:29
  Speaker 5: Nuts.
• 42:31
  Speaker 1: And then he just tosses his drink over his shoulder.
• 42:34
  Speaker 3: Didn't get that last one. Down the balcony. Now he's
• 42:37
  Speaker 3: right with just all that swearing. There's a character that's
• 42:39
  Speaker 3: not spoiling anything. I know we've already spoiled some of
• 42:41
  Speaker 3: this show. But a particular character from House of the
• 42:44
  Speaker 3: Dragon does something to someone and.
• 42:45
  Speaker 1: Goes, that's a proper f * * * ing from
• 42:47
  Speaker 1: the north. It's like, yeah. I didn't realise he said
• 42:52
  Speaker 1: the word c * * * so many times. Pushed
• 42:55
  Speaker 1: his drink. Pushed his drink. What a movie. I'd love
• 43:00
  Speaker 1: to watch it again, but Jesus Christ, that is a
• 43:02
  Speaker 1: hard watch. Some tablet.
• 43:03
  Speaker 3: You see that dead baby because her mum's OD'd for
• 43:07
  Speaker 3: four years.
• 43:07
  Speaker 1: Oh, why are we zooming in on that? Is that
• 43:09
  Speaker 1: the same one where they hallucinate the baby crawling on
• 43:12
  Speaker 1: the ceiling? I can't remember. Literally seen it once. Is
• 43:16
  Speaker 1: that Ewan McGregor's in that one as well? Yeah, yeah, yeah.
• 43:19
  Speaker 2: Because Ewan McGregor hallucinates the dead baby crawling on the ceiling.
• 43:22
  Speaker 1: Oh, that makes sense.
• 43:23
  Speaker 2: Yeah.
• 43:24
  Speaker 1: I don't remember... Robert Carlyle in that movie.
• 43:27
  Speaker 3: Oh yeah he was like he was a dangerous man
• 43:30
  Speaker 3: I only remember I only remember Robert Carlyle from Full
• 43:35
  Speaker 3: Monty that's it oh yeah yeah that's the main one
• 43:39
  Speaker 3: yeah he's great he's scary in Trainspotting yeah you're like
• 43:44
  Speaker 3: I don't want to be around this guy nah and then.
• 43:48
  Speaker 1: Did you ever see the sequel I only watched the
• 43:51
  Speaker 1: first one.
• 43:52
  Speaker 2: It was like an anniversary.
• 43:54
  Speaker 1: Of the original or something. I think it was pre-COVID.
• 43:58
  Speaker 3: I got an interview chance with Danny Boyle for Trainspotting 2.
• 44:03
  Speaker 1: And I'd never seen the original. Oh, I think I
• 44:05
  Speaker 1: remember that.
• 44:06
  Speaker 3: I watched the original really late one night and then
• 44:08
  Speaker 3: saw the sequel the next morning. So it was a lot.
• 44:13
  Speaker 3: How nerve-wracking would that be? I loved the first one.
• 44:16
  Speaker 3: And then I saw the second one. I would call
• 44:18
  Speaker 3: it a perfect sequel. Like it's not, you know, a
• 44:21
  Speaker 3: five out of five movie or something like that. But
• 44:23
  Speaker 3: as far as like a follow-up with these characters.
• 44:25
  Speaker 1: So you're giving Home Alone 2 vibes. Yep. Sure. It's
• 44:29
  Speaker 1: up there.
• 44:30
  Speaker 3: And then I had to interview Danny Boyle.
• 44:32
  Speaker 1: Man, what a great chat. Terminator 2. What a guy.
• 44:34
  Speaker 1: He was excellent. He was so much fun. And what
• 44:37
  Speaker 1: a talent. Talent. What a fucking talent.
• 44:41
  Speaker 2: Well, I mean, speaking of, next week's episode, episode four, Pathogen,
• 44:45
  Speaker 2: directed by Robert Carlyle.
• 44:48
  Speaker 1: And here's what he had to say about directing it. Alas,
• 44:53
  Speaker 1: he got blasted. No * * * * leaves here
• 44:55
  Speaker 1: till we find out what * * * * did it.
• 44:57
  Speaker 1: Who the * * * * are you? Yes! Right
• 45:03
  Speaker 1: in the jubilees. Wow, that's a lot about the direction
• 45:07
  Speaker 1: of next week's episode.
• 45:08
  Speaker 2: Look, I defy you to prove that that is not
• 45:11
  Speaker 2: exactly how I sounded around the world whenever I put
• 45:15
  Speaker 2: on a Scottish and or Irish accent.
• 45:20
  Speaker 1: Defy us to prove it.
• 45:21
  Speaker 4: Yeah.
• 45:22
  Speaker 1: Talking about cuss. C-H-L-O-E. Oh, yeah. Chloe. Chloe. Chloe. Chloe. Chloe. Chloe. Chloe.
• 45:30
  Speaker 5: Chloe.
• 45:30
  Speaker 1: Chloe. Chloe.
• 45:30
  Speaker 5: Chloe.
• 45:30
  Speaker 4: Chloe.
• 45:31
  Speaker 2: Chloe.
• 45:44
  Speaker 1: I was supposed to be in the infirmary, wasn't I? Oh, no.
• 45:49
  Speaker 1: Just 20 minutes. Not a big deal. Not a big deal.
• 45:51
  Speaker 1: I hate to even bring it up, but I was
• 45:53
  Speaker 1: waiting in there for you. I'm not wearing a watch,
• 45:55
  Speaker 1: but somehow I know it's 20 minutes.
• 45:56
  Speaker 4: Yeah.
• 45:57
  Speaker 1: I counted in my head.
• 45:59
  Speaker 3: I actually learned ancient so I could read the numbers
• 46:01
  Speaker 3: on the wall to know that you were 20 minutes late.
• 46:04
  Speaker 1: Oh, sorry. About 20 minutes ago.
• 46:07
  Speaker 3: Sorry.
• 46:08
  Speaker 1: No, about 20 minutes ago. Sorry. In her active wear.
• 46:11
  Speaker 1: Fuck you, Chloe. You sure?
• 46:16
  Speaker 2: After everything that's happened to you, let's not do this here, okay?
• 46:20
  Speaker 1: Okay, but you really shouldn't talk to someone. Okay, but
• 46:23
  Speaker 1: we should. And.
• 46:26
  Speaker 5: I'm not saying that it has to be me.
• 46:28
  Speaker 1: If there's someone else who's more comfortable confiding it.
• 46:31
  Speaker 2: It's not that.
• 46:32
  Speaker 1: If you were the last person on the ship, it
• 46:33
  Speaker 1: still wouldn't be you. Then why aren't you?
• 46:35
  Speaker 2: I need something.
• 46:39
  Speaker 1: Look, I lost my baby. And now maybe she's in
• 46:44
  Speaker 1: a better place. Yeah, the brig. And maybe it's for
• 46:48
  Speaker 1: the best. You can't mean that. C-H-L-O-E, Chloe.
• 46:57
  Speaker 2: Chloe, worry about your magical healing bullet wound.
• 47:00
  Speaker 1: Yeah. That's what I came by to tell you. Let's
• 47:04
  Speaker 1: go and have a look at your leg. Oh, no,
• 47:05
  Speaker 1: I came here to tell you you don't even have
• 47:06
  Speaker 1: to look at it. It's not there anymore. I'm like,
• 47:08
  Speaker 1: so why the f * * * did you bring
• 47:09
  Speaker 1: up it was 20 minutes? Yeah. Why come and see
• 47:12
  Speaker 1: me at all? Passive aggressive bitch. I booked an appointment
• 47:14
  Speaker 1: to say that I didn't need an appointment.
• 47:16
  Speaker 2: F * * * off.
• 47:19
  Speaker 1: We charge for the medical appointments missed. I'm a bold villain, miss.
• 47:24
  Speaker 1: What else has Chloe got to do all day, though? Yeah, exactly.
• 47:27
  Speaker 1: There's a go-to appointment she doesn't need.
• 47:29
  Speaker 2: That was her only appointment for the entire week. That
• 47:31
  Speaker 2: was her calendar for the week.
• 47:33
  Speaker 3: She goes and gets that slot from the mess hall
• 47:34
  Speaker 3: and goes, I'm actually not hungry. I just wanted you
• 47:36
  Speaker 3: to fill up the bowl. I want my dad's shirt back.
• 47:39
  Speaker 3: But for her to say to TJ, hey, I think
• 47:41
  Speaker 3: you really need to talk through this. Like you need
• 47:43
  Speaker 3: to get some closure. And TJ going, hey, look, I
• 47:45
  Speaker 3: lost my baby.
• 47:48
  Speaker 1: And you know what? I think maybe she's in a
• 47:50
  Speaker 1: better place. You don't mean that. I'm sorry.
• 47:54
  Speaker 3: Didn't you just ask me to work through my own
• 47:56
  Speaker 3: shit by talking about it? Here I am talking about
• 47:59
  Speaker 3: it and I've come to work through it by saying that,
• 48:01
  Speaker 3: you know what, I'm trying to make myself feel better
• 48:04
  Speaker 3: by imagining that my baby is somewhere better than this
• 48:06
  Speaker 3: shithole with dumb fucking people that.
• 48:09
  Speaker 1: Ask questions without being asked to.
• 48:13
  Speaker 2: Because the better place where my baby's body is is
• 48:16
  Speaker 2: three decks below us in the cold room.
• 48:18
  Speaker 1: Yeah. Damn, that's loud. Sorry, guys. Seals, come forth. Oh,
• 48:27
  Speaker 1: that does sound familiar.
• 48:28
  Speaker 5: Now, then Zophelia, why the board of overseers would select
• 48:34
  Speaker 5: you two as protectors of the gift is beyond comprehension.
• 48:37
  Speaker 1: Quiet!
• 48:39
  Speaker 5: Now, before we leave, repeat the rules of the gift.
• 48:43
  Speaker 2: The gift must always transmogrify in a special suitcase.
• 48:48
  Speaker 1: I thought it was going to be a song. We
• 48:50
  Speaker 1: must always accompany the gift, even in hostile circumstances. We
• 48:55
  Speaker 1: will remain invisible to all but the possessor of the gift.
• 48:58
  Speaker 3: Those who steal the gift will retain no memory of
• 49:01
  Speaker 3: its possession.
• 49:02
  Speaker 2: That chick was in Chopper. Chopper's girlfriend, the prostitute. Oh,
• 49:07
  Speaker 2: Reese Muldoon was in Farscape. Yeah, it had a quick run.
• 49:12
  Speaker 2: But basically the guy has a suitcase and then anyone
• 49:15
  Speaker 2: that's given the gift opens it and then it's like it's...
• 49:19
  Speaker 2: And what is the gift? It's based on your individual. Oh,
• 49:23
  Speaker 2: so you get some kind of special aspect or something. Yeah,
• 49:25
  Speaker 2: you get a saxophone or some shit.
• 49:27
  Speaker 1: Okay, right. One dude, one of the bullies pulls out
• 49:30
  Speaker 1: a hose. Good luck, mate. You'll be siphoning fuel. Yeah,
• 49:35
  Speaker 1: turns it into a bong. Uh, just chokes people out
• 49:40
  Speaker 1: with it.
• 49:41
  Speaker 2: Yeah. What do you, what do you think Mitch in
• 49:43
  Speaker 2: terms of obviously we, um, we kind of, we, we,
• 49:47
  Speaker 2: we FTL away from the seed ship with, um, with
• 49:50
  Speaker 2: Telford on board. So do you think this is it
• 49:52
  Speaker 2: for Telford or?
• 49:53
  Speaker 5: Nope.
• 49:54
  Speaker 1: You don't think they're going to do LDP like this? No,
• 49:56
  Speaker 1: just that last shot. I would have.
• 49:58
  Speaker 3: I would have if they didn't come back and there
• 49:59
  Speaker 3: was that last shot where the aliens were surrounding. Even
• 50:02
  Speaker 3: without that, just the sort of very slight pan in
• 50:06
  Speaker 3: on his face. That's not a farewell to the character.
• 50:10
  Speaker 3: He's about to be killed by these aliens. I think
• 50:13
  Speaker 3: had it been like, oh, well, you can't blame a
• 50:15
  Speaker 3: guy for trying, they're like, all right, and the ship
• 50:16
  Speaker 3: takes off.
• 50:17
  Speaker 1: Yeah, fine. We never see him again. But no, I
• 50:21
  Speaker 1: hold very little doubt that we're– You're going to see
• 50:25
  Speaker 1: him again. So, yeah, it's just a shame that they
• 50:26
  Speaker 1: wrote his return for season three. Oh, damn it. Destiny,
• 50:32
  Speaker 1: are you there? He knew they left, though. They're not.
• 50:37
  Speaker 1: I'm playing pool. Arrested. You mean twat. See, nailed it.
• 50:44
  Speaker 1: You didn't know that that wasn't a Trainspotters sound grab? No. Yeah,
• 50:49
  Speaker 1: nailed it. All right, that's episode 332.
• 50:52
  Speaker 2: And, look, I meant to do this last week because
• 50:58
  Speaker 2: I would have made more sense when I would have said, hey,
• 51:00
  Speaker 2: if you want to.
• 51:04
  Speaker 1: Enjoy the aftermath of this.
• 51:06
  Speaker 2: Podcast, check out our Patreon. But, unfortunately, somebody turned my
• 51:10
  Speaker 2: microphone off so I couldn't do.
• 51:12
  Speaker 1: It last week. Let's talk about why. I guess now
• 51:15
  Speaker 1: I have to say. Consequences for your actions.
• 51:18
  Speaker 2: LAUGHTER That's actually a fantastic callback if everything we said
• 51:24
  Speaker 2: in this podcast makes it to the final cut, Mitch.
• 51:27
  Speaker 2: So that'll be on you, Mitch, whether just Patreon hears
• 51:30
  Speaker 2: that or whether everyone hears that. But if you'd like
• 51:34
  Speaker 2: to have an awakening of a sexual kind or whatever kind.
• 51:41
  Speaker 1: Robin Williams? Check out our Patreon, guys.
• 51:44
  Speaker 2: What? Robert De Niro and I know it was Robert
• 51:47
  Speaker 2: De Niro, Awakenings, the movie. I thought that was Rain
• 51:49
  Speaker 2: Man you were talking about. What was Awakenings?
• 51:53
  Speaker 1: It was something similar. Yeah, Robin Williams. Let's do that.
• 51:57
  Speaker 1: Next episode we record, let's do like a Patreon special
• 52:00
  Speaker 1: and we'll do that movie game. We'll just do a
• 52:02
  Speaker 1: round Robin and just see how long we can go for.
• 52:04
  Speaker 1: Round Robin Williams. Yeah.
• 52:06
  Speaker 2: So, hey, if you would like to have a spiritual awakening.
• 52:10
  Speaker 1: You're f * * * ing cool.
• 52:12
  Speaker 2: Check out our Patreon.
• 52:14
  Speaker 1: God, I hope I don't let any of these slip
• 52:16
  Speaker 1: in the edit. Yeah. That's a dangerous game to play.
• 52:18
  Speaker 1: You've done it before. It's fine. I don't think anyone cares.
• 52:22
  Speaker 1: You've let a couple of C-bombs slip. C-bombs.
• 52:23
  Speaker 2: Yeah.
• 52:24
  Speaker 1: I'm so sorry. A couple of Emilys have come through. Hey,
• 52:27
  Speaker 1: I made a sports reference. Do you reverse that one
• 52:31
  Speaker 1: at that point? I don't get it, so no. Emily Seabolt.
• 52:34
  Speaker 2: What?
• 52:34
  Speaker 1: She's a swimmer, right? Yes. Runner. No, no. I thought
• 52:37
  Speaker 1: you were talking about Anthony Seabold. Well, no, that's not it.
• 52:41
  Speaker 1: I said C-bomb.
• 52:42
  Speaker 2: Of course, Brendan doesn't know any female athletes.
• 52:44
  Speaker 1: Oh, it's a female. Anthony. Yeah, Emily Seaborn. Mate, there's
• 52:50
  Speaker 1: no such thing as gender, but we covered this. Yes,
• 52:52
  Speaker 1: there is. Read a fucking book.
• 52:55
  Speaker 2: Read a fucking book, you twat.
• 52:57
  Speaker 1: A few books.
• 52:58
  Speaker 2: Read a book while I fucking ring you with my
• 53:00
  Speaker 2: pool cue, you fuck.
• 53:03
  Speaker 1: And I force feed you my tablet, and tablet's my
• 53:06
  Speaker 1: nickname for my cork. See, that's good.
• 53:11
  Speaker 2: Shout out to Maddie Jones, who joined our Patreon.
• 53:14
  Speaker 1: Welcome, Maddie. Jonesy. I'm sorry that I just talked about
• 53:18
  Speaker 1: sodomy with Brendan. No, you're not. With a pool cue
• 53:21
  Speaker 1: and sugary goods. He does that every week. Yeah.
• 53:26
  Speaker 2: Oh, Maddie's MJ. She's a smooth criminal. Maddie Jones, the
• 53:31
  Speaker 2: smooth criminal. Also, shout out to Josh Doolin. That sounds
• 53:38
  Speaker 2: like a footballer's name.
• 53:39
  Speaker 1: The Dules. The Dules. The Dules star. Your fucking Dules.
• 53:44
  Speaker 2: And shout out to Bishop to Crows Level 3.
• 53:49
  Speaker 1: Bishop! That sounds like a Chamber of Secrets reference. What
• 53:52
  Speaker 1: is it, Bishop? Bishop to Crows Level 3. Are you
• 53:57
  Speaker 1: playing chess? That's what I thought.
• 53:59
  Speaker 2: That's why I made the Harry Potter reference to Chamber
• 54:02
  Speaker 2: of Secrets. When they have to play, remember?
• 54:05
  Speaker 1: Knight to E3! And all that shit. I do because
• 54:08
  Speaker 1: I went and saw it in cinemas last week. I
• 54:10
  Speaker 1: don't know if I mentioned it. Yeah. Look, I've got
• 54:12
  Speaker 1: the books and the DVDs. Shadow Pieces? Did you Google
• 54:15
  Speaker 1: what Crow's Level 3 is? Yeah.
• 54:18
  Speaker 2: Bishop to Crow's Level 3. Well, clearly we just have
• 54:21
  Speaker 2: to Australianize that.
• 54:22
  Speaker 1: I don't know what it means.
• 54:23
  Speaker 2: He's either Bisho or Crowey. Which one are we doing?
• 54:28
  Speaker 1: I reckon Bisho. Yeah, Bisho. Bisho.
• 54:31
  Speaker 2: So we've got Bisho, MJ, Smooth Criminal, and Josh Doolin, J.D.?
• 54:37
  Speaker 2: JD and Coke, please.
• 54:38
  Speaker 1: JD Vance. No, no, we can't do that one.
• 54:41
  Speaker 2: No.
• 54:42
  Speaker 1: Oh, that's where Mitchell draws the line. Oh, the couch.
• 54:45
  Speaker 1: The couch fucker.
• 54:46
  Speaker 2: Yeah. So thank you to all our Patreons.
• 54:53
  Speaker 1: Patrons, Patreons. Thank you very much. Why didn't you bring them?
• 55:07
  Speaker 1: Because I f * * * ing told you to
• 55:09
  Speaker 1: bring them, you Dutch.
• 55:09
  Speaker 4: C * * *.
• 55:11
  Speaker 1: Dutch c * * *. That's the most viewed part
• 55:13
  Speaker 1: of that video. That's so funny. That is so funny.
• 55:20
  Speaker 1: All right. Catch you c * * * s later. Oh, Jesus.
• 55:25
  Speaker 1: You fat c * * *. Get into geek. Get
• 55:29
  Speaker 1: into gate Stargate podcast.
• 55:32
  Speaker 4: Get into it now before it's too late.